Podcast appearances and mentions of Pete Souza

What does it really look like when history unfolds a few feet in front of you? Pete Souza spent years inside the White House capturing presidents Ronald Reagan and Barack Obama—not as symbols, but as human beings making impossible decisions. In this episode, he shares how trust, timing, and restraint shape the images we remember most. From the story behind iconic photographs to the quiet discipline of waiting for a single perfect frame, Souza reveals what it takes to document power without distorting it. You'll come away seeing leadership—and photography—through a sharper, more honest lens.--Guy Kawasaki is on a mission to make you remarkable. His Remarkable People podcast features interviews with remarkable people such as Jane Goodall, Marc Benioff, Woz, Kristi Yamaguchi, and Bob Cialdini. Every episode will make you more remarkable.With his decades of experience in Silicon Valley as a Venture Capitalist and advisor to the top entrepreneurs in the world, Guy's questions come from a place of curiosity and passion for technology, start-ups, entrepreneurship, and marketing. If you love society and culture, documentaries, and business podcasts, take a second to follow Remarkable People.Listeners of the Remarkable People podcast will learn from some of the most successful people in the world with practical tips and inspiring stories that will help you be more remarkable.Episodes of Remarkable People organized by topic: https://bit.ly/rptopologyListen to Remarkable People here: **https://podcasts.apple.com/us/podcast/guy-kawasakis-remarkable-people/id1483081827**

Inside the Lens of a White House Photographer with Pete Souza

In this week's episode photographer Pete Souza takes on our 'Proust Photo Quiz'... The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our 'Proust Photo Quiz' is an adaption of the original text. Pete Souza is a best-selling author, speaker and freelance photographer. He started his career working for two small newspapers in Kansas. From there, he worked as a staff photographer for the Chicago Sun-Times;  an Official Photographer for President Reagan; a freelancer for National Geographic  and other publications; the national photographer for the Chicago Tribune based in their Washington, D.C. bureau; and an assistant professor of photojournalism at Ohio University. While at the Tribune, Souza was part of the staff awarded the Pulitzer Prize in 2001. After 9/11, he was among the first journalists to cover the fall of Kabul, Afghanistan. In 1992, Souza published, Unguarded Moments: Behind-the-Scenes Photographs of President Reagan, based on his 5 1/2 years in the Reagan White House. Souza was also the official photographer for the 2004 funeral of President Reagan. His 2008 book, The Rise of Barack Obama, includes exclusive photographs of Obama's rise to power. For all eight years of the Obama administration, Souza was the Chief Official White House Photographer and the Director of the White House photo office. His book, Obama: An Intimate Portrait, was published in 2017. His 2018 book, Shade: A Tale of Two Presidents, tells the tale of the Obama and Trump administrations. In 2021, Souza was inducted into the International Photography Hall of Fame. In 2022, he was honored with the Lifetime Achievement Award from the Professional Photographers of America. Based on his best-selling books, Souza became the subject of a documentary film in 2020, The Way I See It. The film was nominated for an Emmy. Souza's most recent photography book, The West Wing and Beyond: What I Saw Inside the Presidency, was published in 2022. He has won numerous photojournalism awards and had solo exhibits of his photographs at numerous galleries. He is also Professor Emeritus of Visual Communication at Ohio University. www.petesouza.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

Pete Souza was the Chief Official White House Photographer for the entire tenure of the presidency of Barack Obama. He is the author of several books, including the #1 New York Times bestsellers Obama: An Intimate Portrait and Shade: A Tale of Two Presidents. A photojournalist since the late 1970s, Souza was also an official White House photographer during the Reagan administration, a freelance photographer for Life and National Geographic, and the Washington-based natural national photographer for the Chicago Tribune. A documentary about his work at the White House, The Way I See It, was nominated for an Emmy, and its Premier was the highest rated non-news, non-live program in MSNBC history. He is a professor emeritus at Ohio University's School of Visual Communication. In 2021, Souza was inducted into the International Photography Hall of Fame. Pete has brilliantly captured on film so many incredible moments in modern presidential history. But he also has a great way with words, and joins me for an insightful chat about Donald Trump's unconscionable architectural and design assault on The White House, the defiling of The Kennedy Center, and his utter disdain for protocol, the rule of law, and history. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

This is Part 2 of our special series with Pete Souza, the former Official White House Photographer for Presidents Reagan and Obama. In case you missed it, listen to Part 1 first!  In this second part, we talk about the personal and physical side of the job, how Pete spend those eight years living alongside his blackberry 24/7 and being a fly on the wall in the White house. We talk about amazing fun, but brutal at times travel schedules, flights on board of Air Force One playing cards with President Obama, stories behind some of his most iconic photographs, and the profound moments for a photographers eye that reveal the President's true character. Stick around until the end as we follow Pete as he leaves the White House bubble, becoming a best-selling author and public voice using his images on social media now to compare two very different administrations. Grab that coffee, settle in, and let's go behind the scenes of history one last time! *****

We begin a special two-part series with Pete Souza, the former Official White House Photographer who holds one of the most unique resumes in history. In Part 1, we trace his journey right back to the beginning, starting with his early days working for Kansas newspapers, how he broke into photojournalism, and the unexpected opportunity that led to his first stint in the White House, documenting President Ronald Reagan in the 1980s. Pete shares great stories from the Reagan years (yes, even about Michael Jackson) and we follow his career up to the assignment that put him in the path of a young, then still unknown Senator named Barack Obama. Next week in Part 2, we dive into the emotional reality of documenting the world's most powerful man every day, we get some full stories behind iconic pictures, and follow Pete as he transitions from White House observer to a best-selling author and outspoken advocate. *****

This week, Wes and Todd sit down with former Chief Official White House Photographer for President Barack Obama, Pete Souza. Pete discusses his childhood, how he got his start in photography, his early experience as a photojournalist shooting for small newspapers, what working at those small newspapers taught him, how the opportunity to work as an official White House photographer came about, the difference in access between photographing President Reagan and President Obama, his thought behind capturing important historical moments of the presidency, the contrast between the Obama presidency and the current presidency, his books, the documentary “The Way I See It”, and his take on what we can do to facilitate change in the United States. Join us for a captivating conversation with Pete Souza.Check out Pete's photography and his books at his website – www.petesouza.comFollow Pete on social media:Instagram - www.instagram.com/petesouza/  @petesouzaSend us a text Follow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

To celebrate 20 years of Design Matters, Debbie Millman revisits standout moments from past conversations with photographers Catherine Opie, Albert Watson, Pete Souza, Lynn Goldsmith, and Mary Ellen Matthews. These excerpts explore how they approach craft, capture truth, and use the camera to tell the stories that define us. Hosted on Acast. See acast.com/privacy for more information.

Big 12 basketball is back and chaos is brewing. Pete Souza, host of The Pete Souza Show on the Rogue Sports Network, joins Paul Catalina live from Kansas City to share his insights from Big 12 Basketball Media Days. Souza breaks down the unpredictable middle of the conference, BYU's high-stakes roster overhaul, and Kansas' return to youth and chemistry under Bill Self. He also dives into Houston's championship mindset under Kelvin Sampson and why the Big 12 might be stronger — and deeper — than ever heading into the new season. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pete Souza is a former Whitehouse photographer, serving during the latter part of the Reagan Presidency, but was better known to me as the head of photography for the Obama Whitehouse where he and his team made an archive of almost two million images, made history by capturing the first official presidential portrait on a digital camera, and captured moments big and small for posterity. Pete has also had an interesting post presidency, as a private citizen he is outspoken and uses his images to highlight issues he's worried about in the current political climate.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

This week on Talking Politics USA, we hear from U.S. correspondent Dan Rivers about what influence Donald Trump could have on the developing conflict between Israel and Iran.Lucy Watson speak to Pete Souza, the man who was Barack Obama's chief photographer for eight years in the White House and thinks the images from today's administration are more like a "reality show".And Stacy Foster recalls her whirlwind time covering for Dan in DC - from rushing coast to coast to cover the protests in Los Angeles, to trying to grab a glimpse of President Trump's much-discussed military parade.Want to get in touch? Email talkingpolitics@itv.com

This week on Talking Politics USA, we hear from U.S. correspondent Dan Rivers about what influence Donald Trump could have on the developing conflict between Israel and Iran.Lucy Watson speaks to Pete Souza, the man who was Barack Obama's chief photographer for eight years in the White House and thinks the images from today's administration are more like a "reality show".And Stacy Foster recalls her whirlwind time covering for Dan in DC - from rushing coast to coast to cover the protests in Los Angeles, to trying to grab a glimpse of President Trump's much-discussed military parade.Want to get in touch? Email talkingpolitics@itv.com

Welcome to this new Pulse Check series, The Culture Code: Leading with Diversity. On today's Part 1, we'll discuss the role of minority leadership in shaping higher education culture and messaging, how strategic leadership can drive positive outcomes, and how institutions can engage diverse communities through effective branding and outreach.Guest Name: Frank Tramble, VP Marketing, Communications and Public Affairs, Duke UniversityGuest Social: https://www.linkedin.com/in/frank-tramble-mps-a7b81711/Guest Bio: Frank is a seasoned communications professional with extensive experience in executive communications, crisis management, marketing, and brand strategy, playing a key role in shaping Duke's reputation and strategic goals.As a strategic adviser to President Vincent Price, Frank oversees Duke's communications, marketing, media relations, and brand efforts, guiding professionals across the university to ensure a unified approach. Previously, Frank served as Vice President and Chief Communications Officer at Howard University, where he led innovative initiatives like the award-winning redesign of the university magazine and the creation of The Dig, a daily storytelling platform.His work has earned national recognition, including the historic feature of Howard's swim and dive team on the cover of Sports Illustrated. Frank has also worked with notable figures such as Pete Souza, Phylicia Rashad, Nikole Hannah-Jones, and Ta-Nehisi Coates.In addition to his role at Duke, Frank is an adjunct professor at Georgetown University, teaching brand strategy. He holds a master's degree in integrated marketing communications from Georgetown and a bachelor's in advertising management from Michigan State University. - - - -Connect With Our Host:Mallory Willsea https://www.linkedin.com/in/mallorywillsea/https://twitter.com/mallorywillseaAbout The Enrollify Podcast Network:The Higher Ed Pulse is a part of the Enrollify Podcast Network. If you like this podcast, chances are you'll like other Enrollify shows too!Enrollify is made possible by Element451 — the next-generation AI student engagement platform helping institutions create meaningful and personalized interactions with students. Learn more at element451.com.Attend the 2025 Engage Summit! The Engage Summit is the premier conference for forward-thinking leaders and practitioners dedicated to exploring the transformative power of AI in education. Explore the strategies and tools to step into the next generation of student engagement, supercharged by AI. You'll leave ready to deliver the most personalized digital engagement experience every step of the way.Register now to secure your spot in Charlotte, NC, on June 24-25, 2025! Early bird registration ends February 1st -- https://engage.element451.com/register

