Podcasts about Visual arts

Ten years ago, Sydney-based artist HOSSEI took a step back from the art world to care for his sick mother. The more time they spent together, the more inspired HOSSEI became to create something especially for, about, and starring his mum.HOSSEI is an artist with a flair for colour, quirk and unbridled joy.But growing up the only son of a Persian-Australian family, it took years of hard work to convince his parents that being an artist was his destiny.HOSSEI's mother, Nahid, came around first, getting her sewing machine out to help her son make his incredible costumes.Then, it was HOSSEI's turn to support his mum, who needed a carer as her health deteriorated.As they spent more and more time together, HOSSEI was inspired to write a musical for, about and starring his cheeky, charismatic mother.The project is personal, but also has a political edge -- women in Iran aren't allowed to freely sing, dance or play music -- and so HOSSEI put his mother centre stage.Further informationRecently, HOSSEI was commissioned by Parramatta Artist Studios to update their uniform in connection with Wear it Purple Day.He has also been commissioned by the Sydney Opera House to develop a play space for the Centre for Creativity, which will be presented in January 2026.HOSSEI is currently touring his show ESSSENSSSE through regional NSW, at Bathurst Regional Gallery, Yarrila Arts and Museum in Coffs Harbour and later to Wagga Wagga Art Gallery.You can keep up to date with HOSSEI's exhibitions and news at his Instagram page.This episode of Conversations was produced by Meggie Morris and presented by Richard Fidler, executive producer is Nicola Harrison.It explores visual arts, performing arts, becoming an artist, how to be an artist, carers, caring for parents, the sandwich generation, Persia, Iran, womens rights, feminism, musical theatre, experimental art, Western Sydney, Sydney College of the Arts, university, TAFE, tertiary education, what to do after high school, graduation, Istanbul, migration, war, escape, family dynamics, sisters, kidnapping.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Clement Manyathela speaks to FNB Art Joburg Managing Director, Mandla Sibeko, as Johannesburg gets ready to become the continent’s biggest art playground. Now in its 18th year, FNB Art Joburg takes over the Sandton Convention Centre from September 5th to 7th, bringing together bold artworks, fresh ideas, and some of Africa’s most exciting creative voices. More than just an art fair, the event celebrates innovation, culture, and the global power of African talent. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

podcast recorded with enacast.com

Send us a textMy guest today is Louis Bayard, author of The Wildes listed in the Literature category on Art In Fiction.View the video on YouTube: https://youtu.be/ukomPza-Oh0Why write about Oscar Wilde through the lens of his family life?Inspiration for the novel from the memoir of Vivian Wilde, the youngest of the two sons of Oscar and Constance.Challenges of writing about one of the great wits in the English language.Structure of The Wildes as a play in five acts in a high comedy register.Constance Wilde as the protagonist of the novel, and how she was very progressive for her time, and very much Oscar's equal.Lady Wilde (Oscar's mother), the fiery Irish revolutionary poet named Speranza.Oscar Wilde and his relationship to women, seeing them as equals.What can contemporary audiences learn from The Wildes, particularly the "fifth act" of the novel?Reading from The Wildes.One thing that Louis learned from writing this novel that he didn't realize before.Read more about Louis Bayard on his website: https://www.louisbayard.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

Tommy Ruben joined me to discuss the closed knit cast of CPO Sharkey; growing up in Larchont, NY and his dad working for Sgt. Bilko; his dad Aaron, writing for Fred Allen, Milton Berle, Sid Caesar, The Andy Griffith Show and creating Gomer Pyle USMC; Don Rickles getting booed on Comic Relief; Sharkey's scripts scripts had ad-libs written in; being a class clown; guest starring on MASH; going to the Oakwood School; his dad''s film, The Comic; his father liked to build sitcoms around someone; creating CPO Sharkey; Polish jokes got the most letters; his first scene; episodes focusing on his character; the Johnny Carson incident and how has dad was mad; NBC wasn't all in on Don; Bob Newhart; his brother writing the punk rock episode; appearing in More American Graffiti with Cindy Williams; the difference in Drew Barrymore and James garner's acting methods; appearing and writing and episodes of The Stockard Channing Show; Rhonda Bates; being in his brothers movies; almost getting The Hardy Boys Show; and studying photography at the School of Visual Arts.

The photo world is filled with remarkable young and up-and-coming talents. They often don't get the visibility they deserve, so we created Next Frame—a new monthly series aiming to shine a light their way. These bite-sized episodes are equally inspired by the guests we speak with and the invaluable contributions of local creative arts programs that have played a key role in their development. We're launching this series with photographer, filmmaker, and boxing & music aficionado Josh Nass, an alumnus of Baltimore's Wide Angle Youth Media programs. From nailing his Photoshop skills while still in middle school to trading in his boxing gloves for a camera during college and beyond, Josh regales us with practical tips about both the successes and challenges all young creatives must face as they transition from trading pictures for access to molding media skills into a profitable career. Looking back on his early days chasing both music and fashion scenes, Josh notes, “Your main role as a photographer—especially with talent and famous people—you know, I thought I was just making them look cool, but I'm making them money. I'm marketing them for their next tour, for their current tour. Looking back, I've learned a thing or two about how to get users' attention online.” Guest: Josh Nass   Episode Timeline: 2:04: Baltimore/DC-based photographer Josh Nass talks about first picking up a camera to fill his time after hanging up his boxing gloves. 3:40: Leveraging social media to get on stage and photograph his favorite Caribbean singer, then trading free pictures for ongoing access. 7:25: Navigating one's comfort level as an up-and-coming photographer, plus making a distinction between comfort with gear and social ease with subjects and clients. 9:08: Making pictures of cool moments, creative editing decisions to draw out the cool factor, and being first to deliver the files are all key to Josh's success. 14:02: Street hustling at New York Fashion Week to gain access to photograph top artists and celebrities, and the tough lessons Josh learned in the process. 19:06: Josh's connection to Baltimore's Wide Angle Youth Media and the formative role their programs have played in his early photography success. 22:50: Being referred by Wide Angle for a Comcast commercial, and the backstory to what transpired behind-the-scenes.  29:49: Josh weighs future career options and whether he'll choose to pursue photography full time.  35:40: Essential advice for emerging photographers: Prioritize building your skills and don't overvalue your work early on. Plus, a look at Josh's first big paid gig for a Keke Palmer concert and marketing campaign.    Guest Bio: Josh Nass is a Baltimore/DC-based freelance photographer and a senior at the University of Maryland, College Park, where he's pursuing a bachelor's degree in information science. As a high school graduate of The Baltimore School for the Arts and a participant Baltimore's Wide Angle Youth Media non-profit, he's honed his subject-based style to give each of his shoots, whether its celebrities, musicians, athletes, or models, a unique “wow” factor.   Stay Connected: Website Instagram Facebook Wide Angle Youth / Comcast Video   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

#BillLutz #Illustration #Cartooning #GraphicDesign #MultimediaArt #StorycomicPresents #ArtAndTech #VermontArtist #VisualStorytelling #CreativeCareers In this episode of Storycomic Presents, I sit down with Bill Lutz, a multi‑disciplinary artist whose work spans illustration, cartooning, graphic design, and video editing. With over 30 years of professional experience and a degree in Illustration and Design from the School of Visual Arts in NYC, Bill blends traditional artistry with technological storytelling. We'll explore how his varied background—from comic book art to book cover design and multimedia projects—shapes his creative process and influences his vision as an artist. The Title sequence was designed and created by Morgan Quaid. See more of Morgan's Work at: https://morganquaid.com/   Storycomic Logo designed by Gregory Giordano See more of Greg's work at: https://www.instagram.com/gregory_c_giordano_art/   Want to start your own podcast?  Click on the link to get started: https://www.podbean.com/storycomic   Follow us: Are you curious to see the video version of this interview?  It's on our website too! www.storycomic.com www.patreon.com/storycomic www.facebook.com/storycomic1 https://www.instagram.com/storycomic/ https://twitter.com/storycomic1 For information on being a guest or curious to learn more about Storycomic? Contact us at info@storycomic.com   Thank you to our Founders Club Patrons, Michael Winn, Higgins802, Von Allan, Stephanie Nina Pitsirilos, Marek Bennett, Donna Carr Roberts, Andrew Gronosky, Simki Kuznick, and Matt & Therese. Check out their fantastic work at: https://marekbennett.com/ https://www.hexapus-ink.com/ https://www.stephanieninapitsirilos.com/ https://www.vonallan.com/ https://higgins802.com/ https://shewstone.com/ https://www.simkikuznick.com/ Also to Michael Winn who is a member of our Founders Club!

