Podcasts about row jimmy

At the risk of featuring too many sets from this period I decided to bring you this long, wonderful first set from March 22, 1973. While most of these songs don't feature stratospheric jams, they are quite well played in my opinion, and this set does include a truly beautiful 'Bird Song' and a great ending with 'China->Rider- >Playin' In the Band'   There are two sources used, the majority is provided by a Betty Cantor board, probably one that was in a group that suffered water damage and mold - the missing reel was probably thrown away.. The missing segment here, starting with 'China Cat' is from a Dick Latvala cassette.    The fire marshall was apparently giving the band a hard time and threatening to shut the show down, which accounts for some of the warnings about keeping the aisle clear..      Grateful Dead Utica Memorial Auditorium Utica, NY 3/22/1973 - Thursday   One [1:43:22]    The Promised Land [2:58]  Sugaree [7:34]  Mexicali Blues [3:23]  They Love Each Other [5:09]  Looks Like Rain [7:11]  Deal [4:32]  Beat It On Down The Line [3:07]  Bird Song [11:26]  Jack Straw [4:32]  Box Of Rain [4:38]  You Ain't Woman Enough [3:00]  The Race Is On [2:54]  Row Jimmy [7:44]  El Paso [4:15]  China Cat Sunflower [6:02] > Jam [1:48] > I Know You Rider [5:08]  Playing In The Band [15:01]    You can listen to this week's Dead here: http://traffic.libsyn.com/deadshow/deadpod032125.mp3     As always thanks for your kind support.

ReferencesJ Exp Med . 2023 Aug 29;220(11):e20222105Guerra, DJ 2025 Unpublished LecturesHunter/Garcia. 1973"Row Jimmy" on Wake of the Flood lp.https://music.youtube.com/watch?v=B4k9XfHBVEE&si=3b5IDr70o2t4gDig

86 those blues, June 86 that is. This week, our host Knob is heading to Berkeley, California. It's June 22nd, 1986 and the Grateful Dead are playing at the Greek Theatre. Along the way, discussions abound about the best year for Row Jimmy, what separates New Minglewood Blues, and the podcast becomes a true crime podcast about Terrapin Crossroads. Jack Straw It Must Have Been The Roses Cassidy Row Jimmy Minglewood Blues > Big Railroad Blues Mama Tried > Big River Stagger Lee Hell In A Bucket > Might As Well Fire On The Mountain > Samson & Delilah Ship of Fools > Women Are Smarter > Drums > Space > Truckin' > Goin' Down The Road Feelin' Bad > Stella Blue > Turn On Your Love Light U.S. Blues Box Of Rain

Just a quick one with FiG and Knob as we ring in the new year and featuring set 2 of 3/9/92!     One Jack Straw (6:00) ; West L.A. Fadeaway (8:16) ; Me And My Uncle(3:06) > Big River (6:40) ; Row Jimmy (11:09) ; Cassidy (7:03) ; Deal (9:13) Two Victim Or The Crime (7:27) ; Iko Iko (10:49) ; Corrina (11:37) > Dark Star (14:13) > Drums (12:15) > Space (14:28) > I Need A Miracle (6:33) > Morning Dew (12:50) Encore (I Can't Get No) Satisfaction (6:15)

Here's a bit of a Christmas present from the Deadpod - a great second set from December 12, 1973 at the Omni in Atlanta.  This features a fine combination of classic tunes and some unusual combos (see Mississipi Half-Step into Me & Bobby McGee, as well as Wharf Rat> Me & My Uncle>Eyes). All the songs here are first rate - the China >Rider is wonderful as is the GSET.. then we get a complete Weather Report Suite..Eyes of the World into Morning Dew is one for the ages..    Then, after this massive set, I've included the soundcheck for this show, which has some really fun versions and even some Holiday sounds! I hope you enjoy!     Grateful Dead The Omni Atlanta, GA 12/12/1973 Two      Mississippi Half-Step Uptown Toodeloo [7:23] > Me And Bobby McGee [5:06][0:12] China Cat Sunflower [6:48] > Jam [1:29] > I Know You Rider [4:57][2:01] Greatest Story Ever Told [5:10] Row Jimmy [9:05] % Weather Report Suite Prelude [1:21] > Weather Report Suite Part 1 [4:33] > Let It Grow [11:11] % Wharf Rat [9:05] > Me And My Uncle [2:48][0:18] Eyes Of The World [12:27] > Morning Dew [14:41] % Sugar Magnolia Encore      Casey Jones Soundcheck: Sleigh Ride Rip It Up Blue Suede Shoes Peggy-O Jack Straw Cumberland Blues Thirty Days You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122024.mp3  I wish you and yours a very Merry Christmas, Happy Hanukka, and Winter Solstice! thank you for all you kindness and support...   

