Podcast appearances and mentions of Keith Forsey

40 years ago, after building a stellar reputation as one of rock's most unique and critically acclaimed bands, Simple Minds reached a new level, becoming one of the globe's biggest bands. It started with a number 1 hit featured in one of the year's most popular films, The Breakfast Club; then an appearance at Live Aid, followed by the most successful album of their career, Once Upon a Time. Randy Renaud takes you back to 1985 -- a golden year for Simple Minds -- on the Chronicles of Rock.

Ep. 121 Billy Idol - Rebel Yell Review & Reaction! Released in 1983, Rebel Yell solidified Billy Idol as a dominant force in 1980s rock, blending punk attitude with new wave and hard rock elements. The album, produced by Keith Forsey, was a commercial success and a defining work of the era, showcasing Idol's signature sneer, Steve Stevens' virtuosic guitar work, and a mix of high-energy anthems and moody ballads. Rebel Yell remains one of the defining albums of the 80s, blending punk, rock, and new wave with unforgettable hooks and dynamic production. With its mix of anthems, ballads, and edgy rockers, the album not only propelled Billy Idol to superstardom but also influenced generations of rock artists. Whether you're a longtime fan or a newcomer, Rebel Yell is an essential listen for anyone exploring 80s rock.

Dana and Tom discuss the 80s classic, The Breakfast Club (1985) for its 40th Anniversary: written and directed by John Hughes, music by Keith Forsey, starring Emilio Estevez, Judd Nelson, Paul Gleason, Molly Ringwald, Anthony Michael Hall, and Ally Sheedy.Plot Summary: Five high school students from different cliques—brainy Brian, rebellious John, popular Claire, athletic Andrew, and outcast Allison—are forced to spend a Saturday in detention together. Initially clashing due to their differences, they gradually open up, revealing their personal struggles and realizing they have more in common than they thought.Through laughter, tension, and heartfelt confessions, they form an unlikely bond that challenges the stereotypes that define them. By the end of the day, they leave detention changed, uncertain if their newfound understanding will survive Monday morning, but forever marked by their shared experience.Chapters:00:00 Introduction and Welcome00:51 Cast and Background for The Breakfast Club02:32 Relationship(s) with The Breakfast Club10:46 What is The Breakfast Club About?13:04 Assessment of the Current YA Environment in Film14:58 Plot Summary for The Breakfast Club15:49 Did You Know?17:42 First Break18:56 Best Performance(s)25:46 Best/Favorite/Indelible Scene(s)31:06 Second Break32:05 In Memoriam32:38 Best/Funniest Lines36:18 The Stanley Rubric - Legacy40:21 The Stanley Rubric - Impact/Significance43:34 The Stanley Rubric - Novelty47:45 The Stanley Rubric - Classicness54:11 The Stanley Rubric - Rewatchability55:38 The Stanley Rubric - Audience Score and Final Total56:41 Remaining Questions for The Breakfast Club59:28 Remaining Thoughts for the Week01:04:03 CreditsYou can also now find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-breakfast-club-1985For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:The Breakfast Club, John Hughes, 1980s film, teen movies, nostalgia, character analysis, cultural impact, movie review, film legacy, identity, Emilio Estevez, Judd Nelson, Molly Ringwald, Paul Gleason, Ally Sheedy, Anthony Michael HallRonny Duncan Studios

Twitter: @podgaverockInsta: @podgaverock1The Weeknd 2019  “Blinding Lights”  from "After Hours" released on XO/Republic. Written by Able Tesfaye, Ahmad Balshi, Jason Queeneville, Max Martin, Oscar Holter. Produiced by Max Martin, Oscar Holter, and The Weeknd.Cover:Performed by Josh Bond and Neal Marsh2Tears for Fears 1984 “Shout” from the album "Songs From the Big Chair" released on Phonogram/Mercury. Written by Roland Orzabal and Ian Stanley and produced by Chris Hughes.Cover:Performed by Scot Lang, Neal Marsh, and Josh Bond3Billy Idol “White Wedding” from the 1982 album "Billy Idol" released on Chrysalis. Written by Billy Idol  and produced by Keith Forsey.Cover:Performed by Josh Bond and Neal Marsh4Sharon Van Etten "Seventeen" 2019 from "Remind Me Tomorrow" released on Jagjaguwar written by Sharon Van Etten/Kate David and produced by John CongletonCover:Performed by Josh Bond and Neal Marsh5Neil Diamond's 1967 “Girl, You'll Be a Woman Soon” from the album "Just for You" released on Bang. Written by Neil Diamond and produced by Jeff Barry and Ellie Greenwich.Cover:Performed by Josh Bond and Neal Marsh

Join us in this episode as we unravel the captivating story behind the iconic track "Don't You (Forget about Me)" by Scottish pop-rock legends, Simple Minds, released in 1984.The narrative kicks off with the renowned Oscar-winning composer Keith Forsey, famed for his work on the musical soundtrack of the hit film Flash Dance. Amid his prolific engagement with film music in the early 80s, Forsey's song catches the attention for the movie The Breakfast Club.Against a backdrop of rejections from the likes of Bryan Ferry and Billy Idol, who were unable to commit due to time constraints, Forsey persistently pursues Jim Kerr, the lead singer of Simple Minds, a Scottish band on the brink of international success.However, Kerr's stance remains unwavering as he strictly adheres to singing only his own compositions, citing time constraints due to Simple Minds' ongoing studio commitments for their upcoming album.Despite initial reluctance, fate had other plans. The film's resounding success at the box office propelled "Don't You (Forget about Me)" to sell over six million copies, propelling Simple Minds into the forefront of the music industry. This American anthem with its unfinished lyrics transcended time, becoming a beloved hit cherished by generations worldwide.Tune in to discover the remarkable journey of this unforgettable song and the unexpected twists that shaped its legacy.

Un doll de fantasia interminable. Crítica teatral de l'obra «La historia interminable». Llibret de Félix Amador, a partir de l'obra homònima de Michael Ende. Composició musical d'Iván Macías. Intèrprets: Joseán Moreno, Elena González, Àlex Forriols, Noemí Gallego, Odo Cabot, Natalia Zarco, Pablo Badillo, Laura G. Balle, Ferran Enfedaque, Ernesto Piqueiras, Ruth Ge, Irene Barrios, Alberto Misud, Iván Amigo, Mariana Comes, Sergi Espina, Marta Castro, Míriam López, Ernesto Santos, Arturo Vázquez, Sol Carner, Cristina Salvador, Blanca Casellas, Noa Cánovas, Joan Pascual Crosas, Ángel Martínez i Jan Gómez. Equip creatiu: Dario Regattieri (productor executiu), Iván Macías (productor artístic), Federico Barrios Fierro (coreògraf), María José Santos (directora vocal), Jesús Torres (director d'actors), Ricardo S. Cuerda (escenògraf), Felipe Ramos (disseny d'il·luminació), Alejandro Martín (disseny de so), Pablo Santos (director tècnic), Antoni Belart (disseny de vestuari), Aarón Domínguez (disseny caracterització i perruqueria), Fito Dellidarda i Alejandra Varela (disseny animatònica), Jesús Díaz (disseny il·luminació), Alfred Cobami (dissenyador efectes màgia). Direcció musical: Laurence Aliganga. Direcció escènica: Federico Barrios Fierro. Producció de Beon Entertainment. Teatre Apolo, Barcelona, 22 novembre 2023 a 7 abril 2024. Veu: Andreu Sotorra. Música: Never Ending Story. Interpretació: Limahl. Composició: Giorgio Moroder i Keith Forsey. Àlbum: The Never Ending Story, 1984.