Few photographers have had the privilege of documenting history as closely as Pete Souza. As the Chief Official White House Photographer for both the Reagan and Obama administrations, Souza captured some of the most defining moments in modern political history. In this episode, we sit down with him to discuss the stark differences between the White House administrations he covered, the evolution of photojournalism, and what it takes to tell an honest and compelling visual story. From film to digital, from carefully curated moments to the instantaneous nature of modern media, Souza has witnessed firsthand how photography's role in shaping public perception has changed over the decades. Tune in as he shares behind-the-scenes insights, his approach to storytelling, and the lessons he's learned about patience, access, and the power of a single image. Whether you're a photographer, a history buff, or just love a good story, this episode is one you won't want to miss! Watch the video of this interview with the photos we discuss, exclusively available for the first 7 days to members of our YouTube channel - https://youtu.be/2kWSl1K9gqQ Episode Promos This episode contains promos for the following: Nerdy Photographer Photography Resources - https://nerdyphotographer.com/resources Nerdy Photographer YouTube Channel Memberships - https://youtube.com/@CaseyFatchett Casey Fatchett Photography Print Shop - https://caseyfatchettphotography.pic-time.com/art Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Tell your friends about the podcast Sign up for the newsletter - https://nerdyphotographer.com/newsletter Buy a print from the print shop - https://caseyfatchettphotography.pic-time.com/art Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow in Tiktok - https://tiktok.com/@thenerdyphoto Subscribe to our YouTube Channel - https://www.youtube.com/@CaseyFatchett Get some Nerdy Photographer merchandise - https://www.teepublic.com/stores/nerdy-photographer If you're feeling extra generous, check out our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest Pete Souza is a best-selling author, speaker and freelance photographer. He is also Professor Emeritus of Visual Communication at Ohio University. For all eight years of the Obama administration, Souza was the Chief Official White House Photographer and the Director of the White House photo office. His book, Obama: An Intimate Portrait, was published by Little, Brown & Company in 2017, and debuted at #1 on the New York Times bestseller list. His 2018 book, Shade: A Tale of Two Presidents, also debuted at #1 on the New York Times bestseller list. Shade is a portrait in Presidential contrasts, telling the tale of the Obama and Trump administrations through a series of visual juxtapositions.It is one of the best-selling photography books of all time. In 2021, Souza was inducted into the International Photography Hall of Fame. In 2022, Souza was honored with the Lifetime Achievement Award from the Professional Photographers of America. Souza started his career working for two small newspapers in Kansas. From there, he worked as a staff photographer for the Chicago Sun-Times;  an Official Photographer for President Reagan; a freelancer for National Geographic  and other publications; the national photographer for the Chicago Tribune based in their Washington, D.C. bureau; and an assistant professor of photojournalism at Ohio University; before becoming Chief Official White House Photographer for President Obama in 2009. In addition to the national political scene, Souza has covered stories around the world. After 9/11, he was among the first journalists to cover the fall of Kabul, Afghanistan, after crossing the Hindu Kush mountains by horseback in three feet of snow.  Also while at the Tribune, Souza was part of the staff awarded the Pulitzer Prize in 2001 for explanatory reporting on the airline industry You can view Pete's work on his website - PeteSouza.com - or you can follow him on Instagram @petesouza About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact

Welcome to this new Pulse Check series on the power of storytelling. This is  Part 2: From News to Narrative: Frank Tramble on Transforming Higher Ed Storytelling. Frank Tramble shares about the importance of an integrated marketing and communications strategy, understanding your audience's core motivations to create more impactful messages and the need to always to be learning.Guest Name: Frank Tramble, Duke UniversityGuest Bio: Frank Tramble is a highly accomplished communications professional currently serving as the Vice President for Communications, Marketing, and Public Affairs at Duke University. With extensive experience in strategic executive communications, crisis communications, integrated marketing, and brand management, he plays a pivotal role in shaping Duke's reputation and strategic priorities. As a trusted strategic adviser to President Vincent Price, Frank leads Duke's central communications, marketing, media relations, and brand management activities. He provides guidance and leadership to communications professionals across various schools and units, ensuring a cohesive and impactful approach.Previously, as Vice President and Chief Communications Officer at Howard University, Frank elevated the university's reputation through innovative initiatives such as the award-winning redesign of their magazine and the establishment of The Dig, a groundbreaking daily storytelling hub.Frank's accomplishments have garnered national media coverage, including Howard's swim and diveteam becoming the first all-Black swim team featured on the cover of Sports Illustrated. He hascollaborated with renowned figures like Pete Souza and spearheaded communication strategies forhigh-profile individuals, including Phylicia Rashad, Nicole Hannah-Jones, and Ta-Nehisi Coates.An adjunct professor at Georgetown University, Frank imparts his expertise in brand strategy. He alsoserves as a lead judge for prestigious industry awards and is a sought-after speaker on topics such ascrisis communications and branding.Frank Tramble holds a master's degree in integrated marketing communications from Georgetown and abachelor's degree in advertising management from Michigan State University. With his dedication toexcellence and passion for effective storytelling, Frank continues to shape Duke University's success as aleading institution of higher education. - - - -Connect With Our Co-Hosts:Mallory Willsea https://www.linkedin.com/in/mallorywillsea/https://twitter.com/mallorywillseaSeth Odell https://www.linkedin.com/in/sethodell/https://twitter.com/sethodellAbout The Enrollify Podcast Network:The Higher Ed Pulse is a part of the Enrollify Podcast Network. If you like this podcast, chances are you'll like other Enrollify shows too!Enrollify is made possible by Element451 — the next-generation AI student engagement platform helping institutions create meaningful and personalized interactions with students. Learn more at element451.com.Attend the 2025 Engage Summit! The Engage Summit is the premier conference for forward-thinking leaders and practitioners dedicated to exploring the transformative power of AI in education. Explore the strategies and tools to step into the next generation of student engagement, supercharged by AI. You'll leave ready to deliver the most personalized digital engagement experience every step of the way.Register now to secure your spot in Charlotte, NC, on June 24-25, 2025! Early bird registration ends February 1st -- https://engage.element451.com/register

There is a Madisonian whose name you might not know, but you've certainly seen his work. He is the photojournalist behind the photo of President Obama in the White House situation room during the Bin Laden raid. He captured the iconic moment when a five-year-old child reached up and touched Obama's hair, after asking if it was like his own. White House photographer Pete Souza captured history as it was happening, and then when he was done with his work at the White House, he moved here to Madison, Wisconsin. He currently freelances and occasionally pops off about current events online, when he's not taking beautiful images of our fair city.  We caught up with him last year to learn what it was like to be a witness to history during those years.  And of course, how we can become better photographers.  Pete Souza's most recent book is called The West Wing and Beyond: What I Saw Inside the Presidency.  Also on the show:  Beginner's Photography Class from the Madison Photography Group Mansion Hill West Historic Architecture Walking Tour from the Madison Trust for Historic Preservation This episode originally aired June 28, 2023. Wanna talk to us about an episode? Leave us a voicemail at 608-318-3367 or email madison@citycast.fm. We're also on Instagram!  You can get more Madison news delivered right to your inbox by subscribing to the Madison Minutes morning newsletter.  Looking to advertise on City Cast Madison? Check out our options for podcast and newsletter ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Watchung Booksellers Podcast, Christopher Kimball's Milk Street Media Relations Director Deborah Broide talks with Voracious and Spark VP/Publisher Michael Szczerban about the changing landscape of publishing.Deborah Broide is the media relations director for the food media company Christopher Kimball's Milk Street, and she also works on select publicity projects for the Mayo Clinic and The Jerome Robbins Foundation and Trust. Before joining forces with Kimball 31 years ago, at what became Cook's Illustrated and America's Test Kitchen, she began her career in publicity at Crown Publishing, where she worked with Douglas Adams, author of The Hitchhiker's Guide to the Galaxy. She has also held senior positions at Workman Publishing, where her successes included the Silver Palate Cookbooks and What to Expect When You're Expecting, and Putnam, where her authors included Tomie dePaola and Eric Carle. She lives in Montclair, New Jersey, and her passions include books, theatre, ballet, music, and her family.Michael Szczerban is the vice president and publisher of Voracious and Spark, two imprints of Little, Brown and Company that help readers improve their lives by making them more delicious, more beautiful, healthier, and happier. He started his career as an editor at Simon & Schuster, where he worked with Samin Nosrat on her mega-bestseller Salt, Fat, Acid, Heat, and then joined Little, Brown ten years ago. He has edited numerous bestsellers and established several million-copy series that include books from White House photographer Pete Souza, cookbooks from Christopher Kimball's Milk Street, and Sarah Knight's collection of “No F's Given Guides.” His upcoming books include titles from activist and icon Pamela Anderson, chef Daniel Humm of Eleven Madison Park, star baker Bryan Ford, online phenomenon Accidentally Wes Anderson, and more.Resources: America's Test KitchenMayo Clinic PressSparkFrankfurt Book FairLondon Book FairBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Silver Stream Studio in Montclair, NJ. The show is edited by Kathryn Counsell and Bree Testa. Special thanks to Timmy Kellenyi and Derek Mattheiss. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Pete Souza was Chief Official White House Photographer during Barack Obama's presidency. His photo from when Bin Laden was killed by US soldiers in 2011 has become one of his most famous.He tells Uma Doraiswamy what that day was like leading up to the moment when he took the photo.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: President Barack Obama, Vice President Joe Biden, Secretary of State Hillary Clinton and members of the national security team receive an update on the mission against Osama bin Laden. Credit: Getty Images / Pete Souza, White House)

Op Instagram kun je beelden tegenkomen die met AI gemaakt of bewerkt zijn, en dat wordt gelabeld. Na kritische opmerkingen komt daar echter een andere aanduiding voor, vertelt Joe van Burik in deze Tech Update. 'Made with AI' is de oude naam voor dit label, maar dat wordt aangepast naar 'AI info'. Zoals voor fotograaf Pete Souza, een zeer ervaren vakman die onder meer Barrack Obama als Amerikaanse president van dichtbij volgde, en ruim drie miljoen volgers op Instagram heeft. Een foto van hem van - een NBA-basketbalwedstrijd van veertig jaar geleden, toen de Boston Celtics tegen de LA Lakers speelden - kreeg plots het label 'Made with AI'. Waarschijnlijk kwam dit omdat de afbeelding met Adobe was bewerkt, hetzij alleen bijgesneden. Zo zijn er meer voorbeelden, dus past Meta het label aan, van 'Made with AI' naar 'AI info'. Die laatste melding kun je vanaf nu dus tegenkomen in je feed. Een boeiende wijziging, waarvan je ook zou kunnen zeggen dat de kracht om gelijk duidelijk te krijgen dat iets met AI gemaakt is wat verloren gaat. Dus moeten we maar gewoon goed naar beelden staren, elke keer dat je twijfelt: is dit nou AI of toch echt? Verder in deze Tech Update: Google gaat strenger kijken naar advertenties kijken gemaakt met AI, juist gericht op verkiezingen Spotify is bezig om je ook noodmeldingen te kunnen laten horen via de app van dit audiostreamingplatform See omnystudio.com/listener for privacy information.

