Podcast appearances and mentions of Emily Barker

In this episode of Wellness Chats, we sit down with three inspiring nutritionists—Emily Barker, Rachel Philpotts, and Georgina Gray—to discuss their unique approaches to New Year resolutions. Instead of rigid goal-setting, these experts share how they embrace intention, balance, and self-compassion as they kick off the year. Whether you're a health professional or someone seeking to refine your own wellness journey, this episode offers practical insights to start the year on the right note.You will learn how these nutritionists incorporate small, meaningful changes into their routines, focus on adding joy to their lives, and prioritize their well-being without falling into the trap of perfectionism. From embracing rest to finding time for activities like singing, reading, and reflection, they demonstrate that health and success don't have to come at the expense of peace of mind.Tune in to learn how to set resolutions that resonate with your values, honor your unique journey, and set the tone for a year of sustainable growth and wellness. This episode is packed with actionable advice to help you thrive—mentally, emotionally, and physically—in 2025 and beyond.DISCLAIMER: The content in this podcast and related website is not intended to be a substitute for medical advice. It is not intended to be used to diagnose or treat, instead it is designed to help educate and inspire. Always seek the advice of a professional medical practitioner or qualified health practitioner. Never ignore or disregard advice given to you based on information in this podcast or related website and do not delay in seeking medical advice.RESOURCES: Grab all the links and resources mentioned in this episode at https://www.nicolegoodehealth.com/the-goode-health-podcast/episode-67

Maybe you've had this experience. You're standing in the store aisle doing some last minute gift shopping and you are getting further and further from making a decision. You're questioning everything. And everything, the sweaters on the rack, the kitchen gadgets on the shelf all start to look…like a lot of stuff your loved ones don't really need.MPR News producer Alanna Elder noticed that feeling recently. And she started really thinking about it. A lot of the gifts we buy this holiday season will probably end up in a landfill eventually, polluting the earth long after we're gone. And making all of those items releases greenhouse gas emissions that are fueling climate change. At the same time, many small business owners rely on holiday spending. It's a major part of the economy. For help thinking of a solution to buy more stuff and contributing to climate change, Alanna talked to Emily Barker. She is the Executive Director of ReUse Minnesota, an organization that works to protect the environment by promoting reuse, repair and borrowing rather than buying new. For the last three years they've put out a holiday gift guide.

Do you have to do everything absolutely perfectly to conceive your baby?When you have the perfect diet & you take the perfect supplements, it's endlessly frustrating when this doesn't give you results. And it can feel like your whole life is dictated by what to eat, what to avoid & and never making a mistake.So how can you support your body without feeling like fertility nutrition is taking over your life? Today, I'm talking with Emily Barker, a UK-based registered clinical nutritionist specializing in fertility. She explains why couples struggling with infertility do not have to do everything completely perfectly in order to get pregnant and have a baby (and what you should focus on instead).By the time you finish listening, you'll find out:What is the difference between empowering yourself to conceive and being obsessed with itWhat to include in your life when trying to conceive as opposed to what to restrictThings you can do to make trying to conceive easier and less stressful Emily's practice, Roots & Roots & Shoots, offers personalized one-on-one and group programs focused on identifying and addressing factors affecting fertility, helping clients optimize their bodies for conception. Emily's methods are rooted in evidence-based nutritional science, but she also brings an empathetic, compassionate approach, understanding the emotional complexities of fertility challenges. You can connect with Emily via her website or Instagram. You an also grab a copy of Emily's free nutrition guide: Five Steps To Boost Fertility GuideWhen you finish listening, I'd love to hear your biggest takeaway from today's episode. Take a screenshot of you listening on your device, share it to your Instagram stories and tag me, @jen.elementpilatesyoga Free Fertility Yoga Guide: If you're new to Fertility Yoga, Breathwork + Meditation, grab a copy of my Free Fertility Yoga Guide to start synchronizing your hormones, regulating your nervous system & easing the stress of TTC.Begin your Journey to Fertility with the Element Fertility Yoga Course: My comprehensive, complete Fertility Yoga, Breathwork + Meditation Course. This is the ultimate mind-body fertility reset. Use these practices to support your fertility, master your menstrual cycle, optimize your hormones for conception & ease the stress of TTC.

This week! Ben Marwood retires for a day, gives twelve points to Ted Leo and ends up in a cinema in New York in search of the perfect soundtrack. Artist “Track” [Album] [edit] radio podcast 729 – Right Click and Save As to Download The post Podcast 729 | Featuring Emily Barker, Rosie Tucker & TATYANA appeared first on .

This month's show features music from Beth Gibbons, Ferocious Dog, Emily Barker, Kathryn Williams and Withered Hand, Blue Rose Code, Josienne Clarke and Good Habits. There's also news of a new episode of Folk on Foot featuring Frankie Archer.---We rely on support from our listeners to keep this show on the road. If you like what we do please either...Become a member and get great rewards: patreon.com/folkonfootOr just buy us a coffee: ko-fi.com/folkonfootSign up for our newsletter at www.folkonfoot.comFollow us on Twitter/Facebook/Instagram: @folkonfoot---Subscribe to the Folk Forecast to explore all the gigs and album news we ran through in the show: https://thefolkforecast.substack.com/ Hosted on Acast. See acast.com/privacy for more information.

Emily Barker is a registered clinical nutritional therapist and fertility expert. She helps couples and singles improve their chances of conceiving and supports them during their fertility journey. In this episode, Nicole invites Emily onto the show to discuss the importance of preparing for pregnancy (trimester zero) and the postnatal stage (trimester four), the significance of nutrition and optimising health prior to conception, and why community and support during the postpartum period is crucial for a mother's recovery.DISCLAIMER: The content in this podcast and related website is not intended to be a substitute for medical advice. It is not intended to be used to diagnose or treat, instead it is designed to help educate and inspire. Always seek the advice of a professional medical practitioner or qualified health practitioner. Never ignore or disregard advice given to you based on information in this podcast or related website and do not delay in seeking medical advice. EPISODE TIMESTAMPS:[01:45] - Understanding the importance of preconception nutrition[07:06] - The forgotten trimesters: focusing on pre and postnatal care[16:32] - Optimising health and the role of nutrition[28:04] - Postpartum care: navigating the fourth trimesterKEY TAKEAWAYS FROM THIS EPISODE:Discussion on trimester zero, emphasising its importance in preconception planningExplaining the significance of the three-month period before conception for egg maturationAddressing common nutrient deficiencies and the importance of proper nutritional intake before conceptionExploring the fourth trimester, focusing on postnatal care and recoveryIMPORTANT LINKS & MENTIONS: Connect with Emily on InstagramVisit Emily's WebsiteConnect with Nicole on InstagramVisit the Goode Health WebsiteJoin Nicole's Free NewsletterGet Started with the MitoImmune Way: The 12-Week ProgrammeUnlocking the Mystery of Your Thyroid Results [Free Download]30 Steps to Thyroid Health [Free Download]Get Access to the Thyroid Freedom™ Bundle

Emily Barker is an Australian singer-songwriter, musician and composer. Her music has featured as the theme to BBC dramas Wallander and The Shadow Line. With multi-instrumental trio the Red Clay Halo, she recorded four albums, before commencing a solo career.Her new album, Fragile as Humans, is released on May 3rd.Watch this episode here: https://www.youtube.com/watch?v=J5uPrzjhsr0Show theme by Bis.GET TICKETS TO MY CONVERSATION WITH LUKE HAINES AT ROUGH TRADE WEST, LONDON, ON APRIL 4th. Want more? Join The James McMahon Music Podcast Patreon. https://www.youtube.com/watch?v=U5jY33R9cXAThankyou to our Patreon members! John Foley.Wilfreda Beehive.Joe Frost.Conor McNicholas.John Earls.Laura Norton.Mike Clewley.Ricky Murray.Danielle Walker.Claire Harris.Dana Landman. Laura Kelly Dunlop. Michael Woods.Billy Reeves.Eric Meredith.Caitlin Moran.Eve Barlow.Nige Tassell.  Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

Award winning singer and songwriter Emily Barker joins Hoppo to tell her story. She grew up in a country town in Western Australia and speaks about her eventual move to the United Kingdom where she had two decades in song writing and performing. Emily also shares her struggles with IVF and her unfortunate miscarriage. For all things Life's a Beach, visit our site at https://www.lifesabeach.co/ Instagram: https://www.instagram.com/lifesabeachau/?hl=enSee omnystudio.com/listener for privacy information.

In this episode of Queens of Quality, co-hosts Michelleanne and Jen engage with guests Emily Barker and Steve Thompson in a conversation on AI and ethics. Major topics include AI's difficulty in dealing with negative constructs, limitations, and the role of the Algorithm Review Board (ARB). The team frames the conversation by comparing AI to different aspects of human behavior, illustrating its limitations. They delve into negative programming and its implications on pattern matching in AI. The episode also highlights the importance of a diverse cross-section of people in ARB to minimize bias and raise various ethical considerations. Lastly, it expands on the ARB's potential in handling AI's limitations from different perspectives, confirming their readiness to tackle new challenges and inviting more diverse voices to join the conversation.00:31 Introduction and Welcome00:54 Discussion on AI and Ethics01:48 Understanding Negative Programming in AI02:12 Exploring AI's Limitations: Pattern Matching and Negation04:27 AI's Struggle with 'No' and 'Not'07:33 AI's Lack of Self-Awareness and Empathy09:06 The Role of AI as a Tool, Not a Replacement10:16 The Importance of Human Involvement in AI11:00 AI's Struggle with Uncertainty14:10 The Role of the Algorithm Review Board (ARB)22:32 Conclusion and Invitation for Participation Love the show? Subscribe, Rate, Review, Like, and Share!Let's Connect!Connect with Steve ThompsonLinkedIn: https://www.linkedin.com/in/stevethompsonsocal/Connect with Emily BarkerLinked In: https://www.linkedin.com/in/mannbark/Connect with Queens of Quality;Website: https://metisconsultingservices.com/LinkedIn: https://www.linkedin.com/company/metis-consulting-services/Email: hello@metisconsultingservices.com

In this episode, the hosts, Michelleanne and Jenn, continued their conversation with Steve Thompson and special guest Emily Barker, an experienced tech professional focusing on biopharma, biotech, and AI. They discussed Emily's unique perspective, bringing tech and biopharma together, delving further into AI ethics, and creating an algorithm review board. They spoke on using AI ethically and avoiding potential catastrophes. The podcast touched on the constant evolution of AI, the careful and informed approach to its use in the life sciences field, and the importance of bringing together diverse perspectives to shape its future in a beneficial manner. They highlighted the significance of creating an AI lexicon to ensure all industry players speak the same language and invited community participation.00:31 Introduction and Guest Introduction01:25 Discussing AI Ethics and Algorithm Review Board02:51 Understanding the Complexity of AI Landscape03:56 The Importance of Language Consistency in AI04:47 Exploring the Concept of Algorithm Review Board06:10 The Challenges of Reproducing AI Results07:44 Understanding the Algorithm in AI10:47 The Role of Algorithm Review Board in AI12:21 The Importance of Involving Diverse Perspectives in AI13:01 The Future of AI in Life Sciences23:02 The Need for Pre-Work in AI26:48 Conclusion and Call to Action Love the show? Subscribe, Rate, Review, Like, and Share!Let's Connect!Connect with Steve ThompsonLinkedIn: https://www.linkedin.com/in/stevethompsonsocal/Connect with Emily BarkerLinked In: https://www.linkedin.com/in/mannbark/Connect with Queens of Quality;Website: https://metisconsultingservices.com/LinkedIn: https://www.linkedin.com/company/metis-consulting-services/Email: hello@metisconsultingservices.com

Katie plays more beautiful new and recent releases and a few more seasonally appropriate tunes. Among them, friends of the show Emily Barker and Jaime Jackett have great new songs... LEARN MORE The post Wild to be sharing this moment – Show #304 (part 2), 17 December 2023 appeared first on Miss Chatelaine.

