Podcasts about method studios

  In this episode, Allan McKay sits down with Andy Boyd, a seasoned VFX Supervisor, and co-owner of Jamm VFX. Andy shares his extensive journey in the visual effects industry, from his early days breaking into major studios like Framestore and Method Studios to founding his own successful VFX company. The conversation delves into the challenges and triumphs of managing a VFX team, navigating cultural differences between the UK and US VFX industries, and overcoming technical hurdles in high-profile projects like "Brothers" and "Werewolf by Night." Andy also discusses the future of VFX, including the impact of AI and remote work, and offers invaluable insights for aspiring VFX artists and entrepreneurs looking to make their mark in the industry.   Topics Covered Andy Boyd's early career in South Africa and transition into VFX Working at Framestore and Method Studios Founding Jamm Visual Effects and managing a boutique studio Behind the scenes of Werewolf by Night and creating Man-Thing Crafting photoreal creatures, including Samuel the orangutan in Brothers Transitioning to tools like V-Ray for superior fur rendering The evolving role of AI in VFX and storytelling Striking a balance between creative freedom and technical challenges   Key Quotes "VFX is the perfect blend of creativity and problem-solving—each challenge pushes you to innovate in unexpected ways." The most exciting projects are the ones where you begin with no clear solution—those moments ignite innovation." You can feel the energy of a passionate team in the final product—great work reflects great collaboration."   Resources Jamm Visual Effects Website Werewolf by Night on Disney+ 5 Key Takeaways 1. Evolving Through Challenges Andy's career exemplifies the importance of adapting to new roles and technologies, whether transitioning from retouching to 3D or embracing V-Ray to achieve lifelike fur. 2. The Power of Boutique Studios Jamm thrives on the advantages of a smaller team, delivering high-quality work with a collaborative and personalized approach that stands out in a crowded industry. 3. Crafting Creatures with Heart From Werewolf by Night to Brothers, Andy highlights the joy and challenge of bringing creatures to life, focusing on subtlety and realism to tell compelling stories. 4. The Importance of Studio Culture Jamm's success stems from its commitment to people-first management, ensuring employees are supported and projects are properly resourced. 5. AI and the Future of VFX Andy reflects on how AI tools are opening new creative possibilities, streamlining workflows while keeping artistry at the forefront.

Jim Rider shares his VFX journey from shooting miniatures to virtual production, offering insights into the evolution of visual effects in filmmaking. Discover the cutting-edge VP setup at Pier59 Studios and learn about the challenges and opportunities in modern filmmaking.

The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back with another fantastic new episode. Due to the pod's popularity outside of Framestore and considering the current post-pandemic and post-strike climate, along with the considerable number of individuals searching for career opportunities and guidance, we've decided to host a special double bill, recruitment special, featuring recruiters from all 8 of our global studios. Our very special guests for part one are Lindsay Cowie, Nikunj Barot and Annie Barlow. Annie, VFX Recruiter based in London started as a studio Runner in 2014, swiftly climbing the ranks within the Talent Team. With nearly 9 years of experience, she's been instrumental in recruiting top talent for Framestore. Nikunj, Head of Recruitment in Mumbai came on board at the end of 2022, bringing a wealth of experience in e-learning and tech companies. Since joining, Nikunj has had a significant impact on the growth of our Mumbai studio team. Lindsay, Senior Recruitment Manager for Framestore Melbourne brings a diverse background in recruitment and HR, having worked across academic institutions, nonprofits, and banks. She joined Framestore in the summer of '22, via Method Studios. We hear about our guests routes into their individual recruitment roles at Framestore, discuss emerging trends in the talent marketplace across London, Melbourne and Mumbai, and the opportunities they are actively recruiting for!  Expect lots of advice of how to create a showreel that gets noticed, designing a clear CV or resume, highly valued skills and qualities, plus some 'golden nuggets' of careers advice. We also discuss topics that include 'CV versus LinkedIn', 'degree versus self-taught', and whether our guests can identify an application crafted by ChatGPT.

Jim Rider is a Visual Effects Supervisor and Virtual Production Supervisor with over 25 years of experience in film and television. After beginning his career shooting models & miniatures, Jim transitioned to compositing, working as an artist and then VFX supervisor at facilities such as Method Studios, Gravity and The Mill. As an independent Visual Effects Supervisor, Some of Jim's recent clients include HBO and Apple Studios. His extensive filmography includes iconic productions like Titanic, Star Trek (TV series), Requiem for a Dream, Angels in America, Evan Almighty, The Adjustment Bureau, Tower Heist, Non-Stop, Foxcatcher, Run All Night, Vinyl, The Deuce, The Plot Against America, and more. Seeing ICVFX as the perfect fusion of his VFX skills and years of on-set experience, since 2020 Jim has veered the ship of his career firmly toward virtual production, having worked as Virtual Production Supervisor at Final Pixel and now at the new Pier 59 Studios volume in Manhattan. Truly exciting times. Highlights of the Episode: 0:00 Introduction 0:08 Introduction of guest 1:46 A conversation with visual effects pioneer Jim Ryder 5:01 The role of motion control technology in the visual effects industry 10:02 The use of practical effects and CGI in the movie Titanic and the speaker's transition into compositing 15:00 The fast-paced and collaborative world of a freelance flame artist 20:02 The evolution of film production and its impact on virtual production 25:01 The use of robots and CGI in the film industry 30:02 The use of a combination approach in creating visual effects for movies 35:01 The potential of real-time rendering and virtual production in the entertainment industry 40:02 The impact of technology on visual effects careers 45:02 The potential of virtual production in film and television 50:00 The evolution and potential of virtual production 55:02 The role of AI in the creative industry 1:00:01 The role of producers in using Chat GPT Connecting with the Guest: Website: https://www.pier59studios.com/ Linkedin: https://www.linkedin.com/in/jim-rider-6916771/ Connecting with CG Pro: Facebook: https://www.facebook.com/groups/becomecgpro Instagram: https://www.instagram.com/becomecgpro/ Website: https://www.becomecgpro.com/ Twitter: https://twitter.com/BecomeCGPro #VirtualProduction #VisualEffects #FilmandTelevision

