Podcasts about mellon postdoctoral fellow

In this episode, we speak with Dr. Anya Golovkova about the world of Śrīvidyā and the Hindu tantric traditions. We learn about her background growing up in Russia and then discovering South Asian studies later in life in New York City, eventually going on to pursue a PhD on Śrīvidyā texts and traditions. We discuss the category of "tantra," the role of the Goddess within tantric traditions, the history of Śrīvidyā, the major texts of the tradition, the nature of the Śrī Cakra, contemporary Śrīvidyā traditions, and much more. We close by previewing her upcoming course, YS 133 | Śrīvidyā: Tantric Wisdom of the Goddess. Speaker BioAnya Golovkova is a historian of Asian Religions and a Sanskritist. Prior to joining Lake Forest College as Assistant Professor of Religion, she was an A. W. Mellon Postdoctoral Fellow in Religion at Bowdoin College and a Visiting Scholar at Cornell University's South Asia Program. Dr. Golovkova completed her Ph.D. in Asian Studies at Cornell University and holds a B.A. (with distinction) in Linguistics and Intercultural Communication from Moscow State Linguistics University, an M.A. in the Middle East and Asian Languages and Cultures from Columbia University, and a Master of Studies (with distinction) in Oriental Studies from Oxford University. Dr. Golovkova has published articles in peer-reviewed journals and edited book chapters. She is the co-editor (with Hugh Urban and Hillary Langberg) of The Tantric World, forthcoming from Routledge. Her forthcoming monograph, A Goddess for the Second Millennium: The Making of Śrīvidyā, is the first comprehensive study of a Hindu Tantric (esoteric) tradition called Śrīvidyā. Dr. Golovkova serves as the Co-Chair of the Tantric Studies Unit of the American Academy of Religion, the largest scholarly society dedicated to the academic study of religion, with more than 8,000 members around the world.LinksYS 133 | Śrīvidyā: Tantric Wisdom of the GoddessGolovkova, Anna A. “Śrīvidyā.” Edited by Knut A. Jacobsen, Helene Basu, and Angelika Malinar, Brill's Encyclopedia of Hinduism Vol. 4. 815–22. Leiden [etc.]: Brill, 2012.https://lakeforest.academia.edu/AnnaAAnyaGolovkova 

In the latest episode, I catch up with educator, writer and podcast host Veronica Fitzpatrick, to talk about Alex Garland's expression of the "vicious prosthesis" Ex Machina.  Veronica Fitzpatrickis a film writer and professor based in Providence, Rhode Island. My writing has appeared in Bright Wall/Dark Room, Screen Slate, Post45, the Village Voice (rip), and elsewhere. In 2022, I contributed to BFI's Sight and Sound Greatest Films of All Time poll.Formerly a Mellon Postdoctoral Fellow in the Cogut Institute for the Humanities, I teach in Brown's department of Modern Culture and Media. I used to teach at Cornell, Carnegie Mellon, the University of Pittsburgh, and Notre Dame.I co-host The Bright Wall/Dark Room Podcast and co-edit/organize world picture.“Can I Fuck This?”: Alex Garland's Ex MachinaThank you so much for the ongoing support!One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“Michael Mann films are for people who have been in love, which I really really appreciate.” The amazing educator, writer and podcast host Veronica Fitzpatrick, joins MINHUNTER to discuss the precision and the levity of one of MANHUNTER's misdirections. Veronica FitzpatrickA film writer and professor based in Providence, Rhode Island. Her writing has appeared in Bright Wall/Dark Room, Screen Slate, Post45, the Village Voice (rip), and elsewhere. In 2022, I contributed to BFI's Sight and Sound Greatest Films of All Time poll.Formerly a Mellon Postdoctoral Fellow in the Cogut Institute for the Humanities, Veronica teaches in Brown's Modern Culture and Media department. Veronica used to teach at Cornell, Carnegie Mellon, the University of Pittsburgh, and Notre Dame.Veronica co-hosts The Bright Wall/Dark Room Podcast and co-edits/organises world picture.Join our Patreon for as little as $1 a month to receive an exclusive weekly podcast and access to the OHM Discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Balochistan's city of Gwadar has been the center of protests for the last few days. Roads and highways leading into the city have been blocked and countless protestors have been arrested. Uzair talks to Dr. Mahvish Ahmad to figure out what is going on in the province and better understand the underlying reasons for the crisis in Balochistan. Dr. Mahvish Ahmad is an Assistant Professor in Human Rights and Politics. Before joining LSE, she was an A.W. Mellon Postdoctoral Fellow at the Centre for Humanities Research, University of the Western Cape. She completed her PhD in Sociology at Cambridge. Earlier, Mahvish was a journalist covering military and insurgent violence in the Pakistan-Afghanistan region, and co-founded the bilingual Urdu/English magazine Tanqeed with Madiha Tahir. She is currently completing a book on state violence in Pakistan's southern province of Balochistan. Chapters: 0:00 Introduction 2:05 What's going on in the province? 7:00 Multiple issues driving protests 13:30 Missing persons 19:05 Resource extraction 25:40 Historical drivers 32:55 Baloch protestors v. TLP 37:10 Islamabad politics and Balochistan 42:05 Evolution of Baloch society 51:05 Path forward 57:20 Reading recommendations Reading recommendations: - https://loksujag.com/special-edition/bloch-women-long-march - https://repositories.lib.utexas.edu/items/dee93c5f-6f5e-43a8-bfd7-e79de8d2d35f - https://caravanmagazine.in/reportage/home-front-changing-insurgency-balochistan - https://www.scribd.com/document/554334646/The-Problem-of-Greater-Balochistan-PDFDrive

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science. The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement. A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries' ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science. Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity. Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

GUEST 1 OVERVIEW: Simona Mangiante is an actress with a background in law. Fresh after graduating in law, She worked 7 years in human rights and child protection policies at the European Parliament in Bruxelles. Besides her legal background, She has always cultivated her passion for arts, in particular acting and fashion. She graduated at the New York film academy (acting for film program), and she features in various productions and political documentaries, including "UKRAINE 30 years" directed by Igor Lopatonok. GUEST 2 OVERVIEW: London holds a PhD in Political Science from the University of Chicago. She was a Mellon Postdoctoral Fellow at Tufts University, and was a Faculty Fellow for the Association of Analytic Learning about Islam and Muslim Societies. Jennifer London is a Berggruen Fellow at the Edmond J. Safra Center for Ethics.