Singer, songwriter, novelist, and painter Kathryn Williams is proud to release her new album ‘Night Drives'. The collection explores a more filmic sound, with a larger ensemble of instrumentation, particular emphasis on the strings and production from Ed Harcourt. It's out via One Little Independent Records.   Journeying from leftfield contemporary pop to soft acoustics, Kathryn Williams uses her latest LP to explore a variety of fresh ideas driven, in part, by a host of collaborators. Kirsty Logan, Oystein Greni, Romeo Stodart, Matt Deighton, Simon Edwards, Yvette Williams, Neill Maccoll, Andy Bruce, Ida Wenoe, Joel Sarakula, Emily Barker and John Alder all have credits on various tracks across ‘Night Drives'. Kathryn explains “I've been releasing music for 24 years now. That fact blows me away, and things have changed so much over those years. The biggest change has been my love of co-writing and writing for other artists. This began when I first went on a writing retreat with Chris Difford forming close friendships and working relationships that are represented here”.   Her first official album since ‘Hypoxia' in 2015, ‘Night Drives' opens with some of Kathryn's most immediately electronic tracks to date, the nihilistic ‘Human', big ballad ‘Answer In The Dark' with all it's bold, layered production, and the dynamic, infectious ‘Radioactive'. Elsewhere on the likes of ‘Moon Karaoke', ‘Magnets' and ‘The Brightest', a more cinematic sound is explored; slowly unravelling stories backed by delicate acoustics and elated, emotive string pieces. ‘Put The Needle On The Record' and joint closers ‘Starry Heavens' and ‘I Am Rich In All That I've Lost' are relaxed and fall into the more traditional world of folk inspired melancholia. Kathryn's inimitable charm colours the whole album with emotion and affection – occasionally brooding, always likable.   Discussing some of the themes explored she says “Some of it is questioning who we are, realising that being human is about flaws, humility, and the consequences of how we react to others. It can be about the longevity of a long-term relationship, how to keep the fire burning and to celebrate that. So many love songs are about the first moments, but this is about enduring love. The simple things that fill a day and how our dreams and wants are so separate to the daily grind. The final track is a philosophical musing on loss and gain in life. How by living a long life we will lose so much, but that in itself is riches”.

Harmony shares about her lipstick problem, how to pack for a short trip, and we talk to Emily Barker, Executive Director of ReUse Minnesota. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Harmony shares about her lipstick problem, how to pack for a short trip, and we talk to Emily Barker, Executive Director of ReUse Minnesota.

If you've ever tried to tinker with your phone or called a local mechanic to fix an appliance, you may have run into a brick wall. Many products require specific parts or directions that companies only give out to licensed repair shops. For years, environmental groups, tech fixers, and farmers around the country have tried to change that. Minnesota recently gave these groups a win by becoming the fourth state to pass what's called a “right-to-repair” law. It takes effect in July 2024 and will require companies to provide instructions and parts to fix newer phones, laptops, and appliances. But not farm equipment, which was left out of the final version of the law. Emily Barker, Executive Director of Reuse Minnesota, joined MPR News host Cathy Wurzer to talk about why her nonprofit pushed for that change.

Melaleuca: Live at The Zoo on the 9th of December, 2022 Melaleuca are a Meanjin-based indie rock band formed in 2019 by Andy Francis, Jane Millroy, Isaac Rogers and Matt Wilward. With sonic influences like The Smashing Pumpkins and Weezer, Melaleuca are fond of catchy hooks and rotating lyrics from their two lead vocalists. We recorded them performing live for The Zoo's 30th birthday celebration event on the 9th of December, 2022. Recorded by Dave Arens Mixed by Tyrell Short Special Thanks to venue engineer Ben Slade Emily Barker: Live at the Woolly Mammoth on the 17th of February, 2023 Emily Barker is a singer-songwriter hailing from Bridgetown, W.A. with eight studio albums under her belt, four with multi-instrumental trio Red Clay Halo and four solo. She has the rare honour of having two of her songs used as the theme music for BBC programmes, 'Wallander' and 'The Shadow Line', for which she has received several British television awards. We recorded her performing solo and live at The Woolly Mammoth on the 17th of February 2023. Recorded by Dave Arens Mixed by Deakin Jennings Special thanks to venue engineer Andrew McNelley Show production and host: Matt Hall Audio producer: Dave Arens Originally aired via Zed Digital, 7-8pm, Sunday 21 May 2023

Perve Endings: Live at The Zoo, Fortitude Valley, 9 December 2022 Perve Endings are a Meanjin/Brisbane-based four piece rock outfit with a penchant for catchy hooks, rotating lyrics and blissful harmonies. They serve up enlightened alternative rock with a dash of punk and we've caught them performing live at The Zoo on the 9th of December 2022 for The Zoo's 30th birthday celebration. Recorded by Dave Arens Mixed by Nigel Lee Special thanks to venue engineer Ben Slade Emily Barker: Live at The Woolly Mammoth, Fortitude Valley, 17 February 2023 Emily Barker is a singer-songwriter with roots in Bridgetown, West Australia. She has eight albums under her belt, four with multi-instrumental trio Red Clay Halo and four solo. Her track 'Nostalgia' was picked up as the theme music for Kenneth Branagh's BBC drama 'Wallander' and another and as a result Emily has also won several BAFTA awards, amongst others. We recorded her performing live at The Woolly Mammoth on the 17th of February, 2023. Recorded by Dave Arens Mixed by Deakin Jennings Special thanks to venue engineer Andrew McNelley Show production and host: Matt Hall Audio producer: Dave Arens Originally aired via Zed Digital, 7-8pm, Sunday 14 June 2023

A panel of FDA advisors has unanimously recommended a birth control pill be made available over the counter. KMOX Health Editor Fred Bodimer talked about that with Dr. Emily Barker, a Washington University OB-GYN at Barnes Jewish Hospital.

Marry Waterson, is a singer, songwriter and visual artist.A member of the Waterson-Knight-Carthy folk music family, Waterson is described as having "thrived on communal music making while developing highly original and distinctly English performance styles of [her] own".She has made 7 albums on One Little Independent Records and she has collaborated with Emily Barker, Adem, David Jaycocks and Olly knight. She has toured with Richard Hawley and Jarvis Cocker and has made music videos for countless artist with her unique blend of illustrative found pieces and old filmIn this episode Marry talks of spending her honeymoon in a car with waves lapping at the wheels.Find Marry here Hosted on Acast. See acast.com/privacy for more information.

Dancing with the Stars champions Carl Mullan and Emily Barker, Kyrie Therapeutic Farm, John McKeon remembers his beloved son Kieran, the global bestselling author Harlan Coben, Gary Elbert on living life with a facial difference and Geek Ireland editor, Olivia Fahy.

Carl Mullan and his professional partner Emily Barker were crowned Dancing with the Stars champions last night. Ryan is joined in studio by the winners and finalists Brooke Scullion, Robert Rowinski, Damian McGinty and Kylee Vincent.

If you’re interested in starting a family while living with narcolepsy, this podcast is for you. How might you manage medications or symptoms during pregnancy? What about adoption as an option? We brought together an incredible panel with so much real-life experience and insights, including people with narcolepsy who have walked this journey and an amazing clinician, Dr. Anne Marie Morse, to discuss and share. About Our Guests: DianaAnderson lives with narcolepsy type two and is the mother of a 4-year-old son. She also works full-time in physician assistant education. Emily Barker, PhD is a scientist living with narcolepsy with cataplexy and is the mom of three boys. Emily is also a co-facilitator for the Wake Up Narcolepsy Pregnancy and Parenting peer support group. Ashley Nutter, MEd is the mother of three children and a person living with narcolepsy with cataplexy. Ashley also has a Masters in Education Community Agency Counseling. Katie Williamsen is a mom to one daughter and a web designer living with narcolepsy with cataplexy. Michelle Zagardo is a photographer and teacher living with narcolepsy with cataplexy and the mother of a 6 month old daughter. Dr. Anne Marie Morse, DO is a board-certified and fellowship-trained pediatric neurologist specializing in sleep medicine at Geisinger Health System in Pennsylvania. Download the Pregnancy + Narcolepsy Toolkit for more resources: bit.ly/pregnancy-narcolepsy-toolkit. The Narcolepsy Nerd Alert series invites listeners to dive deeper into specific topics relevant to living with narcolepsy. project-sleep.com/narcolepsy-nerd-alert/

If you’re interested in starting a family while living with narcolepsy, this podcast is for you. How might you manage medications or symptoms during pregnancy? What about adoption as an option? We brought together an incredible panel with so much real-life experience and insights, including people with narcolepsy who have walked this journey and an amazing clinician, Dr. Anne Marie Morse, to discuss and share. About Our Guests: DianaAnderson lives with narcolepsy type two and is the mother of a 4-year-old son. She also works full-time in physician assistant education. Emily Barker, PhD is a scientist living with narcolepsy with cataplexy and is the mom of three boys. Emily is also a co-facilitator for the Wake Up Narcolepsy Pregnancy and Parenting peer support group. Ashley Nutter, MEd is the mother of three children and a person living with narcolepsy with cataplexy. Ashley also has a Masters in Education Community Agency Counseling. Katie Williamsen is a mom to one daughter and a web designer living with narcolepsy with cataplexy. Michelle Zagardo is a photographer and teacher living with narcolepsy with cataplexy and the mother of a 6 month old daughter. Dr. Anne Marie Morse, DO is a board-certified and fellowship-trained pediatric neurologist specializing in sleep medicine at Geisinger Health System in Pennsylvania. Download the Pregnancy + Narcolepsy Toolkit for more resources: bit.ly/pregnancy-narcolepsy-toolkit. The Narcolepsy Nerd Alert series invites listeners to dive deeper into specific topics relevant to living with narcolepsy. project-sleep.com/narcolepsy-nerd-alert/

Welcome to The Multi-usiverse! Alongside your guide, Garr Punnett, explore worlds of opportunity within the use of physical resources across companies and organizations. In this episode we're joined by Emily Barker, Executive Director at Reuse Minnesota. Enjoy Episode Twenty-Five of the Multi-usiverse! Learn more about Rheaply and it's award-winning resource management and exchange platform that helps world-leading organizations better visualize, quantify, and utilize their physical assets at Rheaply.com. Full episodes can be found on our YouTube Channel. Watch the full episode here.

