Podcast appearances and mentions of Henry Spencer

Episodio en vivo. En esta oportunidad tenemos de vuelta a Luis Carlos Burneo de "La Habitación de Henry Spencer" para una conversa callejera, nostálgica y huevera. Los Malditos Podcast es un programa de humor conducido por los ex Mañana Maldita Gonzalo Torres y Daniel Marquina. Producido por Augusto "Papopa" Robles.

#222 Warfare, Superman, Eraserhead A group of soldiers must endure a dangerous situation in occupied territory as enemies engage them repeatedly before the chance to escape comes. Kal-El is the last surviving member of his race and as Clark Kent, grows up in American values and as Superman, makes a stunning world debut by being a superhero. Henry Spencer gets more out of life than he imagined when his monstrous infant son and new angry wife rattles him, not to mention the bleak, surrounding environment.   Recent Discoveries Ralf: A Minecraft Movie, Runaway Jury Luke: Superman II, III, IV, Drop, On Swift Horses Oscar: The Perfect Storm, The Amateur, Sonic the Hedgehog 3, A Minecraft Movie, The Woman in the Yard, No Other Land   Otherpodcast.com   Show Notes 00:00:00 INTRO 00:05:20 Recent Discoveries 00:51:09 Warfare 01:08:04 spoilers 01:24:32 Superman 01:59:55 Eraserhead 02:33:21 EXIT

Eraserhead markiert sicherlich das Surreal-albtraumhafteste das mein Filmliebhaber-Hirn ertragen kann. Und auch das steht hin und wieder im Film zur Debatte. Ein junger Mann, Henry Spencer, läuft hier durch einen postindustriellen, wenn nicht sogar postapokalyptischen Film, immer mit einem hart verängstigten, verstörten und verwirrten Gesichtsausdruck. Auf das Geschehen scheint er nur wenig Einfluss zu haben. Er wird zum essen zu seinen soon-to-be Schwiegereltern gerufen. Dort erfährt er, dass er Vater geworden ist und muss sich ab sofort um ein Alien-artiges Baby kümmern. Sichtlich überfordert flüchtet er sich in Fantasien. Eine singende Lady in einem Heizkörper, eine Affäre mit der Nachbarin. Das sind die Träume eines Everyday Man… Oder einen Schritt zurück gemacht: das sind die Albträume eines David Lynch. Alles ist in Schwarz-Weiß gehalten und immer düster und Wortkarg inszeniert. Es ist ein Mood-Film, der auf Stimmung setzt. Auf gar keinen Fall ein Plot-Film der auf Handlung setzt. Aber vielleicht vor allem ein Durchhaltefilm.... Plor, der Film scheint sich vor allem mit der Angst vor Vaterschaft auseinander zu setzen. Kannst du, als Vater, dich darin sehen - oder hast du dich einfach nur gefreut und hattest eine Bonbon-Bunte-Welt vor dir, als dein Kind kam?

On tonight's third David Lynch special, Kyle & Josh screened the independent surrealist body horror film ERASERHEAD (1977). Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newborn mutant child. So, is this Lynch film any good? Well, give this review a listen and find out...if you DAAAaaaare!Already seen it? Let us know your thoughts!OMINOUS MEDIA LINKS:WebsiteOminous NewsletterHumming Fools - PodcastEvil Cast - ComicKYLE LINKS:WebsitePatreonInstagramLetterboxd JOSH LINKS:InstagramWebsiteMUSIC:Intro - Cory NelsonOutro - Karl Casey @ White Bat Audio

Únete a la COMUNIDAD PREMIUM de La Lengua y ten todos los beneficios diseñados especialmente para ti. https://www.youtube.com/channel/UCJzGBM2wTEjdapnoCV8N1aA/join

Live del mes de Julio de los Malditos Podcast. Invitado especial Luis Carlos Burneo de la Habitación de Henry Spencer y Radio Spencer.

Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. Directed by David Lynch Written by David Lynch @thedeadlightspod

At this stop we focus on up and coming pianists, Butcher Brown's eclecticism and some interesting European projects. The playlist features also Charlie Hunter; Lawrence Fields; Isaiah J. Thompson; Reverso [pictured]: Frank Woeste, Vincent Courtois, Ryan Keberle; Emilio Teubal; Lluc Casares; and Henry Spencer. Detailed playlist at https://spinitron.com/RFB/pl/18395861/Mondo-Jazz (from "Espionage" onwards). Happy listening!

Henry Spencer is a multi-award-winning trumpeter, composer and bandleader. Since releasing his album and an EP with a multi-GRAMMY Award Winner in New York (credits include Miles Davis, Prince, Herbie Hancock, Michael Jackson), touring with his band internationally with a growing following, audiences and radio/TV broadcasts, he's now working with two Platinum producers and a London Symphony Orchestra composer. Check out the new album, The Defector now. Support the show

David Lynch is furious because of this one weird review! Listen now to unlock the shocking answer to the age-old question: what the heck is Eraserhead? Glenn and Joe dive deep into the murky, sticky, wet world of Henry Spencer and his titular Head in David Lynch's debut film, Eraserhead.

“In Heaven, everything is fine.” In this special episode of “We Watch It!” hosts Cody Aaron Hanify, Shannon Mahaffey, and J.T. Hazzard dive into David Lynch's cult classic film, "Eraserhead." The film is known for its unconventional storytelling, dark nightmarish atmosphere, and compellingly disturbing visuals. The hosts explore the film's plot, which follows Henry Spencer, a hapless factory worker who discovers he is the father of a hideously deformed baby. Along with his unhappy girlfriend, the new parents are driven to near-insanity by the child's constant crying. Throughout the episode, the hosts share their thoughts on the film's themes, symbolism, and Lynch's signature surrealist style. As they dissect the movie's most unsettling moments, listeners will gain a deeper understanding of what makes "Eraserhead" a unique and haunting cinematic experience. This episode is especially significant, as it was requested by a listener who left a 5-star review on Apple Podcasts. The “We Watch It!” crew is dedicated to giving their listeners what they want, and this episode is a testament to their commitment. Listeners can visit wewatchitpodcast.com to access all episodes of the show, submit their own requests for the hosts, and even track Shannon's progress on her movie list. So tune in to "We Watch It!" and join the hosts on this eerie and unforgettable cinematic journey. WRITTEN & DIRECTED BYDavid Lynch STARRINGJack NanceCharlotte StewartAllen JosephJeanne BatesJudith Roberts Laurel Near

BRT Entertainment – Sports Business w/ Rick Horrow, Aliens & X Files w/ Nick Pope, + Hollywood w/ Corbin Bernsen  - BRT S04 EP09 (171) 2-26-2023   What We Learned This Week Corbin Bernsen of LA Law & Major League fame stars in a new docuseries Journey of Faith Rick Horrow aka Sports Professor - brokered multiple $ Billion deals with stadiums Nick Pope 'Real Fox Mulder' - Alien consultant, worked in Gov't, now works in TV       ABOUT RICK HORROW Rick Horrow, one of the pioneers who has shaped the sports industry since 1972, has brought together over 100 industry leaders with insights on the history and future of the industry in his new book, The Sport Business Handbook: Insights from 100+ Leaders Who Shaped 50 Years of the Industry, published by Human Kinetics and now available at Amazon.com and other bookstores. Horrow posits the beginnings of what we've come to know as the modern sports industry to 50 years ago, during the time of the 1972 Munich Olympics, the undefeated Miami Dolphins, and the passage of Title IX legislation, among other milestones covered in his wide-ranging book. Horrow, a life-long sports fan who started keeping scorebooks of every baseball and football game he ever watched at age 7. It was during one day at Harvard Law that convinced him that sports, and sports business, could be more than just a passion, but a career as well. Horrow took that passion, and that degree, and became one of the most influential behind-the-scenes people in the modern sports landscape. A popular speaker, writer and commentator on the business, law, and politics of sports, Horrow's nickname, "The Sports Professor," has its origin in his role as Visiting Expert on Sports Business at The Harvard Law School, where he received a law degree alongside Chief Justice of the Supreme Court John Roberts, his roommate. As CEO of Horrow Sports Ventures, Horrow has been the architect of more than 100 deals worth more than $20 billion in sports, performing arts, and other urban infrastructure projects. Horrow pioneered the public/private partnership and infrastructure branding concepts that, to date, has enticed more than $4 billion in corporate funding to cities and development projects. Besides developing stadia and arenas, Horrow's ability to put together multiple urban initiatives into one package for voter approval has resulted in the building of new performing arts and convention centers, schools, libraries, transit projects, and tourist destinations. Horrow's clients have included the NFL, NHL, Major/Minor League Baseball, U.S. Polo, PGA Tour, NASCAR, Great White Shark Enterprises (Greg Norman), Ladies Professional Golf Association, Major League Soccer, General Sports Venue/AstroTurf, Edelman Financial, EVERFI, Citrix, Cisco Systems, CA, Guggenheim/Group One Thousand One, Globecast, Enterprise Rent-A-Car, Golden Bear International (Jack Nicklaus), Portland Trail Blazers, Indianapolis Colts, Baltimore Orioles, Cleveland Indians, San Francisco Giants, New York Mets, and the State of West Virginia. He has been a key player in stadium, arena, and speedway deals in New York City, Los Angeles, Chicago, Miami, Orlando, Oklahoma City, Indianapolis, Charlotte, Boston, Denver, Seattle, San Francisco, Philadelphia, Detroit, Cleveland, Jacksonville, New Orleans, Houston, Green Bay, San Diego, Kansas City, Pittsburgh, and El Paso. Horrow has also brought sports and entertainment ventures into Brazil, Argentina and Trinidad & Tobago, among others.   ARTICLE FROM MORNINGCONSULT.COM ON PREDICTIONS, STORYLINES & EVERYTHING ELSE THE SPORTS INDUSTRY IS WATCHING IN 2023 https://morningconsult.com/2022/12/21/2023-lookahead-predictions-for-the-sports-industry/   ARTICLE FROM SPORTSPROMEDIA.COM ON MLB REJECTING SPORTS BALLY SPORTS' STREAMING PROPOSAL https://www.sportspromedia.com/news/mlb-diamond-bally-sports-rsns-streaming-tv-rights-bankrupt/?zephr_sso_ott=3tmk9Z     Notes – Rick Horrow sports professor, book sports business handbook Major cities want to have sports franchises from the big four. They want to attract big sporting events like golf tournaments, business conventions, the Super Bowl, college bowl games, or an Amazon shipping site. This has a huge economic impact for a city, plus it gives it constant media and PR when events are located at that city. For example Phoenix is hosting the Super Bowl, and phoenix gets mentioned hundreds of times in a week on TV or thousands, and millions on the Internet and blogs. It is very difficult to buy the type of PR that you get from media coverage on the big events. This is why cities like Miami, Dallas, Los Angeles, San Fran, Vegas and Phoenix are always being talked about is destinations. There is a lot of coordination involved along with public investment to get these major events at a city. The governor is involved, county people, and the mayor who usually takes the lead. Cities have departments of economic development specifically for these tasks. It requires often a vote from the public, as well as public investment. What is going to be the ROI on having an event. What type of tax revenue do you get from travel, visitors, and hotels. On top of that there is community pride, so then people want to move to that city. Rick is the editor of the sports handbook, and had numerous sports figures write a chapter, and also Coach K wrote the forward. He worked with Jerry Colangelo, Paul Tagliabue former NFL commissioner, Ryan Anderson of ASU fame, and Derek called of the baseball Diamondbacks. Sports, sporting events and even events around sports have become a CTV. An example of this is the NFL draft or the NFL combine. Sports transcends TV, and becomes a worldwide global event. Radio city music Hall in New York used to host the NFL draft every year. They let that deal lapse and now the NFL draft is a traveling tour every year. NBA free agency, NFL free agency, has made these sports year-long events. People talk about the trades and the draft often in the off-season. In 2010 it was a major TV event on ESPN called the decision when the LeBron chose the Miami Heat in free agency.   Clip from - Primetime on the Big Game, Making of Super Bowl Ads w/ Rich Singer - BRT S04 EP04 (166) 1-22-2023     Guest: Rich Singer  https://www.linkedin.com/in/richsinger/  Award-winning Creative Director/Copywriter with over a decade of experience. Brands include Nike, The NFL, ESPN, E*TRADE, Yahoo and GE. Portfolio: zackandrich.com   You know you have a successful Super Bowl ad when it's a crowd pleaser, people are entertained, and they are talking about it the next day. The goal of any great Super Bowl ad is to be memorable and entertaining. Again clients are spending a lot of money, $10 million for this process. $7 million with the NFL and Network to air the ad, and a $3 million production cost. You're hiring actors, production teams, possibly celebrities and athletes. Full Show: HERE   NICK POPE BIO Nick Pope ran the British Government's UFO project. From 1991 to 1994 he researched and investigated UFOs, alien abductions, crop circles and other strange phenomena, leading the media to call him the real Fox Mulder. His government background and his level-headed views have made him the media, film and TV industry's go-to guy when it comes to UFOs, the unexplained and conspiracy theories. Nick Pope has consulted on, and helped to promote a number of alien-themed movies, TV shows and video games, including Ancient Aliens. He has hosted, consulted on and contributed to numerous TV shows, has written six best-selling books, and lectures all around the world. Nick Pope lives in the United States, splitting his time between San Jose and Tucson. ALIENCON - A Live Event to Explore Unexplained Mysteries and Provocative Questions Through Exclusive Panel Discussion with Experts Across Fields, including Ancient Astronaut Theory, National Defense, Astrophysics, and Investigative Journalism AlienCon?, the world's first convention dedicated to seeking the truth about extraterrestrial existence throughout history and solving mysteries of the universe, today announced talent and programming updates for its March 4-5 (2023) live event in at the Pasadena (CA) Convention Center. Presented by A+E Networks? and Prometheus Entertainment, the live 2-day event will cover an expansive breadth of unexplained phenomena, from the ancient (Egypt, Mayans, Chariots of the Gods, ancient engineering) to present day (disclosure, encounters, UAPs) to explore what lies between science fact and science fiction. The event is inspired by The HISTORY? Channel's hit series Ancient Aliens, and will also feature fan favorites The Secret of Skinwalker Ranch, The UnXplained and The Proof Is Out There and will be held for the first time since 2019. AlienCon website: https://www.thealiencon.com/   Notes: http://nickpope.net/wpte19/ AlienCon website: https://www.thealiencon.com/ Worked in Government for years, now does consulting with media, an author (of fiction and nonfiction books) & speaker. Misses the Government, being part of the action Consults on shows on the History Channel, like Ancient Aliens, Cable TV and the need for more content has allowed creators to come up with some popular alien shows  Likes being compared to the X Files character Fox Mulder Knows when something is in the sky that seems mysterious, whether a spy craft (that was shot down recently), military test vehicle, or a weather balloon – he will get a call So much visual evidence of aliens, Nick says there is something out there - Roswell, Alien abductions, Military secret vehicles – always something going on to attract the public's interest There are pros and cons of the PR the military gets with alien Qs or strange incidents, per Nick there are both skeptics and believers in Government    CORBIN BERNSEN BIO Corbin Bernsen comes from an entertainment family. His late mother Jeanne Cooper, had been on the long running soap The Young and Restless for 35 years. A graduate of UCLA where he earned a Bachelor's degree in Theater and a Master's degree in Playwriting, he most recently starred as Kyle Nevin on the FOX series The Resident. He was first catapulted to stardom during the 1980s by the hit NBC TV series, L.A. Law. Twice, he was nominated for both an Emmy® Award and a Golden Globe Award® for his performance as Arnie Becker on the show that virtually created the ensemble drama as we know today.   Along the way he hosted Saturday Night Live, and guest starred on Seinfeld and Star Trek and starred as Henry Spencer on USA Network's hit original series PSYCH. In the feature film arena, he starred in the comedy Hello Again, followed by other critically acclaimed roles in Disorganized Crime, Wolfgang Peterson's Shattered, The Great White Hype, and as the Cleveland Indians'  3rd baseman-turned- owner Roger Dorn in the extremely popular Major League series of films. Other film credits include Lay the Favorite with Bruce Willis and The Big Year with Steve Martin, Jack Black and Owen Wilson. He also appeared with Robert Downey Jr. and Val Kilmer in Kiss Kiss Bang Bang.   Bernsen moved to the other side of the camera, directing films Guy, Dead Air and Rust, which was distributed by Sony Pictures Entertainment. With Rust, Bernsen shifted his focus to family friendly movies and formed Home Theater Films. 25 Hill, which he also wrote and directed, is the first title from his company in July 2012, and Journey of Faith (2022).   In addition to his acting, producing, writing and directing roles, Corbin has one of the largest snow globe collections in the world, in excess of over 8000, which he keeps displayed at his production company. He lives in New York with his wife, actress Amanda Pays (married since 1988), and their 4 sons.   ABOUT JOURNEY OF FAITH, NOW STREAMING ON PURE FLIX Watch Corbin Bernsen in action in the series "Journey of Faith" that follows him as he makes a movie! Inspired by the Red Paperclip trade, together, Corbin Bernsen, a film crew, and the town of Kipling, make a movie during a frigid winter, and little did they know the miracles that would transpire.   Trailer: https://app.pureflix.com/videos/499123750863/play?autoplay=true   * Corbin - give us a brief overview of this docu-series Journey of Faith that is streaming on Pure Flix.com? * There is a pivotal point after your father's death that you questioned the afterlife, humanity, and faith- did his passing affect you differently from your mother's passing? * Most remember you from L.A. Law and feature films and recently Magnum P.I. and The Resident -how have you been able to sustain such a long career in the industry?     Notes:   Journey of Faith, docu-series on PureFlix – TV show about the making of a movie   Corbin wrote the movie, and the series is behind the scenes edited footage, 400 hours worth   Movie is about dealing with the death of his father, and realization time has moved on   His mother started and encouraged his career, studied at UCLA   LA Law – big NBC TV show in the 1980s, created by pioneer Steven Bochco Hill Street Blues, NYPD Blue, Doogie Hooser MD   Ensemble show with lots of ‘first' on network TV   Most know nowadays for Psych – USA detective show       If you enjoyed this show, you may like:  BRT Sports:  HERE  BRT Hollywood: HERE BRT Marketing: HERE BRT Business: HERE  More - BRT Best of: https://brt-show.libsyn.com/category/Best+Of     Thanks for Listening. Please Subscribe to the BRT Podcast.      Business Roundtable with Matt Battaglia The show where Entrepreneurs, High Level Executives, Business Owners, and Investors come to share insight and ideas about the future of business. BRT 2.0 looks at the new trends in business, and how classic industries are evolving.  Common Topics Discussed: Business, Entrepreneurship, Investing, Stocks, Cannabis, Tech, Blockchain / Crypto, Real Estate, Legal, Sales, Charity, and more…  BRT Podcast Home Page: https://brt-show.libsyn.com/ ‘Best Of' BRT Podcast: Click Here BRT Podcast on Google: Click Here BRT Podcast on Spotify: Click Here                    More Info: https://www.economicknight.com/podcast-brt-home/ KFNX Info: https://1100kfnx.com/weekend-featured-shows/   Disclaimer: The views and opinions expressed in this program are those of the Hosts, Guests and Speakers, and do not necessarily reflect the views or positions of any entities they represent (or affiliates, members, managers, employees or partners), or any Station, Podcast Platform, Website or Social Media that this show may air on. All information provided is for educational and entertainment purposes. Nothing said on this program should be considered advice or recommendations in: business, legal, real estate, crypto, tax accounting, investment, etc. Always seek the advice of a professional in all business ventures, including but not limited to: investments, tax, loans, legal, accounting, real estate, crypto, contracts, sales, marketing, other business arrangements, etc.  