Hello everyone, welcome! I'm Billy Amendola and my guest today live in the studio at Drum Channel East is Billy Idol's Erik Eldenius.  Erik stopped by on his day off of touring with Idol to chat about his career, working with Billy for the past twelve years, (on a recommendation from producer/songwriter/drummer Keith Forsey), his first taste of success as a band member of Adam Cohen's band Low Millions and more.  Besides Idol and Low Millions, Erik has played and or recorded with Cher, Donna Summer, Venice, LeAnn Rimes, Five For Fighting, Anastacia, Vanessa Carlton, and Mandy Moore, to name a few. Let's welcome Erik to DC East. 

Don't mess with the bull, you'll get the horns. And if you mess with Paolo and Sophie, you'll get a lesson in Simple Minds' greatest hits, the genius of Keith Forsey, and John Hughes' impressive CD collection.Join us as we discuss the teen anthem (Don't You) Forget About Me from the 80's cult classic The Breakfast Club.Guest: Bill Fudurko from the podcast Deep Cuts: Lost & FoundSupport us on Patreon! www.patreon.com/thesongwillgoonNeed more The Song Will Go On in your life? Follow us @thesongwillgoon on Twitter, Instagram, and TikTok, and check out www.thesongwillgoon.com.

This album is an amazing collaboration between Billy Idol, Guitarist Steve Stevens and Famed producer Keith Forsey. Born William Michael Albert Board, Billy Idol began his music career as the front Man for the punk band Generation X, formed shortly after he dropped out of Sussex University in 1976. Rebel Yell's a hard rockin album with its roots in Punk and a huge american rock influence. Given that he spent a good portion of his childhood living in the states, it's obvious American Rock cuts through the punk and delivers incredible hits, with the non hits not too far behind. For the fans of our sound clips, the Jerky boys are all over this episode. Enjoy!!Support the show

This album is an amazing collaboration between Billy Idol, Guitarist Steve Stevens and Famed producer Keith Forsey. Born William Michael Albert Board, Billy Idol began his music career as the front Man for the punk band Generation X, formed shortly after he dropped out of Sussex University in 1976. Rebel Yell's a hard rockin album with its roots in Punk and a huge american rock influence. Given that he spent a good portion of his childhood living in the states, it's obvious American Rock cuts through the punk and delivers incredible hits, with the non hits not too far behind. For the fans of our sound clips, the Jerky boys are all over this episode. Enjoy!!Support the show

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. We step into 1984 with a true children's classic that was bound to scar so many young minds. Because this week's movie is a meditation on grief, loss, and how we intertwine with stories to help heal, and it's also full of really cool practical special effects. But while our director may have made the greatest submarine movie of all time, his ability to sort through the nuances of a really beautiful story was kind of a mess. For a 90 minute movie, this drags, and it's not only because the story is lost in translation. Yet the real travesty is missing the second half of the story, which pulls everything full circle in a truly beautiful, wonderful way. Grab a hold of Falcor and get ready to ride as we talk about The NeverEnding Story this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “The Never Ending Story” from the soundtrack to the movie The NeverEnding Story, written by Giorgio Moroder and Keith Forsey. Copyright 1984 Neue Constantin Film Productions GmbH; EMI Records, Ltd. Excerpt taken from “Fletch Theme” from the soundtrack to the movie Fletch, written and composed by Harold Faltermeyer. Copyright 1985 Universal City Studios, Inc.; MCA Records, Inc.

In the fifth episode of season nine, or the 53rd episode overall, and the SEASON FINALE until 2024, Kevin welcomes comedian and co-host of The Bechdel Cast, Caitlin Durante, and the two discuss Caitlin's love of film, and a handful of songs that were used impactfully on the big screen. Take a listen to Caitlin's "Cool Songs From Cool Soundtracks From Cool Movies" playlist here; listen to her podcast The Bechdel Cast, which is updated every Thursday, and follow her on Instagram or Twitter. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter.  Musical Credits: Intro Music- "Hip 2 Da Game" (Instrumental) performed by Lord Finesse. The Awakening: 25th Anniversary Edition, Tommy Boy, 2021. Closing Music- "Buck 'Em Down," performed by Black Moon. Black Moon: Instrumentals, Fat Beats, 2017.  "The Power of Love," written by Hugh Anthony Cregg III, Chris Hayes, and Johnny Colla; performed by Huey Lewis and The News. Back To The Future: Music From The Motion Picture, MCA, 1985. "My Heart Will Go On," written by Will Jennings and James Horner; performed by Celine Dion. Titanic: Music From The Motion Picture, Sony, 1997. "I'm A Believer," written by Neil Diamond; performed by Smash Mouth. Shrek: Music From The Original Motion Picture, Interscope, 2001. "Hot Stuff," written by Pete Bellotte, Harold Faltermeyer, and Keith Forsey; performed by Donna Summer. Bad Girls, Casablanca, 1979 "Pretend to Be Nice," written by Adam Schlesinger; performed by Kay Hanley. Music From The Motion Picture Josie and The Pussycats, Epic/Playtone, 2001. "Sunflower," written by Austin Post, Khalif Brown, Carter Lang, Carl Rosen, Billy Walsh, and Louis Bell; performed by Post Malone and Swae Lee. Spider-Man: Into the Spider-Verse (Soundtrack from & Inspired by the Motion Picture), Republic, 2018. "Naatu Naatu," written by M. M. Keeravani and Kanukuntla Subhash Chandrabose; performed by Rahul Sipligunj and Kaala Bhairava. RRR, Lahari Music, 2022.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. The 80's Grab Bag continues with a truly promising premise with some very flawed execution. While this movie had the chance to be Ferris Bueller's Day Off but with a ultra-dark twist, it winds up being a bit of a tepid rehashing of bad teen ideas. And it's mostly to do with the awkward, overly “erotic” and ultimately unnecessary sex. It's a shame our writer and director didn't really know what he was doing because he's got a cast of true up-and-coming stars and one hell of a synth-rock soundtrack. Ultimately, it all ends up falling a little flat. Put on some tighty-whiteys and crank up the Bob Seger as we talk about Risky Business this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Love on a Real Train (Risky Business)” from the soundtrack to the movie Risky Business, written and composed by Tangerine Dream. Copyright 1983 The David Geffen Company. Excerpt taken from the movie Risky Business, copyright 1983 The Geffen Film Company; Warner Bros. Entertainment Inc. All rights reserved. Excerpt taken from “The Never Ending Story” from the soundtrack to the movie The NeverEnding Story, written by Giorgio Moroder and Keith Forsey. Copyright 1984 Neue Constantin Film Productions GmbH; EMI Records, Ltd.