Hosts Katie Walsh and Blake Howard join educator and host of The Bright Wall/Dark Room Podcast Veronica Fitzpatrick in the second of two new episodes to discuss how Cartel's put on a better party than AI, the Tom Cruise 'meaningful squint' and the impressions that abound in COLLATERAL.Join our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ABOUT VERONICA FITZPATRICKVeronica Fitzpatrick is a writer and teacher. Recently a 2021-2023 Mellon Postdoctoral Fellow in Brown's Cogut Institute for the Humanities, teaches film in the Modern Culture and Media at Brown University and co-hosts The Bright Wall/Dark Room Podcast.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON:ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hosts Katie Walsh and Blake Howard join educator and host of The Bright Wall/Dark Room Podcast Veronica Fitzpatrick in the first of two new episodes to discuss Jamie Foxx's account of his sex scene with Naomi Harris' body double and begin unpacking the failed L.A infrastructure depicted in COLLATERAL.Join our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ABOUT VERONICA FITZPATRICKVeronica Fitzpatrick is a writer and teacher. Recently a 2021-2023 Mellon Postdoctoral Fellow in Brown's Cogut Institute for the Humanities, teaches film in the Modern Culture and Media at Brown University and co-hosts The Bright Wall/Dark Room Podcast.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON:ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hosts Katie Walsh and Blake Howard join educator and host of The Bright Wall/Dark Room Podcast Veronica Fitzpatrick to discuss "I dance" as a precursor to "DTF", the weird corollary between the Linkin Park / Jay Z collab and Colin Farrell and Jamie Foxx pairing and so much more.Join our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ABOUT VERONICA FITZPATRICKVeronica Fitzpatrick is a writer and teacher. Recently a 2021-2023 Mellon Postdoctoral Fellow in Brown's Cogut Institute for the Humanities, teaches film in the Modern Culture and Media at Brown University and co-hosts The Bright Wall/Dark Room Podcast.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON:ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Unfrozen welcomes Brian Goldstein, the author of “The Roots of Urban Renaissance: Gentrification and the Struggle Over Harlem.” Goldstein is a historian of the American built environment and an associate professor of architectural history in the Department of Art and Art History at Swarthmore College. Previously, he was assistant professor in the School of Architecture and Planning at the University of New Mexico and an A.W. Mellon Postdoctoral Fellow in the Center for the Humanities and the Department of History at the University of Wisconsin-Madison. He received his PhD from Harvard University in 2013.  -- Intro/Outro: “Across 110th Street” by Bobby Womack  -- Discussed: ARCH – Architects Renewal Committee in Harlem             J. Max Bond Jr. > Bond Ryder & Associates > Davis Brody Bond             East Harlem Triangle Plan             Morningside Park Plan                         “Second Harlem Renaissance” of the 1990s > Magic Johnson's investor group arrival > Harlem USA   Bill Clinton office in Vincent Building, 125th St   Harlem Commonwealth Council (HCC) James Dowdy   Empowerment Zones   Harlem State Office Building,  a.k.a. Reclamation Site # 1   Robert Moses > Urban Renewal   Gov. Nelson Rockefeller + Edward Loeb, Urban Development Corp. (now Empire State Development)   Harlem Urban Development Corp.   Brownstone de-densification   Pathmark, closure and sale to Extell > Whole Foods > Target and Trader Joe's   Community Land Trusts (CLTs) – one possible legacy of 1960s planning and architecture activism   Abyssinian Development Corp. – Rev. Dr. Calvin O. Butts III   Melvin Mitchell

Breaking into a creative field, whether you choose to be self-employed or not, can really leave you feeling like you're up the creek without a paddle. Who are you supposed to talk to, and when? Also, where do you find them? What are you supposed to do in the meantime until things...happen? And once you start doing that thing, how you do know when to stop? We talked about it all at this panel discussion I moderated with three dynamic young artists, Brendan Keen, Mariel Capanna, and Brittany Bennett, about navigating the difficult transition from school to the working world. Each of them is following a unique path, and has tons to share about what they did wrong...and right! About our guests Brendan Keen https://www.brendankeenstudio.com/ Brendan Keen is an artist and fabricator currently based in West Philadelphia. He was a transfer student at PAFA, where he majored in sculpture. He graduated with a BFA 2012, and was awarded the William Emlen Cresson Memorial Travel scholarship, which meant he stayed a fifth year at PAFA and received a certificate in 2013. When he finished school, he joined the West Philadelphia-based arts collaborative studio and workshop, the Philadelphia Traction Company. Along with the other artists at Traction, he exhibited his sculpture and collaborative works in Philadelphia and San Francisco. For the past eight years Brendan has worked full time as a self-employed Artist and fabricator, creating sculptural installations for public and private clients, including the Logan hotel, the W hotel, the Discovery Center, and private residences. In between jobs, Brendan travels whenever possible, including across Western Europe and around Iceland via bicycle, and most recently across the U.S. in a DIY sprinter camper van. Mariel Capanna https://marielcapanna.com/ Mariel Capanna is a fine artist specializing in fresco who graduated with a BFA from PAFA 2012, and she was awarded the William Emlen Cresson Memorial Travel scholarship, which means she spent an extra year at PAFA and was awarded a certificate in 2013. She received her MFA from Yale School of Art in 2020. She attended Skowhegan School of Painting and Sculpture in 2017. She's exhibited many places, including Adams and Ollman (Portland), Central Park (Los Angeles), Gross McCleaf Gallery (Philadelphia), and Good Weather (North Little Rock), COOP (Nashville) and at the Bowtie Project (Los Angeles). And has been the recipient of numerous residencies and fellowships (in addition to the Cresson): the 2019 Robert Schoelkopf Memorial Traveling Fellowship Recipient, the 2018 Haverford College VCAM Philadelphia Artist-in-Residence, a 2016 Tacony LAB Artist-in-Residence, a 2014 Independence Foundation Visual Arts Fellow, the Guapamacátaro Arts & Ecology Residency and The Mountain School of Art in 2016. Mariel currently serves as a Mellon Postdoctoral Fellow in Studio Art at Williams College, and a Fresco Instructor at Skowhegan School of Painting and Sculpture. Her ongoing project Little Stone, Open Home, with Good Weather is a long-term and perpetually changing fresco in a single-car garage in North Little Rock, Arkansas. Brittany Bennett https://bennettbc.wixsite.com/rad-river https://www.streamstudioschop.com/ https://www.brittanycbennett.com/ Brittany Bennett is a medical illustrator who graduated from the joint PAFA/PENN program in 2014. At PAFA, Brittany focused on academic oil painting and graphite drawing. Her work from this time is the result of meticulous observation of textures in nature and a celebration of details. After graduating, she completed a graduate program for Medical and Biological Illustration at Johns Hopkins. She currently works at the Children's Hospital of Philadelphia (CHOP), where half her week is in Stream Studios servicing the hospital network at large, and the other half she runs RIVER: a medical illustration service just for the Radiology Department. She is an artist with training in biology, anatomy, and visual communication who creates didactic illustrations and other visual aids. Brittany works with medical professionals at CHOP to produce patient education materials, figures for scientific literature, illustrated surgical training guides, 3D anatomical models, and more.