Corbin Bernsen comes from an entertainment family. His late mother Jeanne Cooper, had been on the long running soap The Young and Restless for 35 years. A graduate of UCLA where he earned a Bachelor's degree in Theater and a Master's degree in Playwriting, he most recently starred as Kyle Nevin on the FOX series The Resident. He was first catapulted to stardom during the 1980s by the hit NBC TV series, L.A. Law. Twice, he was nominated for both an Emmy® Award and a Golden Globe Award® for his performance as Arnie Becker on the show that virtually created the ensemble drama as we know today. Along the way he hosted Saturday Night Live, and guest starred on Seinfeld and Star Trek and starred as Henry Spencer on USA Network's hit original series PSYCH. In the feature film arena, he starred in the comedy Hello Again, followed by other critically acclaimed roles in Disorganized Crime, Wolfgang Peterson's Shattered, The Great White Hype, and as the Cleveland Indians' third baseman-turned- owner Roger Dorn in the extremely popular Major League series of films. Other film credits include Lay the Favorite with Bruce Willis and The Big Year with Steve Martin, Jack Black and Owen Wilson. He also appeared with Robert Downey Jr. and Val Kilmer in Kiss Kiss Bang Bang. He joins JT to discuss more on himself and his works.

En este último episodio de EC Byte conversamos con representantes de la  UCAL sobre cómo algunas plataformas digitales han despuntado en las preferencias entre los más jóvenes. También, dialogaremos con Luis Carlos Burneo, quien ha cumplido 15 años desde que abrió su canal de YouTube La Habitación de Henry Spencer, y no solo se ha afianzado como uno de los principales creadores de contenido de nuestro país, sino que también está pisando fuerte en el ambiente de la comedia en stand-up.See omnystudio.com/listener for privacy information.

Welcome to the LoDown, a podcast exploring the voices in and outside the entertainment industry and hosted by Lois Robbins. On this episode of the LoDown, we hit the time machine and travel back a few decades to a time when two actors met and began a friendship. Lois is joined by her long-time friend, Corbin Bernsen and my-oh-my do they cover some ground. For starters, you might remember Corbin from his early years on NBC's “LA Law” where he played Arnie Becker on the show that virtually created the ensemble drama as we know today. Or maybe you know him as Henry Spencer from USA's hit series “PSYCH.” But the conversation doesn't stay on acting. Between exploring the trials and joys of building a healthy career and the value of good story and character development, Lois and Corbin travel into deeper themes: family commitment, the unspoken gratitude parents and children share, and some keys to a happy relationship. To top it off, it's entirely wrapped in laughter and devilish humor and some anecdotes of George Clooney and Richard Downey Jr. to boot! We hope you enjoy this strong hit of nostalgia on this episode of the LoDown!    To learn more about Corbin, find him online. Twitter: @corbinbernsen Instagram: @cdbernsen Website: www.corbinbernsen.com   Have questions for Lois? Record yours using a smartphone and send it to us, or DM us your question on Instagram. Find out more at www.loisrobbins.com or find Lois on Instagram @loisrobbins21 and Twitter @loisrobbins Be sure to rate and review us on apple podcasts or Spotify. Even better, share us with a friend.

April and Tyler discuss the show Psych, specifically Shawn Spencer and his dad Henry's relationship. Through the years their relationship has hit some rough spots and through therapy they are looking to learn how to open up and heal the past. 

They called me many things… “Monster,” “The Man Without A Soul,” “Hammer Man.” My name is Henry Spencer and this is the story of the Tango Teacher Murder.Paradise Square at the Nederlander Theatre in Chicago - November 2nd through December 5th:https://www.broadwayinchicago.com/show/paradise-square/Show some love for the podcast for the cost of a cup of coffee and help offset production costs:https://www.buymeacoffee.com/chicagohistoryNeed music for YOUR projects? Audiio has got you covered. Try a free trial here:https://audiio.com/pricing?oid=1&affid=481Anything purchased through the links below may generate a small commission for this podcast at no cost to you and help offset production costs.BOOKS ABOUT CHICAGO!TRUE CRIME:Sinister Chicago by Kali Joy Cramerhttps://amzn.to/2WV7F9VMurder & Mayhem in Chicago's Vice Districts by Troy Taylorhttps://amzn.to/3zgTBGlSecond City Sinners: True Crime From Historic Chicago's Deadly Streets  by Jon Seidelhttps://amzn.to/3g5n1jsUnknown Chicago Tales by John R. Schmidthttps://amzn.to/3x6GgPhThe Gangs of Chicago: An Informal History of the Underworld by Herbert Asburyhttps://amzn.to/3zlYL3DMurder and Mayhem on Chicago's South Side by Troy Taylorhttps://amzn.to/3BeIjmg (paperback)https://amzn.to/3kkBVmK (FREE with Kindle Unlimited)Join Kindle Unlimited here: https://amzn.to/2WsP1GH CHICAGO MOVIES!Backdrafthttps://amzn.to/3y33plMAbout Last Night (1986)https://amzn.to/2W8v4EUCall Northside 777https://amzn.to/3ggBPeSSummertime Outdoor Movies? Here's the gear I use:UUO 1080p Projector:https://amzn.to/3v6F25S120" Projector Screenhttps://amzn.to/3ozAuTfLooking to get out and explore Chicago? Here are a few ideas:Chicago Movie Tourschicagomovietours.comChicago Mahogany Tours by Dillahttps://www.eventbrite.com/e/chicago-mahogany-tours-by-dilla-tickets-151328328103Chicago Detours: Tours For Curious Peoplehttps://chicagodetours.com/Love the podcast? Leave us a review!https://lovethepodcast.com/chicagohistorypodChicago History Podcast Clothing, Mugs, Totes, & More (your purchase helps support the podcast):https://www.teepublic.com/user/chicago-history-podcasthttps://teespring.com/stores/chicago-history-podcastChicago History Podcast (chicagohistorypod@gmail.com):https://www.chicagohistorypod.com

In this episode we take a reminiscent look at my wedding and how I kept my training up even during the big day. As my wife got me a lovely message from the wonderful human that is Corbin Bernsen, me and adam have decided to take a reflective look at why Henry Spencer might be one of the most important characters from the hit show Psych when it comes to the development of acute observational skills. Not that Shawn would ever admit that to be fair, although, i have heard it both ways!ACT 3 IS OUT NOW! Click here to find the E-scape room game: https://www.youtube.com/channel/UClgLfAgmylUqvNMn1bzN5WQDon't forget to subscribe to my newsletter through my website https://www.bencardall.comYou can support the channel and get your own copy of The Monographs here: https://linktr.ee/bencardallhttps://www.bencardall.com/1-on-1-coaching/ contact me for further detailsDon't be strangersBen and Adam :)

