Podcasts about Elgort

To celebrate Father's Day, Sophie Elgort will be taking over hosting duties to interview her father, legendary fashion photographer Arthur Elgort.Sophie, a well know photographer in her own right who also is a producer for an upcoming PBS special, chats with her father about his tremendous career spanning over 50 years. Arthur, now 84 years old and a lifelong New Yorker, describes discovering his talent as a photographer, how a reshoot of an unlikely character changed the trajectory of his career, working with some of the biggest names in the fashion world including Grace Coddington, discovering top models such as Linda Evangelista, Christy Turlington and Cindy Crawford, his favorite subjects to photograph outside of fashion, his most memorable photoshoots, living in the Hamptons and more.So please enjoy this memorable episode with Sophie and her father Arthur Elgort Made in the Hamptons podcast celebrates dynamic leaders and tastemakers, their stories, and how The Hamptons has played an important role in all of it.Host: Jill Laurence Production: @madeinthehamptonsmediaWebsite: madeinthehamptonsmedia.com

The Fault In Our Stars is a 2014 coming of age romance directed by Josh Boone, based off the 2012 John Green novel of the same name. The Fault in our Stars in the story of Hazel Grace Lancaster played by Shailene Woodley. We meet Hazel as a teenager living with thyroid cancer that has spread to her lungs. Hazel's parents, Fannie and Michael Lancaster played by Laura Dern and Sam Trammell convince Hazel to take part in a weekly cancer patient support group. Although she is not thrilled, Hazel attends those meetings and meets Augustus Waters ‘Gus' played by Ansel Elgort. Gus had lost his leg to bone cancer, he and Hazel immediately hit it off… and this begins our story of The Fault in Our Stars.See omnystudio.com/listener for privacy information.

Welcome to The Bizzimumzi Podcast with your host Ashley Verma! In this episode, Ashley sits down with the renowned fashion photographer and multitasking mom of three, Sophie Elgort. Sophie, a native New Yorker, has made a name for herself in the world of fashion and portrait photography. Her lens has captured the essence of celebrities and fashion icons alike, gracing the pages of globally acclaimed magazines such as VOGUE Thailand, Elle, and Rolling Stone. With an impressive portfolio spanning brands like ADIDAS, Alice + Olivia, and Ralph Lauren, Sophie's work exudes an artistic fusion of style and creativity. Tune in as Sophie and Ashley dive into an engaging conversation that's both heartfelt and humorous. They kick things off by sharing a laugh about the joys and challenges of getting kids back to school and reestablishing routines. Sophie unfolds her captivating journey through the realm of photography, a path that took intriguing turns as she navigated the experience of motherhood. The episode delves into the fascinating narrative of how Sophie's artistic expression evolved alongside the demands and rewards of parenting. Lockdown stories take center stage as Sophie recounts what it was like to have twelve people living under one roof. Through her anecdotes, listeners gain insight into the resilience and adaptability that fuels her artistic process. At the heart of the conversation lies Sophie's unwavering dedication to authenticity. She passionately discusses the liberating power of photography, allowing her to stay true to her unique vision and genuine self. As a trailblazer in the industry, Sophie's journey exemplifies the art of forging one's path while embracing individuality. But Sophie's impact reaches beyond her lens and her artistry. The podcast unveils her dedication to empowering the next generation. As co-founder of Through Our Lens, a transformative nonprofit, Sophie is on a mission to break down barriers in the fashion industry. By providing mentorship and access to young girls through photography, Sophie is fostering diversity and inclusion behind and in front of the camera. With candid insights and heartfelt reflections, this episode offers a captivating glimpse into the life and career of Sophie Elgort. Join Ashley and Sophie as they explore the interplay of motherhood, artistry, and the pursuit of authentic self-expression. Whether you're a photography enthusiast, a fashion aficionado, or simply someone seeking inspiration, this podcast promises an enlightening and engaging conversation you won't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before he arrived on the scene, fashion photography was stuck in a rut, endlessly repeating the stale poses of the 1950s. But US photographer Arthur Elgort turned all that on its head in the early 1970s when he started his long collaboration with Vogue. Today, at 82 years old and despite suffering a stroke, he's still working. We caught up with him in central Paris, where the Azzedine Alaia Foundation is dedicating an exhibition to him. The two fashion giants worked closely over the course of decades and were close friends. 

Avant lui, la photo de mode était engoncée dans les poses typiques des années 50. Arthur Elgort a tout balayé, dès le début des années 70, quand il collabore avec le magazine Vogue. À 82 ans et malgré un AVC, l'Américain continue d'exercer sa passion. Nous le retrouvons en plein cœur du Marais à Paris, avec sa famille, pour savourer l'exposition que lui consacre la Fondation Azzedine Alaïa. Le styliste et lui ont beaucoup travaillé ensemble.

 Dr. Daniel Elgort currently serves as the Chief Data and Analytics Officer for M2GEN, a bioinformatics company focused on the acceleration of oncology research discoveries through superior data and analytics services. The company was formed as a spin-off of the Moffitt Cancer Center in Tampa, Florida, serving as the technological hub for an alliance of 18 NCI-designated cancer centers across the country called the ORIEN network. Prior to M2GEN, Dan was Chief Scientific Officer at Covera Health, where he built a unique healthcare data platform that collects cancer diagnosis data, and links that information to longitudinal clinical data including pharmaceutical and surgical interventions. Dan is a JHU alum, having received his bachelor's in both biomedical engineering and computer science, and he holds a Ph.D. in biomedical engineering from Case Western Reserve University.In this episode, we discuss how bioinformatics shapes the drug development ecosystem, M2GEN's process for moving clinical science forward, and trends in data processing and sequence technology.Hosted by Joe Varriale.

Lissi Simpson (development assistant, scriptwriter and director) and Karen Gabay (TV producer, award-winning film-maker, exhibition curator and radio presenter) join Flixwatcher remotely to review Lissi's choice Baby Driver. Baby Driver is a 2017 Edgar Wright action drama starring Ansel Elgort as Baby, a getaway driver with tinnitus, Lily James as his love interest Deborah, Jon Hamm and Eiza González as love bird bank robbers Buddy and Darling and Kevin Spacey as Doc, the kingpin of the organised crime syndicate. Jon Bernthal and Jamie Foxx also appear as colourful criminals. Baby is forced to use his driver skills to be the getaway driver to pay back a car he stole from Doc, despite clearing his debt he is forced to do one last job - that obviously goes wrong! Baby Driver was a longtime passion project for Wright and it clearly shows in the visuals and audio. Sadly, given the association now with disgraced Spacey and Elgort is it less the exciting and exhilarating watch that it was back in 2017 and this is reflected in the recommendability scores. Low scores for small screen due to the soundtrack as much as the action gives a solid overall rating of 4.12.   [supsystic-tables id=265] Episode #254 Crew Links Thanks to Episode #254 Crew of Karen Gabay (@KazGabay) and Lissi Simpson (@lissi_SW) Find their Websites online at https://www.karengabay.co.uk/ And at http://lissisimpson.co.uk/ Please make sure you give them some love   More about Baby Driver For more info on Baby Driver IMDb, you can visit Baby Driver IMDb page here or Baby Driver Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

Der skulle have været Streamingnyheder i dag, men for at holde podcasten aktuel, var vi nødt til at fyre dette Tokyo Vice-afsnit af, da alle har glemt serien om en uge. Tiden går hurtigt i streamingland, så vi beklager! Det er samtidig starten på et nyt koncept, hvor vi kigger på seriers pilotepisoder - vil vi anbefale at se dem, og lægger de op til en interessant fortsættelse? Tokyo Vice er som sagt første levende billede, og der er delte meninger i studiet om næsten alt - også om Ansel Elgorts ophav, for er Elgort egentlig et russisk eller norsk efternavn? Du kan nok høre, at de store spørgsmål bliver diskuteret i denne episode! Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere døde Elgorts. Yderligere informationer Citat fra film: Tokyo Vice (HBO Max, Gerson Saines Productions, Grisbi, SRO Productions, Boku Films, Forward Pass, Wowow, Endeavor Content, WarnerMedia Direct - composers: Danny Bensi, Saunder Jurriaans)

1. Use a filter or don't. Do whatever makes you happy! 2. The fashion industry is finally becoming more inclusive. 3. Don't ever feel pressure, unless your photographing Beyonce.

