Podcasts about Dan Flavin

The 635th of a series of weekly radio programmes created by :zoviet*france: First broadcast 7 September 2024 by CJMP 90.1 FM Thanks to the artists and space explorers included here for their fine work. track list 00 Philippe Neau - Intro 01 Butch Wilmore / NASA Mission Control Center - 2024-08-31-Sat-0800 02 Heidseck - Lake 03 MaCu - Core 04 Drone Forest - Profusely Branched 05 Akira Rabelais - (void) 05 06 Christopher DeLaurenti - Portrait of Dan Flavin's Untitled (To the "Innovator" of Wheeling Peachblow) (Grand Openings Day 12) 07 Andrey Kiritchenko - Time Travel of a Snail 08 Andrey Kiritchenko - Good of Bad 09 Parking Spot - Follow the Tones 10 Asmus Tietchens - St 1A 11 Tommy Birchett - Frogscratch 12 Daniela Huerta - Seqvana 13 David Gerard - New Aquarian Age, Part 1 14 Austin Williamson - Crashing Waves ++ Philippe Neau - Outro

Nesse programa de férias, vamos conversar com Eder Ferreira, Fernanda Carvalho, Gilberto Franco e Letícia Mariotto sobre a AsBAI – Associação Brasileira de Arquitetos de Iluminação. A AsBAI - Associação Brasileira da Arquitetura de Iluminação - foi fundada em 1999 e constituída em 2001, atua como uma organização independente através de voluntariado com objetivo de promover e difundir o entendimento e a importância do planejamento da luz na sociedade brasileira. @asbai_oficial Eder Ferreira é arquiteto formado pela Faculdade de arquitetura Mackenzie, mestre pela Universidade de São Paulo e titular do escritório LID Design de Iluminação, tem atuado na área de projetos luminotécnicos há mais de 20 anos. Atua em projetos de iluminação utilizando o suporte de diversos softwares de cálculo e simulação voltados para iluminação. Além disso, foi Presidente da AsBAI do biênio 2020/2021. Fernanda Carvalho é arquiteta formada pela FAUUSP em 2000, onde concluiu seu mestrado na área de Design e Arquitetura em 2011 com a pesquisa “A Construção do Espaço Através da Luz: Uma leitura da obra de Dan Flavin sob o aspecto do Design da Iluminação”. Sua formação em iluminação aconteceu na área teatral no Teatro da Vertigem em 1999. Com escritório próprio desde 2006, tem desenvolvido Projetos de Iluminação para Museus, Galerias e Exposições, além de projetos residenciais e outros empreendimentos arquitetônicos. Colabora como Lighting Designer com importantes instituições muselógicas de São Paulo, como MASP, Itaú Cultural, entre outras. É membro da AsBAI; membro do ICOM (International Council of Museums) no comitê ICAMT (International Committee of Architecture and Museum Technologies). É membro do comitê internacional do EILD – Encontro Iberoamericano de Lighting Design. Ministra palestras em diversos países e foi premiada com projetos de iluminação pelos eventos internacionais Darc Awards, em Londres, e Bienal Iberoamericana de Lighting Design, no México. @lighting_fernandacarvalho Gilberto Franco é arquiteto, graduado em 1981 pela FAUUSP, teve em toda a sua carreira o Lighting Design como profissão e interesse maior. Durante as décadas de 80 e 90 participou de importantes projetos, tais como o Palácio do Itamaraty, Edifício Citibank São Paulo, Embaixada do Brasil em Buenos Aires, além de ter trabalhado em cerca de outros 700 projetos no então escritório Esther Stiller e Gilberto Franco. Em 1997 constitui com Carlos Fortes uma nova empresa, Franco + Fortes Lighting Design. Conquistaram o IALD Award of Merit pelo projeto Estação da Luz – Museu da Língua Portuguesa. Participou da fundação da AsBAI, tendo atuado nela também como diretor e presidente. Foi, durante quatro anos Director-at-Large da IALD (International Association of Lighting Designers), a mais prestigiosa associação da categoria. Atua regularmente como jurado em premiações nacionais e internacionais, como o IALD Awards, GE Edison Awards, IES Awards, Prêmio Iluminet, e Prêmio Museu da Casa Brasileira. @gilfrancolight | @francoberriel_ld Letícia Mariotto é Arquiteta e Urbanista pela FAU Mackenzie com especialização no CISA Centro Internazionale di Studi di Architettura em Vicenza, gestão de micro e pequenas empresas pelo convênio FASM e Federazione Veneta e MBA em Construções Sustentáveis pelo convênio GBC Brasil Inbec. Cofundadora e sócia da Lit Arquitetura de Iluminação (2007), escritório com mais de 600 projetos desenvolvidos no Brasil e exterior, dois prêmios Abilux, menção honrosa no Lit Awards e dezenas de projetos publicados em revistas especializadas. Membro Profissional da AsBai desde 2015 e diretora financeira da associação no biênio 18/19. @lit_arq

Leuchtende Treppen, surrende Neonröhren und strahlende Skulpturen. Die Ausstellung „Neon, LED & Co.“ im Schauwerk Sindelfingen zeigt die Lichtkunst und ihre Entwicklung ab den 1960er Jahren. Arbeiten von Dan Flavin bis Brigitte Kowanz zeigen die Vielfalt des Kunstgenres.

Out now: VernissageTV Magazine No. 55, July 2024. In this issue: Ozzie Juarez, Dan Flavin, Yuan Goang-Ming, Biennale Arte 2024, ...

While he may technically practice as a photographer, artist, and architect, Hiroshi Sugimoto could also be considered, from a wider-lens perspective, a chronicler of time. With a body of work now spanning nearly five decades, Sugimoto began making pictures in earnest in 1976 with his ongoing “Diorama” series. In 1980, he started what may be his most widely recognized series, “Seascapes,” composed of Rothko-esque abstractions of the ocean that he has taken at roughly 250 locations around the world. In more recent years, Sugimoto has also built a flourishing architectural practice, designing everything from a café in Tokyo to the currently-under-construction Hirshhorn Sculpture Garden in Washington, D.C. As with his subtly profound work, Sugimoto bears tremendous wisdom and is regarded by many as one of the most deeply perceptive minds and practitioners at the intersection of time and art-making.On the episode, he discusses his pictures as fossilizations of time; seascapes as the least spoiled places on Earth; and why, for him, the “target of completion” for a building is 5,000 years from now.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Hiroshi Sugimoto[5:10] Pre-Photography Time-Recording Devices[39:05] “Theaters”[15:06] “Seascapes”[32:31] “Diorama”[17:16] Caspar David Friedrich[25:14] Odawara[28:52] “Aujourd'hui le monde est mort [Lost Human Genetic Archive]”[44:19] “Abandoned Theaters”[44:19] “Opera Houses”[44:19] “Drive-In Theaters”[49:52] “Architecture”[51:12] Le Corbusier[51:12] Mies van der Rohe[55:30] New Material Research Laboratory[55:30] Tomoyuki Sakakida[59:23] Enoura Observatory[59:23] Hirshhorn Sculpture Garden[1:00:48] Katsura Imperial Villa[1:01:05] Bruno Taut[1:02:14] Donald Judd[1:02:14] “Hiroshi Sugimoto: Five Elements in Optical Glass”[1:06:47] Mingei[1:06:47] Isamu Noguchi[1:06:47] Dan Flavin[1:09:15] Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki[1:09:15] At the Hawk's Well[1:09:15] W.B. Yeats

