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What makes people want to go to museum? How can they ensure they still remain relevant? I spend a lot of my time in museums. They inspire me, inform me and put me into mindsets I wouldn't otherwise be in. So I wanted to learn more about them.Episode Summary On this episode, I sit down with Matthew McNerney, Chief Creative Officer of Luci Creative, to explore the hidden psychology behind museum design. Matthew has worked on everything from the Lego House in Denmark to presidential libraries, science museums, and even the NASCAR Hall of Fame.Together, we dive into the ways museum spaces are meticulously crafted to shape how we learn, feel, and interact with history, culture, and ideas. We also discuss the challenges museums face today—from declining visitor numbers to evolving audience expectations—and what it takes to design experiences that are both educational and entertaining.Along the way, Matthew shares fascinating insights from his career, from how a single professor changed the trajectory of his life to the unexpected lessons learned from working on hospital play spaces. If you've ever been inspired by a museum visit or wondered why some exhibits engage while others fall flat, this conversation is for you.Guest Biography: Matthew McNerney Matthew McNerney is the Chief Creative Officer at Luci Creative, a museum and brand experience design firm that works at the intersection of curiosity and change. His work spans a vast array of projects, from designing experiences for the Lego House in Billund, Denmark, to working on presidential libraries, science museums, and the NASCAR Hall of Fame. Matthew's career in museum design began in an unexpected way — he originally considered becoming a wedding designer before a professor introduced him to the world of exhibition design.Since then, he has spent over 20 years in the field, crafting experiences that spark curiosity and create lasting impressions. His work is deeply influenced by behavioral science, storytelling, and the psychology of engagement, all of which help him transform physical spaces into immersive learning environments.Beyond museums, Matthew has also worked on brand experiences, including designing retail environments for New Balance and flagship stores for Tiffany & Co. His expertise lies in creating multisensory experiences that connect people with content in compelling ways. AI-Generated Timestamped Summary[00:00:00] Introduction[00:01:00] Introducing Matthew McNerney and his work in museum design[00:02:00] How Matthew got into museum design—pivoting from wedding planning[00:06:00] The role of museums in shaping collective memory and conversatio[00:08:00] How museums balance education and entertainment[00:11:00] The variety of projects Matthew has worked on, from LEGO to NASCAR[00:14:00] The complexity of designing exhibits that engage diverse audiences[00:17:00] Museums as the most trusted institutions—but with declining attendance[00:19:00] Competing for attention: Museums vs. other forms of entertainment[00:24:00] The challenges of working with subject-matter experts and overcoming "the curse of passion"[00:29:00] The Mona Lisa effect—why some artworks become pilgrimage sites[00:32:00] Designing for different visitor experiences and expectations[00:37:00] Using behavioral science to map visitor engagement strategies[00:40:00] The hidden barriers that stop people from visiting museums[00:45:00] The challenge of curating history while staying objective[00:50:00] Creating curiosity: Making museums a launchpad for deeper exploration[00:53:00] How Lego taught Matthew a lesson about designing for engagement[00:55:00] Gamifying museum experiences—how the Cleveland Museum of Art makes learning fun[00:57:00] The risks and security challenges of modern museum spaces[01:00:00] Matthew's favorite museum recommendations[01:02:00] Where to find Matthew's work and final thoughtsLinks & ReferencesLuci Creative – https://lucicreative.com/Matthew McNerney's Website – https://matthewmcnerney.com/Lego House, Billund, Denmark – https://www.legohouse.com/Tenement Museum, New York – https://www.tenement.org/Micropia, Amsterdam – https://www.micropia.nl/en/Cleveland Museum of Art – ArtLens Exhibit – https://www.clevelandart.org/artlens-galleryPrevious episode of the show featuring Professor Tom Schössler talking about museum innovation - https://www.humanriskpodcast.com/professor-tom-schossler-on-deploying/
Struggling to make learning feel relevant and real for your students? What if shifting from classroom-based instruction to community-connected learning could spark deeper engagement—without adding to your workload? In this episode, I sit down with Lori, an expert in community-based STEM learning, to explore how shifting learning from the classroom to museums, libraries, and local spaces creates powerful, real-world experiences- especially in STEM. Lori shares practical strategies to bring your community into the classroom—and how these partnerships can transform your students into scientists, historians, and creators, while making your role as a teacher easier, not harder. She describes a moment when a young girl, after leading her own experiment in a museum, said, “I was the scientist... not my teacher.” We learn: How shifting learning from the classroom to community spaces makes projects instantly more relevant Why letting students “be the expert” drives deeper learning and ownership How collaborating with museums and libraries simplifies planning instead of complicating it How virtual field trips can extend your classroom to the world—on any budget Tune in to learn more about these shifts in practice and how to apply them in your setting. Connect with Lori: LinkedIn (www.linkedin.com/in/lori-stratton-know2grow), Instagram (https://www.instagram.com/knowledge_to_grow_on/) Get the 12 Shifts Book: https://www.amazon.com/Where-Teacher-Shifts-Student-Centered-Environments/dp/1032484713 Take the 12 Shifts Scorecard: www.transformschool.com/12shiftsscorecard Lori's Bio: Lori Stratton is an Educational Program Development Consultant with extensive experience in accessible STEM programming and museum education. She began her career as a Recreational Therapist and parlayed her medical background to become New York City's first Special Needs Museum Educator. She pioneered access programs at the New York Transit Museum and Intrepid Museum (specializing in History, STEM and NASA education) while consulting for The Tenement Museum, Brooklyn Children's Museum, MOMA, Holocaust Museum and other renowned institutions. Her work focused on curriculum adaptation and creating immersive experiences for diverse audiences through experiential and project based learning.
As our centennial series continues, Annie Polland, president of the Tenement Museum, looks at the life and enduring legacy of Frances Perkins, the first female cabinet member as Secretary of Labor who was instrumental in crafting The New Deal, and passing a slew of federal workers protections, including Social Security, a minimum wage and a 40-hour work week.
This episode of Big Blend Radio's "Global Adventures with Debbie Stone" Podcast is all about her adventures in New York City including the Official Tour of Grand Central Terminal with Wallks Tours, the Ultimate Greenwich Village Food Tour with Devour Tours, and a visit to New York Bansky Museum. READ DEBBIE'S "BIG APPLE" ARTICLES: * Grand Central Station: https://tinyurl.com/2cree9tp * New York Banksy Museum: https://tinyurl.com/mrydz8db * Greenwich Village Food Tour: https://tinyurl.com/52dnc55d * Apollo Theater: http://tinyurl.com/bddjf4z5 * Museum of Broadway: http://tinyurl.com/22ae2zsr * Museum of Ice Cream: http://tinyurl.com/ycy7at89 * Tenement Museum: http://tinyurl.com/3cw89tjy * High Line Park: http://tinyurl.com/pacmxkya * NYC Library: http://tinyurl.com/yzpkyc5s Follow this podcast here: https://global-adventures-debbie-stone.podbean.com/
Independent documentary filmmaker and policy analyst at Reason Foundation, Jen Sidorova, joins us to discuss how rent control impacts tenants, landlords and the housing market. Her latest short film project, “Shabbification: The Story of Rent Control”, reflects how rent control has a direct effect on housing quality. Almost half of rentals in NYC are rent-stabilized. We highlight the challenges faced by small property owners and the potential consequences of these regulations on the housing market. Bathtub in your kitchen, anyone? Yes, you read that correctly. In some cases maintenance has been deferred for so long that units have not been updated to code. Learn about the history of rent control and stabilization laws in New York. Resources mentioned: Show Notes: GetRichEducation.com/515 You can follow Jen on Instagram @jen_sidorova or check out her writing at reason.org For access to properties or free help with a GRE Investment Coach, start here: GREmarketplace.com Get mortgage loans for investment property: RidgeLendingGroup.com or call 855-74-RIDGE or e-mail: info@RidgeLendingGroup.com Invest with Freedom Family Investments. You get paid first: Text FAMILY to 66866 For advertising inquiries, visit: GetRichEducation.com/ad Will you please leave a review for the show? I'd be grateful. Search “how to leave an Apple Podcasts review” GRE Free Investment Coaching: GREmarketplace.com/Coach Best Financial Education: GetRichEducation.com Get our wealth-building newsletter free— text ‘GRE' to 66866 Our YouTube Channel: www.youtube.com/c/GetRichEducation Follow us on Instagram: @getricheducation Complete episode transcript: Automatically Transcribed With Otter.ai Keith Weinhold 0:01 Welcome to GRE. I discuss the effect that now lower mortgage rates can have how to get a strong return with private lending. Then, for this week's guest, she is a public policy expert with reason.com maker of a new film called Shabbification that spotlights the perils and even horrors of rent control in New York City, and she's a young Russian immigrant that lives in one unit of a Buffalo fourPlex and rents out the other three today on Get Rich Education. When you want the best real estate and finance info, the modern Internet experience limits your free articles access, and it's replete with paywalls and you've got pop ups and push notifications and cookies disclaimers. Oh, at no other time in history has it been more vital to place nice, clean, free content into your hands that actually adds no hype value to your life. See, this is the golden age of quality newsletters, and I write every word of ours myself. It's got a dash of humor, and it's to the point to get the letter. It couldn't be more simple text, GRE to 66866, and when you start the free newsletter, you'll also get my one hour fast real estate course, completely free. It's called the Don't quit your Daydream letter, and it wires your mind for wealth. Make sure you read it. Text GRE to 66866, text GRE to 66866. Corey Coates 1:40 you're listening to the show that has created more financial freedom than nearly any show in the world. This is Get Rich Education. Keith Weinhold 1:56 Welcome to GRE from Ankara,Turkey to Anchorage, Alaska and across 488 nations worldwide. I'm Keith Weinhold, and you're listening to Get Rich Education. Today's guest was one of four panelists at a conference that I attended recently. The panel was named innovative solutions to the housing crisis, and her story struck me as interesting, so I invited her to be on the show today, we'll learn that with rent control in New York City, when landlords cannot go inside their own properties and aren't allowed to sell their own properties, seven states have price ceilings on rents, and I'll tell you here At GRE we avoid investing in these places. Listen closely, California, New York, New Jersey, Maryland, Maine, Oregon, Minnesota and then DC too. Now sometimes rent control isn't too restrictive. For example, you can raise the rent no more than the rate of inflation plus 3% per year, or the rate of inflation plus 5% per year. And also, it's not all parts of those states where it applies. In fact, you typically do not find the policies statewide in those states that I mentioned, although you do in Oregon, it's statewide in Oregon, and there you can still raise the rent 7% plus the rate of inflation each year. And the good news is that 37 states actually have laws against rent control, specifically saying that you cannot enact it. So not only do 37 states not have it, they just wouldn't even allow a law for it. And there is a strong consensus, like I mentioned here on the show before, among economists that rent control, it reduces the quantity and quality of housing. Today, we'll focus on just how dilapidated rental units become under rent stabilization, which is a lot like rent control in New York City. And we'll discuss New York State and Buffalo. And by the way, I find something amazing. I mean, just say you would ask a question of any citizen of the world, no matter where they live, from Indonesia to Japan, to Bangladesh, to Nigeria to the United States. If you would just ask any citizen of the world, what is the capital of the world? I think that the best answer that you could come up with is New York City. I'm in the United States, and there are people right here in this country that have such little understanding of New York City, and what goes on there, and where it even is, it just amazes me. Maybe it's my own bias, because I'm a geography guy, but now, for example, to get from New York City out to Buffalo, that's an almost seven hour drive to the northwest two different parts of New York State. These are two very different places. We'll get into that shortly. But first in the wider real estate world, I did a little research since first mentioning this to you last week here, where mortgage rates have fallen fully one and a half points from the recent high. All right. Well, with every half point drop in mortgage rates, like I learned from First American, that's my source. With every half point drop in mortgage rates, about 1.1 million additional American households can qualify to buy an entry level home that's defined as the bottom 25% priced here. That's the number, and I checked their math. So with a full point drop in mortgage rates, then 2.2 million more American households can qualify to buy an entry level home. So we could very well have more buyers here soon, but yeah, when all these homeowners are still locked into three and 4% mortgage rates, I don't know that you're gonna have that many more sellers. So with demand exceeding supply, look for more upward pressure on home prices, especially higher values for those entry level homes that make the best rentals. Now, I'm talking about borrowing right there. And what happens when rates go down for mortgages, when they go down for borrowing? Well, rates on savings accounts, they typically fall as well. And this is a scenario that a lot of people expect. Now, most of my real estate activity is a borrower. I'm always here touting the virtues of how leverage builds wealth, and I know that I don't want to be a saver. So for my more liquid funds, I am a lender, and I'm reliably paid a stable 8% interest rate. And I think I've told you before that for years now, I make loans to real estate companies, and they use my funds to rehab properties and for other operations. Yes, an 8% return that I'm getting, and it's almost like getting an 8% yield on a savings account, and it's not expected to fall when interest rates fall. Well, the primary difference is that I often have to wait a few months if I want my full principal return, but not years. So it's not as rigid as a bank CD, but it's not as liquid as an old fashioned bank savings account. So the private real estate company that I've long made loans to works pretty diligently to maintain asset value and assure optimal returns. They'll tell you that they've never missed making a payment for their private money lending programs. And I did a little research, and I found that their fund utilization is 99.6% that really means that they deploy almost all of the capital if you want, you can potentially get a high yield at the same place I do. Sometimes you can get more than 8% or less than an 8% return, depending on what liquidity terms you want and what other terms you like. The company is Freedom Family Investments. They are real estate centric. If you want, go right ahead and learn more. You can do that by texting FAMILY to 66866. Remember, you're the lender, they're the borrower. And again, for most investment types, I want to be the borrower, but for liquid funds, and the fact that the rate of inflation is now down, an 8% return has a higher real yield now than it did two years ago and one year ago. And again, I'm happy to share it with you. It's Freedom Family Investments. If you want to learn more, do it now while it's on your mind and text FAMILY to 66866. This week, our guest is a public policy expert that's also involved with a film called Shabbification, the story of rent control. Hey, welcome to GRE Jen Sidorova. Jen Sidorova 9:16 Good to be here. Thank you for having me. Keith Weinhold 9:18 Yeah and congrats. Shabbification screening in a lot of places, like the Anthem Film Festival at Freedom Fest last month and this month in New York City, tell us about the film. Jen Sidorova 9:31 Yeah, so in Shabbification, I follow small property owners like myself who are subject to regulation, and most of them are owners of rent stabilized properties in the city of New York. Right, I follow three specific landlords. I They take me to their homes, they take me to their properties, and they show me around, and you can visually see what regulation has done to their property. Yeah, one of these properties was occupied by a tenant. From 1969 up until 2021 wow. And the landlord was never allowed to be in the property, so obviously no repairs were made. And you could see visually that the apartment was like from the 60s. It's like a museum, but not in a good way, because it's really falling apart, right? So it's like, almost like a Tenement Museum, or, you know, another museum New York City, where we they actually preserve those dates. But in this case, a private landlord actually owns that space, and they're having a difficult time. And so what my specific Shabbification With my film is about is a very specific regulation in New York City that happened in 2019 that applied to rent stabilized properties. What it did that is that it won't allow landlords to put them properties on the market even if they rent stabilized tenant vacates them. They're no longer allowed to put their properties on the market at all. And more than that, they are also not allowed to raise rent, even if they do repairs. So sometimes the cost of repairs in New York City for one bedroom unit can be 200,000 and they're only allowed to raise the rent by like roughly $90 a month, and only for 15 years. So it will take them, like, 200 years to recoup their investment. And obviously that doesn't make any sense, so stories like that is what my short film is about. I myself am a small property owner, so it was very special for me to go and kind of tell the story of people like me. Keith Weinhold 11:36 That's amazing. So rent stabilization something that New York City has a history of. I sort of think of that as a genteel term or rent control. And a lot of times when your rent can't be raised above a certain amount, you get these long term tenants, in some cases, for decades, and in this case, over 50 years, with this particular tenant in New York City and landlords don't have much of any incentive to improve property when rent control is in place, because they know they cannot get a commensurate bump in rent. Speaker 1 12:11 rent control and rent stabilization are a form of government enforced limit on the rents. And in New York we have two laws that govern that we have more but the most prominent ones are the rent control law of 1969 and the Rent Stabilization Act of 1974 so back in the day, there were issues with availability of affordable housing, and the government was trying to fix it, and that fix was supposed to be temporary. It was supposed to eventually run out once the tenants who were currently in place at the time in late 60s and 70s, once they move out, landlords were able to put those properties back on the market. And eventually, that's kind of what was going on up until 2019 when housing stability and Tenant Protection Act made it so that the landlords could no longer put their rent stabilized properties on the market anymore. So essentially, all rent stabilization became permanent in the state of New York, and actually, in the just a couple of weeks after my film, in April of 2024 we had another law. It's called Good Cause Eviction, and that one regulates every landlord or enterprise who owns more than 11 units. So once you own 11 units or more, you're subject to regulation. You can no longer evict your tenant without a good cause. And there's a bunch of other rules that apply, including the limit on how much rent you can raise year to year. So yeah, that's certainly what's going on. That's roughly the landscape all regulation in New York. Keith Weinhold 13:44 Yeah, some of this is really punitive, because if rent control comes into a market, that's one thing sometimes that landlords want to do. They want to sell their property, and in some cases, there's a roadblock against that. You know, Jen, I looked up the definition of Shabbification. I just simply googled the term. Urban Dictionary had one of the first hits, and fortunately, it was a G rated definition there in urban dictionary, it was defined as the opposite of gentrification. So therefore with Shabbification, it's where a neighborhood goes through deterioration and despair. So tell us about some more of those bad cases of deterioration, in despair, in Shabbification. Just how bad does it get? Speaker 1 14:30 Well, one of the properties that we went to was basically from 1910 it was in Chinatown, and we saw was that the bathtub was in the kitchen in that property, oh my gosh. And I believe that was a way for them to do renovations fast and cheap, like 100 years ago. And because that property falls under rent stabilization, and there's obviously limits on how much rent you can charge. So. Landlords of those properties never really make renovations. Sometimes you could see cases like the director of photography, who was in the film, he lives in a rent sabilized property, and in his case, he has a shower unit in his kitchen as well. Instead of a tub, he has a shower unit. And it kind of is, as he described as one of those telephone booths, like, you know, red telephone booths from London, and then kind of just sits in the kitchen, and you obviously cannot really have company or friends visiting or dinner or anything if you have something like that. But those are the setups that we frequently see. Also a lot of things like uneven floors or just, you know, the property, if it's not being taken care of, there might be, like, a hole in the wall, a hole in the ceiling, or the ceiling is falling out. And those are really graphic images. And we do, we do capture them on camera a lot in Shabbification, and that comes from, kind of, my attraction to urban decay. I do enjoy, you know, touring older buildings, or maybe buildings that are preserved as a ruin, maybe like an old prison and or like an old mental asylum. I do do that a lot. It's just a hobby when I travel. So I was always attracted to that esthetic, and that does show in my film as well. I think I love studying the tragedy because I love studying how the hope died, because it's fascinating to me. It's very specific to usually a town or a city, and then just is so telling, and it's such a teaching moment for us as a society to kind of revisit those stories and figure out why did that hope die. And you can see a lot of that in the film. Keith Weinhold 16:41 it's a great way to scratch one's itch for I suppose, seeing real life haunted houses, if you will, in Jen's film Shabbification here. Well, Jen, we've been talking about the conditions of the tenants. Why don't we talk more about how the landlord is portrayed in Shabbification. Speaker 1 17:00 since this is the story, primary of the landlords, not so much on the tenant. You know, normally in this sort of films and these sort of documentaries, the story falls in tenant, because the tenant is the one who is seen as likable and sympathetic person, and that's how, and that's usually a more preferable framing angle. But in my story, my story is a story of a merchant class, or like a more, like a war on the merchant class, the war on landlords. Because in the state of New York, no matter how small or large of a landlord you are, whether you own one unit or 1000 by a lot of people in New York State Legislature as a landlord, you're seen as evil. They think you've done something wrong and you have to be punished. So that's the attitude to a lot of landlords, and although they're not that many small property owners, and sometimes we're not seen as a sympathetic I think this is the story that we need to tell, because some of them are like me. I am an immigrant to this country. Once I got an opportunity, I got my first rental property in Buffalo, New York, and right away, I've been renting out three units and lived in one, and I still do own it. Five years later, I live alongside with my tenants. When I go on vacations, they feed my cat, and when they go travel for work, I do take care of their properties. I water their plants, do things like that. So we do live as a small community, and this is something that a lot of people do in Buffalo, because it's a working class city. It's very hard to be able to afford a single family home. Right away, what you can do is acquire one of these properties, either a two unit, three or four unit, because when you're four units less, then you can do an FHA loan, which I did, and you can put minimum amount down, which I did, and then day one, right away, the income from the tenants was paying off my mortgage, right? That's kind of how I can build generational wealth. But not only that, that's how I can start my journey of home ownership and hopefully building generational wealth in the future, as I've said. And I also have my own passion for buildings, and we did a lot of renovations with my family on that property. So there's a lot of heart and soul in that space. And laws like rent control and Good Cause Eviction, they put a cap on people like me and how much we can grow. Because, as I've mentioned, the Good Cause Eviction in New York, it puts a cap on how far and how big people like me can grow. Because once you have 11 units, that's my cap. Once I have 11 units, I have subject to regulation, and somebody like me cannot afford having a tenant who would just never move out. So yeah, I think these laws, they intended to protect the needy. They intended to protect the families, but they do just the opposite. They. Just limit how much we can grow, and they also just make an environment within our properties very toxic, because tenants now basically have more rights than we do. Keith Weinhold 20:09 Yeah, well, you're really humanizing the plight of the landlord here, Jen with your four Plex over there. For those that aren't familiar with the geography in western New York in Buffalo, sort of the opposite end of the state where New York City is. And, yeah, I mean, landlords are usually portrayed in media is these people that are sort of greedy and bumbling and they won't fix the broken air conditioner. And, you know, it's, it's unusual to me, Jen, that a lot of people tend to resent landlords, whom are often small business owners, but yet they champion other small business owners. And talk about how, you know, small business ownership is the very heart