Podcasts about Actors Theater

Calista can be seen starring in Ryan Murphy's series FEUD: Capote Vs. The Swans. The second installment of the Feud anthology is based on Capote's Women by Laurence Leamer and focuses on the story of how Truman Capote befriended society women Barbara "Babe" Paley, Gloria Guinness, Marella Agnelli, Slim Hayward, Pamela Churchill, C. Z. Guest, and Jackie Kennedy's sister Lee Radziwill and then betrayed these women for a story. Calista stars as Lee Radziwill, Jackie Kennedy's younger sister and wife of a Polish prince, who developed a strong kinship with Capote thanks in part to her poor relationship with Kennedy. The series also stars Tom Hollander as Capote, Naomi Watts, Chloë Sevigny, Diane Lane and Molly Ringwald. Flockhart made her TV debut portraying the title role in FOX's widely popular and award-winning series “Ally McBeal,” created by David E. Kelley. She also starred in ABC's critically acclaimed TV drama, “Brothers & Sisters,” a family soap revolving around the Walker family and their lives in Los Angeles. Additional TV credits include “Full Circle,” “Supergirl,” Lisa Kudrow's improvisational comedy series on Showtime “Web Therapy,” “Facetiming with Mommy,” and the DreamWorks' TV Series, “The Penguins of Madagascar.” Flockhart returned to her theatre roots as Martha in Who's Afraid of Virgina Woolf for the Geffen Playhouse in Los Angeles. She made her Broadway debut opposite Julie Harris in The Glass Menagerie, for which she received the Theatre World Award and the Clarence Derwent Best New Talent Award. New York theater credits include Neil LaBute's Bash: Latter Day Plays; The Three Sisters; Warren Leight's The Loop, which landed her the role of Gene Hackman's daughter in Mike Nichols' “The Birdcage;” Sophistry; Sons and Fathers; Wrong Turn at Lungfish; All for One and Caryll Churchill's Mad Forest. Flockhart was “Juliet” in Romeo and Juliet at The Hartford Stage; “Cordelia” in King Lear at The Actors Theater in Louisville; “Irina” in The Three Sisters at the Goodman Theater in Chicago; and “Emily” in Our Town directed by the legendary Jose Quintero. Flockhart's film credits include the independent thriller Fragile; Things You Can Tell Just By Looking At Her with Glenn Close and Cameron Diaz; A Midsummer Night's Dream, co-starring Kevin Kline, Michelle Pfeiffer and Rupert Everett; Drunks; The Birdcage, which received the Screen Actors Guild Award for Best Ensemble; and Telling Lies in America co-starring Kevin Bacon and Brad Renfro.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Calista can be seen starring in Ryan Murphy's series FEUD: Capote Vs. The Swans. The second installment of the Feud anthology is based on Capote's Women by Laurence Leamer and focuses on the story of how Truman Capote befriended society women Barbara "Babe" Paley, Gloria Guinness, Marella Agnelli, Slim Hayward, Pamela Churchill, C. Z. Guest, and Jackie Kennedy's sister Lee Radziwill and then betrayed these women for a story. Calista stars as Lee Radziwill, Jackie Kennedy's younger sister and wife of a Polish prince, who developed a strong kinship with Capote thanks in part to her poor relationship with Kennedy. The series also stars Tom Hollander as Capote, Naomi Watts, Chloë Sevigny, Diane Lane and Molly Ringwald. Flockhart made her TV debut portraying the title role in FOX's widely popular and award-winning series “Ally McBeal,” created by David E. Kelley. She also starred in ABC's critically acclaimed TV drama, “Brothers & Sisters,” a family soap revolving around the Walker family and their lives in Los Angeles. Additional TV credits include “Full Circle,” “Supergirl,” Lisa Kudrow's improvisational comedy series on Showtime “Web Therapy,” “Facetiming with Mommy,” and the DreamWorks' TV Series, “The Penguins of Madagascar.” Flockhart returned to her theatre roots as Martha in Who's Afraid of Virgina Woolf for the Geffen Playhouse in Los Angeles. She made her Broadway debut opposite Julie Harris in The Glass Menagerie, for which she received the Theatre World Award and the Clarence Derwent Best New Talent Award. New York theater credits include Neil LaBute's Bash: Latter Day Plays; The Three Sisters; Warren Leight's The Loop, which landed her the role of Gene Hackman's daughter in Mike Nichols' “The Birdcage;” Sophistry; Sons and Fathers; Wrong Turn at Lungfish; All for One and Caryll Churchill's Mad Forest. Flockhart was “Juliet” in Romeo and Juliet at The Hartford Stage; “Cordelia” in King Lear at The Actors Theater in Louisville; “Irina” in The Three Sisters at the Goodman Theater in Chicago; and “Emily” in Our Town directed by the legendary Jose Quintero. Flockhart's film credits include the independent thriller Fragile; Things You Can Tell Just By Looking At Her with Glenn Close and Cameron Diaz; A Midsummer Night's Dream, co-starring Kevin Kline, Michelle Pfeiffer and Rupert Everett; Drunks; The Birdcage, which received the Screen Actors Guild Award for Best Ensemble; and Telling Lies in America co-starring Kevin Bacon and Brad Renfro.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Ali Clayton Interview | The Brett Allan Show "Country Queer" NYC-based comedian Ali Clayton is releasing her debut comedy album called Country Queer. Recorded in Milwaukee, this album tells her story as a member of a very Southern family from rural North Carolina, a special ed kid, a lesbian, an alcoholic, and a white girl who started her comedy career in the South Side of Chicago. Ali is an alumna of the Actors Theater of Louisville's Acting Apprentice Program, a Second City Conservatory graduate, a Carolines on Broadway ‘Breakout Artist' and a top finalist in the StandUP NBC competition. She also co-hosts one of the funniest podcasts of 2022 according to Vulture: Y'all Gay?. Resources Mentioned: Ali Clayton's Website Ali Clayton on Instagram Ali Clayton on Twitter Upcoming Tour Dates How to Connect with Ali: Website: aliclaytoncomedy.com Instagram: @aliclaytoncomedy Twitter: @aliclaytoncomedy Connect with us on our website for more amazing conversations! www.brettallanshow.com Have you got some feedback? Let us know! openmicguest@gmail.com Follow us on social media! Facebook https://www.facebook.com/thebrettallanshow Instagram https://www.instagram.com/brettallanshow/ YouTube https://www.youtube.com/@TheBrettAllanShow/videos LinkedIn https://www.linkedin.com/in/brett-allan-009458168/ Support the show! https://thebrettallanshow.creator-spring.com/listing/the-brett-allan-show-swag Learn more about your ad choices. Visit megaphone.fm/adchoices