Cos'ha a che fare una “Natura morta” con la complessa esperienza del sacro? Solitamente l'interpretiamo in chiave naturalistica o realistica, prestando attenzione piuttosto al piano illustrativo. Tuttavia, questo genere artistico alle sue origini celava anche una dimensione liturgica, come racconta Michele Dantini nel suo saggio Le forme del divino. Problemi di arte sacra tra prima modernità e Novecento pubblicato da Il Mulino.«In Occidente le immagini dipinte o scolpite sono state per lungo tempo considerate incarnazioni del Divino» scrive Dantini «e hanno trovato in questa loro natura duplice, celeste e terrena insieme, la propria giustificazione». Ma quali sono i riferimenti al divino che oggi non riusciamo più a riconoscere? Perché il nostro modo di intendere l'arte prevede una rimozione del piano religioso?Ospite della puntata: Michele Dantini, Professore di Arte Contemporanea all'Università di Stranieri di Perugia e alla Scuola di Alti Studi di Lucca.L'inserto della settimana si illumina di una luce non divina: quella dei neon di Dan Flavin, esposti al Kunstmuseum di Basilea fino al 18 agosto. “Widmungen aus Licht” è il titolo della mostra. Emanuela Burgazzoli ne ha parlato con la co-curatrice Olga Osadtschy.Di luce dipinta parla, invece, il terzo episodio di Due chili di blu, la serie originale di Rete Due, curata dalla storica dell'arte Susanna Gualazzini, che in dieci puntate racconta l'epopea dell'Impressionismo.

The Kunstmuseum Basel presents an extensive exhibition titled “Dan Flavin: Dedications in Lights,” dedicated to the pioneering American Minimal Art ...

Gampert, Christianwww.deutschlandfunk.de, Kultur heute

Die neue Sonderausstellung im Kunstmuseum Basel kommt zeigt sich mit viel leerem Raum, weissen Wänden und ein paar Leuchtstoffröhren aus dem Baumarkt. Und die Ausstellung ist so schön, dass man eigentlich gar nicht mehr heraus möchte. von Mirco Kaempf

Dan Flavin, lʹart de faire des tubes! Le Kunstmuseum de Bâle présente dès le 2 mars prochain, une grande exposition dédiée à lʹartiste américain Dan Flavin: le peintre de la lumière fluorescente. Pour vous donner une image, en 1963, dans son atelier, lʹartiste présente un tube fluorescent, tel que ceux que lʹon peut trouver dans le commerce, geste radical, minimal, mais avec un maximum dʹeffet ; le tube fluorescent allumé transforme la perception de lʹespace. A partir de ce moment, lʹartiste va explorer toutes sortes de variations avec le fluorescent quʹil adapte selon les contextes où il expose. Josef Helfenstein, directeur du Kunstmuseum de Bâle est au micro de Florence Grivel : Lʹexposition est à découvrir dès le 2 mars et jusquʹau 18 août 2024 au Kunstmuseum de Bâle.

Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the former and first female president of Secession Barbara Holub and the curator Rainer Fuchs. It was recorded on December 13, 2022. Barbara Holub lives and works in Vienna. Following her studies in architecture at the Technical University of Stuttgart, Holub developed a socio-politically engaged art practice. In 1999 she founded the collective transparadiso with Paul Rajakovics, which operates at the interface of art, architecture and urban intervention. From 2006 to 2007 Barbara Holub was president of the Secession. Since 1997, Holub has taught at the UIC/ School of Art and Design, Chicago, at the Vienna University of Technology, f+f School of Design and Media Design, Zurich, and the Universidad Católica, Valparaíso in Chile, among others. She has been a visiting professor at the University of Applied Arts Vienna, where she is currently a Senior Lecturer. She is a member of the editorial board of the journal dérive and a partner in the EU project SPACEX. Barbara Holub has been awarded numerous prizes (including the Austrian Art Prize, 2018) and has been part of international juries and advisory boards. In 2022, she most recently published the book Silent Activism. Rainer Fuchs (b. 1959 in Judenburg) studied art history, history, and philosophy in Graz. Since 1991, he has been the chief curator at mumok - Museum of Modern Art Foundation Ludwig Vienna. Past exhibitions include: Exhibition, 1994; Self Construction, 1996; Felix Gonzalez-Torres, 1998; Lois Weinberger, 1999; Öffentliche Rituale – Video/Kunst aus Polen, 2003; John Baldessari, 2005; Ryan Gander, 2006; Keren Cytter, 2007; Mind Expander, 2008; Painting: Process and Expansion, 2010; Aktionsraum 1, 2011; Dan Flavin 2012, Poetry of Reduction, 2012; Marge Monko, 2013; Space and Reality, 2014; Pakui Hardware, 2016, Nikita Kadan, 2017, Natural Histories – Traces of the Political, 2017; Ingeborg Strobl, 2020; Emília Rigova, 2022; On Stage, 2023.  Publikationen und Vorträge zur Kunst seit der Moderne. He has published publications and given lectures on art since the modern era. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director & Editor: Christian Lübbert Programmed by the board of the Secession Produced by Christian Lübbert

