Podcasts about albany records

Benjamin Coelho, professor of bassoon, has been at the University of Iowa since 1998. He has appeared as a soloist, chamber musician, orchestral musician, teacher, and clinician in several countries including the United States, Brazil, Argentina, Bolivia, Panama, Portugal, France, Romania, Australia, Canada, and the Czech Republic. An avid chamber musician, he has performed with the Gramado Woodwind Quintet (Brazil), the Alaria Chamber Ensemble (New York), and the Contemporary Music Group of Minas Gerais (Brazil). As a founding member of the Manhattan Wind Quintet, Mr. Coelho performed numerous recitals and concert tours throughout the United States. The group won various chamber music competitions including Artists International, Coleman, and Monterey Peninsula Chamber Music Competition. An enthusiastic proponent of new music, Mr. Coelho has commissioned, performed, and recorded many works by European, American, and Latin American composers. His recordings include Bassoon Images from the Americas (2003), released by Albany Records; Bravura Bassoon (2005), Pas de Trois (2006) released by Crystal Records; and Explorations (2007), Dreaming in Colours (2011) and Agnus Dei (2012) all released by MSR Classics. The specialized media has continuously praised his recordings "...Ben has such a gorgeous sound, such impeccable technique, and such sensitive musicality, that it is a real pleasure to recommend this album very strongly to all of you!" (Ronald Klimko, IDRS Journal), "Coelho's program is an international affair that shows the range of colors and character that the bassoon can explore in tandem with string colleagues. His playing is unfailingly sonorous, expressive, and alert, and he champions the pieces on this recording as if he believed in them without reservation." (Donald Rosenberg, The Gramophone), "Coelho is fantastic. His sound is brilliant, resonant, and strong, and he has a warm tone that blends superbly with the strings." (Schwartz, American Record Guide). As a member of the group Wizards! A Double Reed Consort, Coelho has recorded two CDs released by Crystal and Boston Records in 2000 and 2003 respectively. Mr. Coelho has written articles on bassoon performance and literature. His work has been published in the International Double Reed Society Journal, as well as the British Double Reed Society Journal. His article "Francisco Mignone and the Sixteen Waltzes for Solo Bassoon" has been translated into German, and published in the German double-reed magazine ROHRBLATT. Before his position at the University of Iowa, Mr. Coelho was the vice dean and bassoon professor at the Federal University of Minas Gerais (Brazil). He also worked extensively as a performer in his native Brazil, including principal positions with symphony orchestras in Rio de Janeiro, Campinas, and Belo Horizonte. In the United States, Mr. Coelho has played with the Waterloo/Cedar Falls Symphony (Iowa), The Camerata Chamber Orchestra (Indiana), The Bloomington Pops Orchestra (Indiana), The Bronx Opera Company (New York), and Orchestra Iowa. Currently, he performs as the principal bassoon with the Quad City Symphony Orchestra (Iowa/Illinois). Ben attended Indiana University, Manhattan School of Music, S.U.N.Y. at Purchase, and the Tatuí Conservatory in his native Brazil. His major teachers include Clóvis Franco, Donald MacCourt, Arthur Weisberg, and Kim Walker. Ben lives in Iowa City, IA, with his wife Karen and their wonderful daughters Liliana and Julia. legendsofreed" to enjoy free shipping.

On this episode, local musician, Lars Woodul, and local composer David Wolfson perform experts and discuss their forthcoming multidisciplinary art-song cycle: "Lyricycles."Lars Woodul has performed as a soloist in professional opera and concert in the US and abroad, specializing in 20thcentury repertoire. He created roles for premières with New York's Center for Contemporary Opera, including The Secret Agent and Enemies, A Love Story; Marc Blitzstein's Sacco and Vanzetti; and Seymour Barab's License to Marry at the York Theater. On the New York concert stage, he has appeared with the Manhattan Chamber Orchestra, Lincoln Center's Meet the Artist Series, and many others. David Wolfson holds a PhD in composition from Rutgers University, and has taught at Rutgers University, Montclair State University, Hunter College and Penn State University. He is enjoying an eclectic career, having composed opera, musical theatre, touring children's musicals, and incidental music for plays; choral music, band music, orchestral music, chamber music, art songs, and music for solo piano; comedy songs, cabaret songs and one memorable score for an amusement park big-headed-costumed-character show. Most recently, his Fortune's Children was (probably) the first opera to be performed live over Zoom; it and its sequels Changing Fortunes and Family Fortunes make up (almost certainly) the first serialized opera. His CD Seventeen Windows, featuring the solo piano suite "Seventeen Windows" and the Sonata for Cello and Piano, is available from Albany Records, iTunes and Amazon.com.

Our guest today, Michael Brofman, was seriously injured during undergraduate school. He tried various teachers and received much medical advice - some of which included chain smoking! That's not a typo. Stay tuned for that outrageous story.Michael came across Taubman Approach expert Robert Durso. Through lessons with Robert Durso, Michael experienced physical healing and a level of artistic freedom that was almost unimaginable during his academic study.  Today's episode is a story of healing and freedom through the Taubman Approach. www.golandskyinsitute.org Pianist Michael Brofman has earned a reputation as one of the finest vocal accompanists of his generation. He has performed over one thousand songs, from Schubert's earliest lieder to premieres of new songs by today's most-recognized composers. He was hailed by the New York Times as an “excellent pianist” and Feast of Music recently praised his “elegant and refined playing… exhibiting excellent touch and clean technique.”  Parterre Box Blog called Mr. Brofman a “master communicator at the piano,” and Voix des Arts praised his “finesse and flexibility.”  Seen and Heard International recently wrote “Brofman got to the core of each song…delving into their emotional depths.”  Opera News stated “Michael Brofman provided exquisite piano accompaniment.”Highlights from Mr. Brofman's 2023-2024 season include performances of Arnold Schoenberg's Das Buch der Hängenden Gärten with Kate Maroney, Poulenc's Tel Jour, Telle Nuit with Michael Kelly, and repeat or premiere performances of works written for him by Daniel Felsenfeld, Libby Larsen, Jessica Meyer, and Reinaldo Moya.  Mr. Brofman also performs works by Benjamin Britten, Johannes Brahms, Michael Djupstrom, Shawn E. Okempolo, Caroline Shaw, Clara Schumann, Anton Webern, Kurt  Weill, and Hugo Wolf.Mr. Brofman has championed new works and has fostered relationships with many living composers, including Katherine Balch, Lembit Beecher, Tom Cipullo, Michael Djupstrom, Daniel Felsenfeld, Herschel Garfein, Mikhail Johnson, Daron Hagen, Jake Heggie, James Kallembach, Libby Larsen, Lowell Liebermann, David Ludwig, James Matheson, Reinaldo Moya, Harold Meltzer, Russell Platt, Kurt Rohde, Glen Roven, Andrew Staniland, Carlos Simon, and Scott Wheeler. In all, he has premiered over 100 songs, many of them dedicated to him. Mr. Brofman is the founder and artistic director of the Brooklyn Art Song Society, an organization dedicated to the vast repertoire of poetry set to music now in its 14th  season. His first CD New Voices on Roven Records includes four world-premiere recordings and was number one on Amazon's new releases for Opera/Vocal and debuted in the top 10 of the Traditional Classical Billboard Chart.  Since then he has recorded world premiere recordings of Kurt Rohde on Albany Records and Herschel Garfein for Acis Records. An eloquent and passionate advocate for art song, Mr. Brofman has been interviewed by Russell Platt for Opera News, for Caught In the Act on Brooklyn Public Television, on the WQXR radio show Soundcheck, on Seattle KING FM 98.1, and for the Linked Music blog. He also hosts his own internet show Song and Wine.  Mr. Brofman has a reputation as a gifted educator and has presented masterclasses at the University of Chicago, Cornell, Ithaca College, the University of Notre Dame and University of South Carolina. Mr. Brofman holds a bachelor of Music from Northwestern University where he studied with James Giles. There he was awarded the Frida A. Pick Award for Piano and featured on Chicago's classical radio station. Mr. Brofman spent several summers at the Aspen Music Festival as a student of Rita Sloan and continues his studies with Robert Durso. He resides in Windsor Terrace, Brooklyn with his wife