SEASON 2 - EPISODE 156 - Barry Jenkins - Director In this episode of the Team Deakins Podcast, we speak with director Barry Jenkins (MUFASA: THE LION KING, THE UNDERGROUND RAILROAD, MOONLIGHT). How did Barry get from South Florida to Hollywood? What did he learn about himself on his walkabout around the country after leaving the industry? What did Barry struggle with in the gap between the release of his debut feature and MOONLIGHT? How did he survive the gonzo shooting schedule of THE UNDERGROUND RAILROAD? Why MUFASA? Barry answers all these questions and speaks on craft, process, and so much more in this extended and enriching conversation about his life, his films, and the many years he spent not actually making anything. Barry and his film school friends Adele Romanski and Mark Ceryak also produce movies through their production company PASTEL, and we discuss why he feels it's important to help introduce new filmmakers and new voices—particularly now. Plus, Barry reveals the premise of his unrealized Stevie Wonder time-travel script.  - Recommended Viewing: THE UNDERGROUND RAILROAD, MOONLIGHT, MEDICINE FOR MELANCHOLY - This episode is sponsored by Barco & Aputure

306. Painting Life's Moments: How Heidi Schwartz Turns Events into Lasting Art In this episode of Creative Chats, we embark on a journey through the creative mind of Heidi Schwartz, live painter and artist based in Nashville. Heidi opens up about her unconventional path from music to painting, her unique process of painting live at events, and how art has served as both a healing agent and a transformative practice in her life. This episode is a treasure trove of wisdom for anyone passionate about embracing their creative instincts, navigating the evolving road of artistry, or learning to blend personal healing with the act of creation. 3 Key Takeaways:

This month, Artslink takes a look at the Repair Exchange program run by The Arusha Centre. https://www.arusha.org/repair-exchange The segment starts with an interview from Natalie Callas, who is the Circular Economy Manager at The Arusha Centre. Then, Artslink takes you right to the floor of a recent Repair Exchange at The Dalhousie Community Association to speak with some of the repairers, Steve, Farzana & Wayne. Then on Artslink, we're talking historical wargaming with James Istvanffy, who has been involved in playing and organizing historical strategy games for over 50 years. As discussed in the show, the upcoming sessions aren't for beginners, but if you are interested in learning more about historical wargaming you can contact James @ (403) 554-1248 Games played this September include 'Quebec 1759' and 'Axis & Allies'. Below are the official links to those games. https://www.columbiagames.com/cgi-bin/query/cfg/zoom.cfg?product_id=3001 https://www.axisandallies.org/ Here are some resources to start on your path to historical wargames: https://boardgamegeek.com/ https://grognard.com/ Here is the unusual gameplay mechanic about Henry VIII: https://theplayersaid.com/2024/10/09/my-favorite-wargame-cards-a-look-at-individual-cards-from-my-favorite-games-card-12-english-home-card-six-wives-of-henry-viii-from-here-i-stand-wars-of-the-reformation-1555-1571/

This is The Digital Story Podcast 1,014, August 26, 2025. Today's theme is, "Ricoh GR IV, More than Meets the Eye." I'm Derrick Story. Opening Monologue $1,496 seems a lot to pay for a compact camera, that is, until you realize what everyone else will be charging for their products starting in September. So then we go to specs. Is this enough of an upgrade to warrant the price? I think it is, and will explain why in today's TDS Photography Podcast. I hope you enjoy the show.

Los Angeles-based artist Amy Adler works across the disciplines of drawing, performance, photography, and film. Her practice explores media and process considering subjects that exist between paradigms and identities. Born and raised in New York City, Amy is a graduate of LaGuardia High School of Music and Art. She attended Cooper Union and went on to receive her MFA in art practice from UCLA and an MFA in film production from USC School of Cinematic Arts. She has had multiple international and national gallery and museum exhibitions including solo projects at MOCA Los Angeles, the Aspen Art Museum, the UCLA Hammer Museum and the Museum of Contemporary Art San Diego. She is Professor of Visual Art at UC San Diego where she has been teaching since 2004. And her current solo exhibition NICE GIRL is on view at the Orange County Museum of Art.She and Zuckerman discuss Leonardo DiCaprio, family as subject matter, girls, and nice girls, protecting the vulnerable, power dynamics, the vulnerability in making art, self-love, time well spent, drawing in negative, her studio practice, working standing, technique and texture, and how there is always more!

This month, Artslink takes a look at the Repair Exchange program run by The Arusha Centre. https://www.arusha.org/repair-exchange The segment starts with an interview from Natalie Callas, who is the Circular Economy Manager at The Arusha Centre. Then, Artslink takes you right to the floor of a recent Repair Exchange at The Dalhousie Community Association to speak with some of the repairers, Steve, Farzana & Wayne. Then on Artslink, we're talking historical wargaming with James Istvanffy, who has been involved in playing and organizing historical strategy games for over 50 years. As discussed in the show, the upcoming sessions aren't for beginners, but if you are interested in learning more about historical wargaming you can contact James @ (403) 554-1248 Games played this September include 'Quebec 1759' and 'Axis & Allies'. Below are the official links to those games. https://www.columbiagames.com/cgi-bin/query/cfg/zoom.cfg?product_id=3001 https://www.axisandallies.org/ Here are some resources to start on your path to historical wargames: https://boardgamegeek.com/ https://grognard.com/ Here is the unusual gameplay mechanic about Henry VIII: https://theplayersaid.com/2024/10/09/my-favorite-wargame-cards-a-look-at-individual-cards-from-my-favorite-games-card-12-english-home-card-six-wives-of-henry-viii-from-here-i-stand-wars-of-the-reformation-1555-1571/

✦ For decades, comedian and actor Jim Gaffigan has entertained audiences nationwide with his observational humor, personable stage presence, and a variety of film and television projects ranging from "Unfrosted" to his own self-titled comedy series. The eight-time Grammy nominee will be performing at the Atlanta Symphony Hall September 11-13 as part of his "Everything Is Wonderful Tour." He recently caught up with WABE reporter Kenny Murry to discuss the projects that shaped his career and how he really feels about his notable reputation as "America's Everyman." ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's visual art scene. Each week, they spotlight several standout happenings, and today, they'll cover: Atlanta Downtown & Dashboard's exhibition celebrating civil rights icon Xernona Clayton, Ayana Ross's Working Artist Project exhibition at MOCA GA, and more. ✦ A new gallery has opened in the Star Metals District, which showcases international artists. Rodney Kazemi founded Luca Fine Art Gallery. He has 30 years of global experience, curating artists from New York to Art Basel in Miami. The gallery's exhibition, "Glimmer and Gaze," is currently on view through September 28. WABE arts reporter spoke with Kazemi about the new space. ✦ "It is a truth universally acknowledged" that one of the year's most anticipated birthday anniversaries belongs to Jane Austen. The literary icon behind classics such as "Pride and Prejudice" and "Emma" was born on December 16, 1775. Now, 250 years later, devoted fans, scholars, and critics are marking this milestone year with celebrations all over the world, including in the Atlanta area, including a series of events throughout the Gwinnett Public Library system, and a celebration at Emory University's Rose Library. Our "Bookmarked" contributor Alison Law has more.See omnystudio.com/listener for privacy information.