The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back this week with another fantastic new episode. This week, we're excited to share the second of two special episodes of the Framestore Podcast in celebration of Black History Month, where we're breaking away from our usual format. In this episode, we're not just acknowledging the importance of Black History Month; we're shifting our focus to explore 'Black Futures' via a set future-oriented 'dailies' questions with a few modifications to our usual format. This week's special guests are London based Framestore Technology Strategist, Lorna Dumba, and LA based Company 3 SVP, for Global HR & DEI, Jimi Vaughn. Lorna has been in the visual effects industry since early 2007, initially at MPC for over 3 years, contributing to projects like Prince of Persia and Harry Potter. She later became Head of Production at Milk Visual Effects in 2013, working on notable titles. Brief stints at Method Studios in 2014 and The Mill in 2015 followed, then in 2018, she worked on the Academy Award-nominated documentary Welcome to Chechnya with Atomic Arts. In early 2020, she joined dupe vfx as Head of Production & Senior Producer, focusing on sustainability and social impact. After a few years, she transitioned to Framestore in the role of Technology Strategist. As for Jimi, he started his career in 2007 as an Assistant to Don Foster, an executive producer at Warner Brothers and CBS, where he worked on popular sitcoms. He then took on a role as a Project Manager at the Down Syndrome Association of Los Angeles for nearly a year. In 2015, he became the Director of Operations at Dear Mrs D, Inc, holding the position for over two years. In 2017, Jimi joined Deluxe Entertainment, where his role evolved into Manager of People Development, Diversity, & Engagement in 2018 and Director of Culture and Learning in 2019. He continued to progress and is now the Senior Vice President for Global HR and DEI as of the present month. This is such a wonderful future-focused and educational conversation that we hope you enjoy!

The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back this week with another fantastic new episode. Every two weeks, we invite both a guest from our global Framestore community and a co-host with a keen interest in our guest's role, craft, or career path!... and this week, we have a special focus as we recognise Black History Month! This week's special guest is Abdou Sako, FX Artist at Framestore Montreal. Abdou began his VFX career in 2017 at MPC, then worked at Digital Dimension a year later, followed by Reel FX, and joined Method Studios in 2021. Prior to Method Studios, he contributed to projects such as X-Men Dark Phoenix, Ms. Marvel, Thor: Love and Thunder, and The Lord of the Rings: The Rings of Power. In the past year, Method Studios became Framestore, and he has since worked on The Little Mermaid, Guardians 3, and the upcoming Rebel Moon. In addition to his role at Framestore, Abdou is also a teacher for AFRO VFX, a free training program whose mission is to bring 3D and VFX education and career paths to the African Continent. Our co-host for this conversation is Krzysztof Boyoko, London based Lead Animator.  Chris boasts nearly a decade at Framestore with a notable portfolio, encompassing films like Guardians 3, Avengers: Infinity War, both Paddington movies, Detective Pikachu, Fantastic Beasts, Tom and Jerry, and more. Before Framestore, he worked at Frontier Developments in animation, and previously freelanced as a 3D artist, video editor, and compositor. AFRO VFX links as discussed in the episode: Website: www.afrovfx.com Facebook: https://www.facebook.com/AFROVFX Instagram: https://www.instagram.com/afrovfx1 Bravery Pet Food, Canada: Website: www.https://braverypetfood.ca Instagram: https://www.instagram.com/braverypetfoodcanada Facebook: https://www.facebook.com/BraveryCanada

Andrew MacDonald's adventurous career packs as many twists and turns as a Hollywood movie. Coming from humble origins in the north of England, Andrew moved to London's Soho district to begin his career in optical effects, before getting into VFX and being lured to Hollywood to work for big VFX companies, including Digital Domain and Method. In this rollercoaster of a podcast, Andrew talks about the ups and downs of his life and the ebbs and flows of the VFX industry. He shares stories of working with directors including Tony Kaye, Terry Gilliam, and David Lynch, speaks about how taking risks — including sneaking into a Welsh party — led to career success, and ultimately reveals how he's found contentment and happiness.  

The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back this week with another fantastic new episode. Every two weeks on Mondays, we welcome a special guest to the pod to answer questions about their inspirations, work at our studio, and career journey via the Framestore Podcast 'dailies' questions. Then, the following Thursday, we invite a guest 'co-host' from our global community to take over, engaging our guest in a deeper dive conversation for a valuable learning experience. This week we welcome Pia Suffredini to the pod! Pia is a Digital Matte Painter & Environment Artist at Framestore Melbourne.  Starting out in 2017, Pia has built quite the career following her initial Paint and Roto training at Animal Logic in the Spring of that year. With roles that followed at Method Studios, Fin Design + Effects, MPC, Rise FX, Scanline VFX and now at Framestore, Pia has amassed over 20 credits on huge shows that include, but not limited to 65, Thor: Ragnarok, Shang-Chi and the Legend of the Ten Rings, Ms. Marvel, Black Panther: Wakanda Forever and loads more! This week's guest co-host is Junior DMP Artist Katarzyna Maciocha. A graduate of the University of South Wales, 'Kat' joined Framestore via BlueBolt earlier this year having worked on some awesome shows including Netflix original Seven Kings Must Die, and season 5 of The Last Kingdom!