Angela Westwater at 257 Bowery, 2020, photo by Alexei Hay Angela Westwater co-founded Sperone Westwater Fischer in 1975 with Italian art dealer Gian Enzo Sperone and German gallerist Konrad Fischer, opening a space at 142 Greene Street in SoHo, New York. (The gallery's name was changed to Sperone Westwater in 1982.) An additional space was later established at 121 Greene Street. The founders' original program showcased a European avant-garde alongside a core group of American artists to whom its founders were committed. Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; six early Gerhard Richter shows; two Cy Twombly exhibitions in 1982 and 1989; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 -- part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti. Other early historical exhibitions at the Greene Street space include a 1989 group show, "Early Conceptual Works," which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled "Gold: Gothic Masters and Lucio Fontana"; and selected presentations of work by Piero Manzoni. From May 2002 to May 2010, the gallery was located at 415 West 13 Street, in a 10,000-square foot space in the Meatpacking District. In September 2010, Sperone Westwater inaugurated a new Foster + Partners designed building at 257 Bowery. Today, over 45 years after its conception, the gallery continues to exhibit an international roster of prominent artists working in a wide variety of media. Artists represented by Sperone Westwater include Bertozzi & Casoni, Joana Choumali, Kim Dingle, Shaunté Gates, Jitish Kallat, Guillermo Kuitca, Wolfgang Laib, Helmut Lang, Amy Lincoln, Richard Long, Emil Lukas, David Lynch, Heinz Mack, Mario Merz, Katy Moran, Malcolm Morley, Bruce Nauman, Otto Piene, Alexis Rockman, Susan Rothenberg, Tom Sachs, Peter Sacks, Andrew Sendor, and William Wegman. Past exhibitions, press, and artworks can be found on the gallery website. Born in Columbus, Ohio, Westwater received her BA from Smith College and her MA from New York University. She arrived in New York City in 1971 and landed her first job as a “gallery girl” at the John Weber Gallery at 420 West Broadway. From 1972 to 1975, she served as Managing Editor of Artforum magazine. In 1975, the same year the gallery was founded, Westwater was appointed to the Board of Trustees of The Louis Comfort Tiffany Foundation, where she has served as President since 1980. The books mentioned in the interview are The Free World, Art and Thought in the Cold War by Louis Menand and A Life of Picasso, The Minotaur Years by John Richardson. Joana Choumali, Untitled (Ça Va Aller), 2019, mixed media, 9 1/2 x 9 1/2 inches (24 x 24 cm), 16 1/4 x 16 1/4 inches (41,3 x 41,3 cm) Joana Choumali, WE ARE STILL NOW, 2022, mixed media, 4 parts; 38 1/2 x 78 inches (97,8 x 198,1 cm)

Following studies in Paris, Paula Cooper (b. 1938, MA) entered the New York art world aged 21 working at the World House Galleries on the Upper East Side. In 1964 she opened the Paula Johnson Gallery, where she showed work by Walter de Maria and Bob Thompson, among others. From 1965 to 1967 Cooper served as the Director of the artist's cooperative Park Place, whose members included Mark di Suvero, Robert Grosvenor and David Novros––artists she continues to work with today. Paula Cooper opened the first art gallery in SoHo at 96-100 Prince Street in 1968 with a benefit for the Student Mobilization Committee to End the War in Vietnam, showing works by Carl Andre, Dan Flavin, Donald Judd, Robert Mangold and Robert Ryman, as well as Sol LeWitt's first wall drawing. Paula Cooper Gallery moved to Wooster Street in 1973 and then to Chelsea in 1996, and has consistently shown art that is conceptually unique and visually challenging. In addition to the artistic program, the gallery has regularly hosted concerts, music symposia, dance performances, book receptions, poetry readings, as well as art exhibitions and special events to benefit various national and community organizations. Of particular note was a series of New Year's Eve readings of Gertrude Stein's The Making of Americans and James Joyce's Finnegans Wake for twenty-five years until 2000, a ten-year series of concerts by The Chamber Music Society of Lincoln Center that began in the early 1970s, and an annual concert by the S.E.M. Ensemble that continued until 2019. Cooper was awarded an Honorary Degree of Doctor of Fine Arts from the Rhode Island School of Design (1995) and the order of Chevalier des Arts et des Lettres by the French Ministre de la Culture et de la Communication (2002) followed by the order of Officier des Arts et des Lettres (2014). In 2003 Cooper and her husband, the publisher Jack Macrae, opened the independent bookstore 192 Books. Cooper continues to run Paula Cooper Gallery. She and Zuckerman discuss the end of life, bad and good, how art revives, relationships, the New York artworld, the line between art and business, art as a language, visceral connections, celebrating messiness, art as true expression, not taking anything for granted, and the importance of encouragement!

Welcome to the latest episode in our series Start. Today is Start Your Own Approach and to explore that topic, both in style and substance, we have Georgia Dant founder of Marfa Stance.Marfa Stance is a clothing brand with a distinctive aesthetic that creates timeless designs providing not just life long quality but versatility too. They invite their customers into the design process by offering variety, layering and potential. Frankly, it's worth ushering in winter to be able to envelope yourself in a Marfa Stance. It seems to me that it is a brand determined to tread it's own path, in its own way and wearing its own bespoke jacket of course!As ever, I want to go right back to the start with Georgia and hear about her early years, the beginnings of her career in fashion, the influence of Donald Judd and Dan Flavin amongst others, I hear all about the vision, principles and purpose of the brand, the 'pinch me' moments when it all comes together and the challenges and obstacles that can threaten that. Whether you are starting out or world weary, my hope is that something will capture your imagination to spur you on to start or recommit to your own approach. Marfa Stance: https://www.marfastance.comProducer: Charles Tomlinson

Renee Schuiten, onder andere bekend van de De Kunstmeisjes, belt aan met een stel TL-buizen. Maar ze is niet door een of andere bouwmarkt gestuurd: ze is Kunstkoerier. Want plug ze in, die lampen, en je hebt een soort 3D schilderij. Het gekleurde licht is net verf die de kamer invloeit. Dus pak aan, die buizen, en zoek een stekkerdoos!Geproduceerd door: Tonny MediaZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

The Dan Flavin Art Institute, overseen by Dia Center for the Arts, is filled with the florescent tubes that made Flavin famous. The post The Dan Flavin Art Institute appeared first on ThoughtCast®.