of America. I'm trying to figure out why that is, you know, maybe some tenants that just don't really understand how things work. Just think, well, why should I have to pay this landlord. All I'm doing is sort of renting air or renting space. But you know, one group of tenants that does not seem to resent landlords, Jen, in my experience, that is people that were previously homeowners and are now tenants. They don't seem to resent landlords, and that's probably because that tenant that has experience being a homeowner. They've seen bills for property tax and property insurance and mortgage principal and mortgage interest and maintenance and repairs. I think that's what makes the difference. Jen Sidorova 21:33 Yeah, definitely. It's almost like, you know, when I lived with my parents, I didn't pay attention to the bills, like election bills or water bills or anything. But once you start living on your own, you now see how it gets deducted from your account, and then it changes you, adds you towards consumption, changes right? You now turn off the light when you leave and do just small things like that. And that's a similar psychology that works with people who previously owned their own homes. I think what the dynamic that's happening here with tenants is there's always going to be more tenants than landlords, so tenants have a lot more political power, and we see a lot of that in New York. We have a lot of tenant groups, tenant unions, who are very hold a little, a lot of political power. And it's one side of it, another side of it is that a lot of these policies do benefit large landlords, in a sense that once the small property owner is no longer able to keep up the property and they just foreclose on it, a larger landlord can always pick it up. And for large landlords, these costs of litigating with the tenant, or the cost of fixing a unit, or even the cost of having somebody live without paying for a few months, these are just the costs of running business, whereas for somebody like me, it's a significant chunk of my income, right? So at the moment, I think it's like 25% of my income is coming from the rentals, so it's significant. So I guess what I'm trying to say is, on the other side of political power, I just legislators who do not want to see private rentals. You know, small property owners having rentals and Damn, motivations are something else. It's almost like, if there's one conspiracy theory that I believe in, is that one you know, is that there is a war on the merchant class among some legislators, especially in the state of New York, who really just do not want to see small property owners providing housing to the community, and they would rather see it in in the hands of larger developers, and that's just the nature of how political process works, sometimes. Keith Weinhold 23:45 in the broad business world, large institutional corporations, they're often pro regulation for just the reason you talked about it helps put smaller operators out of business that can't bear the expense of dealing with the regulation. But yeah, your film Shabbification, it helps underscore the fact that rent control, it stifles the free market in the process of price discovery. I mean really that price discoveries, that is the process of supply versus demand, with the referee being the price and finding that right rent amount, and amidst this low housing supply we have, it's just really bad timing for any jurisdiction to enact rent control. Existing landlords stop improving property. Builders stop building new property, and it can make landlords want to sell, like we touched on earlier. But also I'd like to talk about making the other case, the case for rent control. When we come back, we're talking with public policy expert Jan siderova, the maker of a film called shabbatation, where we come back. I'm your host. Keith Weinhold, hey, you can get your mortgage loans at the same place where I get mine at. Ridge lending group NMLS, 42056, they provided our listeners with more loans than any provider in the entire nation because they specialize in income properties, they help you build a long term plan for growing your real estate empire with leverage. You can start your pre qualification and chat with President changley Ridge personally. Start now, while it's on your mind at Ridge lendinggroup.com that's Ridge lendinggroup.com. Your bank is getting rich off of you. The national average bank account pays less than 1% on your savings if your money isn't making 4% you're losing your hard earned cash to inflation. Let the liquidity fund help you put your money to work. With minimum risk, your cash generates up to an 8% return with compound interest, year in and year out. Instead of earning less than 1% sitting in your bank account, the minimum investment is just 25k you keep getting paid until you decide you want your money back. Their decade plus track record proves they've always paid their investors 100% in full and on time. And I would know, because I'm an investor too, earn 8% hundreds of others are text family, 266, 866, learn more about freedom. Family investments, liquidity fund on your journey to financial freedom through passive income. Text, family 266, 866, Caeli Ridge 26:32 This is Ridge Lending Group's president, Caeli Ridge. Listen to get rich education with Keith Weinhold, and remember, don't quit your Daydream. Keith Weinhold 26:52 Welcome back to Get Rich Education. We're talking with a really interesting guest, Jen Sidorova. She's the maker of a new film called Shabbification. This centers on rent control and dilapidated housing conditions. And Jen, you know, I've talked about here on both this episode and another episode a few weeks ago about the deleterious downstream consequences of rent control. It benefits a small group of people in the short term and ends up with deteriorated neighborhoods in a lot of municipalities, but I like to look at things from the other side. What is the case for rent control? Jen Sidorova 27:27 So I think the the original story behind the rent control in New York City was that in the 70s, it was just really dire situation, kind of what we're going through right now. Right now in New York we have the housing crisis that's the worst in the last 50 years, so basically right around the 70s again. So the current vacancy rate is like 2% and at the same time, we have between 20 to 60,000 rent stabilized rent control units that are vacant because landlords just do not want to put them in more on the market, because talking just in New York City here, yeah, just New York City. And New York City has roughly 1 million of rent stabilized or rent control properties altogether. But yeah, so what is the case for rent control, right? So in my opinion, what is the most problematic saying about rent control or rent stabilization right now, the way the current laws are in New York City is that the property itself is being stabilized or controlled. It's not the person. It doesn't matter how much money you're making. If you're making half a million dollars, you can still live in an apartment that's like 500 $600 a month, right? Keith Weinhold 28:38 You can have your second lavish vacation home out in the Hamptons, and it doesn't matter. Jen Sidorova 28:42 Yeah, you can live in Texas for like, nine months out of a year, and come back to New York City for the summer, and then people do that. That's like, not, I'm not making it up. It's a real thing. People are basically hoarding these rent stabilized rent control units, and they just never let them go. And that definitely pushes out young people out of the city. It pushes immigrants out of the city, because people, yeah, all the newcomers. So that's what's going on. So instead of having a property itself being controlled, what could be done? Maybe like a voucher program, maybe like a housing voucher program, but we can only do this if we let the rent control and rent stabilization laws sunset. So once the current tenants move out, that has to be put back on the market, right? So what we could do is the housing voucher program maybe, so that we will always have people in the society that need a little bit of help, but it shouldn't be in such a way that they it's the landlord who is paying for it, right? So if there's a housing voucher, they can live wherever and however that program works in the sense that whoever picks up the rest of the bill, as long as it's not a landlord directly. Yeah, so that's how I see it. And I think just other things that can be done is better zoning regulation that allow more buildings to be built a lot of New York City. Is like a museum, right? We have a lot of historic buildings, a lot of preservation of all the buildings, but we have to reevaluate that, because we don't necessarily have to have the East Village look like a museum if we don't have enough housing, right? So we have to reassess of how much of those policies we still want to hold on to, and then maybe also building codes. Sometimes it's really hard to expand or have more units within the same building. If I have a four unit property and I want to convert it into five units, I am subject to whole different regulation and a whole different bunch of coding, whereas my square footage remains the same. So I think we have to revisit that, because a lot of these new materials that we work with when building are safe right now. So maybe we could let people do more with their properties, and that way we provide more house. Keith Weinhold 30:50 Yeah. Well, some of this comes down to, how do you get politicians to say no to rent control, which I believe is part of the motivation of your film? Jen Sidorova 31:01 Right, So the motivation behind myself was that I bought my property in 2019 I went under contract in 2019 and I fully acquired the rights in March of 2020 and between the August of 2019 and 2020 we had a new law passed that was housing stability and Tenant Protection Act 2019 in New York State, and that kind of put a cap on how much I can raise the rent if the tenant remains the same. And at the time when I found that out, I was like, well, that's kind of quirky, but whatever, what can I do? But then a year from that, like in 2021 we had a new mayoral candidate who was a socialist, openly socialist person, and they were advocating for rent control. And at the time, I had an opportunity to go to do a film workshop, and I was thinking, so what is that I really wanted to write film about? And I was this, definitely rent control, because it's relevant for me. It's the story of my people among small property owners, and that's how I did it. And I really want policy action. The idea behind this film, the goal is policy change, right? But this short film is only the beginning of my project, which is exploration of the topic prevent control in the state of New York and everywhere else in the country, and we keep interviewing more people, more experts, and to convert into a larger film, and then hopefully, like a full feature documentary, in order to educate both policymakers and the public about what rent control can do. And eventually, we do hope for policy change in New York, and hopefully, with this film, no more new rent control can happen, or at least when politicians start those bills, they take a look and talk to me and make some changes. Keith Weinhold 32:52 Well, you're really doing some good work there. I appreciate that. I mean, rent control is analogous to price controls, and we see what happens when there's price controls per se foods like you've seen in other nations in previous decades, and that's how you end up with bread lines, because producers don't want to produce bread when they would have to take a loss and they can't profit on selling that bread. You see a shortage of housing come up just the same, like you do with bread. Well, tell us some more about Buffalo and its market. You had touched on it previously. I think they have lots of older two to four unit buildings there. It sounds like you found one of the four plexes where you could do the owner occupied thing. FHA, three and a half percent down 12 month owner occupancy period. Minimum credit score only needs to be 580 at last check, which is the same way I began with the four Plex building. But yeah, let's learn more about the buffalo housing market. Just a little bit there with rental properties and then the rising tide against Airbnb, like you touched on last month when we met in person. Jen Sidorova 33:56 Right, so a lot of those properties, a lot of those older homes, were built around the late 1800s beginning or 1900 and that's how they used to build back in the day. Because what would happen is that a large Victorian home with two primarily stories, with two large floors and then maybe an attic and a basement, but one family would live on one floor and another on the second floor. So they were originally built for two homes, but at that time, both families would own that space, right? So there would be co owned by two families. Mine was also an originally a two family home that was converted into a four unit because the previous owners made an addition a lot of young families, that's how they start when they cannot afford a single family home. That's how they start with home ownership and the money that they make for with the rentals. That's how they pay mortgage partially, or maybe that's how they pay the taxes, depending on where you live in the city, sometimes tax burden can alone be very high. So as I've mentioned, we had some mayoral candidates talking about rent control, but recently we started having Airbnbs being regulated in Buffalo. And so there's a few districts in the city where Airbnb is regulated, and my district does not fall into that, and I actually am on four of my units. One is occupied by me. Two are long term tenants, and one which is the newest and the nicest one. I decided to make Airbnb interesting because I did not want to risk, you know, giving it to a long term tenant, because it's just such a nice unit. It's a lot of investment that went in there, so I didn't want it to be provided by somebody who would never leave, because the, you know, environment is just so toxic. You just don't want to take chances, unless you like, really believe in the time. But I don't know people are out here. So I decided to keep it Airbnb. And so because some of the other parts of the city are regulated, and mine is not. I am the beneficiary of that regulation because I get a lot, all of those clients, right, all those Airbnb client so in that sense, funny enough, I am benefiting from some parts of the city being regulated because my my part is not. So all the clients go to me. I do have an Airbnb right now, but we're definitely at the risk of all of the city being regulated. And I think a lot of people complain, right? People who lived in the city for a long time, allegedly, they started complaining to the city council about not recognizing their neighborhood because of Airbnb. But I think what legislators need to understand is that my generation, millennials and Gen Z. That's how we live our lives. We share our assets, right? It's like a big millennial and Gen Z thing that the Airbnb itself is a millennial thing, that this is just will be recognized, that assets like cars and houses, they can be shared, you don't have to have that many of them, even from the unit in the unit that I live in. When I I went out on a trip to Long Island last week, and I airbnbied my own unit. And so that's just how it is. That's just a little lifestyle. And when I see new people who stay in Airbnb on my street, it doesn't bother me. I kind of enjoy a little bit of a variety. But, you know, sometimes it's almost like a culture clash or a generational shift when it comes to thinking about properties and housing ownership. Yeah, that's just my experience. Keith Weinhold 37:33 Younger generations embrace the sharing economy, and that is quite the mixed use building that you have there with your four Plex in Buffalo, you've got one unit that's a primary residence, a second unit that's a short term rental, and then two long term rental units. There's some diversification of income and utility, for sure. Well, Jen, tell us more about how our audience can connect with you, and especially how they can watch Shabbification. Jen Sidorova 38:00 So Shabbification, right now is in the film festival circuit, so it's not available to watch yet. Although, if anyone reaches out directly to me through Instagram, my handle is @Jen_Sidorova, which is my first underscore, my last name, anyone can just reach out directly to me and I will send them a screener, and they can watch the full film. And also on my Instagram page, I do put a lot of like other content about buildings, and a lot of like videos so and some, you know, B roll footage that we haven't used in the film, but you can watch it in my Instagram. So yeah, definitely check it out. I also do write for Reason Foundation, and you can find it on my profile, my policy writing work. You can find it at reason.com and it's just under my name, pretty much Instagram and reason website. Keith Weinhold 38:51 Jen, thanks so much for your Shabbification project. I really think it's going to help people see an important part of American society in a different light. It's been great having you here on the show. Jen Sidorova 39:02 Thank you so much. Keith Weinhold 39:09 I talked to Jen some more outside of our interview. Her buffalo four Plex has a high flying 1.04% rent to price ratio. I crunched it out that is super strong for a four unit building, but it is older, and like she said in the interview, she did make some substantial renovation to it, yeah, rent control is a bad plan. You know, on an episode a few weeks ago, I mentioned to you about last month's White House proposal for a sort of rent control light, that was such a bad plan. I told you that it only applies to property owners of 50 plus units, and rent increases were capped at 5% a year. Well, I dug into that release from the White House briefing room, and it's almost like they know it won't work, because. Oh my gosh, this is almost humorous. Economists and any long term thinkers will tell you that rent control doesn't work because you won't get any new builds. Well, the White House release Wood said it won't apply to new builds. It's almost like someone told them, like, hey, this won't work for that reason. So then they wrote that sentence in there, which just undermines so much of it. And economists will also tell you that what doesn't work because owners don't want to improve property well, yet, the White House release actually said it would not apply to substantially renovated property. I mean, my gosh, with these carve outs and all the other caveats that are in it that I described a few weeks ago, this White House rent control planet has no shot of going anywhere. It is lip service virtue signaling, and also would not get past a divided Congress. Really bad plan. In fact, how doomed to failure is wide scale rent control. Well, don't worry, the federal government hasn't regulated rent on private buildings since World War Two. Yeah, it's been 80 years, and it took World War Two scale conditions to bring it. Thanks again to today's guest, Jen Sidorova, with reason.com. Again, like I mentioned earlier, if you want to deploy some of your more liquid funds for a potential 8% return at the same place where I've been getting an 8% return for years, you can make a loan to a long standing real estate company for their property rehabs and other operations. This might really help you out. You can learn more by texting FAMILY to 66866, lots of great shows coming up here at GRE to actionably build your Real Estate Wealth until next week, I'm your host. Keith Weinhold, don't quit your daydream. Unknown Speaker 41:53 Nothing on this show should be considered specific, personal or professional advice. Please consult an appropriate tax, legal, real estate, financial or business professional for individualized advice. Opinions of guests are their own. Information is not guaranteed. All investment strategies have the potential for profit or loss. The host is operating on behalf of get rich Education LLC, exclusively. Keith Weinhold 42:21 The preceding program was brought to you by your home for wealth building, GetRichEducation.com
This month on Arts in the City… Donna Hanover steps inside the studio of artist Es Devlin at Cooper Hewitt, Smithsonian Design Museum; Andrew Falzon catches the Life & Slimes of Marc Summers off-Broadway; Neil Rosen visits A Union of Hope: 1869, the new exhibit at the Tenement Museum; Patrick Pacheco chats with actor Stan Brown who just made his Broadway debut at 60 years old in the Tony-nominated play Water For Elephants; Megan Gleason checks out Baruch College's Mishkin Gallery; and Carol Anne Riddell tries some of the city's best rugelach!
In today's episode, Tom visits the Tenement Museum on the Lower East Side to walk through the reconstructed two-room apartment of an African-American couple, Joseph and Rachel Moore, who lived in 1870 on Laurens Street in today's Soho neighborhood.Both Joseph and Rachel moved to New York when they were about 20 years old, in the late 1840s and 1850s. They married, worked, raised a family – and they shared their small apartment with another family to help cover costs. Their home has been recreated in the Tenement Museum's newest exhibit, “A Union of Hope: 1869.” The exhibit reimagines what their apartment may have looked like – and it also explores life in the Eighth Ward of Manhattan, and, specifically, within the black community of the turbulent and dangerous decades of the 1850s and 60s.This is the first time the museum has recreated the apartment of a black family – although, as you'll hear, the museum's founders had long planned for it. And the exhibit is also the first time the museum has recreated an apartment that wasn't housed in one of their buildings on the Lower East Side, but in another neighborhood. So, just who were Joseph and Rachel Moore? And how and why did the Tenement Museum choose to put them at the center of their new exhibit? FURTHER LISTENING:Tales from a Tenement: Three Families Under One Roof (episode #246)Nuyorican: The Great Puerto Rican Migration to New York (episode #384)The Deadly Draft Riots of 1863 Seneca Village and New York's Forgotten Black Communities
Mandy Sinclair takes us on a tour through one of the Tenement Museum's homes to tell the story of a New York couple from the 1860s.See omnystudio.com/listener for privacy information.
On this week's PreserveCast, join us as we talk with Annie Polland, President of the Tenement Museum, about their new exhibit A Union of Hope. Annie will take us through how they discovered the story of Joseph and Rachel Moore, Black New Yorkers who lived in the tenement in the 1860s – 1870s, and how they recreated their apartment in the Tenement Museum while navigating historic preservation and interpretation.
The Insomnia Project: Episode Show NotesEpisode Title: Around the World in Museums (Listener Request!)Hosts: Amanda Barker and Marco TimpanoToday's episode:Inspired by a listener request from Ashley, Amanda and Marco take listeners on a whirlwind tour of unique and fascinating museums around the world. From the musical wonderlands of the Banjo Museum in Oklahoma City to the historical insights of the Tenement Museum in New York City, they weave a tapestry of cultural experiences.Prepare to be transported to the Museum of Pop Culture in Seattle, a haven for all things pop culture, and then get ready to giggle at the Comedy Museum in Jamestown, New York. The conversation wouldn't be complete without a nod to their shared love for museum gift shops, and of course, a visit to the iconic Lucille Ball and Desi Arnaz Museum in the same town.Settle in, relax, and let Amanda and Marco guide you through these extraordinary museums, all from the comfort of your own bed.Additional Resources:The Insomnia Project website: http://www.theinsomniaproject.com/The Banjo Museum: https://americanbanjomuseum.com/The Tenement Museum: https://www.tenement.org/Museum of Pop Culture (MoPOP): https://www.mopop.org/The National Comedy Center: https://comedycenter.org/Lucille Ball & Desi Arnaz Museum: https://lucydesi.com/ Become a member at https://plus.acast.com/s/the-insomnia-project. Hosted on Acast. See acast.com/privacy for more information.
Christina Greer and Hollie Harper visit friends and discuss the dificult job of Mayor, Sneakers used to pay an Ex-President's legal fees, anti-social students and more with host Marina Franklin. Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a political analyst at thegrio.com and host of the podcast quiz show The Blackest Questions at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University Hollie Harper is a comedy nerd from South Jersey. She is currently the creator and co-exec producer of Hella Late! with Hollie Harper on BRIC TV and a co-host of the nationally trending Twitter Storytelling Chat “BlerdDating.” Hella Late! with Hollie Harper was recently in the 2021 NYC Web Fest where she was nominated as Best Actress. Hollie was a semi-finalist in the 2019 NBC Standup Competition and has been featured on NY1, and in Black Enterprise Magazine, Thrive Global, Confessional Magazine and Black San Diego Magazine. Her popular sketch comedy show AMERICAN CANDY has played the Comic Strip, Gotham Comedy Club, BAM Café as well as the Chicago Sketch Comedy Festival. Time Out Chicago named them one of the five groups to watch. Hollie is a regular host for West Side Comedy Club in NYC and works with Gold Comedy and Stand Up Girls, two programs that empower young women by teaching them standup comedy. She was recently the talent coordinator and casting for “Blood Lassi” on Spotify, written by Pratima Mani, and moderated the panel for the Emmy Award winning, WOC editing team of Black Lady Sketch Show for The Black TV and Film Collective. She is also the Creative Consultant for the very successful Black Women in Comedy Laff Fest. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf.
It's all about New York City on this episode of Big Blend Radio's "Global Adventures with Debbie Stone." Hear all about the Apollo Theater, Museum of Ice Cream, Tenement Museum, Museum of Broadway, High Line Park, and the NYC Library.Check out Debbie's NYC Articles & Photos:* Apollo Theater: http://tinyurl.com/bddjf4z5 * Museum of Broadway: http://tinyurl.com/22ae2zsr * Museum of Ice Cream: http://tinyurl.com/ycy7at89 * Tenement Museum: http://tinyurl.com/3cw89tjy * High Line Park: http://tinyurl.com/pacmxkya * NYC Library: http://tinyurl.com/yzpkyc5s Big Blend Radio's "Global Adventures with Debbie Stone" podcast airs every 4th Tuesday. Follow the podcast here: http://tinyurl.com/m6z7v6ms Hosted on Acast. See acast.com/privacy for more information.
It's all about New York City on this episode of Big Blend Radio's "Global Adventures with Debbie Stone." Hear all about the Apollo Theater, Museum of Ice Cream, Tenement Museum, Museum of Broadway, High Line Park, and the NYC Library. Check out Debbie's NYC Articles & Photos: * Apollo Theater: http://tinyurl.com/bddjf4z5 * Museum of Broadway: http://tinyurl.com/22ae2zsr * Museum of Ice Cream: http://tinyurl.com/ycy7at89 * Tenement Museum: http://tinyurl.com/3cw89tjy * High Line Park: http://tinyurl.com/pacmxkya * NYC Library: http://tinyurl.com/yzpkyc5s Big Blend Radio's "Global Adventures with Debbie Stone" podcast airs every 4th Tuesday. Follow the podcast here: http://tinyurl.com/m6z7v6ms
A new permanent exhibit at the Tenement Museum does something the museum has never done before: it tells the story of a Black family living in lower Manhattan in the 1860s. Museum president Annie Polland and historian and scholar Leslie Harris join to discuss the exhibit, A Union of Hope: 1869.