Legends Of S.H.I.E.L.D. Agent Dribbles (Michelle), Agent Fumbles (Lauren), Agent Chris and Producer of the show Director SP discuss and review the 2023 Marvel Studios Disney+ animated series Moon Girl and Devil Dinosaur episodes “OMG Issue #1," and “OMG Issue #2.” Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   ·          The 2023 Disney+ show Secret Invasion o    Episode 1 “Resurrection” ·          Weekly Marvel Studio News o    John Romita Sr, legendary Marvel artist, dies at 93 o    Yes, Secret Invasion's opening credits scene is AI made–here's why o    Spider-Verse artists say working on the sequel was “death by a thousand paper cuts””   SECRET INVASION [x:xx]   E1 “Resurrection” premiered on Disney+ June 21, 2023   Major Cast:   Samuel L. Jackson                                              ...         Nick Fury Ben Mendelsohn                         ...         Talos Cobie Smulders                          ...         Maria Hill Olivia Colman                            ...         Special Agent Sonya Falsworth   Emilia Clarke                                         ...         G'iah    Kingsley Ben-Adir                                               ...         Rebel Skrull leader Gravik                      Killian Scott                                                       ...         Pagon Martin Freeman                                      ...         Agent Everett Ross         Richard Dormer                                     ...         Agent Prescod   WEEKLY MARVEL STUDIO NEWS [xx:xx]   MCU – NON MARVEL STUDIOS   Chris/Lauren Spider-Verse artists say working on the sequel was “death by a thousand paper cuts” https://www.vulture.com/2023/06/spider-verse-animation-four-artists-on-making-the-sequel.html However, the four crew members say animators who were hired in the spring of 2021 sat idle for anywhere from three to six months that year while Lord tinkered with the movie in the layout stage, when the first 3-D representation of storyboards are created. As a result, these individuals say, they were pushed to work more than 11 hours a day, seven days a week, for more than a year to make up for time lost and were forced back to the drawing board as many as five times to revise work during the final rendering stage.   DISNEY+   Chris Yes, Secret Invasion's opening credits scene is AI made–here's why https://www.polygon.com/23767640/ai-mcu-secret-invasion-opening-credits Ali Selim tells Polygon, the intro sequence was designed by Method Studios using artificial intelligence, something he thinks plays with the very themes of the show… Method Studios stated that “no artists' jobs were replaced by incorporating these new tools.” The statement notes they were seeking an “otherworldly and alien look,” which they achieved by utilizing a “custom AI tool” for the project   MCU - General   John Romita Sr., Legendary Marvel Artist, Dies at 93 https://www.hollywoodreporter.com/movies/movie-news/john-romita-sr-dead-marvel-artist-1235515094/ Romita's run on Spider-Man saw the introduction of a number of the property's most memorable characters, including Spidey love interest Mary Jane Watson and crime boss Kingpin; it was during Romita's time as artist that Spider-Man overtook Fantastic Four to become Marvel's top-seller, with the masked man becoming the face of the company. In 1972, Romita became Marvel's unofficial art director, a role that was formalized a year later. He contributed to the design of characters including Luke Cage, the Punisher and Wolverine while training “Romita's Raiders,” the in-house artists that would correct or replace pages deemed to be unusable, often without credit.   OUTRO AND BONUS AUDIO [xx:xx]   We would love to hear back from you! Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                    Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the 2023 Marvel Studios Disney+ Series Secret Invasion episodes 2 and 3. You can usually listen in live when we record Saturday Mornings at 10:00 AM Eastern Time at on YouTube or Twitch. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Saturday June 24th, 2023.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by Stargate Pioneer of GonnaGeek.com.   YouTube Video Version: https://www.youtube.com/watch?v=ux_xck3Emog   Discord Server: http://www.gonnageek.com/discord   Legends Of SHIELD Podcast Theme: "Hitman" by Kevin MacLoed https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300013   Smoking And Drinking In Capes Episode 64 – Heroes Season 1 Episodes 1-6: https://smokinganddrinkingincapes.com/2023/06/02/episode-64-heroes-season-1-episodes-1-6/   Capes On The Couch Issue 3 – Tony Stark: https://capesonthecouch.com/issue-3-tony-stark/   Better Podcasting #280 – Evolving with Your Audience: https://www.youtube.com/watch?v=orQSpzK8Hgk   Better Podcasting Live Chat #049 – Season 3 Premiere!: https://www.youtube.com/watch?v=jDmQFMBq6O4   Playcomics Podcast https://playcomics.com   Michelle on Twitter https://twitter.com/Chelle_Game   Lauren's Voice Services: http://www.lwsalinas.com Lauren on Twitter: https://twitter.com/sithwitch   SP On Mastodon: @StargatePioneer@universeodon.com

Today we're talking to Michael Ryan Bennett and Josh Shadid of LORD DANGER!Lord Danger is a creative production studio based in Los Angeles that specializes in bold and innovative commercials, branded content, and music videos. From their commercials for Old Spice, Tostitos, and Mint, to their music videos for Lil Nas X, Doja Cat, and Run The Jewels, LORD DANGER is making some really cool work. However, while getting to know the guys, we learned that one of the reasons they have such high-quality creative, especially with animation, is because Michael and Josh run several different companies that work in tandem with LORD DANGER, (such as Modern Logic, under the holding company, Monstera Group). Josh and Michael share about: The ups and downs of building your own shipHow to scaleHow to team up to generate successBeing solution driven and when to contribute as an employeeRunning a hybrid studioAnd keeping production and creative separate but equalSo, we hope you get something out of this episode with Michael and Josh of LORD DANGER … Modern Logic … And Monstera GroupMichael Bennett bioMichael Bennett is the Managing Director, Executive Producer, and Founding Partner of Monstera Group, holding company for Lord Danger and Modern Logic, creative studios specializing in design, animation, live-action and immersive content. As an award-winning producer working with brands across industries, Bennett has led national and international campaigns through the lens of cutting-edge technology, design, and craft. A self-proclaimed futurist, Bennett has a deep understanding of the evolution of tech spanning decades. Prior to launching Monstera Group with Josh Shadid, Bennett held senior positions at Method Studios, LAUNDRY and yU+co and has earned over 20 awards including Daytime Emmy Award, the Cannes Lions Grand Prix, Webby Awards, and the Best Film/TV Award at SXSW Interactive Awards.Josh Shadid bioJosh Shadid founded Lord Danger in 2012, which was acquired by Zealot Networks in 2015. After negotiating his exit and the repurchase of the Lord Danger brand, Josh re-established his independence. During the initial height of the pandemic in 2020, Josh co-founded Solo Cinebot, the world's most advanced remote production system which was employed by major studios, brands and celebrities worldwide. Concurrently, Josh partnered with commercial veteran Michael Bennett to build brand studio Monstera Group which operates Lord Danger as well as design and animation studio Modern Logic. Josh is currently President of Monstera Group and Executive Producer of Lord Danger.LINKSMichael Ryan Bennett - Managing Director / EP - Partnerhttps://www.linkedin.com/in/ohtheplaceswewillgo/Josh Shadid - Founding Partner, Executive Producerhttps://www.linkedin.com/in/joshshadid/LORD DANGERhttps://www.lorddanger.com/MODERN LOGIChttps://www.modlo.tv/MONSTERA GROUPhttps://www.monstera.group/If you want a shoutout in a future episode please leave us a written review on Apple podcasts. Brought to you by CRY www.filmcry.com Intro mixed by Micheal Hartman - michaelhrtmn4@gmail.com 

In part 2 of our 'Doctor Strange' discussion at VFX Notes, Hugo Guerra from Hugo's Desk and Ian Failes from befores & afters break down Method Studios' work on the multi-verse sequence in the film.

