Podcasts about Visual arts

In this episode of Americana Podcast: The 51st State, host Robert Earl Keen sits down with two of Texas's most revered creative forces—Terry and Jo Harvey Allen. A true artistic duo, their work stretches across music, theater, film, literature, and visual art, each piece carrying the unmistakable edge of West Texas grit and imagination.Terry Allen, celebrated as both a groundbreaking songwriter and a visual artist, has long blurred the lines between mediums, telling stories that are as cinematic as they are deeply personal. Jo Harvey Allen, equally trailblazing, has carved her path as a writer, actress, and performance artist, bringing the raw complexities of American life—especially through women's voices—onto stage and screen.Together, Robert, Terry, and Jo Harvey reflect on decades of creation, collaboration, and connection: from navigating the intersections of music and art to sustaining a marriage and creative partnership that defies convention. It's part one of a conversation as expansive as the plains they call home—an intimate, fearless, and unforgettable look at two artists who continue to shape the Americana landscape. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is The Digital Story Podcast 1,018, Sept. 23, 2025. Today's theme is, "Fall Color Just Around the Bend." I'm Derrick Story. Opening Monologue Spring is beautiful, summer is energetic, but autumn can be spectacular. And in just a few weeks fall color will kick into high gear. We'll take a look at how nature creates this magical display, then talk about where and when to go to photograph it. All of this and more, on today's TDS Photography Podcast. I hope you enjoy the show.

On today's Scaling Laws episode, Lawfare Senior Editor and Research Director Alan Rozenshtein sits down with Pam Samuelson, the Richard M. Sherman Distinguished Professor of Law at the University of California, Berkeley, School of Law, to discuss the rapidly evolving legal landscape at the intersection of generative AI and copyright law. They dive into the recent district court rulings in lawsuits brought by authors against AI companies, including Bartz v. Anthropic and Kadrey v. Meta. They explore how different courts are treating the core questions of whether training AI models on copyrighted data is a transformative fair use and whether AI outputs create a “market dilution” effect that harms creators. They also touch on other key cases to watch and the role of the U.S. Copyright Office in shaping the debate.Mentioned in this episode:"How to Think About Remedies in the Generative AI Copyright Cases," by Pam Samuelson in LawfareAndy Warhol Foundation for the Visual Arts, Inc. v. GoldsmithBartz v. AnthropicKadrey v. Meta PlatformsThomson Reuters Enterprise Centre GmbH v. Ross Intelligence Inc.U.S. Copyright Office, Copyright and Artificial Intelligence, Part 3: Generative AI TrainingFind Scaling Laws on the Lawfare website, and subscribe to never miss an episode.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

SEASON 2 - EPISODE 159 - Michael McDonough - Cinematographer We speak with cinematographer Michael McDonough (BOSCH, SUNSET SONG, WINTER'S BONE) in this episode of the Team Deakins Podcast. If you listened to our conversation with Debra Granik (Season 2, Episode 158), then you know a bit about Michael already. He fills in what she left out, and we learn how he came to pursue filmmaking as a career after roaming around Rome on a year-long printmaking scholarship during his time in art college. We further discuss his professional partnership with Debra, and we also trade stories about working with director Michael Radford. In addition to his work in film, Michael has shot long-running television series such as FEAR THE WALKING DEAD and BOSCH, and he shares how he does the best he can given the limitations of working in the format. Michael also reflects on how BOSCH incorporates Los Angeles' rich noir history into the show's look, and we learn what advice he would give his younger self if he were starting out again. Among the other topics discussed in our conversation: lighting lessons learned from observing cinematographer Vilmos Zsigmond and the allure of Venice Beach in the winter. - This episode is sponsored by Aputure & Sandstorm

How do you find your creative voice when the world tries to quiet it? In this powerful episode, I sit down with artist Diana Hendrix, who shares her journey from Chicago's foster care system to carving a vibrant creative career. Diana reveals how to use your work to reshape a challenging world into something beautiful. We explore her path through a detour into law and how an unexpected health diagnosis ultimately forced a profound return to her artistic roots. This is an intimate story about resourcefulness, the power of encouragement, and how the most challenging course corrections can lead us directly to who we were always meant to be.   Chapters 00:00 - Introduction to Diana's Journey  01:51 - Art as a First Language in the Foster Care System 04:49 - A Mother's Encouragement and How it Shaped an Artist 06:51 - Discovering Basquiat, Alma Thomas, and an Artistic Lineage 11:21 - The Pressure to "Course Correct" to a Traditional Career 13:43 - The Unapologetic Joy of the "Don't Care Bears" 18:19 - Fueling the Next Generation of Artists   Connect with Diana:   Follow Diana on Instagram: https://www.instagram.com/bumbblebeedesigns/   Support the Show Website: https://www.martineseverin.com/ Follow on Instagram: https://www.instagram.com/martine.severin/ | https://www.instagram.com/thisishowwecreate_ Subscribe to the Newsletter: https://www.martineseverin.substack.com/ This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

•Dr. Jacqueline Deneith Chambers is a native Houstonian and the daughter of the late Henry and Pinkie Reed Chambers.  She is a product of the Houston Public School System, having graduated in the first class of Houston's High School for the Performing and Visual Arts.  “Jackie”, as she is affectionately known, began studying piano at the age of three.  Her first piano teacher was the late Professor C.J. Richards who taught her not only the piano and organ, butalso the clarinet, violin, xylophone, saxophone and the trumpet; additionally, Jackie studied the violin under the late Dr. Theola Booker and Mrs. Olivia F. Marshall. Later, Dr. Chambers furthered her studies of the organ under thetutelage of the late Professor Richard Baker and the late Mrs. Clayton Johnson Gleed. •Dr. Chambers' advanced piano studies included work with the late Mozart Hammond at the Houston Conservatory of Music and instruction from the late Professor Robert Brownlee at the University of Houston where she also studied voice with the late Professor Jean Preston, also at the University of Houston.•Dr. Chambers obtained her Bachelor of Music degree in Music Teacher Education from the University of Houston.  She continued her education and received a Bachelor ofTheology and a Doctor of Sacred Music from the Mt. Hope Bible College and Theological Seminary.   •Dr. Chambers was the organist for the state funerals of the late Congresswoman Barbara Jordan and the late StateRepresentative Larry Evans, both of Texas.  Her career, marked by success, has included performances before the late Former President George H.W. Bush, Former President Bill Clinton, Former Texas Governor Rick Perry and Former United States Attorney General Eric Holder.  She has served in multiple capacities in several churches in the Houston area and she celebrated 50 years in Music Ministry, in 2020.•Dr. Chambers is a Licensed and Ordained Minister of the Gospel and a former Ordained Ruling Elder in the Presbyterian Church, USA.•In February 2024, Dr. Chambers debuted her solo piano recording, entitled "Hymns From My Living Room“ which isavailable on all digital streaming outlets.•Please send an email to Let's Talk: Gospel Music Gold  sharing your thoughts about this show segment; also, if you have any suggestions of future guests you would like to hear on the show. Send the email to ⁠⁠⁠letstalk2gmg@gmail.com⁠⁠⁠•Awarded a “Top Gospel Music Podcast” Badge from Feedspot which has named Let's Talk: Gospel Music Gold oneof the Top 10 Gospel Music Podcasts on the web! •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS EVERY SATURDAY 9:00 AM CST / 10:00 AM EST ON WMRM-DB INTERNET RADIO STATION  AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •Become a follower on our Let's Talk: Gospel Music Gold Facebook page ( @LetsTalk2GMG ) where all episodes are posted as well.    •The Podcast and Radio shows are heard anywhere in theWorld on the Internet! •BOOK RELEASES"If We Can Do It, You Can Too!" •“Legacy of James C. Chambers And his Contributions to Gospel Music History”•NEW RELEASE 2025•"Molding a Black Princess"Place your order on the websitehttps://www.unsungvoicesbooks.com/asmithgibbs