Thank you for listening to The Chemical Sensitivity Podcast!New episodes twice a month. Subscribe for free where you get your podcasts.I'm speaking with Professor Emily Lim Rogers. Emily is a Disability Studies researcher and educator who specializes in Myalgic Encephalomyelitis, also known as Chronic Fatigue Syndrome or ME/CFS. She is the Mellon Postdoctoral Fellow in Disability Studies in the Department of American Studies, the Program in Science, Technology, and Society, and the Cogut Institute for the Humanities at Brown University in Providence, Rhode Island, in the U.S. In our conversation, Emily explores:The nature of ME/CFS.How people with ME/CFS and MCS struggle to have these illnesses understood and accepted.Online activism as a way for people with chronic illnesses to call for change. The impacts of capitalism on people with ME/CFS and MCS.How long COVID could potentially lead to more research and understanding about ME/CFS and MCS.Emily Lim RogersSupport the show

This event, with research drawn from Dr. Golnar Nikpour's book manuscript 'The Incarcerated Modern: Prisons and Public Life in Iran', examined the making of the carceral state in modern Iran. Until the turn of the 20th century, prisons were virtually nonexistent in Iran. Even by the 1920s, as the first modern prison network was being built in central Tehran, there were only a few hundred detainees being held by the centralising Pahlavi government. By the eve of the 1979 revolution, that number had ballooned to approximately 20,000 detainees. Now, in the Islamic Republic of Iran, there are at least a quarter of a million detainees being held in 268 official jails and prisons. How and why did this extraordinary transformation and expansion occur? How did Iranians come to understand their increasingly policed and punished social worlds? What does Iran's penal history tell us about the expansion of prisons across the world? Golnar Nikpour is Assistant Professor of History at Dartmouth University. Nikpour is a scholar of modern Iranian political and intellectual history, with a particular interest in the history of law, incarceration, and rights. She holds a Ph.D. from Columbia University's department of Middle Eastern, South Asian, & African Studies. She teaches on an interdisciplinary set of topics including modern Middle Eastern and North African history, Iranian history, political theory, Islamic studies, critical prison studies, and women and gender studies. From 2015-2017, Nikpour was an A.W. Mellon Postdoctoral Fellow at the Center for the Humanities at the University of Wisconsin, Madison, and in 2017-2018, she served as Neubauer Junior Research Fellow at the Crown Center for Middle East Studies at Brandeis University. Since 2019, Nikpour has served on the editorial collective of the journal Radical History Review, and she also serves the editorial board of the Radical Histories of the Middle East book series on Oneworld Press. Nikpour is also co-founder and co-editor of B|ta'arof, a journal for Iranian arts and writing, where she has written extensively on the intellectual and cultural histories of Iran and its diaspora. She is currently finishing her first book project, a history of Iranian prisons and carcerality in a global context. Nazanin Shahrokni is Assistant Professor of Gender and Globalisation and Director of MSc Programme in Gender and Gender Research at the London School of Economics. She is the author of the award-winning book, Women in Place: The Politics of Gender Segregation in Iran (University of California Press 2020) which offers a gripping inquiry into gender segregation policies and women's rights in contemporary Iran. Nazanin serves on the Executive Committee of the International Sociological Association and is on the advisory board of Middle East Law and Governance, as well, the Global Dialogue.

Bamba Ndiaye is a Mellon Postdoctoral Fellow in the Society for the Humanities and the Music Department at Cornell, and also our guest this week! He's at work on a book project called "Black Social Movement and Digital Technology," and we talk to him about democracy in Senegal, his work on "neo pan-Africanism," and more!Books, Links, & ArticlesThe Africanist Podcast with Bamba Ndiaye"One in 10 Black People Living in the U.S. Are Immigrants, New Study Shows" by Emmanuel FeltonWGAPE @ Cornell Call for Papers and Research DesignsAfrican History through the Lens of Economics: An Initiative by the Wheeler Institutefor Business and DevelopmentThe 1619 Project: A New Origin Story by Nikole Hannah Jones  "Discussing an Africa and African Diaspora-centered non-profit organization: Bridge Kids International." from the Africanist podcastBridge Kids International    The Pirogue (2012)  directed by Moussa Touré "ROUGE MÉLODIE" by Baydallaye KaneNo Woman No Cry by Asse Gueye

Marci Vogel is a California-born poet, writer, and translator. She is the author of Death and Other Holidays (Melville House Press, 2018), winner of the inaugural Miami Book Fair/de Groot Prize for the Novella and translated into French  as La Mort et autres jours de fête (Éditions do, 2020). Her debut poetry collection, At the Border of Wilshire & Nobody, was awarded the inaugural Howling Bird Press Poetry Prize and selected for musical score by Brazilian composer, Renato Goulart. The recipient of a Willis Barnstone Translation Prize, Vogel's poetry, prose, translations, and cross-genre inventions have appeared in such publications as ZYZZYVA, Seneca Review, Waxwing, and Jacket2, and include the translation-focused commentary series A Poetics of the Étrangère. Vogel's writing has been recognized with grants and residencies by the Fondation Ténot, the Napa Valley Writer's Conference, the Community of Writers, and North Street Collective. She has been invited for readings and talks at the San Francisco Conservatory of Flowers, the University of Strasbourg, Kelly Writers House, the University of Pennsylvania, the School of Beaux-Arts in Tours, France, and the University of Louvain-la-Neuve, Belgium. A first-generation scholar, Vogel holds a PhD in creative writing and literature from the University of Southern California, where she currently serves in the Dana and David Dornsife College of Letters, Arts and Sciences as a Mellon Postdoctoral Fellow in the Humanities and the University of the Future.