This is a special episode with publishing expert Matt Donlevy from Cooking Vinyl Publishing Australia, we talk all about publishing and why it's so integral to a successful songwriting career. Another aspect of the songwriting world with many different hats over a lifetime career in Sydney. Some of their artists include: Alphawolf, Emily Barker, Ceres, Eliza & the delusionals, Emma Donovan & the Putbacks, Fanny Lumsden, Gravemind, High Tension & lots more. Connect with Matt: Website Facebook LinkedIn YouTube Buy me a coffee and support the podcast HERE

After well more than a week to reflect on the lessons of Oscar night, Michael praises a rare movie authentically set in the working class that won Best Picture — and he gives his take on the vicious assault on Chris Rock that was followed minutes later with his assailant getting a standing ovation and an Oscar. In this episode, Michael also tells the story of the threat of violence he encountered backstage just moments after his Oscar speech in 2003. ************** Check out “Death by 7865 Paper Cuts” and other artwork by artist Emily Barker: https://artviewer.org/emily-barker-at-murmurs/ ************** Music in today's episode: “Classical Gas” — Mason Williams ************** Podcast Underwriters: 1) Anchor.fm makes can help you start your own podcast. Go to anchor.fm to learn more. ************** The Moore Store Check out The Moore Store – and a portion of proceeds will go to progressive groups and organizations fighting to teach the arts and civics in public schools. https://store.michaelmoore.com/ ************** --- Send in a voice message: https://anchor.fm/rumble-with-michael-moore/message