Adam Cable (b. 1989) creates vignettes of American domestic life using found digital images. His work entwines perception and narratives into the reconstruction of these environments, highlighting ways that impressions and expectations inform experiences of space. These compositions blur the lines between picture and collage by overlaying keyword-sourced materials onto component shapes. Challenging the conventional idea of “home” as a blank canvas, Cable presents it as a complex space influenced by countless factors. Even seemingly static forms become imbued with emotions and meanings through the images he incorporates, reflecting the intricate dance between social norms and cultural values in our everyday surroundings. Cable has shown in several group and solo exhibitions, including at the Amos Eno Gallery project space, NYC; The Painting Center, NYC; University of North Carolina, Asheville; PULSE Art Fair, Miami; Local Project, NYC; and The Plaxall Gallery, NYC. At the end of 2020, he co-curated "Annus Horribilis" with Float Magazine, a group exhibition of work created that globally significant year, while in 2021, The Wassaic Project included his work in the book Secrets of the Friendly Woods. Cable holds an MFA from the School of Visual Arts (2017) and a BFA from the University of North Carolina, Asheville (2013). He lives and works in Brooklyn NY. Adam Cable, Am I There Yet?, 2022-23, archival pigment print, 24 x 18 inches Adam Cable, Unrequited, 2024, archival pigment print, 20 x 14 inches Adam Cable, Anywhere But Here, 2021, archival pigment print, 15 x 15 inches

This is The Digital Story Podcast 1,017, Sept. 16, 2025. Today's theme is, "Telephoto Madness - OM System, Sigma, and More." I'm Derrick Story. Opening Monologue September must be telephoto month. Big guns were announced by OM System, Sigma, and Sirui Aurora. Some of these are affordable, some are less so. But there's bound to be something for everyone. We'll take a look at the offerings on this week's TDS Photography Podcast. I hope you enjoy the show. thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address. Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation. Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. See you next week! You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This week the American photographer Barbara Nitke whose life has taken her from hardcore porn sets to the BDSM world and to the fashion world as her art evolves. She is as ambitious as ever expanding her many talents to currently producing her own movie American Ecstasy, which is projected to begin filming in 2026. As a vibrant septuagenarian, Barbara has widened her aperture across a career that began in the porn theaters of the 80s where she was tasked to screen more than 100 films; to the high art of the fashion industry in the reality TV show Project Runway, which she shot for 18 seasons.  Barbara was born in Lynchburg, VA in 1950 the eldest of three children to Eloise “Vicky” Smiley Gregory, a meteorologist who worked for 30 years at the National Weather Service, and Paul Gervase Gregory, Jr., a WWII veteran and air traffic controller. Barbara has a younger brother, Gary Gregory, a software developer, and sister Mary Jane Gregory, a glass artist. She describes her childhood as unhappy and rebellious, constantly seeking her own independence. It was 1967 before her father disclosed an earlier marriage to the family and in 1987 she discovered that the author and sex researcher Shere Hite was her half-sister. Barbara's family moved across the country when she was a child from Virginia to Alaska, which meant she attended a variety of schools. For college Barbara made her way to New York to study business, literature and writing at Baruch College, and photography at the International Center for Photography and School of Visual Arts. In her late 20's she started photographing professionally and in1982, she says she found her subject on a porn set when she was given full access to be creative. Her first marriage to Herb Nitke lasted 13 years and gave her opportunities to develop her photographic skills in an unlikely world.  Among her many credits are Hustlers, 2019, Monsterland, 2020, The Equalizer, 2021, The Gilded Age, 2023, Smile, 2024 and Project Runway - 225 episodes from 2004-2021. Barbara's work has been exhibited internationally at venues including Storage APT, New York; the Hartnett Gallery at University of Rochester; One Eyed Jacks Gallery, Brighton, England; and Barristers, New Orleans. She is included in the permanent collections of the Kinsey Institute, the Finnish Museum of Photography, the Leslie-Lohman Museum, and others. Her images have been the subject of articles in numerous venues, including Office Magazine, Forbes, Dazed, Slate, Vice, Harper's Magazine, and The New York Times. Barbara is married to Kenneth Wyban an Army Veteran and the couple divide their time between New York City and Ohio.Barbara's links: https://www.barbaranitke.com/https://www.imdb.com/name/nm0632987/https://www.instagram.com/barbaranitke/ Some of Barbara's favorite female artists:Mary Ellen MarkDiane ArbusSally MannCindy ShermanMarilyn Minter Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the American photographer Barbara Nitke whose life has taken her from hardcore porn sets to the BDSM world and to the fashion world as her art evolves. She is as ambitious as ever expanding her many talents to currently producing her own movie American Ecstasy, which is projected to begin filming in 2026. As a vibrant septuagenarian, Barbara has widened her aperture across a career that began in the porn theaters of the 80s where she was tasked to screen more than 100 films; to the high art of the fashion industry in the reality TV show Project Runway, which she shot for 18 seasons.  Barbara was born in Lynchburg, VA in 1950 the eldest of three children to Eloise “Vicky” Smiley Gregory, a meteorologist who worked for 30 years at the National Weather Service, and Paul Gervase Gregory, Jr., a WWII veteran and air traffic controller. Barbara has a younger brother, Gary Gregory, a software developer, and sister Mary Jane Gregory, a glass artist. She describes her childhood as unhappy and rebellious, constantly seeking her own independence. It was 1967 before her father disclosed an earlier marriage to the family and in 1987 she discovered that the author and sex researcher Shere Hite was her half-sister. Barbara's family moved across the country when she was a child from Virginia to Alaska, which meant she attended a variety of schools. For college Barbara made her way to New York to study business, literature and writing at Baruch College, and photography at the International Center for Photography and School of Visual Arts. In her late 20's she started photographing professionally and in1982, she says she found her subject on a porn set when she was given full access to be creative. Her first marriage to Herb Nitke lasted 13 years and gave her opportunities to develop her photographic skills in an unlikely world.  Among her many credits are Hustlers, 2019, Monsterland, 2020, The Equalizer, 2021, The Gilded Age, 2023, Smile, 2024 and Project Runway - 225 episodes from 2004-2021. Barbara's work has been exhibited internationally at venues including Storage APT, New York; the Hartnett Gallery at University of Rochester; One Eyed Jacks Gallery, Brighton, England; and Barristers, New Orleans. She is included in the permanent collections of the Kinsey Institute, the Finnish Museum of Photography, the Leslie-Lohman Museum, and others. Her images have been the subject of articles in numerous venues, including Office Magazine, Forbes, Dazed, Slate, Vice, Harper's Magazine, and The New York Times. Barbara is married to Kenneth Wyban an Army Veteran and the couple divide their time between New York City and Ohio.Barbara's links: https://www.barbaranitke.com/https://www.imdb.com/name/nm0632987/https://www.instagram.com/barbaranitke/ Some of Barbara's favorite female artists:Mary Ellen MarkDiane ArbusSally MannCindy ShermanMarilyn Minter Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This episode of "Art is Awesome" features painter Luis Felipe Chavez, who discusses his journey from a small town in Mexico to exhibiting his work in San Francisco. Emily explores Luis's background, his inspiration from Mexican muralism, and his experience navigating life and art between two countries. The conversation covers his solo exhibition "Intermedial," which juxtaposes places and architecture from Mexico and the United States, reflecting on themes of migration, identity, and cultural overlap. Luis shares personal stories about his artistic development, the impact of winning a drawing contest as a teenager, and the influence of artists like Jose Clemente Orozco. About Artist Luis Felipe Chavez :Luis Felipe Chavez is a queer artist originally from a small town in central-western Mexico. His artistic journey began at the age of fourteen with drawing and painting classes in Guadalajara, Jalisco.From 2015 to 2020, Chavez pursued a Bachelor of Fine Arts degree in Visual Arts at the University of Guadalajara. Each summer during those years, he traveled to the U.S. to visit his family—spending time working alongside his father and brother in the agricultural fields of Bakersfield, California, and in factories in Phoenix, Arizona.In 2020, amid a global atmosphere of uncertainty and loss, Chavez completed his degree and began developing a new body of work. Later that year, driven by a desire for change despite limited English and lingering fears, he packed a few clothes and some paintings into a suitcase and moved to California.By the end of 2021, Chavez relocated to San Francisco, where he continues to live and work. Working primarily with traditional drawing and painting techniques, his art explores themes of migration, labor, identity, and belonging through a queer, cross-cultural lens.Visit Luis' Website:  LuisFelipeStudio.ComFollow Luis on Instagram: @LuisFelipeStudioMore on Luis' exhibit "INTERMEDIO" at Jonathon Carver Moore CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On today's Scaling Laws episode, Alan Rozenshtein sat down with Pam Samuelson, the Richard M. Sherman Distinguished Professor of Law at the University of California, Berkeley, School of Law, to discuss the rapidly evolving legal landscape at the intersection of generative AI and copyright law. They dove into the recent district court rulings in lawsuits brought by authors against AI companies, including Bartz v. Anthropic and Kadrey v. Meta. They explored how different courts are treating the core questions of whether training AI models on copyrighted data is a transformative fair use and whether AI outputs create a “market dilution” effect that harms creators. They also touched on other key cases to watch and the role of the U.S. Copyright Office in shaping the debate. Mentioned in this episode:"How to Think About Remedies in the Generative AI Copyright Cases"by Pam Samuelson in LawfareAndy Warhol Foundation for the Visual Arts, Inc. v. GoldsmithBartz v. AnthropicKadrey v. Meta PlatformsThomson Reuters Enterprise Centre GmbH v. Ross Intelligence Inc.U.S. Copyright Office, Copyright and Artificial Intelligence, Part 3: Generative AI Training Hosted on Acast. See acast.com/privacy for more information.