The Alwaleed Program team speaks with Dr. Rushain Abbasi, winner of the 2021 Alwaleed bin Talal Prize for Best Dissertation in Islamic Studies for his dissertation entitled, "Beyond the Realm of Religion: The Idea of the Secular in Premodern Islam." In this study, Rushain challenges the prevailing view that maintains that premodern Muslims did not distinguish between the religious and the secular and that this distinction only emerged with the invention of these categories in the modern, post-Enlightenment West. His longue durée study demonstrates how numerous Muslim thinkers from the medieval to early modern period (1000-1750) regularly differentiated between the religious and the secular in subjects ranging from politics to prophethood. Furthermore, Rushain constructs a radically different conception of secularity that, far from being opposed to the religious, was based on a desire to bring religion to its best and fullest expression.Rushain Abbasi recently completed his Ph.D. at Harvard University in the Department of Near Eastern Languages and Civilizations. In 2021-22, he is a Mellon Postdoctoral Fellow in the Humanities and Lecturer in the Department of Religious Studies at Stanford University. Twitter: @AbbasiRushainCredits and transcript: islamicstudies.harvard.edu/ep-9-beyond-realm-religion-idea-secular-premodern-islam-dr-rushain-abbasi

The Trinity Long Room Hub Marie Skłodowska-Curie COFUND Fellow Dr Lindy Brady (University of Mississippi) sat down for a virtual 'in conversation' with Dr Immo Warntjes, Ussher Assistant Professor in Early Medieval Irish History (TCD) to discuss Brady's current book project, Framing History: The Origin Legends of England, Ireland, Scotland, and Wales. About Dr Brady Dr. Lindy Brady is an Associate Professor in the Department of English at the University of Mississippi, where she specializes in Old English, medieval Irish and Welsh, Old Norse, and insular Latin languages and texts. Her first book, Writing the Welsh Borderlands in Anglo-Saxon England, was published by Manchester University Press in 2017 and reprinted in paperback in 2019. Dr. Brady has been a Text Technologies Fellow at Stanford University, the A. W. Mellon Postdoctoral Fellow in Medieval Studies in the Medieval Institute at the University of Notre Dame, and a British Academy Visiting Fellow at the University of Birmingham. About Dr Warnthes Immo Warntjes is Ussher Assistant Professor in Early Medieval Irish History. Before joining Trinity, he taught Medieval History at the University of Greifswald and Queen's University Belfast. He was a Senior Research Fellow at the Freiburg Institute for Advanced Studies and is currently PI of the Irish Research Council Laureate Consolidator Project: IFCE - The Irish Foundation of Carolingian Europe.

S4 Ep17 INTERNATIONAL LADIES’ GARMENT WORKERS’ UNION: with Dr. Nick Juravich on labor and union history, and the role of the ILGWU in garment worker organizing. Listen and subscribe on: iTunes | Spotify | Stitcher | Google Play | or wherever you get your podcasts! Please rate & review the show so more vintage lovers find this community. Pre-Loved Podcast is a weekly interview show about rad vintage style with guests you’ll want to go thrifting with. Find the show on Twitter at @PreLovedPod and follow @brumeanddaisy and  #PreLovedPod for updates on future episodes. This episode of Pre-Loved Podcast is sponsored by Depop. Depop Depop is a fashion marketplace with over 18 million users (including me, and many of you) in 147 countries who are all about rare, reworked, vintage, thrifted, secondhand, and sustainable fashion.  If you’re looking for a way to update your wardrobe that’s better for your wallet and the planet, download Depop, or head over to Depop.com to shop and discover unique fashion from all over the world.  Pre-Loved Podcast: International Ladies’ Garment Workers’ Union  This show is for all my fellow history-lovers out there, and it’s one I have wanted to do for ages. It’s about the International Ladies Garment Workers Union -- vintage lovers will know, we hunt for those ILGWU tags! Today I’m joined by Dr. Nick Juravich, who is an Assistant Professor of History and Labor Studies at the University of Massachusetts Boston. Professor Juravich’s research interests include labor history, public history, urban history, the history of education, and the history of social movements in the twentieth-century United States. He teaches courses on labor and working-class history, public history and public memory, the history of public schooling, and the history of Greater Boston. Before coming to UMass Boston, he was the Andrew W. Mellon Postdoctoral Fellow in Women’s History at the New-York Historical Society, where he curated the exhibition Ladies Garments, Women’s Work, Women’s Activism, which exhibited in 2019, and that’s how I came across his work, and why I asked him to join me on this episode.  In this episode, we talk about the role of the ILGWU in labor history, and how it revolutionized garment work in the United States. We discuss why consumers were trained to “look for the union label” and Nick shares some of the amazing stories he discovered researching the exhibition. We close out with a discussion of labor movements and activism today. Thanks, Nick, for coming on. Listeners, I think you’re really going to enjoy this one. All the Episode Links: @NickJuravich Center for Women’s History - New York Historical Society   Ladies of Labor, Girls of Adventure book    Ladies Garments, Women’s Work, Women’s Activism Alice Kessler-Harris and her books Union Label timeline   Women Have Always Worked   Rose Schneiderman - union organizer Pauline Newman - union organizer Clara Lemlich - union organizer The uprising of the 20,000 Triangle Shirtwaist factory fire City of Workers, City of Struggle Aileen Clarke Hernandez - activist Sewing on ILGWU tags photo from the Kheel Center at Cornell  Look for the Union Label jingle Right to Work laws   We Are All Fast-Food Workers Now   Garment Worker Center Teacher strike in 2018 is largest in 3o years  Immigration Project Fanny Julissa García  Unite Here! Essential and Frontline Workers in the COVID-19 pandemic Remake petitioning Everlane about union organizing Senator Sanders tweets about Everlane Margaret Chin  Janette Gayle In These Times Labor Notes * For more good stuff every week be sure you get our newsletter! It’s called The French Press and you can sign up here.  **Pre-Loved Podcast stickers are on sale now! PayPal me $4.00 USD at this link, and provide your address, and I will ship you a sticker anywhere in the world! You can use the link paypal.me/preloved to purchase Pre-Loved Podcast stickers, or to send a donation in support of the show.  ***Our Depop shop is @prelovedpod if you want to find some vintage gems and support the show.  Pre-Loved Podcast is created by Emily Stochl of Brume & Daisy. Follow me on Instagram, Twitter, and Brume & Daisy blog. 