This week on 8111, Ellen Pasternack! Ellen grew up in Long Island. As a kid she was an avid reader. She was the youngest person in her town to get a library card. As a young adult she earned a degree in anthropology from SUNY Buffalo in three years time and thought seriously about going to law school. But in 1975, a good friend was traveling to California and Ellen decided join the adventure. In sunny Los Angeles, Ellen quickly landed a job working as a temp secretary at Burbank Studios (now Warner Bros.). She's worked in the movie business ever since. Ellen went to work in the publicity department reading all the scripts of the films coming out at Columbia. She worked as the assistant to the head of marketing. When Ellen's boss, Elizabeth Landon, made the move from Columbia to Fox, Ellen came along and was promoted to Jr. Publicist. While at Fox she met Sid Ganis who was the publicist for Lucasfilm (which would come in handy a few years down the road). Ellen later moved over to Tri-Star Pictures as a Publicity Manager. But within a year she left Tri-Star to work as a Unit Publicist working directly on productions. She worked on several big projects including; Rainman, Born on the Fourth of July (where she even appears as an extra!), The Doors, Class Action, Joy Luck Club, Mrs. Doubtfire, and several others. She also moved up to the Bay Area during this time. In 1994, new tax incentives started to drive production out of the state. Wanting to stay in the Bay Area, Ellen landed the job at Lucas Digital as the in house head publicist. She worked closely at LDL with Miles Perkins and Nagisa Yamamoto. Ellen would work out of ILM for the next 12 years leaving just before the move to the Presidio. Working freelance she did work for the Visual Effects Society, Pixar's Renderman, The Orphanage, Tippett Studios, Rainmaker, and Method Studios. Today, Ellen continues to live in Berkeley. For the past several years she's worked on the awards campaigns for multiple studios and streamers. It was fascinating to hear about Hollywood publicity and the often complex, important work she does for the industry. Ellen is brilliant, thoughtful, kind, and great fun to chat with.

Maxine chats with VFX Artist Brittany Piacente about what it's like to work remotely as a Compositor during a pandemic, the value of good mentorship, visual effects on the Marvel series Loki, and why treating everything as a learning experience will help you to stand out in your job in the film and games industry.Brittany has worked in leadership positions across major studios, including Method Studios, Mr. X (now Technicolor), Deluxe and now Wētā FX. She's contributed to more than 60 films and TV shows, including Loki (season 1), Peacemaker (Season 1), Black Panther, Blade Runner 2049, Vikings (season 6), Mad Max: Fury Road, and the Star Wars franchise. Watch the video episode and see Brittany's compositing work. Hosted on Acast. See acast.com/privacy for more information.

DNEG (www.dneg.com) is one of the world's leading visual effects (VFX) and animation studios for the creation of feature film, television and multiplatform content. DNEG employs nearly 7,000 people with worldwide offices and studios across North America (Los Angeles, Montréal, Toronto, Vancouver), Europe (London) and Asia (Bangalore, Chandigarh, Chennai, Mumbai). DNEG's critically acclaimed work has earned the company six Academy Awards® for Best Visual Effects and numerous BAFTA and Primetime EMMY® Awards for its high-quality VFX work. Upcoming DNEG projects on behalf of its Hollywood and global studio and production company partners include Dune (October 2021), No Time To Die (October 2021), Ron's Gone Wrong (October 2021), Last Night In Soho (October 2021), Ghostbusters: Afterlife (November 2021), The Matrix 4 (December 2021), Uncharted (2022), Borderlands (2022), Aquaman and the Lost Kingdom (2022), The Flash (2022), and Shazam! Fury of the Gods (2023). Dan Glass is an acclaimed VFX Supervisor with numerous accolades over the course of his 25-year career, including a BAFTA nomination and two Visual Effects Society awards. He is a long-time collaborator of the Wachowskis and Terrence Malick, and production VFX Supervisor on films such as Jupiter Ascending, Cloud Atlas, Tree of Life, Batman Begins, The Matrix sequels, Deadpool 2, and many more. In addition to his impressive list of film credits, Dan also served as VFX Supervisor on two seasons of Netflix's sci-fi cult hit Sense8, while directing two episodes himself; and previously served as Executive Vice President and Chief Creative Officer for Method Studios. In this Podcast, the acclaimed VFX Supervisor for The Matrix: Resurrections Dan Glass talks about the underlying message of the film, shares some behind-the-scenes, and discusses technological innovations throughout the franchise's history. For more show notes, visit www.allanmckay.com/342/.

Katrina Salicrup's story packs as many twists and revelations as a finely crafted thriller. After studying art, she worked as a Flame artist for companies including Method Studios, The Mission Studio, and Wieden + Kennedy. Following the birth of her daughter, her life took an unexpected turn, and she began writing as a hobby — which has grown into an award-winning podcast. A natural storyteller, Katrina tells Chris about her make-or-break move to LA, some of the amusing shots she helped fix, and how she learned the tricks of the trade. She also details her new adventures in fiction, from early storytelling advice to going to the recording studio. You'll find out what makes a Flame artist different from a compositor and why podcasts are the new movies.

Erika Burton brings over 25 years of senior-level experience to her role at DNEG. Most recently, she led as EVP, Global Features & Streaming VFX at Method Studios. Prior to that, she held senior leadership positions at major studios, including Walt Disney Animation Studios, PDI / DreamWorks Animation, Digital Domain and Rhythm & Hues.  Erika Burton is a member of the Academy of Motion Pictures Arts and Sciences, the Producers Guild of America and the Visual Effects Society. DNEG (www.dneg.com) is one of the world's leading visual effects (VFX) and animation studios for the creation of feature film, television and multiplatform content. DNEG employs nearly 7,000 people with worldwide offices and studios across North America (Los Angeles, Montréal, Toronto, Vancouver), Europe (London) and Asia (Bangalore, Chandigarh, Chennai, Mumbai). DNEG's critically acclaimed work has earned the company six Academy Awards® for Best Visual Effects and numerous BAFTA and Primetime EMMY® Awards for its high-quality VFX work. Upcoming DNEG projects on behalf of its Hollywood and global studio and production company partners include Dune (October 2021), No Time To Die (October 2021), Ron's Gone Wrong (October 2021), Last Night In Soho (October 2021), Ghostbusters: Afterlife (November 2021), The Matrix 4 (December 2021), Uncharted (2022), Borderlands (2022), Aquaman and the Lost Kingdom (2022), The Flash (2022), and Shazam! Fury of the Gods (2023). In this Podcast, Erika Burton speaks about her career, her experience and her role as the President of Global VFX Production at DNEG, as well as the importance of paying your dues and the path to becoming a supervisor. For more show notes, visit www.allanmckay.com/324/.