Episode 55 features Courtney J. Martin. In 2019, she became the sixth director of the Yale Center for British Art. Previously, she was the deputy director and chief curator at the Dia Art Foundation; an assistant professor in the History of Art and Architecture department at Brown University; an assistant professor in the History of Art department at Vanderbilt University; a chancellor’s postdoctoral fellow in the History of Art at the University of California, Berkeley; a fellow at the Getty Research Institute; and a Henry Moore Institute research fellow. She also worked in the media, arts, and culture unit of the Ford Foundation in New York. In 2015, she received an Andy Warhol Foundation Arts Writers Grant. In 2012, Martin curated the exhibition Drop, Roll, Slide, Drip . . . Frank Bowling’s Poured Paintings 1973–1978 at Tate Britain. In 2014, she co-curated the group show Minimal Baroque: Post-Minimalism and Contemporary Art at Rønnebæksholm in Denmark. From 2008 to 2015, she co-led a research project on the Anglo-American art critic Lawrence Alloway at the Getty Research Institute and was co-editor of Lawrence Alloway: Critic and Curator (Getty Publications, 2015, winner of the 2016 Historians of British Art Book Award). In 2015, she curated an exhibition at the Dia Art Foundation focusing on the American painter Robert Ryman. At Dia, she also oversaw exhibitions of works by Dan Flavin, Sam Gilliam, Blinky Palermo, Dorothea Rockburne, Keith Sonnier, and Andy Warhol. She was editor of the book Four Generations: The Joyner Giuffrida Collection of Abstract Art (Gregory R. Miller & Co., 2016), surveying an important collection of modern and contemporary work by artists of African descent. As a graduate student in 2007, Martin contributed to the Center’s exhibition and publication Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds. She received a doctorate from Yale University for her research on twentieth-century British art and is the author of essays on Rasheed Araeen, Kader Attia, Rina Banerjee, Frank Bowling, Lara Favaretto, Leslie Hewitt, Asger Jorn, Wangechi Mutu, Ed Ruscha, and Yinka Shonibare CBE (RA). Yale News April 2019 https://news.yale.edu/2019/04/10/courtney-j-martin-09-phd-named-director-ycba The Art Newspaper September 2020 https://www.theartnewspaper.com/interview/yale-center-for-british-art-embraces-a-global-framework ARTnews April 2019 https://www.artnews.com/art-news/news/yale-center-british-art-courtney-martin-director-12328/ culture type June 2019 https://www.culturetype.com/2019/06/20/courtney-j-martin-appointed-director-of-yale-center-for-british-art-an-opportunity-the-yale-alum-called-too-good-to-pass-up/ Dia Art February 2017 https://diaart.org/about/press/courtney-j-martin-to-join-dias-curatorial-department-as-deputy-director-and-chief-curator/type/text Courtney Martin image credit Angelis Apolinario

1. Ainda Sócrates era primeiro-ministro, escrevi aqui um texto intitulado “Multitarefas”, em que defendi esta coisa muito simples — nós somos capazes de fazer várias coisas ao mesmo tempo.Dei até exemplos: um homem apanhado no IP3 a 160 à hora e a fazer a barba; uma mulher a levantar dinheiro num multibanco, a comer um croissant e a falar ao telemóvel.Naquele texto, a minha tese era que os eleitores não se baralhavam se tivessem de votar no mesmo dia várias eleições ou vários referendos (infelizmente a lei continua a não deixar que isso aconteça) e que os deputados, numa manhã, eram capazes de aprovar o casamento entre pessoas do mesmo sexo (felizmente pouco depois foi legalizado) e ainda lhes sobrava o resto do dia para tratarem de outros assuntos. Relido onze anos depois, percebo que aquele texto bem-humorado tinha alguns pés-de-barro. A capacidade de fazer várias coisas ao mesmo tempo não é universal: as mulheres são multitarefas, os homens nem por isso. Pior: debaixo de muita pressão, viramos todos monotarefas, só conseguimos dar atenção a um, e só um, problema. A peste é um bom exemplo desse afunilamento: os serviços de saúde em todo o mundo mobilizaram-se para o combate à Covid-19 e descuraram tudo o resto, o tratamento das doenças crónicas, até a vacinação das crianças.Esta semana, na TVI, Pedro Santos Guerreiro lembrou mais um exemplo deste só-uma-coisa-de-cada-vez: em 15 e 16 de Outubro de 2017, o país foi varrido por um incêndio devastador; dois dias depois, foi consumada a venda do Novo Banco à Lone Star. O primeiro desastre, de tão violento, não deixou que déssemos a devida atenção ao segundo.2. Em Viseu, na Quinta da Cruz, está patente ao público uma exposição minimalista de Pedro Cabrita Reis, com néons e fios ao pendurão, designada I Dreamt Your House Was a Line. Antes de a ter ido visitar, fiz uma navegação prévia na internet pelo universo mental que deu origem àquilo: pus-me a ver os tubos fluorescentes do genial artista norte-americano Dan Flavin.Fiz mal. Devia ter trocado a ordem. Primeiro avia-se o mau e deixa-se o bom para o fim.