Ali Clayton! Comedian! Friend! Delightful human with a new album out RIGHT NOW! ABOUT THE ALBUM: Blonde Medicine is excited to announce the upcoming debut comedy album from Ali Clayton, Country Queer, available digitally everywhere comedy is streamed or downloaded, and on vinyl on Blonde Medicine and Bandcamp. After working in comedy for 15 years, Ali put together a set that tells her story as a member of a very Southern family from rural North Carolina, a special ed kid, a lesbian, an alcoholic, and a white girl who started her comedy career in the South Side of Chicago.  “Country Queer is a love letter to little Ali about embracing and loving your authentic self and never forgetting where you come from.” Says Ali Clayton. “I'm country and I'm queer and I'm proud to be both.” Her comedy aims to help humanize and connect Southerners and queer folks everywhere. ABOUT ALI CLAYTON: Brooklyn-based comedian Ali Clayton is a southern dyslexic pageant kid who became a lesbian comedian, actor, writer, and podcaster. She is an alumna of the prestigious Actors Theater of Louisville's Acting Apprentice Program, a Second City Conservatory graduate, a Carolines on Broadway ‘Breakout Artist' and a top finalist in the StandUP NBC competition. Ali's stand-up has been featured on SiriusXM and on the VICE show Funny How?. She co-hosts Y'all Gay? with her best friend and fellow southern queer comedian Ever Mainard. Vulture named Y'all Gay? one of the top five comedy podcasts of 2022.   ALI CLAYTON ONLINE: Website TikTok Instagram AND ALSO YOU CAN LISTEN TO HER ON THIS VERY PODCAST HERE! PS This is only the first HALF of our conversation. For the second portion of our chat, subscribe via Apple Podcasts OR click on over here to Patreon!

Kate Hamill stops by the show to talk about Dracula, one of her many stage adpatations. This conversation is a full meal on taking risks, making writing fun, advocacy, and feminism.In this episode, we discuss:How Kate became a playwright on a bet with her friendThe dramatic question she crafted for Dracula and some of her other worksIntentionally writing fun characters and feminist playsAdvocacy, unions, and surviving toxic behavior in the industryAnd more!Resources MentionedDracula: A Feminist Revenge Fantasy, ReallyDracula is playing through December 24, 2023 at Portland Center Stage About Our Guest Kate Hamill is an actor/playwright and she was the 2017 Wall Street Journal Playwright of the Year. Her work includes her play Pride & Prejudice, at Primary Stages / HVSF, Sense & Sensibility at Bedlam; Vanity Fair at the Pearl Theatre, Mansfield Park at Northlight , Little Women at Primary Stages and the Jungle Theatre, Dracula at Classic Stage Company, Ms. Holmes & Ms. Watson – Apt. 2B at Kansas City Rep, Emma at the Guthrie, and The Scarlet Letter. Her plays have been produced off-Broadway, at A.R.T., the Guthrie, Seattle Rep, PlayMaker's, Folger, OSF, Trinity Rep, Pittsburgh Public, Dorset Theatre Festival, Shakespeare Theatre of DC, Dallas Theater Center, Kansas City Rep, Long Wharf, A.C.T., Actors Theater of Louisville, & others. Her play The Little Fellow (or: The Queen of Tarts Tells All) is currently at the Cygnet Theater, and Emma at the Denver Center next year. She is currently developing a new adaptation of The Odyssey, a Christmas play called Scrooge for Senate; and several original plays including The Piper and The Light and The Dark. Kate has been one of the most-produced playwrights nationwide every season from 2017-2023. Connect with Our Guestkate-hamill.comTwitter/X InstagramConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

In this episode, Jennifer talks to casting director Erica Jensen who shares her personal journey of getting her MFA in Acting to finding her true calling in casting. They discuss the evolving landscape of auditions in this “post-pandemic” world, the technical aspects of self-tapes, and navigating one's social media presence. They also speak about the significance of cultivating relationships, the joy of discovering and launching careers, and also unpack deeper intricacies of casting.  About Erica: Erica Jensen is a casting director at and co-owner of Calleri Jensen Davis. Her 20-year-plus career with partners James Calleri and Paul Davis spans film, television, regional, off-Broadway and Broadway theater. Casting credits include shows for Actors Theater of Louisville, Classic Stage Company, Rattlestick Theater, City Theater, McCarter Theatre, People's Light and Theatre, Hartford Stage, LaJolla Playhouse, Hudson Valley Shakespeare Festival, and The Flea Theater. B'way credits include Thoughts of A Colored Man, For Colored Girls (2022), Topdog/Underdog and The Piano Lesson, Past B'way credits: Fool For Love, Hughie, A Raisin In The Sun, Of Mice and Men, and Hedwig and the Angry Inch. TV credits include Queens, Love Life, Dickinson, Lipstick Jungle, and The Path. In addition to casting, Erica is the Program Director of and Professor of Practice at the Tepper Semester, a study abroad professional theater program in New York City. She's the co-founder of She-Collective with partner and talent manager, Dani Super. And she's a proud and anxious mom to an awesome 11-year-old. Erica's IG: @ericamjensen Erica's Email: erica@callerijensendavis.com Erica's Websites: www.she-collective.com, www.callerijensendavis.com Want to coach with Jennifer? Schedule a session here! https://appt.link/jenniferapple Monologue Sourcing Promo Link! https://empoweredartistcollective.com/podcastpromo Learn more: https://www.empoweredartistcollective.com/podcast EAC IG: @EmpoweredArtistCollective  EAC TikTok: @EmpowerArtistCollective EAC Facebook: https://www.facebook.com/empoweredartistcollective/ Nominate a Podcast Guest! https://form.jotform.com/220608577638162 Sign up for our newsletter! https://mailchi.mp/8e72e8dcb662/stay-in-touch Check Out Our Merch! https://www.empoweredartistcollective.threadless.com/ Any thoughts you'd like to share? Email us at EmpoweredArtistCollective@gmail.com

Actors Benjamin Colby Wilson and Michael Lie Murphy talk about Fractured Actors Theater Company‘s productions of John Logan‘s Tony Award-winning play, RED. Watch Video The post Fractured Actors Theater Company’s RED appeared first on Elizabeth Appraisals.