In Part 1, we get to know Tenderloin Museum's executive director, Katie Conry. She's originally from Oceanside, California, just outside of LA, where her parents are from. They were both teachers but were priced out of the big city, a situation all too familiar around here. Katie left home as soon as she could—when she was 18 and it was time to go to college. She had felt lonely and alienated in her hometown. But almost from the moment she arrived in Berkeley, she loved it and felt connected. In the 20-plus years since, she hasn't left the Bay Area. She moved across the Bay to San Francisco after graduation in the mid-2000s, settling in the Mission, the neighborhood she's lived in ever since. Katie and Jeff reminisce about several Mission spots they both frequented around that time. In the early 2010s, Katie got a job at Adobe Books, helping the bookstore raise money to make the move from 16th Street to its current spot on 24th Street. In that fundraising process, the store was turned into a co-op and its art gallery a non-profit. This experience is how Katie started in events and working with artists. She later worked part-time at museums like the California Academy of Sciences, the Contemporary Jewish Museum, and The Exploratorium, working on private events for those institutions. Katie was originally hired at the Tenderloin Museum as their program manager when the museum opened in 2015. The next year, she became its executive director (Alex Spoto does a lot of public programming now). From here, we dive into the history of TLM. It was the brainchild of journalist and activist Randy Shaw, who was inspired by what he saw at New York City's Tenement Museum. The non-profit that runs TLM was formed in 2009 and they opened their museum doors to the public in 2015. The permanent collection in their gallery spotlights stories of working-class resistance movements and marginalized communities. The museum was successful early, largely because of its public programming. They sponsored showings of the film Drugs in the Tenderloin (1967), which turned out to be very popular. From here, our discussion pivots to the history of the Tenderloin itself. Katie shares that it (not the Castro) was the first gay hood in San Francisco. It was a high-density neighborhood filled with affordable housing, a liminal space in an urban setting. Then we hear the story of the neighborhood after the 1906 earthquake, which destroyed just about everything except the Hibernia Bank building. The Tenderloin was rebuilt quickly, though. The Cadillac Hotel, where the museum is located today, opened in 1908 and was meant to house folks who were working to rebuild The City. The single room occupancies (SROs) left people hungry for entertainment, of which there was soon plenty. Women were living on their own in the Tenderloin, and in response, moral crusaders came after them. These high-and-mighty types had successfully shut down the sex-worker presence in San Francisco's Barbary Coast in 1913, forcing members of that industry to the Tenderloin. And so, perhaps naturally, those same crusaders came after sex-industry women in the Tenderloin. The first sex-worker protest in the US happened in the TL after Reggie Gamble stormed a church and gave an impromptu speech. But it wasn't enough. Those same self-righteous white men effectively shut down the Tenderloin in 1917, an occasion for which TLM did a centennial celebration in 2017. Check back next week for more Tenderloin History in Part 2 of this episode. We recorded this podcast at the Tenderloin Museum in November 2023. Photography by Jeff Hunt
Welcome the NEW YEAR with Dr Christina Greer! Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Dr Christina Greer is hosting a new podcast called The Blackest Questions Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University in Medford, MA. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a host of the The Blackest Questions Podcast and political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout! Pete on Threads Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art
Mayor Eric Adams says his administration is weighing all options to push back on two policing bills that just passed in the City Council, including a ban of most forms of solitary confinement in city jails and a requirement for the NYPD to report some low level stops. Also, 2023 was a tough year on many fronts so WNYC's Precious Fondren spoke with eight mental health professionals to find out what New Yorkers worried about the most. And lastly, for 35 years The Tenement Museum in the Lower East Side has had a strict approach to recreate the apartments of real people who actually lived in the museum's tenement buildings, but our own Ryan Kailath reports, that's about to change.
Documentary on Newstalk presents “The Iveagh Trust: How Ireland's Richest Man Housed Dublin's Poor”, in which producer Sarah Stacey explores the 133-year history of Ireland's oldest housing charity.The Iveagh Trust was founded in 1890 by Edward Cecil Guinness, head of his family's famous brewing empire, who at the time was the richest man in the country. His vision was to provide safe, clean and affordable housing to the working poor of Dublin. In the nineteenth century the city was home to some of the worst slums in Europe, with families crammed into overcrowded and unsanitary tenements. Disturbed by the conditions he saw in The Liberties, where his brewery was based, Guinness invested a considerable amount of his fortune into building housing and communities in the area.Sarah Stacey's family connection to the Iveagh Trust goes back four generations. With the help of social historians, staff members and residents, including her own relatives, she looks at how one man's generosity transformed the lives of thousands of Dublin families, and why the Iveagh Trust's ongoing work is just as important in today's housing crisis as it was over a century ago.Contributors include Tracey Bardon, engagement co-ordinator at 14 Henrietta Street (the Tenement Museum), historians Cathy Scuffil and Alan Byrne, Rory Guinness, chairman of the Iveagh Trust and great-great-grandson of Edward Cecil Guinness, former Iveagh Trust community officer Kelley Bermingham, and past and present residents Paul Tester, Pat Stacey and Tina Brennan.“The Iveagh Trust: How Ireland's Richest Man Housed Dublin's Poor” was produced and presented by Sarah Stacey, with additional production by Daniel Cahill and music composed by Emily Worrall. Special thanks to the Iveagh Trust and Dublin City Library and Archive. Funded by Coimisiún na Meán with the Television Licence Fee.
Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more 18 mins Dr Christina Greer is hosting a new podcast called The Blackest Questions Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University in Medford, MA. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a host of the The Blackest Questions Podcast and political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe
All Local Afternoon Update for Thursday, September 21, 2023
https://amateurtraveler.com/travel-to-new-york-city/ Hear about travel to New York City as the Amateur Traveler talks to Rebecca Shoval from Not Just Tourists NYC about her adopted home in the city that never sleeps. Why should you go to New York City? Rebecca says, "I think someone should come to New York for so many reasons. I think it's this incredibly vibrant place. It exudes life and I find walking around the city, it really just gives you energy. It's also this vibrant multicultural place where you can really see the way that there's so much commitment to the city and to the culture and to people really living in something resembling harmony next to each other... or at least ignoring each other and not getting in each other's business. There are so many different things to do." Rebecca says that the city has changed since COVID-19. She highlights how the city has recovered and transformed from the pandemic's impacts, offering a unique perspective on what makes New York a vibrant and dynamic place. Rebecca recommends exploring different boroughs and neighborhoods within New York City. The city's diversity is reflected in its various neighborhoods, each with its own cultural influences and attractions. She particularly recommends Queens, known for its ethnic neighborhoods like Jackson Heights and Flushing, offering immersive food tours and unique experiences. Public transportation is an essential part of the New York experience. Rebecca emphasizes the convenience of using apps like MyMTA, MTA Bus Time, and Train Time to navigate the city's extensive subway, bus, and train systems. The ease of using Apple Pay or Samsung Pay to access public transit now makes travel efficient and hassle-free. The Staten Island Ferry offers stunning views of the Statue of Liberty, Southern Manhattan, Brooklyn, and New Jersey. It's a free ferry that provides a unique and picturesque perspective of iconic landmarks. Rebecca suggests taking this ferry to get a feel for the city's beauty from the water. The Tenement Museum provides insights into New York's immigrant history, showcasing how various ethnic communities lived and worked. She would recommend that museum or the New York Historical Society instead of a trip to the World Trade Center Memorial for those interested in history. Walking across iconic bridges like the Brooklyn Bridge and Williamsburg Bridge provides breathtaking city views. Additionally, taking city ferries offers an alternative way to see New York's skyline from the water. Rebecca recommends seeing New York from above but suggests skipping touristy skyscrapers like the Empire State Building and opting for bars or restaurants with panoramic views. The Graduate Hotel's rooftop bar on Roosevelt Island is recommended for its exceptional view of Manhattan and surrounding areas. You have to check out the entertainment scene in New York. Broadway is amazing for its incredible talent and performances, while jazz enthusiasts are advised to explore smaller venues like Arthur's Tavern, Cellar Dog, and Somewhere Nowhere for a more interactive experience. Try visiting parks like Brooklyn Bridge Park, Prospect Park, and Domino's Sugar Factory, which offer unique recreational spaces and city views. For ionic New York food, you have to consider getting bagels and pizza. Joe's Pizza and Tompkins Square Bagels are Rebecca's favorites. Try street food, especially halal carts which are much more prevalent than hot dog stands in New York these days. Try some cuisine you can't get at home like Caribbean food, regional Chinese, or Burmese cuisine. Eat something at a bodega. Rebecca's favorite restaurants include the experimental restaurant Fulgrances in Brooklyn which is notable for its rotating chefs and wine selection. Another favorite is Little Myanmar in the East Village, which serves Burmese food. She recommends the pasta at Nona Dora's (even the Gluten-free). Reservations are advised due to ongoing restaurant challenges post-pandemic. Use the Rezy app. Wear comfortable shoes, carry a reusable water bottle, and bring a sense of adventure as you explore one of the world's greatest cities, New York City.
On this week's episode, the boys make recommendations for their favorite city in the world: New York City! NYC has SO MUCH to do it can be overwhelming, so let Kiernan and Ryan recommend their curated must-do list for a first trip to the city—museums, theater, and famous landmarks abound! Things we talk about in this week's episode: American Museum of Natural History https://www.amnh.org/ The Met Museum https://www.metmuseum.org/ MoMA https://www.moma.org/ The Cloisters https://www.metmuseum.org/visit/plan-your-visit/met-cloisters Statue of Liberty https://www.statueofliberty.org/statue-of-liberty/ Ellis Island https://www.statueofliberty.org/ellis-island/ Tenement Museum https://www.tenement.org/ Grand Central Terminal https://www.grandcentralterminal.com/ New York Public LIbrary (you want to go to the Main Branch) https://www.nypl.org/ The Morgan Library https://www.themorgan.org/ Empire State Building (see it, don't go up) https://www.esbnyc.com/ 9/11 Memorial Museum https://www.911memorial.org/ Time Square https://www.timessquarenyc.org/ Broadway shows https://www.broadway.com/shows/tickets/ TKTS https://www.tdf.org/discount-ticket-programs/tkts-by-tdf/tkts-live/ “Scoring Broadway Tickets” episode https://podcasts.apple.com/us/podcast/scoring-broadway-tickets/id1438098925?i=1000433455504 Tulcingo de Valle https://www.tulcingorestaurant.com/ Central Park https://www.centralparknyc.org/ The High Line https://www.thehighline.org/ New Rules for Visiting Europe https://www.npr.org/2023/07/27/1190453405/europe-travel-visa-etias-how-to-apply Atomic Bomb Statue on Upper West Side https://www.roadsideamerica.com/story/24212#:~:text=Fifteen%20feet%20tall%2C%20made%20of,that%20leveled%20Hiroshima%20in%201945
Which Nora spent the weekend at the Zac Brown Band Concert and the Football Hall of Fame and which Nora went to 3 museums, 2 broadway musicals, and 1 baseball game? If you are a regular listener, it isn't too hard to guess! The Noras record a long distance episode and take the time to catch up on what they've done while Nora's been away. They talk about National Book Lovers Day, the many definitions of the word 'bust', harems, tenements, and share the offical number of diners in New Jersey. You don't want to miss this episode!
Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Dr Christina Greer is hosting a new podcast called The Blackest Questions Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University in Medford, MA. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a host of the The Blackest Questions Podcast and political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe
New York City's Lower East Side has been home to many communities, from the Lenape to Dutch and English colonizers to an influx of groups from Europe, China, Puerto Rico, and the American South. How has each arrival and exodus affected the neighborhood — not just in terms of size, but also sustained cultural impact? The Tenement Museum's Dolan Cochran guides us through the history of the Lower East Side, shedding light on the indelible marks each group has left, making it a culturally rich destination for travelers from around the world. Actor Luis Guzmán also joins us to share memories of growing up in the neighborhood. Plus, we'll offer recommendations from both Cochran and Guzman on the neighborhood gems to visit on your next trip. For more info visit travelandleisure.com/lostcultures Learn more about your ad choices. Visit megaphone.fm/adchoices
Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls 16 mins Dr Christina Greer is hosting a new podcast called The Blackest Questions Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University in Medford, MA. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a host of the The Blackest Questions Podcast and political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page
New York City's Lower East Side has been home to many communities, from the Lenape to Dutch and English colonizers to an influx of groups from Europe, China, Puerto Rico, and the American South. How has each arrival and exodus affected the neighborhood — not just in terms of size, but also sustained cultural impact? The Tenement Museum's Dolan Cochran guides us through the history of the Lower East Side, shedding light on the indelible marks each group has left, making it a culturally rich destination for travelers from around the world. Actor Luis Guzmán also joins us to share memories of growing up in the neighborhood. Plus, we'll offer recommendations from both Cochran and Guzman on the neighborhood gems to visit on your next trip. For more info visit travelandleisure.com/lostcultures Learn more about your ad choices. Visit megaphone.fm/adchoices
The American story is an immigrant story, and in the Lower East Side of New York City, the Tenement Museum provides a voice for immigrants who have often been forgotten or marginalized. This week's guest is Dr. Annie Polland, President of the Tenement Museum. She joins Abby and Brenda to discuss the importance of celebrating the enduring stories of real people and real families who immigrated and migrated to America in the late 19th and early 20th centuries.
March 25, 1911. It's quarter to five on a Saturday—closing time at the Triangle Shirtwaist Factory. Someone on the cutting room floor lights a cigarette… that ignites a pile of scraps. Over the next fifteen minutes, hundreds of workers scramble to escape the top floors of this ten-story building by smoke-filled stairwell, crammed elevators, and an overloaded fire escape. 146 of them don't make it out. How was this tragedy set in motion years before the fire itself? And how did reforms passed in the wake of the fire change the workplace for all of us? Special thanks to our guests: Kat Lloyd, vice president of programs and interpretation at New York's Tenement Museum, and David Von Drehle, author of Triangle: The Fire That Changed America. Hosted on Acast. See acast.com/privacy for more information.
This week on friends Professor Christina Greer and Erin Jackson visit friends and talk on MLK's woke speech you don't hear, Mayor Adams, that corrupt republican party, and more! Erin Jackson is one of the fastest-rising comedians in New York City. She works nightly in the city's top comedy clubs and most recently made her Netflix debut on Season 2 of Tiffany Haddish Presents: They Ready. She currently writes for the hit Netflix show, The Upshaws, and has appeared on Late Night with Seth Meyers, CONAN, The Ellen DeGeneres Show, This Week at the Comedy Cellar, and Last Comic Standing. Erin co-hosted three seasons of Exhale, a panel talk series on the ASPiRE television network, and has been a panelist on sports and pop-culture programs on MSNBC, NFL Network and VH-1. Her comedy album, Grudgery, was released in 2018 and debuted at No. 1 on the iTunes comedy charts. Erin is a proud alumna of Howard University and a die-hard fan of the Philadelphia Eagles. Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a political analyst at thegrio.com and host of the podcast quiz show The Blackest Questions at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf
Hey Guys! I I outdid myself with these 2 brilliant ladies on today's show! Happy Winter Solstice if you are reading this on Dec 21. I have a short news recap and mention my friend Mark Lawler's new no salt dry rub for pork and chicken AndMaple.com Christine Romans starts at 13 mins and Dr Greer and I begin at 36 mins Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 730 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Christine Romans who is CNN's Chief Business Correspondent and anchor of Early Start with Laura Jarrett weekdays from 4 am to 6 am ET. She won an Emmy award for her work on the series "Exporting America" about globalization and outsourcing American jobs overseas, and is author of three books: Smart is the New Rich: If You Can't Afford it—Put it Down (Wiley 2010) How to Speak Money (Wiley 2012) and Smart is the New Rich Money Guide for Millennials (Wiley March 2015). Romans is known as CNN's explainer-in-chief of all things money. She covers business and finance from the perspective of American workers and small business owners, translating what budgets and bailouts and economic data mean for families. Romans brings an award-winning career in business reporting. In 2014, she crossed the country reporting for her series, "Is College Worth it." In 2010, Romans co-hosted "Madoff: Secrets of a Scandal," a special hour-long investigative report examining disgraced financier Bernard Madoff and how he perpetrated one of the largest investor frauds ever committed by an individual. In 2009, her special "In God We Trust: Faith & Money in America" explored the intersection of how our religious values govern the way we think about and spend our money. Her series of reports "Living Dangerously" illustrated the risks and precautions for the nearly 30 percent of America's population living in the path of an Atlantic-coast hurricane. In "Deadly Hospitals," she examined how hospitals spread dangerous infections and what patients can do to protect themselves. Romans joined CNN Business News in 1999, spending several years reporting from the floor of the New York Stock Exchange. Romans was the anchor of CNNfn's Street Sweep tracking the market's boom through the late 1990s to tragedy of Sept. 11 attacks. She anchored the first democratic elections in Iraq's history from CNN Center in Atlanta. She has covered four hurricanes and four presidential elections, and was part of the coverage teams that earned CNN a George Foster Peabody award for its Hurricane Katrina coverage and an Alfred I. duPont Award for its coverage of the tsunami disaster in Southeast Asia. The National Foundation for Women Legislators has honored her with its media excellence award for business reporting and the Greenlee School of Journalism named her the 2009 James W. Schwartz award recipient. Dr Christina Greer is hosting a new podcast called The Blackest Questions Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University in Medford, MA. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a host of the The Blackest Questions Podcast and political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page
Pat Garry provides a guided tour of 14 Henrietta St., Ireland's Tenement Museum
SUPD "Midterm Extravaganza Bonanza Part 1 Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more John Avlon is a senior political analyst and anchor at CNN. He is an award-winning columnist and the author of Independent Nation, Wingnuts, and Washington's Farewell. Previously, he was the editor-in-chief and managing director of The Daily Beast and served as chief speechwriter for the Mayor of New York during the attacks of 9/11. He lives with his wife Margaret Hoover and their two children in New York. John's new book Lincoln and the Fight for Peace reveals how Lincoln's character informed his commitment to unconditional surrender followed by a magnanimous peace. Even during the Civil War, surrounded by reactionaries and radicals, he refused to back down from his belief that there is more that unites us than divides us. But he also understood that peace needs to be waged with as much intensity as war. Dr Christina Greer is hosting a new podcast called The Blackest Questions Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University in Medford, MA. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a host of the The Blackest Questions Podcast and political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Antonio Arellano Vice President, Communications Antonio serves as the Vice President of Communications at NextGen America where he oversees the implementation of a national strategy to increase the progressive power of young Americans in politics. As a multimedia and communications expert, his culturally competent campaigns have contributed to the empowerment and mobilization of youth-led movements at the state and national levels. Antonio is based in Texas. Check out all things Jon Carroll Follow and Support Pete Coe Follow and Support Gareth Sever Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page
About Anna Ocansey-Jimenez: Anna Ocansey-Jimenez is a C-level accounting and finance professional and entrepreneur with nearly 30 years' experience transforming the operations of both non-profit organizations and large global brands. An expert in streamlining operations and creating transparency in reporting, Anna has led organizations through transition and growth in multiple executive roles. Most recently, she served as Chief Accounting Officer at the Jewish Theological Seminary in New York City, where she helped the institution navigate through the COVID-19 pandemic. Prior to that, she served as VP of Finance for the Tenement Museum, also in New York. Previous employers included IBM, Fox News, and Martha Stewart Living Omnimedia. In 2018, along with friend and business partner Oneida Franco, Anna co-founded The Whole Kitchen, Inc. (TWK) — a company that creates meaningful experiences around a shared appreciation for food, sustainability, culture, and introspection. On October 1, 2021, National Coffee Day, the pair launched Casa Dos Chicas Café (CDCC), a brand of TWK. CDCC offers organic, single-origin, specialty coffees sourced mainly from Latin America. The company's goal and mission are to celebrate Latin American heritage whilepromoting equitable, sustainable practices along the entire coffee supply chain. Anna and her twin brother were born in Kalamazoo, Michigan, to Mexican parents. Shortly afterward, the family relocated to Ligonier, Indiana, where Anna spent her childhood. The first in her family to attend and graduate from a university, Anna completed her Bachelor of Science degree in Accounting from Oral Roberts University School of Business in 1997. She later enrolled in the Becker CPA study course and passed all four parts of the New York State Certified Public Accounting exam. Anna is married to Christopher Ocansey, a Ghanaian American, and they have three children together: Joshua, Cristiana, and Olivia. About Oneida Franco: A multi-faceted entrepreneur and finance expert, Oneida Franco blends 25+ years of finance and accounting experience and education with a deep understanding of the needs of small-to-midsize business owners. After two decades in the corporate and non-profit worlds, Oneida's entrepreneurship journey began in 2017 when she found herself helping a growing number of friends and acquaintances with their finance questions. Recognizing a lack of practical guidance and tools, Oneida launched Franco Blueprint (FB) — an accounting and business management firm with the mission to up-level the businesses of artists, content creators and entrepreneurs. Often, individuals with brilliant ideas are looking to start their business and diversify themselves relying on different tools to get their business up and running as well as trying to understand the finance and operational side. That's where Oneida saw Franco Blueprint as the solution - a one-stop service and support system for business owners tuned into the frequency of creation and abundance. Shortly afterward, Oneida's partner Rick Diaz came on board as CFO, bringing an additional 25+ years of experience and expanding FB's roster to include financial real estate development and construction accounting. In 2018, Oneida and business partner Anna Ocansey co-founded The Whole Kitchen, Inc. (TWK) — a business that creates meaningful experiences around a shared appreciation for food, sustainability, culture, and introspection. The pair launched Casa Dos Chicas Café (CDCC), a brand of TWK, in October 2021. CDCC offers organic, single-origin, specialty coffees sourced mainly from Latin America. The company's goal and mission are to celebrate Latin American heritage while promoting equitable, sustainable practices along the entire coffee supply chain. Born and raised in New York with Dominican roots, Oneida puts family at the center of things and stays closely connected to her heritage. Along with her family, she founded Fundación Generaciones Sanas (FUNGESA), a non-profit organization committed to providing youth with ongoing educational opportunities and sustainability programs. Recent FUNGESA projects include the reopening of the library at Antonio L. Batista School in Oneida's family hometown of Sabana del Puerto, Bonao. Oneida is the second oldest of five siblings and mother to 19-year-old Nina, who is almost off to college. About Love Ministries: Love Ministries About Host, Karla Nivens: After graduating from Texas Tech University, Karla earned her teaching certificate and began her career as an elementary music teacher in the Dallas Independent School District. She also sang for Grammy award-winning Gospel recording artists Kirk Franklin, CeCe Winans, Fred Hammond, Donnie McClurkin, Crystal Lewis, Willie Neal Johnson, John P. Kee, Alvin Slaughter, Tamela Mann, and Michael Buble'. She's traveled the world and ministered to diverse audiences in music. During her travels, she had the opportunity to sing on the Jay Leno Show, Soul Train, the Stellar Awards, and the Billy Graham Crusade with Kirk Franklin. She took a hiatus while staying at home with her children for several years and re-entered the workforce as a worship leader at Highland Park United Methodist Church. Karla has worshipped with Highland Park for the past 17 years. Currently, Karla is building the Racial Justice ministry for Highland Park UMC. Karla has also served as an adjunct instructor for Visible Music College and in 2014 released a CD entitled “True Worship.” Five years ago a good friend suggested she turn her heart toward fulfilling the Great Commission. Karla began traveling on yearly mission trips to Costa Rica and Africa. On those trips the Lord began to awaken the motto He gave her in college – “Influencing Culture for the Good of the Kingdom.” As an answer to this awakening, Karla and Dr. Roosevelt founded Karla Nivens Entertainment. Under this umbrella, Karla partnered with Love Ministries, a 501(c)(3) non-profit organization, started a small group for women, and a radio show both titled “Every Heart Every Woman.” Karla encourages her audience to quiet the noise and restore balance in their daily lives through inspirational entertainment. The show airs Sundays as a podcast on iTunes and Podbean weekly. The show also airs in video on YouTube. In 2019, Karla released her book, True Leaders with Heart, packed with weekly meditations for leaders. About Co-Host LaToryla Jones: The dream began many years ago when God spoke to Spencer about providing a creative atmosphere where people can relax and enjoy finding Jesus. Then God added other pieces to the dream, and to Spencer's life, when he met his lovely wife La Toryla. That's when the vision began to explode. Spencer and LaToryla Jones, founder & Creator of Flames of Passion Women's Event, love God and love people. This dynamic team seeks God to effectively engage culture by providing power-packed, life-changing experiences in entertainment productions, life resources, speaking events, and trainings. Over the years Spencer and La Toryla have spent countless hours serving in Church Leadership in various formal capacities, and volunteering whenever and wherever possible. They believe God has prepared them in this moment to step out and fulfill their God-given dream called "Jireh's Joint"