Join Academy Watch Host Bo Nicholson in analysing the Oscar chances of WEST SIDE STORY! We're pretty sure Ariana has it in the bag, but can it win anything else? Listen on to find out! Host / Editor Bo Nicholson (@Bo_Pioneer) Listen to his other shows: https://linktr.ee/BoNicholson Executive Producer Tony Black (@ajblackwriter) Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @wmt_network & @academy_watch wemadethisnetwork.com Title music: Lieutenant Baker (c) Mary Riddle via epidemicsound.com Other Music: Big Announcement (c) Out To The World via epidemicsound.com

Join Academy Watch Host Bo Nicholson in analysing the Oscar chances of WEST SIDE STORY! We're pretty sure Ariana has it in the bag, but can it win anything else? Listen on to find out! Host / EditorBo Nicholson (@Bo_Pioneer)Listen to his other shows:https://linktr.ee/BoNicholsonExecutive ProducerTony Black (@ajblackwriter)Support the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @wmt_network & @academy_watchwemadethisnetwork.comTitle music: Lieutenant Baker (c) Mary Riddle via epidemicsound.comOther Music: Big Announcement (c) Out To The World via epidemicsound.com

Both of these actors played a role in different Romeo and Juliet films, but the million dollar question of the day is, Who died a better death? The Movies Show YouTube Channel

Both of these actors played a role in different Romeo and Juliet films, but the million dollar question of the day is, Who died a better death?

On his daily podcast, Ben Shapiro notes that many were outraged that ABC had suspended Whoopi Goldberg from The View for two weeks following comments she made about race and the Holocaust. But Shapiro notes that it isn't good enough to suspend her, per the Left's and The View's OWN standards. He cites the Ilya Shapiro case wherein Georgetown Law is now trying to decide whether Ilya Shapiro should be fired for an offensive tweet. The students at Georgetown are holding a protest and demanding he is fired. If Georgetown fires Shapiro, if the collective hive on the Left goes along with this, then they must, by their own standards of intent vs. impact, fire Whoopi Goldberg. Says Ben Shapiro:Okay, so here's the thing. They didn't just suspend Roseanne Barr, for making a racist statement about Valerie Jarrett. They fired Roseanne Barr and took the top rated sitcom off the air. So here's the deal. If you guys are going to play this game, where if somebody is openly identified as anywhere close to a conservative and they say something that is a bad thing, little trademark symbol, if somebody does a bad thing, and they're completely removed from their job, then you don't get to suspend Whoopi Goldberg, you have to fire her. These are the standards and you set them and you don't get to play by two sets of standards.One of the most inexplicable untruths we've been forced to swallow over the past few years is the idea that intent doesn't matter. When someone, or a group of people, feel hurt or offended it's called impact. You caused them to be offended and thus, you are guilty.Impact matters. Intent does not. You are still required to apologize and take responsibility for causing harm. As in:But you can see how that would be a problem for the modern-day Left. They need villains. If Dustin Hoffman got handsy with a woman on a set 40 years ago, even if that was just what people did back then (it was), intent can't matter. Punishment must be enacted because the story being told NOW causes harm to people who hear it. Intent can't matter when deciding whether the Roosevelt statue should stay outside the National History Museum in New York. Intent doesn't matter if an old Hollywood movie has outdated stereotypes. These images still cause harm and must contain a warning or else be removed entirely. The image of Thomas Jefferson causes harm because he once owned slaves, regardless of how things were back then. If a professor says something that people find offensive, he or she could lose their job. We don't even argue about it much anymore. We just kind of go along with it. The Left is in power and they don't really believe in forgiveness. They believe in punishing people for impact, like Donald McNeil at the New York Times. The only acceptable response to Ilya Shapiro's tweets about a “lesser black woman” is that he meant it because he is a racist. They would never consider the other possibility - that he did not choose his words wisely and was swarmed and persecuted as a result. He has apologized, of course, but that doesn't matter.This is covered quite well by Bari Weiss on her substack:Led by a Slate journalist, the Twitter mob did what Twitter mobs do and stoked the intended result: In an email to the school the dean called Shapiro's tweets “appalling” and “at odds with everything we stand for at Georgetown Law.”Then Shapiro, who had already deleted the tweet, sent an apology addressed to the Dean William Treanor and the entire Georgetown community: “I sincerely and deeply apologize for some poorly drafted tweets I posted late Wednesday night,” he wrote. If you've ever been the center of a Twitter swarm you know that the last thing they care about is intent. They look at the words and decide what they mean. If enough people agree about the intent that becomes the “take” and the only acceptable one. I once defended Ansel Elgort whose girlfriend was 19 when he was 21. She had taken to Twitter to complain about how Elgort had treated her when they were together and after they broke up. Twitter reacted and within minutes Elgort was being called a pedophile rapist. When I said “sorry but a relationship with a 19-year-old is not pedophilia.” It was — and considering how many of these I have gone through by now — really bad. I never backed down, though. I never apologized. Instead, I wrote about it here. That was in 2020. Almost three years ago. It is not getting better. It is getting worse.They DEMAND that Ilya Shapiro be considered a racist. They DEMAND that the rioters on January 6th be insurrectionists. They demand that Joe Rogan is killing people with disinformation. And so they must DEMAND Whoopi Goldberg is an anti-semite. To quote Jonathan Pie once again — this is what YOU wanted. But intent does matter. It has to. If you are deciding who is “good” and who is “bad” and you are making it impossible for someone to have any kind of defense, then you are going along with what can only be described as a totalitarian movement. And the Left has become a totalitarian movement. They decide what is true and you have no right to dissent or refuse or deny that truth or you will be punished by the institutions of power that they control, which is all of them.As we speak, Biden's press secretary, Jen Psaki, has joined defacto government officials Harry and Meghan in pressuring Spotify to dump Joe Rogan. As Ben Shapiro says:The Federal government is now actually pressuring companies to violate free speech principles. That is a First Amendment violation. And this is super dangerous, which is why again, they should lose their job. Let's hold them to their standard, Whoopi should lose her job. She was purveying misinformation. This means she should lose her job. If they're going to do it, they made this bed, now they have to lie in this bed. You made it, you lie in it, or we go weapons down. And we tried to reestablish some sense of classical liberalism in the country by agreement. Otherwise, it will be all out warfare here.I personally thought Whoopi Goldberg's statements on race and the Holocaust to be a great way to talk about something that is getting lost over time. And yes, of course, it was about race. It was about wiping out the Jewish people who have always been considered a race for hundreds of years. If you are born with Jewish blood you are Jewish. I am half-Jewish. I wasn't raised as a Jew. My mother was not religious and not Jewish. Still, I am considered a Jew and I have felt what it is like to grow up Jewish. It is something people know about you that is a defining characteristic whether you are practicing or not. It's your nose. It's your eyes. It's, sometimes, your bra size (ahem). Most importantly, Hitler believed Jews had to be wiped out for the superior Aryan race to prevail. You can watch a dehumanization event playing out in real-time right now. Trump supporters have been dehumanized to the point where they could be carted off to camps and Blue Check Twitter would cheer. Jen Psaki would make some comment about how they were too dangerous to have around and that would be that. But a Trump supporter can get out of it, even a white male one, by throwing themselves at the mercy of the Left. They care more about ideological compliance than they do, say, skin color. But Jewish people could not have done that. Even if they'd become Nazis they would be still sent off to concentration camps because of their Jewish blood. That is about race and it's about genocide. Likewise, Joe Rogan's questions about Ivermectin or the vaccine's side effects are absolutely worth discussing loudly and with transparency. Just because they believe in compliance on the Left doesn't mean everyone does. Dumping Joe Rogan from Spotify does not shut up Joe Rogan. It does not shut up “disinformation.” It is what they called a “show trial” in the Soviet Union. Both Stalin and Mao were fond of punishments in public. The higher profile the target the better. It is an act of intimidation and a show of power. That our government would wade into that debate is terrifying. It's another in the long slow slide we've been watching over the past few years as the consolidated power in this country continues to align with the government against the people. Intent does matter because it has to. If you are driving down the road and you accidentally hit and kill a family of four that is not necessarily your fault, even if you are responsible for their deaths. But compare that to driving down the road and aiming your car at a family of four. One is obviously worse than the other. Any politician who fights against this madness will be very popular in 2022 and 2024. The Democrats and Joe Biden should be taking a firm stand for the people, for free speech, and yes, for INTENT. We need leaders who can lead us out of this mess, not ones who keep driving us back into it.At the moment, Spotify is holding firm and not firing Rogan. Ilya Shapiro is still only suspended from Georgetown. And Whoopi Goldberg is only suspended from The View. I guess we'll have to wait and see how it all plays out. Get full access to Free Thinking Through the Fourth Turning with Sasha Stone at sashastone.substack.com/subscribe