In this episode, I had a wonderful conversation with Salih Can Açıksöz on his book Sacrificial Limbs: Masculinity, Disability, and Political Violence in Turkey published by University of California Press in 2019. Can conducted ethnographic research with Turkish disabled conscripts who fought against Kurdish guerrillas in Turkey and Northern Iraq. We talked about the social dynamics of universal conscription, ultranationalist politics, and the embodied experience of being a soldier, and then, becoming a disabled veteran in relation to gender, class, and national politics in Turkey. You can purchase the book at the UCPress website: www.ucpress.edu/9780520305304 Use source code 17M6662 at checkout for 30% off. Salih Can Aciksoz is an Assistant Professor of Anthropology at UCLA. After receiving his Ph.D. in Anthropology from the University of Texas at Austin in 2011, he served as a Mellon Postdoctoral Fellow at the College of William and Mary and an Assistant Professor of Middle Eastern Studies at the University of Arizona. His first book “Sacrificial Limbs: Masculinity, Disability, and Political Violence in Turkey” (University of California Press, 2019) centers on disabled veterans of Turkey’s Kurdish war. Chronicling veteran’s post-injury lives and political activism, the book examines how veterans’ experiences of war and disability are closely linked to class, gender, and ultimately the embrace of ultranationalist right-wing politics. Dr. Aciksoz’s new book project, “Humanitarian Borderlands: Medicine and Terror at Turkey’s Syrian Border,” focuses on humanitarian prosthetics and emergency field medicine along and across Turkish-Kurdish-Syrian border. The work explores how new forms of medical care and ethics emerge in a zone of political violence through a contest over the meanings of health, humanitarianism, and terrorism. In addition to these two long-term projects, Dr. Aciksoz has written on PTSD, assisted reproduction technologies for people with disabilities, crowd control technologies, prenatal genetic testing, and the gender politics of populist movements. His work has appeared in journals including Current Anthropology, Medical Anthropology Quarterly, Culture, Medicine, and Psychiatry, and the Journal of Middle East Women's Studies in addition to online venues such as Jadaliyya. https://www.anthro.ucla.edu/faculty/salih-can-aciksoz https://ucla.academia.edu/SalihCanAciksoz

We start off with a brief lecture on the Riddah Wars (Wars of Apostasy), Islamic Conquests/Expansion, and the Umayyad and Abbassid Caliphates. We then move on to some important questions: Why did the Muslims expand? Why were the Muslims successful against the larger Byzantine and Sassanian Empires? How did religious minorities respond to the Muslim expansion? What was conversion like in that early period? Was it forced? Were there any incentives to convert? What was the rate of conversion? Dr. Jessica Mutter is Andrew W. Mellon Postdoctoral Fellow at Bowdoin College. She earned her PhD at the University of Chicago (NELC) under the supervision of Dr. Fred Donner.

Tara Kohn, Andrew W. Mellon Postdoctoral Fellow in Art History, Bowdoin College, explored the exhibition, “City of Ambition: Photography from the Collection,” on Friday, April 13, 2018.

In this episode of The Catacombic Machine, Matt Baker and Preston Price speak with Devin Singhabout his book Divine Currency: The Theological Power of Money in the West, among other things. Devin Singh is a social theorist and scholar of religion and theology. He is an Assistant Professor of Religionat Dartmouth College. Previously, he was a Mellon Postdoctoral Fellow in the Humanities and Lecturer in Religious Studies at Yale University. He received his Ph.D. from Yale, where he was named a Whiting Fellow, Yale's highest recognition for research in the humanities. Singh was also trained in social scientific theory and methods at the University of Chicago (M.A.), theology and divinity at Trinity International University (M.Div.), and religious studies at Pomona College (B.A.).

