Podcasts about oboist

D'Kompositioun “Imbalance” vum 24 Joer jonke Komponist Félix Turrion Eichler gouf nach net viru Public gespillt. Dat ännert sech elo mat engem Concert vun de Solistes Européens, Luxembourg mam Dirigent Christophe König an der Dänzerin Sylvia Camarda. Bei engem Concert gëtt dëst Wierk nämlech uropgeféiert. D'Kompositioun ass dann och an Zesummenaarbecht mam Kulturministère entstanen. Léiert dee jonken Oboist a Komponist Félix Turrion Eichler am Gespréich mam Lex Kauffmann kennen. Hei verréit hien, wat hanner senger Kompositioun stécht, woufir seng Passioun brennt a wéi eng Hobbyen dee jonke Museker nieft der Musek huet.

Atlanta Symphony Principal Oboist Elizabeth Tiscione discusses her upcoming performances of "The Flower Clock" by Jean Francaix alongside her ASO colleagues. Plus, comedian Nate Rowland is in the spotlight for our series, "Speaking of Comedy. "Food historian Akila McConnell and chef Asata Reid from the WABE podcast "Savory Stories" detail the history of food and politics, and filmmaker William Feagins Jr. talks about his YouTube documentary series "Our Voices, Our Lives." See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Albrecht Mayer ist DER deutsche Oboist der Gegenwart. Über das Übergenie Beethoven, einen Abend mit Mozart und Sneakers von Lang Lang erzählt er Redakteur Albrecht Wagner im MDR KLASSIK-Gespräch.

Willi Stierli aus Obwalden ist 74 Jahre alt und ehemaliger Sekundarlehrer mit naturwissenschaftlichem Diplom.  Seine Pensionierung ist ihm egal, denn der Oboist und «Schwyzerörgeler» interessiert sich zu fest für seine Arbeit, als dass er sich zur Ruhe setzen möchte. Sei es als Lehrer für Entwicklungshelfer im Bürgerkriegsland Myanmar in Asien oder als Künstlerbetreuer im KKL für weltberühmte Künstler.

Oboist Tevž Kupljenik je 22. novembra nastopil na koncertu v Kosovelovi dvorani Cankarjevega doma, in sicer kot del koncertnega cikla Mladi mladim Glasbene mladine ljubljanske. Ob klavirski spremljavi pianista Tadeja Horvata se je predstavil z izvedbami Sonate v e-molu Georga Philippa Telemanna, Pastoralne fantazije, op. 37 Eugena Bozzaja in dela e.mon@si Katarine Pustinek Rakar. Oboo je začel igrati na Glasbeni šoli Marjana Kozine Novo mesto v razredu Ernesta Jazbeca in pozneje Anje Jazbec, zdaj pa obiskuje četrti letnik Konservatorija za glasbo in balet Ljubljana v razredu Irmgard Anderl Krajter. Je prvonagrajenec številnih tekmovanj, prvi oboist Kraljevega mladinskega orkestra Concertgebouw 2022 v Amsterdamu in Študentskega festivalnega orkestra Mahler v Belgiji. Kot solist je prvič nastopil že pri dvanajstih letih s Simfoničnim orkestrom Novo mesto, pred kratkim pa še z Orkestrom Slovenske filharmonije.

Karen Birch Blundell is a New York City based performer and teaching artist. She is English horn of the Northeastern Pennsylvania Philharmonic and the Associate Principal Oboe/English horn of the Eastern Music Festival. She performs with ensembles throughout the Northeast including; the American Symphony Orchestra, Albany Symphony, Hartford Symphony, New Jersey Festival Orchestra, Norwalk Symphony and Springfield Symphony Orchestra.​Prior to her time in NY, Karen was Second Oboe/English horn with the Sarasota Orchestra. While in Florida, she regularly performed with neighboring orchestras including the Florida Orchestra and the Naples Philharmonic. She has been a guest musician with The Houston Symphony, The Houston Ballet Orchestra and the Cincinnati Symphony Orchestra. Beyond the Classical realm, Karen has toured the US with the New Sousa Band and performed with mega stars including Bernadette Peters, Idina Menzel, Mannheim Steamroller and The Who.Karen holds a Bachelor of Music from Oberlin Conservatory where she studied with James Caldwell. She completed her Master of Music at the Hartt School of Music with Humbert Lucarelli. She also studied with Robert Atherholt, Alex Klein and John Mack. She also held a fellowship at the New World Symphony under the direction of Michael Tilson Thomas. To learn more about Karen, and follow her journey, visit the link https://www.karenbirchblundell.com/ Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire https://www.bonfire.com/store/creative-peacemeal/Redbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate Dachshund Rescue of Houston here Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order! Looking for custom orthotics? Foot and Shoe Solutions is your answer. Click here for more.

Der Oboenklang von Albrecht Mayer ist legendär, ein "Götterfunken", heißt es, "wundersam" und „verführerisch“. Kein Wunder, dass Albrecht Mayer der wohl erfolgreichste Oboist unserer Zeit ist. In seiner Kindheit und Jugend allerdings lief nicht alles glatt: Unsicherheit und eine Sprachstörung lähmen ihn. Geholfen hatte ihm sein Erfolg auf dem Instrument, und die, wie er sagt „heilende Kraft der Musik“, sie wirkt bis heute.

Grab my UNRELEASED chapter, Managing the Money!   Of course, you might want to read the rest of the book, too... Today you'll hear my interview with Dr. Meredith Hite Estevez.  She's an Oboist, Author, Coach, and Podcaster, which might lead you to believe that I only ever interview people who are exactly like me. You'd be wrong, though. Meredith is uniquely herself - and so wise and interesting! You'll hear me speechless over and over at the ideas and frameworks that come out of her mouth.  I've long been listening to her podcast, Artists for Joy, admiringly, but with full awareness of how differently we approach our work. And this is what makes humanity so wonderful!  An active freelancer and sought-after recitalist, oboist Dr. Merideth Hite Estevez has performed and taught throughout North and South America, Asia, and Europe.  She has performed with top orchestras in the US and abroad, including the Met Opera Orchestra and PhillyPops, and is currently the English hornist/Second Oboe of the Chamber Orchestra of NY. She has served on faculties of numerous universities and schools of music, most recently as Associate Professor of Oboe at University of Delaware.  As the founder and director of "Artists for Joy," she invites artists into community to unleash joy in the creation of art and to consider creativity as a spiritual practice. Her podcast of the same name was a winner of the Award of Excellence in 2022 Communicator Awards. She has degrees from The Juilliard School, Yale School of Music, and Cincinnati College-Conservatory of Music. Her first book, “The Artist's Joy: A Guide to Getting Unstuck, Embracing Imperfection, and Loving Your Creative Life,” debuts in Spring 2024 through Broadleaf Books. Find Merideth at her website, her instagram, or follow her podcast!  Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I'm your host, Jennet Ingle. I love you all. Stay safe out there!  