Nous traversons les grands déserts blancs du minimalisme…

Today, we take you back to the month of April, in the year 2012. That’s when we set out on a road trip from Austin, Texas. We’re aiming to find out how remote wide open spaces of the American Southwest inform and inspire art and design, curating and filmmaking.   Lubbock, Texas, birthplace of musician songwriter Buddy Holly, is our first stop. In a warehouse at the edge of town, we meet architecture professor Chris Taylor. He introduces us to students from Texas Tech University who took his course in Land Arts of the American West. The course involves a 6,000-mile road trip that culminates each time in an exhibition such as the one on view during our visit. We drive on to Roswell, New Mexico, home to the Unidentified Flying Object (UFO) Museum, to spend the night in one of the ranch-style houses that accommodate the Roswell Artists in Residence Program, known as RAIR. Established in 1967 by artist and art collector Don Anderson, the program is off the beaten path for residencies, offering visual artists the unique opportunity to spend an entire year concentrating on their work. The voices you’ll hear are five of the current residents at the time of our visit:  Sarah Bostwick, Jon-Paul Villegas, Brian Villegas, Brian Kluge, and Sioban McBride. A three hour drive from El Paso, Texas, Marfa has become a destination for art tourism. Home of the ghostly Marfa Lights (unexplained lights sometimes seen along the horizon in the night sky), the tiny town sits in the high desert, between the Davis Mountains and Big Bend National Park. Renowned minimalist artist Donald Judd came here in the 1970s to escape New York City’s commercial art scene. With the help of the DIA Foundation, he acquired a former Army base. Before Judd died in 1994, he transformed the 400-acre expanse into a faceted art experience. The Chinati Foundation is a contemporary art museum designed to connect art to the surrounding landscape. Year round, visitors can explore Judd's signature boxes and installations by Dan Flavin, Rebecca Horn, Ilya Kabakov and more. We spend a few days to track down some of the artists, curators, designers and producers expanding on Judd’s singular vision.   Professional filmmakers Jennifer Lane and David Hollander moved to Marfa from Los Angeles. CineMarfa, the film festival they founded there, will celebrate its tenth year in 2020. We visit their home for a conversation about the genesis of CineMarfa and plans for the second annual event.   Ballroom Marfa is a key site of cultural production in this remote art mecca. Arts pioneers Fairfax Dorn and Virginia Leh-bermann founded the contemporary cultural arts space in 2003. Ballroom’s gallery is a converted dancehall that dates to 1927. We sit down with Ballroom’s creative team to learn more.   In 2019, we reach out to curator Laura Copelin to find out what happened next. Ballroom Marfa continues commissioning site specific artworks and installations—responding to the environmental, social and political ecology of the landscape that extends to the border of Mexico. One recent example is Haroon Mirza’s massive Stone Circle in the grasslands east of town. This is Ballroom’s most ambitious public commission since Elmgreen & Dragset’s Prada Marfa was completed in 2005. The stone circle will remain in the landscape for the next several years.   Leaving the high desert, we drive northeast through the Texas hill country, passing endless fields of bluebonnets. In East Austin, we meet designer architect Jack Sanders in his studio. Sanders talks about how the legendary architect Sam Mockbee influenced the evolution of his own life’s work.   Sound Editing and Special Audio Credits:   Destination American Southwest Sound Editor: Anamnesis Audio   Land Arts of the American West Sound Editor: Leo Madriz | Special Audio: 45 rpm record found by Land Art 2011 participants   Program Director: Chris Taylor Students: Alexander Bingham, Luis Bustamante III, Will Cotton, Winston Holloway, Richard Klaja, Celeste Martinez, Zachary Mitchell, Carl Spartz, Rachael Wilson, Bethany Wood. Program Assistant: Adrian Larriva   Roswell Artists in Residence Sound Editor: Leo Madriz | RAiR acoustics: Sarah Bostwick   CineMarfa Sound Editor: Jay Agoglia | Sound Track: Harmony Korine, TRASH HUMPERS, 2009   Ballroom Marfa Sound Editor: Leo Madriz | Special Audio: Brian LeBarton, The Wind, 2010. New Year’s Film/Score Series. January 2, 2010. The Crowley Theater, Marfa   Jack Sanders Sound Editor: Leo Madriz | Music: Ross Cashiola, “Trains in the Grass” Related Episodes: Fresh Talk: Joan Jonas, Fresh VUE: Austin, Land Arts of the American West, Roswell Artists in Residence, CineMarfa 2012, Ballroom Marfa Imagines a Drive-In, Jack Sanders on Slow Architecture   Related Links: Roswell Artist-in-Residence Program, Sarah Bostwick, Jon-Paul Villegas, Brian Kluge, Corwin Levi, Sioban McBride, Chinati Foundation, CineMarfa, Jack Sanders, Sam Mockbee/Rural Studio   Tags: architecture, Austin,, Design Build Adventure, El Cosmico, Jack Sanders, Marfa, Rural Studio, Sam Mockbee, Texas, New Mexico, art podcast, Fairfax Dorn, Virginia Lebermann, Roswell, artists in residence, Chinati Foundation, Texas Tech University, Donald Judd  

Jeff Pepper on PBGV and Understanding Standards Through Performance Jeff Pepper judging the hound group at Westminster Kennel Club in 2018. Jeff Pepper, AKC judge, breeder and https://puredogtalk.com/take-the-lead-charity-supports-dog-fancier-family-pure-dog-talk/ (Take the Lead) Treasurer, joined host Laura Reeves at the AKC National Championship presented by Royal Canin. Listen in for this absolutely fascinating conversation on the history and type differences of PBGV (petit basset griffon vendéen) and GBGV (grand basset griffon vendéen) and much more. Pepper started his purebred dog journey with a pet Golden Retriever in 1968. After breeding Goldens for many years, he became involved in PBGV in 1984, importing one of the earliest dogs into the country. “You have to watch them work” A strong advocate for the functionality of breeds under judgement, Pepper said, “You can’t understand any breed if you haven’t seen them performing their job.” He even went so far as to attend a duck tolling test Ch Pepperhill East Point Airily, BOB at the 1984 Golden National and a multiple BIS winner. She was owned by Dan Flavin and Helene Geary. for the Nova Scotia Duck Tolling Retrievers to understand the nuances of the breed. Grooming to meet the standard Following suit with the functionality, Pepper is also a stickler for a more natural look in the ring, particularly on those sporting and hound breeds whose standards call for minimal grooming. He advocates presentation based on performance requirements. “When you over-neaten these dogs, you take away basic characteristics of the breeds,” Pepper said. A PBGV Pepper whelped in the late ’90s. Needless to say, this doesn’t mean to show him a dirty dog, but “if you wash the dog two hours before you show, it makes a soft coat,” Pepper reminded. Specifically, the PBGV and GBGV coats are 2-3 inches long, “like a goat.” And while he doesn’t recommend not grooming at all, he advised exhibitors to understand they are not supposed to pull all of the coat off the PBGV or the GBGV. “They are not scissored. Don’t pull too much out, it doesn’t come back quickly. The hole will be there a while. Trim in front of a mirror. The dogs should be neat but not overly neat. A little unevenness. A little rustic,” Pepper said. History of the rough coated French Hounds Pepper’s in-depth observations on the character, type and history of the breeds is must-listen content. It isn’t just a size difference, Pepper noted. “Everything is longer on the GBGV – legs, ears, tail, body – but the differences in head planes, skull structure and more are critical.” An avid amateur photographer, Pepper travels to Africa regularly. Support this podcast

This weekend I went to Marfa, TX to visit the Chinati Foundation. Of course, no photography allowed. I'm always the first to defend the right to photograph, but in this case I actually agree with the policy. Experiencing the works of art by Donald Judd, Dan Flavin, John Chamberlain, Robert Irwin and many others - it requires attention. These are experience and environmental works that can't be reproduced in a photograph anyway. This does make it difficult to share my experience in this video, but I can talk about these works which is probably more important anyway. Also related: • Art Trip: Marfa (The Art Assignment) https://www.youtube.com/watch?v=F2ASyPRzH8w • Nobody Cares About Your Photography https://www.youtube.com/watch?v=L4pE-pdhnJw • So You Want To Be A Photographer https://www.youtube.com/watch?v=0HfLQDFYHJY • Fujifilm X-E3 Is Incredible https://www.youtube.com/watch?v=VjCjp-6lhcA • Fired From Canon :: The Instagram Problem https://www.youtube.com/watch?v=pQqdw0iNBeo Music is from Epidemic Sound. If you need music for your videos, Epidemic is simply the best in the business. Check them out here: https://goo.gl/v5wWKr On my channel you will find videos about photography, cinematography, post processing tutorials for Capture One, Lightroom and Photoshop, photo assignments that YOU can participate in, the Artist Series and of course me vlogging about my personal life. The Artist Series is an ongoing set of videos I produce as documentaries on living photographers. I am extremely passionate about photography and video and my goal in making these videos is to share my passion and enthusiasm with you! Don’t forget to subscribe and make sure to hit the like button and share this video if you enjoyed it! Ted Forbes The Art of Photography 2830 S. Hulen, Studio 133 Fort Worth, TX 76109 US of A