About Anna Ocansey-Jimenez: Anna Ocansey-Jimenez is a C-level accounting and finance professional and entrepreneur with nearly 30 years' experience transforming the operations of both non-profit organizations and large global brands. An expert in streamlining operations and creating transparency in reporting, Anna has led organizations through transition and growth in multiple executive roles. Most recently, she served as Chief Accounting Officer at the Jewish Theological Seminary in New York City, where she helped the institution navigate through the COVID-19 pandemic. Prior to that, she served as VP of Finance for the Tenement Museum, also in New York. Previous employers included IBM, Fox News, and Martha Stewart Living Omnimedia. In 2018, along with friend and business partner Oneida Franco, Anna co-founded The Whole Kitchen, Inc. (TWK) — a company that creates meaningful experiences around a shared appreciation for food, sustainability, culture, and introspection. On October 1, 2021, National Coffee Day, the pair launched Casa Dos Chicas Café (CDCC), a brand of TWK. CDCC offers organic, single-origin, specialty coffees sourced mainly from Latin America. The company's goal and mission are to celebrate Latin American heritage whilepromoting equitable, sustainable practices along the entire coffee supply chain. Anna and her twin brother were born in Kalamazoo, Michigan, to Mexican parents. Shortly afterward, the family relocated to Ligonier, Indiana, where Anna spent her childhood. The first in her family to attend and graduate from a university, Anna completed her Bachelor of Science degree in Accounting from Oral Roberts University School of Business in 1997. She later enrolled in the Becker CPA study course and passed all four parts of the New York State Certified Public Accounting exam. Anna is married to Christopher Ocansey, a Ghanaian American, and they have three children together: Joshua, Cristiana, and Olivia. About Oneida Franco: A multi-faceted entrepreneur and finance expert, Oneida Franco blends 25+ years of finance and accounting experience and education with a deep understanding of the needs of small-to-midsize business owners. After two decades in the corporate and non-profit worlds, Oneida's entrepreneurship journey began in 2017 when she found herself helping a growing number of friends and acquaintances with their finance questions. Recognizing a lack of practical guidance and tools, Oneida launched Franco Blueprint (FB) — an accounting and business management firm with the mission to up-level the businesses of artists, content creators and entrepreneurs. Often, individuals with brilliant ideas are looking to start their business and diversify themselves relying on different tools to get their business up and running as well as trying to understand the finance and operational side. That's where Oneida saw Franco Blueprint as the solution - a one-stop service and support system for business owners tuned into the frequency of creation and abundance. Shortly afterward, Oneida's partner Rick Diaz came on board as CFO, bringing an additional 25+ years of experience and expanding FB's roster to include financial real estate development and construction accounting. In 2018, Oneida and business partner Anna Ocansey co-founded The Whole Kitchen, Inc. (TWK) — a business that creates meaningful experiences around a shared appreciation for food, sustainability, culture, and introspection. The pair launched Casa Dos Chicas Café (CDCC), a brand of TWK, in October 2021. CDCC offers organic, single-origin, specialty coffees sourced mainly from Latin America. The company's goal and mission are to celebrate Latin American heritage while promoting equitable, sustainable practices along the entire coffee supply chain. Born and raised in New York with Dominican roots, Oneida puts family at the center of things and stays closely connected to her heritage. Along with her family, she founded Fundación Generaciones Sanas (FUNGESA), a non-profit organization committed to providing youth with ongoing educational opportunities and sustainability programs. Recent FUNGESA projects include the reopening of the library at Antonio L. Batista School in Oneida's family hometown of Sabana del Puerto, Bonao. Oneida is the second oldest of five siblings and mother to 19-year-old Nina, who is almost off to college. About Love Ministries: Love Ministries About Host, Karla Nivens: After graduating from Texas Tech University, Karla earned her teaching certificate and began her career as an elementary music teacher in the Dallas Independent School District. She also sang for Grammy award-winning Gospel recording artists Kirk Franklin, CeCe Winans, Fred Hammond, Donnie McClurkin, Crystal Lewis, Willie Neal Johnson, John P. Kee, Alvin Slaughter, Tamela Mann, and Michael Buble'. She's traveled the world and ministered to diverse audiences in music. During her travels, she had the opportunity to sing on the Jay Leno Show, Soul Train, the Stellar Awards, and the Billy Graham Crusade with Kirk Franklin. She took a hiatus while staying at home with her children for several years and re-entered the workforce as a worship leader at Highland Park United Methodist Church. Karla has worshipped with Highland Park for the past 17 years. Currently, Karla is building the Racial Justice ministry for Highland Park UMC. Karla has also served as an adjunct instructor for Visible Music College and in 2014 released a CD entitled “True Worship.” Five years ago a good friend suggested she turn her heart toward fulfilling the Great Commission. Karla began traveling on yearly mission trips to Costa Rica and Africa. On those trips the Lord began to awaken the motto He gave her in college – “Influencing Culture for the Good of the Kingdom.” As an answer to this awakening, Karla and Dr. Roosevelt founded Karla Nivens Entertainment. Under this umbrella, Karla partnered with Love Ministries, a 501(c)(3) non-profit organization, started a small group for women, and a radio show both titled “Every Heart Every Woman.” Karla encourages her audience to quiet the noise and restore balance in their daily lives through inspirational entertainment. The show airs Sundays as a podcast on iTunes and Podbean weekly. The show also airs in video on YouTube. In 2019, Karla released her book, True Leaders with Heart, packed with weekly meditations for leaders. About Co-Host LaToryla Jones: The dream began many years ago when God spoke to Spencer about providing a creative atmosphere where people can relax and enjoy finding Jesus. Then God added other pieces to the dream, and to Spencer's life, when he met his lovely wife La Toryla. That's when the vision began to explode. Spencer and LaToryla Jones, founder & Creator of Flames of Passion Women's Event, love God and love people. This dynamic team seeks God to effectively engage culture by providing power-packed, life-changing experiences in entertainment productions, life resources, speaking events, and trainings. Over the years Spencer and La Toryla have spent countless hours serving in Church Leadership in various formal capacities, and volunteering whenever and wherever possible. They believe God has prepared them in this moment to step out and fulfill their God-given dream called "Jireh's Joint"
Hello to the small group of people who actually read the show notes! You are the chosen ones no matter what anyone tells you! I hope these show notes find you in good health and humor. I hope if you are reading them at the end of September that you are as excited about autumn as I am and I hope you will enjoy today's episode so much that you will consider becoming a subscriber if you aren't already! Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Dr Christina Greer is hosting a new podcast called The Blackest Questions Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University in Medford, MA. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a host of the The Blackest Questions Podcast and political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page
Grace McGookey and Danielle Wetmore are museum professionals with very different relationships to American Girl. One was a huge fan, and one watched the rise of AG from afar. Years later, while working together at the Tenement Museum, they became colleagues and friends. They also got to be quite familiar with one Rebecca Rubin. During this episode, Grace and Danielle answer some of your most pressing questions about Rebecca's world. Listen for their tremendous knowledge about life in New York's historic tenements. Want support around your own work life? Send us your questions for a care and keeping of you episode on navigating work today. Visit our merch store or support us on Patreon: https://linktr.ee/agirlspod. We love to hear from you! Drop us a line AmericanGirlsPod@gmail.com or follow us: Facebook - fb.com/AmericanGirlsPodcast Instagram -@americangirlspodcast @mimimahoney @allisonhorrocks Twitter - @agirlspod @marymahoney123 @allisonhorrocks Need a source of calm in your day? Subscribe to Libro FM! Choose from over 150,000 audiobooks and even support your local bookstore with your purchases as a member. To sign up, use code AGReads or this link: libro.fm/redeem/AGReads You can also support us by shopping with this link: https://tidd.ly/3fXPx5A
Amanda Seales With an uncanny knack for taking serious topics (racism, rape culture, sexism, police brutality, etc.) and with humor, making them relatable and interesting, she combines intellectual wit, silliness, and a pop culture obsession to create her unique style of smart funny content for the stage and screens. Amanda Seales is a comedian and creative visionary with a Master's in African American studies from Columbia University. Seamlessly blending humor and intellect her unique style of smart funny content spans various genres across the entertainment and multi-media landscape. She is best known for her iconic role as, “Tiffany DuBois” of HBO's Insecure, her debut stand up comedy special, “I Be Knowin”, as a former cohost on daytime talk show, “The Real”, host of NBCs “Bring the Funny,” and the host/writer of the groundbreaking 2020 BET Awards. She speaks truth to change via her wildly popular instagram @AmandaSeales, weekly podcast, “Small Doses”, and book by the same name. Centering community building in her comedy, she is also the creator/host of the touring variety game show, “Smart Funny & Black” and of “Smart Funny & Black Radio” on Kevin Hart's LOL Network on SiriusXM. Always an advocate for Black voices, she founded Smart Funny & Black Productions to produce and create art as edu-tainment across the media landscape by any joke necessary. A Jedi Khaleesi with a patronus that's a Black Panther with wings, Amanda Seales continues to keep audiences laughing, thinking, and living in their truth! And you can now get more from her at Amandaverse.com and you can see her live on her new tour: “Black Outside". Christina Greer is an Associate Professor of Political Science at Fordham University - Lincoln Center (Manhattan) campus. Her research and teaching focus on American politics, Black ethnic politics, campaigns and elections, and public opinion. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean. She finds that both ethnicity and a shared racial identity matter and also affect the policy choices and preferences for black groups. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, The Mark Twain House in Hartford, CT, Community Change in Washington, DC, and serves on the Advisory Board at Tufts University. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC, is a political analyst at thegrio.com, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Prof. Greer received her BA from Tufts University and her MA, MPhil, and PhD in Political Science from Columbia University. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf
In our first episode of season four, Nadia Davids, the President of PEN South Africa, interviews Ciraj Rassool, Senior Professor of History at the University of the Western Cape. Together, they explore the history of District Six, forced removals, restitution, artistic representation, memorialisation, and consider the connection between the District Six Museum and the Tenement Museum in New York City In this episode we stand in solidarity with three activists from Egypt: writer and blogger Alaa Abdel Fattah, human rights lawyer Mohamed al-Baqer and blogger Mohamed “Oxygen” Ibrahim. You can read more about them here: https://pen-international.org/news/egypt-retaliatory-verdicts-following-an-unjust-emergency-trial-must-be-quashed This podcast series is funded by a grant from the U.S. Embassy in South Africa.
This episode focuses on the special relationship between New York City and Puerto Rico, via the tales of pioneros, the first migrants to make the city their home and the many hundreds of thousands who came to the city during the great migration of the 1950s and 60s. Today there are more Puerto Ricans and people of Puerto Rican descent in New York City than in any other city in the nation — save for San Juan, Puerto Rico. And it has been so for decades. By the late 1960s, hundreds of thousands of Puerto Ricans lived in New York City, but in a metropolis of deteriorating infrastructure and financial woe, they often found themselves at the lowest rung of the socio-economic ladder, in poverty-stricken neighborhoods.Puerto Rican poets and artists associated with the Nuyorican Movement, activated by the needs of their communities, began looking back to their origins, asking questions.In this special episode Greg is joined by several guests to look at the stories of Puerto Ricans from the 1890s until the early 1970s. With a focus on the origin stories of New York's great barrios -- including East Harlem, the Lower East Side and the South Bronx.FEATURING The origin of the Puerto Rican flag and the first bodegas in New York City!WITH Dr. Yarimar Bonilla and Carlos Vargas-Ramos of CUNY's Center for Puerto Rican Studies at Hunter College (CENTRO), Kat Lloyd and Pedro Garcia of the Tenement Museum and Angel Hernandez of the Huntington Free Library and Reading Room and the Webby Award winning podcast Go Bronx.
Christina M. Greer, PhD is an Associate Professor of Political Science and American Studies at Fordham University (Lincoln Center Campus). She was the 2018 Fellow for the McSilver Institute for Poverty Policy and Research at New York University Silver School of Social Work, and co-host of the "What's in it for Us" podcast. Her primary research and teaching interests are racial and ethnic politics, American urban centers, presidential politics, and campaigns and elections. Her additional research interests also include transportation, mayors and public policy in urban centers. Her previous work has compared criminal activity and political responses in Boston and Baltimore as well as Baltimore and St. Louis. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press, 2013 ) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean and was the recipient of the WEB du Bois Best Book Award in 2014 given by the National Conference of Black Political Scientists. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, the Center for Community Change, and serves on the Advisory Board at Tufts University. She is also an ardent supporter of FIERCE in NYC and Project South in Atlanta, GA, and a former board member of BAJI (Black Alliance for Just Immigration), the Riders Alliance of New York, and the Human Services Council. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC and co-host of the Black centered podcast What's In It For Us podcast, is the politics editor at thegrio.com, is the producer and host of The Aftermath and The Contender on Ozy.com as well as their editor-at-large, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Greer received her B. A. from Tufts University and her M.A., M.Phil., and Ph.D. in Political Science from Columbia University. Dr. Janus Adams is an Emmy Award-winning journalist, historian, entrepreneur, bestselling author of eleven books, and host of public radio's “The Janus Adams Show” and podcast. A frequent on-air guest, she has appeared on ABC, BET, CBS, CNN, Fox News, NBC's The Today Show, and NPR's All Things Considered. With more than 500 articles, essays and columns to her credit, her work has been featured in Essence and Ms. Magazines, The New York Times, Newsday, USA Today, and The Washington Post. Her syndicated column ran in the Hearst Newspapers for sixteen years. Her commentary has been broadcast on CBS and NPR, and published in the Huffington Post. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf.
Heard Tell Radio for December 13th 2021 turns down the noise and gets the information we need about the economy, inflation, and the messaging both from the Biden Administration and the news cycle with economist and Ordinary Times contributor Jericho Hill. Also, we talk about the use of social media in the wake of the tragic and deadly tornado outbreaks in six states and how to actually use the power in your hand to affect good, not just further cultural & political division. Also, some living history as an interactive walk through of The Tenement Museum shows use what it used to be like for many of those starting out their American dream, how much has changes, and things that might not have changes as much as we think. All that and more on this episode of Heard Tell Radio.Support this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Christina Greer, Abbi Crutchfield, and Zainab Johnson visit Friends and discuss democrats message issue, New York's new Mayor and more with host Marina Franklin Abbi Crutchfield is the host of Up Early Tonight on Hulu and co-host of the podcast “Flameout” on Spotify. She's been on The Late Show with Stephen Colbert, Full Frontal with Samantha Bee on TBS, Broad City on Comedy Central, and she hosted You Can Do Better on TruTV. Her jokes on Twitter are consistently featured on best-of lists by publications such as Paste Magazine and The Huffington Post, who named her one of the 18 comedians you must follow on Twitter. She has trained at the renowned Upright Citizen's Brigade Theatre, taught at the People's Improv Theater, and she tours nationally with her stand-up. Christina M. Greer, PhD is an Associate Professor of Political Science and American Studies at Fordham University (Lincoln Center Campus). She was the 2018 Fellow for the McSilver Institute for Poverty Policy and Research at New York University Silver School of Social Work, and co-host of the "What's in it for Us" podcast. Her primary research and teaching interests are racial and ethnic politics, American urban centers, presidential politics, and campaigns and elections. Her additional research interests also include transportation, mayors and public policy in urban centers. Her previous work has compared criminal activity and political responses in Boston and Baltimore as well as Baltimore and St. Louis. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press, 2013 ) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean and was the recipient of the WEB du Bois Best Book Award in 2014 given by the National Conference of Black Political Scientists. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, the Center for Community Change, and serves on the Advisory Board at Tufts University. She is also an ardent supporter of FIERCE in NYC and Project South in Atlanta, GA, and a former board member of BAJI (Black Alliance for Just Immigration), the Riders Alliance of New York, and the Human Services Council.She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC and co-host of the Black centered podcast What's In It For Us podcast, is the politics editor at thegrio.com, is the producer and host of The Aftermath and The Contender on Ozy.com as well as their editor-at-large, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S.Greer received her B. A. from Tufts University and her M.A., M.Phil., and Ph.D. in Political Science from Columbia University. Zainab Johnson, a stand-up comedian, actress, and writer is quickly being propelled as one of the most unique and engaging performers on stage and screen. In 2019, Zainab was named one of Variety's Top 10 Comics To Watch. Recently, she was one of the hosts for Netflix's new show "100 Humans". You can also catch her as Aleesha on the new comedy series "Upload" on Amazon Prime. Zainab made her first late night stand up appearance on NBC's Late Night with Seth Meyers, and has also had appearances on HBO's All Def Comedy (2017), NBC's Last Comic Standing (2014), Arsenio (2014), BET's Comic View (2014), AXSTV's Gotham Comedy Live! She also just recently starred in a new web series titled Avant-Guardians. Zainab is a regular at the Improv Comedy Club in LA and the Comedy Cellar in NY, and has performed in the Montreal Just For Laughs Festival as one of the 2014 New Faces of Comedy and returned numerous times since. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf.
Last spring, the New York City's Tenement Museum added the Reclaiming Black Spaces walking tour, visiting important Lower East Side Black historical sites. Host Robin Young visited the museum to find out more. And, a single equation has been used for decades in the U.S. to determine whether you're eligible for a kidney transplant. Now, a task force has mandated the elimination of race as a variable. Sojourner Ahébée of WHYY's The Pulse reports.
The Tenement Museum in NYC 11/17/2021
Elyse DeLucci (@ElyseDeLucci) welcomes you into her living room talking our Hamptons AirBnb nightmare, the Triangle Shirtwaist Fire of 1911, NYC's Tenement Museum is a must-visit, why buy an iron when you can have a steamer & MORE! LOVE to LOVE YA! I'm drinkin' club soda, so let's hang out and tawk! Follow Elyse on TikTok: @ElyseDeLucci Follow Elyse on Instagram: Instagram.com/ElyseDeLucci
THE LOWER EAST SIDE, NEW YORK -- In Episode #28 (Segment 1 of 3) of his podcast, Thomas Fraser talks with Kevin Jennings about how the Tenement Museum uses storytelling to tell the stories of immigrants to New York's Lower East Side and to educate museumgoers about the immigrant experience today. Jennings is the President of the Tenement Museum.The Tenement Museum is an excellent example of how a smaller museum with a limited collection can make a big impact through an emphasis on compelling storytelling and creative programming. To learn more about the Tom Fraser Podcast and to listen to additional episodes, please go to www.tlfraser.com/podcasts.This podcast was originally published at www.tlfraser.com on March 20, 2019.The information provided in this podcast does not constitute the provision of legal, tax or investment advice. This information is provided for general informational purposes only.Copyright 2015-2022 Thomas L. Fraser. All Rights Reserved.
THE LOWER EAST SIDE, NEW YORK -- In Episode #28 (Segment 2 of 3) of his podcast, Thomas Fraser talks with Kevin Jennings about how the Tenement Museum uses storytelling to tell the stories of immigrants to New York's Lower East Side and to educate museumgoers about the immigrant experience today. Jennings is the President of the Tenement Museum.The Tenement Museum is an excellent example of how a smaller museum with a limited collection can make a big impact through an emphasis on compelling storytelling and creative programming. To learn more about the Tom Fraser Podcast and to listen to additional episodes, please go to www.tlfraser.com/podcasts.This podcast was originally published at www.tlfraser.com on March 20, 2019.The information provided in this podcast does not constitute the provision of legal, tax or investment advice. This information is provided for general informational purposes only.Copyright 2015-2022 Thomas L. Fraser. All Rights Reserved.
THE LOWER EAST SIDE, NEW YORK -- In Episode #28 (Segment 3 of 3) of his podcast, Thomas Fraser talks with Kevin Jennings about how the Tenement Museum uses storytelling to tell the stories of immigrants to New York's Lower East Side and to educate museumgoers about the immigrant experience today. Jennings is the President of the Tenement Museum.The Tenement Museum is an excellent example of how a smaller museum with a limited collection can make a big impact through an emphasis on compelling storytelling and creative programming. To learn more about the Tom Fraser Podcast and to listen to additional episodes, please go to www.tlfraser.com/podcasts.This podcast was originally published at www.tlfraser.com on March 20, 2019.The information provided in this podcast does not constitute the provision of legal, tax or investment advice. This information is provided for general informational purposes only.Copyright 2015-2022 Thomas L. Fraser. All Rights Reserved.
A new walking tour from the Tenement Museum sheds light on the history of Black New Yorkers in the Lower East Side. Lauren O'Brien, historian and lead scholar for the walking tour, and Kathryn Lloyd, director of programs and education, join us to discuss the tour, called Reclaiming Black Spaces.
May became National Photography Month in 1987 when Congress recognized the role photography plays in modern society. The American Photographers Association one of the primary backers and supporters of Photography Month. There are activities, exhibits, and sales all month. Here are some fun ways to participate. With the advent of digital imaging interest decreased but then returned in 2007. National Photography Month ActivitiesPhotograph everyday moments Make a plan to document your life for your descendants. Think of topics like grandma in the kitchen. Toys. cars. Perhaps you already document your life. There are Covid themed archives around the world now. Ordinary people and archivists are collecting images, audio, and video (plus more) so that future folk will have the material context to understand the time in which we live. Is there one in your area? Ask a local history librarian or a Reference person, they are bound to know.Make a photobook. It doesn't matter if you use a word processing program or something more sophisticated like Shutterfly or Snapfish. Chatbooks turn social media into browseable books with little effort.Send a photo card With Felt a new app. Old photo or new There is a new app I can't wait to try. It's called Felt and it helps you create cards with digital images and then mails them. Oooh. Do I know a few folks that need a family history pick me up. Bet you do too.Your pet. Set up an Instagram account for your pet or feature them on Tik Tok. Dogs and cats are often internet sensations and videos/photos of them go viral. Try it and see. Pet not really of interest then start an instagram account for your family photos. Watermark each one before uploading using umarkonline.comMerge Your Family photos and genealogical information together into a book your descendants will love to look at. There is nothing like the storytelling potential when you merge images and information. It's hard for genealogists to accept sometimes that their family isn't always interested in the tree you've built but add in some photos and tell some stories and they'll be hooked.Virtually Visit a photo gallery or museum. During this pandemic, many museums began offering virtual programming. Some through Facebook, others through YouTube, and some through their website. What's your favorite museum? The Museum of the American Revolution's Facebook page offers short presentations by conservators and artisans. You can take a virtual tour at The Tenement Museum in New York There are so many options.Become the family photographer. Smartphone or digital SLR, just start snapping and Enroll in a photography course. It doesn't matter whether it's at a local college, online, at a local hobby store. it's a skill you won't regret acquiring.I can't wait to go out in the world again. While I'm home, I'm in planning mode. What archives do I want to visit? Is there a location my ancestors lived that I'd like to walk? Uh.. YES! Thank you to all the archivists and librarians that are on the job answering our emails and phone calls. You're keeping us all sane. Have you checked out my Patreon account? You can support the development of new content (and get content) each month. Related Episodes:Episode 120: Good Pictures: Amateur Photography and Our Family with Art Historian Kim BeilEpisode 110: Best Practices for Photo OrganizingLinks:Chatbooks.comShutterfly.comSnapfish.comFeltTenement MuseumMuseum of the American Revolution on FacebookLippitt HousePatreonSign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About Maureen Taylor:Maureen is a frequent keynote speaker on photo identification, photograph preservation, and family history at historical and genealogical societies, museums, conferences, libraries, and other organizations across the U.S., London, and Canada. She's the author of several books and hundreds of articles and her television appearances include The View and The Today Show (where she researched and presented a complete family tree for host Meredith Vieira). She's been featured in The Wall Street Journal, Better Homes and Gardens, The Boston Globe, Martha Stewart Living, Germany's top newspaper Der Spiegel, American Spirit, and The New York Times. Maureen was recently a spokesperson and photograph expert for MyHeritage.com, an internationally known family history website, and also writes guidebooks, scholarly articles, and online columns for such media as Smithsonian.com. Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts.
