Podcast appearances and mentions of Oliver Onions

In dieser Wundertüte feiern wir die Helden unserer Kindheit - musikalisch! Guido und Maurizio De Angelis, besser bekannt als Oliver Onions, haben nicht nur Bud Spencer und Terence Hill die perfekte Prügel-Polka geliefert, sondern auch uns den Soundtrack zum Samstagabend.

In dieser Folge von „Mein Lieblingssong“ geht es fast mehr ums Kochen als um Musik, aber das kann passieren, wenn der Gast Koch ist und Thomas Dippel heißt. Sein Lieblingssong? Der Song „Flying Through the Air“ von den Oliver Onions, bekannt aus dem Film „Zwei Himmelhunde auf dem Weg zur Hölle“ mit Bud Spencer und Terence Hill. Doch warum hat gerade dieser Song für Thomas solch eine besondere Bedeutung? Er nimmt dich mit auf eine Reise in seine Jugend und verrät, warum die Abenteuer von Bud Spencer und Terence Hill ihn bis heute begeistern. Er erzählt, was ihn an Terence Hill begeistert, ob Kochen und Musik hören für ihn zusammenpassen und was Menschen auf Privatjachten für Lieblingsspeisen essen. Hört rein in einer Folge, die nicht nur Lust darauf macht, den Lieblingssong von Thomas zu hören, sondern einen auch direkt in die Küche treibt, um sich etwas Leckeres zum Essen zuzubereiten. Lass dich von Thomas' Leidenschaft für gutes Essen und gute Musik anstecken – und vielleicht entdeckst du dabei deinen eigenen Soundtrack fürs Kochen. Höre deinen Lieblings-Podcast und deine Lieblingsmusik doch einfach auf einem sonoro Musiksystem.Das sonoro MEISTERSTÜCK und viele andere Produkte aus der sonoro Klangschmiede findet ihr hier: sonoro.comHinterlasse gerne eine Bewertung und abonniere unseren Podcast bei deinem Streamingportal der Wahl und verpasse keine Folge. Und wenn du alle Neuigkeiten zum Podcast „Mein Lieblingssong“ mitbekommen möchtest, dann melde dich hier für unseren wöchentlichen Newsletter an: Kostenloser NewsletterHier findest du uns auf Facebook oder Instagram.Geschichten aus den 70ern: Mein Lieblingssong - Album 1 als Hörbuchversion.Gibt es überall, wo es gute Hörbücher gibt.Geschichten aus den 80ern: Mein Lieblingssong - Album 2 als Hörbuchversion.Gibt es überall, wo es gute Hörbücher gibt.Mehr über die beiden Hosts Falk & Ryll sowie alle Podcastfolgen findest Du auf www.meinlieblingssong.com Hosted on Acast. See acast.com/privacy for more information.

Anche la musica internazionale ha avuto un grande Impatto sulle classifiche italiane negli anni ’70. Nella puntata di oggi Ascolteremo: Eternità – Ornella Vanoni;  Rose nel buio – Gigliola Cinquetti;  Quanti anni ho? – I Nomadi;  Da troppo tempo – Milva;  Dune Buggy – Oliver Onions;  Fratello in amore – Patrizio [...]

Ein Mystery-CD-Unboxing im Solo für Frank - und damit eine neue Folge "Scheibennostalgie". Ich spreche über die 3 Tenöre, Volksmusik aus dem Bücherschrank, schrottigen Compliations und Klassikern der Popmusik - u-a. mit Avicii, Oliver Onions, Celine Dion, Santana, David Garrett, André Rieu, Rüdiger Hoffmann und Klaus & Klaus.

Lee tries to start off 2025 on a positive note with a playlist from everyone's favourite Italian brother duo, Guido & Maurizio De Angelis. If you're counting, this is the fourth time Lee has done a show covering the work of the prolific brothers (search the archives on Podbean for parts 1-3), be it under their names, Oliver Onions, or some of the lesser known pseudonyms they've used over the decades. In many cases, this list features instrumental versions of songs Lee has used in previous episodes, and Lee does much less talking than in previous installments of this series. This makes for an easier episode to put together for Lee, and more music for you the listener. It's like you won a new shiny red dune buggy! --Across the Fields & Dune Buggy (Instrumental) from "Watch Out, We're Mad!" (1974) --Driving All Around (Instrumental) & Goodbye My Friend (Rock Version) from "Street Law" (1974) --Afyon (Instrumental) from "The Sicilian Connection" (1974) --Sliding Crime from "Violent Rome" (1975) --Flat Foot Cop from "Flatfoot in Hong Kong" --Suspense from "Hit Squad" (1976) --E Nun ce vojo sta from "Hit Squad" (1976) --Alberto Griso --Verso l'avventura from "Soldier of Fortune" (1976) --Ultimo Inseguimento & Agguato from "The Big Racket" (1976) --Miss Robot from "Bulldozer" (1978) --In Africa, Freedom (Single Side A Alt Mix), Diamonds #2 & African Disco from "Flatfoot in Africa" (1978) Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

The first guest from Italy on "Let's Talk Synth... Seriously!!" is the master of Horror meets Comedy meets Synthwave, maestro Vincenzo Salvia! He's gathered millions of streams on Spotify and his track "Italian Gigolo" was featured on Season III of Netflix' record breaking series "Stranger Things"!! So, how did he do that? Learn about it in this episode, along with endless philosophizing about the beauty of Italian Home Organs, the origins of Italo Disco, Movie Soundtracks from Goblin and the Oliver Onions, and why Vincenzo Salvia has arrested a DX7 in his basement.

Author : Oliver Onions Narrator : Matt Dovey Host : Matt Dovey Audio Producer : Devin Martin Discuss on Forums Originally published in The London Magazine, August 1928. Content warnings for the off-screen deaths of a spouse and sons Rated PG John Gladwin Says . . . by Oliver Onions   If we are to […] The post PodCastle 859: John Gladwin Says… appeared first on PodCastle.

Spodobało się? Zostań patronem tutaj: ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tchnieniegrozy.pl⁠⁠⁠⁠⁠⁠⁠⁠⁠ Wesprzyj via ⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube ⁠⁠⁠⁠⁠⁠⁠⁠⁠( https://www.youtube.com/tchnieniegrozy) Dołącz do rozmowy na ⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord ⁠⁠⁠⁠⁠⁠⁠⁠⁠(  https://discord.gg/7jAjbY2  ) Lubisz gry fabularne? Zapraszam na mój drugi kanał, 6 10 12 ➤ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/61012 ⁠⁠⁠⁠⁠⁠⁠ Muzyka:  Hideous Hiss, Jacek Brzezowski

Andiamo in viaggio con la dune buggy rossa fiammante e la cappottina gialla insieme a Bud Spencer e Terence Hill, riscoprendo un classico del cinema italiano, film dal grande successo che, 50 anni fa, nel 1974, riempì le sale cinematografiche italiane: …altrimenti ci arrabbiamo.  La canzone Dune Buggy degli Oliver Onions, le botte, le gare a chi mangia più salsicce e beve più birre, le corse in auto e in moto… e abbiamo detto le scazzottate? dovete ascoltarla tutta… altrimenti ci arrabbiamo! Il film con Bud Spencer e terence Hill è disponibile su Netflix. La musica di apertura è Rock Machine Loop by MuzaProduction -- https://freesound.org/s/652274/ -- License: Attribution NonCommercial 4.0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/il-brutto-il-cattivo/message

Bar Talk (our recommendations):Jessica is watching Scavengers Reign (TV Series; 2023 - ); drinking a Noble Oak Double Oak Hot Toddy.Damien is watching The Dead Center (2018; dir. Billy Senese); drinking Walcott Kentucky Straight Bourbon.Ryan is reading Wylding Hall by Elizabeth Hand; drinking the showdoggedly named Old Particular's Probably Orkney's Finest 12 yr old Highland Single Cask.If you liked this week's story, read "In The Pines" by Karl Edward Wagner... if you can find it.Up next: "Wireless" by Rudyard Kipling.Special thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Bar Talk (our recommendations):Jessica is reading Our Wives Under the Sea by Julia Armfield; drinking a Swedish?! whiskey: Mackmyra Svensk EkDamien is reading Tell Me I'm Worthless by Alison Rumfitt; drinking the Noble Oak Double Oak.Ryan is reading The Nightmare Room by Chris Sorenson; drinking Glenlivet 14 year old Cognac finish.If you liked this week's story, watch the campy classic They Live (1988; dir. John Carpenter).Up next: "Benlian" by Oliver Onions.Special thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Boy oh boy are we ever getting tired of sad men dying for their ghosts. It’s “The Beckoning Fair One” by Oliver Onions! A good story, but jeez, guys. See a therapist or something.