"I don't think an actors private life is entertainment for other people. So I never ask anybody any personal questions of any kind." BOB KRAKOWER is recognized as one of the top acting teachers and coaches in the business. His clients have been nominated for the Academy, Emmy, and Tony Awards. He is currently creating inaugural on-camera acting programs at UNCSA and Juilliard. He has been on guest faculties at Yale, Harvard, & NYU. Sought after by studios, networks, producers, and actors, he works from his home base in New York, while maintaining a schedule of coaching on set for film and television around the country. In this episode, we talk about: • Having two offers on the same day: he could be a franchised agent or interview to teach at the Actors Theater in Louisville • Worked in casting with Alexa Fogel and almost got booted off casting NYPD Blue • Tips for actors on how to approach a scene • How he got reruns of My So Called Life on MTV after it was cancelled • How hard it is to get into his class and why • Suggestions for actors that they can do right now to be a better actor, including habits he can recommend • Why he chooses not to delve into the personal life of actors when coaching them and what he does instead Guest: Website IMDb Host: Instagram: ⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠ If you like this episode, check out: Becoming... Showrunner/Writer Marshall Herskovitz "Blood Diamond" "The Last Samurai""My So Called Life" ⁠⁠⁠⁠⁠⁠⁠Click here to join our Mailing list.⁠⁠⁠⁠⁠ Ads: Check out ⁠⁠⁠⁠⁠Cave Day⁠⁠⁠⁠ right now. Only $40 for the first 3 months! --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

Friends who used to be 30 Something, Wingnuts, and Field of Dreamers, lend me your ear (s), and your eyeballs. Emmy-winner Timothy Busfield is a scream! His Burt Lancaster alone is worth the watch. Hysterical, and right on point. Tim's amazing bride, Melissa Gilbert joined us for a sec, she'll be back! But she was a big part of the conversation––how they met, and where––great story. I love how he loves her, and her, him. Their togetherness is epic. We talked how they do it, handle challenges, and resolve them, so quickly. Merging their families - both married for the thrice time… co-parenting and grandparenting, building a home, and a life. Ain't love grand. We talked Tim's early years in Michigan, his mother, her challenges, his father, and his. Tim getting the bug after seeing Burt Lancaster on the big screen, and going full circle co-starring with him in Field of Dreams so many years later––the challenges of that film. First, theatre out the wazoo… Actors Theater of Louisville to Circle Rep… being Matthew Broderick's understudy on Broadway in Brighton Beach Memoirs and never getting on - Trapper John, getting an actors education, Nerds, Stripes, thirtysomething, his first gig with a guy named Snuffy, turns out there are 10 so far, 12 with Melissa's… starring on Broadway for Sorkin, Sports Night, The West Wing, Studio 60 on The Sunset Strip, his two theatre companies intended to serve the young - the guppies did he call them? Being of service a major theme throughout. Turning down hosting SNL, thrice, auditioning for it without knowing, giving up the drink two weeks ago, how and why… his latest, The Cleaning Lady, and more importantly, his next binge with Melissa and their morning flight to Florida. We talked for almost two hours, from LA to Michigan to Upstate NY and the UWS…. and I could have talked all night. Ridiculous fun. Down to earth, open, warm, thoughtful, helpful, funny, loving, fun, fun, fun. Do they come more likable than Tim? You'll have to prove it. Timothy Busfield Live on Game Changers With Vicki Abelson Wed, May 17th, 5 pm PT, 8 pm ET Streamed Live on The Facebook Replay here: https://bit.ly/3IjV5WJ

The Wellfleet Harbor Actors Theater (W.H.A.T.) launches its 2023 season later this spring. W.H.A.T. returned to live performances last year following a two-year COVID shutdown and Producing Artistic Director Christopher Ostrom says 2022 audiences were noticeably younger than pre-pandemic crowds.   Past coverage of the W.H.A.T

Paola Bruni chats with Dion O'Reilly about the collaborative book, How do you Spell the Sound of Crickets, written with the late Jory Post. Jory Post was an educator, writer, and artist who lived in Santa Cruz, California. He and his wife, Karen Wallace, created handmade books and art together as JoKa Press. Jory was the co-founder and publisher of phren-Z, an online literary quarterly, and founder of the Zoom Forward reading series. His first book of prose poetry, The Extra Year, was published in 2019, and was followed by a second, Of Two Minds, in 2020. His novel, Pious Rebel, also appeared in 2020. His novel, Smith: An Unauthorized Fictography, was published in 2021. His work has been published in Catamaran Literary Reader, Chicago Quarterly Review, Rumble Fish Quarterly, The Sun, and elsewhere. Paola Bruni is a two-time Pushcart Prize nominee, winner of the Morton Marcus Poetry Prize, and winner of the Muriel Craft Bailey Poetry Prize judged by Ellen Bass, as well as a finalist for the Mudfish Poetry Prize. Her poems have appeared in The Southern Review, Ploughshares, Five Points Journal, Rattle, Massachusetts Review, and Catamaran Literary Reader, among others. Her short plays have been produced by Actors Theater, Santa Cruz as well as short-listed for play festivals around the globe.

Writer-director, Charlie Peters, was raised in New York City before spending his high school years at Stonyhurst College in Lancashire, England, where he was classmates with the director Charles Sturridge and actor Edward Duke.  Charlie then studied theater at the University of Connecticut and subsequently received a Schubert Fellowship to do graduate work in playwriting at Carnegie Mellon University here in Pittsburgh.  While at CMU, his plays were acted by fellow students including Holly Hunter and Cherry Jones.  After graduating, he returned to New York to work as a playwright. His plays have been produced at La Mama Experimental Theatre Club, Primary Stages, Playwrights Horizons, The Actors Theater of Louisville and The Edinburgh Festival.  In 1978, Charlie was brought to Los Angeles by Columbia Pictures as part of a program looking for new writers, a program that turned out to be little more than a publicity stunt to distract from the bad PR Columbia had received as a result of its head, David Begelman, embezzling money from various actors.  Charlie's first produced movie, Paternity, is based on a play he'd written while at CMU. It starred Burt Reynolds and was directed by David Steinberg.  He's had a dozen other movies pr oduced including Blame It On Rio directed by Stanley Donen, Kiss Me Goodbye directed by Robert Mulligan, and Her Alibi, directed by Bruce Beresford. He's also directed two of his own: Passed Away with Bob Hoskins, Maureen Stapleton and Frances McDormand and Music From Another Room with Jude Law and Brenda Blethyn. Charlie has doctored over forty other produced movies and many more unproduced ones.  Renee Zellweger won The Golden Bear Award at The Berlin Film Festival for the 2010 movie, My One and Only, that Charlie wrote. Hs most recent film was 5 Flights Up based on the novel by Jill Ciment, which starred no less than Morgan Freeman and Diane Keaton.  