A punto de cumplir 75 años y con medio siglo de carrera tras las cámaras, el legendario director estadounidense se arriesga con una nueva versión de "Amor sin barreras" ("West Side Story"), el famoso musical de Broadway que saltó por primera vez a la pantalla grande en 1961. Con guiños a ambas referencias y un mayor protagonismo de las influencias latinas en esta historia, este largometraje conecta a las nuevas generaciones con una de las historias más clásicas alguna vez contadas. Disponible en salas de cine.

It's so deliciously good, fans are scrambling for a sequel. Count Luke & Corrye in that camp. The Chumps joke their way through the hip car chases, stylish camera work, and myriad of witticisms. The fellas explore how the film champions those with disabilities, before turning their attention to Season 2, Episode 3 of The Mandalorian, and the hard-hitting Reuters spread about a Rochester man and the police officer who shot him.

Trigger Warning: Mentions rape and sexual harassment. In this episode, Avin, Poleng and Marky talk about the cancellation of Auntie Julie and the pros and cons of Cancel Culture. Talking about the length of the podcast, this is the first time (in so long) that we did not cut the episode into two parts. Do you prefer it this way? Let us know in our social media accounts. Facebook, Twitter and Instagram: @isawchronicles . As you're already there, might as well follow us. No double dipping! --- Send in a voice message: https://anchor.fm/isaw-chronicles/message

Im Bildband "Ballet" hat Arthur Elgort vier Ballett-Jahrzehnte und sechs der ruhmreichsten Kompanien festgehalten.

Sophie Elgort is a photographer, filmmaker, and artist who has been featured internationally. She has worked with global brands and clients like Kylie and Kendall Jenner, and of course, her brother Ansel. As the co-founder of the non-profit, Through Our Lens, Sophie provides mentorship to teen girls of color, giving them the all-important access and the tools they need to get photography experience. In this episode, you will learn what it takes to be an image creator, why critique classes are essential to your craft, and why she believes in lifelong learning.

More stars get cancelled, baseball gets un-cancelled, and the pronunciation of X Æ A-Xii is still up for debate. Join Bobby Schwartz, Gary Alcala, and Hawie Mekbib for another week of CDC-approved time killers! This Week's Recommendations: Arthur Jafa: Love Is The Message, The Message Is Death When They See Us Mister Miracle Other Resources: You Can Help Scientists During the Coronavirus Quarantine onomatopoeia - a comic book/manga reading playlist "Wear A Fucking Mask" T-Shirt For full, uncut episodes of Quarantime, watch the livestream Saturdays @ 8pm on twitch.com/dualanimal. For previous Recommendations, go to dualanimal.com/quarantime. Follow us @QuarantimeShow --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The Oues remember Ian Holm, Joel Schumacher, and Steve Bing. They talk new trailers, Mel Gibson and Ansel Elgort claims, changes on streaming sites, Colin Trevorrow's next film after Jurassic World, New Casting for Pirates of the Caribbean and Doctor Strange 2, the Tyson Biopic, Kandahar, New Evil Dead film, The Twister Remake, Tenet, Justice League and more! This one has more smoke then Greg Hunt can handle!

The wheels keep on turning and the talk keeps flowing on this weeks #EFTV We try an unpack all these Twitter revelations. 'Megan Fox' and 'Jimmy Kimmel' put out statements that seem to raise more questions. And the BBC say they're making changes on diversity! PLUS, season two of 'Dating Around' hit Netflix the other week, so we gave that a look. AND, our Audible book of the week is 'The Terminal List', book one in Jack Carr's 'James Reece' series. This week: - D'Elia, Bieber, Riverdale cast and Elgort all hit with sexual assault / misconduct accusations - Megan Fox defends Michael Bay....BUT! - Another week, another Kimmel apology - Retired detective constable identified as part of racist rally! - Racist banner flown over Premier League football match - Unknown story of Julian Cole! - BBC makes declaration to increase diversity! - Chin check REVIEWS & RECOMMENDATIONS - TV: Dating Around - S2 - thoughts AUDIBLE - The Terminal List by Jack Carr *(Music) 'Hussle and Motivate' by Nipsey Hussle - 2018

Dorin and Kendyl cover the film The Goldfinch (2019), what it focused on from the very long book, how the themes came through, and how the characters were adapted. Question of the Week: How did the movie's flashback/out-of-order format work for you?   Follow us! adaptationpodcast.com instagram.com/adaptationpodcast facebook.com/AdaptationPodcast twitter.com/AdaptationCast adaptationpodcast.tumblr.com youtube.com/adaptationpodcast

Op 13-jarige leeftijd verliest Theo zijn moeder tijdens een bomaanslag in het Metropolitan Museum of Art. Hij moet zien op te groeien in een wereld die gewoon blijft doorgaan. Ook zonder zijn moeder. Hij klampt zich vast aan een aantal herinneringen vlak voor de bomaanslag, waaronder ook zijn liefde voor een klein schilderij, genaamd The Goldfinch. In deze aflevering geven Nils en Narana hun spoilervrije review over The Goldfinch. Vergeet je niet te abonneren op ons kanaal, laat een review achter via iTunes of Apple Podcasts en volg ons op Facebook: www.facebook.com/filmfanspodcast en Instagram: www.instagram.com/filmfanspodcast. Voor meer reviews, filmnieuws en afleveringen ga je naar www.filmfanspodcast.nl.