THC 127 - A Musical Path to Forgiveness with Tina DavidsonOn this episode of Trauma Hiders Club my guest is Tina Davidson, who is a highly regarded American composer, creates music that stands out for its emotional depth and lyrical dignity. Lauded for her authentic voice, The New York Times has praised her “vivid ear for harmony and colors.” Opera News describes Tina Davidson's music as, “transfigured beauty,” and the Philadelphia Inquirer writes that she writes “real music, with structure, mood, novelty and harmonic sophistication – with haunting melodies that grow out of complex, repetitive rhythms." Her book, Let Your Heart Be Broken, was published in 2023. Her memoir traces her extraordinary life in equally lyrical language, juxtaposing memories, journal entries, notes on compositions in progress, and insights into the life of an artist – and a mother – at work.  Over her forty-five year career, Davidson has been commissioned by well-known ensembles such as National Symphony Orchestra, OperaDelaware, Roanoke Symphony, VocalEssence, Kronos Quartet, Cassatt Quartet, and public television (WHYY-TV). Her music has been widely performed by many orchestras and ensembles, including The Philadelphia Orchestra, American Composers Orchestra, St. Paul Chamber Orchestra, Relâche Ensemble, and Orchestra 2001. She is recorded on Albany Records, New World Records, and Deutsche Grammophone.On this episode of Trauma Hiders Club, we talk about forgiveness, reparenting, and the extraordinary power of music to soothe the soul as Tina shares her powerful story.From discovering her adoption at a tender age, the profound effects it had on her sense of identity and belonging and how music changed and became a part of her identity and life.You'll hear about the secrecy she shrouded her adoption in and the eventual emotional upheaval of leaving their foster family. Tina's experiences shed light on the complex dynamics of family and attachment. With an artistic career as a backdrop, Tina has confronted her trauma, and is firmly on the path towards healing and self-discovery.“From a very early age, I don't want to say music was my alter ego, but it was a place that I could be safe.” Tina DavidsonThis Week on Trauma Hiders Club:• Gilbert and Sullivan• Melodies• Adoption• Growth over dysfunction• Forgiveness• Reparenting• Teaching• Story through music Resources:Tina Davidson's Website: https://www.tinadavidson.com/Tina on Facebook: https://www.facebook.com/tina.davidson.5205/Tina on IG: https://www.instagram.com/tinadavidson.music/Tina on YouTube:  https://www.youtube.com/channel/UCrDxwJr9x_EvCiCT8LHt2wQTina Davidson's memoir, Let Your Heart Be Broken, Life and Music from a Classical Composer on Amazon: https://www.amazon.com/Let-Your-Heart-Broken-Classical/dp/1633376974Where High Achievers Get Through Shit - TOGETHER Thanks for tuning into this week's episode of Trauma Hiders Club ‘The Podcast' with Karen Goldfinger Baker. If you enjoyed this episode, please subscribe and leave a review wherever you get your podcasts. Apple Podcasts | TuneIn | GooglePlay | Spotify | Amazon Music Be sure to share your favorite episodes on social media to help me reach more high achievers, like you. Join me on Facebook, Instagram, and LinkedIn and visit my website to discover the rules of Trauma Club and grab your free download:Discover 5 Ways Your Fuckery Is Getting In The Way of The Next Level of Your Success.VISIT TRAUMA HIDERS CLUB WEBSITE

Tina Davidson, a highly regarded American composer, creates music that stands out for its emotional depth and lyrical dignity. Lauded for her authentic voice, The New York Times has praised her “vivid ear for harmony and colors.” Opera News describes Tina Davidson's music as, “transfigured beauty,” and the Philadelphia Inquirer writes that she writes “real music, with structure, mood, novelty and harmonic sophistication – with haunting melodies that grow out of complex, repetitive rhythms.” Tina Davidson's music can be heard on Albany Records, CRI, Mikrokosmik, Callisto, and Opus One recording labels – most recently recorded by Hilary Hahn on Deutsche Grammophon. Her memoir, Let Your Heart Be Broken, Life and Music from a Classical Composer, is now available from Boyle & Dalton. Her memoir traces her extraordinary life in equally lyrical language, juxtaposing memories, journal entries, notes on compositions in progress, and insights into the life of an artist – and a mother – at work. 3 Top Tips 1. Let your heart be broken - all yourself to set into you grief, trauma Heartbreakingly, your heart breaks, & in the two halves, rocking on the table, is revealed rich earth. Moist, dark soil, ready for new life to begin. 2. Family/friends may resist you getting happy, sober - find new friends, support 3. It takes many things to heal - do therapy, AA, but also healthy eating, sleeping, friends, yoga, dancing, long baths and walks. Social Media  https://www.facebook.com/tina.davidson.5205/ https://www.instagram.com/tinadavidson.music/ http://www.tinadavidson.com https://open.spotify.com/artist/2y5Z17bEilAiViMp9FMuJh https://www.amazon.com/Let-Your-Heart-Broken-Classical/dp/1633376966/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1677079964&sr=1-1

Tina Davidson, a highly regarded American composer, creates music that stands out for its emotional depth and lyrical dignity. Lauded for her authentic voice, The New York Times has praised her “vivid ear for harmony and colors.” Opera News describes Tina Davidson's music as, “transfigured beauty,” and the Philadelphia Inquirer writes that she writes “real music, with structure, mood, novelty and harmonic sophistication – with haunting melodies that grow out of complex, repetitive rhythms.”Tina Davidson's music can be heard on Albany Records, CRI, Mikrokosmik, Callisto, and Opus One recording labels – most recently recorded by Hilary Hahn on Deutsche Grammophon. She stopped by to talk about how she got started in music, her upbringing, and other gifts she possesses. Reach out to Tina via her website: Tina Davidson. Com Get bonus content on Patreon Become a member so we can continue to bring you content and interviews that nourish the mind and heart. It is our mission to bring good to the world by educating ourselves and others from the inside out. Truly, the heart matters. https://plus.acast.com/s/the-heart-matters-with-life-coach-louis-morris. Hosted on Acast. See acast.com/privacy for more information.

Tina Davidson, a highly regarded American composer, creates music that stands out for its emotional depth and lyrical dignity. Lauded for her authentic voice, The New York Times has praised her “vivid ear for harmony and colors.” Opera News describes Tina Davidson's music as, “transfigured beauty,” and the Philadelphia Inquirer writes that she writes “real music, with structure, mood, novelty and harmonic sophistication – with haunting melodies that grow out of complex, repetitive rhythms.”Tina Davidson's music can be heard on Albany Records, CRI, Mikrokosmik, Callisto, and Opus One recording labels – most recently recorded by Hilary Hahn on Deutsche Grammophon. She stopped by to talk about how she got started in music, her upbringing, and other gifts she possesses. Reach out to Tina via her website: Tina Davidson. Com Get bonus content on Patreon Become a member so we can continue to bring you content and interviews that nourish the mind and heart. It is our mission to bring good to the world by educating ourselves and others from the inside out. Truly, the heart matters. https://plus.acast.com/s/the-heart-matters-with-life-coach-louis-morris. Hosted on Acast. See acast.com/privacy for more information.

"I try to be flexible with the way I write for people. For me it's a service when I get commissions, so I want to be able to serve the community that I'm working with in the same way that I would tailor a lesson to my classes depending on what the students need. I would do the same for what an organization needs with composition." Conductor/Composer/Producer Anthony J. Maglione is a graduate of Westminster Choir College of Rider University, East Carolina University, and the University of California, Los Angeles. He is the Director of Choral Studies and holds the Robert H. McKee Chair of Music at William Jewell College. Under his direction, the Concert Choir was twice named Runner Up (2nd Place) for the American Prize in Choral Performance, College/University Division. In addition to his responsibilities at William Jewell College, he serves as Director of Music and Choir Master at St. Mary's Episcopal Church in Kansas City, Conductor Emeritus of the Freelance Ensemble Artists of NJ Symphony Orchestra, and has served on the summer faculty of Westminster Choir College since 2011. Anthony also serves as the conducting teacher for Artefact Institute.An active composer, Anthony's choral works are growing in popularity and are published on GIA's “Evoking Sound” choral series. In the last several years his music has appeared at state and national-level conventions, on TV, in video games, and has been recorded on Gothic Records, Albany Records, and Centaur Records. Anthony's cantata "The Wedding of Solomon" premiered at the 2018 American Guild of Organists National Convention. In 2019, his work "On Life" was premiered by the Miami University Men's Glee Club at the National ACDA Conference. In early 2020, Verdigris Ensemble premiered his extended dramatic work "Dust Bowl" as part of the AT&T Performing Arts Center's Elevator Project in Dallas, TX. He is currently slated for several more premieres throughout the United States during the remainder of 2023.As a producer, Anthony lends his ears to recording projects around the country and recently received national attention through his production work with Sam Brukhman and Veridigris Ensemble on "Betty's Notebook" by Nicholas Reeves.As a tenor, Anthony has appeared with many ensembles and currently performs and records with The Same Stream, the GRAMMY-nominated St. Tikhon Choir, and made his debut with Portland-based Capella Romana on the 2021-2022 season.A sought after clinician, Anthony teaches workshops regularly and has conducted All-State and honor choirs throughout the US.You can learn more about Anthony at his website: https://anthonymaglione.com/ .Choir Fam wants to hear from you! Check out the Minisode Intro episode from September 16, 2022, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