Today on the podcast, we chat with the collaborators of the World Premiere production, The Tattooed lady, A New Musical on stage at Philadelphia Theatre Company. Here is my interview with Max Vernon and Erin Courtney for The Tattooed Lady, A New Musical.The story of The Tattooed Lady highlights one of sideshow's biggest stars, Ida Gibson, in a moving, fantastical tale that reveals the generational chasms and connections between Ida and her granddaughter Joy. A parade of beguiling characters appear, on a mission to liberate Ida from her self-imposed exile and help Joy find freedom through forgiveness. The musical celebrates the resilience of women whose choices have the power to liberate them.ABOUT THE CREATORSErin Courtney (Book) is a New York based playwright. Her play, A Map of Virtue, was awarded an Obie and was nominated for a GLAAD Media Award for Outstanding New York Theater. Her play I Will Be Gone, premiered at the Humana Festival, Actors Theater of Louisville. She has written two operas with Elizabeth Swados: The Nomad and Kaspar Hauser, both commissioned and produced by The Flea Theater. Her other plays, produced by Clubbed Thumb, include Alice the Magnet, directed by Pam MacKinnon, and Demon Baby, directed by Ken Rus Schmoll. She is an affiliated artist with Clubbed Thumb, a member of the Obie Award winning playwrights collective, 13P, as well as the co-founder of the Brooklyn Writers Space.Max Vernon (Book, Music, Lyrics & Orchestrations) is a musical theatre writer, whose works include The View UpStairs, KPOP (opening on Broadway this November!), The Tattooed Lady, and Show & Tell. They are a three-time Drama Desk nominee, Out100 Honoree, two-time MacDowell Fellow, Dramatist Guild Fellow, and recipient of the Lucille Lortel Award, Richard Rodgers Award, Jonathan Larson Grant, Pew Arts and Culture Grant, and New York Foundation of the Arts Fellowship, among others. They have also written work for Audible, Disney, Virgin Group, and Tyra Banks. Notable concerts include Joe's Pub, the Kennedy Center, Lincoln Center, and The Metropolitan Museum of Art. They earned an MFA from NYU's Graduate Musical Theatre Writing Program. www.maxvernon.com IG: @frauleinsallybowelsFOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org

There are 2 gentlemen who change the world from their presence, their mindset and a treasure trove of talent. Francene Marie had the pleasure of interviewing Keith Arthur Bolden - Director, Producer and Actor. As well as our very own Jeremy DeCarlos, the Actor playing the role of Verb in the new play running until May 7th. To grab your tickets to HYPEMAN visit Actors Theater of Charlotte.

It's Fandor's April Fool's Special!Today the team brings special guest, comedian/actor Greg Baldwin, to the show.Greg Baldwin is a comedian/actor and producer and host of the popular podcast Second Chances. Greg performs regularly at the top clubs performing in shows with many of today's biggest comedians. He currently tours and features for Jay Mohr and Darrell Hammond from Saturday Night live.Greg is also a seasoned actor. He has honed his craft with amazing teachers Howard Fine, Kirk Baltz and Jean Shelton and was a member of the prestigious Actors Theater of San Francisco where he played the lead in multiple theatrical productions. Greg has also studied improv at UCB and The Groundlings and has acted in multiple films and commercials for Sony, Volkswagen and more.Connect with Fandor here:Facebook: https://www.facebook.com/fandorTwitter: https://twitter.com/FandorInstagram: https://www.instagram.com/fandorfilmsTikTok: tiktok.com/@fandorfilms Hosted on Acast. See acast.com/privacy for more information.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/a8lqwXTrY6g JOHN PIELMEIER began his career as an actor, working at Actors Theater of Louisville, the Guthrie Theater, Milwaukee Rep, Alaska Rep, Baltimore's Center Stage, and the Eugene O'Neill National Playwrights' Conference. It was at the O'Neill that his play Agnes of God was first staged. A co-winner of the Great American Play contest, Agnes premiered professionally at Actors Theater of Louisville, which production was followed by several regional productions and a seventeen month run on Broadway. His other plays include Voices in the Dark, produced on Broadway and winner of the 1999 Edgar Award for Best Play (published by Broadway Play Publishing); Haunted Lives, a collection of one-acts published by Dramatists Play Service; Courage, a one-man show about J.M. Barrie, produced at the Lambs' Theatre off-Broadway, published by Playscripts, Inc. and filmed for public television; The Boys of Winter, produced on Broadway and published by Playscripts, Inc.; Sleight of Hand, produced on Broadway; Jass, presented at the O'Neill Playwrights' Conference and workshopped at the New Harmony Project; Impassioned Embraces, a collection of short plays and monologues, published by Dramatists Play Service; Steeplechase the Funny Place, a musical (with music and lyrics by Matty Selman) workshopped at the New Harmony Project; Young Rube, a musical (also with Mr. Selman), workshopped at the Gathering at Bigfork in Bigfork, Montana and first produced at the Repertory Theatre of Saint Louis; Willi, a one-man show based on the speeches of mountaineer Willi Unsoeld, which premiered (and was performed by the author) at A Contemporary Theatre in Seattle (breaking box office records); The Classics Professor, workshopped at The Gathering at Bigfork and at CAP21, New York City.