This weekend I'm headed to Marfa, TX. Why? The main reason is Donald Judd. Judd is one of the leading minimilist artists from the 1970's and 1980's. While working in New York City, he started purchasing property in West Texas to display his large scale environmental works. Today, Chinati features works by Judd as well as Dan Flavin, Claes Oldenberg and Robert Irwin. I'm going to be vlogging my trip over the next few days. But before I do we need to discuss minimalism. Check out my other videos: • Your weekly PHOTOGRAPHY INSPIRATION https://www.youtube.com/watch?v=-9Cgn0WxYPs • Panasonic S1, S1R :: First Impressions https://www.youtube.com/watch?v=9zSAh3t2aks • Switching to an iPad for PHOTO and VIDEO editing https://www.youtube.com/watch?v=4fRJXJCEIyw • Fired from Canon! The Instagram Problem https://www.youtube.com/watch?v=pQqdw0iNBeo • My Ultra Wide Angle lens filter system Arrived! https://www.youtube.com/watch?v=N4pA9LgXCkc Music is from Epidemic Sound. If you need music for your videos, Epidemic is simply the best in the business. Check them out here: https://goo.gl/v5wWKr On my channel you will find videos about photography, cinematography, post processing tutorials for Capture One, Lightroom and Photoshop, photo assignments that YOU can participate in, the Artist Series and of course me vlogging about my personal life. The Artist Series is an ongoing set of videos I produce as documentaries on living photographers. I am extremely passionate about photography and video and my goal in making these videos is to share my passion and enthusiasm with you! Don’t forget to subscribe and make sure to hit the like button and share this video if you enjoyed it! Ted Forbes The Art of Photography 2830 S. Hulen, Studio 133 Fort Worth, TX 76109 US of A

Support our show 灿烂千羊鞭辟入里地讨论极简主义，包括但不限于灿烂千羊双十一各自买了什么的分享、千千对购物节的一些经验和思考、羊咩咩对于美系的从极简主义艺术到生活态度的理解过程、千千对日系极简主义代表“断舍离”以及整理收纳方法的一些看法，还有就是之前千千和@JailbreakHum 通电话时导演对极简主义的一些想法、最后介绍了一下千千和@waylybaye 在做的@后续App 。 Outline 双十一买了什么 羊 乐歌电动升降桌 Kindle Oasis 2 Herschel 健身包 必需品 千 戴森 AirWrap 卷发棒和戴森系 MUJI 舒适沙发 石头扫地机器人 日用品：护肤品囤货、咖啡胶囊囤货、一些厨房卫浴的收纳 奖励品：饰品、化妆品、真丝的眼罩发带、钢笔之类 一些关于购物节的思考 如果是必需品且非急用，那么确实可以考虑在购物节购入 满减、凑单里有很大的陷阱，会让人忍不住膨胀自己的消费观 囤货要考虑的几点因素 应该避免和节庆有关的消费 因地制宜的极简主义 大多数中国人眼中的极简主义：北欧的极简家装风格和日系的断舍离 美系 上世纪流七十年代起源于纽约和洛杉矶的极简艺术风格 SFMoMA 旧金山现代艺术博物馆第一次接触极简艺术 minimal art Dan Flavin 等艺术家的作品的特点 无题 认为自己的作品没有隐藏的含义，且可以大规模生产 一种不带个人色彩的个人色彩。 对空间和人群产生影响，希望使得生活更规范有序 如果说艺术是艺术家本人表达的方式和载体，那么 minimal art 更贴近让观众进行自我表达 极简主义播客网站 The minimalists 消费的核心在于「通过舍弃生活中多余的东西，我们得以超越物质，集中精力追求生命中最重要的五种价值」 健康 Health 人际关系 Relationship 热情 Passions 成长 Grow up 奉献 Contributions 如果立刻出远门，只带哪三样东西并且为什么 羊：Kindle，贴身之物 千：木斯君，耳机，银行卡 日系 国内比较盛行且比较好学的模式代表作品 山下英子《断舍离》系列 近藤麻里奈《怦然心动的人生整理魔法》 极简主义和丢弃 在整理思路和收纳技巧上可以学习借鉴 有根有据的日系极简 大部分国人的生搬硬套 日本的八百万神明 很难说服千千的几点原因 哪些经验可以借鉴 破除了丢东西的心魔，可以泰然处理掉一些旧物品 整理是一种节庆，把所有的物品搬出来分类处理而不是按照房间来整理 衣物的收纳方法和文件的收纳技巧 来 Argue 吧！！ CheckedFM 总导演 JailbreakHum 场外 Back 极简主义其实是某种意义上的无能为力和逃避，失控最好的解决方式是重新控制而非一弃了之 在四个方向做到极致：主业，副业，娱乐和家庭 千 提出「温和」极简主义 目前的一个「副业项目」后续：有记忆的新闻，持续追踪热点新闻，比如「五星酒店再曝卫生乱象」有没有给行业标准/法律法规的修改造成影响 羊 极简主义的关键词是专注 通过简化，找到自己 总结 羊：专注，希望掌控生活，让我成为我自己呀 千：和自己和解，哈哈哈，不管我怎么样我都是我自己呀 Links 嘉宾@清越千千 久坐桌前腰酸背痛的你，可以试试用升降桌来保护脊椎：乐歌升降桌体验 千千购物清单的微博链接 《格调》 SFMoMA Introduction to minimal art Dan Flavin Chp 5.2 游览博物馆 – SFMoMA The Minimalists Podcast 你真的了解“极简主义”吗？ 《现代艺术一百五十年》 《极简主义》 《心流》 屡被提到的木斯君 《断舍离》 为什么日本有八百万个神？ 《怦然心动的人生整理魔法》 CheckedFM CheckedFM 总导演 @JailbreakHum Hum 主持的少数派教程 捷径：由浅入深完全指南 后续 后续微博 杯子的秘密 关于「杯子的秘密」的后续 live 五星酒店再曝卫生乱象 开发者 @Waylybaye 微博 Byte.Coffee Host 清越千千 MilkShake羊 Sound Editor Kalaokay Contact 网站：http://Byte.Coffee/ 邮箱：hi@Byte.Coffee 新浪微博/Twitter/Instagram：@ByteCoffee Slack 听众群 Special Guest: 清越千千.Support Byte.Coffee