Celebrating the 'Father of Disco' on his birthday, what a feeling!- Credits : “Never Ending Story” by Giorgio Moroder and Keith Forsey (1984)

Irene Cara, Giorgio Moroder, Keith Forsey, and me.

More, more, more: Alex & Eckart finden, dass Billy Idol mit seiner Frisur, seinen Moves und der Musik einfach 'over the top' war.

Sempre grandi film alla Radio. Ogni lunedì, su radioincontri.org la lettura e l'ascolto di un film che ha fatto la storia del cinema. Dal premio Oscar Miglior canzone (Flashdance... What a Feeling) a Giorgio Moroder, Keith Forsey e Irene Cara Radio Incontri Inblu Cortona.La pellicola è stata distribuita nelle sale cinematografiche statunitensi nell'aprile del 1983. In Italia è stata presentata in anteprima, il 1º settembre dello stesso anno, alla 40ª Mostra internazionale d'arte cinematografica di Venezia nella sezione "Venezia Notte". La protagonista Jennifer Beals (chiamata Alex- diminutivo di Alexandra) aveva ben quattro controfigure che la sostituivano durante le scene di ballo; una di queste controfigure (nella breve scena di breakdance del balletto d'audizione) era in realtà un uomo, il ballerino di origine portoricana Richard Colòn, più noto col nome d'arte Crazy Legs. La notizia è stata confermata da Michael Sembello durante una puntata di Matricole & Meteore. Il ballerino Richard ‘Crazy Legs‘ Colon impersona Alex nelle sequenze di break-dance. Egli era disposto a indossare una parrucca e a radersi le gambe per interpretare il ruolo durante l'audizione, ma si è rifiutato di radersi i baffi. Se azzecchi il fermo-immagine, puoi vedere chiaramente Alex con i baffi! Oggi li toglierebbero con la Computer Graphics… 

Yuppidi! Heute ist meine erste Solo-Episode nach über 2 Monaten am Start. (Can you believe it?!) Darin geht es um folgende Themen: – Wie es mir gerade geht + eine kleine Anekdote aus meinem Leben – Zwei starke Wesenszüge von mir und warum einer von beiden in den letzten paar Jahren zu kurz gekommen ist – Wie traumatische Erfahrungen unseren Blick auf die Welt und unsere eigenen Möglichkeiten beeinflussen können – Wie Du (und jede:r von uns) die Welt wahrhaftig verändern kannst – Hochsensibilität, Medienkonsum und gesunde Grenzen – Und wie immer: Noch viiieles mehr! Ich wünsche Dir gute Unterhaltung und viel Inspiration mit dieser neuen Folge. Hier sind die Links zu dieser Episode: >> Soulful Business Bundle – jetzt verfügbar – https://suzannefrankenfeld.de/angebot/ >> Erwähnte Folge "Lichtbringer:innen und ihr Trauma" auf Spotify (ist auch bei Apple Podcasts verfügbar) – https://open.spotify.com/episode/5idar4OwmtMt71xkUgic4m?si=384460d9647a460e >> Kostenfreie, zweiteilige Soul Business Masterclass – https://suzannefrankenfeld.de/masterclass/ >> Kostenfreie E-Mail-Serie "Weiblich, kraftvoll, einfach Du" – https://suzannefrankenfeld.de/weiblich-kraftvoll-du/ >> Triff mich auch auf Instagram – https://www.instagram.com/suzannefrankenfeld/ Coverfoto: Grit Siwonia Song in dieser Episode: 1) "Don't you" Text/Komposition von Keith Forsey und Steve W. Schiff, interpretiert von den "Simple Minds", Originalverlag: USI A Music Publishing, lizensiert über GEMA Podcastlizenz

Episode 70 The Sonic Origins of Electronic Dance Music Trying to understand the evolution and history of electronic dance music (EDM) is a daunting task. We'll explore some of the sonic roots to see how we got to EDM—a beat-driven music powered by electronics and often focused on creating a trancelike musical state. Playlist Jesse Saunders, “On And On” from On and On (1984 Jes Say Records). Possibly the first DJ-created album created as a commercial public release. Produced, Performed, Arranged By Jesse Saunders; written by Jesse Saunders, Vince Lawrence. 8:02 Armin Van Buuren, “Sail” from Sail (2006 Armind). This 12” original mix was written by and produced by Armin van Buuren. 7:29 Amelie Lens, “Linger On” from Let it Go (2016 Second State). EDM performer and producer from Antwerp, Belgium. 7:41 Timmy Thomas, “Why Can't We Live Together,” from Why Can't We Live Together (1972 Glades). Timmy Thomas, Hammond organ and drum machine. Note the rapid-fire drum sequences sprinkled in here and there, a premonition around the future sound of drum machines. 4:38 Kraftwerk, “Uranium” from Radioactivity (1975 Kling-Klang). Not so much a danceable turn, but the choir sample was later repurposed by New Order in Blue Monday, so a worthy acknowledgement to Kraftwerk. 1:26 Kraftwerk, “Transistor” from Radioactivity (1975 Kling-Klang). Electronic percussion, Karl Bartos, Wolfgang Flür; Voice, Electronics, Florian Schneider, Ralf Hütter. 3:43 Kraftwerk, “Europe Endless” from Trans Europe Express (1977 Kling-Klang). Electronic Drums, Karl Bartos, Wolfgang Flur; Electronics, Voice, Florian Schneider, Ralf Hutter. 9:38 Biddu Orchestra, “Bionic Boogie” from Bionic Boogie (1976 Epic). A 45 RPM single from the disco era, featuring some electronics in the form of synthesizers. Biddu was an Indian-British music producer, composer, songwriter and singer. This was a departure for the Biddu Orchestra, which was normally engaged in full disco orchestrations, not the sonic textures of synthesizers, which are heard here, if somewhat overlayed by the other instruments. 2:59 Donna Summer, “I Feel Love” from I Remember Yesterday (1977 Casablanca). Written and sung by Donna Summer; produced by and Moog Synthesizer, Giorgio Moroder; Moog Synthesizer, Robby Wedel; Moog Bass, Thor Baldursson; Drums, Percussion, Keith Forsey; Bass, Les Hurdle.5:52 Space, “Save Your Love For Me” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli, acclaimed for their 1977 UK disco hit "Magic Fly." 5:45 Space, “Final Signal” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli. 4:21 Yellow Magic Orchestra, “Computer Game (Theme From The Invader)” from Yellow Magic Orchestra (1978 Horizon). Japanese techno band, parallel to later Kraftwerk. Drums, Percussion, Other Electronics, Vocals – Yukihiro Takahashi; Keyboards, Other [Electronics], Percussion, orchestrated by Ryuichi Sakamoto; Produced by Harry Hosono; Micro Composer programmer, Hideki Matsutake. 4:28 Mandré, “M3000 (Opus VI)” from M3000 (1979 Motown). Produced and Arranged By Andre Lewis. Lewis was a keyboardist who went on to collaborate with many artists, not the least of which for Frank Zappa for whom he played keyboards for The Mothers of Invention after the departure of George Duke. 5:43 New Order, “Blue Monday” from Blue Monday/The Beach (1983, Factory). This was a 12-inch 45 RPM single of the song which became a top seller. New Order was firmly entrenched in the synth-pop dance/crossover genre at that time and this song with its funky samples, mechanical progression and even references to Kraftwerk (the vocal choir heard is indeed a sample from Kraftwerk's “Uranium” released in 1975 effectively put a few more bricks in the bridge to electronic dance music. 7:27 Michel Huygen, “Take Now Music (Extended Instrumental Version)” from Capturing Holograms (1984 jive Electro). Recorded early 1984 in Barcelona (Spain). Composed, performed, produced, and programmed by Belgian born synthesist Michel Huygen, a member of the Spanish group Neuronium in 1976. 5:34 Kraftwerk, “Der Telefon Anruf (German Version)” from The Telephone Call (1987 EMI). Listen to this track and you will hear similarities in later work by New Order, particularly the comping synth chords and pattern. 3:47 New Order, “World (The Price Of Love) (Radio Edit)” from World. (The Price Of Love) (1993 London Records). CD single of the track also found on the album Republic (1993 London Records). This sounds as if New Order is still thanking Kraftwerk for their inspiration. 3:39 Opening background music: New Order, “Confusion (Instrumental)” (1983 Streetwise). Mixed by Arthur Baker and John "Jellybean" Benitez. New Order's sixth single and their first collaboration with Arthur Baker. Released August 22, 1983.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Paul BoveBilly Idol “White Wedding” from the 1982 album "Billy Idol" released on Chrysalis. Written by Billy Idol  and produced by Keith Forsey.Personel:Oasis:Billy Idol – vocals, guitar, arrangementsSteve Stevens -  guitars, keyboards, synthesizer, arrangementsPhil Feit – bassKeith Forsey - drumsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:VH1 UnpluggedThe WeekndThe Steve Miller Band “The Joker”Stevie Ray Vaughn 

