Podcasts about Eizo

「EIZO、輝度／コントラスト比を高めた映像制作用30.5型4K HDRモニター「ColorEdge CG3100X」」　EIZOは、HDR映像の制作に対応する30.5型 4Kカラーマネージメント液晶モニター「ColorEdge CG3100X」を、2025年8月25日（月）に発売する。

「＜Inter BEE＞ソニー、17型4Kマスターモニターなど初お披露目／画質がひとまわり向上、EIZOのHDRリファレンスモニター」　音や映像、通信技術の展示会イベント「Inter BEE 2024」が、本日11月13日（水）から15日（金）にかけて千葉・幕張メッセにて開催されている。本稿では、映像制作ソリューションやマスターモニター／カムコーダーの新製品を展示したソニーや、ニコン、アイ・オー・データ機器、ウエスタンデジタル、EIZOブースの模様をお伝えする。

SUMMARY This conversation explores the life and legacy of Osensei Eizo Shimabukuro, a significant figure in martial arts, particularly Shorin Ryu karate. The discussion features insights from Grandmaster Bill “Superfoot” Wallace and Sensei Darryl Baleshiski, who share their personal experiences training under Shimabukuro and reflect on the evolution of martial arts techniques and philosophies over the decades. The conversation highlights the importance of teaching, the impact of instructors, and memorable moments that shaped their martial arts journeys.  TAKEAWAYS Eizo Shimabukuro was a pivotal figure in martial arts history. Training with Osensei was a rigorous and traditional experience. The evolution of martial arts techniques has changed significantly over the years. Personal connections with instructors can deeply impact one's martial arts journey. The importance of adapting techniques to individual needs in training. Memorable moments with Osensei often revolve around personal interactions and lessons. Teaching is about sharing ideas and techniques that resonate with students. Respect and tradition are core values in martial arts training. The legacy of martial arts instructors lives on through their students. Martial arts training can provide a sense of purpose and community Song Lyrics can be found at www.whistlekickmartialartsradio.com/blog/955-eizo-shimabukuro-legacy

Ah, so it's the 4th July as I record this so Happy Independence Day to all my US friends and colleagues!    In this episode, I do my regular round-up of things I've heard during judging - I was chairing the Click Expo Print Competition (the standard was incredible!) and I made a few notes from this and a few other things I've been involved in.   I mention a couple of products and here are the links: EVOTO AI - https://go.evoto.ai/PaulWilkinson (if you use this link, you'll get 30 free credits!) ACDSee https://www.acdsee.com/en/index/  DXO - https://www.dxo.com/   Enjoy!   Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript EP154 - A Bit More Different (And Other Thoughts On Judging) [00:00:00] Introduction and Warm (Water) Review [00:00:00] So, let me read this out to you. I'm loving this podcast. It's like sitting in a bath of warm water in that the subject matter is gently flowing over you in a warm, friendly, soothing way. When I get to the end of the series, I'm going to start again. I think Sarah sends it to me, so I'm assuming it's on iTunes. So thank you to Skinny Latte via Apple Podcasts. Yes, it is. It's Apple Podcast. Who left that review. It made me laugh. I've never, ever. I don't think been compared to a bath of warm water, but Hey. It certainly, it certainly made me smile. And I will take a review worded like that. Poetry in its finest, in its finest watery form. [00:00:43] Podcasting Challenges and Episode 154 [00:00:43] I'm Paul, and this is the Mastering Portrait Photography Podcast. [00:00:49] Well, I blew that ambition out of the water. Didn't I, the let's do one podcast every week for the rest of the year. Uh, I've barely managed three or four, I think. It has been just one of those. years, this is episode 154. And really it's just been busy. [00:01:23] As I record this, it's the 4th of July. So, happy 4th of July, to all of our American. Listen is in so many ways. The 4th of July might be something of an independence day for us too certainly with a little luck, a day of change. [00:01:37] Busy Year and Listener Feedback [00:01:37] Um, it's just been really busy in a year like this everything's working really well, but we're having to work that little bit harder to get there. Everything's a little bit more expensive. Clients have a little less to spend and somebody wrote in the other day. And said that they were waiting for episode 154. And partly because having the podcast, this podcast out there, from someone who is living and breathing the same industry that you are. It's feeling the same things that you are going through the same processes, the same client experiences that you are is comforting. [00:02:11] And just knowing that they're not alone. So here is episode 154. In that sense, I think we really are. Um, a market, we're a collective of individuals. We're all going through the same thing, but on our own. It's useful to know. Uh, that there's other people out there going through the same thing. So I don't sleep very much. Uh, we're working flat-out I love every second of it. [00:02:35] Don't get me wrong. Having having a camera in my hands is just the most natural thing in the world. So, and taking pictures for a living. Well, I couldn't ask for a better way to put food on the table, but that's not to say it isn't really hard work. And in fitting in all of the other things that seem to have crept up into my world. Um, it just takes a little bit of time. [00:02:58] So apologies that the podcast has been a little bit more sporadic then I would have liked. Uh, before I get any further, I would just like to say thank you to everybody that filled in the questionnaire that Sarah has sent out. Um, It's really, really, really interesting. The data in it is incredibly insightful. [00:03:18] And what we're trying to understand is what do we do with Mastering Portrait Photography? How do I push it and prod it and coax it forward? Um, we're due to give a really big kick this year? That's what we're trying to do, but at this stage we weren't entirely certain where to focus. So we now have an awful lot of really insightful, useful data. And the biggest thing that's come up is that it's well-worth. I know that sounds really bizarre. You know, I know people read our articles. [00:03:48] I know people like the diagrams, our stuff is out there in Professional Photo Magazine. And this month also, In Digital Photography Magazine, you want to pick up a copy of that. On the news stand of a Professional Photo. Uh, it has gone all Digital, but Digital Photographer. Is there a paradox there that professional photo magazine is now all digital, but Digital Photography magazine, you can pick that up on it. I can't. I think there must be a paradox in there somewhere or an irony. Maybe it's an irony. I never entirely certain. The difference between an irony and a paradox. Anyway, anyway. Um, thank you to everybody who filled that in. Uh, I was due to record his podcast. This podcast was meant to be. It was meant to be a podcast from the land Rover. Uh, but it's been a very hot day. [00:04:33] I was working. A two hour drive away. So two hour drive, half hour shoot, two hour drive back, and I was going to record one, maybe two podcasts. Um, weirdly the Landrover was more rattling than usual because, and I don't know why there is a toaster in the foot well. You know, when you get into a car and you, you, you drive away and you can either clanking rattling. There's a little Chrome toaster in my foot. [00:04:56] Well, I need to pick that up with my son. Uh, anyway. [00:04:59] Family Pride and Personal Updates [00:04:59] On the topic of kids. Both my kids. I know. It's got nothing to do with photography, right. But I'm a dad and you can't help, but be proud of your children and this couple of weeks. I am beyond proud. Uh, today. Jake got his degree. Uh, Sport Technology from Loughborough University. [00:05:18] So you got a two, one. Uh, degree in BEng. In it's literally engineering with balls, there's no other way to describe it. That's what it is. They study balls and things with which to hit balls. Cricket bats, baseball, bats, golf clubs, football boots. And then they also, uh, research things like, uh, helmets. [00:05:37] So when the ball hits you, it stops you being an unconscious cricket player or backstop or whatever. Uh, so truly, truly a magnificent result for him really, really proud of him. [00:05:49] And just as proud of our daughter who has for the past few weeks just started her new job, working in London for one of the biggest creative agencies, creative marketing agencies. In the UK. Um, as a creative account manager. Uh, she's just going to tear the world apart. She's super organized, super creative, super lovely to work with. [00:06:10] She's a grafter and I could not be prouder of both of them. So forgive me for saying that and giving a shout out to my children, but Hey, my podcast. You don't have to listen to it. Uh, so where are we? Right, it has been a very busy. Uh, I think it's about six weeks since I've done an episode. [00:06:28] Workshops and Masterclasses [00:06:28] Um, so I cannot I've lost count. I usually I'll give you a quick count up of everything we've done. Numerous hearing dogs shoots a load of workshops and one-on-one master classes them. I just. Do you know what? I never thought. I honestly never thought I'd enjoy running workshops and masterclasses as much as I do. There's something. And I don't know why, but there's something really thrilling about being in a room with a few people who genuinely want to, uh, take ideas and create ideas and push boundaries and try things and discuss things. Um, and that's turning into actually a really, really, for me, a really rewarding part of our business. [00:07:10] And I never, I don't know if I ever really expected that. It's, I'm certainly not one of those people. That I want, you know what, I really love doing training because it's giving something back. It's none of that. It's not that at all. There's just an incredible buzz. Of a group of people working towards creating an image and explaining. And understanding and learning how things work and why more importantly, why we do things, why it's always, everyone tells you what. You know, when you look at things online, everything's about the what and the how, but why, why do we do things? [00:07:42] Why do we approach. Light the way we do why'd we approach the camera settings the way we do. Why, why, why, why, why? I just find the Y. So much more interesting than the what and the, how. And I think probably more valuable because if I understand why then I'll do it. If I understand the what I won't necessarily do it, it might be a useful tool or it might be a useful technique. But if I don't really get why I'm doing something, I will bin that off as just not useful. [00:08:12] But if I understand why there's a rationale to why. And so all of our workshops and masterclasses now are premised on why. Anyway, that's a slight aside we'd last week we had a couple of students work placement students that are. Uh, 15 year old and a 17 year old. Two brilliant. Uh, young students who had approached us to come and spend. A few days with us in the studio. [00:08:36] Military Photoshoot and Student Experiences [00:08:36] Uh, they came with us to the hearing dogs for shoot. And then we did, um, a shoot here, uh, with, um, a guy in military uniform. Um, it's one of those, the shots. Uh, this was the perfect sheet for me. Um, a guy said, I want to do something. Really sort of vintage modern cameras, modern lighting, all the rest of it. But he sent me a couple of pictures that must've been taken. [00:08:57] I'm going to guess in the 1940s at, I don't know the exact date, but I'm guessing around there from the style, my grandfather. Both my grandfathers had pictures like these in their military uniform. There's something about the way it's lit. Something about the way it's styled something about the way it's posed and finished. [00:09:13] And of course it's on film, black, white film. And he said, I want to, we create these, but you know, he's a, he's a soldier. He's at the very top of what you can be if you're a noncommissioned officer. Um, and he wanted to celebrate that moment. And so we photographed these incredible images and there was a moment in the shoot, where literally the hair stood up on the back of my neck and I realized what I was looking at with the same pictures that I would have seen of my grandfather's the same styling, the same vibe, same feel. [00:09:47] And it's a sort of, it's an almost indescribable styling that makes all of that hang together. Anyway, it was absolutely wonderful. And I would love to share them. But I can't because he works for one of the top secret, um, units in the military. So I've got these beautiful pictures. It's of a guy that I can never tell you about and never show the pictures. I can tell you I did the shoot because it's of course nobody knows. Uh, but it's a real shame, but I really, really, really enjoyed it. [00:10:14] So now looking around for anyone with a military uniform of the similar style, That we could do something that we could do something with I can share. So if there's any of you out there who have, uh, retired from the military, but still have your number two uniform. I'd love to. Uh, love to take some pictures just for the sheer joy of doing exactly the same thing, but then I can share them. Uh, I think the students really enjoyed it too. [00:10:38] And then the day after that, a brilliant magician . I've worked with Sam strange. Probably for 12 years, I think now. Um, incredible magician. Part of the Champions Of Magic him. Uh, Young and Strange, he works as part of a duo with Richard Young. Uh, but this was a shoot just for him. Sam Strange, wonderful guy just playing. I'm so lucky in the studio that the human beings that come in here. Uh, I think some of the nicest people in the world, I mean, I have only met a tiny proportion of the people in the world. [00:11:08] I'm sure there are other nice people. But my client base is genuinely. Uh, just a never ending stream of people who I love to spend time with a, Sam Strange. Is right up there. So he spent ages taking pictures of him. And as, as a kind of, we wanted to get some shots where he was genuine, genuinely performing. [00:11:25] So the two work placement students became instantaneously his audience, uh, some card tricks. He did these card tricks. One of the students looked quite confused. I'm not entirely certain that she understood what had just happened while she was holding the card with her name on it and a knife hole in it. Anyway. [00:11:43] It was very funny and absolutely. Uh, wonderful. We've done a load of portrait shoots. The weather has been kind for a couple of weeks. Which is a pleasure. Uh, so we've been out in the sunshine, um, And just. It's just, it's. What I came into photography to do was to laugh in the sunshine, taking beautiful pictures. Uh, so that's really, really, really lovely. Um, we've been judging the monthly's the BIPP. The BIPP the British Institute of Professional Photography. [00:12:11] Monthly's over the past couple of months. I think we've done two. Monthly since I last spoke with you, sorry. That's my bad, just busy. That's all it is. We're just busy. Um, I love doing, I love chairing the judging. [00:12:23] And then on top of that, Um, I was asked to chair the print judging for the click expo. [00:12:28] Judging Competitions and Photography Tips [00:12:28] That was up in the Midlands a couple of weeks ago, some big names there, Lindsay Adler, and a few others. Uh, with some of the photographers presenting, it was. Um, it wasn't the biggest expo in the world, but we had a really good entry into the foot print competition. And the standard is out of this. World. [00:12:45] And when you see a panel of judges, we had judges on rotation. So five judges at any one time and me chairing it. And when you see the excitement, you see the judge's eyes just light up. When they are appreciating the very best of the craft of photography, I think, you know, there's, I don't know how to explain some of this stuff. [00:13:05] Why that, you know, that feeling when you take a picture right. And you hit the button and you just know, you just know you can feel it. That's the same sensation that I think we still get when we're assessing images at the highest standard, there's something really exhilarating about it in explicable. Uh, but exhilarating. [00:13:26] I see on the flip side of that, I was laughing with our two work placement students of the other side of the line, which is when you see somebody else take a beautiful photo and they're in the same session as you. Sometimes when I'm training people, this happens to me. And, you know, with talking through staff were doing ideas and then somebody hit the button and they'll create a picture. That I wish. I'd taken and then I have to suppress. I have to suppress that kind of. I'm really jealous about that. [00:13:54] Why didn't I take that picture? I cause you call and of course you have to celebrate. The absolute, the excitement. I still get the same excitement from the picture. I just wish I'd taken it. Um, Which is quite a weird sensation. I'm getting used to that sensation because if I'm doing my job well in a workshop, I won't do. My job well in a masterclass, if I'm genuinely. Um, passing on ideas and information, then. Really people in those workshops should be creating beautiful images that I'm jealous of. It is still quite hard though. [00:14:26] Anyway, we were judging it. Click. Um, and I'm going to come back, uh, to, to that in a moment as the topic of this particular podcast. Uh, but a few bits and pieces. Uh, one of the things that occurred to me this morning, and I'm going to drop this into this podcast because it's a useful thing to remember. Um, is always remember to pack your bag so that at a single glance, you know, what's. In it. And will more importantly, what isn't. I was driving along and I do this thing. [00:14:56] If you. I don't know if you're the same as me. I'll get halfway down the road and I'll be like, did I pack my passport? And I literally, I don't know how many times I've done it. I've pulled into a lay-by and gone and checked. I still do the same with my camera kit. But this morning I was driving away and I did that thing. Have I, I packed everything I need. [00:15:14] And then actually I remembered I'd looked over the top of my bag. Um, while it was open and I know everything was there because I pack it in a way that if something is missing, I can see the gap. And it's like, oh, okay. So, um, you could do it with checklists. Of course you can be much more methodical than that, but just as a simple trick, pack your bag in a way where you can visibly see if something is missing. Right. [00:15:39] So where are we in our warm bath water? I still think that's a great review. Thank you, skinny latte. That's just like the skinny lattes. They use it named by the way. That's not just me being random. Uh, that is like the best review. I'm going to put that on a, if I ever have a poster. You know, Paul Wilkinson appearing somewhere. , it's like sitting in a bath of warm water. I don't know what to do with it, but it's, uh, please feel free everybody. To write us poetic reviews like this, and I promise you they will get read out because it's absolute genius. [00:16:10] Um, I just love that I'm going to have that printed as a poster. I'm loving this podcast is like sitting in a bath of warm water. Anyway. Um, I thought I do these regularly, um, quick updates on things that I heard or saw during um, the judging. Um, So, let me just go over some incidentally as an aside one of the reasons we use, sorry, there's lots of asides with me. You get used to that or you don't. That was funny. The night I met someone for the first time and she laughed at me and said, you're always after the punchline aren't you. And I was like, yeah, that was really. Is very astute, but it did somewhat stop me in my tracks. Um, I don't mean to be like that. I just am a. [00:16:54] One of the reasons we use a panel of judges are more than one judge. Is so that we get a more reliable score, but I was judging in the monthly's this month round. I. So I wouldn't say who the judge was, but they were very worried that their score was out of kilter with the other judge. And they had no reason to be. [00:17:14] I, I can export the judges scores and I can see exactly what's going on. Um, I'm a big data, nut, I love data. I love the data behind scoring. So I've had a look at the data and their scoring is exactly where I would hope it would be, but you don't always agree. And that's really important. If every judge for every image gave the same score, we'd only ever need one judge. That's not how it works. That is so not how it works. [00:17:43] It's not supposed to work like that. A panel of judges are all supposed to bring different experiences. Different backgrounds, different hotspots that they look for different passions, different prejudices, different biases by using a panel of judges. You will always get a different score or you should always get a different score from every judge or you haven't picked your panel of judges very well. [00:18:09] And we pick up panels of judges incredibly carefully so that they are different. They bring different ideas to the table. We pick the panel of judges so that they're going to get on, they're going to work as a team. So if there's a challenge, if there's a discussion or they're not going to get into an argument, they're going to develop. Uh, thought process, and come to a considered view. [00:18:28] That's why we use a panel of judges. It's important that the judges are reliable and they are experienced and they're top of their game. Of course. But they will give different scores. Anyway in the, from a Click. At this time and a little bit from the monthly's I thought I very quickly go through one or two things I heard. [00:18:45] It's just useful stuff. You know, there's nothing major in that. [00:18:48] Um, so paper choice. Paper choice comes up in every single printer competition I am involved in. Just does. Um, the big one, this time was be careful, where. Um, If you've got a textured paper and you print something like a baby on it with smooth skin, it can look like the baby's skin is wrinkled, particularly when the baby or the face of the baby is quite small in the frame, newborns. [00:19:12] This was typically a criticism. What's your paper choice. If you're going to. Print things that would have a smooth texture in the real world, smooth skin, that kind of thing. Use a smooth. Paper. Uh, that said if you're using fine art matte, papers, go and figure out how to get your blacks to map correctly because typically fine art matte papers. [00:19:33] Don't give you much. Uh, changed between the grades of black. It suddenly goes, it goes. Sort of dark. So you get blocked up areas that aren't quite black and then suddenly when it gets to a slightly lighter. Like a lighter tone. You'll start to see texture again. There are ways of printing for that. Go look them up. Uh, Sanjay Jogia, I'm going to give Sanjay quick shout is a brilliant printer. Brilliant technician. Uh, he does, uh, workshops and seminars on printing. You can do a lot worse and go talk to Sanjay. And he's a super lovely guy, too. [00:20:06] Uh, stray hairs. We had one assay. This was in a digital file, um, in the competition. Uh, this month there's a stray hair in the print in a file. And that's clearly on the sensor. With print and competition judging. The judges are gonna zoom these things in. They're going to look at them under a light on a light box. If it's a print, they're going to zoom it to a hundred percent on a big Eizo monitor if it's a digital competition. If there's a stray hair or a dust spot, they are going to see it. So go find your files, go, go over them and over them and over them. [00:20:35] If you want to do one in competitions, get the little details, right. Uh, because that score that dropped, I mean, so many points. It was a great image. Great idea, creatively. Brilliant. But if you're letting things like dust spots and stray hairs go through, that's not going to be regarded as competition standard. [00:20:53] Mounts. We saw some incredible mounts. [00:20:55] We saw circular mounts and oval mounts and, uh, one photographer. I don't know if it's the same author, but I've seen this technique a couple of times where they cut out the edges of the mounts of the landscape picture goes all the way across and breaks out the sides of the frame. [00:21:09] Mounting and Presentation Tips [00:21:09] Um, they're brilliant. Um, you remember that with a print competition? [00:21:12] Typically the mount is part of the puzzle. So make sure your mounts are complimentary. Make sure they are adding to the image. They're not distracting from the image. Um, make sure that your everything is super accurate, super, just square. It needs to be lined up. We had one. Uh, image where the horizon wasn't horizontal. Uh, it was a seascape. And it wasn't horizontal and it may have slipped in the mound or maybe that the author just didn't notice. [00:21:40] I don't know which of those two things is true, but of course it's not going to do that. Well, So mounting is really, really important and we do zoom in to make sure the quality. Um, is there. [00:21:50] Uh, a few dead come up with banding issues, JPEG issues. In this day and age where computers are pretty powerful and you know, the sensors and cameras are at least 14 bit these days. Um, if not 16, Um, then please do just get your techniques down. [00:22:06] So if you got a big blue sky, make sure it's a big blue sky without banding in it. Um, it's just one of those things. [00:22:12] The Debate on Titling Images [00:22:12] Uh, titling. I don't. This comes up every single time. I don't like titling. I don't think it should be necessarily part of an image competition. Um, but I'm out there as I'm in the minority. I think. Um, but I just don't like it. I think we should judge what we see in front of us. But, uh, if the competition asks for a title, enter one, create one, invent one, stick your image in an AI generator and get a title. I don't care how you do it, but put a title in on average. Now I've only heard this anecdotally and I've no idea what the research was, but anecdotally, a couple of judges told me that titles typically give you one additional mark on average, if it's a sensible title. It certainly can add poetry to it. It can add a meaning to it. So if you put a picture. I have no idea. Uh, of, uh, a sad looking child. I don't know, making this up a sad looking child with no title. Well, it's a sad looking child. Put up a sad looking child and give it the title, Daddy's Gone Again. Suddenly, you've got a very different tone to how the view is and the judges. Our assessing an image. [00:23:23] Now this is why I don't agree with it because I don't think that's how it should work. I think we should judge the image. But given it's an opportunity to get a mark or two. And given you're entering a competition, which is a game. Then play the game. And put titles in. [00:23:37] Attention to Detail in Photography [00:23:37] Uh, where are we? Um, a couple of images came up this time round, which I wrote down all details and reading this and we notebook. I carry a note book almost all of the time. [00:23:46] It's a throwback to my PhD days. I think always had a notebook. Uh, title, sorry. All details. Some so EEG cushions, this was a, an image that came in where the hole that the room had been styled to perfection. But when you looked at the sofa, It looks like. Somebody had just sat on it. So the cushions were fine. Like the back cushions, the throws and all of those, but the actual seated part of the sofa. Had been left as if somebody just sat on it, perhaps sat on it to plump up the cushions. I don't know, but it just, it drew our eye to X. Everything else in the image was so pristine. What's your details, particularly with architectural and commercial. [00:24:25] Uh, confusion. [00:24:26] Understanding Image Composition [00:24:26] This came up. Where we weren't certain or the judges, weren't certain what to make of an image. I've talked about this a few times. It's not the judges, job to decode your story. [00:24:40] It's your job as the author to tell your story in a way that the judges can get it. It's got to be approachable. Um, you can be as clever as you, like, you can be as subtle as you like, but in the end, if you're not telling the story in a way that the judges can understand decode it, that's not the judge's fault. Um, so just, you know, make sure, maybe test it on other people and see what they think at image before submitting it. [00:25:04] Uh, we saw a few of these. Uh, what have I written down? Uh, They've written down. Uh, the only image here. Okay. I wrote down if only if only is one of those things. Have you ever done that with your images where you look at an image in Lightroom and you're just like, oh, if only. If only the background was clean. If only I hadn't blown a highlight, if only the eyes were sharp. You know what I mean? [00:25:29] You have these if only moments where the image you'd done everything. Right. But then you've missed a bit. Well, don't enter those into a competition for a star. Um, There was one image that came up and. It felt to me like. It felt like a grab shot. It was a beautiful shot, but a grab shot. Now the construction of the image was one we see all the time dog in a basket, nothing particularly clever about that. Um, or, you know, rare in that, I suppose. [00:25:56] But the particular angle, the way it was framed, felt like they grabbed the shot. Now, if you said to a fine oil artist or pencil artist, or a cartoonist or a commercial air brusher, create me a picture of a dog in a basket. They would have a real angle on it. There'd be something about the way they place the objects relative to each other and relative to the frame. There'll be a way of doing it. That would have a certain aesthetic, a style, a cleanliness for me, my particular thing is I love when the lens is absolutely horizontal. Low down in the frame, preferably on the floor. If it's a subject that is on the floor so that everything for me, I feel like it climbs into that world. [00:26:42] That's just my particular aesthetic. It doesn't have to be anybody else's. I mean, please. Everybody. I'm a Muppet. I don't know what I might have out, but I liked the idea that I've done something that has a, it has a statement to it. It has a shape to it. I love the work of E.H. Shephard who drew A.A. Milne's books, um, Winnie the Pooh and house at Pooh. The corner and when we were young and all of these beautiful Christopher Robin stuff. The drawings always feel like you're in the small characters world. You're not an adult looking down at it. [00:27:13] And I think that's the point I'm trying to make is have a view. Think about it. Think as if you're drawing it, don't think of it as a photograph thing. Okay. Take a step back. If you've got time. Sometimes you don't right. If you're a news photographer, you haven't got time, but step back from your image in your head. Say, okay, these are all of the bits of the puzzle. This is, I've got one of those, two of them, three of them. I've got these colors and this shape, this light. If I was drawing this, if I slowed down and somebody said, draw those on a piece of paper. So that made sense. How would I do it? Uh, you know, there's an, there's another picture. [00:27:49] It was a picture. Um, it was a newborn picture. And there were objects in the foreground. So it was, it made it feel like the baby was amongst objects and then objects behind the baby. But what's happened is they've. Thought that because we mutter a lot, and I'll come on to this one later. don't crop things at the edges of a frame. They pulled the objects. [00:28:11] That baby is surrounded by, away from the edge of the frame, but that meant, it felt like there was only a few objects. In this instance, using the objects and cutting them at the edge of the frame as if there was millions of them receding into the distance that would have made sense. And visually it would have had an expansive feel to it, rather than I only have four of those objects, so I've placed them where I have. And it's that sense of thinking about your layer? And if you look at the very best of these types of images, The guys really do know their way round it. [00:28:41] Uh, comping compositing. Combining images. It must be invisible. We actually, as photographers, don't have a problem on the whole, unless the category says you can't use composite images. We don't have a problem with it. Judges don't worry about it. [00:28:55] We just don't want to see it. So the compositing, the bringing different images and elements together has to be invisible. Uh, there are skills to this. Practice them. Because if you, the minute a judge spots that it's a composite, it's failed in its job. I mean, obviously there are obvious composites, you know, if you're doing a. King Kong thing of a gorilla climbing, a skyscraper. Fair enough. We're going to know straight away. That's not real. But it still has to look real, has to be believable. Uh, okay. What else have we got? [00:29:26] Um, baby skin. This has come up a few times. Be careful of. Using blue and dark green style filters, filter effects in your monochrome conversions. Uh, blue filter typically turns the lips dark, which is fine. If you have, um, You've got a model and smooth skin like ultra smooth skin and makeup that's flawless because you've got red lipstick and you punch them on a Chrome with a bluish or green filter. It drops the lips to a very dark color and that could look incredible. But with babies would it also does. If there's any red in the cheeks, it makes those go blotchy too. So you have dark lips and bruised looking cheeks, and that's not really, how probably you want to have. A baby photograph, by the way, if you can hear stuff going on in the background, I've got all the windows open because it's a really warm day. Um, and I'm sitting just recording. Uh, where are we? [00:30:23] On the converse side of that. So we've got blue filters, making skin look kind of grungy and textured and blotchy. Equally, we are still seeing way too much over smoothing. Um, on the skin work. Um, it just. It doesn't look, if it doesn't look quite right, you know, and it's really subtle. I don't know how to describe it, but we know as judges, when we look at I I'm a big one for, when someone applies makeup to a face really well, really beautifully. It smooths out the lumps and bumps, but what it doesn't do is remove the texture. [00:30:59] There's still pores, there's still skin pores there're still fine hairs. There are still little tiny ripples created by blemishes underneath the makeup. So, if you want to make it look real, when you're doing digital makeup or digital smoothing. You have to remember to leave details in that show reality, even when you're doing really fine art kind of work. [00:31:21] So just what's that. Um, incidentally, a shout again to EVOTO.AI. Um, I've just had a new release of that this week. Um, incredible bit of software. Uh, in that you can control how much you do. So it's not, it's not all the bells and whistles that make these things good. What make these things good is when you can turn it down, so it's imperceptible. Uh, EVOTO.AI is actually very, very good. Please do go and have a play with that. I will drop a link down in. Uh, further down in the show notes. [00:31:54] The Importance of Image Sharpening [00:31:54] Over sharpening. Uh, this came up as a bit of a debate actually, me and Sanjay don't entirely agree on this. I don't think. My view is that you don't need to sharpen images anymore. Um, I've never heard, not once have I heard. Uh, judge say this image needed more sharpening. Not once I've heard images get critiqued, cause they're soft by the which, I mean they're blurred. And the minute you try to rescue a blurred image using, um, Topaz or, you know, any one of the sharpening tools. Unless you're really on top of it and really, really, really careful, it looks like it's sharpened. However, I've heard many times. That an image looks over sharpened over, over you see halos, you see this kind of slightly, really weird edge effect. Um, I took the decision a couple of years ago to stop sharpening my images, because it removes one or two problems when you. Because for us, we don't, uh, we produce the same file to be printed at different sizes. [00:32:49] I don't worry too much. Um, about, uh, scaling at 300 DPI for A4, 300 DPI for seven by five, three to DPI. I just give the guys one file. Um, and our sensors now is so sharp that they reproduce and they give a, for me, they give a slightly smoother finish. Um, And I've only ever been pulled upon over sharpening when I did it. [00:33:11] No one's ever pulled me up on under sharpening. So I would say don't sharpen Sanjay. Doesn't say that he says you should do sharpening, but know exactly at which point in the workflow to do it. And that's fine. Um, Sanjay is a master at this stuff. So he does sharpen. Uh, I'm using Sanjay as an example because he's one of my judges, uh, this time round. Uh, so is there an interesting thing. My, if you're not absolutely a hundred percent certain of what sharpening to do, don't do any, you'll be fine. [00:33:40] Uh, where are we? [00:33:42] Final Thoughts and Recommendations [00:33:42] Um, oh yeah, one of the things. It has come up this come up in conversation a little bit is why we as judges get so picky about which images get over the line to be a merit or a bronze. So typically with all of the associations all slightly different. But around about the 80 mark for most associations is the break point for bronze or merit. Now. The thing about a bronze or a merit is that is something that's likely to end up being used on a website or being used in social media for the association. Um, maybe with the societies, it's going to end up on their display boards at the convention. [00:34:23] And that's why we're picky. That break point between professional standard is a lot, the associations call it and a merit or bronze. That break point defines what will be displayed to the public and to the rest of the photography industry. And as such the message we're sending is that this image is what you should be trying to attain. So when I go round, if I'm, uh, if I've entered a competition, I go round and look at all of the things that have. Uh, they're being displayed in the convention or they're in the magazine or in a book. [00:34:55] I look at those images from bronze to gold. As the things I should be aiming for. And that's why as judges, we're very careful what goes over that line. And if we find a defect that we think, do you know what the photographer should have spotted that. You're going to dump marks really quickly because the judges don't want to have that out there as something that becomes an exemplar for what a successful image should be. [00:35:16] That's why. That's why that break point is so tough. Uh, so just what you, it was quite funny, this in the competition this time round. Uh, and the monthly's is, uh, one of the images looked like the horizon. Wasn't quite level, it's a digital file. So it clearly wasn't anything to do the mounting. And by the way, it was a degree or two out, which is. I don't know. I don't know why people do that. Why would you do that? Given you just put into Lightroom or Photoshop and align with the ruler to it anyway, my two judges, I'm watching both of them on, uh, our Squadcast screen. So we record these sessions. Um, One of the judges went to his EITZO monitor took the file, put it into Photoshop and checked the horizontal alignment. [00:35:57] My other judge went to a cupboard. I watched them do it, went to a cupboard behind them, opened the cupboard door, got a ruler. And started measuring her screen, which is quite weird when you're watching it on the webcam that's on her screen. She's measuring the screen. It was quite old school, but it did make me laugh. [00:36:13] Anyway, things like horizons, check them. [00:36:16] Uh, Great. Well, so if we got, oh yeah, when you're, there's a lot of actions around and even I've written a few where you're going to soften or blur the edges. Um, So there was a particular file. Where I think a baby skin had been softened. You could see that it had been, and it was fine. [00:36:36] It looked very good actually it looked like they got a good technique on it. But what they hadn't done is lift all of the skin onto a new layer, just cut it out and drag it onto a new layer and softened it there, what they done is soften it on the original layer with all of the. Um, blankets and clothing around it. And what that did is, it dragged color from the blankets into the soften skin. So you could see a slight coloration around the edges where the softening had been done. And you expect that if you're using a blur. It blurs across the boundary. So what you have to do is cut out the skin onto a new layer. So it's transparent all the way around except for the skin, soften it there, and then you can drop it back in and you'll get no color contamination. Um, but we spotted it and of course it's a real shame. [00:37:19] Uh, With babies and with faces, the light, the light source should always be above the nose. [00:37:25] I heard this said a few times by different, uh, I think I was working with Elli Cassidy who is just like one of the best judges to work with, she's lovely. Super lovely, super nice person. Um, great newborn photographer and she raised the same point as did lots of others. The light source should be above the nose, nine times out of 10. It's very rare. Do you want the light coming up from underneath? [00:37:44] Um, I love this quote. This is one of my judges. He just, he liked a particular image because it was a bit more different. If ever I have another podcast in this industry, I'm going to call it The Bit More Different Podcast because I know it's a great title. [00:37:57] It's not English, but it's a great title. [00:37:59] Um, final bit on this bit. Is cropping at the edges. We can't, I kind of talked about it a minute ago with the baby and the objects. Just look around the edges of the frame. There's an amazing news image, this time round. Loved it. I'm not going to say what it was cause I'm not gonna draw attention for the author. But there was a scene in the middle of his action in the middle. [00:38:23] And on the right-hand side of the frame, there was nothing contaminating. Everything was kind of contained, but on the left. They were knuckles and elbows poking in onto the edge of the file when just moving the crop edge in by. I dunno, a couple of hundred pixels on a six megapixel file would have removed all of that, and focused, directly on the story in the middle. And it's such a silly thing. [00:38:47] We see it all the time. Is we get sidetracked by what's going on in the middle of our picture, the bit we want people to look at it and we forget to look. All the way around the edges of the frame. I look around the edges of your frame carefully. And if there's anything there that's distracting and pulling your eye away. Just change your crop or clone them out, whichever is easy for you. [00:39:08] Um, So that's it. Those are the notes. I mean, there's loads, of course there's loads of things. I carry copious notes, but I thought those are the most interesting. Um, to talk about, uh, particularly as we're, heading towards, uh, at this time of year, when people start to hive images away ready for the competitions, uh, for the BIPP print competition. Um, and eventually, you know, the doors will open for the society's convention as well. [00:39:30] So I thought there'd be useful. Um, The other thing, a couple of updates. Where are we with things that I've been asked? Uh, to look at. Uh, where are we? DXE DXE. CXO asked me to play with. DXA labs. Uh, the DXA labs for, I think it is an, a DX oh, film pack seven. Now the XO labs. It's not really the photo lab is not really for me because it, Lightroom is at the heart of my workflow. Um, we used the XO pure raw anyway, which is brilliant, pure, or for, by the way. Brilliant. [00:40:03] Absolutely love it. Uh, so don't, for me, that's not necessarily something I'm going to put into my workflow. I'm sure it's very good. I've used it a little bit, but however, the DSO film pack, film pack seven. It's an absolute blast. Loving it just for the moment. [00:40:17] I use effects quite a lot, but I like it if I can for it not to look effected. If you see what I mean that of course, the minute you really easily apply a film preset, of course he looks effected, I'm not an idiot. Um, but I love those kinds of tones. They feel very analog to me. Uh, it's really, uh, really, really, really good. [00:40:34] So, uh, highly recommends if you get a chance to have a play with that. I'm sure they do a trial. I haven't looked. Uh, DXO Filmpack 7. And the other thing I thought I'd give a quick shout about today. Um, his ACDSee, which I've continued to use again, they approached me and asked me to have a look at it and say what I thought it's really, really good. [00:40:55] Um, it's not good at high volumes of face recognition. I discovered that as it. just crashed my computer basically. Um, but that not withstanding. It's blindingly quick is great to have it there . Lightroom for us is our management tool for all of our raw files. Um, but the RAW files get archived away, and we then have all of the JPEGs that I've generated for print. Hi res. Uh, low compression JPEGs. [00:41:21] So having ACDSee that looks over all of my Dropbox folders and keeps that as an active catalog. Is great because I can get to any image. I like, in a heartbeat. Absolutely brilliant. So I absolutely, I would highly recommend that. Um, again, I will put a link to, um, I'll put a link to ACDSee in the show notes. And then finally just a more pop-up it's our beer festival on Saturday. [00:41:45] Now. I know none of you are local, but nonetheless, um, I will be at the beer festival if anyone fancies a beer and a chat we're in, but it had them in Buckingham share. Uh, I'd love to catch up if there is anybody around, because it's, I'm hoping that there's going to be good. Um, it's like the best place to listen to music. [00:42:02] Have a nice beer. And have a great conversation. And on that happy note, I'm going to go home now and we're going to open. I hope a bottle of champagne to celebrate Jake's success and Harriet's success in her new job. Uh, the sun is shining. And then we're going to try and stay up and see the results. Of this particular, general election. [00:42:21] Again, to all our American friends have a wonderful . Uh, July 4th. [00:42:25] And I'm going to go away and be more like sitting in a bath of warm water. I remember whatever else. Be kind to yourself. Take care.