American composer Michael Torke joins conductor Devin Patrick Hughes on One Symphony. Michael Torke's music has been hailed as "some of the most optimistic, joyful and thoroughly uplifting music to appear in recent years" by Gramophone, and the composer has been commissioned by such orchestras as The Philadelphia Orchestra, the New York Philharmonic, and the San Francisco Symphony; and  by ballet and opera companies around the world including the Met and the English National Opera. He has been commissioned by Disney and Absolute Vodka, has written incidental music for The Old Globe Theater, and has been composer in residence with the Royal Scottish National Orchestra. Beginning his career with exclusive contracts with Boosey and Hawkes, and Decca Records, he now controls his own copyrights and masters through his publishing company, Adjustable Music, and record company, Ecstatic Records. Hailed as a "vitally inventive composer" by the Financial Times and "a master orchestrator whose shimmering timbral palette makes him the Ravel of his generation" by the New York Times, Michael Torke's recent work, SKY, written for violinist Tessa Lark, was a finalist for the 2020 Pulitzer Prize, and was nominated for a Grammy for best classical instrument solo.   Thank you for joining us for on One Symphony. Thanks to Michael Torke for sharing his music and insights, you can get more info at https://www.michaeltorke.com. Works of his heard today include Ecstatic Orange, Time, Bright Blue Music, Being, Sky, and Four Proverbs. Thank you to all amazing performers featured on today's show including: David Zinman & the Baltimore Symphony Michael Torke and the Michael Torke Orchestra American Modern Ensemble David Alan Miller, Tessa Lark, & the Albany Symphony Lester Flatt & Earl Scruggs Catherine Bott and the Argo Band And thanks to Michael Torke, Ecstatic Records, Albany Records, Columbia Records, and Decca Music Group for making the show possible. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show.  Thanks to Mary and Diane for making this episode possible! Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Thanks for joining me, Dr. Benjamin Harding, on the Piano Explored Podcast. Follow us at www.benjaminharding.net.I am so thrilled to welcome Dr. Paul Barnes on the podcast today. His website is at www.paulbarnes.netPraised by the New York Times for his “Lisztian thunder and deft fluidity," and the San Francisco Chronicle as “ferociously virtuosic,” pianist Paul Barnes has electrified audiences with his intensely expressive playing and cutting-edge programming. He has been featured seven times on APM's Performance Today and on the cover of Clavier Magazine with his recordings streamed worldwide.Celebrating his twenty-five-year collaboration with Philip Glass, Barnes commissioned and gave the world premiere of Glass's Piano Quintet "Annunciation." The work is Glass's first piano quintet and first work based on Greek Orthodox chant. Barnes recording of the quintet with string quartet superstars Brooklyn Rider was released in October of 2019 to critical acclaim.  ResMusica in Paris wrote: "Paul Barnes, whose pianistic lines are always clear, is a marvel of dialogue with Brooklyn Rider." Barnes twelfth CD New Generations: The New Etudes of Philip Glass and Music of the Next Generation has also received rave reviews. Gramophone Magazine wrote, "Pianists of Barnes's great technique and musicality are a boon to new music." And American Record Guide commented, "This disc provides further proof of Barnes's ability to communicate new music with flair and passion." Produced by Orange Mountain Music, the recording features the world-premiere recording of Dreaming Awake, a selection of Glass's etudes and works by N. Lincoln Hanks, Lucas Floyd, Jason Bahr, Zack Stanton, Ivan Moody, and Jonah Gallagher. Barnes is Marguerite Scribante Professor of Music at the University of Nebraska-Lincoln Glenn Korff School of Music. He was recently appointed Artistic Director of the Lied Center Piano Academy which welcomes several high-school pianists to Lincoln each summer for an intensive week of piano, composition, improvisation and collaboration. He will also be teaching this summer in Greece at the Piano Plus Summer Institute. In great demand as a pedagogue and clinician, Barnes has served as convention artist at several state MTNA conventions, most recently at Virginia and was recently named "Teacher of the Year" by the Nebraska Music Teachers Association.Barnes latest recital Illumination features a contemplative and cathartic program of piano works inspired by the mystical world of chant. Barnes, also a Greek Orthodox chanter, has collaborated most recently with Philip Glass and Victoria Bond to create piano works based on ancient byzantine and Jewish chant. New chant-based works by Native flutist Ron Warren and David von Kampen were also given their premiere performances. Barnes gave the world premiere of Victoria Bond's Illumination on Byzantine Chant at New York's Symphony Space in April of 2021. Barnes released his fourteenth recording last fall on Albany Records entitled Illumination: The Piano Works of Victoria Bond including the world-premiere recording of Illuminations on Byzantine Chant. American Record Guide wrote "he sings with haunting musicality...and plays with fervid virtuosity...the music is calm and meditative, perfect for these troubled times." Barnes' recordings are available on Spotify, Pandora, ITunes, Apple Music, YouTube, and Amazon.

As soloist and chamber musician, violinist Eva Szekely has concertized extensively throughout North America, Europe and South America. She has appeared in such cities as Boston, Milwaukee, Chicago, Prague, New York, St. Louis as well as on concert series in France, Austria and the Netherlands.In Brazil, she has been guest artist at the highly acclaimed International Music Festival of Para, the Londrina Music Festival and the SESC International Music Festival in Pelotas, and has presented concerts and master classes in all of that country's major musical centers. She was the first recipient of the Governor's Medal of Honor in the Arts in Brazil in 1999 and is the most recent winner of MU's distinguished International Engagement Award.Ms. Szekely has premiered works written and dedicated to her by distinguished contemporary composers including among others James Willey, Chester Biscardi, Erich Leitner, Andrew List and Roberto Escobar. She has been heard on national and international radio and television broadcasts and has recorded for CRI, New World and Albany Records.Ms. Szekely's students have been winners of numerous competitions and have distinguished themselves both as performers and teachers at home and abroad. Ms. Szekely holds degrees in violin performance from the Juilliard School, where she was a student of Ivan Galamian. She studied chamber music with Franco Gulli, Zoltan Szekely, Felix Galimir as well as members of the Juilliard and Hungarian String Quartets.A visiting guest artist at the Berklee College of Music in Boston, Eva Szekely was honored with the University of Missouri's Middlebush Chair in Fine Arts and was named Artist Teacher of the Year by the Missouri American String Teachers Association. She is Professor of Violin,1st violinist of the Esterhazy Quartet, and head of the string area at the University of Missouri School of Music. Donate Dachshund Rescue of Houston hereBlog https://tstakaishi.wixsite.com/musicInsta @creative_peacemeal_podcastFB @creativepeacemealpodMerch CPPodcast.redbubble.com...

Listen to Lecolion's album “Legacy: Music for Bassoon by African-American Composers.”After over 20 years as a performing bassoonist, 15 years as a music professor, and ten years as an arts administrator, Lecolion Washington has established himself as a leader for the next generation of arts entrepreneurs; and he has been a staunch advocate for the relevance of music as an agent for social change. Lecolion is the Executive Director of Community Music Center of Boston. Before moving to Boston, Lecolion was the Co-Founder/Executive Director of the PRIZM Ensemble in Memphis from 2009-2017, and he was the founder of the PRIZM International Chamber Music Festival. In 2015, he was named one of the Memphis Business Journal's Top 40 Under 40. He was selected as a 2019 Musical America's Top Professional of the Year, honoring Innovators, Independent Thinkers, and Entrepreneurs celebrated as a 2020 Boston HUBWeek “Change Maker,” and he is the 2020 Chamber Music America Conference Planning Committee Chair. He was selected as one of Musical America's 2019 Professionals of the Year, honoring Innovators, Independent Thinkers, and Entrepreneurs celebrated as a 2020 Boston HUBWeek “Change Maker,” and was a 2020 Chamber Music America Conference Planning Committee Chair. Lecolion was a recipient of the Sphinx's Organization's MPower Artist Grant to support a mentorship initiative for young artists and entrepreneurs in 2020-21. Lecolion has performed solo recitals and master classes at colleges and universities worldwide as a bassoonist. He has been a featured solo and chamber musician throughout the U.S., Brazil, South Africa, Canada, and Switzerland. As an orchestral musician, Lecolion has performed as guest principal and/or co-principal bassoon with orchestras such as the Orpheus Chamber Orchestra and the Sphinx Symphony Orchestra. He served on the faculty of the Stellenbosch International Chamber Music Festival in South Africa from 2006-2013. His CD entitled “Legacy: Music for Bassoon by African-American Composers” was released on the Albany Records label.Support the show