Nos acompaña nuestro querido amigo Raúl Fuentes y tenemos una crítica muy especial. El día de hoy damos una introducción a lo que pueden encontrar en la nueva película de Warner Bros "The Goldfinch" que en español es "El Jilguero" que narra las peripecias de Theo Decker, un niño de 13 años que vive una experiencia traumática junto con su madre en el Metropolitan Museum of Art de Nueva York, ya verán hasta donde llega la trama, pero nosotros criticamos cada detalle que va más allá de la película, igual ya saben que como siempre a algunas personas les gusta y a otras no, pero es el criterio y los gustos de cada quien, esperamos sus comentarios. No se lo pueden perder con Miguel Cane aquí en La Linterna Mágica, por Dixo.

According to the box office numbers, only 3 people saw The Goldfinch last weekend. But guess what? It was us! So we might as well tell you what we thought, right? Join us for 30+ minutes of confused bewilderment as we examine this truly bleak adaptation. Want more MAM? We're throwing it back to Pulp Fiction this week in the VIP! madaboutmoviespodcast.com/vip

Today on Meet The Movie Press, Simon Thompson, Scott Menzel and Demetri Panos discuss The Little Mermaid casting, LAOFCS Mid-Season Awards, Knives Out, Elgort for Elvis, new Flash directors, Jumanji 3 trailer, Robocop Returns, Rami's Bond 25 demands, plus Spider-Man: Far From home box office and Midsommar well reviews for Annabelle Comes Home, Yesterday and Spider-Man: Far From Home It's Popcorn Talk Network's Meet the Movie Press, hosted by Forbes's Simon Thompson and friends! They will discuss the ever changing landscape of movie news and trade reporting. With discussions on everything from Marvel casting to landing exclusive stories on major Hollywood tent-poles. Follow @ShowBizSimon for Simon Thompson! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Alan treats Edgar Wright's sublimely slap-happy stylish blockbuster Baby Driver, whose plot is propelled by machine-gun editing, tough as nails genre writing & performances, brooding noir cinematography, and the best use of a pop music soundtrack you’ll find anywhere. 

After last week's endurance test with Final Flesh, we cleanse our palates with a much better film, Edgar Wright's Baby Driver.  Plus new release news.

It's us (Kiki and MB)!!!!! MB comes in even on her sick day and she's ready to spill tea with Kiki, etc etc how many ways can we say this (I'm running out!). Kiki forgot her smokey eye palette :) We're talkin' Kanye on SNL, Scientology's Elisabeth Moss, Carey Mulligan's organs, HBO's Insecure, and the man who keeps tapping the glass outside the studio. Kiki's HBO trial ran out so if anyone has a pw, let us know. Who is Timmy T dating? We know. Also, Ansel "Take Class" Elgort will be returning to the big screen in West Side Story. Then, of course, we get into Yorgos Lanthimos' new feature, The Favourite. This movie is WACKY! A funny, twisted period piece starring Emma Stone, Rachel Weisz, and Olivia Colman (whose character, the queen, has GOUT). Watch Single Parents on ABC!!! Mary Beth's Instagram Kyra's Instagram Femme Fest Live Podcast Recording with Ali Kolbert

This week's guest is Warren Elgort. Warren joined us to talk to us about his work as a director and photographer and most recently his involvement in Kodak and Forever 21's new apparel line. Warren has been in front of and behind the camera since he was very young and he shared with us how this experience has shaped him as he continues to create his own work. http://www.warrenelgort.com/ https://www.kodak.com/consumer/products/fashion/forever21/default.htm

Playing the most important role (mommy), when kids say loving things, a charity to inspire inclusion and photography, how taking photos of imperfect moments capture the real story of growing up, finding satisfaction in a creative job, how having a baby humbles you, when your own baby is the first one you’ve ever held, sick kids, and when the husband is the baby whisperer. Fashion and portrait photographer Sophie Elgort reveals special moments and aspirations to hosts Stacy Igel and Michelle Park. (Instagram: @sophieelgort)In this episode: Special times when kids say things, when they say “I Love You” or “Mommy”, not realizing how special being a mom is, and how it is the most important role Sophie’s charity – Through Our Lens, access and mentorship to high school girls passionate about photography and fashion, with an inclusive spirit, underserved communities, how fashion is historically an exclusive career, finding and nurturing this talent, and sharing their creative passions How Sophie’s father, as a photographer, learned through his eyes but took a different path Spending time with kids via taking pictures, how kids always look great and are an amazing new subject Sophie’s hope to do own version like her father’s book Photo shooting her daughter Stella reminds her of times when she was a child Advice to just have your phone out, capture moments, how you can get close-in, take pictures of hands, or move far away and see how small kids are in comparison to something Capture the whole story, when things aren’t perfect, when they’re not smiling – so much of Instagram isn’t “real”, so doing this captures actual parenthood and a child’s life Doing the jobs that are an artistic fit for you and that you enjoy doing The humbling experience having a young baby Sophie’s 2018 career goal, wanting to get more into contributing on-air and explore that more When kids get sick, never holding a baby before Sophie had her own, as she didn’t want to break them When holding her own baby, Sophie was nervous, and didn’t know how to do that Finding that she can now hold a baby expertly How Sophie’s husband is a “baby whisperer” How scary it is to be holding the head of a baby right To share your #MOMSGOTTHIS MOMENT just call 833-844-THIS-MOM (833-844-7666) and leave a voicemail with your first name and city along with your moment.

Hiding veggies in kids’ food, food charts, when kids start choosing their own food, moving in with parents, how little you actually need for a baby, multi-purpose bassinet, mixing sleep with play, and renting maternity clothing. Fashion and portrait photographer Sophie Elgort reveals the products and services she finds helpful to Stacy Igel and Michelle Park. (Instagram: @sophieelgort)Support for today’s episode comes from luxury footwear brand Tamara Mellon. Visit tamaramellon.com today to receive a $100 gift toward your first order using code MOMS100!In this episode: When kids start to choose their own food and are getting excited about easting Getting them to eat veggies by their hiding them in foods they love Food charts When Sophie and her husband moved in with parents a month before having the baby, having no space, so they lived as minimally as possible Realizing how little you need for baby Using the stroller bassinet for regular sleeping The usefulness of the Dockatot ( a “multi-functional portable crib and bassinet …for life on the go”) Loving the Rock and Play (sleeper mixed with playtime) Rent-the-Runway (again) but this time — the maternity section, and renting so your clothes can grow with you when pregnant To share your #MOMSGOTTHIS MOMENT just call 833-844-THIS-MOM (833-844-7666) and leave a voicemail with your first name and city along with your moment. Sophie’s bio: Sophie Elgort’s work has been featured internationally in magazines including VOGUE Thailand, Elle, Glamour, Paper Magazine, Teen Vogue and The Financial Times. Sophie has also created images for brands like ADIDAS, Alice + Olivia, Bloomingdales, Buccellati, Clinique, Cushnie et Ochs, IBM, J.Crew, Mercedes Benz, Olay, Ralph Lauren and Topshop. Her portraits include Cuba Gooding Jr., Kylie and Kendall Jenner, Ansel Elgort, Tavi Gevinson, Ron Perlman, Becky G., Rachel Zoe, Sara Foster, Azzedine Alaia, Jenna Lyons and many others. Sophie was named Forbes 30 under 30 in the Art and Style category in 2016. Alongside her photography, she also contributes to a variety of media outlets as a photography and fashion expert both on-air and online. She has been a guest speaker at the Rubin Museum of Art, Brooklyn Academy of Music, and Pratt Institute among others and a judge at The All American High School Film Festival, The Collective x Designow Fashion Show and the 2017 Restaurant & Bar Design Awards. She has contributed to outlets including AOL Style, etalk, and The Financial Times, whose style column, Suits and the City, she co-created in 2011. Sophie is also the co-founder of Through Our Lens, a non-profit that provides life-changing access and significant mentorship to teen girls through photography with the goal of more inclusion and diversity in the fashion industry – behind the lens and in front of the camera.