In this episode Lee takes a brief trip to the far East to check out tracks from the soundtracks and scores of some of his favourite Asian horror films. This will most likely be followed up with more parts in the future. --Heart Sutra from "Kwaidan" (1964) --Tōru Takemitsu --Theme from "Onibaba" (1964) --Hikaru Hayashi --Oriental Melon Man from "House" (1977) --Mickie Yoshino & Godiego --Theme from "Mystics in Bali" (1981) --Gatot Sudarto --The Cursed Video from "Ring" (1998) --Kenji Kawai --Robby's Song from "Tomie" (1998) --World Famous --Theme from "Audition" (1999) --Kōji Endō --Kirie from "Uzumaki" (2000) --Tetsuro Kashibuchi & Keiichi Suzuki --Ju-On Theme - House from "Ju-On: The Grudge" (2002) --Shiro Sato --The Monster's Lair from "The Host" (2006) --Byung-woo Lee --Theme from "Cold fish" (2010) --Tomohide Harada --First Pass from "Train to Busan" (2016) --Jang Young-Gyu --Karma & Kelam Malam from "Satan's Slaves" (2017) --The Spouse (Aimee Saras & Tony Marle) Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Lee is back with the second part of his look at the soundtracks and scores of the sex comedy genre, focusing on the more lurid side of things. This time everything has gotten far bigger and far hornier as he moves into the 1980s. Much like with slasher films, and other assorted cinematic junk food, the sex comedy genre exploded in North America during this decade, getting far raunchier and problematic that it had previously been. Because of the exponentially larger amount of music to put on the playlist, Lee put out a poll to the listeners asking them if they wanted this split into two parts or if they wanted a super-sized summer blow-out. Apparently the listeners are all size queens, so enjoy this 3hr episode! --Pinball Summer & Voyeur's Motel from "Pinball Summer" (1980) --Jay Boivin & Germain Gauthier --I Don't Need To Love You & Try Not To Break My Heart from "The Beach Girls" (1982) --Linda Stevens-Foote --Better Luck Next Time from "The Last American Virgin" (1982) --Oingo Boingo --Shake it Up from "The Last American Virgin" (1982) --The Cars --Teen Angel Eyes from "The Last American Virgin" (1982) --Tommy Tutone --Girls Like Me from "Valley Girl" (1983) --Bonnie Hayes --Marina Men from "Valley Girl" (1983) --The Valley Girls --Pocket Pool from "Valley Girl" (1983) --Killer Pussy --Angst in My Pants from "Valley Girl" (1983) --Sparks --Shake that Thing & This Heart's On Fire from "Screwballs" (1983) --Johnny Dee Fury --Joysticks from "Joysticks" (1983) --Legion --My Tutor from "My Tutor" (1983) --Webster Lewis --Sleepover from "The First Turn-On!" (1983) --Shrapnel --Hungry Like the Wolf from "Hot Dog... The Movie" (1983) --Duran Duran --When You Were Mine from "Hot Dog... The Movie" (1983) --Mitch Ryder --Private School from "Private School" (1983) --Bill Wray --Rock this Town from "Private School" (1983) --The Stray Cats --I Want Candy from "Private School" (1983) --Bow Wow Wow --Da Da Da I Don't Love You, You Don't Love Me Aha Aha Aha from "Private School" (1983) --Trio --How Do I Let You Know from "Private School" (1983) --Phoebe Cates --Just a Girl from "The Party Animal" (1984) --The Convertibles --Why Can't I Touch It? from "The Party Animal" (1984) --The Buzzcocks --Manhattan from "Revenge of the Nerds" (1984) --Andrea and Hot Mink --Burning Down the House from "Revenge of the Nerds" (1984) --Talking Heads --Steel from "Rosebud Beach Hotel" (1984) --Cherie & Marie Currie --Hardbodies from "Hardbodies" (1984) --Krak --Runnin' from "Hardbodies" (1984) --Vixen --Back to Paradise from "Revenge of the Nerds II" (1984) --38 Special --Dedication from "School Spirit" (1985) --Gleaming Spires --Hard Way from "Just One of the Guys" (1985) --Tony Brock & Jay Davis --Tomboy from "Tomboy" (1985) --Souvenir --Weird Science from "Weird Science" (1985) --Oingo Boingo --Philadelphia Baby from "Porky's Revenge" (1985) --The Crawling King Snakes --Peter Gunn Theme from "Porky's Revenge" (1985) --Clarence Clemons --High School Nights from "Porky's Revenge" (1985) --Dave Edmunds --Loose Screws (Breakin' Away) from "Loose Screws" (1985) --Errol Francis and The Francis Factor --Stew School from "Stewardess School" (1986) --Keith Landry --Lookin' from "The Malibu Bikini Shop" (1986) --Naomi Delgado --Recruits (Ride Hard, Live Free) from "Recruits" (1986) --Jon Mikl Thor --Hamburgers For America from "Hamburger: The Motion Picture" (1986) --Blue Miller --Party Camp from "Party Camp" (1987) --Mark Carpenter --Let Me Be the Knight from "The Big Bet" (1987) --Rob Tro --Surfin' Bongos from "Senior Week" (1987) --The Bongo Teens --Main Title from "Not of This Earth" (1988) --Chuck Cirino --Killer Machine from "Dr. Alien" (1989) --Billy Jacoby Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Lee is back with part one of a two-part look at the soundtracks and scores of sex comedies, specifically those of the 1970s and 1980s, the raunchier the better! There was so much material to go through that he had to split each decade into its own super-sized episode of BotT, and even then he's barely scraping the surface. In part one we start off in the decade where the sex comedy really started to take off overseas at first: the 1970s! This was especially obvious in places like Great Britain and Italy, and this trend would seemingly influence North American sex comedies to push the envelope even further later in the decade, before they totally came to dominate in the 1980s. --Up Pompeii from "Up Pompeii" (1970) --Frankie Howerd --God's Children & Lola from "Percy" (1971) --The Kinks --Au Pair Girls 2 from "Au Pair Girls" (1972) --Roger Webb --Sessomatto from "How Funny Can Sex Be" (1973) --Armando Trovajoli --Alvin Purple from "Alvin Purple" (1973) --Brian Cadd --Lovin' Is from "Alice Goodbody" (1974) --Rick Harris, Candy & Mr. D --This is Your Life Timmy Lea from "Confessions of a Window Cleaner" (1974) --Su Cheyenne --Girl from Starship Venus from "The Girl from Starship Venus" (1975) --Don Lang --Confessions of Timmy Lee from "Confessions of a Pop Performer" (1975) --Three's a Crowd --Kipper; Accidents Will Happen; Oh Sha La La & The Clapham from "Confessions of a Pop Performer" (1975) --Kipper (Dominic Bugatti & Frank Musker) --Theme from "The Ups and Downs of a Handyman" (1975) --Vic Elms (vocals by Barry Stokes) --Sq. 1 - Titoli & Seq. 3 from "The Sensuous Nurse" (1975) --Gianfranco Plenizio --My Cruisin' Casanova from "Adventures of a Taxi Driver" (1976) --Adrienne Posta --The Love Bug from "What's Up Nurse!" (1977) --Tony Burrows --Private Eye from "Adventures of a Private Eye" (1977) --Christopher Neil --The New Carioca from "The Kentucky Fried Movie" (1977) --Jonathan & Darlene Edwards --Heavy Bopper from "The Kentucky Fried Movie" (1977) --Alan Moorhouse --Give Me England from "Confessions from a Holiday Camp" (1977) --The Wurzels --It's Great to Be Here from "Come Play with Me" (1977) --Peter Jeffries (vocals by Alfie Bass & George Harrison Marks) --Come Play with Me from "Come Play With Me" (1977) --Coming Shortly (Peter Jeffries) --Chevy Van; Country Lady & Early Morning Love from "The Van" (1977) --Sammy Johns --Animal House from "Animal House" (1978) --Stephen Bishop --Lollipop from "Lemon Popsicle" (1978) --The Chordettes --Hold On, I'm Coming from "What's Up Superdoc!" (1978) --Fingers (Paul Fishman) --I'm Flying from "Adventures of a Plumbers Mate" (1978) --Christopher Neil --Love Crazy from "Carry on Emmannuelle" (1978) --Masterplan (Kenny Lynch) --Lola Langusta from "Beneath the Valley of the Ultra-Vixens" (1979) --Paul Ruhland --Van Nuys Blvd. & Mama's Car from "Van Nuys Blvd." (1979) --Ron Wright & Ken Mansfield --All of My Friends from "Gas Pump Girls" (1979) --Kirsten Baker --Theme from "Spaced Out" (1979) --Emil Zoghby --You Got Me Up There from "Spaced Out" (1979) --Tommy Hunt Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Yes indeed, Lee is swamped with work and other things, so it's time to give him a break and let him do another easy TMBDOS! Grab Bag episode. This is where he makes up a playlist based on selections from the scores and soundtracks from the films covered on previous episodes of the They Must Be Destroyed On Sight! podcast. Enjoy! --La Ragazza Con La Pistola, In Due & Shake Balera from "The Girl with the Pistol" (1968) --Peppino De Luca (Episode 236) --The Name's Bond... James Bond from "No Time to Die" (2021) --Nicholas Dodd (Episode 243) --Mask: Movement 3 from "Vampire in Venice" (1988) --Vangelis (Episode 244) --Temple of The Golden Pavilion from "Mishima" (1985) --Phillip Glass (Episode 246) --Main Title from "Sneakers" (1992) --James Horner (Episode 247) --Main Theme from "Death Screams" (1982) --Dee Barton (Intermission #38) --Keoma (Instrumental) from "Keoma" (1976) --Guido and Maurizio De Angelis (Episode 252) --Ain't that a Kick in the Head from "Goodfellas" (1990) --Dean Martin (Episode 257) --I Want You Around from "Rock 'n' Roll High School" (1979) --The Ramones (Episode 259) --I'm Waiting for the Man from "American Pop" (1981) --Lou Reed (Episode 261) --Whistle & Bells and Sheriff from "The Sheriff and the Satellite Kid" (1979) --Oliver Onions (Episode 264) Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