ONE HUNDRED AND FIFTY FRIGGIN' EPISODES! Thank you all so much!! Consider becoming a Patreon POOPR! www.themidnighttrainpodcast.com  London in 1888:   Victorian London was not a happy place to be, and the facts speak for themselves. Prostitution was rife, poverty and crime were prevalent, and 19th-century housing was barely habitable. Finding work in 1888 was extremely difficult for the residents of Whitechapel, feeding into the cycle of poverty and depravity.   Soot and smoke generally filled the air, and there were still grazing sheep in Regent's Park in the mid-Victorian period — it was said that you could tell how long the sheep had been in the capital by how dirty their coats were. They went increasingly from white to black over days.   The nights were riddled with gas lamp-lit streets and dark, foggy alleyways.   The city was steeped in poverty and all manner of crime and disease.   Many children were seen as a strain on their parents' resources, and it is believed that two in every ten died before reaching five years old.   breeding ground for crime and poor behavioral habits, including murder, prostitution, and violence – and vicious circles like these were rarely broken in such poor districts   Streets were dirty, and fresh food was scarce. Pollution and sewage smells filled the air.   Urine soaked the streets. There was an experiment in Piccadilly with wood paving in the midcentury. It was abandoned after a few weeks because the sheer smell of ammonia coming from the pavement was horrible. Also, the shopkeepers nearby said that this ammonia was discoloring their shop fronts.   London in the 19th century was basically filled with cesspools.   There'd be brick chambers, maybe 6 feet deep, about 4 feet wide, and every house would have them.   It was more common to have a cesspool in the basement in central London and in more crowded areas.   Above the cesspool would be where your household privy, or toilet, would be.   These made the general smell in crowded London pretty awful.   There would have been horses everywhere. By the 1890s, there were approximately 300,000 horses and 1,000 tons of horse droppings a day in London. The Victorians employed boys ages 12 to 14 to dodge between the traffic and try to scoop up the excrement as soon as it hit the streets.   Shit everywhere.   The streets were lined with "mud,"... except it wasn't mud.    Life was much harder for women than men generally.   The lack of proper work and money led many women and girls into prostitution, a high-demand service by those wishing to escape their grim realities.   These women were commonly known as "unfortunates,"   They owned only what they wore and carried in their pockets - their dirty deeds would pay for their bed for the night.   There was an extraordinary lack of contraception for women.   Doctors performed unorthodox abortions in dirty facilities, including the back streets.   Many women would die of infection from these ill-performed surgeries or ingesting chemicals or poison.   The insides of the houses throughout the borough were no less uninviting and more reminiscent of slums.   Many of these dilapidated homes were makeshift brothels.   Prostitution was a dangerous trade, as diseases were passed from person to person very quickly, and doctors did not come cheap.   Most work came through casual or 'sweated' labor, like tailoring, boot making, and making matchboxes.   There was very little job security, and the work premises would more than likely be small, cramped, dusty rooms with little to no natural light.   Workhouses were another alternative, set up to offer food and shelter to the poorest of the community in return for hard, grueling labor in even worse conditions.   large portions of the population turned to drinking or drugs to cope with everyday life   Pubs and music halls were abundant in the East End, and booze was cheap, too, making it a viable means of escapism for many.   Crime rates spiraled and were unmanageable by London's police force in 1888. Petty crime like street theft was normality.   High levels of alcohol-related violence, gang crime, and even protection rackets were everywhere.   The high level of prostitution meant that vulnerable women were often forced to earn a living on the streets, leaving them easy targets for assault, rape, and even murder.   Police stations and the detectives at the helm lacked structure and organization, with many crimes being mislabelled, evidence going missing, or being tampered with was common.    The maze of dingy alleyways and dark courtyards, each with multiple entrances and exit points, made the district even more difficult to police. There were even some parts of Whitechapel that police officers were afraid to enter, making them crime hotspots.   With that brief look into what it was like in Whitechapel, it is no wonder that Jack the Ripper could get away with his crimes. That being said, let's look at the crimes and victims.   Mary Ann Nichols:   Mary Ann Nichols led a brief life marked with hardships. Born to a London locksmith in 1845, she married Edward in 1864 and gave birth to five children before the marriage dissolved in 1880.   In explaining the roots of the separation, Nichols' father accused Edward of having an affair with the nurse who attended one of their children's births. For his part, Edward claimed that Nichols' drinking problem drove them to part ways.   After separating, the court required Edward to give his estranged wife five shillings per month, over 600 pounds today— a requirement he successfully challenged when he found out she was working as a prostitute.   Nichols then lived in and out of workhouses until her death. She tried living with her father, but they did not get along, so she continued to work as a prostitute to support herself. Though she once worked as a servant in a well-off family home, she quit because her employers did not drink.   On the night of her death, Nichols found herself surrounded by the same problems she'd had for most of her life: lack of money and a propensity to drink. On 31st August 1888, she left the pub where she was drinking and walked back to the boarding house where she planned to sleep for the night.   Nichols lacked the funds to pay for the entrance fee, so she went back out to earn it. But, according to her roommate, who saw her the night before someone killed her, she spent whatever money she did earn on alcohol.   That night Mary was wearing a bonnet that none of the other residents of the lodging house had seen her with before. Since she intended to resort to prostitution to raise the money for her bed, she felt this would be an irresistible draw to potential clients. So, she was escorted from the premises by the deputy lodging housekeeper. She laughed to him, "I'll soon get my doss money, see what a jolly bonnet I have now."   At 2.30 on the morning of 31st August, she met a friend named Emily Holland by the shop at the junction of Osborn Street and Whitechapel Road.   Mary was very drunk, and she boasted to Emily that she had made her lodging money three times over but had spent it.   Concerned at Mary's drunken state, Emily tried to persuade her to come back to Wilmott's with her. Mary refused, and, telling Emily that she must get her lodging money somehow, she stumbled off along Whitechapel Road.   That was the last time that Mary Nichols was seen alive.   At 3.45 a.m., a woman's body was found with her skirt pulled up to her waist, lying next to a gateway in Buck's Row, Just off Whitechapel Road. This location was around a ten-minute walk from the corner where Mary met Emily Holland.   According to some newspaper reports, the woman's throat had been cut back to the spine, the wound being so savagely inflicted that it had almost severed her head from her body.   Within 45 minutes, she had been placed on a police ambulance, which was nothing more than a wooden hand cart. She had been taken to the mortuary of the nearby Whitechapel Workhouse Infirmary.   Here, Inspector Spratling of the Metropolitan Police's J Division arrived to take down a description of the, at the time, unknown victim, and he made the horrific discovery that, in addition to the dreadful wound to the throat, a deep gash ran along the woman's abdomen - The killer had disemboweled her.   The funeral of Mary Ann Nichols took place amidst great secrecy to deter morbid sightseers on Thursday, 6th September 1888.   Strangely, the ruse used to get Mary Nichols's body to the undertaker's could be said to have included an element of foreshadowing.   Mary Nichols's body was brought out of the mortuary's back gate in Chapman's Court, from where it was taken to the undertaker's premises on Hanbury Street.   Two days later, the murderer struck again and murdered Annie Chapman in Hanbury Street.   Annie Chapman:   Annie Chapman didn't always lead a hard life. She lived for some time with her husband, John, a coachman, in West London.   However, after the couple had children, her life began to unravel: Her son, John, was born disabled, and her youngest daughter, Emily, died of meningitis. She and her husband both began to drink heavily and eventually separated in 1884.   After the separation, Chapman moved to Whitechapel to live with another man. While she still received ten shillings per week from her husband, she sometimes worked as a prostitute to supplement her income.   When her husband died from alcohol abuse, that money stopped. According to her friends, Chapman "seemed to have given away all together." Then, a week before she died, Chapman got into a fistfight with another woman over an unreturned bar of soap.   At 5 p.m. on Friday, 7th September, Annie met her friend, Amelia Palmer, in Dorset Street. Annie looked extremely unwell and complained of feeling "too ill to do anything."   Amelia met her again, ten minutes later, still standing in the same place, although Annie was trying desperately to rally her spirits. "It's no use giving way, I must pull myself together and get some money or I shall have no lodgings," were the last words Amelia Palmer heard Annie Chapman speak.   At 11.30 p.m. that night, Annie turned up at Crossingham's lodging house and asked Timothy Donovan if she could sit in the kitchen.   Since he hadn't seen her for a few days, Donovan asked her where she had been? "In the infirmary," she replied weakly. He allowed her to go to the kitchen, where she remained until Saturday morning, 8th September 1888.   At 1.45 a.m., Donovan sent John Evans, the lodging house's night watchman, to collect the fourpence for her bed from her. He found her a little drunk and eating potatoes in the kitchen. When he asked her for the money, she replied wearily, "I haven't got it. I am weak and ill and have been in the infirmary."   Annie then went to Donovan's office and implored him to allow her to stay a little longer. But instead, he told her that if she couldn't pay, she couldn't stay.   Annie turned to leave, but then, turning back, she told him to save the bed for her, adding, "I shall not be long before I am in. I shall soon be back, don't let the bed."   John Evans then escorted her from the premises and watched her head off along Dorset Street, observing later that she appeared to be slightly tipsy instead of drunk.   At 5.30 that morning, Elizabeth Long saw her talking with a man outside number 29 on Hanbury Street. Since there was nothing suspicious about the couple, she continued on her way, hardly taking any actual notice.   Thirty minutes later, at 6 a.m., John Davis, an elderly resident of number 29, found her horrifically mutilated body lying between the steps and the fence in the house's backyard.   Annie had been murdered, and her body mutilated. She had a cut across her neck from left to right and a gash in her abdomen made by the same blade.   Her intestines had been pulled out and draped over her shoulders, and her uterus had been removed. The doctor conducting the post-mortem was so appalled by the damage done to her corpse that he refused to use explicit detail during the inquest. Police determined that she died of asphyxiation and that the killer mutilated her after she died.    She was later identified by her younger brother, Fountain Smith.   The severing of the throat and the mutilation of the corpse were similar to that of the injuries sustained by Mary Ann Nichols a week previously, leading investigators to believe the same assailant had murdered them.   At this point, the killings were known as 'The Whitechapel Murders."   Elizabeth Stride:   The Swedish-born domestic servant arrived in England in 1866, at which point she had already given birth to a stillborn baby and been treated for venereal diseases.   Stride married in 1869, but they soon split, and he ultimately died of tuberculosis in 1884. Stride would instead tell people that her husband and children (which they never actually had) were killed in an infamous 1878 Thames River steamship accident. She allegedly sustained an injury during that ordeal that explained her stutter.   With her husband gone and lacking a steady source of income, like so many of Jack the Ripper's victims, Stride split the remainder of her life living between work and lodging houses.    On Saturday, 29th September 1888, she had spent the afternoon cleaning two rooms at the lodging house, for which the deputy keeper paid her sixpence, and, by 6.30 p.m., she was enjoying a drink in the Queen's Head pub at the junction of Fashion Street and Commercial Street.   Returning to the lodging house, she dressed, ready for a night out, and, at 7.30 p.m., she left the lodging house.   There were several sightings of her over the next five hours, and, by midnight, she had found her way to Berner Street, off Commercial Road.   At 12.45 a.m., on 30th September, Israel Schwartz saw her being attacked by a man in a gateway off Berner Street known as Dutfield's Yard. Schwarz, however, assumed he was witnessing a domestic argument, and he crossed over the road to avoid getting dragged into the quarrel.   Schwartz likely saw the early stages of her murder.   At 1 a.m. Louis Diemschutz, the Steward of a club that sided onto Dutfield's Yard, came down Berner Street with his pony and costermongers barrow and turned into the open gates of Dutfield's Yard. Immediately as he did so, the pony shied and pulled left. Diemschutz looked into the darkness and saw a dark form on the ground. He tried to lift it with his whip but couldn't. So, he jumped down and struck a match. It was wet and windy, and the match flickered for just a few seconds, but it was sufficient time for Diemschutz to see a woman lying on the ground.   He thought that the woman might be his wife and that she was drunk, so he went into the club to get some help in lifting her.   However, he found his wife in the kitchen, and so, taking a candle, he and several other members went out into the yard, and, by the candle's light, they could see a pool of blood gathering beneath the woman.   The crowd sent for the police, and a doctor was summoned, pronouncing the woman dead. It was noted that, as in the cases of the previous victims, the killer had cut the woman's throat. However, the rest of the body had not been mutilated. This led the police to deduce that Diemschutz had interrupted the killer when he turned into Dutfield's Yard.   The body was removed to the nearest mortuary - which still stands, albeit as a ruin, in the nearby churchyard of St George-in-the-East, and there she was identified as Elizabeth Stride.   On the night of her burial, a lady went to a police station in Cardiff, and made the bizarre claim that she had spoken with the spirit of Elizabeth Stride. In the course of a séance, the victim had identified her murderer.   Nothing ever came of this…obviously.   CATHERINE EDDOWES:   Unlike the other Jack the Ripper victims, Catherine Eddowes never married and spent her short life with multiple men.   At age 21, the daughter of a tin plate worker met Thomas Conway in her hometown of Wolverhampton. The couple lived together for 20 years and had three children together. But, according to her daughter, Annie, the pair split "entirely on account of her drinking habits."   Eddowes met John Kelly soon after. She then became known as Kate Kelly and stayed with John until her death.   According to her friends and family, while Catherine was not a prostitute, she was an alcoholic. The night of her murder — the same night Elizabeth Stride was killed — a policeman found Catherine lying drunk and passed out on Aldgate Street.   She was taken to Bishopsgate Police Station, locked in a cell to sober up. But instead, she promptly fell fast asleep.   By midnight, she was awake and was deemed sober enough for release by the City jailer PC George Hutt. Before leaving, she told him that her name was Mary Ann Kelly and gave her address as 6 Fashion Street.   Hutt escorted her to the door of the police station, and he told her to close it on her way out. "Alright. Goodnight old cock" was her reply as she headed out into the early morning.   At 1.35 a.m., three men - Joseph Lawende, Joseph Hyam Levy, and Harry Harris saw her talking with a man at the Church Passage entrance into Mitre Square, located on the eastern fringe of the City of London.   Ten minutes later, at 1.45 a.m. Police Constable Alfred Watkins walked his beat into Mitre Square and discovered her horrifically mutilated body lying in the darkness of the Square's South West corner. The killer had disemboweled her. But, in addition, the killer had targeted her face, carving deep "V"s into her cheeks and eyelids. He had also removed and gone off with her uterus and left kidney. Finally, he had cut open her intestines to release fecal matter.   Dr. Frederick Brown, who performed the post-mortem examination of Eddowes' body, concluded that the killer must have some knowledge of anatomy if he could remove her organs in the dark. Mary Jane Kelly:   She is the victim about whom we know the least.   We know virtually nothing about her life before she arrives in the East End of London. What we do know is based on what she chose to reveal about her past to those she knew, and the integrity of what she did tell is challenging to ascertain. Indeed, we don't even know that her name was Mary Kelly.   According to her boyfriend, Joseph Barnett, with whom she lived until shortly before her death, she had told him that she was born in Limerick, in Ireland, that her father's name was John Kelly, and that she had six or seven brothers and one sister.   The family moved to Wales when she was a child, and when she was sixteen, she met and married a collier named Davis or Davies. Unfortunately, her husband was killed in a mine explosion three years later, and Mary moved to Cardiff to live with a female cousin who introduced her to prostitution.   Mary moved to London around 1884, where she met a French woman who ran a high-class brothel in Knightsbridge, in which establishment Mary began working. She told Barnett that, during this period in her life, she had dressed well, had been driven about in a carriage, and, for a time, had led a lady's life.   She had, she said, made several visits to France at this time, and had accompanied a gentleman to Paris, but, not liking it there, she had returned to London after just two weeks.   She began using the continental version of her name and often referred to herself as Marie Jeannette Kelly.   After that, her life suffered a downward spiral, which saw her move to the East End of London, where she lodged with a Mrs. Buki in a side thoroughfare off Ratcliff Highway. Soon after her arrival, she enlisted her landlady's assistance in returning to the West End to retrieve a box that contained dresses of a costly description from the French lady.   Mary had now started drinking heavily, which led to conflict between her and Mrs. Buki. Relations between them became so strained that Mary moved out and went to lodge at the home of Mrs. Mary McCarthy at 1 Breezer's Hill Pennington Street, St. George-in-the-East.   By 1886 she had moved into Cooley's typical lodging house in Thrawl Street, and it was while living here that, on Good Friday, 6th April 1887, she met Joseph Barnett, who worked as a porter at Billingsgate Fish Market.   The two were soon living together, and, by 1888, they were renting a tiny room at 13 Miller's Court from John McCarthy, who owned a chandler's shop just outside Miller's Court on Dorset Street.   She and Barnett appear to have lived happily together until, in mid-1888, he lost his market job, and she returned to prostitution, which caused arguments between them. During one heated exchange, a pane in the window by the door of their room had been broken.   The precariousness of their finances had resulted in Mary falling behind with her rent, and by early November, she owed her landlord twenty-nine shillings in rent arrears.   On 30th October 1888, Joseph Barnett moved out, although he and Mary remained on friendly terms, and he would drop by to see her, the last time being at around 7.30 on the evening of Thursday 8th November, albeit he didn't stay long.   Several people claimed to have seen her during the next fourteen hours.   One of them was George Hutchinson, an unemployed laborer, who met her on Commercial Street at 2 a.m. on 9th November. She asked him if he would lend her sixpence, to which he replied that he couldn't as he'd spent all his money.   Replying that she must go and find some money, she continued along Commercial Street, where a man coming from the opposite direction tapped her on the shoulder and said something to her, at which point they both started laughing.   The man put his arm around Mary, and they started walking back along Commercial Street, passing Hutchinson, who was standing under the lamp by the Queen's Head pub at the junction of Fashion Street and Commercial Street.   Although the man had his head down with his hat over his eyes, Hutchinson stooped down and looked him in the face, at which point the man gave him what Hutchinson would later describe as a stern look.   Hutchinson followed them as they crossed into Dorset Street, and he watched them turn into Miller's Court. He waited outside the court for 45 minutes, by which time they hadn't reemerged, so he left the scene.   At around 4 a.m., two of Mary's neighbors heard a faint cry of "Murder," but because such cries were frequent in the area - often the result of a drunken brawl - they both ignored it.   At 10. Forty-five on the morning of the 9th November, her landlord, John McCarthy, sent his assistant, Thomas Bowyer, round to Mary's room, telling him to try and get some rent from her.   Bowyer marched into Miller's Court and banged on her door. There was no reply. He tried to open it but found it locked. He, therefore, went round to the broken window pane, reached in, pushed aside the shabby muslin curtain that covered it, and looked into the gloomy room.   Moments later, an ashen-faced Bowyer burst into McCarthy's shop on Dorset Street. "Guvnor," he stammered, "I knocked at the door and could not make anyone answer. I looked through the window and saw a lot of blood."   "Good God, you don't mean that," was McCarthy's reply, and the two men raced into Miller's Court, where McCarthy stooped down and looked through the broken pane of glass.   McCarthy would later recall the horror of the scene that greeted him. "The sight we saw I cannot drive away from my mind. It looked more the work of a devil than of a man. I had heard a great deal about the Whitechapel murders, but I declare to God I had never expected to see such a sight as this. The whole scene is more than I can describe. I hope I may never see such a sight as this again."   Someone immediately sent for the police, and one of the first officers at the scene was Walter Dew, who, many years later, would recall the horror of what he saw through that window:- "On the bed was all that remained of the young woman. There was little left of her, not much more than a skeleton. Her face was terribly scarred and mutilated. All this was horrifying enough, but the mental picture of that sight which remains most vividly with me is the poor woman's eyes. They were wide open, and seemed to be staring straight at me with a look of terror."   Possible victims:   Martha Tabram   On Tuesday 7th August, following a Monday bank holiday, prostitute Martha Tabram was murdered at about 2:30 a.m. Her body was found at George Yard Buildings, George Yard, Whitechapel, shortly before 5:00 a.m. She had been stabbed 39 times about her neck, torso, and genitals with a short blade. With one possible exception, a right-handed individual had inflicted all her wounds.   Based on statements from a fellow prostitute and PC Thomas Barrett, who was patrolling nearby, Inspector Reid put soldiers at the Tower of London and Wellington Barracks on an identification parade, but without positive results. Police did not connect Tabram's murder with the earlier murder of Emma Smith, but they did connect her death with later murders.   Most experts do not connect Tabram's murder with the others attributed to the Ripper because she had been repeatedly stabbed, whereas later victims typically suffered slash wounds and abdominal mutilations. However, investigators cannot rule out a connection.   Rose Mylett   On Thursday 20th December 1888, a patrolling constable found the strangled body of 26-year-old prostitute Rose Mylett in Clarke's Yard, off Poplar High Street. Mylett (born Catherine Millett and known as Drunken Lizzie Davis and Fair Alice Downey) had lodged at 18 George Street, as had Emma Smith.   Four doctors who examined Mylett's body thought she had been murdered, but Robert Anderson thought she had accidentally hanged herself on the collar of her dress while in a drunken stupor. At Anderson's request, Dr. Bond examined Mylett's body, agreeing with Anderson. Commissioner Monro also suspected it was a suicide or natural death as there were no signs of a struggle. The coroner, Wynne Baxter, told the inquest jury that "there is no evidence to show that death was the result of violence." Nevertheless, the jury returned a verdict of "wilful murder against some person or persons unknown," and the case was added to the Whitechapel file.   Alice McKenzie:   Alice McKenzie was possibly a prostitute and was murdered at about 12:40 a.m. on Wednesday 17th July 1889 in Castle Alley, Whitechapel. Like most of the previous murders, her left carotid artery was severed from left to right, and there were wounds on her abdomen. However, her injuries were not as deep as in previous murders, and the killer used a shorter blade. Commissioner Monro and one of the pathologists examining the body, Bond, believed this to be a Ripper murder. However, another of the pathologists, Phillips, and Robert Anderson, disagreed, as did Inspector Abberline. Later writers are also divided and either suggest that McKenzie was a Ripper victim or that the unknown murderer tried to make it look like a Ripper killing to deflect suspicion from himself. At the inquest, Coroner Baxter acknowledged both possibilities and concluded: "There is great similarity between this and the other class of cases, which have happened in this neighbourhood, and if the same person has not committed this crime, it is clearly an imitation of the other cases."   Pinchin Street torso:   A woman's torso was found at 5:15 a.m. on Tuesday 10th September 1889 under a railway arch in Pinchin Street, Whitechapel. Extensive bruising about the victim's back, hip, and arm indicated that the killer had severely beaten her shortly before her death, which occurred approximately one day before discovering her torso. The victim's abdomen was also extensively mutilated in a manner reminiscent of the Ripper, although her genitals had not been wounded. The dismembered sections of the body are believed to have been transported to the railway arch, hidden under an old chemise. The age of the victim was estimated at 30–40 years. Despite a search of the area, no other sections of her body were ever found, and neither the victim nor the culprit were ever identified.   Chief Inspector Swanson and Commissioner Monro noted that blood within the torso indicated that death was not from hemorrhage or cutting of the throat. The pathologists, however, pointed out that the general bloodlessness of the tissues and vessels told that bleeding was the cause of death. Newspaper speculation that the body belonged to Lydia Hart, who had disappeared, was refuted after she was found recovering in hospital after "a bit of a spree." Another claim that the victim was a missing girl called Emily Barker was also refuted, as the torso was from an older and taller woman.   Swanson did not consider this a Ripper case and instead suggested a link to the Thames Torso Murders in Rainham and Chelsea and the "Whitehall Mystery". Monro agreed with Swanson's assessment. These three murders and the Pinchin Street case are suggested to be the work of a serial killer, nicknamed the "Torso killer," who could either be the same person as "Jack the Ripper" or a separate killer of uncertain connection. Links between these and three further murders—the "Battersea Mystery" of 1873 and 1874, two women were found dismembered, and the 1884 "Tottenham Court Road Mystery"—have also been postulated. Experts on the murders—colloquially known as "Ripperologists"—such as Stewart Evans, Keith Skinner, Martin Fido, and Donald Rumbelow, discount any connection between the torso and Ripper killings based on their different modi operandi.   Monro was replaced as Commissioner by Sir Edward Bradford on 21st June 1890, after a disagreement with Home Secretary Henry Matthews over police pensions.   Frances Coles:   The last murders in the Whitechapel file were committed on Friday 13th February 1891, when prostitute Frances Coles was murdered under a railway arch in Swallow Gardens, Whitechapel. Her body was found only moments after the attack at 2:15 a.m. by PC Ernest Thompson, who later stated he heard retreating footsteps in the distance. As contemporary police practices dictated, Thompson remained at the scene.   Coles was lying beneath a passageway under a railway arch between Chamber Street and Royal Mint Street. She was still alive but died before medical help could arrive. Minor wounds on the back of her head suggest that she was thrown violently to the ground before her throat was cut at least twice, from left to right and then back again. Otherwise, there were no mutilations to the body, leading some to believe Thompson had disturbed her assailant. Superintendent Arnold and Inspector Reid arrived soon afterward from the nearby Leman Street police station, and Chief Inspectors Donald Swanson and Henry Moore, who had been involved in the previous murder investigations, arrived by 5 a.m.   A man named James Sadler, who had earlier been seen with Coles, was arrested by the police and charged with her murder. A high-profile investigation by Swanson and Moore into Sadler's history and his whereabouts at the previous Whitechapel murders indicates that the police may have suspected him of being the Ripper. However, Sadler was released on 3rd March for lack of evidence.   https://www.imdb.com/list/ls079111466/?sort=user_rating,desc&st_dt=&mode=detail&page=1&title_type=movie&ref_=ttls_ref_typ