Don't miss out on the next #womenintech podcast episode, get notified by signing up here http://womenintechshow.com. Be featured in the Women in Tech Community by creating your profile here http://womenintechvip.com/“Remix: Ruby Guillen, Elaine Sibert, and Sam Ramlu”#womenintech Show is a WeAreTech.fm production.To support the Women in Tech podcast go to https://www.patreon.com/womenintechTo be featured on the podcast go to http://womenintechshow.com/featureHost, Espree Devorahttps://twitter.com/espreedevorahttps://www.linkedin.com/in/espreeGuest,Ruby Guillen https://www.linkedin.com/in/rubyguillen/Guest,Elaine Sibertelaine@rainsystems.comhttps://www.linkedin.com/in/elaine-sibert-a37163121/Guest,Sam Ramlu https://twitter.com/samraveshttps://www.linkedin.com/in/samramlu/Be featured in the Women in Tech Community by creating your profile here http://womenintechvip.com/In LA? Here's some awesome resources for you to become immersed in the LA Tech scene -For a calendar of all LA Startup events go to, http://WeAreLATech.comGet Podcast Listeners, http://getpodcastlisteners.com/Resources Mentioned: Humanistic Technologies, http://humanistictech.com/National Association of Social Workers, https://www.socialworkers.org/Rain Systems, http://rainsystems.com/Method Studios, http://method.digital/M Theory, https://www.mtheoryvr.com/Credits:Produced and Hosted by Espree Devora, http://espreedevora.comStory Produced, Edited and Mastered by Cory Jennings, https://www.coryjennings.com/Production and Voiceover by Adam Carroll, http://www.ariacreative.ca/Team support by Janice GeronimoMusic by Jay Huffman, https://soundcloud.com/jayhuffmanShort Title: Ruby Guillen, Elaine Sibert, and Sam Ramlu 

[⭐EPISODE 27 ⭐- Nicolas Chaverou - Co-Founder & Product Manager - Golaem ] Nicolas nous raconte comment avec Golaem, ils ont changé la manière de faire des films. De leurs débuts, à réellement développer une solution pour les vfx. Progressivement, ils ont changé la manière de faire des films en étant utiliser sur les plus grosses productions. Les besoins ne cessent d'évoluer, il nous explique comment il voit la suite et les enjeux de demain. Au cours de cet épisode on discuté de

In this episode, I chat to senior matchmove artist and supervisor Sarah Gatefield about her experience and journey into the VFX industry. A journey which begun as a runner at Framestore London, leading on to freelancing at VFX studios such as MPC, DNEG, Trixter, Method Studios, Prime Focus Film, Pixomondo, Rise and more, on incredible films such as Harry Potter, Iron Man 3, Total Recall, The Martian, Jungle Book and many more!We also go on to touch base on Sarah's route to dabbling a bit in the VR and AR industry.Overall, an incredible experience and journey Sarah has been on and is still on, and one that can inspire generations to come!As always, if you liked this episode, please like, comment, subscribe and share!Listen to all episodes on Spotifyhttps://open.spotify.com/show/0N6CL5b6MvEkklP9L97tON?si=6Dw7wLg_S2aGakc-VoQlJw&dl_branch=1Listen to all episodes on Apple Podcasthttps://podcasts.apple.com/us/podcast/the-vfx-artists-podcast/id1567749088Listen to all episodes on Amazon Musichttps://music.amazon.com/podcasts/421f1b39-7596-438e-aa45-02d34b5685f2/The-VFX-Artists-PodcastListen to all episodes on other audio streaming platformshttps://thevfxartistspodcast.buzzsprout.com

Voltamos para mais um UNHIDE Cast! Nesse episódio, nós batemos um papo sobre a carreira de Texture Artist e pra essa bate papo a gente chamou aqui Paul H. Paulino, Texture Artist na Industrial Light & Magic. Paul passou pelas empresas Method Studios, Scanline VFX, Weta Digital e atualmente trabalha na ILM Vancouver. Ele também já trabalhou em projetos como Godzilla vs. Kong, Snowpiercer - Expresso do Amanhã, MIB: Homens de Preto - Internacional, Godzilla II: Rei dos Monstros, The Umbrella Academy, Aquaman, Pantera Negra, Liga da Justiça, Guardiões da Galáxia Vol. 2, Power Rangers, Lar das Crianças Peculiares, Independence Day: Resurgence, e vários outros projetos. Tópicos discutidos: - Trajetória do Artista do interior de Minas Gerais, e como chegou a indústria Internacional de Filmes; - O que os recrutadores procuram em um artista e como entrar em contato com eles; - Preparando o Portfolio de Texture Artist, uma profissão com alta demanda em filmes com VFX; - Empresas de filmes do Canadá precisam de Artistas; - O que fazer para ser contratado; - Provando que você é capaz de realizar o trabalho com os Assets certos; - Habilidades Artísticas VS Técnicas; - A importância de cada uma; - Como continuar se aperfeiçoando na arte; - Carreira e Estudos; __ Participantes: Julio de Carvalho: https://www.instagram.com/juliobrush Paul H. Paulino: https://www.instagram.com/paulhpaulino O UNHIDE Cast está disponível no site da Unhide School: https://www.unhideschool.com

In our 82nd podcast we interview animator & animBot developer Alan Camilo. Alan is originally from Brazil where he started as a 2D animator. He eventually made his way to Canada and has worked at such studios as Reel FX, Sony Animation, and Method Studios. During his time at Sony he worked on such films as Storks and Hotel Transylvania 2, and developed such such tools as aTools. This aTools would eventually launch him out on his own where he would create the amazing animBot for Maya! Listen to his story, his time on some amazing films, and how he came to develop this versatile and 'hard to animate without' tools.

Charlas CGI es un podcast en el que invito a personas que trabajan en efectos visuales o animación a charlar sobre nuestro trabajo. En este programa, he invitado a Vanessa Fernández Calle, Layout TD que actualmente trabaja en Method Studios en Melbourne. IMDB de Vanessa: https://www.imdb.com/name/nm9624438/ adriancastroviejo.com Music: Wait For Me (Paul Kalkbrenner Remix) by Moby, courtesy of https://mobygratis.com Music: The Right Thing (Cosmonauts Remix) by Moby, courtesy of https://mobygratis.com --- Send in a voice message: https://anchor.fm/charlascgi/message