A sette anni dalla scomparsa dell'eroe buono di ognuno di noi, o almeno di chiunque abbia un frammento di umanità in corpo, il mio personale omaggio è quello di ricordarlo nelle due pellicole "fantascientifiche" dirette da Michele Lupo, dove Bud deve proteggere il piccolo e pacifico extraterrestre H7-25 dalle grinfie dell'esercito o di alieni malvagi intenzionati a conquistare la Terra. Due film che restano sempre nel cuore, dove la violenza è un gioco, dove la musica degli Oliver Onions è ormai leggenda e nei quali l'indimenticabile Bud Spencer incarna lo sceriffo che tutti vorremmo conoscere e dal quale farci proteggere. Manchi terribilmente, gigante buono.

Lee is back with his second part of his look at his favourite selections from the soundtracks and scores for the filmography of Quentin Tarantino, this time covering "Death Proof" to "Once Upon a Time in America". As Tarantino went forward his soundtracks got larger and larger, so this ended up being an even bigger episode than part one, even with Lee trying his best to restrain himself with his picks. "Death Proof" (2007) --Violenza Inattesa --Ennio Morricone --The Last Race --Jack Nitzsche --Jeepster --T. Rex --Riot in Thunder Alley --Eddie Beram --Italia a Mano Armata --Franco Micalizzi --Hold Tight --Dave Dee, Dozy, Beaky, Mick & Tich --Baby, It's You --Smith --Chick Habit --April March "Inglourious Basterds" (2009) --Main title from White Lightning --Charles Bernstein --Main title from Slaughter --Billy Preston --Ich Wollt Ich Wär Ein Huhn --Lillian Harvey & Willy Fritsch --Main Theme from Dark of the Sun --Jacques Loussier --Tiger Tank --Lalo Schifrin --Rabbia e Tarantella --Ennio Morricone --Un Amico --Ennio Morricone --The Devil's Rumble --Davie Allan and The Arrows --Algiers November 1, 1954 --Ennio Morricone & Gillo Pontecorvo "Django Unchained" (2012) --Django --Rocky Roberts & Luis Bacalov --The Braying Mule --Ennio Morricone --His Name Was King --Luis Bacalov & Edda Dell'Orso --I Got A Name --Jim Croce --Rito Finale --Ennio Morricone --Days of Anger --Riz Ortolani --Trinity (Titoli) --Franco Micalizzi and Lally Stott, vocals by Annibale E I Cantori Moderni "The Hateful Eight" (2015) --L'Ultima Diligenza Di Red Rock (Intro Vers.) --Ennio Morricone --Regan's Theme (Floating Sound) --Ennio Morricone --Beastiality --Ennio Morricone --Now You're All Alone --David Hess --L'inferno Bianco --Ennio Morricone --There Won't Be Many Coming Home --Roy Orbison "Once Upon a Time in Hollywood" (2019) --I Can't Turn You Loose --Wayne Cochran and The C.C. Riders --Out of Time (Strings Version) --The Rolling Stones --Hush --Deep Purple --Son of a Lovin' Man --Buchanan Brothers --Bring a Little Lovin' --Los Bravos --Ready for Action --Syd Dale --Brother Love's Traveling Salvation Show --Neil Diamond --Kicks --Paul Revere & The Raiders --Victorville Blues --Harley Hatcher Combo --Dinamite Jim (English Version) --Nico Fidenco & I Cantori Moderni di Alessandroni (vocals) --You Keep Me Hangin' On (Quentin Tarantino Edit) --Vanilla Fudge Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

In this episode we leap from helicopter to nuclear sub to mysterious island in our pursuit of the Atlantis Interceptors and their quest for, well, who knows. It may not make any sense, or even really be post-apocalypse, but fun will be had along the way - and after all, perhaps the true meaning of Atlantis was inside us all along.Yes, it's the late Ruggero Deodato's bonkers Filipino action film Raiders of Atlantis, an odd entry in the Pastapocalypse sub-genre, but one that belongs there nonetheless. We discuss its origins, try to get to grips with its plot, and even find time to mention Oliver Onions again.We would love to hear from you if you have any favourite post-apocalypse films. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

Regardless of if you like the work of Quentin Tarantino or not, it can not be denied that he curates killer soundtracks for his films. Much like how he borrows visually and thematically from the films of the past to create his own unique film architecture, he often layers in music from other films in other to do much the same. Sometimes the music is there just to accent a scene and make it cooler, sometimes it's a deeper meta reference. Sometimes it just doesn't work at all, but nobody always hits the target all the time. With the announcement that Tarantino is working on his (according to him) tenth and final film, "The Movie Critic", Lee decided it was time to look back at his body of work as it stands right now, and choose the tracks from his filmography that he loves best. Because there's so much to dig into, this will be part one of a two part series of super-sized episodes. "Reservoir Dogs" (1992) --Little Green Bag --The George Baker Selection --Stuck in the Middle With You --Steelers Wheel --Coconut --Harry Nilsson "Pulp Fiction" (1994) --Miserlou --Dick Dale --Ace of Spades --Link Wray --Comanche --The Revels --Bustin' Surfboards --The Tornadoes --If Love is a Red Dress (Hang Me in Rags) --Maria McKee "Jackie Brown" (1997) --Didn't I (Blow Your Mind This Time) --The Delfonics --Cissy Strut --The Meters --The Lion and the Cucumber --The Vampire's Sound Incorporation --Exotic Dance, Escape, & Aragon --Roy Ayers --Street Life --Randy Crawford --Long Time Woman --Pam Grier --Who is He (And What is He to You) --Bill Withers --Across 110th Street --Bobby Womack "Kill Bill: Volume 1" (2003) --The Flower of Carnage --Meiko Kaji --Battle Without Honor or Humanity --Tomoyasu Hotei --Theme from Ironside --Quincy Jones --The Lonely Shepherd --Gheorghe Zamfir & James Last --Twisted Nerve --Bernard Herrmann --That Certain Female --Charlie Feathers --Crane/White Lightning --RZA & Charles Bernstein --Run Faye Run --Isaac Hayes --The Grand Duel (Parte Prima) --Luis Bacalov --Bang Bang (My Baby Shot Me Down) --Nancy Sinatra "Kill Bill: Volume 2" (2004) --Motorcycle Circus --Luis Bacalov --Malagueña Salerosa --Chingon --Can't Hardly Stand It --Charlie Feathers --The Chase --Alan Reeves, Phil Steele, and Philip Brigham --A Silhouette of Doom & L'arena --Ennio Morricone Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Sometimes the cinematic vanity project (a film that is usually some combo of a single person writing, directing, producing and acting in a film) can be an artistic vision that's a masterpiece that stands the test of time. A good example would be Orson Welles' "Citizen Kane". Most times, however, vanity projects are created by total outsiders who have the money but no talent, but their drive and their delusions push the project through, for better or for worse. This time out Lee has put together a playlist covering some notable, and in some cases just unknown, vanity projects. This will no doubt be a thread picked up in future episodes, as there's a ton of these to cover. --World's Greatest Sinner from "The World's Greatest Sinner" (1962) --Frank Zappa --Come on Feet from "Sweet Sweetback's Baadasssss Song" (1971) --Melvin Van Peebles --Schlock Boogie from "Schlock" (1973) -- Ian Kranitz & Albin Konopka --Rage from "Stone" (1974) --Billy Green --I'll Be With You In Apple Blossom Time & Open Your Heart from "Massacre Mafia Style" (1974) --Duke Mitchell --Enuff is Enuff from "One Down, Two to Go" (1982) --Rodney Franklin --To Survive; Girl Crazy & Take it Off from "The Life and Loves of a Male Stripper" (1987) --Rafael Bethencort --Shimmy Slide from "Champagne and Bullets" (1993) --John De Hart --The Ninja from "New York Ninja" (2021) --Voyag3r Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Lee has finally dipped back into the world of rejected film scores. Due to popular demand, he's also included short snippets of the scores that were actually used in the finished film before each selection. Sit back and listen to what could have been, and maybe learn a little bit about why things didn't quite pan out the way they could have. --Suite from "Night and the City" (1950) --Benjamin Frankel --Suite from "Night and the City" (1950) --Franz Waxman --Main Title from "Forbidden Planet" (1956) --David Rose --The Mountain from "The Bible" (1966) --Ennio Morricone --Main Title from "Frenzy" (1972) --Henry Mancini --Alien Landing, Out Back & The Vial from "Alien Nation" (1988) --Jerry Goldsmith Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