Steve DeFrank is a top New York painter with numerous one-person exhibitions and group exhibitions. His solo exhibitions include Clementine Gallery in New York, and the Clifford Smith Gallery in Boston. His group shows include the Smithsonian Institute's National Portrait Gallery and The National Arts Club in New York, and many others. His work has been reviewed in The New York Times, in The New Yorker, and many others. He's been a Visiting Artist at Cornell University, the Massachusetts College of Art, and he currently teaches at the School of Visual Arts in New York City, where he's taught sculpture, new media art, painting, drawing, and other courses. In this conversation, DeFrank shares his insights on teaching creativity and the artistic process. He emphasizes the importance of focusing on the journey of creativity rather than the end product, encouraging students to embrace uncertainty and anxiety as part of their artistic growth. DeFrank discusses the significance of developing an "artistic eye" and the challenges students face in learning to see and interpret the world around them. He reflects on the transformative experience of the foundation year for art students and the ongoing dialogue between the artist's hand and eye. This is a brilliant inside view of a process-oriented approach to art that values exploration and personal expression. For additional information: Steve's web site: https://www.stevedefrank.com/ The book Learning to See, with many quotations from Steve and from other SVA artists and designers: www.learningtosee.net  Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich Copyright (c) 2025 Keith Sawyer

✦ On the 4th Monday of each month at Red Light Café, there's a variety show dedicated to chaotic goodness. It's called 'Joy Deficit' and the show always starts with a communal primal scream. City Lights Collective member Katina Pappas-DeLuca recently caught up with Joy Deficit's founder and host, Gina Rickicki, to tell us more about the scream and the show that follows. ✦ The Fulton County Arts Council does so many things. From undergirding and showcasing rising artists to highlighting established talent, to elevating the profile of Atlanta and Georgia on the international stage. With all of that, the Fulton County Arts Council is also still dedicated to partnering with local organizations to create stellar programming that is accessible to all. On September 26 at 7:30 pm, the arts council, in partnership with Art Farm at Serenbe, will be bringing jazz and soul vocalist extraordinaire, Rhonda Thomas, to Gainey Hall in Chattahoochee Hills. City Lights Collective Co-host Jon Goode recently discussed the upcoming night of Jazz with David Manuel, the director of The Fulton County Arts Council. ✦ Although Atlanta has a relatively small Italian population compared to other U.S. cities, the Italian industrial footprint thrives in Georgia. This week's "The Made in Italy Expo" spotlights how the country is showing up in the Southeast, and WABE arts reporter Summer Evans has more. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week they spotlight five standout happenings, and today their mix includes an Atlanta stop for Adam Davis's project to capture 20,000 tintypes of the black diaspora at Atlanta Center for Photography, experimental installation at Say That Studios which takes place inside a room-sized camera obscura, and work from environmental artists at Spruill Gallery that's sure to spark some existential questions about your relationship with nature. ✦ Atlanta has culinary experiences that range from fine dining to dining that's simply fine, but a good glass of wine can elevate any meal. City Lights Collective members Tory and Sawyer Vanderwerff believe you should feel just as inclined to pull out the corkscrew regardless of the star level of your meal. They spend their time looking for the best and most unpredictable food and wine pairings throughout Georgia, and today, they share what happens when Magic City meets Chateau Elan.See omnystudio.com/listener for privacy information.

Visual artist, Jenny Kanzler, and paper cut artist Melanie Kehoss, share stories of their beginnings as artists. They welcome the public to witness their art making through AVAST tours. Listen and be engaged! 

“If you look very intensely and slowly things will happen that you never dreamed of before.” This Aaron Siskind quote neatly sums up the deeply contemplative discussion we had with landscape photographers John Paul Caponigro and Joel Simpson in this week's podcast. Siskind's name is mentioned several times in our chat—as are many other 20th century photography legends—making this show both an exploration of photo history and an exercise in a holistic way to envision and record the world around us. Our focus on landscape quickly diverges from realistic depictions in favor of terrain that celebrates abstraction and metaphor. Follow along as we unpack the unwieldy term Pareiolia—the tendency to see familiar things in otherwise random patterns—and discover unique pathways to relate to the natural world. As John Paul Caponigro aptly points out, “I think of every exposure that I make as having a conversation with the subject and myself. I think of every move that I make in Photoshop as having a conversation with the image that started one way and is developing in another. And I ask, you know, what does the image want?”   Guests: John Paul Caponigro & Joel Simpson   Episode Timeline: 3:30: Joel Simpson describes his early landscapes as a way to re-experience being elsewhere. 9:24: Pareidolia: what it means and its relationship to Joel's photographs. 13:24: John Paul's relationship to the term pareidolia: a way to find patterns and make sense out of chaos. 19:12: The influence of Gestalt psychology when interpreting abstract patterns and photographing the bare bones of the earth. 24:55: Differences between making pictures with the aid of pre-visualization vs going in empty and refining ones' vision in post using digital tools. Plus insights about getting beyond the imitation phase to find a path to originality in your work. 35:58: How do you know when your unique vision from the pictures you make are ready to be released into the world? 42:12: Episode Break 43:24: John Paul's approach to post-processing—using the tools as a laboratory to make multiple iterations. 47:00: Joel describes the discoveries he made when finessing photos of a wonderous landscape from Zhangjiajie, China. 50:21: How does AI factor into crafting an authentic vision, plus the mind as the original AI. 1:03:18: Using photography to tap into things that haven't yet been discovered and elicit a sense of wonder from viewers' responses. 1:06:50: Joel and John Paul talk about the places that inspire their respective photographic projects.   Guest Bios: John Paul Caponigro is a digital media pioneer, combining his painting background with a variety of photographic processes using the latest in digital technology. His work is about the perception of nature and the nature of perception. Widely respected as an authority on creativity, photography, and fine art printing, John Paul's images and writings are widely published in periodicals and books, and he's been a contributing editor to a variety of magazines and websites. He's also author of the video training series R/Evolution and the book “Adobe Photoshop Master Class,” now in its second edition. As a highly sought-after speaker and educator, John Paul has presented lectures and workshops around the globe. His art has been exhibited internationally, and his prints are housed in numerous public and private collections. Select clients include Adobe, Apple, Canon, Kodak, and Sony, and he is a member of the Photoshop Hall of Fame, Epson's Stylus Pros, and X-Rite's Coloratti.   Joel Simpson began making pictures as a teen in the 1960s, turning pro in 2002. Since that time, he's had more than 50 exhibitions in the US and abroad. His work has also been widely published and received numerous awards, including a Nautilus Gold Award for Art and Photography for his 2019 book Earthforms: Intimate Portraits of our Planet. His new book, Faces in the Rocks: Beyond Landscape to Psycho-Geological Photography, organizes his discoveries about the aesthetics of abstract and figurative forms in the earth, concluding with a tongue-in-cheek collection of imagined extra-terrestrial landscapes and future cityscapes. In addition to his career in photography, Simpson holds a PhD in comparative literature, and spent 22 years as a professional jazz pianist. He lives in Union, New Jersey.   Stay Connected: John Paul Caponigro Website Instagram Facebook YouTube 1980's Guardian advertisement “Multiple Points of View”   Joel Simpson Website Instagram YouTube   Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

From early inspirations in music and design to creating album artwork for artists like Lil Yachty, Quavo, and Don Toliver, Mihailo Andic has built a career turning sound into visual storytelling. In this episode, Mihailo shares how getting laid off became the best thing that ever happened to him, why having a bias for action matters in creative work, and how he translates the emotion of music into imagery. We also talk about what it truly means to celebrate small wins, how to cultivate belief in yourself, and where Mihailo sees his next creative chapter unfolding — from editorial photography to film.