Join me for in Episode 23 for a conversation with Randall Faust about the IHS Composition Contest. Episode Highlights Brief history of the composition contest: https://www.hornsociety.org/about-the-ihs/composition-projects/composition-contest  How things have changed. Structure/Divisions Reasons why composers should participate. Advice for composers, and what makes a good composition for horn. Who can participate? What are the awards? For even more details about the history of the competition, get the IHS 50th Anniversary Book: https://www.hornsociety.org/257-uncategorised/1665-the-international-horn-society-the-first-50-years  Hornist, composer, author, and professor, Randall Faust has contributed to the horn community both regionally, in Western Illinois, and internationally, through the IHS and other organizations. Randy has participated in many IHS symposiums and was host of the 2009 International Horn Symposium in Macomb IL. Faust is a retired professor of music at Western Illinois University, and performed as hornist of the Camerata Woodwind Quintet and LaMoine Brass Quintet. He has hosted the annual Western Illinois Horn Festival—bringing a variety of outstanding hornists and clinicians to the WIU Campus—and in 2009, he hosted the 41st International Horn Symposium of the International Horn Society. He has participated in regional and international symposiums. His compositions, including Quartet for Four Horns in memory of Philip Farkas, are often heard on concerts and in recordings. He has produced an instructional DVD, How to Stop a Horn. He performs and records, including works of contemporary composers. Performance credits include broadcasts over Peach State Public Radio during 12 years as principal horn of the Columbus (Georgia) Symphony Orchestra and recording as a member of the Clarion Wind Symphony. Randy was born in 1947 in Vermillion, South Dakota, into a musical family. He studied at Interlochen, Eastern Michigan University (BS 1972), Minnesota State University Mankato (MM 1973), and the University of Iowa (DMA 1980). His horn teachers have included Marvin Howe, John Berg, Marvin McCoy, Don Haddad, Eugene Wade, Orrin Olson, Paul Anderson, Michael Hatfield, Arnold Jacobs, and Helen Kotas Hirsch; his composition teachers were Rolf Scheurer, Warren Benson, Anthony Iannaccone, Peter Tod Lewis, and Donald Martin Jenni. He has taught at Shenandoah University (1973-1982) and Auburn University (1982-1997), and has been on the faculty of the Interlochen Center for the Arts for over two decades. In 2006 he recorded Fantasies on American Themes, a CD of compositions by William Presser. Randy's articles and reviews have appeared in The Horn Call since 1980. He chronicled the work of his teacher, IHS Honorary Member Marvin Howe, in a 1996 Horn Call article “Marvin Howe, Singer of Smooth Melodies,” in his edition of Marvin Howe's The Singing Hornist (2001), an ongoing series of instructional videos, and in a lecture/performance involving many former Howe students at the 2016 International Horn Symposium. Randy's compositions have been performed at the International Trumpet Guild, the International Trombone Association, the National Gallery of Art, and the Weill Recital Hall of Carnegie Hall and have been the subject of several doctoral dissertations. His music has been recorded on Albany Records, MSR Classics, Crystal Records, Summit Records, and ACA Digital Recordings by artists such as The Palisades Virtuosi, Andrew Pelletier, David Griffin, Ralph Lockwood, Steven Gross, Michael Hatfield, Randy Gardner, David Krehbiel, and Douglas Hill. He and his wife, Sharon, have been publishing his compositions through Faust Music since 1974. In addition to his activities with the IHS, Randy has been president of the National Association of College Wind and Percussion Instructors (1992-1994) and has served as Interim Chair of the Western Illinois Department of Music. He has been honored by the Western Illinois University Chapter of the Honor Society of Phi Kappa Phi as its Outstanding Artist for 2004 and in 2006 and 2010 by the College of Fine Arts and Communication with its Creative Activity Award. He has received the ASCAP Award in annually since 1990 and the Orpheus Award from The Auburn University Chapter of Phi Mu Alpha Sinfonia Fraternity in 1987. Randy has served on the IHS Advisory Council (1984-1990), as Secretary-Treasurer (1986-1987), President (1987–1990), Music Review Editor for The Horn Call (1981-1990), and Composition Contest Coordinator since 2013. He received the Punto Award in 2009 and was elected an IHS Honorary Member in 2016.

Charles Wetherbee and Korine Fujiwara of Carpe Diem String Quartet chat with conductor Devin Patrick Hughes on One Symphony. The Carpe Diem String Quartet is a boundary-breaking ensemble who's mission is to forge a new identity for chamber music by championing living composers, undertaking daring projects with other art forms, and promoting the healing power of music. They've earned widespread acclaim for their performances of standard repertoire, new music, genre-bending collaborations, and community engagement.  Carpe Diem defies classification with programming and collaborations that encompass and blend new and old, including classical, Romani, tango, folk, pop, rock, jazz, and multicultural music. Their outreach performances, including MusiCare, Music Goes 2 School, and Music from the Start, incorporate diverse and eclectic repertoire tailored to specific audience demographics, bringing their inspiring performances and outreach to diverse audiences such as the Apache Nation to families at the Columbus Museum of Art, and residents at the Ohio Women's Reformatory. Thank you to Carpe Diem String Quartet members Charles Wetherbee and Korine Fujiwara, and all the amazing artists who made this episode possible! Korine Fujiwara's Cherry Blossom from the album Montana was played by the Carpe Diem String Quartet, and Fujiwara's The Storyteller, a Concerto for Violin and String Orchestra was performed by Charles Wetherbee, conducted by Chosei Komatsu and the Central Aichi Symphony Orchestra. For Reza Vali's The Book of Calligraphy Carpe Diem was joined by Darius Saghafi on Albany Records. Erbek Eryilmaz's Insistent Music was performed by the composer and Carpe Diem String Quartet.  You can follow Carpe Diem at CarpeDiemStringQuartet.com, and go to OneSymphony.org for more info, or if you'd like to donate to keep the music playing and support the show. Please feel free to rate, review, and share the show! Until next time, thank you for being part of the music!

On this episode, I am pleased to have bassoonist, Judith Farmer on the show. We had an interesting chat about interesting topics such as her teaching philosophy, how she stayed productive during the pandemic, what working in film recording and session work is like, what are the differences between American and European bassoon playing styles and more. 2016 GRAMMY® Award nominee Judith Farmer's playing has been described by critics as “impeccable” (American Record Guide), "masterly" (Fanfare Magazine), “absolutely superb”(Classical CD Reviews) and "brilliant" (Kronenzeitung, Austria). Judith is currently a member of the Los Angeles Opera Orchestra, the Pasadena Symphony and the Long Beach Symphony. She has played on the scores of over 200 major motion pictures, such as Frozen, The Pirates of the Caribbean, Toy Story 2, Spiderman 3, Indiana Jones IV, Star Wars VII and A. I., Men in Black III and many more. She teaches bassoon at the University of Southern California and held guest master classes at numerous American universities. She received her education at Indiana University and at the Hochschule für Musik in Vienna. Judith is an avid chamber musician, who enjoys collaborating with composers on new works and has had numerous works written and dedicated to her. Together with her husband, composer Gernot Wolfgang, she co-produced four CDs of his chamber music for Albany Records, including Passing Through for which she received a 2016 GRAMMY® nomination in the category Best Classical Compendium. Her latest release, “Judith Farmer plays Favorites” is available on Spotify: https://open.spotify.com/album/2Q6wl6WCgsC1FQFvo0Z6ts https://www.judithfarmerplaysfavorites.com/ Opening music: "Low Agenda" by Gernot Wolfgang for bassoon & contrabass

Cellist and Professor, Jennifer Kloetzel's first appearance on the podcast has garnered her a top episode spot! The inspiring and insightful interview led to a second (this one) and she joins me to continue the conversation.A graduate of The Juilliard School and a Fulbright Scholar, cellist Jennifer Kloetzel has concertized throughout the United States, Europe and Asia as a soloist and chamber musician. A founding member of the San Francisco-based Cypress String Quartet (1996-2016), Ms. Kloetzel has toured the globe and performed at such renowned venues as Lincoln Center, the Kennedy Center for the Performing Arts, the Chautauqua Institute and the Ravinia Festival, the Lobkowicz Palaces in both Vienna and Prague, as well as prominent colleges and conservatories worldwide.Ms. Kloetzel is noted for her elegant playing and her vibrant tone. She is a sought-after recitalist, performing concerts for San Francisco Performances and on WQXR in New York. A fervent champion of new music, she has received the Copland Award for her work with living American composers and has commissioned and premiered over fifty works, including five concertos written specifically for her. In the past few seasons, premieres included a Cello Suite by Daniel Asia, a Cello Concerto, “Cloud Atlas” and unaccompanied cello work “Lift,” which were both written for her by MIT composer Elena Ruehr and a Cello Sonata dedicated to her by Joseph Landers. Ms. Kloetzel has recorded the Ruehr Cello Concerto with the Boston Modern Orchestra Project, which was released to critical acclaim in October 2014. “Lift” is the title track of an all-Ruehr disc, released on the Avie label, and was included on Keith Powers' 13 Best Classical Music Recordings of 2016. Ms. Kloetzel is the featured cellist on a 2019 Albany Records release of music by Richard Aldag, and recently premiered Lee Actor's Cello Concerto, written for her in 2017. In the next few seasons, she will give world premieres of sonatas written for her by Richard Aldag and Elena Ruehr and “Inferno: Double Concerto for Viola, Cello and Chamber Orchestra” by Joel Friedman, as well as six ‘companion' pieces commissioned to go with the six Bach Cello Suites, for a special project entitled “Mission: Bach~ The Road to Inspiration."Ms. Kloetzel has been featured regularly on National Public Radio's “Performance Today” and her performances have been broadcast on radio stations from coast to coast. A passionate recording artist with 36 CD releases to date, recent recordings include the entire cycle of Beethoven Quartets and Brahms Sextets on the Avie label. In 2021, Avie will release her recordings of Beethoven's complete works for cello and piano with Robert Koenig. In 2016, Ms. Kloetzel was invited to join the faculty at University of California Santa Barbara, where she is Professor of Cello and Head of Strings.   To learn more about Jennifer Kloetzel head to her website www.jkcello.comTo listen to more episodes, connect with host, Tammy, or to support the podcast follow these linksWebsite https://tstakaishi.wixsite.com/musicInstagram @creative_peacemeal_podcastFacebook https://www.facebook.com/creativepeacemealpod/