Introduction: Minutes 0 to 5:15 We will be off for a couple of weeks due to Easter. I watched Dream Scenario on HBO with Nicolas Cage. He's a great actor but I don't recommend it. I really liked The Map of Tiny Perfect Things on Amazon. It reminds Chandra of The Summer I Turned Pretty. She's been watching Tennis but her favorite, Daniil Medvedev, didn't win Indian Wells. Royals: Minutes 5:15 to 22:45 Over the weekend we got a cover story in the Sun that Kate was seen out shopping with William at a farmer's market. Then on Monday we saw a super grainy faraway video where the person supposed to be Kate is kind of bouncing around carrying a large bag. The woman in the video didn't exactly look or walk like Kate. Assuming that was Kate, it reflects poorly on the Waleses because she hasn't done any events since Christmas. Also, if that was Kate in the photo in the car with her mom, her face has since thinned out. After TMZ published the video of Kate at the farmer's market, their executive producer said he wasn't sure it was her. There's still fallout from the Frankenphoto too. Before we got the whole fake Kate video, Kensington Palace did a sourced story with the Times of London again explaining that Kate edited that photo, that she feels bad about the fallout and that she's just trying to make her family look good. The quote that really stood out is where they called out the press agencies for noticing how janky that photo was. As Obama's photographer Pete Souza said on Instagram, there's a difference between adjusting the lighting or cropping a photo and pasting in different people. The royal rota tried to accuse Harry and Meghan of editing their photos, but the photographers, Misan Harriman and Chris Allerton, said that wasn't true. Part of the Frankenphoto fallout is that the wire agencies are reviewing all the photos ever submitted to them by Kensington Palace. One photo that's particularly bad was released after the Queen's death on what would have been her 97th birthday in 2023. It shows her at Balmoral on a couch with a bunch of her great grandchildren posing around her. That was obviously cobbled together from several photos. Getty added an editor's note that “the image has been digitally enhanced at source,” and Reuters has announced that it's “updating its procedures related to vetting images from Kensington Palace.” Another really janky photo featuring the great grandchildren was released after Philip died. As we talked about last week, there's renewed interest in Prince William's alleged 2019 affair with Rose Hanbury. Rose's lawyer went on the record to Business Insider last weekend to say the rumors are false. Other pundits are also defending her. Chandra thinks that the affair has been over a while. As part of the fallout from that, people have noticed stolen Qing Dynasty artifacts in family photos taken of Rose and her husband, David Rocksavage. We talk about the $10 million brooch that Camilla wore for an outing, which seemed meant to troll Kate. Buckingham Palace, Prince Charles and Camilla's office, seems pleased that Kensington Palace, Kate and William's office, is screwing this up so badly. They don't understand that it reflects poorly on them too and that most people don't get the distinction. Meghan has announced her new lifestyle brand, it's called American Riviera Orchard. I will definitely buy what she's selling and so will so many other people. So far she has just shown the logo and they have a one page website with an email signup. We also heard this week that three hospital staffers are under investigation for trying to access Kate's medical records at the London clinic where she was treated. Kate's cancer announcement: Minutes 22:45 to 27:30 We recorded this section on Friday after Kate made the announcement that she has cancer and is undergoing chemotherapy. Hopefully she is OK and will make a full recovery. Comments of the Week: Minutes 22:45 to end Chandra's comment of the week is from ML on the post about Archie's Christening pics being called out incorrectly for edits. My comment of the week is from Olivia on Rosie's post about Kevin James losing 60 pounds by not eating for 40 days. Thanks for listening bitches!  

Pete Souza was the Chief Official White House Photographer for the entire tenure of the presidency of Barack Obama. He is the author of several books, including the #1 New York Times bestsellers Obama: An Intimate Portrait and Shade: A Tale of Two Presidents. A photojournalist since the late 1970s, Souza was also an official White House photographer during the Reagan administration, a freelance photographer for Life and National Geographic, and the Washington-based natural national photographer for the Chicago Tribune. A documentary about his work at the White House, The Way I See It, was nominated for an Emmy, and its Premier was the highest rated non-news, non-live program in MSNBC history. He is a professor emeritus at Ohio University's School of Visual Communication. In 2021, Souza was inducted into the International Photography Hall of Fame. As Obama‘s photographer, Pete had one of the coolest jobs on the planet. And when he left the White House, he for years threw shade on Donald Trump through his humorous and sarcastic Twitter posts. Join us for this captivating look back on Pete's illustrious life and career. He also has some interesting insights into how the Biden Administration could be handling the "age" issue more effectively through its photos. It's a truly don't-miss conversation! Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Kristin Rae Cronic joins me in a conversation about balancing income with happiness, starting a live wedding painting business, publishing a book, knowing where to spend your time, and the power of sending a cold email. Find Kristin Online:https://www.kristincronicart.com/ https://www.instagram.com/kristinraecronic/ https://www.instagram.com/easelonstribling/ Find her work online:https://www.serenaandlily.com/search?q=kristincronic https://stellersgallery.com/artist/kristin-cronic https://wellandwondercollective.com/collections/kristin-cronic Mentioned in the episode: Austin Thomas: https://www.austinthomas.org/ Pete Souza: https://www.petesouza.com/ Proof to Product: https://www.prooftoproduct.com/ Kristin Rae Cronic artist statement: I make work about the journeys we take as it relates to human connection, empathy, individual worth, and adventure. I intend for my work to exist where people live, rest and reflect, and connect with one another.While medium varies based on the project at hand, color and intuition are common threads. My paintings often use nature as motifs for such themes, but I also use textiles and knot tying in soft sculptures intended for domestic and public spaces. Host and artist Stephanie Scott breaks down the practicality of the art career with topics including: sustainable creative practices, social media skills, and the mindsets that keep it all together. New episodes every Tuesday!Instagram: https://www.instagram.com/stephaniescott.art/ Website: http://www.stephaniescott.art/brushwork Music by @winepot https://www.instagram.com/thewinepot/ YouTube: https://www.youtube.com/@stephaniescottart Podcast Cover photo by Maryna Blumqvist https://instagram.com/picturemaryna

To wrap up the year, we thought we'd turn our attention to selections from The Photo Book, a massive, rich collection of photography from some of the best photographers throughout the history of the art form. Out of hundreds of images, we each picked five photos and explain what about them caught our eyes. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-155-photo-book)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Order your copy of The Photo Book, Second Edition (https://amzn.to/3Tk9usj) Pete Souza episode - Photocombobulate podcast (https://photocombobulate.com/episodes/25) (Jeff confused his podcasts; he talked to Pete Souza on his other podcast Photocombobulate.) Jeff's Picks: Lessing, Erich: Erich Lessing's best photograph: Eisenhower raises his hat to peace (https://www.theguardian.com/artanddesign/2016/jan/20/erich-lessing-best-photograph-president-eisenhower-geneva-summit-1955-interview) Meisel, Steven: Untitled, 1996 (https://www.flickr.com/photos/136270744@N06/26149298861) Pinkhassov, Gueirgui: Tokyo, Japan, 1997 (https://www.pinterest.com/pin/271060471306981472/) Salgado, Sebastião: Serra Pelada Goldmine, Pará, Brazil, 1986 (https://www.christies.com/lot/lot-5433229/?intObjectID=5433229) Bubley, Esther: Greyhound Bus Terminal, New York City, 1947 (http://www.estherbubley.com/sonj_bus_story_frame_set.htm) Kirk's Picks: Carjat, Etienne: Charles Baudelaire, 1978 (https://af.wikipedia.org/wiki/Charles_Baudelaire#/media/Lêer:Étienne_Carjat,_Portrait_of_Charles_Baudelaire,_circa_1862.jpg) Sammallahti, Pentti: Ristisaari, Finland (Frog in Water), 1974 (https://www.peterfetterman.com/privateviews/bbd08448abe7456f806c64/37569-pentti-sammallahti-ristisaari-finland-frog-in-water-1974/) Erwitt, Elliot: USA, New York City, 1974 (https://www.elliotterwitt.com/?lightbox=dataItem-kcuwb4mg12) Moriyama, Daido: Woman, Yokosuka, 1970 (https://www.artsy.net/artwork/daido-moriyama-yokosuka-1966) Larrain, Sergio: Passage Bavestrello. Valparaiso, Chile. 1952 (https://www.magnumphotos.com/arts-culture/society-arts-culture/sergio-larrain-valparaiso/) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

As the person responsible for documenting the Obama Administration, Pete Souza spent more time with Barack Obama than almost anyone else, which left him with some deep in sights on Obama and the office of the Presidency. In this episode, Pete joins Bob for a conversation about his work as Chief Official White House Photographer, the state of American politics, and the power of photography. Pete's most recent book, Shade: A Tale of Two Presidents (Little, Brown, & Co, 2018) uses photography to contrast the stark differences between the Presidency of Barack Obama and that of Donald Trump.   If you enjoy this conversation, make sure to check out Pete's other appearances on the show in episodes #251 & #151.   This is a rebroadcast of RTN #131, which originally aired on June 3, 2019. The original episode was edited by Gary Fletcher and Bob Crawford; this rebroadcast was edited by Ben Sawyer.    