In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy and nation formation. Charting more than a century of samba’s development, Hertzman challenges simplistic narratives of the all too often romanticized form, focusing instead on the material conditions under which this cultural powerhouse came to be produced. So doing, he highlights the complex social, cultural and political processes at the heart of making samba, and indeed, making Brazil. Mark Hertzman is Associate Professor of History at the University of Illinois. His first book, Making Samba, was awarded Honorable mention by the Latin American Studies Association for the Bryce Wood Book Prize. He is currently working on his next book project, titled The Death of Zumbi: Suicide, Slavery and Martyrdom in Brazil and the Black Atlantic. Prior to joining the University of Illinois, he was an Andrew W. Mellon Postdoctoral Fellow in Latin American Studies as Wesleyan University, and then Assistant Professor of Latin American Cultural Studies and Director of the Centre for Brazilian Studies at Columbia University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy and nation formation. Charting more than a century of samba’s development, Hertzman challenges simplistic narratives of the all too often romanticized form, focusing instead on the material conditions under which this cultural powerhouse came to be produced. So doing, he highlights the complex social, cultural and political processes at the heart of making samba, and indeed, making Brazil. Mark Hertzman is Associate Professor of History at the University of Illinois. His first book, Making Samba, was awarded Honorable mention by the Latin American Studies Association for the Bryce Wood Book Prize. He is currently working on his next book project, titled The Death of Zumbi: Suicide, Slavery and Martyrdom in Brazil and the Black Atlantic. Prior to joining the University of Illinois, he was an Andrew W. Mellon Postdoctoral Fellow in Latin American Studies as Wesleyan University, and then Assistant Professor of Latin American Cultural Studies and Director of the Centre for Brazilian Studies at Columbia University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy and nation formation. Charting more than a century of samba’s development, Hertzman challenges simplistic narratives of the all too often romanticized form, focusing instead on the material conditions under which this cultural powerhouse came to be produced. So doing, he highlights the complex social, cultural and political processes at the heart of making samba, and indeed, making Brazil. Mark Hertzman is Associate Professor of History at the University of Illinois. His first book, Making Samba, was awarded Honorable mention by the Latin American Studies Association for the Bryce Wood Book Prize. He is currently working on his next book project, titled The Death of Zumbi: Suicide, Slavery and Martyrdom in Brazil and the Black Atlantic. Prior to joining the University of Illinois, he was an Andrew W. Mellon Postdoctoral Fellow in Latin American Studies as Wesleyan University, and then Assistant Professor of Latin American Cultural Studies and Director of the Centre for Brazilian Studies at Columbia University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy and nation formation. Charting more than a century of samba’s development, Hertzman challenges simplistic narratives of the all too often romanticized form, focusing instead on the material conditions under which this cultural powerhouse came to be produced. So doing, he highlights the complex social, cultural and political processes at the heart of making samba, and indeed, making Brazil. Mark Hertzman is Associate Professor of History at the University of Illinois. His first book, Making Samba, was awarded Honorable mention by the Latin American Studies Association for the Bryce Wood Book Prize. He is currently working on his next book project, titled The Death of Zumbi: Suicide, Slavery and Martyrdom in Brazil and the Black Atlantic. Prior to joining the University of Illinois, he was an Andrew W. Mellon Postdoctoral Fellow in Latin American Studies as Wesleyan University, and then Assistant Professor of Latin American Cultural Studies and Director of the Centre for Brazilian Studies at Columbia University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy and nation formation. Charting more than a century of samba’s development, Hertzman challenges simplistic narratives of the all too often romanticized form, focusing instead on the material conditions under which this cultural powerhouse came to be produced. So doing, he highlights the complex social, cultural and political processes at the heart of making samba, and indeed, making Brazil. Mark Hertzman is Associate Professor of History at the University of Illinois. His first book, Making Samba, was awarded Honorable mention by the Latin American Studies Association for the Bryce Wood Book Prize. He is currently working on his next book project, titled The Death of Zumbi: Suicide, Slavery and Martyrdom in Brazil and the Black Atlantic. Prior to joining the University of Illinois, he was an Andrew W. Mellon Postdoctoral Fellow in Latin American Studies as Wesleyan University, and then Assistant Professor of Latin American Cultural Studies and Director of the Centre for Brazilian Studies at Columbia University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

As seas rise, coasts erode, deserts spread, and permafrost melts, climate change is altering everyday life in many places. Even with immediate, drastic reductions in greenhouse gas emissions, sufficient warming is already “baked in” to ensure ongoing disruption. What this disruption will look like, however, depends not only on the extent of global warming and its effects but also on the way these effects and their attendant risks are measured, mapped, and managed. This talk explores how certain places come to be seen as “at risk” in anticipation of climate change, and what this way of seeing means for their inhabitants. Drawing on fieldwork over four years in the aftermath of Hurricane Sandy, Koslov focuses on the fraught development and implementation of new FEMA (Federal Emergency Management Agency) flood maps for New York City, where hundreds of thousands of people and billions of dollars in property now lie in the high-risk flood zone. Liz Koslov is a Mellon Postdoctoral Fellow in the Humanities at MIT and holds a PhD in Media, Culture, and Communication from NYU. Her research examines the cultural, political, and social dimensions of climate change adaptation. She is currently at work on her first book, Retreat: Moving to Higher Ground in a Climate-Changed City, under advance contract with the University of Chicago Press.

Susun Weed answers 90 minutes of herbal health followed by a 30 minute interview with Nese Devenot. Nese Devenot is currently a Andrew W. Mellon Postdoctoral Fellow in Digital Humanities at the University of Puget Sound. Nese received her PhD in 2015 from the Program in Comparative Literature and Literary Theory at the University of Pennsylvania, where she studied psychedelic philosophy, the literary history of chemical self-experimentation ("trip reports"), and radical poetics. Nese taught the class "Drug Wars: The Influence of Psychoactive Rhetoric" as a 2014-15 Critical Speaking Fellow at Penn, where she previously taught "Higher Dimensions in Literature" and "Poetic Vision and the Psychedelic Experience." Nese was also a 2014-15 Andrew W. Mellon Graduate Research Fellow with the Penn Humanities Forum, where she worked on the project "'Innumerable Fine Shades': Psychedelics and Synesthesia in the Literary Self-Experiments of Aldous Huxley." Nese is a founder of the Psychedemia interdisciplinary psychedelics conference, and the former editor of "This Week in Psychedelics," a Reality Sandwich column that reported on psychedelic news in the media between 2011 and 2013. Nese has presented on psychedelics at numerous conferences in the United States, Canada, England, and Australia. Nese received her bachelor's degree in 2009 from Bard College in Annandale-on-Hudson, NY, where she double majored in Philosophy and Literature.

The present age is one of growing faith in machinic knowledge. From state surveillance to self-tracking technologies, we find lofty promises about the power of “raw” data, sensing machines and algorithmic decision-making. But new claims to knowledge invariably entail a redistribution of uncertainty, of those in the know and those left ignorant, of proofs “good enough” and “negligible” risks. Today, the U.S. government struggles to “prove” the efficacy of its own surveillance programs. The calculability of terrorist threat becomes profoundly indeterminable, exemplified by the figure of the “lone wolf”. Meanwhile, the self-tracking industry promises unerringly objective self-knowledge through machines that know you better than you know yourself. The present struggles with “big” data and surveillance are not just a question of privacy and security, but how promises of knowledge and its bounty enact a redistribution of authority, credibility and responsibility. In short, it is a question of how human individuals become the ingredient for the production of truths and judgments about them by things other than themselves. Sun-ha Hong is a Mellon Postdoctoral Fellow in the Humanities at CMS/W @ MIT, and has a Ph.D. from the Annenberg School for Communication, University of Pennsylvania. His writing examines the collective fantasies invested in technology, media and communication.

