Podcasts about manfreds

Play Episode Listen Later Oct 11, 2023 85:29

Der bliver skruet helt op for lyden når hardcore-bandet SYL lægger vejen forbi Ondfred. Vi dykker ned i deres musik, tekstunivers og den kunstneriske kortfilm ‘Omsorg'. Og med et skud ironi og højt humør bliver bandet indviet i Manfreds vennebog - kan du mon gætte, hvad deres hemmelige talenter er? Ellers lyt med her! Dine værter: Marie Schlütter Vilen og Sofie Hagen Simonsen

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Podument Park Ep. 22: I Survived 2023 And All I Got Was This Lousy Podcast

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Play Episode Listen Later Oct 5, 2023 41:14

Finally, the misery that was the 2023 Yankees is over. Baseball is still being played as the Division Series for both leagues gets ready to start this weekend, but the Yankees will not be participating, something many had resigned the Yankees to as early as June or July. Their play this season was simply pathetic and Aaron Judge's long absence highlighted many of the roster construction flaws that his presence can usually cover up. Alas, the first Podument Park in awhile eulogizes the Yankees and how things likely won't be much different in 2024 unless significant changes are made. However, reports are indicating that there are going to be no drastic changes made to the front office or coaching staff. Even Sean Casey seems like he'll be returning as the no-longer-interim hitting coach. In addition to just the overall makeup of the organization, the hosts do take some time to celebrate some of the good, such as Gerrit Cole seemingly on his way to his first Cy Young award, Michael King's emergence in the rotation, and that week of Jasson Domínguez. The show closes out out with the official 2023 Yankees and Manfreds of the Season. Congrats to our lucky recipients. You truly deserved it. Lastly, a huge thank you to anyone and everyone who tuned in and listened to us during a dreadful baseball season! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rolling Stones: Uusi single Angry ja tuleva levy Hackney Diamonds

Rock Around The Blog

Play Episode Listen Later Sep 11, 2023 22:12

The Rolling Stones julkaisee lokakuussa Hackney Diamonds-albumin, joka on bändin ensimmäinen uutta omaa materiaalia sisältävä levy kahdeksaantoista vuoteen. Sami Ruokangas ja Juha Kakkuri käyvät läpi ensivaikutelmat uudesta singlestä Angry, sen videosta ja siitä mitä tulevasta albumista tiedetään. Kuuntele, viihdy ja äimisty! Jakson soittolista: https://open.spotify.com/playlist/50Y8kUxSaRzZRzIjITw97T?si=e21724cdef02467d Menossa ovat mukana Mick Jagger, Keith Richards, Jimmy Fallon, Charlie Watts, Muddy Waters, Ronnie Wood, Andrew Watt, Ozzy Osbourne, Justin Bieber, Brian Jones, Mick Taylor, Sydney Sweeney, Rose Tattoo, Angry Anderson, Sweeney Todd, Glenn Hughes, Deep Purple, Black Sabbath, California Breed, Jason Bonham, Led Zeppelin, John Bonzo Bonham, The Manfreds, AC/DC, U2, Steve Jordan, Sir Paul McCartney, Bill Wyman, Stevie Wonder, Lady Gaga, Miley Cyrus, Maroon 5, Elton John, Eddie Vedder, Iggy Pop, Dua Lipa, Blink-182, Lana Del Rey, FNAC, Paradiso, Olympia, Jimmy Page ja Stockmann.

Maui Fires, Inflation, and the Power of Title IX

Perspective

Play Episode Listen Later Aug 11, 2023 41:26

First-hand account of the Maui wildfires; Inflation on the rise again; Housing crisis; USWNT faces criticism; Women's hockey; Manfreds celebrate 60 years; Self service gas. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Maui Fires, Inflation, and the Power of Title IX

World News This Week

Play Episode Listen Later Aug 11, 2023 41:26

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Monkeeing Around – Flower Power Cruise – Episode 33

ESO Network – The ESO Network

Play Episode Listen Later Jul 17, 2023 81:52

Join us for a SUPERSIZED MONKEEING AROUND as we give our report on the Flower Power Cruise 2023, featuring exclusive audio recordings! We saw The Zombies, Peter Noone of Herman’s Hermits, Peter Asher of Peter and Gordon, Jeremy Clyde of Chad and Jeremy, The Cowsills, The Buckinghams, The Manfreds, Felix Cavaliere and the Rascals, the … Monkeeing Around – Flower Power Cruise – Episode 33 Read More » The post Monkeeing Around – Flower Power Cruise – Episode 33 appeared first on The ESO Network.

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Monkeeing Around - Flower Power Cruise - Episode 33

Monkeeing Around

Play Episode Listen Later Jul 17, 2023 81:52

Join us for a SUPERSIZED MONKEEING AROUND as we give our report on the Flower Power Cruise 2023, featuring exclusive audio recordings! We saw The Zombies, Peter Noone of Herman's Hermits, Peter Asher of Peter and Gordon, Jeremy Clyde of Chad and Jeremy, The Cowsills, The Buckinghams, The Manfreds, Felix Cavaliere and the Rascals, the Fifth Dimension, The Fab Four, The Jukebox Beatles, The Papas and the Mamas, and of course Micky Dolenz of The Monkees! Monkeeing Around is a part of the ESO Podcast Network, Executive Producer Mike Faber.

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Podument Park Ep. 17: First Man Down

Play Episode Listen Later Jul 10, 2023 38:11

Whether you think the first half of the baseball season is the 81-game mark or the All-Star break, the first half of the baseball season is officially in the books. And was it ever so ... dull and disappointing for the Yankees? Scattered among the lifeless and uncompetitive at-bats of the first half were some moments of fun and competence, but overall this first half was just not a memorable one for the Bombers. The struggles of the offense were so profound, it led to general manager Brian Cashman making his first-ever midseason coaching change by relieving hitting coach Dillon Lawson of his duties (and the title today riffing on the old #NextManUp mantra). On today's podcast, Andrew and Kunj discuss how it's never good to see someone lose their job, a change was needed just to see if a different mindset can get some of these guys going. While Lawson was the main topic, they also discussed Carlos Rodón making his much-awaited Yankee debut, the MLB Draft officially being underway and the Yankees making their first-round pick in George Lombard Jr., and then provide the weekly injury updates. After that, they wrap of the podcast with our usual check-in of Baseball Reference's WAR leaderboard, and then hand out the Yankees and Manfreds of the Week. Best of luck to Lawson in his future, and even better luck wished to Sean Casey, who will be tasked with making DJ LeMahieu look like a machine again. (As a programming note, Casey's hire was revealed followed the podcast recording.) Learn more about your ad choices. Visit megaphone.fm/adchoices

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Podument Park Ep. 15: An Unexpected Series Win

Bist du behindert? - Der Perspektivenwechsel-Podcast

Play Episode Listen Later Jun 26, 2023 40:35

When there's no real explanation for something, the best way to explain what happened is with a simple “somehow.” If it's good enough for a billion-dollar franchise to explain their villain coming back from the dead, then it's good enough for me. Somehow, the Yankees managed to win four games and two series this week. They weren't the most exciting wins, but wins are wins and right now that's all that matters. Andrew and Kunj talk about how the Yankees desperately need to find ways to win games without Aaron Judge and the offense just needs to look somewhat competent. They offered some praise at least for doing just that with a 4-2 showing against Seattle and Texas. The Yanks “did something” and found ways to win without their captain. If they can put together a more sustainable approach and keep stealing wins, they should be able to stay afloat in the race until Aaron Judge returns. Unfortunately, as also discussed on the podcast, the latest on No. 99 shows that there's still no real timetable and he'll presumably be out longer than anyone initially thought or expected, now that there's confirmation of a a torn ligament in his toe. Fortunately, we did also have some good injury updates for Ian Hamilton who should rejoin the team in Oakland and Carlos Rodón, whose Yankees debut actually appears to be on the horizon. As always, we end by checking in on Baseball Reference's WAR leaderboard, before handing out our weekly Yankee and Manfreds of the Week. Hooray for the inexplicable Billy McKinney! Learn more about your ad choices. Visit megaphone.fm/adchoices

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#7 - Lebenswege und inspirierende Begegnungen: Die Geschichte von Manfred Pfeffer

Play Episode Listen Later Jun 15, 2023 26:28

In dieser Podcast-Folge nehmen wir euch mit auf eine aufregende Reise durch sein abwechslungsreiches Leben. Von seinen Anfängen als Fußballschiedsrichter bis hin zu seiner Leidenschaft als Nikolaus-Enthusiast und Feuerwehrmann verkörpert Manfred Pfeffer das wahre Paradebeispiel eines inklusiven Lebens in der Gemeinschaft. Obwohl Manfred langsam etwas ruhiger angehen möchte, ist er noch lange nicht bereit, seine spannenden Geschichten hinter sich zu lassen. Als Hobbykoch aus dem Markt Lappersdorf hat er immer noch einige kulinarische Erlebnisse und Anekdoten zu teilen. Doch das ist noch nicht alles! Erfahrt in dieser Folge auch, was es mit der geheimnisvollen Begegnung mit Pierre Luigi Collina auf sich hat und welches Treffen sein Leben auf unglaubliche Weise inspirierte. Begleitet uns auf diesem einzigartigen Podcast-Abenteuer und lasst euch von Manfred Pfeffers Lebensweisheit, Humor und Inspiration begeistern. Ihr werdet garantiert von seinen Erlebnissen und Erkenntnissen berührt sein. Seid dabei, wenn wir Manfreds bemerkenswerte Lebensgeschichte entfalten und die Kraft der Begegnung und des gemeinsamen Miteinanders feiern. - - - Produziert von www.gwusst-media.de

2. Chef Christian Puglisi in Copenhagen.

World of Mouth podcast

Play Episode Listen Later May 25, 2023 43:54

Danish-Italian chef Christian Puglisi was on center stage in Copenhagen during the height of the New Nordic cuisine. Before his job at Noma, he had worked in France and at the legendary El Bulli in Spain. After leaving Noma, he took his first steps as a restaurateur in 2010 when he opened his restaurants Relæ and Manfreds. Relae received a Michelin star, entered the World's 50 Best Restaurants list, and received The Sustainable Restaurant Award. Christian Puglisi will tell about the difficult decision to close these hugely popular restaurants and return to his Italian gastronomic roots. He will also tell us about his new restaurant Mirabelle Spiseria and describe what a “spiseria” really is. At the end Puglisi will reveal his favourite restaurants in Copenhagen and in the rest of the world.In this podcast Christian Puglisi recommends the following restaurants:Jatak, Copenhagen https://www.jatakcph.com/Seks, Copenhagen https://www.sekscph.com/Juju, Copenhagen https://www.jujucph.dk/Palaegade, Copenhagen https://formelfamily.dk/palaegade/Juno the Bakery, Copenhagen https://www.instagram.com/juno_the_bakery/Trippa, Milano https://www.trippamilano.it/Reale by Niko Romito, Castel di Sangro, Italy https://www.nikoromito.com/en/reale-restaurant/Ristorante San Giorgio e il Drago, Sicily http://www.ristorantesangiorgioeildrago.it/Asador Etxebarri, Axpe, Spain https://www.asadoretxebarri.com/World of Mouth is a restaurant guide powered by over 500 invited chefs, food writers and other trusted restaurant experts.All of the recommendations mentioned in this podcast and thousands more are available for free in the World of Mouth app: https://www.worldofmouth.app/ Hosted on Acast. See acast.com/privacy for more information.

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Manfred Mann vs Showaddywaddy vs Living In A Box vs No Doubt vs Gwen Stefani vs Chainsmokers & Coldplay

Which Decade Is Tops For Pops?

Play Episode Listen Later Apr 23, 2023 90:01

The grumpy old Manfreds return, and we ponder whether there's any psych in their pop. The Seventies rehash the Fifties (again!), The Eighties serve us with sophisti-pop (as no one called it at the time), the magic randomiser chucks us a double dose of Gwen, Milton Keynes indie meets downtempo EDM, and we take an extended NME package tour digression.YouTube playlist // Spotify playlist // extra tracks & bonus bitsTo join in with the voting, please submit your 1st, 2nd and 3rd favourites, plus your "most bad and hated" selection, to:Patreon // Twitter: @whichdecadetops // Facebook // whichdecadeistops@gmail.comThe voting deadline for this episode is 6pm UK time, Wednesday 3rd May 2023. Hosted on Acast. See acast.com/privacy for more information.

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What's Paul Jones of the Manfreds learnt from 60 years onstage?

Word Podcast

Play Episode Listen Later Apr 6, 2023 25:10

The Manfreds start their 60th Anniversary Tour in September with Paul, Mike D'Abo and Tom McGuinnness in the line-up. He talks to us here about the first and best shows he's seen and … … being told “there's a soul/R&B singer in Birmingham and if he ever comes to London you're finished”. … how Brian Jones “opened up a secret door”. ... “stealing from Tennyson” for the lyrics of 5-4-3-2-1. … being with Mick Jagger and Long John Baldry watching Alexis Korner calling up guest “shouters” and all thinking “pick me!” … what T-Bone Walker taught him. … seeing Lonnie Donegan at the Kings Theatre, Southampton, and the absurdity of doing ‘It Takes A Worried Man' in your skiffle band when you're only 15. … Bob Dylan at Earl's Court. … the earth-shifting impact of the Modern Jazz Quartet. … and the early adventures of ‘Blues Boy' Jones. Tickets for the Manfreds' 60 Anniversary tour here …https://myticket.co.uk/artists/the-manfredsTickets for Word In The Park in London on June 3rd here!: https://www.eventbrite.co.uk/e/the-happy-return-of-word-in-the-park-tickets-576193870377Subscribe to Word In Your Ear on Patreon for early and ad-free access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Lyt med ManFreds start på februar, hvor vært Josefine Thøgersen vil tage dig et smut forbi det københavnske kulturliv, med til Vinter Jazz Festival hvor hun har interviewet Carl Zinssou og Noah Kilbuck om deres koncert den 3/2 på Metronomen Frederiksberg. Derudover fik de også æren af at blive en del af ManFreds spektakulære vennebog. Inden turen gik til Canada, hvor I kan blive klogere på landet. Derudover får I en stor guide til, hvordan du klarer udveksling og ikke mindst høre mere om Celine Møller Andersen og Janne Boe Graungaards tur afsted. Så ingen undskyldning for ikke at lytte med, hop ind og hør mere! Send us your feedback online: https://pinecast.com/feedback/manfred/92ff572a-d143-4b67-8737-64ccb02dec6d

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Kærestespecial

veganuary christoffer natashia manfreds

Play Episode Listen Later Jan 18, 2023 93:28

I dagens afsnit har Natashia sin kæreste på besøg. De spiser og bedømmer kanelsnegle - mon Christoffer kan smage forskel på den billige snegl versus den lidt dyrere udgave? De taler også om to aktuelle udfordringer i januar, nemlig White January og Veganuary, og deler deres egne erfaringer med de alkoholiske drikke og mindes dengang, de selv prøvede at spise vegansk. Til sidst prøver de at blive klogere på hinanden, når de hver især skal gætte hinandens vennebogssvar i ManFreds famøse vennebog. Mon de kender hinanden så godt, som de tror? Vært: Natashia Lindqvist Bernburg Gæst: Christoffer Larsen

Mike D'Abo The Manfreds and more

Play Episode Listen Later Jan 17, 2023 22:45

Hear James Watt chatting with Mike D'Abo about his life in music The Manfreds and more Hosted on Acast. See acast.com/privacy for more information.

