Podcast appearances and mentions of larry mullen

Send us a textSocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Instagram:  www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcastPodcast theme music by Paul J Rogers. Find him here:Spotify: https://open.spotify.com/artist/78Xwc4m4KtH2BPDLFDOQVd?si=gmLeRYAtQc2MK-DXPDZ6QwWebsite: https://pauljrogers.com/Instagram: https://www.instagram.com/pauljrogersmusic/             TikTok: https://www.tiktok.com/@pauljrogersmusic?_t=8qX73fxwaQhhttps://www.instagram.com/3_chords_and_the_truth/

Send us a textHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Instagram:  www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcastPodcast theme music by Paul J Rogers. Find him here:Spotify: https://open.spotify.com/artist/78Xwc4m4KtH2BPDLFDOQVd?si=gmLeRYAtQc2MK-DXPDZ6QwWebsite: https://pauljrogers.com/Instagram: https://www.instagram.com/pauljrogersmusic/             TikTok: https://www.tiktok.com/@pauljrogersmusic?_t=8qX73fxwaQhhttps://www.instagram.com/3_chords_and_the_truth/

Send us a textSocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Instagram:  www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcastPodcast theme music by Paul J Rogers. Find him here:Spotify: https://open.spotify.com/artist/78Xwc4m4KtH2BPDLFDOQVd?si=gmLeRYAtQc2MK-DXPDZ6QwWebsite: https://pauljrogers.com/Instagram: www.instagram.com/pauljrogersmusic/             TikTok: www.tiktok.com/@pauljrogersmusic?_t=8qX73fxwaQhhttps://www.instagram.com/3_chords_and_the_truth/

Send us a textSocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Theme song: Paul Rogers www.instagram.com/pauljrogersmusic/Instagram:  www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcasthttps://www.instagram.com/3_chords_and_the_truth/

Send us a textHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Instagram:  www.instagram.com/justhitplaypodcast/Facebook: www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcastPodcast theme music by Paul J Rogers. Find him here:Spotify: https://open.spotify.com/artist/78Xwc4m4KtH2BPDLFDOQVdWebsite: https://pauljrogers.com/Instagram: www.instagram.com/pauljrogersmusic/             TikTok: www.tiktok.com/@pauljrogersmusic?_t=8qX73fxwaQhhttps://www.instagram.com/3_chords_and_the_truth/

Send us a textHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Instagram:  www.instagram.com/justhitplaypodcast/Facebook: www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcastPodcast theme music by Paul J Rogers. Find him here:Spotify: https://open.spotify.com/artist/78Xwc4m4KtH2BPDLFDOQVd?si=gmLeRYAtQc2MK-DXPDZ6QwWebsite: https://pauljrogers.com/Instagram: https://www.instagram.com/pauljrogersmusic/             TikTok: https://www.tiktok.com/@pauljrogersmusic?_t=8qX73fxwaQhSocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Theme song: Paul Rogers www.instagram.com/pauljrogersmusic/Instagram: www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcast

Send us a textSocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Theme song: Paul Rogers www.instagram.com/pauljrogersmusic/Instagram:  www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcastSocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Theme song: Paul Rogers www.instagram.com/pauljrogersmusic/Instagram: www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcast

Send us a textSocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enAndrew Parsons (he is not on social media)Theme song: Paul Rogers www.instagram.com/pauljrogersmusic/Instagram: www.instagram.com/3_chords_and_the_truth/Email: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcast

I denne uges udsendelse kaster vi os endnu engang over den smukke forening af sport og musik. Det er nemlig snart tid til finalen i den amerikanske NFL – på søndag er der endnu engang Super Bowl. Og når man har sagt Super Bowl, så må man også sige Half Time Show, og det er selvfølgelig her vores fokus ligger. Vi kigger på historien om en af verdens største scener for en hvilken som helst musiker, og vi går igennem hele historien fra 1967 til 2025. Undervejs laver vi 10 nedslag og tager fat i nogle af de mest fantastiske, kontroversielle, beundringsværdige, mærkelig eller direkte pinlige halftime shows, og I kommer til at møde vidunderlige kunstnere som f.eks. Prince, Sir Paul McCartney, Shakira, Gloria Estefan, U2, Dr. Dre og Michael Jackson. Derudover øser vi ud af vores lidt begrænsede viden om amerikansk fodbold, vi snakker om hvornår amerikanerne skyller ud i toilettet, vi mindes fantastiske Left Shark, Andy deler ud af sin begejstring for tennis, og så bliver det desuden til en snak om så forskellige emner som, en blind mand i en bil, en evigt ung Larry Mullen, Nipplegate, Line Baun Danielsen, autotune på overdrive og minsandten også en syngende George W. Bush. Playliste: Bruce Springsteen and the E Street Band - Tenth Avenue freeze-out Michael Jackson - Jam/Billie Jean Stevie Wonder - Sir Duke Gloria Estefan - Turn the beat around U2 - Beautiful day Justin Timberlake with Janet Jackson - Rock your body Paul McCartney - Live and let die Prince - We will rock you/Let's go crazy Prince - Baby I'm a star/Proud Mary The Black Eyed Peas - I gotta feeling Missy Elliott and Katy Perry - Get ur freak on/Work it Shakira - She wolf/Empire/Kashmir Dr. Dre and Snoop Dogg - The next episode/California love Kendrick Lamar - Not like us

- Sting annonce deux concerts en France - Le Carpool Karaoke revient avec des invités prestigieux - Larry Mullen de U2 révèle un trouble qui complique ses performances sur scène

Les classiques du jour : - Franz Ferdinand "The Dark Of The Matinée" - ZZ Top "Tush" Les nouveautés du jour : - Those Damn Crows "Still" - Snoop Dogg, Dr Dre, Tom Petty & Jelly Roll "Last Dance With Mary Jane" - Pogo Car Crash Control "Don't Get Sore" Le journal de la musique : - Sting annonce deux concerts en France - Le Carpool Karaoke revient avec des invités prestigieux - Larry Mullen de U2 révèle un trouble qui complique ses performances sur scène Le coup de cœur : Gaspard Royant "All The Best For Christmas" Le live du jour : Sheryl Crow "All I Wanna Do" (Live at the Capitol Theatre, New York, 2017)

You thought you knew U2's origin story? Well, did you know no one actually responded to Larry Mullen's post about wanting to start a band on the Mt Temple bulletin board? Or, did you know that the band once had a flutist and two female backing vocalists onstage? Or that they scored their first TV appearance by fooling the RTE booker into thinking they wrote the Ramones' "Glad to See You Go"? Or that the trace elements of Zoo TV's embrace of Dada and surrealism actually dates back to when Bono and Gavin Friday studied mime in 1979 and that theatricality became a big part of U2's stage show at the time? Or, that after every record label in the UK gave U2 a hard pass on all 4 demos they'd done from 1978-1980, they pulled off one of the great cons ever which finally got them signed to Island Records? We've got the stories behind the stories in this deep dive into the U2 Origin Story.

U2 have millions of admirers—and haters: from the fans who regard them as rock's conscience, to the cynics who blanch at lead singer Bono's self-importance. Here's the thing: U2 want to play to both crowds. They know why the haters can't stand them. After a decade of earnestness in the '80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the '90s age of irony. This shouldn't have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don't mean to bug ya, but…why can't we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

U2 have millions of admirers—and haters: from the fans who regard them as rock's conscience, to the cynics who blanch at lead singer Bono's self-importance. Here's the thing: U2 want to play to both crowds. They know why the haters can't stand them. After a decade of earnestness in the '80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the '90s age of irony. This shouldn't have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don't mean to bug ya, but…why can't we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

U2 have millions of admirers—and haters: from the fans who regard them as rock's conscience, to the cynics who blanch at lead singer Bono's self-importance. Here's the thing: U2 want to play to both crowds. They know why the haters can't stand them. After a decade of earnestness in the '80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the '90s age of irony. This shouldn't have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don't mean to bug ya, but…why can't we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

U2 have millions of admirers—and haters: from the fans who regard them as rock's conscience, to the cynics who blanch at lead singer Bono's self-importance. Here's the thing: U2 want to play to both crowds. They know why the haters can't stand them. After a decade of earnestness in the '80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the '90s age of irony. This shouldn't have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don't mean to bug ya, but…why can't we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

U2 have millions of admirers—and haters: from the fans who regard them as rock's conscience, to the cynics who blanch at lead singer Bono's self-importance. Here's the thing: U2 want to play to both crowds. They know why the haters can't stand them. After a decade of earnestness in the '80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the '90s age of irony. This shouldn't have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don't mean to bug ya, but…why can't we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

A great wide-ranging chat with Boy George, who had told me in 1987 that he fancied Larry!