MOTHER, SCHOLAR, TEACHER, REVOLUTIONARY: NEŞE DEVENOT Today is the last day of Lent, as tomorrow begins the Holy Triduum (the three days leading up to Easter), and this is our sixth consecutive episode, fulfilling our promise to bring you an episode every week of Lent without fail. Thanks go out to KMO for inspiring this goal with his 9+ years and 500 episodes of weekly C-Realm Podcasts! This effort has been so much fun and so energizing that we're just going to keep on going! To celebrate the goal and the return of Spring, we are asking that you help us reach 1000 "likes" by the end of March! Click the Button below to "like" our Facebook Page and invite others who might find us inspiring to do the same!     Nese and Ellis-D Today, Jonathan talks with his friend, Dr. Neşe Devenot, PhD., Neşe is an Andrew W. Mellon Postdoctoral Fellow in Digital Humanities at the University of Puget Sound, where she teach classes on psychedelics and literature. She is also working on a book, Chemical Poetics: The Literary History of Psychedelic Science. Neşe was also a 2015-16 Research Fellow at the New York Public Library's Timothy Leary Papers and a Research Fellow with the New York University Psilocybin Cancer Anxiety Study, where she participated in a qualitative study of patient experiences. Neşe received her PhD in 2015 from the Program in Comparative Literature and Literary Theory at the University of Pennsylvania, focusing her studies on psychedelic philosophy, the literary history of chemical self-experimentation (“trip reports”), and radical poetics.  She is the founder of the Psychedemia interdisciplinary psychedelics conference (which has a radical and profound influence on Jonathan and inspired the creation of this very website), and was a founding member of the MAPS Graduate Student Association. In this conversation, Jonathan and Neşe discuss her radical healing from crippling childhood social anxiety through the intervention of LSD, her struggles with postpartum depression, and her advocacy for human breastmilk sharing. They also talk about the founding of Psychedemia, her work on the Leary Papers, and their shared conviction in the urgent need for more women and voices of color in the psychedelic conversation.  Neşe also talks about her recent news that she is one of the recipients of the 2016 Cosmic Sister Spirit Plant and Women of the Psychedelic Renaissance Grants. As always, if you like what you hear and see at Psychedelic Parenting, please consider a tax-deductible gift to this work though our fiscal sponsor, The Multidisciplinary Association for Psychedelic Studies, using the button below! Current donations are being used to pay for podcast hosting and the purchase books for our upcoming series of review articles. Future donations will also go toward a revamped website, forum capabilities, and the development of in-person and virtual events for Psychedelic Families. Thank you for your continued support! TOPICS AND WEBSITES DISCUSSED IN THIS EPISODE: Neşe Chemical Poetics Neşe's Website and book project Neşe's work on Academia.com #StopTheRaids March Michigan Moms United Charmie Gholson Michigna NORML WomenGrow Bard College University of Pennsylvania, "UPenn" University of Puget Sound  Psychedemia Psychedemia: The Movie (a MUCH thinner Jonathan can be seen at 2:05) Home Page Facebook Group Jezebel: "It's a Lot More Fun to Play Make Believe with Your Kids If You're Slightly High on Weed" Psychedelic Parenting: "When Being Dad IS the Ceremony" Neurons to Nirvana New York Public Library Timothy Leary Archive "Greatest Hits" Page Hyperallergic "The Tim Leary Papers are Now Available to the Public" NY Times "Public Library Buys Tim Leary Papers" Chemical Poetics: "The Leary Papers" Fitz Hugh Ludlow Memorial Library @ Harvard hlc.harvard.edu "The Julio Mario Santo Domingo Collection" Booktryst "The LSD Library Goes to Harvard" Psychoactive Substances Library @ Purdue Purdue Today: "The Psychoactive Substances Research Collection" Home Page for the collection C-Span: "Stephanie Schmitz Talks About the Collection"(video) Timothy Leary Archives:  "Acid Bodhisattva" (interview with Michael Horowitz Milk Sharing Eats on Feets Reality Sandwich: "It Takes a Village" by Neşe Food Safety News: "Human Milk-Sharing Networks, A Growing Movement" Microdosing to treat Depression IFL Science: "Small Doses of LSD Can Treat Anxiety and Depression" Vice: "This is What it Feels Like to Treat Depression with Magic Mushrooms" Metro UK: "Taking Magic Mushrooms Cured My Depression" James Fadiman, author of The Psychedelic Explorer's Guide Coming Out of the Psychedelic Closet Neşe's talk at Psymposia 2015 Rick Doblin on London Real Acid Test: LSD, Ecstasy, and the Power To Heal Audio Book "Pahnke's 'Good Friday Experiment:' A Long-Term Follow Up and Methodological Critique" by Rick Doblin Student Resources MAPS Grad Student Listserv Other Student Resources Feminism and Psychedelics Annie Oak: "A Brief History of the Women's Entheogen Fund" MAPS Bulletin, Autumn 2006 Joseph Gelfer: "Entheogenic Spirituality and Gender in Australia" Paranthropology October, 2012 Lilly Kay Ross: "Sex, Drugs, & Power" Psymposia 2014 ZoeHelene.com: "Psychedelic Femenism" The Cosmic Sister Spirit Plant Grant Alternet: "A Feminist on A Misson" Zoe Helene Dreamglade Retreat Center NYU Cancer Anxiety Psilocybin Study Literary History of Trip Reports Neşe at Psymposia's "Psychedelic Stories"  Darwin's Pharmacy by Richard Doyle Richard Doyle presentation LucidNYC The Joyous Cosmology: Adventures in the Chemistry of Consciousness by Alan Watts

Jack Hartnell discusses "Specimen, Surgeon, Self: Three Medical Portraits and Four Hundred Years." Hartnell is Lecturer and Mellon Postdoctoral Fellow​ at Columbia University.

Caroline Fowler discusses "Raphael’s Apostles and Portraiture in the Eighteenth Century.” Fowler a scholar at The Getty Research Center and is A.W. Mellon Postdoctoral Fellow at the Center for Advanced Study in the Visual Arts, Washington, DC.