Listen live weekday mornings 5:30am-9:00am on WGY

I'm joined by cellist, and professor, Jennifer Kloetzel. Jennifer share delightful stories, and wonderful insights from her perspective as a long-time performer and educator.A graduate of The Juilliard School and a Fulbright Scholar, cellist Jennifer Kloetzel has concertized throughout the United States, Europe and Asia as a soloist and chamber musician. A founding member of the San Francisco-based Cypress String Quartet (1996-2016), Ms. Kloetzel has toured the globe and performed at such renowned venues as Lincoln Center, the Kennedy Center for the Performing Arts, the Chautauqua Institute and the Ravinia Festival, the Lobkowicz Palaces in both Vienna and Prague, as well as prominent colleges and conservatories worldwide.Ms. Kloetzel is noted for her elegant playing and her vibrant tone. She is a sought-after recitalist, performing concerts for San Francisco Performances and on WQXR in New York. A fervent champion of new music, she has received the Copland Award for her work with living American composers and has commissioned and premiered over fifty works, including five concertos written specifically for her. In the past few seasons, premieres included a Cello Suite by Daniel Asia, a Cello Concerto, “Cloud Atlas” and unaccompanied cello work “Lift,” which were both written for her by MIT composer Elena Ruehr and a Cello Sonata dedicated to her by Joseph Landers. Ms. Kloetzel has recorded the Ruehr Cello Concerto with the Boston Modern Orchestra Project, which was released to critical acclaim in October 2014. “Lift” is the title track of an all-Ruehr disc, released on the Avie label, and was included on Keith Powers’ 13 Best Classical Music Recordings of 2016. Ms. Kloetzel is the featured cellist on a 2019 Albany Records release of music by Richard Aldag, and recently premiered Lee Actor’s Cello Concerto, written for her in 2017. In the next few seasons, she will give world premieres of sonatas written for her by Richard Aldag and Elena Ruehr and “Inferno: Double Concerto for Viola, Cello and Chamber Orchestra” by Joel Friedman, as well as six ‘companion’ pieces commissioned to go with the six Bach Cello Suites, for a special project entitled “Mission: Bach~ The Road to Inspiration."Ms. Kloetzel has been featured regularly on National Public Radio’s “Performance Today” and her performances have been broadcast on radio stations from coast to coast. A passionate recording artist with 36 CD releases to date, recent recordings include the entire cycle of Beethoven Quartets and Brahms Sextets on the Avie label. In 2021, Avie will release her recordings of Beethoven’s complete works for cello and piano with Robert Koenig. In 2016, Ms. Kloetzel was invited to join the faculty at University of California Santa Barbara, where she is Professor of Cello and Head of Strings.   More information about her can be found her her website, www.jkcello.comThe resource created by cellist Paul Katz, can be found here. More information about host, Tammy Takaishi can be found here.Interested in supporting the show? Now you can with CREATIVE PEACEMEAL merchandise! Snap up your swag here!

Niv Ashkenazi a virtuoso violinist that holds both a B.M and M.M from Julliard school has captivated audiences with his heartfelt musicianship and emotional performances in Europe, The Middle East and across North America. He has made several Carnegie Hall and kennedy center appearance. His conviction that the impact of music serves people beyond the concert stage motivates him to collaborate with projects such as Street Symphony an LA based nonprofit that serves communities disenfranchised by homelessness and incarceration in LA County. His currently involve in the project of "Violins of hope" . In 2019-2020 season he is the first ever artist in residence at the Younes and Soraya Nazarian center. His debut album Niv Ashkenazi Violins of hope recorded at the Soraya was released on March 2020 on Albany Records. It is the first solo album recorded on one of the Violins of hope. It is available on Amazon Spotify and Apple podcast. Avshi (Avshalom) Weinstein third generation Violin maker was trained by his father master violin maker Amnon Weinstein. He began working with his father in their Tel-Aviv atelier back in 1998 as violin-maker and restorer.He was invited to join the CAKA program in Turkey in 2006 and has been staying then since.He opened his own workshop in Istanbul in 2009 where he continues the family tradition.He has also been trained with Master Bow-Maker Daniel Schmidt from Dresden in bow repairs since 2009. Avshalom is the founder of Violin of hope project together with his father. Violin of hope refers to the Weinstein's collection of instruments with unique stories dating back to Jewish musical tradition and Wold War 2. Both father & son collect these instruments and restore them with love and attention and bring them back to life as a concert instruments. Since 2006 Violins of hope were invited by leading orchestra and music festivals in Europe & America to play the music and tell the stories of the people behind the instruments that are not with us anymore. In this episode we are telling the story behind The Violins of Hope.

Violinist Niv Ashkenazi plays one of a handful of restored violins that survived the Holocaust, and his debut recording, "Violins of Hope" (Albany Records) is a document of the perseverance of the instruments' original owners. Mr. Ashkenazi, along with pianist and fellow Juillard student, pianist Matthew Graybil, breathe life into music that, in some cases, was written and played in the camps on these very violins. The styles and moods of the music is of wonderful variety: heartfelt, melodious, modern, and sometimes humorous. The recording ensures that the story, the very lives of these human beings, will never be forgotten.

Robert Ambrose is the director of bands at Georgia State University, the conductor of the Atlanta Chamber Winds and the National Chamber Winds, founder of the Digital Director's Lounge, and is the chair of the CBDNA Covid-19 Response Committee. Topics: Robert’s journey from guitarist to college band director and all of the people who took an interest in his career and helped to push him along. Having the courage to ask for what you want and a brief discussion of impostor syndrome. The band program at Georgia State, the Atlanta Chamber Winds, and the National Chamber Winds. The CBDNA Covid-19 Response Committee and the Digital Director’s Lounge. Links: Robert Ambrose CBDNA Covid-19 Committee Report Atlanta Chamber Winds National Chamber Winds Mozart: Serenade for 13 Winds in B-flat major, K. 361 "Gran Partita" Maslanka: Symphony no. 4 Biography: Conductor Robert J. Ambrose enjoys a highly successful and diverse career as a dynamic and engaging musician. His musical interests cross many genres and can be seen in the wide range of professional activities he pursues. Dr. Ambrose studied formally at Boston College, Boston University and Northwestern University, where he received the Doctor of Musical Arts degree in conducting. Dr. Ambrose has conducted professionally across the United States as well as in Australia, Canada, Finland, Germany, Greece, Hong Kong, Singapore and Taiwan. His interpretations have earned the enthusiastic praise of many leading composers including Pulitzer Prize winners Leslie Bassett, Michael Colgrass and John Harbison. He has conducted over two dozen premiere performances including works by Michael Colgrass, Jonathan Newman, Joel Puckett, Christopher Theofanidis and Joseph Turrin. Dr. Ambrose has conducted Arnold Schoenberg's landmark piece Pierrot Lunaire several times in three different countries and a recent performance of Igor Stravinsky's Symphony of Psalms under his direction has been given repeated airings on Georgia Public Radio. Dr. Ambrose is founder and music director of the Atlanta Chamber Winds a professional dectet specializing in the promotion of music by emerging composers as well as lesser-known works of established composers. Their premiere compact disc, Music from Paris, was released in 2009 on the Albany Records label and has received outstanding reviews in both Fanfare and Gramophone magazines. As a guitarist, Robert Ambrose has performed in dozens of jazz ensembles, combos, rock bands and pit orchestras. His rock band "Hoochie Suit," formed with members of the Chicago Symphony Orchestra, received rave reviews throughout the Chicago area and performed for such distinguished guests as Yo-Yo Ma and Daniel Barenboim. Dr. Ambrose currently serves as director of bands, associate professor of music and associate director of the School of Music at Georgia State University, a Research I institution of 32,000 students located in Atlanta, Georgia. As director of bands he conducts the Symphonic Wind Ensemble, maintains a highly selective studio of graduate students in the Master of Music in wind band conducting degree program, and oversees a large, comprehensive band program comprised of four concert ensembles and three athletic bands. Robert Ambrose lives in Peachtree City, Georgia with his wife Sarah Kruser Ambrose, a professional flute player, and daughters Isabelle and Hannah. ------- Are you planning to travel with your group sometime soon? If so, please consider my sponsor, Kaleidoscope Adventures, a full service tour company specializing in student group travel. With a former educator as its CEO, Kaleidoscope Adventures is dedicated to changing student lives through travel and they offer high quality service and an attention to detail that comes from more than 25 years of student travel experience. Trust Kaleidoscope’s outstanding staff to focus on your group’s one-of-a-kind adventure, so that you can focus on everything else!