Más piezas instrumentales de los géneros más diversos. Esquivel y su Orquesta espacial. Erobique y su germánica manera de grabar y orquestar. Aquel rock sinfónico de Camel que fue tan aclamado en España. La base rítmica de U2 afrontando la música de “Misión Imposible”. El canadiense Mocky tan heredero de Esquivel. La fusión del musical y el rock progresivo de Alana Parsons Project. Las guitarras de Steve Morse o Pedro Andrea. El piano de Bob James… Y algo más: Hasuchka y… DISCO 1 BOB JAMES ObsessionsDISCO 2 EROBIQUE MantasDISCO 3 CAMEL RhayaderDISCO 4 STEVE MORSE  General LeeDISCO 5 LARRY MULLEN & ADAM CLAYTON Mission Impossible ThemeDISCO 6 MOCKY JinkyDISCO 7 HAUSCHKA InventionsDISCO 8 STEVE HOWE ProvenceDISCO 9 ALAN PARSONS PROJECT Beyond The Pleasure PrincipleDISCO 10 MAX BEESLEY’S HIGH VIBES We’ll Always Have YesterdayDISCO 11 PEDRO ANDREA Four BrothersDISCO 12 GO.SOUL.MAP Back In The UnderwaterDISCO 13 PIANET WatercolorDISCO 14 ESQUIVEL Lazy BonesEscuchar audio

Peter and Andrew have been friends for over 30 years.  Having seen many Rock shows, traveling around the world together they talk all things U2 and review U2 in Vegas playing the Sphere.  SocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enNick Cabral: www.instagram.com/nickcabral37/Producer: Darryn Arndt: www.instagram.com/darrynarndt/Theme song: Braden Mutch: www.instagram.com/braden_mutch/Instagram: www.instagram.com/justhitplaypodcast/Facebook: www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcast

Stephen welcomes legendary U2 frontman Bono for an exclusive extended interview that begins with a trip back in time to the 1970s when, as a high school student, Bono met the woman he would one day marry, and linked up with the men who would become his lifelong bandmates: Adam Clayton, Larry Mullen, Jr., and The Edge. Stick around as Bono and Stephen explore the stories in Bono's new book, “Surrender: 40 Songs, One Story.” Original Air Date: November 3rd, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices

Things kick off with some sundry food talk. John shows no interest in party-cut pizza or fruit juice concentrates, and Merlin identifies a perplexing class of food that's made of the wrong food. Follow-up brings updates on how John tries to make his app play nice with macOS weirdness, and there's some important reconsideration regarding what Larry Mullen, Jr. actually said about the location where The King was laid to rest. Speaking of music, with pretty much zero provocation, Merlin launches into a jeremiad about a pet peeve with bad needle drops. What a waste. Finally, your hosts talk about the movie, *Gattaca* (1997). John saw it a long time ago, and Merlin has watched it most of the way through. Which is just to get to the **actual** point: how would your hosts approach teaching the other to _be_ them? John dutifully lays out a bulleted list of items Merlin needs to immediately start changing about himself. (_Recorded on Tuesday, May 16, 2023_)

U2 released Songs of Surrender, a new compilation of some of their best songs stripped down and reworked, on St. Patrick's Day 2023. We knew that was coming but what was a bit of a surprise was on the same day they released a documentary/performance via Disney+. Titled Bono & The Edge - A Sort of Homecoming with David Letterman, it captures the legendary singer & guitarist without their bandmates (Larry Mullen, Jr. was recovering from an injury, Adam Clayton was making a film) in Dublin discussing how some of their biggest and best songs came to be, how they've reworked them and even how they've updated them. David Letterman serves as the narrator/interviewer and is very Dave, not only when speaking with Bono & The Edge but with Dubliners, Irish citizens, and performers. We're generally not in favor of reworking or changing classic tunes but the band have found an amazing balance between staying true to the original while stripping it down to it's essentialness. The boys give Dave and the viewer a better understanding of what it means to be Irish, how Dublin has evolved in the last 50 years and where the band find themselves now. The real treat is the two performances - one at The Rotunda which was once a hospital (where Bono was born) and one at McDaids Pub whis is more than 200 years old. To watch them perform in both these settings with friends like Glen Hansard in an intimate setting is special and that's why we did this episode on this very special show. Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10%! Learn more about your ad choices. Visit megaphone.fm/adchoices

U2 released Songs of Surrender, a new compilation of some of their best songs stripped down and reworked, on St. Patrick's Day 2023. We knew that was coming but what was a bit of a surprise was on the same day they released a documentary/performance via Disney+. Titled Bono & The Edge - A Sort of Homecoming with David Letterman, it captures the legendary singer & guitarist without their bandmates (Larry Mullen, Jr. was recovering from an injury, Adam Clayton was making a film) in Dublin discussing how some of their biggest and best songs came to be, how they've reworked them and even how they've updated them. David Letterman serves as the narrator/interviewer and is very Dave, not only when speaking with Bono & The Edge but with Dubliners, Irish citizens, and performers. We're generally not in favor of reworking or changing classic tunes but the band have found an amazing balance between staying true to the original while stripping it down to it's essentialness. The boys give Dave and the viewer a better understanding of what it means to be Irish, how Dublin has evolved in the last 50 years and where the band find themselves now. The real treat is the two performances - one at The Rotunda which was once a hospital (where Bono was born) and one at McDaids Pub whis is more than 200 years old. To watch them perform in both these settings with friends like Glen Hansard in an intimate setting is special and that's why we did this episode on this very special show. Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10%! Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve noticed that U2's Adam Clayton and Larry Mullen didn't come close to looking like rock stars in the early U2 days. Today is National Goof Off Day. Song Stories. We brought back an old bit from the Dave days, but used a listener to play Classic Rock Poker.