Voltamos para mais um UNHIDE Cast! Nesse episódio, nós batemos um papo sobre Lighting e pra essa bate papo a gente chamou aqui Abel Vargas, Lighting Artist na Animal Logic. Abel Vargas tem 10 anos de experiência em efeitos visuais. Trabalhou em algumas das melhores empresas de pós produção de cinema do mundo como Sony Imageworks, Double Negative, Method Studios em Vancouver; Animal Logic na Austrália. Tem uma carreira de sucesso como lighter/compositor que abrange séries de televisão como "Once Upon a Time", "Arrow", "Flash", "The Get Down" entre outras e filmes live action como "Velozes e Furiosos 8", "Pantera Negra" e animações como "Smallfoot" e "Spiderman: Into the Spiderverse". Tópicos discutidos: - Como é trabalhar com Lighting; - Softwares pra se trabalhar com Lighting; - Pipeline de um grande studio de filmes; - Trabalhando como Freelancer de Lighting. __ Participantes: Julio Carvalho: https://www.instagram.com/juliobrush/ Gabriel Costa: https://www.instagram.com/porta2estudio/ Abel Vargas: https://www.instagram.com/abelvargasvfx/ O UNHIDE Cast está disponível no site da UNHIDE School: https://www.unhideschool.com

Join the community Discord https://discord.gg/59ENDfD​ I had the absolute pleasure of speaking to Bobby the other day which has been on my bucket list for a while. "Bobby is a senior concept artist working for video games and film. He is currently involved in the development of the Netflix original Jacob and the Sea Beast from director Chris Williams. Upon being a visual arts teacher for over eight years while teaching fundamental and industrial design drawing, Bobby has worked with such clients as Method Studios, SyFy, Free Range VFX, Games Workshop, and 3D Total just to name a few." His client list includes Mission Control Media (Face Off), Zojoi, 3D Total, Subterranean Games, Andromeda Entertainment Inc. Bobby Rebholz teaches the Masterclass Creature Design for Film & Games at CGMA. To learn more about his class visit http://2dclassroom.cgmasteracademy.co​... Learn More: https://www.cgmasteracademy.com/​ Twitter: @Bobby_Rebholz ArtStation: https://www.artstation.com/bobbyrebholz​ WE NOW HAVE A TIP JAR WITH KO-FI BUY US A COFFEE! ko-fi.com/digitalartcast Check out IFCC a great online festival⯈ https://ifcc-croatia.com/​ If you guys wanna support the podcast remember to shoot me a like or a comment and check us out on iTunes and Soundcloud also or if you are listening remember we have a YouTube video here also! #DigitalArtcast​ #BobbyRebholz​ #CGMA --- Send in a voice message: https://anchor.fm/digitalartcast/message

In our 79th podcast we interview animator Tara Donovan. Tara's animated journey spans many styles from Richard Williams' meticulously hand-drawn 'Thief & the Cobbler' to the VFX blockbuster Godzilla vs King Kong. Balancing teaching and freelancing with family life, Tara gravitated towards leadership roles, directing animation on the TV series Dot for CBC/Sprout at Industrial Brothers, directing a series of shorts for History/SyFy at Chuck Gammage Animation, and leading animation on an Ice Age short for Blue Sky at Arc Productions, Detective Pikachu at MPC and A Babysitters Guide to Monster Hunting at Method Studios. She recently joined the Montreal game studio Game On as Lead Animator for gameplay and cinematics.

Babak Bina has carved out an illustrious career in VFX — and now he’s passing his knowledge onto a new generation. Originally hailing from Iran,  the band Tool’s visuals inspired Babak to pursue graphic design in Toronto. He’s gone on to work for visual effects studios Double Negative, Method Studios and Scanline VFX on movies and TV shows, including Game of Thrones, Black Panther and Wonder Woman. This year, Babak has also started teaching how to create weird and wonderful creatures at The Gnomon Workshop. He tells Chris what it’s like to teach students he’s never seen and the tools he uses to create believable characters. Babak also discusses his new role as co-director of short movie, “The Seahorse Trainer.”

Edon Guraziu specializes in Concept Design & Consultation. These various industries range from Entertainment, Industrial, Defense, Medical, Consumer Products, and more. Many years of collaboration have resulted in meaningful relationships with the following companies, some of which include: 20th Century Fox, Universal Pictures, Microsoft, Netflix, NVIDIA, MPC, Method Studios, JBC Safety Plastic Inc., StrikerVR, TheVRCompany, Swiss Federal Railways, and more. Topics Discussed In This Episode: Upbringing and immigrating  Not allowing fear to inhibit productivity Logic and emotion Age and skills  Movies and their influence Mentors and relationships Being present, here and now Decision making and their ripple effect Valuing yourself, your art, and your business  Art and business Stoicism & identity of work Work, failure, and recontextualizing www.artistdecoded.com

Chris Nichols is the host of CG Garage and Martini Giant Podcasts. He is a CG veteran and Director of Chaos Group Labs.  In 2015, Chris founded the Wikihuman project, a first-of-its-kind panel of academic and industry experts to explore the combination of art and technology in creating a believable digital human. With a background in both VFX and design, Nichols has worked for Gensler, Digital Domain, Imageworks, and Method Studios. His credits include Maleficent, Oblivion, Tron: Legacy.  Chaos Group is a worldwide leader in computer graphics. They create technology that helps artists and designers create photoreal imagery and animation for design, television, and feature films. Chaos Group's physically-based rendering and simulation software is used daily by top design studios, architectural firms, advertising agencies, and visual effects companies around the globe.  In this Podcast, Chris and Allan talk about digital humans, virtual production, the effects of COVID-19 on the industry and the evolution of their Podcasts. For more show notes, visit www.allanmckay.com/262/.

En este 70mm te traemos la entrevista con Erik Elizalde Director Técnico en Method Studios y su nombre aparece en los créditos de películas como Avenger o Justice League

On this week's episode, Paul Katzen from Method Studios joins the Offensive! Paul is VFX Pipeline Technical Director and has credits on movies such as Ant-Man and Thor: The Dark World. Producer Justin and Smooth Ken get an in depth look at the VFX industry and discuss what fans take for granted when it comes to CGI. Extremely enlightening for any movie geek! #JOINTHEOFFENSIVE

Alan Do is Co-founder and Look Development artist at Cadre Pictures. Since early 2000s, he's worked in the 3d industry for over 15 years. His VFX work includes the automotive, financial, retail and entertainment in the advertising industry. Having worked as a Senior 3d Generalist / Lighter at Robot VFX and Method Studios, his expertise concentrates cinematic quality on photo-realistic creatures, stylised characters, natural and mechanical surfaces. Since co-founding Cadre Pictures, Alan has focused his efforts to ensure that every project is finished to the highest possible standard with stunning visuals to match.. www.cadrepictures.com.au Topics Discussed - Alan's story & career path - The process of 3D look development - A good promotional, texturing and lighting shot - Generalists to specialists - What it takes to become an expert - the Conan wheel of pain - Robot VFX, Ben West & Fugu and Tako the movie - Creating high-end TVC’s - Briefing a 3d artist - Starting your own studio - Understanding Cadre specialist pipeline - Podcast recommendations & lots more

Today we get to know Sam Ramlu of Method Studios. Method Studios is a digital led creative agency with smart ideas and effective results. This episode is powered by UpGuard.com, UpGuard's discovery engine brings visibility to complex IT environments, enabling teams to quickly identify risk, confirm compliance and make business safer. Tweet @womenintechshow and @EspreeDevora http://method.digital/ http://twitter.com/womenintechshow https://twitter.com/espreedevora

In this week’s episode, we have film industry veteran, Todd Perry. Todd talks about how he got his start in the industry. He also dives into his work within the Marvel Cinematic Universe with films such as Avengers: Age of Ultron, Doctor Strange, and more recently his work as an Associate Visual Effects Supervisor for Method Studios on Black Panther.

本期嘉宾：林童Method Studios（美国洛杉矶）后期特效组长、高级特效人今天我们这期节目的嘉宾厉害啦，有多厉害呢？我们先来看看他参与过的项目吧。简直炸到不行！林童，Method Studios（美国洛杉矶）后期特效组长、高级特效人，VES会员，酷爱CG与VFX，曾在华大计算机学院本科毕业后于2009年赴美国卡耐基梅隆大学娱乐技术中心学习，2011年硕士毕业后便全心投入到视觉特效的世界，先后就职于业界领先的 Rhythm & Hues Studios 和 Method Studios, 作为电影特效主创人员参与了《少年派的奇幻漂流》（85届奥斯卡奖最佳视效奖）、《奇异博士》（89届奥斯卡奖最佳特效提名）、《美国队长》（英雄内战）、《银河护卫队》（87届奥斯卡奖最佳特效提名）、《雷神》（黑暗世界）、《蚁人》、《不惧风暴》、《八恶人》、《波西杰克逊》系列和《分歧者》系列等十余部不同类型影片的主要特效，也曾在《使命召唤》、《雷神之锤》、《Evony世界》等游戏CG和耐克、讴歌汽车、塔吉特等多部顶级广告制作中担任特效总监。就问你炸不炸！炸不炸！炸不炸！当然作为一个非常专业的设计类电台，我们并没有只是看这些表面的东西，我们需要求真求实求专业。本期节目从嘉宾的个人经历切入，之后慢慢深入到好莱坞公司做特效的流程，再到国内特效环境与专业性，我们展开了一次非常深层次的交流，同时还升华了嘉宾本人对未来中国特效的期许。他现在也做了一个特效的公众号，分享一些国外特效的资讯，同时还有一些技术上的干货，为推动中国特效行业做出了自己应有的贡献。这种态度我们异能电台完全能感觉到，都是在无偿的推动中国设计事业。我们邀请到的所有的嘉宾都是抱有这种超级正的想法，通过异能电台这个平台把这个非常正的事发扬光大。反正就是超级炸！炸！炸！如果你也想有这么炸的想法，请来联系我们。--------------------------------------------------------------------- 本周四微信群内讨论三个问题： 1. 你看电影是看什么？更加关注什么？举例你自己喜欢的电影并解释为什么？比如：故事、人设、特效、摄影、剪辑、特效，等等。2. 嘉宾参与过的电影项目中，你有看过哪一／几部？哪一部印象最深刻？为什么？3. 节目中嘉宾讲的国内电影特效的差距，差距有哪些？你觉得差距还有哪些？中国电影特效的未来会是怎样？你的期许有哪些？--------------------------------------------------------------------- 很多朋友问怎么进入神秘的“异能微信群”，请关注我们的公众号“异能FM”，导航栏处点击“加入我们”后点击“加微信群”，点开推送，填写进群问卷后，我们神秘的异能君会联系你的。 商业合作请在电台公众号“异能FM”后台留下您的联系方式，或联系邮件：info@yineng.fm本期主播：Sai, Oba，黄老师Poster/文：Sai （Poster图片参考来自网络）

本期嘉宾：林童Method Studios（美国洛杉矶）后期特效组长、高级特效人今天我们这期节目的嘉宾厉害啦，有多厉害呢？我们先来看看他参与过的项目吧。简直炸到不行！林童，Method Studios（美国洛杉矶）后期特效组长、高级特效人，VES会员，酷爱CG与VFX，曾在华大计算机学院本科毕业后于2009年赴美国卡耐基梅隆大学娱乐技术中心学习，2011年硕士毕业后便全心投入到视觉特效的世界，先后就职于业界领先的 Rhythm & Hues Studios 和 Method Studios, 作为电影特效主创人员参与了《少年派的奇幻漂流》（85届奥斯卡奖最佳视效奖）、《奇异博士》（89届奥斯卡奖最佳特效提名）、《美国队长》（英雄内战）、《银河护卫队》（87届奥斯卡奖最佳特效提名）、《雷神》（黑暗世界）、《蚁人》、《不惧风暴》、《八恶人》、《波西杰克逊》系列和《分歧者》系列等十余部不同类型影片的主要特效，也曾在《使命召唤》、《雷神之锤》、《Evony世界》等游戏CG和耐克、讴歌汽车、塔吉特等多部顶级广告制作中担任特效总监。就问你炸不炸！炸不炸！炸不炸！当然作为一个非常专业的设计类电台，我们并没有只是看这些表面的东西，我们需要求真求实求专业。本期节目从嘉宾的个人经历切入，之后慢慢深入到好莱坞公司做特效的流程，再到国内特效环境与专业性，我们展开了一次非常深层次的交流，同时还升华了嘉宾本人对未来中国特效的期许。他现在也做了一个特效的公众号，分享一些国外特效的资讯，同时还有一些技术上的干货，为推动中国特效行业做出了自己应有的贡献。这种态度我们异能电台完全能感觉到，都是在无偿的推动中国设计事业。我们邀请到的所有的嘉宾都是抱有这种超级正的想法，通过异能电台这个平台把这个非常正的事发扬光大。反正就是超级炸！炸！炸！如果你也想有这么炸的想法，请来联系我们。--------------------------------------------------------------------- 本周四微信群内讨论三个问题： 1. 你看电影是看什么？更加关注什么？举例你自己喜欢的电影并解释为什么？比如：故事、人设、特效、摄影、剪辑、特效，等等。2. 嘉宾参与过的电影项目中，你有看过哪一／几部？哪一部印象最深刻？为什么？3. 节目中嘉宾讲的国内电影特效的差距，差距有哪些？你觉得差距还有哪些？中国电影特效的未来会是怎样？你的期许有哪些？--------------------------------------------------------------------- 很多朋友问怎么进入神秘的“异能微信群”，请关注我们的公众号“异能FM”，导航栏处点击“加入我们”后点击“加微信群”，点开推送，填写进群问卷后，我们神秘的异能君会联系你的。 商业合作请在电台公众号“异能FM”后台留下您的联系方式，或联系邮件：info@yineng.fm本期主播：Sai, Oba，黄老师Poster/文：Sai （Poster图片参考来自网络）

On this week’s episode, Paul Katzen from Method Studios joins the Offensive! Paul is VFX Pipeline Technical Director and has credits on movies such as Ant-Man and Thor: The Dark World. Producer Justin and Smooth Ken get an in depth look at the VFX industry and discuss what fans take for granted when it comes...

Presented by Recording Connection, Film Connection, Radio Connection and CASA Schools AUDIO JOBS - FILM JOBS - RADIO JOBS - CULINARY JOBS Connected is Five New Job Opportunities Every Week BECAUSE LOOKING FOR WORK DOESN'T HAVE TO SUCK Videographer & Editor – New York, NY. • HeartVeinNYC is seeking to commission an experienced videographer to design and edit informative and promotional video short for their cardiology practice. Sound Designer – Austin, TX. • KingsIsle Entertainment is currently looking for a Sound Designer to help develop exciting new family-focused video games for mobile and tablet devices. Production Coordinator – New York, NY. • Method Studios is seeking a production coordinator that will be responsible for the assignment and tracking of tasks for assigned area of responsibility. Harlem Globetrotters Sound Tech - Peachtree Corners, GA. • Harlem Globetrotters is seeking a sound tech that will Set-up, breakdown, and maintenance of all fog machines, lights, studio colors, spots, lasers, blacklights, DMX board, amps, speakers, WDS, LEDs, etc. Freelance Video Editor Entertainment & Sports News – Los Angeles, CA. • Rapidly growing Los Angeles based entertainment studio is looking for energetic and eager freelance Video Editors. To be successful in this position ideal candidates must be fast and efficient in Adobe Premiere, have flexible schedules, and be available to work on short notice. Also, DJ IZ offers career advice from the School of Hard Knocks. Today's topic is "How to solve the Catch 22 of not being able to get a job unless you have experience--but how do you get experience unless you have a job?" To apply for this week's Grind Opps watch the show for job details then apply at https://www.rrfedu.com/connected-shows/show-39/ Make sure you customize your resume to reflect your skills that apply to the job position and craft a good cover letter. For advice on resumes and cover letters visit https://www.rrfedu.com/connected/vault/ Each Monday at 11AM PST, Connected hooks you up LIVE with five job openings (what we call grind opps) in audio, film, broadcasting and the culinary arts. Join hosts DJ IZ and Cloie Wyatt Taylor as this week we connect you with the following job opportunities: Also, check out our website for five additional grind opps at https://www.rrfedu.com/connected-shows/show-40/ #IZCONNECTED #OVERPERFORM #THISISMYCLASSROOM https://www.facebook.com/IZconnected https://twitter.com/IZconnected https://www.instagram.com/IZconnected/ https://www.youtube.com/channel/UCa8qmf62FK6F2dMgQcy2_7g RRFEDU RECORDING-FILM-RADIO-CULINARY PROGRAMS https://www.rrfedu.com http://www.recordingconnection.com http://www.filmconnection.com https://www.radioconnection.com https://www.casaschools.com RRFC 1201 West 5th Street, Suite M130 Los Angeles, CA 90017

Presented by Recording Connection, Film Connection, Radio Connection and CASA Schools AUDIO JOBS - FILM JOBS - RADIO JOBS - CULINARY JOBS Connected is Five New Job Opportunities Every Week BECAUSE LOOKING FOR WORK DOESN'T HAVE TO SUCK Videographer & Editor – New York, NY. • HeartVeinNYC is seeking to commission an experienced videographer to design and edit informative and promotional video short for their cardiology practice. Sound Designer – Austin, TX. • KingsIsle Entertainment is currently looking for a Sound Designer to help develop exciting new family-focused video games for mobile and tablet devices. Production Coordinator – New York, NY. • Method Studios is seeking a production coordinator that will be responsible for the assignment and tracking of tasks for assigned area of responsibility. Harlem Globetrotters Sound Tech - Peachtree Corners, GA. • Harlem Globetrotters is seeking a sound tech that will Set-up, breakdown, and maintenance of all fog machines, lights, studio colors, spots, lasers, blacklights, DMX board, amps, speakers, WDS, LEDs, etc. Freelance Video Editor Entertainment & Sports News – Los Angeles, CA. • Rapidly growing Los Angeles based entertainment studio is looking for energetic and eager freelance Video Editors. To be successful in this position ideal candidates must be fast and efficient in Adobe Premiere, have flexible schedules, and be available to work on short notice. Also, DJ IZ offers career advice from the School of Hard Knocks. Today's topic is "How to solve the Catch 22 of not being able to get a job unless you have experience--but how do you get experience unless you have a job?" To apply for this week's Grind Opps watch the show for job details then apply at https://www.rrfedu.com/connected-shows/show-39/ Make sure you customize your resume to reflect your skills that apply to the job position and craft a good cover letter. For advice on resumes and cover letters visit https://www.rrfedu.com/connected/vault/ Each Monday at 11AM PST, Connected hooks you up LIVE with five job openings (what we call grind opps) in audio, film, broadcasting and the culinary arts. Join hosts DJ IZ and Cloie Wyatt Taylor as this week we connect you with the following job opportunities: Also, check out our website for five additional grind opps at https://www.rrfedu.com/connected-shows/show-40/ #IZCONNECTED #OVERPERFORM #THISISMYCLASSROOM https://www.facebook.com/IZconnected https://twitter.com/IZconnected https://www.instagram.com/IZconnected/ https://www.youtube.com/channel/UCa8qmf62FK6F2dMgQcy2_7g RRFEDU RECORDING-FILM-RADIO-CULINARY PROGRAMS https://www.rrfedu.com http://www.recordingconnection.com http://www.filmconnection.com https://www.radioconnection.com https://www.casaschools.com RRFC 1201 West 5th Street, Suite M130 Los Angeles, CA 90017

Gil worked as a 3D Artist and visual effects supervisor in Hollywood. He was the founder and director at Method Studios in Los Angeles, where he did a lot of work for commercials, including an iconic Toyota being smashed by a meteor commercial. Gil most recently founded Visionary VR, a tool for budding content creators to make films in VR using the tools they've been using all their lives.