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Skud ud til pakkeleg og Holberg

Play Episode Listen Later Dec 16, 2022 102:11

Kom og fejr jul med Manfred Fredag. Vi holder vores egen julefrokost i studierne med masser af sjov og leg! Vi laver juleradiospil og spiller pakkeleg i Manfreds studier. Kom og fejr jul med os inden du skal hjem til Onkel Jørgen og den akavede julemiddag. Dine værter i dag har været Søren, Caroline, Ilias, Mia og Sofie

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Manfreds Valgspecial

Play Episode Listen Later Nov 1, 2022 99:10

Manfred står i valgets tegn i dag og vi vender alt omkring valgdagen. Overskrifter, Valgflæsk eller fakta og hvem kan tælle til 90. Det er blot nogle af de ting man kan forvente i dagens episode. Hvem af partilederne er valgets greatest showman? Og hvad skal man oddse på i aften når vi fejre demokratiet. Dine værter i dag er Karoline Juul Christensen, Christian Østergaard og Emil Knüppel

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Pinstripe Alley Podcast 176: Good Night, 2022 Yankees

Play Episode Listen Later Oct 24, 2022 60:47

Well, the Yankees' 2022 season is officially over. For the fourth time in the last eight seasons, the Yankees' dreams end at the hands of the Houston Astros. Andrew and Kunj's most recent episode of the podcast prior to now came with the Yankees already facing an 0-2 deficit in the ALCS and heading home to The Bronx to hopefully turn their fortunes. They headed to The Bronx alright, but just like the first two games, the offense failed to show up in Game 3. Harrison Bader and Anthony Rizzo showed some life, but ultimately the team didn't do enough to survive past Game 4. The season is over. Andrew and Kunj are back on the pod to officially eulogize the 2022 Bombers and discuss, vent, and grumble about what exactly went wrong for the Yankees (a lot) and what little went right. After the ad break (~21:52), they also looked ahead to discuss the uncertain-but-maybe-not-so-uncertain futures of GM Brian Cashman and manager Aaron Boone, and of course, the biggest elephant in the room: Aaron Judge's impending free agency. They also took the opportunity to rip into Josh Donaldson, Bringer of Bad Vibes, and generally bantered about the many questions facing the Yankees in the months ahead before wrapping up the pod by making predictions for the World Series (spoiler: they're both rooting for the Phillies' good vibes and hoping for the worst for the Astros), and picking their final Yankees and Manfreds of the 2022 Yankees season. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hvem er Lei Lowe? Hvad er folketinget? Hvad sker der i efterårsferien?

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Play Episode Listen Later Oct 12, 2022 96:22

Lei Lowe bliver en af Manfreds venner, når hun svarer på vennebogens spørgsmål. Vi taler også om, at vælge det rigtige kunsternavn, det særlige ved livekoncerter og at have et budskab med sin musik. Og så har vi selvfølgelig tid til vores faste segmenter Onsdagssneglen og Vidste du ik' det? hvor vi liiige refresher, hvordan det lige er, at folketinget virker. Og så må vi jo ikke glemme, at det er efterårsferie i næste uge! Dine værter er Sofie Hagen Simonsen, Lise Hagen og Stine Amalie Helmo Kisling

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Tom McGuinness

Rock and Roll Heaven

Play Episode Listen Later Aug 20, 2022 91:15

Ladies and Gentlemen, our ULTIMATE Manfred Mann's Reference of the Podcast is here!That's right, we are thrilled to host the great Tom McGuiness this week on Rock and Roll Heaven! Join us for an unbelievable walk through over 60 YEARS of music history, as seen by one of the key members of the Manfreds. The stories are a blast and Tom made our day when... well, I guess you'll have to listen to the interview.Available now on the Rock and Roll Heaven Podcast! Our social stuff:Patreon.com/rockandrollheavenTwitter: @rockandrollltInstagram: RockandrollheavenltFacebook: Rock and Roll Heaven PodOur website: https://rockandrollheavenl.wixsite.com/mysiteTick Tok: rockandrollheavenpodEmail us! rockandrollheavenlt@gmail.comCheck out the other awesome Pantheon Podcast at www.pantheonpodcasts.com

Hour 2 - Would you take your wife's last name? - What's Trending - Is marijuana the future of recovery for NFL athletes? How tone deaf are Rob Manfreds comments about minor league players' pay?

Baltimore's Big Morning Show

Play Episode Listen Later Jul 20, 2022 35:20

In the second hour of Wednesday's show, the guys take calls on men possibly taking their wife's last name, discuss What's Trending in social media, ruminate on the use of marijuana as a recovery drug in athletics, and chastise MLB Commissioner Rob Manfred for his tone deaf comments about Minor League Baseball players' pay.

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Mike D'Abo the Manfreds and more

mike d james watt manfreds

Play Episode Listen Later Jul 19, 2022 22:45

James Watt with a catch up with Mike D'Abo and his life in music

Paul Jones talks The Manfreds and Harmonicas with James Watt

paul jones james watt harmonicas manfreds

Play Episode Listen Later May 30, 2022 18:37

The man with the harmonica gives us a masterclass! James Watt with Paul Jones

Manfred and the Fam - Dutch Overlanding Family

GHT Overland - Overlanding Adventure

Play Episode Listen Later Apr 21, 2022 62:42

#119 - When the truck is aptly named “Manfred” (think Manny the Woolly Mammoth from the Ice Age movies) you know its size is going to be massive, complemented by a fun natured side. There's no disappointment when it comes to learning about this Dutch family of four, who've decided living a life outside and exploring with their two young children was the better option than running a business and chasing professional careers.In 2020 the full time exploration started, or at least that was the plan. Fleur and Mike had sold their home in the Netherlands, booked a flight to Canada, packed their bags and had Manfreds boat ride booked. Then; as we all know the world hit the brakes hard and fast in the spring of 2020, closing borders and changing travel plans for many adventure seekers. Searching for a Plan B, they loaded into their trusted Manfred and started exploring close to home in the Netherlands. As soon as boarders began to open back up they stretched Manfreds legs, overlanding further into Europe.In this episode we talk about all the important details of a family overlanding. What the kids think of traveling full time, along with the scoop on their beautifully rugged Manfred.

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Vården visste om Manfreds självmordsplan – mamman hittade honom död

Ekot granskar

Play Episode Listen Later Apr 20, 2022 13:49

I slutet av höstlovet 2018 kom Eva Osterman Lind hem och hittade sin son död. Senare förstod hon att Manfred i förväg hade berättat detaljerat om sina självmordsplaner för personal på BUP. Det blev inte rätt det som gjordes med honom. Det känns som att vi liksom fick inte chansen riktigt att rädda honom eftersom vi inte förstod allvaret i det här, säger hon. Eva tyckte att vården av Manfred brustit på flera sätt, men barn- och ungdomspsykiatrin såg inget fel i vården och beslutade att inte anmäla fallet till Inspektionen för vård och omsorg. När Eva anmälde den vård Manfred fått fick BUP kritik på flera punkter från Ivo. Ekots granskning visar att barn- och ungdomspsykiatrin i landet de senaste fem åren upptäckt vårdbrister och Lex Maria-anmält detta till inspektionen för vård och omsorg i samband med 22 självmord.I ytterligare fem fall, där vården själva bedömt att de inte gjort fel, hittar Ivo brister i vården efter att vårdnadshavare anmält.Ekot har varit i kontakt med anhöriga i de här fem fallen och de upplever att vården inte verkat vilja lära sig något av det som hänt. En av dem är Manfreds mamma Eva.BUP i region Uppsala uppger att de hela tiden försöker lära sig och förbättra vården. De har efter Manfreds självmord genomfört flera utbildningsinsatser för personal kring riskbedömning och självmord hos barn och unga.Hit kan du vända dig om du mår dåligtÄr det akut ring nödnumret 112.SPESMIND självmordslinjenJourhavande MedmänniskaMaria Ridderstedt maria.ridderstedt@sverigesradio.seVictoria Gaunitz victoria.gaunitz@sverigesradio.se

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Venindebogslogen #8 Amalie Bryde

rings braves miguel cabrera steven kwan manfreds

Play Episode Listen Later Apr 20, 2022 17:58

I denne podcast kan du høre Amalie Brydes optagelsesceremoni til ManFreds venindebogsloge. Du kan lytte til det fulde program, i øvrig podcast som i dag har stået på royalt tema med indslag som en bette sang om kongerækken, en royal quiz og meget mere. Værter: Ida Tønnesen og Josefine Thøgersen Send us your feedback online: https://pinecast.com/feedback/manfred/4900147a-424f-4c67-ab90-fa8f337c0224

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74: Are they doing too much with the rings

The Beanball Podcast

Play Episode Listen Later Apr 13, 2022 42:55

We talk about opening weekend, Manfreds gifts to all players, rays "sold out" opening day, Who is Steven Kwan, the 1st two city connect jerseys, Miguel Cabrera next and possible final milestone is days away, We talk about the Braves championship rings, and did they do too much to it? and we talk about our players of the week.

Kok og Kok imellem - Christian Puglisi

Kok og Kok imellem

Play Episode Listen Later Apr 13, 2022 125:48

I denne 5. Episode af sæson skal vi høre Christian Puglisi fortælle lidt om volontør livet på Verdens bedste restaurant El Bulli, om at havne i DK som indvandrer med en nedarvet madkultur i en kulinarisk ørken og lidt om hvilke tanker Christian gjorde sig da han åbnede Manfreds og Relæ, to den gang helt nye bud restaurant koncepter i et København der stille og roligt, men urokkeligt sikkert var ved at vokse sig til et globalt kulinarisk pejlemærke. See acast.com/privacy for privacy and opt-out information.

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Torsdag 07.04.22

er bff dette janet jackson derudover torsdag manfreds

Play Episode Listen Later Apr 7, 2022 104:28

I anledning af Ida har sluttet sig til ManFreds torsdagsredaktion prøver Ida og Sofie at lære hinanden bedre at kende gennem en omgang 'bestie to-be'. Her forsøger de bl.a. at gætte hinanden stjernetegn, om de er A eller B mennesker og meget mere. Er det et rødt flag at din date ikke har fået lagt pudebetræk på? Og er det god smag kun at lytte til Janet Jackson? Dette er to af dilemmaerne til dagens omgang Rødt Flag/God Smag, hvor værterne bringer emner fra hverdagen op og diskuterer dem med latter og et smil på læben. Derudover tages der hul på tanker om firsts og Ida og Sofie vender både emner så som deres første BFF's og første gang de indså, at de endnu ikke er voksne. Værter: Ida Johanne de Coninck Hugge og Sofie Hagen Simonsen

Sommertid, Den Nye Olsen Banden og 'Hvem kom først'-Quiz

Play Episode Listen Later Mar 23, 2022 85:34

I dagens afsnit tager dagens værter dig igennem temaet "TID", i anledningen af at vi skal ændre vores ure til sommertid. Men hvad er sommertid/den falske tid egentlig for en størrelse og hvorfor har vi det? Det får du svar på i dagens program. Natashia kommer også ind og quizzer værterne i quizzen "Hvem kom først?", hvor de giver hinanden kamp til stregen. Til sidst i programmet bliver der indviet to nye medlemmer til Manfreds venindebogsloge. LYT MED! Dine værter er Johanne Faigh Larsen og Mathilde Carlsen. Send us your feedback online: https://pinecast.com/feedback/manfred/29acca9a-7fe0-40a0-bed1-7996b82bbae5

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Venindebogen #6 Sille Trolle

Play Episode Listen Later Mar 23, 2022 13:41

Musikeren Sille Trolle bliver indviet i Manfreds venindebogsloge fra hendes studie på Amager. Hør om hendes kendis crush og hendes guilty pleasure. Lyt til interviewet her! Din vært er Matilde Kjær Hilligsøe.

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Venindebogslogen #5 MALU

Play Episode Listen Later Mar 16, 2022 19:47

ManFreds venindebogsloge har fået endnu et nyt medlem: MALU. Lyt med og hør hendes ceremoni. Du kan også lytte til dagens episode, hvor der yderligere blev quizzet om Inger Støjberg, lavet en ultimativ guide til forårs dating, en opdatering på kriminalitet i DK samt et interview med Katarina Madsen og Oliver Aabo der gjorde os klogere på "Tracks by Women". Værter: Natashia Lindqvist Bernburg og Josefine Thøgersen. Send us your feedback online: https://pinecast.com/feedback/manfred/1a23d659-1663-4868-9ee4-1fae154a54fb

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Interview med Katarina Madsen og Oliver Aabo

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Play Episode Listen Later Mar 16, 2022 15:19

Du kan også lytte til dagens episode, hvor der yderligere blev quizzet om Inger Støjberg, lavet en ultimativ guide til forårs dating, en opdatering på kriminalitet i DK samt et endnu et medlem til ManFreds venindebogs loge. Værter: Natashia Lindqvist Bernburg og Josefine Thøgersen. Send us your feedback online: https://pinecast.com/feedback/manfred/a949e5a0-9b70-4fc8-b5d9-aafbdef15530

Venindebogslogen #4 Gurli Octavia

FromThe108: White Sox for the Inebriated

Play Episode Listen Later Mar 9, 2022 18:59

ManFreds venindebogsloge får endnu et nyt medlem: Gurli Octavia. Lyt med i episoden, hvor vi både taler om skøre øgenavne, Bones, beskyttelse og et smart trick til guitaristerne. Værter: Ida Tønnesen og Mathilde Carlsen Send us your feedback online: https://pinecast.com/feedback/manfred/15fd218b-527d-4720-89cb-bcc0a15230fc

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FromThe108 - It Takes a Nation of Manfreds to Hold Us Back

Play Episode Listen Later Mar 4, 2022 129:50

Intro What Are We Drinking? The Lockout Things We Used To Like Draft Metal Musician or Nobel Prize Winner?

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Venindebogslogen #3 Veiles

"Hallo, ich bin Manfred!" - Ein Stofftier will alles wissen!