This week on The Horror, The Molle Mystery Theater brings us their adaptation of The Beckoning Fair One. The story is based on the Oliver Onions novella from 1911, and was first heard June 5, 1945. More Molle Mystery Theater https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12022/TheHorror1111.mp3 Download TheHorror1111 Support The Horror

Lee is trying to regroup from a rough last couple of months, so he is starting off 2023 by looking at music from some of the best first-time watches of 2022 in order to conjure up some good memories for that year. --Suite from "Dr, Jekyll and Sister Hyde" (1971) --David Whitaker --Something's Mighty Mighty Wrong & That's What Love Will Do from "Three the Hard Way" (1974) --The Impressions --Suite from "Visiting Hours" (1982) --Johnathan Goldsmith --I Was Looking for You & Telescope from "Body Double" (1984) --Pino Donaggio --End Titles from "52 Pick-Up" (1986) --Gary Chang --Arrivals from "Extreme Prejudice" (1987) --Jerry Goldsmith --Scrooge from "The Muppet Christmas Carol" (1992) --Composed by Paul Williams, performed by The Muppets --Tarot from "Woodlands Dark and Days Bewitched: A History of Folk Horror" (2021) --Andrew Brown --It's in the Cloud & Arena Attack from "Nope" (2022) --Michael Abels Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Bud Spencer y Terence Hill, la inolvidable pareja cómica que nos entretuvieron durante mas de dos décadas, con películas como Le llamaban Trinidad, Le seguían llamando Trinidad, Dos misioneros, Dos superpolicias, Dos súper dos, Dos supersuperesbirros... quedaran en nuestro recuerdo junto a sus temas principales de Oliver Onions, Franco Micalizzi, The Fantastic Oceans, La Bionda, Amii Stewart. ¡¡Gracias Bud y Terence, nunca os olvidaremos!! Presenta y edita Ismael Rubio. Síguenos y no olvidéis compartir, comentar y darle al LIKE, gracias. ➡️ TELEGRAM https://t.me/tiemposdevideoclub ➡️ TIENDA https://latostadora.com/shop/TDV ➡️ VIDEOCLUB RADIO https://cutt.ly/RKXIA02 ➡️ RRSS https://allmylinks.com/tdvideoclub Recuerda que puedes apoyar a este podcast invitándonos a un café en: https://ko-fi.com/tiemposdevideoclub ¿Quieres anunciarte en este podcast? Hazlo, contáctanos o descarga nuestro PRESS KIT en https://cutt.ly/uLDGKBk

A claustrophobic sense of doom pervades the Summer of 1970, the final present-day storyline on Dark Shadows. In it, Barnabas Collins and Dr. Julia Hoffman try to unravel the mystery behind the insidious and increasingly malignant hauntings at the great house in an effort to prevent the destruction of Collinwood and its inhabitants. Meanwhile, they must also deal with a mysterious new vampire who prowls the estate. Professor and writer David M. Wingrove and writer Stephen R. Shutt visit the Terror at Collinwood podcast to dissect and explore this oft-ignored and/or scorned storyline, examining its various literary inspirations along the way. Often seen as DS' attempt to recapture the success of the 'Turn of the Screw'-inspired “ghosts of Quentin and Beth” storyline, Summer of 1970 pulls inspiration from several classic sources, including tales by Oliver Onions and M.R. James, with a nod to Sheridan Le Fanu.

Lee is back to end off 2022 with a playlist comprised of a mix of recent private watches, and films he screened for watch parties he's held in the last couple of months. --The Call from "Blacula" (1972) --Gene Page --There He is Again from "Blacula" (1972) --The Hues Corporation --Opening Theme from "Messiah of Evil" (1973) --Phillan Bishop --Hold on to Love from "Messiah of Evil" (1973) --Raun Mackinnon --Assault On Precinct 13 (Main Title) from "Assault on Precinct 13" (1976) --John Carpenter --San Antone from "Rolling Thunder" (1977) --Denny Brooks --Main Title & The Reckoning from "Invasion of the Body Snatchers" (1978) --Denny Zeitlin --Opening Theme from "The Boogey Man" (1980) --Tim Krog --Main Title; The Battle Begins & Destruction of Hammerhead from "Battle Beyond the Stars" (1980) --James Horner --Main Title from "The Challenge" (1982) --Jerry Goldsmith Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Una più o meno ragionata chiacchierata a proposito dei fratelli De Angelis, in arte Oliver Onions. Film storici di un tempo che fu, tra note e protagonisti indimenticabili.

Lee, Leah, and returning guest host Vaughn, cover a little-talked about Bud Spencer film he did with the kid from "Close Encounters of the Third Kind", Cary Guffey. The film in question is "The Sheriff and the Satellite Kid" (1979), directed by Michele Lupo. The conversation mostly revolves around how Spencer fares separated from his usual co-star Terrence Hill, and if putting him into a family film works with his brand of gags and action; if Cary Guffey is any good; that shadowy government organization known as the Coast Guard; executing a young child; the amazing grocery store fight; and the catchy theme from Oliver Onions, just to name a few things. Also, the host correct a mistake from the last episode and talk about what they've watched as of late. Hey, if you're stuck on Earth for a bit, why not give us a listen? "The Sheriff and the Satellite Kid" IMDB  Vaughn's excellent podcast.  Featured Music: "Whistle and Bells" & "Sheriff" by Oliver Onions.

Pellicola bistrattata, puzzata, odiata...che al sottoscritto invece rimane nel cuore e ogni tanto me la riguardo con piacere, altroché! Ciro Ippolito ha realizzato il sequel apocrifo di uno dei film più famosi e apprezzati dell'epoca, ma mettendoci del suo: una trama semplice, ma che fila abbastanza bene, un'ambientazione originale, musiche degli Oliver Onions tensive e un finale fighissimo!!! Il tutto con sei tappi per bottiglia, una carta di credito scaduta e otto semi di zucca! Provateci un po' voi! Magari la recitazione non è proprio il massimo...magari alcuni buchi di sceneggiatura ci sono, ma Alien 2 sulla Terra è un TRASHONE MA 'DDE CORE fondamentale per la passione cinematografica del CaRfa e quindi non potevo non realizzarci un podcast sentito e grato.

Kurz vor dem LVI. Super Bowl in den USA nutzen wir die Gelegenheit, um endlich einmal über ein Thema zu sprechen, das in keinem Podcast fehlen darf, der von sich behauptet, Wer von seinem Podcast behauptet, auch popkulturelle Themen zu besprechen, der kommt früher oder später nicht an Bud Spencer vorbei. Daher nutzen wir die Gelegenheit und sprechen kurz vor dem bevorstehenden Super Bowl über einen Football-Film, mit selbst Nicht-Footballfans (hoffentlich) etwas anfangen können.

Dagli archivi della Cam Sugar ecco “Paura”, raccolta che include 11 tracce inedite del cinema horror italiano, colonne sonore di film esoterici e soprannaturali degli anni '70 e di pellicole splatter e slasher degli '80. Ce la racconta Francesco Bianconi. Nuovo album pieno di collaborazioni per Elton John: si intitola “The Lockdown Sessions”. “Future Memorabilia” è il nuovo disco degli Oliver Onions. Il primo novembre su Rai 1 il film “Crazy for football”, con Sergio Castellitto.

Un titolo sicuramente figlio dei suoi tempi, ma nel quale si può riscoprire passione per la settima arte, idee innovative e tantissimo mestiere da parte di quel Sergio Martino, noto ai più come il regista de L'allenatore nel pallone. Insieme a Reazione a catena di Mario Bava, a questo film va il merito di essere stato precursore del sottogenere slasher, ispirando tra gli altri Halloween e Venerdì 13. Un serial killer sadico e perverso si aggira nei dintorni dell'università di Perugia, perseguitando e massacrando giovani studentesse. Luc Merenda nella parte del figaccione di turno e le grazie delle giovani protagoniste mostrate sin troppo generosamente. Una pellicola comunque da riscoprire e apprezzare, per tutti gli appassionati del cinema di genere. Ottima colonna sonora di Guido e Maurizio De Angelis, che sarebbero poi gli Oliver Onions.

