Podcasts about liszt

Toute cette semaine, Au Cœur de l'Histoire spéciale "Ils ont choisi la France !" Ou les destins de personnages qui se sont fait un – grand – nom dans notre pays. Pour le 3e épisode, Stéphane Bern raconte Fryderyk Franciszek Chopin, dit Frédéric Chopin, jeune pianiste célèbre en son pays qui a décidé de quitter sa Pologne natale pour Vienne avant tenter sa chance dans l'autre capitale musicale de l'Europe : Paris... Et bien lui en a pris ! Pourquoi la musique de Chopin parle-t-elle à tout le monde ? Comment a-t-il inventé le piano moderne ? Comment sa musique a-t-elle traversé les siècles sans perdre de sa splendeur ? Pour en parler, Stéphane Bern reçoit Jean-Yves Clément, écrivain, auteur de "Chopin et Liszt, la magnificence des contraires" (Passés Composés, collection Alpha). Au Cœur de l'Histoire est réalisée par Pierre Cazalot. Rédaction en chef : Benjamin Delsol. Auteur du récit : Pïerre-Vincent Letourneau. Journaliste : Clara Leger. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Con María Fernández Dobao | Son muchos los compositores extranjeros que viajaron a España e, incluso, vivieron aquí alguna temporada. Algunos de ellos escribieron aquí obras maravillosa, como Chopin sus Preludios, otros encontraron la inspiración en su folclore, su música o sus ciudades, como Liszt o Saint- Saens. Hoy te invitamos a descubrir algunas de estas obras.

durée : 00:29:08 - Nelson Goerner, pianiste - À l'occasion d'une série de récitals en France - notamment à Paris et à la Roque d'Anthéron - Nelson Goerner nous présente en avant-première son prochain enregistrement dédié à Maurice Ravel. L'Argentin revient aussi sur son dernier album 100% Liszt. Rencontre avec un pianiste majeur de notre temps.

durée : 02:04:53 - Musique matin du vendredi 16 mai 2025 - par : Jean-Baptiste Urbain - À l'occasion d'une série de récitals en France - notamment à Paris et à la Roque d'Anthéron - Nelson Goerner nous présente en avant-première son prochain enregistrement dédié à Maurice Ravel. L'Argentin revient aussi sur son dernier album 100% Liszt. Rencontre avec un pianiste majeur de notre temps. - réalisé par : Yassine Bouzar

Theresia Gabriel (Kuratorin Liszt Museum), Eduard und Johannes Kutrowatz (Intendanten Liszt Festival) anlässlich EÖ Liszt Museum und Zubau Festspielhaus am 15.5.2025.Die Musik kann aus rechtlichen Gründen nicht gespielt werden.

Smetana va seguir l'estel creatiu de Wagner i Liszt en el sentit de la llibertat creativa que van abanderar els membres de la Nova Escola Alemanya; per

durée : 01:28:09 - Une heure et plus, un compositeur : Alexandre Borodine - par : Aurélie Moreau - Alexandre Borodine (1833-1887), chimiste très doué et confrère de Mendeleïev, est également l'un des piliers de la musique russe. Il a fait partie du groupe des Cinq, et Liszt a été l'un des premiers à défendre sa musique en Europe.

ESSENTIEL - Côté Jardin. Emission présentée par Jacques Benhamou Il reçoit Claire Marie Le Guay, à propos de son livre-concert « C'est la nuit qu'il est beau de croire à la lumière » aux éditions Flammarion. À propos du livre : « C'est la nuit qu'il est beau de croire à la lumière » paru aux éditions Flammarion Claire-Marie Le Guay a conçu ce livre comme un concert écrit. En s'appuyant sur la vie et la personnalité de cinq compositeurs et l'exploration de leurs œuvres, elle nous convie à une lecture musicale. Le foisonnement joyeux de Mozart, lumineux au-delà du drame, nous prend par la main, l'équilibre de la construction de Bach organise nos pensées, le flot des sentiments amoureux de Liszt éveille nos sens et nous guide de la douleur à la consolation, la force créatrice de Mahler, puisant sa source dans la nature, nous aide à trouver notre place, et la puissance expressive de Rachmaninov nous fait vibrer et nous donne l'énergie du dépassement. Étayé de nombreux liens d'écoute, ce livre est un partage de ce que l'on peut puiser dans la musique pour éclairer notre vie. Claire-Marie Le Guay, née à Paris le 13 juin 1974, est une pianiste française. Présente sur les scènes internationales, lauréate de nombreux concours internationaux et des Victoires de la Musique, Claire-Marie Le Guay se distingue également par ses enregistrements. Son dernier disque Bach a d'ailleurs été brillamment salué par la presse

durée : 01:28:29 - Bruno Rigutto - par : Aurélie Moreau - Pour Bruno Rigutto, « appuyer sur les touches, ça n'est pas suffisant pour un pianiste !... Le son, la voix sont le reflet de l'âme, de l'être, de l'individu ». Aujourd'hui, notamment des œuvres de Chopin, et Ravel, Schumann, Liszt et Prokofiev.