SEASON 2 - EPISODE 158 - Debra Granik - Director In this extended episode of the Team Deakins Podcast, we speak with director Debra Granik (LEAVE NO TRACE, WINTER'S BONE, DOWN TO THE BONE). Debra's films carry the traditions of social realism into the 21st century, and throughout our conversation we discuss the movement's place in the United States and around the world, her approach to the work, and why she's faced difficulty finding the means to shoot and distribute films that direct attention towards American poverty with clear and empathetic eyes. We also learn about the college professor and the films he screened that influenced her attitude towards filmmaking the most, and she reflects on being further inspired by the spirit of Dogme 95, a filmmaking movement co-founded by director Thomas Vinterberg (Season 1, Episode 101). We later discuss her extensive use of non-actors in her films, and she shares how the local community featured in WINTER'S BONE helped improve the film. We also reflect on the legacy and genius of Charles Dickens, and Debra answers the question, “What is the scariest four letter word in American storytelling?” - Recommended Viewing: LEAVE NO TRACE, WINTER'S BONE, DOWN TO THE BONE - This episode is sponsored by Barco & Aputure

This is The Digital Story Podcast 1,016, Sept. 10, 2025. Today's theme is, "iPhone 17 - Part 2." I'm Derrick Story. Opening Monologue The star of the Sept. 9th Apple Presentation may have been the ultra-thin iPhone Air, but for serious photographers, all eyes were on the iPhone 17 Pro. And overall, Apple did not disappoint. Today I'll discuss the key features highlighting Apple's latest handset. I hope you enjoy the show.

A professor has created three artworks at Hunter college station at 68th street that are now a part of the MTA art collection. The murals are called "Liminal Location" and "Tempestuous Terrain." Lisa Corrine Davis joins us to tell us about her practice and her new show at Miles McEnery Gallery called Syllogism.

On this week's episode of I AM HOME, our hosts Tyler and Hilary are joined by Memphis Cantu, a dynamic member of the University of North Texas Pom & Dance team and a Visual Arts student with a flair for choreography. Memphis shares insights into the physical and creative demands of collegiate dance, the balance between art and athletics, and the personal inspirations that fuel his performance and style (including his cat Malachi!) The episode explores Memphis's upbringing, creative journey, and approach to home design, bringing humor, energy, and heart to the conversation. This episode highlights individuality, artistic passion, and the power of creating a home that reflects who you are. Resources: nfm.com/podcast

This is The Digital Story Podcast 1,016, Sept. 9, 2025. Today's theme is, "iPhone 17 - Part 1." I'm Derrick Story. Opening Monologue Back in May, when I crushed the screen of my iPhone 15 Pro Max, I pledged that I would not buy a replacement until the iPhone 17 Pro was released. And I have stayed true to my word. But now the day is here. In this Part 1 report I will recap how I navigated the summer with a patchwork of devices to get me to this week's unveiling of the latest from Apple. I hope you enjoy the show.

How do the roles we observe as children shape the art we create as adults? In this conversation, I connect with painter and curator Yannie Gu, whose creative vision was formed by the women in her life in Shanghai.  Tune in to hear how Yannie leveraged the power of community to create an experimental pop-up gallery. Yannie offers a beautiful perspective on her use of color and the symbolism of flames in her work, creating a world where her characters are protected and powerful. This episode explores how our past, our passions, and our communities can intertwine to create a voice that is uniquely our own.   Chapters 00:00 - Introduction to Yannie Gu 00:51 - Growing Up in Shanghai 03:03 - From Professional Ballet to Visual Art 05:20 - Finding Her Voice and Community at SVA 07:10 - The Genesis of Museum 54: A Platform for Peers 12:20 - The Gaze in the Age of Technology 17:30 - Painting with Fire: The Symbolism of Flames and Color 23:45 - Balancing a Studio Practice with Commercial Work 30:40 - Capturing Ideas in the Notes App 32:00 - Final Reflections on the Creative Journey   Check out the full video interview on our YouTube channel! https://youtu.be/fgH4xiLL0v0   Connect with Yannie:   Follow Yannie on Instagram: https://www.instagram.com/yanixgu/?hl=en Yannie's Website: https://yannieyiyanggu.com/   Support the Show Website: www.martineseverin.com Follow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa.   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Producer/host Maria Vasquez Boyd welcomes artists Francisco and Fredy Gabuardy, Consuelo Cruz Vice President of Marketing and Community Engagement Belger Arts, artists Tyler Suter and Hannah Schelb. FRANCISCO and FREDY GABUARDY- Kansas City-based media artists Francisco Gabuardy and Fredy Gabuardy are identical twins, but their styles are not hard to differentiate. Francisco explores a collection of personally meaningful symbols like spikes and pie graphs, while Fredy is a builder and often includes sculptural elements in his work. Cadejo, their first collaborative exhibition, was four years in the making. It showcases 10 pieces, eight highlighting the push and pull of their unique styles and shared Nicaraguan origins, and two representing their own studio practices. Cadejo refers to a mythical, dog-shaped spirit they grew up hearing stories about. In Central American folklore, it represents "good" and "evil," light and dark. It can protect and attack, lead away from harm or toward danger. They were inspired by the dual nature of cadejo, reflected in their complementary or perhaps, at times, seemingly contradictory styles and approaches. The works, in turn, reflect their relationship as twins, mirroring each other at various points in life and art. For the Gabuardys, the key aspect of cadejo is its mysterious ability to lead. But whether to safety or peril, the artists must keep moving forward. The brothers created the works using a series of self-imposed "rules," game play, and improvisational techniques. Each collaborative effort involved new negotiations and strategies with every action and counteraction. How much space does one occupy? Who gets to enter the conversation, and when? The results are both uncanny collisions and gentlemanly covenants in mixed media, expressing twin communication that goes beyond words. The works are exercises in trust and intention. In this series of collaborations, the artists demonstrate a tenacious investment of energy and time, and an expansive curiosity around process, material, and formalism. The works are packed with personally meaningful symbols, exuding cryptic beauty in their unexpected compositions. The artists invite viewers to approach the works with an open mind, reminding us that these abstractions hold infinite interpretations. They see the pieces as stanzas, sentences, or small thoughts that can serve as starting points for the viewer's own narrative. Artists talk can be viewed here, Unraveling ‘Cadejo: A Twins' Journey - YouTube www.fredygabuardy.com www.franciscogabuardy.com Kansas City Public Library Central Library 14 W. 10th St. KCMO Guldner Gallery now through September 20 CONSUELO CRUZ, Vice President of Marketing and Community Engagement Belger Arts Belger Arts Residency Programs, Hannah Schelb, Ceramics Artist in Residence, Tyler Suter, Glass Artist in Residence Belger Crane Yard Studios continues to host national and international artists through its Residency program. A residency provides ceramic artists with the opportunity to expand their body of work or create a special project that may be outside the scope of their routine studio practice. The residency program gives driven, self-directed artists opportunities for rigorous professional development and enhanced self-sufficiency practices. Within the studio community, resident artists engage in constructive dialogue and immerse themselves in their work. Residents foster the development of the studio's creative environment and create outreach opportunities within the local community. Outreach opportunities include teaching classes or workshops, giving public presentations, and critiques. Through community involvement, residents create educational opportunities for the appreciation and critical understanding of ceramics, thus employing and evolving Belger Crane Yard Studios as an innovative, artistic resource. Hannah Schelb, Ceramics Artist in Residence: Hannah Schelb started working in ceramics in 2009 while attending Augusta State University. After receiving her Bachelor of Fine Arts in 2012, she started a studio practice and eventually moved to Albuquerque, New Mexico, where she worked in glaze production and taught community classes. In 2016 and 2017, Schelb attended summer residencies at Chautauqua School of Visual Arts in Chautauqua, New York, while teaching after-school programs in Cincinnati, Ohio, during the school year. She was accepted into the University of Wisconsin-Madison in 2019 and graduated with a Master of Arts and Fine Arts in May 2021. She was the director of ceramics for the summers of 2020 and 2021 at a summer camp in Harrison, Maine. Schelb became a lecturer for the University of Wisconsin-Madison in 2022-2024 and started showing work at several prominent galleries. Schelb recently completed her 2024-25 residency term at the Belger Crane Yard Studios and is returning for her second term. The Glass Residency is open to emerging glass artists looking to further their artistic and professional careers and gain experience teaching and working with the public. This residency is ideal for artists looking to develop a body of work, who thrive in a shared, communal space, and are preparing for the next step in their professional pursuits. Resident artists advance their art practice in a spacious state-of-the-art facility equipped for glassblowing, kiln forming, sandblasting, and coldworking. Work alongside nationally recognized artists throughout the year and help develop and inspire beginner glassblowers. Resident artists teach a class of their own design, plan and lead public glassblowing demonstrations, and engage with the public during hands-on glassblowing experiences. Tyler Suter, Glass Artist in Residence: Tyler Suter is a St. Louis-based studio artist who, since an early age, has had a profound love for the natural world. Working primarily with glass, his current body of work explores the repetition of form and pattern that can be found throughout nature, from micro to macroscopic. Developing this body of work involves exploring various glassworking techniques and incorporating ceramic components. Tyler received a Bachelor of Fine Arts in Studio Art with a concentration in ceramics from Bowling Green State University. He has had work featured in numerous group exhibitions, including Bravo! BGSU: A Celebration of the Arts (2018). He has also conducted public demonstrations and private classes, sharing his passion for glass with the community. Tyler recently began an artist residency at the Belger Glass Annex in the inaugural year of the residency program. Since 2000, the Belger Arts Center has encouraged viewers to explore, question, and deepen their understanding of art and of the world around them. Drawing upon the extensive Belger Collection as well as a rich variety of local, national, and international artists, the Belger Arts Center has staged over 100 large-scale exhibitions that represent some of the best in contemporary art. Belger Crane Yard Studios is a ceramics studio, education center, and gallery space located in downtown Kansas City's Crossroads district. Learn new techniques or master old ones with wheel throwing, handbuilding, and special topic classes, for beginners to professional potters. Our world-renowned Artist-in-Residence program has made Belger a center for contemporary ceramic art, fostering artists to explore their craft. The adjoining Belger Crane Yard Gallery hosts exhibitions featuring world-class glass, ceramics, and multimedia artists. The Belger Glass Annex is the third Belger Arts location and opened to the public in October 2021. It is the first public glass blowing studio in Kansas City of its scale and scope. The facility boasts state-of-the-art glass blowing equipment and tools, a furnace that holds 300 pounds of molten glass, and three workstations. The Belger Glass Annex is a Midwest hub for glass art, education, and appreciation, strengthening Kansas City's reputation as an arts destination. www.belgerarts.org Belger Arts Center 2100 Walnut Street Kansas City, MO 64108 816 - 474 – 7316 gallery@belgerarts.org Belger Crane Yard 2011 Tracy Avenue Kansas City, MO 64108 Events • October 3, First Friday: Opening of Put a Lid on It exhibition (lidded vessel invitational) and Fall-Focused Glass Demo with Glass Pumpkin Sales • Eight resident artists have arrived: (https://belgerarts.org/air) Four new ceramics residents + two returning ceramics residents + two residents for our NEW Glass Residency(https://belgerarts.org/glass-residency-programs)! • November 7, First Friday: Opening of Holidays at Belger Crane Yard Gallery • November 21 and 22 Holiday Sale at Belger Crane Yard Studios • We also kicked off Saturday Socials in our ceramics studio—like Date Night but without the pressure of having to bring a date. We still have Date Night on Fridays: https://belgerarts.org/ceramics-date-night-saturday-socials