ABOUT THE SPEAKER: Janet R. Kirchheimer is a Clal Teaching Fellow, Assistant to the Presidents, and LEAP Program Manager. A poet, essayist, creative writing teacher, and filmmaker, she is the author of How to Spot One of Us (2007, Clal). Nominated for a Pushcart Prize, her work has appeared in numerous journals, anthologies, and on-line publications. Janet has taught and given talks and readings at a wide variety of organizations. Most recently she was part of a “Six-Word Memoir” storytelling event held at the Tenement Museum in New York City, and her chapter “At the Water’s Edge: Poetry and the Holocaust” appeared in “The Psychoanalytic Textbook of Holocaust Studies” in 2019. Janet is producing, AFTER, a film that explores poetry written about the Holocaust featuring renowned contemporary poets. She is also a gold-star licensed New York City Sightseeing Guide conducting tours about the first Jewish community in North America, founded in 1654. When she’s not giving tours, Janet is busy being a hyphenated American – the daughter of Holocaust survivors, an avid reader, singer, knitter, opera lover, and that’s just the beginning. Janet brings her passion and curiosity about life and Judaism to everything she does at Clal. DONATE: http://www.bit.ly/1NmpbsP For podcasts of VBM lectures, GO HERE: https://www.valleybeitmidrash.org/learning-library/ https://www.facebook.com/valleybeitmi... Become a member today, starting at just $18 per month! Click the link to see our membership options: https://www.valleybeitmidrash.org/become-a-member/
Christina M. Greer, PhD is an Associate Professor of Political Science and American Studies at Fordham University (Lincoln Center Campus). She was the 2018 Fellow for the McSilver Institute for Poverty Policy and Research at New York University Silver School of Social Work. Her primary research and teaching interests are racial and ethnic politics, American urban centers, presidential politics, and campaigns and elections. Her additional research interests also include transportation, mayors and public policy in urban centers. Her previous work has compared criminal activity and political responses in Boston and Baltimore as well as Baltimore and St. Louis. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press, 2013 ) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean and was the recipient of the WEB du Bois Best Book Award in 2014 given by the National Conference of Black Political Scientists. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, the Center for Community Change, and serves on the Advisory Board at Tufts University. She is also an ardent supporter of FIERCE in NYC and Project South in Atlanta, GA, and a former board member of BAJI (Black Alliance for Just Immigration), the Riders Alliance of New York, and the Human Services Council. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC and co-host of the Black centered podcast What's In It For Us podcast, is the politics editor at thegrio.com, is the producer and host of The Aftermath and The Contender on Ozy.com as well as their editor-at-large, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Greer received her B. A. from Tufts University and her M.A., M.Phil., and Ph.D. in Political Science from Columbia University. Liz Miele, originally from New Jersey, started doing stand-up at 16 in New York City. At 18 she was profiled in The New Yorker Magazine, at 22 she appeared on Comedy Central’s “Live at Gotham.” She recently appeared on Comedy Central’s “This Week at the Comedy Cellar,” NPR’s “Wait Wait Don’t Tell Me,” Hulu’s “Coming To The Stage,” AXS TV’s “Gotham Comedy Live,” and was profiled in the March 2015 issue of Runner’s World. She has several viral videos on Youtube, Instagram and Tiktok including jokes “Feminist Sex Positions,” “F*ck Finland,” and “London Cops Are Better Than American Cops” She regularly tours internationally and has three albums out on spotify and itunes and released her first special “Self Help Me” in May 2020 free on youtube. Her first book, “Why Cats Are Assholes” is available everywhere March 30th 2021. She wrote and produced season one of her animated web series “Damaged,” voiced by great comics including Maz Jobrani, Hari Kondabolu, Ted Alexandro, Jermaine Fowler, Dean Edwards, DC Benny, Joe Machi and so many more. She also co-produced and co-starred in 40 episodes of a web series called “Apt C3” with fellow comic, Carmen Lynch and fashion photographer, Chris Vongsawat. Her podcast “2 Non Doctors” airs weekly. JACKIE FABULOUS, is a gut-busting, writer, producer, speaker, and headlining comedian who uses comedy to simultaneously entertain, encourage and empower audiences. Having survived her fair share of loves, tragedies, lessons and embarrassing moments, Jackie channels all of that energy into hilarious sets and inspiring keynotes. More than just a funny lady, she is on a mission to inspire and empower women all over the world to Find The Funny In Their Flaws. When Jackie is not on tour, you will find her giving amazing keynote speeches and breakout sessions at corporate events and conferences or as a semi-finalist on season 14 of America’s Got Talent. A lawyer in her past life, she understands the plight of the working woman. Her signature talks and upcoming book within her hilarious “Find Your Fabulous” series will leave audiences feeling encouraged, uplifted, and inspired to conquer the ups and downs of life and work. Her diverse style of comedy has allowed her to work with comedy legends like Roseanne Barr and Wanda Sykes and on the OWN Network, NBC, CBS, and FOX to name a few. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf
Christina M. Greer, PhD is an Associate Professor of Political Science and American Studies at Fordham University (Lincoln Center Campus). She was the 2018 Fellow for the McSilver Institute for Poverty Policy and Research at New York University Silver School of Social Work. Her primary research and teaching interests are racial and ethnic politics, American urban centers, presidential politics, and campaigns and elections. Her additional research interests also include transportation, mayors and public policy in urban centers. Her previous work has compared criminal activity and political responses in Boston and Baltimore as well as Baltimore and St. Louis. Prof. Greer's book Black Ethnics: Race, Immigration, and the Pursuit of the American Dream (Oxford University Press, 2013 ) investigates the increasingly ethnically diverse black populations in the US from Africa and the Caribbean and was the recipient of the WEB du Bois Best Book Award in 2014 given by the National Conference of Black Political Scientists. Professor Greer is currently working on a manuscript detailing the political contributions of Barbara Jordan, Fannie Lou Hamer, and Stacey Abrams. She recently co-edited Black Politics in Transition, which explores gentrification, suburbanization, and immigration of Blacks in America. She is a member of the board of The Tenement Museum in NYC, the Center for Community Change, and serves on the Advisory Board at Tufts University. She is also an ardent supporter of FIERCE in NYC and Project South in Atlanta, GA, and a former board member of BAJI (Black Alliance for Just Immigration), the Riders Alliance of New York, and the Human Services Council. She is a frequent political commentator on several media outlets, primarily MSNBC, WNYC, and NY1, and is often quoted in media outlets such as the NYTimes, Wall Street Journal, and the AP. She is the co-host of the New York centered podcast FAQ-NYC and co-host of the Black centered podcast What's In It For Us podcast, is the politics editor at thegrio.com, is the producer and host of The Aftermath and The Contender on Ozy.com as well as their editor-at-large, is a frequent author and narrator for the TedEd educational series, and also writes a weekly column for The Amsterdam News, one of the oldest black newspapers in the U.S. Greer received her B. A. from Tufts University and her M.A., M.Phil., and Ph.D. in Political Science from Columbia University. Subhah Agarwal has brought an honesty to her comedy that is refreshing, and at times a bit disturbing... but in a good way. Trust me. Subhah has written for "The Jim Jefferies Show"on Comedy Central, and "Comedy Knockout" on TruTv, amongst others. You can also catch her jokes live at stand up comedy clubs across the country. If you don't want to leave your couch, you can see her late night debut on NBC's "A Little Late With Lilly Singh." She will also be appearing on season three of HBO's "Westworld", as Ichtaca on TruTv's sketch comedy "Friends of the People", and as herself on MTV2, Comedy Central, and Gotham Comedy Live. Erin Jackson is one of the fastest-rising comedians in New York City. She works nightly in the city’s top comedy clubs, and has appeared on Late Night with Seth Meyers, CONAN, The Ellen DeGeneres Show, This Week at the Comedy Cellar, truTV’s Laff Mobb’s Laff Tracks, Last Comic Standing, and Comedy Central’s Live at Gotham. Erin's debut comedy album, Grudgery, was released in 2018 and debuted at No. 1 on the iTunes comedy charts. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf
In this episode, I talk about A Tale of One City...NYC and the different perspectives of two heavyweights wanting different results. On one side there was Robert Moses, the urban developer and on the other side, there was Jane Jacobs, mother, wife, and activist who cared about the residents and the diverse neighborhoods that make up NYC. Who won this battle? Listen to this episode to find out. Plus a little light trivia about NYC. Discover a historic event in NYC and some cool trivia. Learn a few facts to stump your family and friends. It's so much fun! ALSO...push that PURPLE BUTTON on your iPhone (come on...you know the button...the one that kind of looks like a weird microphone) to SUBSCRIBE and REVIEW! IT'S FREE! Links mentioned in this episode: Buy the book, The Death And Life Of Great American Cities by Jane Jacobs: https://www.amazon.com/Death-Life-Great-American-Cities/dp/067974195X/ref=sr_1_1?crid=2MMZ0TFDUFX7J&dchild=1&keywords=the+death+and+life+of+great+american+cities&qid=1595615266&s=books&sprefix=the+dea%2Caps%2C154&sr=1-1 Buy the book, The Power Broker – Robert Moses and the Fall of New York by Robert Caro: https://www.amazon.com/Power-Broker-Robert-Moses-Fall/dp/0394720245/ref=sr_1_2?crid=37NT33DDOOJDD&dchild=1&keywords=the+power+broker+by+robert+caro&qid=1595616099&s=books&sprefix=the+power+br%2Cstripbooks%2C158&sr=1-2 Tenement Museum - https://www.tenement.org/ Museum of the City of New York - https://www.mcny.org/ James and Karla / Food, Travel, NYC - YouTube Channel - https://www.youtube.com/channel/UCuBxnfoGc2B2Djy4vhIz6Sg National Trust For Historic Preservation - https://savingplaces.org/ Project For Public Spaces - https://www.pps.org/ See the movie: Citizen Jane - Battle For The City - https://youtu.be/Tid_MAtHbno Talk, Tales and Trivia website - http://talktalesandtrivia.com Apple Podcasts https://itunes.apple.com/us/podcast/talk-tales-and-trivia/id1144007260?mt=2&ls=1 iHeart Radio: http://www.iheart.com Stitcher:http://www.stitcher.com Instagram: https://www.instagram.com/talktalesandtrivia/ Twitter: https://twitter.com/TalkTalesEtc Facebook: https://www.facebook.com/talktalesandtrivia *Contact by email: talktalesandtrivia@gmail.com *Leave a voice message: https://www.speakpipe.com/talktalesetc Hey...if you enjoy Talk, Tales, And Trivia you might also enjoy my 2nd podcast, Growing Uncomfortable! The topics are "loosely" related but they are just a little different. http://growinguncomfortable.com/ Apple Podcasts: https://podcasts.apple.com/us/podcast/growing-uncomfortable/id1457646546 Spotify: https://growinguncomfortable.libsyn.com/spotify Instagram: https://www.instagram.com/growing_uncomfortable/ Twitter: https://twitter.com/GrowingUncomfo1 FaceBook: https://www.facebook.com/WeAreGrowingUncomfortable *Contact by email: growinguncomfortable@gmail.com *Leave a voice message: https://www.speakpipe.com/growinguncomfortable
Rafe and Ari host. They talk about getting rid of open container laws, the real reason so many states are rushing people back to work, whether or not Space is the Place, and Ari is crushed by news that the Tenement Museum is closing.
Communities don’t always have all the facts they need to reconstruct past realities, nor do institutions sometimes have all the histories to preserve the past. We'll talk to Lauren O’Brien, a Lead Project Scholar at the Tenement Museum, about a new tour, coming to the Museum, that will help us reconstruct the forgotten histories of Black migrants in Lower Manhattan. We begin our story in a Black-owned Tavern, Uncle Pete Almack’s Cellar, in the notorious Five Points neighborhood, a cultural hot-spot for the intermingling of African American and Irish residents. What does this hot-spot tell us about Black culture and placemaking before the infamous Draft Riots of 1863? And what happened to the 10,300 Black residents who all but vanished from the Five Points after the riots? We’ll turn to Lauren O’Brien to uncover a Pre-Harlem World that’s been buried for more than 156 years, and meet with Derrick L. Head, National Park Service Ranger and Historian, at the African Burial Ground in Lower Manhattan for a deeper look at New York City’s Black History.
Episode 25 “The Tenement Museum”: with Kevin Jennings, Director.The Lower East Side Tenement Museum, located at 97 and 103 Orchard Street, in the Lower East Side neighborhood of Manhattan, New York City, is a National Historic Site. The Museum’s two historical tenement buildings were home to an estimated 15,000 people, from over 20 nations, between 1863 and 2011.The museum’s exhibits and programs include restored apartments and shops open daily for public tours, depicting the lives of immigrants who lived at 97 Orchard Street between 1869 and 1935 and 103 Orchard Street from the 1950s to the 1980s. The museum also provides a documentary film and offers tours, with costumed interpreters portraying the building’s former residents, tastings of their communities’ typical foods, and neighborhood walks.Michael T. Keene is the author of Folklore and Legends of Rochester, Murder, Mayhem and Madness, Mad~House, Question of Sanity, and now his new book, NEW YORK CITY’S HART ISLAND: A CEMETERY OF STRANGERSOrder a signed, soft cover copy of the book: New York City's Hart Island, directly from the Authorhttps://michaeltkeene.com/hart-island-soft-cover-book/Learn more about Author / Host / Filmmaker Michael T. Keenehttps://michaeltkeene.com/about/Send questions / comments / suggestions to:https://michaeltkeene.com/contact/Connect with Michael T. Keene on Social MediaTwitter https://twitter.com/talkhartislandFacebook https://www.facebook.com/TalkingHartIsland/
How To Be American is the Tenement Museum’s podcast series. In its second season, eight new episodes will tell eight new stories that dig deeper into the tapestry of American immigration, stories of people who shaped American identity by doing everything from creating street games to traveling to outer space. Listen to the season 2 trailer now.
Tiffany visits the Tenement Museum in New York with its President, Kevin Jennings. Located at 97 and 103 Orchard Street in the Lower East Side of Manhattan, the museum is formed from two historical tenement buildings, which were home to an estimated 15,000 immigrants from over 20 nations, between 1863 and 2011. Starting in 97 Orchard street, they discuss the aims of the Tenement Museum: is it political?; does and should the museum take sides?; the history of immigration policy; the difficulties in talking about immigration today — when society is so divided and issue so emotional — and the importance of doing so. Kevin tells us about the families who lived in these tenements: Nathalie and Julius Gumpertz who were East Prussian immigrants, who lived there in the 1870s. In 1874, after the Panic of 1873, a major economic depression, Julius left for work never to return, leaving Nathalie alone with four young children. We hear about Adolfo and Rosaria Baldizzi, who came from Sicily. Rosario arrived undocumented and illegally. She would eventually become a legal citizen of the United States. Moving on to 103 Orchard street, we hear about Kalman and Regina Epstein, who were Holocaust survivors, and among the first World War II refugees to be allowed into the United States, and their daughter Bella; whose memories helped decorate and furnish the apartment. Taking us up to the recent past, Tiffany and Kevin visit the old apartment of the Wong family. Mrs. Wong, who was from Southern China, arrived in New York from Hong Kong in 1965 with her two daughters, Yat Ping and Alison, after the Hart Cellar Act, which allowed for increased Asian immigration. Mrs Wong worked in the garment industry and in 1973 she became a citizen of the United States. ► LINKS The Tenement Museum Nathalie and Julius Gumpertz Adolfo and Rosaria Baldizzi Kalman and Regina and Bella Epstein Mrs Wong and her family ► MUSIC 1) Signature music , Nick Vander - Black Kopel - Galaxy II 2) Fig Leaf Times Two, Kevin MacLeod 3) After the Ball is Over, Gerald Adams & The Variety Singers 4) Brahms Symphony No.3 in F Maj: I. Allegro Con Brio, conducted by Willem Mengelberg 5) Frogs Leg Rag, James Scott (freemusicarchive.org) 6) Victor Orchestra, Glow Worm (1908) 7) Guido Gialdini whistling Luigi Arditi's The Kiss (1908), public.domain domain.org 8) Tim Hart - Royalty Free Music Large Collection - Track 45 - No Words ► PICTURES Pictures of the street, apartments, museum, and the families are on our Instagram and Twitter account: @behindthemuseum ► CREDITS This episode of Behind the Scenes at the Museum was written and presented by Tiffany Jenkins, recorded by Jared Arnold, and produced by Jac Phillimore. Twitter: @BehindtheMuseum Instagram: @BehindtheMuseum
This week we are traveling all over the map to bring you stories about culinary diasporas. So, what exactly is a diaspora? What do we mean when we talk about it in the context of food? The term diaspora refers to a group of people with a shared heritage who have spread around the world. The term comes from the ancient Greek word for “to scatter about”, and that’s a pretty handy image for what we’re talking about in this week’s episode. Scattered people carry the seeds of their culture, spreading the ingredients, flavors, and techniques of their homeland across the globe. Whether it’s a salted street pretzel or a heaping plate of fried okra, the so-called American dish that you are digging into was probably brought over from a far-away place. We’re tracing these foods from their native country all the way to our plates in the States to find out how cuisines transform when they travel.First, we hear from culinary historian Michael Twitty, whose book The Cooking Gene explores the tangled roots of what we now call Southern soul food. Next, H Conley talks with Sana Javeri Kadri, founder of Diaspora Co., about the unsavory legacy of the spice trade. We then turn to Fuchsia Dunlop, who tells us how, and why, the popularity of Sichuanese cuisine sky-rocketed in the States over the last few decades. Finally, Nicole Cornwell leads us to the Tenement Museum, where we visit the 19th-century German saloons that introduced the pretzel to New York streets.This program is supported in part by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.Meat and Three is powered by Simplecast.
Ever wish you could catapult backwards in time? You can. Enter the perfectly preserved tenement buildings at 97 or 103 Orchard St., Manhattan. For centuries, these tenements were home to hundreds of immigrants working hard to build new lives. Today, the Tenement Museum tells the stories of these very immigrants with meticulous care. Director of Programs Kathryn Lloyd reflects on the special interdisciplinary blend of education, fact, and imagination that brings their history to life.
Mike Litturst describes the National Mall, Ashley Stuart gives advice for the reluctant cleaner, Rick Atkinson talks about what the founding fathers can teach us, Jas Chana explains the Tenement Museum in Manhattan, Josh and Amy discuss Independence Day snacks, Cathy Parker tells her inspirational story.
This is Episode 53 of the State of the Theory Podcast. Politics. Power. Popular Culture. And other stuff, probably. In this series, we’re like super nerdy philosophical DJs: mashing up Serious Academic Questions with the most topical news and trends in pop culture. Each week, we’ll tackle a new topic and collide it with ‘critical theory’ (we’re pretty loose with our definitions, though, so expect the unexpected). Our aim is to destroy the stuff we know, explore the stuff we don’t and unsettle everything we think we know about the world. We take the obvious, the commonsensical, the certain, and then we rip it all to shreds. We are your theory doctors and we are always on call. In this episode, the second of a two-parter on historic tourism, we continue our discussion from last week, by focusing on heritage and industry, through spaces such as the Whitney Plantation Museum, the Tenement Museum, the Tower of London, Verdant Jute Museum and much else. Our theme music is "The Face of God" by The Agrarians (http://freemusicarchive.org/music/The_Agrarians/The_Jovial_Shepherd/The_Face_of_God) State of the Theory is brought to you by Hannah Fitzpatrick and Anindya Raychaudhuri Find us on Facebook (www.facebook.com/stateofthetheorypodcast) or Tweet us @drhfitz and @DrAnindyaR
An overview of course and the assigned sources from Unit 1 of Experiencing Public History, including readings by Mark Smith, Hilda Kean, Ann Cooper Albright, and an episode of The Tenement Museum podcast. — Featuring host Dr. Kera Lovell from the University of Utah.