There are certain qualities, like leadership, empathy, kindness, respect, and compassion, that we all aspire for our children to embody as they grow. In this episode, Adam and Marc get a bit deep with Pulitzer Prize winner and Official White House photographer for two presidential terms, Pete Souza, who had the remarkable opportunity to capture these qualities in iconic moments throughout the Obama presidency. The guys chat with Pete about dangerous situations, split-second decisions, and the tremendous responsibility of working in the highest office in the land, documenting the values we wish to see in our leaders and our children.Episode 93 of Modern Dadhood opens with a conversation about storytelling and what features make for a strong spoken word story. The guys waste no time welcoming Pete Souza into the chat. Pete's credits an accolades include International Photography Hall of Fame Inductee, Pulitzer Prize winner, documentary film subject, and Chief Official White House Photographer for both terms of Barack Obama's presidency. He has taken some of the most iconic photos in history over his decades-long career, and while he still stays very busy putting out books, public speaking, and teaching photography workshops, his main photography subject matter... has become his grandkids.Pete opens up about his method for capturing authentic moments with a leader who exemplifies traits that all parents hope to see in their children. Topics include:•  Pete and his wife Patti's marriage and children•  How Pete's "always on" work schedule impacted his personal life•  The choice to work under physically dangerous circumstances•  The shift from film to digital photography•  The qualities that make a photo "authentic"•  And more!LINKS:Pete Souza (official)Pete Souza (Instagram)Pete Souza (Twitter/X)The Way I See It (Documentary on Amazon Prime Video)Red Vault AudioSpencer AlbeeCaspar BabypantsStuffed AnimalPETE'S BOOKS  (please buy locally if you can!)Obama: An Intimate PortraitShade: A Tale of Two PresidentsDream Big Dreams Photographs from Barack Obama's Inspiring & Historic Presidency Young ReadersRise Of Barack ObamaThe West Wing and Beyond: What I Saw Inside the Presidency

Hello from three far-flung cities! This week, we're joined by our pal Vinson Cunningham, staff writer and theatre critic for The New Yorker. After briefly interrogating Jay's recent pivot to dad-hiker fashion (pic for subscribers only), we hear Vinson's take on the Trump mugshot. [4:05] The image gets us talking about aesthetic self-perception, the celebrity accused in popular culture, and the lack of a good analysis of Trump's true appeal. [41:45] Next, we discuss last week's G.O.P. primary debate, which causes Jay to confront what fascinates him about Vivek Ramaswamy, Tammy to question her EMILYs List impulses, and Vinson to call b******t on right-wing claims of populism. In this episode, we ask: How does the Trump mugshot, a visual anomaly in the history of presidential imagery, reflect on our political system? What's the value of similar pix in countries where former leaders are regularly imprisoned? Is there any ceiling on this Trump thing? Why didn't the G.O.P. primary debate feature more culture-war talk? For more, see: * Vinson's recent piece about the Trump mugshot, plus older ruminations on presidential imagery: * From 2017: Pete Souza and the Politics of Looking at Barack Obama* From 2018: The Politics of Race and the Photo That Might Have Derailed Obama* Jay's recent articles about integration in Shaker Heights, Ohio and Vivek Ramaswamy's debate performance * A Q&A by Isaac Chotiner (apols for the New Yorker plugs) about the constitutional case for barring Trump from the presidency* Previous TTSG episodes featuring Vinson: * “Tár,” a film for the chattering class (February 2023) * "Mare of Easttown" special impromptu episode! (May 2021)  * Vinson Cunningham on the NBA, Yang, and IRL theatre (May 2021) And pre-order Vinson's forthcoming novel! * Out of respect for our many repeat guests, we note that this episode marks Vinson's fourth TTSG appearance, which ties him with Hua Hsu and Jenny Wang Medina. Subscribe on Patreon or Substack to join our Discord community (and see photo evidence of Jay's newfound style). You can also follow us on Instagram, TikTok, and Twitter, and email us at timetosaygoodbyepod@gmail.com.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe

You've surely seen his work. The photo of President Obama in the White House situation room. The iconic moment when a five-year-old child reached up and touched Obama's hair, after asking if it was like his own. These photos are by White House photographer Pete Souza.  Souza has since moved to Madison, where he freelances and occasionally pops off about current events online, when he's not taking beautiful images of our fair city.  We caught up with him to learn what it was like to be a witness to history during those years.  And of course, how we can become better photographers.  Pete Souza's most recent book is called The West Wing and Beyond: What I Saw Inside the Presidency.  Also on the show:  Beginner's Photography Class from the Madison Photography Group Mansion Hill West Historic Architecture Walking Tour from the Madison Trust for Historic Preservation And you have until Friday, June 30th to vote for your favorite local podcast in the Best of Madison contest. We're in the running! Vote here: https://www.channel3000.com/madison-magazine/best-of-madison/best-of-madison-2023-vote-now/article_81bb44d4-9dae-11ed-8778-831b6146a870.html Wanna talk to us about an episode? Leave us a voicemail at 608-318-3367 or email madison@citycast.fm. We're also on Twitter and Instagram!  Want more Madison news delivered right to your inbox? Sign up for the Madison Minutes morning newsletter.  Looking to advertise on City Cast Madison? Check out our options for podcast ads at citycast.fm/advertise. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's conversation features PETE SOUZA, the esteemed White House photographer who captured the essence of two iconic presidents—Barack Obama and Ronald Reagan. Join us as Pete discusses behind-the-scenes stories, the deep friendship between Souza and Obama, and the unforgettable images that defined their time in the White House. From historic moments to intimate glimpses, Souza's lens offers a unique perspective on the power and humanity of these leaders. Don't miss this fantastic interview with Pete Souza, where we explore his extraordinary journey, the art of storytelling through photography, and the enduring legacy of Obama and Reagan.THIS WEEK'S LINKS:Check out our sponsor: www.dvestore.comJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  https://camerashakepodcast.comINTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingPete Souza on the web:https://www.petesouza.comPete Souza on Social Media:Instagram: https://www.instagram.com/petesouza/Twitter: https://twitter.com/PeteSouzaJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 158 IS ALSO AVAILABLE ON: YouTube - https://youtu.be/8YpqsEbKY7kApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G======================================FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/#PeteSouza #BarackObama #RonaldReagan #interview

Dawn Porter was reluctant to call herself a Director, even after her movie premiered at Sundance and got picked up by HBO. Today her award-winning documentaries (John Lewis: Good Trouble, The Way I See It) are an invaluable addition to the historical record, but her humility keeps her from calling herself an activist. In this episode, we're using Dawn's expertise – she was once a practicing attorney – to renegotiate the contracts that keep women from assuming titles we don't think we're qualified for, even when we have more than enough on our resumes. Dawn takes us through her incredible journey from comfortable DC lawyer to celebrated documentarian, covering topics such as: The importance of advocating for yourself with as much passion as you advocate for others How to free yourself from the traps of structure and comfort to take on your next, great adventure How to use mistakes as stepping stones to your next success Learning how to get comfortable with discomfort Stepping into your power and your title as a woman in charge Acknowledging the danger of “if it ain't broke, don't fix it,” because sometimes breaking things is the first step to your next great adventure. In Dawn's case, it led her to flying on with Oprah in her private jet to meet Harry (yes, that Harry)OUR GUEST: Dawn Porter is an award-winning documentary filmmaker. Her latest film, The Lady Bird Diaries - about first lady Lady Bird Johnson, just premiered at SXSW. She has had a busy decade - she made a great ESPN documentary series 37 Words about Title IX, the civil rights legislation that gave women the equal opportunity to play sports, and her mental health series The Me You Can't See, which she made with Oprah and Prince Harry, premiered on Apple TV. You may also have seen her films John Lewis: Good Trouble about the legendary Congressman and Civil Rights leader or The Way I See It, about photojournalist Pete Souza, who served as Chief Official White House photographer for President Barack Obama.Make sure to watch Dawn's latest film The Lady Bird Diaries, when it airs on Paramount Plus and Showtime this fall. Want more Dawn? Learn more about her here. While you're at it, find her online: Website: https://www.trilogy-films.com/dawn-porter LinkedIn: https://www.linkedin.com/in/dawn-porter-1286632a Twitter: https://twitter.com/dawnporter Instagram:

Dawn Porter has emerged in the entertainment industry as a leader in the art of storytelling; directing and producing critically acclaimed films and series. A two-time Sundance film festival director, Porter's work has been featured on HBO, Netflix, CNN, PBS, MSNBC, ESPN, Discovery, National Geographic and others. Porter's latest film, "The Lady Bird Diaries," an all-archival documentary about Lady Bird Johnson will debut at the 2023 SXSW Film Festival. Her next project “Supreme,” is a four-part docuseries, exploring the history of the United States Supreme Court, the justices, decisions, and confirmation battles that have shaped America. Her prior films include "Gideon's Army", "Bobby Kennedy For President", "John Lewis: Good Trouble" and "The Way I See It", about photojournalist and former Obama and Reagan chief White House photographer Pete Souza. Join us for this truly fascinating conversation about Dawn's successful journey from corporate entertainment lawyer to one of America's most prominent documentary filmmakers. We also revisit her childhood, her early influences, sexism, racism and the state of the documentary film business today. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy and Matty Rosenberg @ Radio Free Rhiniecliff Associate producer Jennifer Hammoud Music by Andrew Hollander Design by Cricket Lengyel

On Legends Of Sport Friday, Arash chats with Andy Bernstein about this week's special guest, Pete Souza, an award-winning photojournalist, best selling author, public speaker, social media disruptor, former Official Photographer for President Reagan and the Chief Official White House Photographer during the Obama Administration! In 2021, Pete was inducted into the International Photography Hall of Fame. Hear Andy & Pete discuss championship sports teams visiting the White House, President Obama's 49th birthday pickup game with the like of Kobe Bryant & LeBron James, Obama and Derek Jeter, Pete's approach while documenting some of the toughest moments in history, Obama's final day in office, starting his “Shade” book and Instagram campaign and so much more! To hear the full episode, find Legends Of Sport wherever you listen to podcasts. And do not forget to follow or subscribe to The Arash Markazi Show on Spotify, Google Podcasts, Stitcher, TuneIn, & I Heart Radio. Also check out his daily columns on themorningcolumn.com and The Sporting Tribune. Music Credit: Alright by Kendrick Lamar Humble by Kendrick Lamar I Get Around by 2Pac To Live and Die in L.A. by 2Pac Social Media: Instagram & Twitter: @thesportingtrib

Andy chats with award-winning photojournalist, best selling author, public speaker, social media disruptor, and former Chief Official White House Photographer during the Obama Administration - Pete Souza! Andy & Pete discuss professional sports teams visiting the White House, Obama's 49th birthday pickup game with the like of Kobe Bryant & LeBron James, getting to know Obama & gaining his trust, Andy's experience with Kobe on his final game day on April 13, 2016, Obama's conversation with Derek Jeter, his approach while documenting some of the toughest moments in history, being in the line of fire in active war zones, Obama's final day in office, speaking out on social media, and his new book "The West Wing and Beyond: What I Saw Inside the Presidency"!Beyond the Lens workshop - coming soon! Sign up now at BeyondTheLens.live