Aloha friends is Robert Stehlik. Thank you for tuning into another episode of the blue planet show.  on the blue planet show. I interview Wingfoil athletes, designers and thought leaders. And I asked them questions, not just about wing foil equipment and technique, but I'm also trying to get to know them a little bit better, their background, what inspires them and how they live their best life. You can watch this show on YouTube for visual content, or you can also listen to it as a podcast on the go to search for the blue planet show on your favorite podcast. I haven't come out with a new blue planet show for awhile. It's cause I've been super busy. You might've heard that. We took over a new shop in Haleiwa on Oahu's north shore, formerly known as tropical rush. We just opened there and I've been super busy, getting everything set up. It's really exciting, but it also, it takes a lot of time. So I haven't had as much time for the YouTube channel and the blue planet show, but I've been waiting for a long time for Alex  to come onto the show and he finally had some time to do it. So I got a great interview with him. Alex is nutty about wing foiling. He's coming out with GoFoil Wing foil boards and wings. And of course he plays such an important role in the development of the sport. He basically invented the foil that allowed Kai Lenny to do downwinders on a big long board. And basically kick-started this whole sport of foiling in the surf and now with wings. So thank you for that, Alex. And without further ado, this is the interview with Alex. All right, Alex Aguera. Thank you so much for joining me on the blue planet show. So how are you doing today? Doing great early in the morning, over here. How are you doing Robert? I'm good. Yeah. So I'm on here on a Oahu. You're on Maui, nine o'clock on a Wednesday. So yeah. So tell us, let's start a little bit with your background. Where did you grow up and how did he get into water sports and like early childhood to start from the very beginning? For getting into water sports, it started when I was let's see about 14. We went on a family vacation. I grew up in Clearwater, Florida, by the way. And. We went on a family vacation to the Virgin islands, British Virgin islands, and we're going to be on a sailboat and, do the bareboat charters where you travel around to each of the islands. And it's, it was just a fun, two week trip in the, in a place where we'd never been in places that were super clear water like that crazy, it was just fantastic. But anyway, the captain of our boat, we had hired a captain who would sail us around to the, for the first week. And then we were on our own. The second week, the the guy would put this wind surfer in the water at this one place where we first started called Soper Sol and Tortola. Any of, they would start sailing around with him and his other captain, buddy friend, on this funny looking sailing craft that, ended up being one of the original. Baja style windsurfers. So this would be for the original windsurfer was some of the first boards that oil swipes, or it may, and it looked like a big, giant, long board made out of a fiberglass. But anyway, when we got back to Florida after the chip, my dad wanted to check this out as a possible, get the kids doing this. Cause we were riding motorcycles and stuff at the time you wanted to get us off of motorcycles. So he calls up Hoyle Sweitzer, which was windsurfing international or whatever. They called themselves. At that time, this was really early. This is like 1975. And oil tells him, he goes, Hey, I'll sell you six of them and make you a dealer, so it was like, okay, we were the first dealer and in Florida and it all started from there. We started wind surfing right in 1975. And that's how I got into all these other sports that have evolved since then. Oh, that's so cool. Yeah. Foil Schweitzer is Zane Schweitzer's grandfather who basically invented the sport and had the patent and everything. Yeah. So your dad became the first either the first wind surf dealer in Florida. Yeah. Like district nine or whatever, what are they? I can't remember fleet nine or something, the, for the ninth, one in the United States. So that's when the books were still made out of wood and stuff like that. And the bowl we're still out of wood. There was a daggerboard was still out of wood. We hadn't progressed to, a composite looking white daggerboard yet. And we hadn't invented harnesses yet foot straps or anything. Okay. And then, okay. And then what happened next? After that, we Pursue to get better and better at wind surfing. And my dad started to be the distributor for the Southeast United States. And we were really in the winter and our whole life changed from, he was working at Honeywell, which is one of the firms down there in Florida. He was a engineer. And then he switched over to just going to be wind surfing. We're going to go all in, into this wind surfing thing. So from there, we add a whole bunch of people in Florida that we were the original Florida wind surfing crew. We called ourselves the fearless flying Floridians there for a couple of years. And it was a real close crew there in the Clearwater Sarasota area that we always raced against each other. And we just got better and better. And then pretty soon we were doing well in the national and world championships. Awesome. And then. How old were you when you did that kind of the racing and your first world championship? I guess? My first national championship was the following year. What Hoyle used to do back then was we would do these big district championships. There was like maybe five or six throughout United States and whoever had won their district championship would get a free trip to the nationals. So the nationals then following year in 76, I'm 15 years old, a win, a free airfare to Berkeley, California, where we're going to do the nationals. And I traded it in for money to buy a bus ticket and pay for my hotel when I'm over there. So just imagine you're 15 years old, you're traveling in a Greyhound bus, cross country. Get over there, you rent your own wind surfer back then they would have, rental packages where you just come in, rent your own gear and then raise. So at 15, that was quite an experience, to have my parents to be able to let me go, all the way across the country and do that all by yourself was, looking back at it now back then, seem oh, that's okay. I can do this. We'll look back at it. Now. I was like, God, I would never put my kids through that. But that was a fantastic Regata because. What happened was, so it was 76. We're at Berkeley. We had a lot of wind and stuff, but as first time I get to meet Mike waltz and Matt Sweitzer, who were like the gurus back then of windshield, because they had a thing called the windsurfing news, which was like a little paper back, like a magazine, the early wind surfing magazine was a paperback called wind surfing news. And it was always the swipe tours and like waltz and this and that. So we get over there, meet Matt and Mike can win or goes for his first championship with all the boys. And Robbie Nash does his first championship. All the boys, he, so little 12 year old blonde kid comes in from Kailua. So it was like, all of us got together for the first time at that time. And he was Robbie Nash is two years younger than you about, okay, so you were 14 and then there's someone even younger than you showing up. Yeah. Yeah, that was, how did you do in that? Oh, I got beat up. It was blowing really hard. And in Florida where I learned, I was just learning to race around and, barely get planing kind of conditions, which we have in Florida coming up to that summertime, you get to Berkeley, it's blowing 20 to 20 fives, sometimes gusting 30 and one of the races. And I don't think I got across the starting line. I got beat up. I was just rag dolling. Cause you only had one, one sail and it was pretty big. I probably weighed 125 pounds at the time. And I remember there was these divas, these sisters, the SWAT tech sisters. There was Susie and Martha and The girls just beat up on me. I was getting whooped up on by girls mad. It was like, oh, bad. It was, I was humbled when I went there, but watching some of the stuff that was just then evolving because Robbie had come over and he started doing this railroad thing, it's the first time any of us see a rail ride. And I was like, oh my God, what is that kid doing? Who is that kid? And then by the time, the week it ended max White's here. And I think Mike had picked it up and Ken were all doing railroads by the end of the week. They had figured it out. But when you first saw that, I was like, what the heck? That's something new. And then we did one of the, I think it was, could have been the very first freestyle event there. And. The guide who Dennis Davidson, who was one of the original Kailua windsurfers was putting a little teeny fin on his board. He was doing these super fast tax and stuff. And we were like, wow. And he ended up winning the very first freestyle. Oh. And then again, so that's awesome. And so then how did that progress it, you became a professional windsurfer, right? Yeah. That that was many years later in about 1980, started getting paid to do wind surfing races by wind surfing international and oil spikes or, and we would go over to Maui for the first time. We were going to do the Pan-Am world cup was a real big race. It was for high wind and it was in Kailua. And the first year I didn't go to, it was in 79. There wasn't any wind. So they had to race in Waikiki. The next year, oil flies us out. I spend six weeks on Maui practicing with Mike waltz. He had told me, Hey, you gotta come over here and see this place. If it blows all the time, he had just discovered Okinawa, within the last six months. And he goes, there's nobody around the wind's blowing all the time. There's waves. So my brother and I went over there and hung out with Mike for about six weeks. Then we went to Kailua to do the first real pan Emmerich's. It was blowing hard and it's like the windiest day you've ever been in Kailua now is what we experienced for a whole. And we were like, oh my God, this place is gnarly. We were scared to death coming from Florida and seeing that kind of stuff. And that was one of the very first, big, high wind regattas and wind surfing history. Wow. Cool. And you said your dad was an engineer at Honeywell. So did you ever get any like formal education as an engineer or any kind of like that kind of thing? Or is it, are you just all self-taught on the side? Yeah, on that side, it's been mostly self-taught. I went to, some business classes in community college after I got out of high school, but I moved over to Maui after that 1980 trip. I was like, oh, I'm selling everything. I'm moving to Maui. As soon as I can. It took me about a year and a half to be able to pull it off. Then I moved back in 1982 to become a professional. Nice. Yeah. And then, so how was that getting started on Maui in the eighties? That was something, it was great. We were, I don't know if Paya very well, but back then there was, it was hardly anybody in pyuria. There's no traffic light. We rented a place. It's right next to where mana foods is now, back then, there wasn't any model foods yet, but we rented a Quonset hut there. That is where they still store some of their, use it for storage of some of the stuff that the store. But anyway, there was at some time, six of us staying in this Quonset hut for 250 bucks a month rent. So we're all paying like 40 bucks a month rent and living in Maui, nobody around we're going to hokey every day and just having a blast, nobody around on the road, everybody you saw on the road was a windsurfer. You knew everybody. It's like now it's all tourist going by. Yeah. Molly has changed a lot. I lived there in the nineties or late eighties and early nineties. I lived in Peggy too, like really close over there. So I remember those days we lived in a basement apartment, which is super cheap, but yeah. And then driving old Molly cruisers rusted out cars, all that. And then, and then at that time, when surfing was developing really rapidly and changing and stuff. And did you start making equipment back then already? Or how did that, how did you get into business that business? I used to, I was sponsored by high-tech surf sports and Craig Masonville, who was the original guy for high-tech used to shape all of my boards. And we were riding the old asymmetrical, wind surfing boards that we used to ride at hook. I want a couple of the big contests that hook keep a riding those. And then I was always on the pro world tour for wind surfing. And eventually it was hard to get the boards that you wanted, because I had to start working for my French guys Tega and they were making me boards and then Craig was making me boards and it was hard to get boards on time sometimes through the high-tech factory. And I said, oh the heck with this, I'm going to try and start building boards myself. So in 1989 was probably the first time I was racing on one of my own boards. I remember racing in the Gorge and doing really well on that. And at the high-tech surf summer series I won a couple races on my own board and I was all proud. I was like, oh yeah, I might be able to do this. So that's how long ago I started. Yeah. Nice. So those are, slalom racing boards is, were your first boards you built? I got the first boys were slalom racing boards. The way boards is a little bit more technical cause it's easier to break those. So the first law and boards, I didn't have any sandwich on them. They were just covered with carbon and I had some elaborate process for stretching the cloth over it and wetting it all out and keeping the rock or shape, and then learn how to do vacuum bagging and sandwich construction after that. Yeah, I was working for hunt Hawaii in those days and he, we were, he was still building boards with using polyester as in, but then I guess at that time it would switched over to Potsie. So is that, what do you use the proxy or polio? My first boards from Masonville were always polyester. Then we started switching to a poxy in about 1985. I've got a slot onboard that Dave calling on, who was the laminator for high-tech back then we started experimenting with styrofoam and carbon fiber, and I raced the first one in 1985. I think it was. And that's where we're like, oh man, this is white, stiff and strong. And we're like, the lightness was just incredible compared to polyester. And I won the Gorge the second year in a row on that board. And I won the Japan world cup that year and in the spring on that court. But we learned a lot of things about, styrofoam construction goes back. We would just sink the boxes into the styrofoam. And then by the time I had finished the Japan race, my deck box had collapsed into the board. There was a big hollow spot inside. Okay. We were learning a whole new phone core and what to do with it. There was a lot of learning in that. Luckily the board stayed together until the race was over. Yeah. Classic. And then use like vacuum bagging and all that kind of stuff too, or just regular later. Yeah. When I started, I got my first vacuum bag bored by this guy, Gary efforting, who was a, you might remember him. He was the guy that made Hypertech in the Gorge and him and Keith notary would do these. They called it a clam sandwich or something where they were doing vacuum bagging. But Gary and I, he was a friend of mine because we all grew up in the same area in Clearwater, Florida. And he was showing, he made one of my original 12 foot long boards that we used to raise some world cup. And he was using this new aircraft technology called sandwich, construction. And he was the first guy that I saw doing sandwiches on boards. And slowly I learned how to do all of those process. A lot of it was trial and error, but eventually I was, I had retired from the pro wind surfing tour and started running the probe windsurfing tour. And then at the same time as being the race director, I started building boards for top guys like Kevin Pritchard and Mike abou Zionist. And those were all, they had to be super custom, super like sandwich boards. Wow. Okay. And then I guess when tiding came around, you