Listen to Dr. Allie in conversation with Ryan Roberts, an oboist and one of the youngest members of the NY Philharmonic, as they speak on coping as a musician during the COVID-19 pandemic. This episode was recorded on April 28, 2020. Noted for his “beautiful”, “eloquent” and “exquisite” playing by the New York Times, RYAN ROBERTS is the newly appointed English horn/Oboe of the New York Philharmonic. Ryan has performed with many of the country's leading orchestras, including the Chicago Symphony, the Philadelphia Orchestra, the San Francisco Symphony, the Metropolitan Opera Orchestra, and the Ft. Worth Symphony. An award-winning oboist, Ryan received first prize at the International Double Reed Society's 2018 Young Artist Competition and the National Society of Arts and Letters' 2018 Woodwind Competition. Before joining the Philharmonic, Ryan spent one season as a member of the New World Symphony under the direction of Michael Tilson-Thomas. Ryan recently premiered Michael Torke's Oboe Concertino with the Albany Symphony and recorded the work for Albany Records. An avid chamber musician, Ryan performs at the Marlboro Music Festival during the summer under artistic directors Mitsuko Uchida and Jonathan Biss; he has also collaborated in recitals with the Pacifica Quartet and Emanuel Ax. As a Kovner Fellow graduate of The Juilliard school, Ryan studied with Elaine Douvas and appeared frequently as principal oboist of the Juilliard Orchestra. Ryan has been a member of the New York String Orchestra Seminar and spent three summers as the oboe fellow at the Aspen Music Festival. In 2016, Ryan was featured as a recital soloist aboard the Crystal “Symphony" cruise line touring Portugal, Spain, France and England. Ryan has studied piano since age 5 and made his concerto debut at age 11. When he isn't busy making reeds, Ryan enjoys practicing piano and running with his retired racing Whippet named Malley. You can follow Ryan on Instagram at @ryanjroberts and his website is www.ryanrobertsoboe.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ryan's website - www.ryanrobertsoboe.comRyan's Instagram - www.instagram.com/ryanjrobertsNoted for his “beautiful”, “eloquent” and “exquisite” playing by the New York Times, Ryan Roberts is the newly appointed English horn/Oboe of the New York Philharmonic. Ryan has performed with many of the country's leading orchestras, including the Chicago Symphony, the Philadelphia Orchestra, the San Francisco Symphony, the Metropolitan Opera Orchestra, and the Ft. Worth Symphony. An award-winning oboist, Ryan received first prize at the International Double Reed Society's 2018 Young Artist Competition and the National Society of Arts and Letters' 2018 Woodwind Competition. Before joining the Philharmonic, Ryan spent one season as a member of the New World Symphony under the direction of Michael Tilson-Thomas. Ryan recently premiered Michael Torke’s Oboe Concertino with the Albany Symphony and recorded the work for Albany Records. An avid chamber musician, Ryan performs at the Marlboro Music Festival during the summer under artistic directors Mitsuko Uchida and Jonathan Biss; he has also collaborated in recitals with the Pacifica Quartet and Emanuel Ax.As a Kovner Fellow graduate of The Juilliard school, Ryan studied with Elaine Douvas and appeared frequently as principal oboist of the Juilliard Orchestra. Ryan has been a member of the New York String Orchestra Seminar and spent three summers as the oboe fellow at the Aspen Music Festival. In 2016, Ryan was featured as a recital soloist aboard the Crystal “Symphony" cruise line touring Portugal, Spain, France and England.Ryan has studied piano since age 5 and made his concerto debut at age 11. When he isn’t busy making reeds, Ryan enjoys practicing piano and running with his retired racing Whippet named Malley.Support the show (https://thatsnotspit.com/support/)

In this episode, I discuss with solo violinist Arnaud Sussmann.  He elaborates on the mindsets and strategies to adopt when working on sound quality, the importance of having a strong concept of phrasing and of bow distribution in musicality, the importance of creating fluency in his playing and how he achieves it, the importance of purpose in our practice, warming up during busy periods, the value of recording ourselves when we practice, and why he believes it's important to work hard. Nous avons aussi une discussion en francais!  Nous vous offrons un retour sur certains point abordés en anglais en ce qui a trait à la production du son et du phrasé, et une conversation sur l'importance de la curiosité dans la pratique et sur comment il aborde une œuvre nouvelle.   MORE ABOUT ARNAUD SUSSMAN: Website: http://arnaudsussmann.com/ YouTube channel: https://www.youtube.com/user/violinice Facebook: https://www.facebook.com/arnaudsussmannviolin/ Instagram: https://www.instagram.com/arnaudsussmann/ Boris Garlitsky: http://www.talentmusicmasters.it/boris-garlitsky   Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura and profound musicianship. Minnesota's Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener. His clear tone [is] a thing of awe-inspiring beauty, his phrasing spellbinding.” A thrilling young musician capturing the attention of classical critics and audiences around the world, Arnaud Sussmann has appeared with the American Symphony Orchestra, Buffalo Philharmonic, New World Symphony, Pacific Symphony, Paris Chamber Orchestra, Jerusalem Symphony and the Vancouver Symphony Orchestra. Further solo appearances have included a tour of Israel and concerts at Lincoln Center's Alice Tully Hall, Dresden Music Festival in Germany and at the Phillips Collection in Washington, D.C. Mr. Sussmann has been presented in recital in Omaha on the Tuesday Musical Club series, New Orleans by the Friends of Music, Tel Aviv at the Museum of Art and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Chamber Music Northwest and Moritzburg festivals and appears regularly at the Caramoor, Music@Menlo, La Jolla SummerFest, Seattle Chamber Music, Moab Music and Saratoga Springs Chamber Music festivals. Recent concerto appearances include performances with Maestro Valery Gergiev and the Mariinsky Orchestra at the White Nights Festival in St Petersburg, the Santa Rosa Symphony, the Albany Symphony, the Jacksonville Symphony and the Grand Rapids Symphony. This past season, chamber music performances included tours with the Chamber Music Society of Lincoln Center to Korea's LG Arts Center, Shanghai's Oriental Center and Hong Kong's Music Academy. Arnaud Sussmann has performed with many of today's leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenazi, Wu Han, David Finckel, Jan Vogler and members of the Emerson String Quartet. He has worked with conductors such as Cristian Macelaru, Marcelo Lehninger, Rune Bergmann and Leon Botstein. A dedicated chamber musician, he has been a member of the Chamber Music Society of Lincoln Center since 2006 and has regularly appeared with them in New York and on tour, including a recent concert at London's Wigmore Hall. A frequent recording artist, Arnaud Sussmann has released albums on Deutsche Grammophon's DG Concert Series, Naxos, Albany Records and CMS Studio Recordings labels. His solo debut disc, featuring three Brahms Violin Sonatas with pianist Orion Weiss, was released in December 2014 on the Telos Music Label. He has been featured on multiple PBS' Live from Lincoln Center broadcasts alongside Itzhak Perlman and the Perlman Music Program and with musicians of the Chamber Music Society of Lincoln Center. Born in Strasbourg, France and based now in New York City, Arnaud Sussmann trained at the Conservatoire de Paris and the Juilliard School with Boris Garlitsky and Itzhak Perlman. Winner of several international competitions, including the Andrea Postacchini of Italy and Vatelot/Rampal of France, he was named a Starling Fellow in 2006, an honor which allowed him to be Mr. Perlman's teaching assistant for two years. Mr. Sussmann now teaches at Stony Brook University on Long Island and was recently named Co-Artistic Director of Music@Menlo's International Music Program.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