Today's guest, former White House photographer Pete Souza, is a bucket-list item for me. I started Behind the Shot because I am a fan of great photography, or more specifically great photographers. Through the over six years I have been doing the show, I have had a range of guests, in a range of genres, from legends, to people I wasn't aware of before asking them to be on the show. While I have discovered many amazing creatives through doing this podcast, when I started there were a few specific people I hoped would someday be on the show. Joe McNally checked off one of those boxes last year when he came on for the show Master of Light, and again when he helped with the show on the Best Photo Advice You've Been Given. Scott Kelby has now been on a few times, with Insights From Scott Kelby and Timeless Photography. Trey Ratcliff stopped by twice, for Raise Your Dynamic Range and Documenting Burning Man, Christie Goodwin did Fireworks, Ed Sheeran: Memories We Made, and also helped with the Best Photo Advice You've Been Given show, and Rick Sammon, David Bergman, and Don Komarechka each have been here too many times to list. Well, today checks off the name I never thought I would get, and excited doesn't begin to cover what I am feeling. Often described as the White House photographer for the eight years of the Obama administration, Mr. Souza's career, and influence on the industry, is so much more than that. Pete Souza is a best-selling author, speaker and freelance photographer. His actual title during the Obama years was Chief Official White House Photographer and the Director of the White House photo office. That job alone would instill fear in most photographers, but Souza has done it more than once! He was also the Official White House Photographer for Ronald Reagan. As an author, Pete has written some of the definitive books related to White House photography. His book, Obama: An Intimate Portrait, was published in 2017, and debuted at #1 on the New York Times bestseller list, and to date it is one of the best-selling photography books of all time. His 2018 book, Shade: A Tale of Two Presidents, also debuted at #1 on the New York Times bestseller list. Shade is a portrait in Presidential contrasts, telling the tale of the Obama and Trump administrations through a series of visual juxtapositions. His most recent book, The West Wing and Beyond: What I Saw Inside the Presidency, was published in September 2022. This book lets us behind the scenes of the West Wing — and into the Oval Office, the Situation Room, aboard Air Force One, and beyond — in intimate detail. Based on his best-selling books, Souza became the subject of a documentary film, The Way I See It, in November 2020.  If you haven't seen it, I can't recommend it enough. It is absolute fantastic. The film takes an unprecedented look behind the scenes of two of the most iconic Presidents in history, Barack Obama and Ronald Reagan, as seen through Souza's eyes and camera. As Official White House Photographer for both these Presidents, Souza was an eyewitness to the unique and tremendous responsibilities of being the most powerful man in the world. The film also reveals how Souza transformed from a respected White House photographer and photojournalist to a searing commentator on the importance of having someone with empathy and dignity in the office of the Presidency. In addition to the national political scene, Souza has covered stories around the world. After 9/11, he was among the first journalists to cover the fall of Kabul, Afghanistan, after crossing the Hindu Kush mountains by horseback in three feet of snow. While at the Chicago Tribune, Souza was also part of the staff awarded the Pulitzer Prize in 2001 for explanatory reporting on the airline industry. As an educator, Pete Souza is Professor Emeritus of Visual Communication at Ohio University, and as a lecturer he is in high demand. He has lectured on his photography at the Smithson...

Hosts Mark Lawrence and Mark Updegrove look back on 10 of their favorite "With the Bark Off" moments from an incredible year.Featured guests:Amity Shlaes on Calvin CoolidgeJohn Farrell on Richard NixonPaul Gregory on Lee Harvey OswaldNicole Hemmer on Ronald ReaganJonathan Martin on Donald TrumpPete Souza on Barack ObamaGabriel Debenedetti on the legacies of Obama and BidenAnthony Fauci on his own legacyAli Vitali on Queen Elizabeth II and female leadershipDarlene Superville and Julie Pace on Jill Biden's influence on Joe Biden's decision whether to run for reelection

Pete Souza is one of our nation's leading photojournalists—and few have risen to greater prominence. He has worked as an official White House photographer for Ronald Reagan and the chief official White House photographer for Barack Obama. Among many other distinctions, he won the Pulitzer Prize in 2001 along with colleagues at the Chicago Tribune, and last year he was inducted into the International Photography Hall of Fame. His books include Obama: An Intimate Portrait, one of the bestselling photography books of all time; Shade: A Tale of Two Presidents; and his latest, The West Wing and Beyond: What I Saw Inside the Presidency.Mark Updegrove and Mark Lawrence talk to Pete about his unique vantage point on the presidency and the presidents he has worked with and captured for history. 

For the first time ever, a guest has returned to the podcast! Drew Hill is here to share all about his latest exciting projects, including a brand new book.Drew is a talented crochet artist who specializes in creating fun, adorable characters to add to a collection he calls “Drewbie's Zoo”. Back on episode 28, we talked about how he learned to crochet, what inspired him, and how he dreamed up all of the cute characters he could bring to the world. Since then, he's created an even bigger creative community for himself, made tons of fun videos and hosted livestream chats to share his love of crocheting, and he even wrote a book! It's called “Crochet Magical Creatures” and includes 20 patterns for how to crochet your own stuffed animals. On this episode, host Angela de Burger chats with Drew about what intrigued him about using videos to share projects and connect with new people, the creative challenge he took on by writing a book, why he's been doing so many more collaborations, and how his own creativity has been influenced by friends and family members such as his uncle, Pete Souza (a renowned photojournalist and former Chief Official White House Photographer for two Presidents of the United States - Ronald Reagan and Barack Obama).Say hi to Drew:  Website  Instagram  TikTok  Twitch  Facebook----Creative Pulse Podcast socials:  Instagram:  creativepulsepodcast  Twitter  @CreativePulseTWMusic credit: https://www.purple-planet.com