Franz Liszt

Mozart, Liszt, Verdi o Puccini van eclipsar altres grans compositors de la seva generaci

he German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shoulder-length hair. Heine said there was something about Liszt's performances that “raised the mood of audiences to a level of mystical ecstasy” – which seemed to be a result of the combination of his good looks, his charisma and his stage presence. In this episode, Arion, Rebecca and Olly explain how Liszt created an almost parasocial relationship with his fan base; investigate why critics are still reproving of expressive concert pianists to this day; and discuss whether the Heine was trying to extort money from performers like Liszt in exchange for better reviews…  Further Reading: • ‘The Virtuoso Liszt' (Cambridge University Press, 2002): The Virtuoso Liszt - Google Books: https://www.google.co.uk/books/edition/The_Virtuoso_Liszt/koSQAjlxeOIC?hl=en&gbpv=1&dq=lisztomania&pg=PA203&printsec=frontcover • ‘Forget the Beatles – Liszt was music's first “superstar”' (BBC Culture, 2016): https://shorturl.at/eipIP • ‘Lisztomania: the 19th-century pop phenomenon that made Beatlemania look tame' (The Telegraph, 2019): https://shorturl.at/lwNOP • ‘Before Beatlemania, There Was Lisztomania' (Great Big Story, 2020): https://www.youtube.com/watch?v=3sjCA8OPobw  Love the show? Support us!  Join 

Un festival musicale che attraversa Cagliari tra luoghi iconici e spazi inusuali, con oltre 10 appuntamenti da aprile a novembre, sotto il segno dell'inclusione e dell'innovazione. Anche quest'anno torna a Cagliari il Festival Musikaleidos, giunto alla sua settima edizione, diretto dal maestro Tobia Simone Tuveri, direttore del coro Hic Et Nunc. Nato nel 2018, il festival prende il nome da una fusione tra musica e kaleidoscopio, un'immagine potente che riflette bene la sua filosofia: esperienze diverse, frammenti artistici ed educativi che si fondono in un disegno sempre nuovo per coinvolgere un pubblico sempre diverso. Sogni, desideri e pace: i temi dell'edizione 2025 Il filo conduttore di quest'anno è chiaro e quanto mai attuale: sogno, desideri e pace. In un periodo storico attraversato da tensioni, il festival lancia un messaggio forte, utilizzando la voce e la musica come veicolo di speranza e riflessione. Oltre a questo, due importanti ricorrenze arricchiscono il programma: il cinquecentesimo anniversario dalla nascita di Giovanni Pierluigi da Palestrina e il centenario dalla nascita del pianista Aldo Ciccolini, scomparso dieci anni fa. A quest'ultimo sarà dedicato uno speciale concerto pianistico a Palazzo Siotto con ospite il suo ultimo allievo, il maestro Genny Basso. Musica ovunque: anche negli spazi non convenzionali Musikaleidos continua a distinguersi per la scelta dei luoghi: concerti e incontri si tengono non solo in teatri e chiese, ma anche in spazi alternativi, come l'Ospedale Businco, a sottolineare la volontà di portare la musica anche dove meno ce lo si aspetta. Il dialogo con il territorio è centrale: il festival collabora con enti, associazioni e realtà non necessariamente legate al mondo musicale, costruendo una rete virtuosa che coinvolge tutta la città. Per la prima volta, il festival ha ottenuto il patrocinio della Fersaco (Federazione Regionale Sarda Cori) e di conseguenza avrà anche quello della Feniarco, la federazione nazionale, un riconoscimento che conferma il valore del lavoro svolto finora. Musikaleidos consolida inoltre alcune collaborazioni ormai stabili, come quella con i Cantori della Resurrezione di Porto Torres e con l'Associazione Corale Rossini di Sassari, rafforzando la rete della coralità sarda e aprendo nuove opportunità per ospitare artisti di rilievo internazionale. Tradizione e innovazione: il futuro della coralità Uno degli obiettivi del festival è rinnovare la musica corale, sperimentando nuovi linguaggi e unendo stili differenti. Spaziando, quindi, da repertori che vanno dal Rinascimento alla musica pop riarrangiata, come nel concerto pianistico realizzato dal maestro Genny Basso che unisce Scarlatti, Liszt e canzoni napoletane. Particolarmente toccante sarà l'esibizione con il Coro delle Mani Bianche Musicalis diretto dalla maestra Stefania Coccoda, formato principalmente da persone sorde, che porterà a una visibilità del canto attraverso la lingua dei segni, offrendo una nuova dimensione visiva e inclusiva del canto. Artisti internazionali e giovani talenti: da Cantoria a Euphonios Il festival ospita ensemble di livello europeo, come il gruppo spagnolo Cantoria, specializzato nella polifonia rinascimentale iberica. La scelta degli artisti nasce da un'attenta riflessione sul tema dell'edizione e da una rete di relazioni costruita nel tempo, puntando su giovani musicisti, già affermati o emergenti, molti dei quali legati alle federazioni Fersaco e Feniarco. Un programma ricchissimo per ogni tipo di pubblico Con oltre 10 appuntamenti distribuiti in sette mesi, il Festival Musikaleidos propone un'offerta musicale ricchissima e variegata. Dal concerto rinascimentale al laboratorio per bambini nei giardini pubblici, ogni evento è pensato per coinvolgere pubblici diversi, rendendo la musica accessibile e viva. “Ogni appuntamento ha la sua bellezza – racconta il maestro Tuveri – e ognuno può trovare qualcosa che lo emozioni, qualunque sia la sua età o il suo gusto musicale”. Per scoprire il programma completo e non perdere nessuno degli eventi, potete visitare il sito ufficiale del Festival Musikaleidos che vi aspetta a Cagliari con le sue mille voci.