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Paul BoveBilly Idol “White Wedding” from the 1982 album "Billy Idol" released on Chrysalis. Written by Billy Idol  and produced by Keith Forsey.Personel:Billy Idol – vocals, guitar, arrangementsSteve Stevens -  guitars, keyboards, synthesizer, arrangementsPhil Feit – bassKeith Forsey - drumsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Los Del Rio “Macarena”Manhattan ConnectionFather John MistyMy Morning JacketDean MartinFrank SinatraSammy Davis, Jr.The NelsonsAlice CooperEngelbert HumberdinkIggy PopAxl RoseSlashThe EdgePrinceBon JoviMichael Jackson “Gotta Be Talking Something”Louis Armstrong “What A Wonderful World”The Isley Brothers “Shout”Tears for Fears “Shout”Wilson  Pickett “Mustang Sally”Old Crow Medicine Show “Wagon Wheel”Billy Idol “Rebel Yell”Billy Idol “Dancing With Myself”Billy Idol “Eyes Without A Face”BlondieThe RamonesTalking HeadsB-52sMadonnaJoe StrummerGeneration XSpectrumLipstiqueGiorgio MorodorDonna Summer“Flashdance…What a Feeling”The Breakfast ClubSimple Minds “Don't You (Forget About Me)”Eddie Van HalenTop GunMichael Jackson “Bad”The Sex PistolsSiouxsie and the BanditsBilly Idol “Vital Idol”Jerry GarciaGame of Thrones David Lee RothDavid Bowie and Mick Jagger “Dancin' In The Streets”QueenSimon and Garfunkel “Sound of Silence”The Lost BoysChris IssakGlen DanzigScreming Jay HawkinsElvisJim MorrisonVan MorrisonJulian CasablancasLow Cut ConnieFat White Family “Touch the Leather”Gary NumanUntra Vox VisageHuman LeagueJoy DivisionIan CurtisQueens of the Stone Age “Little Sister”The End of the WorldGraham CoxonVH1 UnpluggedHermans HermitsPuff Daddy 

Tels des papillons de l'âme, laisses-vous entraîner par les mots au coeur de nos plus grands (en)chanteurs cette semaine dans notre émission ! La chanteuse, musicienne et comédienne Livane fait son retour dans l'émission et vous présentera  » Dans le coeur de Georges « , son spectacle hommage à Georges Brassens… et aux femmes de sa vie, y compris les plus mystérieuses ! L'occasion, avec ce show musical haut en couleurs, de redécouvrir les mots et les mélodies du poète, elle nous le prouvera en live et vous le montre chaque lundi au Théâtre de Dix Heures… Nous en profiterons également pour fêter les 100 ans de la maissance de son grand ami : l'éternel ado Boby Lapointe Officiel qui se dérouleront le 16 avril dans sa bonne ville de Pézenas… Vous v'nez, les potes ? Et afin de bien fie la fête, entraînez-vopus grâce à la videoKITSCH ! Nous vous proposons du son et de la danse avec What a feeling chanson extraite de la Bande originale du film Flashdance , écrite par Giorgio Moroder, Keith Forsey et Irene Cara qui est son interpréte. Le succès des clips vidéo et de la BO vont accélérer le succès du film qui rapportera 200 millions de dollars de recette. La nuit elle soude, le jour elle danse… mais elle peut toujours nous écouter toute cette semaine dans Kitsch et Net !

CLICK HERE TO FIND US ON YOUR FAVORITE PODCATCHER. CW: Discussions of murder, suicide, dueling, shooting, guns, corpses, poison, strangling, bombs, zombies, undead, sex, making out, explosions, hearing loss. In yet another victory at the absolute jaws of defeat, Riverdale pulled out every possible stop for the 100th episode and ended this arc with one of their best episodes in a long time. It's not just the return of all our lost characters, or the perfection of the Reggies and their pettiness. It's the fact that they proved they can take a storyline, tie it into the show as a whole, and really drill down into something amazing, entertaining, and a little bit tantalizing for our second half of the season. Which makes it all the worse that they wasted our time with this mini-arc, because none of the rest of these episodes served any purpose to our end result this week. This could have been a masterful event that threaded a wild ride through a spin on the town with Pop's, but instead it just left us mad at their laziness in the writer's room. Head on up to the great Pop's Chock-Lit Shoppe in the sky as we discuss “Chapter 100: The Jughead Paradox” this week on The Doghouse. You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Interstitial music taken from "Make Up" from the compilation album Kamelot by Distortions. Licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International license. To hear the song or get more information about the artist, visit the song page at Jamendo. Excerpt taken from “Don't You (Forget About Me),” written by Keith Forsey and Steve Schiff and performed by Simple Minds. Copyright 1985 Virgin Records Ltd. Excerpt taken from “Sugar Sugar,” written by Andy Kim and Jeff Barry and performed by The Archies. Copyright 1969 Kirshner Entertainment Corporation; 1968 Archie Comic Publications, Inc.