got into kite surfing or yeah. W what happened there? The kite surfing, it was it was funny because we were sitting over here. We're all wind surfers. Layered was still a wind surfer. And he started playing with this kite and my other buddy maneuver Tom from France was starting to experiment with this kite thing and we'd see him at home Keepa. The guys were takeoff with these funny, real bars and all kinds of weird hiding stuff and start sailing this kite and go cruise down the coast, and ended up down at Kanawha or wherever. And I'm like, wow, that looks pretty interesting. What the heck is that? I didn't want to do it until somebody got back to the beach. They started out, I'm not really into this down winter and you're out there, on this thing, out in the blue water, with the, whatever could go wrong in palette around with the shark. So okay. If you could get back to where you started, that's what I finally started getting into it now. I don't know, in 97 or 98 or whatever, somebody was finally making it back. But what really got me into it was flash. Austin had moved over from Florida. He was lived in Daytona and he came over and he was this new kite guru guy. And I would watch him jump and he's  25 feet in the air and just hang in there and then come down real soft of flashy to have great Ky control. He still does. And I was just watching that going, wind surfing. If you jumped 25 feet in the air, you come down hard. I don't care what kind of stuff you're doing. It's that there's an impact. So I was like, I really want to do that. That's what really got me interested in kiting was watching flashed land softly. I'm like, okay, now I want to go boosting. So when you got into D did they still have those reels where you had two reel in the kite, if you get, if you drop it in the water. Yeah. Those guys were still using that, but I'm Brett lyrical and all those guys had their kite reels and I'm like, no, I'm not playing with that. Cut real. Does they look like you eat it? And then there's all this metal and stuff in your face. I started out with one of the two line whip, mocha kites, and then progressed to a two line Nash guy. And then eventually we started making four line kites and it got a little bit easier, those original to lion whip because, and stuff, they were all that was around, but they were a little bit dangerous. There was a lot of accidents in those early days. It took a while before at least five years before the kites got, safe enough to where, people weren't hurting themselves so bad anymore. Yeah. And then I guess around that same time the strap crew I guess layered and restaurant, all those guys started foiling, right? Torn, foiling and jaws and stuff like that. So when was the first time you tried foiling and how did you get into that? Foiling. I didn't try foiling until much later. Those guys were all into these BNN, bindings and strapped into this little board and everything weighed about 60 pounds. It seemed and big aluminum, mass and just super heavy. And then of course, these guys were real right. They were like, Hey, we're going to go to jobs. We're going to ride out or spread, it was like, you're all in, or you're not, and I'm like, they're like, Hey Alex, you got to try this. And I'm like, no way, man. I'm not going to be strapped into that tank and going over the falls. And that looks dangerous. But those guys there, they really were into it at the time. And we were all towing too at the time. With, our little tow strap boards. And I remember one day we were out at Spreckels mill and rush Randall is towing around. It's pretty small for tow day. We like to tow it. It's eight foot plus, and have some fun and it's four feet occasionally. And you're waiting for a set, but rush is going around in circles, just on his foil, cruising around at least doing backflips, going out with this thing while he's getting pulled with the checks. And we're like, man, what the heck? Russia's having a lot more fun than we are. So that was one of the first times where I really looked at it and go, wow, this could be fun. But for me to actually get into it myself, I was kite foiling at the time I had start, this is a, it was a funny story because I had stopped kiting for like about five years, Jesse Richmond, who was the world champion at the time. And his brother, Sean, they were like the best or kiters on Maui. And Jesse goes, Hey, you got to start making some kite or some tight race boards for us. I'm getting beat by girls out on the course. We just started this tight racing thing. So Jesse got me into kiting again. So I built a few boards. Then I had to test them with those guys. And that's how I got back into kiting then. So this lasted for. Maybe three years of kite racing. That was the one that we had the big, three fins on it. And you're, racing up when, so then my buddy in Martha's vineyard, we started foiling back then they were riding all kinds of funky foils, but it was the early days of foils. Most of them came out of France back then and he goes, Alex, I need you to make me a kite foil board and I'll trade you this foil, you got to start getting into foiling and you I'll trade it for a board. So I did this with my buddy, Rob Douglas, he's the world speed record holder for kiting back in the day. And he goes, okay, we're going to do a trade. So that was my introduction into kite foiling. And he gave me this foil that he had already beat up. He weighs about 2 35 or breaks the heck out of everything. And it was all wobbly and I had to keep fixing it. I was breaking it and stuff, and that's how I got. My first initiation into foiling and how to build foils. Cause I was always fixing it. And then I started making my own wings, and that's that was, started me all into foiling. Yeah. And on those foils for kite, for them back then were tiny, right? Really small wings and really long mass and so on. Or is that kind of what you started on? That's what we all started on because back then it was the same thing with layered in those guys. We had these really thin foils cause we were only interested in speed. We wanted to go faster and faster. Nobody wanted to make something to go slower. So everything back then it was, they were small, they were thin, everything was like the fast race foils were less than, 13 millimeters thick. They were, 14 or 15 millimeters was a fat foil. So that's what that's what we used to do. Yeah. And then at, and did you, when you made your own fuzzy, like CNC of them out of G 10, or what kind of how did you make your own foil? Basically what I did in the beginning was I would take some existing foil that I had, and then I would reshape it and try to figure out how to make molds. So I was making molds and figuring out how to do that. It was a whole different process. I was used to building boards and sandwich, construction, vacuum bag now on a changed to, Hey, you got to learn how to make molds and make these wings. So it was a big learning curve. I've made a lot of mistakes. I burned up a lot of molds. I did all kinds of crazy stuff. It was just like learning to build boards. You've got, there's a big learning curve, but that's what I ended up doing. And I would take some of the wings that I got and that I wanted it bigger or smaller or whatever, and I would reshape them and then make molds off of them. And then when did you actually start your business? The gold foil business and started making foils to sell? Like when was that? Yeah, and I think for Gofoil, I probably was in maybe 2013 or 14. First I put the, a name on my kite foils. Then I went to Vietnam to have my buddies over there at kinetic T. I taught them how to build the foils and then I changed it to go for it. I had this idea I'm over there with the boys in Vietnam and it, they don't speak English, super well. So I'm telling them, what do you guys think about this name? It's like gold foil, just go for it. They'd were like, yeah, I don't get it. I had to go for by myself cause I couldn't get anybody to confirm that, Hey, that's a good idea at the time, but I got my buddies over there to make me the logos and stuff. And that's where I came up with. The name go foil was when I first went over to Vietnam and started putting it in production that's way before any of the foils that everybody knows as gold foil. Now. So the kinetic factory was making your first kite surfing. Foils. Yeah. So the ones in production at first, I was building it all here, custom and I started building boards and the foils over there at Connecticut. Okay. I'm gonna, I'm going to screen share a little bit here. And then at some point He made a foil for Kailani. And then he posted this video that kind of took, I guess now it has over 5 million views, which is just amazing. But can you tell us a little bit about the backstory behind, behind this and how that all came about? There's a long story behind that, if you want to go into it, the, we want to hear all about it. Okay. In the beginning, this was about maybe eight months prior to this Kai was riding my kite foils and we decided that we were going to put one of them on his one of his standup boards. So we put a Tuttle box and one of his, I think he had an eight foot standup order, 76 or something at the time. And we put the kite foil on it and he was going to go stand up foil. And I never really heard back from Kai about it. He comes back about six or eight months later and he goes, Hey Alex, we gotta redo that thing about going down, wind foiling again. And I go what happened with the first foil? And he goes it's dangerous and there's not enough lift. And it was really hard to ride and I'm like, okay let me think about it. And I'll try and come up with something. We'll try it again. So what ended up happening was I spent two weeks taking one of the old kite foils that I had that I really liked that had the most lift and I kept changing it. And adding on, I had this idea that we got to rethink all of this, that, thin foils is not what you need to get going under your own power. We need something that's going to be a slower foil that can lift up more weight, at a slow speed. And I'm thinking shoot, these big aircraft planes that are lifting tanks and stuff go by having bigger thicker wings and different foil sections. And I started trying to mimic that on one of my kite foils. So I would build it up Bondo and AB foam, reshape it and glass in and kept playing with it. And about two weeks before I finally said, okay, you've done enough remodeling here. Cause you're never going to get it. Perfect. You have a little bumps here or whatever, and you're like, okay, let's try. So I call up Kai or I sent him a text and Kai is oh, I'm in LA, I'm on my way to Europe. I'm doing the indoor in in Paris with Robbie. We're doing, it's a wind surfing indoor. Okay I'll try it out and see how it works. So I go down to sugar coat, which is here on Mallee, which is a kind of a bumpy funky way when it's fairly big. And it's like head high Peaky sets all over the place and kind of gnarly, for trying to foil for the first time I go out and say, what the heck I'm going for it. And actually Jeffrey and fin Spencer are in the water surfing and my dentist Barclays in the water. So we've got all these guys witnessing me going out there and trying to kill myself. So I go out big standup paddleboard, or what did you put the foil on? Yeah, I had made a board that was. I think it was eight, six or nine foot was my standup board. I put a total box in it about 24 inches from the tail and I'm thinking, okay, this should be good. Where I want to stand on. It will give me a little bit of lift. Cause I moved it forward compared to what I do on my kite foil. And I use the kite mass though, which is 38, 39 inches tall. I've got this new front wing, which ended up being the original Kaiwei. And so I put that on there, go out. I had a tail wing that I didn't like for kiting, cause it had too much lift. So I used that for the sup foil to cause I needed more or less. So I'm like, okay, I'll try that. See if it works, get out there. All of a sudden I rise up and I'm like, I got plenty of lift and then I roll over and I'm looking at these wings in my life because I'm on this giant mask, and it's just, I kept looking at the wings. After about five near misses of hitting that wing with my face. I go into the beach and I'm thinking to myself now I know what Kai's talking about now. I know why it's dangerous to the masters too tall. So I go back to the shop, cut the thing in half, I cut it down to 18 inches or something and go back to lower lowers it. the next day. And actually take my GoPro and film myself writing. I remember I went over an Eagle Ray or something that day got a nice video and I'm going like, at times almost 50 yards, I'm like, whoa, I could do this. And it was just like amazing. And a couple of my buddies were in the water and saw that fuck buck saw it and Jerry Rodriguez saw it. And these guys were just like, they couldn't believe it. They're like, oh my God, he's doing it. But anyway, is this on your YouTube channel? I put it in Facebook back then Facebook. I put it in Facebook. I've got it somewhere. I can find it. I don't think I ever put it in YouTube. I don't know. I might've. Yeah, but you go that far back, but yeah, I tagged Kai on it and then Kai saw it. He goes, oh, wow, man. I've got to try that as soon as I get back. So he was all stoked. And then when Kai came back, you put Khan on the same board, the same thing. And it's hard to describe right now. We take it for granted that, what are you watching Tom Brady? I couldn't believe that's ridiculous. But anyway while I'm a big fan of the Tampa bay Buccaneers, so he's brought it back to my town. So he's like my hero. He was always a hero for me, but now he's like a super hero, but anyway, Comes back jumps on the same equipment and it's hard. Describe the first time you see a guy who's foiling and he goes, past the peak goes way out to the left, comes back across the peak goes way over to the right and keeps going back and forth. And you're looking at them going, what the heck is he doing? It's just, it was mind boggling to see somebody do that for the first time. And I was like, oh my God, what the heck is going on here? Maybe we have something here. And, Kai is just a freak. He was just doing stuff that was, unbelievable at the time. And I was just like, oh, maybe I should make a patent out of this. This is it. It was just like a revelation seeing something like that for the first time. Yeah. And that, the first foil I got we jet my friend, Jeff Chang, and I'd tried it on a kite foil at first, be behind a jet ski and stuff. And we were really struggling in same thing. Like almost killed ourselves, falling into the foil and stuff like that. But then when we got the first Chi foil, that was like, oh, this is so much easier, but it's funny because at that time, the Chi foils seemed like a huge foil, but now it's actually a kind of a small foil. Most people start on a much bigger flow. Yeah, exactly. That's a really small foil. Now, getting back to the story, how that evolved to your video. Okay. Kai was just riding in the waves that sugarcoat doing this stuff. Henry Spencer took a video of him that was like the first time where you see this going crazy. And then he starts going. He goes, okay. We got to, I got to talk to Rob. We got to put this on one of my downwind boards because we tried it on my downwind board, the same board that we were riding in the surf, and I'd go out there with Kai. He has his 12, six, his regular, Nash board. We're paddling down. When I cannot get up to save my life, no way, especially on a Chi foil. So he goes, Hey, let me try that. Give it to Chi and Chi proceeds to get up like seven times on the way down to sugar coat, like immediately, even on that standup board. And I'm like, the kids are free. He just paddles his weight to strength ratio is just off the chart when he's battling. So he's all over the place. We get all the way down to sugarcoat. He takes off from the outside, which is like at least a hundred and 150 yards outside. And he cruises all the way into the beach and it was like, wow, this is something he spends the next week, trying to talk Robbie into being able to turn one of