Für Sophie Pacini war der Besuch, das Konzert in einem Münchner Frauenhaus ein intimes und bewegendes Erlebnis, so die deutsch-italienische Pianistin und ECHO Klassik-Preisträgerin. Für diesen Auftritt hatte sie ihre persönlichen Herzensstücke ausgewählt, die nun auf der CD "bittersweet" veröffentlicht sind. Sophie Pacini tritt weltweit in renommierten Konzertsälen auf, ist auf allen großen internationalen Klavierfestivals präsent. Die Diskographie der heute 33-Jährigen kann sich außerdem sehen lassen: Von Schumann, Mozart über Beethoven, Poulenc, Liszt oder Chopin. Seit 2023 hat sie nun auch ein eigenes Festival mit dem Titel "Nuancen" in ihrer Heimatgemeinde Aying, in der Nähe von München, ins Leben gerufen. Bevor sie am 23. April in der Hamburger Elbphilharmonie auftritt, spricht Sophie Pacini in NDR Kultur à la carte mit Beate Scheibe über Tonarten, Musikfarben und ihre besondere Freundschaft zu der Pianistin Martha Argerich.

Bekannt ist Franz Liszt als Klassikstar seiner Zeit, der durch Europa tourte und sein Publikum mit horrend anspruchsvollen Virtuosenstücken begeisterte. Auch wenn die religiöse Seite von Liszt in den letzten Jahren immer wieder thematisiert und hörbar gemacht wurde, steht sie nach wie vor im Schatten. Die Kreuzweg-Kantate Via Crucis zeigt jedoch, wie ernsthaft Liszt katholische Kirchenmusik schrieb. Das gefeierte Vokalensemble The Norwegian Soloist's Choir und der Pianist Leif Ove Andsnes haben das Spätwerk jetzt eingespielt.