The Cello Sherpa Podcast Host, Joel Dallow, interviews Oboist Master Gunnery Sergeant Leslye Barrett and Clarinetist Master Gunnery Sergeant Michelle Urzynicok. They share all the details about their extremely unique careers as members of "The Presidents Own" United States Marine Band. For more information on Michelle: https://www.marineband.marines.mil/About/Members/Article/2605225/master-gunnery-sgt-michelle-urzynicok/You can also find Michelle on Facebook and Instagram @michurzyFor more information on Leslye: https://www.marineband.marines.mil/About/Members/Article/2603767/master-gunnery-sgt-leslye-barrett/You can also find Leslye on Facebook and Instagram @leslyebarrettFor more information and to support the program Voices of Valor that works with Veterans:https://www.voicesofvalor.org/For more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram and Threads @theCelloSherpa

In this episode of The Creative Genius Podcast, our guest Dr. Meredith Estevez, a renowned oboist, podcaster, coach, writer, and educator, shares her profound journey of creative recovery and the vital lessons she's learned about finding joy in the act of creation. Through her personal experiences, Merideth explores the effects of creative burnout, the harmful generational cycle of teaching through shame, and the pressure to balance creative impulse with marketability and success. She discusses how she rediscovered her true self using "The Artist's Way," navigated feelings of unworthiness despite achievements, and unveiled the power of surrendering to the creative process. Dr. Estevez also provides practical advice for reducing the stress of needing to know everything and embracing a sense of inner worthiness. Tune in to discover how to align with your calling, overcome self-doubt, and cultivate creativity from a place of joy.HIGHLIGHTSMerideth's journey of creative recoveryExploring the impact of creative burnout and the generational cycle of teaching through shame.Balancing creative impulse with marketability and success in the artistic world.Acknowledging feelings of unworthiness even amidst achievements and accolades.The transformative power of surrender in the creative process.Devotion vs discipline in creative workPractical steps to shift from shame-driven creation to joyful expression.

After more than two decades as one of New York City's busiest freelance oboists, James Roe decided to pivot his career. He packed up his oboe case, reed knife, and metronome to take on leadership positions at two of the ensembles he had regularly performed with. First he spent two years as president and CEO of the New Jersey Symphony Orchestra, before moving into his current role as president and executive director of the Orchestra of St. Luke's, where he's been since 2015. How did 25 years of performing in symphony orchestras prepare him to lead one himself? For Roe, his seat in the oboe section gave him a strategic vantage point — one that allowed him to see thousands of concerts play out on the faces of audience members in real time. "You could see when something was hitting, that look in someone's eye that meant the music was meaningful to them," Roe says on the latest episode of the Classical Post podcast. "I've taken that into my leadership role because it shows that, as musicians and musical organizations, our mission is not fulfilled on stage — that's only the beginning. The mission is fulfilled in the hearts, minds, ears, and spirits of people in the audience." At the helm of the Orchestra of St. Luke's, Roe oversees more than 70 concerts per season in 20 venues across New York City, as well as a host of education and community programs that help make classical music more accessible for every New Yorker. And through it all, Roe's guiding principle is to ensure "the audience is the focus of everything we do." In this episode, we talk more about the Orchestra of St. Luke's current season — including the Carnegie Hall premiere of Florence Price's Piano Quintet with Marc-André Hamelin and the third year of the ensemble's DeGaetano Composition Institute, where three emerging composers work with composer-mentor Anna Clyne on new pieces to be premiered by OSL. Plus, Roe shares how reading during his daily commute supports his well-being, the inspiration he gets from the "wonderful crackle of anticipation" before a concert begins, and his favorite Manhattan restaurant when he's craving Basque cuisine. — Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Today's Coffee Connection is another musical episode. I chatted with oboist Ann Lemke, a DAAD Alumna and current Research Ambassador, who recently released her CD Oboe Salon. You can find Ann on her website www.lemkestudio.com/ann-lemke, on Facebook and Instagram @lemkestudio.

Der Ausnahmekünstler hat auf dem Roten Sofa Einblicke in seinen Werdegang und eine Live-Kostprobe seines Könnens gegeben.

Peter Lackovič je nekdanji učenec Glasbene šole Nova Gorica, dobitnik številnih najvišjih nagrad na državnih in mednarodnih tekmovanjih, ki zadnja leta nastopa z najvidnejšimi evropskimi mladinskimi orkestrskimi sestavi in uspešno opravlja avdicije v eminentnih simfoničnih orkestrih po vsem svetu. 27-letni glasbenik zadnja leta živi in deluje v Amsterdamu, kjer je letošnjo pomlad postal tudi prvi oboist nacionalnega mladinskega orkestra NJO, konec avgusta pa se je vrnil iz Seula v Južni Koreji, kjer si je mesec dni pridobival nove poustvarjalne izkušnje v korejskem nacionalnem simfoničnem orkestru.Ob krajšem obisku družine smo ga konec avgusta povabili pred mikrofon.

Albrecht Mayer ist eine Instanz in der Musikwelt: Seit 30 Jahren ist er Solooboist der Berliner Philharmoniker, seine Meisterklassen sind international gefragt und seine CDs mit Soloprojekten sind vielfach ausgezeichnet. Trotz dieser Spitzenposition sitzt er nicht im Elfenbeinturm, sondern ist ein nahbarer Künstler geblieben. Noch näher kommt er dem Publikum mit seinem neuen Buch. Darin geht es ums Stottern und seine Kindheit mit ein paar Schattenseiten und um die Wichtigkeit der Oboe in seinem Leben.

Vom Meer war Claude Debussy fasziniert. In einem Fragebogen hat er sogar einmal hingeschrieben, dass er gerne Seemann geworden wäre. Ob das stimmt oder ein Spässchen war, ist nicht so klar; auf jeden Fall gibt es in Debussys Musik immer wieder Bezüge zum Meer, am deutlichsten natürlich in «La mer». Diese drei sinfonischen Skizzen, wie er sie im Untertitel nennt, gehören zu den faszinierendsten Partiturseiten, die Debussy komponiert hat. Unmittelbar packend, sehr farbig und abwechslungsreich. Debussy war anfangs vierzig als er 1903 mit der Komposition begonnen hat. Die Premiere zwei Jahre später war erstmals nicht sonderlich erfolgreich; wohl schlicht, weil das Orchester mit diesen neuartigen Klängen überfordert und schlecht vorbereitet war. Als Debussy 1908 die Gelegenheit hatte, das Stück selbst zu dirigieren, wurde es ein Erfolg. Ein Erfolg, der bis heute ungebrochen andauert. Gäste von Norbert Graf sind die Musikpublizistin Verena Naegele und der Oboist und Komponist Matthias Arter.

Vor 200 Jahren starb ein wahres Multitalent: William Herschel. Er war Geiger, Cellist, Oboist, Organist, Komponist und Astronom. Heute wird sein Name weniger mit seinen Kompositionen als mit seinen Entdeckungen, die er durch seine selbst gebauten Teleskope gemacht hat, in Verbindung gebracht. Grund genug für ein kleines Porträt von Marcus Caratelli.

Flute 360 | Episode 215: “Build Your Own Stage with Jennet Ingle!” Are you tired of not being creatively or financially fulfilled? Do you want to build your own opportunities for your career? You have worked tirelessly hard on your craft and degree and deserve to be fruitful in your musical endeavors. However, it may not be your fault if the traditional path has not panned out for you. The music market is overly-saturated with highly skilled musicians, and there are not enough jobs to go around. So what do we do about it? You build your own stage. You are elevated, seen, and heard by building your own stage. This is how your audience finds you, like a moth to a flame. This is what I want for you because you deserve it. Join me in today's thrilling episode with Jennet Ingle, where she talks about how she's done this very thing for her career/business! Enjoy! E215 – Resources Mentioned: Two-Day Event: Identify Your Audience – Register Here! 8/25/22 and 8/26/22 from 4:30-6:00 PM / CT / USA The Pivoting Musician's Class – Register Here! Schedule your call with Heidi & Garrett here! Jennet's Links: Jennet Ingle's Website – Click here! Book: The Happiest Musician by Jennet Ingle Follow Jennet via Instagram! Listen to Heidi & Jennet via The Crushing Classical Podcast! (08/18/22) Follow Flute 360! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Join the Flute 360 Newsletter! Follow Flute 360 via Facebook! Subscribe to the Flute 360's YouTube Channel! Heidi's Website