Ashley Mills and Mark Mullet, the Co-Founders of obé fitness, step on to the New York Launch Pod to discuss their online fitness platform and community. As consumers of boutique fitness classes in New York City, Mark and Ashley saw an opportunity to democratize their experience and make it accessible to anyone looking to get in a great workout. From there, obé was born, an app that brings high quality boutique fitness classes inside a consumer’s home at an accessible price point. Inspired by the workout VHS tapes of the 1980’s, obé reinvents the classic in-home workout to fit the millennial mindset of the person who wants it all.  Top New York City fitness talent (including Megan Roup, Madelaine O'Connell, and the Rickey sisters - Alyssa Rickey and Sammy Rickey) are able to train obé members all over the world from a studio located in DUMBO (the aesthetic of which was inspired by the artists James Turrel and Dan Flavin).  As an online app, members can workout at home, on a business trip, on vacation, or anywhere in between so they never have to miss a live class, which start at 6:00am ET, or a favorite class available on demand at any time.  And at $27 per month, obé offers an unlimited suite of 28 minute workouts that include Strength, Power, Dance Cardio, Sculpt,  HIIT, and yoga. With high production values including bright colors, heart pounding beats, and instructors calling out members by name, obé has quickly become more than just a successful fitness platform, but also an engaged workout community with fans like Kelly Ripa, Daphne Oz, and Katie Lee. Listen to the episode as we go behind the scenes of obé and why Mark and Ashley decided to leave their high paying talent agency jobs to start the company, how they wake up so early, and a whole lot more. EXCLUSIVE FOR NEW YORK LAUNCH POD LISTENERS use code NYLAUNCH to get 50% off your first month in addition to a one week trial. More on obé: https://www.ourbodyelectric.com/ For a transcript of the episode please visit: https://nylaun.ch/obe_tr obé on Instagram: @obe_fitness  

Stained Glass Windows help create a spiritual realm in the Gothic Church of St Denis in France. Minimalist artist Dan Flavin, using ready made GE fluorescent bulbs also transforms space. Listen to the ways we can experience and connect with spirit through these media.www.diaart.org/danflavin and http://www.saint-denis-basilique.fr/en/

Stained Glass Windows help create a spiritual realm in the Gothic Church of St Denis in France. Minimalist artist Dan Flavin, using ready made GE fluorescent bulbs also transforms space. Listen to the ways we can experience and connect with spirit through these media.www.diaart.org/danflavin and http://www.saint-denis-basilique.fr/en/

Abbi brings her friend the hilarious essayist Samantha Irby to MoMA PS1 to see one of the trippiest works they’ve ever experienced: “Meeting” by James Turrell. Turrell’s work is immersive, mind-blowing, deeply moving -- and made entirely of light. Turns out, light can really mess with your eyes! And that’s what artists like Turrell and Dan Flavin, are all about. Also featuring: Peter Eleey and Flavin Judd Learn more about James Turrell's Meeting here Check out a time-lapse video of the Dan Flavin from the Judd Foundation's 101 Spring Street here Dan Flavin. untitled (to the "innovator" of Wheeling Peachblow). 1968. Fluorescent light and metal fixtures, 8' 1/2" x 8' 1/4" x 5 3/4" (245 x 244.3 x 14.5 cm). (The Museum of Modern Art, New York. Helena Rubinstein Fund. © 2017 Estate of Dan Flavin/Artists Rights Society (ARS), New York)  

In a programme exploring light, Anne McElvoy is joined by Ann Wroe - who has walked the South Downs for her latest book considering painters including Ravilious and Samuel Palmer. Prof. Lucie Green has written a journey to the centre of the sun. The fluorescent creations of Dan Flavin the post war American artist go on show at Birmingham's Ikon Gallery curated by director Jonathan Watkins. And in Blackpool - home of the Illuminations - the Grundy Art Gallery is adding to its collection of light works – curator Richard Parry explains. Dan Flavin: It is What It Is and It Ain't Nothing Else runs at the Ikon Gallery in Birmingham from 13th April to 26th June.Six Facets Of Light by Ann Wroe is out now. She is also the author of Pilate: The Biography of an Invented Man.15 Million Degrees - A Journey to the Centre of the Sun is written by Dr Lucie Green, solar physicist at the Mullard Space Science Laboratory at UCL.Producer: Torquil MacLeod

Jim and Bill are back in studio and again have The Big Bid Theory Band along for the ride. Special guest, procurement, light art, and more music. This episode has it all.Our special guest is Mr. Gage Loots, Corporate Purchasing Manager with the City of Austin Purchasing Office. Gage discusses his role, why the Austin economy is doing so well, and tips for businesses looking to do earn government work. Visit http://austintexas.gov/purchasing for more tips and info on doing business with the City of Austin.Jim dives back into government requesting, purchasing, and using Art. In this episode, JW gives some background on the evolution of light art and looks at a #CrazyBids...err….#CrazyTenders for light art. Special Note: Tip of the cap to Dan Flavin.The Big Bid Theory Band wraps up the show with the TBBT Anthem v2.0.All of that and more. A lot more!