This Day in Legal History: Plaut v. Spendthrift Farm, Inc.On April 18, 1995, the U.S. Supreme Court delivered its opinion in Plaut v. Spendthrift Farm, Inc., a significant decision reinforcing the constitutional principle of separation of powers. The case arose after Congress enacted legislation requiring federal courts to reopen certain final judgments in securities fraud cases that had been dismissed under an earlier statute of limitations ruling. The plaintiffs, whose claims had already been dismissed with finality, sought to revive their lawsuits under this new provision.In a 7–2 decision, the Court struck down the law, holding that Congress cannot force Article III courts to reopen final judgments. Writing for the majority, Justice Antonin Scalia stressed the importance of finality in judicial decisions and warned against legislative interference with core judicial functions. He argued that once a case is decided, it becomes law of the case and should not be revisited at Congress's whim.The ruling underscored the judiciary's independence from political pressure and reaffirmed that each branch of government must respect the constitutional boundaries of the others. Scalia noted that permitting Congress to override final court decisions would blur the lines between legislative and judicial authority, threatening the rule of law.This decision was not just a technical interpretation of procedural law; it was a firm statement about institutional integrity. Plaut became a cornerstone case for understanding the limits of congressional power over the courts. It continues to be cited in debates over judicial independence and the sanctity of final judgments.A federal appeals court rejected an emergency attempt by the Trump administration to block a judge's order requiring the government to aid in the return of Kilmar Abrego Garcia, a Maryland man deported to El Salvador despite a 2019 court ruling barring his removal. The court condemned the Justice Department's actions, with Judge Harvie Wilkinson calling them a violation of fundamental liberties and due process. He criticized the administration for acting as though it could abandon individuals in foreign prisons without legal recourse.The Supreme Court previously upheld a similar directive from District Judge Paula Xinis, requiring the administration to work toward bringing Abrego Garcia back from Salvadoran custody. The government claims Garcia is affiliated with the MS-13 gang and lacks the right to remain in the U.S., arguing that Xinis overstepped by involving herself in foreign affairs. However, Wilkinson stressed that due process rights apply regardless of alleged affiliations and warned that ignoring court orders could lead to broader abuses of power, including the potential deportation of U.S. citizens.Abrego Garcia, who has no criminal record in either country, was deported alongside 250 alleged gang members to El Salvador's high-security prison. His 2019 immigration court ruling protected him from deportation due to threats of gang-based extortion.Trump Loses Emergency Appeal to Halt Maryland Deportation CaseThe U.S. Supreme Court will hear arguments on May 15 regarding President Donald Trump's attempt to limit birthright citizenship, a constitutional principle rooted in the 14th Amendment. Although the case won't directly determine the legality of Trump's executive order, it will address whether lower court rulings that blocked the policy nationwide should be scaled back to apply only to specific plaintiffs or jurisdictions.Trump's order, signed in January, seeks to deny citizenship to babies born in the U.S. unless at least one parent is a citizen or permanent resident. It directs federal agencies to withhold documents like Social Security cards and passports from newborns who don't meet that criterion. Critics argue this violates well-established legal interpretations of the 14th Amendment, which affirms citizenship for nearly everyone born on U.S. soil.The Justice Department argues that nationwide injunctions—orders that block policies across the country—exceed judicial authority and should be narrowed. The administration also questions whether the states and groups suing have legal standing. Despite these claims, lower courts have uniformly refused to allow the executive order to take effect.Opponents, including 22 Democratic-led states and immigration advocacy groups, argue that Trump's effort seeks to strip citizenship from thousands of children and overturn long-standing legal precedent. Trump maintains that birthright citizenship was originally intended only for formerly enslaved people, not for the children of non-citizens.US Birthright Citizenship: Supreme Court to Hear Arguments in Case - BloombergUS Supreme Court to hear Trump bid to enforce birthright citizenship order | ReutersFifth Circuit Judge James Ho sharply criticized the power of trial-level judges in a recent opinion, focusing on what he sees as overreach in politically sensitive cases. Ho issued a writ of mandamus instructing a district judge in Louisiana to vacate her order reopening a death penalty case years after it had been dismissed. He was joined by fellow Trump appointee Judge Andrew Oldham, while Judge Catharina Haynes dissented, arguing the appellate process should proceed normally.In his concurring opinion, Ho warned against what he called the misuse of judicial power to obstruct democratic outcomes. He connected the Louisiana case to a recent U.S. Supreme Court decision that reversed a nationwide order from Chief Judge James Boasberg in Washington, D.C., which had blocked the deportation of alleged Venezuelan gang members under the Alien Enemies Act. The Supreme Court said the Venezuelan plaintiffs should have filed their suit in Texas, where they were detained, effectively transferring jurisdiction and narrowing Boasberg's reach.Ho used that ruling to reinforce his argument that appellate courts must intervene swiftly when district judges exceed their authority. He accused some judges of rushing to block policies they oppose politically, calling it a threat to the electorate's choices and governmental efficiency. He argued that deferring to the standard appeals timeline enables what he called “district judge supremacy.”Judge Haynes pushed back in dissent, criticizing the majority's allegation that the district court manipulated legal processes, especially since neither party in the case had challenged the judge's integrity. She maintained the threshold for a mandamus was not met and objected to the majority's tone and assumptions.James Ho Knocks Trial Judge Who Blocked Venezuelan DeportationsThis week's closing theme is The Moldau by Bedřich Smetana, a defining work in Czech Romantic nationalism and one of the most evocative tone poems in classical music. Smetana, born in 1824 in what is now the Czech Republic, was a pioneering composer who sought to express the identity, history, and natural beauty of his homeland through music. A contemporary of Liszt and Wagner, he was deeply influenced by the idea of programmatic music—compositions that tell a story or paint a picture without the use of words.The Moldau (or Vltava, in Czech) is the second and most famous piece from Smetana's larger symphonic cycle Má vlast(My Homeland), composed between 1874 and 1879. The piece traces the course of the Vltava River from its source in the Bohemian forest, through the countryside, past villages and castles, and ultimately to its merger with the Elbe River. Through rich orchestration and shifting textures, Smetana portrays everything from bubbling springs and flowing currents to a peasant wedding and moonlit night dances by water nymphs.Composed while Smetana was going completely deaf, The Moldau is as much a feat of imagination as it is of musical skill. The main theme, introduced by the flutes and then carried through the orchestra, is one of the most recognizable and emotionally stirring in classical music. It serves not just as a musical depiction of a river but as a symbol of Czech identity, resilience, and natural beauty.Closing with The Moldau offers a moment to reflect on continuity, movement, and national spirit—fitting themes for a week shaped by legal currents and constitutional debate.Without further ado, The Moldau, by Bedřich Smetana – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:13:05 - Le Disque classique du jour du jeudi 17 avril 2025 - Le pianiste norvégien Leif Ove Andsnes dévoile une facette souvent oubliée de Franz Liszt. Sa musique sacrée offre une image plus intime de l'homme et de sa foi profonde.