his Nash boards and put a total box in it. So I go, okay. We'll do that. Just keep talking to Robbie. See if you can pull it off. Eventually Robbie gives him the, okay. Okay. You're going to do it on that board and blah, blah, blah. So we put a tunnel box in at 48 inches. Cause Kai says, that's where I stand. I think that's going to be the good place to put the tunnel box. So we put it in there. I get this text he's down at the Harbor practicing and he goes, Houston, we have a problem. And then he goes on to describe that I'm going plenty, fast enough to get foiling, but the tail is hitting the water and I can't get up just because the total box is so far forward, his tail would drag and bring him down again. So he goes, okay, let's put a tunnel box at 24 inches. Like it is on the other board. And w we should be able to get up and I go why don't we just cut the tail off, and see about it. Like in this video, you can see how I cut the tail off of that board. Put like little diamonds. Yeah. So the next day he shows up at the shop with the board, I said, yeah, we'll put the fellow box. And he goes, Hey, I think you're right. Let's cut the tail off and just leave the total box where it is. That'll give me less bored after he thought about it overnight. And then within about two weeks, he makes this crazy video of him just jamming down the coast on this. And one of the, one of the scenes from the video that really caught my eye was Dave Kalama. And Jr is his cousin are in a two man canoe, which is two man Outrigger, which is the fastest boat. Usually in Maui the pattern and he goes right by them and it was just like, oh my God, what is going on there? It was just amazing. It was like, oh, we've got possibilities now. Yeah. They always screws. That's the dream to be able to just surf the open ocean swells and just be able to keep going indefinitely. And then something that layered had always talked about, we always played volleyball and we were always around together. We always played at Brett's house and layered would always talk about that going. I think we're going to be able to just cruise for miles down the coast on one of these foils. And then, like 10 or 15 years later this is what we. Yeah. That's amazing. And then, yeah. And then what happened after that? Pretty soon after that, Nash started making foils as well. So how did you feel about that? I did not feel super stoked about that. And it was like, Hey, we've got it. All right here. You could just, we could build it for you to put your logo on it and you can go from there and then I could make some money out of it. And Robby was, he's always, do it all yourself and keep it inside the company. And they wanted to do it all ourselves and Mickey, he had told me one day he goes out, he really going to be bummed if we do this all by ourselves, because Rodney wants to do it himself. And I'm like I'll be bombed, but we'll still be friends. And I guess you did, you did that with star boards for awhile, right? You put the Starboard's logo on or co-branded with Starboard's was starboard logos as well. We had done a lot of them were just go foil and a lot of them were starboard Gofoil. So there was both of them were branded at the same time for a while. There we were in the early days we were connected with starboard. And then you got a patent on the, on your foil design. So how come you never, did you ever try to enforce that? I Obviously like now there's so many companies making foils. Is there any way, like anything you ever were able to do with that patent or was it just not feasible? He never really pursued it. If there was a lawyer out there who wanted to pursue it, and work at his, work on his dime and then split it, 90, he takes 90% of the profits. We get. Then we could do something, but it's something where, you don't really want to jump into that game unless, it's financially feasible. We've got patents on the patent that all kinds of aspects of, the surf foiling and stand up for healing. And basically as being, a new thing and, thickness of foils being thicker than the norm and all of that. So there's a bunch of aspects to the patent, but we never really pursued that to where it gets expensive, and you'd rather, nobody wants to take that on, and get their own money. You would do a 90 10 split, huh? Split. Get that out there. That would do it. Oh, rate is 8% is royalties that all the companies should be paying you, they could get 90% of the 8%, but yeah, that's just one of those things in the beginning, we went for that patent to, it was like, wow this could really be something big. And is it a utility patent or did design patent, do you know? I'm not even sure which one it is. It's the more expensive ones and that's a utility patent. That means that, that means it doesn't have to be like, even if it's not an exact copy, if it's the same concept and yeah. Basically. Yeah. Yeah. That's what we went for. And we have a big time patent lawyer firm that did it, but it's hard to enforce, obviously you have to prove that it's and he was going to chase it, on their own diamond set of you paying for these lawyers because the lawyers and all that gets expensive, we've got the patent and the us China and. Australia, we didn't pursue the other countries because you got to pursue every country separately. And then how, and then how did you, did it evolve? Like I know in the early days, like everybody wanted to buy foils and there, you couldn't just couldn't get them, like you couldn't make them fast enough. And like, how did you ramp up production and what kind of issues did he run into? Yeah, you're in the early days, you, haven't a lot of problems with how to construct this and how to keep it from breaking in me. I always making wind surfers in the early days. I really hated warranties that will end up ruining your business. You do all of this work and then you got to give the guy another board or fixes board or whatever. So in the beginning, we didn't even want to put out the product till we were pretty sure that we weren't going to break it. So that stalls your production and stuff. And then once you do ramp it up to get, full on production going, then you end up, you have to watch out that things are evolving so fast to not make too much of the, something that might be outdated by the time you get it, because it takes a long time for these factories to build our stuff. What happened with us, which was unique with us is that my two brother-in-laws build canoes over in China. My one brother-in-law owns the factory because he got burned by some Chinese factory he was working with. So he decided to do his own us own Chinese factory. And then he got asked to jump through all the hoops to do that. But anyway, they were making the canoes. And he makes a bunch of different models that you see around in Hawaii and the manager of the factory, my other brother, a brother-in-law Michael Gamblin is my other sister's husband that owns the factory. He's the genius behind, put it all together. He's the guy that I do all the CAD work with and building the foils and the wings and stuff. He's really super smart. And he's, can pull all of this stuff together. It has the drive to do it where people go, oh, wait a minute. That's way overwhelming. I'm not going to do my own Chinese factory. That's going to be too many things to overcome. But anyway, what happened was I had been building stuff in Vietnam. And it was getting to where it was hard to get stuff out of Vietnam fast enough. And I was seeing that these foils you're going to need a lot of these are going to need thousands of these things, cause it's in hot demand. So I asked my brother-in-law Michael, Hey, do you want to start building these at your factory in China? And I showed him the video of Kai and the 5 million views. He's oh my God. He just went by Dave Kalama and junior on the two man. Okay. We're all in. Let's do it. And that's how it started. And now it's a whole family business and we build all of the main hydrofoils in China at his factory. So I guess in the beginning, like I remember the first one I got it started to crack right by the mass of base, like between the base and the Tableau box. And then also on the fuselage. That's, those were the main points where a lot of. You had a lot of issues, right? Yeah. You have issues like that in the beginning where there's a, it's a process of trying to get your carbon fiber loaded, just right. The direction ability or, you're 45 degree angles and how much materials in there and, the compression, there's a lot of issues that you had to overcome. I like the first one I got we got one from the factory in China comes over and we had all of the fiberglass or carbon aligned in the wrong direction. And I snapped the front wing right off writing, riding. All of a sudden my front wings gone. And it's just a matter of, you've got to have fibers going the right way and the 40 fives and everything to work perfectly, especially with prepregs is a whole different animal where there are layers and layers put together in the middle. Okay. So they're made as a union directly. Think of it as the strands are uni directional. Like these are the strands are the carbon. Each sheet is like this, you can align it like this or whatever. And you cut these all, put them in the wall in a certain way. So there was a lot of learning curves to get, not all right in the beginning and how much should be here and how much should be there. And where are the weak points and all that kind stuff. Yeah. We went through all that too. So very frustrating to get stuff back that just breaks, right? Yeah. I know. Warranties. Yeah. And then again, then, sorry. And then and then what happened then? The develop, what was the development after that? Like how did you ramp it up and become a global brand. In the beginning, it was easy because nobody else had any foils. So we were, we went globally right in the beginning. And we were selling shoes couple thousand or 3000 foils in those first couple of years, just because we were the only guys who had foils. So that was easy. So then we got around worldwide, fairly easy in the beginning, then it becomes harder and harder because you've got, 10 guys get in, want to make foils. And you've got 20 guys who come in and then you got 50 guys. You've got people you'd never even heard of or trying to build foils. And everybody wants to jump in on this bandwagon. It's like the early days of wind surfing or stand up, everybody jumped into the show to try and be. So that makes it harder. So you've got to, you've got to keep up really good quality. Don't you don't want warranties to come back to ruin the business, but at the same time, you're trying to make faster stuff or easier stuff or, whatever and try and keep progressing is the way we try to do it over here. Yeah. And then, so you got into more high aspect, foils and fast, faster designs, thinner foils, smaller for us and so on. What do you, what are you working on now? It's like your latest latest designs and what's, what do you see for the future? What we're going to do in the future is we're going to try and weave the last couple of years, we've gone into speed and try to get faster and faster, and we've made a bunch of. So the wings to go a lot faster because in the beginning, everybody was hitting on us going, oh, your oils are outdated. They're so slow in this and that and blah, blah, blah. So then we worked on our speed. So now we've gotten to where we were like about the fastest foils out there. So now we want to try and get back to, without losing some of that, you'll have those lines of fast, easy foils to ride, but then something that is really easy to ride it, doesn't accelerate on the turn, something that's a little bit user-friendly for the intermediate type guys, the guys that are really advanced and ride. These are NL wings, which are super fast and, tourney and everything. But the the intermediate is get a little bit, shy away from that. It's we're going to make the GL is a really good one for winging it for the intermediate people, but I'm going to try for next year to make something that's super easy. So we're going to have a different line. We'll have three different lines, basically. So are you making a foil that's specifically designed for wing foiling or are they all all around foils for Steph prone, foiling, standup foiling and wink foiling, or depending on the size of the wing or like how, yeah. They all can cross over. So we're finding out that, you want one, that's supposed to be erasing foil. Okay. So we're thinking downwind or are racing for wings or or towing falls into that category. If you're in really big waves, you need some super fast and Then you have the other wings, like the NL, which are great for stand up. They're great for surfing the smaller ones, prone surfing, but they're really good for winging also. So it's funny how all of them, you can almost do every one of the sports on each one of those wings. It's just a different style of riding you have to do, or a different size riders, weight, might like the bigger wing where the smaller guys like, oh my God, I can't write that thing. I need a little tiny thing. But all of them seem to cross over. I can tow on, on different size waves on any of the wings I can wing on any of the wings. I need particular amount of, a lot of wind for the small toe wings, but on the Raceway. Like when I'm paddling downwind, a lot of the wings crossover to me, paddling downwind too. So there's, it's funny. They all have their moments and can crossover. Yeah. So I guess the same design just in different sizes works for different things. I guess when you're Don flooding, you probably needed a little bit more surface area, a bigger wing, to keep going. Yeah. Yeah, definitely. Cool. Yeah. And then how did you get into wink foiling? What I know you were one of the early wing furthers. You were on an ozone and stuff like that. Posting videos of you riding at lanes and stuff like that. So how did you get into that? A wing foiling started with the way it started over here was flash. Austin was always tightened down there with us and riding. Type foils and stuff just decided to put together this funky wing thing with some windsurfing battens and some old kite material and just put this whole thing together. And he goes, Alex, I need one of your foils. I think I can get distinct foiling. And I'm like, what are you talking about? He goes, yeah, I've been hiding down at the sewer plant, try and testing this thing. So get him a foil on it. He comes up there, we take pictures of them. These are the first things we see of the new of evolution of Wingfoot and where it started. So we kite and rode this thing at the same place where Ken winners, right next door to us, he does all of his kite testing there too. And then Ken saw him one day and he's oh my God, what is that? I'm going to put that in production. I'm going to build a couple of those and we'll start doing experimenting with it. So Ken takes it from there and puts the boom on it. Cause Ken's an old time windsurfer and he just liked the book. And the very first wings that I tried were kin winners, duotone wings. And that's how we first learned. Alan could, is got me down there one day. We were down there with Alan at canal and he goes here, go try it. And then I proceed to get up and cruise around. After about 10 minutes I was riding it pretty well. Cause I already had, was really good kite for her. So it was easy for me to learn, oh, I used to be a windsurfer and then my wife tried it and stuff. And then from there it was like, oh my God, this is fun. So the first year I went to the Gorge with, it was maybe three years ago and I was on a, do a tone. And then I got to try ozone for the first time they had a couple ozones there at the show and they gave me one of those. So then I was using the ozone and the duotone at the hatchery and just having a blast. I was like, oh my God, this is fun. It's like the early days of wind surfing. Where were you working? Everybody was super stoked and feeding off of each other. And it's just a bunch of fun between everybody and they're all talking about, Hey, what are you writing? What I'm I learned this, what should I do? I'm having problems with