Hugo Egon Balder erzählt Geschichten und Anekdoten rund um einen Lieblingshit und seine Entstehung: "Orzowei" von Oliver Onions. Von Hugo Egon Balder.

Hugo Egon Balder erzählt Geschichten und Anekdoten rund um einen Lieblingshit und seine Entstehung: "Flying through the air" von Oliver Onions. Von Hugo Egon Balder.

Lee is back in a super-sized episode, finishing off his look at the prolific contributions to film music from the talented duo of Guido & Maurizio De Angelis, AKA: Oliver Onions. --Seq. 1 & Temi di Laura from "My Father's Wife" (1976) --Main Theme from "Cop in Blue Jeans" (1976) --Caccia All'uomo, Pt. 1 & Il Grande Racket, Pt. 1 from "The Big Racket" (1976) --Nata Leri from "Due sul Pianerottolo" (1976) -- Vocals by Rita Pavone --Main Theme from "Safari Express" (1976) --The Shadow of the Killer from "Death Rage" (1976) --Keoma (Harmonica) & Keoma from "Keoma" (1976) -- Vocals by Sybil & Guy --Hombres Del Mar; Arrembaggio; Yara & from The Black Corsair (1976) --Main Theme from "Mr. Robinson" (1976) --Notti Romane from "Messalina, Messalina!" (1977) --Wolf from "A Man Called Blade" (1977) -- Vocals by Cesare De Natale --Main Titles from "Goodbye & Amen" (1977) --Bulldozer from "Bulldozer" (1978) --Brotherly Love from "Odds and Evens" (1978) --Killer Fish (Instrumental) from "Killer Fish" (1979) --Sheriff from "The Sheriff and the Satellite Kid" (1979) --Main Theme "The Shark Hunter" (1979) --Descent into the Abyss from "Alien 2: On Earth" (1979) --Seq. 6 & Seq. 8 from "The Last Shark" (1981) --Main Theme from "Banana Joe" (1982) --Fantasy from "Bomber" (1982) --Seq. 1 from "2019: After the Fall of New York" (1983) --Main Theme from "A Blade in the Dark" (1983) --Black Inferno from "The Raiders of Atlantis" (1983) --The Final Battle from "Yor, the Hunter from the Future" (1983) Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Lee, Leah and Paul try their best to stay out of chases, races, fights, and beer and hotdog eating contests, as they talk about the 1974 Terrence Hill & Bud Spencer buddy comedy "Watch Out, We're Mad!". They also talk about what they've watched as of late and read an Apple Podcasts review. Come ride with us in our podcasting dune buggy. "Watch Out, We're Mad!" IMDB  Check out Lee's recent appearance on The Moustachioed Podcastio here.  Featured Music: "Across the Fields" and "Dune Buggy" by Oliver Onions.

Lee is back with the second part of his look into the scores and soundtrack work of the prolific brothers Guido & Maurizio De Angelis, AKA: Oliver Onions. In this episode he had his work cut out for him, as the brothers seemingly worked non-stop in the mid-to-late 1970s. --Angels and Beans from "Even Angels Eat Beans" (1973) --Main Titles from "Giovannona Long-Thigh" (1973) --And Life Goes On from "The Violent Professionals" (1973) --Freedom Rainbow from "Chino" (1973) --Schoolroom Drug from "The Knock Out Cop" (1973) --(I'm) Football Crazy from "Playing the Field" (1974) --Dune Buggy from "Watch Out, We're Mad! (1974) --Una Vita a Metà & ...MMM!?! from "The Beast" (1974) --Main Titles; Goodbye My Friend & Driving All Around from "Street Law" (1974) --Appostamento & Morto Di Giornata from "Flatfoot in Hong Kong" (1975) --New Special Squad from "Violent City" (1975) Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

Lee is back this episode with part one of a three-part look at the film music of the prolific Italian duo of Guido & Maurizio De Angelis, AKA: Oliver Onions. --Trinity Stand Tall from "Trinity is Still My Name" (1971) --Kerry from "Trastevere" (1971) --Main titles from "Il Sindacalista" (1972) --Fortuna si, Fortuna no from "The Terror with Cross-Eyes" (1972) -- Vocals by Enrico Montesano --Don't Lose Control from "Man of the East" (1972) --Sounds and Voices from "Father Jackleg" (1972) --Flying Through The Air & Plata and Salud from "All the Way, Boys!" (1972) --Afyon & I Picciotti from "The Sicilian Connection" (1972) --Excerpt from "Tales of Canterbury" (1973) --I Corpi Delle Vittime; Il Primo Omicido; Universita; & Corpi Smembrati from "Torso" (1973) Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

In Episode 8 join me, Adam Z. Robinson, and my guest, Jenn Ashworth, as we discuss 'The Beckoning Fair One' by Oliver Onions. Jenn Ashworth is a writer based in Lancaster. Her latest book, Notes Made While Falling, a memoir told in essays, is out now. Her novels include A Kind of Intimacy and Fell. She lectures in creative writing at Lancaster University. You can follow Jenn on Twitter here.  JOIN ME ON PATREON www.patreon.com/adamzrobinson Follow me on Twitter:  twitter.com/Adam_Zed Keep up with The Ghost Story Book Club by joining this group: www.facebook.com/groups/AZRevents Do you have any suggestions of stories we should cover?  Email: theghoststorybookclub@gmail.com Like The Book of Darkness & Light Facebook page: www.facebook.com/TheBookofDarknessAndLight

Jenny reads one of her very favorite ghost stories, a classic supernatural chiller from 1911. Audio version: Video version: Please support us on Patreon! Don’t forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. And check out our cool merch at our Zazzle store, and some board and card games designed by Jenny … Continue reading 13 O’Clock Presents The Witching Hour: “The Beckoning Fair One” by Oliver Onions

L'adattamento della pièce di Eduardo e la nuova canzone degli Oliver Onions

Lista de emisión de Fabuloseando!! n.º 8 (21/11/2004). En el programa especial de hoy, bueno, todos son especiales, no? :P os enseñaremos a recuperar la sonrisa cuando os sintáis tristes, y tendremos un pequeño recuerdo para Gloria Fuertes (Madrid, 1917 – 1998) en el 6º aniversario de su muerte. ESCRIBO Escribo sin modelo A lo que salga, Escribo de memoria De repente, Escribo sobre mí, Sobre la gente, Como un trágico juego Sin cartas solitario, Barajo los colores, Los amores, Las urbanas personas Las violentas palabras Y en vez de echarme al odio O a la calle Escribo a lo que salga. (De Historia de Gloria, Madrid: Cátedra). 01. Antón García Abril. El Hombre y la Tierra. 02. Cliff Richard. Congratulations. 03. Cassia Eller & Djavan. Milagreiro. 04. Radio Futura. Escuela de Calor. 05. Instrucciones para recuperar la Sonrisa I. 06. Topolino Radio Orquesta. Casita de Papel. 07. Instrucciones para recuperar la Sonrisa II. 08. Canned Heat. Going up the country. 09. Tommy. Eres fea. 10. Instrucciones para recuperar la Sonrisa III 11. Elvis Presley. Return to sender. 12. Instrucciones para recuperar la Sonrisa IV 13. Rosemary Clooney. Mangos. 14. NO+DO. 20 de Noviembre de 1975. Canción Dedicada 15. Oliver Onions. L’orso de Tallac. 16. Edmundo Rivero. Cambalache. Para Gloria Fuertes. 17. The Doors. Gloria. 18. Patti Smith. Gloria. 19. Them. Gloria. 20. Elvis Costello & The Brodsky Quartet. I almost had a weakness.