This episode continues the series exploring the new music of Ireland. John Schaefer sits down with Jonathan Nangle at the Contemporary Music Centre in Dublin. Nangle tells how Donnacha Dennehy influenced him to explore more experimental music, and then shares how electronics and silence factor into his compositions. Listen to how Nangle uses electronics to subtly augment conventional instrumentation on "Where distant city lights flicker on half-frozen ponds". Hear Nangle explain how his piece "Then Falls by Shadow" takes the inspiration of Irish weather to combine shuffle mode with a choral performance. Later in the hour, John Schaefer talks to David Bremner about his own compositions and playing the pipe organ at Christ Church Cathedral in Dublin. Hear Bremner's piercing organ compositions "Variations upon 'the usual reason'" and "Amhrán na Leabhar." PROGRAM #3715 New Music from Ireland: Part 3 (First aired on 4/17/2015)   ARTIST(S) RECORDING CUT(S) SOURCE Kate Ellis Jump Donnacha Dennehy: Aisling Gheal [2:09] Diatribe Records Jonathan Nangle Self-released DIY Aeolian Harp [:39] Soundcloud Jonathan Nangle new music::new Ireland 2 Where distant city lights flicker on half-frozen ponds [excerpt 1] [2:14] CMC Ireland Jonathan Nangle new music::new Ireland 2 Where distant city lights flicker on half-frozen ponds [excerpt 2] [4:47] See Above Ergodos Musicians I Call To You Jonathan Nangle: Ich ruf' zu Dir, Herr Jesu Christ  [2:22] Ergodos Records Jonathan Nangle Commissioned for Dublin SoundLab untitled (after Dan Flavin) [1:42] Soundcloud Jonathan Nangle Commisioned by David Bremner and Elizabeth Hilliard Then Falls thy Shadow [:51] Soundcloud Jonathan Nangle Contermporaty Music from Ireland, Volume Nine Our headlights blew softly into the black illuminating very little [5:21] CMC Ireland – CMC CD09 Contemporary Music Centre Jonathan Nangle & David Bremner Ergodos 2009 'Off-Grid' Festival Untitled improvisation [1:25] Soundcloud David Bremner Contemporary Music from Ireland, Volume 2 Variations upon ‘the usual reason’ [4:40] CMC Ireland David Bremner L’Air Du Temps Amhrán na Leabhar [2:49] Soundcloud

In this video podcast, Curatorial Associate Tom Norris discusses "monument" on the survival of Mrs. Reppin, an artwork by American artist Dan Flavin (1933-1996). On display for the first time at the Museum since its acquisition in the late 1960s, "monument" has all of the characteristics that make an artwork by Flavin so recognizable-the materials, the engagement with the exhibition space and the idea of a corner icon. Norris provides an in-depth overview of this dramatic artwork’s history, shedding light on its unique title and why it had never before been on view at the Museum. "monument" on the survival of Mrs. Reppin is on view March 8 through August 19, 2013.

With Mark Lawson. Light Show at the Hayward Gallery in London is the first survey of light-based art in the UK and brings together artworks from the 1960s to the present day, from 22 artists including Dan Flavin, Olafur Eliasson and Jenny Holzer. Lighting designers Paule Constable and Patrick Woodroffe give their response to the works on show. Paul Kildea discusses his biography of Benjamin Britten, which has already made the news when he claimed that the composer's death was hastened by syphilis. Playwright Simon Stephens' new play, Port, opens at the National Theatre this week. Directed by Marianne Elliott, it tells the story of a family in Stockport. We first meet 11 year old Racheal, and six-year-old Billy in 1988, and the play follows them over the next 13 years of their lives. Peter Kemp reviews. Producer Ellie Bury.

Director Don Bacigalupi and Public Programs Coordinator Sara Segerlin share thoughts on Untitled (to Mr. and Mrs. Thomas Inch by Dan Flavin).

Untitled (to Jan and Ron Greenberg) (1972–1973) illustrates Dan Flavin’s habit of naming his artworks as a tribute to friends, family or historical figures, the only personal element in what is otherwise an entirely industrial environment.

This show has at least 3 shows worth of material. THIS WEEK: Michelle Maynard and Teena McClelland the ladies of Death by Design Co. talk about gore, guts, and their show at Gallery 400! Duncan, Richard and Amanda, rise above the fray and avoid saying snotty things about people related to a certain gallery space, once again, basking the entire time in the soft, warm glow of our moral superiority. Cassie Thornton checks in from NYC! We review Daniel Blanco's show at Flatfile. AND the year end wrap up. Duncan apologizes to the OODA group for being a jerk. We throw down the gauntlet to Liz Armstrong who is writing the Chicago Anti-Social column in the Reader. Duncan hates Anne Goldstein. More singing by all. People name dropped: Daniel Blanco, Michael Asher, Michael Workman, Philip von Zweck, Paul Klein, David Coyle, Mark Booth, Naughty Candy, Bruce Campbell, Jim Faulkner, Jasper Johns, The Booms, David Robbins (WHO IS NOT connected to Death by Design, honest, really, seriously, no foolin'), Readymade Magazine, Stan Shellabarger, Dan Flavin, Scott Speh, Brittney Spears, and Richard offers free legal assistance to Kevin Federline, as he will need it and so so much more. NEXT WEEK: The always controversial and busy Michael Workman, New City art critic, NOVA front man, Art Fair impresario, freelance writer and 92 other things talks about the art biz, pissing people off, the state of the Chicago art scene, and what the future holds, not to be missed! Duncan, Richard and Amanda talk about Maximum Wage! We might even have a piece by a second NYC contributor despite the fact they are too damn rude to spend 1 second and figure out what my name is before they write to us. Links may follow eventually, Duncan has gone back to the motherland.

"Hasta el 8 de marzo permanecerá abierta, en la sede de la Fundación Juan March, la Exposición «Minimal Art» que se viene exhibiendo en esta institución desde el pasado 26 de enero. Integrada por 18 obras de siete artistas norteamericanos representativos de este movimiento estético surgido a fines de los años cincuenta y extendido por todo el mundo. Esta muestra se ofrecerá seguidamente en Barcelona. Formada con fondos procedentes de la Colección Crex de Zurich (Suiza), la Exposición incluye una selección de esculturas y pinturas ilustrativas de las diversas fases seguidas por el Minimal en su desarrollo: desde los inicios del movimiento, con obras de 1959 a 1966, de Andre y Flavin, hasta las últimas pinturas de Ryman, de 1979 y 1980, así como estructuras de Morris y LeWitt, en la etapa de madurez del estilo. Carl Andre (1935), Dan Flavin (1933), Sol LeWitt (1928), Donald Judd (1928), Robert Morris (1931), Robert Mangold (1937) y Robert Ryman (1930) son los artistas representados en la muestra. Todos ellos nacieron en el período de entreguerras y han expuesto su obra en los principales museos y galerías de Europa y América.En el acto inaugural de la muestra, María Corral, fundadora directora de Grupo Quince, pronunció una conferencia sobre «Minimal Art: un concepto estético».  "Más información de este acto

Michael Govan, CEO and Wallis Annenberg Director of LACMA,Saturday, May 18, 2013Michael Govan, CEO and Wallis Annenberg Director of LACMA, first became acquainted with Dan Flavin both personally and professionally while working on the interior installation illuminating the reopening of the Solomon R. Guggenheim Museum in 1992. In this lecture, to coincide with the installation of the artist's "monument" on the survival of Mrs. Reppin, Mr. Govan discusses Flavin’s career, arguing that it was anything but minimal.