TBJ113: Rebecca Cherian on encouraging young women players, the importance of allies and the Bernstein Bounce. Rebecca Cherian is Co-Principal Trombone of the Pittsburgh Symphony. From her bio: Rebecca Cherian was awarded the position of co-principal trombone of the Pittsburgh Symphony Orchestra by Lorin Maazel in 1989. She has been trombone instructor at Carnegie Mellon University since 1993. Cherian was a founding member of the International Women’s Brass Conference in 1994 and served as the IWBC Newsletter Editor for five years.  As a California native, Cherian began her professional career at the age of 16 as trombonist with the San Jose Symphony under the direction of George Cleve. At the age of 17, she appeared as a soloist with the San Francisco Symphony as a result of winning First Prize in their Young Musicians’ Awards. Cherian earned her Bachelor of Music Degree from the California Institute of the Arts and her Master of Music Degree from the Yale School of Music. While in school she was awarded First Place in the Atwater Kent Brass Competition and Outstanding Chamber Music Performer at Yale. She studied with Miles Anderson, Robert Szabo, and John Swallow. Before becoming a member of the Pittsburgh Symphony Orchestra, Cherian held positions of principal trombone with the Springfield Symphony in Massachusetts and the Rhode Island Philharmonic. She was trombone instructor at the University of Connecticut in Storrs, the Hartt School of Music and Wesleyan University. As a freelance artist, she toured with the Israel Philharmonic under the Direction of Leonard Bernstein, performed with the Boston Opera, New York City Ballet, Hartford, New Haven, and Vermont Symphonies and Goodspeed Opera House. In September 1993, Cherian enjoyed the honor of performing at the White House in Washington, D.C. as part of a 15-woman ensemble of brass and percussion players for the opening reception of the Annual International Women’s Forum. The group performed the world premiere of Joan Tower’s fanfare, Celebration, which was dedicated to Hillary Clinton. Cherian appears regularly as a soloist and master class Clinician at the IWBC. Cherian released her second solo CD, “L’Invitation au Voyage,” in 2015. Both her first CD, “Water Awakening,” and “L’Invitation au Voyage.” are available through cdbaby.com or amazon.com. She can also be heard on “From the Back Row,” a recording on Albany Records of the Low Brass Section of the Pittsburgh Symphony and numerous recordings of the Pittsburgh Symphony Orchestra under the direction of Lorin Maazel, Mariss Jansons and Manfred Honeck. In this fun and lively discussion, we cover: The dramatic Rebecca/Becky controversy Playing with the PSO The recent PSO concert at Lincoln Center in NYC Technical difficulties Becky still has a home phone (thankfully!)! The state of the PSO How social media played a part in getting the word out about the PSO player's positions Her first gig was in San Antonio Symphony at 16 years of age Losing her slide story Women in the career field, how things have changed and what work there still is to do The importance of building allies in a group How to coach and encourage young women players (and the men too!) Diversity issues in general Picking the instrument in school, despite trombone not being a "girl's" instrument Soloing with the San Francisco Symphony at 17 Lance's monumental frack  Playing under Bernstein with the Isreal Philharmonic on tour in Mexico and Texas (and learning Rite of Spring and bass trumpet in one day) Meeting Bernstein Bernstein falling off the podium (and bouncing back), AKA the "Bernstein Bounce" Herp Alpert Playing at the White House Links: PSO Bio CMU Bio Shires Trombone Artist Page Becky's CD Baby store From the Back Row CD (with the PSO low brass section) Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Pianist Findlay Cocrell mängib oma valikut George Gershwini, Louis Moreau Gottschalki ja Morton Gouldi muusikast.

Pianist Findlay Cocrell mängib oma valikut George Gershwini, Louis Moreau Gottschalki ja Morton Gouldi muusikast.

Composer Steven Bryant's music for winds has quickly become part of the standard repertoire. As the son of a music educator, he is a strong supporter of music education and he joins me from the mountains of Austria to talk about his early influences, his music, and his career to this point. Topics: Steven’s background as the son of a high school band director and how that influenced his path to becoming a composer. The story of BCM International and Steve’s early success with Chester Leaps In and the stories of Dusk and Ecstatic Waters. The value of being self-published and the nuts and bolts about a career as a successful composer. Writing music for band and electronics. Links: Steven Bryant Mid Europe Band Festival Bryant: Chester Leaps In Bryant: Dusk Bryant: Ecstatic Waters Bryant: Hummingbrrd Bryant: Concerto for Wind Ensemble John Cage: As Slow as Possible Biography: Steven Bryant’s music is chiseled in its structure and intent, fusing lyricism, dissonance, silence, technology, and humor into lean, skillfully-crafted works that enthrall listeners and performers alike. His seminal work Ecstatic Waters, for wind ensemble and electronics, has become one of the most performed works of its kind in the world, receiving over 250 performances in its first five seasons. Recently, the orchestral version was premiered by the Minnesota Orchestra to unanimous, rapturous acclaim. The son of a professional trumpeter and music educator, he strongly values music education, and his creative output includes a number of works for young and developing musicians. John Corigliano states Bryant’s “compositional virtuosity is evident in every bar” of his 34’ Concerto for Wind Ensemble. Bryant’s first orchestral work, Loose Id for Orchestra, hailed by composer Samuel Adler as “orchestrated like a virtuoso,” was premiered by The Juilliard Symphony and is featured on a CD release by the Bowling Green Philharmonia on Albany Records. Alchemy in Silent Spaces, commissioned by James DePreist and The Juilliard School, was premiered by the Juilliard Orchestra in May 2006. The Chicago Symphony Orchestra’s MusicNOW series featured his brass quintet, Loose Id, conducted by Cliff Colnot, on its 2012-13 concert series. Notable upcoming projects include an orchestral work for the Detroit Symphony Orchestra (April, 2018), an evening-length dramatic work for the Pittsburgh New Music Ensemble, a choral work for the BBC Singers (July, 2017), a work for FivE for Euphonium Quartet and wind ensemble (2019), and a large work to celebrate the 150th anniversary of the University of Illinois Bands. Recent works include a Concerto for Alto Saxophone for Joseph Lulloff and the Michigan State University Wind Symphony (winner of the 2014 American Bandmasters Sousa Ostwald Award), and a Concerto for Trombone for Joseph Alessi and the Dallas Wind Symphony. Other commissions have come from the Gaudete Brass Quintet (Chicago), cellist Caroline Stinson (Lark Quartet), pianist Pamela Mia Paul, the Amherst Saxophone Quartet (funded by the American Composers Jerome Composers Commissioning Program), the University of Texas – Austin Wind Ensemble, the US Air Force Band of Mid-America, the Japanese Wind Ensemble Conductors Conference, and the Calgary Stampede Band, as well as many others. Steven studied composition with John Corigliano at The Juilliard School, Cindy McTee at the University of North Texas, and Francis McBeth at Ouachita University, trained for one summer in the mid-1980s as a break-dancer (i.e. was forced into lessons by his mother), was the 1987 radio-controlled car racing Arkansas state champion, has a Bacon Number of 1, and has played saxophone with Branford Marsalis on Sleigh Ride. He resides in Durham, NC with his wife, conductor Verena Mösenbichler-Bryant (Duke University).

PROGRAM: J.S. Bach Prelude and Fugue in B-flat minor from the Well-Tempered Clavier, Book I  W.A. Mozart Sonata in F Major, K.332 (Allegro - Adagio - Allegro Assai) Frédéric Chopin  Ballade in G minor, Op.23 Carter Pann From “The Piano’s 12 Sides” (2011) White Moon Over Water Mark Olivieri Hommage à Trois (2005) Luca’s Swell: Hommage à Aaron Copland (b.1972) Gestures: Hommage à Toru Takemitsu Funk for Nikki: Hommage à James Brown Described by the New York Times as an “able and persuasive advocate” of new music, pianist Nicholas Phillips’ playing has been praised for its “bejeweled accuracy” (Fanfare) and as “razor-sharp yet wonderfully spirited” (American Records Guide).  He maintains an active schedule as a soloist and collaborative artist; recent performances include solo recitals in Korea and Argentina, as well as dozens of states across the U.S., and an invited performance at the Croatian Embassy in Washington, D.C. Phillips has given lecture-recitals and presentations at conferences in the U.S., Argentina, Croatia, England, and South Korea and is the author of “Mendelssohn’s Songs without Words Revisited: Culture, Gender, Literature, and the Role of Domestic Piano Music in Victorian England,” published by VDM Verlag.  In 2011,  he released two CDs on Albany Records; Portals and Passages, which features the piano music of American composer Ethan Wickman (b.1973), and Boris Papandopulo: Piano Music, which features music by the famous Croatian composer. and his most recent CD, American Vernacular: New Music for Solo Piano, features works he commissioned from ten American composers. Nicholas Phillips holds degrees from the University of Missouri-Kansas City Conservatory of Music, Indiana University, and the University of Nebraska-Lincoln and is currently Associate Professor of Music at the University of Wisconsin-Eau Claire.  

Jack Straw Resident Artist Eric Rynes‘s Mikka and Other Assorted Love Songs, a collection of diverse virtuosic works for solo violin and violin with electronics, was recently released on Albany Records. “Crossing the Threshold” was composed by Michael Alcorn.

Jack Straw Resident Artist Eric Rynes's Mikka and Other Assorted Love Songs, a collection of diverse virtuosic works for solo violin and violin with electronics, was recently released on Albany Records. Crossing the Threshold was composed by Michael Alcorn.