Augmented reveals the stories behind the new era of industrial operations, where technology will restore the agility of frontline workers. In this episode of the podcast, the topic is "How Academia Shapes Manufacturing". Our guest is John Hart (https://www.linkedin.com/in/ajhart/), Professor of Mechanical Engineering and Director at the Center for Advanced Production Technologies at MIT. In this conversation, we talk about John's research on micro and nanotechnology and material science, which universities and colleges that teach manufacturing, the role of MIT in this ecosystem, and why now is a key moment in manufacturing history. If you like this show, subscribe at augmentedpodcast.co (https://www.augmentedpodcast.co/). If you like this episode, you might also like Episode 92 on Emerging Interfaces for Human Augmentation (https://www.augmentedpodcast.co/92). Augmented is a podcast for industry leaders, process engineers, and shop floor operators, hosted by futurist Trond Arne Undheim (https://trondundheim.com/) and presented by Tulip (https://tulip.co/). Follow the podcast on Twitter (https://twitter.com/AugmentedPod) or LinkedIn (https://www.linkedin.com/company/75424477/). Trond's Takeaway: There has never been a more interesting time to be in manufacturing or to watch manufacturing. The tremendous breakthroughs that we are about to witness have been made possible by a confluence of emerging technologies and startup innovations, as well as a growing awareness of the importance of building human-centric technologies. We are indeed at a crossroads with profound challenges in the growing talent shortage, the need for workforce training, an aging industrial base, and the demands for manufacturing competency from the wider innovation ecosystem. We have to make progress fast, and innovations are just maturing to be able to do so at the scale and pace required. It will, again, be amazing to watch the manufacturing industry. Parts of it will perhaps, again, become the industry of industries. Transcript: TROND: Welcome to another episode of the Augmented Podcast. Augmented reveals the stories behind the new era of industrial operations where technology will restore the agility of frontline workers. Technology is changing rapidly. What's next in the digital factory, and who is leading the change? And what are the skills to learn and how to stay up to date on manufacturing and industry 4.0. In this episode of the podcast, the topic is How Academia Shapes Manufacturing. Our guest is John Hart, Professor of Mechanical Engineering and Director at the Center for Advanced Production Technologies at MIT. In this conversation, we talk about John's research on micro and nanotechnology and material science, which universities and colleges that teach manufacturing, the role of MIT in this ecosystem, and why now is a key moment in manufacturing history. Augmented is a podcast for industrial leaders, for process engineers, and for shop floor operators hosted by futurist Trond Arne Undheim and presented by Tulip. John, how are you? Welcome. JOHN: I'm well, Trond. Great to see you. Thank you for having me. TROND: Well, I'm excited to have you talking about...well, hopefully, a lot of different things, but how academia gets to shape manufacturing, this fascinating venture that is manufacturing. But you yourself, John, you grew up in Michigan, is that right? You were close to this from an early age. JOHN: I was close to it. Yeah, I grew up in Royal Oak, Michigan, a suburb north of Detroit. If you know the Detroit Metro area, there are the mile roads, and the Detroit River is sort of Zero Mile. And I grew up between 14 and 15 Mile Roads, so in the hotbed of the good, old U.S. auto industry. TROND: Well, exactly. Because looking a little bit at your background here, you spent quite a few years as a summer intern at General Motors before you got yourself to...or actually perhaps in the beginning, in your undergrad years from UMichigan, is that right? JOHN: I did. After my first year at UofM, I worked as a summer intern at GM and went back a few years in a row in different roles in different areas. And honestly, when I decided to pursue a graduate degree and ended up at MIT, I thought I might just get my master's and go back and work in the auto industry, but things changed, and here we are today. TROND: Well, here we are today. You got yourself an undergrad from UMichigan. And you worked there for a little while, I believe, but then came to MIT with a master's, Ph.D. This is way back. But you won the prize for the best doctoral thesis in micro and nanotechnology. So that set you off on the path to rediscover nanomaterials, I guess. JOHN: Yeah, well, it's a really maybe exotic combination of topics. My master's thesis was on precision machine design, the design of these large mechanical couplings for industrial robots. And then, for my Ph.D., with the same advisor, I worked on carbon nanotube synthesis. But there you have the dipoles of manufacturing research, materials, processing, and mechanical design that have shaped how I've taken things forward since then. TROND: Well, but it is in these unique combinations that innovation starts to occur, right? JOHN: Yeah, exactly, combining different topics. And that's one reason I love manufacturing is that it is the union of materials processing, and automation, and software, and now also getting more interested in the organizational workforce aspects. It's a very rich, multidisciplinary layered topic. TROND: Yeah. And we'll explore this both from the organizational angle, and, indeed, I'm super interested in this material angle on things because it seems to me like you're exploring the very, very small nanostructures, but then you're then printing them on the very large canvas. So you're exploring materials from one extreme to the other. JOHN: Yeah. Well, it depends on your objective and what topic you're working on. There are cases in our research where we need to understand the formation of materials, not quite from the atom up but from the nanoscale or microscale up. And there are cases where we more or less abstract or coarse grain those link scales and focus on macroscale properties. TROND: Well, and then you also focus quite a bit on teaching. I noticed that you actually launched the first massive online course on manufacturing processes, and hopefully, we'll get to this a little bit as well. JOHN: Sure. TROND: But teaching and basically working on the next generation of manufacturers, whether they be the engineers or really anybody else, has certainly been one of the big challenges in manufacturing really forever. What is it that fascinates you so much about teaching this to a grander audience than the usual university audience? JOHN: Well, first, I'll say I believe that the top priority of universities, including in the area of manufacturing, is to educate future leaders and engineers. That said, the number of people we educate on our campus is a small fraction of those who could really benefit from what we teach and the way we teach. And that's not just geographically, but it's also in terms of their role in the workforce. So I believe manufacturing education should address all levels of the workforce. And to get at your question more directly, when I came to MIT, I was asked to take over our core undergraduate manufacturing class in the Department of Mechanical Engineering. And as I learned to teach the class for myself, I was intrigued by this emerging trend of digital learning, and this was 2015, 2016. And I was able to get some funding from MIT internally to create an online version of the course that would be offered free to the world, and probably 100,000 People have taken it so far. And it's been a great experience and evidence of how there is very broad interest in manufacturing really across the world. TROND: 100,000 people have taken this course. JOHN: Yeah. Well, I'll say 100,000 people have signed up for the course. This is the classic trade-off with online courses. It doesn't mean 100,000 people complete the course. It means that number signs up and hopefully took something away from it. It also speaks to the flexibility. You can sign up for a course and maybe just listen to one lecture, but if you take something valuable away from it, that's great. TROND: So I wanted to talk a little bit about how academia shapes manufacturing. And I know that there are, you know, you and I work at MIT, and you've had experiences obviously at University of Michigan. But there are other manufacturing centers and institutes all around the world. Could you lay out this landscape a little bit for us so that we get a sense of where the excellent centers of manufacturing are located? I mean, one structure, just to pick that, is manufacturing institutes, and I know that's sort of dear to your heart for a couple of different reasons that we'll get into. But what are some of the centers beyond MIT where there is activity that is organized in a way that really is something to focus on? JOHN: First, I think of in the U.S., Carnegie Mellon, Georgia Tech, Purdue, Michigan, Stanford, places that have defined manufacturing centers or have a body of work that relates to manufacturing that I would say there's a critical mass of faculty, and students, and affiliation with industry. Also, Penn State in the area of additive manufacturing and product design. It's hard to be comprehensive. I don't want to forget anyone big, but that's a sample of some of the notable ones. Internationally, a lot of activity in Europe; I admire the University of Cambridge, the Institute for Manufacturing there, where manufacturing is more or less a department, or it's within the Department of Engineering, which is analogous to what we would say is a school or college of engineering here in the U.S. And they have a broad set of activities that have been there for decades focused on manufacturing at the IFM. TROND: And if you think about the best schools to get educated in this topic, is it necessarily only the top brands? I mean, certainly, they have different roles. So when it comes to undergrads or even shorter, or I guess even community colleges have a really fundamental role in the formation of this sector, can you talk a little bit about that? JOHN: Oh, for sure. When you think of manufacturing education, we must think of the full stack of institutions that educate the workforce, from vocational institutions to community colleges where the student's goal may just be to complete a vocational program or complete a two-year degree and then exit the workforce, all the way to the four-year degrees, advanced degrees, and executive education. And given how manufacturing is paramount in the workforce and the economy, we need to educate folks at all those levels. But by far, the largest number of people are at those vocational community college levels and then to the bachelor's level. So I have a Ph.D. I love to mentor Ph.D. students. But that's a small fraction of the manufacturing workforce. TROND: What about in the U.S. setting? There's something called the Manufacturing USA, and there are these institutes that have sponsorship from various government agencies, most of them through the Department of Defense. But there's also a bunch at the Department of Energy and one, I guess, from the Department of Commerce. What is the role of basically government-sponsored sort of research and innovation activities in this field? It would strike me, I guess, that historically, it's quite important. JOHN: Certainly. You're alluding to the manufacturing innovation institutes, the MIIs that were started during President Obama's administration. Actually, MIT's work, the Production in the Innovation Economy study, and the Advanced Manufacturing Partnership, which emerged from that, was key in scoping the MIIs, and now there are 16 or so around the country. It's one example of public-private partnership. Public-private partnership is key to cultivating interest in manufacturing and also providing resources for technology translation and commercialization. I think the MIIs have had a great impact on awareness of manufacturing, on R&D, and really applied research in some critical technology areas. But it's only a small part of what we need to do to regrow and expand our industrial base in the U.S. TROND: So I want to move us shortly to MIT to discuss both your own research activity and how extensively you are now aiming to take a more organizing role to kind of get more out of all of the exciting work that's happening at MIT. But before that, I just spotted perhaps an older project of yours that I thought was extremely cool. You were once called a nanoartist, and you had this NanoArt Nanobliss gallery with visualizations. You previously mentioned Obama. I believe you made a NanoArt structure called Nanobama or something of that sort. How did this come about? And, again, I mean, I'm guessing this just sort of testifies to your interest in science communication as much as in the depths of science, which we'll get into in a moment. JOHN: You got it. The inspiration was how do we communicate what we're doing in the lab to broader audiences just to make them aware of what's happening in new technology, new materials? In that case, it was nanotechnology. If you don't mind, I'll tell you a bit more of the story. When I was an assistant professor at Michigan, we were doing a lot of work on carbon nanotube manufacturing, which was a follow-on from my graduate work at MIT. And I admired President Obama, or he was a presidential candidate at that time. And without implying a political inclination, I somehow put together the words nano and Obama in my mind. TROND: [laughs] JOHN: And I said, wow, it would be cool to have a Nanobama. So one thing led to another, and I actually worked with some students in my group to fabricate these little portraits out of carbon nanotubes representing Shepard Fairey's portrait of Obama that was used widely during that first presidential campaign. And I just posted it online, I think one day after the election, and it took off. It went viral, so to say, and was featured as Nature's Image of the Year. It was printed on the newspapers you used to get as you walk onto the subway in the morning around the world. There was a company that would syndicate this stuff, and they just sent it around. So it got a lot of attention. And it showed me the power of an image in communicating something. And, of course, President Obama, that was a historic election. The play on words was exciting, and also the fact that it was a little bit intriguing science and technology that was nano was interesting. And one more thing, a colleague of mine at Michigan then was working in the White House, and he said, "Hey, can you send us a Nanobama?" So I made this frame with a little piece of the real material, and a picture of it from the microscope sent it to Washington. I didn't hear anything about it until I got a call from the White House asking me to declare the value for the President's tax return because he decided to keep it; I kid you not. And then, after Obama left office, I was with my family at a bookstore in Wellesley, and I saw the book, the retrospective book of Pete Souza, the White House photographer. And I opened up the book, and I see a picture of Obama and John Boehner in the Oval Office in the middle of this book. And right on the doorframe is the Nanobama. So it actually made it to the White House, which was a pretty awesome feeling. TROND: It must be an awesome feeling, and, again, I think that, especially in this field of manufacturing which is so challenged at times, right? And people are talking about how these factories are greedy, or is this a great job, or whatnot. And there have been all of these historical moments. But then there is also this fascination around the topic of certainly of technologies and the excitement around it. Why don't we continue a little bit on this strand before we get into sort of the overall role of MIT? I'm really curious about how your research has evolved. So generally, I get that you're combining these nanostructures with manufacturing and materials research, and certainly, you have applied it to additive manufacturing. How would you say that your research has evolved over these years? What are the things that you have been doing? I've picked up on a few things that I definitely wanted to cover. I mean, certainly, you've been working on this industrialization of 3D printing, both as a research area and as a commercial area. Carbon nanotubes must have been kind of where you started. I'm curious where that work is going. And then I saw that very recently, with a student, you've been doing some work that I'm personally very enthused about, which is a plant-derived composite that might replace, hopefully, plastics with sort of a hardness and stiffness that is somewhere at the boundary between conventional plastics and metals. I mean, for me, I don't quite see how all of these things are intimately connected. Where do you go for, you know, where's my next proposal here, and where's my next patent? JOHN: They aren't necessarily closely connected. But I like to say that the themes are typically one or more of materials, manufacturing, and mechanical systems or automation. And what I love about manufacturing, especially in the materials domain, is to control a process, to understand a process, and then to do something new, you need to investigate its fundamentals. And sometimes, you need to design a new instrument or machine to get the job done. So our work is often problem-inspired or opportunity-inspired. Like, the cellulose work that you mentioned recently was actually sponsored by a large consumer products company interested in a more sustainable composite material that could be used in packaging. And we looked at potential routes to formulating different materials, and we landed on cellulose. And then, we developed a formulation, a mixture of cellulose nanocrystals and polymers that ended up having exciting mechanical properties, particularly very high hardness, and toughness, more so than existing polymers. And another unifying theme is scalability. It's important not to worry too much about scalability in the early stage of research, and there's lots of amazing research that's just for science. But we like to do things that we hope will be scalable one day, so choosing ingredients that would be cost-effective or using techniques that could be industrialized, even if the techniques look very different in the lab. And maybe I've lacked to give a precise definition or focus, but I think it's also indicative of the broad span of manufacturing. And manufacturing has many, many dimensions beyond the ones that we work on in my lab at MIT. TROND: Well, you kind of answered a question that I was going to ask, too, which is it doesn't seem like you start in a linear fashion, you know, in other words, you start with some sort of basic problem that everybody in their literature has established and then you move to this, that, or the other. Sometimes it comes from a company. The challenge comes from a company, but you formulate the solution completely. It seems to me that students also have lots of ideas and kind of formulate projects. Talk to me a little bit about this process of where the problem comes from versus where the solution and impact comes from because you seem to...sometimes the output truly is just, you know, like, in this case, art or a physical prototype, and you're sort of happy with that outcome. Other times, you're actually delivering something into, presumably, eventually, an assembly line. JOHN: Yeah. And we work as hard as we can on technology translation, both in terms of the knowledge that we publish but also in terms of the steps that we take to spin technology out. You're right; the early stage is very important. And I like to often see the early stage as a collaboration between myself and the researchers. And in many cases, the core idea we end up pursuing comes largely from the research or the research team. In many cases, it might be seeded by the interest of a sponsor or an idea I have, and then we work together on actually figuring out what's the approach, what are the outcomes, and what's the path to success. MID-ROLL AD: In the new book from Wiley, Augmented Lean: A Human-Centric Framework for Managing Frontline Operations, serial startup founder Dr. Natan Linder and futurist podcaster Dr. Trond Arne Undheim deliver an urgent and incisive exploration of when, how, and why to augment your workforce with technology, and how to do it in a way that scales, maintains innovation, and