Things in the crosshairs this week include … … why it took 34 years to get De La Soul on a streaming service. … Radio 2's ham-fisted handling of the departure of Ken Bruce – and are R2 and Greatest Hits Radio two bald men fighting over a comb if music radio seems doomed to die? … the new fun-sized Axl Rose. … U2's stand-in drummer Bram van den Berg is like “Jimmie Nicol on stilts”. … the BBC and Glastonbury re John Peel: never name anything after a celebrity! ... “Jackson Browne would never have been anything without David Lindley”. … what made the Spice Girls successful? … Steely Dan's Aja, Joni Mitchell's Paprika Plains and other places to hear Wayne Shorter's divine embroideries.   … comedy skits on records. … plus David Lindley's effortless fashion statements – “Jackson Browne could emerge from a plane crash looking like Cary Grant but Lindley could have had stylists working round the clock for three days and still looked like an unmade bed”.Subscribe to Word In Your Ear on Patreon to receive every future Word Podcast early and ad-free!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Things in the crosshairs this week include … … why it took 34 years to get De La Soul on a streaming service. … Radio 2's ham-fisted handling of the departure of Ken Bruce – and are R2 and Greatest Hits Radio two bald men fighting over a comb if music radio seems doomed to die? … the new fun-sized Axl Rose. … U2's stand-in drummer Bram van den Berg is like “Jimmie Nicol on stilts”. … the BBC and Glastonbury re John Peel: never name anything after a celebrity! ... “Jackson Browne would never have been anything without David Lindley”. … what made the Spice Girls successful? … Steely Dan's Aja, Joni Mitchell's Paprika Plains and other places to hear Wayne Shorter's divine embroideries.   … comedy skits on records. … plus David Lindley's effortless fashion statements – “Jackson Browne could emerge from a plane crash looking like Cary Grant but Lindley could have had stylists working round the clock for three days and still looked like an unmade bed”.Subscribe to Word In Your Ear on Patreon to receive every future Word Podcast early and ad-free!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Things in the crosshairs this week include … … why it took 34 years to get De La Soul on a streaming service. … Radio 2's ham-fisted handling of the departure of Ken Bruce – and are R2 and Greatest Hits Radio two bald men fighting over a comb if music radio seems doomed to die? … the new fun-sized Axl Rose. … U2's stand-in drummer Bram van den Berg is like “Jimmie Nicol on stilts”. … the BBC and Glastonbury re John Peel: never name anything after a celebrity! ... “Jackson Browne would never have been anything without David Lindley”. … what made the Spice Girls successful? … Steely Dan's Aja, Joni Mitchell's Paprika Plains and other places to hear Wayne Shorter's divine embroideries.   … comedy skits on records. … plus David Lindley's effortless fashion statements – “Jackson Browne could emerge from a plane crash looking like Cary Grant but Lindley could have had stylists working round the clock for three days and still looked like an unmade bed”.Subscribe to Word In Your Ear on Patreon to receive every future Word Podcast early and ad-free!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Missed some of your favourite bits during the week? Want to catch up on the craic from Dermot and Dave? Well look no further than the Dermot and Dave Best Of podcast, your home for all of the messing with none of the music. Whether you're on a drive, out on a walk, getting stuck into the gaff or garden or looking for a bit of distraction from work, the Dermot and Dave Best of podcast has just some of our favourite moments from the week gone by. It's been a busy week for us, and we've even given away some lap blankets! Dave was horrified when he was tricked into believing that Valentines Day had an even bigger meaning this year, Seán got the nation fighting over their favourite roads and we even heard Cathal's weird Lilt theory. We learnt about the most popular name in music, Dermot explained why he won't be taking over from Larry Mullen on drums and we asked the question…when should you get a pint during a match? Plus all your faves from Dave's Bad Jokes to Say Stuff that Suits The Music and some of the most incredible stories from schooldays of yesteryear.

Following last week's emotional bombshell, Craig Fitzpatrick and Dave Hanratty commit to a difficult future by refusing to share the same physical space – that's right, it's a Zoom-based episode. Unavoidable logistical circumstances or something more sinister? Who can say?In any event, there's a lot to discuss this week. We've got respective cinema outings. We've got the musical element of the Super Bowl. We've got Matty Healy's mission to get cancelled by his own loyal stan-base. And we've got some superb music for our latest Top 5 face-off. Meanwhile, we want to hear from YOU about the future of this very show. Feel free to drop a mail to noencoreshow@gmail.com with any and all feedback, which is very much welcome. And we're over on patreon.com/noencore if you can support what we do.ACT ONE: It's the preamble in which we ramble – Craig reflects on his announcement and reports back from a romantic cinema jaunt. Dave, meanwhile, had some notable big-screen experiences of his own. ACT TWO (21:24): A busy news section takes in the sad passing of De La Soul icon Trugoy The Dove, Rihanna's date with the Super Bowl, U2's upcoming Las Vegas-set Larry Mullen-less endeavour, and Matty Healy podcast anxiety.ACT THREE (1:01:19): Top 5 Title Tracks. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

It's hard to believe it's been 40 years since U2 released War in early 1983. Though U2 had been gaining ground on their first two albums Boy and October, it was War that set them on the path to superstardom. Buoyed by the big hits New Years Day and Sunday Bloody Sunday, U2 had really found their footing with the help of producer Steve Lillywhite. The Edge was creating amazing melodies and textures through his guitar and piano, Adam Clayton and Larry Mullen, Jr. were honing themselves into a foundational and funky rhythm section while Bono was really finding his voice as a singer and songwriter. Though singing about war, love, inequality and things you don't always hear about on pop/rock records, U2 came across as earnest and steadfast in their beliefs. Thanks to MTV, the boys broke out big in American and sold more than 6 million copies. The 100+ date tour saw them go from playing clubs to playing arenas and some huge festivals. Though U2 would go on to have even bigger selling records, we always look back to this one as the real start of the juggernaut that win the hearts of American and the world. Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10% off all orders! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's hard to believe it's been 40 years since U2 released War in early 1983. Though U2 had been gaining ground on their first two albums Boy and October, it was War that set them on the path to superstardom. Buoyed by the big hits New Years Day and Sunday Bloody Sunday, U2 had really found their footing with the help of producer Steve Lillywhite. The Edge was creating amazing melodies and textures through his guitar and piano, Adam Clayton and Larry Mullen, Jr. were honing themselves into a foundational and funky rhythm section while Bono was really finding his voice as a singer and songwriter. Though singing about war, love, inequality and things you don't always hear about on pop/rock records, U2 came across as earnest and steadfast in their beliefs. Thanks to MTV, the boys broke out big in American and sold more than 6 million copies. The 100+ date tour saw them go from playing clubs to playing arenas and some huge festivals. Though U2 would go on to have even bigger selling records, we always look back to this one as the real start of the juggernaut that win the hearts of American and the world. Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10% off all orders! Learn more about your ad choices. Visit megaphone.fm/adchoices

Estamos de vuelta e iniciamos el 2023 con nuestros irlandeses favoritos, U2. Regresamos a los días convulsos de negociación y tomas falsas del disco Achtung Baby antes de su materialización. Los siempre inquietos Bono y The Edge buscaban nuevos sonidos mientras los maquinistas Larry Mullen y Adam Clayton no buscaban nada. Esto era una verdadera Achtung Crisis. Presenta Ricardo Portman. Escucharemos Lady With The Spinning Head (UV1), Alex Descends Into Hell For A Bottle Of Milk/Korova 1, Blow Your House Down, Where Did It All Go Wrong?, Salomé, The Lounge Fly Mix y One (todos bonus tracks de la edición aniversario de Achtung Baby excepto One). Espacio patrocinado por Salva Martínez, Bruno M., Andrés M. Martín y varios mecenas anónimos… ¡GRACIAS! Si os gusta el programa podéis apoyar Ecos del Vinilo Radio siendo patrocinadores ¡por lo que vale un café al mes! desde el botón azul de iVoox. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Generación Radio (Medellín, Colombia) jueves y domingos 19:00 (hora Col.) Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

Topics include Allen Iverson's interesting rap career, Band Injury report w/ Larry Mullen of U2 taking a break and letting everyone know, live audiences suck now, dead celebrities getting canceled and more ! Special thanks to Joe Collet and the Shred, check em out @ tallandmeanrecords.com MBU - Fleetwood Mac's Christine McVie, actress Kirstie Alley and widow of Marvin Gaye, Janis Gaye Slaps - Morgan Wallen, A$AP Rocky, Metro Boomin', the Weeknd, 21 Savage, Lana Del Ray, McKinley Dixon Does It Slap Playlist - https://bit.ly/DoesItSlapPatreon - http://patreon.com/thehustleseasonBandcamp - http://thehustleseason.bandcamp.comTHS YouTube -https://bit.ly/THSYouTubeChannelInstagram - http://instagram.com/thehustleseasonTwitter - http://twitter.com/thehustleseasonSpring (fmrly Teespring) - https://bit.ly/HustleSeasonMerchFacebook - http://bit.ly/HustleSeasonFBThe Hustle Season on Apple Podcasts - https://bit.ly/TheHSPodcastAppleThe Hustle Season on Spotify Podcasts - https://bit.ly/TheHSPodcastSpotify

Let's get this straight...-Iggy Pop has a new album, Every Loser and tour dates with those Red Hot Chili Peppers!!!-The Who HITS BACK with first EU dates in seven years!-Brian May plots a course for the Starfleet box set...engage!-Biopic of the life of G.G. Allin planned!-Motorhead Final: Previously unheard track no longer muted!-Millionaire Mansion Wars: Robbie Williams vs. Jimmy Page, Ugly Holiday Sweater Edition!!!-To U2 or not U2, that is the 2023 question. Let's get an answer! We love our sponsors!!! Please visit their web sites, and support them because they make this crazy show go:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/    

John Caddell and Dave Hanratty joined Matt on The Last Word to discuss the latest music news including U2 drummer Larry Mullen needing surgery to continue performing and Rolling Stone's list of the 50 worst decisions in music history. Catch the full chat by pressing the 'Play' button on this page.