Play Episode Listen Later Mar 2, 2022 15:03

ManFreds venindebogsloge får et nyt medlem, nemlig musikeren Veiles med det borgerlige navn Esther Møller Fogh. Det handler bl.a. om yoghurt og en ring med helt særlig betydning. Lyt med! Dine værter er Johanne Faigh Larsen og Signe-Marie Saerens Taasti Klastrup Send us your feedback online: https://pinecast.com/feedback/manfred/4654d78c-c51d-4e83-8f2f-11d8fc9f95dc

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Folge 92 Manfred und das Glücksschloss

Play Episode Listen Later Jan 5, 2022 40:07

Der erste Schultag nach den Weihnachtsferien! - und Manfreds Klassenlehrerin Frau Schöller wollte wissen, was die Kinder für schöne Erlebnisse in den Ferien gehabt haben. Manfred sprudelte sofort los, nur dem kleinen Max fiel dazu nichts ein: "Alles ganz normal!" Das ging unserer kleinen Plüschratte nicht in den Kopf: Weihnachten - und nichts Besonderes? Kein Supergeschenk? Kein Kaputtlachen? Kein Monsterspaß? Nö, für Max war alles "ganz normal". Das muss Manfred mit seinem besten Freund Tilly, dem Psychologen, besprechen. Warum können einige Menschen kein wirkliches Glück empfinden? Was sind die Voraussetzungen, um sich auch an Kleinigkeiten zu erfreuen? Kann man Glücklichen lernen, wie es die Stiftung Kinderjahre von Manfreds bester Freundin Hannelore Lay im "Schulfach Glück" den Kindern beibringen möchte? Am Ende führt Tilly Manfred in einer Traumreise in ein Glückschloss mit vielen Zimmern. Und in jedem Zimmer geht ein Kind einer Sache nach, die es glücklich macht… Mannis Shop findet Ihr auf www.hallo-manfred.de Ein Podcast der "Stiftung Kinderjahre", Hamburg. http://www.stiftung-kinderjahre.de/ Mit medizinischer Begleitung durch den Facharzt für Allgemeinmedizin Thorsten Gottschalk, Konstanz. "Manfred": gesprochen von Annika Lohstroh Alle Rechte, Idee, Konzept, Text und Produktion: Medienbüro Lohstroh+Thiel, Hamburg, 2022

Mike d'Abo talks The Manfreds Buttercups and Handbags!

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Play Episode Listen Later Dec 27, 2021 22:45

Hear a great chat with Mike about his life lots of fun in this chat with James Watt I thought you might like to hear Mikes great stories. Talking Handbags and Buttercups!

Sebastians Eltern wurden ausgeraubt, aber Pat präsentierte Urinfleck der Öffentlichkeit

Schwuler gehts nicht

Play Episode Listen Later Nov 20, 2021 78:31

Wieso ist Pats Vanessa-Tagebuch beendet? Wer gab uns einen Korb, aufgrund unserer vulgären Sprache? Wo hat Pat unbemerkt seine vollurinierte Hose in der Öffentlichkeit präsentiert? Wie skurril wurden Sebastians Eltern ausgeraubt und wieso gabs trotzdem ein Happy End? Welcher schlimme türkische Satz prophezeite Pats Lebensverlauf? Wieso wurde Sebastian schon wieder ärgerlich bei Dean and David? Was hat Pat gegen Manfreds und Udos? Schwuler gehts nicht - Folge 66 Von Cat Calling und türkischen Satz-Mixen über Fremdgehgeschichten und der Frage: Welche Indizien zum Adventskalender gibt es diesmal?

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Den der med Manfreds guide til Sci-Fi

STREAM AND CHILL

Play Episode Listen Later Aug 26, 2021 55:20

Faste lyttere af Stream and Chill vil vide, Manfred, bedre kendt som nørdernes konge, har en hang til alt, der har en berøringsflade med science fiction at gøre (såkaldt Sci-Fi for de uindviet). Af den grund har vært William Ejsing sluppet selvsamme Manfred løs i en stor guide/historisk gennemgang til Sci-Fi.

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Den der med Manfreds guide til Sci-Fi

STREAM AND CHILL

Play Episode Listen Later Aug 26, 2021 55:20

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Folge 72 Manfred und Nosi

"Hallo, ich bin Manfred!" - Ein Stofftier will alles wissen!

Play Episode Listen Later Aug 18, 2021 25:33

Folge 72 Manfred und Nosi Manfred ist ganz stolz: Er durfte bei der Einschulung der Erstklässler als Pate dabei sein und der kleinen Sabine die Schule zeigen. Plötzlich sah ihn einer der neuen Schüler und schrie zu seinem Vater: "Iiiih, da ist ja eine Ratte!" Dann sah er Malaika, Manfreds schwarze Freundin:"Und auch noch eine Schwarze! Iiiih, Papa, in diese Schule will ich nicht!" Da baute sich Manfred vor dem Vater auf und sagte zu ihm: "Ist das Ihre Erziehung? Wir sind nämlich alle unterschiedlich! Und das ist gut so! Das ist nämlich das, was das Leben so interessant macht! Und wer Malaika, meine beste Freundin beeidigt, dem hau ich meine Filzzähne irgendwo hin!" Wieder Zuhause, beschäftigt das Thema Manfred weiter: Warum gibt es Menschen, die andere nur deswegen beleidigen, weil sie anders aussehen? Ein Fall für Tilly, ManfredsFreund und Psychologen. Und der versucht Manfred zu erklären, dass hinter so seinem schlimmen Verhalten oft Angst vor dem Fremden, vor dem Unbekannten steckt. Dass Annika und Tilly Manfred aber so erzogen haben, dass er zunächst jeden neuen Menschen interessant findet - egal wie er aussieht oder wo wer herkommt. Das man jeden erstmal näher kennenlernen muss, bevor man entscheidet, ob man ihn mag oder nicht. Nach diesem aufregenden Tag führt Tilly Manfred zur Entspannung per Traumreise in das Land der Nosis, wo Manfred nicht gerade sehr freundlich begrüßt wird. Der Grund? Für einen Nosi ist Manfreds Nase viel zu klein… Manfreds Website mit dem Mannishop: www.hallo-manfred.de Ein Podcast der "Stiftung Kinderjahre", Hamburg. http://www.stiftung-kinderjahre.de/ Mit medizinischer Begleitung durch den Facharzt für Allgemeinmedizin Thorsten Gottschalk, Konstanz. "Manfred": gesprochen von Annika Lohstroh Alle Rechte, Idee, Konzept, Text und Produktion: Medienbüro Lohstroh+Thiel, Hamburg, 2021

Mike D'Abo chats The Manfred and more

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Play Episode Listen Later Aug 3, 2021 22:45

James Watt has a really interesting chat with Mike A'Abo about his life. The Manfreds, Handbags and Gladrags , and him being the man behind many top advertising jingles we all know.

25-05 Manfred Tirsdag

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Play Episode Listen Later May 25, 2021 75:11

Lyt med i dagens program hvor Søren tager de nye værter Nana og Adele under Manfreds vinger