allows the organization to thrive. The key thing is to prioritize humans over machines. Here's what Klaus Schwab, Executive Chairman of the World Economic Forum, says about the book: "Augmented Lean is an important puzzle piece in the fourth industrial revolution." Find out more on www.augmentedlean.com, and pick up the book in a bookstore near you. TROND: You have commercialized at least two ventures together with others at MIT and external people as well that I know about for sure. I wanted to just briefly mention both Desktop Metal and VulcanForms. Let's perhaps cover Desktop Metal first, so that's a 3D printing company. Tell me how that got started and what your role was there. JOHN: So I was very fortunate to be a member of the founding team of Desktop Metal. So there were seven co-founders, and we launched the company in early fall of 2015. And Ric Fulop, who's the lead founder and CEO, approached me at that time, and he heard that I was interested in working on 3D printing and, of course, knew a bit about my background in manufacturing and machine design and asked me to jump on board. And funny story, how just connections persist over the years; I actually knew Ric when I was a grad student because I was doing my carbon nanotube work using the space of now my colleague, Yet-Ming Chiang. And at that time, Yet and Ric were launching A123 Systems, a successful battery company. So that was a reason why I think Ric knew to get in touch with me when he heard about me. And serendipity was a great experience. TROND: Serendipity when you are in the right places, right? If you're hanging around Yet-Ming Chang, yeah, that's right, very special serendipity. Tell me a little bit about VulcanForms. Until very recently, you couldn't talk so much about it. Nowadays, you did go out in New York Times. I've read that piece. So there is a little bit more detail around it. Let me ask a very basic and perhaps dumb question, large-scale metal 3D printing, what's the big deal there? I thought didn't Desktop Metal do 3D printing? So it's kind of a dumb question. Why is there a second company? Is there really such a variety? I think that the regular person just thinks 3D printing is 3D printing. JOHN: 3D printing is a broad and deep subject. Like, first of all, 3D printing processes exist for polymers, for metals, for many other materials. And there are even several 3D printing technologies for metals. I'll tell the origin story for VulcanForms quickly if that's okay, and then get back to the question. So when I came to MIT as faculty in 2013, I had been a professor at Michigan for a few years. And I landed, and one of the topics I thought of looking into was 3D printing. I was actually asked by a colleague to teach a class not on 3D printing, but I was able to propose the topic. And in that class, there were many incredible students. One of them, named Martin, stuck around at MIT after finishing his master's in manufacturing, and we ended up comparing notes and launching VulcanForms in 2015, a little bit before Desktop Metal came to be, but not that long before. And we stayed quiet for seven years. We raised our seed round a couple of years ago. And the focus of the company is number one, laser-based metal additive manufacturing. And second, while we've built our own additive technology, we're a manufacturing company. So we produce parts at scale, and that is a real need and has been a barrier to growth of the additive industry. There's so much interest and uptake in additive. But the ability to achieve high-quality production using additive as the formative step in the process at scale has largely been untouched. So from the early days, we thought that we could approach the market with that plan to become a manufacturing company. TROND: Staying quiet for seven years that can't have been [laughs] particularly easy. JOHN: Yeah, it's not easy, but it's very, very worth it because we got to focus. And also, there are different boundary conditions that allow you to keep your head down and get work done, and one of them is having great and patient investors who believe in your approach and who see the progress behind the curtain. And as a result, we felt we would hold off launch. And we were fortunate to get picked up by the New York Times earlier this summer. And now we're excited to talk about what we do. TROND: Yeah, that article did hint a little bit at what your printers can print that others cannot and kind of at what scale. Can you give some examples of the kinds of things that you are now contracted to print or are perhaps already printing? JOHN: So the company is focused on a variety of industries, generally industries where high-value metal parts are difficult to manufacture and where there is a real pent-up need for more agile, high-value manufacturing medical devices such as medical implants, semiconductor components, not microchips but cooling devices for various computer systems. We have a lot of business in the aerospace and defense area, working with several of the defense primes, both on additive parts and on machining, honestly. The company, as described in the New York Times article, we acquired a machine shop in Newburyport, Massachusetts, earlier this year. And that was twofold, one because in order to deliver finished parts, you need to often integrate additive with machining. So it's not just 3D printing; it's building a stack of software and physical processes to create a finished part. Second, advanced machining is also a digital manufacturing technology, and as a company, we're very interested in applying our capabilities as a digital manufacturing organization to the area of CNC machining as well. TROND: So, taking that experience then from these two companies and your vast interest and research area plus your interest in communication, what is it that you're now focused on at MIT more largely? That's another kind of secret that's slowly being let out. But you have had this notion and have shared this with me and others, obviously. There was a seminar open to whoever was invited, I think, but not a full public launch. Manufacturing at MIT has historically been quite important, but you think that there's even more, to be done. You lined up a couple of the projects, but there are many more things that MIT has done. Could you maybe just briefly address the role of MIT historically in influencing manufacturing? And what else is it that you now want to accomplish? JOHN: Yeah, for sure. And since I came to MIT nine years ago, I've learned of the incredibly rich history that the institute has in manufacturing, both on the technology side, you know, in the mid-1950s, building among the first CNC machines, ultimately transformed commercial aviation in 1980 building one of the first 3D printers in the world, and so on. But not only that, but also, historic accomplishments in the social sciences, understanding the globalization of manufacturing, you know, what delineated the U.S. versus the Japanese auto industry in the 1980s. What is the intrinsic role of manufacturing in innovation, the production, and innovation economy led by my colleague Suzanne Berger in around 2010. And then broader than manufacturing, though, the work of the future study just a couple of years ago looking at the connection between technology and work. So looking at all those accomplishments and understanding the present moment that we're in, which I can also reflect on later, I've been exploring how to create a new presence for manufacturing at MIT. And the term manufacturing at MIT is more or less a placeholder representing the community of faculty and students across disciplines, both technology and social sciences, that touch on all the dimensions of manufacturing. So as we've returned from Zoom life to more in-person life, I've been making my way around campus and building a team of folks, faculty advisors, external advisors, industry partners, and so on to hopefully put forward a new center at MIT that has a focus on manufacturing across the disciplines. And this is not to replace existing activities but just to augment those activities and bring industry together with us to support research, to lean deeply into workforce training programs, to collaborate with public organizations at the state and federal level and internationally, and also hope to cultivate more entrepreneurship. Because my experience, fortunate experience as an entrepreneur over the past several years tells me that there's opportunity for more new companies that contribute to the future of manufacturing, whether they're manufacturing companies actually making stuff, whether they be software and services companies. Or perhaps the biggest need is hardware companies for whom manufacturing is a route to success. So you may not be manufacturing something yourself, or you may not be manufacturing goods for others, but understanding manufacturing and scaling a process is really key. And that intellectual DNA of manufacturing is more cross-disciplinary than ever. And I've observed over my nine years at MIT how there's just more engagement in manufacturing as a discipline, as this cross-disciplinary theme. And that's an area where I feel such a center can really play a role by adding something to the intellectual community across the institute. TROND: There are so many things that come to mind when you produce this narrative because, I guess, on the one hand, manufacturing is a little bit of everything. On the other hand, it is clearly very delineated because it's all about making things and making them at scale. And there's a whole industry, but, of course, every industry almost has a manufacturing arm. How do you delineate the subject of manufacturing? And I'm sort of curious, you know, at MIT, if you use a broad church definition, almost everybody there contributes to manufacturing. So that would be both a challenge and an opportunity, I guess. JOHN: Yeah, you're exactly right. So, first, within MIT, we have many collaborations with different departments and other research centers. And the nature of the collaboration depends on what the focus is. Second, when it comes to interfacing with industry, I've come to look at industry as kind of a grid where you could say the columns are the end users, say, aviation and space or consumer or construction. And then, the horizontal lines in the grid are technologies, robotics and automation, 3D printing, software and IT, et cetera. And getting a little bit in the weeds of the organization here, so first, we're working on launching a flagship industry consortium, or we're recruiting flagship industry partners for a new center. And those will be companies, world-leading manufacturing companies across the grid. Second, we will operate consortia in different technology in industry areas that may be located within our center that may be in collaboration with others around MIT to really drive focus. And when industry comes and interacts with us, I want them to understand how their business fits into the broader spectrum. And we find particularly in the work related to 3D printing that companies appreciate being connected with peers across the value chain. They say 3D printing is materials at the frontend and finished parts at the backend, and there are some machines and software, and so on. When you bring companies together across their value chain, across their supply chain, under the umbrella of an academic organization with this sort of problem-solving mindset, we find that that can be valuable to the companies that we partner with. TROND: And, John, there's obviously a scale at MIT that's hard to replicate for any university or school just because there are so many people involved in technical innovation. But on the other hand, I would say there has been a sense that other sectors if you could call them that, have always been moving much faster than manufacturing. And, you know, okay, fine, there are industrial revolutions, but the ones we talk about now as industrial revolutions are more, you know, they are maybe on the software side and stuff, but that the core of manufacturing it may be because of its inherent nature. It's complex; it's about physical infrastructure, at least a lot of it still. So it's hard to innovate in that sector. Would you say that one of the ambitions you have with this manufacturing at MIT initiative is to speed up that innovation? And if so, what are the mechanisms that would bring manufacturing as a whole, I guess, on an even faster sort of clip? JOHN: First, if I look within MIT, we see the opportunity to combine the physical side, the mechanical engineering, the material science, with the digital side, with software, and controls, and computation. And that's an area where it's clear that new technologies can be de-risked, can be scaled more quickly. And it really requires this symbiosis of the physical processes and the digital intelligence. Second, I think we can do better research. I can do better research by understanding where the big problems and opportunities are. And by connecting closely with industry, forming networks with various stakeholders, we can define better problems that we can ask our students to solve. And third, I've noticed, especially over the past year with all the geopolitical discussions and the imperative for sustainability, that we're at a time where there's this alignment between industry and government and the investment community and manufacturing, physical manufacturing, physical industry is vital. We can't do enough there to catch up, to grow. And I think that's a real opportune moment to recognize that while I think the pendulum has swung to the digital world and software over the past 10, 20 years, life has changed for the better in so many ways. We have to focus on the physical world now, especially to address the climate crisis, and also think of how we can improve economic equality across our communities, how we can provide better job opportunities, how we can deliver education to individuals who don't have the opportunity to go to university or don't have the resources to travel, all those things. So that's another reason why, one, I see manufacturing as this rich, cross-disciplinary topic that I can file a patent and write some exciting papers and graduate with a Ph.D., but it means so much more to feel technology at scale. And second, you need the intersection of these disciplines to understand not just technology but organizations and human dynamics to create change and create positive impact. TROND: So I realized that we're going to have to cover... there are so many other questions I have for you is what I'm trying to say here. But my last question in this round, I think, is going to be one on...we briefly mentioned, or you briefly talked about augmentation. And you know that I have a special interest; obviously, the topic of the podcast and the title is augmentation. So there is something here about the tension, perhaps between augmentation and automation. How do you see that tension or the relationship between working from the human-centric perspective that technologies are in service to perhaps augment people and processes versus this automation perspective which maybe takes, and I'm paraphrasing here, a little bit more of an efficiency approach and tries to go for machine scale first and then just adjust everything later? How do you see those two things now, as perhaps, you know, manufacturing is coming into another kind of growth moment? JOHN: If I understood you correctly, I don't think they're mutually exclusive, right? Certainly -- TROND: No. Not necessarily. Not necessarily. JOHN: Certainly, manufacturing will become more automated in places where automation makes sense. Certainly, automation is challenging to implement to scale, to get right. But in some cases, the driver to more efficient technology-first manufacturing is automation. In other cases, and hand in hand with that, human workers and businesses, organizations can only become more effective and efficient, working in synergy with data and automation. I'll use the example of someone overseeing a 3D printer, a state-of-the-art 3D printer, and watching the screens to make sure everything is going well and doing a better job by being presented with information that shows, hey, this might be a problem, or there are no problems here, but being empowered to make that data-driven decision. And also, from my work outside of MIT, we find that folks who do best operating that advanced equipment with digital data might have a machining background. They might also have a passion for gaming on the side. So they might be used to sensing and responding to dynamic digital events. And that's another comment on skills evolving in the workforce too. TROND: Well, I mean, one thing that is for certain is that if MIT gets its act together on manufacturing, things will happen. I trust that we're going to have to come back and talk about a lot of emerging projects here in the coming years if you get people lined up. So very exciting. Thank you for speaking to me. Is there sort of a challenge that you want out there to the community when it comes to how, you know, not just academics can contribute to shaping manufacturing but how we all should think of these manufacturing challenges? Is it something that we should leave to experts right now because it's so complicated? Or are there ways that the broader interested public can get engaged in this problem? Is it possible to engage, and where should one engage? JOHN: That's a great question. First, to the general public, I'd say stop and think about what manufacturing means to you, or find one of your favorite things and look up how it's manufactured. Imagine the life, the journey of the product as it comes to your door. And second, I'd say the area where most of us can make an impact is in education and learning and contributing to our communities. Perhaps if you're an engineer working somewhere, you might want to teach at a community college one night a week if you have time in a future semester or explore ways that you can bring new knowledge, new technology to your organization if it makes sense. TROND: Exciting challenges. Thank you so much for sharing a little bit of what you're up to with us, John. JOHN: Thank you, Trond. TROND: You have just listened to another episode of the Augmented Podcast with host Trond Arne Undheim. The topic was How Academia Shapes Manufacturing. Our guest was John Hart, Professor of Mechanical Engineering and Director at the Center for Advanced Production Technologies at MIT. In this conversation, we talk about John's research on micro and nanotechnology and material science, which universities and colleges that teach manufacturing, the role of MIT in this ecosystem, and why now is a key moment in manufacturing history. My takeaway is that there has never been a more interesting time to be in manufacturing or to watch manufacturing. The tremendous breakthroughs that we are about to witness have been made possible by a confluence of emerging technologies and startup innovations, as well as a growing awareness of the importance of building human-centric technologies. We are indeed at a crossroads with profound challenges in the growing talent shortage, the need for workforce training, an aging industrial base, and the demands for manufacturing competency from the wider innovation ecosystem. We have to make progress fast, and innovations are just maturing to be able to do so at the scale and pace required. It will, again, be amazing to watch the manufacturing industry. Parts of it will perhaps, again, become the industry of industries. Thanks for listening. If you liked the show, subscribe at augmentedpodcast.co or in your preferred podcast player, and rate us with five stars. If you liked this episode, you might also like Episode 92 on Emerging Interfaces for Human Augmentation. Hopefully, you'll find something awesome in these or in other episodes, and if so, do let us know by messaging us. We would love to share your thoughts with other listeners. The Augmented Podcast is created in association with Tulip, the frontline operation platform that connects the people, machines, devices, and systems used in a production or a logistics process in a physical location. Tulip is democratizing technology and empowering those closest to operations to solve problems. Tulip is also hiring, and you can find Tulip at tulip.co. To find us on social media is easy; we are Augmented Pod on LinkedIn and Twitter and Augmented Podcast on Facebook and YouTube. Augmented — industrial conversations that matter. See you next time. Special Guest: John Hart.