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

References Biosci Rep. 2022 Jun 30; 42(6): BSR20211854 Nature Reviews Endocrinology 2018. volume 14:452–463 Bone. 2022-11-01, Volume 164, Article 116539 Beethoven LV. 1806. Violin Concerto in D Major OP 61 https://youtu.be/rhdXr9l5gPM?si=0WcFfHzKajylaUBA Hunter-Garcia. 1973 Row Jimmy on [Wake of the Flood;lp] https://youtu.be/B4k9XfHBVEE?si=T3mXTER0Nvh2cccG --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show.  He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys  INTRO:                      Hello Old Friend                                    Track # 1                                    0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert.   The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.”  SHOW No. 1:           Viola Lee Blues                                    Track # 2                                    31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997.  In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst:  March 19, 1966 at Carthay Studios, Los Angeles, CA,Last:  October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA  50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley”   SHOW No. 2:           Cosmic Charlie                                    Track #5                                    3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3:           Wolfman's Brother                                    Track # 6                                    1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music:  Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!!  STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock.  Wait until you get home before diving in.  No great if you are with a group of people who are looking for your active participation in whatever they are doing!  But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats.  Nice for daytime and early evening use.  Just have to be sure that whatever they are calling Blue Dream is really Blue Dream.  It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off.  Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show -  and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy”   SHOW No. 4:           Row Jimmy                                 Track #12                                   2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first.     It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune.  This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field).  And at this point, Phish had only covered one Dead tune in concert:  Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death.  Since that point, it is still the only time Phish has covered a Dead tune in concert.  Why only that one?  Who knows.  Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time.  One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds.   OUTRO:                    Mr. Tambourine Man                                    Track #18                                    0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in.  I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert.  Great way to close out night 1 of this 3 night return to the stage run for Phil.  Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst:  at this show!Most recent:  October 5, 2000 at Orpheum Theatre, Boston, MA, USA  (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with.  Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In honor of the upcoming St. Patrick's Day I decided to bring you a St. Patrick's day Dead concert - this one is from March 17, 1988 at Oakland California.  The first set, which we will hear this week, features a nice opening 'Hell In A Bucket'  into a fine 'Sugaree'. Another highlight is the first 'Memphis Blues' without Bob Dylan. 'Row Jimmy' and a nice 'Let It Grow' finishes the first set. I'll bring you the second set next week..                                                                                                                                                                                                                      Grateful Dead Henry J. Kaiser Convention Center Oakland, CA 3/17/1988 - Thursday      One      Hell In A Bucket [5:57] > Sugaree [9:42]   New Minglewood Blues [1] [7:12]   Ramble On Rose [6:33]   Stuck Inside of Mobile With The Memphis Blues Again [8:23]   Row Jimmy [8:04]   Let It Grow  [10:51]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod031524.mp3   Have a safe and happy St. Patrick's Day!