Episode 118: "Do-Wah-Diddy-Diddy" by Manfred Mann

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Mar 28, 2021 49:27

Episode 118 of A History of Rock Music in Five Hundred Songs looks at "Do-Wah-Diddy-Diddy" by Manfred Mann, and how a jazz group with a blues singer had one of the biggest bubblegum pop hits of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on "Walk on By" by Dionne Warwick. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- Resources No Mixcloud this week due to the number of tracks by Manfred Mann. Information on the group comes from Mannerisms: The Five Phases of Manfred Mann, by Greg Russo, and from the liner notes of this eleven-CD box set of the group's work. For a much cheaper collection of the group's hits -- but without the jazz, blues, and baroque pop elements that made them more interesting than the average sixties singles band -- this has all the hit singles. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript: So far, when we've looked at the British blues and R&B scene, we've concentrated on the bands who were influenced by Chicago blues, and who kept to a straightforward guitar/bass/drums lineup. But there was another, related, branch of the blues scene in Britain that was more musically sophisticated, and which while its practitioners certainly enjoyed playing songs by Howlin' Wolf or Muddy Waters, was also rooted in the jazz of people like Mose Allison. Today we're going to look at one of those bands, and at the intersection of jazz and the British R&B scene, and how a jazz band with a flute player and a vibraphonist briefly became bubblegum pop idols. We're going to look at "Do Wah Diddy Diddy" by Manfred Mann: [Excerpt: Manfred Mann, "Do Wah Diddy Diddy"] Manfred Mann is, annoyingly when writing about the group, the name of both a band and of one of its members. Manfred Mann the human being, as opposed to Manfred Mann the group, was born Manfred Lubowitz in South Africa, and while he was from a wealthy family, he was very opposed to the vicious South African system of apartheid, and considered himself strongly anti-racist. He was also a lover of jazz music, especially some of the most progressive music being made at the time -- musicians like Ornette Coleman, Charles Mingus, and John Coltrane -- and he soon became a very competent jazz pianist, playing with musicians like Hugh Masakela at a time when that kind of fraternisation between people of different races was very much frowned upon in South Africa. Manfred desperately wanted to get out of South Africa, and he took his chance in June 1961, at the last point at which he was a Commonwealth citizen. The Commonwealth, for those who don't know, is a political association of countries that were originally parts of the British Empire, and basically replaced the British Empire when the former colonies gained their independence. These days, the Commonwealth is of mostly symbolic importance, but in the fifties and sixties, as the Empire was breaking up, it was considered a real power in its own right, and in particular, until some changes to immigration law in the mid sixties, Commonwealth citizens had the right to move to the UK. At that point, South Africa had just voted to become a republic, and there was a rule in the Commonwealth that countries with a head of state other than the Queen could only remain in the Commonwealth with the unanimous agreement of all the other members. And several of the other member states, unsurprisingly, objected to the continued membership of a country whose entire system of government was based on the most virulent racism imaginable. So, as soon as South Africa became a republic, it lost its Commonwealth membership, and that meant that its citizens lost their automatic right to emigrate to the UK. But they were given a year's grace period, and so Manfred took that chance and moved over to England, where he started playing jazz keyboards, giving piano lessons, and making some money on the side by writing record reviews. For those reviews, rather than credit himself as Manfred Lubowitz, he decided to use a pseudonym taken from the jazz drummer Shelly Manne, and he became Manfred Manne -- spelled with a silent e on the end, which he later dropped. Mann was rather desperate for gigs, and he ended up taking a job playing with a band at a Butlin's holiday camp. Graham Bond, who we've seen in several previous episodes as the leader of The Graham Bond Organisation, was at that time playing Hammond organ there, but only wanted to play a few days a week. Mann became the substitute keyboard player for that holiday camp band, and struck up a good musical rapport with the drummer and vibraphone player, Mike Hugg. When Bond went off to form his own band, Mann and Hugg decided to form their own band along the same lines, mixing the modern jazz that they liked with the more commercial R&B that Bond was playing. They named their group the Mann-Hugg Blues Brothers, and it initially consisted of Mann on keyboards, Hugg on drums and vibraphone, Mike Vickers on guitar, flute, and saxophone, Dave Richmond on bass, Tony Roberts and Don Fay on saxophone and Ian Fenby on trumpet. As their experiences were far more in the jazz field than in blues, they decided that they needed to get in a singer who was more familiar with the blues side of things. The person they chose was a singer who was originally named Paul Pond, and who had been friends for a long time with Brian Jones, before Jones had formed the Rolling Stones. While Jones had been performing under the name Elmo Lewis, his friend had taken on Jones' surname, as he thought "Paul Pond" didn't sound like a good name for a singer. He'd first kept his initials, and performed as P.P. Jones, but then he'd presumably realised that "pee-pee" is probably not the best stage name in the world, and so he'd become just Paul Jones, the name by which he's known to this day. Jones, like his friend Brian, was a fan particularly of Chicago blues, and he had occasionally appeared with Alexis Korner. After auditioning for the group at a ska club called The Roaring 20s, Jones became the group's lead singer and harmonica player, and the group soon moved in Jones' musical direction, playing the kind of Chicago blues that was popular at the Marquee club, where they soon got a residency, rather than the soul style that was more popular at the nearby Flamingo club, and which would be more expected from a horn-centric lineup. Unsurprisingly, given this, the horn players soon left, and the group became a five-piece core of Jones, Mann, Hugg, Vickers, and Richmond. This group was signed to HMV records by John Burgess. Burgess was a producer who specialised in music of a very different style from what the Mann-Hugg Blues Brothers played. We've already heard some of his production work -- he was the producer for Adam Faith from "What Do You Want?" on: [Excerpt: Adam Faith, "What Do You Want?"] And at the time he signed the Mann-Hugg Blues Brothers, he was just starting to work with a new group, Freddie and the Dreamers, for whom he would produce several hits: [Excerpt: Freddie and the Dreamers, "If You Gotta Make a Fool of Somebody"] Burgess liked the group, but he insisted that they had to change their name -- and in fact, he insisted that the group change their name to Manfred Mann. None of the group members liked the idea -- even Mann himself thought that this seemed a little unreasonable, and Paul Jones in particular disagreed strongly with the idea, but they were all eventually mollified by the idea that all the publicity would emphasise that all five of them were equal members of the group, and that while the group might be named after their keyboard player, there were five members. The group members themselves always referred to themselves as "the Manfreds" rather than as Manfred Mann. The group's first single showed that despite having become a blues band and then getting produced by a pop producer, they were still at heart a jazz group. "Why Should We Not?" is an instrumental led by Vickers' saxophone, Mann's organ, and Jones' harmonica: [Excerpt: Manfred Mann, "Why Should We Not?"] Unsurprisingly, neither that nor the B-side, a jazz instrumental version of "Frere Jacques", charted -- Britain in 1963 wanted Gerry and the Pacemakers and Freddie and the Dreamers, not jazz instrumentals. The next single, an R&B song called "Cock-A-Hoop" written by Jones, did little better. The group's big breakthrough came from Ready, Steady, Go!, which at this point was using "Wipe Out!" by the Surfaris as its theme song: [Excerpt: The Surfaris, "Wipe Out"] We've mentioned Ready, Steady, Go! in passing in previous episodes, but it was the most important pop music show of the early and mid sixties, just as Oh Boy! had been for the late fifties. Ready, Steady, Go! was, in principle at least, a general pop music programme, but in practice it catered primarily for the emerging mod subculture. "Mod" stood for "modernist", and the mods emerged from the group of people who liked modern jazz rather than trad, but by this point their primary musical interests were in soul and R&B. Mod was a working-class subculture, based in the South-East of England, especially London, and spurred on by the newfound comparative affluence of the early sixties, when for the first time young working-class people, while still living in poverty, had a small amount of disposable income to spend on clothes, music, and drugs. The Mods had a very particular sense of style, based around sharp Italian suits, pop art and op art, and Black American music or white British imitations of it. For them, music was functional, and primarily existed for the purposes of dancing, and many of them would take large amounts of amphetamines so they could spend the entire weekend at clubs dancing to soul and R&B music. And that entire weekend would kick off on Friday with Ready, Steady, Go!, whose catchphrase was "the weekend starts here!" Ready, Steady, Go! featured almost every important pop act of the early sixties, but while groups like Gerry and the Pacemakers or the Beatles would appear on it, it became known for its promotion of Black artists, and it was the first major British TV exposure for Motown artists like the Supremes, the Temptations, and the Marvelettes, for Stax artists like Otis Redding, and for blues artists like John Lee Hooker and Sonny Boy Williamson. Ready Steady Go! was also the primary TV exposure for British groups who were inspired by those artists, and it's through Ready Steady Go! that the Animals, the Yardbirds, the Rolling Stones, Them, and the Who, among others reached national popularity -- all of them acts that were popular among the Mods in particular. But "Wipe Out" didn't really fit with this kind of music, and so the producers of Ready Steady Go were looking for something more suitable for their theme music. They'd already tried commissioning the Animals to record something, as we saw a couple of weeks back, but that hadn't worked out, and instead they turned to Manfred Mann, who came up with a song that not only perfectly fit the style of the show, but also handily promoted the group themselves: [Excerpt: Manfred Mann, "5-4-3-2-1"] That was taken on as Ready, Steady, Go!s theme song, and made the top five in the UK. But by the time it charted, the group had already changed lineup. Dave Richmond was seen by the other members of the group as a problem at this point. Richmond was a great bass player, but he was a great *jazz* bass player -- he wanted to be Charles Mingus, and play strange cross-rhythms, and what the group needed at this point was someone who would just play straightforward blues basslines without complaint -- they needed someone closer to Willie Dixon than to Mingus. Tom McGuinness, who replaced him, had already had a rather unusual career trajectory. He'd started out as a satirist, writing for the magazine Private Eye and the TV series That Was The Week That Was, one of the most important British comedy shows of the sixties, but he had really wanted to be a blues musician instead. He'd formed a blues band, The Roosters, with a guitarist who went to art school with his girlfriend, and they'd played a few gigs around London before the duo had been poached by the minor Merseybeat band Casey Jones and his Engineers, a group which had been formed by Brian Casser, formerly of Cass & The Cassanovas, the group that had become The Big Three. Casey Jones and his Engineers had just released the single "One Way Ticket": [Excerpt: Casey Jones and His Engineers, "One-Way Ticket"] However, the two guitarists soon realised, after just a handful of gigs, that they weren't right for that group, and quit. McGuinness' friend, Eric Clapton, went on to join the Yardbirds, and we'll be hearing more about him in a few weeks' time, but McGuinness was at a loose end, until he discovered that Manfred Mann were looking for a bass player. McGuinness was a guitarist, but bluffed to Paul Jones that he'd switched to bass, and got the job. He said later that the only question he'd been asked when interviewed by the group was "are you willing to play simple parts?" -- as he'd never played bass in his life until the day of his first gig with the group, he was more than happy to say yes to that. McGuinness joined only days after the recording of "5-4-3-2-1", and Richmond was out -- though he would have a successful career as a session bass player, playing on, among others, "Je t'Aime" by Serge Gainsbourg and Jane Birkin, "Your Song" by Elton John, Labi Siffre's "It Must Be Love", and the music for the long-running sitcoms Only Fools and Horses and Last of the Summer Wine. As soon as McGuinness joined, the group set out on tour, to promote their new hit, but also to act as the backing group for the Crystals, on a tour which also featured Johnny Kidd and the Pirates and Joe Brown and his Bruvvers. The group's next single, "Hubble Bubble Toil and Trouble" was another original, and made number eleven on the charts, but the group saw it as a failure anyway, to the extent that they tried their best to forget it ever existed. In researching this episode I got an eleven-CD box set of the group's work, which contains every studio album or compilation they released in the sixties, a collection of their EPs, and a collection of their BBC sessions. In all eleven CDs, "Hubble Bubble Toil and Trouble" doesn't appear at all. Which is quite odd, as it's a perfectly serviceable, if unexceptional, piece of pop R&B: [Excerpt: Manfred Mann, "Hubble Bubble Toil and Trouble"] But it's not just the group that were unimpressed with the record. John Burgess thought that the record only getting to number eleven was proof of his hypothesis that groups should not put out their own songs as singles. From this point on, with one exception in 1968, everything they released as an A-side would be a cover version or a song brought to them by a professional songwriter. This worried Jones, who didn't want to be forced to start singing songs he disliked, which he saw as a very likely outcome of this edict. So he made it his role in the group to seek out records that the group could cover, which would be commercial enough that they could get hit singles from them, but which would be something he could sing while keeping his self-respect. His very first selection certainly met the first criterion. The song which would become their biggest hit had very little to do with the R&B or jazz which had inspired the group. Instead, it was a perfect piece of Brill Building pop. The Exciters, who originally recorded it, were one of the great girl groups of the early sixties (though they also had one male member), and had already had quite an influence on pop music. They had been discovered by Leiber and Stoller, who had signed them to Red Bird Records, a label we'll be looking at in much more detail in an upcoming episode, and they'd had a hit in 1962 with a Bert Berns song, "Tell Him", which made the top five: [Excerpt: The Exciters, "Tell Him"] That record had so excited a young British folk singer who was in the US at the time to record an album with her group The Springfields that she completely reworked her entire style, went solo, and kickstarted a solo career singing pop-soul songs under the name Dusty Springfield. The Exciters never had another top forty hit, but they became popular enough among British music lovers that the Beatles asked them to open for them on their American tour in summer 1964. Most of the Exciters' records were of songs written by the more R&B end of the Brill Building songwriters -- they would record several more Bert Berns songs, and some by Ritchie Barrett, but the song that would become their most well-known legacy was actually written by Jeff Barry and Ellie Greenwich. Like many of Barry and Greenwich's songs, it was based around a nonsense phrase, but in this case the phrase they used had something of a longer history, though it's not apparent whether they fully realised that. In African-American folklore of the early twentieth century, the imaginary town of Diddy Wah Diddy was something like a synonym for heaven, or for the Big Rock Candy Mountain of the folk song -- a place where people didn't have to work, and where food was free everywhere. This place had been sung about in many songs, like Blind Blake's "Diddie Wah Diddie": [Excerpt: Blind Blake, "Diddie Wah Diddie"] And a song written by Willie Dixon for Bo Diddley: [Excerpt: Bo Diddley, "Diddy Wah Diddy"] And "Diddy" and "Wah" had often been used by other Black artists, in various contexts, like Roy Brown and Dave Bartholomew's "Diddy-Y-Diddy-O": [Excerpt: Roy Brown and Dave Bartholomew, "Diddy-Y-Diddy-O"] And Junior and Marie's "Boom Diddy Wah Wah", a "Ko Ko Mo" knockoff produced by Johnny Otis: [Excerpt: Junior and Marie, "Boom Diddy Wah Wah"] So when Jeff Barry and Ellie Greenwich wrote "Do-Wah-Diddy", as the song was originally called, they were, wittingly or not, tapping into a rich history of rhythm and blues music. But the song as Greenwich demoed it was one of the first examples of what would become known as "bubblegum pop", and is particularly notable in her demo for its very early use of the fuzz guitar that would be a stylistic hallmark of that subgenre: [Excerpt: Ellie Greenwich, "Do-Wah-Diddy (demo)"] The Exciters' version of the song took it into more conventional girl-group territory, with a strong soulful vocal, but with the group's backing vocal call-and-response chant showing up the song's resemblance to the kind of schoolyard chanting games which were, of course, the basis of the very first girl group records: [Excerpt: The Exciters, "Do-Wah-Diddy"] Sadly, that record only reached number seventy-eight on the charts, and the Exciters would have no more hits in the US, though a later lineup of the group would make the UK top forty in 1975 with a song written and produced by the Northern Soul DJ Ian Levine. But in 1964 Jones had picked up on "Do-Wah-Diddy", and knew it was a potential hit. Most of the group weren't very keen on "Do Wah Diddy Diddy", as the song was renamed. There are relatively few interviews with any of them about it, but from what I can gather the only member of the band who thought anything much of the song was Paul Jones. However, the group did their best with the recording, and were particularly impressed with Manfred's Hammond organ solo -- which they later discovered was cut out of the finished recording by Burgess. The result was an organ-driven stomping pop song which had more in common with the Dave Clark Five than with anything else the group were doing: [Excerpt: Manfred Mann, "Do Wah Diddy Diddy"] The record reached number one in both the UK and the US, and the group immediately went on an American tour, packaged with Peter & Gordon, a British duo who were having some success at the time because Peter Asher's sister was dating Paul McCartney, who'd given them a hit song, "World Without Love": [Excerpt: Peter and Gordon, "World Without Love"] The group found the experience of touring the US a thoroughly miserable one, and decided that they weren't going to bother going back again, so while they would continue to have big hits in Britain for the rest of the decade, they only had a few minor successes in the States. After the success of "Do Wah Diddy Diddy", EMI rushed out an album by the group, The Five Faces of Manfred Mann, which must have caused some confusion for anyone buying it in the hope of more "Do Wah Diddy Diddy" style pop songs. Half the album's fourteen tracks were covers of blues and R&B, mostly by Chess artists -- there were covers of Muddy Waters, Howlin' Wolf, Bo Diddley, Ike & Tina Turner, and more. There were also five originals, written or co-written by Jones, in the same style as those songs, plus a couple of instrumentals, one written by the group and one a cover of Cannonball Adderly's jazz classic "Sack O'Woe", arranged to show off the group's skills at harmonica, saxophone, piano and vibraphone: [Excerpt: Manfred Mann, "Sack O'Woe"] However, the group realised that the formula they'd hit on with "Do Wah Diddy Diddy" was a useful one, and so for their next single they once again covered a girl-group track with a nonsense-word chorus and title -- their version of "Sha La La" by the Shirelles took them to number three on the UK charts, and number twelve in the US. They followed that with a ballad, "Come Tomorrow", one of the few secular songs ever recorded by Marie Knight, the gospel singer who we discussed briefly way back in episode five, who was Sister Rosetta Tharpe's duet partner, and quite possibly her partner in other senses. They released several more singles and were consistently charting, to the point that they actually managed to get a top ten hit with a self-written song despite their own material not being considered worth putting out as singles. Paul Jones had written "The One in the Middle" for his friends the Yardbirds, but when they turned it down, he rewrote the song to be about Manfred Mann, and especially about himself: [Excerpt: Manfred Mann, "The One in the Middle"] Like much of their material, that was released on an EP, and the EP was so successful that as well as making number one on the EP charts, it also made number ten on the regular charts, with "The One in the Middle" as the lead-off track. But "The One in the Middle" was a clue to something else as well -- Jones was getting increasingly annoyed at the fact that the records the group was making were hits, and he was the frontman, the lead singer, the person picking the cover versions, and the writer of much of the original material, but all the records were getting credited to the group's keyboard player. But Jones wasn't the next member of the group to leave. That was Mike Vickers, who went off to work in arranging film music and session work, including some work for the Beatles, the music for the film Dracula AD 1972, and the opening and closing themes for This Week in Baseball. The last single the group released while Vickers was a member was the aptly-titled "If You Gotta Go, Go Now". Mann had heard Bob Dylan performing that song live, and had realised that the song had never been released. He'd contacted Dylan's publishers, got hold of a demo, and the group became the first to release a version of the song, making number two in the charts: [Excerpt: Manfred Mann, "If You Gotta Go, Go Now"] Before Vickers' departure, the group had recorded their second album, Mann Made, and that had been even more eclectic than the first album, combining versions of blues classics like "Stormy Monday Blues", Motown songs like "The Way You Do The Things You Do", country covers like "You Don't Know Me", and oddities like "Bare Hugg", an original jazz instrumental for flute and vibraphone: [Excerpt: Manfred Mann, "Bare Hugg"] McGuinness took the opportunity of Vickers leaving the group to switch from bass back to playing guitar, which had always been his preferred instrument. To fill in the gap, on Graham Bond's recommendation they hired away Jack Bruce, who had just been playing in John Mayall's Bluesbreakers with McGuinness' old friend Eric Clapton, and it's Bruce who played bass on the group's next big hit, "Pretty Flamingo", the only UK number one that Bruce ever played on: [Excerpt: Manfred Mann, "Pretty Flamingo"] Bruce stayed with the band for several months, before going off to play in another band who we'll be covering in a future episode. He was replaced in turn by Klaus Voorman. Voorman was an old friend of the Beatles from their Hamburg days, who had been taught the rudiments of bass by Stuart Sutcliffe, and had formed a trio, Paddy, Klaus, and Gibson, with two Merseybeat musicians, Paddy Chambers of the Big Three and Gibson Kemp of Kingsize Taylor and the Dominoes: [Excerpt: Paddy, Klaus, and Gibson, "No Good Without You Baby"] Like Vickers, Voorman could play the flute, and his flute playing would become a regular part of the group's later singles. These lineup changes didn't affect the group as either a chart act or as an act who were playing a huge variety of different styles of music. While the singles were uniformly catchy pop, on album tracks, B-sides or EPs you'd be likely to find versions of folk songs collected by Alan Lomax, like "John Hardy", or things like "Driva Man", a blues song about slavery in 5/4 time, originally by the jazz greats Oscar Brown and Max Roach: [Excerpt: Manfred Mann, "Driva Man"] But by the time that track was released, Paul Jones was out of the group. He actually announced his intention to quit the group at the same time that Mike Vickers left, but the group had persuaded him to stay on for almost a year while they looked for his replacement, auditioning singers like Rod Stewart and Long John Baldry with little success. They eventually decided on Mike d'Abo, who had previously been the lead singer of a group called A Band of Angels: [Excerpt: A Band of Angels, "(Accept My) Invitation"] By the point d'Abo joined, relations between the rest of the group and Jones were so poor that they didn't tell Jones that they were thinking of d'Abo -- Jones would later recollect that the group decided to stop at a pub on the way to a gig, ostensibly to watch themselves on TV, but actually to watch A Band of Angels on the same show, without explaining to Jones that that was what they were doing – Jones actually mentioned d'Abo to his bandmates as a possible replacement, not realising he was already in the group. Mann has talked about how on the group's last show with Jones, they drove to the gig in silence, and their first single with the new singer, a version of Dylan's "Just Like a Woman", came on the radio. There was a lot of discomfort in the band at this time, because their record label had decided to stick with Jones as a solo performer, and the rest of the group had had to find another label, and were worried that without Jones their career was over. Luckily for everyone involved, "Just Like a Woman" made the top ten, and the group's career was able to continue. Meanwhile, Jones' first single as a solo artist made the top five: [Excerpt: Paul Jones, "High Time"] But after that and his follow-up, "I've Been a Bad, Bad, Boy", which made number five, the best he could do was to barely scrape the top forty. Manfred Mann, on the other hand, continued having hits, though there was a constant struggle to find new material. d'Abo was himself a songwriter, and it shows the limitations of the "no A-sides by group members" rule that while d'Abo was the lead singer of Manfred Mann, he wrote two hit singles which the group never recorded. The first, "Handbags and Gladrags", was a hit for Chris Farlowe: [Excerpt: Chris Farlowe, "Handbags and Gladrags"] That was only a minor hit, but was later recorded successfully by Rod Stewart, with d'Abo arranging, and the Stereophonics. d'Abo also co-wrote, and played piano on, "Build Me Up Buttercup" by the Foundations: [Excerpt: The Foundations, "Build Me Up Buttercup"] But the group continued releasing singles written by other people. Their second post-Jones single, from the perspective of a spurned lover insulting their ex's new fiancee, had to have its title changed from what the writers intended, as the group felt that a song insulting "semi-detached suburban Mr. Jones" might be taken the wrong way. Lightly retitled, "Semi-Detached Suburban Mr. James" made number two, while the follow-up, "Ha Ha! Said the Clown", made number four. The two singles after that did significantly less well, though, and seemed to be quite bizarre choices -- an instrumental Hammond organ version of Tommy Roe's "Sweet Pea", which made number thirty-six, and a version of Randy Newman's bitterly cynical "So Long, Dad", which didn't make the charts at all. After this lack of success, the group decided to go back to what had worked for them before. They'd already had two hits with Dylan songs, and Mann had got hold of a copy of Dylan's Basement Tapes, a bootleg which we'll be talking about later. He picked up on one song from it, and got permission to release "The Mighty Quinn", which became the group's third number one: [Excerpt: Manfred Mann, "The Mighty Quinn"] The album from which that came, Mighty Garvey, is the closest thing the group came to an actual great album. While the group's earlier albums were mostly blues covers, this was mostly made up of original material by either Hugg or d'Abo, in a pastoral baroque pop style that invites comparisons to the Kinks or the Zombies' material of that period, but with a self-mocking comedy edge in several songs that was closer to the Bonzo Dog Doo-Dah Band. Probably the highlight of the album was the mellotron-driven "It's So Easy Falling": [Excerpt: Manfred Mann, "It's So Easy Falling"] But Mighty Garvey didn't chart, and it was the last gasp of the group as a creative entity. They had three more top-ten hits, all of them good examples of their type, but by January 1969, Tom McGuinness was interviewed saying "It's not a group any more. It's just five people who come together to make hit singles. That's the only aim of the group at the moment -- to make hit singles -- it's the only reason the group exists. Commercial success is very important to the group. It gives us financial freedom to do the things we want." The group split up in 1969, and went their separate ways. d'Abo appeared on the original Jesus Christ Superstar album, and then went into writing advertising jingles, most famously writing "a finger of fudge is just enough" for Cadbury's. McGuinness formed McGuinness Flint, with the songwriters Gallagher and Lyle, and had a big hit with "When I'm Dead and Gone": [Excerpt: McGuinness Flint, "When I'm Dead and Gone"] He later teamed up again with Paul Jones, to form a blues band imaginatively named "the Blues Band", who continue performing to this day: [Excerpt: The Blues Band, "Mean Ol' Frisco"] Jones became a born-again Christian in the eighties, and also starred in a children's TV show, Uncle Jack, and presented the BBC Radio 2 Blues Programme for thirty-two years. Manfred Mann and Mike Hugg formed another group, Manfred Mann Chapter Three, who released two albums before splitting. Hugg went on from that to write for TV and films, most notably writing the theme music to "Whatever Happened to the Likely Lads?": [Excerpt: Highly Likely, "Whatever Happened to the Likely Lads?"] Mann went on to form Manfred Mann's Earth Band, who had a number of hits, the biggest of which was the Bruce Springsteen song "Blinded by the Light": [Excerpt: Manfred Mann's Earth Band, "Blinded by the Light"] Almost uniquely for a band from the early sixties, all the members of the classic lineup of Manfred Mann are still alive. Manfred Mann continues to perform with various lineups of his Earth Band. Hugg, Jones, McGuinness, and d'Abo reunited as The Manfreds in the 1990s, with Vickers also in the band until 1999, and continue to tour together -- I still have a ticket to see them which was originally for a show in April 2020, but has just been rescheduled to 2022. McGuinness and Jones also still tour with the Blues Band. And Mike Vickers now spends his time creating experimental animations. Manfred Mann were a band with too many musical interests to have a coherent image, and their reliance on outside songwriters and their frequent lineup changes meant that they never had the consistent sound of many of their contemporaries. But partly because of this, they created a catalogue that rewards exploration in a way that several more well-regarded bands' work doesn't, and I wouldn't be at all surprised to see a major critical reassessment of them at some point. But whether that happens or not, almost sixty years on people around the world still respond instantly to the opening bars of their biggest hit, and "Do Wah Diddy Diddy" remains one of the most fondly remembered singles of the early sixties.