this. And it's like the whole same atmosphere of the early wind surfing days. Yeah. And people are very open about sharing their ideas and their knowledge and what they learned is pretty cool. That it's not as close hold as in some other disciplines, I think. Yeah. And then what, so what are the like behind see those two boards and like what is, what are you working on now? What are you latest products and yeah. Tell me what you're up to. Latest thing now is we'll be getting in our boards from the kinetic factory. I worked with the kinetic factory again that used to build my kite boards to start making a wing boards. Their full sandwich, Connecticut is known for making. Some of the best boards in the world, as far as the factory goes, they're super solid. They, anybody who's gotten any new Jimmy Lewis boards in the last five years knows that they're built very well. So we get a container of those come in. Yep. That you can see the they've all the boards and the first container will have a total and a plate. There's all kinds of foot straps placements. You can see that has a handle there in the middle. And just the typical things that you need to have on a wing board, as you could see how the volume of this is in a pretty volume forward on my boards. I like to have a lot of volume up forward when I'm winging, because we're going shorter and shorter board. And you have a tendency when you're standing up forward, the board goes underwater. So like you come down off the plane and then all of a sudden the front goes under. It does a summary. So as you can see some of these, can you show us yeah. Maybe pick one up and move that chair out of the way. I'd show us the shape a little bit. Yeah. Let's look here. This is 105 liter board is five, six, and you can see how we have a lot of thickness up in the front of here. Cause we get the five, six you get up forward. If you have the traditional theater noses that look really cool, they sink on their water. When you stand up here, basically we move the flotation of forward. It's a little bit bigger, fuller outline up forward as compared to the tail. So it's reverse of what a lot of the boards are. That bigger tails, a lot of float in the back. I like to have the full rotation of forward. We've gone shorter and shorter, and it's easier to stand on something when it's like that this one you can see has the traditional, like wind surfing style footsteps. This is 45 degrees here, and I have one strap in the back. I like to ride wind shift and style. It's really easy to switch your feet and stuff. You go from strap. A lot of people are coming from surfing background, have a problem with switching your feet. And so then you have foot straps that can go straight. Like you're just going to go one direction. So it has the answer it's for going riding with just one set or footsteps, or you've got the list surfing style where you can switch your feet and go forward and start to learn how to go both ways. Because if you get in a problem where you're trying to get up and really like when TOSA. You're crossed up on your bad tack. It's hard to get up like that. And it's hard to go up wind like that. So if you do get into light winds, it's easier to switch your feet better to learn in the beginning, because once you start going just tow side all the time, you never switch feet again. The deck is pretty much flat. Or do you have like concave in the deck? Any kind of, I don't like on caves so much. I want everything to be a flat platform for my feet and nothing weird. And I don't concave too, because. I'd rather, if you fall on it, I want it to be flat and not have a little bit of a rounded edge to hit your shins or your knees or whatever. I'd rather we're getting back on is easier on a slide deck. I find it. And you don't hit your elbow or whatever on that hitch. Yeah. Yeah. Like I used to ride on Connor. Baxter's, downwind board, he's got this big scoop out, all those star wars at the Umar and I'd fall on that thing. I'm like, oh my God. And he has whacked myself with this heavy concave. So it's cut that system. I don't like that. So I figure if it works, don't make it all fancy. Like the same thing with the bottom sheets are real flat so that it has an easier release to pop up when you're planning it real light. Is it a, if slat all the way to the nose and you have a little bit of convex in the nose, it was pretty much flat. The holes in soft rails, the rails in the back towards the tail of the board would have been, it's a little bit round here and you have a little bit of a kick in the last, behind your total box and your plates. And can you show that the profile, the contour, like you said, it's a little bit thinner in the tail than in the notes. No. They're about the same thickness, but now are thicker in the front and thinner and the thickness keep about the same thickness. So don't go crazy with, making a super sick. I don't like the way that feels when I'm winning. I want a lot of float up for, because most of the time on these short boards, like this board is my four, six. I tow with this and I wing with this and can kite with this also. But even with this board, it was one of the things too, when you're out of your boards you want the bone flow to be about the same so that when you sinking it, especially on sinker, it seems evenly because more of my boards, I have a pretty big it's a little bit thicker in the front than the back. And I float like this and I go down and it's hard when you're sinking like that. Not really far forward and concentrate on the nose going down. So there's all types of, trial and error and into figuring out what really feels good for me. Always made my own board so I can go ahead and, make a board that week and test it again. But I don't make custom boards anymore for other people, but the family still gets nice. Thanks for showing us that I'm going to show the screen share again real quick. Oh, sorry. Let me let me go back to that. So are you going to show your bottom here? You can see all of what the, oh, you got the measurement for where to place the foil and the bottom handle. Yeah, I guess guide there. So like you use your, this is how far you are from the tail and the measurements. And then if you like your plate in certain position, you remember what your number is to go, okay I like it at, seven inches or whatever it is for the plate title of course goes in just one place. When you got a, a nice. It's nice to have a handle on a wing board because getting in and out of the water is much more for me. And then on the deck, you don't have a handle though. So I don't like the handle on the deck because when I'm stepping all over the place and my toe gets in there, I've had a couple of problems with almost breaking my toe, like having all the dash. Yeah. But then I guess when you're carrying them without the foil attaches, it's off balance, but you can, I guess you can still carry with that bottom, but you could still carry it. It feels a little bit nose heavy, especially on the bigger six oh board, but you can always, the smaller words really. Yeah. Not that hard to carry it. Yeah. And I was going to show the different sizes you have available here. I guess you have a 46 by 44 liters, five oh, by 87 liters, five six by 106 liters and then 600 by 134 liters. So four different sizes. And when are those going to be available? Next week, I think container arrives next week could be the following week. I don't know how much we get stuck with, trucking and customs in Honolulu. It's already in Honolulu. So I'm just going through the, the process of getting it over here. Nice. And then, oh, I think I had this on here too. So tell us a little bit about the co also making your own wings now, right? Is that Craig, is this one of your prototypes? This is one of the prototypes. This is the actual version of the three. Which will it'll have stripes on it. It's got all the logos and stuff, and I moved the windows closer to the middle strut on the production style, but I've been using this thing since I want to say February or something, it's the the quality of it feels really good. I haven't stretched it out, and it hasn't blown apart. And I put it through some tail this day is probably, a regular 25 to 30 knots. And just imagine some of the days where we're 35 to 40 and I'm still using that week. So they're built super solid. And what I like about my wings is what we did was make the bladders a little bit bigger to make them stiffer. So when your sheet in with these things are not moving all over the place, like some of the wings, we got a little bit more of a, it feels like a windsurfing sail you shoot in, and it doesn't move all over the place. Yeah. And that makes them more powerful too, I'm, the Armstrong rings are like that, that they're really thick flatters, which make it more rigid and powerful. It seems yeah. It looks like you made the wing tips pretty squared off. So you have less of a wing span to, is that one of the things you were working on or, just maybe talk us through the different prototypes, you try it out and what you've learned from trying different things. We did with this is basically our, we call it our elliptical style. It's more of a standard style, but we do bring the wingtips closer together than some of the wings. Cause you'll notice how on, F1 or Armstrong have pretty long wingtips and you have a tendency to touch those in the water very easily. So my wing tips are broadened together a little bit more on that. Ellipticals. So you got a little bit more cord in the middle. So think of it as a longer strut in the middle shorter wingspan, just to make it easier to turn without touching your tips. Then we have a square model, which is the one that I was writing at home keep. Or the one day you might've seen that with the square model is better for really light wind so that when you're, you get on those bigger wings and you're having problems pumping, to get up. So they like you're, you just want to get foil, like that one, that's the square model. You see how that one's way more square than that elliptical style you just saw. This looks almost a little bit more like a, that slick wing at a new Ken winners. S duotone one. Yeah that closer to a slick, whether you score off the ball just so that what I like about this is I do a lot of windsurfing style wave riding, hurting like that. When I call it cheating in, you can keep the tip further up out of the water, but the main advantage of this one, forget all this hotdogs and stuff that I'm doing here is when it's really light. When you have problems pumping up to get onto a foil, it's a day where you're out. It's Hey, I wonder if I can get foiling today, and you go to the pump, and you keep touching your tip in the water and it stops the whole progression of trying to get up. You got to start all over again. So the square tips are made for that to where when you pump it, it's easier to pop up the foil and have a lot less problem of the wing tip touching while you're trying to accomplish them. That's the biggest advantage of these square model. So the square models are made in the bigger size. It's like a four or five, a five, five and a six, five. Yeah, I totally agree with that. And that's one of the things about some of the earlier designs is when, you think you could use a bigger size to get it going in lighter winds, but then then the wing tips were so wide that you couldn't really create a lot of power with it because of it has, because it's like the wingtips is drag and you can't really bring it vertical. You give you that forward power, this just lifts up, but you can't really get that forward momentum with it. That's where that, I think the square design makes a lot of sense. So you actually have two different wing designs or is it just by size or how does that work? You can wing styles, but it's by size where they convert over to the other ones. So by elliptical side, Those 2, 2, 2 7, 2 7 is like a main state here in Maui. Everybody, when they get lit up over here, the two seven is really nice. I ride the three, five, and then the four or five. So those are the ellipticals. You got 2, 2, 2 7, 3, 5, 4 or five. Now the square model, like you saw in that last video is a four or 5, 5, 5, and six five. So it's more towards the higher end because when I, those ones don't loft is easy. They're a little bit more unstable if you're just luffing and want to cruise down the coast and, hi, I win. So the medical ones, I like a little bit better for that. And my feedback from my riders that, you've got to get it, some of the intermediate and beginner riders, because feeling stuff that's different than you and they get on it all the way out. This elliptical is way easier for me to. In handled. But when you get into that day, when it's six to eight knots and you cannot get foiling, like even my wife, she was, didn't like the square model, having all kinds of problems with it. And I'm like, I put her out in it's fairly windy. Then we have one day where it's not very windy. She goes out with the four or five elliptical and she kept touching the tips and she's getting all upset. And I go, okay, here now try the square model. She goes, gets right up. She was like, oh, okay. Now I get fantastic. So those wings you have available now for sale, you have them on Maui. No those are all prototypes as everybody who are having problems, getting wings, those will probably show up in September. If we're lucky. I said, yeah, we're going to start building them in August and we're going to ship them in September, then. Nice. Oh, my shipping, do they have to go in a container or do I get a good rate to air freight them then what we won't know until we actually have the product and see how you take the ship. Yeah, let's talk about that a little bit. The whole pandemic thing and like what, how did it affect you and your business? I know shipping has been a nightmare, like getting stuff shipped in containers and stuff like that. But other than that, like how did the whole pandemic workout for you at Maui? The pandemic here on Maui, it was we're out in the, to where, there's not as many people over here, they shut down the islands, nobody was loud and, people didn't want to leave because they couldn't get back in type of thing. So I was in Florida when all this happened, we were doing a tour over there and demos all over the place. And then they're like, Hey, they're going to shut down the state. We got to fly back to. On a mad rush to get back home. And then I stayed there for a, since last March. No. Did I go anywhere? I think I went to a wahoo last month when they finally opened it up to where I could go without all kinds of tests and get my nose probed and everything. I went anywhere. Maui is they closed down the beaches. We're not allowed to go to canal hall. They closed it all down and that's where we were all winging it from. But you're allowed to go to the Harbor. So you go to the Harbor and what ended up happening was everybody had nothing to do and started learning how to go when they closed down the canoe guys, because the six man canoe, as you're too close to quarters and they wouldn't let them do a six man canoes and they have all the lessons and stuff from the teaching and races. So they closed down. Basically the canoes were. The wing foiling, and then the wing Oilers just took over. There was no trap boat, traffic, and all, there was a bunch of wing boilers and all of a sudden you've got kids and grandmas and old windsurfers who had, and wind surfed in 25 years coming back into the water. And it's, it was just crazy. There's some days there was 50 or 60 people down there and it's still going on down there now it's started a whole, a whinging. This COVID started a winging revolution on a big community down there. Yeah, that's awesome. And then more recently you had that you had a gold foil get together at that at a big house over there. And I know my friend, Derek, Thomas Saki went over there and stuff. And talk a little bit about that. That was great. We do this usually once a year, we have we rent we have a friends that have the access to the house down. Yeah. And he lets us go into it for a weekend or whatever we're trying to do. So we do go foil weekend and i