Christian (oboeman) ist seit Jahren Podcaster und teilt dabei seine Erfahrungen als Oboist und Dirigent, sowie persönliche Interessen wie Camping, Geocaching oder therapeutisches Bogenschießen. In dieser Sonderfolge gehen wir beide Podcast-Formate durch – erst BACKSTAGE, dann UMWOMUKUM. Im anschließenden Nachgespräch unterhalten wir uns unter anderem über Erlebnisse auf, vor und hinter der Bühne und die heilsame Wirkung von Musik und Theater. 00:00:00 Einleitung 00:01:35 Backstage 00:22:39 UMWOMUKUM 00:52:31 Nachgespräch 01:29:34 Abendlied Podcast UMWOMUKUM: https://www.umwomukum.de Geocaching-Podcast Spielbrett Erde: http://www.spielbretterde.wordpress.com/ BACKSTAGE unterstützen? ♥ Hier entlang: https://backstage.podcaster.de/unterstuetzen/ RSS-Feed: https://backstage.podcaster.de/BackstagePodcast.rss Blog: https://backstage.podcaster.de Facebook: https://www.facebook.com/BackstagePodcast Instagram: https://www.instagram.com/backstage_podcast Twitter: https://www.twitter.com/Backstage_Pod Kontakt Leni Bohrmann: backstagepodcast@gmx.de BACKSTAGE! wird gefördert durch den Stadtverband für Kultur der Stadt Neustadt e.V.

One of Britain's most accomplished musicians, Nicholas Daniel OBE, chats about his illustrious career. 

In this episode, presenter Simon Mundy is in conversation with the COE's former principal oboe François Leleux. They talk about his COE adventure and find out about his approach to conducting whilst still pursuing a career as a world-renowned oboist. For more information about François, please visit his website: https://francoisleleux.com/

Oboist Kim Webster, a pillar in the Berks County music community, shares with us how she (accidentally?) started playing the oboe and the great influence Wes Fisher had on her professional career. We also discuss what she wishes to impart to her private students as well as her many years of involvement with the Reading Symphony, the Reading Pops Orchestra and the Reading Musical Foundation. What a fun conversation this was, we hope you enjoy learning more about Kim! If you would like to contact us, please message us at lifebetweenthenotes@gmail.com

Oboist of Windsync and Patagonia Winds Emily Tsai shares her love of traveling and some of her most insane travel stories. Follow Emily at www.oboefriend-music.square.site Windsync www.windsync.org Patagonia Winds www.patagoniawinds.org Support this podcast at www.patreon.com/haydnmusicstand and follow us on social media @haydnmusicstand Spotify Playlist: https://open.spotify.com/playlist/1mJVam8s0zJ91JhhC7Dpd0?si=03f919267eaf4a11 --- Support this podcast: https://anchor.fm/haydnmusicstand/support

David Agnew, Oboist, RTÉ Concert Orchestra

A former professional oboe and cor anglais player based in London, Sadah Webster now works as an investigator and intelligence analyst. Investigating whistleblower complaints and misuses of public office.QUOTES“I was halfway through a Bachelor of Music degree when I took a year off to study linguistics and live in Thailand.”“I didn't know what I was doing, I was petrified all the time and I was burned out.”“Looking back, emotionally, I think the fact that I was advanced as a player quite early on and I got thrown into a lot of stuff which was great for my playing but emotionally I wasn't ready.”“Because I had solely focussed on being an Oboist, I didn't know anything else.”“I had various attempts at retraining, but a sense of purpose came much later in my emotional journey.”“As a freelancer, you never know why you don't get booked.”“The context in which we learn perpetuates “there's something wrong with me” and the same toxic productivity runs through the law school as in music school.” “Assumptions are being made about your work ethic, motivation and ability to use your time. I had been told by various teachers that I was lazy when I couldn't practice more because instead I had to work to earn a living.”“The only tool the teachers have is “well just practice more”.“The work was more stressful than enjoyable, the balance had totally shifted and I was just exhausted.”“The cost benefit analysis of being an oboist doesn't make sense, but I didn't know how to make that assessment when I was studying.”LINKSFind Sadan on LinkedINPODCAST TEAMProduction Support from Molly Jenkins Audio Engineering from Frazer RuddickTheme Music Composed by Danna YunTheme Music Performed by Jasper LyRECORDEDRecorded on 24 October 2021

Alecia is the Founder, Artistic Director, and Oboist for ROCO, a professional chamber orchestra. She tells us how her original plans to study physics at a different university changed (weeks before starting college!), what she learned during her time living abroad, and how watching multiple orchestras fail helped her to build ROCO into what it is today. Alecia also shares her experience as a parent with her two college age sons.  For more information about ROCO, visit www.roco.org. 

My guest today is the self-proclaimed “Unfussy Oboist” Jennet Ingle. I love that title…can't wait to hear the explanation. Jennet, who in addition to being the Principal Oboist of the South Bend Symphony Orchestra, is also the creator of tons of online resources for musicians, including her signature group program, Invincible Oboist, that helps oboists get past the struggle to find ease in their playing. Sounds pretty good! She also created the Reed Club, that meets every Monday online for social connection and actual making of fantastic oboe reeds, and a group for beginning reed makers called, “Zero to Reedmaker” which has group classes and elements of accountability. She even has a big announcement about a book that she just wrote and that's coming out soon! Wow…that's a lot of reed talk, and since I am the opposite of an expert on making or playing oboe reeds, let's get right to my conversation with Jennet Ingle. The Honesty Pill Podcast is proud to be sponsored by the Yamaha Corporation of America. Thank you, Yamaha! LINKS @jennetingleoboist on Facebook @jennetingle on instagram www.jennetingle.com is my website @jennetingle on YouTube

Welcome to Season 2 of the podcast. In this episode, Paul Kildea speaks with oboist Celia Craig. They discuss Celia's musical background, the intricacies of playing the oboe, orchestral life, as well as her experiences as someone with chromesthesia.

Susan Giles Wantuck reads "Tarpon Springs Oboist Plays on the Need for Reed," a profile of oboe player Amy Collins, written by Kurt Loft and published in the Creative Pinellas Arts Coast Magazine.

Albrecht Mayer ist ein Megastar der klassischen Musik. Trotzdem spielt er seine Oboe am liebsten in Kirchen – zur Freude seiner Heimatgemeinde in Berlin-Nikolassee. Dort tritt er zwischen seinen Konzertreisen ab und zu auf. Von Elmar Krämer www.deutschlandfunkkultur.de, Religionen Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Today we have Dr. Rong-Huey Liu on the show. Hailed as “a phenomenal, expressive oboist”, Taiwanese American, Dr. Rong-Huey Liu is one of Southern California’s most active oboists. She holds principal positions in the Long Beach Symphony, Los Angeles Ballet Orchestra, Reno Chamber Orchestra, Fresno Philharmonic, and Riverside Philharmonic. Dr. Liu has played all over the world and has worked as a studio musician in Hollywood. She holds Bachelor and Master of Music degrees from the Manhattan School of Music, and Doctor of Musical Arts degree from the Thornton School of Music, University of Southern California. If you listen to this podcast, you know that I love classical music so this conversation was as fun for me to produce as it will be for you as a listener. Books Marcel Tabuteau by Laila StorchCasals And The Art of Interpretation by David Blum Our Patreon Page