"Reflecting on the Grateful Dead's Capitol Theatre Shows and Toby Keith smoking with Willie Nelson"Larry Michigan discusses the Grateful Dead's historic show at the Capitol Theatre on February 19, 1971. Larry reminisces about the atmosphere of the venue and the significance of the performance, highlighting the debut of several iconic Dead songs. The discussion delves into the band's evolving musical style, particularly the transition from psychedelic blues to Americana influences. He explores the historical context surrounding the show, including Mickey Hart's departure from the band and the impact of manager Lenny Hart's embezzlement. He also touches upon the significance of the show's release in the "From the Vault" series and discuss other notable releases in the Dead's catalog. Additionally, Larry provides updates on Bob Weir and Wolf Brothers' postponed performances with the National Symphony Orchestra and share news about upcoming music releases.  Grateful DeadFebruary 19, 1971 (53 years ago)Capitol TheatrePort Chester, NYGrateful Dead Live at Capitol Theatre on 1971-02-19 : Free Borrow & Streaming : Internet Archive The second of the legendary six night run at the Capitol Theatre in late February, 1971:Feb. 18, 19, 20, 21, 23, and 24 INTRO:                  Loser                                Track #3                                2:55 – 4:24 Hunter/Garcia tune that was released on “Garcia”, Jerry's first solo album, in January, 1972, the last song on side one of the album.  It was a standard first set tune, part of a rotating number of Jerry first set ballads including Candyman, It Must Have Been The Roses, High Time, Row Jimmy, To Lay Me Down and others. A very sweet melodic tune that tells a great story by way of a beautiful piece of music.  SECOND time playedPlayed a total of 353 timesFirst time:  “Last”night 2.18.71Last:  June 28, 1995, The Palace of Auburn Hills, outside Detroit                               THIS SHOW: Last year we covered the Feb. 18th show famous as the debut for Bertha, Greatest Story, Loser, Wharf Rat and Playin In The Band and the Beautiful Jam out of Wharf Rat and back into Dark Star.  It was also Mickey's last show before his almost three year hiatus before he returned for the final 1974 show before the band's 1975 year off February 19th show is just as historical:  The band's first show without Mickey since he joined the band in 1967.  Many people theorize that this was Mickey's response to his father, Lenny Hart who was the band's manager stealing almost $155,000 of the band's assets before disappearing.  Although he was eventually located by a private detective hired by the band and arrested in San Diego on July 26, 1971, convicted and spent six months in jail, the money was never returned.  The song, “He's Gone” is based on Lenny Hart's embezzlement and disappearance.  Ashamed by his father's actions, Mickey left the band after the 2.18.71 Capitol Theater show returning full time in 1975.  Lenny died of natural causes on Feb. 2, 1975.  According to Dennis McNally, "Mickey went to the funeral home, cleared the room, took out the snakewood sticks that had been his inheritance, played a traditional rudimental drum piece, "The Downfall of Paris" on Lenny's coffin, and split." Starting with this show, the band became a very lean mean fighting machine with just five members (Jerry, Bobby, Phil, Bill and Pig) until Keith jointed the band seven months later in September.  On this night, the band played the five songs debuted the night before and debuted Deal and Birdsong.  Pig also has a strong showing this night leading the band through four standouts:             Hurts Me Too            Smokestack Lightning:  the third to last time it would be played with Pig in the band            Easy Wind:  the second to last time it would be played without Pig in the band            Good Lovin  This really marked the beginning of the band's hard shift away from psychedelic blues (Primal Dead) to the more Americana style music that began with Workingman's and American Beauty.  Within a year, Pig would be very ill with just enough energy left for the Europe '72 tour.  But this night, he was rocking the house like only he could do.  Here is the first of his four featured songs:  SHOW No. 1:      Hurts Me Too                                Track # 5                                2:08 – 3:42 Great showcase number for Pig featuring his singing and harp playing.  We got just a bit of Jerry's lead but all this great music is too long to fit into one clip – don't want Dan getting mad at me! "It Hurts Me Too" is a blues standard that is "one of the most interpreted blues [songs]".[1] First recorded in 1940 by Tampa Red in Chicago, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists.  Release on May 10th with Tired of Your Reckless Ways on the B-side. In 1949, Tampa Red recorded a variation of "It Hurts Me Too", titled "When Things Go Wrong with You".[9] It was recast in the style of a Chicago blues, with electric guitar and a more up to date backing arrangement. The song was a hit and reached number nine on Billboard'sRhythm & Blues Records chart in 1949.[10] (The original "It Hurts Me Too" was released before Billboard or a similar reliable service began tracking such releases, so it is difficult to gauge which version was more popular, although the former's title won out over the latter's.) Although the song retained the refrain "When things go wrong, so wrong with you, it hurts me too", Tampa Red varied the rest of the lyrics somewhat. This would become the pattern for future versions, in which succeeding artists would interpret the song with some of their own lyrics. Noted covers:            Elmore James            Junior Wells            Grateful Dead – with Pig singing the vocals.  Was first released by the Dead on Europe '72 album.  After Pig left the band, the song was retired.             The Dead played the song a total of 59 times            First:    May 19, 1966 at the Avalon Ballroom, San Francisco            Last:     May 24, 1972 at the Lyceum Ballroom in London (last show of Europe '72 tour             “FROM THE VAULT”: This entire show was released by the Dead as “Three From The Vault” in 2007.  The “From The Vault” series, launched by the Band in 1991 with One From The Vault – August 13, 1975 at The Great American Music Hall, with first live performance of the songs from Blues For Allah.  In 1992 the Dead released “Two From The Vault” – August 23 and 24, 1968 at the Shrine Auditorium in Los Angeles.  Then, along came Dick Latvala and his Dead scene changing Dick's Picks series which was wildly popular, so much so that the In The Vault Series was put on hold.  For 15 years.  Until 2007 when they circled back to the original series of live releasees with Three From The Vault which features the same show we are talking about today from the Capitol Theatre.  That was it for In The Vault releases.  The Dead did have several other “Vault” like releases – multi-track recordings including Hundred Year Haul, Dozin' At The Knick, Fallout From the Phil Zone, Terrapin Station, Live At the Fillmore East 2.11.69, Ladies and Gentlemen, the Grateful Dead, Nightfall of Diamonds, Trucking Up To Buffalo and so many more. They just stopped calling them “From The Vault”.  Dick's Picks, of course would go on to have a total of 36 releases, the last few releases coming after Dick's death in 1999.  Which led into the still wildly popular Dave's Picks from David Lemieux who took over for Dick and now has 49 releases and still going strong.  And “short” lived, but generally popular  “Roadtrips” series.  And all of the box sets that are all amazing but too numerous to name except for the Complete Recordings, the four-night run at the Fillmore West from Feb. 27 to March 2, 1969 – four shows with the band at the peak of Primal Dead, and Europe '72 which consists of the live recordings for all of the shows on that tour.  Another milestone for the Dead in terms of their ever expanding reputation for Jam Band, psychedelic, and amazing song catalogue, even at that “early” stage of the band's existence.  SHOW No. 2:      Playin In The Band                                Track # 7                                2:23 – 4:05                                            By:  Weir and Hunter "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan).The instrumental break of "Playing in the Band" was introduced as early as the February 19, 1969 "Celestial Synapse" show at the Fillmore West, in which it appears somewhat indistinct from the preceding and following jams.[5] The completed song was also included on Mickey Hart's 1972 solo album Rolling Thunder within "The Main Ten", making reference to the song's time signature of 10/4.  "The Main Ten" appears on Dick's Picks Volume 16, from their performance at the Fillmore West on November 8, 1969. On that set, it appears in the middle of "Caution (Do Not Stop On Tracks)".During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it" It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire, usually as a second set pre-drums jumping off point for jams to who knows where. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with over 600 performances. If you download this show from Archive.org, and play this track, at the 3:20 mark during the mid-song jam, they get to the point where they would normally dive back in but instead, Bobby plays on for an almost additional 30 seconds and then just dives back in to the song.  He is clearly still working it out.  Over the course of the Europe '72 tour, it was played almost every night as Bobby finally worked it outThis is all really good stuff. SECOND time ever played 661 times (No. 1)                First – “last: night's show, Feb. 18, 1971 Capitol Theatre                Last:       July 5, 1995 at Riverport Amphitheater, Maryland Heights, MO outside of St. Louis.                SHOW No. 3:      Greatest Story Ever Told (The Pump Song)                              Track #13                           Start – 1:41               By Weir, Hart and Robert Hunter (some give credit to Rev. Gary Davis)               Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972),[1] was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah"[2] and "Death Don't Have No Mercy" Released on:AceRolling Thunder, as "The Pump Song"Dead SetDick's Pick's, vol. 6Europe '72 box setLots of other releases              Per Hunter:  "Also known as "Pumpman" and "Moses"--I wrote this to the rhythm of the pump in Mickey Hart's well."                Released on Ace on May 1, 1972              First song on the album with Bobby setting a rocking tone              Another tune that was played almost every night of and refined during the Europe '72 tour                             283 times              First:  “last night” 2.18.71              Last:  June 27, 1995 at the Palace at Auburn Hills outside Detroit               SHOW No. 4:      Bird Song                                Track #15                           :42 – 2:15               By Garcia and Hunter              Second song on Garcia              Robert Hunter originally wrote the song as a tribute for Janis Joplin. Phil Lesh now sings "All I know is something like a bird within him sang", transfering it Jerry Garcia instead A regular for the Dead, and still played by Dead and Co., Bobby and Phil and Friends. Beautiful song, even for the fist time you know it's going to be special. Played 301 tines              First:  This is it!              Last:   June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   OUTRO:                Deal                                Track #17                                Start – 1:33  May 16, 2023 by Chris Huber of Chill One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel. Although it would move around a bit in the set list early on, this debut version is consistent with the ultimate tradition of the song closing out the first set.  Even in JGB sets it was a first set closer.  And would always leave you waiting through the break to see how they were going to kick off the second set and keep the show moving along.  For a first time played, this version stays true to the version we all know and love from a few years later.                            Played 428 times              First:  This is IT              Last:  June 18, 1995, Giants Stadium in East Rutherford, NJ Thank you. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