Hey youths! Want Stephen Colbert to follow you on TikTok? Here's what to do: GO VOTE, then post a TikTok of yourself with your “I Voted” sticker and tag @colbertlateshow. Stephen welcomes legendary U2 frontman Bono for an exclusive extended interview that begins with a trip back in time to the 1970s when, as a high school student, Bono met the woman he would one day marry, and linked up with the men who would become his lifelong bandmates: Adam Clayton, Larry Mullen, Jr., and The Edge. Stick around as Bono and Stephen explore the stories in Bono's new book, “Surrender: 40 Songs, One Story.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The podcast is back! It's the eighth season! Nothing but illustrious guests! Kevin welcomes comedian and podcast host Ashley Hamilton to the program, and the two chop it up about living with relatively young dogs, alternative rock from the 1990s, and how difficult podcasting during the pandemic has been. They also discuss the eclectic mix of music Ashley selected to bring onto the show. To learn more about the podcast Ashley co-hosts, Celebrity Memoir Book Club, click here; to learn more about Ashley herself, follow her on Instagram or Twitter. For additional information about Anhedonic Headphones, please click here.    Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011.  Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996.   "Losing My Religion," written by Michael Stipe, Bill Berry, Peter Buck, and Mike Mills; performed by R.E.M. Out of Time, Warner Brothers, 1991. "Deadbeat Club," written by Kate Pierson, Fred Schneider, Keith Strickland, and Cindy Wilson; performed by The B-52's. Cosmic Thing, Reprise, 1989. "Song For Someone," written by Bono, The Edge, Adam Clayton, and Larry Mullen; performed by U2. Songs of Innocence, Interscope, 2014. "Ocean Avenue," written by Ryan Key, Ben Harper, Pete Mosely, Longineu W. Parsons III, and Sean Mackin; performed by Yellowcard. Ocean Avenue, Capitol, 2003. "Like Real People Do," written by Andrew John Hozier-Byrne; performed by Hozier. Hozier, Island/Columbia, 2014. "Ultralight Beam," written by   Kanye West, Michael Dean, Kelly Price, Terius Nash,Nico Segal, Kirk Franklin, Kasseem Dean, Chancelor Bennett, Noah Goldstein, Jerome Potter, Samuel Griesemer, Cydel Young, Malik Jones, and Derek Watkins; performed by Kanye West featuring Chance The Rapper and Kirk Franklin. The Life of Pablo, G.O.O.D Music/Def Jam, 2016. "Strong Enough," written by Sheryl Crow, Bill Bottrell, Kevin Gilbert, Brian MacLeod, David Ricketts, and David Baerwald; performed by Sheryl Crow. Tuesday Night Music Club, A&M, 1993. "Dear John," written and performed by Taylor Swift. Speak Now, Big Machine, 2010. "Undone—The Sweater Song," written by Rivers Cuomo; performed by Weezer. Weezer (The Blue Album), DGC, 1994. "Autobiography," written by  Ashlee Simpson, John Shanks, and Kara DioGuardi; performed by Ashlee Simpson. Autobiography, Geffen, 2004.   

Churchill: The Musical writes itself, but the tunes would be muck. Why is there no Sinatra biopic? And who would play Bono should his story ever reach the big screen? Clearly, Al Pacino is in for Larry Mullen on the drums, but who fronts the thing?

Great band, great album, great guest.  U2's The Joshua Tree is an iconic album and just so happens to be Brad's favorite album of all-time.  This record left an indelible mark on music  and catapulted U2 to worldwide fame. We break it down one song at a time for you.Joining us this week is Craig Arnold, who we consider somewhat of a music expert. A huge U2 fan, he also has a few years on us, so his perspective adds plenty of insight to the discussion. From other U2 albums to the 30th anniversary tour for The Joshua Tree, we cover a lot of ground. We also share our top music of 1987 overall. We hope you find what you're looking for! Want to support our show and become a PCY Classmate? Check out https://www.buymeacoffee.com/PCYearbook!If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen, follow us on Twitter and/or Facebook, and most importantly, tell a friend to listen!Interested in starting your own podcast? Click on the link below to get started and earn a $20 Amazon gift card when you sign up with Buzzsprout!https://www.buzzsprout.com/?referrer_id=1576564Support the show

Great band, great album, great guest.  U2's The Joshua Tree is an iconic album and just so happens to be Brad's favorite album of all-time.  This record left an indelible mark on music  and catapulted U2 to worldwide fame. We break it down one song at a time for you.Joining us this week is Craig Arnold, who we consider somewhat of a music expert. A huge U2 fan, he also has a few years on us, so his perspective adds plenty of insight to the discussion. From other U2 albums to the 30th anniversary tour for The Joshua Tree, we cover a lot of ground. We also share our top music of 1987 overall. We hope you find what you're looking for! Want to support our show and become a PCY Classmate? Check out https://www.buymeacoffee.com/PCYearbook!If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen, follow us on Twitter and/or Facebook, and most importantly, tell a friend to listen!Interested in starting your own podcast? Click on the link below to get started and earn a $20 Amazon gift card when you sign up with Buzzsprout!https://www.buzzsprout.com/?referrer_id=1576564Support the show

Episode 69 That Great Business Show brings you one hour of insights about the past, present and future of Ireland's music industry, from legendary veteran promoter Pat Egan, the man who brought acts including Queen, Elton John, Bob Marley and of course Billy Connolly to Ireland.These great insights are brought to you, as always, courtesy of our sponsor, De Facto, the world's best shaving oil. www.DeFactoShave.com To start with, ever modest, he says he's not a legend and that the word is overused.Given the sometimes meagre returns (and he's had a couple of disasters that he discusses) he agreed that music promotion could be seen as a form of gambling.He talks about the enormous appetite there is in Ireland for live music events. He discusses the Garth Brooks phenomenon and his concert promoter in Ireland, Peter Aien. That leads into complaining about some of Ireland's best known country & western artists, including Daniel O'Donnell, Margo He says it's very hard to make money from big events now because artists are taking up to 100% of ticket sales. Mid-sized acts, attracting 1,500 people, find it almost impossible to make money.Then he discusses Live Nation, who own/manage or have an involvement in thousands of venues, including all the major Irish venues, plus they own Ticketmaster that sell the tickets for those venues, and they manage 500 major acts who appear in those venues. He is effectively locked out of the bigger venues he implies. A California based law suit, launched this week, makes claims of monopolistic behaviour against the Live Nation.Down, but never out, not being able to access some of his favourite venues like the Olympia or the Gaiety Theatres meant that he has recently struck a deal with University College Dublin to run up to 100 nights of gigs in the magnificent O'Reilly Hall in UCD. His mentor was Oliver Barry, who was also his silent partner.His biggest financial disaster was courtesy of Julio Iglesias whose concert bombed and cost Pat £185,000 of a loss. Ouch.Pat has some interesting views on the future of radio and its importance in promoting new talent.Another woulda/coulda/shoulda moment was when he had the chance to sign U2and he talks about Larry Mullen offering to play for free to support the Stranglers at the Top Hat venue on Dublin's southside. His 'hire in a heartbeat', Garret Delaney and Caroline O'Neill, both who have worked with Pat for years and who helped make it all possible. Hosted on Acast. See acast.com/privacy for more information.