We chat this week with another fabulous member of the Kansas City Symphony family, associate principal oboe Alison Chung. She is not only talented oboist, she is a prolific cook, baker, eater, and food blogger. Learn all about Alison's journey in music, and how her hungry and adventurous online alter ego, “Lil' Chung” came to be. This week on Beethoven Walks into a Bar. https://open.spotify.com/playlist/0MgUj2VKzYCYKdiVDStMrL?si=1a24304c337a48f5 (Episode 402 Playlist)

An insightful and colorful conversation with the internationally known oboist, and founder of the Minnesota Bach Ensemble

Today I'm having a fascinating conversation with Jennet Ingle, oboist, entrepreneur, teacher, coach, and author. Jennet has put together what she calls a portfolio career. She has managed to create a career that she loves from multiple sources, from orchestral and solo performances to her reedmaking business all the way to her popular online reedmaking courses and even an upcoming book! Jennet's story is an inspiring example of how we as artists are more than capable of forging our own path that can be rewarding both artistically and financially.  Full Show Notes  

„Jedes Projekt ist ein neues Abenteuer“, sagt Philippe Tondré. Er ist Solo-Oboist des Chamber Orchestra of Europe und glücklich, mit dem international besetzten Spitzen-Ensemble jetzt endlich wieder konzertieren zu können – wie derzeit mit einem Beethoven-Zyklus unter Dirigent Yannick Nézet-Séguin im Festspielhaus Baden-Baden. Im Gespräch mit SWR2 erzählt Tondré vom besonderen Spirit, der die Musiker*innen eint, und von den Herausforderungen, die die Pandemie dem in London beheimateten Orchester gestellt hat.

„Etwas im Stil von Mozart fertig zu komponieren, das ist quasi wie wenn man ein Bild von Van Gogh hat, das zu zehn Prozent vollständig ist und man soll den Rest in seinem Stil malen. Das ist natürlich schon, gelinde gesagt, nicht die einfachste Aufgabe auf Erden.“ Doch genau dieser Aufgabe hat sich der Oboist, Dirigent und Komponist Gotthard Odermatt gestellt – und mir im Backstage Podcast davon erzählt. Dabei wird eines sehr deutlich: Komponieren ist nicht nur Kopf-, sondern auch Herzenssache. Gotthard Odermatt: http://www.gotthardodermatt.ch/ Musik in dieser Podcast-Folge: Les couleurs de l'eau, Op. 22 https://youtu.be/xSTKqMefvQY und Mozart, Odermatt: Oboe Concerto in F Major https://youtu.be/v8Mab-pr4PY BACKSTAGE Live-Podcast, 31.7.2021 in Neustadt an der Weinstraße: https://www.theater-in-der-kurve.de/events/sommernacht-finissage/ *** RSS: https://backstage.podcaster.de/BackstagePodcast.rss Blog: https://backstage.podcaster.de Facebook: https://www.facebook.com/BackstagePodcast Instagram: https://www.instagram.com/backstage_podcast Twitter: https://www.twitter.com/Backstage_Pod Kontakt Leni Bohrmann: backstagepodcast@gmx.de BACKSTAGE! wird gefördert durch den Stadtverband für Kultur der Stadt Neustadt e.V.

We join Seb and Verity in the Greenwich garden of this week's guest - Oboist, Cor Anglais player and lockdown hero, Ben Marshall. Ben was the mastermind behind the Greenwich Park pop-up symphonies. He took the difficult decision not to monetise and commercialise these impromptu performances thus retaining their unexpected and magical feeling.Ben discusses an exciting film project he's recently worked on whilst giving away as little as possible - he'd signed an NDA leading to many a cryptic answer!They talk about differing styles of oboe playing around Europe, music education, what the 21st century musician looks like and the unenviable task of sounding the ‘A' pre gig.We also find out why Ben had 16 hrs in Bankok, which famous wizard rocked up to the park pop-ups and what led to him getting a monkfish tattoo.You'll be relieved to hear there is more vintage Neighbours chat - thanks Verity - and Ben explains why he's convinced he started the pandemic....You can follow Ben on Instagram https://www.instagram.com/and Twitter https://www.twitter.com/Bon_marshay/As referenced in our chat, here is the infamous Jim Robinson Neighbours death scene: https://m.youtube.com/watch?v=2yATh1D-3u8THREE IN A BAR ON THE SOCIALSYou can follow Three In a Bar on Instagram @threeinabarpodhttps://www.instagram.com/threeinabarpod/We are on Twitter @threeinabarpod https://www.twitter.com/threeinabarpodEMAIL US!Anything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.comSUPPORT THREE IN A BAR ON PATREONThis show is purely funded by our patrons. Join our Members' Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabarMEZZO PIANO PATRONSLeonie HirstAnita Philpott Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

Support Topic Lords on Patreon and get episodes a week early! (https://www.patreon.com/topiclords) Lords: * Alexander * Amanda Topics: * The disappointment of sci-fi stories that are just reskins of stuff that happens on Earth. * My bitcoin. * https://twitter.com/mogwai_poet/status/543952090800734209 * I can't decide whether I'm more annoyed that Wienerschnitzel doesn't serve schnitzel, or that they did for three months in 2017 as a gag. * Jesse asks "First encountering a song through parody." * Bad habits that adventure games teach you. Microtopics: * Shrinking your pony until it's really small. * Pulling down the console and typing +mlook. * Skyrim modding as a more convincing representation of magic than the spell system in the game itself. * A very cryptic twitter account that just posts numbers. * What @math_ebooks did to be suspended. * Wanting to land on a planet and look for Bob but a different planet gets in your way first. * Sci-fi as a safe lens for exploring our culture without getting people's defenses up. * Reverse mystery stories. * Starfish people who communicate through music. * Watching Solaris because you're really into boring sci-fi. * An alien invasion movie without the invasion. * Final Jeopardy asking you to identify the Close Encounters of the Third Kind melody from the interval names. * The fires of Musical Jeopardy. * The correlation between how tightly strung your instrument is vs. how tightly strung you are. * The Star Trek episode where the Enterprise discovers a musician planet where there's a war between the pianists and the oboists. * Edmonton, the early Bitcoin hub. * SETI@home never finding anything interesting. * Losing your Bitcoin wallet. * Buying a $40,000 coffee with Bitcoin in 2013. * Giving your college hard drive to a friend to ask them to try to find your Bitcoin wallet without first scouring it for incriminating evidence. * Deciding you no longer need a memes folder on your hard drive because you can easily find as many memes as you need on the Internet. * Dressing up as the Murder She Wrote theme song for Meme Day. * Whether the Murder She Wrote theme song is a meme. * The barbecue joint that accepts Dogecoin. * Going to Remedy Chai in Edmonton and getting a butter chicken wrap and a $40,000 chai. * Liking both hot dogs and schnitzel but hating Wienerschnitzel. * A joke that most people won't get or notice, and the people who do will be annoyed by it. * My First Book of Space. * Hating potatoes until you discover that they are delicious and then hating them even more. * Your refusal to admit that actually you like potatoes as foreshadowing to every argument you ever have on the Internet. * The Wienerschnitzel chili cheese dog burrito skipping right from marketing's brain to consumer's mouths without ever being taste-tested by anyone. * The Brain to Mouth social movement. * The culinary dimensional space of meat product folded into bread product. * A hybrid chef/engineer who has an understanding of both fast food pipelines and how to prepare a tasty meal. * Hearing every Weird Al version of a song before you hear the originals. * Mathnet. * Bible versions of pop culture songs so you can sing along to the radio without being full of sin. * The guy at Bible Camp who rewrote the lyrics of pop music to be about God, who retired back when Christianity was groovy, so the most recent pop music you're allowed to sing is from the 1970s. * It's getting cold in here, so put on all your coats. * Sherlock Hemlock. * Vincent Twice Vincent Twice. * Monty Python's popularity among Americans who are completely oblivious to what it's satirizing, so a whole generation of American nerds grew up thinking inscrutable nonsense is the pinnacle of comedy. (Which it is.) * A combination of things you usually don't see tickling your neurons in a novel way. * The scene in the Hitchhiker's Guide radio show where Douglas Adams is making fun of disco. * The missing album that the Backstreet Boys only released in Canada so they could practice being famous. * Time traveling to past and future Space Quests. * Doing ridiculous adventure game shit to get a book of matches when you could just go to a store and buy a gosh darned book of matches. * An adventure game where you can do what makes sense. * How the Infocom hard boiled detective text adventures were structured differently from traditional text adventures. * Wanting Roberta Williams to adopt you and now you've blown it. * The Seattle of Mexico. * San Francisco, The Everbrown State. * Roberta Williams tracking you down and adopting you against your will. * Luring Roberta Williams to your house with promises of trained chickens jumping through hula hoops.

