Podcasts about synthesisers

In this episode, Neil and Jason talk to the prolific British composer David Lowe about his rise to success and his musical milestones along the way—from work experience at BBC Radio Birmingham to composing the BBC theme that has heralded the corporation's global news output for more than 25 years. With familiar theme tunes for internationally syndicated TV programmes such as ‘Grand Designs' and ‘5th Gear', unforgettable commercials for British Airways and DHL, and even a number one in the indie chart, it's all been a dream come true for a Sutton Coldfield schoolboy with a passion for synthesisers. About the presenters: You can find more about David and his work here Details about Neil and Jason's work as dialogue editors and mixers and how to contact them is here Details of our 1-to-1, training and coaching programmes for ambitious media professionals are available at: https://www.drneilhillman.com and https://soundproducer.com.au/coaching and www.soundformovingpictures.com Technical notes: Written, produced and presented by Jason Nicholas and Dr Neil Hillman – IMDb Recorded using the CleanFeed remote recording system Programme edited by Jason Nicholas YouTube fair use disclaimer: Where copyrighted material appears in episodes of The Apple and Biscuit Show, it is used under the ‘fair use' guidelines of the Copyright Act: i.e. “Use of these clips follows Fair Use laws regarding commenting and criticising”, where Fair Use allows for the unlicensed use of copyrighted material for purposes such as Commentary, Criticism, Parody, News reporting, Teaching, Scholarship, and Research. In instances where copyright or credit is questioned, please contact us directly to discuss receiving credit, or removing the featured content.

THE FEMININE TOUCH Vol 2. Playlist 00.00 Lisa Bella Donna ‘Night Flight' (album Night Flight) https://lisabelladonna.bandcamp.com 09.22 Hannah Peel ‘Ecovocative' (album Fir Wave) www.hannahpeelmusic.bandcamp.com 12.59 Kelly Moran ‘Ultraviolet Helix' (album Ultraviolet) https://kellymoran.bandcamp.com 21.34 The Allegorist ‘Redwinged Phoenix' (album Blind Emperor) https://theallegorist.bandcamp.com 28.28 Marie Wilhelmine Anders ‘Winter' (EP Echoes)https://triplicaterecords.bandcamp.com 36.56 Tukico ‘Timeless In The Depth' (album Primitive) www.subcontinentalrecords.bandcamp.co 41.55 Gilda Razani & Hans Wanning ‘Matab for Theremin & Synthesiser' https://gildarazani.de/ 43.51 Carolina Eyck ‘On Wings of Light and Time' (album Theremin & Voice) https://www.carolinaeyck.com 48.18 Delphine Tesla ‘Bells Of Ether' (album Eko Lunae) http://www.delphinetesla.com 57.00 Meg Bowles ‘Cloudburst Over a Parched Land' (album Pilgrimage) https://megbowles.bandcamp.com 01.03.26 Kara- Lisa Coverdale ‘Icon/c' (album After Touches) https://kara-liscoverdale.bandcamp.com/ 01.07.12 Kaitlyn Aurelia Smith & Suzanne Ciani ‘A New Day' (album FRKWYS vol,13: Sunergy) https://kaitlynaureliasmith.bandcamp.com/ 01.18.37 Helene Vogelsinger ‘Reminiscence' (album Reminiscence) https://helenevogelsinger.bandcamp.com/releases 01.27.38 Novellor ‘Laura Palmer's Theme' (EP Wrapped in Plastic) https://noveller.bandcamp.com/album/wrapped-in-plastic 01.33.00 Jenny & Her Epileptic Dog ‘Iberian Space Onion' (Various Transmissions From The Secret Cinema, Vol 1) www.lifesavicnic.bandcamp.com 01.38.37 LYDIA ‘Time' (album Emanation) www.lydia-music.bandcamp.com 01.43.40 Julianna Barwick ‘In Light ft.Jónsi' (album Healing Is A Miracle) https://juliannabarwick.bandcamp.com 01.49.13 Elin Piel ‘Vanta' (album Tone Science Module No6 Protons & Neutrons) https://dinrecords.bandcamp.com 01.54.32 36 & Awakened Souls Awakened Souls ‘Shelter/Ripples' (album The Other Side Of Darkness) https://pitp.bandcamp.com 02.01.34 Mareena & JakoJako ‘Phantasma' (album Atlas Der Gedanken) https://muzaneditions.bandcamp.com 02.06.29 Olga Wojciechowska ‘Primal Fear' (album Maps & Mazes) www.timereleasedsound.bandcamp.com 02.10.40 Gydja ‘Mjötvið ‘mæran fyr mold neðan' (album Ár var alda) https://winter-light.bandcamp.com/yum 02.19.46 Leila Abdul Rauf ‘The Emerges 1: Rebirth' (album Phantasiai) https://leilaabdulrauf.bandcamp.com/ 02.24.59 Sarah Davachi ‘Diaphonia Basilica' (Cantus, Descant) https://sarahdavachi.bandcamp.com 02.30.27 Kali Malone ‘Living Torch II' (album Living Torch) *** https://kalimalone.bandcamp.com/album/living-torch 02.38.42 Jodie Lowther 'Speaks Of Spirits' (album Roseberry) www.jodielowther.bandcamp.com 02.44.37 Pleq feat Strie ‘Our Worlds Are Frozen' www.headphonecommute.bandcamp.com 02.48.35 Nadia Struiwigh 'Soundshag' (album WHRRU) https://nadiastruiwigh.bandcamp.com 02.53.05 Hania Rani ‘Hawaii Oslo' (album Live From Studio S2) https://haniarani.bandcamp.com 03.02.00 Cilvarium ‘Luciora' (album The Seventh Secret) https://cilvarium.bandcamp.com/album/the-7th-secret 03.06.30 Alira Mun ‘Gnosis' www.aliramun.bandcamp.com 03.10.24 Caminauta ‘Live Part 1' (album Synth Fest Trance-Live Set Session) https://caminauta.bandcamp.com 03.19.28 Penelope Trappes ‘Gnostic State' (single )*** https://penelopetrappes.bandcamp.com/track/gnostic-state 03.24.03 Striē ‘Perpetual Journey' (EP Perpetual Journey) https://shop.serein.co.uk/album/perpetual-journey 03.28.25 Oliviaway ‘More Than Just A Dream' (EP More Than Just A Dream) https://oliviaway.bandcamp.com 03.33.52 Julia Kent ‘Imbalance' (album Temporal) www.music.juliakent.com 03.37.44 Christine Ott ‘Time To Die' (album Time To Die) www.christineott.bandcamp.com 03.45.54 Serena Gabriel: feat Steve Roach ‘Changing Tides' *** (album Inanna's Dream) https://projektrecords.bandcamp.com/yum 03.54.33 Sherry Finzer ‘Through The Veil' www.higherlevel.medi Edit ***