Today, you're getting a step-by-step process for designing the life you want. Right now, you might think that “designing your life” sounds impossible, or that it's something reserved for people with more time, money, or resources. But what if it wasn't just a nice idea? What if it was a simple, concrete, and clear process you could start right now? Here's the truth: You have the power to design the exact life you've always wanted and today you're getting the blueprint to make it happen – with this episode and the free companion workbook. In this episode, Mel sits down with Debbie Millman. Debbie is “one of the most creative people in business” according to Fast Company, and is a professor who has been teaching a course on designing your life for over a decade at the School of Visual Arts. Graphic Design USA calls her “one of the most influential designers working today,” Harvard Business School teaches a case study on her career to all first-year students, and today Debbie is here to teach you the lessons from her renowned course on life design. Debbie will show you that no matter where you are right now, no matter how stuck, lost, or uncertain you feel, you can start creating a more intentional, meaningful future. To get the free companion workbook that goes with this episode, click here. In this episode, you'll learn: -The exact questions to ask yourself to create your dream life -The most important choices that can change your life -How to stop focusing on what's probable and start thinking about what's possible -The exact steps that allow you to create your dream reality -The one mistake that will sabotage your vision, and how to avoid it Plus, Mel and Debbie have created a free workbook to walk you through the step-by-step process of designing your own remarkable life, and you can download it here. If you're ready to stop letting life just happen to you and want to start creating the life you've always wanted, this episode is for you. For more resources, including a free companion workbook, click here for the podcast episode page. If you liked the episode, check out this one next: 5 Powerful Questions to Ask Yourself Right NowConnect with Mel:  Get Mel's #1 bestselling book, The Let Them TheoryWatch the episodes on YouTubeFollow Mel on Instagram The Mel Robbins Podcast InstagramMel's TikTok Sign up for Mel's personal newsletter Subscribe to SiriusXM Podcasts+ to listen to new episodes ad-freeDisclaimer

✦ Today, it is more important than ever to state, define, and be clear about who you are. To do that, you may have to be bold, upfront, and... frank. To that end, a dynamic group of 11 queer artists, known as Frank, will present a diverse, multifaceted, and self-defining art show entitled "Being Frank: it is because I am." The show is at Ansley Mall from September 14 through the 17, and City Lights Co-Host Jon Goode recently sat down with two of Frank's founding members, artists David Clifton-Strawn and artist Royce Soble. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week, they spotlight five standout happenings, and today, they'll tell you about Living Walls's 15-year-anniversary "quinceañero" party, an exhibit at Marcia Wood that's sure to excite all you color theorists out there, and Cat Eye Creative's final show opening in their current South Downtown space. ✦ It's never too early to spark a lifelong love of the arts and theatrical performance. To that point, The Alliance Theater's Bernhardt Theater for the Very Young, in partnership with the Marcus Jewish Community Center of Atlanta, is presenting a stage adaptation of "The Birthday of the World," based on the children's book by New York Times Bestseller Dr. Rachel Naomi Remen. The show runs through October 26 and includes two special outdoor performances at the MJCCA's Zaban Park on Sunday, September 14. City Lights Collective Engineer Matt McWilliams recently spoke to creator and director Jonathan Shmidt Chapman about bringing "The Birthday of the World" to Atlanta's youngest theatergoers. ✦ For 20 years, the High Museum of Art has awarded the David Driskell Prize to field-defining contributors in African American Art and Art History. This year, the award goes to Alison Saar, sculptor, installation artist, printmaker, and art scholar, whose sculpture "Salon" welcomed visitors to the 2024 Paris Olympics. The Driskell Prize winner joined WABE arts reporter Summer Evans to share her extraordinary legacy as an artist and scholar. ✦ Our series, "In Their Own Words," tells firsthand stories from our artistic community. This is where they tell us who they are, what they do, what they love, and a few things you might not see coming. What things? Who knows, there's only one way to find out. Today, we highlight comedian Nate Allen.See omnystudio.com/listener for privacy information.

The Charlotte Symphony Orchestra's 2025-26 season gets underway at its annual Gala concert on September 18th with a very special guest. The CSO's President and Chief Executive Officer, David Fisk, tells us all about that and some other upcoming highlights from the season. Plus, a preview of new Visual Arts offerings across our region and the weekly FanFare segment to help you fill out your events calendar. Learn more about the Charlotte Symphony

Hi TYP’ers. Today we’re revisiting one of my favourite chats with Debbie Millman. She was a delight; super smart, awesome energy, engaging, creatively brilliant and despite her enormous success, totally grounded and authentic. I loved this chat. Graphic Design USA named her one of the most influential designers of our times. She is the president emeritus of AIGA, the professional association of designers in the US, and one of the five women to hold this position in the organisation’s 100-year history. Debbie co-founded the world’s first graduate program in branding at the School of Visual Arts in New York City in 2010, she is the editorial and creative director of Print Magazine, the oldest magazine on design in the States, she has written seven books, is a world-renowned educator and hosts one of the longest-running podcasts on the planet; the super successful ‘Design Matters’. Growing up, Debbie’s family life was difficult and traumatising, with frequent episodes of violence and sexual abuse. “I had a lot of brutality in my life, for the first 18 years I lived in a state of constant terror and compensated with art”, she says. This lady is an inspiration who has succeeded, despite her circumstances and experiences. I loved her and you might too. Enjoy. See omnystudio.com/listener for privacy information.