◯発売日にApple Vision Proを購入した人が続々返品。いったいなぜ？ https://www.gizmodo.jp/2024/02/ech-bros-returning-vision-pro-keeping-receipts.html ◯Vision Proで差をつける、BeOndの高級機内サービス https://iphone-mania.jp/news-575361/ ◯折りたたみAndroidスマホが売れない〜各社がFlipタイプの新型投入中止へ https://iphone-mania.jp/news-575251/ ◯EU圏内でWebアプリ禁止？iOS17.4が引き起こす波紋 https://iphone-mania.jp/news-574900/ ◯Windows 12の年内発表をMicrosoftが否定〜Windows 11を継続 https://iphone-mania.jp/news-574913/ ◯SpaceXが運用中のStarlink衛星100基を自主的に大気圏に突入させて処分することを発表 https://gigazine.net/news/20240216-spacex-starlink-deorbit/ ◯Apple Studio Display https://www.apple.com/jp/studio-display/ ◯「イラストや製図に使えない」──とあるEIZO製モニターの仕様で物議　メーカーに聞いた https://www.itmedia.co.jp/news/articles/2402/06/news088.html

◯発売日にApple Vision Proを購入した人が続々返品。いったいなぜ？ https://www.gizmodo.jp/2024/02/ech-bros-returning-vision-pro-keeping-receipts.html ◯Vision Proで差をつける、BeOndの高級機内サービス https://iphone-mania.jp/news-575361/ ◯折りたたみAndroidスマホが売れない〜各社がFlipタイプの新型投入中止へ https://iphone-mania.jp/news-575251/ ◯EU圏内でWebアプリ禁止？iOS17.4が引き起こす波紋 https://iphone-mania.jp/news-574900/ ◯Windows 12の年内発表をMicrosoftが否定〜Windows 11を継続 https://iphone-mania.jp/news-574913/ ◯SpaceXが運用中のStarlink衛星100基を自主的に大気圏に突入させて処分することを発表 https://gigazine.net/news/20240216-spacex-starlink-deorbit/ ◯Apple Studio Display https://www.apple.com/jp/studio-display/ ◯「イラストや製図に使えない」──とあるEIZO製モニターの仕様で物議　メーカーに聞いた https://www.itmedia.co.jp/news/articles/2402/06/news088.html

Dans le GRAND DÉBAT, nous vous proposons une grande discussion autour de la couleur avec l'auteur Jean Delmas ainsi que le photographe et journaliste spécialisé Patrick Lévêque. Pour enrichir la discussion, nous avons également le plaisir d'écouter les témoignages de Arnaud Frich, grand spécialiste de la gestion des couleurs et de Fred Rol, spécialiste des produits de la marque EIZO. Cette émission est présentée par MPB qui est tout simplement la plus grande plateforme en ligne au monde pour acheter, vendre et échanger du matériel photo et vidéo d'occasion. Ce GRAND DÉBAT est issu de l'épisode " S707 - La couleur : du réel, au capteur, à l'écran " diffusé le 2 novembre 2023. Aux micros de cette émission : Arthur Azoulay, Benjamin Favier, Jean Delmas, Patrick Lévêque et Arnaud Frich, Fred Rol et Pauline Vermare.

Dans l'épisode S707 du podcast Faut Pas Pousser les ISO, nous recevons l'auteur Jean Delmas ainsi que le photographe et journaliste spécialisé Patrick Lévêque avec qui nous allons parler couleurs. La couleur depuis le réel et notre perception, la couleur et son enregistrement par le capteur d'un appareil photo et la couleur par son affichage sur un écran. Pour enrichir la discussion, nous avons également le plaisir d'écouter les témoignages de Arnaud Frich, grand spécialiste de la gestion des couleurs et de Fred Roll, spécialiste des produits de la marque EIZO. Cette émission est présentée par MPB qui est tout simplement la plus grande plateforme en ligne au monde pour acheter, vendre et échanger du matériel photo et vidéo d'occasion. Dans le FLASH ACTU présenté par PHOX.FR, nous présentons la déclinaison P du Leica M11, la troisième génération de la DJI Osmo Pocket et l'édition 2023 de la foire Paris Photo. Dans la STORY, Benjamin nous présente le dernier album RSF 100 photos pour la liberté de la presse dédié au photographe Elliott Erwitt avec le témoignage de Pauline Vermare, historienne de la photographie. Découvrez également le DÉBRIEF, présenté par IPLN.FR : le spécialiste photo & vidéo et le QUIZ qui fait la part belle aux questions des auditeurs. Aux micros de cette émission : Arthur Azoulay, Benjamin Favier, Jean Delmas, Patrick Lévêque et Arnaud Frich, Fred Roll et Pauline Vermare.

I det här avsnittet så intervjuar jag John Hellström som är en otroligt duktig fotograf med många strängar på sin lyra. Han har vunnit många medaljer för sina speciella bilder (bland annat guld i både Bröllop Dokumentär och Vilda djur i SM 2023), är ambassadör för Canson och Eizo, och printar åt sig och andra fotografer! Det är ett jättespännande avsnitt där vi pratar om hur John får till sina inspirerande bröllopsbilder, vi pratar om print och vad det kan göra med ens bilder och så mycket mer.

Pues damas y caballeros, aquí os traigo con mi compañero Juan Pablo de Miguel el que podrá ser de los primeros concursos de generación de imágenes con Inteligencia Artificial de España.Premios en metálico, monitor Eizo, disco duro y menciones de oro, plata y bronce.Os dejo enlace a la web del concurso pero, por favor, no dejéis de escuchar este programa súper interesante.https://concursoiagrafia.com/bases/

NOUVEAU - Abonnez-vous à Nouvelles Écoutes + pour profiter du catalogue Nouvelles Écoutes en intégralité et en avant premières, sans publicité. Vous aurez accès à des enquêtes, documentaires, séries et fictions exclusives passionnantes, comme « Au Nom du fils », « Roulette russe à Béziers », ou encore « Oussama Le Magnifique ».