Clive Anderson and Anneka Rice are joined by Ed Balls, Sophie Okonedo and Adrian Edmondson for an eclectic mix of conversation, music and comedy. With music from Rag'n'Bone Man and Emily Barker featuring Frank Turner.

In a week that has seen record temperatures occurring throughout the Pacific Northwest of the United States and Canada, a major hurricane that hit Barbados - the first in 60 years - and one of the warmest winters on record down south in New Zealand, this episode looks at the urgent call to action coming from the younger generation. Their call for transformational change applies not only to climate action, but in delivering meaningful social justice action and revaluating and redefining the very notion of leadership itself. Our special guest this week is Katie Eder, Climate Organizer at Future Coalition. She eloquently describes for us the foundational goal of equity that is at the heart of the youth movement. and how she believes transformational change begins with ‘a leaderful movement', and is the way to securing climate and social justice goals. Spoiler Alert: This is the secret to the success of the Paris Agreement. Paul is joined this week by guest co-host, Alice Garton, Legal Director for the Foundation for International Law for the Environment. Alice talks through some climate optimism in regards to recent Australian judicial rulings, as well as an optimistic take on the recent Royal Dutch Shell ruling in the Netherlands. And later on in the episode, join us for a great acoustic performance of “The Woman Who Planted Trees” by Emily Barker. Thanks for joining us!   —   Christiana + Tom's book ‘The Future We Choose' is available now! Subscribe to our Climate Action Newsletter: Signals Amidst The Noise Click here to listen to our previous episode with Wanjira Mathai.   __   Thank you to our guest this week, Katie Eder!   Katie Eder Climate Organizer, Future Coalition Instagram   Future Coalition Website | Twitter | Instagram | Facebook   __   Our artist this week is Emily Barker! Facebook | Twitter | Instagram | YouTube | Website   Check out her latest EP, “Machine”   —   Thank you to our Guest Co-host, Alice Garton!   Alice Garton Director Global Legal Strategy, FILE Twitter | LinkedIn   FILE Foundation Website   Facts and figures on climate litigation: LSE Grantham Global Trends on on Climate Litigation 2021   Links for lawyers and law students looking to use the law to progress the climate transition: Law Students for Climate Accountability Net Zero Lawyers Alliance The Chancery Lane Project PILNET A4ID   Links for citizens looking to participate in climate litigation: Urgenda Global Climate Litigation Holding Your Government's Accountable for Climate Change Climate Litigation Guide   Australian SHARMA case: Equity Generation Lawyers   Fiduciary Duty: Primer on Climate Change: Directors Duties ACCR commentary on Shell Transition Plan   What citizens Can Do: Wiki Page   —   Keep up with Christiana Figueres here: Instagram | Twitter   Tom Rivett-Carnac: Instagram | Twitter | LinkedIn   Paul Dickinson: LinkedIn | Twitter   —   Follow @GlobalOptimism on social media and send us a message! Facebook | Twitter | Instagram | LinkedIn   Don't forget to hit SUBSCRIBE so you don't miss another episode of Outrage + Optimism!

PODCAST: 27 Jun 2021 01 Can’t Go There Any More – Duncan McFarlane – The Woodshed Boys 02 Lie Lie Lie – Tom Reid – Prizefighter 03 Off To California / Sailor’s Hornpipe – Walach & Buttery – Not Your Usual Mandolin and Tuba Duo 04 Four Strong Winds – Bonnie Dobson – Vive La Canadienne 05 The Fair Flower Of Northumberland – Dick Gaughan – No More Forever 06 Open The Door Richard – Fairport Convention – A Tree With Roots – Fairport Convention And The Songs Of Bob Dylan 07 The Woman Who Planted Trees – Emily Barker – A Dark Murmuration Of Words 08 I Want To Go Down To The Sea – Tom Reid – Broken Glass 09 Sweet England – Jim Moray – Sweet England 10 Farewell To Welfare – Grace Petrie – Queer As Folk 11 Now I’m Easy – Eric Bogle – Singing The Spirit Home 12 The Snow It Melts The Soonest –  Katie Kirk and Rick Williams – Voices Of Cornwall 13 The Mice Are At It Again – Eddie Clarke, Sean Corcoran, Maeve Donnelly and Maighread Ni Domhnaill – Sailing Into Walpole’s Marsh 14 Heartwood – Karine Polwart and Sekou Keita – The Lost Words: Spell Songs 15 They Don’t Write ‘Em Like That Any More – Vin Garbutt – Tossin’ A Wobbler 16 The Boys Of Barr Na Sráide – Mick Hipkiss – 17 Talk to Me Dirty In Geordie – Jez Lowe – Crazy Pagan 18 Polkas: Maguire’s Favourite / Tralee Gaol / Maggie In The Wood – Margaret Barry Feat. Michael Gorman – Her Mantle So Green 19 Now Westlin Winds – Rosie Hodgson – Rise Aurora 20 Trick Of The Light – Harrowman – Fugitive 21 Little Tim Maguire – Leon Rossellson – Rosselsongs 22 Ontario Dust – Archie Fisher – Windward Way 23 Cajun Tune – Taj Mahal – The Complete Taj Mahal On Columbia Records 24 Jug Of Punch – Altan – Island Angel 25 The Galway Farmer – Show Of Hands – The Best Of Show Of Hands 26 The Galway Shawl – Margaret Barry Feat. Michael Gorman – Her Mantle So Green 27 Brian Boru’s Reel – Damien O’Kane & Ron Block – Banjophony

Americana, Roots, Country , Folk & Acoustic music.New and Classic Tracks. Episodes includes music by Emily Barker, Austin Lucas, Lucinda Williams, Gill Landry and Allman Brothers Band.