Susan Ann Sulley was set to head to University when she and her friend Joanne Catherall were spotted dancing in a Nightclub in Sheffield, England and asked to join the Human League. 

Who are Rob Morrison & Deane Hutton? I'm glad you asked. Rob and Deane are two legendary scientists and science communicators from Adelaide, Australia.For 18 years, they brought science to the living rooms of my country as hosts of “The Curiosity Show”.Absolute pioneers in kids television, they assumed intelligence of their audience and brought complicated concepts to life with simple and practical demonstrations using every day household objects.The show did what it says on the box - it encouraged curiosity.To be ok with the feeling of not knowing why something is the way it is, and using that feeling to drive an exploration towards an answer.Wearing turtlenecks, with great moustaches and all to the soundtrack of some excellently odd Synthesisers - these guys paved the way for the megastars of science communication today.You can check out clips and episodes of The Curiosity Show on their YouTube channel: https://www.youtube.com/@CuriosityShowTickets for live shows are here:SydneyMelbourneStay up to date on more upcoming shows by joining the mailing list here: Osher Günsberg - Better Than Yesterday Podcast | LinktreeAnything else? Come visit us on discord. Join the oshergünsberg Discord Server! Hosted on Acast. See acast.com/privacy for more information.

NKS Partner Sale 2023: Arturia: https://bit.ly/3GzhRYW NI Holiday Gift 2022 (Hypha + voucher): https://bit.ly/3W8K9iS Get Guitar Syn by UVI: https://www.uvi.net/px-guitar-syn# Episode 2 of Season 4 is here and it's a ripper considering it's only the start of the year!! Most music companies are coming out of the gate running with new products hardware and software!! Wow, what a start to the year! Special thanks to UVI for letting us check out Guitar Syn today!! Show your support for the Podcast and Shout me a Coffee!! https://buymeacoffee.com/emlyninthemix Rap Star by Emlyn (Podcast Intro): https://www.youtube.com/watch?v=BM7Oi89Mi5M PLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!! I just set up an email to contact me on the Podcast!! - emlyninthemix@gmail.com P.S I love you

NKS Partner Sale 2023: Arturia: https://bit.ly/3GzhRYW NI Holiday Gift 2022 (Hypha + voucher): https://bit.ly/3W8K9iS Get Guitar Syn by UVI: https://www.uvi.net/px-guitar-syn# Episode 2 of Season 4 is here and it's a ripper considering it's only the start of the year!! Most music companies are coming out of the gate running with new products hardware and software!! Wow, what a start to the year! Special thanks to UVI for letting us check out Guitar Syn today!! Show your support for the Podcast and Shout me a Coffee!! https://buymeacoffee.com/emlyninthemix Rap Star by Emlyn (Podcast Intro): https://www.youtube.com/watch?v=BM7Oi89Mi5M PLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!! I just set up an email to contact me on the Podcast!! - emlyninthemix@gmail.com P.S I love you