Episode 42 New Arrivals to the Archives New-Old Recordings Making it into the Archives Playlist Vincenzo Agnetti, “Pieces Of Sound” from Revolutions Per Minute (The Art Record) (1982 Ronald Feldman Fine Arts Inc.). Reading and tape composition by Italian artist, photographer and writer Vincenzo Agnetti. 4:38 Chris Burden, “The Atomic Alphabet” from Revolutions Per Minute (The Art Record) (1982 Ronald Feldman Fine Arts Inc.). Solo poetry piece by Chris Burden. 0:31 Canarios, “Genesis” and “Prana” from Ciclos (1974 Ariola). Spanish album of symphonic space rock. Adapted by E. Bautista (from Vivaldi's Four Seasons); Bass, Synthesizer, Theremin, Christian Mellies; Drums, Electronic Drums (Moog), Timbales, Triangle, Vocals, Castanets, Maracas, Bells, Temple Bells, Flexotone, Glockenspiel, Rototoms, Gongs, Percussion (Bambus), Goblet Drum (Dharbuka), Alain Richard; Electric Piano, Hammond Organ,Piano, Violin, Mathias Sanveillan; Guitar, Acoustic Guitar, Lyre, Echoplex, Phase Shifter, Vocals, Antonio García De Diego; Synthesizer, Keyboards, Mellotron, Digital Frequency Meter, Ribbon Controller, Vocals,Teddy Bautista. This is pretty audacious. 7:22 Holger Czukay, “Ho-Mai-Nhi (The Boat Woman Song)” from Technical Space Composer's Crew ‎– Canaxis 5 (1969/ RE 2018). Basic tape composition work from this German pioneer, circa 1968. Originally privately released in 1969 by Technical Space Composer's Crew and titled "Canaxis 5". Later reissued as "Canaxis" by Holger Czukay and Rolf Dammers. Czukay studied under Karlheinz Stockhausen from 1963–1966, and in 1968 co-founded the German rock group Can. 7:31 Deuter, “Atlantis” from D (1971 Kuckuck). Georg Deuter, produced and composed on tape. Early work from this German ambient, electronic composer. 6:04 Far East Family Band, “The God Of Wind,” “Moving, Looking, Trying, Jumping In A Maze,” “Wa, Wa (Yamato)” from The Cave: Down To The Earth (1975 Mu Land). Bass, Akira Fukakusa; Drums, Shizuo Takasaki; Guitar, Fumio Miyashita, Hirohito Fukushima; Keyboards, Akira Ito, Fumio Miyashita, Masanori Takahashi; Percussion, Masanori Takahashi; Vocals, Hirohito Fukushima. Japanese psychedelic jam band. Spacey, fun, rollicking organs and guitars. 4:53 Langston Hughes, conclusion of Rhythms Of The World (1955 Folkways). African American poet and author Hughes narrated this work based on his book "The First Book of Rhymes.” The “documentary sounds” were field recordings used to underscore the poetry. 5:08 Steve Hackett, “Jacuzzi” from Defector (1980 Charisma). Solo album from guitarist for Genesis. This is a track of largely keyboard-like sounds featuring such instruments as the Matell Optigan and Roland GR500 Guitar Synthesizer, played by Hackett. Bass, Dik Cadbury; Concert Flute, Alto Flute, John Hackett; and keyboards by Nick Magnus. 4:37 Pedro Morquecho, “Mi Corazon Es Un Violin (Fox)” from Pedro Morquecho (Su Novacord Y Su Orquesta) (1965 Orfeon). Mexican keyboard artist who found his groove with the amazing Hammond Novachord. Here he plays some numbers for the night life, popular favorites designated for different kinds of dances, such as Afro-Beguine, Fox, and Rhumba. 3:33 Enoch Light And The Light Brigade, “Swamp-Fire” from Dimension •3• (1964 Command). This is one of the many amazing instrumental albums produced by Enoch Light for Command in the sixties. In this case, we have Dick Hyman on organ, Tony Mottola on guitar and Alto Saxophone by Walt Levinsky. I also hear an uncredited appearance by an Ondioline, a monophonic organ known to be used by Enoch Light on many albums. 2:19 Akira Itoh, “Life from the Light 光からの生命” from Inner Light Of Life / やすらぎを、君に (1978 King Records). Alto Saxophone, Flute, Vocals – Noboru Kimura; Electric Bass – Keiju Ishikawa; Electric Guitar, Vocals – Nobuo Hajime; Piano, Vocals – Kenji Kijo; Synthesizer – Akira Ito; Vocals – Goko Kunikida. Ito was previously a member of the Far East Family Band (see earlier track). 6:53 Alain Markusfeld, “1st movement” from Contemporus (1979 Egg). French singer and songwriter. Composed by, arranged By, ARP Polyphonic, ARP Prosoloist, Acoustic Piano, electric guitar, Organ, Percussion, Cymbals, Triangle, Marimbas, Harmonica, Handclaps, Vocals – Alain Markusfeld; vocals Patricia Markusfeld. 3:06 Masquerade, “Guardian Angel” from Masquerade ‎– Guardian Angel (1983 Metronome). PPG Waveterm synthesizer, Chris Evans. I don't know much about this group, other than this song and it was basically one person playing the instruments, the short-lived PPG Wave synthesizer, also used by Gary Numan, Depeche Mode, among others. 4:27 Bruno Menny, “Orbite Autour De La Planète 3” from Cosmographie (1972 Arion). This is unique album from the engineer who was also a student of composer Iannis Xenakis. This is his only album. It is a blend of concrete and synthesized sounds. 19:12 Orchestral Manoeuvres In The Dark, “Maid Of Orleans (The Waltz Joan Of Arc)” from Orchestral Manoeuvres In The Dark (1981 Dindisc). A 7-inch single. Bass, Guitar, Horns, Mellotron, Organ, Percussion (Acoustic, Electronic), rhythm program, Synthesizer, Vocals, Andrew McCluskey; Drums, Percussion (Acoustic, Electronic), Synthesizer Bass, Malcolm Holmes; Mellotron, Melodica, Organ, Percussion (Acoustic, Electronic), Piano, rhythm program, Synthesizer, Vocals, Paul Humphreys; Organ, Piano, Synthesizer, Michael Douglas. 4:12 Harold L. O'Neal Jr. (producer), “Ultimate Obstacle (All Tests Simultaneously)” from RCOA Stereo Systems Test Record (1972 Yorkshire Records). Test record using electronic sounds and tone clusters, bursts. “The Ultimate High-Fidelity Test Record.” 2:04 Karlheinz Stockhausen, “Mikrophonie I” (1964), first part, from Mikrophonie I & II / Prozession (1969 CBS). From France comes this boxed set. Electronics (Filters), Hugh Davies, Jaap Spek, Karlheinz Stockhausen; Electronics (Microphone) – Harald Boje*, Johannes G. Fritsch; Percussion (Tam-tam), Alfred Alings, Aloys Kontarsky. Mikrophonie I for Tamtam, Two Microphones, Two Filters and Potentiometers Essentially, a piece for cardboard tubes scraped on cymbals and mixed with electronic amplification and reverberation. Hugh Davies worked with Stockhausen during this period. Recorded at West German Radio Studios, Cologne, December 17 & 18, 1965. 7:24 Donna Summer, “Grand Illusion” from The Wanderer (1980 Geffen). Words and vocals by Donna Summer; Music by Giorgio Moroder; Synthesizers, Harold Faltermeyer, Sylvester Levay; Guitar, Jeff Baxter, Steve Lukather, Tim May; Drums, Percussion, Keith Forsey; Bass Guitar, John Pierce, Lee Sklar, Les Hurdle. 3:50 Ruth White, David White, Gary Maynard, Animals Are Wonderful (1982 Tom Thumb Records). Synthesizers, Ruth White. Yes, that's the Ruth White of sixties Moog Modular fame. She also made her way with children's activity records such as this. 2:16   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.  