Support this podcast in return for exciting perks: https://greatbigphotographyworld.com/ Join our online photography community to interact with this podcast guest, get access to fun photo contests, find inspiration daily, and much more! https://photographycourse.net/join/ In this episode, we talk about: - The life of a master printmaker - How photographers can benefit from printing their images - Tips for storing physical prints & much more! Check out James's work: Instagram: https://www.instagram.com/fotomaniac/ EIZO: https://www.eizoglobal.com/products/coloredge/ambassadors/jamestan/

Der ⁠Sponsor dieser Podcastepisode ist AC-Foto.com⁠, über meinen Affiliatelink bekommst du dein individuelles Angebot und während du sparst, unterstützt du meinen Podcast. Shownotes Stephan Amm von Naturfranken is back und heute unterhalten wir uns über das Thema Bildauswahl für den Druck und Bildmaterialien. Dabei geht es sowohl um Wandbilder für zu Hause als auch für Ausstellungen und Kunden. In dieser Episode geht es neben sehr subjektiven Dingen auch um unseren Leranings zu dem Thema Bildauswahl und Bilddruck. Für technischere Fragen wie Monitorkalibrierung und ICC Profile solltet Ihr die Folge zusammen mit Christian Ohlig von EIZO hören. Gleichzeitig sprechen Stephan Amm und ich viel über moderne Materialien, also Aludibond, Acrylglas, Galeryprint und streifen die Leinwand. Der ⁠Sponsor dieser Podcastepisode ist AC-Foto.com⁠, über meinen Affiliatelink bekommst du dein individuelles Angebot und während du sparst, unterstützt du meinen Podcast. Stephan Amm von Naturfranken is back und heute unterhalten wir uns über das Thema Bildauswahl für den Druck und Bildmaterialien. Dabei geht es sowohl um Wandbilder für zu Hause als auch für Ausstellungen und Kunden. In dieser Episode geht es neben sehr subjektiven Dingen auch um unseren Leranings zu dem Thema Bildauswahl und Bilddruck. Für technischere Fragen wie Monitorkalibrierung und ICC Profile solltet Ihr die Folge zusammen mit Christian Ohlig von EIZO hören. Gleichzeitig sprechen Stephan Amm und ich viel über moderne Materialien, also Aludibond, Acrylglas, Galeryprint und streifen die Leinwand. Facebook Stephan Amm Instagram Stephan Amm

Der Sponsor dieser Podcastepisode ist Saal Digital. Zu allen Druckprodukten findet Ihr die ICC Profile für den Druck bei Saal Digital. Was Ihr mit diesen ICC Profilen macht, erfahrt Ihr in diesem Podcast. Im Podcast zusammen mit Christian Ohlig von EIZO geht es nicht nur um den EIZO CG2700X, viel mehr sprechen wir über das Thema Druckvorbereitung, dabei gehen wir auf die Themen Bildauswahl für den Druck, Softproof, ICC Profil und vieles Mehr ein. Die angesprochenen ⁠ICC Profile für den Druck bei Saal Digital⁠. Wer sich nur für die Erfahrungen mit dem neuen EIZO CG2700X geht, derjenige sollte erst ab Minute 37:30 zuhören. Shownotes: Blogeintrag zum neuen EIZO CG2700X Gute Grundeinstellungen für deinen Monitor sind: Helligkeit 120cdm2Weißpunkt 6000-6500kGamma 2,2nativer FarbraumDiese Grundeinstellungen sind vereinfacht, diejenigen die einen Grund haben abzuweichen, sollen dies bitte tun. Fazit:Beim EIZO CG2700X darf ich mich über 4K Auflösung, ein IPS-Black-Panel, 10Bit Farbtiefe, Hardwarekalibrierung, einem guten USB-Hub und hohem Kontrast erfreuen. Der Monitor tut genau, was er soll, er liefert auf absolutem top Niveau ab. Für Fotografen gibt es aus meiner Sicht aktuell keinen besseren Monitor am Markt. Das hat seinen Preis mit 2998€. Ich könnte aktuell nicht zufriedener sein.

La puntata di oggi: l'importanza del monitor con Gabriele SpadoniOggi torniamo sull'argomento monitor e sulla sua importanza: ho avuto il privilegio di intervistare un esperto di monitor, Gabriele Spadoni, che ci ha dato moltissime ragioni per acquistare un vero e proprio monitor fotografico.*******************************************https://www.wazer.eu/wazerphoto@hotmail.com*******************************************I MIEI LINK:Cliccate qui per sostenere con un piccolo contributo volontario le spese del podcast: https://www.patreon.com/user?u=15429568 Email: andreageymet@gmail.com (da usare anche per un contributo con PayPal) Adobe Portfolio:https://andreageymet.myportfolio.compeopleofindia.myportfolio.comInstagram del podcast: https://www.instagram.com/passione_fotografia_podcast/ Le mie foto dei viaggi: https://www.instagram.com/the_solo_nomad/ I miei ritratti: https://www.instagram.com/andreageymet_ph/ ******************************************* IL SITO DOVE LEGGERE LE RECENSIONI DELL'ATTREZZATURA: https://www.juzaphoto.com ******************************************* Il mio fornitore di fiducia: https://www.solodigitali.com

Ulla Lohmann is a documentary photographer and film maker from Lake Starnberg, Germany who regularly works for magazines and broadcasters, including National Geographic, GEO, BBC, Red Bull Media House and Stern View. Ulla has published a coffee-table book about the Dolomite Mountains for National Geographic and a text book about realizing her dreams. She is ambassador for Canon, Eizo, Manfrotto and F-Stop. She is an elected member of the German Photographic Society and she has been appointed as a fellow of the Explorer's Club in New York. Ulla also conducts workshops and photograohy  expeditions to active volcano sites around the world A child of 2 teachers, her imagination and curiosity were always encouraged and when she won a national science competition as a teenager, she used the winnings to fund her first trip around the world - and she's never looked back. Her dream, to descend into heart of an active volcano, was inspired by reading Jules Verne as a child and her film Spitting Distance, which follows the fulfilment of this dream, is one of the most gripping things I've ever seen. As intense as that is, as our conversation continues, you'll see that there are other parts of Ulla's journey which are even more emotional. If you're a regular listener,  you can probably tell I was al little nervous on this one - I was very excited to be talking with Ulla but also a little on edge because I knew I'd be asking some very personal questions so bare with me for that. This is a fascinating conversation covering curiosity, loss, family, forgiveness, healing and even a little bit about photography. Trigger Warning - the theme of suicide comes up in this episode. Here's my conversation with the remarkable, Ulla Lohmann… Show Notes Follow this week's guest at the following links: Website - https://ullalohmann.com/en/home/ (https://ullalohmann.com/en/home/) Instagram - https://www.instagram.com/ullalohmann/ Ulla's workshops and expeditions - https://ullalohmann.com/en/workshop-travel/ (https://ullalohmann.com/en/workshop-travel/) Ulla's film, Spitting Distance - https://www.redbull.com/int-en/episodes/spitting-distance-explorers-adventures-of-the-century-s04-e01 (https://www.redbull.com/int-en/episodes/spitting-distance-explorers-adventures-of-the-century-s04-e01) Ulla's photogrpahy from inside the Benbow crater - https://ullalohmann.com/en/photo-film/journey-to-the-center-of-the-earth/photos/ (https://ullalohmann.com/en/photo-film/journey-to-the-center-of-the-earth/photos/) Gemtasu / The story of Eternal Life - https://ullalohmann.com/en/photo-film/gemtasu-the-story-of-eternal-life/ (https://ullalohmann.com/en/photo-film/gemtasu-the-story-of-eternal-life/) Ulla's Canon Ambassador page - https://www.canon.co.uk/pro/ambassadors/ulla-lohmann/ (https://www.canon.co.uk/pro/ambassadors/ulla-lohmann/) Ulla's F-Stop Gear Ambassador page - https://shop.fstopgear.com/ulla-lohmann/ (https://shop.fstopgear.com/ulla-lohmann/) Connect with View Finders here: Episodes - http://www.viewfinderslive.com/podcast (www.viewfinderslive.com/podcast) Instagram - http://www.instagram.com/viewfinderspodcast (www.instagram.com/viewfinderspodcast) Tickets for the next View Finders Live Event - https://viewfinderslive.com/events (https://viewfinderslive.com/events) To save 10% off tickets for View Finders Live events, use the code VF10 Connect with me at: http://www.grahamdargie.co.uk/ (www.grahamdargie.co.uk) http://www.instagram.com/grahamdargie (www.instagram.com/grahamdargie) Additional show links Double Exposure: Eden in Ashes - https://ullalohmann.com/en/photo-film/eden-in-ashes/ (https://ullalohmann.com/en/photo-film/eden-in-ashes/) Ullas son napping on a volcano - https://www.instagram.com/p/CQBxVJkNjAc/ (https://www.instagram.com/p/CQBxVJkNjAc/) Other links: Jules Verne - Journey to the Centre of the Earth -...

你好，我是叶梓，今天是摄影早自习陪伴大家的第1974天。昨天早自习分享的照片 © 叶梓前两天我们刚刚分享过一个小知识，就是人脸被阳光照射到的时候又有油光、颧骨又高、皱纹又重，但是逆光拍照时瞬间所有皮肤问题都解决了，变得很好看。（拍女生利器：转个圈就能让皮肤变好？| 摄影早自习第1973天）细心的同学可能就要提问了，说：叶老师，这个人物背对阳光，不会让脸变得比较黑吗？拍出来照片肤色怎么还能是这么亮堂的？其实背对阳光拍照，换句话说逆光拍照，人脸还真不一定会黑，我们要搞清楚脸黑的主要原因。背景比较亮的情况下拍摄的原图 © 叶梓后期提亮以后的照片 © 叶梓当我们拍照的时候，画面中人物的背景比较亮的时候，那么这个时候手机或者相机它在测光上会受到干扰，它会觉得这个画面也太亮了吧，为了避免曝光过度，避免把这个亮的东西拍成纯白，所以手机、相机就会尽量的把画面拍黑一点。背景拍暗一点了，那么人物就会更暗了，就出现了人脸发黑的情况。背景比较亮的情况下拍摄的原图 © 叶梓后期提亮以后的照片 © 叶梓所以你听好我的前提条件了吗？人脸发黑的前提条件是背景亮，而不是逆光，不是光的方向如何，而是人在这个画面里面、照片里面，人的背景亮度如何。逆光和背景事物的亮度，这两个事它不一定是完全相连的。比如说有的时候我们给人拍照片是个逆光，阳光确实是从背后来的，还有金边呢，但是他的背后是别的房子，准确的说是别的房子的阴暗面、阴影面、没被阳光照亮的面，那很显然这个场景就是是逆光但背景不亮啊，那人的脸当然就不黑了。阴天雪地、沙漠拍照，画面也会变暗 © 叶梓后期提亮以后的照片 © 叶梓我再举个反例，比如说阴天的雪地拍照片，这个肯定不存在逆光不逆光的问题，光线是均匀的从天空散射下来的，但是雪地一定是很亮的，很白的东西。所以一个正常人站在雪地里面拍照，只要背景是白的，他一样脸黑，虽然现在不是逆光。所以我再次强调，脸黑不黑，核心问题其实是在于你这个构图里人物背景的事物的亮度如何，背景明显比人亮时，人脸可能会黑。背景有光源情况下拍摄的原图 © 叶梓后期提亮以后的照片 © 叶梓举个实例，比如说你背后是大面积天空，你背后是大面积白云，你背后是有一颗太阳直接入了画面，那么你的脸就很有可能会黑了。具体怎么办？也很简单，手机也好，相机也罢，都是调整曝光补偿，就能让照片重新亮起来。好，今天我们就讲了这么一个小道理，下次再拍照的时候，对于人的肤色亮度可能就心里更有数一些了。今天我们就聊到这，但别忘了，明天晚上8点钟我有一个直播讲座，会带着大家一起来分析、来欣赏咱们这一届的“EIZO杯摄影大赛”的优秀作品，包括获奖那些，和虽然没获奖但是依然非常有特点、非常好看的那些照片。这次的讲座注定是赏心悦目，而且也能学到不少的知识，我们明天晚上8点见。怎么样看直播呢？直接点本文的“阅读原文”，或者是点今天的第二条图文链接，查看本次的讲座详情。今天是摄影早自习陪伴大家的第1974天，我是叶梓，每天早上6:30，微信公众号和喜马拉雅的“摄影早自习”栏目，不见不散。

早安，我是叶梓，今天是摄影早自习陪伴大家的1973天。今天我给大家看一个很神奇的现象，原地转圈就能拍出好看的肤质。夏天拍照阳光真的是非常的强烈，阳光强烈就很容易导致肤质不好，比如说油光满面啦，阴影很重啦，颧骨很高啦，坑坑痘痘皱纹都比较明显，这种现象真是很烦恼。于是就有很多人会琢磨，就说我到底是几点拍照比较好，以及我到底应该是让太阳光从我的脸的哪个角度射过来我会比较好看？这个确实是值得研究的，也确实有很多门道。但是我是个懒人，我真的懒得研究，我在拍我自家媳妇的时候，我可能最想选的、最喜欢用的一种方法，就是别让阳光直射，脸上就没有油光、没有阴影、没有眼睛睁不开、没有大颧骨，啥都没有，漂漂亮亮干干净净，白白的特别好看。阳光直射的画面 © 叶梓来我们看看第一张和第二张照片。第一张照片就是典型的阳光直射的照片，这个是在长沙拍摄的，你们可以看到长沙的烈日真够毒的。背对阳光的画面 © 叶梓但是我跟我媳妇换个位置，也就是说她背对阳光时，立刻脸就白起来了，脸上的油光和阴影也都不见了，立刻就好看了。为啥呢？其实就是因为没有像太阳那样又小又强烈的光源了。这个时候她脸上的光是来源于四面八方的反光——就是楼房啊，我身上的白衣服呀，还有地面、天空、白云等等的反光，反在她脸上均匀照亮。这很像是影棚里那种大的柔光箱的效果，是天然就能形成的，只要让模特背对阳光就行，你就记住这一点。而且从这个方向拍摄时，人物的头发上，还有衣服上、肩膀上容易出现轮廓光。那个轮廓光就像是漫画里女主角的钩边一样，它强调了这个人物，把人物和背景的其他杂物之间做了一个分割，所以看上去就更加的有仪式感，更加好看。在建筑阴影下拍摄的画面 © 叶梓那么有人就会开动脑筋了，就说：唉，那既然如此的话，我是不是可以站在建筑阴影下去拍照呢？确实可以啊。比如说现在第三张照片，就是我们靠着墙的阴影下来拍的照片。这个小街道其实左右两边墙都好看，为什么要靠这边墙呢？就是因为这块有影子呀，人物在影子下也会凉快很多的，夏天拍照的时候，建筑阴影真的超好用。顺带一提，你会觉得她白了起来，其实有个很重要的原因，是因为她在影子下以后，她脸上的光很大的一个成分是来源于天空反光。而天空是蓝的，皮肤是黄的，天空是蓝的，蓝加黄等于白啊，在光线上是这样子的。说起这个呢，姑娘们肯定都很懂，因为她们的隔离还有防晒霜，有的就是白里透着一丁点的蓝色，把那个东西一抹在脸上，脸不会变蓝，只不过你就会由黄变白一些，蓝色可以抵消一点你的黄。所以建筑阴影也可以拍，也是属于不被阳光直射的。还有办法吗？比如说在阴天拍照或者是在雨天拍照。这种没有阳光直射的天气，或者是太阳已经落山了，就照不到你的皮肤上了，这个时候拍照人的肤质都会超级的好。好吧，今天我们就简单的分享这么多，大家也看到了，这组照片依然是由小米12S Ultra拍摄的。那么大家如果想看现场的拍摄的录像，想要知道我们是怎么躲阳光的，你可以关注我的抖音帐号“叶梓玩摄影”，工作日的每天中午11点直播，我来教大家怎么样用手机去把人拍得更漂亮。另外别忘了，周六晚8点，我会给大家带来本届EIZO杯摄影大赛的优秀作品的赏析点评直播讲座，详情请见第二条图文链接。今天是摄影早自习陪伴大家的第1973天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

早安，我是叶梓，今天是摄影早自习陪伴大家的第1971天。一位叫做红脸的面具的这位同学，他提了一个问题在早自习后面问的，他问：叶老师，戴眼镜的女孩子怎么拍好看？看样子是有目标了要拍谁。但是戴眼镜确实是个问题，很遗憾，我好像真没认真的拍过戴眼镜的女孩的写真或者是什么纪实，我只能从别人拍我的时候，我自拍的时候，以及我看到过的别人拍的戴眼镜的女孩的照片来做一个简单的分析。Photo by Thibaut Santy on Unsplash首先我在被拍照的时候，因为一直戴着眼镜，确实会有一个很大的困扰，就是那个眼镜它会有个影子，不戴墨镜，戴普通的眼镜，它也会有个眼镜框的影子。那个影子它会乱七八糟的横在我的脸上，确实会对脸部的结构——比如颧骨的高度、鼻子的形状等等造成一系列的影响。这导致脸上光线很花，这个花的意思就是有很多影子的线条划破了脸部结构。所以这是我们很忌讳的一件事情，拍男士拍女士这样拍起来可能都会很容易变得很不好看。所以怎么办呢？大致上有三种方法：Photo by Hugo Delauney on Unsplash第一种方法特别简单，就是别在有影子的环境下拍照。换句话说，在室内拍照时使用巨大个的柔光箱，来个直径一米二以上的，摆得近一点，让光线从四面八方射到脸上，眼睛没影子，你就没这个困扰。要是在室外的话，你可能就是在阴天拍照，或者是背对阳光拍照，逆光拍照，使得脸上的光是来自于四面八方的反光，这样的话眼镜腿、眼镜架也不会有影子。这是第一个解决办法，它最容易，所以我最推荐你来使用。第二个解决办法，就是后期调整照片的时候，尽可能的把对比度降低一点，然后局部处理一下，让眼镜的影子部分再稍微的亮一点，讲白了就是想尽一切办法在后期中弱化影子的影响。这个不是什么情况下都适用，而且对后期的技术要求会比较高，所以我们就放在第二个办法里。Photo by Suka Endara on Unsplash第三个办法最难，就是在现场通过调整模特的朝向，阳光的角度，仔细地控制眼镜的影子在脸上形成的线条，使得它既存在又不会让人变得更难看。这个是难度最高的一种，也最花时间，你有耐心，那个模特也不一定有耐心。有的同学可能会说了，老师我有经验，我去影楼里面拍那种证件照、形象照的时候，摄影师他会要求我要么就把自己眼镜的眼镜片取下来，要不然就带他那个空框框，没有镜片的，说这个是不是能解决问题啊。很遗憾，这个不能解决影子的问题，因为影子还是存在的，框还是存在，它只能解决那个镜片反光的问题。Photo by hesam Link on Unsplash但镜片反光其实不太是个问题，为什么这么讲呢？一来你可以利用镜片反光拍出有神秘感的人物肖像。另一来，其实你要讲究好角度的话，那个镜片是不怎么反光的，只要你那个相机旁边没有光源的话，镜片上的反光一般都是很靠边缘的位置，基本上不会影响我们对他的眼睛的观赏。Photo by Vinicius Wiesehofer on Unsplash那么最后我再做一个猜测，我也不知道这位叫做面具的同学他问我这个问题是不是另一个意思，他可能是在问说戴眼镜的女孩我应该去怎么拍她可以更好看呢？怎么摆姿势，怎么设计这个人物的形象啊？其实如果从这个角度出发的话，我第一个想到的就是让她做点安静的事，喝杯咖啡啊、看本书啊，腼腆的冲着镜头温柔的笑啊，都是可以的。如果是去室外阳光灿烂的地方玩的话，甚至可以请她戴上墨镜，那种带度数的，她也能看清这个世界，你拍她也能有一点酷酷的感觉，那也是一种不错的做法，这个大家就自己去考虑。Photo by Ali Pazani on Unsplash好，今天我们就聊这么多，还是那句话，我没有拍过写真的戴眼镜的姑娘，但是这些知识是可以被推导出来的。各位同学如果有别的一些经验，如果你真拍过，而且有什么好的经验可以跟我们分享一下的话，特别欢迎你在底部留言来告诉我们，大家也可以去留言区吸取他们的营养、他们的经验。最后提醒一句，EIZO杯摄影大赛今年的获奖作品真的是非常精彩，其实除了这些还有更多优秀作品，我都将在周六晚上的八点来为大家带来优秀作品的点评直播讲座。详情请见今天的第二条图文链接或者点今天首条图文链接的阅读原文直接进直播间。今天是摄影早自习陪伴大家的第1971天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