it's time to say goodbye to another year with our final edition of 2022. From the team, Mick, Mike, Andy & Karan, big thanks to all the musicians & labels for their support throughout the year and our worldwide listeners. Have a Happy Christmas & New Year. Download bio pages: https://sequencesmagazinecom.wetransfer.com/downloads/8c605112795ee8958149aad8b5a4336420221209085214/c97d4def45aaa6687a7a3fd9a240f3f320221209085215/2e7e6d Playlist 224 01.39 Walter Holland ‘Event Horizon' (album Music 101, The Free electronic Pieces) https://walterholland.bandcamp.com 09.38 Computerchemist ‘Where The Clouds Touch The Sky' (album Where The Clouds Touch The Sky) ***https://computerchemist.bandcamp.com 18.45 Moonbooter ‘Goodbye Bye My Friend' (album Reminiscence) www.mellowjet.com 24.45 Moonbooter ‘Me In The Mirror' 31.37 Andrew Douglas ‘Rhine-Sunset' www.andrewjdouglas.com 34.35 Andrew Douglas ‘Quiescent Force' album Emitter) https://andrewjdouglas.bandcamp.com/album/emitter 37.46 Lorenzo Montanà ‘Mosaiche' (album Decorar Silenzio)  projektrecords.bandcamp.com name-your-price 43.04 Lorenzo Montanà 'Soffuso' 48.49 This Immortal Coil, Shannon Wright, Christine Ott, Aho Ssan ‘A White Rainbow' (album The World Ended A Long Time Ago' https://thisimmortalcoil.bandcamp.com/album/the-world-ended-a-long-time-ago 55.09 Gilda Razani & Hans Wanning ‘Matab for Theremin & Synthesiser' https://gildarazani.de/ 57.17 d'Voxx ‘Julia'(album 1984) https://dinrecords.bandcamp.com/album/1984-din75 01.03.07 d'Voxx ‘The Place Where There Is No Darkness' 01.08.19 Paul Nagle ‘Ancients Intercede' (album Approximation Index) https://paulnagle.bandcamp.com/album/approximation-index 01.14.08 Paul Nagle ‘Atheism Inferred' 01.16.58 mypan ‘The Sudden Collapse Of The Circle' (album Mix Caseo Patina) https://syngate.bandcamp.com 01.19.14 mypan ‘White And The Black Point' 01.24.08 Argyre Planitia ‘Pharos Crater'(album The Great Dark Spot) https://winter-light.bandcamp.com 01.30.18 Argyre Planitia ‘Messina Chasmata' 01.37.48 Ô Lake ‘Everest' (album Still) https://olakemusic.bandcamp.com 01.42.35 Ô Lake ‘Here' 01.46.27 Bernd Scholl ‘Heaven Can Wait' (EP Quiet Time) www.bscmusic.com 01.49.52 Joerge Dankert ‘Sad Sounds' (album Messages) https://joerg-dankert.bandcamp.com 01.56.00 Joerge Dankert ‘Mils Comms But Hope' 02.03.54 José Javier Castro ‘Per Gianni parte 1' (Melodía a Gianni Toti' (7"/ DL) *** http://buhrecords.bandcamp.com/ 02.06.53 Ann Licater ‘Follow The Call (Horizons' (album Whispers from Earth) https://annlicater.bandcamp.com/album/whispers-from-earth 02.10.48 Ann Licater ‘Whispers From Earth' 02.14.51 Amie Waters ‘Umbra' (album Cosmos Of The Soul) https://amiewaters.bandcamp.com/album/cosmos-of-the-soul 02.19.08 Amie Waters ‘Noche Oscura' 02.24.21 Nautilus ‘Autumn Light' (album The Mystery Of The Waterfalls ) https://nautilus-nedland.de 02.29.22 Nautilus ‘Awakening In The Deep' 02.34.29 Nautilus ‘Departure' (album A Floating City) 02.40.27 Mike Hans Steffl ‘Bitter Sweet' (album Theatre Splinter) https://mikehanssteffl.bandcamp.com/album/theater-splinter 02.49.03 Mike Hans Steffl ‘Brute Force' 02.54.19 Mac of BIOnight ‘Magnitude Part 13' (album Magnitude) https://macofbionight.bandcamp.com/album/magnitude 02.58.13 Mac of BIOnight ‘Magnitude Part 10 03.01.57 Faber ‘Collide With The Earth' (album Sequentium) www.mellowjet.com 03.06.35 Faber ‘Fantasy' 03.13.26 Skoulaman & Ron Boots ‘Exit33' (album Hot August Afternoon) www.groove.nl 03.25.32 Andreas Baaden ‘Sensing Cover' (album Nightwalk) www.mellowjet.com 03.29.30 Andreas Baaden ‘Think First And Do The Second Move' 03.33.33 Fratoroler 'Somewhere In Your Mind' (album Landscape) https://syngate.bandcamp.com 03.43.17 Christopher Caouette ‘Flight Of Cedarsong' (album Tale Of The Oakenwish) https://christophercaouette.com/Shop/ 03.47.02 Christopher Caouette ‘Forest Of Wishes' 03.49.09 Norman Krusche ‘Aquilo Gelidus' (album Hiems Borealis) https://music.apple.com/mr/album/hiems-borealis/1631154343 Edit ***

Buy me a coffee to say thank you for the podcast! === Angeline and Annabelle are a classic sister act. Annabelle writes the songs and they sing together, but Angeline gets all the compliments. When a music producer offers a deal to Annabelle, she realises she can't let the opportunity go. But what starts as a harmonious collaboration soon turns into a discordant nightmare... Today's story is Sisters, Sisters. Go to EasyStoriesInEnglish.com/Sisters for the full transcript. Level: Intermediate. Genre: Drama. Vocabulary: Fiddle, Sprinkles, Keep your nose clean, Compliment, Flirt, Pinch, Flap, X meets Y, Broadsheet, Note (music), Hike, Dye, Vocals, Synthesiser, Cut out. Setting: Modern. Word Count: 5405. Author: Ariel Goodbody. If you enjoy the podcast, please consider supporting us on Patreon. For just a few dollars a month you can get extra episodes, exercises, and much more. Support Easy Stories in English by contributing to their tip jar: https://tips.pinecast.com/jar/easystoriesinenglish

Lisa Coleman is a musician and composer who plays piano and keyboards and she was a member of Prince's band 'The Revolution' from 1980 to 1986. She is one half of the incredible musical duo Wendy and Lisa, formed with Wendy Melvoin.She was 19 years old when she auditioned and was hired as a part of Prince's backing group in 1980, for his Dirty Mind album and tour. Lisa played keyboards for Prince on his Controversy and 1999 albums and the three albums as a member of The Revolution, which were Purple Rain, Around The World In a Day, and Parade.Shortly after the completion of Prince and The Revolution's Parade project, Lisa and Wendy started their own journey and under the Wendy and Lisa musical partnership. They released five full-length albums.Today, Lisa and Wendy continue to work together as film and television composers and have provided the musical scores for television shows including Crossing Jordan, Heroes, Nurse Jackie (which won them an Emmy for Outstanding main title theme), Prime Suspect, No Tomorrow, Witches of East End, Shades of Blue, and Touch which they were nominated for an Emmy. She is currently working on a new show called The Hospital, an adult animated sci-fi comedy from Maya Rudolph and Natasha Lyonne's Animal Pictures.Lisa, along with Wendy also shares the honor of winning a Grammy and Oscar for being part of The Revolution as Purple Rain won two Grammys and the Oscar for Best Original Score. She also received the inaugural ASCAP Shirley Walker award with Wendy in 2014, which honors those whose achievements have contributed to the diversity of Film and Television Music.She recently self-released her first solo instrumental album titled Collage. And incidentally, she also created the theme music for this, the music on my podcast.

Bells in San Gimignano reimagined by Jase Warner. "'Campane Italiane' features a field recording of bells ringing out in San Gimignano, a hill town in Italy's Tuscany region. "The composition is made up of multiple layers of the original recording, each accompanied with its own particular drone texture. Synthesiser tracks have also been added to compliment the patterns and movement of the bells."