On this episode of musik train you will be listening to the breakfast club original sound track. Album credits include Keith Forsey, David Anderle , Steve Schiff, Jessie Johnson , Craig Hull , Curt Neishloss , Arthur Barrow ,Steve Schiff , Bob Getter ,ED Alton Arthur Barrow , Gary Chang , Keith Forsey ,Steve Goldstein, Keith Forsey , Craig Krampf. hope you enjoy!

Pat welcomes legendary Grammy Award winning guitarist Steve Stevens to the "Zoom Room" to discuss his career in music from Billy Idol and beyond!

This week, we're doing the children's fantasy movie everyone in the 80s fell in love with. It's The NeverEnding Story, released July 20th in 1984. One of us loves it, the other just wishes it would end sooner rather than later. Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ See omnystudio.com/policies/listener for privacy information.

We've gone a little off-piste with this week's Deeper. After our SIMPLE triple bill we couldn't think of a better way to spin-off than to discuss the crowning glory of a movie about a bunch of kids confined in detention. The Breakfast Club is directed written and directed by John Hughes and stars Molly Ringwald, Ally Sheedy, Judd Nelson, Anthony Michael Hall, Emilio Estavez and Paul Gleason. Don't You (Forget About Me) was written by Keith Forsey and Richard Schiff, performed by Simple Minds and worshipped as an 80's anthem ever since. Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs! On next week's episode we feature a triple bill of BOSS movies with Matt Brothers from the Spocklight Podcast!

80s and 90s Television for the 21st Century with host Modern Knight Beaming Live Across The Galaxy Follow twitch.tv/retropromenade for "On Air" Notifications 00 Intro / Motoroto - CMI Miami 01 Mitch Murder - Artifact 02 New Arcades - Wait For Tonight 03 Miears - Hanging On 04 Get Metzmerized (1986) 05 Live Call with Joe Ozone 06 Dwight Gooden - Dr. K (feat The MCL Rap Machine) (1986) 07 Virtual Man - Affection 08 Denis La Funk - Disco Fusion 067 DJ Set Preview -- Clio - Face (Edgar Blanco Edit) -- David Jackson - Broken Heart (Original Mix) 09 MC Hammer - This Is What We Do (1990) 10 SelloRekt/LA Dreams - Stereohead 11 OGRE - Shore Thing 12 Garth Knight - Stuck In A Rhythm 13 Larry Hart - Send Out A Signal from Mac & Me (1988) 14 Garth Knight - Autotron 15 Gimme A Break TV Theme Song 16 Gimme A Break TV Theme Song 17 Pointers Sisters - Be There (Extended Remix) 18 Harold Faltermeyer - Bad Guys feat Keith Forsey (1987) 19 TOMMY '86 - Another Day 20 Modern Knight - Corona (unreleased) 00 Sign Off / Robbie Williams - Millenium (Instrumental) Retro Promenade Presents Retro Party Host: Modern Knight // Mike Mendoza @modernknightly www.instagram.com/modernknightly twitter.com/modernknightly www.facebook.com/modernknightly Executive Producer: Mike Mendoza Retro Promenade is a rad nostalgia promotion brand focused on 80s and 90s pop culture. Check out original Retro Promenade synthwave & outrun releases & compilations on bandcamp (or search: Retro Promenade on Spotify. Apple Music, etc) Retro Promenade - 21st Century Retro News & Articles www.retropromenade.com Retro Promenade - Original Exclusive Music https://retropromenade.bandcamp.com Follow Retro Promenade everywhere else! www.facebook.com twitter.com/RetroPromenade www.instagram.com/retropromenade/ Check out Show Highlights & New Content on YouTube! www.youtube.com/user/TheRetroPromenade Support Retro Party and Retro Promenade by becoming a Patron of The Retro Arts on Patreon www.patreon.com/retropromenade