Part Four of The Beckoning Fair One by Oliver OnionsPart 4 of The Beckoning Fair One by Oliver Onion starts off with another philosophical discourse by the unseen narrator. I'm not clear whether these are Paul Oleron's thoughts, or the narrator's observations. He talks about a letter dropped, disregarded that lies, and I guess this refers to a letter from a well-wisher, probably Elsie Bengough. But I'm not sure what these high falutin' reflections add to the story. I wonder whether Oliver Onions, unlike Paul Oleron was torn between writing popular stories for the paying public, and aiming at literary praise from the high minded for his observations of the human condition. However, in this musing where we get a description of the telegram boy turning away from the unanswered door, we also have reference to a succubus. And a succubus as I quote from Google is:  a female demon believed to have sexual intercourse with sleeping men. Though the intercourse in Oleron's case seems to be more a spiritual vampirism. The Beckoner appears to be a kind of muse gone wrong. A true muse of a male artist is conceived to be female, a personification of his soul, his anima, if you like. But this true muse inspires the artist and becomes a channel through which he brings down wisdom from his soul and puts it in his art. Even this true muse may be jealous, but the Beckoner is wholly wicked. She gives nothing in return for his sick love of her. She merely drains him. Socrates talked of daemons (an idea taken up by Philip Pullman of course) who are spiritual creates to guard and inspire us. But the Beckoner does neither thing. The closest she gets is to give him dreams of the perfect novels he might write. Even though Oleron propitiates the Beckoner with flowers, as a man might give his lover, they decay and die. This seems to be a symbol, or a warning. The fact the blinds are red and plunge the room into a red twilight reminiscent blood, also seems a warning of the terrible nature of his transformation. The next part of XI is of Oleron's ruminations. Mainly he is plunged into hatred of Elsie Bengough, which appears to be the Beckoner's jealousy. He in his turn is jealous of his dead rival, the painter Madley. Sometimes, he seems to see Elsie as his rescuer. He remembers that she wouldn't leave him. And of course she doesn't. This is a foreshadowing.  It is described vaguely but he hints at his thoughts have enabled and ignited the terrible jealousy of the Beckoner against Elsie. Part 12, is from the omniscient narrator's point of view and we get relief from Oleron's internal ramblings with a bit of a semi-comic interlude of Mr Barrett going on about the imagined fornication with Elsie. He does this even down to the Christ's quote about the prostitute which Christ meant with love and charity, but Barrett turns to serve his own narrow minded prejudice, and Barrett's sanctimonius refusal to disclose whether his wife saw anything going on as if he was a man who chose to remain silent on moral issues. Onions paints this picture of the self-righteous religious bigot very well and I enjoyed reading Barrett's lines. Part 12 is a breath of fresh air as the coppers open the windows. No more interminable introspection but instead we have narrative movement, drama, dialogue and a twist at the end. The story ends well. It could have been cut by two thirds though to its improvement. So, did Oleron kill Elsie or did the ghost? The ghost seems able to do physical things, like weaken the stairboard and replace the rusty nail. The pudding sized thing (think of a figgy pudding at Christmas, round, about the size of a ball) is probably her heart and it's wrapped in the frieze harp bag that Elise recognised and Oleron found hidden. That's the sign that the Beckoner is responsible, whether she did it herself and pushed her in kitchen cupboard, or whether she got Oleron to do it. It seems that Elsie, worried that he didn't answer, got the... Support this podcast

Part Three of The Beckoning Fair One by Oliver OnionsThis section comprises parts 8, 9 and 10 of The Beckoning Fair One. I find the first section of 8 a bit long, and if I'd been his editor, I would have cut it. That's the bit where he muses somewhat abstractly with long words about this and that. However, the next bit when Elsie comes round and they go on the bus is excellent. Not from a ghost story point of view, but just as a snapshot of an awkward conversation between two former friends.  Elsie comes off by far the better person. He then starts to talk about women who earn their own living and how they sacrifice their womanliness and open themselves to failed love affairs with the men they mix with in a man's world. He even pretends to be understanding of this predicament, but Elsie sees right through him. Oleron becomes increasingly pathetic. She, on the other hand, is pretty magnificent. She is caring and thoughtful, and he's just an idiot. Onions does this exceptionally well. Section 9 begins with Oleron's visit to the vicar. From this, he learns that his predecessor Mr Madley died in the house of starvation twelve or so years previously. We infer from this that he too was a victim of that deadly muse, or anti-muse, the Beckoning Fair One.  After that, he goes home and tries to summon the spirit.  From here on in, the ghost begins to look ambiguous. Where it seemed to be clearly a spirit that was jealous and would brook no rival in Elsie Bengough, from here, I can see that readers might think that Oleron is merely going mad. He is now deliberately courting the female spirit that inhabits his house or his mind. "Whatever it was which he so patiently wooed, it seemed to be both shy and exacting." He sits and waits for the spirit, but when she doesn't come, he considers making her jealous and even considers sending for Elsie to do that job. It is some slight recommendation of him that even he dismisses that as a wheel to break a butterfly on. He decides to go to the country to teach her a lesson, and from now on sounds increasingly lunatic. He tries to fool the Beckoner to appear by pretending to go to bed. And then, when he searches for his slippers, he sees her reflection in the glass of a photo frame. She brushes her hair with his old comb. I can't imagine any woman would use my comb to comb her hair, but times were different then, I suppose. Section 10 paints a picture of him becoming increasingly reclusive. We already had a hint that this is his fate from the fate of the previous tenant, the painter Madley. Oleron is still in love with the spirit. We see that its malign influence grows on him and he becomes agoraphobic. He doesn't even go out for food or flowers any longer and chooses to stay in his house throughout. Onions may have had some experience of agoraphobia because his description of it is spot on. He calls out "Romilly" as if he thinks the ghost is the heroine of his novel. Either that or the spirit has made him believe that. We now see him increasingly labile in his emotions, happy and sad. Then he thinks he sees Elsie Bengough's skirt in his house. His worry is not for Elsie's safety here, I guess. He says that her being there would have compromised him horribly. I guess he means that the Beckoner would have been jealous and it would have ruined his chances with her.  The mad ranting about this search for the Beckoner being his real work reminded me of Horla (https://player.captivate.fm/episode/60579769-c11c-46ee-b4e3-cad8b6778d37). This is the standard writerly rendition of a crazy person which I very much enjoy narrating. He finally becomes jealous of Madley and imagines that he is going to marry the Beckoner.  Elsie comes on her last desperate mission to rescue Oleron from the Beckoner. I thought this part, both Elsie's attempt and Oleron's sneering dismissal of Elsie's care was very well done. He is by now, totally mad. He burns his novel while Elsie... Support this podcast

Part Two of The Beckoning Fair One by Oliver OnionsThe first part of section five of The Beckoning Fair One by Oliver Onions has him sitting in the house listening to the noises and from nowhere he begins to muse that someone in the future might have an impression of a ghost that was started by his presence. This section achieves two things; firstly it sets up the ghost, and secondly it strengthen's the idea that the house itself has a personality and a life. That only becomes more evident as the story progresses. As I read, listen and edit, I am struck again by how hollow are the claims of those critics who say this is not a ghost story.  This is a ghost story indeed! My evidence is first; the nail that scratches Elsie Bengough's arm. Oleron knows he took all the nails out.  And after this incident, he looks at her and realises for the first time, that she is in love with him. What an idiot! But then, he is a man and many men aren't very sensitive about these things. But then, I should probably only speak for myself on this. The Beckoning Fair One is as much a love story as it is a ghost story. We saw this mixture of love and monsters in The Yellow Sign (https://player.captivate.fm/episode/fcca7910-00c4-4a91-a799-eceb808cc1fa).  However, the realisation that she loves him creates a mixed emotion in Oleron. I like to think this represents a war between the real Oleron, when he feels compassion and pity, and almost love for Elsie, and the spirit of the house that's invading him and making him resentful of Elsie. Either way, both his compassion that she should not suffer more from unrequited love, and the prompting of the jealous house join together in his resolution to encourage Elsie not to come back. The house woman is winning. When Elise can't keep away, she puts her foot through the stair. Oleron is clear that the woodwork was old but fine. It's the ghost again striking out to hurt Elsie. Elsie's comment is that she's getting fat. For me, that really humanises her. She's an ordinary, flawed woman, not some dream of a spirit woman. I often think that men would do well to take this lesson on board. They spend their lives running after dream women and spurn real women. Elsie says, "Let me go, I'm not wanted!" Neither by Oleron, nor the house. Then he tries to tell her how dear she is to him. Quite rightly she tells him not to patronize her. We get an insight into the narrow-minded Christianity of Barret, very quick to misunderstand and condemn without asking any questions about this. I suppose that this is a hot topic for me now because I just listened to a podcast episode with Damien Echols how he served 18 years on death row in Arkansas for a crime he didn't commit because he was alternative and different in his small, narrow-minded town.  It's a good listen (https://batgap.com/damien-echols/) Elsie goes, Oleron decides he won't even sit down if she comes to visit, in order to get her to leave quickly. And then, he becomes anxious for her physical safety. This ghost is mean, and he knows it. At this point, he is far from seduced by the Beckoning Fair One. However, he does let himself down. When he imagines her suicide, his first thought it that he might get blamed! And then he thinks he an't marry her because she's ugly! What a cad. the silkly rustle and the brushing sound must surely be a ghost! The noise scares him to death and he goes the pub, acting out of character, but the brandy and the human contact serve to ground him a little. He decided he will go back and not be chased out of the house by the ghost. I think this incident is his last chance. This would have been his opportunity to escape, and he nearly manages it. I'm trying to narrate more slowly given a couple of reviews that talk about me narrating too fast. I do pretty much everything too fast. New Book!Tony's latest book, London Horror Stories is available on Amazon US (https://amzn.to/2NgZHQu). Ghost and... Support this podcast