"Bei Mozart ist es wie mit Nutella", sagt der weltweit gefeierte Star-Oboist Albrecht Mayer. "Man muss nicht wissen, was drin ist, um zu merken, dass es gut schmeckt." Mayer, der als einer der besten Oboisten der Welt gilt, genießt Mozart auf seinem neuen Album deutlich hörbar. Seit fast drei Jahrzehnten spielt der gebürtige Franke bei den Berliner Philharmonikern und damit auf den großen Bühnen weltweit.

In episode #4 of Power of Music, a podcast created by BMC News Director, Frederique Rigoulot, with volunteer, Komako Akai Whitelaw, and in partnership with Powers Music School, Marie Cicconetti shares how music is at the core of her being. Episode edited by Komako Akai Whitelaw.

Ryan Walsh is an oboist and wine tasting connoisseur currently based in Pittsburgh after 17 years in New York City. Most recently, Ryan was the oboe/English horn player for the Broadway National Tour of Les Misérables. When not on tour, Ryan regularly appears with ensembles including the New York Philharmonic, Baltimore Symphony, American Ballet Theater, American Symphony, and on Broadway in “Natasha, Pierre, and the Great Comet of 1812”. Ryan is also an active studio musician, appearing on the soundtracks for “The Secret Life of Walter Mitty”, “The Goldfinch”, “The Good Liar”, “West Side Story”, Disney’s “Noelle”, and “The Marvelous Mrs. Maisel”.Ryan is also leads professional wine tastings! Cultivating his love for wine as a waiter during a gap year before graduate school, Ryan nurtured this interest and fully leaned into the world of virtual tastings post-pandemic era. He works through several companies, and also runs his own business On The Nose Tastings. In this episode, Ryan shares how he got into the world of wine tasting and events, how he's previously balanced these interests with a busy oboe career, and how he's adapted since his tour closed in March. Support the show (https://buymeacoff.ee/doublerspodcast)

Seattle based Oboist and Reed Maker, Jamie Sanidad joins us this week to talk about graduating college and entering life as a professional during the pandemic, teaching online, and starting a reed business! Jamie is one of the podcast's first listeners and a former studio mate of Alaina's during their undergraduate studies at Indiana University. Right now Jamie is building her career in Seattle, enjoying being close to her family and making oboists' lives better by providing them with good reeds :) Visit Jamie's oboe reed website: https://www.pnwreeds.com/ Theme Music by The Maplewaves

Arthur Sato shares his life as a NYC freelancer, as an educator. He tells us some great stories about being a contractor, how his heritage has shaped who he is, his involvement in the production of Mozart in the Jungle, his love for the Portland Trail Blazers, and so much more on this great episode! To become a Down the Pit supporter, please visit www.Anchor.FM/Down-the-Pit https://www.linkedin.com/in/arthur-sato-9108559 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/down-the-pit/support

Andreas N. Tarkmann - Komponist, Arrangeur und Oboist - ist ein Gewinner der Krise. Als Arrangeur wird er von vielen Opern- und Konzerthäusern derzeit angefragt, um die großen Werke für kleinere Besetzungen umzuschreiben. Im Gespräch erläutert er, was für ihn ein gutes Arrangement ausmacht und warum man auch bei den berühmten Komponisten manchmal nachbessern kann.

Heinz Holliger interessieren vor allem die Grenzen von Sprache, Klang und Leben als Mensch und als Musiker. Er ist Komponist vieler Bühnenwerke, schreibt für Stimmen, Orchester, Kammerensembles und Instrumentalsolisten. Klangsinnlichkeit und größtmögliche Klarheit bestimmen seine Arbeit als Dirigent, Schätze entdecken und Neue Musik verbreiten möchte Heinz Holliger mit seiner Oboe. (Produktion 2017)

Stell dir ein Orchester mit lauter begnadeten Musikern vor. Ein begnadeter Geiger, ein Bratschist, ein Oboist - sie alle sind wirklich gut und haben unendlich viel Spaß an ihren Instrumenten. Nun kommt ein neuer Dirigent und sagt, “So Freunde, lasst uns an unseren Schwächen arbeiten. Du, lieber Geiger, spielst ab heute die Oboe. Du bist darin nämlich noch wirklich schlecht.” Dabei ist es für den Geiger - und insbesondere für das Orchester - vollkommen unerheblich, dass er so schlecht Oboe spielt. Michael und Christian sprechen heute über strength-based leadership, und wie Du diese als Führungskraft in Deinem Unternehmen nutzen kannst um noch einfacher Ergebnisse zu erzielen.

Oddajo bomo ta teden posvetili oboistu Arisu Vehovcu. Trenutno je zaposlen v Policijskem orkestru, sicer pa je na svojo glasbeno pot stopil v Velenju pod vodstvom Tanje Mršnjak Petrej, nato pa študij oboe nadaljeval in končal na ljubljanski Akademiji za glasbo v razredu Mateja Šarca. Uspešno se je udeležil več tekmovanj za mlade glasbenike, na primer Temsiga in več mednarodnih tekmovanj, kot so tekmovanji Davorina Jenka in Stevana Mokranjaca, Svirel in tekmovanje Woodwind & Brass v Varaždinu. Poleg tega je že sodeloval tudi v več orkestrih po Sloveniji, s katerimi je že nastopal tudi kot solist, tako je recimo za nastop z Ljubljanskimi solisti in Baročnim orkestrom Akademije za glasbo prejel še študentsko Prešernovo nagrado. Takrat smo glasbenika tudi povabili v naš studio, danes pa bomo v oddaji prednost dali glasbi. Poslušali bomo odlomek Telemannove Fantazijo v a-molu, št. 2, nato pa še Koncertantni duo za oboo in klavir Antala Doratija in Sonato za oboo in klavir Lare Oprešnik.