Finding date time in commuting, the time demands of breastfeeding, regimenting routines, how work relationships and expectations change with pregnancy, and when clients and employers disappoint based on motherhood. Fashion and portrait photographer Sophie Elgort reveals how routines and relationships have changed in motherhood to Stacy Igel and Michelle Park. (Instagram: @sophieelgort)In this episode: Michelle on commuting with her husband as their only consistent date time Michelle on breastfeeding, weaning as freedom, breastfeeding only for 16 months Pumping in-between takes on a TV shoot Having to become regimented with routines with a baby The workout has been slipping, discipline is needed, maybe moving it to the beginning of day How relationships have changed since having a baby When you bring up you’re pregnant in work situations, do employers and clients need to know? Why people might be nervous about hiring for some jobs, such as a photography job Trusting in the pregnant professional to have things covered To share your #MOMSGOTTHIS MOMENT just call 833-844-THIS-MOM (833-844-7666) and leave a voicemail with your first name and city along with your moment. Sophie’s bio: Sophie Elgort’s work has been featured internationally in magazines including VOGUE Thailand, Elle, Glamour, Paper Magazine, Teen Vogue and The Financial Times. Sophie has also created images for brands like ADIDAS, Alice + Olivia, Bloomingdales, Buccellati, Clinique, Cushnie et Ochs, IBM, J.Crew, Mercedes Benz, Olay, Ralph Lauren and Topshop. Her portraits include Cuba Gooding Jr., Kylie and Kendall Jenner, Ansel Elgort, Tavi Gevinson, Ron Perlman, Becky G., Rachel Zoe, Sara Foster, Azzedine Alaia, Jenna Lyons and many others. Sophie was named Forbes 30 under 30 in the Art and Style category in 2016. Alongside her photography, she also contributes to a variety of media outlets as a photography and fashion expert both on-air and online. She has been a guest speaker at the Rubin Museum of Art, Brooklyn Academy of Music, and Pratt Institute among others and a judge at The All American High School Film Festival, The Collective x Designow Fashion Show and the 2017 Restaurant & Bar Design Awards. She has contributed to outlets including AOL Style, etalk, and The Financial Times, whose style column, Suits and the City, she co-created in 2011. Sophie is also the co-founder of Through Our Lens, a non-profit that provides life-changing access and significant mentorship to teen girls through photography with the goal of more inclusion and diversity in the fashion industry – behind the lens and in front of the camera.

Kids learning to dress themselves, when pregnancy impacts work opportunities, going back to work and going out for the first time after giving birth, the isolation and guilt of loving your job as a new mom, and when your own mom breaks and enters. Fashion and portrait photographer Sophie Elgort reveals her mom journey to Stacy Igel and Michelle Park. (Instagram: @sophieelgort)In this episode: Having patience with kids learning to dress themselves Almost 10 weeks old daughter Stella, being so small How having limited time allows you to pick and choose clients more carefully Great clients giving Sophie jobs late in pregnancy to shoot jobs A disappointing instance with a client, despite having the job  covered she doesn’t have client any more When is the right time to be going back to work, and working jobs between feedings Going out after baby is only 10 days old, leaving the baby with parents, and freaking out Keeping some semblence of your pre-baby life, feeling like you need to get back to it Feeling the guilt of being a working mom and loving your job The isolation of being a new mom, the need for visitors A memorable @MOMSGOTTHIS Moment — Ski racing in Vermont, Sophie’s mother driving 5 hours with 2 year old at night so they can east and sleep, locked out of grandparents house, and breaks into the window To share your #MOMSGOTTHIS MOMENT just call 833-844-THIS-MOM (833-844-7666) and leave a voicemail with your first name and city along with your moment.

"Baby Driver" wasn't nominated for Best Picture, yet should have been according Terence Michael and his special guest Jason Scoggins. It's an incredibly creative and fun film that works on every level. The guys break it down analyzing The Hero's Journey taken by Ansel Elgort as he falls in love with Lily James and tries to escape from Kevin Spacey. The film was nominated for Best Film Editing, Best Sound Mixing, Best Sound Editing. ***** PLEASE ENGAGE AND SUBSCRIBE Follow and like us on Facebook or Instagram On (desktop or phone)  iTunes  or iHeart Radio or GooglePlayMusic You can also contact us or learn more at terencemichael.com Terence Michael's book "PRODUCE YOURSELF: Apply Hollywood's Proven Formula To Become The Hero Of Your Life" is available everywhere. Listen to us at the following places and PLEASE SUBSCRIBE! iTunes or iHeart Radio or GooglePlayMusic ***** SHOW DESCRIPTION: What began as a humorous analysis of just behind the scenes TV and film production (originally with co-host, director/producer and comedian Ian Gelfand), has now grown into an observation of The Hero’s Journey taken by professionals working in all aspects of Hollywood. The focus is on obstacles, side-hustles, approach, process, optimization and seeking peak performance both on set and off. This podcast is about learning to “Produce Yourself” in many areas of life, by hearing from people who have fought to get where they are in movies and television. ABOUT THE HOST: Emmy-nominated producer, Terence Michael, has produced over 20 movies and 30 TV shows (Duck Dynasty). He additionally hosts 2 podcasts about the entertainment industry. In his spare time, he invests in real estate, runs a mortgage business, and consults entrepreneurs on how to monetize their passions and be happy in the process. Terence has been developing, producing, and delivering story content, from film to television, over the course of ownership in three separate production companies covering most of the major studios, networks, and agencies in "Hollywood." He has now produced feature films distributed by studios such as Sony, Universal, MGM, Lionsgate, and HBO; and executive produced television shows airing on networks such as NBC, Fox, MTV, VH1, Showtime, Lifetime, TLC, Spike, Esquire, Syfy, Travel Channel, and A&E. Terence enjoys both developing and producing intellectual properties and formats for 100% Terry Cloth as well as show running other existing network or cable shows. Additionally, he has guest lectured and consulted on development, financing, story, packaging and nuts-and-bolts producing panels for the Cannes Film Festival, the Los Angeles Film Festival, Independent Film Project West (IFP), Film ITConference, the SXSW Film Festival, AFI, and UCLA Film Extension; has been featured in magazines and publications, such as The Los Angeles Times, MovieMaker, Moving Pictures, Back Stage West, Independent Film and Video, Screenwriters Utopia, Writers Script Network, Venice Magazine, Newsweek, Details, and The Christian Science Monitor. He received an Emmy nomination in 2017 for Travel Channel's "Planet Primetime." Terence Michael has collaborated with many artists and brands in his films and TV shows, including: Actors: Scarlett Johansson, Ben Stiller, Sarah Jessica Parker, Vera Farmiga, Jeffrey Tambor, Tea Leoni, Tom Sizemore, Katherine Heigl, Peter Dinklage, Giovanni Ribisi, Cuba Gooding, Jr., Patrick Dempsey, Jaime Pressly, Mia Kirshner, Michael McKean, Britt Robertson, Oliver Hudson, Emmanuelle Chriqui, Jonathan Tucker, Nora Dunn, Skeet Ulrich, Cheryl Ladd, Alan King, Elizabeth Reaser, Megan Mullaly, Jennifer Morrison, Erin Bartlett, Jesse Bradford, Adam Goldberg, David Krumholtz, James Tupper, Jill Clayburgh, Eric Szmanda, Eric Mabius, Eric Schaeffer, and lates Alan King, Jill Clayburgh, John Heard Comedians: Adam Carolla, Tom Green, Chris Hardwick, Flula Borg, Ken Marino, Alonzo Bodden Athletes: Football’s Vince Papale, basketball’s Rick Barry, motocross’ James Stewart, Ryan Dungey, Todd Potter, and the Metal Mulisha team, skateboarding’s Tony Hawk, Buckey Lasek, Jason Ellis and snowboarding’s Shawn White, triathlete’s Wendy Ingraham and Chris Legh Musicians: Aimee, Mann, The Verve Pipe, Jill Sobule, Blink 182, Amanda Kravat, Foxy Brown, Usher, Vanessa Carlton Hosts/Authors: Amanda De Cadenet, Karla Cavalli, Allen Haff, Paul McKenna, Lisa Williams, Grant Imahara, Leeann Tweeden Brands: RedBull, Degree, Monster, Playboy, Jabbawockeez, The Golden Nugget, Joe’s Crab Shack, Oakley, the Duck Dynasty family