Are you ready to follow the journey of a sound wave and expand the horizons of your audio knowledge? If so, boy is this a corker of an episode to kick off Season 2 of the podcast as Isobel takes you on a virtual tour of the National Science and Media Museum's new exhibition series SONIC, BOOM.Inside, Curator of Sound Technologies, Annie Jamieson, shares her personal take on all the weird and wonderful audio objects on display, how she curates sound and the commissioned artist works on display at the gallery spaces. Plus, you'll get a sneak peak of the galleries' soundscapes too!EPISODE HIGHLIGHTS{0:00} Intro{04:12} Annie Jamieson's pathway into music {10:03} Replicate everyday sounds using technology at the National Science and Media Museum {22:42} The instruments, objects and apparatus used to deepen our understanding of sound{44:52} Sound-treating a gallery space to create an immersive experience{56:25} How you can get involved with their interactive exhibitions{01:02:18} Working within an all-female workplace {01:08:25} Episode summarySubscribe to the podcast now so you never miss an episode.Check out both ‘Sonic: Adventures in Audio' and ‘Boom: Experiments in Sound' and other associated events at the National Science and Media Museum HERE >>Both exhibitions run until the 5th of December, 2021.See images and more info for some of the objects mentioned in the podcast by searching HERE >>Listen to the episode hereListen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Don't be shy - spread the Girls Twiddling Knobs Love

Modal Electronics' SKULPTsynth SE is a powerful 4-voice hardware synth in a portable 16-key form factor. Jason Howell gives his review. Get the Modal Electronics SKULPT SE Synthesizer: https://bhpho.to/37oV6FM Host: Jason Howell Download or subscribe to this show at https://twit.tv/shows/hands-on-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Find more products we recommend at https://www.amazon.com/shop/twitnetcastnetwork

Modal Electronics' SKULPTsynth SE is a powerful 4-voice hardware synth in a portable 16-key form factor. Jason Howell gives his review. Get the Modal Electronics SKULPT SE Synthesizer: https://bhpho.to/37oV6FM Host: Jason Howell Download or subscribe to this show at https://twit.tv/shows/hands-on-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Find more products we recommend at https://www.amazon.com/shop/twitnetcastnetwork

Modal Electronics' SKULPTsynth SE is a powerful 4-voice hardware synth in a portable 16-key form factor. Jason Howell gives his review. Get the Modal Electronics SKULPT SE Synthesizer: https://bhpho.to/37oV6FM Host: Jason Howell Download or subscribe to this show at https://twit.tv/shows/hands-on-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Find more products we recommend at https://www.amazon.com/shop/twitnetcastnetwork

Modal Electronics' SKULPTsynth SE is a powerful 4-voice hardware synth in a portable 16-key form factor. Jason Howell gives his review. Get the Modal Electronics SKULPT SE Synthesizer: https://bhpho.to/37oV6FM Host: Jason Howell Download or subscribe to this show at https://twit.tv/shows/hands-on-tech Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Find more products we recommend at https://www.amazon.com/shop/twitnetcastnetwork

Laura Mvula discusses her sparkling new album Pink Noise, teasing out 80's influences, and pushing herself into new musical territories. The Birmingham-born artist shares insights into her career and creative process by talking about life after Sony, working with collaborators like Oli Rockberger, and challenging herself as a singer.

Yorkshire churchyard reimagined by Cities and Memory.This was a moment of pure peace, a snapshot of rural life in England, and for the reimagined piece we were keen not to intrude on that. Instead, we've recorded two separate Moog synthesiser improvisations live over the field recording, responding to the moments when the birds are most active or quieter, and bringing in more activity when the church bells strike ten o'clock. We hope it preserves the sense of idyllic piece from the original recording.

Welcome back to a Symphonic Great Derelict! This week Andy is Joined once again by Jim Moon this time in his capacity as lead conductor of the Eldritch Light Orchestra to Discuss the Synthesiser and how it has shaped what we think of as sound of Sci-Fi for over 50 years and Jim gets to show off some of his toys too You can find Jim at Hypnogoria:- http://www.hypnogoria.com And the Eldritch Light Orchestra here:- https://www.youtube.com/playlist?list=PLGXuRded3Yp-3lOwzQVyHWkkqur1GN9K9 and also on the Blackdog Podcast - http://blackdogpodcast.com And you can find more of Andy and his other casts over at Rogue Two Media - http://www.roguetwomedia.com/ - https://twitter.com/GreatDerelict - https://www.facebook.com/groups/GreatDerelict/ All music used is for illustrative purposes only, and no copyright infringement is intended

Ocean Flatts "Live" interview from the UK as they talk about their new releases. Ocean Flatts are a 5-piece band from Kent in the UK who pride themselves on being on the same level as their fans and listeners.  Their music is a form of Alt Rock with influences from Indie, Soft Rock, Hard Rock and Synthesiser which gives them their unique sound.

Markus is the plugin developer and founder of Tone2 Audiosoftware. He developed the legendary Tone2 Filterbank3 Plugin as well as a bunch of very unique and amazing other Synthesizers. He was the developer of the early Refx products like Vanguard and Slayer. Moreover, Markus is an extremely gifted sound-designer make unbelievable Presets for his own Synthesisers like Electra, Gladiator and Icarus. In this Interview we're talking about many different topics like Mac vs PC, VST vs AU, what makes a Synthsizer Popular and many more. Enjoy this conversation! Follow Tone2: Website: https://www.tone2.com/ Facebook: https://www.facebook.com/Tone2Audiosoftware Instagram: https://www.instagram.com/tone2_audio/ Follow the Podcast: Website: https://bit.ly/GG-HDPNpodcast YouTube: https://bit.ly/YtHDPNpodcast Spotify: https://bit.ly/HDPNpodcast Apple Podcast: https://bit.ly/HDPN-podcast All the other Services: https://bit.ly/GG-ProducerPodcast Join Harddance Producer Network (Facebook Community): http://bit.ly/GG-Network Follow General Guyble: Website: http://www.generalguyble.com Facebook: http://www.facebook.com/generalguyble Instagram: http://www.instagram.com/generalguyble YouTube: http://www.youtube.com/user/generalguyble ______________ The Hard Dance Producer Network Podcast is a new Podcast format focussing on the production as well as business of the Hard Dance Music scene. For each Episode we get a different Artist, Producer or other types of Industry Professionals and talk about different aspects of our beloved Hard Dance Music. Make sure you subscribe, leave a like, comment, share, review or whatever you can do to support us. Only with your support we'll be able to keep it going and get enough interesting guests on the show. If you're in need for Samples & Presets check out: https://generalguyble.com/ Contact: generalguyble@gmail.com

Get started with synthesisers and join Al as he explores the world of oscillators, ADSR envelopes, filters, LFOs & arpeggiators.