A grand finally to our series of the U2s turning 60! Finally, the baby of the group, Larry Mullen, Jr., the founder of the Larry Mullen Band, gets his turn at 60 Fun Facts. Enjoy and cheers to our favorite drummer! www.thegardentarts.com SUPPORT: www.patreon.com/thegardentarts MERCH: thegardentarts.com twitter: @the_gardentarts instagram: @the_gardentarts CHARITY OF THE MONTH: Irish Hospice Foundation --- Send in a voice message: https://anchor.fm/thegardentarts/message

İrlandiyanın məşhur rok-qrupu olan "U2" üzvü - Larry Mullen !

Denne gangen blir det Haralds kjøkken med både pølseskabagetthi og kjøttsaus på "kuk". Thomas er spent før premieren og byr igjen på en søvngjenger-historie fra virkeligheten. Og så mimrer de tilbake til da de møtte en av sine største helter- Larry Mullen jr. fra U2. See acast.com/privacy for privacy and opt-out information.

In 1987 during my first interview with Boy George, he said "tell Bono if he still hasn't found what he is looking for, to look behind the drum kit!" The quote was winged around the world courtesy of MTV News. Six years later, we did our second interview and that subject, naturally enough, was raised at the start. But much as Boy George lusted after Larry we then went on to discuss, for The Joe Jackson Interview slot om The Irish Times, a broad set of issues and subjects in-depth - but always with Boy George's irrepressible sense of humour. 

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Violence, espionage, conspiracy, murder, nuclear bombs. We’re closing out our Series: Impossible with a movie that isn’t the best…but it also isn’t the worst. The story for this movie hinges on a boring MacGuffin and a ton of easter eggs that only people who’ve watched the whole franchise closely (aka US) will appreciate. The characters are all spread too thin, the plot’s watered down to nothing, and even the stunts are a little underwhelming compared to the last installment. AND YET. We get to see more fun and quips from Benji and Ethan, more thoughtful development of Ethan and Claire’s relationship, a new character with ties to the first movie - there’s a lot of character development to chew on. And at the end of the day, it’s still a hell of a popcorn movie. We finish our “Series: Impossible” with Mission: Impossible - Fallout this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Theme from Mission: Impossible,” written by Lalo Schifrin, produced and arranged by Larry Mullen with David Beal, and performed by Adam Clayton and Larry Mullen . Copyright 1996 mother records. Excerpts taken from the film Mission: Impossible - Fallout are © 2018 Paramount Pictures Corporation. All Rights Reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Violence, espionage, trauma, gaslighting, panic/anxiety. At some point you just knew we were going to run across a movie in this series for which we had some differences of opinion. Turns out it’s this 2015 entry, which is both fun as hell and also very derivative of another spy we’ve talked about extensively on this show. But Bond aside, there’s a lot of humor, a lot of intrigue, and a lot of character growth for Benji in this installment. Our villain, though, is pretty lackluster, and this movie just…drags…on. And of course, we’d be remiss if we didn’t mention the absolutely bonkers stunt of holding on to dear life to an actual jet airplane as it takes off from a runway. Because, why not, says Tom Cruise. We continue our “Series: Impossible” with Mission: Impossible - Rogue Nation this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Theme from Mission: Impossible,” written by Lalo Schifrin, produced and arranged by Larry Mullen with David Beal, and performed by Adam Clayton and Larry Mullen . Copyright 1996 mother records. Excerpts taken from the film Mission: Impossible - Rogue Nation are © 2015 Paramount Pictures. All Rights Reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Violence, espionage, trauma, gaslighting, panic/anxiety. If M:I III was the forerunner of the Mission: Impossible franchise, then this week’s film proved the franchise was immensely profitable. And it also happens to be a pretty fun movie, with Ethan fulfilling a more senior role as he leads three relatively fresh and raw agents through (checks notes) THE HIGHEST STAKES IN THE HISTORY OF EVER. The threat of nuclear destruction of the entire world hangs in the balance of a not-so-proven team of spies, and those stakes, along with some script development issues, really hinder the believability of this film. Which is frustrating, because this might be the most fun you can have watching a Mission: Impossible movie - the jokes, the banter, the charm are on full display, and it really makes for a great watch. Just - maybe make it a little less complicated, please? We continue our “Series: Impossible” with 2011’s Mission: Impossible - Ghost Protocol this week on Macintosh & Maud Haven’t Seen What?! PLUS: New Movie Reviews of Mank and Ma Rainey’s Black Bottom! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Theme from Mission: Impossible,” written by Lalo Schifrin, produced and arranged by Larry Mullen with David Beal, and performed by Adam Clayton and Larry Mullen . Copyright 1996 mother records. Excerpts taken from the film Mission: Impossible - Ghost Protocol are © 2011 Paramount Pictures. All Rights Reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Violence, murder, espionage, body horror/suspense, trauma. It took 6 years before the next movie in the M:I franchise got released, but it might be the most successful in the franchise. Which is interesting, considering this movie went through absolute development hell, and passed through several writers and directors before finally landing in the hands of a then unproven film talent - J.J. Abrams. It’s not shocking that J.J. made this transition, and in hindsight, it’s also not shocking that there was no doubt he’d deliver with this movie. Still, this movie is firing on all cylinders, with Tom Cruise’s natural charm and intensity blending together for the best Ethan Hunt yet in this series. And then they brought in the magnificently talented Philip Seymour Hoffman, fresh off his Oscar win for Capote, to be the most stone-cold villain in modern action movies, and he absolutely crushes it. Throw in some very personal stakes for Ethan, lots of wild stunts, and a dash of fun jokes, and you get one hell of a ride. We continue our “Series: Impossible” with 2006’s Mission: Impossible III this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Theme from Mission: Impossible,” written by Lalo Schifrin, produced and arranged by Larry Mullen with David Beal, and performed by Adam Clayton and Larry Mullen . Copyright 1996 mother records. Excerpts taken from the film Mission: Impossible III are ©2006 by Paramount Pictures. All Rights Reserved.

Behind the Song - WDRV-FM Chicago

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Violence, espionage, gaslighting, espionage, workplace romance. Tom Cruise is truly a fascinating character, with enough energy and zeal for stunts that could power whole cities, and a ruthless loyalty to whatever he sets his mind to - particularly the Church of Scientology. But we’re not here to talk about the Church today. No, we’re here to talk about the movie franchise that has truly created the unique movie star/producer that is Tom Cruise as we know him today. He was already a movie star when our first film was made, but this was the franchise he decided to jump on, and 25 years later, there’s no signs of stopping. And why would he, after this movie? He’s got the bold vision of Brian de Palma, an incredibly talented crew of screenwriters, and a cast of some of the best actors in the business, some of whom die in the first 20 minutes of the film. Cruise is definitely reserved and nervous here, and why wouldn’t he, seeing as he’d foregone his salary to produce the film. But there’s a reason the franchise still exists, and without this movie, we wouldn’t have as much to talk about. We’re kicking off Series: Impossible with 1996’s Mission: Impossible this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Theme from Mission: Impossible,” written by Lalo Schifrin, produced and arranged by Larry Mullen with David Beal, and performed by Adam Clayton and Larry Mullen . Copyright 1996 mother records. Excerpts taken from the film Mission: Impossible are © 1996 by Paramount Pictures. All Rights Reserved. Excerpt taken from “Take a Look Around (Theme from M:I-2,” written by red Durst and Lalo Schifrin, and performed by Limp Bizkit. Copyright 2000 Flip Records and Interscope Records.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of grief, mental illness, war, slavery, racism, white saviorism, racist propaganda. Here we are, ending our journey through Spielberg’s catalog on a film that’s got to be a sure-fire smash. It’s got an impeccable cast, a great screenwriter, and one of the most compelling people in history around which to build a story. Which is precisely why we’re so angry about this movie. Yes, it’s clearly Oscar bait, and yes, any story about Abraham Lincoln is going to read very, very hollow given the growing movement for racial justice in our country. But it’s the self-indulgent, sentimental and somber framing of a story that refuses to find any real humanity in its protagonist that really gets our goat here. We know Steven’s got a hell of an ego, but it’s never more on display than watching this way too self-important film. For a movie about one of the most interesting human case studies in our nation, there’s very little that we can learn about or empathize with the 16th President. He’s just a portrait in a room, and this is just a WIkipedia entry of a movie. We’re wrapping up with Spielberg’s flat biography of Lincoln on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "The People's House" from the soundtrack to Lincoln, composed and conducted by John Williams. Copyright 2012 Dreamworks II Distribution Co., LLC. Excerpts taken from the film Lincoln are © 2013 DreamWorks II Distribution Co., LLC and Twentieth Century Fox Film Corporation. Excerpt taken from “Theme from Mission: Impossible,” written by Lalo Schifrin, produced and arranged by Larry Mullen with David Beal, and performed by Adam Clayton and Larry Mullen . Copyright 1996 mother records.