On this week's Sheer Isolation we're joined by Adam Horovitz who's the Arts Correspondent from new online publication, the Stroud Times. The virtual newspaper hopes to breathe fresh life into local journalism by sharing community articles that are free from clickbait and shock-tactic social media posts. Adam talks to us about why Stroud is such a hub for original music, theatre and poetry, and how townsfolk have been supporting their venues and businesses over the past year. We're staying in Stroud with this week's music choices also; Adam selects an experimental electro piece from Mermaid Chunky, and we also play a new tune from Emily Barker which takes inspiration from the Black Lives Matter movement. We also pay respects to Swindon Advertiser journalist and choir videographer, Flicky Harrison, who sadly passed away recently. This episode was created by Kieran Moore in Trowbridge and Jon Ponting in Cricklade. Don't forget to look for us on the schedule of your local community radio station; we're on the airwaves in Wiltshire, Gloucestershire and Somerset.

'How everybody saw that movie'Nina Simone, Brian Eno, Zephyr Quartet, Samantha Morton, Vashti Bunyan, Eddie Daniels, Steven Wright, Young @ Heart, Sudan Archives, Young Marble Giants, Tek 9, Laurie Anderson, Tom Power, The Little Shadows, tUnE yArDs, The Gravity Drive, David Bowie, Emily Barker, Kevin Morby, Tim Gane & Sean O'Hagan, Kirk Franklin and the Family, The Apartments, Small Jumps

'How everybody saw that movie' Nina Simone, Brian Eno, Zephyr Quartet, Samantha Morton, Vashti Bunyan, Eddie Daniels, Steven Wright, Young @ Heart, Sudan Archives, Young Marble Giants, Laurie Anderson, Tom Power, The Little Shadows, tUnE yArDs, The Gravity Drive, David Bowie, Emily Barker, Kevin Morby, Tim Gane & Sean O'Hagan, Kirk Franklin and the Family, The Apartments, Small Jumps

Fue una de las noticias del día que se queda en casa. Porque el Visor Fest de Benidorm ya lanza cartel para septiembre (17 y 18) en Benidorm y la nómina de artistas convocados tienen inequívoco sabor noventero. Cuatro (James, Teenage Fanclub, Posies y Waterboys) de la media docena de nombres foráneos (además están Mudhoney y New Model Army) sonaron en el programa. También aparece representación de aquí con Lagartija Nick y Australian Blonde. Son novedad la canción flamante de Another Sky del EP que sale el 1 de enero con letra reflexiva de Catrin o la nueva entrega ("A dark murmuration of words") de Emily Barker que nos visitó con su anterior disco. Además, El Petit de Cal Eril sacó tema inédito para celebrar fin de gira de 60 conciertos mientras que Trezor (de trío se han quedado en dúo) lanzan una pieza vampírica y sombría. Por su parte Patri y Tommy enseñan otra viñeta de lo que es el próximo disco de Exfan. Y repetimos escuchando el tema flamante de Kiki d´AKi ya que ella es una de las protagonistas del debate del próximo capítulo de "Utopías" este domingo. No faltó el recuerdo a Alexandre Lacaze y ese concierto que le homenajea este viernes 18 en el Teatro Calderón de Montijo. En la recta final el tema navideño de Chuck Berry de 1958 que ahora sale agrupado dentro de un disco llamado "Christmas music" en el que le han crecido videos animados a las canciones ahí incluidas. La despedida fue con la lectura para una campaña publicitaria de La Bien Querida de uno de los temas emblemas del repertorio de Jeanette. Escuchar audio

Calum Glendinning-Clark interviews LA-based activist and artist Emily Barker, exploring the question: What would be possible for everyone if we all had access to a good level of care? Calum and Emily compare the disability benefit systems in Australia and the US, and speak about their own experiences. In this episode, we get to know the host of Divergent, and hear about Emily's achievements exhibiting their work, lecturing at UCLA and their latest project - converting an RV into a wheelchair-accessible living space and artist residency studio. Hosted on Acast. See acast.com/privacy for more information.

What's the best way to get a critical message across to your listeners? For Emily Barker, the best way is to make it personal. On her latest album A Dark Murmuration of Words, Emily recounts her travels from her native Australia in her early 20s to England to become a singer/songwriter. She uses her personal experience missing home to make a direct plea in her music for combatting our world's climate crisis. On this episode of For Songs, Emily talks her passion for the environment, how she drives the point home in her writing, and her musical inspirations. We discuss four songs from the album--Return Me, Geography, The Woman Who Planted Trees, and Anymore Goodbyes. She also talks about her process for writing songs and what it's like being a musician with a new album and no way to bring it to the masses thanks to the pandemic.

The #election is here! So let's dig into some of what I think is the best political songwriting of our day. In this episode, we feature four songs by different artists, each taking on different elements related to politics and these times we live in. We explore racial justice, social justice, and how we can create a better, more humane world. We've got three returning guests—Scott Miller, Yasmin Williams, and Mark Andersen—and making her first appearance is Australian-born, UK-based singer/songwriter Emily Barker. From urgent punk rock to beautiful instrumentals, and everywhere else in between, we cover it all. On this episode we feature Emily Barker's “Machine,” the Clash's “Three-Card Trick,” Yasmin's brand-new “After the Storm,” and Scott Miller's “The People Rule.” Each is distinct in its message and its sound, but they are all exemplary examples of great political songwriting.

Helen Austin and Paul Otten are two fabulous songwriters who make music together as Big Little Lions, even though they are actually based over two thousand miles apart. They were on tour as the coronavirus pandemic hit, and despite having to head home and into lockdown, they have continued to make great music – including the release of a pandemic inspired album “Are We there Yet?”. Big Little Lions join us on Episode 543 of Folk Roots Radio for a fun in-depth conversation about how their lives and their music have been changed by the on-going emergency. The pandemic has hit the artistic community hard, which is why we all need to do what we can to ensure it is supported during these strange Covid Times - and why we encourage our listeners to... buy the music, don't just stream it! As always, we wrap up the episode with more new releases, and this time around we hear from Emily Barker, Lizzy Hardingham, Gillian Welch, Mo Kenney, Hauler and Mike Plume. Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-543-feat-big-little-lions-covid-times-more-new-releases/

Join co -host Emme Lentino and award-winning artist, Emily Barker for this exclusive interview, right here on Heart of Indie Radio! Emily Barker is an award-winning singer-songwriter, best known as the writer and performer of the theme to the BBC's hugely successful crime drama Wallander starring Kenneth Branagh. She has released music as a solo artist as well as with various bands including The Red Clay Halo, Vena Portae and Applewood Road (with whom she released a remarkable album of original songs recorded live around a single microphone, dubbed “flawless” by The Sunday Times) and has written for film, including composing the soundtrack for Jake Gavin’s lauded debut feature Hector starring Peter Mullan and Keith Allen. As a performer, Barker is captivating and accomplished, with an adept understanding of audiences that finds her equally at home touring with punk troubadour Frank Turner as she is with American multi-Grammy-winning musician Mary Chapin Carpenter. Emily Barker’s 2017 album Sweet Kind of Blue was recorded at Sam Phillips Recording Service in Memphis with Grammy winning producer Matt Ross-Spang(Jason Isbell, Margo Price) and an all-star cast of Memphis session players. The success of the album, with its seamless mix of soul, blues, country and folk influences, and the globe-trotting tours to support it helped land Emily the accolade of UK Artist of the Yearat the recent UK Americana Awardsheld at Hackney Empire in London. Most recently, Barker has released an album of collaborations with English folk legend Marry Waterson. A Window to Other Ways is out now on One Little Indian Records.

Episode 46 - Emily BarkerThe Swan Song Project Podcast features a range of Songwriters to talk about songwriting and bereavement.Swan Song founder Ben Buddy Slack asks each guest to:A) Share one of their songs and talk a bit about how they wrote itB) Share a songwriting tip that could be useful to new and aspiring songwriters.C) Share a song that is meaningful to them in some way relating to bereavement.Emily's song choice is "Lord I want an exit". Hear it here:https://www.youtube.com/watch?v=1F2JoBhxlyYhttps://www.emilybarker.com/https://twitter.com/emilybarkerhalohttps://www.facebook.com/EmilyBarkerHalo/Facebook: TheSwanSongProject | Instagram: @SwansongprojectTwitter: @swansongprouk | LinkedIn: The Swan Song ProjectHope you enjoy it.www.swansongproject.co.uk See acast.com/privacy for privacy and opt-out information.

This might be Katie’s favourite playlist so far this year, with stunning new music by past Miss Chat guests Emily Barker, Mo’Ju and Përolas; and tunes by a bunch of well-known artists and by some […] http://media.blubrry.com/miss_chatelaine/p/joy.org.au/misschatelaine/wp-content/uploads/sites/356/2020/09/Miss-Chatelaine-No-168A.mp3 Podcast: Play in new window | Download (Duration: 56:18 — 51.6MB) Subscribe or Follow Us: Apple Podcasts | Android | Spotify | RSS The post Put it on hold – Show #168 (part 1), 30 August 2020 appeared first on Miss Chatelaine.

Emily chats to the talented Declan Mckenna, exploring early success, ongoing expectation at a young age and the musical influence he has cleverly woven into a set of much more personal songs for album two, Zeros. Emily also picks highlights from recent Edit additions, featuring Floodlights, Emily Barker, Throwing Muses and The Lemon Twigs. Music played: Emily Barker - Sonogram Throwing Muses - Bo Diddley Bridge Floodlights - Tropical Fun The Lemon Twigs - No One Holds You Declan McKenna - Be An Astronaut Useful links: Listen to the weekly updated Rough Trade Edit Playlist, featuring 25 tracks, exclusive to Apple Music: rghtrd.co/rtapplemusic Rough Trade Edit albums available to purchase: rghtrd.co/rtedit Rough Trade Blog: blog.roughtrade.com/ Rough Trade Transmissions: www.instagram.com/roughtrade/channel/ Every other week, legendary independent vinyl retailer, Rough Trade, takes you behind the record shop counter to discuss the most exciting new albums, as well as chatting with the recording artists themselves. Thank you for listening.