Katie and Steve speak with Swiss art lawyer Florian Schmidt-Gabain about Switzerland's (very) recent establishment of an “Independent Committee for Cultural Property with a Burdened Past” that will hear ownership disputes about Nazi-looted art as well cultural property acquired during the colonial era. They discuss why it has taken the Swiss so long to establish a process like this, the unique role of Switzerland during WWII, the challenges of the mostly voluntary and non-binding process, and the many questions that remain open as implementation unfolds.   Notes for this episode: https://artlawpodcast.com/2025/09/04/switzerland-starts-to-address-cultural-property-with-a-burdened-past/   Follow the Art Law Podcast Instagram: https://www.instagram.com/artlawpodcast/ TikTok: https://www.tiktok.com/@artlawpodcast Katie and Steve discuss topics based on news and magazine articles and court filings and not based on original research unless specifically noted.

Have you ever looked at your work-in-progress and thought it was absolutely hideous? According to acclaimed sculptor Arlene Shechet, that's exactly where the magic happens.In this eye-opening exploration of artistic process, we dive deep into Shechet,'s philosophy of creation, where listening to your work becomes just as important as making it. The American sculptor, whose gravity-defying arrangements have earned places in the Metropolitan Museum of Art and the Whitney, reveals how embracing the "ugly" phases of creation leads to unexpected beauty."I have to have a real appetite for ugly," Shechet, confesses about her creative process. "There are so many points where this thing is just hideous and yet I have to believe in it." This sentiment resonates profoundly with our own artistic journeys—recognizing that every meaningful piece goes through an awkward adolescence before reaching maturity.What truly sets Shechet, apart is her approach to artistic control. After carefully crafting her ceramic sculptures, she surrenders them to a 2,000-degree kiln where "all bets are off." This balance between meticulous creation and acceptance of unpredictability forms the heart of her practice. She meticulously documents every experiment in notebooks, creating a scientific approach to artistic discovery that allows her work to continually evolve.We're particularly struck by Shechet,'s description of her studio as "both a farm and a factory"—a place that cultivates growth while producing tangible objects. Her commitment to pushing boundaries by creating open systems rather than settling into comfortable patterns mirrors our own philosophy of artistic development. When she declares, "I want to make something more than an idea," she articulates the ultimate challenge facing every serious artist: creating work that resists easy description and demands deeper engagement.Join us in this fascinating conversation about embracing discomfort, fighting against creative stagnation, and finding joy in the uncertain journey of making art that matters. Whether you're a seasoned creator or just beginning your artistic path, Shechet,'s wisdom offers valuable perspective on sustaining growth through perpetual discovery.Please visit:https://art21.org/watch/art-in-the-twenty-first-century/s7/arlene-shechet-in-secrets-segment/https://www.youtube.com/watch?v=Dh_lDHY0ZO4https://www.frieze.com/video/arlene-shechet-and-sheena-wagstaff-frieze-masters-podcastSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

SEASON 2 - EPISODE 157 - Garret Dillahunt - Actor In this episode of the Team Deakins Podcast, we speak with actor Garret Dillahunt (NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD). We worked with Garret on NO COUNTRY and JESSE JAMES, and we had a wonderful time catching up with him. Garret shares how he made his way from rural Washington to the graduate program for acting at NYU, and we learn why he made the leap from theatre to film and television. While trading stories from NO COUNTRY, Garret shares a humorous episode involving himself, actor Tommy Lee Jones, the Coen brothers, and a bowl of wrapped candies, and we marvel at the Coens' ability to nudge actors into shooting their storyboards. In the latter half of our conversation, Garret recalls his experiences shooting the television series DEADWOOD, and we learn how those experiences set the tone for the rest of his career. Garret also reveals how showrunner David Milch wrote the show as they shot it, and we discuss the different strategies and approaches to coverage. Plus, we discuss dealing with imposter syndrome, and Garret reflects on the actor-in-a-supporting-role's tricky task of trying to find the vibe on a set at 2AM. - Recommended Viewing: NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD - This episode is sponsored by Aputure & Barco

Join Greg, UC Davis staff photographer, as he embarks on an 8 a.m. (or rather, 5 a.m.) photoshoot! Get a behind-the-scenes look at being a university photographer, capturing moments around campus and waking up at ungodly hours to get the perfect shot. With a whistle and a witty joke, Greg explains what it means to take professional photos. Series: "UC Davis News" [Arts and Music] [Show ID: 41051]

This is The Digital Story Podcast 1,015, Sept. 2, 2025. Today's theme is, "Creativity Through Pain." I'm Derrick Story. Opening Monologue At one time or another, we all have to endure a physical setback - sometimes for a week, maybe a month, hopefully not longer. Pain is a motivation killer. So how do we make the best use of our downtime when things aren't going our way. We'll explore those options in the first segment of today's TDS Photography Podcast. I hope you enjoy the show.

Ten years ago, Sydney-based artist HOSSEI took a step back from the art world to care for his sick mother. The more time they spent together, the more inspired HOSSEI became to create something especially for, about, and starring his mum.HOSSEI is an artist with a flair for colour, quirk and unbridled joy.But growing up the only son of a Persian-Australian family, it took years of hard work to convince his parents that being an artist was his destiny.HOSSEI's mother, Nahid, came around first, getting her sewing machine out to help her son make his incredible costumes.Then, it was HOSSEI's turn to support his mum, who needed a carer as her health deteriorated.As they spent more and more time together, HOSSEI was inspired to write a musical for, about and starring his cheeky, charismatic mother.The project is personal, but also has a political edge -- women in Iran aren't allowed to freely sing, dance or play music -- and so HOSSEI put his mother centre stage.Further informationRecently, HOSSEI was commissioned by Parramatta Artist Studios to update their uniform in connection with Wear it Purple Day.He has also been commissioned by the Sydney Opera House to develop a play space for the Centre for Creativity, which will be presented in January 2026.HOSSEI is currently touring his show ESSSENSSSE through regional NSW, at Bathurst Regional Gallery, Yarrila Arts and Museum in Coffs Harbour and later to Wagga Wagga Art Gallery.You can keep up to date with HOSSEI's exhibitions and news at his Instagram page.This episode of Conversations was produced by Meggie Morris and presented by Richard Fidler, executive producer is Nicola Harrison.It explores visual arts, performing arts, becoming an artist, how to be an artist, carers, caring for parents, the sandwich generation, Persia, Iran, womens rights, feminism, musical theatre, experimental art, Western Sydney, Sydney College of the Arts, university, TAFE, tertiary education, what to do after high school, graduation, Istanbul, migration, war, escape, family dynamics, sisters, kidnapping.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

In this episode of Jason Lanier Unfiltered, I sit down with my good friend Scott Porter to recap our unforgettable trip to Haines, Alaska. We went there to photograph grizzly bears hunting for salmon along the Chilkoot River, and the experience delivered more than we ever imagined.From discussing the gear that got us the shots, to safety tips for navigating bear country, to the dynamics of working alongside the public and other photographers in high-stakes situations, this conversation is packed with real-world lessons for photographers and adventurers alike. The trip culminated in a heart-pounding moment when I came face to face with a Mama Grizzly searching for her cubs after a long day of fishing. It was raw, real, and unforgettable. If you've ever dreamed of photographing wildlife or want to know what it's really like to be just a few feet away from one of nature's most powerful animals, you won't want to miss this one.

✦ The five main food groups that are important for anyone's diet include—fruits, vegetables, protein, grains, and chocolate…okay, maybe not the last one. However, it remains an essential building block of a balanced diet. A new exhibition at the Museum of Design Atlanta, also known as MODA, explores the origins of chocolate, its evolution into a global commodity, and the designs of some of the most popular chocolate brands we know today. WABE arts reporter Summer Evans visited MODA to check out this delicious exhibition. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week they spotlight five standout happenings, and today their mix includes: a glimpse into Taino ancestry through a talk at the ArtsXChange in East Point, as well as the Georgia State's Art School faculty showcase that happens only once every three years, and one of Southern Fried Queer Pride's ever-popular figure drawing sessions. ✦ When City Lights Collective co-host Jon Goode was told that High Bias is a good thing, he wasn't entirely sure what that meant. So, he decided to go to Block and Drum on a Wednesday night to find out for himself. ✦ City Lights Collective member and award-winning Atlanta comedian Joel Byars is one of the hardest-working people in the business. Aside from his podcast, "Hot Breath Pod," he hosts many comedy events around town, and now, he joins us weekly to share his picks for this week's must-see comedy. ✦ A new park in metro Atlanta is set to honor the legendary Black folk artist, Nellie Mae Rowe. WABE arts reporter Summer Evans has the details. ✦ After over three decades on Atlanta walls, streets, stickers, wheatpastes, and flyers, the iconic art of R. Land is now on view at Atlanta Contemporary through September 7th. His work, like "Pray for ATL" and "Loss Cat," has previously been preserved for posterity at the Atlanta History Center and the Georgia State Capitol. Still, those pieces only represent a fraction of his artistic career. City Light Collective co-host Kim Drobes recently caught up with Land to discuss his first-ever retrospective solo exhibition, "Landmarks: The World of R. Land."See omnystudio.com/listener for privacy information.