Pete Souza has spent more time inside the ‘Presidential bubble' than almost anyone. The more than thirteen years he spent photographing Ronald Reagan (1983-1989) and Barack Obama (2009-2017) gave him a singular view into the executive branch that he has captured and shared with the public through his photography. In this episode, Pete joins Bob & Ben to discuss his new book The West Wing & Beyond: What I Saw Inside the Presidency, which looks beyond the Presidents themselves and to the people and spaces that define the office of the US President. You can learn more about Pete Souza's work at his website, petesouza.com, and by following him on twitter and Instagram at @petesouza. You can also check out the documentary film The Way I See It (Focus Features, 2020) which tells the story of Pete's work inside the White House (and features a brief cameo by Bob & Ben).   If you enjoy this episode, check out Pete's previous appearances on The Road to Now in episode #131 and episode #151.   This episode was edited by Gary Fletcher.

Join me for a one-on-one discussion with Obama & Reagan White House Photographer, Pete Souza.

On top of his incredible career working for publications such as National Geographic and The Chicago Sun Times, Pete Souza has documented the presidential administrations for Ronald Regan and was the Chief White House Photographer for the Obama administration. Today Pete Souza comes on the Beginner Photography Podcast to talk about what its like working in the Presidential Bubble and his new book “The West Wing and Beyond” which gives us a behind the scenes look at the people and the human element that goes into supporting an administration. Resources:Former Chief White House Photographer Pete Souzas websiteGrab your copy of Petes newest book “The West Wing and Beyond”Join The Beginner Photography Podcast Facebook CommunitySign up for your free CloudSpot account to deliver beautiful images galleries todayFree Lightroom Presets!Grab your Free CloudSpot Account at DeliverPhotos.com Grab your Free CloudSpot Account at DeliverPhotos.com

Are the roots of African American English mainly African? Or English? Or something else? Linguists—and others—don't agree. Ciku Theuri guides us through the theories. Opinions from Nicole Holliday, John McWhorter, John Rickford and Sunn m'Cheaux, who we also profiled in a previous Subtitle episode. Music in this episode by A P O L L O, Jobii, and Tilden Parc. Photo of Michelle Obama by Pete Souza via Wikimedia Commons. Read a transcript of the episode here. Subscribe to Subtitle's fortnightly newsletter here.

Are the roots of African American English mainly African? Or English? Or something else? Linguists—and others—don't agree. Ciku Theuri guides us through the theories. Opinions from Nicole Holliday, John McWhorter, John Rickford and Sunn m'Cheaux, who we also profiled in a previous Subtitle episode. Music in this episode by A P O L L O, Jobii, and Tilden Parc. Photo of Michelle Obama by Pete Souza via Wikimedia Commons. Read a transcript of the episode here. Subscribe to Subtitle's fortnightly newsletter here.

Pete Souza spoke with WBUR's Weekend Edition host Sharon Brody about his time as Chief Official White House Photographer for all eight years of the Obama administration along with his latest book, “The West Wing and Beyond: What I Saw Inside the Presidency.”

Pete Souza, was the former Official White House Photographer for President Ronald Reagan and former Chief White House Photographer for President Barack Obama.   We speak to him about his career documenting presidencies and his latest book of photographs, The West Wing and Beyond: What I Saw Inside The Presidency.  

Photocombobulate is a podcast about photography hosted by Jeff Carlson and Mason Marsh. Each episode seeks to unravel a complex topic and make it understandable. The show notes for this episode, along with all of our episodes, can be found on our website: https://www.photocombobulate.comFor Jeff Carlson's work, visit https://jeffcarlson.comFor Mason Marsh's work, visit https://www.masonmarsh.comPhotocombobulate Instagram feed: https://www.instagram.com/photocombobulate/Photocombobulate Facebook Page: https://www.facebook.com/photocombobulate/Photocombobulate Twitter feed: https://twitter.com/photocombob

Pete Souza, was the former Official White House Photographer for President Ronald Reagan and former Chief White House Photographer for President Barack Obama.   We speak to him about his career documenting presidencies and his latest book of photographs, The West Wing and Beyond: What I Saw Inside The Presidency.  

Tonight on The Last Word: Trump-appointed judges present an unprecedented challenge to the Justice Department's investigation of Trump. Also, Uvalde students return to the classroom. And the Obamas return to the White House for the traditional presidential portrait unveiling. Professor Laurence Tribe, Andrew Weissmann, Neal Katyal, Beto O'Rourke and Pete Souza join Lawrence O'Donnell.

Pete Souza has taken some iconic photographs. A former Chief Official White House Photographer for both U.S. Presidents Ronald Reagan AND Barack Obama, Pete's career has taken him from teaching basic photography in Kansas to taking pictures for National Geographic, Life Magazine, and other dream outlets. In this episode, he talks about carrying out a vision for a project, how he built his unique path in the field, and why he sticks to the old adage that a picture is worth a thousand words. This is an episode of Design Matters with Debbie Millman, another podcast from the TED Audio Collective. For more conversations on how incredibly creative people design their careers and lives, follow Design Matters wherever you're listening to this.

Javier Muñoz (Hamilton, In The Heights) stars in The Devil Wears Prada, the new musical based on the film and novel, with songs by Elton John and Shaina Taub. Javier plays Nigel (instantly erasing any memories of Stanley Tucci), and discusses how creating a role is less about ego and more about serving the story and character; the challenges of rehearsing changes during the day while performing the existing show at night; how he gave his first Broadway performance of Alexander Hamilton in front of President Barack Obama and his First Lady Michelle; what originating the song “Seen” means to him and his activism (and how precious it is to work with his “Seen” partner); and how debuting a song written by Sir Elton John differs from performing songs written by Sir Lin-Manuel Miranda. (Length 33:05) (PICTURED: Above, Javier Muñoz in The Devil Wears Prada, directed by Anna D. Shapiro. Photo by Joan Marcus. Below, Javier Muñoz, Renée Elise Goldsberry, Leslie Odom Jr, and the cast of Hamilton greeting President Barack Obama backstage, July 2015. Photo by Pete Souza.) The post Mr. Javier Muñoz appeared first on Reduced Shakespeare Company.

As the pandemic spreads, officials are imposing new public health policies. On this week's On the Media, why so many of the new rules contradict what science tells us about the virus. Plus, what a fringe early Christian movement can tell us about QAnon. And, a former White House photographer reflects on covering presidents in the pre-Trump era.  1. Roxanne Khamsi [@rkhamsi], science journalist, on how political leaders have failed to consistently explain the science behind their policies. Listen. 2. Jeff Sharlet [@jeffsharlet], professor of English at Dartmouth College and author of This Brilliant Darkness: A Book of Strangers, explains how an ancient heresy serves as a blueprint for right wing conspiracies. Listen. 3. Pete Souza [@petesouza] examines the role of the chief White House photographer. Listen. Music from this week's show: Chopin — Nocturne for piano in B flat minorGotan Project — Vuelvo al SurHans Zimmer/The Da Vinci Code soundtrack — There Has To Be MysteriesMichael W. Smith — Agnus DeiSentimental journey (instrumental) On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.