Ocean Flatts is a band with a wide range of different genres such as: Alt Rock, Indie, Pop Rock, Hard Rock and even Synthesiser music.  They aim to put as much high energy fun in their shows as possible. Hear their 1st released single "Atomic" on the show. Lets introduce the 5-piece Alt rock band Ocean Fratts from the UK: Marshall Osborne - lead vocal, guitar and keys; Damon Westwood - backing vocals, guitar and keys; Dan Hoare - drums; Jordan Mansford - bass; Pepe - guitar  

Extreme Polls in association with Cyberdyne Systems present...Our latest podcast with legendary US film composer, Brad Fiedel.Brad joined us to discuss his latest project, FULL CIRCLE, which was loosely based on his own grandfathers life, and something he had been working on for many years. When his Terminator Live show at the Royal Albert Hall was cancelled due to the pandemic, this was a musical he completed while at home, and you can also enjoy it here: https://www.youtube.com/watch?v=4DorWzX9p28As well as chatting about his current work, Brad also went back in time to chat about his time with Hall & Oates, his early discovery of the Synthesiser, his iconic score of 'The Terminator', as well as the sound he generated for the haunting T-1000 in Terminator 2: Judgement day, which led to a clash of heads with director James Cameron.Of course, there couldn't be a podcast without delving into some polls ranging from activating SKYNET, to going back in time to stop Phil Collins having a music career.We need your clothes, your boots, and 5 star rating for this latest podcast.YouTube Video Link: https://youtu.be/tZOZG4BhlDM@justvoteimo - #MAWGPFIMUSIC:The Terminator Theme ~ Brad FiedelPolice Station ~ Brad FiedelOut of Touch ~ Hall & OatesTrust Me ~ Brad FiedelLove Theme (Chinatown) ~ Jerry GoldsmithCome to Me ~ Brad FiedelArm & Eye Surgery ~ Brad FiedelAlso Sprach Tharathustra ~ Richard StraussSara Smile ~ Hall & Oates

Episode ninety of A History of Rock Music in Five Hundred Songs looks at “Runaway” by Del Shannon, and at the early use of synthesised sound in rock music. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “Blue Moon” by the Marcels. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)

Judy Collins' extraordinary voice and life, and her enduring connection to the song Amazing Grace. And how a chance finding of tapes at a design school in Ahmedabad changed what we know about the history of Indian electronic music.

Hello to you, it's episode 1 of season 2! Warren is in his element as he welcomes his first very special guest into his garden for the best episode of this new season yet. It's like him and Hannah stepped into the wheelbarrow firepit in front of them and got lobbed back in time to when Hannah tore open the Christmas paper to reveal her Casio VL1. The keyboard synth bleeps boldly into the cool night air. Music and voices mingle with rising bonfire smoke and ash floats softly down like snowflakes. Warren sings his own lyrics to the Star Wars main theme tune, then Hannah summons Mozart with a glass harmonica. It's truly fantastical. Attach Decay Sustain Release. Thank you for listening, enjoy! See the Casio VL1 keyboard synthesiser here: https://www.instagram.com/p/CCYph8bnTrt/?utm_source=ig_web_copy_link

Matt Fleming is a musician (under his own name or One Formation) and photographer/videographer (Minus Tone). In this podcast he plays a mix of solo acoustic songs and synthesiser generated instrumental pieces. The two forms come together memorably in 'Floating' so listen out for that one in Part 2 of this podcast! He talks about utilising engineering and production skills learned on a commercial music course at university to work with young people in Slough. He talks candidly about those sometimes tough but rewarding years in community services. In the end government cuts resulted in the closure of most activity centres. Sadly we can see the negative results of such policies in many of our towns and cities. Matt has recently set up his own photography and video business which is how Invisible Folk became aware of his talents. He continues to encourage artistic growth in the local community with the Music & Words Club at The Hope, a vibrant new community space in Windsor. He organises a twice monthly gathering of musicians, poets, singers, composers, electronic artists etc who showcase original material. He is also involved in occasional pop-up events at the Loading Bay Cafe (Windsor).

Matt Fleming is a musician (under his own name or One Formation) and photographer/videographer (Minus Tone). In this podcast he plays a mix of solo acoustic songs and synthesiser generated instrumental pieces. The two forms come together memorably in 'Floating' so listen out for that one! He talks about utilising engineering and production skills learned on a commercial music course at university to work with young people in Slough. He talks candidly about those sometimes tough but rewarding years in community services. In the end government cuts resulted in the closure of most activity centres. Sadly we can see the negative results of such policies in many of our towns and cities. Matt has recently set up his own photography and video business which is how Invisible Folk became aware of his talents. He continues to encourage artistic growth in the local community with the Music & Words Club at The Hope, a vibrant new community space in Windsor. He organises a twice monthly gathering of musicians, poets, singers, composers, electronic artists etc who showcase original material. He is also involved in occasional pop-up events at the Loading Bay Cafe (Windsor).

The keyboards behind classic rock acts like The Who, The Doors and Emerson, Lake & Palmer. And the man who carries the torch of Hill Country Blues to modern audiences.