Dr Ellen Rowley is a cultural and architectural historian, a Dubliner with an eye and an ear for the stories of the people who lived in the buildings around us. 'If walls could talk' she says they'd tell us a multi-layered story of the lives of the people who passed through and made it a home. Ellen is the editor of the book series 'More than Concrete Blocks, Dublin's 20th Century buildings and their stories' (https://www.fourcourtspress.ie/books/2016/more-than-concrete-blocks/). She is a Research Fellow with the School of Architecture, Planning & Environmental Policy, UCD and previously worked as an Irish Research Council Fellow on heritage projects with Dublin City Council and that included working as a curator on the new Tenement Museum, 14 Henrietta Street, Dublin which is now run by the Dublin City Council Culture Company. Ellen's interest in people as much as buildings ensures 14 Henrietta Street brings to life the rich tapestry of tenement Dublin and in this episode of the podcast This is Where we Live, recorded in Henrietta Street, she talks to producer Helen Shaw about how the past shines light on the present as we once again grapple with the challenge of housing shortages, of high rents and private profiteering landlords and the need for affordable and public housing. Follow Ellen on Twitter : twitter.com/Elsorowley Bike tour of Dublin with Ellen (Video) cyclingwith.com/ellen/ And do book a tour of 14 Henrietta Street : 14henriettastreet.ie/ ( Henrietta St is run by Dublin City Council Culture Company) Watch this little video to see pictures of what Ellen and the team created: "Set in a Georgian townhouse, 14 Henrietta Street tells the story of the building’s shifting fortunes, from family home and powerbase to courthouse; from barracks to its final incarnation as a tenement hall. The stories of the house and street mirror the story of Dublin and her citizens. https://www.independent.ie/life/travel/travel-tv/watch-inside-14-henrietta-street-dublins-newest-museum-37313710.html The house features film and audio storytelling and has a powerful bed chamber centred around women and birth that uses poetry by Paula Meehan. www.thisiswherewelive.ie Support us on Patreon www.patreon.com/tiwwl Music credit: Michael Gallen 'Graceful' michaeljgallen.com Our thanks to our sponsors Happy Scribe www.happyscribe.co a fast and efficient way to transcribe audio and to the Dublin Housing Observatory. Dr Rowley's recent book titles are : 2019: Architecture, Housing and the Edge Condition www.routledge.com/Housing-Architec…ok/9781138103801 2019/2016: More than Concrete Blocks, Vol. I and Vol.2 https://www.fourcourtspress.ie/books/2016/more-than-concrete-blocks/ Photo Credit : The Irish Times
The host of the popular new podcast ‘How To Be American,’ Brendan Murphy joins Tim to talk about America’s immigration heritage as seen through the rooms of a couple old tenement buildings on the Lower East Side of New York City. Brendan is an educator at the Tenement Museum. https://traffic.libsyn.com/shapingopinion/Americas_New_Arrivals_II_auphonic.mp3 Hundreds of millions of Americans can trace their emigration histories to ancestors that entered the country through the port of New York. The New York port of entry has been the gateway to the American dream for generations of immigrants for over 400 years. America is a nation that has been defined by its immigrants, who often settled at first in the poorest parts of our cities, living in crowded tenements and learning a new way of life. If walls could talk… That’s a rhetorical term we often hear. What it means is that those silent houses, apartments and buildings where generations have lived and worked have seen so much of human history, it would be a wonder if we could just hear the stories. This is the concept behind a fascinating museum on the Lower East Side of New York City. That’s where a couple of old tenement buildings have been preserved and restored to help tell the story of America through the stories of the people who lived there, the people who worked there, and the people who came there in the normal course of their day. “How to Be American” Podcast Six-episode series, biweekly, started in February. The podcast explores different facets of the American identity, from food to music to the process for immigrating and becoming a citizen. It features interviews with historians, scholars, chefs and everyday people. It also tells stories from Tenement Museum programs, archives and from their “Your Story, Our Story” program. Tenement Museum The Tenement Museum provides guided tours, creates curriculum and programs for high school and college educators, centers on stories and tapping primary sources. It was founded in 1988 by Ruch Abram (historian) and Anita Jacobsen (activist). They discovered a dilapidated tenement building on New York’s Lower East Side that had been shuttered for over 50 years. They uncovered personal belongings and other evidence of the immigrant families that had lived there between the 1860s and the 1930s. The artifacts and their owners became the foundation for what is the Tenement Museum today. 97 Orchard Street 1864-1886 - Schneider’s Lager Beer Saloon German immigrants John and Caroline Schneider lived and worked together at 97 Orchard Street, operating Schneider’s Lager Beer Saloon from 1864-1886, while living in an adjoining apartment. The Schneiders served German lager (previously unknown in the United States) and food in an era when the neighborhood was known as Little Germany. 1869 Bridget and Joseph Moore Bridget and Joseph Moore arrived in America in the mid-1860s, and lived at 97 Orchard in 1869 with their first three daughters. At the time, many New Yorkers did not welcome Irish newcomers. As only one of two Irish families residing at the tenement, the Moores felt like outsiders in a neighborhood that was primarily home to German residents. The discrimination against Irish immigrants was such a prevailing sentiment at the time that newspaper want ads for work often stressed ‘No Irish Need Apply’. The Moores had eight children, only four of whom lived to adulthood. 1870-1886 - Nathalie Gumpertz Nathalie and Julius Gumpertz, East Prussian immigrants, lived at 97 Orchard during the Panic of 1873, a major economic depression. One morning in 1874 Julius left for work never to return, leaving Nathalie alone with four young children. Nathalie then needed a job. She became a full-time dressmaker working out of her apartment. Nathalie effectively supported her family for the next decade. 1908-1941 - Abraham and Fanny Rogarshevsky
In recognition of Immigrant Heritage Week in New York City, April 15 through April 21, the latest “Prep Talk” episode features New York State Assembly Member Yuh-Line Niou and Pedro Garcia, manager for staff development for training and English for Speakers of Other Languages (ESOL) at the Tenement Museum. The special guests discuss the importance of working with the NYC Emergency Management Department, elected officials, and community organizations to prepare immigrants for emergencies. Read full transcript: on.nyc.gov/preptalk30
We're featuring audio from a 2017 event collaboration with the Tenement Museum. We celebrated the launch of author Min Jin Lee’s second novel Pachinko, which was a New York Times Notable Book of 2017 and National Book Award Finalist. Pachinko follows one Korean family through generations. The story begins in Korea in the early 1900s and then moves to Japan. The family endures harsh discrimination, catastrophe, and poverty. They also encounter joy as they rise to meet the challenges their new home presents. Through desperate struggle and hard-won triumph, they are bound together by deep roots that are set as their family faces enduring questions of faith, family, and identity. Min Jin Lee reads from her novel and then is interviewed by Ken Chen, the executive director of the Asian American Writers Workshop. They discuss her extensive research and interview process, how growing up in Queens, New York helped her write Pachinko, and much more. Watch the full event on our YouTube channel, as well as our other past events.
Professor Margaret Chin is a faculty member at Hunter College and The Graduate Center of The City University of New York where she has been engaged at the center of debate on affirmative action in the Harvard legal case and the New York City elite high school testing controversy as a result of her research and advocacy. Chin is a professor of sociology. She received her B.A. from Harvard University and her Ph.D. from Columbia University. Chin is also a faculty associate of the Roosevelt House Public Policy Institute, a member of the CUNY Mapping Asian American New York consortium, and a trustee of the Tenement Museum. Professor Chin said: “In general, Americans really believe Asian Americans as a whole have done really well, therefore all these other things—the undocumented, mental health issues, just getting into regular everyday schools, not the elite schools—all of these things are actually of concern to Asian Americans. It's not just about doing the best, getting the best jobs; it's not about getting into the best schools, although those are issues too. But Asian Americans are a diverse group, and that image has actually hurt many Asian Americans; and that is one of the reasons why you do not see them listed among the undocumented.”
A hungover conversation one day in Dublin between two best friends Sarah Breen and Emer McLysaght led to the creation of a loveable character called Aisling, who quickly became a Facebook phenomenon, then two best-selling books is now being made into a film by an Oscar winning production co. This episode explores the quirks of life in every small town, moving to the big city, the wild days of the Irish Celtic Tiger, crazy nights in Berlin, even crazier ones in Las Vegas and so much more. On this episode we cover: Oh My God What a complete Aisling The Importance of Being Aisling The phenomenon of their character’s success Turning their friendship into a career Living the dream How a hungover idea became Aisling became Facebook phenomena Who are the people who buy brown mascara The people who buy boot cut jeans (from the first time round) Wearing chokers Free gifts from Brown Thomas in Dublin Being approached by a publisher Being approached by an Oscar winning film production company Element Pictures (who produced Room with Brie Larson) Googling how to write a novel Plotting the novel in the pub Thinking no-one would ever read their book How people have fallen in love with Aisling Ireland’s being highly sought after as a tourism destination Small towns the world over Growing up where everyone knows everyone The joys (expensive ones!) of Dublin How tourism is off the charts in Dublin AirBnB strangling renters and creating a shortage of properties The insanity of the Celtic Tiger boom Free drinks and money being splashed around Why buy one house when you can also buy an apartment off-plan in Bulgaria Ireland having the highest ownerships of helicopters in the world Champagne quaffing tradesmen in Irish pubs The travel magazine dedicated to first class travel Decking and cocaine all over the country Patio heaters and hot tubs The aftermath of the post Celtic Tiger recession (slippy decking for a start) The current housing shortage in Ireland compared with full AirBnB flats Dublin being party central Dodging vomit in Temple Bar on your way to work Terrifying Dublin seagulls Terrifying Brighton seagulls chasing babies Seagull and rabbit myxomatosis Tiny towns all over Ireland and getting stuck behind a tractor The dodgy Irish infrastructure ‘The ancient East’ branded by the irish tourism board The Blackstairs Mountains How Sarah’s hometown of Borris has become the wedding capital of Ireland The Borris Viaduct Emer’s home in Killdare and producing Grand National winners Wonderful Irish village pubs Moving out of the village to Dublin How the journey ‘down home’ in important to many Irish young people who’ve away Aisling’s Group On travel deals, bringing tea bags to a hotel and the crime of missing the hotel breakfast Stealing hotel toiletries and dental kits The wonder of pancake machines and tiny pastries Aishling’s crazy trip to Berlin – the Berlin Wall or Reichstag, techno clubs and ecstasy Lisa’s trip to the Kit Kat Club (S&M in Berlin) Irish gals in Las Vegas and thinking you’re Paris Hilton How melon is the ultimate filler fruit in the 85 dollar Vegas fruit bowl The rite of passage of camping in France in the pouring rain Getting drunk with a box of wine at the campsite disco What is more environmentally friendly – a box or a bottle of wine? Their road trip from Phoenix in Arizona to San Diego Losing a passport at the California border Confessing to all sorts of crimes in guilt A seal colony in the hotel lobby in San Diego Constant emails about vaginal discharge (Sarah working at a teen magazine) Living in Portland, Oregon. (and Portlandia of course) Driving down the 101 through wine country and the redwoods America’s great national parks (and the freedom to have a camp fire) How America’s great and varied landscapes Emer’s recent trip to New York Travelling around Ireland to literary festivals in coastal towns or Cork and Kerry Ireland’s terrible weather ‘the wild Atlantic way’ another tourist boardism The emotional connection to Ireland Ellis Island’s brilliant recreation of the immigrant experience The Tenement Museum in New York The great Irish exodus and how this must have felt The huge wave of emigration from Ireland in the 80s and more How Canada, Dubai and the Middle East have taken over America as a place for Irish to go to What’s next for Aisling (the third book and film) The Irish Bridget Jones – in the Guardian Aisling’s books arriving in Germany, Serbia, Korea and more Meeting Marian Keyes and other heroes Being thrilled to be mentioned in the same breath as other successful Irish authors including Marian Keyes and Cecelia Ahern Rill Rill and Florence and the Machine
The Tenement Museum's new history podcast hosted by Brendan Murphy. Learn more about the history of U.S. immigration and stories that explore the experiences of immigrants and migrants in the first season of How To Be American.
In this episode, Victor and Sime invite their old friend, Therese Whelan, to the brand new Museum of Illusions. With no shortage of wonderful and different museums in NYC, we really wanted to test Therese's thoughts on what a "museum" actually means.
Who you are is shaped by your culture, your history, your heritage, as well as what you are doing in your life in the present. And our lives, and our businesses, are so much more interesting, rich, and meaningful if we bring all of that history to light and include it in our story. Is who you are fully part of the story you tell of yourself? This week’s guest, Emily Halpern, is a coach for creative professionals, a classical soprano, and a lover of all things heritage, culture, and food. Her career has taken her from the stage of the New York Philharmonic to the kitchens of Chez Panisse, to the halls of the Tenement Museum, to the adventures of entrepreneurship.For over 15 years, her focus has been consistent: exploring and expressing the practices, attitudes, and ideas that help us to understand ourselves and one another.Whether face to face with clients, on stage, or in the kitchen, her drive to enrich every day with beauty, meaning, and genuine connection is at the core of everything she does. In this episode: Going beyond your genetic history and learning the stories of your ancestors How to find your cultural story - even if you don’t feel strongly connected with your culture How to find the line between cultural exchange and cultural appropriation Learn to talk about why your cultural story enhances your client’s story - and how to use that in your marketing Show notes for Episode 30 Connect with Doña on Instagram Get the Get Back In Control Of Your Life workbook and get regular updates about the podcast
New York City is chock full of history. You literally can even find it tucked away in cracks and crevices. Enter The Tenement Museum on Manhattan's Lower East Side. Historians amassed a diverse collection of historic trash in the making of the museum. They found everything from old perfume bottles to doll heads to tins of aspirin as they worked to convert two historic tenement buildings into a place to tell the story of immigrant life in the 19th and 20th centuries. On this week's show, a look inside the Tenement Museum's archive of antique garbage and cast-offs.
New York City is chock full of history. You literally can even find it tucked away in cracks and crevices. Enter The Tenement Museum on Manhattan’s Lower East Side. Historians amassed a diverse collection of historic trash in the making of the museum. They found everything from old perfume bottles to doll heads to tins of aspirin as they worked to convert two historic tenement buildings into a place to tell the story of immigrant life in the 19th and 20th centuries. On this week’s show, a look inside the Tenement Museum’s archive of antique garbage and cast-offs.
Avengers: Infinity War brought together characters from across the Marvel universe, but many of them already shared a common bond -- their creator Jack Kirby. While Kirby is best known for his intense drawing style, he was also a great storyteller who worked with Stan Lee to redefine what a comic book character could be. But their relationship was fraught. I talk with comic book experts Charles Hatfield, Mark Evanier, Randolph Hoppe, and Arlen Schumer about where we can see Jack Kirby's influence on the Marvel Cinematic Universe. And I explore Kirby's childhood at the Tenement Museum on the Lower East Side of Manhattan. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices
Asian American Life visits the Tenement Museum, looks at the lack of Asian American men in broadcast news, explores the health issues associated with alcoholism, highlights at the artist behind the Miya Shoji, and talks to the funniest women of AZN Pop!
Erik och Daniel pratar om Tenement Museum på Orchard Street, Lower East Side.
Chris and Bob took the TLP on the road for a special episode. TLP appeared at the Long Island Resources Council (LILRC) Annual Conference. We had a number of guests talking about libraries and the future. There were some great discussions! We hope to do this every year at their conference!! The guests include: Eric Cohen Coordinator of Technology and Media from John Jermain Memorial Library Frank McKenna, Director of the Seaford Library Mark Navins from LILRC Danielle Minard from the Longwood Public Library Emily Drabinski, Coordinator of Library instruction at LIU Post Brooklyn David fabulosa Director of Curatorial Affairs at the Tenement Museum in Lower Manhattan Carl Vitovich, Administrative Coordinator of Eastern Suffolk BOCES Library System Ellen Druda, Head of Digital Services at the Half Hollow Hills Community Library and co-host of "In the Stacks" podcast www.inthestackspodcast.wordpress.org Charlene Muhr, Assistant Library Director of the Half Hollow Hills Community Library and co-host of "In the Stacks" podcast www.inthestackspodcast.wordpress.org Brian Lym, Dean of University Libraries at Adelphi University Sally Steiglitz, Librarian and Professor at Adelphi University Chris Kretz, Librarian at Stony Brook University and co-host of "Long Island History Project" podcast longislandhistoryproject.org
In today’s show, we’ll continue to explore housing in New York, but move far from the mansions of Fifth Avenue to the tenements of the Lower East Side in the 20th Century. Specifically, we’ll be visiting one building, 103 Orchard Street, which is today part of the Tenement Museum. When we step inside 103 Orchard, we’ll be meeting three families who lived there after World War II: the Epsteins, the Saez-Velez family, and the Wong family. We’ll be getting to know them by walking through their apartments, faithfully reconstructed, often with their very own furniture, to tell their stories. The Epsteins were Holocaust survivors who moved into the building in the 1950s, the Saez-Velez family moved in during the 60s and were led by a mother who left Puerto Rico and worked as a seamstress here, and the Wong family, whose mother raised the family while working in Chinatown garment shops, moved in during the 1970s. They’re included in an exciting new interactive exhibition at the Tenement Museum. This exhibit, which includes a tour of the apartments, is called “Under One Roof”, and opens to the public this month. We’re led through it on our show by Annie Polland, the museum’s curator of this exhibit. For more information on the exhibit, visit tenement.org and boweryboyshistory.com. Support the show.
Annie Polland, author, public historian, and senior vice president of programs and education at the Tenement Museum in New York, joins us on The Shmooze to talk about “The Jewish Ghetto in Postcards: From Eastern Europe to the Lower East Side”, an exhibition of early 20th-century postcards from the Blavatnik Archive Foundation. Episode 0163 November 10, 2017 Yiddish Book Center Amherst, Massachusetts
This week on StoryWeb: Jacob Riis’s book How the Other Half Lives. Photojournalism can be an extraordinarily powerful way to raise the public’s concern about extreme situations. An early pioneer in this realm was Jacob Riis, whose 1890 book, How the Other Half Lives, exposed the underbelly of life in New York City during the Gilded Age, with a particular focus on the Lower East Side. Though Riis has been occasionally criticized for asking some of his subjects to pose for the photographs, the truth of their surroundings and the veracity of the degradation they faced on a daily basis cannot be denied. Along with the photographs is Riis’s text – chapters about the various ethnic groups that lived together on the mean, intensely crowded streets of Manhattan. The book achieved its purpose as it successfully provoked a public outcry about living and working conditions in the slums of New York. Most notably, Theodore Roosevelt, then the city’s police commissioner, answered Riis’s call to address the dire situations in which newly arrived immigrants found themselves. In fact, so taken was Roosevelt with Riis and his work that he dubbed Riis “the most useful citizen of New York” and “the best American I ever knew.” Roosevelt said Riis had “the great gift of making others see what he saw and feel what he felt.” Riis’s book stripped the gilding off the era of extreme wealth and conspicuous consumption to reveal the extreme poverty and squalid living conditions that lay underneath. No longer could upper- and middle-class New Yorkers ignore the “other half” who lived just a few short miles from the Fifth Avenue mansions of the Upper East Side. The title of the book is taken from a quote from French writer François Rabelais: “one half of the world does not know how the other half lives.” Riis himself was an immigrant (he hailed from Denmark) and lived for a time in the slums of the Lower East Side. Getting a job as a police reporter for the New York Tribune, he began to photograph crime scenes to augment his reporting. “I was a writer and a newspaper man,” Riis said, “and I only yelled about the conditions which I saw. My share in the work of the slums has been that. I have not had a ten-thousandth part in the fight, but I have been in it.” In addition to facing charges of staging his photos, Riis also comes in for some criticism for indulging in ethnic slurs and stereotypes in his text. But very importantly, Riis saw that it was the conditions surrounding the immigrants that made their lives wretched – their ill-fated position in New York City was not due to their ethnicity or nationality but to unscrupulous tenement landlords and sweatshop bosses. To learn more about life in the Lower East Side tenements, visit the Tenement Museum online or – better yet! – in person. And to learn more about Riis, take a look at an exhibit from the Library of Congress and the Museum of the City of New York: “Jacob Riis: Revealing How the Other Half Lives” offers a deep exploration of and numerous resources related to this groundbreaking book. An article in the Smithsonian Magazine explains how innovations in flash photography helped Riis in his efforts to use photos as a tool for social reform. Finally, the third episode of Ric Burns’s outstanding series, New York: A Documentary Film, offers a great segment on Riis and his book. If you’re ready to read this book that was so central in the history of U.S. social reform, you can check it out online on the History on the Net website. If you want a hard copy for your collection (highly recommended so that you can pore over the powerful photographs), there’s a special edition you’llwant to check out. And finally if you’re curious about the ways another photographer was chronicling life in New York City at this same time, stay tuned for next week’s StoryWeb episode on Alfred Stieglitz. Visit thestoryweb.com/riis for links to all these resources. Listen now as I read Chapter IV: “The Down Town Back-Alleys.” Jacob Riis, How the Other Half Lives, Chapter IV: “The Down Town Back-Alleys” DOWN below Chatham Square, in the old Fourth Ward, where the cradle of the tenement stood, we shall find New York’s Other Half at home, receiving such as care to call and are not afraid. Not all of it, to be sure, there is not room for that; but a fairly representative gathering, representative of its earliest and worst traditions. There is nothing to be afraid of. In this metropolis, let it be understood, there is no public street where the stranger may not go safely by day and by night, provided he knows how to mind his own business and is sober. His coming and going will excite little interest, unless he is suspected of being a truant officer, in which case he will be impressed with the truth of the observation that the American stock is dying out for want of children. If he escapes this suspicion and the risk of trampling upon, or being himself run down by the bewildering swarms of youngsters that are everywhere or nowhere as the exigency and their quick scent of danger direct, he will see no reason for dissenting from that observation. Glimpses caught of the parents watching the youngsters play from windows or open doorways will soon convince him that the native stock is in no way involved. 1 Leaving the Elevated Railroad where it dives under the Brooklyn Bridge at Franklin Square, scarce a dozen steps will take us where we wish to go. With its rush and roar echoing yet in our ears, we have turned the corner from prosperity to poverty. We stand upon the domain of the tenement. In the shadow of the great stone abutments the old Knickerbocker houses linger like ghosts of a departed day. Down the winding slope of Cherry Street—proud and fashionable Cherry Hill that was—their broad steps, sloping roofs, and dormer windows are easily made out; all the more easily for the contrast with the ugly barracks that elbow them right and left. These never had other design than to shelter, at as little outlay as possible, the greatest crowds out of which rent could be wrung. They were the bad after-thought of a heedless day. The years have brought to the old houses unhonored age, a querulous second childhood that is out of tune with the time, their tenants, the neighbors, and cries out against them and against you in fretful protest in every step on their rotten floors or squeaky stairs. Good cause have they for their fretting. This one, with its shabby front and poorly patched roof, what glowing firesides, what happy children may it once have owned? Heavy feet, too often with unsteady step, for the pot-house is next door—where is it not next door in these slums?—have worn away the brown-stone steps since; the broken columns at the door have rotted away at the base. Of the handsome cornice barely a trace is left. Dirt and desolation reign in the wide hallway, and danger lurks on the stairs. Rough pine boards fence off the roomy fire-places—where coal is bought by the pail at the rate of twelve dollars a ton these have no place. The arched gateway leads no longer to a shady bower on the banks of the rushing stream, inviting to day-dreams with its gentle repose, but to a dark and nameless alley, shut in by high brick walls, cheerless as the lives of those they shelter. The wolf knocks loudly at the gate in the troubled dreams that come to this alley, echoes of the day’s cares. A horde of dirty children play about the dripping hydrant, the only thing in the alley that thinks enough of its chance to make the most of it: it is the best it can do. These are the children of the tenements, the growing generation of the slums; this their home. From the great highway overhead, along which throbs the life-tide of two great cities, one might drop a pebble into half a dozen such alleys. 