 This week the Deadpod goes back 51 years to February 15, 1973 when the Grateful Dead played a massive show in Madison Wisconsin. this first set clocks in at about 100 minute... it starts with a song they debuted about a week earlier 'Loose Lucy'. They are still warming up when they then 'Beat It On Down The Line'. Several favorites follow, but things really get rolling with a fine, up tempo 'Row Jimmy'. The highlights of the set follow, with a wonderful 'China Cat >I Know You Rider' and a jamming 'Playing In The Band'. Bobby really steps it up in the last third of this first set..      Grateful Dead Dane County Coliseum Madison, WI 2/15/1973 passes & laminates One - 1:40:00     Loose Lucy [6:34][0:46] Beat It On Down The Line [3:27][0:08]%[0:27] Brown Eyed Women [4:56][0:05]%[0:06] Mexicali Blues [3:27][0:09]%[0:06] Tennessee Jed [7:53][0:07]%[0:12] Looks Like Rain [6:30] Box Of Rain [4:50] Row Jimmy [7:49] Jack Straw [4:45] China Cat Sunflower [5:58] > I Know You Rider [5:35] Me And My Uncle [2:46] Bertha [5:18] Playing In The Band [15:36] Casey Jones [6:41]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod021624.mp3  I hope you enjoy this week's Deadpod.. thanks for listening and your support.. 

Happy birthday, Vince! This week on the Help on the Way pod, our hosts Game, FiG, and Knob are heading to Oakland for a special birthday celebration - the Grateful Dead's February 21st, 1993 show at the Oakland Coliseum Arena. Discussions abound about FiG's brother meeting a fan of the show, Knob's beef with Row Jimmy, and which of the three new songs made the best first impression.

The Deadcast finishes its season by examining Bob Weir's ambitious Weather Report Suite with collaborator Eric Andersen & following the launch of Wake of the Flood on the band's own label with company president Ron Rakow, plus Yo La Tengo's Ira Kaplan, Erik Davis, & more.Guests: Eric Andersen, Ron Rakow, Steve Brown, Ira Kaplan, Gary Lambert, Michael Parrish, David Lemieux, Brian Kehew, Erik Davis, Scott Metzger, Shaugn O'Donnell, Carey ColesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uncovers a most unusual lost studio session by Robert Hunter & the Grateful Dead, recorded at the Record Plant in November 1973, which we listen to in its entirety & annotate with the help of Donna Jean Godchaux-MacKay & others.Guests: Donna Jean Godchaux-MacKay, Bob Matthews, Alan Trist, Nicholas Meriwether, Brian Kehew, Michael Parrish, Mike DolgushkinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Explore “Eyes of the World” inside & out with the studio multi-tracks, lost lyrics, archival audio of Robert Hunter, a meditation by Erik Davis, & a tour of the song's evolution (yes, including that cool 7/8 ending).GUESTS: Ron Rakow, Ned Lagin, David Lemieux, Brian Kehew, Holly Bowling, Erik Davis, Shaugn O'Donnell, Brian Schiff, Jay Kerley, Mike Dolgushkin, Danno Henklein, Lippy, Peter Egart, Davis Schneiderman, Mike Ruggieri, Charlie FrazierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wake Of The Flood 50: Here Comes SunshineWe explore the Beatlesque optimism of “Here Comes Sunshine,” its roots in the Vanport flood of 1948, & the story of the brand-new custom Doug Irwin guitar Jerry Garcia debuted on Wake of the Flood. GUESTS: Donna Jean Godchaux-MacKay, Bruce Hornsby, Steve Parish, David Lemieux, Alex Bleeker, Scott Metzger, Shaugn O'Donnell, Bill Polits See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A personal favorite of both Jerry Garcia & Robert Hunter, we explore how “Stella Blue” grew from New York's fertile Chelsea Hotel into one of the great American songs, plus Bruce Hornsby on how Wake of the Flood made him a Dead fan.GUESTS: Elvis Costello, Bruce Hornsby, David Lemieux, Nick Paumgarten, Scott Metzger, Shaugn O'Donnell, Nick BushSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wake Of The Flood 50: Row JimmyThe Deadcast explores the strange not-quite-reggae of “Row Jimmy,” featuring a long never-heard interview with lyricist Robert Hunter from 1977. GUESTS: Donna Jean Godchaux-MacKay, Robert Hunter, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Keith Godchaux's only song for the Grateful Dead, the unassuming but complex “Let Me Sing Your Blues Away,” the debut single from Wake of the Flood & Grateful Dead Records, co-starring Donna Jean, company president Ron Rakow, & a gaggle of early Dead tapers.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Steve Brown, Howard Wales, Marty Weinberg, Les Kippel, Harvey Lubar, Howie Levine, Jim Cooper, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'Donnell, Marc Masters, Dave MandlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast begins our deep dive into Wake of the Flood, including multi-track breakdowns for Mississippi Half-Step, never-heard outtakes, studio memories from Donna Jean Godchaux-MacKay, & the origins of Grateful Dead Records with co-founder Ron Rakow.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Alan Trist, Steve Brown, David Lemieux, Brian Kehew, Nick Paumgarten, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The thrilling conclusion of our visit to the record-breaking Watkins Glen Summer Jam, featuring John Belushi crashing the backstage, a super jam onstage, a teen-run pirate radio station, & the birth of a new generation of Dead Heads.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Sepp Donahower, Lee Ranaldo, Steve Silberman, Rebecca Adams, Gary Lambert, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Harvey Lubar, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Brian Schiff, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Watkins Glen Summer Jam ‘73, Part 1Musicians, organizers, & fans tell the epic story of how the Watkins Glen Summer Jam started as a giant rock show & turned into history when more than a half-million came to see the Grateful Dead, the Allman Brothers, & The Band.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Susan Wickersham, Janet Furman, Sepp Donahower, Lee Ranaldo, Steve Silberman, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Joe Gauthier, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy Cinco de Mayo! As we roll into the first weekend in May, I wanted to bring out the customary tribute to the Kentucky Derby with a fine 'The Race Is On'. This show does that as well as pays homage to the new, fat,  'Here Comes Sunshine' release from Grateful Dead Productions (Here Comes Sunshine from Dead.net). This show does both, although it takes place in early spring of 1973, rather than in May.  This is a huge show - the first set alone has 17 songs that take over one hour and forty minutes of  prime Dead. There are too many highlights to mention. As most of you know I love the sound of the band during this period. I invite you to pay attention to Bill's work here - it really sparkles!   Of course there is 'The Race Is On', and a nice 'Here Comes Sunshine'. But I enjoy Donna on 'You Ain't Woman Enough', and just when you think that they must need a break after a fine 'China>Rider' they roll into a 15 minute 'Playin' In The Band' to close the set..    Grateful Dead Utica Memorial Auditorium Utica, NY 3/21/1973 - Wednesday One     [1:39:37] Bertha [5:32] Me And My Uncle [2:57] Wave That Flag [5:30] Looks Like Rain [7:35] Tennessee Jed [7:34] Box Of Rain [4:46] You Ain't Woman Enough [2:59] Jack Straw [4:37] Row Jimmy [7:38] Beat It On Down The Line [2:58] Here Comes Sunshine [8:05] The Race Is On [2:44] Loser [6:33] El Paso [4:09] China Cat Sunflower [7:18] > I Know You Rider [4:31] Playing In The Band [15:11] You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod050523.mp3  We'll enjoy set 2 next week...  " "Well hop in the hack turn on the key Pop in the clutch let the wheels roll free Come on honey, let me sing them away Come on honey, let me sing them away Oh, honey, let me sing your blues away"  