Mike Parry and Lesley-Ann Jones are back from their lunch breaks just in time for the latest Planet Porky podcast.   Today's topics (may) include: coming home drunk, the sad death of Nobby Stiles, the link between dementia and sport, whether boxing has a future, Larry Mullen, Sylvester Stallone's memorable (or rather forgettable) film franchises, marrying Naomi Campbell, being a postman, the baseball cap and blazer look, a recent image of LAJ garnering attention, Sir Sean Connery and his mesmerising looks, Mick Jagger's latest movie role, Kevin Spacey attempting a comeback, whether lockdown 2 is justified, photographer Harry Benson, and the worst song lyrics of all time. Don't worry, you won't be catching pneumonia from Planet Porky any time soon.  Don't forget to subscribe and download from your favourite provider so you never miss an episode; with new ones dropping every Tuesday and Friday. Follow the show on Twitter: @PlanetPorky or Mike is: @MikeParry8 while you can find Lesley-Ann: @LAJwriter. Or you can email us questions or comments to: planetporkypod@gmail.com. We'd love to hear from you! 

It's Saturday, October 31, 2020 which means it's Larry Mullen, Jr.'s 59th birthday! Join the party as we share Larry encounters and wonder if he likes ice cream sandwiches with his whiskey. You aren't going to want to miss these tales. They are a hoot! Raise a glass to our favorite drummer with us! twitter.com/the_gardentarts instagram.com/the_gardentarts Find us online at www.thegardentarts.com --- Send in a voice message: https://anchor.fm/thegardentarts/message Support this podcast: https://anchor.fm/thegardentarts/support

4 Guys From the Future-frontmand Bjarke Porsmose startede sin musikalske karriere tidligere end de fleste. Allerede som før-teenager havde han spillet hundredevis af koncerter og vundet et talentshow i bedste TV-sendetid, hvor hans trio optrådte med U2s "Sunday Bloody Sunday". En overvældende oplevelse, som gav Bjarke mod på at afsøge et liv som (voksen) musiker. Bjarke er aktuel med 4 Guys From The Future (https://www.facebook.com/pg/4guysfromthefuture/posts/?ref=page_internal)-singlerne "You I Want" (https://orcd.co/youiwant?fbclid=IwAR0wBA749PbRNuzcza-GErU5BLgkJlFV9Qu9F_igcz4lM29N4oVzZJpOw1M) og "A New Life" (https://orcd.co/anewlife?fbclid=IwAR3SBLCy5RqO3MOC8fw8VDsz768LLZYRBhd-mMvmQr3qmfAXOpqUNnnOYJk), der er forløbere for albummet Arches (udkommer 23. oktober). TV-talentshowet Ud af skabet (1994), hvor Bjarkes trio optræder med "Sunday Bloody Sunday", kan ses på DRs Bonanza (https://www.dr.dk/bonanza/serie/425/ud-af-skabet/65814/ud-af-skabet-1010). Varighed: 6:23

Harrison requested that Jon try to sell him on U2, so Jon chose their third album, 1983's War (huh!) and set to work. We talk about the band's sense of urgency in their early recordings, Bono's strict antiwar and antiviolence stance, and what it meant in the rock world of the early 80s. Did it work? Listen to find out! We also discuss... Why Jon picked War (huh!) over other U2 albums, even ones he might like better The Edge's guitar rig (notably his delay pedal), and how public perception of it has changed over the years Steve Lillywhite's contributions as producer How Larry Mullen Jr.'s drums are the "secret weapon" of this album How The Edge's guitar is the not-so-secret weapon of the album How Bono took a love song to his wife and turned it into a Soviet WWII ballad The guest musicians from Kid Creole's backing band on "Red Light" and "Surrender" Bono's moral cosmology on "Surrender" How the evocative imagery directly from the Bible used in "'40'" upstages the rest of the album Our key tracks and the PLAY DISC Request Lottery Come join us for an hour of thoughtful and good-humored commentary, and we'll catch you on the B-side! The spreadsheet Request Lottery picks and their associated numbers can be seen here: https://docs.google.com/spreadsheets/d/1xOiYNZduLxz7L2CtNUPK1YOu63ni2XTWpcy1cdB6EQw/edit?usp=sharing You can get your request on this list by donating to our Patreon account at the $5 level or above. Support us on Patreon! https://www.patreon.com/PlayDiscPodcast Follow us on Facebook! https://www.facebook.com/PlayDiscPodcast/ Follow us on Twitter! https://twitter.com/PlayDiscPodcast Email us at playdiscpodcast@gmail.com This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This week joining our BRAND NEW host Mia Mullarkey for a very special chat is the incomparable Kate O'Toole. Talking all things Film, Acting, the O'Toole dynasty, John Huston and the amazing Galway Film Fleadh and her work therein, including this years challenging shift online, which reached five million people. Kate is an Actor, introduced to a creative life at a very early age, parented by the renowned Actors Peter O'Toole and Sian Phillips. Kate has appeared in numerous stage and Film productions in a 2006 West End production of Tennessee Williams' Summer and Smoke at the Apollo Theatre, London, and is cast in Channel 4's Forgiven. She appeared in the first and third season of the Showtime series The Tudors as Lady Salisbury. Kate was nominated for Best Actress at the Irish Times Theatre Awards for her role as Eleanor in Rough Magic Theatre Company's production of Terry Johnson's Dead Funny. She won Best Actress UK in the Barclays/Arts Council Theatre Awards for her performance as 'B' in Edward Albee's Three Tall Women (Lyric theatre, Belfast). In 2010 she filmed a remake of Patrice Leconte's classic L'homme du train with Donald Sutherland and U2's Larry Mullen. Her other film credits include The Confusion of Tongues, Hideaways, Possession, Dancing at Lughnasa, Get Well Soon (BBC TV series), Eden, Laughter in the Dark, 32A and John Huston's last film, The Dead, his critically acclaimed adaptation of James Joyce's short story. Minister for Arts, Culture, Heritage and the Gaeltacht, Jimmy Deenihan, appointed her to the Irish Film Board in 2013 (Screen Ireland) . She is chairwoman of Ireland's highly acclaimed film festival, the Galway Film Fleadh. Become a patron/Supporter of Fni on: https://www.buymeacoffee.com/fni FNI@Home is back on the 29th of July (TOMORROW, WED) with Lisa Barros D'Sa and Glenn Leyburn, Directors of the excellent, Good Vibrations and last years Ordinary Love Featuring Liam Neeson and Lesley Manville. www.WeAreFNI.com Supporting the Children's Ambulance @BUMBLEance Wednesday 29th of July. Sign up now. Please share with a friend or colleague and Share/Subscribe for more content. Available on Spotify, Google Podcasts, Apple Podcasts and Stitcher. #WeAreFni #YouAreFNI #StaySafe #StayInformed #StayPositive WWW.WEAREFNI.COM Learn more about your ad choices. Visit megaphone.fm/adchoices