This week, Ariana (virtually) sits down with her friend Mayu Isom. Mayu plays oboe in the Houston Grand Opera and Ballet Orchestras. Finally, a non-string player! She loves to cook and bake - when she's not making reeds of course. We'll hear about her adorable cat Gnocchi, her new herb garden, recent baking projects, and what she's been listening to these days. If you're lucky, you might even get to hear the dulcet tones of an English Horn... Here's where you can find Mayu @lanamayu_ and her cat Gnocchi @gnocchi_the_tortie on Instagram. Check out her website mayuisom.wixsite.com/oboe Thanks for listening! Hit that subscribe button and please rate, review, and share with your friends :) New episodes uploaded every Friday. Contact me with comments/suggestions via my website www.ariananelson.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ariana-nelson/support

Listen to Dr. Allie in conversation with Ryan Roberts, an oboist and one of the youngest members of the NY Philharmonic, as they speak on coping as a musician during the COVID-19 pandemic. This episode was recorded on April 28, 2020. Noted for his “beautiful”, “eloquent” and “exquisite” playing by the New York Times, RYAN ROBERTS is the newly appointed English horn/Oboe of the New York Philharmonic. Ryan has performed with many of the country's leading orchestras, including the Chicago Symphony, the Philadelphia Orchestra, the San Francisco Symphony, the Metropolitan Opera Orchestra, and the Ft. Worth Symphony. An award-winning oboist, Ryan received first prize at the International Double Reed Society's 2018 Young Artist Competition and the National Society of Arts and Letters' 2018 Woodwind Competition. Before joining the Philharmonic, Ryan spent one season as a member of the New World Symphony under the direction of Michael Tilson-Thomas. Ryan recently premiered Michael Torke's Oboe Concertino with the Albany Symphony and recorded the work for Albany Records. An avid chamber musician, Ryan performs at the Marlboro Music Festival during the summer under artistic directors Mitsuko Uchida and Jonathan Biss; he has also collaborated in recitals with the Pacifica Quartet and Emanuel Ax. As a Kovner Fellow graduate of The Juilliard school, Ryan studied with Elaine Douvas and appeared frequently as principal oboist of the Juilliard Orchestra. Ryan has been a member of the New York String Orchestra Seminar and spent three summers as the oboe fellow at the Aspen Music Festival. In 2016, Ryan was featured as a recital soloist aboard the Crystal “Symphony" cruise line touring Portugal, Spain, France and England. Ryan has studied piano since age 5 and made his concerto debut at age 11. When he isn't busy making reeds, Ryan enjoys practicing piano and running with his retired racing Whippet named Malley. You can follow Ryan on Instagram at @ryanjroberts and his website is www.ryanrobertsoboe.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ep. 76: Mary Lynch, oboist   Mary Lynch is the principal oboist of the Seattle Symphony and a faculty member at the University of Washington. In this episode we spoke about the motivation to practice, path to success, rituals, Dalbavie oboe concerto and the preparation it took to record the difficult piece. We also discussed hobbies, her middle school obsession with John Williams and the desire to be a composer. Mary also talked about her approach to teaching, upcoming projects, how the youth orchestra inspired her to be a musician, Aretha Franklin and Bach. Lastly, we got to the most important question, why does the oboe tune the orchestra?   For more information about Mary Lynch visit her official website: https://marylynchoboe.com/   © Off The Podium, 2019  

Albrecht Mayer malt neue Klangbilder in der Heimat: In seiner neuen CD "Looking for Paradise" spielt er zusammen mit den Bamberger Symphonikern. Paradiesische Musik entstand oft in schweren Phasen im Leben der Komponisten, erzählt der Oboist im Interview.

Bekannt wurde er als Oboist. Ebenso ist er ein bedeutender Komponist. Und nicht zuletzt hat er sich auch als Dirigent einen Namen gemacht. Der Schweizer Heinz Holliger reiht sich ein in die Traditionslinie Mendelssohns, Mozarts, Beethovens: universal begabt, universal unterwegs. Am 21. Mai wird er 80 Jahre alt.

Matt Dine comes from a family of artists. Matt and Kai talk about what made him fall in love with the oboe (11), the episode that changed his life (26:40), and how he found his second career (31). They also discuss what allowing people to take photos during concerts might do for the classical music industry (46:40) and what he's learned about musicians by becoming a photographer (53). 

Unsere Podcast-Episode Nr. 5 wirkt so erfrischend und aufmunternd wie der Frühling: Klassikradio-Moderator Holger Wemhoff trifft den wohl besten Solo-Oboisten Albrecht Mayer - und zwar in dessen Probenraum der Berliner Philharmonie. Es klingt, als hätten die beiden langjährigen Freunde sich erst gestern zuletzt gesprochen, so mitreißend und unterhaltsam ist dieses Gespräch über Erinnerungen, Skandale, Kritiken und das neue Album "Longing For Paradise". Jetzt hier reinhören!

Ta teden v oddaji predstavljamo oboista Arisa Vehovca, ki je konec leta prejel Študentsko Prešernovo nagrado za izvedbo Koncerta za oboo Antonia Vivaldija z Baročnim orkestrom Akademije za glasbo. Mladi glasbenik se je igranja na oboo začel učiti v Velenju pod vodstvom Tanje Mršnjak Petrej, pozneje pa se je vpisal na akademijo za glasbo, kjer je njegov mentor Matej Šarc. Tudi on se uspešno udeležuje tekmovanj za mlade glasbenike in veliko nastopa, posebej dejaven pa je kot substitut, tako je nastopal že z mnogimi orkestri v Sloveniji.

Vom Vater wurde der gebürtige Italiener Alfredo Bernardini in Konzerte mit Musik von Gustav Mahler geradezu geschleppt. Daraufhin wurde er zum Barockfan und auch Spezialisten für Alte Musik.

Oddajo tokrat namenjamo oboistu Arisu Vehovcu, ki se je oboo začel učiti pod vodstvom Tanje Mršnjak Petrej (na nižji in srednji glasbeni šoli v Glasbeni šoli Frana Koruna Koželjskega v Velenju), hkrati pa je na začetku svoje glasbene poti obiskoval tudi ure klavirja in solopetja. Že od začetka se je udeleževal regijskih in državnih tekmovanj, na katerih je dosegal visoke rezultate, recimo na Temsigu in na tekmovanjih Davorina Jenka, Stevana Mokranjaca, Svirel, Emona in Woodwind and Brass. Poleg tega je nastopal in tekmoval tudi v duu s harmoniko, pihalnim kvintetom ter v komorni skupini s flavto in klavirjem. Kot solist je večkrat nastopil s šolskim simfoničnim in godalnim orkestrom, redno sodeluje s simfoničnim orkestrom Glasbene šole Celje, pogosto pa zaigra tudi v klavirskem duu z Laro Oprešnik. V oddaji bomo poslušali dva njegova solistična nastopa ob spremljavi orkestra, in sicer bomo slišali Veliki koncert na teme iz Verdijeve opere Sicilijanske večernice za oboo in klavir Antonina Pascullija (Ljubljanski solisti, dirigent Zoran Bičanin) in Koncert za oboo in godalni orkester v C-duru, RV 447 Antonia Vivaldija (Baročni orkester Akademije za glasbo, dirigent Egon Mihajlović).

This week I sat down with Breana Gilcher, an oboist living and working in Los Angeles who has a very personal story of injury and recovery. She shares with us ways in which she balances her physical and mental health in relation to a very demanding and potentially stressful career. Find show notes on Breana at peformusicians.com and enjoy!

We caught up with AYO Alumna and Principal Oboist of Sydney Symphony Orchestra to talk about her upcoming collaboration with the Australian Youth Orchestra for our July Season concerts.

Do Oboists really suffer from brain haemorrhages? Why is it so difficult to play? Steph Dixon talks Sascha and Adam through the bits and bobs of the Oboe.

Kristin Naigus discovered her love of music in high school. She switched career paths, became an instrumentalist and has never looked back.