This month, Artslink takes a look at the Repair Exchange program run by The Arusha Centre. https://www.arusha.org/repair-exchange The segment starts with an interview from Natalie Callas, who is the Circular Economy Manager at The Arusha Centre. Then, Artslink takes you right to the floor of a recent Repair Exchange at The Dalhousie Community Association to speak with some of the repairers, Steve, Farzana & Wayne. Then on Artslink, we're talking historical wargaming with James Istvanffy, who has been involved in playing and organizing historical strategy games for over 50 years. As discussed in the show, the upcoming sessions aren't for beginners, but if you are interested in learning more about historical wargaming you can contact James @ (403) 554-1248 Games played this September include 'Quebec 1759' and 'Axis & Allies'. Below are the official links to those games. https://www.columbiagames.com/cgi-bin/query/cfg/zoom.cfg?product_id=3001 https://www.axisandallies.org/ Here are some resources to start on your path to historical wargames: https://boardgamegeek.com/ https://grognard.com/ Here is the unusual gameplay mechanic about Henry VIII: https://theplayersaid.com/2024/10/09/my-favorite-wargame-cards-a-look-at-individual-cards-from-my-favorite-games-card-12-english-home-card-six-wives-of-henry-viii-from-here-i-stand-wars-of-the-reformation-1555-1571/

Episode 488 / Shu Hua Xiong Shu Hua Xiong (b.1994) born in Shanghai, China, currently lives and works in New York. She holds both BFA and MFA from School of Visual Arts in NYC. Her first solo in NY opens on Sep.4, with Island Gallery.

This episode of Drawing Hive Cassandra Kim, Scott Anderson, Adam Gustavson, and John English are joined by comic book artist Reilly Brown. Reilly's illustration work includes Deadpool, DC comics, Darkhorse, and more.View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Want more art tips & industry insights? Subscribe & turn on notifications!#figuredrawing #artpodcast #visualartspassage

This episode of Drawing Hive we're joined by illustrators and painters John English and Cassandra Kim as we paint reference inspired by a very silly movie. View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Want more art tips & industry insights? Subscribe & turn on notifications!#figuredrawing #artpodcast #visualartspassage

SEASON 2 - EPISODE 155 - Fred Specktor - Agent In this episode of the Team Deakins Podcast, we speak with agent Fred Specktor (CAA). Fred has actually seen it all—now in his 90s, he joined the mailroom at MCA (before its dissolution) after graduating college, and he's been in the business ever since. After a stint as movie mogul Lew Wasserman's assistant at MCA, Fred was fired, and he recounts his journey bouncing between outfits until landing at CAA where he has represented top Hollywood talent for the past four decades. Fred's long career as an agent is populated with moments such as networking at a car accident and attending an acting class with Jack Nicholson, and he shares many of them with us throughout the episode. We also discuss the differences in Hollywood, moviegoing, and filmmaking between today and the previous century, and we learn how he still tackles his work with verve after a lifetime on the job. Plus, Fred makes his prediction for the future of the movies. - If you enjoy listening to Fred, we recommend reading THE GOLDEN HOUR. Fred's career and life is one of the subjects of the novel which was written by previous guest (and Fred's son) Matthew Specktor (Season 2, Episode 146). - This episode is sponsored by Aputure & Barco

Alan Robert has built a rare career that bridges two creative worlds. As bassist and songwriter for the long-running band Life of Agony, and as the artist behind acclaimed comics and coloring books, he's carved a path that shows how music and visual art can coexist in one life.Alan Robert's Early Path: From Comic Dreams to Life of AgonyRobert first set out to be a comic book artist. While studying at the School of Visual Arts in Manhattan, he imagined himself drawing for Marvel or DC. Music came later, almost by accident, when he picked up a guitar in college. By the time he graduated, he faced a choice: join his newly signed band Life of Agony full-time or pursue a career in comics. With Roadrunner Records offering the chance to tour, he chose music, assuming it would be temporary. More than three decades later, the band is still going strong.Returning to Art: Alan Robert's Graphic Novels and ComicsEven as Life of Agony gained momentum, Robert never let go of his love for drawing. On breaks from touring, he began writing and illustrating his own graphic novels, keeping one foot in each creative lane. His artistic side took on new life when he created a series of horror-themed coloring books. The Beauty of Horror series, in particular, struck a chord with fans around the world, blending intricate line work with playful, macabre themes.The Beauty of Horror and Alan Robert's Creative UniverseRobert has continued to expand that universe in unexpected ways. His spoofs of classic album covers, like “Goodbye Camp Crystal Lake,” show the humor and crossover appeal at the core of his work. His original character Ghouliana, has become a fan favorite, inspiring cosplay, collectibles, and even action figures. Meanwhile, his collaborations on officially licensed projects have allowed him to revisit the movie monsters and icons that first sparked his imagination.What's Next for Alan Robert: New Coloring Books and BeyondRobert credits much of his success to seizing opportunities and staying open to new outlets for creativity. From pitching stories to IDW Publishing to signing record deals that trusted his instincts, he's always leaned into what felt right in the moment. His latest project, Ghouliana's Sanctuary for Monsters, blends the format of a coloring book with a storybook narrative, further pushing the boundaries of what his art can be.Whether on stage with Life of Agony or at the drawing table, Alan Robert continues to find ways to keep both of his passions alive. His career is proof that you don't have to choose between music and art — with persistence, you can make room for both.

This is The Digital Story Podcast 1,013, August 19, 2025. Today's theme is, "5 Tips for Tasty Food Shots on the Go." I'm Derrick Story. Opening Monologue I'm working on a review of the Stoke Voltaics Nomad Cooking System for TDS. It's a compact, electric kit that's super nimble and perfect for light camping photographers. As a result, I've been doing my fair share of food photography lately. I'll share some tips and tricks in the first segment of today's podcast. I hope you enjoy the show.