This week's Deadpod features another fabulous show from 1973. This week's show comes shortly after the death of Ron 'Pigpen' McKernan on the 8th of February 1973, and is the 2nd night of a three night run at the Nassau Coliseum in Uniondale NY, on March 16, 1973.  Folks this is a massive 14 song first set, and the come out of the gate flying with a high energy 'China>Rider', complete with a great, perhaps the first, 'feelin' groovy' jam in the transition. The new 'Wave That Flag' follows with some nice keyboard work from Keith. A fine version of 'Looks Like Rain' follows, introduced with a nice intro from Phil. There are highlights throughout the rest of this set, including an early version of 'They Love Each Other' but the closing 'Playin' In the Band' is sure to bring some smiles....      Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 3/16/1973 - Friday One China Cat Sunflower [6:09] > Jam [1:51] > I Know You Rider [4:33] Jack Straw [4:32] Wave That Flag [5:35] Looks Like Rain [7:01] Ramble On Rose [6:23] Box Of Rain [4:43] Beat It On Down The Line [3:17] They Love Each Other [5:28] El Paso [4:34] Row Jimmy [7:58] Mexicali Blues [3:23] Bird Song Playing In The Band  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod030323.mp3  Keep on rollin' just a mile to go... 

Joel and Steve teach old dogs (themselves) new tricks!  Joel is swimming with Doc Brown, and Steve is singing Mozart! (Really!) They also reminisce about a concert neither of them attended - today is the 50th Anniversary of the one time the Grateful Dead played Lincoln, NE.   No one's noticed but the band's all packed and gone - were they ever here at all? If you'd like to listen to it - here is a link to the audio: https://archive.org/details/gd73-02-26.sbd.kaplan.1208.sbeok.shnf Settle in, it's long. ;) Special thanks to Tour Bus for their super awesome shirts/stickers etc - and for letting Joel and Steve use one of their graphics for this episode - check them out at: https://shoptourbus.com/ They are good people doing good work! Be sure to Like/Follow/Subscribe and Review Joel and Steve wherever you listen to podcasts! Follow on Instagram @TryingToBeBetterPodcast, email at ttbbpodcast@gmail.com! #TootYourHooter #WaveThatFlag

 I don't believe Friday the 13th is bad luck here on the Deadpod! This week's show is the 2nd and 3rd sets from the band's performance in Paris France on September 21, 1974. I've taken the liberty of removing 'Seastones' which started set 2, simply because I generally find it unlistenable.  Be that as it may the Playin' In the Band which follows and which concludes the second set is one of the highlights of the show. I dig it and hope you do as well.  The third set features some nice versions of favorites such as 'Row Jimmy' and 'Uncle John's Band' but the winner here is a wonderful 'Morning Dew'. Phil just about blows it up here and I really like it.   Grateful Dead Palais des Sports Paris, France 9/21/1974 - Saturday Two     Seastones > [edited out] Playin > Drums > Playin Three     Row Jimmy ; Big River ; Ship Of Fools ; Uncle John's Band ; Around And Around ; Morning Dew ; Sugar Magnolia Encore     Casey Jones  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod051322.mp3 Sure hope you have a very lucky day! 