About the Guest Rajendra Ramoon Maharaj is a Milwaukee-based, multi-disciplinary, American Theater Artist and Advocate. Mr. Maharaj was hailed in The New York Times for his award-winning play Little Rock, was selected as a New York Times Critics Pick. He is currently the Associate Artistic Producer of Milwaukee Repertory Theater. Mr. Maharaj's playwrighting residencies include the Nuyorican Poets Cafe, New Orleans Writer's Residency, Alliance Theater, Arkansas Repertory Theater, Crossroads Theater, Amas Musical Theater, Triskelion Arts, the 2020 Resident Playwright of the Letter of Marque Theatre, is a member of Theater Now's 2021 Virtual Musical Theater Writer's Group, a 2021 Season Finalist in The Downtown Urban Arts Festival in New York City, the inaugural playwright for the Theatre Raleigh New Works Reading Series, and a finalist for the 2021 Eugene O'Neill National Playwrights Conference. Mr. Maharaj has been honored with many awards for his body of work in the American Theater including the prestigious Woodie King Jr. Award, four Vivian Robinson AUDELCO Awards, Barrymore Award, Stage Directors and Choreographers Society Theatrical Moment of the Year, The New York International Fringe Festival Overall Excellence Award, Theater Communications Group Directors Grant and Playwriting Grant, Recipient of the 2020 National Alliance for Musical Theater Fifteen-Minute Musical Theater Challenge Award, he was a semi-finalist for the 2021 Blue Ink Playwriting Award Competition presented by American Blues Theater. He has been featured in numerous articles and interviews in notable industry publications such as The American Theater Magazine, The New York Times, The Yale School of Drama / Repertory Theater Review, The Dramatist, The Uptown Magazine, Playbill, Broadway World, The Daily News, The New York Post, The New York Beacon, The Philadelphia Sun, Time-Out New York, Harlem News, Amsterdam News, and The Stage Directors and Choreographers Journal for his work as a theater practitioner and leader. As a storyteller, Mr. Maharaj has worked on Broadway, Off-Broadway, and at many of our nation's top Regional Theaters including the Bernard B. Jacobs, The Theater at Madison Square Garden, The Sheen Center for Thought & Culture, The Public, Second Stage Theatre, Soho Playhouse, Classical Theater of Harlem, New Federal Theater, New World Stages, Nuyorican Poets Café, Tribeca Performing Arts Center, Lark Play Development Center, Theatre Row, Ensemble Studio Theatre, Portland Stage, Actors Theater of Louisville, Alabama Shakespeare, Signature Theater, Theater Works, Goodman Theater, The Kennedy Center, Arkansas Repertory Theater, Perseverance, and New Freedom Theater. After his graduate studies at Brooklyn College, Mr. Maharaj was awarded a Masters of Fine Arts Degree from Brooklyn College. Mr. Maharaj is a proud alumnus of the Actors Studio Playwrights and Directors Unit, Lincoln Center's Directors Lab, and Theater Communication Group's Rising Leaders of Color in the American Theater. He has served as the Artistic Director of New Freedom Theater in Philadelphia as well as the Artistic Director of Rebel Theater. Mr. Maharaj founded the Voices at the River, an African and Latino American Playwrights New Works Festival hosted at Arkansas Repertory Theater. Mr. Maharaj is represented by Michael Moore of Michael Moore Agency Literary and Creatives. Connect with Beltline to Broadway Facebook – @beltlinetobroadway Twitter – @beltlinetobroadway Instagram – @beltlinetobroadway Web http://www.rduonstage.com/ (www.beltlinetobroadway.com) Support this podcast

Greg is a stand up comedian and actor. Today Greg performs in comedy clubs throughout Los Angeles including The Comedy Store and the Hollywood Improv and is host of the popular podcast Second Chances. He was a member of The Actors Theater of San Francisco and has been a lead in numerous theatrical productions, acted in over 15 short films, produced 3 shorts, and has voiced commercials for Playstation, Van's, Kenneth Cole, Volkswagen, CBS Radio, and iHeartMedia, Inc.

Calleri Jensen Davis casting, formally Calleri casting until very recently, have a casting partnership that spans over twenty years. Television credits include Dickinson, The Path, Army Wives, Lipstick Jungle, Hope and Faith, Ed, Monk, and numerous pilots for Netflix, Fox the CW NBC ABC among many others, Films they have cast have been screened at Sundance, The Cannes Film Festival, and have won dozens of awards.Broadway credits include the upcoming productions of Thoughts of a Colored Man, For Colored Girls who have considered suiside when the rainbow is enough, and Blue all opening on Broadway this year. Past Broadway credits include Burn This, Hedwig and the Angry Inch, The Elephant Man, Of Mice and Men, Fool For Love, Venus In Fur, 33 Variations, Chicago, A Raisin in the Sun, Hughie, James Joyce’s The Dead, and the Bright Star National TourAdditional New York and Regional credits include Playwrights Horizons, Classic Stage Company, Rattlestick, The Flea, Keen Company, Williamstown Theater Festival, The Long Warf, The Cleveland Playhouse, The Actors Theater of Louisville, Hartford Stage, The Alliance, Center Theater Group, Humana, The Old Globe, Syracuse Stage, OSF, Alley Theater, Berkley Rep, McCarter Theater and dozens more.

Shirley Jo Finney is an award-winning international director and actress.She has worn her director’s hat in some of the most respected regionaltheater houses across the country: including The McCarter Theater, ThePasadena Playhouse, The Goodman Theater, the Alabama ShakespeareFestival, the Cleveland Playhouse, the Fountain Theater, LA TheaterWorks, the Crossroads Theater Company, Actors Theater of LouisvilleHumana Festival, the Sundance Theater Workshop, The Mark TaperForum , Kennedy Center for the Performing Arts and the State Theater inPretoria, South Africa.

What Up with Rob and Chris: Greg Baldwin is a comedian, actor, and VO guy. As an actor, Greg began his performance career in the 3rd grade with a hit rendition of Greased Lightning in the school talent show. He has been hooked ever since. A natural comedian, Greg performs in comedy clubs throughout Los Angeles and was a member of The Actors Theater of San Francisco. He has been the lead in 5 theatrical productions, acted in over 15 short films, and has voiced commercials for Playstation, Van's, Kenneth Cole, Volkswagen, CBS Radio, and iHeartMedia, Inc. Greg Baldwin is the host of the Second Chances Podcast. Originally from San Mateo, CA, Greg has been performing regularly at The Comedy Store and Hollywood Improv! Greg has opened recently for comedy greats like Norm McDonald, Iliza Schlesinger, Kevin Nealon, Bill Burr, Michael Rappaport, and Darrell Hammond. --- Support this podcast: https://podcasters.spotify.com/pod/show/what-up-with-rob-chris/support

In our final episode of Season 2, Christine gets to chat with two longtime friends, Robert Barry Fleming and Charles Randolph-Wright about the concept of radical hospitality: the act of creating access where none existed by purposefully and actively removing barriers. Christine leads our conversation on how all artists can claim the space to tell their own stories and how radical hospitality can be extended towards the audiences for whom these stories are intended to reach.  To learn more about Charles Randolph-Wright visit: https://www.dramatistsguild.com/members/charlesrandolph-wright To learn more about Robert Barry Fleming visit: https://www.actorstheatre.org/bios/robert-barry-fleming/ To learn more about Actors Theater of Louisville visit: https://www.actorstheatre.org/ This episode features Charles Randolph Wright and Robert Barry Fleming. The Dramatist Guild Presents: Talkback is a production of The Dramatists Guild of America . This episode was produced by Sarah Storm, Amy VonMacek and Christine Toy Johnson. Robare Pruyn mixed our show. Our theme music was composed by Andrea Daly. Special thanks to Tina Fallon, Tari Stratton, and the Diversity, Equity and Inclusion Committee at the Dramatists Guild.   Learn more about your ad choices. Visit megaphone.fm/adchoices