The 2017 film "Baby Driver" takes place in a world of vivid colors and nonstop music, but all of the feebly-depicted characters are black and white and the chords the film attempts to hit end up sounding dissonant. Its director, Edgar Wright, seems to have lost his knack for comedy and instead resorts to a bunch of stale criminal lingo that sounds like he learned it by watching old episodes of "Starsky & Hutch." Ansel Elgort plays Baby, a car thief with superhuman tinnitus powers who, as a teenager, inadvertently stole a vehicle loaded with thousands of dollars in drugs that was owned by an Atlanta kingpin. As a result, he's forced to become an indentured servant getaway driver for several years in order to pay for the cost of the stolen merchandise. Lily James plays Debora, a singing waitress who works at a diner that Baby habitually frequents because his dead mother, a former singing waitress, used to work there. She instantly falls for Baby upon meeting him while he’s looking at the kids menu. Then, things continue to get real Oedipal real fast as she takes on a romantic role in his life as well as a quasi-maternal role. Kevin Spacey plays Doc, an underworld boss who carefully organizes major heists in the Atlanta area out of his secret warehouse lair that’s smack dab in the middle of downtown and is frequented by so many criminals that there is no way that it wouldn’t be exposed. He also makes a big point of claiming that he assembles a different crew for each and every job, but then we see him recycle the same people almost immediately. Jon Hamm and Eiza González play Buddy and Darling, a murderous and passionate pair who engage in high-stakes robbery to fuel their cocaine habits. It’s hard to determine what’s less believable, Jon Hamm as a hardened criminal or Eiza González casually firing two automatic weapons at the same time. Jamie Foxx plays Bats, a trigger-happy buffoon who kills almost everyone he meets and is incapable of completing a sentence without inserting some sort of failed pun or nonsensical remark. Join us as we discuss Jon Hamm's shady college past, how this movie instantly aged given Kevin Spacey's creepy dialogue, and how we blame J.J. Abrams for this overrated film getting made.   Tell us what you think by chatting with us (@filmsnuff) on Twitter, Facebook and Instagram, or by shooting us an email over at mailbag@filmsnuff.com. This episode is sponsored by Cards Against Creativity. Visit our website at https://www.filmsnuff.com.

This week, we talked to Sophie Elgort about photography and avoiding the overwhelming social media noise when making a career for yourself. Sophie Elgort is an award winning photographer, daughter to famous photographer Arthur Elgort, and sister to Ansel Elgort. Born and raised in NYC, Sophie attended Brown University and says college was one of the most important times of her life. In 2016, she was named Forbes 30 under 30 in the arts & style category, and she also runs a nonprofit called Through Our Lens. The nonprofit aims to provide photography skills and mentorship to teen girls in the Manhattan area. Alexa met Sophie years ago at an event in Manhattan, and was instantly captivated by her strong and independent attitude, as well as her outstanding portfolio. Years later, Alexa and Sophie reunite to talk about the entertainment industry and what people should know before pursuing a career in the most competitive industry in the world. Follow #ThisisLifeUnfiltered on social media on Instagram at @thisislifepodcast and Twitter at @tilupodcast!

Our every loving hero Nick welcomes back So Long, Stargazer's Nick Wray and RedRue's Kyle Jepson to talk about the Edgar Wright film BABY DRIVER (which will be released Digitally on September 12, 2017 and October 10, 2017 on DVD and Blu-Ray). For those who don't know, Edgar Wright has done films like Shaun of the Dead, At World's End and Hot Fuzz. How does it stack in comparison against those and heck, other heist movies? Hear Nick, Kyle and Nick discuss all that and more in the latest episode of.. THE GOOD, THE BAD and THE GEEKY!   Subscribe: | | | | |   Baby Driver is available NOW digitally and available on DVD and Blu-Ray September 19, 2017.) This episode is is available on our   ****ABOUT OUR APP**** The GBG App could contain “Additional Bonus Content” such as episodes sans openings, and in some cases, wallpapers, bloopers, outtakes, and other material. The GBG App is available for users who have our or If you don't have the GBGApp, you can get the App for $1.99 via the Android Market or the iTunes Store! This app contains the following features: * Streaming access to play episodes from anywhere * Always updated with the latest episodes * Episode search to easily locate your favorite episode * Download the episodes and play them when offline * Playback resume (when interrupted by a call or other distraction) * Favorites (mark the episodes you want to return back to over and over) * Quick access to all the contact methods for the show * Other extras such as wallpapers, and other audio (and maybe even video) goodies!       |         Subscribe: | | | | | E-mail: or tweet us on twitter !

Mark and Devin contemplate two works of auteur cinema from British directors: Edgar Wright's Baby Driver (0:00-17:55) and Christopher Nolan's Dunkirk (17:55-End). They also apologize for not podcasting about The Big Sick, which they both really liked. Sorry, The Big Sick.