Rachel talks Justin Townes Earle, Williamsburg blues, and an inspirational quote from Leslie Feinberg’s Stone Butch Blues. (Also, she misspoke -- this is episode 135, not 136!) Click here for the Rainbow Rodeo Kickstarter! Justin Townes Earle -- “Workin’ For the MTA” (Harlem River Blues) Bronwyn Keith-Hynes -- “North Garden” (Fiddler’s Pastime) Erin Frisby -- “Theia and Gaia” (ECDYSIS) Jeremy Parsons -- “Good Ole Days” (Single) Emily Barker -- “The Woman Who Planted Trees” (A Dark Murmuration of Words) Lawn -- “Nighttime Creatures” (Johnny) Fuimos Viajeros -- “Viaje 3” (Dulce Condena) Tennessee Jet -- “Off to War” (The Country) Rachel Angel -- “Strapped” (Highway Songs) Ashley Riley -- “Close To Me” (Single) Bethany Thomas -- “Walls + Ceilings” (BT/SHE/HER) Billy Edwin -- “No More Clouds” (New American West) Caitlin Quisenberry -- “Imogene” (Single) Send me music via SubmitHub! Send me money via Ko-fi or Patreon. Find Rachel and her comic via https://linktr.ee/rachel.cholst

After a very cruisy start to today’s show, Katie moves into fabulous new songs by past guests Emily Barker and Ryan Downey, a bit of finger-pickin’ guitar, folk-pop from Paris and Montreal, a classic covered […] http://media.blubrry.com/miss_chatelaine/p/joy.org.au/misschatelaine/wp-content/uploads/sites/356/2020/08/Miss-Chatelaine-No-162A.mp3 Podcast: Play in new window | Download (Duration: 53:22 — 48.9MB) Subscribe or Follow Us: Apple Podcasts | Android | Spotify | RSS The post Good time girl – Show #162 (part 1), 19 July 2020 appeared first on Miss Chatelaine.

Deze aflevering met muziek van Julian Taylor, Luka Bloom, Malford Milligan, Emily Barker en Ted Russell Kamp.

Vancouver based singer-songwriter and actor, Adrian Glynn joins us on Episode 530 of Folk Roots Radio to chat about his wonderful new lockdown recording “Ghostlight Sessions”, which was recorded on stage in an empty theatre in Kamloops BC after the play he was about to star in was put on hold because of the coronavirus pandemic. It's a great album, and an excellent, and wide-ranging interview. We also take a look at more of the latest new releases, and this time around we hear from Emily Barker, Lizzy Hardingham, Kristen Grainger & True North, Monica Lee, Marie Fielding, Michael Barry and Red Wanting Blue. Check out the full playlist on the website at https://folkrootsradio.com

Some seriously great new releases in the second hour of the show, including a re-working of a Paul Kelly classic by Kelly and Paul Grabowsky, a gorgeous track by Miss Chat favourite Emily Barker, and […] http://media.blubrry.com/miss_chatelaine/p/joy.org.au/misschatelaine/wp-content/uploads/sites/356/2020/07/Miss-Chatelaine-No-158B.mp3 Podcast: Play in new window | Download (Duration: 52:41 — 48.2MB) Subscribe or Follow Us: Apple Podcasts | Android | Spotify | RSS The post Watching the world go by with you – Show #158 (part 2), 21 June 2020 appeared first on Miss Chatelaine.

For this episode we spoke to UK based, Australian artist Emily Barker,  just after the release of her single, Return Me, Since her debut album, Photos.Fire. Fables in 2007, she has worked as a solo artist, with her band The Red Clay Halo, and has had many collaborations including the Applewood Road album and recently A Window To Other Ways with Marry Waterson. Emily is also known for the BAFTA award winning theme song for Kenneth Brannagh’s TV  series, Wallander. She also received an Ivor Novello for the TV theme tune to The Shadow Line. We spoke to Emily about her newly discovered love for writing poetry, songwriting, and of course,  the song she wish she wrote, a song by Carole King from Tapestry recorded in the early 70s. Enjoy listening! Here is a playlist of some of the songs featured, or mentioned in the episode.

Comienzo y final del programa. Paul Weller iguala a Lennon y McCartney en eso de ser número uno de ventas en UK en cinco décadas. Lo fue en los 80´s con "The gift" con The Jam y "Our favourite shop" con Style Council,y ya en solitario en los 90´s con "Stanley road", en los 00´s con "Illumination" y "22 dreams", en los 10´s con "Sonik kicks" y ahora con su flamante "On sunset". Mientras Sleeper con Louise Wener al frente que volvieron con disco incluso el año pasado han hecho una versión remozada de aquel "Vegas" y le han puesto de apellido el año presente. También fueron noticias del día la edición 20 años del "Parachutes" de Coldplay, el homenaje a la primera cantante que tuvo Fairport Convention, Judy Dyble, que apenas grabó el primer disco y al nieto de Elvis Presley, Benjamin Keough,que apenas contaba 27 años. Hubo un tiempo más o menos folky y campero con Dan Croll y otro avance de "Grand plan", Margo Price y su estreno para Loma Vista y Emily Barker sintiendo en verde y plantando árboles. y todo ello al lado de Gordon Lightfoot en la puerta de su casa celebrando los 153 años de Canadá, su país. También es novedad la versión que ha hecho Bombay Bicycle Club de un tema de Bonnie Raitt del año 77 por culpa de su padre y los viajes familiares en coche. Además, el Ep que viene se llama como el tema porque hay canciones que tienen dos vidas. No nos olvidamos de que también sonó el nuevo tema original de Carla Bruni y la banda sonora del cuarto episodio de la serie de Jota Armijos "La que se nos viene encima". Y en la hora extra sonaron discos de 1984 firmados por The Style Council, Sade, Everything but The Girl, Blancmange, Prince, Wham, Bananarama, Wang Chung, Depeche Mode, Bronski Beat, Cocteau Twins, Lloyd Cole & The Commotions y Nick Cave & The Bad Seeds Escuchar audio

Australian soul-songwriter, Emily Barker shares about her move from Australia to England, as well as her breakthrough on John Peel's BBC radio program, and her new album Sweet Kind of Blue, which was recorded here in Memphis at Sam Phillips Recording with Matt Ross Spang. Recorded Sept. 2017 See omnystudio.com/listener for privacy information.

Clive Anderson and Nikki Bedi are joined by Dame Harriet Walter, Matt Lucas and Claire Rutter for an eclectic mix of conversation, music and comedy. With music from Emily Barker and Jake Wesley Rogers.

UK-based Australian singer-songwriter and Miss Chatelaine favourite Emily Barker returns to the show to chat to Katie about her new album, Shadow Box, and her 2019 release with English folk artist Marry Waterson, A Window […] http://media.rawvoice.com/joy_misschatalaine/p/joy.org.au/misschatelaine/wp-content/uploads/sites/356/2020/02/Miss-Chatelaine-No-141A.mp3 Podcast: Play in new window | Download (Duration: 54:01 — 37.1MB) Subscribe or Follow Us: Apple Podcasts | Android | Spotify | RSS The post Emily Barker – Show #141 (part 1), 16 February 2020 appeared first on Miss Chatelaine.

Tierney Talks celebrated one year of podcasting with a live show at Murmurs, a favorite art gallery, cafe, shop and community space in LA. The variety-show-esque program consists of readings, musical performances, conversations and a DJ set. Here’s the timing of everything, just in case you want to listen out of order: 2:15 - A karaoke-centric reading & performance by writer, sartorialist and Sisters With Invoices founder Amelian Kashiro Hamilton. 18:04 - PLUR poetry and pop music by artist, organizer and co-founder of Cosmo Visiones Ancestrales La Pachamami. 33:09 - A one-on-one conversation with State Assembly Candidate Fatima Iqbal-Zubair about how representatives outside of your own district can transform state-wide legislation, repelling corporate funding, running an independent campaign and housing and education inequality in LA. 57:06 - A one-on-one conversation with artist, activist, model and writer Emily Barker about the history of standardized and invisible norms in architecture, ableist design as structural violence and what inspired their most recent exhibition “Built To Scale.” 1:31:00 - Amelian's DJ set begins! Featuring incredible adlibs by NikoTheIkon. Recorded live and sound mixed by audio engineer extraordinaire Margot Padilla. Follow me on IG @TSTAR7 and tell me who to talk to next. Thank you Morgan Elder and Allison Littrell for welcoming us at Murmurs. Thank you Camila Creates for your wonderful catering and Andrea Ámez for your Ámezing facials.

Clive Anderson and Athena Kugblenu are joined by Niamh Cusack, Laura Dockrill and Kim Longinotto for an eclectic mix of conversation, music and comedy. With music from Rick Wakeman and Marry Waterson & Emily Barker.

00:00 Girl Ray- show me more 03:00 HAIM- now i'm in it 06:39 The Big Moon- your light 11:25 Taylor Swift- lover 15:11 Air/Beth Hirsch- you make it easy 18:55 KUDOS- perfect 21:40 Neil Diamond- forever in blue jeans 24:39 The Rolling Stones- she's a rainbow 28:44 The Frank and Walters- colours 31:44 Marika Hackman- the one 35:17 Amyl and the Sniffers- got you 37:27 Bessie Turner- down 2 40:45 Michael Kiwanuka- you ain't the problem 44:20 Rotary Connection- want you to know 47:05 Patrick Watson- look at you 50:05 MARINA- handmade heaven 53:28 Mark Ronson/Lykke Li- late night feelings 57:12 Maggie Rogers- burning 01:00:40 Brittany Howard- stay high 01:03:49 Robyn- ever again 01:07:49 Amber Mark- mixer 01:10:52 The Brand New Heavies- these walls 01:14:51 Anderson .Paak/Brandy- jet black 01:17:59 Raphael Saadiq- so ready 01:22:15 Jungle- casio 01:26:02 Charlotte Adigery- high lights 01:29:14 Lizzo- juice 01:32:26 Prince Fatty- get ready (dub) 01:36:00 Free Nationals/Chronixx- eternal light 01:39:10 Kojey Radical- cashmere tears 01:42:24 Aaliyah- try again (Neil Corcoran edit) 01:47:08 Princess Nokia- sugar honey ice tea 01:49:25 Normani- motivation 01:52:35 Yuna/Little Simz- pink youth 01:56:33 King Princess- hit the back 01:59:39 Rapsody/D'Angelo/GZA- Ibtihaj 02:04:16 Yves Tumor/Hirakish/Napolian- applaud 02:07:16 Kindness/Jazmine Sullivan- hard to believe 02:11:17 Scrimshire/Georgia Anne Muldrow- thru u 02:17:00 The Midnight Hour/Loren Oden- harmony 02:20:11 Vagabon- water me down 02:24:25 Bat For Lashes- kids in the dark 02:27:42 Charlotte Day Wilson- mountains 02:31:45 Of Monsters and Men- wild roses 02:35:41 First Aid Kit- strange beauty 02:39:24 Kacey Musgraves- rainbow 02:42:44 Billie Eilish/Khalid- lovely 02:45:57 sir Was- no giving up 02:49:38 Bon Iver- faith 02:53:00 BANKS/Francis & The Lights- look what you're doing to me 02:56:45 Drug Store Romeos- now you're moving 02:59:27 Marry Waterson & Emily Barker- little hits of dopamine 03:02:47 Cate le Bon- home to you 03:08:04 CARIBOU- home 03:10:20 Eurythmics- it's alright (baby's coming back) 03:13:51 Shuggie Otis- inspiration information 03:17:50 Prince- I feel for you (acoustic demo) 03:22:20 Heart- alone 03:25:43 Cyndi Lauper- time afte time 03:29:22 ABBA- Fernando 03:33:13 Juice Newton- angel of the morning 03:37:05 Justin Timberlake- mirrors 03:45:02 Husky Loops- I think you're wonderful 03:48:55 Tones and I- dance monkey 03:52:11 Katy Perry- never really over 03:56:00 Morcheeba- Rome wasn't built in a day