Hello Frequent Flyers and welcome aboard our Nineteenth flight, Mozart in the Jungle.  We ask all passengers to remove their headsets before take off, and instead enjoy the musical stylings of an Oboist who knows how to TURN UP.  Incidentally there will a massive party where there will be a wood-wind-off, and you may find that and our previous pilot has been replaced with a newer hotter pilot who likes giving away flowers. This flight will not, incidentally, be for our younger flyers.   Flaut(!) your knowledge on our Facebook.Play it again on our  iTunes page?And conduct yourself accordingly on our Contribution Page where you can tell us what you think with words or scrills. Or find another podcast that fits your tune over at the Modern Superior  

Claus Hipp kennen in Deutschland viele aus dem Fernsehen. Der Unternehmer wirbt persönlich für Baby- und Kleinkindkost, dafür steht der Name Hipp seit mehr als 80 Jahren. In der Firma, die sein Vater Georg 1932 gründete, musste Claus Hipp schon früh Verantwortung übernehmen. Mit 29 stieg er nach dessen plötzlichem Tod in die Geschäftsleitung ein, die er sich mit seinen Brüdern Georg und Paulus teilte. Seiner Leidenschaft für Kunst und Schauspiel widmete Claus Hipp sich fortan nur noch privat, obwohl er nach einem abgeschlossenen Jurastudium und einer Kunstausbildung als Meisterschüler des Malers Heinrich Kroop, durchaus mit einer künstlerischen Existenz geliebäugelt hatte. Heute sind vier seiner fünf Kinder mit im Unternehmen beschäftigt und Claus Hipp hat mehr Zeit, für andere Aufgaben. Seit 2001 hat er eine Professur an der Kunstakademie in Tiflis, Georgien, inne. Außerdem unterstützt er nicht nur als Mäzen, sondern auch als Bühnenbildner das alljährliche Opernfestival auf Gut Immling im Chiemgau, das sich über die Region hinaus einen ausgezeichneten Namen gemacht hat und unter Opernfreunden der "zweite grüne Hügel" Bayerns genannt wird. Der 75-Jährige ist zudem begeisterter Oboist und lebt mit seiner Familie noch immer auf dem elterlichen Hof bei Pfaffenhofen an der Ilm, den heute seine jüngste Tochter leitet.

Encore presentation of installment 10/21/2014 Zane Carney currently plays lead guitar for Spider-Man Turn Off The Dark on Broadway with Los Angeles based Interscope Recording act CARNEY. Born and half-raised in NYC, Zane moved to Los Angeles as a child and developed an affinity for the guitar in Junior High when he started performing at local blues clubs. After attending Hamilton High School Academy of Music and touring Japan with the Monterey National All-Star Big Band, he began his collegiate studies at University of Southern California's Thornton School of Music majoring in Studio/Jazz Guitar. As a Guitarist and former Oboist, many of his schooling years included performances with Symphony Orchestras and Chamber Groups which lead to an educational background that is equally classical and jazz. This diversity of musical styles and methods helped to form a unique sound that draws just as much from Jazz as it does Delta Blues, Rock and Roll and Impressionism. Zane has been fortunate to tour the world (Jesse McCartney, Renee Olstead, Armand Sabal-Lecco, etc.), perform regularly on national television (Jay Leno, Jimmy Kimmel, Good Morning America, etc.), and play lead guitar as an onstage musician at Last Call with Carson Daly and CW's Oh Sit. On top of this, he has performed with a diverse group of jazz artists including John Daversa whose Big Band album "Junk Wagon" and Small Group record "Artful Joy" feature Zane's jazz playing. Outside of session and touring work, Zane is fortunate to have two strong outlets as an artist. One is though his band CARNEY which he shares with brother/lead singer Reeve Carney who is currently playing the title role of Peter Parker in Broadway's Spider-Man Turn Off The Dark. CARNEY has toured the US, Canada and Australia opening for U2, Fergie, The Veronicas, The Black Crowes and Gov't Mule while also playing guitar for John Mayer on the road. The other is as a singer/songwriter creating, recording and performing his own material. In his spare time, Zane teaches music theory and guitar masterclasses at universities in LA and NY. zanecarney.com facebook.com/zanecarneyofficial @zanecarney (Twitter & Instagram)

Encore presentation of installment 10/21/2014 Zane Carney currently plays lead guitar for Spider-Man Turn Off The Dark on Broadway with Los Angeles based Interscope Recording act CARNEY. Born and half-raised in NYC, Zane moved to Los Angeles as a child and developed an affinity for the guitar in Junior High when he started performing at local blues clubs. After attending Hamilton High School Academy of Music and touring Japan with the Monterey National All-Star Big Band, he began his collegiate studies at University of Southern California's Thornton School of Music majoring in Studio/Jazz Guitar. As a Guitarist and former Oboist, many of his schooling years included performances with Symphony Orchestras and Chamber Groups which lead to an educational background that is equally classical and jazz. This diversity of musical styles and methods helped to form a unique sound that draws just as much from Jazz as it does Delta Blues, Rock and Roll and Impressionism. Zane has been fortunate to tour the world (Jesse McCartney, Renee Olstead, Armand Sabal-Lecco, etc.), perform regularly on national television (Jay Leno, Jimmy Kimmel, Good Morning America, etc.), and play lead guitar as an onstage musician at Last Call with Carson Daly and CW's Oh Sit. On top of this, he has performed with a diverse group of jazz artists including John Daversa whose Big Band album "Junk Wagon" and Small Group record "Artful Joy" feature Zane's jazz playing. Outside of session and touring work, Zane is fortunate to have two strong outlets as an artist. One is though his band CARNEY which he shares with brother/lead singer Reeve Carney who is currently playing the title role of Peter Parker in Broadway's Spider-Man Turn Off The Dark. CARNEY has toured the US, Canada and Australia opening for U2, Fergie, The Veronicas, The Black Crowes and Gov't Mule while also playing guitar for John Mayer on the road. The other is as a singer/songwriter creating, recording and performing his own material. In his spare time, Zane teaches music theory and guitar masterclasses at universities in LA and NY. zanecarney.com facebook.com/zanecarneyofficial @zanecarney (Twitter & Instagram)

Zane Carney currently plays lead guitar for Spider-Man Turn Off The Dark on Broadway with Los Angeles based Interscope Recording act CARNEY. Born and half-raised in NYC, Zane moved to Los Angeles as a child and developed an affinity for the guitar in Junior High when he started performing at local blues clubs. After attending Hamilton High School Academy of Music and touring Japan with the Monterey National All-Star Big Band, he began his collegiate studies at University of Southern California's Thornton School of Music majoring in Studio/Jazz Guitar. As a Guitarist and former Oboist, many of his schooling years included performances with Symphony Orchestras and Chamber Groups which lead to an educational background that is equally classical and jazz. This diversity of musical styles and methods helped to form a unique sound that draws just as much from Jazz as it does Delta Blues, Rock and Roll and Impressionism. Zane has been fortunate to tour the world (Jesse McCartney, Renee Olstead, Armand Sabal-Lecco, etc.), perform regularly on national television (Jay Leno, Jimmy Kimmel, Good Morning America, etc.), and play lead guitar as an onstage musician at Last Call with Carson Daly and CW's Oh Sit. On top of this, he has performed with a diverse group of jazz artists including John Daversa whose Big Band album "Junk Wagon" and Small Group record "Artful Joy" feature Zane's jazz playing. Outside of session and touring work, Zane is fortunate to have two strong outlets as an artist. One is though his band CARNEY which he shares with brother/lead singer Reeve Carney who is currently playing the title role of Peter Parker in Broadway's Spider-Man Turn Off The Dark. CARNEY has toured the US, Canada and Australia opening for U2, Fergie, The Veronicas, The Black Crowes and Gov't Mule while also playing guitar for John Mayer on the road. The other is as a singer/songwriter creating, recording and performing his own material. In his spare time, Zane teaches music theory and guitar masterclasses at universities in LA and NY. zanecarney.com facebook.com/zanecarneyofficial @zanecarney (Twitter & Instagram)