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Episode 118: “Do-Wah-Diddy-Diddy” by Manfred Mann

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Mar 28, 2021

Episode 118 of A History of Rock Music in Five Hundred Songs looks at “Do-Wah-Diddy-Diddy” by Manfred Mann, and how a jazz group with a blues singer had one of the biggest bubblegum pop hits of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a thirteen-minute bonus episode available, on “Walk on By” by Dionne Warwick. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Resources No Mixcloud this week due to the number of tracks by Manfred Mann. Information on the group comes from Mannerisms: The Five Phases of Manfred Mann, by Greg Russo, and from the liner notes of this eleven-CD box set of the group’s work. For a much cheaper collection of the group’s hits — but without the jazz, blues, and baroque pop elements that made them more interesting than the average sixties singles band — this has all the hit singles. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript: So far, when we’ve looked at the British blues and R&B scene, we’ve concentrated on the bands who were influenced by Chicago blues, and who kept to a straightforward guitar/bass/drums lineup. But there was another, related, branch of the blues scene in Britain that was more musically sophisticated, and which while its practitioners certainly enjoyed playing songs by Howlin’ Wolf or Muddy Waters, was also rooted in the jazz of people like Mose Allison. Today we’re going to look at one of those bands, and at the intersection of jazz and the British R&B scene, and how a jazz band with a flute player and a vibraphonist briefly became bubblegum pop idols. We’re going to look at “Do Wah Diddy Diddy” by Manfred Mann: [Excerpt: Manfred Mann, “Do Wah Diddy Diddy”] Manfred Mann is, annoyingly when writing about the group, the name of both a band and of one of its members. Manfred Mann the human being, as opposed to Manfred Mann the group, was born Manfred Lubowitz in South Africa, and while he was from a wealthy family, he was very opposed to the vicious South African system of apartheid, and considered himself strongly anti-racist. He was also a lover of jazz music, especially some of the most progressive music being made at the time — musicians like Ornette Coleman, Charles Mingus, and John Coltrane — and he soon became a very competent jazz pianist, playing with musicians like Hugh Masakela at a time when that kind of fraternisation between people of different races was very much frowned upon in South Africa. Manfred desperately wanted to get out of South Africa, and he took his chance in June 1961, at the last point at which he was a Commonwealth citizen. The Commonwealth, for those who don’t know, is a political association of countries that were originally parts of the British Empire, and basically replaced the British Empire when the former colonies gained their independence. These days, the Commonwealth is of mostly symbolic importance, but in the fifties and sixties, as the Empire was breaking up, it was considered a real power in its own right, and in particular, until some changes to immigration law in the mid sixties, Commonwealth citizens had the right to move to the UK. At that point, South Africa had just voted to become a republic, and there was a rule in the Commonwealth that countries with a head of state other than the Queen could only remain in the Commonwealth with the unanimous agreement of all the other members. And several of the other member states, unsurprisingly, objected to the continued membership of a country whose entire system of government was based on the most virulent racism imaginable. So, as soon as South Africa became a republic, it lost its Commonwealth membership, and that meant that its citizens lost their automatic right to emigrate to the UK. But they were given a year’s grace period, and so Manfred took that chance and moved over to England, where he started playing jazz keyboards, giving piano lessons, and making some money on the side by writing record reviews. For those reviews, rather than credit himself as Manfred Lubowitz, he decided to use a pseudonym taken from the jazz drummer Shelly Manne, and he became Manfred Manne — spelled with a silent e on the end, which he later dropped. Mann was rather desperate for gigs, and he ended up taking a job playing with a band at a Butlin’s holiday camp. Graham Bond, who we’ve seen in several previous episodes as the leader of The Graham Bond Organisation, was at that time playing Hammond organ there, but only wanted to play a few days a week. Mann became the substitute keyboard player for that holiday camp band, and struck up a good musical rapport with the drummer and vibraphone player, Mike Hugg. When Bond went off to form his own band, Mann and Hugg decided to form their own band along the same lines, mixing the modern jazz that they liked with the more commercial R&B that Bond was playing. They named their group the Mann-Hugg Blues Brothers, and it initially consisted of Mann on keyboards, Hugg on drums and vibraphone, Mike Vickers on guitar, flute, and saxophone, Dave Richmond on bass, Tony Roberts and Don Fay on saxophone and Ian Fenby on trumpet. As their experiences were far more in the jazz field than in blues, they decided that they needed to get in a singer who was more familiar with the blues side of things. The person they chose was a singer who was originally named Paul Pond, and who had been friends for a long time with Brian Jones, before Jones had formed the Rolling Stones. While Jones had been performing under the name Elmo Lewis, his friend had taken on Jones’ surname, as he thought “Paul Pond” didn’t sound like a good name for a singer. He’d first kept his initials, and performed as P.P. Jones, but then he’d presumably realised that “pee-pee” is probably not the best stage name in the world, and so he’d become just Paul Jones, the name by which he’s known to this day. Jones, like his friend Brian, was a fan particularly of Chicago blues, and he had occasionally appeared with Alexis Korner. After auditioning for the group at a ska club called The Roaring 20s, Jones became the group’s lead singer and harmonica player, and the group soon moved in Jones’ musical direction, playing the kind of Chicago blues that was popular at the Marquee club, where they soon got a residency, rather than the soul style that was more popular at the nearby Flamingo club, and which would be more expected from a horn-centric lineup. Unsurprisingly, given this, the horn players soon left, and the group became a five-piece core of Jones, Mann, Hugg, Vickers, and Richmond. This group was signed to HMV records by John Burgess. Burgess was a producer who specialised in music of a very different style from what the Mann-Hugg Blues Brothers played. We’ve already heard some of his production work — he was the producer for Adam Faith from “What Do You Want?” on: [Excerpt: Adam Faith, “What Do You Want?”] And at the time he signed the Mann-Hugg Blues Brothers, he was just starting to work with a new group, Freddie and the Dreamers, for whom he would produce several hits: [Excerpt: Freddie and the Dreamers, “If You Gotta Make a Fool of Somebody”] Burgess liked the group, but he insisted that they had to change their name — and in fact, he insisted that the group change their name to Manfred Mann. None of the group members liked the idea — even Mann himself thought that this seemed a little unreasonable, and Paul Jones in particular disagreed strongly with the idea, but they were all eventually mollified by the idea that all the publicity would emphasise that all five of them were equal members of the group, and that while the group might be named after their keyboard player, there were five members. The group members themselves always referred to themselves as “the Manfreds” rather than as Manfred Mann. The group’s first single showed that despite having become a blues band and then getting produced by a pop producer, they were still at heart a jazz group. “Why Should We Not?” is an instrumental led by Vickers’ saxophone, Mann’s organ, and Jones’ harmonica: [Excerpt: Manfred Mann, “Why Should We Not?”] Unsurprisingly, neither that nor the B-side, a jazz instrumental version of “Frere Jacques”, charted — Britain in 1963 wanted Gerry and the Pacemakers and Freddie and the Dreamers, not jazz instrumentals. The next single, an R&B song called “Cock-A-Hoop” written by Jones, did little better. The group’s big breakthrough came from Ready, Steady, Go!, which at this point was using “Wipe Out!” by the Surfaris as its theme song: [Excerpt: The Surfaris, “Wipe Out”] We’ve mentioned Ready, Steady, Go! in passing in previous episodes, but it was the most important pop music show of the early and mid sixties, just as Oh Boy! had been for the late fifties. Ready, Steady, Go! was, in principle at least, a general pop music programme, but in practice it catered primarily for the emerging mod subculture. “Mod” stood for “modernist”, and the mods emerged from the group of people who liked modern jazz rather than trad, but by this point their primary musical interests were in soul and R&B. Mod was a working-class subculture, based in the South-East of England, especially London, and spurred on by the newfound comparative affluence of the early sixties, when for the first time young working-class people, while still living in poverty, had a small amount of disposable income to spend on clothes, music, and drugs. The Mods had a very particular sense of style, based around sharp Italian suits, pop art and op art, and Black American music or white British imitations of it. For them, music was functional, and primarily existed for the purposes of dancing, and many of them would take large amounts of amphetamines so they could spend the entire weekend at clubs dancing to soul and R&B music. And that entire weekend would kick off on Friday with Ready, Steady, Go!, whose catchphrase was “the weekend starts here!” Ready, Steady, Go! featured almost every important pop act of the early sixties, but while groups like Gerry and the Pacemakers or the Beatles would appear on it, it became known for its promotion of Black artists, and it was the first major British TV exposure for Motown artists like the Supremes, the Temptations, and the Marvelettes, for Stax artists like Otis Redding, and for blues artists like John Lee Hooker and Sonny Boy Williamson. Ready Steady Go! was also the primary TV exposure for British groups who were inspired by those artists, and it’s through Ready Steady Go! that the Animals, the Yardbirds, the Rolling Stones, Them, and the Who, among others reached national popularity — all of them acts that were popular among the Mods in particular. But “Wipe Out” didn’t really fit with this kind of music, and so the producers of Ready Steady Go were looking for something more suitable for their theme music. They’d already tried commissioning the Animals to record something, as we saw a couple of weeks back, but that hadn’t worked out, and instead they turned to Manfred Mann, who came up with a song that not only perfectly fit the style of the show, but also handily promoted the group themselves: [Excerpt: Manfred Mann, “5-4-3-2-1”] That was taken on as Ready, Steady, Go!s theme song, and made the top five in the UK. But by the time it charted, the group had already changed lineup. Dave Richmond was seen by the other members of the group as a problem at this point. Richmond was a great bass player, but he was a great *jazz* bass player — he wanted to be Charles Mingus, and play strange cross-rhythms, and what the group needed at this point was someone who would just play straightforward blues basslines without complaint — they needed someone closer to Willie Dixon than to Mingus. Tom McGuinness, who replaced him, had already had a rather unusual career trajectory. He’d started out as a satirist, writing for the magazine Private Eye and the TV series That Was The Week That Was, one of the most important British comedy shows of the sixties, but he had really wanted to be a blues musician instead. He’d formed a blues band, The Roosters, with a guitarist who went to art school with his girlfriend, and they’d played a few gigs around London before the duo had been poached by the minor Merseybeat band Casey Jones and his Engineers, a group which had been formed by Brian Casser, formerly of Cass & The Cassanovas, the group that had become The Big Three. Casey Jones and his Engineers had just released the single “One Way Ticket”: [Excerpt: Casey Jones and His Engineers, “One-Way Ticket”] However, the two guitarists soon realised, after just a handful of gigs, that they weren’t right for that group, and quit. McGuinness’ friend, Eric Clapton, went on to join the Yardbirds, and we’ll be hearing more about him in a few weeks’ time, but McGuinness was at a loose end, until he discovered that Manfred Mann were looking for a bass player. McGuinness was a guitarist, but bluffed to Paul Jones that he’d switched to bass, and got the job. He said later that the only question he’d been asked when interviewed by the group was “are you willing to play simple parts?” — as he’d never played bass in his life until the day of his first gig with the group, he was more than happy to say yes to that. McGuinness joined only days after the recording of “5-4-3-2-1”, and Richmond was out — though he would have a successful career as a session bass player, playing on, among others, “Je t’Aime” by Serge Gainsbourg and Jane Birkin, “Your Song” by Elton John, Labi Siffre’s “It Must Be Love”, and the music for the long-running sitcoms Only Fools and Horses and Last of the Summer Wine. As soon as McGuinness joined, the group set out on tour, to promote their new hit, but also to act as the backing group for the Crystals, on a tour which also featured Johnny Kidd and the Pirates and Joe Brown and his Bruvvers. The group’s next single, “Hubble Bubble Toil and Trouble” was another original, and made number eleven on the charts, but the group saw it as a failure anyway, to the extent that they tried their best to forget it ever existed. In researching this episode I got an eleven-CD box set of the group’s work, which contains every studio album or compilation they released in the sixties, a collection of their EPs, and a collection of their BBC sessions. In all eleven CDs, “Hubble Bubble Toil and Trouble” doesn’t appear at all. Which is quite odd, as it’s a perfectly serviceable, if unexceptional, piece of pop R&B: [Excerpt: Manfred Mann, “Hubble Bubble Toil and Trouble”] But it’s not just the group that were unimpressed with the record. John Burgess thought that the record only getting to number eleven was proof of his hypothesis that groups should not put out their own songs as singles. From this point on, with one exception in 1968, everything they released as an A-side would be a cover version or a song brought to them by a professional songwriter. This worried Jones, who didn’t want to be forced to start singing songs he disliked, which he saw as a very likely outcome of this edict. So he made it his role in the group to seek out records that the group could cover, which would be commercial enough that they could get hit singles from them, but which would be something he could sing while keeping his self-respect. His very first selection certainly met the first criterion. The song which would become their biggest hit had very little to do with the R&B or jazz which had inspired the group. Instead, it was a perfect piece of Brill Building pop. The Exciters, who originally recorded it, were one of the great girl groups of the early sixties (though they also had one male member), and had already had quite an influence on pop music. They had been discovered by Leiber and Stoller, who had signed them to Red Bird Records, a label we’ll be looking at in much more detail in an upcoming episode, and they’d had a hit in 1962 with a Bert Berns song, “Tell Him”, which made the top five: [Excerpt: The Exciters, “Tell Him”] That record had so excited a young British folk singer who was in the US at the time to record an album with her group The Springfields that she completely reworked her entire style, went solo, and kickstarted a solo career singing pop-soul songs under the name Dusty Springfield. The Exciters never had another top forty hit, but they became popular enough among British music lovers that the