2 One yawns just across the street; not very broadly, but it is not to blame. The builder of the old gateway had no thought of its ever becoming a public thoroughfare. Once inside it widens, but only to make room for a big box-like building with the worn and greasy look of the slum tenement that is stamped alike on the houses and their tenants down here, even on the homeless cur that romps with the children in yonder building lot, with an air of expectant interest plainly betraying the forlorn hope that at some stage of the game a meat-bone may show up in the role of “It.” Vain hope, truly! Nothing more appetizing than a bare-legged ragamuffin appears. Meatbones, not long since picked clean, are as scarce in Blind Man’s Alley as elbow-room in any Fourth Ward back-yard. The shouts of the children come hushed over the housetops, as if apologizing for the intrusion. Few glad noises make this old alley ring. Morning and evening it echoes with the gentle, groping tap of the blind man’s staff as he feels his way to the street. Blind Man’s Alley bears its name for a reason. Until little more than a year ago its dark burrows harbored a colony of blind beggars, tenants of a blind landlord, old Daniel Murphy, whom every child in the ward knows, if he never heard of the President of the United States. “Old Dan” made a big fortune— he told me once four hundred thousand dollars— out of his alley and the surrounding tenements, only to grow blind himself in extreme old age, sharing in the end the chief hardship of the wretched beings whose lot he had stubbornly refused to better that he might increase his wealth. Even when the Board of Health at last compelled him to repair and clean up the worst of the old buildings, under threat of driving out the tenants and locking the doors behind them, the work was accomplished against the old man’s angry protests. He appeared in person before the Board to argue his case, and his argument was characteristic. 3 “I have made my will,” he said. “My monument stands waiting for me in Calvary. I stand on the very brink of the grave, blind and helpless, and now (here the pathos of the appeal was swept under in a burst of angry indignation) do you want me to build and get skinned, skinned? These people are not fit to live in a nice house. Let them go where they can, and let my house stand.” 4 In spite of the genuine anguish of the appeal, it was downright amusing to find that his anger was provoked less by the anticipated waste of luxury on his tenants than by distrust of his own kind, the builder. He knew intuitively what to expect. The result showed that Mr. Murphy had gauged his tenants correctly. The cleaning up process apparently destroyed the home-feeling of the alley; many of the blind people moved away and did not return. Some remained, however and the name has clung to the place. 5 Some idea of what is meant by a sanitary “cleaning up” in these slums may be gained from the account of a mishap I met with once, in taking a flash-light picture of a group of blind beggars in one of the tenements down here. With unpractised hands I managed to set fire to the house. When the blinding effect of the flash had passed away and I could see once more, I discovered that a lot of paper and rags that hung on the wall were ablaze. There were six of us, five blind men and women who knew nothing of their danger, and myself, in an atticroom with a dozen crooked, rickety stairs between us and the street, and as many households as helpless as the one whose guest I was all about us. The thought: how were they ever to be got out? made my blood run cold as I saw the flames creeping up the wall, and my first impulse was to bolt for the street and shout for help. The next was to smother the fire myself, and I did, with a vast deal of trouble. Afterward, when I came down to the street I told a friendly policeman of my trouble. For some reason he thought it rather a good joke, and laughed immoderately at my concern lest even then sparks should be burrowing in the rotten wall that might yet break out in flame and destroy the house with all that were in it. He told me why, when he found time to draw breath. “Why, don’t you know,” he said, “that house is the Dirty Spoon? It caught fire six times last winter, but it wouldn’t burn. The dirt was so thick on the walls, it smothered the fire!” Which, if true, shows that water and dirt, not usually held to be harmonious elements, work together for the good of those who insure houses. 6 Sunless and joyless though it be, Blind Man’s Alley has that which its compeers of the slums vainly yearn for. It has a pay-day. Once a year sunlight shines into the lives of its forlorn crew, past and present. In June, when the Superintendent of Out-door Poor distributes the twenty thousand dollars annually allowed the poor blind by the city, in half-hearted recognition of its failure to otherwise provide for them, Blindman’s Alley takes a day off and goes to “see” Mr. Blake. That night it is noisy with unwonted merriment. There is scraping of squeaky fiddles in the dark rooms, and cracked old voices sing long-for-gotten songs. Even the blind landlord rejoices, for much of the money goes into his coffers. 7 From their perch up among the rafters Mrs. Gallagher’s blind boarders might hear, did they listen, the tramp of the policeman always on duty in Gotham Court, half a stone’s throw away. His beat, though it takes in but a small portion of a single block, is quite as lively as most larger patrol rounds. A double row of five-story tenements, back to back under a common roof, extending back from the street two hundred and thirty-four feet, with barred openings in the dividing wall, so that the tenants may see but cannot get at each other from the stairs, makes the “court.” Alleys—one wider by a couple of feet than the other, whence the distinction Single and Double Alley—skirt the barracks on either side. Such, briefly, is the tenement that has challenged public attention more than any other in the whole city and tested the power of sanitary law and rule for forty years. The name of the pile is not down in the City Directory, but in the public records it holds an unenviable place. It was here the mortality rose during the last great cholera epidemic to the unprecedented rate of 195 in 1,000 inhabitants. In its worst days a full thousand could not be packed into the court, though the number did probably not fall far short of it. Even now, under the management of men of conscience, and an agent, a King’s Daughter, whose practical energy, kindliness and good sense have done much to redeem its foul reputation, the swarms it shelters would make more than one fair-sized country village. The mixed character of the population, by this time about equally divided between the Celtic and the Italian stock, accounts for the iron bars and the policeman. It was an eminently Irish suggestion that the latter was to be credited to the presence of two German families in the court, who “made trouble all the time.” A Chinaman whom I questioned as he hurried past the iron gate of the alley, put the matter in a different light. “Lem Ilish velly bad,” he said. Gotham Court has been the entering wedge for the Italian hordes, which until recently had not attained a foothold in the Fourth Ward, but are now trailing across Chatham Street from their stronghold in “the Bend” in ever increasing numbers, seeking, according to their wont, the lowest level. 8 It is curious to find that this notorious block, whose name was so long synonymous with all that was desperately bad, was originally built (in 1851) by a benevolent Quaker for the express purpose of rescuing the poor people from the dreadful rookeries they were then living in. How long it continued a model tenement is not on record. It could not have been very long, for already in 1862, ten years after it was finished, a sanitary official counted 146 cases of sickness in the court, including “all kinds of infectious disease,” from small-pox down, and reported that of 138 children born in it in less than three years 61 had died, mostly before they were one year old. Seven years later the inspector of the district reported to the Board of Health that “nearly ten per cent. of the population is sent to the public hospitals each year.” When the alley was finally taken in hand by the authorities, and, as a first step toward its reclamation, the entire population was driven out by the police, experience dictated, as one of the first improvements to be made, the putting in of a kind of sewer-grating, so constructed, as the official report patiently puts it, “as to prevent the ingress of persons disposed to make a hiding-place” of the sewer and the cellars into which they opened. The fact was that the big vaulted sewers had long been a runway for thieves—the Swamp Angels—who through them easily escaped when chased by the police, as well as a storehouse for their plunder. The sewers are there to-day; in fact the two alleys are nothing but the roofs of these enormous tunnels in which a man may walk upright the full distance of the block and into the Cherry Street sewer—if he likes the fun and is not afraid of rats. Could their grimy walls speak, the big canals might tell many a startling tale. But they are silent enough, and so are most of those whose secrets they might betray. The flood-gates connecting with the Cherry Street main are closed now, except when the water is drained off. Then there were no gates, and it is on record that the sewers were chosen as a short cut habitually by residents of the court whose business lay on the line of them, near a manhole, perhaps, in Cherry Street, or at the river mouth of the big pipe when it was clear at low tide. “Me Jimmy,” said one wrinkled old dame, who looked in while we were nosing about under Double Alley, “he used to go to his work along down Cherry Street that way every morning and come back at night.” The associations must have been congenial. Probably “Jimmy” himself fitted into the landscape. 9 Half-way back from the street in this latter alley is a tenement, facing the main building, on the west side of the way, that was not originally part of the court proper. It stands there a curious monument to a Quaker’s revenge, a living illustration of the power of hate to perpetuate its bitter fruit beyond the grave. The lot upon which it is built was the property of John Wood, brother of Silas, the builder of Gotham Court. He sold the Cherry Street front to a man who built upon it a tenement with entrance only from the street. Mr. Wood afterward quarrelled about the partition line with his neighbor, Alderman Mullins, who had put up a long tenement barrack on his lot after the style of the Court, and the Alderman knocked him down. Tradition records that the Quaker picked himself up with the quiet remark, “I will pay thee for that, friend Alderman,” and went his way. His manner of paying was to put up the big building in the rear of 34 Cherry Street with an immense blank wall right in front of the windows of Alderman Mullins’s tenements, shutting out effectually light and air from them. But as he had no access to the street from his building for many years it could not be let or used for anything, and remained vacant until it passed under the management of the Gotham Court property. Mullins’s Court is there yet, and so is the Quaker’s vengeful wall that has cursed the lives of thousands of innocent people since. At its farther end the alley between the two that begins inside the Cherry Street tenement, six or seven feet wide, narrows down to less than two feet. It is barely possible to squeeze through; but few care to do it, for the rift leads to the jail of the Oak Street police station, and therefore is not popular with the growing youth of the district. 10 There is crape on the door of the Alderman’s court as we pass out, and upstairs in one of the tenements preparations are making for a wake. A man lies dead in the hospital who was cut to pieces in a “can racket” in the alley on Sunday. The sway of the excise law is not extended to these back alleys. It would matter little if it were. There are secret by-ways, and some it is not held worth while to keep secret, along which the “growler” wanders at all hours and all seasons unmolested. It climbed the stairs so long and so often that day that murder resulted. It is nothing unusual on Cherry Street, nothing to “make a fuss” about. Not a week before, two or three blocks up the street, the police felt called upon to interfere in one of these can rackets at two o’clock in the morning, to secure peace for the neighborhood. The interference took the form of a general fusillade, during which one of the disturbers fell off the roof and was killed. There was the usual wake and nothing more was heard of it. What, indeed, was there to say? 11 The “Rock of Ages” is the name over the door of a low saloon that blocks the entrance to another alley, if possible more forlorn and dreary than the rest, as we pass out of the Alderman’s court. It sounds like a jeer from the days, happily past, when the “wickedest man in New York” lived around the corner a little way and boasted of his title. One cannot take many steps in Cherry Street without encountering some relic of past or present prominence in the ways of crime, scarce one that does not turn up specimen bricks of the coming thief. The Cherry Street tough is all-pervading. Ask Suprintendent Murray, who, as captain of the Oak Street squad, in seven months secured convictions for theft, robbery, and murder aggregating no less than five hundred and thirty years of penal servitude, and he will tell you his opinion that the Fourth Ward, even in the last twenty years, has turned out more criminals than all the rest of the city together. 12 But though the “Swamp Angels” have gone to their reward, their successors carry on business at the old stand as successfully, if not as boldly. There goes one who was once a shining light in thiefdom. He has reformed since, they say. The policeman on the corner, who is addicted to a professional unbelief in reform of any kind, will tell you that while on the Island once he sailed away on a shutter, paddling along until he was picked up in Hell Gate by a schooner’s crew, whom he persuaded that he was a fanatic performing some sort of religious penance by his singular expedition. Over yonder, Tweed, the arch-thief, worked in a brush-shop and earned an honest living before he took to politics. As we stroll from one narrow street to another the odd contrast between the low, old-looking houses in front and the towering tenements in the back yards grows even more striking, perhaps because we expect and are looking for it. Nobody who was not would suspect the presence of the rear houses, though they have been there long enough. Here is one seven stories high behind one with only three floors. Take a look into this Roosevelt Street alley; just about one step wide, with a five-story house on one side that gets its light and air—God help us for pitiful mockery!—from this slit between brick walls. There are no windows in the wall on the other side; it is perfectly blank. The fire-escapes of the long tenement fairly touch it; but the rays of the sun, rising, setting, or at high noon, never do. It never shone into the alley from the day the devil planned and man built it. There was once an English doctor who experimented with the sunlight in the soldiers’ barracks, and found that on the side that was shut off altogether from the sun the mortality was one hundred per cent. greater than on the light side, where its rays had free access. But then soldiers are of some account, have a fixed value, if not a very high one. The people who live here have not. The horse that pulls the dirt-cart one of these laborers loads and unloads is of ever so much more account to the employer of his labor than he and all that belongs to him. Ask the owner; he will not attempt to deny it, if the horse is worth anything. The man too knows it. It is the one thought that occasionally troubles the owner of the horse in the enjoyment of his prosperity, built of and upon the successful assertion of the truth that all men are created equal. 13 With what a shock did the story of yonder Madison Street alley come home to New Yorkers one morning, eight or ten years ago, when a fire that broke out after the men had gone to their work swept up those narrow stairs and burned up women and children to the number of a full half score. There were fire-escapes, yes! but so placed that they could not be reached. The firemen had to look twice before they could find the opening that passes for a thoroughfare; a stout man would never venture in. Some wonderfully heroic rescues were made at that fire by people living in the adjoining tenements. Danger and trouble— of the imminent kind, not the everyday sort that excites neither interest nor commiseration— run even this common clay into heroic moulds on occasion; occasions that help us to remember that the gap that separates the man with the patched coat from his wealthy neighbor is, after all, perhaps but a tenement. Yet, what a gap! and of whose making? Here, as we stroll along Madison Street, workmen are busy putting the finishing touches to the brown-stone front of a tall new tenement. This one will probably be called an apartment house. They are carving satyrs’ heads in the stone, with a crowd of gaping youngsters looking on in admiring wonder. Next door are two other tenements, likewise with brown-stone fronts, fair to look at. The youngest of the children in the group is not too young to remember how their army of tenants was turned out by the health officers because the houses had been condemned as unfit for human beings to live in. The owner was a wealthy builder who “stood high in the community.” Is it only in our fancy that the sardonic leer on the stone faces seems to list that way? Or is it an introspective grin? We will not ask if the new house belongs to the same builder. He too may have reformed. 14 We have crossed the boundary of the Seventh Ward. Penitentiary Row, suggestive name for a block of Cherry Street tenements, is behind us. Within recent days it has become peopled wholly with Hebrews, the overflow from Jewtown adjoining, pedlars and tailors, all of them. It is odd to read this legend from other days over the door: “No pedlars allowed in this house.” These thrifty people are not only crowding into the tenements of this once exclusive district— they are buying them. The Jew runs to real estate as soon as he can save up enough for a deposit to clinch the bargain. As fast as the old houses are torn down, towering structures go up in their place, and Hebrews are found to be the builders. Here is a whole alley nicknamed after the intruder, Jews’ Alley. But abuse and ridicule are not weapons to fight the Israelite with. He pockets them quietly with the rent and bides his time. He knows from experience, both sweet and bitter, that all things come to those who wait, including the houses and lands of their Persecutors. 15 Here comes a pleasure party, as gay as any on the avenue, though the carry-all is an ash-cart. The father is the driver and he has taken his brown-legged boy for a ride. How proud and happy they both look up there on their perch! The queer old building they have halted in front of is “The Ship,” famous for fifty years as a ramshackle tenement filled with the oddest crowd. No one knows why it is called “The Ship,” though there is a tradition that once the river came clear up here to Hamilton Street, and boats were moored along-side it. More likely it is because it is as bewildering inside as a crazy old ship, with its ups and downs of ladders parading as stairs, and its unexpected pitfalls. But Hamilton Street, like Water Street, is not what it was. The missions drove from the latter the worst of its dives. A sailors’ mission has lately made its appearance in Hamilton Street, but there are no dives there, nothing worse than the ubiquitous saloon and tough tenements. 16 Enough of them everywhere. Suppose we look into one? No.—Cherry Street. Be a little careful, please! The hall is dark and you might stumble over the children pitching pennies back there. Not that it would hurt them; kicks and cuffs are their daily diet. They have little else. Here where the hall turns and dives into utter darkness is a step, and another, another. A flight of stairs. You can feed your way, if you cannot see it. Close? Yes! What would you have? All the fresh air that ever enters these stairs comes from the hall-door that is forever slamming, and from the windows of dark bedrooms that in turn receive from the stairs their sole supply of the elements God meant to be free, but man deals out with such niggardly hand. That was a woman filling her pail by the hydrant you just bumped against. The sinks are in the hallway, that all the tenants may have access—and all be poisoned alike by their summer stenches. Hear the pump squeak! It is the lullaby of tenement-house babes. In summer, when a thousand thirsty throats pant for a cooling drink in this block, it is worked in vain. But the saloon, whose open door you passed in the hall, is always there. The smell of it has followed you up. Here is a door. Listen! That short hacking cough, that tiny, helpless wail—what do they mean? They mean that the soiled bow of white you saw on the door downstairs will have another story to tell—Oh! a sadly familiar story—before the day is at an end. The child is dying with measles. With half a chance it might have lived; but it had none. That dark bedroom killed it. 17 “It was took all of a suddint,” says the mother, smoothing the throbbing little body with trembling hands. There is no unkindness in the rough voice of the man in the jumper, who sits by the window grimly smoking a clay pipe, with the little life ebbing out in his sight, bitter as his words sound: “Hush, Mary! If we cannot keep the baby, need we complain—such as we?” 18 Such as we! What if the words ring in your ears as we grope our way up the stairs and down from floor to floor, listening to the sounds behind the closed doors—some of quarrelling, some of coarse songs, more of profanity. They are true. When the summer heats come with their suffering they have meaning more terrible than words can tell. Come over here. Step carefully over this baby—it is a baby, spite of its rags and dirt—under these iron bridges called fire-escapes, but loaded down, despite the incessant watchfulness of the firemen, with broken house-hold goods, with wash-tubs and barrels, over which no man could climb from a fire. This gap between dingy brick-walls is the yard. That strip of smoke-colored sky up there is the heaven of these people. Do you wonder the name does not attract them to the churches? That baby’s parents live in the rear tenement here. She is at least as clean as the steps we are now climbing. There are plenty of houses with half a hundred such in. The tenement is much like the one in front we just left, only fouler, closer, darker—we will not say more cheerless. The word is a mockery. A hundred thousand people lived in rear tenements in New York last year. Here is a room neater than the rest. The woman, a stout matron with hard lines of care in her face, is at the wash-tub. “I try to keep the childer clean,” she says, apologetically, but with a hopeless glance around. The spice of hot soap-suds is added to the air already tainted with the smell of boiling cabbage, of rags and uncleanliness all about. It makes an overpowering compound. It is Thursday, but patched linen is hung upon the pulley-line from the window. There is no Monday cleaning in the tenements. It is wash-day all the week round, for a change of clothing is scarce among the poor. They are poverty’s honest badge, these perennial lines of rags hung out to dry, those that are not the washerwoman’s professional shingle. The true line to be drawn between pauperism and honest poverty is the clothes-line. With it begins the effort to be clean that is the first and the best evidence of a desire to be honest. 19 What sort of an answer, think you, would come from these tenements to the question “Is life worth living?” were they heard at all in the discussion? It may be that this, cut from the last report but one of the Association for the Improvement of the Condition of the Poor, a long name for a weary task, has a suggestion of it: “In the depth of winter the attention of the Association was called to a Protestant family living in a garret in a miserable tenement in Cherry Street. The family’s condition was most deplorable. The man, his wife, and three small children shivering in one room through the roof of which the pitiless winds of winter whistled. The room was almost barren of furniture; the parents slept on the floor, the elder children in boxes, and the baby was swung in an old shawl attached to the rafters by cords by way of a hammock. The father, a seaman, had been obliged to give up that calling because he was in consumption, and was unable to provide either bread or fire for his little ones.” 20 Perhaps this may be put down as an exceptional case, but one that came to my notice some months ago in a Seventh Ward tenement was typical enough to escape that reproach. There were nine in the family: husband, wife, an aged grandmother, and six children; honest, hard-working Germans, scrupulously neat, but poor. All nine lived in two rooms, one about ten feet square that served as parlor, bedroom, and eating-room, the other a small hall-room made into a kitchen. The rent was seven dollars and a half a month, more than a week’s wages for the husband and father, who was the only bread-winner in the family. That day the mother had thrown herself out of the window, and was carried up from the street dead. She was “discouraged,” said some of the other women from the tenement, who had come in to look after the children while a messenger carried the news to the father at the shop. They went stolidly about their task, although they were evidently not without feeling for the dead woman. No doubt she was wrong in not taking life philosophically, as did the four families a city missionary found housekeeping in the four corners of one room. They got along well enough together until one of the families took a boarder and made trouble. Philosophy, according to my optimistic friend, naturally inhabits the tenements. The people who live there come to look upon death in a different way from the rest of us—do not take it as hard. He has never found time to explain how the fact fits into his general theory that life is not unbearable in the tenements. Unhappily for the philosophy of the slums, it is too apt to be of the kind that readily recognizes the saloon, always handy, as the refuge from every trouble, and shapes its practice according to the discovery. 21