This week joining our BRAND NEW host Mia Mullarkey for a very special chat is the incomparable Kate O'Toole. Talking all things Film, Acting, the O'Toole dynasty, John Huston and the amazing Galway Film Fleadh and her work therein, including this years challenging shift online, which reached five million people. Kate is an Actor, introduced to a creative life at a very early age, parented by the renowned Actors Peter O'Toole and Sian Phillips. Kate has appeared in numerous stage and Film productions in a 2006 West End production of Tennessee Williams' Summer and Smoke at the Apollo Theatre, London, and is cast in Channel 4's Forgiven. She appeared in the first and third season of the Showtime series The Tudors as Lady Salisbury. Kate was nominated for Best Actress at the Irish Times Theatre Awards for her role as Eleanor in Rough Magic Theatre Company's production of Terry Johnson's Dead Funny. She won Best Actress UK in the Barclays/Arts Council Theatre Awards for her performance as 'B' in Edward Albee's Three Tall Women (Lyric theatre, Belfast). In 2010 she filmed a remake of Patrice Leconte's classic L'homme du train with Donald Sutherland and U2's Larry Mullen. Her other film credits include The Confusion of Tongues, Hideaways, Possession, Dancing at Lughnasa, Get Well Soon (BBC TV series), Eden, Laughter in the Dark, 32A and John Huston's last film, The Dead, his critically acclaimed adaptation of James Joyce's short story. Minister for Arts, Culture, Heritage and the Gaeltacht, Jimmy Deenihan, appointed her to the Irish Film Board in 2013 (Screen Ireland) . She is chairwoman of Ireland's highly acclaimed film festival, the Galway Film Fleadh. Become a patron/Supporter of Fni on: https://www.buymeacoffee.com/fni (https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.buymeacoffee.com%2Ffni%3Ffbclid%3DIwAR0kD26R2Tl0YB1WDhfTcIk2kaxFGtra86l3Xn0H5jRead4ww-duXIwz0CY&h=AT3uA2oZ5jDFvi92seoFmEO8IoWlVgC2C8FDMiyt456_btk9OP4WtC3wseLJ8RyjRZdhdZ9U4BZ_E6jetVxgHrB_W1KlESGGuASgTO8wH2H9mpPIRPoC6JA4ijDM22CznS1Vx2QZ1CSwue35GUMSNrqZPSyL) FNI@Home is back on the 29th of July (TOMORROW, WED) with Lisa Barros D'Sa and Glenn Leyburn, Directors of the excellent, Good Vibrations and last years Ordinary Love Featuring Liam Neeson and Lesley Manville. www.WeAreFNI.com Supporting the Children's Ambulance @BUMBLEance Wednesday 29th of July. Sign up now. Please share with a friend or colleague and Share/Subscribe for more content. Available on Spotify, Google Podcasts, Apple Podcasts and Stitcher. #WeAreFni (https://www.facebook.com/hashtag/wearefni?source=feed_text&epa=HASHTAG) #YouAreFNI (https://www.facebook.com/hashtag/youarefni?source=feed_text&epa=HASHTAG) #StaySafe (https://www.facebook.com/hashtag/staysafe?source=feed_text&epa=HASHTAG) #StayInformed (https://www.facebook.com/hashtag/stayinformed?source=feed_text&epa=HASHTAG) #StayPositive (https://www.facebook.com/hashtag/staypositive?source=feed_text&epa=HASHTAG) WWW.WEAREFNI.COM (https://l.facebook.com/l.php?u=http%3A%2F%2FWWW.WEAREFNI.COM%2F%3Ffbclid%3DIwAR3O86-JGARQ-lEhbDk1tI4iPs-IveYXswBmtrbLFxlCQR87TtNfcUt7IEU&h=AT3aoqXPN-Ji0hWcR7b1U8F1WKOD6ksGhmepWBN4J4fN1fd4U_ZxOnvRmBah-5hEK2uiv1f-OEJzyYl4lIqzYHUv3plISZZxaS3s6YeRNhnBStz1ainqVe67it4j8FxV7BrNOVGO6U51IWACerTgSVYiAaU9)

Yungblud,  Ariana Grande, U2, Larry Mullen, Vans for bands

The 1980's produced some of the most iconic artists and groups of any generation. From Madonna, Michael Jackson, and Prince to R.E.M. The Police, and Bruce Springsteen there was something in these artist's styles, brand, and message that triggered our emotions and fealty. U2 is one such group that has maintained the loyalty of millions of people worldwide through their sincerity, musicianship, and political activism. Let's face it; anyone that has seen them in concert or listened to their live recordings is easily swept up by the anthemic reinterpretations of their studio recordings. It's hard not to feel an affiliation with the group and their message after deep listening. During the 90's, Bono and band members the Edge, Adam Clayton, and Larry Mullen began to experiment with the burgeoning techno and trance scene in their music. Sometimes with great fanfare, while other times falling flat. Regardless, these reinterpretations standout on their own with Paul Oakenfold (and to a lesser extent William Orbit) introducing elements into their music that allowed U2 to reach a wider audience on the dancefloor. To this day, U2 has continued their anthemic glory and fully embraced their music and message to be translated for the world's dancefloors with continued success. This legacy edition (or tribute) to their achievements in dance music is strictly focused on that area of this group's genius. Ladies and gentlemen, I present to you my tribute to one of rock's greatest and most influential bands as reinterpreted by other electronic artists, U2. I want to thank everybody that has privately written to me about my current mental health. I assure I am fine (sort of). For me, life is a struggle as I am certain it is for many of you. I am trying to refocus my efforts towards positive outcomes and plan on sticking it out at least through the end of the year. With me, you never know. Thanks again! -K Album: U2 | Legacy Genre: Trance, House Music Year: 2018 Total Time: 02:51:43 Love Is Bigger Than Anything In It's Way (Intro Version feat. Raanana Symphonette) Ordinary Love (Paul Oakenfold Bootleg Remix) Lady With The Spinning Head (Extended Dance Mix) New Year's Day (Ferry Corsten Remix) Staring At The Sun (Brothers In Rhythm Club Mix) God Part II (Hard Metal Dance Extended Club Mix) Lemon (Perfecto Mix) Mofo (Phunk Phorce Mix) City Of Blinding Lights (White Label Mix, Side A) I'll Go Crazy If I Don't Go Crazy Tonight (Dirty South Full Vocal Mix) Mysterious Ways (The Perfecto Mix) Even Better Than The Real Thing (Perfecto Mix) One (Remix) One Tree Hill (Mattsko Remix) Elevation (The Vandit Club Mix) Vertigo (Redanka's Power Mix) Summer Of Love (Tilt, Danny Stubbs Perfecto Remix) All Because Of You (Killahurtz Fly Mix) Discotheque (DM Deep Extended Club Mix) Where The Streets Have No Name (Cowboy Mike Remix) Get Out Of Your Own Way (Afrojack Extended Mix) With Or Without You (Clinton Sparks Remix) Magnificent (Dave Aude' Club Remix) Pride (In The Name Of Love) (Tiesto vs. U2 Extended) Beautiful Day (Quincey & Sonance Remix) Lights Of Home (Free Yourself Beck Remix) You're The Best Thing About Me (U2 vs. Kygo)