This past May, the ancient Roman-era city and UNESCO World Heritage site of Palmyra in Syria was seized by ISIS. Later in the summer, Khaled al-Asaad, an 82-year-old archaeologist and renowned antiquities scholar, was brutally murdered in Palmyra by Islamic State militants when he refused to reveal where valuable artifacts had been moved. Since then, ISIS has set about demolishing the architectural riches of the city. Why is the preservation of these sites and the objects within them so important, a life or death matter for someone like al-Asaad? Dr. Laura Veneskey joins Humanities Viewpoints this month to discuss this and other questions related to the systematic destruction of one of the world’s most important ancient sites. Laura Veneskey (Sarah Lawrence College, B.A.; Northwestern University, Ph.D.) teaches courses in ancient, medieval, and Byzantine art. Her research explores the visual culture of the late Roman and early medieval Mediterranean, particularly Syria-Palestine, with special focus on issues of materiality, medieval image theory, pilgrimage, and the cult of relics. She is currently preparing a book manuscript investigating the material aspects of Mediterranean visual culture between the 3rd and 9th centuries. Professor Veneskey has received grants from the Mellon Foundation, the Max-Planck-Institut, the Samuel H. Kress Foundation, the Graham Foundation, and the Warburg Institute. Before coming to Wake Forest, she was a Mellon Postdoctoral Fellow at Columbia University.

April 24, 2015. Musicologist Paul Miller discusses Karlheinz Stockhausen's landmark work "Mantra", in conjunction with a performance given at the Library of Congress by Katherine Chi and Aleksandar Madzar. Speaker Biography: Paul Miller is a Mellon Postdoctoral Fellow in Music Theory, visiting faculty at Cornell University. He is a music theorist and musicologist interested in serial music, baroque music, historical performance practice, pedagogy and the works of Stockhausen. He holds degrees from Vassar College and the Eastman School of Music. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6852

A lecture by Melissa Bilal, Mellon Postdoctoral Fellow, Dept. of Music, Columbia Uniiversity

Young people born in 1980's and 1990's China are the focus of a great deal of scholarly attention as they are the country's first generation of only children. They are also the first generation to come of age with the Internet, and, for many, playing Internet games forms an integral part of the youth experience. This presentation will explore the affective dimensions of digital games from the perspective of urban Chinese youth. What is the significance of an e-sports event that attracts tens of thousands of twenty-somethings, many of whom experience it as a teary-eyed "farewell to their youth"? Or a viral video created by World of Warcraft gamers that urges millions of viewers to "raise their fists in solidarity" to show support for their "spiritual homeland"? What should we make of these phenomena that demonstrate, ever more clearly, the ways in which games are intertwined with people's spiritual and emotional lives? Are games the imagined utopia they are made out to be in these nostalgic accounts or might these affective attachments prove to be a form of what Lauren Berlant (2011) has called "cruel optimism," a relationship in which the very thing that is desired becomes an obstacle to flourishing? Marcella Szablewicz is a Mellon Postdoctoral Fellow in Comparative Media Studies at MIT. She received her Ph.D. from the Department of Communication and Media at Rensselaer Polytechnic Institute and an M.A. in East Asian Studies from Duke University. Her research focuses on youth and digital media in urban China. She is currently working on a book based on her dissertation, provisionally entitled From Addicts to Athletes: Youth Mobilities and the Politics of Digital Gaming in Urban China. Based on ethnographic fieldwork supported by the Fulbright and National Science Foundations, the book will examine the precarious socio-economic futures of urban Chinese youth through the lens of digital gaming culture, while also considering how dominant discourse about digital leisure practice is shaped by larger cultural debates about patriotism and productivity, class and the crafting of the "ideal citizen". Her work can also be found in the Routledge volume Online Society in China and in the Chinese Journal of Communication. Co-sponsored by the Cool Japan Project.

Marcella Szablewicz, Rensselaer Polytechnic Institute Marcella Szablewicz is a Ph.D. candidate in the Department of Communication & Media at Rensselaer Polytechnic Institute, and she holds an MA in East Asian Studies from Duke University. Marcella's research focuses on the politics of digital gaming in urban China. In July, she will join MIT's Department of Comparative Media Studies as a Mellon Postdoctoral Fellow.

Marcella Szablewicz, Rensselaer Polytechnic Institute Marcella Szablewicz is a Ph.D. candidate in the Department of Communication & Media at Rensselaer Polytechnic Institute, and she holds an MA in East Asian Studies from Duke University. Marcella's research focuses on the politics of digital gaming in urban China. In July, she will join MIT's Department of Comparative Media Studies as a Mellon Postdoctoral Fellow.

Amaranth Borsuk discusses her poetic practice as a multi-media writer and artist, reading selections from recent work and showing images and performance footage from current projects. What is a poetics of materiality and how does it play out across print and digital media? What does a focus on the material of language do to our constructions of authorship? Borsuk will read from Between Page and Screen, a digital pop-up book of poems, Tonal Saw, a chapbook constructed from a religious tract, and Excess Exhibit, a flip-book of conjoined poems that mutate from constraint into rapturous abundance. She will also show digital work in progress and read selections from her recently completed manuscript Handiwork, whose poems explore the relationship between torture and writing, trauma and creativity through a combination of Oulipo constraint and surreal lyricism. A poet and scholar, Amaranth Borsuk’s work focuses on textual materiality–from the surface of the page to the surface of language. She is currently a Mellon Postdoctoral Fellow in Comparative Media Studies and Writing and Humanistic Studies at Massachusetts Institute of Technology where she works on and teaches digital poetry. She has a Ph.D. in Literature and Creative Writing from the University of Southern California, where she co-founded The Loudest Voice cross-genre reading series and the Gold Line Press chapbook series. Her essays and book reviews have appeared in print and online. Poems have recently appeared in Colorado Review, Columbia Poetry Review, FIELD, Eleven Eleven, and Denver Quarterly, among other journals. She is the author of a chapbook-length poem, Tonal Saw (The Song Cave, 2010), and Excess Exhibit (ZG Press, forthcoming), a book of conjoined poems written collaboratively with poet and performance artist Kate Durbin, which includes drawings by Zach Kleyn. She has also collaboratively translated and transverted the work of Oulipo poet Paul Braffort together with Gabriela Jauregui and crafted an augmented-reality chapbook, Between Page and Screen, together with Brad Bouse. Recent collaborative work can be found in Black Warrior Review, Caketrain, New American Writing, and Action, Yes!. In addition to writing and studying poetry, Amaranth is also a letterpress printer and book artist whose fascination with printed matter informs her work on digital media.