durée : 01:27:48 - En pistes ! du jeudi 17 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le pianiste norvégien signe un disque spirituel avec deux œuvres religieuses de Liszt. Mais aussi : une intégrale des mélodies de Bizet pour célébrer les 150 ans de la mort du compositeur de Carmen, le quatuor de saxophones Kebyart réinvente la musique de Ravel et ses héritiers...

durée : 00:13:05 - Le Disque classique du jour du jeudi 17 avril 2025 - Le pianiste norvégien Leif Ove Andsnes dévoile une facette souvent oubliée de Franz Liszt. Sa musique sacrée offre une image plus intime de l'homme et de sa foi profonde.

durée : 01:27:48 - En pistes ! du jeudi 17 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le pianiste norvégien signe un disque spirituel avec deux œuvres religieuses de Liszt. Mais aussi : une intégrale des mélodies de Bizet pour célébrer les 150 ans de la mort du compositeur de Carmen, le quatuor de saxophones Kebyart réinvente la musique de Ravel et ses héritiers...

durée : 01:28:45 - Alfred Brendel, pianiste et penseur - par : Aurélie Moreau - Alfred Brendel a marqué le XXe siècle par son jeu sans pathos et la profondeur de son regard sur la musique. Interprète majeur de Beethoven, Schubert et Liszt, il a également mené depuis ses débuts une vaste réflexion sur l'art de l'interprétation.

In this episode, Gramophone's Editor Martin Cullingford talks to pianist Leif Ove Andsnes about his new recording on Sony Classical of the extraordinary work Via Crucis by Franz Liszt, the composer's deeply spiritual meditations on the Stations of the Cross, released just before the start of Holy Week.  This week's podcast is produced in association with Wigmore Hall, where performers over the coming week include two performances by the former Gramophone Artist of the Year, pianist Víkingur Ólafsson, conductor William Christie with the ensemble that he founded, Les Arts Florissants, and the Chiaroscuro Quartet. For full details of these concerts, and many more, visit https://www.wigmore-hall.org.uk

Ez az Elvitelre, a hvg.hu hétzáró podcastja. A 113. adásban: Reptér! és a mianmari junta. Iratkozz fel a hvg360-ra! hvg.hu/360/elofizetes Az e heti menü: 00:00 Intro 00:43 Amint az államé lett a ferihegyi reptér, jobban látszik, mi a baj (Szabó Yvette, Tornyos Kata) 06:57 Mindent elmond a mianmari juntáról, hogy a földrengés túlélőit kereső embereket bombázta (Keresztes Imre)

From fueling some of mankind's most violent events to inspiring your daughter's latest pop star obsession, mania has become an indispensable force in shaping our collective story. This hour we explore a centuries-long flower frenzy and modern-day fanaticism to uncover why we are so drawn to being "totally obsessed." GUESTS: Daniel Durbin: Professor of Communication and Director of the Institute of Sports, Media and Society at the University of Southern California Annenberg School Sarah Bilston: Professor of English at Trinity College and author of the forthcoming book, The Lost Orchid: A Story of Victorian Plunder & Obsession Paul Barnes: Pianist and Professor of Music at the University of Nebraska-Lincoln Glenn Korff School of Music Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

durée : 00:03:24 - Dimanche est un roman - par : Clara Dupont-Monod - Clara Dupont-Monod conseille le roman "Daniel Liszt, un fils mal aimé", de Charles Dupechez, qui est paru au Mercure de France.