The 1980's produced some of the most iconic artists and groups of any generation. From Madonna, Michael Jackson, and Prince to R.E.M. The Police, and Bruce Springsteen there was something in these artist's styles, brand, and message that triggered our emotions and fealty. U2 is one such group that has maintained the loyalty of millions of people worldwide through their sincerity, musicianship, and political activism. Let's face it; anyone that has seen them in concert or listened to their live recordings is easily swept up by the anthemic reinterpretations of their studio recordings. It's hard not to feel an affiliation with the group and their message after deep listening. During the 90's, Bono and band members the Edge, Adam Clayton, and Larry Mullen began to experiment with the burgeoning techno and trance scene in their music. Sometimes with great fanfare, while other times falling flat. Regardless, these reinterpretations standout on their own with Paul Oakenfold (and to a lesser extent William Orbit) introducing elements into their music that allowed U2 to reach a wider audience on the dancefloor. To this day, U2 has continued their anthemic glory and fully embraced their music and message to be translated for the world's dancefloors with continued success. This legacy edition (or tribute) to their achievements in dance music is strictly focused on that area of this group's genius. Ladies and gentlemen, I present to you my tribute to one of rock's greatest and most influential bands as reinterpreted by other electronic artists, U2. I want to thank everybody that has privately written to me about my current mental health. I assure I am fine (sort of). For me, life is a struggle as I am certain it is for many of you. I am trying to refocus my efforts towards positive outcomes and plan on sticking it out at least through the end of the year. With me, you never know. Thanks again! -K Album: U2 | Legacy Genre: Trance, House Music Year: 2018 Total Time: 02:51:43 Love Is Bigger Than Anything In It's Way (Intro Version feat. Raanana Symphonette) Ordinary Love (Paul Oakenfold Bootleg Remix) Lady With The Spinning Head (Extended Dance Mix) New Year's Day (Ferry Corsten Remix) Staring At The Sun (Brothers In Rhythm Club Mix) God Part II (Hard Metal Dance Extended Club Mix) Lemon (Perfecto Mix) Mofo (Phunk Phorce Mix) City Of Blinding Lights (White Label Mix, Side A) I'll Go Crazy If I Don't Go Crazy Tonight (Dirty South Full Vocal Mix) Mysterious Ways (The Perfecto Mix) Even Better Than The Real Thing (Perfecto Mix) One (Remix) One Tree Hill (Mattsko Remix) Elevation (The Vandit Club Mix) Vertigo (Redanka's Power Mix) Summer Of Love (Tilt, Danny Stubbs Perfecto Remix) All Because Of You (Killahurtz Fly Mix) Discotheque (DM Deep Extended Club Mix) Where The Streets Have No Name (Cowboy Mike Remix) Get Out Of Your Own Way (Afrojack Extended Mix) With Or Without You (Clinton Sparks Remix) Magnificent (Dave Aude' Club Remix) Pride (In The Name Of Love) (Tiesto vs. U2 Extended) Beautiful Day (Quincey & Sonance Remix) Lights Of Home (Free Yourself Beck Remix) You're The Best Thing About Me (U2 vs. Kygo)

With tracks from Clive Stevens & Brainchild, Unknown Artist, Easter, Joan La Barbara & John Cage, 6th Borough Project, Moscoman, Vorgruppe, Dr Packer, Robert Maalouf, Camila Costa, AA, Falco, Fulgeance, Get Down Edits, Munk & James Murphy, Jay Airiness, Mathématiques Modernes, XX Edits, Eric B. & Rakim, Adam Clayton & Larry Mullen, James Holden & The Animal Spirits, Yan Wagner, Kurup, Aphex Twin. Contact: dj@ribeaud.ch.

As every hard-rock-and-horror-lovin’ soul knows, there’s a void in the musical fabric that can only be filled by a new Alice Cooper album. Whether the results are a stud or a dud, there’s a shiver of anticipation that runs spider-like down our spines when fresh tunes are spun out from Alice’s web, as we hope to be snagged and drawn up into that dark lair of rage, rancor and riffs that is the mind of Alice Cooper. So it was with the arrival of PARANORMAL in the summer of 2017, coming as it did on the heels of an Alice tour that saw him reunite for a couple of brief, barnstorming sets in Nashville, Tennessee with his cronies from the great Alice Cooper Band. This reunion found its way into the studio to record some tracks, and in addition to the ACB we also have the return of past heroes/enablers/contributors of the Alice legend, producer Bob Ezrin and guitarist Steve Hunter, plus distinctive work from U2 drummer Larry Mullen and the inimitable Billy Gibbons.                 Be that as it may, on the Coopercast we’ve all seen how having a lot of big-name cooks doesn’t always make for a sumptuous kitchen…the prime ingredient is the song. Did Alice deliver choice cuts for this, his 27th studio album? Well, give your Coopercasters –Bobby Hazzard, the lovely Ms. Hazzard, The Naschycast’s Troy Guinn, and special guest Dr. Gangrene – a listen and we’ll break it all down for you, track-by-track, smack-by-smack, and let you know who emerges triumphant: Alice Cooper or Father Time.

Lawrence Joseph Mullen, Jr., más conocido como Larry Mullen, Jr. (Dublín, 31 de octubre de 1961), es el baterista de la banda irlandesa U2 y ocasionalmente actor.

Lawrence Joseph Mullen, Jr., más conocido como Larry Mullen, Jr. (Dublín, 31 de octubre de 1961), es el baterista de la banda irlandesa U2 y ocasionalmente actor.

Geeking Out at the Tower Podcast Episode 16 - The Watchmen Cometh In this episode we discuss The Watchmen Movie and Comics, from what we liked, disliked and what differs between the materials. Before all that we discuss the news of a bunch of release dates, some new trailers, Nintendo entering the mobile market and why Genndy Tartakovsky can't catch a break it seems. We also geek about some Hollywood Husbands, Legend of Zelda, a lot of Transformers and even Glee. Time Stamps: [0h00m11s - 0h40m13s] Intro and News [0h40m41s - 1h15m34s] Geeking Around [1h15m38s - 2h22m22s] Main Topic: The Watchmen [2h22m56s - 2h25m04s] Outro and Info Music Used : [0h00m00s] Daybreak by Michael Haggins [0h40m13s] Mission Impossible Theme by Larry Mullen and Adam Clayton [1h15m34s] Nostalgia Critic Plug [2h22m22s] The Times They Are A Changing by Bob Dylan [2h25m04s] Saturday Morning Watchmen by Harry Partridge You can also find info on our RSS feed at http://feeds.feedburner.com/goattcast We are also on itunes, just type Geeking Out At The Tower Podcast in the search bar. Don’t forget to like our page on facebook at: http://www.facebook.com/goattcast Tags: The Watchmen, Matt Bomer, American Horror Story, Fraggle Rock, The Walking Dead, iZombie, Nintendo, DeNA, Internet Explorer, Genndy Tartakovsky, Pixels, Lazerteam, Astroboy, Mission Impossible, Real Husbands of Hollywood, Transformers 4, A link Between Worlds, The Master, Transformers: Robots in Disguise, Codename STEAM, Glee

Aaron Hernandez news, recap of Tracy Morgan at the Davey Mac Movie-thon, A-Rod Vs. Brian Cashman, U2 drummer Larry Mullen in studio, love, life, and licking on this silly episode of the Davey Mac Sports Program!

01. David Guetta vs The Queen - Titanium Must Go On (DJs From Mars vs All Degrees Bootleg Remix) [CDR] 02. Knife Party - Internet Friends (Original Mix) [Promo] 03. Skrillex and Wolfgang Gartner - The Devils Den (Original Mix) [Atlantic] 04. Avicii - Levels (Blaster and Smyle Remix) [CDR] 05. Muttonheads Feat. Eden Martin - Going Away (Bodybangers Remix) [Serial/USM] 06. Joanna Rays - So In Love (Ermac Remix) [Joys Prods] 07. Larry Mullen, Adam Clayton - Mission Impossible (Tiesto Remix) [Promo] 08. Chuckie feat. Gregor Salto - What Happens In Vegas (Pierce Fulton Remix) [CR2] 09. Global Deejays - Hardcore Vibes (Original Mix) [541] 10. L.A. Style - James Brown Is Dead (Anthony Tell and JJ Mullor 2012 Rework) [Supermarket] 11. David Guetta feat. Nicki Minaj - Turn Me On (Sidney Samson Remix) [EMI] 12. Walden - Brightness (Original Mix) [Big Beat] BONUS TRACK: Modjo - What i mean ('The Crayon' Aloud Remix)