Aspiring podcaster and artist M'Balou Camara interviews me for a special Maryland Art Summit 2025 recording.M'Balou is a former student, current colleague, and emerging podcaster preparing to launch “Heart Reflex,” highlighting voices of the African diaspora in the arts.Our conversation—recorded live at Prince George's Community College—explores our journey from a classroom connection at UMBC to ongoing collaboration, mutual mentorship, and co-leadership in the creative community.I share insights from my nearly 20 years as a podcaster and host of “The Truth in This Art,” focusing on the value of storytelling, reciprocity, and building a living archive for Baltimore's creative voices.We discuss how authentic conversations, trust, and relational support are central to my approach as a host and educator. I break down strategies for fostering access, avoiding gatekeeping, and sustaining creative independence amid funding challenges.Audience questions spark a discussion on practical advice for new podcasters, evolving media formats, and lessons learned from both successes and setbacks.We close with a rapid-fire “reflex round,” reflecting on curiosity, inspiration, and the role of freedom in creative work.Topics Covered:Evolving from instructor-student roles to creative peer collaborationBuilding and sustaining community-rooted podcast archivesThe ethics and art of listening, trust, and relationship-buildingNavigating independence, institutional pressure, and artistic integrityMutual mentorship and non-hierarchical support in the artsPractical strategies for launching and growing a podcastAdapting to changes in media and the podcasting landscapeCentering and uplifting underrepresented stories and artistsReflections on curiosity, inspiration, and freedom through art

SEASON 2 - EPISODE 154 - Tracy Letts - Actor / Writer In this episode of the Team Deakins Podcast, we speak with actor and writer Tracy Letts (AUGUST: OSAGE COUNTY, BUG, HOMELAND). Born and raised in Oklahoma, Tracy struck out for Chicago after high school to find work as an actor in the city's active theatre scene, and we learn why Tracy began writing plays himself. We also discuss cinema's role as a messenger for exposing the stories of the stage to rural American communities without access to the theatre, and he shares his mixed experiences adapting his plays into films, from director William Friedkin's tense vision of BUG to the Hollywood ensemble version of his Pulitzer Prize winning play AUGUST: OSAGE COUNTY. An accomplished actor as well, Tracy reflects on seeking advice for performing for the camera from his seasoned HOMELAND castmates Claire Danes and Mandy Patinkin, and he reveals how he felt when, after being replaced on a film he had written, he was asked to act in additional scenes invented for his character. Plus, Tracy quotes a critical review that ironically sold out the remaining shows of his first play KILLER JOE.  - This episode is sponsored by Barco & Aputure

This is The Digital Story Podcast 1,012, August 12, 2025. Today's theme is, "How It All Began." I'm Derrick Story. Opening Monologue I'm one of those odd folks who always knew what I wanted to do for a living. As a kid, I tormented my parents with requests to the photo shop for supplies to brew the alchemy for my own film processing. Then, in Junior High, I got my big break. And that story is how we lead off today's TDS Photography Podcast. I hope you enjoy the show.

✦ Have you ever watched Ferris Bueller's Day Off or The Wizard of Oz and thought, "Where are all the Black characters?" Dad's Garage is answering that burning question in their show "Blackground," which is on stage through September 27. WABE arts reporter Summer Evans sat down with Jon Carr, the artistic director of Dad's Garage and one of the show's participants to learn more. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week, they spotlight five standout happenings, and today their mix includes: SCAD in 4D with Atlanta Photography Group, Trees Atlanta, and Lost in the Letters collaborating to bring us stories of Atlanta's canopy, and a global group show at ABV's headquarters in East Atlanta. ✦ WABE's Sounds Like ATL documentary series explores the vibrant Atlanta music scene. Each week, it either introduces or reintroduces you to a local artist, sharing their creative process and a few live performances. You can watch, dance, and sing along to new episodes every Wednesday on the YouTube channel, @WABE ATL. Here's a preview featuring Rex Evans. ✦ Originating over 50 years ago in Mexico City, Circus Vazquez has presented death-defying acts and mesmerizing entertainment since 1969. Their all-human cast of performers has come together from locations around the globe, including Italy, Africa, and even Ukraine. The Circus is returning to Atlanta on August 22, and they'll be pitching their tent at Plaza Fiesta on Buford Highway through August 24. When City Lights Collective co-host Kim Drobes caught up with ringmaster and performer Yan Vazquez, and aerialist Valeria Koshova, Yan began by explaining why his grandfather originated the Circus over 5 decades ago. ✦ When you think of iconic Georgia foods, pecan pie, peach cobbler, or boiled peanuts might come to mind. But a deeper dive into the state's culinary history reveals a much richer—and sometimes surprising—story. Taste the State: A Culinary Journey Through Georgia offers just that. Co-authors Dr. David Shields and Chef Kevin Mitchell take readers on a delicious trip through the state's food history—one recipe, one story at a time. City Lights Collective producer Josh Thane spoke with the duo about the dishes that define Georgia and the deeper stories they tell.See omnystudio.com/listener for privacy information.

JD Raenbeau (b. 1985, Stony Brook, NY) currently lives and works in Rocky Point, New York. He received his MFA from The School of Visual Arts where he received the Paula Rhodes Memorial Award for Exceptional Achievement in Art Practice. He holds a BFA from Alfred University. Raenbeau has exhibited his work in New York, Brooklyn, Los Angeles, New Mexico, and the UK. His work has been featured in New American Paintings, Artsin Square Magazine, and Sensitive Content Magazine. He was recently an Artist in Residence at the Vermont Studio Center, The Golden Foundation for The Arts, and most recently was Artist in Residence at the Hafnarborg Museum in Hafnarfjordur, Iceland. © JD Raenbeau, “Canopy,” 2025, Oil on panel, 24 x 30 inches, Courtesy of CLAMP, New York © JD Raenbeau, “Full Moon,” 2024, Oil on panel, 12 x 16 inches, Courtesy of CLAMP, New York © JD Raenbeau, “X,” 2024, Oil on panel, 16 x 16 inches, Courtesy of CLAMP, New York

SEASON 2 - EPISODE 153 - Steven Soderbergh - Director In this extended episode of the Team Deakins Podcast, we speak with director Steven Soderbergh (BLACK BAG, TRAFFIC, OUT OF SIGHT). Steven credits his father for giving him the movie bug, and he shares how a young adulthood shooting short films and writing spec scripts in Louisiana led to the 8-years-in-the-making overnight success of his debut feature: SEX, LIES, AND VIDEOTAPE. We spend much of the episode discussing Steven's insights into directing and filmmaking, and he opens up about his transition into shooting his own films under the alias Peter Andrews. Steven also reflects on directing OUT OF SIGHT, recalling how he ended up with the job, when a studio note protected him from his own instinct to be lean in the film's edit, and why he felt the movie was at stake when he went to war to cast Jennifer Lopez. Steven also stresses the importance of character and reputation in the business, and he recalls the pitfalls of acting like an egomaniac that he witnessed while crewing in his early days. We also discuss the value of establishing a basic grammar and set of rules specific to the film one is making, and Steven shares how he tries to listen to what a movie wants “itself” to be. - Recommended Viewing: OUT OF SIGHT  - This episode is sponsored by Aputure & Barco

Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/matt-raw Matt Raw, Interim VP of Design at The New York Times, and his team have a tough job. Their work is seen by millions every day who come to the Times website and apps for information they can trust, presented clearly, across platforms, striking a stylistic balance between tradition and innovation. Somehow they approach the pressure of their work with grace. n this episode, we talk with Matt about what it means to design for a mission-driven organization in a time of profound technological and cultural change. Matt shares how his team is navigating the tension between tradition and evolution, how they balance experimentation with editorial integrity, and why even the smallest interface details can carry the weight of institutional trust. We also explore how the Times is adapting to new reader habits, the impact of generative AI on journalism and design, and why listening deeply to colleagues and readers remains a superpower for their team. If you missed it earlier this month, Matt also interviewed us for an AMA at the Times' headquarters in Manhattan. Also, stay tuned after our conversation with Matt (or listen to the embedded audio below) for a special with the Australian design agency Noize uses Wix Studio to create amazing sites for top brands. Bio Matt Raw is a product design leader with over 15 years of experience creating user-centered digital products and services. As interim Vice President of Product Design Culture and Operations at The New York Times, he helps product designers thrive, runs design operations, and oversees the shared design studio. He has built and led teams of designers, managers, and leaders who deliver exceptional work spanning strategy to execution. Raw also teaches advanced UX fundamentals to MFA students at the School of Visual Arts, focusing on insight-centered problem definition and rapid validation through lightweight prototyping. His mission is empowering product designers to craft meaningful experiences for millions of users worldwide. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to the documentary Design Disruptors and our growing library of books: You'll also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. Upgrade to paid ***

This is The Digital Story Podcast 1,011, August 5, 2025. Today's theme is, "There Is No Single Solution (when it comes to photo software)." I'm Derrick Story. Opening Monologue Photo software is like streaming services. We want just one, but somehow we end up with many. Lightroom, Capture One, ON1, Luminar, Photos, Nitro, DXO - They're all so good! Why can't my favorite shows all be on one service? Well, they're not, and your software isn't either. So we have to construct a workflow that balances the features we want with the software we can afford. And that's the first story on today's TDS Photography Podcast. I hope you enjoy the show.