The next episode of Outside The Tzedakah Box, Podcast by the Jewish Teen Funders Network.This special episode was recorded from our online panel discussion “Diversity And The Jewish Community”, the 3rd session in our Give In Solidarity Learning Series.Moderated by Wayne Green, JTFN’s Executive Director, our panel included:REBECCA S’MANGA FRANKRebecca is an actor, writer, director based in Brooklyn. Recent acting credits include “Indecent” at the Oregon Shakespeare Festival and “We, the Invisibles” at the Humana Festival at Actors Theater of Louisville. After Covid hit she started writing and performing with her theatre company and making innovative theatre for Zoom. Rebecca holds an MFA from NYU Tisch School of the Arts graduate acting program, and a BA in creative writing from Mills College.KENDELL PINKNEYKendell is a Brooklyn based theatre-maker, Jewish-life consultant, and rabbinical student at the Jewish Theological Seminary. Kendell’s broader interest in racial and ethnic diversity among Jews led him to team up with spoken-word artist, Vanessa Hidary, to produce Kaleidoscope, a monologue showcase that foregrounds the stories of Jews of Color, and Jews from Sephardic and Mizrachi backgrounds. In addition to his creative arts work, he is also the rabbinic intern for the Jewish arts and culture organizations Reboot and LABA, and serves on the board of Ammud: The Jews of Color Torah Academy.RABBI ISAIAH JOSEPH ROTHSTEINRabbi Rothstein recently joined The Jewish Federations of North America professional team as a Rabbinic Scholar and Public Affairs Advisor. He most recently served as Rabbi-in-Residence at Hazon: The Jewish Lab for Sustainability. He is best known for his essay "Color Erases, Color Paints" which generated extensive conversation within the Jewish community about race and diversity. Growing up in a multi-racial Chabad family in Monsey, NY, Rabbi Rothstein sees himself as a human bridge, connecting disparate parts of the Jewish community. TOBI SHANNONTobi currently serves as a board member on the Community Investment Network board. Her work in philanthropy began at a young age, observing and learning from her parents, who instilled an inherent sense of purpose to uplift her local and global communities. Tobi is a current graduate student of sustainable business and policy, and works as the Operations Manager for Mockingbird Analytics. 

Doug sits down on the patio with his bestie, Actress Katierose Donohue Enriquez. They talk their love of theater, horrible jobs they have had, dogs, and of course being an asshole, NEW JERSEY STYLE!Support this podcast at — https://redcircle.com/im-an-a-hole-with-doug-bass/donations

Cindi has her own office, Cindi Rush Casting in New York. Broadway credits include Urinetown, Six Dance Lessons in Six Weeks and Say Goodnight Gracie – Other New York Credits include Home Street Home, Disenchated, Jacques Brel, Friends, Shame of Thrones, Ruthless among many others. Regionally, Cindi frequently casts for Triad Stage, 5th Avenue, Hudson Stage, Penguin Rep, Pittsburg Public Theater, Charleston Stage Company, Virginia Stage Company, Cape Fear, and The Actors Theater of Louisville Humanafest. Apart from theatre, Cindi has also cast numerous well-known films including: Offspring, Made For Each Other, Home Movie, Jack Ketchum’s The Girl Next Door, Funny Valentine, Master Class and Headspace. Cindi is a consultant for the National Alliance for Musical Theatre or NAMT as well as for the NYU Graduate Program for Musical Theatre Writing.

Anne Washburn's plays include Mr. Burns, The Internationalist, A Devil At Noon, Apparition, The Communist Dracula Pageant, I Have Loved Strangers, The Ladies, The Small and a transadaptation of Euripides' Orestes. Her work has been produced by 13P, Actors Theater of Louisville, American Repertory Theatre, Cherry Lane Theatre, Clubbed Thumb, The Civilians, Dixon Place, Ensemble Studio Theater, The Folger, London's Gate Theatre, Playwrights Horizons, NYC's Soho Rep, DC's Studio Theater, Two River Theater Company, NYC's Vineyard and Woolly Mammoth. Awards include a Guggenheim, a NYFA Fellowship, a Time Warner Fellowship, Susan Smith Blackburn finalist, and residencies at MacDowell and Yaddo. She is an associated artist with The Civilians, Clubbed Thumb, New Georges, and is an alumna of New Dramatists and 13P. Currently commissioned by MTC, Playwrights Horizons, Soho Rep, and Yale Rep. Anne's most recent, Shipwreck, just had its U.S. premiere at the Woolly Mammoth in Washington, D.C.

Episode 279: Our apologies for the bad audio quality – but we wanted to share how much we loved Lady Day at the Emerson Bar and Grill – the latest show at Actors Theater of Charlotte. Go see the show! But also – Actors Theater needs your help! They need to raise funds to keep […]

Dominic Fumusa is best known for playing "Kevin Peyton" opposite Edie Falco on Showtime's acclaimed show "Nurse Jackie" which ran for seven seasons from 2009-2015. Fumusa's extensive theater experience includes originating roles in the NY premieres of Sarah Ruhl's Stage Kiss and Passion Play, Richard Greenberg's Tony Award winning Take Me Out (NY and London), Melissa James Gibson's Obie Award winning [sic] and Stephen Belber's plays The Power of Duff, Fault Lines and Tape (NY, London and Los Angeles). His Broadway debut was in the 1998 revival of Wait Until Dark opposite Marisa Tomei and Quentin Tarantino. Select regional theater credits include numerous plays at the Guthrie Theater in Minneapolis, the Stratford Festival in Canada, the Huntington Theater in Boston, the Kennedy Center in Washington, DC and the Humana Festival at the Actors Theater of Louisville. Fumusa's film work includes playing the real life hero John "Tig" Tiegen in this year's 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay. Last year Fumusa appeared opposite Will Smith and Margot Robbie in the romantic comedy Focus. Other film work includes Allegiance, Helena from the Wedding, Management and Little New York. Other television work includes upcoming recurring roles on "Homeland" (Showtime) and "Taken"(NBC). He has also had numerous guest and recurring roles on such shows as "Blue Bloods," "Elementary," "Person of Interest," "Damages," "Sex and the City," "The Sopranos," "Bones" and many others. Fumusa earned his BA in Government from Lawrence University in Appleton, WI in 1991 and his MFA in Acting from the University of Illinois at Urbana-Champaign in 1994. He lives in Brooklyn, NY with his wife, actress and producer Ilana Levine, and their two children, Georgia and Caleb. 