The Beckoning Fair One by Oliver OnionsBecause this story is actually a novella, I am splitting it probably into three episodes much as I did for Carmilla by J Sheridan Le Fanu. I'm doing The Beckoning Fair One by Oliver Onions for a couple of reasons. Firstly, of course it is a classic ghost story and has been described as a 'cut above' the standard ghost story. This episode represents sections 1-4 of the story. We have done an Oliver Onions story before: The Cigarette Case Episode 36 (https://player.captivate.fm/episode/cba2b2e7-9ece-4767-803e-895ebbd34880) Onions is a lyrical writer and this story is a slow burn. He gives some lovely descriptions of his new flat and the life of the square outside with its school children, cats and dogs and occasional mandolin player. He actually reminds me of Proust. Now, if I was to read out Proust, I'd be at it for the rest of my life. Oliver conjoures Elsie Bengough and is not wholly kind about her. She's a bloomy, pink, moist, lady. In fact, she turns out to the voice of reason, but that's for future episodes. I note again Onions's hidden Welshness. Apart from the fact he's got a Welsh surname: Ab Enion; he has intimate knowledge of a Meirionethshire accent, which I enjoyed doing. I have friends from Meirionydd, you see. And he calls Elsie, Elsie Bengough, which is clearly Welsh, Bengoch, red head; even though she's not ginger.  The ghostly influence is wonderfully subtle. We see it at first changing his taste. He furnishes and paints the flat at first elder-flower pale, but then gets strange ideas about introducing more colour. We wonder where these promptings come from. Then he can't work. Ultimately, he dislikes his life's work novel Romilly Bishop. The Reason he doesn't like it is because the main character Romilly is based on Elsie Bengough, his sort-of long-term girlfriend. Is the ghost trying to oust him out? Then he finds a piece of material which he can't identify, but which Elsie Bengough tells him is a harp cover. Then the dripping tap subtly insinuates a tune into his head which he begins to hum and Mrs Barrett recognses as The Beckoning Fair One. Critics have called this the best classic ghost story ever and other say it isn't a ghost story; much like The The Horla (https://player.captivate.fm/episode/60579769-c11c-46ee-b4e3-cad8b6778d37). However, personally, I do think it's a ghost story. The build up is too deliberate for it all to be chance: the changes in his taste, the artefacts he finds; the harp case for example. For me these carry the energy of The Beckoning Fair One, and she's out to ensnare him. Then there's Elsie Bengough's prescient comment just before the end of Section 3: Who else lives here? She's had an intuition that the house is not deserted; that there's someone or something living there with him. Elsie also has the intuition that the ghost will never allow Oleron to finish Romilly Bishop in that house. She won't because she's jealous that the heroine of Romillyis modelled on Elsie Bengough and the ghost is jealous. It is during the subtle dripping of the tap; the dripping that he later realises introduced the tune of The Beckoning Fair One that he starts to criticise Elsie Bengough so sharply in tones he has never entertained before. I think Onions intends all of this. Oleron is being hypnotised, in my opinion, by the spirit of the house Who is this Beckoning Fair One and what does she want of him? You'll have to keep listening to find out. New Book!Tony's latest book, London Horror Stories is available on Amazon US (https://amzn.to/2NgZHQu). Ghost and horror stories with a sense of place.  It's doing moderately well and the audiobook will be coming in stream soon through Author's Republic, which you'll be able to get on Audible. All purchases, recommendations and support of London Horror Stories is massively helpful to me. I was thinking of doing a series of local ghost Support this podcast

Oliver Onions Oliver Onions was born in Bradford, Yorkshire, England in 1873 and died in Aberystwyth in Wales in 1961, His father was a bank cashier. When he was a young man he was an amateur boxer.  He didn’t like the surname Onions and changed it legally to George Oliver but still published his stories under the name Oliver Onions. Onions is in fact a Welsh name, being from the Welsh Ab Einion. Onions trained as an artist and worked as an illustrator. His most famous ghost story is The Beckoning Fair One. He is reckoned as one of the best writers of ghost stories. He has a very conversational lyrical style and the characters in his story come out via the tone of their voice. The Cigarette Case is a neat little story with a lovely twist in the end. We probably guess what’s going to happen, but it’s very well done. I particularly like Loder’s asides to other members of the circle, such as Marsham the romantic and Smith the sceptic. I was reminded by this story of An Adventure which is the reportedly true tale of two English ladies having a time slip experience in France at the Paris of Versailles in the early 20th Century. The Cigarette Case was published in 1911 in the collection Widdershins and I believe An Ad venture was published in 1910, so it is not impossible that the tale of two English ladies in France who mysteriously disappear was inspired by An Adventure. I’ll put a link to An Adventure here (https://amzn.to/38vtWMB) Ghost Stories in a Haunted Castle Come along to Dalston Hall, Carlisle in March to hear me read ghost stories, get a tour of the ghosts, have dinner, and even stay overnight in a haunted room! Check it out on Facebook (https://www.facebook.com/events/178095676767514/) Call To Action! If you can recommend verbally or send a link to the Classic Ghost Stories Podcast to one friend or acquaintance who might like it, that could double our listeners every week! I’d be very grateful to you for that. Thank you to our Patreons! Thank you for their pledges to: Donna Constanza Emma Sandra Vail Kate Unwin Margaret Sandra Vail Valerie Sawyer Your support means a lot! Support Us! Ways to support Tony to keep doing the show: Share and rate it! (https://www.podchaser.com/podcasts/classic-ghost-stories-923395)   Buy Tony a coffee (http://bit.ly/2QKgHkY)  to help with the long nights editing! Become a  Patreon (http://bit.ly/barcudpatreon)  to get additional stuff and allow the show to go on in the long term.  Website   Classic Ghost Stories Podcast (http://bit.ly/ClassicGhostStoriesPodcast)   Music Beginning music is Some Come Back by the marvellous  Heartwood Institute (https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four)  and end sequence is Bad Encounter by Myuu Support this podcast

Hi, folks! Mack, here, with the final episode of Mack & the Movies for 2019. A packed show full of content. Times Codes: Intro: 0:00-2:02 Black Christmas (1974): 2:02-7:05 Santa Claus (1959): 7:05-12:11 Favorite Movies & Games of 2019: 12:11-17:50 Mack & the Movies Hall of Fame 2019 Induction: 17:50-26:47 Top Ten Mack & the Movies Selections: 26:47-30:17 Closing:30:17-32:31 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Instagram: mackenzielambert7928 Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: "Hello, Hooray" - Alice Cooper Mystery science Theater 3000 (Best Brains) Silent Night, Evil Night (dir. Bob Clark) Santa Claus (K. Gordon Murray, dir. Rene Cardona) "New World Symphony: 4th Movement" (Dvorak) "Carmen: Les Toreadors" (Bizet) "The Magic Sound" - Mark Polak "Flying Through the Air" - Oliver Onions "Blazing Magnum" - Armando Trovajoli "Inglorious Bastards" - Francesco De Masi "Il Grande Racket" - Maurizio & Guido De Angelis "Contraband" - Fabio Frizzi "La Via Della Droga" - Goblin "Goodbye, My Friend" - Maurizio & Guido De Angelis

Per DeGenerando Soundtracks ci siamo occupati dei fratelli De Angelis, ovvero dei mitici Oliver Onions, vero e proprio punto di riferimento per il cinema di casa nostra e della nostra infanzia. Avete capito bene, parliamo proprio di loro, di Bud Spencer e Terrence Hill. Preparate i fazzoletti... ne avrete bisogno.

Times Codes: Intro: 0:00-1:34 Deadly Jaws: 1:34-6:18 The Shark Hunter: 6:18-12:21 077 Mission Bloody Mary: 12:21-16:35 No. 1 of the Secret Service: 16:35-24:25 Closing: 24:25-26:47 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Instagram: mackenzielambert7928 Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: "Funky Fanfare" (K. Mansfield) "Opening Theme" (Schacht Publishers) The Shark Hunter music score (Guido & Maurizio De Angelis) "Brotherly Love" (Oliver Onions) "Mission Bloody Mary" (E. Morricone) No. 1 of the Secret Service trailer "Givin' It Plenty" (Simon Bell)

Hey, folks. Mack, here, with a new episode of Mack & the Movies. We continue our journey through Volume II of the Grindhouse Experience. Times Codes: Intro: 0:00-1:45 Stryker: 1:45-5:48 Atlantis Interceptors: 5:48-10:51 Carthage In Flames: 10:51-13:21 Coriolanis: 13:21-16:27 Closing: 16:27-18:21 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: "Funky Fanfare" (K. Mansfield) Stryker (Dir. Cirio H. Santiago) "Black Inferno" (Oliver Onions) "Carthage In Flames" music score (Mario Nascimbene) "Coriolanis: Hero without a Country" music score (Carlo Rustichelli) Mystery Science Theater 3000 (Best Brains)

Heimliche Helden - wir fragen uns, was das alles heißen kann und erklären, weshalb ein bärtiger Schauspieler, eine Comic Figur, ein Musiker und sogar ein Alien dazugehören. Ja selbst ein Ex-Held ist dabei. Und wie immer super Musik!