This week on Porous Borders I'm speaking to Duto Hardono, who is a sound artist based in Bandung, Indonesia. If you're in Australia, particularly in Melbourne, you might recognise his name because he just in Melbourne a couple of weeks ago playing some shows for the AsiaTOPA festival. If you're in Canberra you might also recognise Duto's name from the Contemporary Worlds exhibition last year, where one of his pieces was performed. If you're not in Australia, you might know Duto as the owner of the fantastic cassette label Hasana Editions, which has been getting some pretty good press lately. In the past couple of years they've released work from people like such as Kate Carr and Will Guthrie, along with a number of Indonesian artists. It's an amazing label; I've listened to everything on it and I absolutely recommend that you do as well, especially if you're stuck inside at the moment. Duto also teaches at the Bandung Institute of Technology and he's a very interesting modular synth performer. We talk about all of that in the interview and a lot more, so please enjoy,A couple of other notes: I'll be inside for the next two weeks (mandatory self-isolation after overseas travel), but the podcast will continue as normal. I also have a new Anquan release coming out in the next week or so, so keep an eye out for that. LinksHasana Editions Bandcamp: https://hasanaeditions.bandcamp.com/Ata Ratu, Anton Toba Lenda & Duto Hardono performance at Goethe Institute, Jakarta: https://www.youtube.com/watch?v=4isYtaRcDNY&t=2s Duto Hardono website: http://dutohardono.art/Audio excerpts taken from the above performance with Ata Ratu and Anton Toba Lendra. The whole performance is very much worth your time. Sonic Vortex Vol. 1 (compilation of South-East Asian noise and experimental music): https://mindblasting.wordpress.com/2020/01/25/sonic-vortex-volume-1/ Pancawala split (Coffee Faith, Dissonant, BRRR., DJ Miko, Anquan): https://mindblasting.wordpress.com/2020/01/01/pancawala-split/ Concrescence Records YouTube channel: https://www.youtube.com/channel/UCqKkFOv5-FOVTTbl0oojrfw

Thompson Twins' Tom Bailey describes the creative process behind enduring songs like 'In The Name Of Love', 'Love On Your Side', 'If You Were Here' and 'Hold Me Now'. During the conversation, Tom also gives detailed insights into the songwriting behind his 2018 solo album Science Fiction, and explains why it's important to maintain the distinctive aspects of your sound.

Artist: Satu Release title: Hypnosis / The Other Way Artwork by Richard Tognetti Recorded at Temple Studio, Manly Hypnosis Music & Lyrics by Richard Tognetti Produced by Kim Moyes & Joseph Nizeti Engineered by Joseph Nizeti Mixed by Kim Moyes Mastered by Ben Feggans Satu Vänskä: Vocals Richard Tognetti: Violin, Electric Violin Joseph Nizeti: Acoustic Guitar, Keyboard, Synthesiser, Drum Programming The Other Way Music & Lyrics by Richard Tognetti Produced by Kim Moyes & Joseph Nizeti Engineered by Joseph Nizeti Mixed by Kim Moyes Mastered by Ben Feggans Satu Vänskä: Vocals Richard Tognetti: Violin Slava Grigoryan: Acoustic Guitar Jim Moginie: Electric Guitar Joseph Nizeti: Electric Guitar, Synthesiser

Artist: Satu Release title: Hypnosis / The Other Way Artwork by Richard Tognetti Recorded at Temple Studio, Manly Hypnosis Music & Lyrics by Richard Tognetti Produced by Kim Moyes & Joseph Nizeti Engineered by Joseph Nizeti Mixed by Kim Moyes Mastered by Ben Feggans Satu Vänskä: Vocals Richard Tognetti: Violin, Electric Violin Joseph Nizeti: Acoustic Guitar, Keyboard, Synthesiser, Drum Programming The Other Way Music & Lyrics by Richard Tognetti Produced by Kim Moyes & Joseph Nizeti Engineered by Joseph Nizeti Mixed by Kim Moyes Mastered by Ben Feggans Satu Vänskä: Vocals Richard Tognetti: Violin Slava Grigoryan: Acoustic Guitar Jim Moginie: Electric Guitar Joseph Nizeti: Electric Guitar, Synthesiser

This week's episode is the first in a series of three episodes focusing on the Jogja Noise Bombing collective from Yogyakarta, Indonesia. Jogja Noise Bombing's annual festival is coming up on 25 and 26 January, so in the weeks leading up to the festival, I'll be interviewing a few members of the collective. If you're unfamiliar with JNB, they are most famous for their guerilla noise performances in public places around Jogjakarta.First up is an interview with my friend Sean Stellfox. Sean is a noise musician originally from Delaware in the United States but for the past 5 years he has been based in Central Java in Indonesia where he's toured extensively and been involved with projects like the Jogja Noise Bombing Collective, the Noise Bombing label, and the band ASU (USA). He generally performs under the name Bossbattle, but sometimes as Stellfox. In most of his projects Sean primarily works with locally-made and self-built synthesisers.Last year Sean co-authored the book Jogja Noise Bombing: From the Street to the Stage, which is kind of an oral history of the Jogja Noise Bombing Collective. You download the book for free as an ebook or pdf file from archive.org (check the shownotes for a link), and it's in both English and Indonesian. In 2019 Sean and I also toured together in Japan, Hong Kong, and Taiwan, and so we talk about that a little bit in the podcast as well.Please rate, review and subscribe to the show on iTunes or whatever else you use to get podcasts, and if you know people who would like the show, please share it with them.Tracks played: ASU (USA) Live in Kyoto, ASU (USA) Live at Jogja Noise Bombing 2018LINKS:Concrescence Records YouTube channel: https://www.youtube.com/channel/UCqKkFOv5-FOVTTbl0oojrfw? Jogja Noise Bombing: From the Street to the Stage book: https://archive.org/details/JNBFSSJogja Noise Bombing label: https://noisebombing.bandcamp.com/ASU (USA) on Bandcamp: https://asuusa.bandcamp.com/Bossbattle on Bandcamp: https://bossbattle.bandcamp.com/Audio recording of ASU (USA) at JNB Festival 2018: https://archive.org/details/JogjaNoiseBombingFestival2018LiveRecording

This weeks improv we decided to do something different by introducing more instruments to our simple duo of piano and guitar. We used Melodica, Synthesiser, and percussion performed on guitar. Our own virtual orchestra! This set up provided us with a more textured improvisation and less of a melody and accompaniment structure. A short analysis follows at the end of the improvisation which explores what we created in this half an hour of improvisation.