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The Morbid Network is giving you an inside SCOOP into the other great shows on our network! This time, we have Spencer Henry from the Cult Liter podcast! Find him on all platforms, and follow him all on social media!

In his first full length film, David Lynch created one of the most bizarre and unsettlingly movies you will ever see. It follows Henry Spencer, who tries to take care of his severely deformed newborn in a decrepit city. Everything else is up for interpretation and we have a lot of fun discussing our theories!

Hace unos días conversamos con Luis Carlos Burneo, quien hace catorce años creó "La Habitación de Henry Spencer", uno de los primeros creadores de contenidos en youtube en nuestro país.       Escucha esta entrevista donde hacemos un recuento del paso del tiempo y las redes sociales.          Conduce: Marli Pissani     Edición y post producción: Fernando Cortés

CXBruno Ortiz conversa con Luis Carlos Burneo, creador de La Habitación de Henry Spencer, acerca del 'boom' de los contenidos de internet a raíz de la pandemia y cuán viable es ser 'youtuber' este 2021. See omnystudio.com/listener for privacy information.

Horror month is back! Author, archivist, historian, and lifelong horror fan, Janaya Kizzie, introduces Matt to Bill Gunn's lost masterpiece, Ganja & Hess. Funded in part due to the interest in blaxploitation films and released to obscurity in 1973, Ganja & Hess was a movie ahead of its time. With a recent restoration that restored some missing footage the movie is finally starting to gain the audience it so richly deserves. Then Janaya fills in a blind spot of her own with David Lynch's first film, Eraserhead. A personal favorite of Matt's, he guides her through the wonderfully weird world of the Lady in the Radiator, the shocking sounds and and even more shocking apperance of the baby, and the influential sets and sound design that traumatize audiences to this day. Follow Janaya Kizzie on Instagram at: Hidden Here Press (https://www.instagram.com/hiddenherepress/)

Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. On this week’s episode… Join the crew as we discuss art-house horror, dream logic, and David Lynch’s debut feature, Eraserhead.   Show Notes: Housekeeping (3:20) Back of the Box/Recommendations (7:52) Spoiler Warning/Full Review (14:15) Rotten Tomatoes (77:07) Trivia (83:03) Cooter of the Week (90:47) What We’ve Been Watching (100:04) Hotline Scream (114:25)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Hoy en Caja de Sonido, entrevistamos a Luis Carlos Burneo, creador / conductor del programa digital "La Habitación de Henry Spencer". Recuerda que estos programas son parte de Radio Isil, hecho por alumnos para alumnos. Programa del: 2 de Noviembre del 2018.

Charles Skaggs & Xan Sprouse explore the roots of Twin Peaks and review Eraserhead, the 1977 surrealist body horror film written, produced and directed by David Lynch, and starring Jack Nance as Henry Spencer and Charlotte Stewart as Mary X! Find us here: Twitter: @GhostwoodCast @CharlesSkaggs @udanax19 Facebook: Facebook.com/GhostwoodPodcast Email: GhostwoodPodcast@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

The Freshman Fifteen's 20th episode visits pioneer artist David Lynch and his first feature film - 1977's Eraserhead. Daniel sermonizes on the virtues of great sound design, Jeremy decides that Lynch is better suited to Hannibal Lecter than Jabba the Hutt and returning guest Jeff Jensen connects the dots between Eraserhead and The Simpsons. Also, what's an "art film?"

Chris and Eric are joined by Rainbow Comics' Zach Pogany to kick off 2018 and David Lynch month with a look at the auteur's first film Eraserhead. The film stars Jack Nance as Henry Spencer, a simple man whose life is turned upside down by the arrival of a very bizarre newborn. The film catapulted Lynch into the public eye and established him as the progenitor of American film surrealism.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is Wovoka's "Lament," and Da DeCypher's "Two Step featuring Ben-Jamin"; big thanks to both for allowing us to use their tracks. Also, make sure to check out Rainbow Comics, Cards, and Collectibles for all of your pop culture needs. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Eraserhead is Lynch's first feature, a surreal art film that achieved cult status and earned Lynch the good will to go forth and make The Elephant Man. His first feature, however, is about Henry Spencer. Spencer is a bit of an everyman, while on vacation he reunites with his estranged girlfriend/lover/FWB (?) and discovers she has had his... child. The film sees Henry try to cope as a newlywed and father to an ill infant. Getting into Eraserhead Yet, the film is never really as simple as that. Dalton, Arthur and Dustin offer their Eraserhead review and discuss the film's merits before playing the weekly game. Inspired by a character in the film, we talk about our Favorite Puppet Designs. We then move into analysis to talk about auteurism, interpretation of art, trepidation of family life and, of course, sex—a recurring theme this month. Uh oh, the baby's crying again. We're gonna check on that, while you tune in to Episode 250.   Like our Eraserhead Discussion?  We have discussed two other David Lynch works: On Episode 37, we talked about Twin Peaks (1990) On episode 100, we discussed Mulholland Dr. GET IN TOUCH Thanks for joining us this week! If you haven’t yet, you can connect with us through our various means of social media. Hit us up and let us know what you like and what you don’t like. Also, it would mean a lot if you left a review on iTunes after you finish subscribing. Follow Us on Twitter.Subscribe and Review us on iTunes. Supporting the GenreCast If you're interested in offering financial support for the show, that would be awesome. We use these funds to cover production costs and hosting and domain fees, as well as occasional events and merchandise. Support on Patreon comes with a variety of rewards and additional content, such as physical rewards, bonus shows and fun stuff and even programming opportunities. Our January bonus content will be up soon, and we will discuss what has us fired up in Pop Culture AND our Film New Year's Resolutions.

Sex, parenthood, and the anxieties of both. That's what we took away from David Lynch's first feature length film, 1977's Eraserhead. Join us as we journey through the sweeping industrial landscapes and dream worlds that make up Henry Spencer's existence and listen to the sounds as we explore what it means to raise a baby that the doctors aren't even sure is a baby... What are your thoughts about this film? Do you love it? Do you hate it? How frightening IS the "Eraserhead baby"? Let us know! Starring: Jack Nance, Charlotte Stewart  Directed by: David Lynch Produced by: Fred Baker (uncredited) and David Lynch Screenplay by: David Lynch Notes: J.A. Fairhurst's "The Key to Eraserhead" is a fascinating alternate exploration of the themes in this film. We highly encourage you to check it out at https://key2eraserhead.com/ More about Henry's window

The costs of open sourcing a project are explored, we discover why PS4 downloads are so slow, delve into the history of UNIX man pages, and more. This episode was brought to you by Headlines The Cost Of Open Sourcing Your Project (https://meshedinsights.com/2016/09/20/open-source-unlikely-to-be-abandonware/) Accusing a company of “dumping” their project as open source is probably misplaced – it's an expensive business no-one would do frivolously. If you see an active move to change software licensing or governance, it's likely someone is paying for it and thus could justify the expense to an executive. A Little History Some case study cameos may help. From 2004 onwards, Sun Microsystems had a policy of all its software moving to open source. The company migrated almost all products to open source licenses, and had varying degrees of success engaging communities around the various projects, largely related to the outlooks of the product management and Sun developers for the project. Sun occasionally received requests to make older, retired products open source. For example, Sun acquired a company called Lighthouse Design which created a respected suite of office productivity software for Steve Jobs' NeXT platform. Strategy changes meant that software headed for the vault (while Jonathan Schwartz, a founder of Lighthouse, headed for the executive suite). Members of the public asked if Sun would open source some of this software, but these requests were declined because there was no business unit willing to fund the move. When Sun was later bought by Oracle, a number of those projects that had been made open source were abandoned. “Abandoning” software doesn't mean leaving it for others; it means simply walking away from wherever you left it. In the case of Sun's popular identity middleware products, that meant Oracle let the staff go and tried to migrate customers to other products, while remaining silent in public on the future of the project. But the code was already open source, so the user community was able to pick up the pieces and carry on, with help from Forgerock. It costs a lot of money to open source a mature piece of commercial software, even if all you are doing is “throwing a tarball over the wall”. That's why companies abandoning software they no longer care about so rarely make it open source, and those abandoning open source projects rarely move them to new homes that benefit others. If all you have thought about is the eventual outcome, you may be surprised how expensive it is to get there. Costs include: For throwing a tarball over the wall: Legal clearance. Having the right to use the software is not the same as giving everyone in the world an unrestricted right to use it and create derivatives. Checking every line of code to make sure you have the rights necessary to release under an OSI-approved license is a big task requiring high-value employees on the “liberation team”. That includes both developers and lawyers; neither come cheap. Repackaging. To pass it to others, a self-contained package containing all necessary source code, build scripts and non-public source and tool dependencies has to be created since it is quite unlikely to exist internally. Again, the liberation team will need your best developers. Preserving provenance. Just because you have confidence that you have the rights to the code, that doesn't mean anyone else will. The version control system probably contains much of the information that gives confidence about who wrote which code, so the repackaging needs to also include a way to migrate the commit information. Code cleaning. The file headers will hopefully include origin information but the liberation team had better check. They also need to check the comments for libel and profanities, not to mention trade secrets (especially those from third parties) and other IP issues. For a sustainable project, all the above plus: Compliance with host governance. It is a fantastic idea to move your project to a host like Apache, Conservancy, Public Software and so on. But doing so requires preparatory work. As a minimum you will need to negotiate with the new host organisation, and they may well need you to satisfy their process requirements. Paperwork obviously, but also the code may need conforming copyright statements and more. That's more work for your liberation team. Migration of rights. Your code has an existing community who will need to migrate to your new host. That includes your staff – they are community too! They will need commit rights, governance rights, social media rights and more. Your liberation team will need your community manager, obviously, but may also need HR input. Endowment. Keeping your project alive will take money. It's all been coming from you up to this point, but if you simply walk away before the financial burden has been accepted by the new community and hosts there may be a problem. You should consider making an endowment to your new host to pay for their migration costs plus the cost of hosting the community for at least a year. Marketing. Explaining the move you are making, the reasons why you are making it and the benefits for you and the community is important. If you don't do it, there are plenty of trolls around who will do it for you. Creating a news blog post and an FAQ — the minimum effort necessary — really does take someone experienced and you'll want to add such a person to your liberation team. Motivations There has to be some commercial reason that makes the time, effort and thus expense worth incurring. Some examples of motivations include: Market Strategy. An increasing number of companies are choosing to create substantial, openly-governed open source communities around software that contributes to their business. An open multi-stakeholder co-developer community is an excellent vehicle for innovation at the lowest cost to all involved. As long as your market strategy doesn't require creating artificial scarcity. Contract with a third party. While the owner of the code may no longer be interested, there may be one or more parties to which they owe a contractual responsibility. Rather than breaching that contract, or buying it out, a move to open source may be better. Some sources suggest a contractual obligation to IBM was the reason Oracle abandoned OpenOffice.org by moving it over to the Apache Software Foundation for example. Larger dependent ecosystem. You may have no further use for the code itself, but you may well have other parts of your business which depend on it. If they are willing to collectively fund development you might consider an “inner source” strategy which will save you many of the costs above. But the best way to proceed may well be to open the code so your teams and those in other companies can fund the code. Internal politics. From the outside, corporations look monolithic, but from the inside it becomes clear they are a microcosm of the market in which they exist. As a result, they have political machinations that may be addressed by open source. One of Oracle's motivations for moving NetBeans to Apache seems to have been political. Despite multiple internal groups needing it to exist, the code was not generating enough direct revenue to satisfy successive executive owners, who allegedly tried to abandon it on more than one occasion. Donating it to Apache meant that couldn't happen again. None of this is to say a move to open source guarantees the success of a project. A “Field of Dreams” strategy only works in the movies, after all. But while it may be tempting to look at a failed corporate liberation and describe it as “abandonware”, chances are it was intended as nothing of the kind. Why PS4 downloads are so slow (https://www.snellman.net/blog/archive/2017-08-19-slow-ps4-downloads/) From the blog that brought us “The origins of XXX as FIXME (https://www.snellman.net/blog/archive/2017-04-17-xxx-fixme/)” and “The mystery of the hanging S3 downloads (https://www.snellman.net/blog/archive/2017-07-20-s3-mystery/)”, this week it is: “Why are PS4 downloads so slow?” Game downloads on PS4 have a reputation of being very slow, with many people reporting downloads being an order of magnitude faster on Steam or Xbox. This had long been on my list of things to look into, but at a pretty low priority. After all, the PS4 operating system is based on a reasonably modern FreeBSD (9.0), so there should not be any crippling issues in the TCP stack. The implication is that the problem is something boring, like an inadequately dimensioned CDN. But then I heard that people were successfully using local HTTP proxies as a workaround. It should be pretty rare for that to actually help with download speeds, which made this sound like a much more interesting problem. Before running any experiments, it's good to have a mental model of how the thing we're testing works, and where the problems might be. If nothing else, it will guide the initial experiment design. The speed of a steady-state TCP connection is basically defined by three numbers. The amount of data the client is will to receive on a single round-trip (TCP receive window), the amount of data the server is willing to send on a single round-trip (TCP congestion window), and the round trip latency between the client and the server (RTT). To a first approximation, the connection speed will be: speed = min(rwin, cwin) / RTT With this model, how could a proxy speed up the connection? The speed through the proxy should be the minimum of the speed between the client and proxy, and the proxy and server. It should only possibly be slower With a local proxy the client-proxy RTT will be very low; that connection is almost guaranteed to be the faster one. The improvement will have to be from the server-proxy connection being somehow better than the direct client-server one. The RTT will not change, so there are just two options: either the client has a much smaller receive window than the proxy, or the client is somehow causing the server's congestion window to decrease. (E.g. the client is randomly dropping received packets, while the proxy isn't). After setting up a test rig, where the PS4's connection was bridged through a linux box so packets could be captured, and artificial latency could be added, some interested results came up: The differences in receive windows at different times are striking. And more important, the changes in the receive windows correspond very well to specific things I did on the PS4 When the download was started, the game Styx: Shards of Darkness was running in the background (just idling in the title screen). The download was limited by a receive window of under 7kB. This is an incredibly low value; it's basically going to cause the downloads to take 100 times longer than they should. And this was not a coincidence, whenever that game was running, the receive window would be that low. Having an app running (e.g. Netflix, Spotify) limited the receive window to 128kB, for about a 5x reduction in potential download speed. Moving apps, games, or the download window to the foreground or background didn't have any effect on the receive window. Playing an online match in a networked game (Dreadnought) caused the receive window to be artificially limited to 7kB. I ran a speedtest at a time when downloads were limited to 7kB receive window. It got a decent receive window of over 400kB; the conclusion is that the artificial receive window limit appears to only apply to PSN downloads. When a game was started (causing the previously running game to be stopped automatically), the receive window could increase to 650kB for a very brief period of time. Basically it appears that the receive window gets unclamped when the old game stops, and then clamped again a few seconds later when the new game actually starts up. I did a few more test runs, and all of them seemed to support the above findings. The only additional information from that testing is that the rest mode behavior was dependent on the PS4 settings. Originally I had it set up to suspend apps when in rest mode. If that setting was disabled, the apps would be closed when entering in rest mode, and the downloads would proceed at full speed. The PS4 doesn't make it very obvious exactly what programs are running. For games, the interaction model is that opening a new game closes the previously running one. This is not how other apps work; they remain in the background indefinitely until you explicitly close them. So, FreeBSD and its network stack are not to blame Sony used a poor method to try to keep downloads from interfering with your gameplay The impact of changing the receive window is highly dependant upon RTT, so it doesn't work as evenly as actual traffic shaping or queueing would. An interesting deep dive, it is well worth reading the full article and checking out the graphs *** OpenSSH 7.6 Released (http://www.openssh.com/releasenotes.html#7.6) From the release notes: This release includes a number of changes that may affect existing configurations: ssh(1): delete SSH protocol version 1 support, associated configuration options and documentation. ssh(1)/sshd(8): remove support for the hmac-ripemd160 MAC. ssh(1)/sshd(8): remove support for the arcfour, blowfish and CAST Refuse RSA keys