We're re-releasing 5 of our most popular episodes for a 2020 fresh start! (Psst: keep your eyes open for an exciting announcement, coming soon...) Caroline can't find anything funny -- not her awkward love life, not her jaded standup coach Guy, and definitely not the punchlines she's been reading in 101 Dirty Jokes.  Originally produced at the Humana Festival at the Actors Theater of Louisville, Patricia Cotter's RULES OF COMEDY is a playful, wry look at the lives of comedians when they dare to go offstage and off script. Directed by Jonathan Bernstein, Cotter's short comedy stars Louisa Krause (The Flick, Billions, PoA's Winter Games) and Michael Esper (Trust, The Last Ship, PoA's Anniversary). After the play, stay tuned for an artist interview about the playwright's background in comedy, avoiding the pull towards bitterness, and toeing the line with your material.  "Cotter's script is lush with the knowledge of standup comedy... this play is a scream" - Todd Zeigler, Broadway World Reviews

It’s October, it finally feels like fall, and it’s time for everything creepy, scary, spooky, and things that go bump in the night. And if you are local, it means it’s time to book your theater tickets for Dracula which is performed every fall season by the Actor’s Theater of Louisville. Actors Theater is one of the top regional theater companies in the nation. It’s won Tony Awards and many notable performers have graced its stage including Julianne Moore, John Turturro, Kevin Bacon, and Kathy Bates to name just a few. It’s Humana Festival of New American plays which takes place every Spring is internationally known and Newsweek once called it, “a miniature Cannes film festival for theater”. Crowd favorites like Dracula and A Christmas Carol make this theater company beloved in the city. Today’s guest, Hannah Rae Montgomery, is Actor’s theater’s dramaturg. Don’t know what a dramaturg is? Neither did we until we talked with Hannah Rae. A dramaturg is basically a literary editor on the staff of a theater who helps the directors interpret and research texts for their productions. She tells us what is new and fresh about the roles for women in this year’s Dracula, why people come to see it year after year, and how Bram Stoker’s book differs from the play adaptation. It’s close to Halloween and time to talk literature’s favorite vampire. You can find us on FB, instagram (@perksofbeingabookloverpod) and on our blog site at www.perksofbeingabooklover.com Perks airs on Forward Radio 106.5 FM and forwardradio.org every Wednesday at 6 pm, Thursdays at 6 am and 12 pm. We have purchased the rights to the theme music used.

Literary Manager (and fellow Iowa alumn) Jenni Page-White joins us on this episode to share her experiences as both a dramaturg and literary manager. This is a great episode for our listeners who are interested in dramaturgy and have been thinking about literary management as a profession! Jenni gives us some thoughtful insight into the world. We hope you'll enjoy it! Jenni Page-White is the literary manager at Actors Theatre of Louisville, where she curates and develops new work for the Humana Festival of New American Plays. Her dramaturgy credits at Actors Theatre include The Curious Incident of the Dog in the Night-Time and Angels in America (Parts One and Two), and the world premieres of We've Come to Believe, by Kara Lee Corthron, Emily Feldman, and Matthew Paul Olmos; Dave Harris's Everybody Black; Mara Nelson-Greenberg's Do You Feel Anger?; Susan Soon He Stanton's we, the invisibles ; Basil Kreimendahl's We're Gonna Be Okay; Tasha Gordon-Solmon's I Now Pronounce; Brendan Pelsue's Wellesley Girl; and Steven Dietz's This Random World. Prior to working at Actors Theatre, she was the literary associate at Steppenwolf Theatre Company, where she helped select and develop new plays for First Look and coordinated post-show discussion programming. As a freelance dramaturg, she has worked with WildWind Performance Lab, American Theater Company, Sideshow Theatre Company and LiveWire Chicago Theatre, and she has evaluated work for the National Endowment for the Arts, the Playwrights' Center, the O'Neill National Playwrights Conference, and The New Harmony Project. She is the co-editor, with Amy Wegener, of several volumes of Humana Festival play anthologies. She holds a B.F.A. from the University of Oklahoma and an M.F.A. from the University of Iowa. To learn more about Jenni and her work at Actors Theater of Louisville, visit the website: https://www.actorstheatre.org/bios/jenni-page-white/ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com --- Send in a voice message: https://anchor.fm/beckettsbabies/message Support this podcast: https://anchor.fm/beckettsbabies/support

Literary Manager (and fellow Iowa alumn) Jenni Page-White joins us on this episode to share her experiences as both a dramaturg and literary manager. This is a great episode for our listeners who are interested in dramaturgy and have been thinking about literary management as a profession! Jenni gives us some thoughtful insight into the world. We hope you'll enjoy it! Jenni Page-White is the literary manager at Actors Theatre of Louisville, where she curates and develops new work for the Humana Festival of New American Plays. Her dramaturgy credits at Actors Theatre include The Curious Incident of the Dog in the Night-Time and Angels in America (Parts One and Two), and the world premieres of We’ve Come to Believe by Kara Lee Corthron, Emily Feldman, and Matthew Paul Olmos; Dave Harris’s Everybody Black; Mara Nelson-Greenberg’s Do You Feel Anger?; Susan Soon He Stanton’s we, the invisibles; Basil Kreimendahl’s We’re Gonna Be Okay; Tasha Gordon-Solmon’s I Now Pronounce; Brendan Pelsue’s Wellesley Girl; and Steven Dietz’s This Random World. Prior to working at Actors Theatre, she was the literary associate at Steppenwolf Theatre Company, where she helped select and develop new plays for First Look and coordinated post-show discussion programming. As a freelance dramaturg, she has worked with WildWind Performance Lab, American Theater Company, Sideshow Theatre Company, and LiveWire Chicago Theatre, and she has evaluated work for the National Endowment for the Arts, the Playwrights’ Center, the O’Neill National Playwrights Conference, and The New Harmony Project. She is the co-editor, with Amy Wegener, of several volumes of Humana Festival play anthologies. She holds a B.F.A. from the University of Oklahoma and an M.F.A. from the University of Iowa. To learn more about Jenni and her work at Actors Theater of Louisville, visit the website: https://www.actorstheatre.org/bios/jenni-page-white/ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this edition of #VFT502, the guys discuss: - Episode 11 of our YouTube channel - July 4th - UofL & UK Football recruiting news - Brad Calipari transfers - Kerry Blackshear commits - "Actors Theater" / roleplaying interviews with Free Agents - NBA Free Agency - Final Thoughts Follow us on all social media platforms to interact with #VFT502 Twitter: @viewsfromthe5O2 Instagram: @viewsfromthe5o2 Facebook: Views From The 502 YouTube: Views From The 502 iTunes: Views From The 502 Spotify: Views From The 502 Google Play: Views From The 502 For more sports, news, & nonsense - go to viewsfromthe502.com