durée : 00:03:24 - Dimanche est un roman - par : Clara Dupont-Monod - Clara Dupont-Monod conseille le roman "Daniel Liszt, un fils mal aimé", de Charles Dupechez, qui est paru au Mercure de France.

durée : 01:00:06 - Richard Peduzzi, scénographe, peintre, designer - par : Priscille Lafitte - Le nom du scénographe Richard Peduzzi est indissociable de la Tétralogie de Wagner à Bayreuth, mise en scène par Patrice Chéreau et dirigée par Pierre Boulez. Ce portrait reflète le ciel brumeux d'un Wagner et d'un Liszt, s'épaissit de couches de gris avec Berg et Ayler, trouve la lumière chez Bach. - réalisé par : Claire Lagarde

durée : 00:59:15 - La Série musicale - par : Zoé Sfez - "La Divine Comédie" de Dante a connu son lot de réinventions, de l'opératorio "Il Viaggio, Dante" de Pascal Dusapin à "Dante XXI" du groupe de métal Sepultura. A la fois voyage intérieur, matière philosophique, monument littéraire, elle en appelle aux grands mythes autant qu'elle fonde la modernité. - réalisation : Thomas Jost

durée : 00:59:15 - La Série musicale - par : Zoé Sfez - "La Divine Comédie" de Dante a connu son lot de réinventions, de l'opératorio "Il Viaggio, Dante" de Pascal Dusapin à "Dante XXI" du groupe de métal Sepultura. A la fois voyage intérieur, matière philosophique, monument littéraire, elle en appelle aux grands mythes autant qu'elle fonde la modernité. - réalisation : Thomas Jost

Saverio Simonelli"L'infinito non basta"Edizioni Città Nuovawww.edizionicittanuova.itHerman Grimm, figlio di Wilhelm, uno dei due fratelli autori delle celebri fiabe, vuole emulare il padre raccontando la vita di Franz Liszt, musicista sublime in grado, in gioventù, di improvvisare in maniera tale da commuovere addirittura un diffidente Beethoven, ma che ora è atteso da una sfida: conciliare il talento con le esigenze della vita. Perché dopo le tante conquiste ottenute, l'eccelso pianista si trova a dover gestire un amore difficile, una figlia sfuggente, una vocazione tardiva. Accanto a lui un giovane e talentuoso di nome Ludwig, in fuga dal destino di musicista iscritto nel suo nome ma che, proprio come Liszt, è costretto fare i conti con l'amore e con la figura paterna. Come nelle fiabe, padri e figli intrecciano i propri destini. Riuscirà Hermann a districarne la trama?Saverio Simonelli è giornalista, vicecaporedattore del Tg2000. Laureato in filologia germanica e traduttore, è autore di numerosi saggi tra cui La cuccia del filosofo (2016), Nel Paese delle fiabe (2012), Gli anelli della fantasia (2004). Nel 2020 ha pubblicato il suo primo romanzo Cercando Beethoven, premio Casinò di Sanremo Antonio Semeria. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Our March madness is coming to an end with our final La Folia variation, but there's a secret OTHER variation as well! Be sure to like and share with a friend! Music: https://imslp.org/wiki/Rhapsodie_espagnole,_S.254_(Liszt,_Franz) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

A Filéző podcast új, tematikus évadában a legalapvetőbb konyhai alapanyagokat járjuk körbe Saly Noémi gasztrotörténésszel, Tóth Szilárd séffel, és Szabó Adrienn dietetikussal. Második epizódunk témája a liszt és a kenyér, amely évezredek óta központi helyet foglal el étkezésünkben, kultúránkban és a vallási rítusokban egyaránt. De miben jártak élen a középkori pékek? Mire jó, és mire nem jó a kovász? És miért nem bölcs dolog a búzalisztet mandulalisztre cserélni?

A Filéző podcast új, tematikus évadában a legalapvetőbb konyhai alapanyagokat járjuk körbe Saly Noémi gasztrotörténésszel, Tóth Szilárd séffel, és Szabó Adrienn dietetikussal. Második epizódunk témája a liszt és a kenyér, amely évezredek óta központi helyet foglal el étkezésünkben, kultúránkban és a vallási rítusokban egyaránt. De miben jártak élen a középkori pékek? Mire jó, és mire nem jó a kovász? És miért nem bölcs dolog a búzalisztet mandulalisztre cserélni?