The Total Tutor Neil Haley will interview Corbin Bernsen and Amanda Pays, Authors of Corbin Bernsen and Amanda Pays, Authors of Open House. Corbin Bernsen and Amanda Pays   ...TV Icon, Corbin Bernsen  (returns as Henry Spencer in the highly anticipated USA Network Movie, Psych slated to air this December, and also starred as Arnie Becker in L.A. Law and as Roger Dorn the Major League films)   ..and his wife Amanda Pays (The Flash, Oxford Blues and Leviathan) Bernsen and Pays have spent an amazing amount of time moving their households into, as of this date, twenty-five different homes. Open House is an insightful photographic study that involves family, friendship, love and the challenges of remodeling, all centered around six of those homes.  Pays has dedicated the last twenty years exploring all aspects of lifestyle and design in today's world, resulting in a striking new book that not only showcases their design and lifestyle environment, but reveals aspects of their personal relationship as well. While you learn about their personal insights, there are also great design ideas that were both incorporated into those periods of their lives, as well as lessons learned. As Bernsen explains, “Open House is an open book (pun intended) to get a peak into what we believe has made our marriage and family successful.'”     

The Total Tutor Neil Haley will interview Corbin Bernsen  of ABC's BATTLE OF THE NETWORK STARS. Corbin Bernsen comes from an entertainment family. His mother, who recently passed away, had been on the long running soap The Young and Restless for 35 years. A graduate of UCLA where he earned a Bachelor's degree in Theater and a Master's degree in Playwriting, he most recently starred as Henry Spencer on USA Network's hit original series PSYCH. He was first catapulted to stardom during the 1980s by the hit NBC TV series, L.A. Law. Twice, he was nominated for both an Emmy® Award and a Golden Globe Award® for his performance as Arnie Becker on the show that virtually created the ensemble drama as we know today. Along the way he hosted Saturday Night Live, and guest starred on Seinfeld and Star Trek to name a few notable television appearances. In the feature film arena, he starred in the comedy Hello Again, followed by other critically acclaimed roles in Disorganized Crime, Wolfgang Peterson's Shattered, The Great White Hype, and as the Cleveland Indians' third baseman-turned- owner Roger Dorn in the extremely popular Major League series of films. Other film credits include Lay the Favorite with Bruce Willis and The Big Year with Steve Martin, Jack Black and Owen Wilson. He also appeared with Robert Downey Jr. and Val Kilmer in Kiss Kiss Bang Bang.     

4e émission de la 36e session... Cette semaine, des nouveautés en postbop, un trio québécois et finale folk-jazz... En musique: Henry Spencer and Juncture sur l'album The Reasons Don't Change  (Whirlwind Recordings, 2017); Human sur l'album Fractured Lands  (Babel Label, 2017); Avishai Cohen sur l'album Cross My Palm With Silver  (ECM, 2017); Kite Trio sur l'album Slightly Higher in Canada  (Sunset Hill, 2017) 1982 sur l'album Chromola  (Hubro, 2017); Martin Speake sur l'album Duos for Trio : The Music of Bela Bartók (Pumkin, 2017); Rawfishboys sur l'album Fengling  (Werf, 2017)...

4e émission de la 36e session... Cette semaine, des nouveautés en postbop, un trio québécois et finale folk-jazz... En musique: Henry Spencer and Juncture sur l'album The Reasons Don't Change  (Whirlwind Recordings, 2017); Human sur l'album Fractured Lands  (Babel Label, 2017); Avishai Cohen sur l'album Cross My Palm With Silver  (ECM, 2017); Kite Trio sur l'album Slightly Higher in Canada  (Sunset Hill, 2017) 1982 sur l'album Chromola  (Hubro, 2017); Martin Speake sur l'album Duos for Trio : The Music of Bela Bartók (Pumkin, 2017); Rawfishboys sur l'album Fengling  (Werf, 2017)...

Shock World Service 058: Valley Of The Dolls by Elena Colombi (Osàre! Editions/NTS) 13/11/14 London, United Kingdom 1. Margot - Waldorf Italian producers Margot A.K.A. Pepe and Giaga Robot with "Waldorf", the first 12" released in March this year on Ivan Smaghe's new amazing label "Les Disques de la Mort". 2. Pacific 231 & Vox Populi! - Gole Mariam Gole Mariam is a mystical journey into the musical world of Pacific 231 & Vox Populi!, two long-running and legendary french projects. 3. Andy Stott - Missing Mystery and suspense in this track by Andy Stott's, on the forthcoming album "Faith in Strangers" on Modern Love records. 4. Vincent Gallo - Was Probably my favourite track from album "When", released on 2001 on Warp. There's something odd, awkward but at the same time very beautiful in all the work of Vincent Gallo, wether he is directing, acting or composing music. 5. Subject - What Happened to You? Belgian duo Subject built this brilliant instrumental throbbing Synthy energy lo-fi science fiction around a stone-simple 2/4 rhythm. Brought to life again by the "Minimal Waves Vol II compilation released on February 2012 on Stones Throw. 7. Paco Sala - Rosa x Damascena From the album "Ro-Me-Ro" out a couple of years back on Digitalis Recordings. 8. Muslimgauze - Low On Qat Bryn Jones aka Muslimgauze produced something like 90 albums between 1982 and 1998, before dying for a rare blood disease. All his music was inspired by the Muslim world, in particular the Palestinian conflict and was released on limited editions cassettes "Low on Qat" is from the album Tandoori Dog. 9. Copeland - Fit Formerly 50% of Hype Williams together with Dean Blunt, Inga Copeland self released the album "Because I'm Worth It" came out in May this year. 10. Young Man - Wandering I don't know much about Colin Caulfield and his project as "Young Man". The album Vol I is apparently the second of a planned trilogy and the composer dedicated this album to transition. 11. ABSTRAXION - Vampyros Lesbos Abstraxion is the project of French cool kid Harold Boué who does innovating electronica and counts support from the likes of Erol Alkan, Simian Mobile Disco, James Holden and Caribou. From the album Temple Of The Sun. 12. Klaus Nomi - From Beyond From the album Simple Man 13. The Death Set - Slap Slap Slap Pound Up Down Snap. From 2011's "Michael Poiccard" album. 14. Joane Skyler - Dinosaur Dies Alone From Joane Skyler debut album "Orz" On Reckno Records. 15. Patrick Vian - R&B Degenerit! From the album Bruits Et Temps Analogues, released in 1976 on the great Egg Records and repressed last year on Staubgold. 16. No More - Suicide Commando. 7" released on Too Late Records in 1981.? Pure, lo-fi No Wave from the German group. 17. Blonde Redhead - No More Honey How sexy is the voice of Kazu Makino?? From the album "Barragán" 18. Maxmillion Dunbar - Calvin & Hobbes Released a couple of months ago on the great Trilogy Tapes Label. > David Lynch - Eraserhead 1977. First David Lynch's movie. Henry Spencer tries to survive his industrial environment, his angry girlfriend and the unbearable screams of his newly born mutant child. "In heaven, everything is fine" 19. Andy Stott - Damage Another track from Stott's forthcoming album "Faith in Strangers". Solid. 20. Sleep - Rain's Baptism A little metal treat.. from Sleep's album Holy Mountain 21. Actress - Birdcage From Darren J. Cunningham's latest album "Ghettoville". 22. Verdena - Bambina In Nero From the self titled "Verdena" on Black Out. 23. Tova Gertner - Etmol Another gem from Les Disques de la Mort. 24. Sid Vicious - My Way The only song actually present in the soundtrack of the movie. Cover of the famous Frank Sinatra's song, while performing this track Sid Vicious forgets the lyrics & improvises.

On this episode of Terrible Tuesday Movie Night, Dale analyses the 1977 David Lynch’s first direction piece Eraserhead!Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.Stars: Jack Nance played Henry Spencer (as John Nance)Charlotte Stewart played Mary XAllen Joseph played Mr. XJeanne Bates played Mrs. XJudith Roberts played Beautiful Girl Across the HallEverything will be alright in this episode! TITO SCORE:3

Open Metalcast chalks up another episode, leaving fifty episodes in the can. They say life begins at fifty, and who am I to argue? Hopefully there's a lot of life left in this here podcast, especially for our upcoming two-year episode celebration (Episode 52). For now ,though, here's a mix of death metal, along with a bunch of hardcore, and smidgen of groove metal thrown in just to keep things interesting. Oh, and Britney Spears has a Sex Riot. Just another ride through the Internet to bring you the best Creative Commons-licensed metal music the 'net has to offer. Shownotes and links to the bands after the break:  * (00:11) Human Waste by Abortion Autopsy from Human Waste (Demo) (BY-NC-ND) * (03:05) Гламур И Пафос (Cover Version By UNGRACE) by Diversant:13 from Пафос И Гламур EP (BY-NC-ND) * (06:39) Earth Juice by Henry Spencer from Henry Spencer (BY-ND) * (12:00) Spin the black circle by Mutant Sperm Quartet from The Swell Pubic Hair Trimmer (BY-NC-ND) * (14:35) Green Sea of Darkness by Atrocitus from Atrocitus/Ex-Breathers Split (BY-NC) * (16:52) The City Of Pyramids by Cathar Eclipse from Deus Ex Hominis (BY-NC-ND) * (20:52) Southeast First by Ghostlimb from Confluence (BY) * (23:37) Bullet as a Pledge by Six Days of May from Pneumatic Ego (BY-NC-ND) * (29:20) Britney Spears Sex Riot! by The Reptilians from Britney Spears Sex Riot! (BY-NC-SA) Please support the bands in this show! Buy a T-Shirt, head to the shows, or create 50 episodes of a podcast about them. Whatever you can do to help these bands keep making music, please do it! Also check out the other great podcasts at Metal Injection. If you have any suggestions for Creative Commons licensed metal, send me a link at craig@openmetalcast.com.

(00:11) Human Waste by Abortion Autopsy from Human Waste (Demo) (BY-NC-ND) (03:05) Гламур И Пафос (Cover Version By UNGRACE) by Diversant:13 from Пафос И Гламур EP (BY-NC-ND) (06:39) Earth Juice by Henry Spencer from Henry Spencer (BY-ND) (12:00) Spin the black circle by Mutant Sperm Quartet from The Swell Pubic Hair Trimmer (BY-NC-ND) (14:35) Green Sea of Darkness by Atrocitus from Atrocitus/Ex-Breathers Split (BY-NC) (16:52) The City Of Pyramids by Cathar Eclipse from Deus Ex Hominis (BY-NC-ND) (20:52) Southeast First by Ghostlimb from Confluence (BY) (23:37) Bullet as a Pledge by Six Days of May from Pneumatic Ego (BY-NC-ND) (29:20) Britney Spears Sex Riot! by The Reptilians from Britney Spears Sex Riot! (BY-NC-SA) Please support the bands in this show! Buy a T-Shirt, head to the shows, or create 50 episodes of a podcast about them. Whatever you can do to help these bands keep making music, please do it! Also check out the other great podcasts at Metal Injection. If you have any suggestions for Creative Commons licensed metal, send me a link at craig@openmetalcast.com. Open Metalcast #050 (MP3) Open Metalcast #050 (OGG)

(00:11) Human Waste by Abortion Autopsy from Human Waste (Demo) (BY-NC-ND) (03:05) Гламур И Пафос (Cover Version By UNGRACE) by Diversant:13 from Пафос И Гламур EP (BY-NC-ND) (06:39) Earth Juice by Henry Spencer from Henry Spencer (BY-ND) (12:00) Spin the … Continue reading →