Beatles asked them to open for them on their American tour in summer 1964. Most of the Exciters’ records were of songs written by the more R&B end of the Brill Building songwriters — they would record several more Bert Berns songs, and some by Ritchie Barrett, but the song that would become their most well-known legacy was actually written by Jeff Barry and Ellie Greenwich. Like many of Barry and Greenwich’s songs, it was based around a nonsense phrase, but in this case the phrase they used had something of a longer history, though it’s not apparent whether they fully realised that. In African-American folklore of the early twentieth century, the imaginary town of Diddy Wah Diddy was something like a synonym for heaven, or for the Big Rock Candy Mountain of the folk song — a place where people didn’t have to work, and where food was free everywhere. This place had been sung about in many songs, like Blind Blake’s “Diddie Wah Diddie”: [Excerpt: Blind Blake, “Diddie Wah Diddie”] And a song written by Willie Dixon for Bo Diddley: [Excerpt: Bo Diddley, “Diddy Wah Diddy”] And “Diddy” and “Wah” had often been used by other Black artists, in various contexts, like Roy Brown and Dave Bartholomew’s “Diddy-Y-Diddy-O”: [Excerpt: Roy Brown and Dave Bartholomew, “Diddy-Y-Diddy-O”] And Junior and Marie’s “Boom Diddy Wah Wah”, a “Ko Ko Mo” knockoff produced by Johnny Otis: [Excerpt: Junior and Marie, “Boom Diddy Wah Wah”] So when Jeff Barry and Ellie Greenwich wrote “Do-Wah-Diddy”, as the song was originally called, they were, wittingly or not, tapping into a rich history of rhythm and blues music. But the song as Greenwich demoed it was one of the first examples of what would become known as “bubblegum pop”, and is particularly notable in her demo for its very early use of the fuzz guitar that would be a stylistic hallmark of that subgenre: [Excerpt: Ellie Greenwich, “Do-Wah-Diddy (demo)”] The Exciters’ version of the song took it into more conventional girl-group territory, with a strong soulful vocal, but with the group’s backing vocal call-and-response chant showing up the song’s resemblance to the kind of schoolyard chanting games which were, of course, the basis of the very first girl group records: [Excerpt: The Exciters, “Do-Wah-Diddy”] Sadly, that record only reached number seventy-eight on the charts, and the Exciters would have no more hits in the US, though a later lineup of the group would make the UK top forty in 1975 with a song written and produced by the Northern Soul DJ Ian Levine. But in 1964 Jones had picked up on “Do-Wah-Diddy”, and knew it was a potential hit. Most of the group weren’t very keen on “Do Wah Diddy Diddy”, as the song was renamed. There are relatively few interviews with any of them about it, but from what I can gather the only member of the band who thought anything much of the song was Paul Jones. However, the group did their best with the recording, and were particularly impressed with Manfred’s Hammond organ solo — which they later discovered was cut out of the finished recording by Burgess. The result was an organ-driven stomping pop song which had more in common with the Dave Clark Five than with anything else the group were doing: [Excerpt: Manfred Mann, “Do Wah Diddy Diddy”] The record reached number one in both the UK and the US, and the group immediately went on an American tour, packaged with Peter & Gordon, a British duo who were having some success at the time because Peter Asher’s sister was dating Paul McCartney, who’d given them a hit song, “World Without Love”: [Excerpt: Peter and Gordon, “World Without Love”] The group found the experience of touring the US a thoroughly miserable one, and decided that they weren’t going to bother going back again, so while they would continue to have big hits in Britain for the rest of the decade, they only had a few minor successes in the States. After the success of “Do Wah Diddy Diddy”, EMI rushed out an album by the group, The Five Faces of Manfred Mann, which must have caused some confusion for anyone buying it in the hope of more “Do Wah Diddy Diddy” style pop songs. Half the album’s fourteen tracks were covers of blues and R&B, mostly by Chess artists — there were covers of Muddy Waters, Howlin’ Wolf, Bo Diddley, Ike & Tina Turner, and more. There were also five originals, written or co-written by Jones, in the same style as those songs, plus a couple of instrumentals, one written by the group and one a cover of Cannonball Adderly’s jazz classic “Sack O’Woe”, arranged to show off the group’s skills at harmonica, saxophone, piano and vibraphone: [Excerpt: Manfred Mann, “Sack O’Woe”] However, the group realised that the formula they’d hit on with “Do Wah Diddy Diddy” was a useful one, and so for their next single they once again covered a girl-group track with a nonsense-word chorus and title — their version of “Sha La La” by the Shirelles took them to number three on the UK charts, and number twelve in the US. They followed that with a ballad, “Come Tomorrow”, one of the few secular songs ever recorded by Marie Knight, the gospel singer who we discussed briefly way back in episode five, who was Sister Rosetta Tharpe’s duet partner, and quite possibly her partner in other senses. They released several more singles and were consistently charting, to the point that they actually managed to get a top ten hit with a self-written song despite their own material not being considered worth putting out as singles. Paul Jones had written “The One in the Middle” for his friends the Yardbirds, but when they turned it down, he rewrote the song to be about Manfred Mann, and especially about himself: [Excerpt: Manfred Mann, “The One in the Middle”] Like much of their material, that was released on an EP, and the EP was so successful that as well as making number one on the EP charts, it also made number ten on the regular charts, with “The One in the Middle” as the lead-off track. But “The One in the Middle” was a clue to something else as well — Jones was getting increasingly annoyed at the fact that the records the group was making were hits, and he was the frontman, the lead singer, the person picking the cover versions, and the writer of much of the original material, but all the records were getting credited to the group’s keyboard player. But Jones wasn’t the next member of the group to leave. That was Mike Vickers, who went off to work in arranging film music and session work, including some work for the Beatles, the music for the film Dracula AD 1972, and the opening and closing themes for This Week in Baseball. The last single the group released while Vickers was a member was the aptly-titled “If You Gotta Go, Go Now”. Mann had heard Bob Dylan performing that song live, and had realised that the song had never been released. He’d contacted Dylan’s publishers, got hold of a demo, and the group became the first to release a version of the song, making number two in the charts: [Excerpt: Manfred Mann, “If You Gotta Go, Go Now”] Before Vickers’ departure, the group had recorded their second album, Mann Made, and that had been even more eclectic than the first album, combining versions of blues classics like “Stormy Monday Blues”, Motown songs like “The Way You Do The Things You Do”, country covers like “You Don’t Know Me”, and oddities like “Bare Hugg”, an original jazz instrumental for flute and vibraphone: [Excerpt: Manfred Mann, “Bare Hugg”] McGuinness took the opportunity of Vickers leaving the group to switch from bass back to playing guitar, which had always been his preferred instrument. To fill in the gap, on Graham Bond’s recommendation they hired away Jack Bruce, who had just been playing in John Mayall’s Bluesbreakers with McGuinness’ old friend Eric Clapton, and it’s Bruce who played bass on the group’s next big hit, “Pretty Flamingo”, the only UK number one that Bruce ever played on: [Excerpt: Manfred Mann, “Pretty Flamingo”] Bruce stayed with the band for several months, before going off to play in another band who we’ll be covering in a future episode. He was replaced in turn by Klaus Voorman. Voorman was an old friend of the Beatles from their Hamburg days, who had been taught the rudiments of bass by Stuart Sutcliffe, and had formed a trio, Paddy, Klaus, and Gibson, with two Merseybeat musicians, Paddy Chambers of the Big Three and Gibson Kemp of Kingsize Taylor and the Dominoes: [Excerpt: Paddy, Klaus, and Gibson, “No Good Without You Baby”] Like Vickers, Voorman could play the flute, and his flute playing would become a regular part of the group’s later singles. These lineup changes didn’t affect the group as either a chart act or as an act who were playing a huge variety of different styles of music. While the singles were uniformly catchy pop, on album tracks, B-sides or EPs you’d be likely to find versions of folk songs collected by Alan Lomax, like “John Hardy”, or things like “Driva Man”, a blues song about slavery in 5/4 time, originally by the jazz greats Oscar Brown and Max Roach: [Excerpt: Manfred Mann, “Driva Man”] But by the time that track was released, Paul Jones was out of the group. He actually announced his intention to quit the group at the same time that Mike Vickers left, but the group had persuaded him to stay on for almost a year while they looked for his replacement, auditioning singers like Rod Stewart and Long John Baldry with little success. They eventually decided on Mike d’Abo, who had previously been the lead singer of a group called A Band of Angels: [Excerpt: A Band of Angels, “(Accept My) Invitation”] By the point d’Abo joined, relations between the rest of the group and Jones were so poor that they didn’t tell Jones that they were thinking of d’Abo — Jones would later recollect that the group decided to stop at a pub on the way to a gig, ostensibly to watch themselves on TV, but actually to watch A Band of Angels on the same show, without explaining to Jones that that was what they were doing – Jones actually mentioned d’Abo to his bandmates as a possible replacement, not realising he was already in the group. Mann has talked about how on the group’s last show with Jones, they drove to the gig in silence, and their first single with the new singer, a version of Dylan’s “Just Like a Woman”, came on the radio. There was a lot of discomfort in the band at this time, because their record label had decided to stick with Jones as a solo performer, and the rest of the group had had to find another label, and were worried that without Jones their career was over. Luckily for everyone involved, “Just Like a Woman” made the top ten, and the group’s career was able to continue. Meanwhile, Jones’ first single as a solo artist made the top five: [Excerpt: Paul Jones, “High Time”] But after that and his follow-up, “I’ve Been a Bad, Bad, Boy”, which made number five, the best he could do was to barely scrape the top forty. Manfred Mann, on the other hand, continued having hits, though there was a constant struggle to find new material. d’Abo was himself a songwriter, and it shows the limitations of the “no A-sides by group members” rule that while d’Abo was the lead singer of Manfred Mann, he wrote two hit singles which the group never recorded. The first, “Handbags and Gladrags”, was a hit for Chris Farlowe: [Excerpt: Chris Farlowe, “Handbags and Gladrags”] That was only a minor hit, but was later recorded successfully by Rod Stewart, with d’Abo arranging, and the Stereophonics. d’Abo also co-wrote, and played piano on, “Build Me Up Buttercup” by the Foundations: [Excerpt: The Foundations, “Build Me Up Buttercup”] But the group continued releasing singles written by other people. Their second post-Jones single, from the perspective of a spurned lover insulting their ex’s new fiancee, had to have its title changed from what the writers intended, as the group felt that a song insulting “semi-detached suburban Mr. Jones” might be taken the wrong way. Lightly retitled, “Semi-Detached Suburban Mr. James” made number two, while the follow-up, “Ha Ha! Said the Clown”, made number four. The two singles after that did significantly less well, though, and seemed to be quite bizarre choices — an instrumental Hammond organ version of Tommy Roe’s “Sweet Pea”, which made number thirty-six, and a version of Randy Newman’s bitterly cynical “So Long, Dad”, which didn’t make the charts at all. After this lack of success, the group decided to go back to what had worked for them before. They’d already had two hits with Dylan songs, and Mann had got hold of a copy of Dylan’s Basement Tapes, a bootleg which we’ll be talking about later. He picked up on one song from it, and got permission to release “The Mighty Quinn”, which became the group’s third number one: [Excerpt: Manfred Mann, “The Mighty Quinn”] The album from which that came, Mighty Garvey, is the closest thing the group came to an actual great album. While the group’s earlier albums were mostly blues covers, this was mostly made up of original material by either Hugg or d’Abo, in a pastoral baroque pop style that invites comparisons to the Kinks or the Zombies’ material of that period, but with a self-mocking comedy edge in several songs that was closer to the Bonzo Dog Doo-Dah Band. Probably the highlight of the album was the mellotron-driven “It’s So Easy Falling”: [Excerpt: Manfred Mann, “It’s So Easy Falling”] But Mighty Garvey didn’t chart, and it was the last gasp of the group as a creative entity. They had three more top-ten hits, all of them good examples of their type, but by January 1969, Tom McGuinness was interviewed saying “It’s not a group any more. It’s just five people who come together to make hit singles. That’s the only aim of the group at the moment — to make hit singles — it’s the only reason the group exists. Commercial success is very important to the group. It gives us financial freedom to do the things we want.” The group split up in 1969, and went their separate ways. d’Abo appeared on the original Jesus Christ Superstar album, and then went into writing advertising jingles, most famously writing “a finger of fudge is just enough” for Cadbury’s. McGuinness formed McGuinness Flint, with the songwriters Gallagher and Lyle, and had a big hit with “When I’m Dead and Gone”: [Excerpt: McGuinness Flint, “When I’m Dead and Gone”] He later teamed up again with Paul Jones, to form a blues band imaginatively named “the Blues Band”, who continue performing to this day: [Excerpt: The Blues Band, “Mean Ol’ Frisco”] Jones became a born-again Christian in the eighties, and also starred in a children’s TV show, Uncle Jack, and presented the BBC Radio 2 Blues Programme for thirty-two years. Manfred Mann and Mike Hugg formed another group, Manfred Mann Chapter Three, who released two albums before splitting. Hugg went on from that to write for TV and films, most notably writing the theme music to “Whatever Happened to the Likely Lads?”: [Excerpt: Highly Likely, “Whatever Happened to the Likely Lads?”] Mann went on to form Manfred Mann’s Earth Band, who had a number of hits, the biggest of which was the Bruce Springsteen song “Blinded by the Light”: [Excerpt: Manfred Mann’s Earth Band, “Blinded by the Light”] Almost uniquely for a band from the early sixties, all the members of the classic lineup of Manfred Mann are still alive. Manfred Mann continues to perform with various lineups of his Earth Band. Hugg, Jones, McGuinness, and d’Abo reunited as The Manfreds in the 1990s, with Vickers also in the band until 1999, and continue to tour together — I still have a ticket to see them which was originally for a show in April 2020, but has just been rescheduled to 2022. McGuinness and Jones also still tour with the Blues Band. And Mike Vickers now spends his time creating experimental animations. Manfred Mann were a band with too many musical interests to have a coherent image, and their reliance on outside songwriters and their frequent lineup changes meant that they never had the consistent sound of many of their contemporaries. But partly because of this, they created a catalogue that rewards exploration in a way that several more well-regarded bands’ work doesn’t, and I wouldn’t be at all surprised to see a major critical reassessment of them at some point. But whether that happens or not, almost sixty years on people around the world still respond instantly to the opening bars of their biggest hit, and “Do Wah Diddy Diddy” remains one of the most fondly remembered singles of the early sixties.