DescriptionLiszt's Dazzling Masterpiece: The 20-Year Journey of His First Piano Concerto in 60 Seconds. Take a minute to get the scoop!Fun FactLiszt's Piano Concerto No. 1 took over 20 years to complete, blending dazzling piano virtuosity with bold orchestration. Premiered in 1855 with Berlioz conducting, it featured dramatic runs and an unusual triangle part. Initially criticized, it later became a beloved staple of the Romantic piano repertoire.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

durée : 01:28:23 - Une heure et plus, un compositeur : Franz Liszt - par : Aurélie Moreau - « L'artiste vit solitaire. Quoi qu'il fasse, où qu'il aille, partout il se sent exilé. » Ainsi parlait Franz Liszt, lui qui passa sa vie à fuir – ou à chercher, c'est selon. Idole romantique, pianiste déchaîné, compositeur mystique, il fut tout à la fois !

Send us a textFeeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the Episode 6 of the Fifth Series in the Relaxing Piano Playlist! In this episode, I perform for you music by Clementi, Paderewski, Respighi, Bortkiewicz, Liszt and Mvt 2 of Ravel's Piano Concerto in G.

Maurice Ravel war zwar Franzose, aber er hatte baskische Wurzeln und beschäftigte sich in vielen Werken mit Spanien. Ganz besonders in der spanischen Rhapsodie, seinem ersten großen Orchesterwerk von 1907, Die Suite verzaubert durch folkloristisches Kolorit, sinnliche Süße und einen Orchesterklang, der süchtig macht. Von Michael Lohse.

Pianist Iain Burnside choses his favourite recording of Liszt's Totentanz.

18-year-old violinist and From the Top alum Julia LaGrand co-hosts this special episode dedicated to celebrating the stories and performances of disabled and neurodivergent musicians. Julia, who is blind, also interviews special guest Itzhak Perlman. We meet a 16-year-old double bassist who began studying music when spina bifida made it difficult to keep up with youth sports leagues, a 14-year-old pianist who uses Braille scores to learn his repertoire, a 26-year-old cellist who believes his musical skills are sharpened by his autism, and a 16-year-old pianist with Escobar Syndrome who shares her journey to millions on social media. They perform works by Grieg, Liszt, and more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Marty visits Studio 1 to meet the very gifted Ai Lin Sun, winner of the 2024 Frank Maher Classical Bursary, who spoke about what's next and performed must by Liszt and Beethoven

Jed discusses nine live and unedited performances of Liszt's monumental Piano Sonata in B Minor. Pianists include Simon Barere, Jorge Bolet, Claudio Arrau, Howard Karp, Sviatoslav Richter, Irén Marik, Cyprien Katsaris, Terence Judd and Vladimir Horowitz.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven Here are some links to some of the performances mentioned in this episode:Vladimir Horowitz Carnegie Hall Recital March 19th 1978 - https://www.youtube.com/watch?v=AfkAkMoQ6QUHoward Karp Liszt Sonata - https://www.youtube.com/watch?v=96zA4CgJuosSimon Barere Liszt Sonata (excerpt) - https://www.youtube.com/watch?v=WZLn3i-eQi0Cyyprien Katsaris Liszt Sonata - https://www.youtube.com/watch?v=SgNytL777PkTerence Judd Liszt Sonata (excerpt) https://www.youtube.com/watch?v=g8uHB_hO73kIren Marik Liszt Sonata - https://www.amazon.com/Iren-Marik-Mozart-Messiaen/dp/B000PSJCDS

Als junger Pianist komponierte Liszt eine Duo-Sonate für Violine und Klavier. Erst vor einigen Jahrzehnten wurde das Werk im Archiv des Weimarer Liszt-Museums entdeckt. BR-KLASSIK stellt gemeinsam mit dem Geiger Ingolf Turban dieses Starke Stück vor.

ReferencesMaxwell, JC. 1873. A treatise on electricity and Magnetism I. Oxford.Acta Neuropathol Commun . 2014 Jan 23;2:9J Neurosci. 2012 Dec 5;32(49):17909–17920.Guerra, DJ 2025 Unpublished lecturesMozart, WA. 1791."Ave Verum Corpus transcribed by Liszt.https://open.spotify.com/track/696mXatDdT9KNJ7qKbaqGj?si=821c45a65bc948e3

durée : 00:16:15 - Le Disque classique du jour du jeudi 13 février 2025 - Une nouvelle version de ce vaste oratorio de Franz Liszt qui raconte l'histoire de Jésus : un véritable défi par ses dimensions et sa virtuosité que relèvent ensemble le Collegium Vocale de Leipzig, le Chœur Philharmonique de Dresde, le Merseburger Hofmusik et Michael Schönheit

durée : 00:16:15 - Le Disque classique du jour du jeudi 13 février 2025 - Une nouvelle version de ce vaste oratorio de Franz Liszt qui raconte l'histoire de Jésus : un véritable défi par ses dimensions et sa virtuosité que relèvent ensemble le Collegium Vocale de Leipzig, le Chœur Philharmonique de Dresde, le Merseburger Hofmusik et Michael Schönheit

durée : 00:10:48 - Les études transcendantes de Liszt par Jean Dubé - Un nouveau disque du pianiste Jean Dubé qui s'attaque avec succès à un sommet de l'instrument : les "Douze études d'exécution transcendante" de Liszt