Welcome to Season 4 of 36 From The Vault! We begin our final season before the vault closes with a peek back into the world of 1973 Dead. Joining them for their midwest/west tour through the frigid US, we hear the band at the peak of their powers. Capable of transitioning from cowboy rock to show-stopping ballads to deeply psychedelic jazzy jamming, it's one of the most complete Dick's Picks released thus far and a fitting kick off to the season. Disc One opens features some great playing in “Loser” and “Jack Straw” before “Playing In The Band” gives us the first taste of experimental Dead of the set. Disc Two is in strong competition for the best of the set with “Dark Star” -> “Eyes Of The World” > “Mississippi Half Step” going deep. Disc Three is another classic set of some of the best Dead songs ever written played by one of the greatest versions of The Dead. However it's in Disc Four where the true magic strikes again. “Row Jimmy,” “Truckin'” -> “The Other One”> “Eyes Of The World>” “Morning Dew” is close to an hour of brilliant and fluid Dead. A great reminder why we all listen to this band so much, and why Rob & Steve dedicate 2hrs to chatting about them every other week. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 29 in anticipation of our next episode, which will drop on Monday, April 25! See acast.com/privacy for privacy and opt-out information.

This week's Deadpod features a wonderful recording of the band's performance in Paris France on September 20, 1974. This is a splendid recording, and a very interesting performance. The band opens with a spirited 'Cumberland Blues' followed by a nice 'Jack Straw'. The first-set 'Scarlet Begonias' features some very nice Phil leads. Bobby's vocals are top-notch on the 'Black Throated Wind' that follows. The 'Friend of the Devil' that is performed afterwards, is one of the last 'fast' versions the band played. We get to hear a full 'Weather Report Suite' highlighted by some nice keyboard work by Keith. Jerry follows with a soulful 'Stella Blue'. The 'Around and Around that closes the set has a unique feel to it..    Grateful Dead Palais des Sports Paris, France 9/20/74 - Friday     One     Cumberland Blues [5:45]   Jack Straw [5:10]   It Must Have Been The Roses [5:26]   Beat It On Down The Line [3:15]   Scarlet Begonias [9:52]   Black Throated Wind [6:22]   Friend Of The Devil [3:58]   El Paso [4:30]   Row Jimmy [8:55]   Weather Report Suite Prelude [1:15] > Weather Report Suite Part 1 [3:50] > Let It Grow [10:35] > Stella Blue [8:15]   Around And Around [4:50]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod091021.mp3  As always, a big thank you for your support of the Deadpod!  I'll be in Clarkston tonight for Dead & Co. - looking forward to it!     

This week the Deadpod stays right in Jersey City, for this wonderful show from August of 1976. This show too, took place at Roosevelt Stadium on August 4, 1976.  We start out with a long, dreamy 'Sugaree' - clocking in at over 14 minutes. Jerry is in good voice at this show, and you will notice that Phil is quite up front in this recording as well. These songs are all played at the slower pace characteristic of 1976, but I find the recording as well as the ensemble work quite pleasing.  Other highlights for me include a lovely 'Row Jimmy' and a sweet 'Looks like Rain', Donna's voice here is quite lovely and compliments Bobby so well. 'Loser' is a personal favorite, always.  A rockin' 'Music Never Stops' is followed by a great version of 'Scarlet Begonias'. This version, not yet coupled with 'Fire on the Mountain', displays some unique twists in this almost 15 minute version.   Grateful Dead Roosevelt Stadium Jersey City, NJ 8/4/76 - Wednesday One     Sugaree [14:12] New Minglewood Blues [6:00] Row Jimmy [11:34] Big River [5:50] Loser [9:44    ] Looks Like Rain [7:30] They Love Each Other [6:59] The Music Never Stopped [6:25] Scarlet Begonias [14:59]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod081321.mp3    Be well, be safe.. and as always my thanks for making the Deadpod possible.. 

I can think of no better way to celebrate the 'Days Between' than with this fabulous second set from Jerry's Birthday show on August 1, 1973 from Jersey City, New Jersey.  All around excellence here. Just when you're settling in they give you a Dark Star for the ages - including probably the first 'mind left body jams'. They come up for air with 'El Paso' then deliver one of the all-time great 'Eyes of the World'. As if that is not enough, Jerry delivers a fabulous, emotional 'Morning Dew'..  Sugar Magnolia follows, and then a wonderful double encore - 'Goin' Down the Road Feelin' Bad' into 'One More Saturday Night'   Happy Birthday Jerry indeed!    Grateful Dead Roosevelt Stadium Jersey City, NJ 8/1/73 - Wednesday Two     [1:29:37] ; Around And Around [5:14] ; Mississippi Half-Step Uptown Toodeloo [8:48] ; Me And My Uncle [3:02] ; Row Jimmy [8:42] ; Dark Star [25:34] > El Paso [4:12] > Eyes Of The World [17:27] > Morning Dew [13:29] ; Sugar Magnolia [9:10] Encore     Goin' Down The Road Feeling Bad [9:20] > One More Saturday Night [4:39]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod080621.mp3   My thanks for listening and making the Deadpod possible.