大家好，今天是摄影早自习陪伴大家的第1958天，我是咔图摄影教育中心的讲师李明。昨天EIZO杯的摄影比赛都参加了吗？昨晚已经截止报名了哈，反正我是参加了。我昨天还私信提醒了几个小伙伴，他们才拖拖拉拉把名给报了。还有些直接跟我说我懒得报。总的来说，我觉得归根到底还是有点不够重视，没有意识到，参加摄影比赛的对于摄影师的重要性。Photo by Alex on Unsplash摄影其实是个很私人的东西，你当然可以像薇薇安那样，做一个隐士大神拍一辈子，照片只供自己欣赏，离世后再一鸣惊人，你开心就行。但我个人觉得这稍微有点自私啊。如果薇薇安早点被人发现，是否会带给摄影界除了照片以外更多的精神财富？薇薇安·迈尔当然历史不能假设，我们也不是薇薇安，我们需要不断的学习，不断的积累，而我们拿照片去参赛的时候，选照片、投照片，甚至是最后的比赛结果其实都是在进行一些交流、互动。不管照片拍得如何，是否被选上，但这个过程只要你稍微用点心总会学到东西。特别是一些比较专业，策划比较完善，品质也比较好的比赛，能够和同行、和老师在一起直接交流，收获肯定更大，更别说如果照片获奖后的各种好处。所以我强烈建议你可以多积累一些参赛的作品，这样你一旦遇到比赛就可以快速投稿，不用在手机里找半天。 《ET》 © 李明具体怎么做呢？首先你可以选择一些你喜欢的摄影比赛，了解参赛流程。然后稍微看下比赛要求和以往的获奖样片，找不到感觉就模仿着针对性的拍一拍，这种方法有点应试，但是快速有效，投其所好嘛。当然了，你也可以根据比赛要求，多花点时间去自己的照片里选，但时间紧，任务重，经常会出现选择困难症。我的通用建议是，如果想获奖，可以尽量选一些“大”片。这个大的含义很多，可以是场景大，震撼，也可以是小景、小物，但是需要足够别致。总之就是要尽量提升审美的深度和广度。除了审美的部分，还可以加入思想的深度，新闻的热度，以及创意的新鲜度等等，总之不要太过于平庸。《可怕的两岁》© 李明第二点，有些人还会说：我就不喜欢为了拍摄而拍摄。当然，你可以随心所欲地拍摄。但凡事欲则立，如果你还是希望能获奖，我建议你平时要花点心思在整理自己作品上，要有意识的把自己拍的照片分成我喜欢的，大家喜欢的和参赛的作品。因为这三种作品判定纬度是不一样的，我自己真正喜欢的作品别人不一定会喜欢。比如之前我帮我的一位小伙伴拍过一些他给老婆准备惊喜的照片，那天是他老婆生日，他偷偷和俩儿子在他车后备箱里准备了蛋糕、花、彩灯。他老婆当然很开心，一家人摆拍了美美的照片，他很喜欢，很快就在发朋友圈了。但我最喜欢的其实是所有照片拍完后，他们俩人一人一台手机，坐在人行道边，很自然的一边聊天，一边笑着边发朋友圈，俩人仿佛回到初恋的感觉。但这张照片他们却不是非常喜欢，觉得自己的脸笑过了，觉得坐在地上太土气。我们站在不同的维度看照片，他喜欢唯美的照片，而我喜欢纪实性的、真实的、有生活气息的照片。我们都没有错，但我更知道这张照片肯定不能获奖，因为这照片太私人了，很多细节是只有我们自己知道的。而照片是否能获奖，需要站在第三方的维度来看。观众没有那么多记忆点，这对于他们来讲就是一张情侣照，共鸣有限。而这种情况在电影里就更容易出现，比如张艺谋导演的电影《一秒钟》，他自己说这部电影是写给电影的情书，足以看出他对这部电影的青睐，但许多视频网站的评分并不高，豆瓣也才7.7分，也没有拿到什么奖，国内的整体票房也才1.31个亿，这远远低于他之前的作品，不叫好也不叫座。你可以说他翻车了，但是我想其实张艺谋导演其实并不在乎，到他这个级别了，他不需要这些来证明自己了，他大可以多拍一些他自己想拍的，有他回忆的电影。但对于我们这些还在路上的摄影师，获些奖是必需要的。第三点有人说，那也有一些摄影作品，又能获奖，自己也喜欢，观众也喜欢，叫好又叫座，很完美。确实有，但这些获奖的大多都是在自己领域已经深耕很久，具备足够的专业和艺术高度了，而且具备一定的机遇。他可以把作品在自己的领域做到一种极致，让作品的商业价值和艺术价值达到一种平衡，让审美达到一种平衡。这种平衡我觉得是比较良性的，也是我第一阶段希望自己能达到的。而多参加学习，多参赛，参加有质量的比赛，是一种比较有效的方法。就像参加考试一样，你自己练得再好，你总需要一些考试来对自己的摄影水平进行检查，去查缺补漏，去校准。校考、省考甚至是全国高考，一轮一轮的考，你需要去了解你在这个领域所处的位置和将要前进的方向。当然这个方法不一定适合所有人，但起码对大多数人来说，是有效的。最后呢，还是提醒大家，这次比赛的获奖公示时间是本月末，7月31日，点评直播时间是8月的第一周周六，也就是8月6日（周六）晚8:00。无论你投没投稿，可以来听一听，听叶老师聊一聊，他为什么这么出题，为什么没有给主题呢？摄影爱好者又是怎么去理解这个题目的，怎么去答题的？这些照片背后的故事又是怎么样的？我们一起聊聊天，整理整理自己的错题集，再出发。好啦，今天就先聊到这，今天是摄影早自习陪伴大家的第1958天，我是李明，每天早上6:30，微信公众号“摄影早自习”，我们不见不散。

参加EIZO杯摄影大赛１、关注公众号：摄影早自习２、回复：比赛你好，我是叶梓，今天是摄影早自习陪伴大家的第1957天。今天想跟大家分享一张特别夏天的照片，是我在夏日炎炎的时候在东南亚缅甸拍摄的照片，你可以想象这里的阳光有多烫，这里的温度有多高。我来到这个地方其实来晚了一点，本来应该是早上来，光影的线条会拉得更长一点，后来是行程安排的原因11点才拍的这张照片。但是好处就是没人，因为该来打卡的人都已经走掉了，就剩了这么一个卖花的人。这个卖花的人就一直躲在影子底下，太阳的角度每转一点，她就把自己屁股再挪一点，反正不能被阳光给烫着。© 叶梓你可以想象吗？这个热度是非常高的，但是我们拍下来的画面的感觉却是一种比较安静的感觉，可能谈不上凉爽，但至少是安静的，对不对？会让人感觉生活还是无限的美好，很恬静的感觉。为什么呢？其实起最主要作用的就是这个画面里的线条。同学们看一看这个线条吧，看上去好像是随意一拍，但实际上所有的柱子都是非常严谨的竖直的一个线条，没有任何的歪斜，同时所有地面的光影的线条是完全的水平的，也就是说这个画面里面是横平竖直的线条为主。当然了，你要说地板砖的线条或许还是有一点斜线在里面，但是那个不是不明显嘛，咱就忽略不计。我们一般会认为线条在画面的情绪表达上其实会起到很重要的作用，随便举几个例子。竖线一般是挺拔向上的；横线是向两旁延展的，比较安静；那么斜线带来动感；曲线带来温柔浪漫；弧线带来张力，就好像一个钢尺被掰弯了，一松手就弹回来一样；另外比弧线更弧的螺旋线就带来更大的张力，甚至带有一种眩晕感；放射线带来引力，带来抓眼球的感觉；而折线是力量感极其强的，冲突感极强的一种线条。画面中除了线条能带来情绪气氛，给照片的整个调性定个调以外，其实色彩也会起到很重要的作用。所以正是这一点一点的不起眼的小东西，最后它综合在一起会形成整个画面的调性，让人看了会觉得温暖，让人看了觉得安静、觉得动感、觉得危险等等。所以我们在拍照的时候，你当时感觉到的是什么样的情绪，你想表达什么样的感觉，你就得去找这样的元素来使用，对吧？如果你的元素跟你想表达的东西是冲突的，那就干脆别用了。这个感觉就像写作文的时候，你突然想到一个特别好的五星级的好句子，但这句子用在文中跟主题不符，甚至相抵触，那就最好别用，因为它肯定会帮倒忙，会扣分的。我们把这个叫做形式与主题要相配合。校准前 © 叶梓校准后 © 叶梓当然了，你要拍出这样的横平竖直的线条有一些技巧，比如说不能仰拍，不能俯拍。但是不管你怎么仔细，我发现反正如果是我的话，我常常还是会犯点小错。这张照片原本其实是没有这么规整的，所以咱们可以在后期处理软件中，比如说Photoshop、Lightroom，甚至是现在的手机里面的一些后期软件，都可以对透视效果进行校准，把这个横竖线条给它校得更加的横平竖直一些。我也把这张照片校准前的样子发在了文末，大家可以去看一下，对比这张横平竖直的和有一点歪斜的两张图片，你就不难体会这个横平竖直到底有多重要。好吧，今天我们就先聊这么多，别忘了今天晚上12点，就是“EIZO杯摄影大赛”的截稿时间，每人限3张照片参赛，赶紧点“阅读原文”投稿吧。如果你想进一步了解比赛的要求、比赛的奖品，这些奖品非常丰厚，你可以去点今天的“微信公众号”摄影早自习的第二条图文链接。今天是摄影早自习陪伴大家的第1957天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛１、关注公众号：摄影早自习２、回复：比赛早安，我是叶梓，今天是摄影早自习陪伴大家的第1956天。首先广播一下，今天晚上8:00，我有个免费的直播讲座，讲怎么样去拍夏日氛围感满满的人像照片，所以各位同学如果想听讲座的话，语音下方有一个海报，扫描海报里的二维码，就可以进群等待我们的开播，或者您就直接点今天的微信公众号头条的底部“阅读原文”，点那个链接进去也是可以直接进直播间的。© 叶梓好，那我们这就讲今天的早自习，要分享一张简单的照片。这张照片是一个人像的局部，就是那种夏日风满满的照片，对不对？这张照片拍摄的时候其实是有一些小心机的。首先我们在拍这张照片的时候是用了一个道具，这个道具其实是一个符号，是什么的符号？其实就是夏天的符号，大家发现了没有？它很清爽小巧，有红色的小果子，是街边的野草结出来的这么一个小果子，顺手一揪就可以拍了，这是其中一个很重要的元素。那么顺着这个道具就可以看到她的手。手部姿态是非常重要的，这个我之前讲过，我说手是人类的第二语言，对吧？除了表情以外就属手最重要，所以你一定要控制好她的手的姿态。怎么样去控制呢？最好就是让她自己放松，因为她如果紧张的话，手的指头就会传递她那种僵硬和紧张的，所以让她放松一点，手指头轻松一点，捏着那个东西随意的自己玩一玩其实就很好了。第三个就是这张照片的人物所穿的衣服，它不仅是很白，而且它很凉快，是吧？它是有夏天的感觉，它其实也是呼应了一下夏日的气氛在里面。最后别忘了，远处那一大片为什么是白白的，朦朦胧胧模模糊糊的？它其实是一种水汽，因为是河边，有一点点雾、有一点点水，而且这个画面中其实是没有阳光的。所以我们首先要知道拍这种有水汽的照片的时候，你可以利用远景的发白，然后把它模糊掉，变成一片更加简洁的背景，因为白它本身又提供了一种清爽感。夏天不一定要去描述炎热和油乎乎的那种感觉，满头大汗的感觉，而且我们是应该跳出自己思维的框架去想想看，夏天是不是有必要一定要拍到阳光？其实是没必要的。所以这张照片里面是有夏天的感觉的，但是却没有烈日、没有阳光、没有光斑。好，今天我们就简单的分享这么多，别忘了晚上8:00有我的直播讲座，点“阅读原文”进直播间可以等着。那么另外也别忘了，在本周五（明天）晚上，就是我们的这一届的“EIZO杯摄影大赛”的截稿日期。各位同学还没有投稿的，赶紧去看看今天的第三条图文链接，那个里边有非常丰厚的奖品的介绍以及投稿的要求，在那个帖子的“阅读原文”中就可以进入我们的投稿界面了，每人限3张，投稿是免费的，但是奖品却很丰厚，千万不要错过。今天是摄影早自习陪伴大家的第1956天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛１、关注公众号：摄影早自习２、回复：比赛早安，我是晏飞，今天是摄影早自习陪伴大家的第1952天。今天是7月9号，再过四天，也就是下周三，将会迎来今年最大的一次超级月亮。所以这期早自习咱么就临阵磨枪，来讲讲超级月亮怎么拍。Photo by Pedro Lastra on Unsplash第一点，想说一个很多人在拍满月的时候的一个误区，就是我看很多人拍月亮，就只有一个孤零零的月亮。拍出来的画面就永远是一个大大的月亮在画面中间，周围乌漆嘛黑一片，什么也没有。你说这样的月亮好看吗？也还行吧，第一次看可能会惊讶一下：哇，拍得真清楚，真大。但要看多了吧，你拍的我拍的他拍的都一样，就都看腻了。最多就是比谁的镜头更牛呗，谁的器材更好，能把月亮拍得这么大这么清晰呗。suheyl-burak-A5F1LwVwewI-unsplash所以我们应该怎么才能把月亮拍得更好呢？首先就是要多的利用前景。一个好的前景，能给照片赋予更多的联想空间。前景可以是什么呢？我们见过最多的超级月亮的前景就是一些标志性建筑。比如我看过利用故宫角楼屋顶上的小脊兽作为前景的，看过北京的“大裤衩”做前景的，还有用广州的“小蛮腰”做前景的。© 晏飞那前景一定是建筑吗？也不一定。比如这张照片，是飞机刚好从月亮上面划过，这是我拍的，这也算是yi'zh一种前景，对吧。当然为了拍到这个照片，前期需要很多的准备工作，我光踩点这个航线就准备了一个礼拜。具体的这张照片的拍摄方法，大家可以点击这个链接飞机凌月，这样的画面怎么拍？| 摄影早自习第1507天，我之前专门就这张的拍摄过程做过一期早自习。Photo by David Dibert on Unsplash有同学说，我旁边既没有这些地标建筑，也没有什么飞机航线，那我用什么做前景呢？其实还有一个特别好用的前景，可以说是个万能前景，就是树。而且它不分季节，春夏秋冬，什么时候拍它都好看。我们小时候都学过嘛，“月上柳梢头，人约黄昏后”。你看上面这张照片，就是以一个冬天的枯树的树枝作为前景拍的月亮，特别有意境。Photo by Sierra NiCole Narvaeth on Unsplash还有什么可以做前景呢？你随便找一个高一点的建筑，比如说路灯啊，比如说高楼上面有个小喇叭。有个电塔啊，qi'shi其实这些都是可以做前景的。说到这我又想起我们小时候学过李清照的名句“云中谁寄锦书来，雁字回时，月满西楼”。如果你要是不知道用什么当前景，也可以从古诗中找找灵感。总之我们拍摄的时候一定要借助一个前景，让月亮和其它的事物关联起来，这个画面就会带有一些前景赋予的感情色彩，这样你拍的画面也才会和别人的不一样，这也才是只属于你自己的画面嘛。Photo by Phillip Flores on Unsplash前面说的是构图，咱们再来说说拍摄超级月亮的时间。一般满月这天都是太阳落下，月亮就升起来。我帮大家查了一下，下周三的这次超级月亮的月升时间是傍晚的7点48分，所以我们摄影爱好者肯定是天还没黑就出门，在那等着了。那晚一点拍xi行不行呢？为什么这么早就出去呢？不行！zhe'l这里有两个原因：第一，这个时候天空还是蓝色的，因为太阳刚下山，它会有短暂的暮光蓝，非常漂亮，而且持续时间很短，再晚点它就黑漆漆的一片了，所以这个时间拍的月亮，天空是最好看的。© 晏飞我也给大家举个反面例子，上面这张，是我去年的中秋节后一天拍的，拍的是小球员在训练。我当时太专注拍人，等想起来借助这个小球员的前景拍月亮，它已经升的有点高了，本来球场后面是有一排树的，但是因为天空已经纯黑了，背景里就什么都看不到了。Photo by Tsvetelin Todorov on Unsplash我们早去的第二个好处，就是我刚刚说过了拍月亮要借助前景，树也好，建筑也好，那肯定是在月亮比较低的时候才能借得到，等它升高了就拍不着了。© 晏飞除了天刚黑的这段时间，那还有一个时间也是特别适合拍摄的，可能是大家想不到的，就是清晨，月落前。这个时候天是已经从一片漆黑慢慢的开始变蓝色的了，拍月亮也是很好看的。比如说上面这张照片，这是我早晨的7:10拍的，日期是2018年冬天的一个早晨。因为这个电塔是在我的西边，我想拿它当前景只能是等月落的时候，月亮在西边的时候才能拍到。当然每个月的月升和月落时间都是不一样的，我给大家查了一下，下周三的这次月落的时间是清晨的4:55，如果你家西边有特别好的前景，你想拍的话，那你就要早起了。说完了画面构图，说完了拍摄的时间，最后再来说说拍摄器材和参数的事。如果你想把月亮拍得很大，那肯定是需要一支长焦镜头的。多长的焦段呢？一般来说，至少要等效焦距200mm以上，当然焦段越长越好，越长月亮就越大。比如说我拍的那张飞机凌月的照片，就是用300mm的镜头拍的。Photo by Alaa44 Aloush on Unsplash只有长焦可以吗拍月亮吗？也不一定，你看上面这张照片，就是用广角拍的，当然用广角镜头拍摄，月亮就会比较小，就更需要你画面中注重前景的选择。最后我们再来来说说参数吧，这里主要说的是用长焦拍月亮的参数。因为天空比较黑，月亮又很亮，用自动曝光就会有很大的风险，所以我们基本上都会用手动曝光（Ｍ档）自己设置参数，我给大家个基准参数：基准参数：快门：1/250s 光圈：f/5.6 感光度：ISO 200当然这三个参数都不是固定的，如果月亮很亮，或者画面中还有其它很亮的前景，比如你要用中国尊做前景，它是很亮的，那我就可以缩小光圈。如果太暗了呢，就可以增加光圈和感光度。但是快门速度我们一般不会太慢，因为月亮一直在动，慢一点它可能就会有糊的风险。最后再补充一点，月亮升起和落下的位置每天都是会变的，所以如果你拿不准它从哪出来从哪落下，可以下载一些应用，你打开它呢，就会实景的在天上划出一个月亮运行的轨迹，它从哪出来，从哪落下就一目了然了。我用的是一个叫“Star Walk 2”的APP，它有一个免费的版本一个收费的，免费的就够用，但是它可能没那么精准，会有稍微点偏差。如果大家有什么好用的辅助拍月亮的APP，也可以在留言里推荐一下。最后还有一个重要的通知，就是我们咔图和艺卓共同举办的“EIZO艺卓杯摄影大赛”还有最后7天的投稿时间，这次比赛是不限主题的，每个人可以投3幅作品，大家如果有满意照片，都欢迎投稿，或者你这次拍到的超级月亮的照片，也欢迎来参加。关于比赛的详情，大家可以戳这篇早自习文末的“阅读原文”了解，如果想直接投稿，可以扫描上方海报二维码就可以啦。今天是摄影早自习陪伴大家的第1952天，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