Cycles devoted to Beethoven's Symphonies transcribed by Franz Liszt is the topic of today's episode.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to Cyprien Katsaris playing the finale from the Beethoven/Liszt Symphony No. 3: https://www.youtube.com/watch?app=desktop&v=VoIu9l8F1g0&t=0sLink to the Tessa Uys and Ben Schoeman Piano Duo performing Beethoven's Ninth Symphony four hands: https://www.youtube.com/watch?v=HNXt-6WDPzw

durée : 01:59:07 - Le Bach du dimanche du dimanche 26 janvier 2025 - par : Corinne Schneider - Au programme de cette 325e émission : une heure de piano romantique avec les transcriptions, arrangements et compositions signés Hummel, Moscheles, Mendelssohn, Chopin, Liszt et Saint-Saëns ; les 80 ans de Jacqueline du Pré et les 65 ans de Rinaldo Alessandrini (né le 25 janv. 1960) - réalisé par : Anne-Lise Assada

Chapter 1 What's Arnold Schoenberg by Charles Rosen"Arnold Schoenberg" by Charles Rosen is a comprehensive exploration of the life and works of the influential composer Arnold Schoenberg, a key figure in 20th-century music. Rosen elaborates on Schoenberg's innovative contributions, particularly his development of the twelve-tone technique, which revolutionized compositional approaches and aesthetics. The book delves into Schoenberg's artistic philosophy, examining his relationships with other composers and his impact on modern music. Additionally, Rosen discusses specific works, providing an analysis that highlights Schoenberg's unique style and his place in the historical narrative of classical music. Through this examination, readers gain insights into Schoenberg's complexities as both a person and an artist, illustrating how his experiences shaped his creative output.Chapter 2 Arnold Schoenberg by Charles Rosen Summary"Arnold Schoenberg" by Charles Rosen is a comprehensive exploration of the life, music, and impact of one of the 20th century's most influential composers. The book highlights Schoenberg's revolutionary contributions to music, particularly his development of the twelve-tone technique, which transformed compositional methods and aesthetics.Rosen delves into Schoenberg's early life in Vienna, where he was exposed to various musical influences, including late Romanticism and early modernism. He discusses Schoenberg's evolution as a composer, his move from traditional tonal music to atonality, and the philosophical underpinnings of his work. The author meticulously analyzes Schoenberg's major compositions, providing insights into their structure, emotional depth, and innovative use of harmony. He also addresses Schoenberg's role as a teacher and mentor, influencing a generation of composers who followed, including Alban Berg and Anton Webern.Rosen does not shy away from the controversies surrounding Schoenberg's music, including its reception by audiences and critics, and the challenges of promoting atonal music in a predominantly tonal landscape. The book presents a nuanced view of Schoenberg as both a radical innovator and a deeply introspective artist, exploring his struggles with identity, faith, and the role of the artist in society.In summary, Charles Rosen's work on Arnold Schoenberg is both a biographical account and a critical analysis, capturing the essence of a composer whose music remains a profound and challenging part of the canon of modern classical music.Chapter 3 Arnold Schoenberg AuthorCharles Rosen was a distinguished American pianist, musicologist, and author, widely recognized for his contributions to the understanding of classical music and its history. He was born on March 5, 1927, and passed away on December 9, 2019. In addition to his extensive performing career, Rosen's writings have had a significant impact on musicology. Book DetailsArnold Schoenberg: Charles Rosen's book on the composer Arnold Schoenberg was published in 1975. This work delves into the life, music, and innovations of Schoenberg, who was a pivotal figure in the evolution of 20th-century music. Other Notable WorksCharles Rosen authored several other important books, including:The Classical Style (1971) This book explores the music and style of major composers such as Haydn, Mozart, and Beethoven.Piano Notes: The Hidden World of the Pianist (2002) A collection of essays reflecting on the experience and art of being a pianist.The Romantic Generation (1995) This examines the music and cultural life of the nineteenth century, focusing on composers like Chopin, Wagner, and Liszt.Freedom and the Arts (2010) A collection of essays on various topics concerning art and culture. Best EditionsThe best edition of his works typically considers both critical reception and availability. The...