In episode eleven of People Movers, I speak to Matt Adair from City Frequencies. City Frequencies performed Random Acts Of Elevator Music as part of the 2006 Melbourne Fringe Festival, followed by a second tour in 2009. Random Acts Of Elevator Music saw Matt and his co-collaborator, Nick, building a synthesiser and a keyboard into briefcases and carrying them into over 100 elevators all over Melbourne's CBD.  ------------------------------- Some of the music in this episode was provided by Tim & Dave of Umbra: https://www.facebook.com/umbraduo/ Additional music: 'Heliotrope' - Blue Dot Sessions via Free Music Archive The logo was provided by Greta Larkins: http://fashgif.tumblr.com/ Follow People Movers on Instagram: @peoplemoverspodcast Follow me on Twitter: @LindsJGreen Find more information, photos & transcripts at www.peoplemoverspodcast.com. Listen to One To Grow On via their website or your favourite podcast app.

GUEST: Dr. Brett Belchetz, 640 Toronto's Medical Expert and ER Physician

Welcome to the Savaggio family. We are Rudi and Toni. Brothers without a father since we lost Roberto. We never knew our mother. In the beginning, we were scientists. We experimented. We brought different sounds and textures to the street, club and stage and watched as our audiences showed surprise and then excitement. Synthesisers, electric bongos, drum machines, violins, effects… we tried and tested them all to perfect our live sets. We searched for signature sound. We still search for it. It’s part of today’s adventure. We busked on the streets. We played clubs. We played festivals. We released on labels. We made good friends. We made music with them. And sometimes they came to join the party. Now we know what makes you move, what you’re not expecting. But we need you for that. We want you for that. We won’t alienate you when you’re in the club. We hold our audiences close. Whether you like it or not, you’re part of our performance. We provide for each other. No end in sight yet. We perform solo or duo. Either way, we’ll keep exploring what makes you want to nod your head, tap your foot. We’ll keep asking questions of the norm. We’ll keep practising and perfecting an art that knows no boundaries. https://soundcloud.com/savaggiomusic Download for free on The Artist Union

Welcome to episode nine of A History of Rock Music in Five Hundred Songs. Today we’re looking at Les Paul and Mary Ford, and “How High The Moon”. Click the full post to read liner notes, links to more information, and a transcript of the episode. (more…)

GARDNSOUND is a fellow YouTuber and musician who has some interesting insights into how Horror Movie Soundtracks are produced and how their methods reflect the story and monsters within them. In this (in studio) episode, we talk about the score for It Follows by Disasterpiece and how the new Halloween score compares to the Original and how those differences are also reflected in the filmmaking styles.

GARDNSOUND is a fellow YouTuber and musician who has some interesting insights into how Horror Movie Soundtracks are produced and how their methods reflect the story and monsters within them. In this (in studio) episode, we talk about the score for It Follows by Disasterpiece and how the new Halloween score compares to the Original and how those differences are also reflected in the filmmaking styles.

Synthesisers are the stars of the Grainger Museum's latest exhibition, Synthesizers: The Sound of the Future. The exhibition celebrates these democratising instruments, with a particular look at Melbourne's emerging electronic music scene in the 1960s and ‘70s. Chris Hatzis takes a stroll through the exhibition and chats with curator Heather Gaunt, MESS's director and sound artist Byron Scullin, and artist and composer David Chesworth. Music used in episode: "Kraut Mich Mit Einen Dachshund" "3 3/4" "Flea Circus" "Necrophilia" All songs by David Chesworth from the album 50 Synthesizer Greats, originally released in 1979 and reissued by Chapter Music in 2017. Synthesizers: The Sound of the Future exhibition at the Grainger Museum runs until Sept 9, 2018. Episode recorded: August 9, 2018 Interviewer: Chris Hatzis Producers: Dr Andi Horvath and Silvi Vann-Wall Audio engineer: Arch Cuthbertson Producer and editor: Chris Hatzis Banner image: Non Event/Flickr

Synthesisers are the stars of the Grainger Museum’s latest exhibition, Synthesizers: The Sound of the Future. The exhibition celebrates these democratising instruments, with a particular look at Melbourne’s emerging electronic music scene in the 1960s and ‘70s. Chris Hatzis takes a stroll through the exhibition and chats with curator Heather Gaunt, MESS's director and sound artist Byron Scullin, and artist and composer David Chesworth.Music used in episode:"Kraut Mich Mit Einen Dachshund""3 3/4""Flea Circus""Necrophilia"All songs by David Chesworth from the album 50 Synthesizer Greats, originally released in 1979 and reissued by Chapter Music in 2017.Synthesizers: The Sound of the Future exhibition at the Grainger Museum runs until Sept 9, 2018.Episode recorded: August 9, 2018Interviewer: Chris HatzisProducers: Dr Andi Horvath and Silvi Vann-WallAudio engineer: Arch CuthbertsonProducer and editor: Chris HatzisBanner image: Non Event/Flickr

In this episode of IndieVelopment we're talking to William Newman a hobbyist game developer and I learn a lot about the history of synthesisers and how they are used to make sounds.Checkout Subtractive Synthesis and other games by William here: https://gamejolt.com/@BirdrunWilliam’s blog: http://orderofthenewman.com/Thanks as always to the Indie Games Room for their support. Website: http://www.theindiegamesroom.comTwitter: https://twitter.com/indiegamesroomFacebook: https://www.facebook.com/TheIndieGamesRoom/I play games weekly on Youtube: https://www.youtube.com/channel/UCItGjYhfM70i58ENbMd0C2gI retweet about games I like on Twitter: https://twitter.com/kindadorkyfunand I update occasionally on my Instagram: https://www.instagram.com/kindadorkyfuntimes/