Zane Carney currently plays lead guitar for Spider-Man Turn Off The Dark on Broadway with Los Angeles based Interscope Recording act CARNEY. Born and half-raised in NYC, Zane moved to Los Angeles as a child and developed an affinity for the guitar in Junior High when he started performing at local blues clubs. After attending Hamilton High School Academy of Music and touring Japan with the Monterey National All-Star Big Band, he began his collegiate studies at University of Southern California's Thornton School of Music majoring in Studio/Jazz Guitar. As a Guitarist and former Oboist, many of his schooling years included performances with Symphony Orchestras and Chamber Groups which lead to an educational background that is equally classical and jazz. This diversity of musical styles and methods helped to form a unique sound that draws just as much from Jazz as it does Delta Blues, Rock and Roll and Impressionism. Zane has been fortunate to tour the world (Jesse McCartney, Renee Olstead, Armand Sabal-Lecco, etc.), perform regularly on national television (Jay Leno, Jimmy Kimmel, Good Morning America, etc.), and play lead guitar as an onstage musician at Last Call with Carson Daly and CW's Oh Sit. On top of this, he has performed with a diverse group of jazz artists including John Daversa whose Big Band album "Junk Wagon" and Small Group record "Artful Joy" feature Zane's jazz playing. Outside of session and touring work, Zane is fortunate to have two strong outlets as an artist. One is though his band CARNEY which he shares with brother/lead singer Reeve Carney who is currently playing the title role of Peter Parker in Broadway's Spider-Man Turn Off The Dark. CARNEY has toured the US, Canada and Australia opening for U2, Fergie, The Veronicas, The Black Crowes and Gov't Mule while also playing guitar for John Mayer on the road. The other is as a singer/songwriter creating, recording and performing his own material. In his spare time, Zane teaches music theory and guitar masterclasses at universities in LA and NY. zanecarney.com facebook.com/zanecarneyofficial @zanecarney (Twitter & Instagram)

Oboist and Photographer Matt Dine shares his story on how a physical injury launched his career as a New York Times Freelance Photographer. As an oboist for American Ballet Theater and Orpheus Chamber Orchestra, most of his time is spent as a photographer and filmmaker.  He shares his stories about his love for the Oboe and the Oboe community, including the movie he made of “Delmar.”  Melting his love of the visual and musical, he has created interesting projects blending the two.  Matt’s choices were clear from the start after graduation as he forged his own way in creating an active career in Manhattan.   Matts website: http://mattdinephotography.blogspot.com/

Oboist François Leleux talks to us about coming back to be the artist in residence at the festival this year. He tells us about the 4 concerts he is going to play at and about the variety of this year’s program. You can see François Lelux at: The Opening Concert on Friday the 12th of September at 8.00 pm in St Mary's Church in Haddington François Leleux in recital on Sunday the 14th of September at 2.30pm in Lennoxlove House, Haddington François Leleux and Friends on Friday the 19th of September at 7.30pm in Prestonkirk Parish Church, East Linton Mozart Gran Partita on Sunday the 21st of September at 3.00pm in Stenton Church, Stenton. Visit www.lammermuirfestival.co.cuk for more details and tickets. Music featured in this podcast: Richard Strauss: Oboe Concerto I. Allegro moderato with François Leleux, Swedish Radio Symphony Orchestra and Daniel Harding III. Vivace - Allegro with François Leleux, Swedish Radio Symphony Orchestra and Daniel Harding

The Executive Director of the Interfaith Council of San Francisco, Michael Pappas, will speak from his experience about the role the Interfaith Community plays in the life of the city and how our church fits into it. Michael Pappas, Guest Preacher Christine Patch-Lindsay, Worship Associate Reiko Oda Lane, Organist Ted Rust, Oboist Viva Knight, Pianist Kate Offer, Song Leader Jonathan Silk, Sound, Order of Service & Worship Archives/Podcast

The Executive Director of the Interfaith Council of San Francisco, Michael Pappas, will speak from his experience about the role the Interfaith Community plays in the life of the city and how our church fits into it. Michael Pappas, Guest Preacher Christine Patch-Lindsay, Worship Associate Reiko Oda Lane, Organist Ted Rust, Oboist Viva Knight, Pianist Kate Offer, Song Leader Jonathan Silk, Sound, Order of Service & Worship Archives/Podcast

For this Sunday after Earth Day we should reflect on what religious groups have to say about the issues threatening the earth today, from climate change, to resource depletion and the pollution of our rivers, oceans and lakes. If the Baptists can speak out about what's happening, what about us? The Rev. Dr. David Sammons, Interim Senior Minister Dr. Mark Sumner, Pianist Kate Offer, Song Leader Ted Rust, English Hornist and Oboist Viva Knight, Pianist Jonathan Silk, Sound, Order of Service & Podcast

For this Sunday after Earth Day we should reflect on what religious groups have to say about the issues threatening the earth today, from climate change, to resource depletion and the pollution of our rivers, oceans and lakes. If the Baptists can speak out about what's happening, what about us? The Rev. Dr. David Sammons, Interim Senior Minister Dr. Mark Sumner, Pianist Kate Offer, Song Leader Ted Rust, English Hornist and Oboist Viva Knight, Pianist Jonathan Silk, Sound, Order of Service & Podcast

This week we have the pleasure of a return visit from Yigal Kaminka from Joytunes. Yigal is the Oboist for the Jerusalem Symphony and the music arranger and consultant for Joyutnes. We talked about arranging for the applications, their new application PianoMania, and working in a music technology start up. We also played a few of Yigals arrangements.

Französischer Oboist, Dirigent und Musikwissenschaftler

One of North America's top baroque oboists answers questions about the instruments she plays, her ensemble, their debut recording, and her upcoming projects.

Guests: Rhodessa Jones and Idris Ackamoor: "The Love Project," plus their Medea Project: Theatre for Incarcerated Women in the Diaspora--South Africa...; "Mrs. Streeter" playwright, Merrill D. Jones, and members of cast: Kimberly Smith as "Mrs. Streeter," Jeffery Tyler Moon as "Jeffery Streeter," and Clint Cartridge as "Charles Streeter"; Buford Powers, singer/composer, and India Cooke, musician, educator at Mills College featuring artists in her 10th year of the “PATTERNS: MUSIC AND RELATED ARTS IN THE AFRICAN AMERICAN TRADITION” Apr. 14, 16 & 21. The lectures are at 9:30 a.m. to 10:45 a.m. in the Music Building Ensemble Room, on the Mills College Campus, 5000 MacArthur Blvd, Oakland. Oh, it's free too. Two of the artists are with her today in the studio: Eddie Gale, Trumpeter, and San José's Ambassador of Jazz (4/14), Brenda Schuman-Post, Oboist, documentarian (4/21)--not in that order. Folks should get up to Juvenile Hall this morning to support David who has an arraignment at 8:30 this morning. He is the only child being tried on felony charges in the Oscar Grant III protests 1/7/09. (There are three people being charged, the rest of those arrested have had charges dropped or reduced). David has two felony convictions. I had him on the air, Wednesday, April 8.

Flora Kelly talks with Amelia Van Howe, an Oboist for Aeolian Winds. She gives a preview of what to expect from their upcoming performance at Bach, Beethoven, and Brunch, and talks about what makes both listening to and being a part of a wind quintet such a unique musical experience.  You can attend the Aeolian Winds performance for free at Bach, Beethoven, and Brunch this Sunday, July 17th from 10:30 a.m. to 12:00 p.m. at Mellon Park.