This week we bring you a fine recording of an often overlooked gem from the Summer of 1973. This comes to us from RFK Stadium in Washington DC on Saturday, June 9, 1973. This date is often overlooked in favor of the next day (which we played back in '08). On both dates, the band shared the bill with the Allman Brothers. On this very hot day, the Dead opened, and played two excellent sets.  The first set, which we'll hear this week, while not featuring any extended jams, nevertheless delivers some fantastic versions of many of their favorites. As with most shows from '73 there are too many treats to mention here, however I would advise you to listen in particular to the 'Loose Lucy'. With a flub on the last verse, Garcia leads the boys on an excellent blues flavored jam, which for me is the highlight  of the set. Phil delivers a wonderful vocal performance on 'Box of Rain' as well.   Grateful Dead RFK Stadium Washington, DC 6/9/73 - Saturday  One      The Promised Land ; Deal ; Looks Like Rain ; They Love Each Other ; Jack Straw ; Loose Lucy ; Mexicali Blues ; Row Jimmy ; El Paso ; Box Of Rain ; Sugaree ; Beat It On Down The Line ; Tennessee Jed  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod061121.mp3  A great example of the wonders of the Wall of Sound!  thank you for your kind support of the Deadpod. itu

This week on the Deadpod we feature a Kentucky Derby Day performance by the band back in 1991. This was at Cal Expo, in Sacramento California on May 4, 1991.  The band starts out hard and tight with a roaring 'Hell In a Bucket'. They are without Hornsby here, and in some ways sound tighter and more together (although I'm well aware that opinions differ on how Vince sounds here). The 'Sugaree' that follows is very good, with Garcia really ramping it up in the solo.  I think that the version of 'The Race Is On' here is a real winner. 'Row Jimmy' is always fun to hear and they also feature 'New Speedway Boogie' which they broke out during the Spring tour that year.   Grateful Dead Cal Expo Amphitheater Sacramento, CA  5/4/91 - Saturday One     Hell In A Bucket ; Sugaree ; New Minglewood Blues ; Loser ; The Race Is On ; Row Jimmy ; When I Paint My Masterpiece ; New Speedway Boogie ; The Music Never Stopped  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod043021.mp3  Hoping you have a fine Derby weekend, and a fine May to follow!  thanks for your support  

This week we are fortunate enough to hear the second set of the band's fine performance from March 20, 1977 at the Winterland in San Francisco. A Sunday show, this set starts out appropriately enough with a great 'Samson and Delilah'. A beautiful 'Row Jimmy' follows with very soulful Garcia vocals. The heart of this set comes with the St. Stephen>Other One> Stella Blue combo. Following the excellent St. Stephen, Phil drops into 'The Other One' on a dime. This one contains some great jamming, and in particular the ending where Garcia develops a unique and beautiful transition to the wonderful 'Stella Blue'. They rock it out after that but close with a nice double encore, including the fifth time they play 'Terrapin'..   Grateful Dead Winterland Arena San Francisco, CA 3/20/77 - Sunday Two Samson And Delilah [8:17] ; Row Jimmy [10:00] ; The Promised Land [4:05] ; Saint Stephen [9:49] > The Other One [14:48] > Stella Blue [8:57] ; Around And Around [7:58] Encore U.S. Blues [5:57] ; Terrapin Station [10:47] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod040221.mp3 My thanks for your kind support.  

  The Dead opened up 1974 with this week's show from Winterland on February 22, 1974. They picked up where they left off in 1973 with a long smoker of a show - we'll hear set 1 this week and set 2 next week. Notable moments include a 22 beat start to 'Beat It On Down The Line', some great Keith throughout, a lovely 'It Must Have Been The Roses', the elusive 'Loose Lucy' and to top everything off, a very long and spacy 'Playin' In the Band' which closes the set and is punctuated with Garcia teasing the 'Slipknot!' jam in several spots.      Grateful Dead Winterland Arena San Francisco, CA 2/22/74 - Friday     One   U.S. Blues [5:27] ; Beat It On Down The Line [3:22] ; Brown Eyed Women [4:52] ; Mexicali Blues [3:36] ; It Must Have Been The Roses [4:43] ; Black Throated Wind [6:53] ; They Love Each Other [5:39] ; Big River [5:08] ; Loose Lucy [6:35] ; El Paso [4:33] ; Row Jimmy [8:30] ; Playing In The Band [20:55] You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod022621.mp3    thanks for your kind support

Hello Friends! This week we begin listening to the last show of a famous 6 night run at the Orpheum Theater in San Francisco CA, back on July 18, 1976. This was an exceptional run of shows, and this last night was perhaps the topper. It features an exceptional second set, which we'll have the pleasure of hearing next week, but this first set is quite well played as well. The show was originally broadcast on KSAN FM, but this tape's lineage is supposed to be from the soundboard, and I don't detect the usual FM flattening. Nicely stretched out versions of Mississippi Half-Step, Row Jimmy and Scarlet Begonias contain some excellent Garcia work. The set features the return of 'Loser' for the first time in almost 2 years, and closes with a wonderful 'Music Never Stopped'..      Grateful Dead Orpheum Theatre San Francisco, CA  7/18/76 - Sunday     One     Mississippi Half-Step Uptown Toodeloo [9:49] % Cassidy [4:16] % Row Jimmy [9:42] % Mama Tried [2:40] % Scarlet Begonias [11:18] % Looks Like Rain [7:09] % Tennessee Jed [9:19] % New Minglewood Blues [4:54] % Loser [7:58] % The Music Never Stopped [6:50]     You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod071720.mp3     My thanks for your kind support!      "It was later than I thought when I first believed you But now I cannot share your laughter, ship of fools"  

Featured Songs: 1. 00:38 - Row Jimmy - 06-01-19 - Shoreline Amphitheatre - Mountain View, CA 2. 09:06 - Comes A Time - 06-08-19 - The Gorge - George, WA 3. 18:59 - Althea - 06-23-19 - Citi Field - New York, NY 4. 31:18 - Alabama Getaway - 06-29-19 - Cellairis Amphitheatre - Atlanta, GA 5. 35:56 - Morning Dew - 07-05-19 - Folsom Field - Boulder, CO See omnystudio.com/listener for privacy information.