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Chef Christian F. Puglisi: A Conversation from Copenhagen

Have You Eaten Yet?

Play Episode Play 55 sec Highlight Listen Later Mar 23, 2021 52:40 Transcription Available

Today my guest is Chef and Restaurateur Christian F. Puglisi. He joins us from Copenhagen.A few months ago he closed two of his restaurants: the Michelin-starred Relae and the natural wine bar Manfreds.His three other restaurants remain open. Those include Mirabelle which is a bakery and restaurant, Rudo which specializes in vermouth & bar snacks and Bæst, an Italian restaurant with award-winning pizza.Today we’ll be discussing:- The current situation for restaurants in Denmark. - How sometimes fighting for freedom can mean doing less.- A genius analogy: how restaurant years are equivalent to dog years.- And how going against the system can be very liberating.https://www.instagram.com/chrifrapug/channel/?hl=enhttps://www.puglisi.dk/

italian chefs denmark copenhagen michelin noma michelin stars rudo el bulli puglisi christian f manfreds

Paul Jones

Back Story

Play Episode Listen Later Feb 1, 2021 29:30

Paul Jones is an singer, actor, harmonica player, radio personality and television presenter. He first came to prominence as the lead singer of the successful 1960s group Manfred Mann, with whom he had several Top Ten hit records from 1962 to 1966 including the international number one single "Do Wah Diddy Diddy" (1964). Paul founded The Blues Band and is a member of The Manfreds, and he hosted BBC Radio 2's Blues Show for over 30 years.Steve and Paul chat about having UK hits, coming to faith in 1984, meeting and marrying Fiona Hendly as well as hitting a bum note in a recording session with Henry Mancini plus his legendary Christmas Charity Concerts. Support the show (https://www.buymeacoffee.com/stevelegguk)

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Folge 38 Manfreds Weihnachtsgeschichte

"Hallo, ich bin Manfred!" - Ein Stofftier will alles wissen!

Play Episode Listen Later Dec 23, 2020 10:47

Folge 38 Manfreds Weihnachtsgeschichte Unser Neffe Jan ruft an - er ist Zollbeamter am Hamburger Hafen. Er sagt, es ist ein ganz großes Paket für Manfred angekommen, dass so merkwürdige Geräusche von sich gibt! Manfred und Tilly fahren in den Hafen, machen das Paket ganz vorsichtig auf und was sehen sie? Lauter kleine, sabbelnde, niedliche Mannis!Einige von ihnen krabbeln aus der Kiste und gehen einfach weg, mit den Anderen fahren Manni und Tilly zu ihnen nach Hause. Dort angekommen, gibt es erstmal Saft und Schokokekse für alle. Einige der kleinen Mannis legen sich einfach schlafen, andere gehen duschen oder erkunden die Wohnung. Nur fällt Tilly auf, dass es irgendwie immer weniger werden. Er fragt Manni - aber der gibt ihm keine richtige Antwort darauf. Merkwürdig… Als Mannis Sofa von seinen Freunden frei gemacht wurde, kuscheln er und Tilly sich darauf zusammen, sehen in die Kerze auf dem Tisch und entspannen sich dabei. Dann führt Tilly Manfred in einer Traumreise zu ihrem Lieblingsstrand. Auch da sind viele andere Mannis. Die einen fahren mit dem Boot bis nach Amerika, die anderen mit dem Fahrrad nach Büsum…Auch hier verschwinden sie einfach. Als Tilly seinen Manfred fragte, warum seine Freunde einfach verschwinden, sagte er vieldeutig: "Sie haben alle eine Aufgabe zu erfüllen. Sie wollen Menschen glücklich machen, besonders wenn es ihnen nicht so gut geht!" Das ist Manfreds Weihnachtsgeschichte…

Word Podcast 359 - for the love of Bo Diddley

Play Episode Listen Later Nov 17, 2020 48:04

Acts that wrote songs about themselves (Animals, Monkees, Manfreds, Devo, NWA, Ants etc), Lloyd Cole does handwritten lyrics to order, the welding of Bob Dylan, Des O'Connor's UK tour with Buddy Holly, the West Wing v The Thick Of It, amusingly named skate-punk bands and does Terminator X own a black ostrich stud farm in North Carolina?Want to receive this - and indeed every future - Word Podcast before the rest of the world, and in full audio-visual glory, alongside a whole host of other exciting, enlightening and entertaining benefits? Of course you do. Make sure you're signed up to our fantastic Patreon for all this and more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

uk north carolina acts animals acast bob dylan ants devo nwa west wing monkees buddy holly bo diddley word podcast lloyd cole manfreds thick of it terminator x

Word Podcast 359 - for the love of Bo Diddley

Word Podcast

Play Episode Listen Later Nov 17, 2020 48:04

Acts that wrote songs about themselves (Animals, Monkees, Manfreds, Devo, NWA, Ants etc), Lloyd Cole does handwritten lyrics to order, the welding of Bob Dylan, Des O'Connor's UK tour with Buddy Holly, the West Wing v The Thick Of It, amusingly named skate-punk bands and does Terminator X own a black ostrich stud farm in North Carolina? Want to receive this - and indeed every future - Word Podcast before the rest of the world, and in full audio-visual glory, alongside a whole host of other exciting, enlightening and entertaining benefits? Of course you do. Make sure you're signed up to our fantastic Patreon for all this and more: https://www.patreon.com/wordinyourear

music uk north carolina acts animals magazine bob dylan ants devo nwa west wing monkees buddy holly bo diddley word podcast lloyd cole hepworth manfreds terminator x

Word Podcast 359 - for the love of Bo Diddley

Play Episode Listen Later Nov 17, 2020 48:04

Acts that wrote songs about themselves (Animals, Monkees, Manfreds, Devo, NWA, Ants etc), Lloyd Cole does handwritten lyrics to order, the welding of Bob Dylan, Des O'Connor's UK tour with Buddy Holly, the West Wing v The Thick Of It, amusingly named skate-punk bands and does Terminator X own a black ostrich stud farm in North Carolina?Want to receive this - and indeed every future - Word Podcast before the rest of the world, and in full audio-visual glory, alongside a whole host of other exciting, enlightening and entertaining benefits? Of course you do. Make sure you're signed up to our fantastic Patreon for all this and more: https://www.patreon.com/wordinyourear Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

uk north carolina acts animals bob dylan ants devo nwa west wing monkees buddy holly bo diddley word podcast lloyd cole manfreds thick of it terminator x

EARLY ACCESS Word Podcast 359 - for the love of Bo Diddley

Play Episode Listen Later Nov 16, 2020

uk north carolina acts animals acast bob dylan ants devo nwa west wing monkees early access buddy holly bo diddley word podcast lloyd cole manfreds thick of it terminator x

EARLY ACCESS Word Podcast 359 - for the love of Bo Diddley

"Hallo, ich bin Manfred!" - Ein Stofftier will alles wissen!

Play Episode Listen Later Nov 16, 2020

uk north carolina acts animals bob dylan ants devo nwa west wing monkees early access buddy holly bo diddley word podcast lloyd cole manfreds thick of it terminator x

EARLY ACCESS Word Podcast 359 - for the love of Bo Diddley

Word Podcast

Play Episode Listen Later Nov 16, 2020

uk north carolina acts animals bob dylan ants devo nwa west wing monkees early access buddy holly bo diddley word podcast lloyd cole manfreds terminator x

Folge 31 Manfred lispelt

Play Episode Listen Later Oct 21, 2020 20:38

Manfred ist entsetzt! Da hatte er sich so auf ein Pläuschchen nach der Schule mit seiner Lieblings-Frau Schöller gefreut - da eröffnet sie ihm, dass sie sich Sorgen macht, insbesondere um seine Aussprache. Manfred würde lispeln! Also solle er doch zum Kinderarzt. Und am Besten zum Logopäden. Das macht Manfred ziemlich wütend, hat er doch zwei Filzzähne. Er fragt Frau Schöller, ob sie sich vorstellen könne, mit zwei Filzzähnen ein "S" nicht zu lispeln. Wütend stürmt er von der Schule nach Hause, verkriecht sich aber dann und ist ganz unglücklich. Tilly findet ihn, nimmt ihn in den Arm und sagt ihm, so wie er ist, ist er vollkommen in Ordnung. Annikas und Tillys Methoden, um Manfreds angeknackstes Selbstwertgefühl wieder aufzurichten: ▶️Er findet im Bad ein PostIt von Annika mit der Aufschrift: "Du ist toll!". Also öfter mal ein Zettelchen mit einem Lob, einer witzigen Zeichnung in Sichtweite aufhängen oder in Brotdosen und Federtaschen einschmuggeln. ▶️Tilly macht mit Manfred in der Traumreise eine Party, in der alle Freunde kommen. Was für eine bunte Mischung: Der Dorsch Heinrich kommt aus dem Meer zu Besuch und hat Flossen, der Alien Shorq ist grün, Tilly hat eine Glatze, Kai ist ein Klops, Hutzl12 ist ein Zwerg im Miniformat und Malaika hat eine schwarze Hautfarbe. Und sie alle verstehen sich und haben Spaß miteinander! ‼️Unterschiedlichkeit macht unsere Welt bunt und jeder ist einzigartig! Darum wird Manfred weiter lispeln, weil das zu ihm gehört, wie seine beiden Filzzähne.‼️ Anders ist es natürlich, wenn wirkliche medizinische Probleme z.B. bei der Aussprache vorliegen. Da ist der Gang zum Kinderarzt notwendig, der gegebenenfalls weitere Schritte einleitet. Aber Vorsicht: ständiges Korrigieren von Lispeln, Stottern oder Ähnlichem hinterlässt frustrierte Kinder, die dann bald gar nichts mehr sagen wollen! Mehr Folgen auf www.hallo-manfred.de Ein Podcast der "Stiftung Kinderjahre", Hamburg. http://www.stiftung-kinderjahre.de/ Mit medizinischer Begleitung durch den Facharzt für Allgemeinmedizin Thorsten Gottschalk, Konstanz. "Manfred": gesprochen von Annika Lohstroh Alle Rechte, Idee, Konzept, Text und Produktion: Medienbüro Lohstroh+Thiel, Hamburg Zeichnungen: Annika Lohstroh

er diversity mit welt spa gang pl kinder idee probleme hamburg freunde meer schule hause arm besuch schritte konzept sorgen darum besten ordnung lob begleitung manfred selbstwert selbstwertgef konstanz aussprache facharzt hautfarbe malaika post it traumreise kinderarzt glatze logop zwerg aber vorsicht zeichnung annikas stottern sichtweite korrigieren flossen manfreds mehr folgen mini format zettelchen klops frau sch michael thiel kinderpsychologie

Interview med Anna og Nina fra DR's Talenthold

maja lyt med anna manfreds

Play Episode Listen Later Oct 14, 2020 21:37

Line og Maja fra ManFreds onsdagsredaktion har besøg af Anna og Nina fra DR's Talenthold. Lyt med, når de fortæller om, hvad de har fået ud af forløbet, hvad de håber på at kunne tage med videre og giver gode tips til, hvordan man sender god radio.

Relæ's Restaurant Manager on COVID, 10 years of service, and the end of an era

Nordic FoodTech

Play Episode Listen Later Oct 2, 2020 34:40

This year has been wild for everyone in the restaurant industry, but 2020 has proven to be especially memorable for Relæ. Not only did they celebrate their 10 year anniversary in August, they also announced that they will be closing their and Manfreds' doors by the end of the year. Join me in conversation with Relæ's restaurant manager Luca Donninelli as we recount the restaurant's journey to a Michelin star and the world's 50 best list. We also discuss the Relæ community and its partners Rudo, BÆST, Mirabelle, and the Farm of Ideas, its impact on the global food scene, COVID-19, and what its like to create so many memorable dining experiences. This episode was recorded live on @nordicfoodtech‘s Instagram. If you’d like to watch the conversation, follow the link to the video here. 5:00 The story of Relæ 12:00 The Relæ community and how it works 17:50 Sustainability at Relæ 20:20 How service changed during COVID-19 25:00 The future of the restaurant scene PS: I coach entrepreneurs and business professionals on creating the change they want to see in the world. If you're curious, sign up for a free chemistry call with me here to learn more.

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Littis Kurzgeschichten - Wie Meditationsguru Manfred die Welt von ihrem Leid befreite

Litti am talken

Play Episode Listen Later Sep 16, 2020 21:28

Nachdem aus der Littigemeinde jemand bei der Arbeit fast ein Schädelhirntrauma erlitt und ihren Kopf gerade noch retten konnte bevor er beim Einschlafprozess fast auf die Tischkante gedonnert ist, bekommt ihr jetzt wiedermal eine Kurzgeschichte zu hören. Sie handelt von den Schicksalen Sibülles und Manfreds und wie diese miteinander verwoben sind. Was braucht es für den Weltfrieden? Nur eine ordentliche Portion Glück und einen Hullahoopreifen um den Bauch. Viel Erfolg! Wir sehen uns auf der Kirmes. In der Ferienwohnung auf Urbantschaki sind noch Zimmer frei. Schreibt mir auf IG, abonniert den Podcast, bewertet ihn mit 5 Sternen und empfehlt ihn eurer Oma oder Helge Schneider. Ich freu mich. Tschau

Folge 21 Manfreds erster Schultag

"Hallo, ich bin Manfred!" - Ein Stofftier will alles wissen!