Send us a textMy guest today is Louis Bayard, author of The Wildes listed in the Literature category on Art In Fiction.View the video on YouTube: https://youtu.be/ukomPza-Oh0Why write about Oscar Wilde through the lens of his family life?Inspiration for the novel from the memoir of Vivian Wilde, the youngest of the two sons of Oscar and Constance.Challenges of writing about one of the great wits in the English language.Structure of The Wildes as a play in five acts in a high comedy register.Constance Wilde as the protagonist of the novel, and how she was very progressive for her time, and very much Oscar's equal.Lady Wilde (Oscar's mother), the fiery Irish revolutionary poet named Speranza.Oscar Wilde and his relationship to women, seeing them as equals.What can contemporary audiences learn from The Wildes, particularly the "fifth act" of the novel?Reading from The Wildes.One thing that Louis learned from writing this novel that he didn't realize before.Read more about Louis Bayard on his website: https://www.louisbayard.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

Tommy Ruben joined me to discuss the closed knit cast of CPO Sharkey; growing up in Larchont, NY and his dad working for Sgt. Bilko; his dad Aaron, writing for Fred Allen, Milton Berle, Sid Caesar, The Andy Griffith Show and creating Gomer Pyle USMC; Don Rickles getting booed on Comic Relief; Sharkey's scripts scripts had ad-libs written in; being a class clown; guest starring on MASH; going to the Oakwood School; his dad''s film, The Comic; his father liked to build sitcoms around someone; creating CPO Sharkey; Polish jokes got the most letters; his first scene; episodes focusing on his character; the Johnny Carson incident and how has dad was mad; NBC wasn't all in on Don; Bob Newhart; his brother writing the punk rock episode; appearing in More American Graffiti with Cindy Williams; the difference in Drew Barrymore and James garner's acting methods; appearing and writing and episodes of The Stockard Channing Show; Rhonda Bates; being in his brothers movies; almost getting The Hardy Boys Show; and studying photography at the School of Visual Arts.

The photo world is filled with remarkable young and up-and-coming talents. They often don't get the visibility they deserve, so we created Next Frame—a new monthly series aiming to shine a light their way. These bite-sized episodes are equally inspired by the guests we speak with and the invaluable contributions of local creative arts programs that have played a key role in their development. We're launching this series with photographer, filmmaker, and boxing & music aficionado Josh Nass, an alumnus of Baltimore's Wide Angle Youth Media programs. From nailing his Photoshop skills while still in middle school to trading in his boxing gloves for a camera during college and beyond, Josh regales us with practical tips about both the successes and challenges all young creatives must face as they transition from trading pictures for access to molding media skills into a profitable career. Looking back on his early days chasing both music and fashion scenes, Josh notes, “Your main role as a photographer—especially with talent and famous people—you know, I thought I was just making them look cool, but I'm making them money. I'm marketing them for their next tour, for their current tour. Looking back, I've learned a thing or two about how to get users' attention online.” Guest: Josh Nass   Episode Timeline: 2:04: Baltimore/DC-based photographer Josh Nass talks about first picking up a camera to fill his time after hanging up his boxing gloves. 3:40: Leveraging social media to get on stage and photograph his favorite Caribbean singer, then trading free pictures for ongoing access. 7:25: Navigating one's comfort level as an up-and-coming photographer, plus making a distinction between comfort with gear and social ease with subjects and clients. 9:08: Making pictures of cool moments, creative editing decisions to draw out the cool factor, and being first to deliver the files are all key to Josh's success. 14:02: Street hustling at New York Fashion Week to gain access to photograph top artists and celebrities, and the tough lessons Josh learned in the process. 19:06: Josh's connection to Baltimore's Wide Angle Youth Media and the formative role their programs have played in his early photography success. 22:50: Being referred by Wide Angle for a Comcast commercial, and the backstory to what transpired behind-the-scenes.  29:49: Josh weighs future career options and whether he'll choose to pursue photography full time.  35:40: Essential advice for emerging photographers: Prioritize building your skills and don't overvalue your work early on. Plus, a look at Josh's first big paid gig for a Keke Palmer concert and marketing campaign.    Guest Bio: Josh Nass is a Baltimore/DC-based freelance photographer and a senior at the University of Maryland, College Park, where he's pursuing a bachelor's degree in information science. As a high school graduate of The Baltimore School for the Arts and a participant Baltimore's Wide Angle Youth Media non-profit, he's honed his subject-based style to give each of his shoots, whether its celebrities, musicians, athletes, or models, a unique “wow” factor.   Stay Connected: Website Instagram Facebook Wide Angle Youth / Comcast Video   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

SEASON 2 - EPISODE 156 - Barry Jenkins - Director In this episode of the Team Deakins Podcast, we speak with director Barry Jenkins (MUFASA: THE LION KING, THE UNDERGROUND RAILROAD, MOONLIGHT). How did Barry get from South Florida to Hollywood? What did he learn about himself on his walkabout around the country after leaving the industry? What did Barry struggle with in the gap between the release of his debut feature and MOONLIGHT? How did he survive the gonzo shooting schedule of THE UNDERGROUND RAILROAD? Why MUFASA? Barry answers all these questions and speaks on craft, process, and so much more in this extended and enriching conversation about his life, his films, and the many years he spent not actually making anything. Barry and his film school friends Adele Romanski and Mark Ceryak also produce movies through their production company PASTEL, and we discuss why he feels it's important to help introduce new filmmakers and new voices—particularly now. Plus, Barry reveals the premise of his unrealized Stevie Wonder time-travel script.  - Recommended Viewing: THE UNDERGROUND RAILROAD, MOONLIGHT, MEDICINE FOR MELANCHOLY - This episode is sponsored by Barco & Aputure

306. Painting Life's Moments: How Heidi Schwartz Turns Events into Lasting Art In this episode of Creative Chats, we embark on a journey through the creative mind of Heidi Schwartz, live painter and artist based in Nashville. Heidi opens up about her unconventional path from music to painting, her unique process of painting live at events, and how art has served as both a healing agent and a transformative practice in her life. This episode is a treasure trove of wisdom for anyone passionate about embracing their creative instincts, navigating the evolving road of artistry, or learning to blend personal healing with the act of creation. 3 Key Takeaways:

This is The Digital Story Podcast 1,014, August 26, 2025. Today's theme is, "Ricoh GR IV, More than Meets the Eye." I'm Derrick Story. Opening Monologue $1,496 seems a lot to pay for a compact camera, that is, until you realize what everyone else will be charging for their products starting in September. So then we go to specs. Is this enough of an upgrade to warrant the price? I think it is, and will explain why in today's TDS Photography Podcast. I hope you enjoy the show.

Los Angeles-based artist Amy Adler works across the disciplines of drawing, performance, photography, and film. Her practice explores media and process considering subjects that exist between paradigms and identities. Born and raised in New York City, Amy is a graduate of LaGuardia High School of Music and Art. She attended Cooper Union and went on to receive her MFA in art practice from UCLA and an MFA in film production from USC School of Cinematic Arts. She has had multiple international and national gallery and museum exhibitions including solo projects at MOCA Los Angeles, the Aspen Art Museum, the UCLA Hammer Museum and the Museum of Contemporary Art San Diego. She is Professor of Visual Art at UC San Diego where she has been teaching since 2004. And her current solo exhibition NICE GIRL is on view at the Orange County Museum of Art.She and Zuckerman discuss Leonardo DiCaprio, family as subject matter, girls, and nice girls, protecting the vulnerable, power dynamics, the vulnerability in making art, self-love, time well spent, drawing in negative, her studio practice, working standing, technique and texture, and how there is always more!

✦ For decades, comedian and actor Jim Gaffigan has entertained audiences nationwide with his observational humor, personable stage presence, and a variety of film and television projects ranging from "Unfrosted" to his own self-titled comedy series. The eight-time Grammy nominee will be performing at the Atlanta Symphony Hall September 11-13 as part of his "Everything Is Wonderful Tour." He recently caught up with WABE reporter Kenny Murry to discuss the projects that shaped his career and how he really feels about his notable reputation as "America's Everyman." ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's visual art scene. Each week, they spotlight several standout happenings, and today, they'll cover: Atlanta Downtown & Dashboard's exhibition celebrating civil rights icon Xernona Clayton, Ayana Ross's Working Artist Project exhibition at MOCA GA, and more. ✦ A new gallery has opened in the Star Metals District, which showcases international artists. Rodney Kazemi founded Luca Fine Art Gallery. He has 30 years of global experience, curating artists from New York to Art Basel in Miami. The gallery's exhibition, "Glimmer and Gaze," is currently on view through September 28. WABE arts reporter spoke with Kazemi about the new space. ✦ "It is a truth universally acknowledged" that one of the year's most anticipated birthday anniversaries belongs to Jane Austen. The literary icon behind classics such as "Pride and Prejudice" and "Emma" was born on December 16, 1775. Now, 250 years later, devoted fans, scholars, and critics are marking this milestone year with celebrations all over the world, including in the Atlanta area, including a series of events throughout the Gwinnett Public Library system, and a celebration at Emory University's Rose Library. Our "Bookmarked" contributor Alison Law has more.See omnystudio.com/listener for privacy information.

Episode 488 / Shu Hua Xiong Shu Hua Xiong (b.1994) born in Shanghai, China, currently lives and works in New York. She holds both BFA and MFA from School of Visual Arts in NYC. Her first solo in NY opens on Sep.4, with Island Gallery.

SEASON 2 - EPISODE 155 - Fred Specktor - Agent In this episode of the Team Deakins Podcast, we speak with agent Fred Specktor (CAA). Fred has actually seen it all—now in his 90s, he joined the mailroom at MCA (before its dissolution) after graduating college, and he's been in the business ever since. After a stint as movie mogul Lew Wasserman's assistant at MCA, Fred was fired, and he recounts his journey bouncing between outfits until landing at CAA where he has represented top Hollywood talent for the past four decades. Fred's long career as an agent is populated with moments such as networking at a car accident and attending an acting class with Jack Nicholson, and he shares many of them with us throughout the episode. We also discuss the differences in Hollywood, moviegoing, and filmmaking between today and the previous century, and we learn how he still tackles his work with verve after a lifetime on the job. Plus, Fred makes his prediction for the future of the movies. - If you enjoy listening to Fred, we recommend reading THE GOLDEN HOUR. Fred's career and life is one of the subjects of the novel which was written by previous guest (and Fred's son) Matthew Specktor (Season 2, Episode 146). - This episode is sponsored by Aputure & Barco

This is The Digital Story Podcast 1,013, August 19, 2025. Today's theme is, "5 Tips for Tasty Food Shots on the Go." I'm Derrick Story. Opening Monologue I'm working on a review of the Stoke Voltaics Nomad Cooking System for TDS. It's a compact, electric kit that's super nimble and perfect for light camping photographers. As a result, I've been doing my fair share of food photography lately. I'll share some tips and tricks in the first segment of today's podcast. I hope you enjoy the show.

Aspiring podcaster and artist M'Balou Camara interviews me for a special Maryland Art Summit 2025 recording.M'Balou is a former student, current colleague, and emerging podcaster preparing to launch “Heart Reflex,” highlighting voices of the African diaspora in the arts.Our conversation—recorded live at Prince George's Community College—explores our journey from a classroom connection at UMBC to ongoing collaboration, mutual mentorship, and co-leadership in the creative community.I share insights from my nearly 20 years as a podcaster and host of “The Truth in This Art,” focusing on the value of storytelling, reciprocity, and building a living archive for Baltimore's creative voices.We discuss how authentic conversations, trust, and relational support are central to my approach as a host and educator. I break down strategies for fostering access, avoiding gatekeeping, and sustaining creative independence amid funding challenges.Audience questions spark a discussion on practical advice for new podcasters, evolving media formats, and lessons learned from both successes and setbacks.We close with a rapid-fire “reflex round,” reflecting on curiosity, inspiration, and the role of freedom in creative work.Topics Covered:Evolving from instructor-student roles to creative peer collaborationBuilding and sustaining community-rooted podcast archivesThe ethics and art of listening, trust, and relationship-buildingNavigating independence, institutional pressure, and artistic integrityMutual mentorship and non-hierarchical support in the artsPractical strategies for launching and growing a podcastAdapting to changes in media and the podcasting landscapeCentering and uplifting underrepresented stories and artistsReflections on curiosity, inspiration, and freedom through art

SEASON 2 - EPISODE 154 - Tracy Letts - Actor / Writer In this episode of the Team Deakins Podcast, we speak with actor and writer Tracy Letts (AUGUST: OSAGE COUNTY, BUG, HOMELAND). Born and raised in Oklahoma, Tracy struck out for Chicago after high school to find work as an actor in the city's active theatre scene, and we learn why Tracy began writing plays himself. We also discuss cinema's role as a messenger for exposing the stories of the stage to rural American communities without access to the theatre, and he shares his mixed experiences adapting his plays into films, from director William Friedkin's tense vision of BUG to the Hollywood ensemble version of his Pulitzer Prize winning play AUGUST: OSAGE COUNTY. An accomplished actor as well, Tracy reflects on seeking advice for performing for the camera from his seasoned HOMELAND castmates Claire Danes and Mandy Patinkin, and he reveals how he felt when, after being replaced on a film he had written, he was asked to act in additional scenes invented for his character. Plus, Tracy quotes a critical review that ironically sold out the remaining shows of his first play KILLER JOE.  - This episode is sponsored by Barco & Aputure

The invention Eadweard Muybridge is known for is his zoopraxiscope, an early movie technology. But he also innovated in photography, had some other inventions, and was the defendant in a murder trial. Research: Ball, Edward. “The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures.” Doubleday. 2013. Cohen, Paula Marantz. “Flickering Like Photography.” Times Literary Supplement. https://www.the-tls.com/lives/biography/scoundrel-harry-larkyns-pitiless-killing-photographer-eadweard-muybridge-rebecca-gowers-review “A Fast Trotter Caught by a Skillful Artist on the Fly.” The Lamar Republican. May 29, 1873. https://www.newspapers.com/image/666936878/?match=1&terms=occident%20Muybridge%20 “Madness and Murder.” Whidbey Island Center for the Arts. https://www.wicaonline.org/blog/2020/2/2/1rmzzg46joal5ajvy4tesnui7v314p “A Startling Tragedy.” Los Angeles Herald. October 22, 1874. https://cdnc.ucr.edu/?a=d&d=LAH18741022.2.15&e=-------en--20--1--txt-txIN-------- The Editors of Encyclopaedia Britannica. "Eadweard Muybridge". Encyclopedia Britannica, 23 Jun. 2025, https://www.britannica.com/biography/Eadweard-Muybridge The Editors of Encyclopaedia Britannica. "Leland Stanford". Encyclopedia Britannica, 17 Jun. 2025, https://www.britannica.com/biography/Leland-Stanford Higgins, Charlotte. “Eadweard Muybridge's motion towards Tate Britain.” The Guardian. April 27, 2010. https://www.theguardian.com/artanddesign/2010/apr/27/eadweard-muybridge-tate-britain-motion-studies “The Last Call.” San Francisco Examiner. Jul 19, 1875. https://www.newspapers.com/image/457599375/?match=1&terms=Harry%20Larkyns Shimamura, Arthur P. “Muybridge in Motion: Travels in Art, Psychology and Neurology.” History of Photography. 2002. https://doi.org/10.1080/03087298.2002.10443307 Muybridge, Eadweard. “Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Commenced 1872 - Completed 1885. Volume XI, Wild Animals and Birds.” Met Museum. https://www.metmuseum.org/art/collection/search/266431 Manjila, S., Singh, G., Alkhachroum, A. M., & Ramos-Estebanez, C. (2015). Understanding Edward Muybridge: historical review of behavioral alterations after a 19th-century head injury and their multifactorial influence on human life and culture. Neurosurgical Focus FOC, 39(1), E4. https://doi.org/10.3171/2015.4.FOCUS15121 Prodger, Phillip and Tom Gunning. “Time Stands Still: Muybridge and the Instantaneous Photography Movement.” Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2003 Solnit, Rebecca. “River of Shadows: Eadweard Muybridge and the Technological Wild West.” Viking, 2003. Wolf, Byron. “Eadweard Muybridge’s Secret Cloud Collection.” Places Journal. September 2017. https://placesjournal.org/article/eadweard-muybridges-secret-cloud-collection/?cn-reloaded=1 See omnystudio.com/listener for privacy information.