Greg tells the story of his life, addiction, sobriety, and being of service to others. Greg Baldwin is a comedian, actor and VO guy.  As an actor, Greg began his performance career in the 3rd grade with a hit rendition of Greased Lightning in the school talent show.  He has been hooked ever since.   A natural comedian, Greg performs in comedy clubs throughout Los Angeles and was a member of The Actors Theater of San Francisco. He has been the lead in 5 theatrical productions, acted in over 15 short films, and has voiced commercials for PlayStation, Van’s, Kenneth Cole, Volkswagen, CBS Radio, and iHeartMedia, Inc.  

Caroline can't find anything funny -- not her awkward love life, not her jaded standup coach Guy, and definitely not the punchlines she's been reading in 101 Dirty Jokes.  Originally produced at the Humana Festival at the Actors Theater of Louisville, Patricia Cotter's RULES OF COMEDY is a playful, wry look at the lives of comedians when they dare to go offstage and off script. Directed by Jonathan Bernstein, Cotter's short comedy stars Louisa Krause (The Flick, Billions, PoA's Winter Games) and Michael Esper (Trust, The Last Ship, PoA's Anniversary). After the play, stay tuned for an artist interview about the playwright's background in comedy, avoiding the pull towards bitterness, and toeing the line with your material.  "Cotter's script is lush with the knowledge of standup comedy... this play is a scream" - Todd Zeigler, Broadway World Reviews

This week actors Crystian Wiltshire and Neill Robertson join us to discuss their roles in the current production of “Dracula” at Actors Theater of Louisville. Actors Theater has been producing this vampire tale, based on Bram Stoker’s gothic vampire fable, each Halloween season for more than 20 years. In Juicy Fruit, NBC News host Megyn Kelly offended just about everybody when she defended blackface and other racist costumes. Commentator Don Lemon weighed in and, of course, so do we!

Dámaso Rodriguez is a Cuban American director based in Portland, Oregon, where he serves as artistic director of Artists Repertory Theatre, Portland's longest-running professional theatre company, which became a member of the League of Resident Theatres (LORT) under his leadership. Prior to joining Artists Rep, Dámaso served as the associate artistic director of the Pasadena Playhouse and co-founder and co-artistic director of the Furious Theatre in Los Angeles. And upcoming projects include work for Artists Rep, Actors Theater of Louisville and the Oregon Shakespeare Festival. Dámaso talks with Marc about his decision to leave Los Angeles and take over the leadership of Artists Rep, how he chooses a season for his audiences, his commitment to diversity and an Equity Diversity Inclusion Statement, and lots of details about his directing process and working with actors!

David Vining has been working professionally in theater, since 1972. He has Bachelor of Arts in Theater and Speech Pathology from the University of Redlands and an MFA in Acting from the University of Minnesota. David shares with Marc some amazing lessons in theater from his experiences as an actor, director, and theatre professor. For most of his life, David has maintained dual careers as an actor and director in the professional theater and as a professor of theater at the University of Iowa, Arizona State University, and the University of London. His teaching specialty has been acting and all aspects of voice, speech, and heightened language. David has directed over 60 productions for Arizona theatre, including Phoenix Theatre, Southwest Shakespeare Company, and Actors Theater. This post Amazing Lessons in Theater appeared first on Talking Theater. To help out this show, please leave and honest review on iTunes. Your ratings and reviews really make a difference. Also, Subscribe on iTunes. Thanks so much for listening!

Dominic Fumusa is best known for playing "Kevin Peyton" opposite Edie Falco on Showtime's acclaimed show "Nurse Jackie" which ran for seven seasons from 2009-2015. Fumusa's extensive theater experience includes originating roles in the NY premieres of Sarah Ruhl's Stage Kiss and Passion Play, Richard Greenberg's Tony Award winning Take Me Out (NY and London), Melissa James Gibson's Obie Award winning [sic] and Stephen Belber's plays The Power of Duff, Fault Lines and Tape (NY, London and Los Angeles). His Broadway debut was in the 1998 revival of Wait Until Dark opposite Marisa Tomei and Quentin Tarantino. Select regional theater credits include numerous plays at the Guthrie Theater in Minneapolis, the Stratford Festival in Canada, the Huntington Theater in Boston, the Kennedy Center in Washington, DC and the Humana Festival at the Actors Theater of Louisville. Fumusa's film work includes playing the real life hero John "Tig" Tiegen in this year's 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay. Last year Fumusa appeared opposite Will Smith and Margot Robbie in the romantic comedy Focus. Other film work includes Allegiance, Helena from the Wedding, Management and Little New York. Other television work includes upcoming recurring roles on "Homeland" (Showtime) and "Taken"(NBC). He has also had numerous guest and recurring roles on such shows as "Blue Bloods," "Elementary," "Person of Interest," "Damages," "Sex and the City," "The Sopranos," "Bones" and many others. Fumusa earned his BA in Government from Lawrence University in Appleton, WI in 1991 and his MFA in Acting from the University of Illinois at Urbana-Champaign in 1994. He lives in Brooklyn, NY with his wife, actress and producer Ilana Levine, and their two children, Georgia and Caleb. 

To mark last year's centennial of the birth of the writer and theologian Thomas Merton, the Actors Theater of Louisville has produced a play about him called "The Glory of the World." Merton spent much of his life in a Trappist monastery near Louisville. The play, written by Charles Mee and directed by Les Waters, has now blown its way into the Harvey Theater at BAM. The play is by no means a straightforward biographical drama and, in fact, it's unusual enough that we’ll just let New York Times theater critic Charles Isherwood explain. "The Glory of the World" can be seen at the Harvey Theater through Feb. 6.

On our audio diary series “The Big Break,” understudies and apprentices take us behind the curtain at the Kentucky Opera, Actors Theatre of Louisville and the Louisville Ballet. The season is almost over for the actors and dancers. Her time in Louisville is almost up, so Actors Theater apprentice Samantha Beach has to decide where she wants to build the next phase of her career. Louisville Ballet trainee Claire Horrocks makes plans for her summer that will help her prepare for a possibility every dancer fears -- the day she can't dance anymore.