Do you like music? Do you like action? Do you like fast cars speeding around and crashing which isn’t Fast and the Furious? Well this is the film for you! Baby Driver is the new love child of Edgar Wright, known for his smash hit Cornetto Trilogy, including Shaun of the Dead, Hot Fuzz, and the other one we don’t really talk about, World’s End. Baby Driver sheds Wright’s former acting duo, Simon Pegg and Nick Frost, replacing them with rookie actor Ansel Elgort in the lead role of Baby, a getaway driver. Alongside Elgort is an all-star cast which beefs up an already tantalizing film, including Kevin Spacey, Jon Hamm, Jamie Foxx and Jon Bernthal. Next to Elgort is also love interest Debora, played by Lily James. It might not seem like a big deal, but honestly one of my favourite things about this film is that the love story is actually good. It doesn’t feel forced, and is projected in a totally realistic and understandable way; if realistic is driving cars and robbing banks of course. It seems like a small detail, but so many films nowadays overcomplicate their love stories, or just create awful nonsensical ones. Baby Driver is pretty much a movie length music video, which isn’t a bad thing. Nearly every action, such as doors slamming, guns shooting, and tires screeching, are done to the beat of the music playing at the time. Everything is timed perfectly, and you can tell the care that has been put into making it. This in itself resonates very well with me, as although I don’t rob banks myself or have an ear problem, I understand where Baby is coming from. I love having music go to the beat of what I’m doing, and if it’s not, I’ll change what I’m doing so it is to the beat. The motivation of Baby is clear, with exposition being simply dropped through conversation, or through snippets of artistic flashbacks. You really feel for baby, as you know his struggle is honest and important to him, not just some unmotivated kill fest. The important thing this film does really well though is the characters. They’re written well, and there comedy is perfect, timed with the music and beats of the story. I don’t laugh out loud often in films, and if I do it’s if a lot of people are around, but for Baby Driver there was only about ten of us, and we we’re laughing all the way through. Good characters are likeable, and mean characters are likeable, that’s how convincing everyone in the film is written and acted. Of course, special mention needs to be given to the star, Ansel Elgort. Known for Fault in our Stars and the Divergent Series, Elgort has really come out of his shell in Baby Driver. His performance is perfectly timed, down to the second with his movements, and all in all is an enthralling display of acting. Even minor characters in the film are well made and funny, like the post office lady and the old lady Baby hijacks. The music isn’t the only production value which shines in this film. The long shots and actual shooting of the music based scenes are easily standouts in the film, being the most exciting and tense, as well as just a jam session. I found the start of the film quite segmented. However it works in the grand scheme of things in setting up the world that Baby resides in clearly. The film also has some shocks in it, which I wasn’t expecting, such as truly brutal violence at times. The film doesn’t take no nonsense, meaning nothing is taken lightly or played out unrealistically. Baby’s and the other characters’ fates, as bank robbers, do not end riding into the sunset. All in all the film is just a fun time, and is one of the few that you’re simultaneously holding your breath, laughing and going, “wow, how did they do that?” The overall production values are top notch, making the film look sublime. The role of the antagonist changes constantly, meaning it's never just one person. This adds some real dimension to characters, showing like people, they can change. Some great throwbacks to Wright's older projects are put in, including one relating to the music video the film is based on. I highly recommend this film to nearly anyone. If you just want a good time with a bunch of laughs with a killer soundtrack, and can put up with some brutal violence, this is the film you didn't know you were waiting for. Written by Hamish Vallance

Do you like music? Do you like action? Do you like fast cars speeding around and crashing which isn’t Fast and the Furious? Well this is the film for you! Baby Driver is the new love child of Edgar Wright, known for his smash hit Cornetto Trilogy, including Shaun of the Dead, Hot Fuzz, and the other one we don’t really talk about, World’s End. Baby Driver sheds Wright’s former acting duo, Simon Pegg and Nick Frost, replacing them with rookie actor Ansel Elgort in the lead role of Baby, a getaway driver. Alongside Elgort is an all-star cast which beefs up an already tantalizing film, including Kevin Spacey, Jon Hamm, Jamie Foxx and Jon Bernthal. Next to Elgort is also love interest Debora, played by Lily James. It might not seem like a big deal, but honestly one of my favourite things about this film is that the love story is actually good. It doesn’t feel forced, and is projected in a totally realistic and understandable way; if realistic is driving cars and robbing banks of course. It seems like a small detail, but so many films nowadays overcomplicate their love stories, or just create awful nonsensical ones. Baby Driver is pretty much a movie length music video, which isn’t a bad thing. Nearly every action, such as doors slamming, guns shooting, and tires screeching, are done to the beat of the music playing at the time. Everything is timed perfectly, and you can tell the care that has been put into making it. This in itself resonates very well with me, as although I don’t rob banks myself or have an ear problem, I understand where Baby is coming from. I love having music go to the beat of what I’m doing, and if it’s not, I’ll change what I’m doing so it is to the beat. The motivation of Baby is clear, with exposition being simply dropped through conversation, or through snippets of artistic flashbacks. You really feel for baby, as you know his struggle is honest and important to him, not just some unmotivated kill fest. The important thing this film does really well though is the characters. They’re written well, and there comedy is perfect, timed with the music and beats of the story. I don’t laugh out loud often in films, and if I do it’s if a lot of people are around, but for Baby Driver there was only about ten of us, and we we’re laughing all the way through. Good characters are likeable, and mean characters are likeable, that’s how convincing everyone in the film is written and acted. Of course, special mention needs to be given to the star, Ansel Elgort. Known for Fault in our Stars and the Divergent Series, Elgort has really come out of his shell in Baby Driver. His performance is perfectly timed, down to the second with his movements, and all in all is an enthralling display of acting. Even minor characters in the film are well made and funny, like the post office lady and the old lady Baby hijacks. The music isn’t the only production value which shines in this film. The long shots and actual shooting of the music based scenes are easily standouts in the film, being the most exciting and tense, as well as just a jam session. I found the start of the film quite segmented. However it works in the grand scheme of things in setting up the world that Baby resides in clearly. The film also has some shocks in it, which I wasn’t expecting, such as truly brutal violence at times. The film doesn’t take no nonsense, meaning nothing is taken lightly or played out unrealistically. Baby’s and the other characters’ fates, as bank robbers, do not end riding into the sunset. All in all the film is just a fun time, and is one of the few that you’re simultaneously holding your breath, laughing and going, “wow, how did they do that?” The overall production values are top notch, making the film look sublime. The role of the antagonist changes constantly, meaning it's never just one person. This adds some real dimension to characters, showing like people, they can change. Some great throwbacks to Wright's older projects are put in, including one relating to the music video the film is based on. I highly recommend this film to nearly anyone. If you just want a good time with a bunch of laughs with a killer soundtrack, and can put up with some brutal violence, this is the film you didn't know you were waiting for. Written by Hamish VallanceSee omnystudio.com/listener for privacy information.

We saw Baby Driver and talked about why it's great.- Email us at - WastingTimePost@gmail.com

In Episode 56 of the Crooked Table Podcast, Robert Yaniz Jr. and Freddy Yaniz catch up some popular recent releases, namely writer/director Edgar Wright's pseudo-action musical Baby Driver and Illumination Entertainment's latest Minion-fest Despicable Me 3. Then, it's on to the battle between humans and apes in the trilogy-capping War for the Planet of the Apes. Andy Serkis reprises his lead role as ape leader Caesar -- thanks to the miracle of motion-capture technology -- as the character faces a fearsome new adversary in The Colonel (Woody Harrelson). Of course, this marks the ninth entry in the long-running Planet of the Apes franchise, but director Matt Reeves' film truly marks a conclusion to the storyline that began in 2011's Rise of the Planet of the Apes and continued in Reeves' own Dawn of the Planet of the Apes. But will this third installment in the rebooted series be its finest hour yet? War for the Planet of the Apes synopsis courtesy of 20th Century Fox: In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar (Andy Serkis) and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel (Woody Harrelson).  After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.  As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet. We're excited to hear your feedback as the show continues to evolve. As usual, the podcast does feature explicit language and, as such, is best considered NSFW. Thanks for listening! SHOW NOTES Intro/Despicable Me 3 and Baby Driver discussions - 0:00 War for the Planet of the Apes spoilers discussion - 45:04 Previously on the Crooked Table Podcast: http://www.crookedtable.com/2017/07/07/podcast-spider-man-homecoming-marvel/ Rob's written review of Dawn of the Planet of the Apes: http://www.crookedtable.com/2014/07/16/review-dawn-of-the-planet-of-the-apes/ Rob and Freddy discuss Dawn of the Planet of the Apes on Crooked Table Podcast: Episode 1 -- The Fandom Menace: http://www.crookedtable.com/2014/08/24/crooked-table-podcast-episode-1-the-fandom-menace/ Why Scott Pilgrim vs. the World Deserves More Credit: http://www.crookedtable.com/2013/08/02/why-scott-pilgrim-vs-the-world-deserves-more-credit/ "Thief" by Ansel Elgort music video: https://www.youtube.com/watch?v=U4gsAS8h3p0 The Crooked Table Podcast is now on Stitcher! Listen to all past episodes NOW! Subscribe to the Crooked Table Podcast on iTunes so that you never miss a moment! Robert Yaniz Jr. can be reached on Twitter at @crookedtable.   Connect with Crooked Table on social media:   Facebook  |  Twitter  |  Tumblr

  With the first mind change in our podcast's history, Malcolm and Matt manage to convince me and special guest Chris that this movie is actually pretty good. But first, would you rather have a demon clown or a demon wishing box? Also, we experience the breathtaking realizations that Jamie Foxx is scary and Ansel Elgort is a cool name to say out loud. Hurry! Be the first to email us at Liveculturespodcast@gmail.com. Or be extra awesome and take some time to rate and review us on iTunes!