Nat Ward lives in Queens, NY. His work is collected by the Museum of Modern Art, the Guggenheim Museum, the Metropolitan Museum of Art, The Parrish Art Museum, and the Museum of Fine Arts Houston. His previous book of photographs and poetry, Big Throat, was published by +KGP in 2020. Ward founded the collaborative photographic project space A New Nothing with Ben Alper in 2014 and has had features on his photographic work published in Aperture, Interview, Collector Daily, Photobook Journal, Photography & Culture, C4, The British Journal of Photography, Unseen, Vogue, Vogue Italia, Vice, and Juxtapoz. He has exhibited photographic and text-based installations at Nathalie Karg Gallery, New York Live Arts, Hampshire College, and The Jewish Museum. Ward has been awarded residencies and fellowships from Yaddo, The Cooper Union Professional Development Fund, the Edward F. Albee Foundation, and The Sharpe-Walentas Studio Program. His poetry and critical writing have appeared in publications from Wendy's Subway, 1080Press, The Brooklyn Review, and Beautiful Days Press. Ward's poems appear alongside photographs by Sara J. Winson and Aaron Canopy in Shades, published by Push Pull Editions (2024). Ward holds an MFA in Visual Art from Columbia University and an MFA in Poetry from Brooklyn College. https://nat-ward.com https://www.instagram.com/mrnatward/ https://powerhousebooks.com/books/ditch-montauk-new-york-11954/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com

✦ We've all felt a little "othered" at times, but the shy, serious, teenage Leela, born in India, and on the autism spectrum, might have a bit of extra insight into the feeling. She's the lead character in the acclaimed play "Orange" by Aditi Brennan Kapil, which opens at Stage Door Theatre on August 9 and runs through the 24. City Lights Collective co-host Kim Drobes recently spoke with director Amee Vyas about the play and how the story of teenage growth unfolds. ✦ Since 2014, re:imagine/ATL has been empowering the next generation of creatives through hands-on training, mentorship, and real-world media production. With programs that equip young people to navigate Atlanta's growing film and production industry — and provide access to professional opportunities — the organization is helping emerging talent build both skills and careers. City Lights Collective producer Josh Thane spoke with Program Director Jessie Sparrow and program alum Syeara Dunlap to learn more about their work — and how they're using creativity to shape futures and communities. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week, they spotlight five standout happenings, and today their mix includes: a story about how the Goat Farm is picking up where MINT left off, bringing the family to the High Museum for free, and explorations of Southern, Black, queer history and iconography. ✦ Comedian and podcaster Sean Jordan is following his life's calling to spread laughter and positivity to the masses, but these days, that can be a challenge. Especially as he balances fatherhood and life as a touring comedian, Sean strives to show up, hold it down, and turn life's ups and downs into material for his standup. You can see for yourself, as he makes his Atlanta debut this Friday, the 8th, at the Limelight Theater, and he spoke with City Lights Collective engineer Matt McWilliams ahead of the show. ✦ Several Georgia playwrights are showcasing never-before-seen works at this year's Essential Theatre Play Festival. WABE arts reporter Summer Evans shares more.See omnystudio.com/listener for privacy information.

“That which unites us is far greater than what divides us.” The first four words of this sentence are subtitle, and subtext, for “Path of Liberty,” an immersive outdoor photo and media experience on view through fall 2025 at Freedom Plaza on Manhattan's east side. The creative groundwork for this project was a mammoth effort involving an extensive crew both on the road and behind the scenes. In today's podcast, we catch up with two principals of this project's creative team—creative director Daniella Vale and director of photography, Scott Beardslee—to learn more about their daily lives during two months spent traversing the country by van to interview a broad group of everyday Americans. From the founding idea of capturing the diversity of people across America to the curiosity and resilience of the crew when working on the road to the complexities of orchestrating the many sensory elements for an immersive experience in exhibition, our discussion is rich with creative insight. As Daniella shares during our chat, “I always tend to make three films. There's the film I write, the film I shoot, and then, usually, I rearrange everything and make a totally different film in the edit. So, I've gotten pretty accustomed to non-attachment and rolling with things. That's where the magic happens too.” Guests: Daniella Vale & Scott Beardslee   Episode Timeline: 3:28: The inspiration behind Path of Liberty and Daniella's role as creative lead. 6:59: Daniella and Scott's respective backgrounds in photography and film, plus being curious and distinctions between finding the moment vs creating the moment. 12:02: Daniella and Scott's first introduction in the New York film world. 15:14: Building the crew for Path of Liberty and the challenges of traveling and conducting interviews on the road. 21:35: Daniella describes the three films she makes in the process of writing, shooting, and editing, plus the importance of learning to adapt on the fly. 26:54: Memorable stories from the Path of Liberty road trip. 30:56: Episode Break 31:30: We all want to be happy, but there's a difference between freedom and taking advantage of freedom 34:42: Daniella discusses her time in Japan, and the cultural contrast between American individualism and societies that put the group over the individual self. 41:00: The gear Daniella and Scott traveled with and how it affected the project. 47:59: The interview process with portrait subjects, plus making natural portraits in the moment. 58:32: The Path of Liberty installation in midtown Manhattan, the pride of subjects gathered from across the America, plus the complexities of the post-production process 1:05:39: The immersive aspects of the installation—from the sound design of the audio to the visual continuity between the photographs and the on-site terrain. 1:14:19: Scott and Daniella offer career advice for developing as a creative—leave room for being curious.   Guest Bios: Daniella Vale is a New York City-based photographer, film director, and producer. Her creative passions began early, influenced by her uncles in Pittsburgh's avant-garde film movement. While attending university in Tokyo, Daniella worked on photography and documentary projects. She later moved to Bollywood, where she collaborated with Shah Rukh Khan's Red Chillies Entertainment and Cannes-winning director Manish Jha. In New York, Daniella has worked for brands such as VICE, MTV, Google, and Prada, and with talent such as Alicia Keys, Deepak Chopra, and Lucy Liu. Her portfolio includes work in fashion, branded content, docu-series, and narrative films across various global locations. Career highlights include participating in the 2018 Cannes Film Festival Short Film Corner and being featured in Allure magazine for her directing work. And of course, most recently, Daniella headed up the creative team for the immersive outdoor installation, Path of Liberty: That Which Unites Us, which we're here to talk about today. Scott Beardslee began his career in photography, working as a 1st and 2nd assistant. Yet his passion for narrative filmmaking soon inspired him to take a different career route, focusing on shooting films, commercials, and music videos. Upon graduation from San Francisco State University with a film theory and production degree, he pursued cinematography and later attended graduate school at The American Film Institute in Hollywood. Before he became serious about filmmaking himself, Scott worked as a gaffer for many established A.S.C. cinematographers. Currently, Scott is a Director of Photography in the Union Local 600, working on commercials, music videos, and television.   Stay Connected: Path of Liberty Website Instagram Daniella Vale Website Instagram Youtube Vimeo   Scott Beardslee Website Instagram Vimeo Tiktok   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