Boy is this one going to eat up my quota! There is almost 2 1/2 hours of smokin' Grateful Dead music in this week's Deadpod, from the second set on 2/23/74 at the Winterland in San Francisco CA. I'm bound to overlook something that you will enjoy in this set, nevertheless I'd call you attention to the wonderful opening set (Row Jimmy through Stella Blue).. as well as the HUGE segment from He's Gone through Eyes of the World.. that 'Other One' is fantastic, including a 'Slipknot' sounding segment.. this recording is excellent for listening to the individual contributions, especially Phil the bombardier here!   I would have loved to have been there... can't imagine how everyone felt going out of there after this night of music!       Grateful Dead Winterland Arena San Francisco, CA 2/23/74 - Saturday Two     Row Jimmy [8:34] ; Weather Report Suite Prelude [1:16]> Weather Report Suite Part 1 [4:15]> Let It Grow [12:21]> Stella Blue [8:13] ; Big River [4:36] ; Ramble On Rose [6:45] ; Me And My Uncle [2:41] ; He's Gone [13:45]> Truckin' [7:55]> Drums [3:24]> The Other One [20:41] (1)> Eyes Of The World> One More Saturday Night ; Casey Jones Encore     Johnny B. Goode ; And We Bid You Good Night Comments     (1) Includes a Slipknot!   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod022120.mp3   Thank you for your kind support th

The band had its great periods of time, to be sure... and Fall 1973 was certainly one of them.   This stellar show is contained on a fantastic recording, always a good combo if you ask me!   Halftime brings us some Little Feat and you know that's always a good thing.   Enjoy this podcast, it sure was fun making it! GRATEFUL DEAD  November 17, 1973  Pauley Pavilion  Los Angeles, CA   SET 1:   Me & My Uncle, Here Comes Sunshine, Looks Like Rain, Deal, Mexicali Blues, Tennessee Jed, Race Is On, China Cat Sunflower > I Know You Rider, Big River, Brown Eyed Women, Around & Around   HALFTIME:   Little Feat  10/14/78   SET 2:  Row Jimmy, Jack Straw, Ramble On Rose, Playin in the Band > Uncle Johns Band > Morning Dew > Uncle Johns Band > Playin in the Band, Stella Blue, El Paso, Eyes of the World > Sugar Magnolia  ENCORE:  Casey Jones SOURCE:  Soundboard / Master Reel

This month brings us to the South for some Spring 1978 Tour action.  Drums & Space was new to the normal routine, and they clearly are having a lot of fun improvising so much in the middle of the set.   Our halftime show gives us one of So Cal's GD Cover Bands, "Lightning Dan & The Crawdads"... a fun podcast here for you, enjoy! GRATEFUL DEAD   April 10, 1978   Fox Theatre  Atlanta, GA   SET 1:  Promised Land, Brown Eyed Women, Its All Over Now, Peggy O, Cassidy, Dire Wolf, El Paso, Row Jimmy, Passenger, Candyman, Music Never Stopped   HALF TIME:   Lightning Dan & The Crawdads - He's Gone > Eyes of the World   SET 2:  Jack Straw, Ship of Fools, Dancin' in the Streets > Drums / Space > Franklin's Tower > Black Peter > Around & Around  ENCORE:  US Blues SOURCE:  Soundboard / Analog Master

This months podcast takes us back to the Spring of 1973... this era of the band shows them jamming with a very jazzy approach, and its a lot of fun.   At halftime, Bob delivers some great Clapton.  We sure hope you are enjoying the summer! GRATEFUL DEAD   March 19, 1973   Nassau Coliseum   Uniondale, NY   SET 1:   Promised Land, He's Gone, Mexicali Blues, They Love Each Other, Looks Like Rain, Wave That Flag, Box of Rain, Race Is On, Row Jimmy, El Paso, China Cat Sunflower > I Know You Rider, Around and Around, Tennessee Jed, Playin' in The Band   HALF TIME:   Eric Clapton  (Uraguay  10/3/90)   SET 2:   Loose Lucy, Me & My Uncle, Brown Eyed Women, Big River, Mississippi Half Step > Stella Blue, Jack Straw, Truckin > Drums > Other One > Eyes of the World > China Doll, Johnny B Goode   ENCORE:   Casey Jones SOURCE:   Soundboard / Analog Master

Here we are in the first weekend of May - and of course that means Saturday is Derby Day! In honor of the Run for the Roses I had to bring you a set with 'The Race Is On' - and boy what a set this is.. it comes from the boys' performance on November 23rd, 1973 in El Paso Texas! There are plenty of highlights here, including a dynamite 'Jack Straw', the 'mind left body jam' between 'China Cat' and 'I Know You Rider'  and the complete 'Weather Report Suite'. This is one of those shows you're going to want to play LOUD..       Grateful Dead County Coliseum El Paso, TX 11/23/73 - Friday   One   Bertha ; Mexicali Blues ; Deal ; Looks Like Rain ; Don't Ease Me In ; The Race Is On ; Loser ; Jack Straw ; China Cat Sunflower > I Know You Rider ; El Paso ; Tennessee Jed ; Big River ; Row Jimmy ; Weather Report Suite Prelude > Weather Report Suite Part 1 > Let It Grow   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod050319.mp3   A big Thank You to the kind folks who support the Deadpod!