This week on StoryWeb: Anzia Yezierska’s essay “America and I.” Every American has heard stories of Eastern European and Southern European immigration to the United States in the late nineteenth and early twentieth centuries. Indeed, I’m sure that many StoryWeb listeners are descended from those immigrants. The stories are legion, the images unforgettable. Without a doubt, every American needs to visit Ellis Island at least once. (If you’re going for the first time, plan to spend the entire day. There is so much to see, touch, feel, explore – and so many, many stories to hear as you listen to the headphones on your self-guided tour.) Likewise, everyone should make it a point to visit the Tenement Museum at 97 Orchard Street on the Lower East Side of Manhattan. This outstanding, award-winning museum was created when construction workers uncovered a boarded-up, untouched tenement building. The tenement was home to nearly 7,000 immigrants. Visitors to the museum tour the four apartments, each telling the story of a different family who actually lived in the building. Neighborhood walking tours and “Tenement Talks” are also available. Another source for learning the powerful history of immigration, tenements, and sweatshops is Ric Burns’s series New York: A Documentary Film. You’ll find episodes 3 and 4 especially relevant. All of these resources are great ways to learn about immigration, but this week I want to pay homage to one particular immigrant: writer Anzia Yezierska, who hailed from Russian Poland. Yezierska immigrated with her Jewish family to the United States in the early 1890s. Her 1923 essay, “American and I,” tells the story of her struggle to move beyond working as a domestic servant and as a shirtwaist maker in sweatshops to working with her “head.” When she goes to a vocational counselor, she is told that she should become the best shirtwaist maker she can be and slowly rise from job to job. But she counters with, “I want to do something with my head, my feelings. All day long, only with my hands I work.” Yezierska feels she is “different,” that she has more to offer. Ultimately, Yezierska was able to work with her head, her feelings. She mastered the English language and began to write novels, short stories, and autobiographical essays. As works like “America and I” demonstrate, she wrote in a dialect of Yiddish-flavored English. We hear the Polish immigrant: she comes through on the page. Like many others, I have often bemoaned the plight of the immigrants who flooded through Ellis Island, crowded into the tenements of the Lower East Side, and toiled in sweatshops like the Triangle Shirtwaist Factory (the site of the worst industrial accident in American history). How wretched their lives must have been, I have thought more than once. But a dear friend who is descended from Italian immigrants to New York tells me that he thinks the immigrants were quite successful. In just two generations, his family moved out of the Lower East Side to Little Italy in the Bronx and then to White Plains, New York. Their great-grandson is now a professor at a liberal arts college in New York City. Such rapid success is, to my friend, mind-boggling! If you want to hear firsthand what the journey was like for one immigrant, be sure to read Anzia Yezierska’s essay “America and I.” You can read the short essay online – or buy the collection, How I Found America, which includes the essay. If you’re ready to read more of Yezierska’s writing, you’ll definitely want to check out her 1925 novel, The Bread Givers, widely considered to be her masterpiece. You might also want to explore a bit of Yezierska’s biography. She ended up earning a scholarship to Columbia University and was later involved in a romantic relationship with Columbia professor John Dewey. You can read about their relationship in Love in the Promised Land: The Story of Anzia Yezierska and John Dewey. Yezierska’s only child, Louise Levitas Henriksen, wrote a biography of her mother, Anzia Yezierska: A Writer’s Life. In From Hester Street to Hollywood: The Life and Work of Anzia Yezierska, biographer Bettina Berch looks at Yezierska’s written works as well as her work as a screenwriter for Hollywood. An excellent student paper, “Anzia Yezierska: Being Jewish, Female, and New in America,” Is a great (and short!) introduction to Yezierska and her work. Other useful overviews of Yezierska and her work can be found at Jewish Women’s Archive and My Jewish Learning. Visit thestoryweb.com/yezierska for links to all these resources. Listen now as I read Anzia Yezierska’s essay “America and I” in its entirety. As one of the dumb, voiceless ones I speak. One of the millions of immigrants beating, beating out their hearts at your gates for a breath of understanding. Ach! America! From the other end of the earth from where I came, America was a land of living hope, woven of dreams, aflame with longing and desire. Choked for ages in the airless oppression of Russia, the Promised Land rose up—wings for my stifled spirit— sunlight burning through my darkness—freedom singing to me in my prison—deathless songs tuning prison-bars into strings of a beautiful violin. I arrived in America. My young, strong body, my heart and soul pregnant with the unlived lives of generations clamoring for expression. What my mother and father and their mother and father never had a chance to give out in Russia, I would give out in America. The hidden sap of centuries would find release; colors that never saw light—songs that died unvoiced—romance that never had a chance to blossom in the black life of the Old World. In the golden land of flowing opportunity I was to find my work that was denied me in the sterile village of my forefathers. Here I was to be free from the dead drudgery for bread that held me down in Russia. For the first time in America, I’d cease to be a slave of the belly. I’d be a creator, a giver, a human being! My work would be the living job of fullest self-expression. But from my high visions, my golden hopes, I had to put my feet down on earth. I had to have food and shelter. I had to have the money to pay for it. I was in America, among the Americans, but not of them. No speech, no common language, no way to win a smile of understanding from them, only my young, strong body and my untried faith. Only my eager, empty hands, and my full heart shining from my eyes! God from the world! Here I was with so much richness in me, but my mind was not wanted without the language. And my body, unskilled, untrained, was not even wanted in the factory. Only one of two chances was left open to me: the kitchen, or minding babies. My first job was as a servant in an Americanized family. Once, long ago, they came from the same village from where I came. But they were so well-dressed, so well-fed, so successful in America, that they were ashamed to remember their mother tongue. “What were to be my wages?” I ventured timidly, as I looked up to the well-fed, well-dressed “American” man and woman. They looked at me with a sudden coldness. What have I said to draw away from me their warmth? Was it so low for me to talk of wages? I shrank back into myself like a low-down bargainer. Maybe they’re so high up in well-being they can’t any more understand my low thoughts for money. From his rich height the man preached down to me that I must not be so grabbing for wages. Only just landed from the ship and already thinking about money when I should be thankful to associate with “Americans.” The woman, out of her smooth, smiling fatness assured me that this was my chance for a summer vacation in the country with her two lovely children. My great chance to learn to be a civilized being, to become an American by living with them. So, made to feel that I was in the hands of American friends, invited to share with them their home, their plenty, their happiness, I pushed out from my head the worry for wages. Here was my first chance to begin my life in the sunshine, after my long darkness. My laugh was all over my face as I said to them: “I’ll trust myself to you. What I’m worth you’ll give me.” And I entered their house like a child by the hand. The best of me I gave them. Their house cares were my house cares. I got up early. I worked till late. All that my soul hungered to give I put into the passion with which I scrubbed floors, scoured pots, and washed clothes. I was so grateful to mingle with the American people, to hear the music of the American language, that I never knew tiredness. There was such a freshness in my brains and such a willingness in my heart I could go on and on—not only with the work of the house, but work with my head—learning new words from the children, the grocer, the butcher, the iceman. I was not even afraid to ask for words from the policeman on the street. And every new word made me see new American things with American eyes. I felt like a Columbus, finding new worlds through every new word. But words alone were only for the inside of me. The outside of me still branded me for a steerage immigrant. I had to have clothes to forget myself that I’m a stranger yet. And so I had to have money to buy these clothes. The month was up. I was so happy! Now I’d have money. My own, earned money. Money to buy a new shirt on my back—shoes on my feet. Maybe yet an American dress and hat! Ach! How high rose my dreams! How plainly I saw all that I would do with my visionary wages shining like a light over my head! In my imagination I already walked in my new American clothes. How beautiful I looked as I saw myself like a picture before my eyes! I saw how I would throw away my immigrant rags tied up in my immigrant shawl. With money to buy—free money in my hands—I’d show them that I could look like an American in a day. Like a prisoner in his last night in prison, counting the seconds that will free him from his chains, I trembled breathlessly for the minute I’d get the wages in my hand. Before dawn I rose. I shined up the house like a jewel-box. I prepared breakfast and waited with my heart in my mouth for my lady and gentleman to rise. At last I heard them stirring. My eyes were jumping out of my head to them when I saw them coming in and seating themselves by the table. Like a hungry cat rubbing up to its boss for meat, so I edged and simpered around them as I passed them the food. Without my will, like a beggar, my hand reached out to them. The breakfast was over. And no word yet from my wages. “Gottuniu!” I thought to myself. “Maybe they’re so busy with their own things, they forgot it’s the day for my wages. Could they who have everything know what I was to do with my first American dollars? How could they, soaking in plenty, how could they feel the longing and the fierce hunger in me, pressing up through each visionary dollar? How could they know the gnawing ache of my avid fingers for the feel of my own, earned dollars? My dollars that I could spend like a free person. My dollars that would make me feel with everybody alike!” Lunch came. Lunch passed. Oi-i weh! Not a word yet about my money. It was near dinner. And not a word yet about my wages. I began to set the table. But my head—it swam away from me. I broke a glass. The silver dropped from my nervous fingers. I couldn’t stand it any longer. I dropped everything and rushed over to my American lady and gentleman. “Oi weh! The money—my money—my wages!” I cried breathlessly. Four cold eyes turned on me. “Wages? Money?” The four eyes turned into hard stone as they looked me up and down. “Haven’t you a comfortable bed to sleep, and three good meals a day? You’re only a month here. Just came to America. And you already think about money. Wait till you’re worth any money. What use are you without knowing English? You should be glad we keep you here. It’s like a vacation for you. Other girls pay money yet to be in the country.” It went black for my eyes. I was so choked no words came to my lips. Even the tears went dry in my throat. I left. Not a dollar for all my work. For a long, long time my heart ached and ached like a sore wound. If murderers would have robbed me and killed me it wouldn’t have hurt me so much. I couldn’t think through my pain. The minute I’d see before me how they looked at me, the words they said to me—then everything began to bleed in me. And I was helpless. For a long, long time the thought of ever working in an “American” family made me tremble with fear, like the fear of wild wolves. No—never again would I trust myself to an “American” family, no matter how fine their language and how sweet their smile. It was blotted out in me all trust in friendship from “Americans.” But the life in me still burned to live. The hope in me still craved to hope. In darkness, in dirt, in hunger and want, but only to live on! There had been no end to my day—working for the “American” family. Now rejecting false friendships from higher-ups in America, I turned back to the Ghetto. I worked on a hard bench with my own kind on either side of me. I knew before I began what my wages were to be. I knew what my hours were to be. And I knew the feeling of the end of the day. From the outside my second job seemed worse than the first. It was in a sweatshop of a Delancey Street basement, kept up by an old, wrinkled woman that looked like a black witch of greed. My work was sewing on buttons. While the morning was still dark I walked into a dark basement. And darkness met me when I turned out of the basement. Day after day, week after week, all the contact I got with America was handling dead buttons. The money I earned was hardly enough to pay for bread and rent. I didn’t have a room to myself. I didn’t even have a bed. I slept on a mattress on the floor in a rat-hole of a room occupied by a dozen other immigrants. I was always hungry—oh, so hungry! The scant meals I could afford only sharpened my appetite for real food. But I felt myself better off than working in the “American” family where I had three good meals a day and a bed to myself. With all the hunger and darkness of the sweat-shop, I had at least the evening to myself. And all night was mine. When all were asleep, I used to creep up on the roof of the tenement and talk out my heart in silence to the stars in the sky. “Who am I? What am I? What do I want with my life? Where is America? Is there an America? What is this wilderness in which I’m lost?” I’d hurl my questions and then think and think. And I could not tear it out of me, the feeling that America must be somewhere, somehow—only I couldn’t find it—my America, where I would work for love and not for a living. I was like a thing following blindly after something far off in the dark! “Oi weh.” I’d stretch out my hand up in the air. “My head is so lost in America. What’s the use of all my working if I’m not in it? Dead buttons is not me.” Then the busy season started in the shop. The mounds of buttons grew and grew. The long day stretched out longer. I had to begin with the buttons earlier and stay with them till later in the night. The old witch turned into a huge greedy maw for wanting more and more buttons. For a glass of tea, for a slice of herring over black bread, she would buy us up to stay another and another hour, till there seemed no end to her demands. One day, the light of self-assertion broke into my cellar darkness. “I don’t want the tea. I don’t want your herring,” I said with terrible boldness “I only want to go home. I only want the evening to myself!” “You fresh mouth, you!” cried the old witch. “You learned already too much in America. I want no clockwatchers in my shop. Out you go!” I was driven out to cold and hunger. I could no longer pay for my mattress on the floor. I no longer could buy the bite in my mouth. I walked the streets. I knew what it is to be alone in a strange city, among strangers. But I laughed through my tears. So I learned too much already in America because I wanted the whole evening to myself? Well America has yet to teach me still more: how to get not only the whole evening to myself, but a whole day a week like the American workers. That sweat-shop was a bitter memory but a good school. It fitted me for a regular factory. I could walk in boldly and say I could work at something, even if it was only sewing on buttons. Gradually, I became a trained worker. I worked in a light, airy factory, only eight hours a day. My boss was no longer a sweater and a blood-squeezer. The first freshness of the morning was mine. And the whole evening was mine. All day Sunday was mine. Now I had better food to eat. I slept on a better bed. Now, I even looked dressed up like the American-born. But inside of me I knew that I was not yet an American. I choked with longing when I met an American-born, and I could say nothing. Something cried dumb in me. I couldn’t help it. I didn’t know what it was I wanted. I only knew I wanted. I wanted. Like the hunger in the heart that never gets food. An English class for foreigners started in our factory. The teacher had such a good, friendly face, her eyes looked so understanding, as if she could see right into my heart. So I went to her one day for an advice: “I don’t know what is with me the matter,” I began. “I have no rest in me. I never yet done what I want.” “What is it you want to do, child?” she asked me. “I want to do something with my head, my feelings. All day long, only with my hands I work.” “First you must learn English.” She patted me as if I was not yet grown up. “Put your mind on that, and then we’ll see.” So for a time I learned the language. I could almost begin to think with English words in my head. But in my heart the emptiness still hurt. I burned to give, to give something, to do something, to be something. The dead work with my hands was killing me. My work left only hard stones on my heart. Again I went to our factory teacher and cried out to her: “I know already to read and write the English language, but I can’t put it into words what I want. What is it in me so different that can’t come out?” She smiled at me down from her calmness as if I were a little bit out of my head. “What do you want to do?” “I feel. I see. I hear. And I want to think it out. But I’m like dumb in me. I only know I’m different— different from everybody.” She looked at me close and said nothing for a minute. “You ought to join one of the social clubs of the Women’s Association,” she advised. “What’s the Women’s Association?” I implored greedily. “A group of American women who are trying to help the working-girl find herself. They have a special department for immigrant girls like you.” I joined the Women’s Association. On my first evening there they announced a lecture: “The Happy Worker and His Work,” by the Welfare director of the United Mills Corporation. “Is there such a thing as a happy worker at his work?” I wondered. Happiness is only by working at what you love. And what poor girl can ever find it to work at what she loves? My old dreams about my America rushed through my mind. Once I thought that in America everybody works for love. Nobody has to worry for a living. Maybe this welfare man came to show me the real America that till now I sought in vain. With a lot of polite words the head lady of the Women’s Association introduced a higher-up that looked like the king of kings of business. Never before in my life did I ever see a man with such a sureness in his step, such power in his face, such friendly positiveness in his eye as when he smiled upon us. “Efficiency is the new religion of business,” he began. “In big business houses, even in up-to-date factories, they no longer take the first comer and give him any job that happens to stand empty. Efficiency begins at the employment office. Experts are hired for the one purpose, to find out how best to fit the worker to his work. It’s economy for the boss to make the worker happy.” And then he talked a lot more on efficiency in educated language that was over my head. I didn’t know exactly what it meant—efficiency—but if it was to make the worker happy at his work, then that’s what I had been looking for since I came to America. I only felt from watching him that he was happy by his job. And as I looked on the clean, well-dressed, successful one, who wasn’t ashamed to say he rose from an office-boy, it made me feel that I, too, could lift myself up for a person. He finished his lecture, telling us about the Vocational-Guidance Center that the Women’s Association started. The very next evening I was at the Vocational Guidance Center. There I found a young, college-looking woman. Smartness and health shining from her eyes! She, too, looked as if she knew her way in America. I could tell at the first glance: here is a person that is happy by what she does. “I feel you’ll understand me,” I said right away. She leaned over with pleasure in her face: “I hope I can.” “I want to work by what’s in me. Only, I don’t know what’s in me. I only feel I’m different.” She gave me a quick, puzzled look from the corner of her eyes. “What are you doing now?” “I’m the quickest shirtwaist hand on the floor. But my heart wastes away by such work. I think and think, and my thoughts can’t come out.” “Why don’t you think out your thoughts in shirtwaists? You could learn to be a designer. Earn more money.” “I don’t want to look on waists. If my hands are sick from waists, how could my head learn to put beauty into them?” “But you must earn your living at what you know, and rise slowly from job to job.” I looked at her office sign: “Vocational Guidance.” “What’s your vocational guidance?” I asked. “How to rise from job to job—how to earn more money?” The smile went out from her eyes. But she tried to be kind yet. “What do you want?” she asked, with a sigh of last patience. “I want America to want me.” She fell back in her chair, thunderstruck with my boldness. But yet, in a low voice of educated self-control, she tried to reason with me: “You have to show that you have something special for America before America has need of you.” “But I never had a chance to find out what’s in me, because I always had to work for a living. Only, I feel it’s efficiency for America to find out what’s in me so different, so I could give it out by my work.” Her eyes half closed as they bored through me. Her mouth opened to speak, but no words came from her lips. So I flamed up with all that was choking in me like a house on fire: “America gives free bread and rent to criminals in prison. They got grand houses with sunshine, fresh air, doctors and teachers, even for the crazy ones. Why don’t they have free boarding-schools for immigrants—strong people— willing people? Here you see us burning up with something different, and America turns her head away from us.” Her brows lifted and dropped down. She shrugged her shoulders away from me with the look of pity we give to cripples and hopeless lunatics. “America is no Utopia. First you must become efficient in earning a living before you can indulge in your poetic dreams.” I went away from the vocational guidance office with all the air out of my lungs. All the light out of my eyes. My feet dragged after me like dead wood. Till now there had always lingered a rosy veil of hope over my emptiness, a hope that a miracle would happen. I would open up my eyes some day and suddenly find the America of my dreams. As a young girl hungry for love sees always before her eyes the picture of lover’s arms around her, so I saw always in my heart the vision of Utopian America. But now I felt that the America of my dreams never was and never could be. Reality had hit me on the head as with a club. I felt that the America that I sought was nothing but a shadow—an echo—a chimera of lunatics and crazy immigrants. Stripped of all illusion, I looked about me. The long desert of wasting days of drudgery stared me in the face. The drudgery that I had lived through, and the endless drudgery still ahead of me rose over me like a withering wilderness of sand. In vain were all my cryings, in vain were all frantic efforts of my spirit to find the living waters of understanding for my perishing lips. Sand, sand was everywhere. With every seeking, every reaching out I only lost myself deeper and deeper in a vast sea of sand. I knew now the American language. And I knew now, if I talked to the Americans from morning till night, they could not understand what the Russian soul of me wanted. They could not understand me any more than if I talked to them in Chinese. Between my soul and the American soul were worlds of difference that no words could bridge over. What was that difference? What made the Americans so far apart from me? I began to read the American history. I found from the first pages that America started with a band of Courageous Pilgrims. They had left their native country as I had left mine. They had crossed an unknown ocean and landed in an unknown country, as I. But the great difference between the first Pilgrims and me was that they expected to make America, build America, create their own world of liberty. I wanted to find it ready made. I read on. I delved deeper down into the American history. I saw how the Pilgrim Fathers came to a rocky desert country, surrounded by Indian savages on all sides. But undaunted, they pressed on—through danger— through famine, pestilence, and want—they pressed on. They did not ask the Indians for sympathy, for understanding. They made no demands on anybody, but on their own indomitable spirit of persistence. And I—I was forever begging a crumb of sympathy, a gleam of understanding from strangers who could not understand. I, when I encountered a few savage Indian scalpers, like the old witch of the sweat-shop, like my “Americanized” countryman, who cheated me of my wages—I, when I found myself on the lonely, untrodden path through which all seekers of the new world must pass, I lost heart and said: “There is no America!” Then came a light—a great revelation! I saw America—a big idea—a deathless hope—a world still in the making. I saw that it was the glory of America that it was not yet finished. And I, the last comer, had her share to give, small or great, to the making of America, like those Pilgrims who came in the Mayflower. Fired up by this revealing light, I began to build a bridge of understanding between the American-born and myself. Since their life was shut out from such as me, I began to open up my life and the lives of my people to them. And life draws life. In only writing about the Ghetto I found America. Great chances have come to me. But in my heart is always a deep sadness. I feel like a man who is sitting down to a secret table of plenty, while his near ones and dear ones are perishing before his eyes. My very joy in doing the work I love hurts me like secret guilt, because all about me I see so many with my longings, my burning eagerness, to do and to be, wasting their days in drudgery they hate, merely to buy bread and pay rent. And America is losing all that richness of the soul. The Americans of tomorrow, the America that is every day nearer coming to be, will be too wise, too open-hearted, too friendly-handed, to let the least lastcomer at their gates knock in vain with his gifts unwanted.
This time on SpeakBeasty: → Megan & Elayna join us! → "The Phoenix Register": Inside the Tenement Museum! → Could the leaked names describe tribes or dorms? → Salazar Slytherin in a hard hat... → Spoiler: We are the cursed child. → Sorting processes of Finland. → Hogwarts band geeks?! → Weaponized intertextuality manipulating our feels... → Will Newt visit Hogwarts? → Screw CGI! We want puppets! → Snape's great uncle's cousin fanfic. → "The Time-Turner": The golden age of Broadway! → "The Newt Case": The Sidehill Gouger! → Horses lead to... cat-dogs?→ What intertextual symbols do you want to see in the films?
Morris Vogel discusses preserving the history and stories of 7,000 immigrants who lived in a Lower East Side apartment building.
The second half of our interview with Dr. Annie Polland from the Lower East Side Tenement Museum focuses on specific figures in the building's history and ongoing research and expansion projects. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
The U.S. is, at its heart, a nation of immigrants. The Lower East Side Tenement Museum works to preserve the history of many families who left their home countries to start lives in New York. Read the show notes here. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
photo from orphanjane.com Very rarely, I find myself in a "perfect room". This is referring to the acoustics of a room that I am recording in and I found my second perfect room in the administrative offices of the Tenement Museum in the Lower East Side of Manhattan, (the first was Everyday Balloons' studio space—fucking unreal/amazing). My kid brother and I set everything up and did a mic check while waiting for Jessica and I was blown away at how great everything sounded. It was a great comfort after a very long but fruitful day of traveling across New York City. Jessica Underwood is a professional actress as well as an educational assistant at the Tenement Museum—working with the performers to educate visitors on the real life stories of the residents who once lived in the apartments that the museum currently occupies. She was in the middle of a hectic workday when we sat down to talk and was extremely generous with her time! We discussed growing up in New York City, studying the craft of acting, her band Orphan Jane, and what it means to be an artist in New York. She also goes into the history of the Tenement Museum with which I was completely unfamiliar before sitting down with her and am now very much obsessed with learning more about. Enjoy and make sure to check out her links below, Orphan Jane's got some shows coming up soon so if you're in NYC be sure to check them out! Jessica Underwood on the Internet JessUnderwood.com Jessica's band, Orphan Jane The Tenement Museum (This place is outstanding. Make sure to check it out whilst in NYC) Jessica's IMDB Credits
My next guest is Peter Quinn, who joined Time Inc. as the chief speechwriter in 1985 & retired as corporate editorial director for Time Warner in 2007. He received a BA from Manhattan College (1969), an MA in history from Fordham Univ (1974) and was ABD.. He was awarded a Ph.D., honoris causa by Manhattan College (2002). In 1979, he was Governor Carey's chief speechwriter, continuing under Governor Mario Cuomo; he helped craft the Governor’s 1984 Democratic Convention speech & his address at Notre Dame University. His 1994 novel Banished Children of Eve won a 1995 American Book Award. Looking for Jimmy: In Search of Irish America was published in 2007. Colum McCann summed up Quinn's historical detective novels -- Hour of the Cat (2005), The Man Who Never Returned (2010), and Dry Bones (2013) -- as "generous and agile and profound." He co-wrote the 1987 television doc "McSorley’s New York," (NY Emmy for “Outstanding Historical Programming”). He was a commentator in PBS documentaries “The Irish in America;” “New York: A Documentary Film;” “The Life and Times of Stephen Foster,” s the Academy Award-nominated film, “The Passion of Sister Rose.” He was an advisor on Martin Scorcese’s “Gangs of New York.” He helped conceive/script the 6-part doc “The Road to the White House,” which aired on TG4 in Ireland (2009). Quinn was editor of The Recorder: The Journal of the American Irish Historical Society (1986 to 1993). He has articles/reviews in The NY Times, Commonweal, America, American Heritage, Catholic Historical Review, Philadelphia Enquirer, L.A. Times, Eiré-Ireland. He is on the advisory boards of the American Irish Historical Society, NYU's Gluckman Ireland House, and the Tenement Museum. He is a co-founder of Irish American Writers & Artists. http://www.newyorkpaddy.com
As the word “tenement” indicates, 97 Orchard Street was a multiple family dwelling. Like most, it earned its reputation for overcrowding, poverty, and exploiting the working-class. From its opening in 1863 until 1935, the estimated 7000 people who lived in … Continue reading →
In the 22 years since its founding, the Lower East Side Tenement Museum has become an iconic and much revered institution. Now, the LESTM is determined to update its interpretation to allow the museum to play a role in the national conversation about immigration in the United States. In his talk, Dr. Morris Vogel, president of the LESTM, discusses the challenges and opportunities raised by this dynamic new interpretive plan.
Storytellers share their holiday memories at the Tenement Museum.
Storytellers share their holiday memories at the Tenement Museum.