Jack Straw Resident Artist Eric Rynes's Mikka and Other Assorted Love Songs, a collection of diverse virtuosic works for solo violin and violin with electronics, was recently released on Albany Records. Crossing the Threshold was composed by Michael Alcorn.

Here's another popular episode from the Contrabass Conversations archives.  If you haven't check this episode out before (or even if you have), you'll be in for a real treat as we explore the world of the double bass with Mr. Barker. We’re featuring Boston Symphony Principal Bassist Ed Barker on this week’s Contrabass Conversations episode. Conducted by Contrabass Conversations co-host John Grillo, this episode features John chatting with Ed about his early years on the bass, his schooling and time spent in the Chicago Symphony prior to his appointment with the Boston Symphony, and in-depth look at articulation on the bass, and a discussion on practicing. We hope you enjoy this conversation with this modern master performer and teacher of the double bass! About Ed Barker: Edwin Barker is recognized as one of the most gifted bassists on the American concert scene. Acknowledged as an accomplished solo and ensemble player, Mr. Barker has concertized in North America, Europe, and the Far East. Edwin Barker has performed and recorded with the Boston Symphony Orchestra, the Boston Symphony Chamber Players, and with the contemporary music ensemble Collage, a Boston – based contemporary music ensemble, and is a frequent guest performer with the Boston Chamber Music Society. Mr. Barker gave the world premiere of James Yannatos’ Concerto for Contrabass and Chamber Orchestra and of Theodore Antoniou’s Concertino for Contrabass and Chamber Orchestra ; he was the featured soloist in the New England premiere of Gunther Schuller’s Concerto for Double Bass and Chamber Orchestra, conducted by the composer with The Pro Arte Chamber Orchestra. Mr. Barker graduated with honors from the New England Conservatory in 1976, where he studied double bass with Henry Portnoi. That same year, while a member of the Chicago Symphony, he was appointed at age 22 to the position of principal double bass of the Boston Symphony Orchestra. His other double bass teachers included Peter Mercurio, Richard Stephan, Angelo LaMariana, and David Perleman. Mr. Barker was invited to inaugurate the 100th anniversary season of the Boston Symphony Orchestra with a solo performance of the Koussevitzky Bass Concerto; other solo engagements have included appearances at Ozawa Hall (Tanglewood), Carnegie Recital Hall’s “Sweet and Low” series, and at major universities and conferences throughout the world, as well as concerto performances with the Boston Classical Orchestra, the Athens State Orchestra (Greece) and with the Boston Symphony Orchestra in Boston and Europe. He was a featured premiere soloist with the Boston Symphony of John Harbison’s Concerto for Bass Viol and Orchestra at Tanglewood’s 2007 Festival of Contemporary Music. Mr. Barker is an Associate Professor at the Boston University College of Fine Arts where he teaches double bass, orchestral techniques, and chamber music. His other major teaching affiliations include the Boston Symphony Orchestra’s Tanglewood Music Center, where he is Chairman of Instrumental and Orchestral Studies. Edwin Barker’s solo CD recordings include Three Sonatas for Double Bass, on Boston Records, James Yannatos’ Variations for Solo Contrabass, on Albany Records, and Concerti for Double Bass, on GM Recordings, which includes bass concerti by Gunther Schuller and Theodore Antoniou. Concerti for Contrabass also includes his highly praised performance of Tom Johnson’s Failing , which was recorded live at Harvard University’s Sanders Theater. Edwin Barker’s latest solo offering on CD is a recently released performance of James Yannatos’ Concerto for Contrabass with Collage. This episode originally aired on June 6, 2009. Enjoy!

Greetings! This month, we are excited to introduce a new series devoted to the American Symphony.  Join host Michael Bregman as he explores some of the richest, most vibrant music in the Albany Records catalog. Don’t forget to check us out on YouTube and please be sure to submit any questions or comments you might […]

Greetings! This month, Albany Records pays tribute to three great artists–Jack Beeson, Lee Hoiby, and Peter Lieberson–all of whom psased away this past year.  Join host Michael Bregman as we look over the lives and careers of these three great talents and listen to some of their remarkable music. If you are interested in hearing […]

Greetings! In this month’s edition of the Albany Records Podcast, host Michael Bregman chats with countertenor Darryl Taylor about his life and music.  Also featured are several selections from Mr. Taylor’s new album How Sweet the Sound (TROY1244).  This disc is available for sale and for download on the Albany Records website.

Greetings! In this month’s podcast, host Michael Bregman continues his discussion with Dr. Stephen K. Steele, conductor of the Illinois State University Wind Symphony.  Highlights of the interview include selections from the ensembles most recent recording with Albany Records. If you have questions or comments about the Albany Records podcast, please send them to host […]

Greetings! In this month’s episode, host Michael Bregman discusses the lie and music of Russian composer Andrei Eshpai.  We hope you enjoy this episode and don’t forget that you can purchase downloads of this music on the Albany Records website.

Happy New Year! This month’s episode features the first part of host Michael Bregman’s interview with Stephen Steele, conductor of the Illinois State University Wind Symphony.  We hope you enjoy this month’s podcast and remember – you can purchase CDs and digital downloads of all the music you hear right here on the Albany Records […]

Happy Holidays! In this month’s episode, host Michael Bregman discusses the year that was for Albany Records, featuring some of our most interesting, intriguing, and noteworthy releases.  Sit baack and enjoy and come back in the New Year for all new interviews with noted Albany Records artists and composers.

Hi there! This month’s Albany Records podcast features the third and final installment of host Mike Bregman’s interview with Lisa Kirchner, daughter of noted American composer Leon Kirchner.  We hope you enjoy and please be sure to come back in December when Mike will do his year-end round up of the best Albany Records titles […]

We’re featuring Boston Symphony Principal Bassist Ed Barker on this week’s Contrabass Conversations episode. Conducted by Contrabass Conversations co-host John Grillo, this episode features John chatting with Ed about his early years on the bass, his schooling and time spent in the Chicago Symphony prior to his appointment with the Boston Symphony, and in-depth look at articulation on the bass, and a discussion on practicing. We hope you enjoy this conversation with this modern master performer and teacher of the double bass! About Ed Barker: Edwin Barker is recognized as one of the most gifted bassists on the American concert scene. Acknowledged as an accomplished solo and ensemble player, Mr. Barker has concertized in North America, Europe, and the Far East. Edwin Barker has performed and recorded with the Boston Symphony Orchestra, the Boston Symphony Chamber Players, and with the contemporary music ensemble Collage, a Boston – based contemporary music ensemble, and is a frequent guest performer with the Boston Chamber Music Society. Mr. Barker gave the world premiere of James Yannatos’ Concerto for Contrabass and Chamber Orchestra and of Theodore Antoniou’s Concertino for Contrabass and Chamber Orchestra ; he was the featured soloist in the New England premiere of Gunther Schuller’s Concerto for Double Bass and Chamber Orchestra, conducted by the composer with The Pro Arte Chamber Orchestra. Mr. Barker graduated with honors from the New England Conservatory in 1976, where he studied double bass with Henry Portnoi. That same year, while a member of the Chicago Symphony, he was appointed at age 22 to the position of principal double bass of the Boston Symphony Orchestra. His other double bass teachers included Peter Mercurio, Richard Stephan, Angelo LaMariana, and David Perleman. Mr. Barker was invited to inaugurate the 100th anniversary season of the Boston Symphony Orchestra with a solo performance of the Koussevitzky Bass Concerto; other solo engagements have included appearances at Ozawa Hall (Tanglewood), Carnegie Recital Hall’s “Sweet and Low” series, and at major universities and conferences throughout the world, as well as concerto performances with the Boston Classical Orchestra, the Athens State Orchestra (Greece) and with the Boston Symphony Orchestra in Boston and Europe. He was a featured premiere soloist with the Boston Symphony of John Harbison’s Concerto for Bass Viol and Orchestra at Tanglewood’s 2007 Festival of Contemporary Music. Mr. Barker is an Associate Professor at the Boston University College of Fine Arts where he teaches double bass, orchestral techniques, and chamber music. His other major teaching affiliations include the Boston Symphony Orchestra’s Tanglewood Music Center, where he is Chairman of Instrumental and Orchestral Studies. Edwin Barker’s solo CD recordings include Three Sonatas for Double Bass, on Boston Records, James Yannatos’ Variations for Solo Contrabass, on Albany Records, and Concerti for Double Bass, on GM Recordings, which includes bass concerti by Gunther Schuller and Theodore Antoniou. Concerti for Contrabass also includes his highly praised performance of Tom Johnson’s Failing , which was recorded live at Harvard University’s Sanders Theater. Edwin Barker’s latest solo offering on CD is a recently released performance of James Yannatos’ Concerto for Contrabass with Collage.