早安，我是叶梓，今天是摄影早自习陪伴大家的第1955天。咱们EIZO杯摄影大赛在这周五就要截止征稿了，有的同学反映说：老师，你那个征稿要求能不能给我解说一下？可以啊，而且我们还能从中学到不少知识呢。好吧，我们一个一个来看一下。首先，这是一个不限主题的征稿，投稿题材不限，拍摄的器材不限，后期的技法也不限，也就是说这就是一个艺术摄影的比赛。它不像是新闻摄影比赛那样，严格地要求说你不能PS，不能增减事物等等之类的，也不会像风光摄影或者是人像摄影比赛那样，对整个照片拍的是什么有所要求。换句话说就是自由发挥吧。Photo by wong zihoo on Unsplash第二条和第三条要求每人只限三幅作品，并且只是单幅照片，不接受组照。这里我们可以学到的是：哦，原来我们拍作品有两种基本的展现形式，一个是单张的，一张照片就是一个故事，一张照片就是一个主题。还有一种是通过多张照片共同组成组照，组照一般也得十来张往上走，对吧？大的可能有上百张成为一组，形成一个画册或者是一个展览。但是这次比赛中我们只要求你投三张照片，每张照片之间是没有关系的，甚至是可以独立的。那么每张照片我们在投稿时都会要你写上一个照片标题，那个标题肯定是跟主题有关的。Photo by Mylene Tremoyet on Unsplash第四点要求说，这个照片投稿的时候长边不小于2000像素。本质上来讲，这一条其实是对照片清晰度的要求，你的照片很大、很清晰，那很好啊，直接上传就好了。但是如果要小照片的话，文件不太大的话，那它的最长的那条边，比如说横着拍的照片的长边和竖着拍的照片的高的那条边，它不能小于2000像素。这是一个在网络上的摄影比赛的基础要求，因为小于2000像素，画面就一定会显得很模糊，在手机屏幕上看可能都看不太清楚。我们之前还聊到过另一种比赛的要求，那种比赛会说：你这个照片必须多少兆以上，我们当时专门花了一期早自习来提醒大家，这个多少兆，它是对文件大小的要求，跟照片本身的清晰度并没有那么直接的关系。所以更专业、更标准的要求，确实应该是要求长边或宽边的像素或者是整个照片的像素总量，而不是去要求文件的大小，因为同样像素总量的作品，文件大小也可能会有巨大差异的。在Lightroom中显示的部分Exif信息第七点的要求说，如果获了奖，那么我们需要获奖者提供他的带有Exif信息的未压缩原始图片，来证明这是您拍的照片。这里面信息量可大了去了，我们可以学到好多东西。首先什么叫Exif信息呢？就是数码相机在拍照片的时候，照片里面不仅会记录着图像的内容，而且还会记录一些其它的文本信息。比如说这是什么相机拍的呀？什么镜头拍的呀？它的机身序列号是哪个呀？它是几年几月几号几点几分拍摄的呀？甚至是它会记录您的经纬度的坐标信息，如果您的相机带有GPS功能的话。那我们平时在分享照片的时候，一般都会先把Exif信息给去掉再上传照片，为什么呢？就是怕泄露隐私嘛，万一根据这个经纬度找到你家门口来，不是很吓人的一件事情嘛。就算没有坐标，但是如果看到您用了相机的什么序列号啊，镜头的序列号啊，到时候来冒充您的身份是不是也是一挺麻烦的事情啊。所以一般我们会去掉Exif信息，留一个干净的图片，然后再上传到网上去分享。但是作为比赛来说，如果你已经获了奖，你就得证明这照片是我拍的呀，这个时候提供Exif信息，就可以做一个很大程度上的证明，因为可能别人照片您获取不了这些信息，因为他也不愿意分享给你嘛。另外这里面对应的什么相机序列号，镜头序列号以及经纬度坐标等等信息，它肯定是能证明身份的，你可以证明这个相机是我买的，是吧？我的机身还在手里呢，它有序列号的，这就是基本上可以证明这照片是你自己拍的了。所以这个小段落里面，我们至少可以学到两点特别重要的事：第一个就是以后分享照片先去掉这个信息，再来分享，保护你自己的隐私。另外就是原始图片千万别删，因为那里面含有Exif信息，它是证明您的这个照片的版权的。Photo by Vincentas Liskauskas on Unsplash你看多有意思，在一个比赛的征稿要求中，我们都能学到这么多的知识点。还不包括您如果参加比赛，我们会有一场专门的直播讲座来点评大家的作品，您的照片很有可能就会被我点评，我们又可以学到更多的摄影知识了。再加上咱们这一次的比赛奖品真是非常非常的丰厚，除了有艺卓提供的专业且昂贵的显示器，还有富士胶片、Datacolor、七工匠和雅昌影像提供的奖品。奖品诱人，比赛又是免费的，获奖难度还不高，还不赶紧来试试。在今天的微信公众号“摄影早自习”的第三条图文链接戳进去，就可以看到比赛详情，奖品详情以及戳第三条图文链接的“阅读原文”就可以开始投稿。别忘了在明天（周四）的晚上八点钟，我有一个免费的直播讲座，讲的是“教您拍出夏日感满满的人像照片”，喜欢的同学不要错过。语音下方有一个很清爽的海报，扫描那个二维码就可以进入我们的微信群来预约参加直播。今天是摄影早自习陪伴大家的第1955天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛１、关注公众号：摄影早自习２、回复：比赛早安，我是叶梓，今天是摄影早自习陪伴大家的第1954天。© 叶梓今天给大家看一张照片，很特殊，是隔着玻璃在拍摄的白鲸的照片。我知道大家不会没事就跑到水族馆里去拍白鲸，只不过我是想借一个照片给大家说明一个情况，就是什么情况会对焦困难，从这张照片里是真的能看出来。首先我是隔着玻璃拍白鲸，玻璃上面全是小孩子的那些指纹，有时候都不是指纹，应该是脸趴在上边，整个脸上的油都留在玻璃上面了，然后你怎么擦也擦不干净。这也就算了，那玻璃还挺厚，双层玻璃中间注的胶还好像有点发白了，有点混混沌沌的感觉。水当然算是比较清的，但是毕竟白鲸跟我的距离远，最后就像隔着一层雾气一样，反正肉眼看着挺清楚的，但是相机拍的时候你会发现一个大难题，就是你没有绝对的清晰这一说。你并不是说能看到比如说它的皮肤的质感，眼睛具体的边界在哪，看不出来。你看不出来，相机也看不出来，所以相机这个时候对焦系统就很有可能会罢工，因为它没有绝对清晰这么一说啦，相机它原来机器里边设定的那些对焦对清楚了会怎么样，那个标准它就失灵了。再加上这动物它一直在那不停的到处动，你要想把它拍好，对焦反正是有点困难，最后不得已了，只能手动对焦。你看这是个什么情况，这是个特别典型的因为相机和被摄物之间隔着某一些浑浑沌沌的东西，比如说雾气啊、烟尘啊、水啊、玻璃上的油啊等等，总之就是导致相机这一侧看不太清被摄物的时候，自动对焦就会罢工。所以老有学生问我说：老师，我那个自动对焦为什么不能使啦？什么时候用手动对焦啊？这两个问题其实是同一个答案，就是现在，就是这张图片的一个情况，看不清，对不上，那就只能手动对焦。手动对焦轻松吗？肯定不轻松啊。你要迅速跟上人家的距离变化，然后你眼睛也看不清楚它，只不过人比机器还是灵活一点，虽然看不太清楚，但是我至少可以在手动对焦中努力的去找那个所谓的最清晰的时候吧，多比一比、多试一试，总是能试得出来的嘛，对吧？只不过就是需要手速快一点，要有耐心一点，这个手对相机镜头的对焦环的手感要熟练一点，比如转多远就相当于在对焦距离上调整了多远之类的。还有就是顺时针转还是逆时针转，它是变近了还是变远了，这些东西就是凭个肌肉记忆了，熟练就好。你看，通过今天的早自习，通过这一张照片，大家应该就搞明白了自动对焦什么时候会失效，什么时候迫不得已必须要用上手动对焦。其实不光是隔着水，我再次强调，隔着雾气也是一样的。顺带一提，这张照片其实是采用了一个叫做重构的构图方法，就是把一个完整的白鲸的轮廓一分为二，然后在左右两侧分别交代其中的一部分，从逻辑上拼起来看，它好像是完整的。当然了，实际的拍摄中这就是两头白鲸。好，今天我们就聊到这儿，在14号（也是后天）晚上，我将带给大家一个新的直播讲座，免费的，讲座的内容是教大家来拍摄夏日氛围感的人像摄影照片。我们会从光影、氛围、引导、后期、构图等等这些最关键的要素入手，相信大家听了直播会很有收获。怎么听讲座呢？直接在今天的微信公众号“摄影早自习”头条语音下方有一个海报，特别清爽的那个，扫描海报上的二维码，进群就可以预约直播了。另外别忘了，EIZO杯摄影大赛现在离截稿日期只有最后4天，所以大家不要错过，戳第二条图文链接，了解比赛的详情，看看我们丰盛的奖品，点里边的“阅读原文”就能够上传照片，期待你的大作。比赛之后，我也会来对大家的作品进行一些点评。今天是摄影早自习陪伴大家的第1954天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛１、关注公众号：摄影早自习２、回复：比赛早安，我是叶梓，今天是摄影早自习陪伴大家的第1953天。对，不是早安了，今天早自习又晚了一点，中午发的，抱歉。那么今天讲的这个内容是大家都用得着的，是在家里边拍那种生活记录类的照片到底用什么镜头的问题。我以前老给大家推荐35mm，因为35mm它进可攻退可守，用人话讲就是我凑近一点也能拍一个比较小的场景，但是退远一点也能拍到整个家里的布局啊、环境啊，交代得比较清楚，属于一个我自己最喜欢用的镜头。但是我后来也慢慢发现35mm确实不见得适合所有人，主要应该是两个原因：第一个是因为它视角太广了，太偏向于广角镜头，它同时能拍到的东西太多了，所以在构图上会比较难掌握，属于那种适合做复杂构图，不太适合做减法构图的这么一种镜头。第二个原因就是因为35mm它毕竟是偏广角，所以它景深比较大，很难说把背景模糊到一个非常非常简洁的程度。那么家庭记录除了35mm还有什么选择呢？其实我之前也尝试过50mm，说实话，这曾经是我最喜欢的镜头之一，在十几二十年前，但是现在我对它没什么感觉了。最近机缘巧合的七工匠给我搞了一支75mm f/1.25光圈的大光圈中长焦头，用了用，唉？发现它好像在室内、在家庭环境中也可以用来记录，而且那个画面效果刚好能跟35mm拉出差距，互为补充。© 叶梓我们来看看这两张照片，一看你就能感觉到：哇，这个是减法构图的镜头。一张是小麦麦同学在她那个小帐篷里面玩的时候我拍的一个画面。你可以看到，这个画面基本上都是由各种各样的三角形构成，而且它只有那么三件东西：帐篷、人和背景的白书柜，其他的甚至连垫子你都看不到。这个构图够减法吧，因为它视角狭窄，实际上我身后就靠着书柜了，我也没法往后退了，拍出来的画面自然而然就这么简洁。与此同时，它的虚化效果也确实比较明显，这跟它是大光圈有关，但是也跟它是中长焦镜头有关。这个时候我对焦是对在了那个球球上面的，故意的把人物做了点虚化，刚好她的手伸向这个球球，所以手基本上也是清楚的。所以现在除了帐篷和人物的手以外，其他东西都是模糊的。© 叶梓让我们再来看看第二张照片。这张照片比刚才那个场景要复杂一些，是我在客厅里隔着窗户在拍卧室里的你们的师娘的样子，对吧？你会看到这个画面中其实是有很多遮挡的东西的，前景就是窗户，然后还有背景的床，还有右上角懒人支架，右下方还有床头、枕头、被子，左下角其实就是我们客厅里的餐桌，餐桌上还堆着乱七八糟的东西，但现在反正都是一团模糊，啥也看不清楚。唯一能看清楚的其实只有三个物体，就是人物、镜子和背后的懒人支架。因为他们三者都在屋面的附近，所以就都是清楚的。当然了，现在大家也能感受得到了，这个方面的简洁并不只是由什么背景虚化和前景虚化带来的，其实视角的狭窄也起到了很大的作用。讲白了下边的桌子上没拍着什么东西，是吧？上边也没拍到什么东西，四周的东西都被构图构在画面之外了。所以今天我就想给大家一个新的推荐，如果你觉得35mm的镜头拍起照来实在是有点难，那么你也可以考虑一下75mm用来记录自己的生活。唯一要特别小心的是，因为这种镜头实在是拍照太简洁了，所以你得想办法在画面中多塞点东西，像我一样塞个框框啊，塞个什么别的东西的，让画面丰富起来，才更像是真的生活的样子，因为谁家也不会干净的像宾馆一样，对吧？35mm时，可能你要小心一点，多做减法，但是在75mm时，你可能要小心一点，多做加法。好，今天我们就简单聊这么多，别忘了咱们的EIZO杯摄影大赛，现在进入最后5天的投稿倒计时了，这次咱们的奖品非常的丰厚，有艺卓、有富士胶片、有Datacolor、雅昌还有七工匠所赞助的各种各样的丰厚奖品，各位同学就不要错过了。直接在今天的微信公众号第二条图文链接戳进去，就可以看到我们的比赛规则和投稿的链接，你也可以点这个帖子底部“阅读原文”，直接进入投稿界面。除了有大奖，我还会在比赛后抽个时间来点评大家的作品，期待你的投稿。今天是摄影早自习陪伴大家的第1953天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛１、关注公众号：摄影早自习２、回复：比赛早安，我是叶梓，今天是摄影早自习陪伴大家的第1951天。我已经回到了北京，在北京陪大家早自习。细心的同学应该已经发现了，我们的EIZO杯摄影大赛进入了最后一个星期的征稿期，今天是8号，在15号我们就结束征稿。因为奖品实在是很丰厚，所以很多同学就在问说：叶老师，我到底应该怎么样来投稿，才能更符合要求一点，才能更有机会在比赛中获胜呢？那么今天我们就给大家简单解析一下在摄影比赛中脱颖而出的四个要素，让我们从最简单的开始，一步步深入来了解。© 叶梓首先，是在摄影的技术上要达到一定的标准，不要犯大错。我说的这个技术主要是包括器材的操作方面：曝光总得是准的吧，肤色不能太暗太亮吧，或者是说剪影那个人物就必须是纯黑的嘛等等，曝光对焦上不要出错。那第二个层面，就是在美这件事情上要达到一定的高度，也就是说照片好看，构图啊、光线啊、色彩啊这几个东西要能够融在一起，形成一个有机的整体，变得非常的漂亮。© 叶梓第三个要素，就是咱们的照片最好有点创意。因为摄影这个东西它很容易模仿，对吧？你拍成这样，我也能拍成这样，看多了以后不免就会觉得：嗯，有点看腻了，想要点新东西。如果你有不同的视角，不同的立意，不同的拍摄方法，把它秀出来，这些创意很可能会给您的作品加分。Photo by Eric Park on Unsplash第四个方面是主题，这里面又包括两个小的层次。第一是你得有个主题，而且通过照片表达出来了。第二个是这个主题本身它最好是有点深度，能够让人看了照片以后有那种回味无穷的感觉，这样的话就会更好一些。主题这个东西实际上是统领前面三个所有东西的，为了主题我们应该选择什么样的技术，应该选择什么样的美学的技法，包括第三要素创意都是要为主题来服务的。跟主题相吻合的，能够帮助主题表达的都是好东西，应该留下，跟主题不符合的，那我们就不要生搬硬套的往里放了，反而会有炫技的嫌疑。有人就说了：哎呀，这么多要素，我的照片到底符不符合要求啊？能不能获奖啊？我觉得大家不需要有这个担心，反正比赛是免费的，而且咱们这一次有特别多的丰厚的奖品，所以试试再说呗！怎么参加比赛？在今天的微信公众号“摄影早自习”第二条图文链接中，就有非常详细的比赛的指引，有奖品的介绍，也有投稿的一些小要求，大家可以戳进去看一看，然后点二条文末的“阅读原文”就能够参加比赛了。如果对于比赛你还有什么样的问题，都欢迎在底部向我留言，我会尽力的为你解答。今天是摄影早自习陪伴大家的第1951天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

Pretekstem do stworzenia Acts of Memory, u stóp rzeszowskiego Zamku Lubomirskich, była historia nieco zapomnianej miejskiej fontanny. Choć obiekt nie jest już tak popularny jak przed laty, to pamięć o nim wciąż jest żywa wśród mieszkańców.… Czytaj dalej Artykuł „Przywracamy pamięć miasta”. Kolektyw EIZO w Rzeszowie pochodzi z serwisu Audycje Kulturalne.

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第1921天。前两天我做了个直播讲座，讲的是色彩搭配的事情，其中就有聊到主色调，你们还记得吗？今天我突然翻到一张这样的老照片，特别适合用来讲解这个知识点，什么叫主色调呢？就是一张照片应该有一个主要的颜色作为一个基调，对不对？大致可以这么理解吧。但这张照片为什么特别适合来讲呢？因为它在不同色温下会呈现出有主色调或者是没有主色调的两种状态。白平衡3200K © 叶梓这个画面里的颜色说实话挺花哨的，有蓝色、有绿色、有黄色、有红色，基本上几个颜色都到齐了。如果我们针对这里边的钨丝灯光（黄色的灯光）做一个白平衡的调整，拍摄下来的画面你会发现那些灯光就变成了一个白色的光，地面也是白的，因为它们主要受钨丝灯光的影响。现在我们看到的这个画面其实就是什么色彩都有，左边是以蓝为主，右边那个绿其实也挺明显的，顶上那个红和蝴蝶结的红也不甘示弱，重要的是这个黄它也占挺大的面积，虽然稀稀拉拉在左边右边各自有不同的分布。所以这几个颜色在画面中就是一个势均力敌的状态，这样来看主色调是不存在的，没有那么明显至少。白平衡4000K © 叶梓来，让我们再做一个调整，当我把白平衡从3200K然后调整到大约4000K、4200K左右的时候，你会发现整个画面的主色调就非常明显了，那个蓝就不会那么蓝了，与此同时，最重要的是那个黄开始占据绝大部分的面积，包括地面和建筑上的灯光。所以这是一个黄色为主色的，然后蓝色为辅色的画面，绿色和红色只能算点缀色了。你看我们就是把白平衡（也就是色温）从3200K调到了4200K，这张照片的整个基调就被确立下来了，它就是温暖的了。这感觉就好像是我们之前读的是一个论述文，是一个论文，它是不带任何情感的。但是现在我们有了这个黄色作为主色调以后，我们读的是一个散文，是不是感觉好多了？更有血有肉，更加的真实，更加的有情绪、有气氛了。当然，这张照片在构图和光线上其实也是有所讲究的，在摄影技法上，我用的是HDR的拍摄方法，不然的话像这种夜晚的灯光场景，不可能在高光处留下那么多细节，与此同时还要在暗部留下那么多细节，所以它其实是多张曝光不等的亮度不等的照片的一个堆栈结果。不过这个不是我们今天主要要讨论的内容，我们就下次再说。今天我们至少学到了两个很重要的知识点：第一个是我们体验了一下一张照片确实是需要一个主色调，它才在色彩上能够成立，能够站得住脚，而没有主色调的照片会让人觉得花里胡哨的，而且在情绪上还比较寡淡。另外我们学到了一种非常实用的非常简单的方法，就是通过调整相机里的白平衡参数或者后期中的色温参数（它俩本质上是一个意思），通过调整它们来获取、来强调一个主色调。不过这种方法能强调的主色调要么就是蓝，要么就是黄。好，今天我们聊到这里，最后有个重要消息要公布，2022年夏季EIZO艺卓杯摄影大赛现在开始征稿了，主办方依然是艺卓EIZO和我们咔图摄影教育中心。这次我们不仅设置了诸多奖项，而且奖品也超级丰厚，除了艺卓EIZO，还有富士胶片、Datacolor、七工匠和雅昌影像提供了特别丰厚的奖品。比赛详情请见今天的微信公众号“摄影早自习”下边的第二条图文链接，参赛免费，大奖却可以拿到手软。今天是摄影早自习陪伴大家的第1921天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

Shownotes Fuji Firmware Update für das Speicherkartenproblem Canon Firmware Update für R5 + R6 Ergebnisse des MML (Memorial Maria Luisa) EIZO CG2700S und CG2700x Sony baut keine A Mount Linsen und Kameras mehr; Spiegelreflex ist tot Canon RF 800mm 5.6 L IS 2.6m Naheinstellgrenze ABM 1:3 3140g für 19949,00EUR Canon RF 1200mm 8.0 L IS 4.3m ABM 1:3,44 3.34kg für 23449,00EUR Sigma steigt bei Fuji X ein mit 16mm f/1.4, 30mm f/1.4, and 56mm f/1.4 OM system Olympus OM 1 Panasonic GH6 Irix 21mm 1.4 675€ 830g

Viele Fotografen, egal ob Landschaft-; Tier-; Natur-; oder Portraitfotografen fragen sich immer wieder: Soll ich meinen Monitor kalibrieren? Wozu soll ich meinen Monitor kalibrieren? Wie kalibriere ich meinen Monitor? Was ist der Unterschied zwischen Software- und Hardware Kalibrierung? Was ist im Zusammenhang mit der Kalibrierung ein LUT? Warum soll ich viel Geld für einen Monitor ausgeben? Was sind die richtigen Grundeinstellungen, wenn ich mir keine tiefgehenden Gedanken darüber machen will? Zu diesem Thema habe ich ein Interview mit Christian Ohlig von EIZO geführt. Christian ist im Bereich Monitore und Kalibrierung ein wahrer Experte und wir haben probiert euch dieses ungeliebte Thema näher zu bringen. Hier gehen wir richtig in die Tiefe. Die Grundeinstellungen zum Thema kalibrieren samt einiger Screenshots packe ich euch hier in den Blog, den Rest gibt's als Podcast. Natürlich gehen wir auch auf alle Fragen ein, die per Instagram zum Thema Monitorkalibrierung bei mir eingegangen sind. #Transparenz ich bin seit 2015 EIZO Ambassador und seit 2006 EIZO Nutzer. Das Kalibriergerät EIZO EX4 mit dessen Hilfe die Screenshots erstellt worden sind, wurde mir zur Verfügung gestellt. Ich bin selbst EIZO Nutzer seit inzwischen über 15 Jahren und EIZO ist was die Qualität und die Langlebigkeit der Monitore angeht einmalig. Wer diese Qualität einmal probiert hat, wird diese nie wieder missen wollen. Vollständige Shownotes mit Bildern und Links: https://naturfotocamp.de/bohnensack/post/monitor-kalibrieren-leicht-gemacht Christian Ohlig Website