Clem Leek - "Mystery Moor" Ken - "We don't know what will happen" The Art of Noise - "Metaforce (loops)" - The Seduction Of Claude Debussy Sam Pottle & Jim Henson - "The Muppet Show Closing Theme (loops)" Keith Forsey, Ally Sheedy, Emilio Estevez - "The Breakfast Club loops" The Kinks - "Nothing in this world loops" Lullatone - "My Second Favorite Song in the World loops" [Brief] Bob Dylan - "A Series of Dreams loops" David Wingo, Michael Linnen - "Hottub loops" - All the Real Girls Pinback - "Anti hu loops" Ken - "Do you feel the need to make up new things? (The comfort of the familiar)" Pinback - "Anti hu loops" The Art of Noise - "Metaforce (loops)" Toby Goodshank - "Pray to You loop" Magnetic Fields - "You and Me and the Moon loops" [Brief] LucasArts - "Grim Fandango outtakes" Ed Bogas, Subverise Elements - "Switched on Psi 5 Trading Company" Peter Connelly - "Forbidden Forest theme remake" Disneyland - "Haunted Mansion Ballroom Organ alternate take" Commodore 64 - "1541 disk drive sounds: click, rattle, seek, spin" Kenneth Arnold - "Ultima IV music: Towne, Castle, Dungeon, Merchant, Shines" Roy Glover - "M.U.L.E. theme" - "Impossible Mission music" - "Space Taxi subsong" Kenneth Arnold - "Ultima IV: Merchant" Texas Instruments - "Speak and Spell (various languages and circuit bending)" [Say it!] - "Frogger tweener music" Yuri Misumi - "The Wonderful Star's Walk Is Wonderful" - Katamari Damacy Soundtrack Ken calling from cell phone over VoIP - "It's very hard to talk on delay" Yuri Misumi - "The Wonderful Star's Walk Is Wonderful" - Katamari Damacy Soundtrack Android - "Ringtones (Neon...)" Android - "Ringtones (Calliston, Dione, Ganymede, Luna, Oberon, Phobos, Sedna, Spagnola Orchestration, Titania)" [Esp. Titania, Calliston, and Neon] Bob Dylan w/Bob Fass - "Talks with radio show call about being nice" - Bob Fass Radio Unnameable WBAI William Janiak - "Do You Like Foods: Do You Like Meat?" Space sounds - "Ed White's Gemini Space Walk" Space sounds - "First use of Space Food by Carpenter" ["It crumbles badly"] Billy Corgan - "On genetically modified GMO foods" - Alex Jones Show 6/26/12 George W. Bush - "You're working hard to put food on your family" Jello Biafra - "Become the Media (on GMO Frankenfoods)" David Wittman - "Whole Foods Parking Lot" [I'm about the checkout, pay my 80 bucks for 6 things and get the heck out] Luke Burbank - "Bar bans Google glass video recording" EFF - "FBI conference call" Julian Assange - "AI Controlled Social Media" - Meltdown Festival Donald Duck - "Income Tax Propaganda cartoon" [You must save for victory] Schoolhouse Rock - "Presidentail Minute #1" Schoolhouse Rock - "No More Kings" [America propaganda. Don't you get to feeling independent, 'cause I'm gonna force you to obey] Disneyland - "America Sings (My country 'tis of thee, Tomorrowland)" John Lennon - "Happy Xmas (War Is Over)" George W. Bush - "Thanks ISG" George W. Bush - "The American People Must Be Patient" - 9/16/01 [This war on terrorism is gonna take a while. I'm going to be patient. I'm not going to be distracted.] Android ringtone Ken - "You decide to take the lead (start thinking about impact)" [You're very strong] Android ringtone - "Callisto and Titania" Aimee Mann - "You Do loop" Android ringtone - "Neon" Ken - "Hello to listener locations" The Art of Noise - "Metaforce (loop)" - The Seduction Of Claude Debussy The Art of Noise (with John Hurt) - "Il Pleure (At the Turn of the Century)" - The Seduction Of Claude Debussy [Imagine me saying the following] The Art of Noise - "Metaforce" - The Seduction Of Claude Debussy The Art of Noise - "The Holy Egoism of Genius" - The Seduction Of Claude Debussy John Hopkins - "Morning Ambience" - Field recording 5/9/14 Clem Leek - "Mystery Moor" The Feelies - "Away loop layers" Live phone caller - "People who feel have greater pain to greater joy (I feel, I feel, I feel)" - "If You Believe in Yourself (I feel happy of myself)" [If you try, you can do it. (I feel, I feel, I feel)] Ken - "I believe in onion layers (antonym of nihilism)" - "Thumbs up everybody!" Paul McCartney - "I don't believe it (The Girl Is Mine)" Matthew Broderick - "People believe whatever they read" - Biloxi Blues Adiran Brody - "To deliberately believe in lies while knowing they're false" - Detachment James Burke - "Values change every time the universe changes" - The Day the Universe Changed, episode 10 (Worlds Without End: Changing Knowledge, Changing Reality) Art Garfunkel - "Sound of Silence (Art Garfunkel only)" James Burke - "Look at the room you're in, at all the man-made objects" - Connections James Spader - "I want to thank you with all sincerity, I've been sleepwalking my whole life and you've woken me up and I feel alive now" - Dream Lover Hal Hartley - "Why do you work, to escape the emptiness of my own life" - Ambition [What are you afraid of? Not being able to work] Hal Hartley - "It wasn't my fault (I did everything right)" - Ambition [I didn't do exactly what you told me to] Richard E. Grant - "People buy hydrogen bombs because they have an added new ingredient: Peace" - How to Get Ahead in Advertising Jeff Daniels - "If I don't get some sleep soon, nothing's going to make any sense" - Chasing Sleep John Carpenter & Alan Howarth - "We live in an artificially induced state of consciousness" - They Live Tim Roth - "What I want isn't out there, it isn't in here" - Bodies, Rest and Motion Holly Hunter - "The feeling to stay here is powerful" - Broadcast News Tom Cruise - "I will not apologize for who I am, I will not apologize for what I need, I will not apologize for what I want" - Magnolia Hal Hartley - "I want to be awed by my own accomplishments" - Ambition Tom Hanks - "Failure is not an option" - Apollo 13 Helios - "Halving the Compass (Rhian Sheehan Remix)" Chevrolet - "The American Look" - The American Look [The objectives are stated and clarified] Randy Vanwarmer - "Just When I Needed You Most" Dave Brubeck Quartet - "Take Five" The Art of Noise (with Rakim) - "Metaforce" - The Seduction Of Claude Debussy Ken - "We've been through it all together (we could be really sad, but I feel great)" [I feel better than I've ever felt] Ken's Last Ever Radio Extravaganza - "Just When I Needed You Most v2" https://www.wfmu.org/playlists/shows/90374

Bassist Arthur Barrow had a dream and it came true. That dream was to one day play with Frank Zappa and in the late 70s that's exactly what happened. What might be more interesting is where he went from there. Imagine going from Zappa to Giorgio Moroder! Arthur began a long and fruitful partnership with Giorgio (and his stable of producers including Keith Forsey and Richie Zito) that took up much of the 80s. This put Arthur in position to work closely with artists like Donna Summer, Berlin, Billy Idol, Charlie Sexton, Joe Cocker and former guests Martha Davis, EG Daily, Joe Esposito, and Paul Engemann. Arthur is very transparent about the ups and downs of his career. In fact, he told his story in his memoir "Of Course I Said Yes!: The Amazing Adventures of a Life in Music". He tells us all of it and more. Enjoy!  www.arthurbarrow.com

In this episode of ROCK TALK WITH MITCH LAFON, new interview with guitarist STEVE STEVENS (recorded May 30th 2019). In the interview, we discuss his new band Deadland Ritual (with Geezer Butler, Matt Sorum and Franky Perez), the upcoming Bryan Adams/Billy Idol tour, Vince Neil, his guitar style & approach, new Billy Idol music, the REBEL YELL album, producer Keith Forsey, manager Bill Aucoin and much more.  Twitter: @mitchlafon Instagram: @mitch_lafon MITCH MERCH available now: https://loudtrax.com/mitch Rock Talk With Mitch Lafon is also available via: 1. iHeart radio2. Spotify3. Apple Podcasts4. GooglePlay5. Amazon Alexa6. TuneIn7. Google Podcasts8. Stitcher Please subscribe! Help support the show. Please consider a donation: https://www.paypal.me/MitchLafon See omnystudio.com/listener for privacy information.

Esta edição do RESUMO DO SOM é uma colaboração entre o 80 WATTS e o CoutoCast! Aqui você ouve a história por trás da música Don't You (Forget About Me) e lá no CoutoCast você ouve a biografia da banda Simple Minds! Ouça o Coutocast clicando aqui!  Mencionado no episódio: CineClube 80 - O Clube dos Cinco   Simple Minds - Don't You (Forget About Me), letra e música de Keith Forsey e Steve Chiff ã1985 Virgin Records Ltd Músicas do Simple Minds no Google Play Músicas do Simple Minds no iTunes Áudios do filme The Breakfast Club (1986). Propriedade de Universal Pictures, A&M Films e Channel Productions. Também disponível via iTunes e TuneIn RadioFeed RSS: clique aqui Website: 80 WATTSEmail: programa80watts@gmail.com Agradecimentos aos produtores virtuais pelo apoio:Fabiano F. M. Cordeiro José Paulo Neto Ricardo BunnymanApoie o 80 WATTS também via Patreon , Apoia.se ou Padrim!     Muito obrigado aos nossos patrocinadores: Fabiano Martins Cordeiro e José Paulo Neto

Esta edição do RESUMO DO SOM é uma colaboração entre o 80 WATTS e o CoutoCast! Aqui você ouve a história por trás da música Don't You (Forget About Me) e lá no CoutoCast você ouve a biografia da banda Simple Minds!Ouça o Coutocast clicando aqui! Mencionado no episódio: CineClube 80 - O Clube dos Cinco Simple Minds - Don't You (Forget About Me), letra e música de Keith Forsey e Steve Chiff ã1985 Virgin Records LtdMúsicas do Simple Minds no Google PlayMúsicas do Simple Minds no iTunesÁudios do filme The Breakfast Club (1986). Propriedade de Universal Pictures, A&M Films e Channel Productions.