Hey, everyone! I'm back with the second part of our look at the films of the Italian comedy duo, Bud Spencer & Terence Hill. Time Codes: Intro: 0:00-1:47 All the Way, Boys: 1:47-8:29 Watch Out, We're Mad: 8:29-15:35 Blackie the Pirate: 15:35-21:25 Crime Busters: 21:25-28:30 Odds and Evens: 28:30-33:40 Closing: 33:40-35:30 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: "Movin' Cruisin'" - The Fantastic Oceans "Il Matto" - Guido & Maurizio De Angelis "Valzer Fra Amici" - Guido & Maurizio De Angelis "Them Changes" - Buddy Miles "Gli Amici" - Guido & Maurizio De Angelis "Flying Through the Air" - Guido & Maurizio De Angelis "Il Coro Dei Pompieri (live)" - Oliver Onions "Il Coro Dei Pompieri" - Oliver Onions "Dune Buggy" - Oliver Onions "Il Corsaro Nero" - Gino Peguri "Crime Busters" - Guido & Maurizio De Angelis Crime Busters (Dir. Enzo Barboni) Dizzy Pilots (Dir. Jules White) "Brotherly Love (instrumental)" - Guido & Maurizio De Angelis "Brotherly Love" - Guido & Maurizio De Angelis

Hi, everyone! In this episode of Mack & the Movies, we will be taking a look at select films that found their way on the Video Nasties list. Time Codes: Intro: 0:00-5:13 A Bay of Blood: 5:13-12:42 Cannibal Holocaust: 12:42-21:54 Alien Contamination: 21:54-26:45 Cannibal Apocalypse: 26:45-32:28 The Burning: 32:28-36:56 Anthropophagus: 36:56-43:48 Closing: 43:48-45:29 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: "Suitable for Viewing in the Home?" "Video Nasty" - The Night Terrors "Giovani e liberi" - Stelvio Cipriani "Main Theme (Bay of Blood)" - Stelvio Cipriani "Teenagers cha cha cha" - Stelvio Cipriani "Drinking Coco" - Riz Ortolani Robert Kerman interview - Grindhouse Releasing "Adultress' Punishment" - Riz Ortolani "Main Theme (Cannibal Holocaust)" - Riz Ortolani "Time Is On" - Goblin "Connexion" - Goblin Cannibal Apocalypse score - Alexander Blonksteiner "Yor's World" - Oliver Onions "Main Theme (The Burning)" - Rick Wakeman "Ending Theme" - Rick Wakeman "Mysteries" - Marcello Giombini Mystery Science Theater 3000 (Best Brains) "Zorba's Dance" - Mikis Theodorakis "Main Theme (Anthropophagus)" - Marcello Giombini Links to Lampyman101's playlists Nasties reviews: https://www.youtube.com/watch?v=JFUgqt9yrAw&list=PL2DE2B422131AF13E Section 3 reviews: https://www.youtube.com/watch?v=uo60bYPknLw&list=PL02C833F33E87FBF1

FINALMENTE TORNANO LE PUNTATE DI OTAKU SU Radio Valdarno! Seguiteci in questa prima puntata del 2019! Orsi simpatici, orsetti tenerissimi... il mondo dell'animazione è pieno di questi pelosissimi amici! I grandi classici, le chicche, le novita. Classifica 10. Il libro della giungla - Cristina D'Avena 09. Napo orso capo - Randy Van Horne LE "CITAZIONI" MUSICALI DEL REGISTA: Ladybug VS Nek 08. Le avventure degli orsetti - Benedetta Carretta 07. Jacky l’orso del monte Tallac - Royal Jelly (pseudonimo degli Oliver Onions) 06. I Gummi - Sergio e Francesca SIGLA ORIGINALE: We'll Be There (We are bears) - Estelle 05, Rascal, il mio amico orsetto - Cristina D'Avena 04. Mysha - Rocking Horse 03. Yoghi salsa e merende - Cristina D'Avena 02. Gli orsetti del cuore - Cristina D’Avena SIGLA DIMENTICATA - Tutti in viaggio verso Pandalandia - Cristina D’Avena 01. Le avventure di Teddy Ruxpin - Cristina D’Avena

I 'duo' di successo, dai grandi classici, come Air e Oliver Onions, a collaborazioni stabili meno note. Playlist su www.bolliblog.com

I 'duo' di successo, dai grandi classici, come Air e Oliver Onions, a collaborazioni stabili meno note. Playlist su www.bolliblog.com (seconda parte)

I 'duo' di successo, dai grandi classici, come Air e Oliver Onions, a collaborazioni stabili meno note. Playlist su www.bolliblog.com (seconda parte)

colonne sonore belle di film un po'meno belle: Morricone, Oliver Onions e tanti altri. Con Gianluca Tosi

colonne sonore belle di film un po'meno belle: Morricone, Oliver Onions e tanti altri. Con Gianluca Tosi (prima parte)

colonne sonore belle di film un po'meno belle: Morricone, Oliver Onions e tanti altri. Con Gianluca Tosi (prima parte)

Oliver Onions con Guido e Maurizio De Angelis

Vi sammanfattar vår upplevelse av historiens hittills mest vinstinbringande skräckår. Tomas lyfter fram en av världens bästa sämsta skådisar och Lars prövar en psykologisk teori kring varför vi ägnar en så stor del av våra vuxna liv åt skräck. Vi pratar också om: Stephen King, Mr. Mercedes, The Mist, The Dark Tower, Gerald's Game, Carel Struyken, 1922, Thomas Jane, Möss och människor, Vredens druvor, John Steinbeck, Térèse Raquin, It, Det, Andy Muschietti, Javier Botet, Bill Skarsgård, Mumintrollet, Anders Fager, För Gudinnan, Kult, Evas första vecka som död, Kaknäs sista band, It Comes at Night, Sara Bergmark Elfgren, Norra Latin, Oliver Onions,  Mats Strandberg, Hemmet, Mikael Strömberg, De förjagade, The Void, The Killing of a Sacred Deer, Yorgos Lanthimos, Nicole Kidman, Colin Farrell, Barry Keoghan, Mindhunter, Mental Illness Happy Hour, Mark Frost, David Lynch, Twin Peaks, Fire Walk With Me, David F Sandberg, Annabelle Creation, Darren Aranofsky, Mother!, Jennifer Lawrence, Javier Bardem, Michelle Pfeiffer, Kate Murray Browne, The Upstairs Room, Veronica, Ana Torrent, Thelma, Get Out, Jordan Peele, Mattias Fyhr, Svensk skräcklitteratur, Stranger Things och Ash vs Evil Dead. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Mori Ra, Pye Corner Audio, Prince, Paul Atreides, Reeds, David Bowie, Pitch, Michalis Rakintzis, Chakk, Nu Guinea, Faze Action, Paul Rein, Oliver Onions, Kathy Diamond, Ichisan, Digitron, Wham!, New Paradise, Dirk Blanchart, Sascha Funke, Sho-Nuff, Workdub, Space Art, Moti Special, Fox the Fox, John J. Olson, Dancer, Joe Machine, Units, Mike Cannon, Ka-Zan, Presence, Haruomi Hosono, Divine, Dead or Alive, Claudja Barry, Kraftwerk, Joakim Skogsberg, Lena Platonos, Patrick Cowley & Jorge Socarras and more...

October is time for some good old fashioned ghost stories. Tonight the madmen discuss The Beckoning Fair One by Oliver Onions. If you like what we do, whether it is gaming on Monday and Friday nights or the Saturday Night talk and review show, please consider supporting Microphones of Madness by subscribing to this podcast. or YouTube (Live Broadcasts of all MoM shows) https://m.youtube.com/channel/UC8CPZMYY2iXUfkTYa7NsqGg Follow us on Twitter: @MadMics  @MonNightHeroes

Prepare for tangents this week, as Sean & Charles discuss "The Beckoning Fair One" by Oliver Onions, as well as the 1920 film "The Cabinet of Dr. Caligari". Music: Eyes Gone Wrong Kevin MacLeod (incompetech.com) Show Notes: Oliver Onions - Widdershins (via Project Gutenberg)