参加EIZO杯摄影大赛关注微信公众号“摄影早自习”，回复“比赛”早安，我是晏飞，今天是摄影早自习陪伴大家的第1739天。iPhone13前段时间终于出来了，我也在早自习群里看到有同学问，说到底是买iPhone13还是iPhone13Pro呢？这期早自习我想从摄影的角度聊聊，到底是13香还是13Pro香？图片来源：苹果官网其实这两个手机配置上最大的差别就是iPhone13Pro配备了三摄，一个超广角、一个广角和一个77mm的中长焦镜头，而iPhone13则没有中长焦镜头，主要就差在这里。这三支镜头它们分别适合拍摄什么画面？我们日常拍摄的时候用哪个拍得比较多？哪个镜头拍摄的效果比较好？我们今天就从拍人和拍景这两方面分别来说。iPhone广角镜头拍摄 © 晏飞我们首先来看看拍人。拍人的时候我用得最多的是广角和中长焦，几乎是差不多的。如果是街拍，拍一些纪实类的照片，我会用广角会多一些。那如果是拍人像特写，半身像之类的，我会更多的用到中长焦。因为中长焦会有小景深的效果，能够帮助我们模糊背景，突显人物。iPhone中长焦镜头“人像模式”拍摄 © 晏飞另外现在手机基本上都会有一个“人像模式”，它也是通过算法帮助我们把人以外的事物给更加的模糊掉，还是凸显人物的作用。这个”人像模式”基本上也是基于中长焦和广角镜头计算的。所以拍人我就很少用超广角镜头，因为广角镜头的特点我们都知道：近大远小，那超广角镜头就是加一个更字，它就很容易把人拍得变形。我给大家举个例子，但是这里就别用人的照片举例了，我用两张我给喵喵的照片给大家看一下，效果是类似的。iPhone超广角镜头拍摄 © 晏飞上面这张是我用超广角镜头拍的喵喵，它正蹲在椅子上，我是从下往上仰拍的。因为近大远小，离我的手机最近的就是喵喵的巨大的屁股，它几乎占满了整个照片的底边，它的两条前腿也因为离手机很近变得十分粗壮，脸盘也变得巨大，下巴变得特别宽。你看这个照片，感觉就像容嬷嬷看着小燕子的表情，这些都是因为超广角的近大远小造成的。iPhone广角镜头拍摄 © 晏飞下面这张喵喵是我用普通的广角镜头拍的。你看喵喵还是很漂亮的，小小的尖下巴，一点也不觉得胖，容嬷嬷秒变令妃娘娘。所以各位男同学，从这两张照片你应该至少能总结出三个要点：第一，就是给你女朋友拍照的时候，谨慎使用超广角镜头；第二，是给女朋友拍照的时候谨慎使用低视角。所以你就知道为什么女生自拍的时候总是喜欢把手机举高了拍摄，因为这样显得眼睛大，下巴还小；第三，给女朋友拍照的时候千万不要使用底光拍照，这都是电视里给坏人布光的方法。说完了拍人，我们再来看看拍景吧。很多摄影的初学者可能会有一个误解，他们会觉得我拍风光，为了表现风景的辽阔，这时候我更应该用广角甚至超广角拍摄！那你可能就想错了。其实我们越是到这种辽阔的场景，会越多的使用中长焦、长焦的镜头。你可以想象一下，你眼前就是一片蔚蓝的大海，一望无际的海岸线。这个时候你用超广角镜头拍出来的画面和用长焦拍出来的画面是一样的，都是上面是天，下面是海，中间一条海平面。但是如果这时候海面上远远的有一条白色的小帆船，如果你用超广角拍摄，这个画面里它最多就是一个小点，但是如果你用长焦镜头去拍摄，它的优势就显出来了，它能把远处的物体拉近，这个帆船就会被拍得很大，你甚至能看清楚船上的人，他们是什么样的动作。这就是我们为什么在越辽阔的地方，会越多的用长焦的一个原因。那说了半天，超广角镜头拍人也不好用，拍景也不行，它就一无是处了吗？其实也不是。超广角镜头也有它自己的特点，它特别适合在狭小的空间拍摄，因为它可以容纳更多的事物。比如说我们在长城的烽火台里面，我想拍摄一张透过烽火台的窗口拍外面景色的画面。爬过长城的同学都知道，烽火台里面是非常狭窄的，它是一层套一层的结构。窗口前给你拍照的空间可能就只有不到一米，你站得这么近，还想把这么大的一个窗口拍完整，那就只有超广角镜头能做到。iPhone广角镜头拍摄 © 晏飞iPhone超广角镜头拍摄 © 晏飞另外超广角镜头还有一个特点，就是在靠近画面边缘的部分会产生畸变。上面两张照片，是我蹲在同样的位置，分别用广角镜头和超广角镜头拍的两张照片。很明显，下面这张是超广角拍的，你看这个教练的左胳膊显得特别的长，你可以和他的右胳膊比一下就能比出来，它几乎是右胳膊的两倍长。这是什么原因呢？这就是因为左臂正好在靠近画面边缘的位置，产生了畸变拉伸的效果。这个畸变效果它其实是没有好坏之分，看你能不能利用好它的这个特点。如果你是去拍一个姑娘，你把姑娘的脸放到画面的边缘扭曲了，那肯定是不好看的。但是如果你是去拍球场的球迷进球以后特别激动的表情，你就是为了凸显这种青筋爆出，脸都变形了的感觉，那它就是合理的，就是好看的。iPhone超广角镜头拍摄 © 晏飞再给大家举个例子，上面这张照片，是我在胡同里拍的一棵树，我要表达的是这棵树扭曲得很厉害向上生长的这么一个感觉。所以我把这个树的树梢和下面的树干都放在画面的边缘，它在画面边缘拉伸扭曲的效果就更能够凸显我想表达的这种扭曲感。iPhone超广角镜头拍摄 © 晏飞其实利用超广角的畸变和透视的效果，它是很适合在楼群下仰拍高楼从四面向中心伸展的画面，或者冬天树林中仰拍树枝向中间生长的画面。所以镜头没有好坏之分，就看你怎么用。那综合来说，无论是拍人还是拍景，我最常用的镜头首先是广角，其次是中长焦，这两个其实是用得最多的。超广角对我而言不是一个常规拍摄会经常用到的镜头，它确实可以拍出一些特殊的画面效果，但我觉得大部分效果可以用广角镜头来代替。所以如果从摄影的角度来讲，我觉得肯定还是有长焦的iPhone13 Pro更香。至于说多花2000块钱买一个长焦头你认为划不划算？或者你在用手机拍摄的时候哪个焦段用得多？有什么拍摄心得？都欢迎在下面留言告诉我。今天早自习的第二条图文是一个关于秋季拍摄的小技巧的文章，10月15号，叶老师还会开一场专门讲“如何拍出秋季美景”的讲座，详情大家可以点击二条。另外最近我们和艺卓（EIZO）共同举办了一个摄影比赛，比赛的一等奖是一台价值6000元的艺卓显示器，感兴趣的同学可以点击语音下方的图片了解详情，现在正在征稿期。今天我们就聊这么多，这是摄影早自习陪伴大家的第1739天，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛关注微信公众号“摄影早自习”，回复“比赛”早安，我是晏飞，今天是摄影早自习陪伴大家的第1739天。iPhone13前段时间终于出来了，我也在早自习群里看到有同学问，说到底是买iPhone13还是iPhone13Pro呢？这期早自习我想从摄影的角度聊聊，到底是13香还是13Pro香？图片来源：苹果官网其实这两个手机配置上最大的差别就是iPhone13Pro配备了三摄，一个超广角、一个广角和一个77mm的中长焦镜头，而iPhone13则没有中长焦镜头，主要就差在这里。这三支镜头它们分别适合拍摄什么画面？我们日常拍摄的时候用哪个拍得比较多？哪个镜头拍摄的效果比较好？我们今天就从拍人和拍景这两方面分别来说。iPhone广角镜头拍摄 © 晏飞我们首先来看看拍人。拍人的时候我用得最多的是广角和中长焦，几乎是差不多的。如果是街拍，拍一些纪实类的照片，我会用广角会多一些。那如果是拍人像特写，半身像之类的，我会更多的用到中长焦。因为中长焦会有小景深的效果，能够帮助我们模糊背景，突显人物。iPhone中长焦镜头“人像模式”拍摄 © 晏飞另外现在手机基本上都会有一个“人像模式”，它也是通过算法帮助我们把人以外的事物给更加的模糊掉，还是凸显人物的作用。这个”人像模式”基本上也是基于中长焦和广角镜头计算的。所以拍人我就很少用超广角镜头，因为广角镜头的特点我们都知道：近大远小，那超广角镜头就是加一个更字，它就很容易把人拍得变形。我给大家举个例子，但是这里就别用人的照片举例了，我用两张我给喵喵的照片给大家看一下，效果是类似的。iPhone超广角镜头拍摄 © 晏飞上面这张是我用超广角镜头拍的喵喵，它正蹲在椅子上，我是从下往上仰拍的。因为近大远小，离我的手机最近的就是喵喵的巨大的屁股，它几乎占满了整个照片的底边，它的两条前腿也因为离手机很近变得十分粗壮，脸盘也变得巨大，下巴变得特别宽。你看这个照片，感觉就像容嬷嬷看着小燕子的表情，这些都是因为超广角的近大远小造成的。iPhone广角镜头拍摄 © 晏飞下面这张喵喵是我用普通的广角镜头拍的。你看喵喵还是很漂亮的，小小的尖下巴，一点也不觉得胖，容嬷嬷秒变令妃娘娘。所以各位男同学，从这两张照片你应该至少能总结出三个要点：第一，就是给你女朋友拍照的时候，谨慎使用超广角镜头；第二，是给女朋友拍照的时候谨慎使用低视角。所以你就知道为什么女生自拍的时候总是喜欢把手机举高了拍摄，因为这样显得眼睛大，下巴还小；第三，给女朋友拍照的时候千万不要使用底光拍照，这都是电视里给坏人布光的方法。说完了拍人，我们再来看看拍景吧。很多摄影的初学者可能会有一个误解，他们会觉得我拍风光，为了表现风景的辽阔，这时候我更应该用广角甚至超广角拍摄！那你可能就想错了。其实我们越是到这种辽阔的场景，会越多的使用中长焦、长焦的镜头。你可以想象一下，你眼前就是一片蔚蓝的大海，一望无际的海岸线。这个时候你用超广角镜头拍出来的画面和用长焦拍出来的画面是一样的，都是上面是天，下面是海，中间一条海平面。但是如果这时候海面上远远的有一条白色的小帆船，如果你用超广角拍摄，这个画面里它最多就是一个小点，但是如果你用长焦镜头去拍摄，它的优势就显出来了，它能把远处的物体拉近，这个帆船就会被拍得很大，你甚至能看清楚船上的人，他们是什么样的动作。这就是我们为什么在越辽阔的地方，会越多的用长焦的一个原因。那说了半天，超广角镜头拍人也不好用，拍景也不行，它就一无是处了吗？其实也不是。超广角镜头也有它自己的特点，它特别适合在狭小的空间拍摄，因为它可以容纳更多的事物。比如说我们在长城的烽火台里面，我想拍摄一张透过烽火台的窗口拍外面景色的画面。爬过长城的同学都知道，烽火台里面是非常狭窄的，它是一层套一层的结构。窗口前给你拍照的空间可能就只有不到一米，你站得这么近，还想把这么大的一个窗口拍完整，那就只有超广角镜头能做到。iPhone广角镜头拍摄 © 晏飞iPhone超广角镜头拍摄 © 晏飞另外超广角镜头还有一个特点，就是在靠近画面边缘的部分会产生畸变。上面两张照片，是我蹲在同样的位置，分别用广角镜头和超广角镜头拍的两张照片。很明显，下面这张是超广角拍的，你看这个教练的左胳膊显得特别的长，你可以和他的右胳膊比一下就能比出来，它几乎是右胳膊的两倍长。这是什么原因呢？这就是因为左臂正好在靠近画面边缘的位置，产生了畸变拉伸的效果。这个畸变效果它其实是没有好坏之分，看你能不能利用好它的这个特点。如果你是去拍一个姑娘，你把姑娘的脸放到画面的边缘扭曲了，那肯定是不好看的。但是如果你是去拍球场的球迷进球以后特别激动的表情，你就是为了凸显这种青筋爆出，脸都变形了的感觉，那它就是合理的，就是好看的。iPhone超广角镜头拍摄 © 晏飞再给大家举个例子，上面这张照片，是我在胡同里拍的一棵树，我要表达的是这棵树扭曲得很厉害向上生长的这么一个感觉。所以我把这个树的树梢和下面的树干都放在画面的边缘，它在画面边缘拉伸扭曲的效果就更能够凸显我想表达的这种扭曲感。iPhone超广角镜头拍摄 © 晏飞其实利用超广角的畸变和透视的效果，它是很适合在楼群下仰拍高楼从四面向中心伸展的画面，或者冬天树林中仰拍树枝向中间生长的画面。所以镜头没有好坏之分，就看你怎么用。那综合来说，无论是拍人还是拍景，我最常用的镜头首先是广角，其次是中长焦，这两个其实是用得最多的。超广角对我而言不是一个常规拍摄会经常用到的镜头，它确实可以拍出一些特殊的画面效果，但我觉得大部分效果可以用广角镜头来代替。所以如果从摄影的角度来讲，我觉得肯定还是有长焦的iPhone13 Pro更香。至于说多花2000块钱买一个长焦头你认为划不划算？或者你在用手机拍摄的时候哪个焦段用得多？有什么拍摄心得？都欢迎在下面留言告诉我。今天早自习的第二条图文是一个关于秋季拍摄的小技巧的文章，10月15号，叶老师还会开一场专门讲“如何拍出秋季美景”的讲座，详情大家可以点击二条。另外最近我们和艺卓（EIZO）共同举办了一个摄影比赛，比赛的一等奖是一台价值6000元的艺卓显示器，感兴趣的同学可以点击语音下方的图片了解详情，现在正在征稿期。今天我们就聊这么多，这是摄影早自习陪伴大家的第1739天，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛关注微信公众号“摄影早自习”，回复“比赛”早安，我是晏飞，今天是摄影早自习陪伴大家的第1739天。iPhone13前段时间终于出来了，我也在早自习群里看到有同学问，说到底是买iPhone13还是iPhone13Pro呢？这期早自习我想从摄影的角度聊聊，到底是13香还是13Pro香？图片来源：苹果官网其实这两个手机配置上最大的差别就是iPhone13Pro配备了三摄，一个超广角、一个广角和一个77mm的中长焦镜头，而iPhone13则没有中长焦镜头，主要就差在这里。这三支镜头它们分别适合拍摄什么画面？我们日常拍摄的时候用哪个拍得比较多？哪个镜头拍摄的效果比较好？我们今天就从拍人和拍景这两方面分别来说。iPhone广角镜头拍摄 © 晏飞我们首先来看看拍人。拍人的时候我用得最多的是广角和中长焦，几乎是差不多的。如果是街拍，拍一些纪实类的照片，我会用广角会多一些。那如果是拍人像特写，半身像之类的，我会更多的用到中长焦。因为中长焦会有小景深的效果，能够帮助我们模糊背景，突显人物。iPhone中长焦镜头“人像模式”拍摄 © 晏飞另外现在手机基本上都会有一个“人像模式”，它也是通过算法帮助我们把人以外的事物给更加的模糊掉，还是凸显人物的作用。这个”人像模式”基本上也是基于中长焦和广角镜头计算的。所以拍人我就很少用超广角镜头，因为广角镜头的特点我们都知道：近大远小，那超广角镜头就是加一个更字，它就很容易把人拍得变形。我给大家举个例子，但是这里就别用人的照片举例了，我用两张我给喵喵的照片给大家看一下，效果是类似的。iPhone超广角镜头拍摄 © 晏飞上面这张是我用超广角镜头拍的喵喵，它正蹲在椅子上，我是从下往上仰拍的。因为近大远小，离我的手机最近的就是喵喵的巨大的屁股，它几乎占满了整个照片的底边，它的两条前腿也因为离手机很近变得十分粗壮，脸盘也变得巨大，下巴变得特别宽。你看这个照片，感觉就像容嬷嬷看着小燕子的表情，这些都是因为超广角的近大远小造成的。iPhone广角镜头拍摄 © 晏飞下面这张喵喵是我用普通的广角镜头拍的。你看喵喵还是很漂亮的，小小的尖下巴，一点也不觉得胖，容嬷嬷秒变令妃娘娘。所以各位男同学，从这两张照片你应该至少能总结出三个要点：第一，就是给你女朋友拍照的时候，谨慎使用超广角镜头；第二，是给女朋友拍照的时候谨慎使用低视角。所以你就知道为什么女生自拍的时候总是喜欢把手机举高了拍摄，因为这样显得眼睛大，下巴还小；第三，给女朋友拍照的时候千万不要使用底光拍照，这都是电视里给坏人布光的方法。说完了拍人，我们再来看看拍景吧。很多摄影的初学者可能会有一个误解，他们会觉得我拍风光，为了表现风景的辽阔，这时候我更应该用广角甚至超广角拍摄！那你可能就想错了。其实我们越是到这种辽阔的场景，会越多的使用中长焦、长焦的镜头。你可以想象一下，你眼前就是一片蔚蓝的大海，一望无际的海岸线。这个时候你用超广角镜头拍出来的画面和用长焦拍出来的画面是一样的，都是上面是天，下面是海，中间一条海平面。但是如果这时候海面上远远的有一条白色的小帆船，如果你用超广角拍摄，这个画面里它最多就是一个小点，但是如果你用长焦镜头去拍摄，它的优势就显出来了，它能把远处的物体拉近，这个帆船就会被拍得很大，你甚至能看清楚船上的人，他们是什么样的动作。这就是我们为什么在越辽阔的地方，会越多的用长焦的一个原因。那说了半天，超广角镜头拍人也不好用，拍景也不行，它就一无是处了吗？其实也不是。超广角镜头也有它自己的特点，它特别适合在狭小的空间拍摄，因为它可以容纳更多的事物。比如说我们在长城的烽火台里面，我想拍摄一张透过烽火台的窗口拍外面景色的画面。爬过长城的同学都知道，烽火台里面是非常狭窄的，它是一层套一层的结构。窗口前给你拍照的空间可能就只有不到一米，你站得这么近，还想把这么大的一个窗口拍完整，那就只有超广角镜头能做到。iPhone广角镜头拍摄 © 晏飞iPhone超广角镜头拍摄 © 晏飞另外超广角镜头还有一个特点，就是在靠近画面边缘的部分会产生畸变。上面两张照片，是我蹲在同样的位置，分别用广角镜头和超广角镜头拍的两张照片。很明显，下面这张是超广角拍的，你看这个教练的左胳膊显得特别的长，你可以和他的右胳膊比一下就能比出来，它几乎是右胳膊的两倍长。这是什么原因呢？这就是因为左臂正好在靠近画面边缘的位置，产生了畸变拉伸的效果。这个畸变效果它其实是没有好坏之分，看你能不能利用好它的这个特点。如果你是去拍一个姑娘，你把姑娘的脸放到画面的边缘扭曲了，那肯定是不好看的。但是如果你是去拍球场的球迷进球以后特别激动的表情，你就是为了凸显这种青筋爆出，脸都变形了的感觉，那它就是合理的，就是好看的。iPhone超广角镜头拍摄 © 晏飞再给大家举个例子，上面这张照片，是我在胡同里拍的一棵树，我要表达的是这棵树扭曲得很厉害向上生长的这么一个感觉。所以我把这个树的树梢和下面的树干都放在画面的边缘，它在画面边缘拉伸扭曲的效果就更能够凸显我想表达的这种扭曲感。iPhone超广角镜头拍摄 © 晏飞其实利用超广角的畸变和透视的效果，它是很适合在楼群下仰拍高楼从四面向中心伸展的画面，或者冬天树林中仰拍树枝向中间生长的画面。所以镜头没有好坏之分，就看你怎么用。那综合来说，无论是拍人还是拍景，我最常用的镜头首先是广角，其次是中长焦，这两个其实是用得最多的。超广角对我而言不是一个常规拍摄会经常用到的镜头，它确实可以拍出一些特殊的画面效果，但我觉得大部分效果可以用广角镜头来代替。所以如果从摄影的角度来讲，我觉得肯定还是有长焦的iPhone13 Pro更香。至于说多花2000块钱买一个长焦头你认为划不划算？或者你在用手机拍摄的时候哪个焦段用得多？有什么拍摄心得？都欢迎在下面留言告诉我。今天早自习的第二条图文是一个关于秋季拍摄的小技巧的文章，10月15号，叶老师还会开一场专门讲“如何拍出秋季美景”的讲座，详情大家可以点击二条。另外最近我们和艺卓（EIZO）共同举办了一个摄影比赛，比赛的一等奖是一台价值6000元的艺卓显示器，感兴趣的同学可以点击语音下方的图片了解详情，现在正在征稿期。今天我们就聊这么多，这是摄影早自习陪伴大家的第1739天，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加EIZO杯摄影大赛关注微信公众号“摄影早自习”，回复“比赛”早安，我是晏飞，今天是摄影早自习陪伴大家的第1739天。iPhone13前段时间终于出来了，我也在早自习群里看到有同学问，说到底是买iPhone13还是iPhone13Pro呢？这期早自习我想从摄影的角度聊聊，到底是13香还是13Pro香？图片来源：苹果官网其实这两个手机配置上最大的差别就是iPhone13Pro配备了三摄，一个超广角、一个广角和一个77mm的中长焦镜头，而iPhone13则没有中长焦镜头，主要就差在这里。这三支镜头它们分别适合拍摄什么画面？我们日常拍摄的时候用哪个拍得比较多？哪个镜头拍摄的效果比较好？我们今天就从拍人和拍景这两方面分别来说。iPhone广角镜头拍摄 © 晏飞我们首先来看看拍人。拍人的时候我用得最多的是广角和中长焦，几乎是差不多的。如果是街拍，拍一些纪实类的照片，我会用广角会多一些。那如果是拍人像特写，半身像之类的，我会更多的用到中长焦。因为中长焦会有小景深的效果，能够帮助我们模糊背景，突显人物。iPhone中长焦镜头“人像模式”拍摄 © 晏飞另外现在手机基本上都会有一个“人像模式”，它也是通过算法帮助我们把人以外的事物给更加的模糊掉，还是凸显人物的作用。这个”人像模式”基本上也是基于中长焦和广角镜头计算的。所以拍人我就很少用超广角镜头，因为广角镜头的特点我们都知道：近大远小，那超广角镜头就是加一个更字，它就很容易把人拍得变形。我给大家举个例子，但是这里就别用人的照片举例了，我用两张我给喵喵的照片给大家看一下，效果是类似的。iPhone超广角镜头拍摄 © 晏飞上面这张是我用超广角镜头拍的喵喵，它正蹲在椅子上，我是从下往上仰拍的。因为近大远小，离我的手机最近的就是喵喵的巨大的屁股，它几乎占满了整个照片的底边，它的两条前腿也因为离手机很近变得十分粗壮，脸盘也变得巨大，下巴变得特别宽。你看这个照片，感觉就像容嬷嬷看着小燕子的表情，这些都是因为超广角的近大远小造成的。iPhone广角镜头拍摄 © 晏飞下面这张喵喵是我用普通的广角镜头拍的。你看喵喵还是很漂亮的，小小的尖下巴，一点也不觉得胖，容嬷嬷秒变令妃娘娘。所以各位男同学，从这两张照片你应该至少能总结出三个要点：第一，就是给你女朋友拍照的时候，谨慎使用超广角镜头；第二，是给女朋友拍照的时候谨慎使用低视角。所以你就知道为什么女生自拍的时候总是喜欢把手机举高了拍摄，因为这样显得眼睛大，下巴还小；第三，给女朋友拍照的时候千万不要使用底光拍照，这都是电视里给坏人布光的方法。说完了拍人，我们再来看看拍景吧。很多摄影的初学者可能会有一个误解，他们会觉得我拍风光，为了表现风景的辽阔，这时候我更应该用广角甚至超广角拍摄！那你可能就想错了。其实我们越是到这种辽阔的场景，会越多的使用中长焦、长焦的镜头。你可以想象一下，你眼前就是一片蔚蓝的大海，一望无际的海岸线。这个时候你用超广角镜头拍出来的画面和用长焦拍出来的画面是一样的，都是上面是天，下面是海，中间一条海平面。但是如果这时候海面上远远的有一条白色的小帆船，如果你用超广角拍摄，这个画面里它最多就是一个小点，但是如果你用长焦镜头去拍摄，它的优势就显出来了，它能把远处的物体拉近，这个帆船就会被拍得很大，你甚至能看清楚船上的人，他们是什么样的动作。这就是我们为什么在越辽阔的地方，会越多的用长焦的一个原因。那说了半天，超广角镜头拍人也不好用，拍景也不行，它就一无是处了吗？其实也不是。超广角镜头也有它自己的特点，它特别适合在狭小的空间拍摄，因为它可以容纳更多的事物。比如说我们在长城的烽火台里面，我想拍摄一张透过烽火台的窗口拍外面景色的画面。爬过长城的同学都知道，烽火台里面是非常狭窄的，它是一层套一层的结构。窗口前给你拍照的空间可能就只有不到一米，你站得这么近，还想把这么大的一个窗口拍完整，那就只有超广角镜头能做到。iPhone广角镜头拍摄 © 晏飞iPhone超广角镜头拍摄 © 晏飞另外超广角镜头还有一个特点，就是在靠近画面边缘的部分会产生畸变。上面两张照片，是我蹲在同样的位置，分别用广角镜头和超广角镜头拍的两张照片。很明显，下面这张是超广角拍的，你看这个教练的左胳膊显得特别的长，你可以和他的右胳膊比一下就能比出来，它几乎是右胳膊的两倍长。这是什么原因呢？这就是因为左臂正好在靠近画面边缘的位置，产生了畸变拉伸的效果。这个畸变效果它其实是没有好坏之分，看你能不能利用好它的这个特点。如果你是去拍一个姑娘，你把姑娘的脸放到画面的边缘扭曲了，那肯定是不好看的。但是如果你是去拍球场的球迷进球以后特别激动的表情，你就是为了凸显这种青筋爆出，脸都变形了的感觉，那它就是合理的，就是好看的。iPhone超广角镜头拍摄 © 晏飞再给大家举个例子，上面这张照片，是我在胡同里拍的一棵树，我要表达的是这棵树扭曲得很厉害向上生长的这么一个感觉。所以我把这个树的树梢和下面的树干都放在画面的边缘，它在画面边缘拉伸扭曲的效果就更能够凸显我想表达的这种扭曲感。iPhone超广角镜头拍摄 © 晏飞其实利用超广角的畸变和透视的效果，它是很适合在楼群下仰拍高楼从四面向中心伸展的画面，或者冬天树林中仰拍树枝向中间生长的画面。所以镜头没有好坏之分，就看你怎么用。那综合来说，无论是拍人还是拍景，我最常用的镜头首先是广角，其次是中长焦，这两个其实是用得最多的。超广角对我而言不是一个常规拍摄会经常用到的镜头，它确实可以拍出一些特殊的画面效果，但我觉得大部分效果可以用广角镜头来代替。所以如果从摄影的角度来讲，我觉得肯定还是有长焦的iPhone13 Pro更香。至于说多花2000块钱买一个长焦头你认为划不划算？或者你在用手机拍摄的时候哪个焦段用得多？有什么拍摄心得？都欢迎在下面留言告诉我。今天早自习的第二条图文是一个关于秋季拍摄的小技巧的文章，10月15号，叶老师还会开一场专门讲“如何拍出秋季美景”的讲座，详情大家可以点击二条。另外最近我们和艺卓（EIZO）共同举办了一个摄影比赛，比赛的一等奖是一台价值6000元的艺卓显示器，感兴趣的同学可以点击语音下方的图片了解详情，现在正在征稿期。今天我们就聊这么多，这是摄影早自习陪伴大家的第1739天，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