This episode of our free drawing practice meetup we drew bugs with illustrators and painters Cassandra Kim and John English. Support the show by giving us a like and comment below.View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Learn more about our classes herehttps://visualartspassage.com/#figuredrawing #onlineartclass #visualartspassage

SEASON 2 - EPISODE 152 - Lucy Prebble - Playwright / Writer Playwright and writer Lucy Prebble (SUCCESSION, I HATE SUZIE, ENRON) joins us in this episode of the Team Deakins Podcast. Lucy's plays frequently incorporate the physical space of the stage in the telling of the story and involve the audience in engaging and creative ways, and we were excited to talk to her about storytelling both on stage and on screen. We learn how, after a bookish childhood, she eventually found the courage to have her own plays put on, and she reflects on her experiences running her own television show and working on others'. Lucy also wrote for the amply-budgeted video game DESTINY, and she shares (as much as she's allowed to) how the writing process works for something with that many resources. Lucy also reveals the real-world events that inspired her plays ENRON and THE SUGAR SYNDROME, and we learn how she identifies the real human relationships at the heart these stories. We also discuss the value of empathy and deadlines for a writer, and Lucy makes a prediction for the future of the theatre in the digital age. Plus, we observe that many of history's greatest writers were really just frustrated actors. - This episode is sponsored by Barco & Aputure

Today, we welcome legendary alternative comics creator Evan Dorkin for a wild and woolly interview that (sometimes) explores his unique career and projects. He shares his origin story of discovering comics as a kid growing up in Brooklyn and Staten Island, working at comic retailer Jim Hanley's store during high school, and his transition from wanting to study animation at the School of Visual Arts to focusing on comics at NYU. We jump into his cult classics Milk and Cheese and Dork (from Slave Labor Graphics), discussing the independent comics scene in the late '80s and early '90s and how he developed his unique brand of anarchic humor that both celebrates and satirizes fandom. Evan opens up about his most beloved and infamous creation, The Eltingville Club, which earned him multiple Eisner Awards for its brutal takedown of toxic fan culture. We touch on his work writing for animation including Space Ghost Coast to Coast and Superman: The Animated Series (where he and wife Sarah Dyer created the character Livewire), his irreverent Superman and Batman: World's Funnest one-shot, and his multiple Eisner Award-winning collaboration with Jill Thompson on Beasts of Burden. We even get into his satirical superhero character Fight-Man, why this is the greatest time to be a geek, and why we all still complain so much!You can find and follow Evan all over social media, including Instagram, Bluesky, Tumblr and more: @evandorkin. And check out his Patreon: patreon.com/evandorkin!Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

This is The Digital Story Podcast 1,010, July 29, 2025. Today's theme is, "Still Think Lightroom Is a Lightweight Compared to Classic?." I'm Derrick Story. Opening Monologue When Lightroom CC debuted, it did feel more like a toy than serious software that could challenge its elder Classic sibling. But things have changed over the years, and the Cloud version, now just called Lightroom, has some serious chops. So much so, that it's now a legitimate rival to its elder. I'll explain why on today's TDS Photography Podcast. I hope you enjoy the show.

Steve and Katie talk with Professor Stephen Urice and Judge Simon Frankel about their careers in art law, art law teaching, and their authorship of the 6th edition of the renowned art law textbook “Law, Ethics, and the Visual Arts.” They talk about art law as an academic subject, how to teach and present art law to students, and the experience of updating and rewriting an iconic textbook originally written by the founder of art law teaching, John Henry Merryman.   Notes for this episode: https://artlawpodcast.com/2025/07/29/teaching-art-law/   Follow the Art Law Podcast Instagram: https://www.instagram.com/artlawpodcast/ TikTok: https://www.tiktok.com/@artlawpodcast Katie and Steve discuss topics based on news and magazine articles and court filings and not based on original research unless specifically noted.

The invention Eadweard Muybridge is known for is his zoopraxiscope, an early movie technology. But he also innovated in photography, had some other inventions, and was the defendant in a murder trial. Research: Ball, Edward. “The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures.” Doubleday. 2013. Cohen, Paula Marantz. “Flickering Like Photography.” Times Literary Supplement. https://www.the-tls.com/lives/biography/scoundrel-harry-larkyns-pitiless-killing-photographer-eadweard-muybridge-rebecca-gowers-review “A Fast Trotter Caught by a Skillful Artist on the Fly.” The Lamar Republican. May 29, 1873. https://www.newspapers.com/image/666936878/?match=1&terms=occident%20Muybridge%20 “Madness and Murder.” Whidbey Island Center for the Arts. https://www.wicaonline.org/blog/2020/2/2/1rmzzg46joal5ajvy4tesnui7v314p “A Startling Tragedy.” Los Angeles Herald. October 22, 1874. https://cdnc.ucr.edu/?a=d&d=LAH18741022.2.15&e=-------en--20--1--txt-txIN-------- The Editors of Encyclopaedia Britannica. "Eadweard Muybridge". Encyclopedia Britannica, 23 Jun. 2025, https://www.britannica.com/biography/Eadweard-Muybridge The Editors of Encyclopaedia Britannica. "Leland Stanford". Encyclopedia Britannica, 17 Jun. 2025, https://www.britannica.com/biography/Leland-Stanford Higgins, Charlotte. “Eadweard Muybridge's motion towards Tate Britain.” The Guardian. April 27, 2010. https://www.theguardian.com/artanddesign/2010/apr/27/eadweard-muybridge-tate-britain-motion-studies “The Last Call.” San Francisco Examiner. Jul 19, 1875. https://www.newspapers.com/image/457599375/?match=1&terms=Harry%20Larkyns Shimamura, Arthur P. “Muybridge in Motion: Travels in Art, Psychology and Neurology.” History of Photography. 2002. https://doi.org/10.1080/03087298.2002.10443307 Muybridge, Eadweard. “Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Commenced 1872 - Completed 1885. Volume XI, Wild Animals and Birds.” Met Museum. https://www.metmuseum.org/art/collection/search/266431 Manjila, S., Singh, G., Alkhachroum, A. M., & Ramos-Estebanez, C. (2015). Understanding Edward Muybridge: historical review of behavioral alterations after a 19th-century head injury and their multifactorial influence on human life and culture. Neurosurgical Focus FOC, 39(1), E4. https://doi.org/10.3171/2015.4.FOCUS15121 Prodger, Phillip and Tom Gunning. “Time Stands Still: Muybridge and the Instantaneous Photography Movement.” Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2003 Solnit, Rebecca. “River of Shadows: Eadweard Muybridge and the Technological Wild West.” Viking, 2003. Wolf, Byron. “Eadweard Muybridge’s Secret Cloud Collection.” Places Journal. September 2017. https://placesjournal.org/article/eadweard-muybridges-secret-cloud-collection/?cn-reloaded=1 See omnystudio.com/listener for privacy information.

✦ 61 years ago, racial minorities had no legally protected right to vote. A new documentary film “Harmony of Freedom” reminds us of this unsettling fact while celebrating the 60th anniversary of the Voting Rights Act, through the power of music. WABE has partnered with Georgia State student conductor and filmmaker Jackson Allred to air “Harmony of Freedom” on August 4th. The film showcases orchestras from all over the state of Georgia performing composer Margaret Bonds’ “Montgomery Variations.” City Lights Collective co-host Kim Drobes recently sat down with Jackson Allred to learn more. ✦ Atlanta Pride, Georgia's oldest nonprofit organization serving our city’s local LGBTQ+ community, turns 55 this year. To celebrate, they’ve partnered with Out on Film and are showcasing queer resistance in the South - through a film screening and community summit. WABE arts reporter Summer Evans shares more. ✦ For nearly three decades, Dad's Garage has been become synonymous with improv comedy in Atlanta. And as their fans have put down roots and grown families here in Atlanta, so to has Dad's expanded their offerings to appeal to the next generation of comedy lovers. Performing Saturday matinee shows, Wowie Zowie is a playful and engaging experience for audiences of all ages. Kids get to let loose and see their creative ideas come to life on stage, while parents can enjoy an afternoon out of the house without suffering the oppressive summer heat. City Lights Engineer Matt McWilliams recently caught up with Dad's Garage ensemble player Avery Sharpe-Steele after a sold-out Wowie Zowie show. ✦ . You may be familiar with Toni Morrison, the Pulitzer and Nobel Prize-winning author of novels “Beloved,” “The Bluest Eye,” and more. But did you know that Morrison was also one of the first Black editors for a major publishing company? A new book, “Toni at Random,” examines Morrison’s years as an editor at Random House and the book’s author, Dana Williams, will celebrate her new release tomorrow, with a discussion at Atlanta’s Auburn Avenue Research Library. City Lights Collective member Alison Law recently caught up with Willams to talk about “Toni at Random” ahead of tomorrow’s event. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta’s visual art print magazine, “GULCH”, want you to get out and engage with the city’s art scene. Each week they spotlight five standout happenings, and today their mix includes: prints galore at the Black Art in America Print Fair, love and care in a group show at the historical Haugabrooks Gallery on Auburn Avenue, and thoughtful textile explorations at Gallery Chimera.See omnystudio.com/listener for privacy information.

Send us a textMy guest today is Alka Joshi, author of four novels listed on Art In Fiction including Six Days in Bombay listed in the Visual Arts category.View the video on YouTube: https://youtu.be/eYPoIKk9pOkInspiration for Six Days of Bombay and its relationship to the real life story of artist Amrita Sher-Gil.Background on Amrita Sher-Gil and how her personality and sometimes shocking activities influenced the creation of Mira Novak in Six Days of Bombay.Why Alka chose to write a novel about a fictional version of Amrita, rather than about the real artist.How Alka chose to frame Mira's story by telling it through the eyes of Sona Falstaff, the nurse who cared for Mira during the last six days of her life in a private hospital in Bombay.Background on Anglo Indians as inspiration for the character of Sona who must navigate two worlds after her British father abandoned her and her mother.Mira as archetype for the independent woman of the 1930s, that there were more of them then we think.How Sona is most like Alka herself compared to the other characters she has written.The role of grief for a mother played in the novel.Europe in the 1930s and its parallels to India during the same period.Researching the novel in Paris, London, Prague, Florence, and Istanbul.Reading from Six Days in Bombay.One thing that Alka learned from writing this novel that she didn't realize before.Alka's next novel, due out in late 2026/early 2027 about a girl wanting to learned classical dance in India when its practice was forbidden.Read more about Alka Joshi on her website: https://www.alkajoshi.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

What transforms raw materials into meaningful art? How do artists develop their unique voice while standing on the shoulders of those who came before them? In this thought-provoking second part exploration of Jerry Saltz's "How to Be an Artist," we unpack the practical realities of the creative journey and the mindsets that sustain artistic growth.The conversation begins with the critical practice of capturing ideas—through sketchbooks, journals, voice memos—creating an ever-expanding archive of inspiration that artists can mine for future work. We share personal systems for documenting fleeting thoughts and how this practice often reveals what's truly happening in our minds. These captured moments become the seeds from which our most authentic work grows.We tackle the intimidating challenge of finding one's artistic voice, challenging the myth that great artists spring forth with fully-formed originality. All masters begin as students—imitating, copying, and gradually infusing their personal perspective into established forms. The studio becomes the sacred space for this transformation—a sanctuary where imitation evolves into innovation without judgment or shame. Whether your workspace resembles the pristine order of Agnes Martin or the chaotic energy of Francis Bacon, it should serve as your laboratory for experimentation.Perhaps most profound is the discussion of embedding thought and emotion into physical materials—creating work that communicates even when you're not present to explain it. This alchemical process requires deep listening to both your materials and your inner voice. Great art puts out more energy than went into its making, resonating with viewers on levels beyond literal understanding.We close with an essential reminder: there are no wasted days in the studio. Even apparent failures move your practice forward. The struggle itself is valuable—often taking you further than easy successes ever could. Learn to finish work and move forward rather than getting trapped in perfectionism. Your next piece will benefit from everything you've discovered in creating this one.Whether you're a seasoned artist or just beginning your creative journey, this episode offers practical wisdom and permission to embrace both the struggle and joy of making meaningful work that's distinctly yours.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

SEASON 2 - EPISODE 151 - Dave Freeth - Inventor of the Stabileye In this episode of the Team Deakins Podcast, we speak with Dave Freeth, a recipient of a Scientific and Engineering Award by the Academy of Motion Picture Arts and Sciences for the invention of the Stabileye. The Stabileye is a remotely-operated, motorized camera stabilization system, and we used the equipment extensively on 1917 to pull the film off. Dave originally started out in an apprenticeship for watchmaking but soon found himself working for the Ministry of Defence until making the transition into the film industry. We asked Dave to come on the podcast to discuss the Stabileye's inception and design, and he describes the underlying mechanics that not only power the Stabileye but other stabilization systems in use today. We talk about gyroscopes, satellites, lasers, and even gravity! He also shares how the Stabileye is adapting to newer camera models, and he reveals some surprising potential developments in sensor technology. We learn a lot in this episode, and we were excited to celebrate Dave's recent recognition with him.  - This episode is sponsored by Aputure & Barco

This is The Digital Story Podcast 1,009, July 22, 2025. Today's theme is, "2 Big Updates - One Hot (Snapseed 3.0) and One Not (Sony RX1R III)." I'm Derrick Story. Opening Monologue Out of the blue, Sony announced the RX1R III full frame compact digital camera. At a time when well-heeled portables are popular, you'd think this 61 MP dream machine would be an instant hit. Maybe. And speaking of surprises, how about that Snapseed 3.0 update? Didn't see that one coming either. One of these I'm absolutely thrilled about, and the other has me scratching my head. Find out which is which on today's TDS Photography Podcast. I hope you enjoy the show.

Richard Shear is Founding Partner and Chief Creative Officer of Invōk Brands and a founding faculty member of SVA's Master's in Branding program. With a five-decade design career and a passion for visual history, he explores how global consumer culture shapes today's brands in his new book A History of Brands. This week on On Brand, he joins me to discuss the evolution of retail, the enduring impact of packaging, and why the future of branding begins with the past. About Richard Shear Richard is a founding faculty member of the Master's in Branding program at New York's School of Visual Arts and a Founding Partner and Chief Creative Officer of Invōk Brands. His 50-year design career has been influenced by a fascination with visual history, driven by a curiosity for the culture of consumer brands, and guided by rich experience in brand identity and package design. Richard's SVA course focuses on the origins, evolution, and current status of retail brands, building awareness of the rich legacy and growth of global consumer culture and its intrinsic connection to the evolution of visual history. What brand has made Richard smile recently? “That's easy,” Richard shared. “Barbie.” Specifically, Richard points to their newly released Barbie with Type 1 Diabetes. Connect with Richard on LinkedIn as well as the Invōk Brands and Branding at SVA websites. And check out Richard's new book A History of Brands wherever you like to shop. Listen and subscribe at  Apple Podcasts, Spotify, Amazon/Audible, Google Play, Stitcher, TuneIn, iHeart, YouTube, and RSS. Rate and review the show—If you like what you're hearing, be sure to head over to Apple Podcasts and click the 5-star button to rate the show. And, if you have a few extra seconds, write a couple of sentences and submit a review to help others find the show. Did you hear something you liked on this episode or another? Do you have a question you'd like our guests to answer? Let me know on Twitter using the hashtag #OnBrandPodcast and you may just hear your thoughts here on the show. On Brand is a part of the Marketing Podcast Network. Until next week, I'll see you on the Internet! Learn more about your ad choices. Visit megaphone.fm/adchoices