Eu fui para Manchester, UK, em outubro para participar da English Folk Fest e assistir alguns shows do Manchester Folk Festival. E, neste episódio, eu compartilho com vocês 5 artistas que descobri por lá. Na lista aparecem: Sam Kelly & The Lost Boys - uma banda formada por músicos inovadores que que reúne perfeitamente baladas e músicas folclóricas tradicionais, blues, rock americano, canções originais e um pouco de pop; Nick Hart - um cara que não precisa de muito para preservar suas origens. É basicamente ele e o violão e uma grande ênfase na narrativa do que está cantando; Marry Waterson e Emily Barker - uma colaboração que une a realeza popular inglesa e a alma country australiana numa emocionante jornada musical que mistura folk, country, indie e blues; Kitty Macfarlane - cantora nomeada recentemente para a categoria Horizon Award do BBC Radio 2 Folk Awards 2019 e que teve seu álbum de estréia “Namer Of Clouds” eleito como um dos melhores álbuns folk pelo do The Guardian em 2018; Midnight Skyracer - uma banda de bluegrass formada apenas por mulheres e que vem rasgando a cena folk do Reino Unido desde seu início, há menos de dois anos. ----- CONECTE-SE CONOSCO E-mail: contato.folkdaworld@gmail.com Facebook: AQUI Instagram: AQUI Twitter: AQUI ----- CONTRIBUA COM O FOLKALIZANDO Contribua com o Folkalizando e ajude o FolkdaWorld a continuar criando e espalhando conteúdo sobre a música folk. Para isso, basta enviar qualquer quantia para a nossa conta no PayPal, para o email contato.folkdaworld@gmail.com. ----- EQUIPE Apresentação: Maísa Cachos Edição: Gui Graziottin Identidade visual: Davi Gabriel

Frank Turner dives into the story behind his song Sister Rosetta. He talks to singer-songwriter Emily Barker and Nwaka Onwusa, curator at Cleveland’s Rock & Roll Hall of Fame, about the life of the original sister of soul, the godmother of rock 'n' roll, the singer and guitarist Sister Rosetta Tharpe.You can buy and stream Frank's album No Man's Land here.This episode was produced by Hayley Clarke and the executive producer was Peggy Sutton. There was additional production from Elizabeth Emery, Paul Smith, Steve Ackerman, Josh Gibbs and Charlie Caplowe. Tales from No Man’s Land is produced by Frank Turner, Xtra Mile Recordings and Somethin’ Else. See acast.com/privacy for privacy and opt-out information.

6 - Emily Barker.WAV by Musicians' Union

Desert Island Whisks episode 3 features Emily Barker discussing the seven utensils she would bring to a desert island with her. Featuring an extra dollop of coffee nerdism and a factually flawed lecture on the Balinese Gamelan by Anna Jacob BMus (Hons).

Visit our new Podcast/Audio portal at http://dittytvradio.com for 24/7 audio music entertainment and our complete catalog of on demand podcasts. Australian songwriter, Emily Barker, chats with Amy Wright about her musical career, which most recently features the release of her LP, Sweet Kind of Blue, which was recorded in Memphis, TN, at Sam Phillips Recording.

Australian songstress Emily Barker is backed by an all star cast of Memphis musicians and performs songs from her Memphis produced album, Sweet Kind of Blue.

How does a Memphis-born teen become an intern, and eventually chief engineer, at Sun Studio? How does the same guy go on to record Jason Isbell, Margo Price, Chris Isaak, Drive By Truckers, the Rival Sons, and Kris Kristofferson, as well as win a Grammy? And how the heck did he follow in Sam Phillips' legendary footsteps to end up recording at Sam Phillips Recording Service and mixing Elvis records? How did he end up working on amazing upcoming releases, including albums by Emily Barker, Sean Rowe, Patrick Sweany, and Margo Price's follow up to Midwest Farmer's Daughter? We find out in this interview with the affable Matt Ross-Spang. Enjoy! Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #117). Please forgive any balance issues, background sounds, and lack of clarity. Sponsored by Universal Audio http://www.uaudio.com

Clive Anderson and Sara Cox are joined by Tony Adams, Jane Horrocks, Steve Earle, Emily Barker and Reggie Watts for an eclectic mix of conversation, music and comedy. Producer: Sukey Firth.

003 Emily Barker Emily Barker is an award-winning songwriter who is releasing her brand new single “Sister Goodbye” (which you can hear on this very podcast!) on 10th February. On the podcast we talked about Emily’s many projects (The Low Country, Emily Barker & The Red Clay Halo, Applewood Road, Vena Portae), the recording of her new soul inspired album at Sam Phillips Recording Studio in Memphis, Tennessee, playing with Frank Turner & The Sleeping Souls at the London Olympics Opening Ceremony, and writing and performing the theme to BBC TV’s Wallander. Don’t miss Emily Barker live at Kings Place, near Kings Cross, London on 16th February: http://www.kingsplace.co.uk/whats-on/music/emily-barker-with-support-from-pete-roe#.WJmpmVNkiUk http://www.emilybarker.com/

Working Class Audio Session #097 with Matt Ross-Spang!!! Matt Ross-Spang , born in Memphis, began working at the Legendary Sun Studio when he was just 16, working his way up from intern to the Chief Engineer. He championed to bring the recording studio back to its origin, working hard to find, install and use the same period equipment that Sam Phillips engineered with in the 1950s. His 11 years of dedication to Sun and its signature sound garnered national attention when he was featured by Lester Holt for NBC’s Nightly News and the Today Show. NPR also featured Matt and his work on All Things Considered. "It's fantastic that [Ross-Spang] has pursued this with such scholarly devotion," says Peter Guralnick, author of the definitive, two-part Presley biography, Last Train to Memphis and the recently released biography, Sam Phillips The Man Who Invented Rock and Roll.. "Sam was systematic in thinking about sound and gave great thought to it — no square angles; the tiles. In addition, he felt there was something unique about the room at 706 Union. He didn't know it when he rented it. To have reconstituted it is an exercise in creative archeology." In 2015 Matt left Sun to venture out on his own as an engineer and producer.  His first project post Sun was to engineer and mix Jason Isbell’s “Something More Than Free” for acclaimed Producer Dave Cobb which would award him his first Grammy. The record broke several records debuting at #1 on the Country, Rock, Folk and Indie Charts. It also broke Americana Radio chart records , staying #1 for over 25 weeks. The record won Grammys for Best Americana Album and Best Americana Song for (24 Frames). Since then Matt hasn’t slowed down ...engineering recent releases by The Drive By Truckers, Elle King, Mary Chapin Carpenter, Chris Isaak, The Rival Sons, Corb Lund, Lori Mckenna, Brett Dennen, Brent Cobb, Amanda Shires, Anderson East, The Sheepdogs and the concept album “Southern Family”. Matt also engineered, mixed and Co-Produced Margo Price’s debut album; entitled “Midwestern Farmer’s Daughter” the record was made in 3 days in 2014 at Sun Studio and released on Third Man Records. The record debuted in the top 10 Billboard country charts to critical acclaim and is already considered one of the best albums of 2016. Matt most recently was hired by Sony Records to mix 18 previously unreleased songs by Elvis Presley from historic 1976 sessions in the Jungle Room at Graceland which was released in August of 2016. Matt also recently produced albums on Sean Rowe, Patrick Sweany and UK artist Emily Barker. The City of Memphis named him one of its “30 under 30” Memphians in 2015 as well as honoring him with a key to the city in 2016. The City of Germantown also named a day after Ross-Spang in 2016. Matt and Matt join each other over Skype for a conversation about's Matt's journey.

Back in 2008, Australian native Emily Barker and her band the Red Clay Halo recorded their song, "Nostalgia," in relative anonymity. But when the crime drama Wallander premiered, accompanied by the song, "Nostalgia" became an instant hit. As told by Emily Barker herself, this is the story of "Nostalgia" from its chilly inception to its eventual fame.

On February 27th Eliza Carthy plays the pub across the road in one of our Word In Your Ear series of live shows. In this special shortcast she tells David Hepworth what kind of music was playing in the house when she was growing up, how she had a thing for Rick Astley and how her boyfriend made her give her Barbies away to the charity shop. Bastard. A few tickets for the show, which features Eliza plus full five piece band, supported by Emily Barker and the Red Clay Halo plus Left With Pictures, are still available. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On February 27th Eliza Carthy plays the pub across the road in one of our Word In Your Ear series of live shows. In this special shortcast she tells David Hepworth what kind of music was playing in the house when she was growing up, how she had a thing for Rick Astley and how her boyfriend made her give her Barbies away to the charity shop. Bastard. A few tickets for the show, which features Eliza plus full five piece band, supported by Emily Barker and the Red Clay Halo plus Left With Pictures, are still available. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

On February 27th Eliza Carthy plays the pub across the road in one of our Word In Your Ear series of live shows. In this special shortcast she tells David Hepworth what kind of music was playing in the house when she was growing up, how she had a thing for Rick Astley and how her boyfriend made her give her Barbies away to the charity shop. Bastard. A few tickets for the show, which features Eliza plus full five piece band, supported by Emily Barker and the Red Clay Halo plus Left With Pictures, are still available.

In this podcast: the legit release of the Rolling Stones' “Brussels Affair”, the things that Jimmy Savile did and did not do, Paul Du Noyer remembering Jackie Leven, your misinterpreted songs thread, Fraser explaining why he features on a Guns N'Roses b-side, the Black Sabbath reunion(s) and a couple of songs from Emily Barker and the Red Clay Halo. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this podcast: the legit release of the Rolling Stones’ “Brussels Affair”, the things that Jimmy Savile did and did not do, Paul Du Noyer remembering Jackie Leven, your misinterpreted songs thread, Fraser explaining why he features on a Guns N’Roses b-side, the Black Sabbath reunion(s) and a couple of songs from Emily Barker and the Red Clay Halo.

In this podcast: the legit release of the Rolling Stones' “Brussels Affair”, the things that Jimmy Savile did and did not do, Paul Du Noyer remembering Jackie Leven, your misinterpreted songs thread, Fraser explaining why he features on a Guns N'Roses b-side, the Black Sabbath reunion(s) and a couple of songs from Emily Barker and the Red Clay Halo. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

ESCUCHAMOS Don't stop me de Queen y Nostalgia de Emily Barker. NOVEDADES: Al limite, An education, The lovely bones. TAQUILLAS. LAS TRES PISTAS. DOBLE O CHURRO. PRIMERA PLANA: Noticias y trola.