Play Episode Listen Later Aug 12, 2020 19:26

Folge 21 Manfreds erster Schultag! Endlich ist es soweit: Manfreds darf in die Schule! Aufgeregt fährt er mit Annika, Tilly und einer großen roten Schultüte - die Manni aber noch nicht auspacken darf - in den Schulgarten. Nach einer Rede des Schulleiters kommt Manfred in die Eichhörnchengruppe der Klasse 1B zu Frau Schöller. In der Klasse soll sich jeder Schüler erst einmal vorstellen und von sich erzählen. Darauf hat unser Manni nur gewartet: Er springt auf den Tisch und legt los: "Hallo, ich bin Manfred! Ich bin eine Stoffratte, aber das seht Ihr ja. Ich…usw. …usw.!" Doch Frau Schöller unterbricht unsere kleine Sabbelratte, weil schließlich auch die anderen Schüler etwas sagen wollen. Darüber muß Manni erstmal mit Tilly reden. Tilly erklärt ihm, warum Zuhören so wichtig ist: Wenn Du etwas sagst, kennst Du ja den Inhalt. Wenn Du aber zuhörst, kannst Du etwas Neues erfahren. In der Traumreise geht es ebenfalls um Zuhören bzw. nicht immer reden: Manfred lernt, dass man auch Freunde findet, wenn man mal nicht sabbelt, sondern gemeinsam etwas genießt. Wir wünschen allen Schulanfängern viel Spaß in der Schule! Manfred, Annika und Tilly Mehr Folgen auf www.hallo-manfred.de Ein Podcast der "Stiftung Kinderjahre", Hamburg. http://www.stiftung-kinderjahre.de/ Mit medizinischer Begleitung durch den Facharzt für Allgemeinmedizin Thorsten Gottschalk, Konstanz. "Manfred": gesprochen von Annika Lohstroh Alle Rechte, Idee, Konzept, Text und Produktion: Medienbüro Lohstroh+Thiel, Hamburg Zeichnungen: Annika Lohstroh © Annika Lohstroh all rights reserved 2020

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#2 Creating food and community, with Christian Puglisi

Urban Narratives Podcast

Play Episode Listen Later May 18, 2020 0:30

This week, restaurants and cafes are slowly opening up in Copenhagen. The city is starting to buzz again with people looking forward to go out and enjoy life after quarantine. But can everything just revert to business as usual? It’s important to understand what is behind the food industry also from a business perspective. In this episode, we will be speaking to Christian Puglisi, chef and founder of Relæ community, to hear more about the challenges and logistics behind the current situation, as well as his perspective about the value of food, eating “local”, and wishes for a future after corona.Topics and links shared by Christian Puglisi in #2 episode:What can we expect from culinary in Copenhagen? www.relae.community/what-can-we-expect-from-culinary-copenhagen/Christain Puglisi instagram account: https://www.instagram.com/chrifrapug/?hl=en Farm of Ideas: https://www.instagram.com/chrifrapug/?hl=enRelæ: https://www.instagram.com/restrelae/?hl=enBæst: https://www.instagram.com/baestcph/Mirabelle: https://www.instagram.com/mirabelle_bakery/Manfreds: https://www.instagram.com/manfredscph/Rudo: https://www.instagram.com/rudocph/ViniKultur: https://www.instagram.com/vinikultur/?hl=en Book: Hvad skal vi med landbruget? By Jørgen Steen Nielsen

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Paul Jones talks The Manfreds and Harmonicas with James Watt

interview harmonica paul jones james watt harmonicas manfreds

Play Episode Listen Later Apr 29, 2020 18:37

A chance to hear the fabulous Paul Jones talking about his life in music.

#20 Von Reschiseurinnen und Graupelregen

Budl&Stubn

Play Episode Listen Later Feb 13, 2020 51:45

Wer will konn bei ins in nächsten Sturm kafen. War a guats Valentinstog Gschenk! Iber Oscars & Manfreds wert gred und wer kurze Hemet im Koschten hot, bitte net inscholten zur 20 Folge. #budlundstubn #podcast #südtirol #vielmeinung #wenigwissen

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Onsdag 11/12-2019

slap nanna onsdag manfreds

Play Episode Listen Later Dec 11, 2019 121:45

Slap julelinje i studiet med Ida og Nanna. Vi taler som altid om de gode nyheder, men i dag også julekalenderen Tidsrejsen og Manfreds egen julekalender, der når et dramatisk vendepunkt i dag. Julemarkeder og stjernerne granskes også. Værter: Ida Sejr Petersen og Nanna Nordestgaard

Onsdag 11/09-2019

Verlängertes Wochenende - Unterwegs mit Fabio und Matten

Play Episode Listen Later Sep 11, 2019 120:55

Lyt med når Manfreds onsdagsværter Helena, Ida, Nanna og Cecilie snakker om hvordan Hollywood og Lolland kan være forbundet. Derudover anmelder vi nye biograffilm, og endnu engang er vi inde og lure på det fantastiske HesteNet. God lytter.

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Hvad sker der i Kopenhagen?

Play Episode Listen Later Aug 31, 2019 74:04

In der ersten Folge zieht es Fabio und Matten nach Kopenhagen, die magische Stadt. Sie gehen in Brauhäuser, feine Restaurants mit sechzehn Gängen, in die “beste Fischbar der Welt”, essen Burger in einer alten Tankstelle, trinken viel naturbelassenen Wein, empfehlen bezahlbaren aber genialen Kaviar, schlafen in stylischen Hausbooten (dänisches Interieur) und wagen sich auf ein umstrittenes Militärgelände, das in eine hippe Siedlung umfunktioniert wurde. Geschlafen wird im CPH Living (11:35). Am Freitag Nachmittag gehts ins Reffen (16:00) oder die Brewery Broaden & Build (17:30). In Kopenhagen ist alles mit dem Fahrrad erreichbar (18:50). Bevor es ins Restaurant geht, ab in die Weinbar Ancestrale (22:25). Zum Dinner kommt das Kadeau (24:15 / 47:40) oder das etwas günstigere Alouette in Frage (30:15). Anschließend auf einen Drink ins Barr (30:55) und zum Tanzen ins The Jane (33:25). Samstag Morgen steht das Coffee collectif in der Torvehallerne auf dem Plan (37:50), zum Mittag ein Burger bei Gasoline Grill (40:05). Am Nachmittag gehts nach Christiania (42:20), bevor man Tacos bei Hija de Sanchez auf dem Torvehallernemarkt serviert bekommt (45:00). Abends ist die Balderdash Bar ein Muss (50:35). Zum late Frühstück am Sonntag ins Sanchez Versterbro (46:00) und anschließend ein Ausflug ins 50km entferne Museum Louisiana (53:00). Zurück in der Innenstadt am Nachmittag ein Snack und Getränk in der Sonne in Kodbyens Fiskebar (54:45). Am Sonntag Pizza und Vino im Manfreds (01:06:10). Für Sonntags morgen ist noch ein Kaffee und Gebäck im 108 - The Corner drin (01:07:45).

Episode 22 - Zeitreisen in Episode IX?

Porgcast

Play Episode Listen Later Jul 28, 2019 72:00

Zeitreisen in Episode IX? Was hat es mit diesem Gerücht auf sich? Kann das wirklich sein? In dieser Folge des Porgcast diskutieren Niko und Franco über Zeitreisen in Film und Literatur und wie das alles Sinn machen könnte in Star Wars Episode IX - The Rise of Skywalker. Wir lesen das Hörerfeedback und die Fragen des guten Manfreds und starwarsbasegermany vor. Hier geht es um Episode IV und um unsere Wunschmächte in Star Wars. Viel Spaß mit Episode 22 des PORGCAST. Möge die Macht mit euch sein...immer. Blog: https://porgcast.eu/ Spotify: https://spoti.fi/2Uotitn iTunes: https://apple.co/2UottF3 YouTube: https://bit.ly/2Ysm7Cg Facebook: https://www.facebook.com/porgcast/ Instagram: https://www.instagram.com/der_porgcast/ Twitter: https://twitter.com/derporgcast E-Mail: mail@porgcast.eu

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Fredag 21/06 - 2019

lyt fredag bodil j manfreds

Play Episode Listen Later Jun 21, 2019 119:24

Maria Gregersen, Natasja Thorsøe og Bodil Jørgensen underholder jer denne fredag morgen på Manfreds sidste sending inden sommerferien 2019. Vi samler lidt op på hvad vi har været igennem dette semester, vi snakker med Sophia og Morhipo som kommer fra NGO'en Rapolitics og giver jer en sommerguide. Lyt med!

Mandag 17/06-2019

Play Episode Listen Later Jun 17, 2019 118:26

Den står på country, klima og throwbacks, når ManFreds mandagsredaktion sender for sidste gang inden sommerferien. Hør Jeppe Sand Larsen fra country-bandet We Got Wagons spille sine egne numre live, og mød bloggeren Cathrine Wichmand, kendt under navnet rockpaperdresses, der fortæller om sit koncept #MiljøMandag. Du kan også være med til at quizze i Disney-citater, løse dilemmaer og høre et par studerendes tanker om at få børn under uddannelse.Værterne er Stine Riis Christiansen og Mathilde Enghave Nielsen.

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Onsdag 22/05-2019

Play Episode Listen Later May 22, 2019 118:52

Med under 4 dage til EP-valget og 14 dage til folketingsvalget, fyrer ManFreds onsdagsredaktion godt op for politisk snak. Vi både quizzer og tester valgkandidaternes dating-potentiale. Vi får også besøg af Troels Stru Schmidt der stiller op for SF til det kommende EP-valg. Så lyt med, det bliver helt sikkert lærerigt.Værter: Cecilie Dumanski, Lærke Kartvedt & Cecilie Frantsen

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Interview med SymfUni

Play Episode Listen Later May 9, 2019 10:33

Hør Manfreds interview med Estelle og Leif fra SymfUni, helt uden afbrydelser!

leif manfreds

Onsdag 01/05-2019

Play Episode Listen Later May 1, 2019 112:48

Manfreds onsdagsredaktion satte fut i din morgen med denne 1 maj-special, hvor vi sendte live fra scenen på Studenterhuset! Vi havde fornøjelsen af at tale med Mozaík om bæredygtig musik, at vende tilbage efter en musikpause mm. Vi havde også en snak med Marcus, der er med i borgerrepræsentationen for Socialdemokratiet, også fik vi klargjort 1 maj på 1 minut af Bjørn. Alle disse spændende gæster spicede vi op med dagens mand, quiz, rapporter i marken, gode nyheder og alt muligt andet festligt! God lyt

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Onsdag 24/04-2019

Play Episode Listen Later Apr 24, 2019 123:06

Manfreds onsdagsredaktion sætter fut i din morgen med en masse lækre faste segmenter som Lev Uden Last og De Gode Nyheder, fine interviews med australske Imbibe og Ekko Shortlist aktuelle Nahtashah og runder til sidst af med public service af fineste karat: en guide til gratis begivenheder i dag!

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Huspræst Frederik fortæller om påsken

Play Episode Listen Later Apr 22, 2019 20:35

Lyt med, når ManFreds helt egen huspræst, Frederik Berggren Schmidt, giver os den bibelske historie om påsken, fra Palmesøndag over Skærtorsdag og korsfæstelsen Langfredag til genopstandelsen på Påskesøndag. Frederik giver også et nummer på guitaren, og synger påskesalmen "Hil dig frelser og forsoner". Dine værter er Mathilde Enghave Nielsen og Luan Nhu Vu.

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Verdenspremiere på HARKOs "Collapse"

Play Episode Listen Later Feb 20, 2019 17:05

Verdenspremiere på HARKOs "Collapse" Danske og morgenfriske HARKO svinger forbi Manfreds onsdagsredaktion til en verdenspremiere på deres nye single "Collapse". En single, der har en armbrækkende anekdote bag sig. "Collapse" er ude d. 22 februar og deres nye EP dropper d. 15 marts.

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Outlaw the Shift ???

Astros Baseball

Play Episode Listen Later Feb 6, 2019 23:59

This episode focuses mostly on Manfreds desire to ban the shift or at lest limit it. #Astros #MLB --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/astrosbaseball/message

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Quinn The Eskimo (The Mighty Quinn) -Bob Dylan

Cover Me

Play Episode Listen Later Dec 18, 2018 93:22

It's a quintessential episode of Cover Me! We talk about the Bob Dylan classic this week. Learn the difference between Manfred Mann, Manfred Mann's Earth Band, and the Manfreds! Discover the potential history of herb songs. Listen for audio cues that will never actually happen. No bonus segment this week because Jake didn't prepare one and we talked too much anyway! That's Cover Me! Covers by: Manfred Mann, Ian and Sylvia, The Ventures, Manfred Mann's Earth Band, The Manfreds, Mike D'Abo, 15marythompsons/Brian Mendes, Hopeton Lewis, Cats and Boots, Blackbirds, The Slow Learners. Spotify Playlist here

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Mandag 10/12-2018

Play Episode Listen Later Dec 10, 2018 116:48

Julehumøret er i top, når vi går vanvittig tæt på Grønland og besøger julemanden, quizzer i alverdens emner om julen og får besøg af Copenhagen Barbershop Chorus, der synger hele to julesange for os. Vi runder også Herrens Veje og giver serien et antal kors ud af seks, og så tager vi et tilbageblik på semestret der gik på ManFreds mandagsredaktion. Dine værter er Merel Løkke Rasmussen og Mathilde Enghave Nielsen.

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Huspræst Frederik fortæller og synger om julen

counsel parish terence waitrose bbc sport georgie fame manfreds

Play Episode Listen Later Dec 3, 2018 22:01

Kom i ægte julestemning med ManFreds helt egen huspræst Frederik Berggren Schmidt. Frederik er normalt præst i Fredens og Nazaret kirke, men er aldrig bleg for at komme forbi vores studie og gøre os klogere på højtiderne. Hør ham fortælle om adventstiden, hvorfor Jesus bl.a. fik myrra i fødselsdagsgave og hvordan de fejrer jul i kirken. Frederik spiller og synger også to julesange for os. Værterne er Mathilde Enghave Nielsen og Marie Louise Madelung.

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The Parish Counsel - Episode 380

The Parish Counsel

Play Episode Listen Later Nov 2, 2018 50:06

Juliet and Terence on: a bad week for the BBC Sport editor... and Waitrose; the shocking reality of the marriage between sport and gambling; and Juliet goes to see The Manfreds and Georgie Fame. Plus four gorgeous tracks of music.

‘Heartbeats ❤️ Heartland': Live med Le Gammeltoft

Heartbeats ❤️ Heartland

Play Episode Listen Later May 23, 2018 60:15

‘Heartbeats ❤️ Heartland' er et program dedikeret til Heartbeats og Heartlands fælles forkærlighed til samtaler, kultur og musik. Med udgangspunkt i nogle af livet store temaer; kærlighed, køn, følelser guider kunstner Anika Lori dig igennem nogle af de bedste talks fra tidligere Heartland festivaler, musik og stemninger.I dette afsnit, som blev sendt live d. 22. maj, bliver tingene gjort anderledes, når Le Gammeltoft varmer op til årets Heartland festival med gæster i studiet, der hver især præsenterer aktuelle emner på festivalen.Gæster:Janne Villadsen, udviklings- og kommunikationsdirektør på Heartland festivalCecilie Nørgaard, uddannelses- og kønssociolog og direktør for Mangfold, der på Heartland festival deltager i en talk om #metoo bevægelsen og dens konsekvenser for vores samfundChristian Puglisi, kok og indehaver af flere restauranter i København: BÆST, Relæ og Manfreds, og på Heartland festival er Christian ansvarlig for årets banketter.Playliste:Jada – Keep CoolAlex Cameron – Candy MayYangze – SometimesGents – Part Time LoverWhen Saints Go Machine – ArrowThroughSkinOutOfBlueSky (feat. Killer Mike)C.V. Jørgensen – BellevueBarselona – Hvornår (feat. Thøger Dixgaard)CTM – Drop ShotMØ – Slow LoveLouis Rustum – Getting Cheaper

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Tirsdag 01/05-2018