The Breakfast Club was written, directed, and produced by John Hughes and starred Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald, and Ally Sheedy as the titular kids brought together by Saturday detention in fictional Shermer, Illinois. The film's spawned memes, quotable lines, and just last week became the subject of a retrospective look in a New Yorker essay by Molly Ringwald, entitled "What About 'The Breakfast Club'? Revisiting the movies of my youth in the age of #MeToo." The Breakfast Club's visuals are iconographic, with the film's poster being lifted by sources as varied as The Texas Chainsaw Massacre Part 2 and Archie comics. However, what's endured most from the 1985 movie has been the soundtrack, and in particular, Simple Minds' Billboard Hot 100 #1 hit, "Don't You (Forget About Me)." The song -- written and composed by producer Keith Forsey and Steve Schiff -- would be Simple Minds' biggest hit, while also one of the few songs not written by the band's vocalist Jim Kerr or keyboardist Charlie Burchill. Forsey had several instrumentals featured on the soundtrack, along with songs by Wang Chung and '80s soundtrack staple E.G. Daily. It's an impressive array of '80s pop, but Simple Minds' song playing over the closing credits and and Judd Nelson's raised fist, will forever be linked with the film.

My name is Jim Walker. This is RECORD. Vol. 4. Life And LA Times This is the fourth in a story series that I'm recording about my life (so far) as a musician. This one is about the dead-end jobs I’ve had, how they influenced and shaped me into the person and musician I’ve become, and how I’m not very good at holding down jobs. — Music featured on this show: THE BLUE LIGHT From the JVA album - BACKGROUND APPLICATIONS VOL. ll Written and performed by Jim Walker/JVA jvamusic1.bandcamp.com/album/backgro…ations-vol-ll AGO (Instrumental) Written and performed by Jim Walker/JVA Unreleased EVERYTHING IN PLACE (Instrumental) Written and performed by Jim Walker/JVA Unreleased KAPUTT (ALLES IST) (Instrumental) Written and performed by Jim Walker/JVA Unreleased REAL From the JVA album - FOREGROUND APPLICATIONS VOL. ll Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/foreground-applications-vol-ll JEOPARDY THEME Written by Merv Griffin DESTROY ME (Instrumental) Written and performed by Jim Walker/JVA Unreleased JUST TALKING (Instrumental) Written and performed by Jim Walker/JVA Unreleased HOUSE OF PAIN From the Van Halen album - 1984 Written by Eddie Van Halen, Alex Van Halen, Michael Anthony, David Lee Roth and performed by Van Halen HUMAN SEA From the JVA album - LET’S MAKE A PROBLEM Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/lets-make-a-problem AND IN EVERY HOME From the Elvis Costello album - IMPERIAL BEDROOM Written by Elvis Costello and performed by Elvis Costello & the Attractions BOAT #2 Written and performed by Jim Walker/JVA Unreleased THE QUIET ROOM From the JVA album - BACKGROUND APPLICATIONS VOL. l Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/background-applications-vol-l FAT SODOMY RAPIST From the JVA album - FOREGROUND APPLICATIONS VOL. l Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/foreground-applications-vol-l I’M A TRUCK From the Red Simpson album - I’M A TRUCK Written by Robert Stanton and performed by Red Simpson WITHOUT MY GAL From the JVA album - BACKGROUND APPLICATIONS VOL. l Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/background-applications-vol-l FIREMAN Written and performed by Jim Walker/JVA Unreleased SWEET WOODEN TASTE From the JVA album - BACKGROUND APPLICATIONS VOL. l Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/background-applications-vol-l GREAT BALLS OF FIRE Written by Otis Blackwell and Jack Hammer and performed by Jerry Lee Lewis WHO’LL STOP THE RAIN? From the CREEDENCE CLEARWATER REVIVAL album - PENDULUM Written by John Fogerty MAYBELLENE Written and performed by Chuck Berry TOOT SWEET, MR. M Written and performed by Jim Walker/JVA Unreleased THE CUBANS (Glitter Tribe vsn) From the JVA album - FOREGROUND APPLICATIONS VOL. ll Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/foreground-applications-vol-ll IF YOU WERE ME From the JVA album - KISS THE BRAIN Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/kiss-the-brain POWDERFINGER (Live) From the Neil Young and Crazy Horse album - ARC / WELD (live) Written by Neil Young LALA Written and performed by Jim Walker/JVA Unreleased CHEAP-ASS SOMBEROS From the JVA album - FOREGROUND APPLICATIONS VOL. l Written and performed by Jim Walker/JVA https://jvamusic1.bandcamp.com/album/foreground-applications-vol-l FACTORY Written and performed by Jim Walker/JVA Unreleased THE DEAD KID Written and performed by Jim Walker/JVA Unreleased DON’T YOU (FORGET ABOUT ME) From the Simple Minds album - THE BREAKFAST CLUB (soundtrack) Written by Keith Forsey, Steve Schiff

Steve Cooper talks with actor/singer E.G. Daily. E.G. has starred in more than twenty feature films as an actress and leaped to the top of the charts as a singer/songwriter. Recently E.G. had a role in a Nick Cassavetes film called My Sister’s Keeper and starred as Candy in Rob Zombie’s The Devil’s Rejects. Her credits also include Street Music, Valley Girl, Streets of Fire, Pee Wee’s Big Adventure, Fandango, Loverboy, and Dogfight. She has done voices for numerous animated series, including the Emmy Award winning Rugrats (Tommy Pickles) and The Powerpuff Girls (Buttercup). She resumed her role as the voice of Tommy Pickles in all three animated feature films and can also be heard as the voice of Babe in the live-action feature Babe II: Pig in the City. Additional voice-over credits include Starship Troopers, Recess, Chalkzone, Eek! the Cat, Duck Days, Duckman, Jungle Cubs, Problem Child, and Baby Blues. She also provided the voice of Froggie in the feature film The Little Rascals, Bam Bam in The Flinstones, Lorenzo in the Academy Award winning feature film, Lorenzo’s Oil and Baby Mumbles in the Academy Award winning Happy Feet. In addition to her extensive voiceover work, she co-wrote and co-produced two solo albums, Wild Child and Lace Around the Wound on A&M Records. Several of her songs soared to the top of Billboard’s dance charts and became well-received music videos, including Say It, Say It, which became a number one hit. She has also composed music and performed on a number of soundtracks, including Street Music, Thief of Hearts, Scarface, The Breakfast Club, Summer School and Better Off Dead. She has collaborated with many well-known producers, such as Giorgio Moroder, Keith Forsey, Stock Aitken, Waterman, Jelly Bean Benitez and Harold Faltermeyer and recently was a favorite when she sang on NBC's The Voice.