This week we have the return of Edgar Wright with his feature-length adaptation of a music video concept Baby Driver, and the arrival of Spider-Man in the Marvel Universe. First cab off the rank has Stevie and Emmet discuss whether Wright's technically stunning car heist movie succeeds. Is this a genuinely original film, or simply a parody of 1970s B-movies? Next Spider-Man returns to high school with a younger cast and a passing of the torch from Robert Downey Junior's franchise leader Iron Man. Does the Marvel Studios endorsed webslinger enliven the prospect of an IP relaunched for the third time in fifteen years? And in next week's episode we will definitely not be talking about superheroes!

Bananas... and Ron recaps Baby Driver, about a deaf kid who loves music and car chases, starring Ansel Elgort, Jon Hamm, Lily James, Kevin Spacey, and Jamie Foxx. Also: A Cure for Wellness, Ted Raimi, Avatar 2, and Hacksaw Ridge. *MAJOR SPOILERS AHEAD*

This week we talk about Edgar Wright's much-anticipated next film about a young getaway driver that curates a soundtrack to his life by way of an iPod.  Only just the right song will do for anything from getting coffee to evading the cops in downtown Atlanta.  This action film has great practical stunts, good chemistry between the leads and 2 Oscar winners (Spacey and Foxx).  It's Josh's favorite movie of the year, so far!  Subscribe on iTunes:  https://itun.es/i6gB67Y  Check out our Facebook page:  www.facebook.com/actorandengineer and follow us on twitter @actorengineer.

Sarah Mason and Jake Essoe of The Harold & Maudecast review the film BABY DRIVER, written and directed by Edgar Wright (SHAUN OF THE DEAD) starring Ansel Elgort, Kevin Spacey, Lily James, Jamie Foxx and Jon Hamm. Baby (Elgort) is a reluctant yet talented wheel man coerced into driving for crime boss Doc (Spacey) to pay off an old debt. Baby's unique use of music makes him unstoppable behind the wheel but draws suspicion from the crew. When Baby meets the woman of his dreams, Deborah (Lily James) he must decide how much he's willing to risk before it's too late for a new life. BABY DRIVER is the not your usual bank heist, action film. It's highly stylized and makes clever use of its soundtrack--which is essentially the other lead character in the film. Edgar Wright, who along with collaborators Simon Pegg and Nick Frost gave us the Three Flavours Cornetto trilogy, SHAUN OF THE DEAD, HOT FUZZ and AT WORLD'S END, makes an uncommon but brilliant transition to action genre proving once again, a good film is all about the writing. The story drives this picture along with some great performances. With one fell swoop Elgort graduates from teen drama prince (THE FAULT IN OUR STARS, The DIVERGENT SERIES) to Oscar worthy actor. He's fantastic as the questionably quirky, music dependent orphan whose found his way out of his hard luck circumstances with love. We highly recommend this film. Go see it in theaters it warrants a big screen view. 8.6/10 For more reviews visit www.thehmcnetwork.com

B-A-B-Y Baby. What a breath of fresh air this movie was. Listen in as we review Edgar Wright's new film Baby Driver while also talking a couple trailers and our love of Wright's past films.

Could it be? Yes it be. It art thou return of thine boys. Join Frank and Dan as they discuss the firing of Phil Lord and Chris Miller from the Han Solo movie, the importance of original filmmakers and movies, and the new Edgar Wright film Baby Driver. It's a wham-bam-thank-you-ma'am of a good time. I like bacons.

Your genial hosts discuss the recent news of a new Han Solo spin-off film. What they don't mention is that it will be directed by Lego Movie directors Chris Miller and Phil 'Sith' Lord. They dive into all the possibilities and implications of this new Star Wars offshoot. As if that weren't enough sci-fi, John and Tim then review the Alex Garland film Ex Machina. Is it worth watching or do we say "domo arigato, Ms. Roboto?" Next time around we'll be critiquing the Shailene Woodley and Ansel Elgort starrer The Fault In Our Stars. (Elgort is seemingly in contention for the coveted Han Solo role.)

The latest episode of BuzzHub's weekly film podcast features the box office results for Jersey Boys and Think Like A Man Too, reviews of HTTYD2 and TFIOS and all the latest movie news- including the announcement of Rian Johnson as director of Star Wars Episode 8! Visit twitter.com/frontseatcinema and facebook.com/frontseatcinema

This week, Alissa and Stephanie talk about what they are reading and Alissa shares some interesting news. They discuss Chapters 14-17 of Divergent, such as favorite quotes, new characters, and so on. They include a mashup of the Divergent score, and end the episode with listener feedback and- as always- recommendations.

In the finale of The Last (12 minutes) of the Mohicans, I join the auteur behind this masterwork - Michael Mann. Mr Mann and I talk about existence on the planet Earth, the criticality of Wes Studi's performance for the success of this drama, the singularity of Daniel Day-Lewis as a performer, the twilight zone of the frontier and so much more.This episode was brought to you by Via Vision Entertainment. Follow Via Vision on Facebook and Twitter.ABOUT MICHAEL MANNDirector of Thief, Manhunter, The Last of the Mohicans, Heat, The Insider, Ali, Collateral, Miami Vice and more.Mr Mann is currently working with acclaimed five-time New York Times bestselling author Reed Farrel Coleman on a prequel/sequel novel to HEAT. The book features key origin story elements for several key characters, including Vincent Hanna and Neil McCauley, among others, as well as continuing several story threads from the landmark crime drama. Harper Collins will publish the novel in 2020.According to Deadline, Mr. Mann has been set by HBO Max to direct the pilot episode of Tokyo Vice, the drama series that stars Ansel Elgort and Ken Watanabe. Mann will potentially direct more episodes of the series in its freshman season, and he becomes executive producer alongside J.T. Rogers, John Lesher, Alan Poul, Emily Gerson Saines, Elgort, Destin Daniel Cretton and Watanabe.Twitter: @MichaelMannAbout the show: THE LAST (12 minutes) OF THE MOHICANS is a twelve-episode limited podcast series focusing on the climax of the Michael Mann's 1992 epic The Last of the Mohicans. The format of the podcast, which slightly differs from ONE HEAT MINUTE, utilises the entire final twelve-minute climax of Mohicans as a portal to explore the themes of the movie. The show examines the cross-section of political apparatuses, colonial superpower wrangling, and Mr Mann's riff on the "great American hero." The final episode - once again will feature Mr Mann to unpack his intentions with the film in the conception and orchestration of its grand ending.Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations