Podcasts about visual fx

This week we are discussing "Leprechaun 4: In Space." This was a Hall pass pick by me and it also is our 6 year anniversary! This sequel I remember watching at my buddy Tom's as a 10 year old and it's still just as bad as I remember. We talked about bad CGI, Lep with a lightsaber, how Leprechaun's power usage makes no sense, the set pieces, and so much more. Happy St. Patty's Day, Sequel Lovers!Watch the Unedited Video Review at sequelsonly.com/LepInSpaceThe next sequel up is "Mission Impossible: Ghost Protocol" and for it, I chatted with David Codeglia. David did some Visual FX for the film. We discussed his journey from doing films with his twin as a kid to VFX to directing to comedy and more. David was a blast and it's a great chat.Follow us on all social media @sequelsonly and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

It's Oscars day and Kiwi's are front row for their work out of Wētā FX this year. The team have three nominations for Alien Romulus, Better Man and Kingdom of the Planet of the Apes. Head of Visual FX Matt Aitken talks to Mike Hosking about the ceremony. LISTEN ABOVE. See omnystudio.com/listener for privacy information.

As we approach the launch of "Reel Wisdom", Derek looks back at an episode of the "Feature Presentation" podcast:Visual FX Producer Zach Hamelton joins the show to chat with Derek about what made him want to work in the film industry, the differences between "visible" and "invisible" effects, a day in the life of a Visual FX team, and his experiences working on "Star Trek: Picard" and "Star Trek: Strange New Worlds."NOTE: This was originally released on August 8, 2022Follow and subscribe to the show:https://linktr.ee/reelwisdompod Hosted on Acast. See acast.com/privacy for more information.

Chelsea Laufer went to a prestigious film school. She got a job in TV production, and then in animation. But it wasn't until she uploaded her *own* creations to the Internet that her life turned magical. Chelsea VFX makes inspired, short-form digital magic tricks where she disappears into hula hoops, takes a dip in her own cup of coffee, and changes the color of her sweater with a snap. Her visual effects skills rival Hollywood movies, and her flair for short-form surprises racked up millions of followers and (likely) 1 billion views. Her motto is, "If you can think of it, you can make it happen" — at least in the world of digital manipulation. But when her fans tell her she should work for Marvel or Disney, she has one huge reason she prefers to create for the Internet. This week, Chelsea shares her rules for magical short-form storytelling, why she's the worst person to watch a movie with, and the fascinating tale of her most-viewed video which went INCREDIBLY viral (500 million views!) for all the wrong reasons. Plus: Trivia is BACK! Follow Chelsea IMMEDIATELY:

Show Notes: In this episode we discuss the shooting process for his last film The Puppetman, how to do low budget visual FX, and the importance of understanding how FX works so you can shoot in conjunction with post. He also gives a few teasers away at what his next movie is going to be! Brandon's Socials: Twitter: https://twitter.com/thebrandonc85  Instagram: https://www.instagram.com/thebrandonchristensen/  Who's There? Socials: Join the Patreon: https://www.patreon.com/user?u=103143437  Twitter: https://www.twitter.com/whostherepc  Instagram: https://www.instagram.com/whostherepc Email: whostherepc@gmail.com  Website: https://www.whostherepodcast.com  Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup  --- Support this podcast: https://podcasters.spotify.com/pod/show/whostherepod/support

This episode features conversation with Visual FX Supervisor -  Jonathan Privett - Netflix "Life on our Planet" - Executive Produced by Steven Spielberg.Life on Our Planet is an American streaming television nature documentary series released on  Netflix and produced by Amblin Television and Silverback Films. Executive-produced by Steven Spielberg and narrated by Morgan Freeman, the series focuses on the evolutionary history of complex life on Earth.Kingdom of Dreams is a podcast about cinema and art of storytelling.  The Podcast series will interview people involved behind the scenes, may it be screenwriters, directors, animators, producers etc. 

Hosts STEPHEN SCARLATA (producer, Jodorowsky's Dune) and JOSH MILLER (writer, Sonic The Hedgehog, Violent Night) talk with Academy Award-winning animator and Visual FX legend PHIL TIPPETT (Star Wars Trilogy, Robocop, Jurassic Park, Starship Troopers, Mad God) about his unmade career - including Timegate, Force of the Trojans, Disney's Dinosaur, Francis Ford Coppola's Pinocchio, Bug Hunt, The Primevals - and the new documentary "RoboDoc: The Creation of Robocop." Get BONUS content on Patreon! https://www.patreon.com/BestMoviesNeverMade/about Theme music by Brian J Casey Follow us on Twitter: @NeverMadeFilm and Instagram: Best Movies Never Made.

As vezes o salto que damos rumo a modernização e futuro tende a criar atritos que por muitas vezes leva à resistência.Porém, nem tudo é uma questão de aceitação do futuro, mas uma observação em como o futuro chega de forma avassaladora criando um rastro de danos que marcam a sociedade em seu despreparo de assimilação.Felipe Gonçalves do canal Sessão Set é um dos amigos a virem debater um pouco essa convergência de modernidades.Paulo Ramos, estudante de cinema que mora ha mais de uma década no Estado de Nova Iorque pode nos contar melhor e com conhecimento de causa os efeitos da greve dos roteiristas.Vebis Jr, professor mestre em cinema media o debate de olho na possibilidade de retomarmos o assunto posteriormente.Vem com a gente!

Unser heutiger Gast: Phil Flock (SAE Köln 2011-2014). Phil ist Filmemacher, lebt im Valley nördlich von LA und kommt ursprünglich aus der Nähe von Düsseldorf. Er ist spezialisiert auf Visual FX, dreht selbst Action-Kurzfilme und ist mit seiner Firma Infancinema selbstständig. Die Liste von Phil's Klienten ist lang, neben Namen wie Disney oder Call Of Duty hat er auch einen eigenen Youtube Kanal und einige weitere Seitenprojekte. In dieser Folge geht es nicht nur um Phil's Werdegang sondern auch um selbstständiges Arbeiten. Wir besprechen Einkommensströme, Finanzen und die große Frage: wie viel seiner Zeit man tatsächlich verkaufen sollte. Phil erzählt uns von seiner ganz eigenen Lebensphilosophie, es geht um's Fasten, Sport und darum, was er noch alles vor hat. Wir hatten ein wahnsinnig spannendes Gespräch mit ihm, was wir euch natürlich nicht vorenthalten wollen! Viel Spaß! Youtube: youtube.com/@PhilFlock Instagram: @Phil.flock Life After SAE auf Instagram:  instagram.com/lifeaftersae/   Mehr zu Kurt gibt's hier:   www.kurt-jonathan-engert.com   Mehr zu Glen gibt's hier: linktr.ee/glenschaele

This week, Visual FX Producer Zach Hamelton joins the show to chat with Derek about what made him want to work in the film industry, the differences between "visible" and "invisible" effects, a day in the life of a Visual FX team, and his experiences working on "Star Trek: Picard" and "Star Trek: Strange New Worlds."Watch Live on YouTubeSubscribe to the show on LinktreeUse the code “FPPod” at checkout for 10% off your order at BrezCoffeeCo

Patrick Conboy comes on to talk about creative processes and finding inspiration through art. He is a filmmaker and most recently released his film called The Bug.  Follow Patrick Conboy: https://www.instagram.com/ol_pat/  follow Brenden Pachniak: : https://www.instagram.com/brenden_pac/https://twitter.com/brendenpac

The Penrod's takeover this week as Wendy & her hubby and improv comedian, TJ, discuss the Best Visual Effects category of the 2017 Oscars! They do a deep dive into nominee, Kubo and the Two Strings and the winner, The Jungle Book!

Neebz and Jazz discuss with industry insider Rocky and discuss the issues with the CGI and Visual FX industry. We also go our first Ms Marvel giveaway. Listen to see how you can enter to win.

Sound design is critical to giving virtual worlds a sense of presence. So how can we achieve the best spatial sound? And how can we best integrate soundscapes into the virtual experience?Joining us will be Visual FX wizard Cornelius, who has experimented with sound in the metaverse while collaborating with some of the best worldbuilders in Altspace, including SHUSHU AND THE VRIUM TEAM.

Wendy & Tiff discuss two of their favorite childhood films that just happened to be nominated in 1985 for Best Visual Fx! Listen in as we discuss Ghostbuster and Indiana Jones and the Temple of Doom!

This month we're crashing the Academy Awards and correcting some of the biggest snubs from 94 years of Oscar voting! We'll explore 21 categories, from Best Picture to Visual FX, Best Actress to Sound Editing. Hide your Oscars, "Gandhi"! Lock your doors, "Cider House Rules"! Hand it over, "English Patient"! We're plucking gold statues from mantels and re-gifting them to deserving artists and films that weren't even nominated. Join us for an episode that's as long as an Oscar broadcast and every bit as self-indulgent! 

What's HUD got to do with it? Sitting at the nexus of Visual FX and Motion Design is the strange and wonderful world of Screen Design. Stephen Lawes is the Creative Director and Co-Owner of Cantina Creative, a Los Angeles-based visual effects and design studio. They've worked on enormous films and TV shows, from Furious 7 and Blade Runner 2049 all the way to the films and limited series of the Marvel Cinematic Universe. The team has carved out a niche in the Motion Design world and made quite a name for themselves along the way.

Today on the Kaimancast we interview Danny Behar. Danny is a Blender artist currently for GQ's Youtube Channel. Danny talks about his amazing Visual FX reel. Danny and Redd also discuss Ancient Egypt, new technology and Old Movie Posters. Follow Redd at Twitter.com/reddkaiman --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/redd-kaiman/message Support this podcast: https://anchor.fm/redd-kaiman/support

Chris Rey is a VFX Artist currently working on the new God of War, and previously worked on Call of Duty: Black Ops Cold War. He makes vehicle explosions, Zombie lasers, and Norse spells look cool! We discuss the organization of PlayStation Studios, Activision, and the hardware behind special effects. [SPONSOR for cheap Windows & Gaming Keys: https://www.cdkoffers.com/] 25% software discount code: brokensilicon 3% EVERYTHING discount code: dieshrink Windows 10 Key: https://bit.ly/2vfKucI 0:00 What made Chris Reach out? What does a VFX Artist do for Call of Duty Cold War? 9:52 Between various FX – what taxes gaming hardware the most? 12:07 Why don't more Developers go on the Record? 14:58 Jason Schreier's Reporting on PlayStation Studios, How Sony manages their Devs 24:19 How much do COD Studios share tech? How much do PlayStation studios share? 27:06 Does making a gen Crossgen hold back the next gen version? 34:42 Optimizing for AMD & Nvidia Graphics vs PlayStation 5 & XBOX Series X 38:35 What specs would you improve on the PS5? Would more actually RAM improve graphics? 44:07 What effects need more work by devs? Why does smoke look worse than Fire? 50:48 Does hardware ever limit art direction? 57:16 Why do so many games get delayed? 1:00:07 How did the COVID Shutdown affect Game Development? 1:08:26 XBOX vs PlayStation marketing - how soon should companies reveal games? 1:17:13 Differences between Call of Duty & God of War development...and fans. 1:27:35 Why is Warzone's file size so large?! Did Activision expect it to be this successful? 1:34:51 Is there a way to stop Multiplayer Hackers? Does Activision have vulnerabilities? 1:39:46 Why don't more console games support Keyboard & Mouse? 1:48:52 How do devs adjust settings for MP Competion? Why isn't DX12 the standard? 1:59:51 Difference between doing VFX for movies versus Games 2:05:57 Advice for people looking to get into game development Christopher Reay: https://www.linkedin.com/in/cjreaytechart/ Sony Santa Monica: https://sms.playstation.com/ Jason Schreier PlayStation Studios Report: https://www.bloomberg.com/news/articles/2021-04-09/sony-s-obsession-with-blockbusters-is-stirring-unrest-within-playstation-empire https://www.gamespot.com/articles/obsidian-denied-bonus-over-new-vegas-metacritic-score-studio-head/1100-6366337/ https://www.reddit.com/r/blackopscoldwar/comments/jubtwm/acid_trip_bug_anyone_else_had_this_dont_know_what/ https://www.youtube.com/watch?v=ZaaFEWz5uaQ https://twitter.com/AntiCheatPD/status/1412024189561851904 Fire VFX Guy: youtube.com/channel/UCjgqdaigk7VSDqqqkHkcNTg

The Oscar year is 2011 and the Visual Fx are poppin'! We're going to explore Harry Potter & the Deathly Hallows Pt. 1 and the movie it lost to, Inception! Join us as we learn some stuff and gain a better appreciation for Visual Fx!

On this episode of the MacGuffin Guild -- In the near future, crime is patrolled by a mechanized police force.  In Chappie.This 2015 Sci-Fi Action Drama stars Sharlto Copley, Dev Patel, Ninja, Yo-Landi Visser, Hugh Jackman, Sigourney Weaver and Jose Pablo Cantillo.  Directed by Neill Blomkamp.We're gonna talk about the works of Blomkamp, character personas, Chappie's Fears, Auto corrections, Short Circuit and He-Man.We'll dig into why this film is divisive, the works of Sharlto Copley and Simon Kinberg, whether or not you would ever be transferred into a robot body, Die Antwoord and how Mike experiences reviews.We'll also get into mullets, family inspired tag lines, Jose Pablo Cantillo, and this film's action sequences and Visual FX.I'm Pat Dougherty and as always I'll be joined by my fellow MacGuffin's Justin Jones and Mike Antonio.  Our theme song was written and performed by Jordan Vincent. I am discovery. I am wonder. We are podcast. He is Chappie.

En el episodio del día de hoy tenemos de invitado a un profesor de CREHANA (una plataforma de aprendizaje en línea con más de 1 millón de estudiantes) su nombre es Israel peralta y charlamos acerca del mundo de la animación 2D , Visual FX y Motion grafics --- Send in a voice message: https://anchor.fm/raziel-ramos/message

This week, Katie & Aurelia are joined by Miranda Knox, a visual FX artist & compositor! We learn all about the world of visual effects in film & TV, what is needed for a career in this field, and how it's changing. Katie & Aurelia also catch up on what their watching, a Golden Globes recap, and shout out some local businesses. Enjoy! Emily Hyde - Studio V Waxing - IG: studiovwaxing Shayna Sangster - Just Ride Indy Cycling Studio - justrideindy.com Courtney Cherae - The Happy Herb Tea Co - FB: The Happy Herb Tea Company

Rants included on Close vs Colman II, Mank & Minari momentum, the Borat 2 problem, the big appeal of The Little Things, and we have recommendations, reviews, and synopses for some shorts, most international films, & all but one of the docs on Oscar Race Checkpoint. What is This Episode?/AlsoMike is Crazy - Top of Show OSCAR SHORTLIST REACTIONS: Makeup + Hairstyling - 2:46 (AlsoMike’s Hillbilly Rantegy - 9:05) VFX - 13:03 Original Score - 22:23 Original Song - 29:33 Best Picture Puzzle Round Up - 38:38 Documentary Feature - 40:00 (AlsoMike Gives a Synopsis of FOURTEEN Entries) International Feature - 54:33 (AND THEN HE DOES IT AGAIN) Live Action/Animated/Doc Shorts - 1:06:26 Where To Find Us/LEAVE US A 5* REVIEW! - 1:09:57 Words of Wisdom/What’s Coming Next - 1:11:11 The Oscar Shortlist selections could tell many stories about the strength of certain campaigns and candidacies. Which contenders showed the most strength? Which films got hurt by some costly omissions? We break down the first four categories of Make-Up & Hair, Visual FX, Score, and Song with eyes toward the big prizes, and there are some rants about Glenn Close, Mank & Minari momentum, the Borat 2 problem, and why there’s appeal for The Little Things. Plus, we discuss how other noms from the Choice, Globes, Spirits, & critics awards could factor into these races as to who are the frontrunners in these shortlists. Then after a lot of movie-watching this season, Also Mike reviews a few of the shorts, most of the International films, and all but one of the documentary features as we run through the shortlists in 5 categories. Where can you watch them? Which films should you prioritize? And what are our early predictions? There are some sad, heavy movies in these lists. But so many are worth your time and patronage. So check them out. As always, we want to hear your thoughts on the Oscar Shortlists. What do you celebrate? What were your snubs? We’re at MMandOscar on Twitter, and we are at Mike, Mike, and Oscar on Instagram, Facebook, Reddit, and Gmail. You can subscribe / rate / review / like / share / & hear us on Apple Podcasts, Soundcloud, Stitcher, Google Play, Tune In, Spotify, and just about wherever you might listen. We’re Mike, Mike, & Oscar, and we’re making awards season year round, without the stuffiness. Thank you! And do stay safe, everybody.

Tom and Dan go full nerd when speaking with Amada's longtime friend Chris Freihofer, who has done Visual FX work on such Hollywood blockbusters as Avengers: Infinity War, Shazam, Rampage, and even the brand new Disney+ smash hit Wandavision. Also, Tom gets to meet Drunk Amada for the first time, there are throwbacks to old school Pizza Hut and Disney shows, some heartwarming NFL news, and after all of those game-changing moments, apparently there's a new President of the United States (who knew!?) This week's Three Course Meal is served piping hot! --- Send in a voice message: https://podcasters.spotify.com/pod/show/threecoursemealpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/threecoursemealpodcast/support

How do you build trust in yourself in hyper-competitive industries that rely on subjective assessments? How can you build collaboration in this same environment? How do you trust yourself to succeed? In this episode, hosts Lisa Lambert and Rick Kitagawa speak with visual effects supervisor Mike Lyndon. He's also a problem-solver, storyteller, artist, Visual FX superstar, and reimagineer of education. Mike offers a ton of mic-drop moments in this interview. While this is a must-listen to any creative looking to make a living off their craft, Mike's advice applies to pretty much anyone seeking to make a difference. Enjoy! Show Notes: Mikelyndon.online @mike_lyndon on twitter Tangent Animation altMBA ~~~~~~~~~~~~~ Sponsored by: Spotlight Trust The founders of Trust-Centered Leadership have created the practical playbook for building trust at scale. Download your free copy at spotlighttrust.com/playbook --- Send in a voice message: https://anchor.fm/in-trust/message

From 48 hour film festivals to visual effects on Oceans 8, Josh shares the knitty gritty of his job as an editor. His journey starts in Ohio, goes to L.A., back to Ohio, and then to New York City where he's been a Visual FX Editor for multiple film and tv projects, the 3D Editor on The Nutcracker and The Four Realms, and an assistant editor - which was his foot in the door. If you're interested in film, any aspect of it, you could have a career as one of the hundreds of people working behind the scenes. Or as part of the smaller team that works on post-production. Buckle in and enjoy this conversation with Josh. Consider this episode "locked." Industry lingo...you'll get it later. (Recorded Pre-2020)

Dan Curry is a veteran of over 100 feature films and 40 television productions.  His visual effects work on STAR TREK was honored with 7 Emmy Awards and 19 nominations.  We spoke to Dan about his work with the visual effects department for Star Trek, his new book, what inspired Klingon martial arts, and his chance encounter with Neil Armstrong and Buzz Aldrin during his time in the Peace Corps. We discuss the importance of the film industry to inspire public interest in space exploration. Live long and prosper.

We nominate horror bests in 9 Oscar Categories for the years of 2016 through 2020 and then give out Gold, Silver, & Bronze medals. It’s simple, it’s fun, and we celebrate so many great horror movies in the process. These are The Horror Oscar Olympics. What Is This Episode/Happy Horror Days! - Top of Show THE ’16-20 HORROR OSCAR OLYMPICS: VFX - 2:26 Supporting Actor - 7:24 Supporting Actress - 13:06 Adapted Screenplay - 17:20 Original Screenplay - 23:41 Lead Actor - 29:34 Lead Actress - 33:40 Best Director - 41:40 Best Picture - 45:55 Your Homework/Our Socials - 52:44 What’s Next For MMO/Words of Wisdom - 53:26 Now why did we do 5 years in one Olympiad? Well, we rationalized it because the next Olympics, Tokyo 2021 will transpire 5 years after Rio 2016. But the main reason we wanted to include 2016 was because 2016 was so loaded with great horror films. So we figured that would just add to the fun, and we were right. As for the format, it’s pretty simple. We cover 9 Oscar categories including Visual FX, Original & Adapted Screenplay, all 4 lead and supporting performances, best director, and picture. Then we each declare a Best of the Year as we hand out Gold, Silver, & Bronze medals to our top 3’s, which means two of those bests “Do Not Medal.” Which Stephen King adaptation will win gold in screenplay? How in the hell do we choose a best actress? What MMO favorite will win the most hardware? And what 2020 films will shock their way to the podium? Find out in this fast paced hour and get ready for your Halloween Holiday with us. If you enjoyed this episode, check out these related playlists on our Soundcloud - “The Oscar Olympics,” “MMO Does Halloween,” and “#AllTheHorror.” Then do stay tuned for our annual Halloween tradition of The Scaries, an MMO Homemade Awards Show, where this year, we’ll be featuring the subgenre of alien movies. As always, we want to hear your thoughts. So send us your medal winners for any or all of these 9 Horror Oscar categories. We’re at MMandOscar on Twitter, and we are on Instagram, Facebook, Reddit, and Gmail. You can subscribe / rate / review / like / share / & hear us on Apple Podcasts, Soundcloud, Stitcher, Google Play, Tune In, Spotify, and just about wherever you might listen. We’re Mike, Mike, & Oscar, and we’re making awards season year round, without the stuffiness. Thanks for clicking play.

Today we welcome filmmaker Antoine M. Dillard to our show! Antoine discusses the art of indie filmmaking, how he learned visual FX for his films, location scouting, distribution and how film festival accolades can help boost your filmmaking integrity. Samantha needs a "Nickname", Chuck introduces "Creepy Time" and Aaron... is Aaron.... Enjoy! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cccentertainmentgroup/support

Our latest episode features director and animator Edmond Hawkins. Edmond directed 2 seasons of HBO's Wyatt Cenac's Problem Areas, he's also recently worked as the sketch director for Patriot Act with Hasan Minhaj on Netflix. He's worked on iconic shows like SNL, Jimmy Fallon, and many more. Enjoy this fresh perspective from a NY director.  http://www.naacp.org

Vicki Lau is a visual effects artist, content creator and entrepreneur who is passionate about helping others like her get into the movie and gaming industries. Her experience has seen her work on some of Hollywood's most recent blockbuster movies including Aquaman, Guardians Guide to the Galaxy, War of the Planet of the Apes and TMNT. In this episode we talk about various Hollywood visual FX techniques and technologies which are shaping the movie and gaming industry today. Technologies like Virtual Reality, Holographics (HoloLens), Virtual Relaity, Augmented Reality, Facial Mapping (Deep Fakes), Volumetric Compositing and Volumetric Cloud Data. Timestamps 0:06 Intro 2:28 Vicki Lau's Beginnings 3:38 What are visual FX? 5:05 Productions Vicki Lau has helped produced 7:05 Different types of Visual FX roles 10:15 Core software used in creating visual effects 11:30 Virtual Reality and Oculus Rift 15:00 The future of Virtual Reality 16:23 Holographics and HoloLens evolution 17:35 Augmented Reality (AR) explained 19:50 Artificial Intelligence used in game visual effects 21:05 Role of a visual FX specialist in a gaming environment 23:35 How to attain work in visual effects 27:20 Vicki Lau's on teaching visual effects Hollywood secrets to others 29:35 What is "Volumetric Compositing"? 31:00 Facial mapping and "Deep Fake" software 34:35 What is "depth data" and "volumetric cloud"? 35:55 Algorithms, Tesla navigation and mapping the real world 37:35 Unreal Engine and its use in movies and games 42:05 Visual effects being overdone and following story line Vicki started as a humble student of digital media back in the small city of Singapore with a background in visual effects in film and television and computer programming. Without any contacts or connections in the United States, she began her career at the age of 18 from Singapore, working her way up into the Hollywood film industry and landing her first break working on AMC's hit series, The Walking Dead (Season 4),. Already recognized by her country and by major organizations as an expert in her field, Vicki has made great strides for someone her age. At only 24 years of age, she was one of the youngest speakers and presenters at the SMPTE Annual Technical Conference in its time, where she was a panellist and speaker for virtual reality in motion pictures. She gave a TEDx talk on visual effects and virtual reality in May 2016 at Napa Valley, CA and in November 2018, was invited to speak as a keynote speaker at Elliot Masie's Learning 2018 conference, along with keynote speakers Former First Lady Laura Bush and Hamilton star Leslie Odom, Jr. VICKI LAU'S LINKS Course: http://bit.ly/VFXNuke2D Web: https://www.lauvicki.com/ IMDB: https://www.imdb.com/name/nm5130924/ Instagram: https://www.instagram.com/vickicup/?hl=en YouTube: https://www.youtube.com/c/vickicup I hope you enjoyed this podcast, please FOLLOW the show if you have not already done so. Feel free to rate and review this podcast in your podcasting app. PEOPLE WITH A PASSION LINKS: WEB 1: https://applaudible.net/ PODCAST: https://anchor.fm/pwap INSTAGRAM: https://www.instagram.com/people_with_a_passion/ FACEBOOK: https://www.facebook.com/peoplewithpassion TWITTER: https://twitter.com/pwap_official YOUTUBE CREATOR: Interview, design, full audio and video production by Applaudibe - Craig Rowe © 2020. All Rights Reserved. #hollywood #visualFX #movies --- Send in a voice message: https://anchor.fm/pwap/message

Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Show ID: 35396]

Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Show ID: 35396]

Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Show ID: 35396]

Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Show ID: 35396]

Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Show ID: 35396]

Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Show ID: 35396]

Paul Turcott is a veteran of the United States Navy. He used his military education benefits to go to Art School and learn motion picture Post Production and Visual FX. He is a former Christian who grew to embrace his mysticism. This is his story. MENTIONED IN THIS EPISODE: COACHING WITH ZAC GANDARA CONTACT THE GUEST: Message @ZacGandara FULL SHOW NOTES: EPISODE 208: Magic & Mysticism: Paul Turcott LOSER DEALS: Save 50% on QuickBooks Online and QuickBooks Self-Employed DO YOU LOVE THE PODCAST? JOIN US WITH SUPPORT. Support the podcast by leaving us a Rating & Review on iTunes or your podcast app. Donate to the Podcast. Through PayPal, Venmo, or Cash App! Join the CounterCulture Society and become a Producer through our Patreon. FOLLOW US: Facebook, Twitter, Instagram, and LosingOurReligionPodcast.com. RECEIVE WEEKLY EMAIL CONTENT: Join our email list. Music Featured in this Episode: LOR Theme Song by Rat Queen and Manager by Digi G'Alessio. This podcast is made possible by the producers of the CounterCulture Society and created and hosted by @ZacGandara.

This week, host Stephen Hill (Metal Hammer, Riot Act Podcast) chats with George Baker, Director of Visual FX company Encore SFX. George is a master of special effects including Pyrotechnics, Flames, Smoke, Lasers and co2, and is responsible for creating breathtaking moments within live events for some of the worlds biggest artists including Stormzy, Robbie Williams, Chain Smokers, Fall Out Boy and many more. George talks about how he first started out in his career, going to see Take That on the Circus Tour with his Mum, the pressures of live TV whilst working on The X Factor, owning his own Company at the age of 23, all the way through to triggering 100ft flames for Stormzy at his Glastonbury headline performance. Without a doubt, one of the biggest festival shows of 2019.With more captivating guests lined up every week, please Subscribe & Follow the 'We Are The Road Crew Podcast' over on Facebook & Twitter using the Handle/Tag @RoadCrewPod #RoadCrewPod

On this week's episode of TMV Podcast, Salim talks to Farhan Qureshi, an engineer turned VFX artist turned comic book author. Having worked on projects like Alien Vs Predator, Harry Potter, and Batman Begins to name a few, Farhan discusses his experience in the film industry, and quite particularly, his experience as a Muslim in the industry. They also talk about his journey between careers that's landed him as an author, and his most recent project Digitopia, an action-adventure comic touching on fake news, media double standards, and demonisation. --- To fund Digitopia on Kickstarter visit https://www.kickstarter.com/projects/farhanq/digitopia-1-displaced-dreams-the-paperback-comic, To listen to our podcast on representation of Muslims on screen (Ep 49) visit https://anchor.fm/themuslimvibe/episodes/Ep-49---The-Riz-Test-Challenging-how-Muslims-are-portrayed-on-screen-e3f4ge, To read about the study conducted on UK media contributing to Islamophobia, visit https://themuslimvibe.com/muslim-current-affairs-news/new-study-shows-uk-media-contributing-to-islamophobia-in-the-country, To purchase Farhan's book 'Visual Effects and Computer Graphics Survival Guide' visit https://www.amazon.co.uk/VFX-Survival-Guide-Producers-Filmmakers/dp/1484021541 (the kindle version is free), And to support us here at The Muslim Vibe, visit www.themuslimvibe.com/support. --- Send in a voice message: https://anchor.fm/themuslimvibe/message

On this episode, we talk with Visual FX artist (and all-around filmmaker) Joe Boccia.Visual effects, compositing, glitchy motion design, with a dash of cinematography are the ingredients of Forge Company, the moniker of full-time freelancer Joe Boccia. Primarily focusing on aspects of post production Joe likes to shoot, cut, grade and animate. Usually locked up at his after effects workstation Joe is happiest adding visual effects in commercials, music videos, short films and other endeavors. In the years to come Joe hopes to one day be designing title sequences for almost anything. Come say hi!You can find more information about Joe Boccia at https://www.instagram.com/forge_company/, https://vimeo.com/forgecompany and you can reach him by email at joe@forge-company.com.

The Two Gay Geeks have a chat with Bobby Bala, the writer / Director of the short film, "The Shipment" as well as his career in film and why he made this particular film. As part of this interview we also have Bobby's daughter, Ishana joining us for the chat. The Shipment has been selected as one of the sci fi entires at the prestigious Tribeca Film Festival.   About Bobby Bala Bobby Bala is an emerging director with a strong background in Visual FX and 3-D animation. As a father of two daughters, he was inspired to create a relatable human story about family and sacrifice. About The Shipment Unable to afford repairs to his old broken ship, a struggling interplanetary transporter and his daughter are stranded on a wretched spaceport as his morality is put to the test. In our second segment we have a wrap up of Phoenix Film festival 2019, the films we saw and some of the activities we were able to be a part of. We also highlight recent articles posted to the tggeeks.com in the past week. As always we have our birthdays and we have the ever popular feedback segment. We welcome your feedback. Please, let us know what you think. Good or bad, we want to know and you could receive a shoutout in the feedback segment. Thank you for listening, we really do appreciate you taking time out of your day to spend with us.     Our YouTube channel is audio only:   Show Notes / Links: TG Geeks Episode 214 TG Geeks Episode 216 Cameras Roll on Denis’ Dune | In Theaters November 2020 Dr. Zombie – Monster Family Physician #43 The Curse of La Llorona Trailer | In Theaters April 19th Arizona Opera Season Finale, The Marriage of Figaro Perfectly Marries Sight and Sound Gini's Yap - Restaurants on the Road | Golden Hunan Avengers: Endgame | Movie Clip Revealed Hick's Picks | Doctor Who - Tom Baker Season 7 Blu-ray From TMS Entertainment | Detective Conan: The Fist of Blue Sapphire - In Theaters (Japan) April 12th The American Pavilion and Colin Higgins Foundation to Partner at 2019 Cannes Film Festival Gini's Yap - Restaurants on the Road | Brent's Deli Three Virgin Galactic Crew Presented with Commercial Astronaut Wings Disney Reveals The Lion King Trailer Big Trouble in Little China T-Shirts Now Available from Fright Rags From Ron Howard | Pavarotti A Documentary Trailer Al's Affectations | Hellboy Review Little : Brilliantly Funny, Full of Truth | Andrea's Angle Review Missing Link: Stop Motion Shines | Andrea's Angle News Sushi #58: Morsels of News from Japan and Beyond Phantasm at 40 | Q & A with Don Coscarelli at Alamo Drafthouse - Tempe, AZ The Lavender Scare Coming Soon to Theaters Nationwide The Shipment Selected to Show at Tribeca Film Festival Star Wars Episode IX Teaser Trailer Raising Buchanan World Premiere at Phoenix Film Festival | Filmmaker Interview Phoenix Film Festival | Raising Buchanan Phoenix Film Festival | The Garden Left Behind     Visit Hero Within Store    Visit Uncharted Regions Website  Thank You to our Web Hosting Partner Visit Hero Within Store Travel To Uncharted Regions Technorama Featured Podcast     Thank You: The Arkle Times Post Dispatch News - The Human Arkle on Twitter @arkle --- Be sure to take a look at Arkle’s other venture: Arkle Studios presents Shameless Cash Grab Special thanks go the Facebook Group moderators of "Gay Geeks Afterhours" for encouraging us to share our content there, and there URL is www.facebook.com/groups/gaygeeksafterhours/. Here's a special shout out to “The Gay Geek” for graciously allowing us to post our episodes in their Facebook group www.facebook.com/groups/thegaygeek. And a special Thank You to Jeremiah Reeves, the moderator, for being such a great guy.   Things to know from The Two Gay Geeks: Be sure to read the Privacy / Terms and Conditions Of Use. And Please, Play Nice.

Visual FX artist Matt Johnson has worked in cinema for over two decades on films like Space Jam, the Avengers, World War Z, X-Men: First Class, V for Vendetta and Mary Poppins Returns. On this episode of Cienmascene/Meet me at the Movies, he shares his film journey (and behind the scenes thoughts on recreating Disney magic)with Noel T. Manning II on WGWG.org.

VISUAL FX AND THE BEST DAMN WEREWOLF TRANSFORMATION EVER This week the crew of Red Six is joined by writer, director, and visual effects artist, Lloyd Lee Barnett.  The boys laugh it up as they talk a variety of nerd centered topics.  From the Netflix series, The Toys That Made […] The post Visual FX And The Best Damn Werewolf Transformation Ever – Issue 138 appeared first on Red Six Podcast.

Ian sits down with Music Video Director and Visual FX guru Alon Isocianu. They talk about making music videos for indie bands, big-time pop musicians and so much more. Check it out!

Paul Roberts from Framestore drops by to talk about his visual effects work on Guardians of the Galaxy Vol. 2 The post BRB UK 245.5: Paul the Visual FX Wizard appeared first on BigRedBarrel.

Hello sexy listeners, it's another extra half-episode and that can only mean good things. Joining the show is Paul Roberts from Framestore to talk about his visual effects work on the fantastic Marvel blockbuster, Guardians of the Galaxy Vol. 2.

Michael Rivero launched whatreallyhappened.com in 1993 after the Vince Foster "murder." Until late August 2010, Rivero ran the Whatreallyhappened radio show on GCN, airing six days a week. Rivero airs his show at Republic Broadcasting, running from 2.00 p.m. to 4.00 p.m. Central Time. Rivero was born and raised in New England farming country. Originally a child actor, Michael left film work after High School to follow a career in science, working for NASA on the Viking and Voyager projects, among others. Following the post-Apollo crash of the aerospace industry, Michael went back into film work arriving at the exact time Hollywood was beginning to employ more computers for visual effects; a classic case of being in the right place art the right time, with the right skills. Having paid for college as a professional stage magician, Michael brings an awareness of how an audience perceives what they see to his designs for visual effects. Michael lives in Hawaii with his wife Claire, a composer, where together they own a commercial production company specializing in music, Visual FX and supervision, commercial direction, industrial films, and computer animation. Michael Rivero Quotes "Truth needs no law to support it. Truth is self-evident to all. Truth withstands re-examination. Truth survives questions. Throughout history, from Galileo to Zundel, only lies and liars have resorted to the courts to enforce adherence to dogma." "If you cannot tell the difference between divine intervention and random stupidity, then there is for all intents and purposes no divine intervention." "The discouraging thing about fighting against war is that there is never going to be a time when you can say you have succeeded, only those times when you know you have failed."

Gil worked as a 3D Artist and visual effects supervisor in Hollywood. He was the founder and director at Method Studios in Los Angeles, where he did a lot of work for commercials, including an iconic Toyota being smashed by a meteor commercial. Gil most recently founded Visionary VR, a tool for budding content creators to make films in VR using the tools they've been using all their lives.

The founders of Hive-FX, Clark James and Gretchen Miller, tell the story of how their small Portland Visual FX studio started small, and eventually became the groundbreaking Visual FX creators for the NBC TV series "Grimm". They’ll also discuss their uniquely Portland take on what it’s like to work in the competitive world of film and TV, and their take on the current state of the video/film and digital creative economy in Oregon

This week we chatted with Daniel James Lund. Dan is a Visual FX animator at Disney, he has worked on such films as The Lion King, Beauty and The Beast, Aladdin, Brother Bear and Frozen....there's a lot more...just look at his IMDB under Dan Lund.But Dan's true passion is film in general and we chat about that, Star Wars, Star Trek and of course about the recent animated short that he has directed entitled Aria for Cow.

On today's episode, Frank and Len talk about the thin line between gore and reality and why it's ok to be grossed out by reality. Len also puts Frank on the spot and makes him choose his Makeup All-Star roster. Also, a very belated birthday shout out to Frank. Enjoy the show and thanks for listening.

Discover the book that is helping thousands of indie filmmakers finance their own movies... as we speak with Author/Filmmaker, Mark Freiburger on this episode of The Doorpost Podcast Project!   Bio: MARK FREIBURGER graduated from the UNCSA School of Filmmaking in 2005. He directed the indie films JIMMY and DOG DAYS OF SUMMER, as well as the Los Angeles premiere of 110 STORIES at the Geffen Playhouse, which starred Academy- Award nominee John Hawkes, Ed Asner, Katherine McPhee and many others.    In 2013 he won the Doritos Crash the Super Bowl contest with his commercial Fashionista Daddy, which was the #1 ranked :30 spot of the 2013 Super Bowl on the USA Today poll. In 2014, Fashionista Daddy was named the Greatest Super Bowl Commercial of All Time by network CBS in a countdown of the 10 Greatest Commercials in Super Bowl History.    Immediately following the 2013 Super Bowl, Freiburger shadowed director Michael Bay on TRANSFORMERS: AGE OF EXTINCTION in an exclusive mentorship. During Freiburger's mentorship on the film, he worked on the set with Bay in the United States and Hong Kong. He also worked with the Visual FX team from George Lucas' company Industrial Light & Magic, and shadowed various aspects of the VFX post- production in San Francisco.  Following TRANSFORMERS, he went on in 2014 to direct comedy spots for Nickelodeon, DreamWorksTV, AwesomenessTV and a pair of comedy sketches with actors Rebel Wilson and Ken Jeong.    He is currently writing an action thriller for producer Neal Moritz' production company, Original Film, the producers behind the FAST & FURIOUS, and 21/22 JUMP STREET franchises. Freiburger is also attached to direct the film, which will shoot in Rio de Janeiro, Brazil.  Freiburger is repped by Gotham Group and United Talent Agency.

Starship Farragut: The Crossing. The Original Series time period is a popular one for fan series, but that doesn't always mean Kirk, Spock, and the Enterprise. There were more ships out there during the time of the five-year mission, and Starship Farragut takes its queues from this fact. The series premise, simply put, is “New Ship, New Crew, New Adventures—but all based on the era of Classic Trek.” Conceived of in November 2004 and officially launched in 2005, Starship Farragut is one of the most veteran of Star Trek fan series. In this episode of Continuing Mission we're joined by actor and writer Paul Sieber, who has been with Farragut since the early days and is returning to write the screenplay for the next episode, "The Crossing," to learn more about the series and plans for the future.   Host Christopher Jones   Guest Paul Sieber   Editor and Producer Christopher Jones   Associate Producer Michael Frisbee   Chapters Paul's Star Trek Background (2:07) The Premise of the Crossing (10:37) Visual FX and Production (17:06) The Return of Security Officer Prescott (21:15) Director, Cast, and Crew (26:33) Kickstarter and Perks (32:21) Closing (44:11)   Support the Show! Become a Trek.fm Patron on Patreon and help us keep Star Trek talk coming every week. We have great perks for you at http://patreon.com/trekfm   Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact   Visit the Trek.fm website at http://trek.fm/   Subscribe in iTunes: http://itunes.com/trekfm

Star Trek: Secret Voyage. The Original Series—or at least the late 23rd century—tends to be the focal point of today's fan productions; but that doesn't mean Kirk and Spock must always take the lead. There was a gap between the end of the five-year mission and the refit of the Enterprise as we saw it in The Motion Picture. What happened during that time? Star Trek: Secret Voyage, a creation of Craig Sheeler, is the story of a special mission carried out aboard the historic 1701 but under the command of a different captain with a different crew. In this episode of Continuing Mission we're joined by Craig to learn more about the series, various aspects of production—including creating visual effects, composing original music that’s true to TOS, shooting in the desert, the premise behind the first two episodes, and more.   Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact   Chapters Craig's Star Trek Background (1:39) The Premise of Secret Voyage (5:59) Overview of Episode 1 and the New Crew (9:11) Episode 2: “Rise of the Gongdea” (14:24) Shooting In the Nevada Desert (18:48) Creating the Visual FX (21:57) The Music and Sound of Secret Voyage (27:32) Casting Secret Voyage (31:50) What's Next for the Captain Mercer and His Crew? (35:26) Where to Watch and Find Out More (38:38) Closing and Feedback (42:35)

Adam and Matt talks about Rhythm and Hues' speech that was cut off at the Oscars and what the future holds for Visual FX companies with out-sourcing and wage disputes.

Creating unique moody and surreal atmospheres with a genuine Vintage feel. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects. http://fxfactory.com/fxfactory/

http://www.lucasplugins.co.uk/ Simulate flickering, regional, burning and flashing lights, as well as visually appealing image stylizations. LIGHT KIT includes unique effects that allow the user to explore new ways of manipulating light or stylize image colors. Good examples of this are Regional Light FX , Multicolor Gradient and Multicolor Vignette. Explore the potential of Light Flicker, Stylizer effects as well as Burn Wipe transition to mention a few more. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Final Cut Express and Adobe After Effects: http://fxfactory.com/fxfactory/

http://www.lucasplugins.co.uk Simulate flickering, regional, burning and flashing lights, as well as visually appealing image stylizations. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for FCP, Motion, Final Cut Express and Adobe After Effects: http://fxfactory.com/fxfactory/

Talking effects, cinematography and film making with Emmy Award winning Visual FX veteran John Parenteau (Sin City, Ghost Rider)and effects and animation supervisor Mark Kochinski (Hellboy, Hercules)