EIZO杯摄影大赛关注微信公众号“摄影早自习”，回复“比赛”早安，我是叶梓，今天是摄影早自习陪伴大家的1738天，今天是国庆节，先祝大家节日快乐。今天我们来个简短早自习，本来节假日期间我不录早自习，但是昨天一不小心手欠答应了“苍老师的打手”同学，要回答他的问题。他的问题是这样子的，他说：在横平竖直的构图中，如果不能同时做到竖参考线和水平地线或参考物同时横平竖直，那到底要以谁为参考，要以谁为优先来把它摆到横平竖直？这里有一个大的前提条件，就是首先我们不是每张照片都要做到横平竖直的。这个道理是非常显而易见的，就好像是你走到前面我叫你一声，你回了个头，请问你这个头是平的吗？你眼中看到的世界难道是横平竖直的吗？不可能的，肯定是一个比较倾斜的状态。所以我们日常生活中眼睛所看到的世界，它就不是完全横平竖直的。在摄影里面，我们有的时候要做到横平竖直，要表达比如说一种宁静啊，一种抽离感啊，一种严谨啊，一种逻辑啊……可以用横平竖直的方法来构图，但是也有很多很多的情况是根本不需要去做到横平竖直的，这一个大前提大家请悉知。© 叶梓那么还是回到“苍老师的打手”同学的问题，我简化一下他的问题，他其实就是在问，如果横平和竖直不能同时做到的话，那我们到底怎么办？其实是这样子的，有一个非常简易的答案，就是当横平和竖直都做不到的时候，我们要把相机摆平。这个摆平不是针对任何画面中的线条而言的，而是针对重力方向而言的。我举个例子，比如说你现在在拍一个比萨斜塔，你的相机跟着它去歪是肯定不对的，因为比萨斜塔本身应该是歪的。你去仰拍一堵墙，这堵墙的左边界和右边界肯定都是向画面中央倒过去的，因为有透视效果，所以你也不可能跟着这两条线去旋转你的相机，因为那样的话看上去画面会很有倾覆感，这个时候你应该让相机对于重力方向而言是水平的。© 叶梓对于横线也是一样，比如说你现在正站在一条马路的一侧，对着马路的另一侧拍照，如果你真的是正正的对着马路对面拍照的话，那还好办，因为马路对面的横线条肯定在画面中也都是平的。但是如果你是稍微有点角度的朝着马路的某一个延伸方向拍过去的话，你会发现对面的马路的栏杆啊、地面的这些原来的横线啊，现在都会变成斜线。© 叶梓这个时候你也应该不管不顾，只管把你的相机对于重力方向摆平，不要跟着对面的斜线条去旋转你的相机。因为只有这样做，观众的观感才会觉得你是把相机摆平了的，虽然画面中有各种斜线出现，但是那是自然现象，那是透视效果好。© 叶梓只有一种情况是我们真的希望整个画面的所有的横线和竖线都是横平竖直的，就是在室内拍摄比如说室内装修一类的这种题材的时候，室内空间摄影的时候，我们想要这么做。但是你想要这么做的前提就是你要完全垂直于对面的墙面拍照，不能仰拍，不能俯拍，不能朝左不能朝右，完全垂直对面拍摄，对面那堵墙的四个边横线和竖线都会是横平竖直的。© 星明除了室内空间摄影以外，在类型学摄影里，也就是为了研究社会去进行一些影像素材的搜集的时候，我们为了尽量避免摄影师的主观的参与，而尽量的去搜集到一些更客观的研究数据研究的图像，我们也确实会比较常采用这种横平竖直的拍法。类型学摄影 © 贝歇夫妇总之今天的早自习就是想告诉大家两件事：第一件事是横平竖直这件事在摄影里并不是必要的构图原则，它只是在千百种构图方法中的其中一种。另外就是横不平竖不直这种情况其实很多时候都是由于立体透视所引起的，你要彻底的去理解、去解决这个问题呢，还是得从透视原则下手，得了解近大远小这个现象是如何发生的，它又会造成什么样的视觉的效果。好吧，今天我们就简单的聊这么多，别忘了我们跟艺卓一起举办了一个摄影比赛，大家可以戳今天第二条图文链接进去了解详情。戳图或文末“阅读原文”了解详情这次摄影比赛我们不设题材的约束，甚至不约束你的创作技法，会给大家最大的自由。但是我们仅限投三幅作品，每一幅你都可以为它撰写单独的标题和文字的说明，整个10月都是投稿期，在10月的月底我们就结束投稿，然后就评选奖品，最大的大奖是艺卓的专业显示器。我还会抽其中一些优秀的作品出来做一些点评，做个直播，所以同学们不要错过。今天是摄影早自习陪伴大家的第1738天，在此祝大家节日快乐，咱们节后再见了，我是叶梓，每天早上6:30，在微信公众号和喜马拉雅，不见不散。

EIZO杯摄影大赛关注微信公众号“摄影早自习”，回复“比赛”早安，我是叶梓，今天是摄影早自习陪伴大家的1738天，今天是国庆节，先祝大家节日快乐。今天我们来个简短早自习，本来节假日期间我不录早自习，但是昨天一不小心手欠答应了“苍老师的打手”同学，要回答他的问题。他的问题是这样子的，他说：在横平竖直的构图中，如果不能同时做到竖参考线和水平地线或参考物同时横平竖直，那到底要以谁为参考，要以谁为优先来把它摆到横平竖直？这里有一个大的前提条件，就是首先我们不是每张照片都要做到横平竖直的。这个道理是非常显而易见的，就好像是你走到前面我叫你一声，你回了个头，请问你这个头是平的吗？你眼中看到的世界难道是横平竖直的吗？不可能的，肯定是一个比较倾斜的状态。所以我们日常生活中眼睛所看到的世界，它就不是完全横平竖直的。在摄影里面，我们有的时候要做到横平竖直，要表达比如说一种宁静啊，一种抽离感啊，一种严谨啊，一种逻辑啊……可以用横平竖直的方法来构图，但是也有很多很多的情况是根本不需要去做到横平竖直的，这一个大前提大家请悉知。© 叶梓那么还是回到“苍老师的打手”同学的问题，我简化一下他的问题，他其实就是在问，如果横平和竖直不能同时做到的话，那我们到底怎么办？其实是这样子的，有一个非常简易的答案，就是当横平和竖直都做不到的时候，我们要把相机摆平。这个摆平不是针对任何画面中的线条而言的，而是针对重力方向而言的。我举个例子，比如说你现在在拍一个比萨斜塔，你的相机跟着它去歪是肯定不对的，因为比萨斜塔本身应该是歪的。你去仰拍一堵墙，这堵墙的左边界和右边界肯定都是向画面中央倒过去的，因为有透视效果，所以你也不可能跟着这两条线去旋转你的相机，因为那样的话看上去画面会很有倾覆感，这个时候你应该让相机对于重力方向而言是水平的。© 叶梓对于横线也是一样，比如说你现在正站在一条马路的一侧，对着马路的另一侧拍照，如果你真的是正正的对着马路对面拍照的话，那还好办，因为马路对面的横线条肯定在画面中也都是平的。但是如果你是稍微有点角度的朝着马路的某一个延伸方向拍过去的话，你会发现对面的马路的栏杆啊、地面的这些原来的横线啊，现在都会变成斜线。© 叶梓这个时候你也应该不管不顾，只管把你的相机对于重力方向摆平，不要跟着对面的斜线条去旋转你的相机。因为只有这样做，观众的观感才会觉得你是把相机摆平了的，虽然画面中有各种斜线出现，但是那是自然现象，那是透视效果好。© 叶梓只有一种情况是我们真的希望整个画面的所有的横线和竖线都是横平竖直的，就是在室内拍摄比如说室内装修一类的这种题材的时候，室内空间摄影的时候，我们想要这么做。但是你想要这么做的前提就是你要完全垂直于对面的墙面拍照，不能仰拍，不能俯拍，不能朝左不能朝右，完全垂直对面拍摄，对面那堵墙的四个边横线和竖线都会是横平竖直的。© 星明除了室内空间摄影以外，在类型学摄影里，也就是为了研究社会去进行一些影像素材的搜集的时候，我们为了尽量避免摄影师的主观的参与，而尽量的去搜集到一些更客观的研究数据研究的图像，我们也确实会比较常采用这种横平竖直的拍法。类型学摄影 © 贝歇夫妇总之今天的早自习就是想告诉大家两件事：第一件事是横平竖直这件事在摄影里并不是必要的构图原则，它只是在千百种构图方法中的其中一种。另外就是横不平竖不直这种情况其实很多时候都是由于立体透视所引起的，你要彻底的去理解、去解决这个问题呢，还是得从透视原则下手，得了解近大远小这个现象是如何发生的，它又会造成什么样的视觉的效果。好吧，今天我们就简单的聊这么多，别忘了我们跟艺卓一起举办了一个摄影比赛，大家可以戳今天第二条图文链接进去了解详情。戳图或文末“阅读原文”了解详情这次摄影比赛我们不设题材的约束，甚至不约束你的创作技法，会给大家最大的自由。但是我们仅限投三幅作品，每一幅你都可以为它撰写单独的标题和文字的说明，整个10月都是投稿期，在10月的月底我们就结束投稿，然后就评选奖品，最大的大奖是艺卓的专业显示器。我还会抽其中一些优秀的作品出来做一些点评，做个直播，所以同学们不要错过。今天是摄影早自习陪伴大家的第1738天，在此祝大家节日快乐，咱们节后再见了，我是叶梓，每天早上6:30，在微信公众号和喜马拉雅，不见不散。

EIZO杯摄影大赛关注微信公众号“摄影早自习”，回复“比赛”早安，我是叶梓，今天是摄影早自习陪伴大家的1738天，今天是国庆节，先祝大家节日快乐。今天我们来个简短早自习，本来节假日期间我不录早自习，但是昨天一不小心手欠答应了“苍老师的打手”同学，要回答他的问题。他的问题是这样子的，他说：在横平竖直的构图中，如果不能同时做到竖参考线和水平地线或参考物同时横平竖直，那到底要以谁为参考，要以谁为优先来把它摆到横平竖直？这里有一个大的前提条件，就是首先我们不是每张照片都要做到横平竖直的。这个道理是非常显而易见的，就好像是你走到前面我叫你一声，你回了个头，请问你这个头是平的吗？你眼中看到的世界难道是横平竖直的吗？不可能的，肯定是一个比较倾斜的状态。所以我们日常生活中眼睛所看到的世界，它就不是完全横平竖直的。在摄影里面，我们有的时候要做到横平竖直，要表达比如说一种宁静啊，一种抽离感啊，一种严谨啊，一种逻辑啊……可以用横平竖直的方法来构图，但是也有很多很多的情况是根本不需要去做到横平竖直的，这一个大前提大家请悉知。© 叶梓那么还是回到“苍老师的打手”同学的问题，我简化一下他的问题，他其实就是在问，如果横平和竖直不能同时做到的话，那我们到底怎么办？其实是这样子的，有一个非常简易的答案，就是当横平和竖直都做不到的时候，我们要把相机摆平。这个摆平不是针对任何画面中的线条而言的，而是针对重力方向而言的。我举个例子，比如说你现在在拍一个比萨斜塔，你的相机跟着它去歪是肯定不对的，因为比萨斜塔本身应该是歪的。你去仰拍一堵墙，这堵墙的左边界和右边界肯定都是向画面中央倒过去的，因为有透视效果，所以你也不可能跟着这两条线去旋转你的相机，因为那样的话看上去画面会很有倾覆感，这个时候你应该让相机对于重力方向而言是水平的。© 叶梓对于横线也是一样，比如说你现在正站在一条马路的一侧，对着马路的另一侧拍照，如果你真的是正正的对着马路对面拍照的话，那还好办，因为马路对面的横线条肯定在画面中也都是平的。但是如果你是稍微有点角度的朝着马路的某一个延伸方向拍过去的话，你会发现对面的马路的栏杆啊、地面的这些原来的横线啊，现在都会变成斜线。© 叶梓这个时候你也应该不管不顾，只管把你的相机对于重力方向摆平，不要跟着对面的斜线条去旋转你的相机。因为只有这样做，观众的观感才会觉得你是把相机摆平了的，虽然画面中有各种斜线出现，但是那是自然现象，那是透视效果好。© 叶梓只有一种情况是我们真的希望整个画面的所有的横线和竖线都是横平竖直的，就是在室内拍摄比如说室内装修一类的这种题材的时候，室内空间摄影的时候，我们想要这么做。但是你想要这么做的前提就是你要完全垂直于对面的墙面拍照，不能仰拍，不能俯拍，不能朝左不能朝右，完全垂直对面拍摄，对面那堵墙的四个边横线和竖线都会是横平竖直的。© 星明除了室内空间摄影以外，在类型学摄影里，也就是为了研究社会去进行一些影像素材的搜集的时候，我们为了尽量避免摄影师的主观的参与，而尽量的去搜集到一些更客观的研究数据研究的图像，我们也确实会比较常采用这种横平竖直的拍法。类型学摄影 © 贝歇夫妇总之今天的早自习就是想告诉大家两件事：第一件事是横平竖直这件事在摄影里并不是必要的构图原则，它只是在千百种构图方法中的其中一种。另外就是横不平竖不直这种情况其实很多时候都是由于立体透视所引起的，你要彻底的去理解、去解决这个问题呢，还是得从透视原则下手，得了解近大远小这个现象是如何发生的，它又会造成什么样的视觉的效果。好吧，今天我们就简单的聊这么多，别忘了我们跟艺卓一起举办了一个摄影比赛，大家可以戳今天第二条图文链接进去了解详情。戳图或文末“阅读原文”了解详情这次摄影比赛我们不设题材的约束，甚至不约束你的创作技法，会给大家最大的自由。但是我们仅限投三幅作品，每一幅你都可以为它撰写单独的标题和文字的说明，整个10月都是投稿期，在10月的月底我们就结束投稿，然后就评选奖品，最大的大奖是艺卓的专业显示器。我还会抽其中一些优秀的作品出来做一些点评，做个直播，所以同学们不要错过。今天是摄影早自习陪伴大家的第1738天，在此祝大家节日快乐，咱们节后再见了，我是叶梓，每天早上6:30，在微信公众号和喜马拉雅，不见不散。

Przygotowujemy się dzisiaj do livestreama z premiery iPhone’a 13 oraz rozmawiamy o EIZO CG319X i Logitech G Pro Wireless. Prowadzący: Thomas Voland (@thomas_voland) Wojtek Pietrusiewicz (@morid1n) Linki z odcinka: Muzyka do live streama: Epidemic Sound Follow-up: Brak linków Tematy: Brak linków … Czytaj dalej → The post 328: EIZO CG319X i przygotowania do premiery iPhone 13 first appeared on Retro Rocket Network.

In this episode of the Second Success Podcast, Dr Rakish Rana talks with mutli-award winning photographer, Sanjay Jogia of Eye Jogia Photography. Sanjay is an Internationally acclaimed, award-winning photographer who has been featured as One of the World's 6 Best Wedding Photographers by the global Professional Photographer Magazine. He is the only Wedding Ambassador by Canon UK representing the EMEA region, as well as being a global Brand Ambassador for X-Rite, Fundy Software, Tether Tools, Loupedeck, Canson Infinity, Eizo, Spiffy Gear, and Dreambooks Pro. Together, Sanjay and his wife Roshni established ‘Eye Jogia Photography', a successful Luxury Destination Wedding Photography Studio based in Harrow on the Hill - but Sanjay's self-taught love of photography started at school by developing his own style and approach from a young age with his father's film Canon AE-1 camera. Known for his unconventional creativity in a timeless style, Sanjay travels the world as a Photographer, Educator, Mentor, Judge, Brand and Industry Ambassador. His wedding images are a blend of ‘Reality' and ‘Fantasy' - a fashion and movie inspired approach using beauty lighting and posing techniques which are balanced with a sensitive, observant and almost portrait-like documentary approach for the majority of wedding images giving his wedding couples the best of both worlds. Ultimately, he wants to tell the amazing story of all Eye Jogia couples in a way they will cherish with pride. Sanjay has won over 80 of Print Competition Awards but now is privileged to be invited regularly as a Judge for WPPI in Las Vegas, for SWPP in London, SM Fotografi in Sweden, and for the British Photography Awards as an Associate amongst various online European competitions. Sanjay has also proudly represented Team GB in the World Photographic Cup for the past two years with 2 of his images as ‘finalist'. Last but not least, Sanjay actively represents the British Wedding and Events Industry with his ongoing participation in the UK Government Taskforce for Weddings in two of the 6 Working Groups to gain government support both financially and operationally to reignite the industry in the wake of the Global Pandemic following a year of industry wide neglect. Website: https://www.eyejogia.com/ Instagram: https://www.instagram.com/eyejogia/ Episodes released every Tuesday 6am GMT. How can you support the podcast? 1. Share it on your social media platforms. 2. Tell your friends and family 3. Please follow, subscribe and review. --- Send in a voice message: https://anchor.fm/theclearcoach/message

Meu convidado de hoje é o Eizo Matsumoto que fez 6 em 7 no nicho de Engenharia Elétrica! Gostaram do episódio de hoje?

La esencia de la casa es ayudar y no confundir. Es por este motivo que os vamos a dar dos marcas de monitores principalmente para que podáis decidir entre uno u otro. Se trata de BenQ y de Eizo. El primero de ellos tiene un precio más moderado y una relación calidad-precio más que sobresaliente. De hecho es la marca,diría que más usan los fotógrafos hoy en día. Pero si quieres ir un paso más allá, quizás te interese saltar a Eizo. En este programa Mario Arias te da las características de varios modelos para ambos casos e incluso alguna oferta que tiene en fotografiarte.es en estos momentos. Espero que te pueda ser de ayuda este programa en el que hablamos de tamaños, resoluciones, calibradores y conectividad.

医療関係のかた、おつかれさまでございます 名前とLightning端子はどうにかならんとですか？ 株主としての当事者意識 ハイレゾ音源配信サイト【e-onkyo music】 Apple、初のオーバーイヤーヘッドホン「AirPods Max」発表 - iPhone Mania AirPods Max - 仕様 - Apple（日本） ONKYO　桐ヘッドホン SN-1　｜オンキヨー株式会社 369,600円！ONKYO DIRECT｜ONKYO SN-1(BR) 桐ヘッドホン: ヘッドホン M1 Macの近況 Adobe LightroomがM1 MacとSurface Pro Xにネイティブ対応（ITmedia NEWS） - Yahoo!ニュース Apple M1搭載Mac、ディスプレイ出力にさまざまな制限。EIZOが注意喚起 - PC Watch BJ帝国に御到着 M1チップ搭載Macシリーズの新たなリリース計画が明らかに　Macはサーバ業界でも台頭か？（リアルサウンド） - Yahoo!ニュース Apple Siliconが最大32コアに進化？ さらに128コアGPUも!? | ギズモード・ジャパン アップル、独自の内蔵セルラーモデム開発に着手－半導体責任者（Bloomberg） - Yahoo!ニュース その他 ドコモの「ahamo（アハモ）」、気を付けるべき点は？（ITmedia Mobile） - Yahoo!ニュース 日本通信SIMトッ...