In this episode of IndieVelopment we're talking to William Newman a hobbyist game developer and I learn a lot about the history of synthesisers and how they are used to make sounds.Checkout Subtractive Synthesis and other games by William here: https://gamejolt.com/@BirdrunWilliam’s blog: http://orderofthenewman.com/Thanks as always to the Indie Games Room for their support. Website: http://www.theindiegamesroom.comTwitter: https://twitter.com/indiegamesroomFacebook: https://www.facebook.com/TheIndieGamesRoom/I play games weekly on Youtube: https://www.youtube.com/channel/UCItGjYhfM70i58ENbMd0C2gI retweet about games I like on Twitter: https://twitter.com/kindadorkyfunand I update occasionally on my Instagram: https://www.instagram.com/kindadorkyfuntimes/

Due to the political climate in Soviet Russia of the day, Yevgeny Murzin was forced to build his synthesizer in secret with little access to electronic parts. Over next two decades (pre and post war), the ANS as it was known, was a self-financed, largely secret labour of love; Murzin had to work on it in his spare time over two decades with help from a like-minded, tight-knit circle of composers and technicians. Murzin finally completed construction of the ANS in 1958 and it was subsequently used by a number of pioneering 20th Century Russian composers such as Stanislav Kreichi, Alfred Schnittke, Edison Denisov, Sofia Gubaidulina and Edward Artemiev. The unearthly tones of the ANS were perfectly suited to the era of Soviet space exploration, and became the soundtrack instrument of choice for a series of classic Russian sci-fi films, the most famous being Andrei Tarkovsky’s Solaris released in 1972. Meet those who knew Murzin and saved his instrument from obscurity: Eduard Artemiev (celebrated soundtrack composer and Tarkovsky collaborator), Stanislav Kreichi (composer and de facto guardian of the ANS), Andrei Smirnov (Theremin Institute Moscow). Other synthesiser pioneers contribute including Suzanne Ciani (US composer) and Goldfrapp’s Will Gregory (Russian synth collector) as well as current synthesiser aficionados Kaitlyn Aurelia Smith. Presented by keyboard player and long-standing Russophile, Jon Ouin. Image: Yevgeny Murzin

Due to the political climate in Soviet Russia of the day, Yevgeny Murzin was forced to build his synthesizer in secret with little access to electronic parts. Over next two decades (pre and post war), the ANS as it was known, was a self-financed, largely secret labour of love; Murzin had to work on it in his spare time over two decades with help from a like-minded, tight-knit circle of composers and technicians. Produced for The BBC World Service

Due to the political climate in Soviet Russia of the day, Yevgeny Murzin was forced to build his synthesizer in secret with little access to electronic parts. Over next two decades (pre and post war), the ANS as it was known, was a self-financed, largely secret labour of love; Murzin had to work on it in his spare time over two decades with help from a like-minded, tight-knit circle of composers and technicians. Produced for The BBC World Service

Music 101's Yadana Saw tries to make music using her laptop and a whole bunch of wires. She's at Victoria University's Women and Music Technology symposium attending an Arduino circuit making workshop.

Questions, tangents and potty mouths. What more could a podcast need?

Socks. Synthesiser. Wedding rings. Driving a manual. Predestination. Literally Nothing - Part V

Celebrating the release of his new album, Grey Tickles, Black Pressure, John Grant chats with Simon and Brian about the writing of songs like 'Snug Slacks', 'Voodoo Doll' and 'Disappointing'. In addition to describing his love for horror film scores, synthesisers, and languages, John also talks about his songwriting process on tracks like 'Pale Green Ghosts', 'Black Belt', 'Marz' and 'Chicken Bones'.

The grass in France, determining what day it is, how to play Rock Paper Synthesiser, teacup weather science, patronising an inanimate object, selling Baileys by the pint, divvying up the Moon, a classic instalment of Shainne Greoige's newspaper review and more, with your humble proprietor Neal from Ireland. License: Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International – It is mandatory to reproduce this attribution for each episode: “Neal O'Carroll via IntoYourHead.ie – Many episodes findable forever on Archive dot org.”

Martyn Ware and Glenn Gregory of Heaven 17 chat with Simon and Brian about the creative processes behind songs like '(We Don't Need This) Fascist Groove Thang', 'Let's All Make a Bomb' (Penthouse and Pavement), and gems from The Luxury Gap. Martyn and Glenn also talk in detail about their early lives in Sheffield, their approach to synthesisers and recording technology, and early songs for The Human League such as 'Almost Medieval' and 'Being Boiled'.

Richard Kuiper [aka Mouse] dj/producer : techno : acid Richard Kuiper, or Mouse, sound engineer and designer, likes to produce music in an eccentric fasion. Allthough fasinated by underground culture and mainstream; mouse likes to bend the guidelines and aproach the music without all his knowledge. Constantly breaking patterns in workflow, while following a basic path in the techno genre. It started on a commodore 64 vic with a software synthesiser program- "Synthesiser." As a young boy he spent hours figuring out what all the knobs did; without knowledge, sounds came and went. And sessions mostly ended when there was no sound comming from the program. In the end he did not understand anything about synthesis, but surely made sounds that where sent to space. Or maybe send from space. The music flowes just flows! On the commodore, Mouse had the vision of starting a studio where sound could be manipulated and captured. Later he started programming on the well known 486 computer, and made modules that where very popular in the 90s. This was the moment Mouse started to realise that the sounds he really wanted to make were impossible on any instrument. This realization opened doorways to infinte possibillities in a still limited domain. Currently educated as soundengineer, he still likes to start a music project as if it is his first. Ït keeps the student in me alive" - Richard Kuiper [aka/ Mouse] He mostly works on obsecure, unique and quite underrated electronic instruments and is a big fan of audio tape. Especially the analog sound captured on the compact cassette. For Mouse there are no rules in audio, only guidelines. http://soundcloud.com/mouse777 http://www.youtube.com/user/beatbasta BWLR-P010 Richard Kuiper, Amsterdam, NL

Series 2 of One Man And His Mic is here at long last and this series kicks off with a 1 hour Jean-Michel Jarre special! The show features a selection of superb Commodore 64 remixes done in the style of Jarre along with a selection of Jarre covers done on the C64. Totally unique!

'Serpents and Synthesisers: the Physics of Musical Instruments' by Murray Campbell.Recording Crown Copyright 2008. Reproduced by permission of the Controller of HMSO and Queen's Printer for Scotland.