医療関係のかた、おつかれさまでございます 名前とLightning端子はどうにかならんとですか？ 株主としての当事者意識 ハイレゾ音源配信サイト【e-onkyo music】 Apple、初のオーバーイヤーヘッドホン「AirPods Max」発表 - iPhone Mania AirPods Max - 仕様 - Apple（日本） ONKYO　桐ヘッドホン SN-1　｜オンキヨー株式会社 369,600円！ONKYO DIRECT｜ONKYO SN-1(BR) 桐ヘッドホン: ヘッドホン M1 Macの近況 Adobe LightroomがM1 MacとSurface Pro Xにネイティブ対応（ITmedia NEWS） - Yahoo!ニュース Apple M1搭載Mac、ディスプレイ出力にさまざまな制限。EIZOが注意喚起 - PC Watch BJ帝国に御到着 M1チップ搭載Macシリーズの新たなリリース計画が明らかに　Macはサーバ業界でも台頭か？（リアルサウンド） - Yahoo!ニュース Apple Siliconが最大32コアに進化？ さらに128コアGPUも!? | ギズモード・ジャパン アップル、独自の内蔵セルラーモデム開発に着手－半導体責任者（Bloomberg） - Yahoo!ニュース その他 ドコモの「ahamo（アハモ）」、気を付けるべき点は？（ITmedia Mobile） - Yahoo!ニュース 日本通信SIMトップページ｜日本通信SIM 1日10分だけ起動するWindows 10環境をAzure VMで　「Azure Automation」の自動オン／オフで1日のコストを30円以下に抑える【イニシャルB】 - INTERNET Watch ベルキンのMagSafe対応車用磁気スタンド「Belkin Magnetic Car Vent Mount PRO」を試す | アクセサリ | Macお宝鑑定団 blog（羅針盤） スカジャン屋さまへのお願い 毎朝BJの容姿を褒めて、自分で自分に反応してしまう Amazon | Echo Show 10 - 声と動きにあわせて350°回転する10インチディスプレイ Japan: COVID-19 Public Forecasts › 日本語 - Japan COVID-19 Forecast Dashboard ひょっとしてHawks? 「新型コロナ PCR 検査センター」を新橋駅前に開業 手軽に、低価格で受けられる、信頼性の高い PCR 検査を実現 ｜ 木下グループ 宗像サニックスブルース オフィシャルサイト 加湿器で潤いのある生活を送り始めたBJ 【告知】 YouTubeチャンネル登録お願いします BJ: くりらじチャンネル - YouTube BJ: サイクリングch - YouTube タロケン: taroken railway - YouTube 鐵尾: 株式会社ジャンクション | 新入社員向けセミナー - YouTube audiobook有料番組登録をお願いします ヴォイニッチの科学書 | audiobook.jp 新型コロナウィルス感染症(COVID-19)最新情報 | audiobook.jp iBGM販売しております iBgm

https://www.recdistrikt.com/post/flat-parioli-post-produzione-netflix-e-nuove-competenze-per-i-dopSiamo contenti di poter pubblicare questa intervista a Pierpaolo Marcelli, Operation Manager dello studio di post produzione Flat Parioli.Il Flat Parioli è Post Partner Program di Netflix e Dolby Vision Certified Facility.Sono una realtà giovane nata da un gruppo di tecnici provenienti dalla Technicolor.Pierpaolo è stato molto generoso perché ci ha concesso due orette del suo tempo per mostrarci gli spazi del Flat Parioli, per raccontarci le dinamiche principali della sua attività e per registrare questa chiacchierata. Quando siamo entrati nella sala dove si colorano i film per il cinema è stato proprio come entrare in un luogo sacro, dove hanno accesso solo i tecnici più importanti. Paolo Carnera, Michele D’Attanasio, Davide Manca, Gianfilippo Corticelli, sono tutti nomi che passano dal Flat Parioli per dare le ultime indicazioni prima di finalizzare i progetti.Il ruolo del Flat Parioli è determinante e per un Cinematographer conoscere le dinamiche interne dei flussi di post produzione è un grande vantaggio.Ecco di cosa abbiamo parlato:00:12 intro00:35 il percorso di Pierpaolo Marcelli - Operation Manager01:00 la Technicolor01:26 dalle ceneri della Tecnicolor a una nuova società02:10 chiude Technicolor, cambia un’epoca03:16 la conservazione tra pellicola e digitale04:03 si è abbassata la soglia di ingresso05:05 c’è una grande confusione tecnica06:00 la coservazione e migrazione tecnologica: gli LTO09:23 Walter Volpatto e la color sulla pellicola10:22 il montaggio della pellicola12:03 la modalità di fruizione13:09 le scelte degli Autori della Fotografia ieri e oggi13:41 Storaro e la leggenda della calibrazione delle TV casalinghe14:30 un contenitore flessibile e intelligente 15:47 l’HDR e il problema per i Cinematographer16:18 la pre visualizzazione sul set18:05 nuove competenze per i Cinematographer19:47 l’evento di Kinoflo su come i sensori interpretano la luce LED20:49 verranno premiati i Cinematographer più preparati21:55 il “minuto al giorno” non esiste più23:36 preferenze sui file nel flusso di lavoro25:42 le nuove generazioni di MDP26:42 la voglia di sperimentare28:02 la difficoltà per i giovani autori di chiedere riunioni di pre produzione28:24 sono i distributori a decidere29:16 Netflix e le sue linee guida31:02 Netflix vigila su camere, ottiche e LUT sin dall’inizio32:18 precauzioni facile da adottare33:49 tutto cambia molto velocemente, serve tanta umiltà e studio costante34:44 la differenza tra Eizo e Flanders Scientific37:42 sui Flanders Scientific 37:56 i costi sulle sessioni di color39:08 export e color per il cinema40:15 come cambierà il mestiere dell’Autore della Fotografia nei prossimi 5 anni

The Cabal journeys to the Post Scream universe of Stars Without Number to kick ass, decapitate goons, and chew bubble gum. Join Swede, Anthonii, Tripp, Rex and Duck as they drunkenly careen among the Stars. Stuck on a generation ship, looking for fuel -- and in a showdown with the natives! Can Brek and Eizo talk their way out of this one, or are Bester and Kuro going to be bathed in blood? Listen to find out.

Špičkové fotografické monitory byly vždy extrémně drahé a uměla je vyrobit jen velmi malá skupina výrobců. To se v poslední době mění a technika je nejen dostupnější, ale přibývá i výrobců, kteří ji nabízejí. V dnešním praktickém testu jsem vyzkoušel monitor BenQ, který slibuje parametry, za které by se nestydělo kde které EIZO. Jak dopadl?

In Hebrew, mefunak is spoiled (as in a spoiled kid) while lefanek is to spoil. On this episode, Guy explains how to spoil someone rotten and how to deal with spoiled brats. Listen to the All-Hebrew Version of this Episode   New Words and Expressions: Mefunaki, pinuki - Spoiled person/kid - מפונקי, פינוקי Dai, tafsik leyalel, mefunaki - Stop wailing, mefunaki - די, תפסיק ליילל, מפונקי Ani medaberet al otam elu she-hem mefunakim - I speak about those who are spoiled - אני מדברת על אותם עלו שהם מפונקים Shiluv katlani - Lethal combination - שילוב קטלני Horim she-mefankim ad bli gvul - Parents who spoil to no end - הורים שמפנקים עד בלי גבול Eizo mefuneket - What a spoiled girl - איזו מפונקת Eich oti at mefaneket - How you spoil me - איך אותי את מפנקת Havayat tisa mefaneket - Pampering flight experience - חוויית טיסה מפנקת Sherut mefanek - A service that pampers you - שירות מפנק Lehit’orer le-boker mefanek - Wake up to a gratifying morning - להתעורר לבוקר מפנק Shokolad rach yoter, mefanek yoter - A chocolate which is softer and more satisfying - שוקולד רך יותר, מפנק יותר Pashut lehenot mi-pinuk amiti - To simply enjoy a real pampering - פשוט להנות מפינוק אמיתי Pinuk - Indulgence - פינוק Eize pinuk - How spoiled he is - איזה פינוק Wow eize pinuk - What a treat - וואו, איזה פינוק Lefanek mishehu be-kafe la-mita - To pamper someone by bringing them coffee in bed - לפנק מישהו בקפה למיטה Lehafnik et ha-yeladim sheli be-uga - Pamper my children with a cake - להפניק את הילדים שלי בעוגה Bran flakes pinukim - Bran flakes indulgence - ברנפלקס פינוקים Be-tosefet perot mefankim - With extra gratifying fruits - בתוספת פירות מפנקים Mitpaneket - Spoiling herself rotten - מתפנקת Kmo hataltula - Like a kitten - כמו חתלתולה Lehitpanek - To spoil yourself rotten, to indulge - להתפנק Efo ata? - Mitpanek li ba-mita - Spoiling myself in bed - איפה אתה? מתפנק לי במיטה   Playlist and Clips: Mefunakim nim’astem Stalos & Oren Hen - Mefuneket (lyrics) Tisa mefaneket Boker mefanek Shokolad mefanek Pinuk amiti Danit - Pinukim (Subtitles in English) Liora Gonzalez - Mitpaneket (lyrics on YouTube) Pinuki Spot in the Woods

On this episode of Photo Geek Weekly, Don Komarechka is joined by Bruce Clarke to discuss some of the latest technology to emerge during this year’s NABShow. Black Magic unveils a micro-four-thirds cinema camera with a shockingly low price tag, the first CFExpress cards emerge with staggering specifications, and Eizo describes their newest generation of [...]

On this episode of Photo Geek Weekly, Don Komarechka is joined by Bruce Clarke to discuss some of the latest technology to emerge during this year’s NABShow. Black Magic unveils a micro-four-thirds cinema camera with a shockingly low price tag, the first CFExpress cards emerge with staggering specifications, and Eizo describes their newest generation of [...]

It's a Christmas miracle! We're back with another 90 minutes of raw belly rumbling beats in the 170bpm region. Sit your ass down around that fireplace, toast your nuts and praise the deity of your choice! Peace and love A&J ------- Tracklist ------- 1. Artilect - Something Else (Homemade Weapons Remix) 2. Grey Code - Passive Attack [Dub] 3. Fuj & Amoss - Southern Cross [Flexout] 4. OneMind ft. Hydro and Cern - Selective Memory [Metalheadz] 5. Kumarachi - Someone [Critical Binary] 6. Clima x Expose x Slider - All Fall Down [Dub] 7. Tyler Frost - My Way [Dub] 8. Black Barrel - Ghostdive [Dispatch] 9. Ding - Control [Modular Carnage] 10. Bone - Killa Sound [Broken Audio Recordings] 11. DBR UK - No Name (feat. Structured) [Dub] 12. Mikal - Broadwalk [Dispatch] 13. Infader - Lifelike [117] 14. Bungle - Cocooned [31 Recordings] 15. Bredren - Razors [Flexout] 16. Nucleus & Paradox - 12 Bits (Mako’s Breakout Remix) [Metalheadz] 17. Kiril - Minimal Instinct 18. Digital - Spacefunk (Nasty Habits Remix) [Function Records] 19. Paragon - Trauma [Dub] 20. PRTCL & Survey - Revelations of a Corner Shop Encounter [DSC14] 21. Phase - Diffusor [Dub] 22. Eizo - 1979 [Hyperactivity] 23. Sweetpea & Wreckless [Dub] 24. Xtrah - In The Shadows [Cyberfunk] 25. Dub Head - Critical Mass [Dispatch] 26. Ulterior Motive & DLR - Rungler [Guidance] 27. Bungle - Under Threshold [Dirty Hole Music] 28. QZB x Phentix - Indigo Heart [Flexout] 29. Artificial Intelligence - 1000 Souls [Integral]

Jocke rapporterar från insidan av en arkitekts rendering av ett bostadsområde i Oslo. Sedan blir det högst blandade intryck av High sierra, en historielektion om Finger-kommandot, kulinariska upplevelser i Norge och givetvis en film med datortema i form av Antitrust - med en avslagen UPS… Vi avslutar med att gilla och bli milt förvirrade av Twitterrific för Mac. Länkar Nydalen, Oslo Peppes pizza Ringnes Hansa Jockes hotellrumsinspelningsbild? Knark High sierra - årets version av Macos Hackers Jockes tweet om processorätande process (DisplayLinkManager) Telnet Brew Ncftp Wget Curl Finger Id software John Carmack Jarlsberg Grandiosa var pizzamärket Jocke svamlade om, inget annat Live-Kodsnacket släpptes som veckans avsnitt Hobo Vetenskapsfestivalen Ett rejält stort gosedjur Antitrust Iomega zipdrive APC smart-UPS Eizo Microsoft network Googles senaste pryl-event Clips Bamsemums Twitterrific Fullständig avsnittsinformation finns här: https://www.bjoremanmelin.se/podcast/avsnitt-97-jag-hamnar-i-slash-var-slash-fu.html.

Die Dokumentenverwaltung hat es uns angetan. Insbesondere mit der Unterstützung von DEVONthink. In den ersten Folgen haben wir hier und da mal etwas von DEVONthink erzählt und in den Raum geworfen, jetzt gibt es eine ganze Folge etwas darüber zu erzählen, wie wir unsere Dokumente verwalten, wobei wir nur die Spitze des Eisberges - vom Themenspektrum gesehen - anreißen. Dann gibt es noch ein wenig aus der Hardware-Ecke zu plaudern. Die gesammelten Erfahrungen zum 32 Zoll Monitor EV3237 von Eizo samt Lautsprecherersatz und wie zuletzt der Mac Pro von 2009 eine SSD bekommt. Abgerundet wird diese Folge mit einer Verlosung der Lizenzen DEVONthink Pro und DEVONagent Pro Shownotes Erinnerung an die Backup-Software-Verlosung DEVONthink DEVONthink Programm-Übersicht und Vergleich DEVONagent Pro PopClip-Erweiterung für DEVONthink Pro Stacksocial SSD-Adapter-Karte von Sedna Bluetooth Lautsprecher Bose Soundlink Mini Speaker 4K-UHD-Monitor von LG Zur Verlosung der Lizenzen DEVONthink Pro und DEVONagent Pro

このページをウェブブラウザで見る: リンク ジェトダイスケ初写真展、マストドン検索について語ったあと、スケボー欲しい、レンズ欲しいなど物欲方面に話題がシフトしていきます。 backspace.fm ML入会フォーム SoundCloudで再生 Podcastを購読 今日のネタ ジェットダイスケ初写真展「空蝉」、EIZOガレリア銀座にて開催 期間:5月24日(水)〜6月3日(土) - UUUM(ウーム) 【告知】ラジオ出演と写真展ミニフォトブック発売のお知らせ！※UUUMストア期間限定販売 - YouTube [告知] ドリキンステッカーを(本気で)販売します！ #321 - YouTube うめ先生 「新人賞くらいなら突破できる物語の作り方」まとめ #技コン0524 – シン・みたいもん 「マストドン飽きた」と言ってみる ユーザーローカル、マストドン検索に参入 「超便利な検索タブ」「オイゲンさんがナウマン発見」「マストドン会議、西へ」 Meet the new Surface Pro - Microsoft Devices BlogMicrosoft Devices Blog ソフトバンク傘下のARM、脳埋め込みチップ開発に協力 はじめてのBoosted Boards #319 - YouTube 折り畳めるスケボ？　電動で動く、ロングボード「Linky」が日本に上陸！ DISCOVER（ディスカバー） ｜まだ見たことのないものを発見する動画ショッピングサイト drikin - Beam 「日本の盛り上がりにびっくり」──HoloLensの父、アレックス・キップマン来日 開発現場の光景に「鳥肌が立つ」 実は紹介してないお気に入りグッズ！ - YouTube 今週の機材 ドリキン SHURE SM10A-CN ヘッドウォーン型ダイナミックマイクロフォン ZOOM ズーム リニアPCM/ICハンディレコーダー H6 松尾 SHURE SM10A-CN ヘッドウォーン型ダイナミックマイクロフォン YAMAHA コンピューターレコーディングシステム AUDIOGRAM6

このページをウェブブラウザで見る: リンク 松尾多忙のため、いしたにまさきさんがB-sideに参加し、松尾に興味のないカメラトーク、Windowsトークをたっぷりと。今後、レギュラー化するかもしれません。 backspace.fm ML入会フォーム SoundCloudで再生 Podcastを購読 今日のネタ 写真歴史博物館 企画写真展 「幕末明治の写真家が見た富士山　この世の桃源郷を求めて」 写真展・ フジフイルム スクエア（FUJIFILM SQUARE） 【instax＜チェキ＞】オフィシャルサイト ジェットダイスケ初写真展「空蝉」、EIZOガレリア銀座にて開催 期間:5月24日(水)〜6月3日(土) - UUUM(ウーム) こうの史代「この世界の片隅に」原画展　東京でもタワレコ渋谷で開催決定 - TOWER RECORDS ONLINE くたびれたリーマンが冒険心を取り戻した――「ゼルダの伝説」最新作に寄せられたAmazonレビューが泣ける - ねとらぼ 21世紀に“洋ゲー”でゲームAIが遂げた驚異の進化史。その「敗戦」から日本のゲーム業界が再び立ち上がるには？【AI開発者・三宅陽一郎氏インタビュー】 「Google I/O 2017」直前予測 - ITmedia NEWS backspace.fm YT-side #001 iPad Proだけで生きてみる - YouTube backspace.fm限定ドリキン似顔絵ステッカー 第一弾 白黒各1枚セット（合計2枚） backspace デザインの解剖展の何がすごかったって展示レイアウトがソーシャルメディア設計になっていてものすごかったって話 今週の機材 ドリキン SHURE SM10A-CN ヘッドウォーン型ダイナミックマイクロフォン ZOOM ズーム リニアPCM/ICハンディレコーダー H6 松尾 SHURE SM10A-CN ヘッドウォーン型ダイナミックマイクロフォン YAMAHA コンピューターレコーディングシステム AUDIOGRAM6

This episode is sponsored by Colorist Society International and Mixinglight.com. On this episode of the colorist podcast, we’re trying something a little different. We take a break from talking with a colorist to focus on something quite a bit more technical. Dave Abrams, monitor calibrator and owner of Avical, joins me on this episode. It’s about to get seriously geeky, and in the best possible way :) Dave has been calibrating monitors for over seventeen years. He’s been through the transitions from SD to HD, tape and film to file based, and now 4K and HDR. Post facilities from all over the world rely on his expertise and knowledge of monitors to get the most consistent and accurate monitoring possible. High end home theater owners also use his services to get great looking images at home. And seeing both sides of each situation gives him a great perspective on the industry as a whole.  On this podcast, we talk about: How HDR is changing the approach to calibration The differences between calibrating by the numbers and when to go with your instincts The HP Dreamcolor, Eizo, and other computer monitors for color critical evaluation Room lighting considerations when setting up a grading room Comparing OLED, plasma, LCD monitors Considerations for large size client monitors used in combination with hero monitors Projects that are destined for web distribution and how to monitor for them Where the future is going for monitoring and what they still are lacking   Avical Facebook LinkedIn Twitter   This episode is sponsored by: Colorist Society International For more information on how you can become a member, visit, www.coloristsociety.com. and by:  Mixinglight.com Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

This month’s episode goes deep into film schools and how a young filmmaker can get started in the film business. Director Sridhar Reddy and Mike Pecci give insight into how their careers began back in NYC in 1999 at New York Film Academy. Starring Mike Pecci, Sridhar Reddy, and David Apostolides. Sponsored by Eizo, Puget Systems, and McFarland & Pecci.

Today Guy talks about word eizé, "what a," a word we frequently use in various contexts. How do we use it, and what happens when we add it to mashehu, "something," or mishehu, "someone"?  Exclusive content for Patrons   Words and expressions discussed: Eizé yom – What a day – איזה יום Eizo mis'ada (Slang: Eize mis'ada, sssé mis'ada) – What a restaurant! – איזו מסעדה (סלנג: איזה מסעדה) Eizé basa (Sssé basa) – What a bummer – איזה באסה Eizé ben adam – What a person – איזה בן אדם Eizé fashla – What a mess-up – איזה פשלה Eizé hagzamot! – Such exaggeration! – !איזה הגזמות Eizé hisachfut! – That’s so over-the-top! – !איזה היסחפות Eizé keta/kta’im –  How funny/What a surprise – איזה קטע/קטעים Eizé keif lishmo’a – So happy to hear (the news) – איזה כיף לשמוע Eizé yofi– How great – איזה יופי Eizé nefila – What a flop – איזה נפילה Eizé fisfus – What a bummer – איזה פספוס Wow, eizé rishmiyut – Wow, such formality – וואו, איזה רשמיות Eizé yofi – How great – איזה יופי Eizé hultsa lilbosh, zot o zot? – Which shirt should I wear, this one or that one? – איזה חולצה ללבוש, זאת או זאת? Dibarti im ha-rofe. Eizé rofe? – I spoke to the doctor. Which doctor? – דיברתי עם הרופא. איזה רופא? Be-eizé yom (slang: Eizé yom)? – On which day? – באיזה יום/איזה יום Chikiti eizé sha’a – I waited for like an hour – חיכיתי איזה שעה Tamlitz li al eizé sefer – Could you recommend a book (any book) for me? – תמליץ לי על איזה ספר Haya sham eizé mishehu – There was some guy there – היה שם איזה מישהו Ata rotse lishtot? Tavi eizé mashu – Do you want to drink anything? Ok, get me something – אתה רוצה לשתות? תביא איזה משהו   Music: Dalia Amihud – Eize Ben Adam (lyrics)  Dudu Tassa – Eize Yom (lyrics)  

In a country where everybody tells you what to do, how to do it, and when, it's only natural the word "adif" - "it's preferable" - would be a word you hear every day. Host Guy Sharett explores the "adif" family, and shows us the link between preference, priority, and pasta. Exclusive Content for Patrons   New words & expressions: Adif – Preferable – עדיף Adif machar – It's better tomorrow – עדיף מחר Az adif lehisha'er – It's better to stay – אז עדיף להישאר Adif lalechet achshav – It's better to go/leave now – עדיף ללכת עכשיו Adif la'asot et ze kacha – It's better to do it this way – עדיף לעשות את זה ככה Adif she… – It's better that... – ...עדיף ש Adif she-telech achshav – You'd better leave now – עדיף שתלך עכשיו Ma adif, ze o ze? – What's better, this or that? –  ?מה עדיף, זה או זה Ha-gvina ha-zo adifa? – Is this cheese better? – ?הגבינה הזו עדיפה Kulam adifim mi-korbanot ha-milchama – They are all better than the victims of war – כולם עדיפים מקורבנות המלחמה Hayiti adifut shniya – I was second priority – הייתי עדיפות שנייה Adifut/Adifuyot – Priority, priorities – עדיפות/עדיפויות Adifut gvoha yoter – Higher priority – עדיפות גבוהה יותר Latet adifut le-mashehu – To give priority to something – לתת עדיפות למשהו Seder adifuyot – List of priorities – סדר עדיפויות Kos mayim ve-heshbon – A glass of water and the bill – כוס מים וחשבון Odef – Change (money), extra, surplus – עודף Yesh lecha odef? – Do you have any change? – ?יש לך עודף Odef mishkal – Overweight – עודף משקל Odafim – Surplus – עודפים Leha'adif – To prefer – להעדיף Ani ma'adifa lishtok – I prefer to keep quiet – אני מעדיפה לשתוק Ma hayita ma'adif, ma hayit ma'adifa? – What would you prefer? – ?מה היית מעדיף, מה היית מעדיפה Ani ma'adif pasta al humus – I prefer pasta over hummus – אני מעדיף פסטה על חומוס Eizo hultsa ata ma'adif? – Which shirt do you prefer? – ?איזו חולצה אתה מעדיף Mu'adaf – Preferred, favored – מועדף Ha'adafa – Preference – העדפה Yesh lecha ha'adafa kolshehi? – Do you have any preference? – ?יש לך העדפה כלשהי Haadafa metakenet – Affirmative action – העדפה מתקנת   Looking for the monologue text? It's available to our patrons at patreon.com/streetwisehebrew.   Playlist and clips: Daniel Solomon – Adif (lyrics) Teapacks – Adif Lalechet Achshav (lyrics) PM Menachem Begin at the Knesset Michael Hen – Tamim Hayiti (lyrics) Tipim la-meltsar (Tips for the waiter) Ninet Tayeb – Medabrim (lyrics) Ma hayita ma'adif MK Akram Hasson Show title: Dudu Tassa - Basof Mitraglim Lehakol (lyrics)

Last week I took delivery of a shiny new 27" iMac, and today relay my thinking behind the purchase, and a few important things to note from a Photographer's perspective. Text and Images: https://mbp.ac/395 Music by UniqueTracks

Last week I took delivery of a shiny new 27" iMac, and today relay my thinking behind the purchase, and a few important things to note from a Photographer's perspective. Text and Images: https://mbp.ac/395 Music by UniqueTracks

In this episode, we talk about our experiences and preferences with monitors, including color calibration, specific makes and models, and other things to keep in mind when considering a high-end color-accurate display.