SEASON 2 - EPISODE 150 - A LOOK AT TWO INSPIRATIONAL FILMS - with Joe Walker - Part 2 In this episode of the Team Deakins Podcast, we finish our two-part conversation with editor Joe Walker (Season 1, Episode 35) about two of our favourite films: Richard Brooks' IN COLD BLOOD and Jean-Pierre Melville's ARMY OF SHADOWS. Following the previous episode, we shift our focus towards ARMY OF SHADOWS, contrasting the film's measured pacing with the rapidity of its violence that punctuates several points in the story. We reflect on the emotional effect of the movie's unique sense of rhythm and handmade nature, and we discuss the use (and absence) of music throughout the film. We also reflect on the film's near-lack of inserts and intimacy, and we share how the film successfully adapts the essence of the book from which it is based despite making several story changes. Roger was in college at the time of both films' theatrical runs, and he shares what it was like watching them with contemporary audiences. Later, Joe reveals why he and director Denis Villeneuve (Season 1, Episode 25) vary their film diet and watch “slower” films such as ARMY OF SHADOWS to refresh their brains, and Joe observes that fisherman make great camera operators. - Recommended Viewing: IN COLD BLOOD (1967), ARMY OF SHADOWS (1969) - This episode is sponsored by Barco & Aputure

Anna Arendt is a photographer and visual artist living and working in Berlin whose images explore memory, silence, loss, and the invisible links between personal history and larger events. Her work often moves between personal, historical, and symbolic worlds, shot in black-and-white to capture places where the past and present meet.Anna was born in the German Democratic Republic and was 24 when The Wall fell, at which time her daughter was two. Her parents were born 1940 in Germany, children of war. Both of her grandfathers had been soldiers, who had been in Poland between 1940 and 1942. One came back 2 years after the war was over, the other one never returned.As a child Anna found a secret shelf that contained photo albums of her family. "It is where I discovered the power of a picture. A picture taken in summer 1940. A young family, my grandmother, her baby and my grandfather in a German uniform. A picture full of contradictions, carrying ambivalent feelings even today."Anna graduated with a degree in Fine Arts and Set Design and then received a one-year grant from the DAAD to study photography at the School of Visual Arts in New York. For 15 years, she worked as a set and costume designer for opera, drama, and puppet theater, collaborating with directors at theaters across Germany and Switzerland.Anna recently published her first book, Vanishing, with Charcoal Press. Photographed mostly between Germany and Poland over 15 years, the work slides back and forth through time like a blood memory. Walking naked through the dark forest, wolves circling, howling. A daughter becoming a mother becoming a grandmother becoming a child. Haunted villages, and souls in jeopardy. The harsh reality of the past merges seamlessly with moments of rapture that feel plucked from a Grimm fairy tale.Photography has now become the center of Anna's creative life. She continues to develop long-term projects that reflect her search for meaning in places marked by beauty, pain, and the mysteries of time. Alongside her artistic work, she also works with disabled people in an art workshop, sharing the joy of creative expression.In episode 260, Anna discusses, among other things:The origins of her photographyGrowing up in East GermanyBeginning to understand her family historyThe fall of the Berlin wall in 1989Being ‘connected to pictures'The importance of visiting Poland and its significance for her familyThe cast of characters in the book, including wolves…….And her friend, who sadly diedAllowing the photograph to tell her what it wants to be (and where)How Charcoal Press came to publish the bookHer collaboration with publisher Jesse LenzHaving a day job and a change of identityWhat she's currently up to in the darkroom EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

This is The Digital Story Podcast 1,008, July 15, 2025. Today's theme is, "Outdoor Gear That's Handy in Emergencies Too." I'm Derrick Story. Opening Monologue Great camping gear is not only helpful for your next outdoor photo adventure, but it can also help you survive a climate emergency. I have recently tested some state of the art equipment that can prove most helpful in good times and bad. All of this, and more, on today's TDS Photography Podcast.

SEASON 2 - EPISODE 149 - A LOOK AT TWO INSPIRATIONAL FILMS - with Joe Walker - Part 1 In this episode of the Team Deakins Podcast, editor Joe Walker (Season 1, Episode 35) returns for the first half of a two-part discussion about the filmmaking behind two of our favourite films: Richard Brooks' IN COLD BLOOD and Jean-Pierre Melville's ARMY OF SHADOWS. The films may contrast in their expression of cinematic storytelling with each other and with films made today, but we find, over the course of these two episodes, that both films share and build on the fundamental elements of what makes a movie, a movie. This episode focuses on IN COLD BLOOD, and we discuss how the film frequently subverts expectations through its structure, cinematography, and editing. Joe also breaks down composer Quincy Jones' evocative score, and he reveals how the film radically flew in the face of a soon-to-be-abandoned Hays Code. Additionally, we look at the innovations in filmmaking technologies and techniques from cinema's youth to the 1960s, and Joe presents his theory of the 30-year-cycle of evolution in the film industry. Plus, we take a moment to consider the links between Soviet propaganda's understanding of montage and the modern analytics and algorithms that manipulate how images are presented on the internet today.  - Recommended Viewing: IN COLD BLOOD (1967), ARMY OF SHADOWS (1969) - This episode is sponsored by Aputure & Barco

Industrial expansion has left an indelible mark on our natural world, fundamentally altering landscapes and ecosystems for the sake of material progress and modern convenience. This transformation has created an environmental challenge of unprecedented scale. In today's show, we'll connect the dots between the raw materials that make up our planet and the industrial forces visually altering our contemporary landscape in a chat with a photographer who's documented these profound global changes firsthand for the past 50 years. Applying visual principals rooted in abstract expressionist painting, Edward Burtynsky has explored a wide range of photographic tools in his image making—from large format film to high-res digital cameras mounted to the most sophisticated of drones. Included among our many discussion topics are his distinctive approach to translating a 3-D landscape to the flat plane of a photograph; his various methods for capturing aerials using either a helicopter, fixed wing aircraft, or various types of drones; and the early business epiphany that led him to open a photo lab as an income stream, rather than work as a camera for hire. As Burtynsky shares during our chat, about the connection between nature and industry: “You know, materials are an incredibly key part of modern society. And yet we need to go to sources in nature, where these materials are found. And I'm just reconnecting a reality that we still live in a material world, and our cities are built of molecules that came from somewhere, and I'm taking you to those places that are vast and huge.” Guest: Edward Burtynsky Episode Timeline: 2:58: Burtynsky's early interest in abstract expressionist painting combined with the magic and rituals of composing images with a large format camera 5:28: Planning for aerial views, the shift from using a minerals map in the past to Google Earth today, plus Burtynsky's shooting preferences between a helicopter and a drone and shooting open air. 10:22: Burtynsky's approach to translating a 3-D landscape to the flat plane of a photograph. 17:17: The planning and research behind Burtynsky's work vs the need to pivot in the field. 19:45: Adapting to technology over a 50-year career, and how it's shaped Burtynsky's process—from large format film to high end digital on a drone. 23:16: Episode Break 23:59: Burtynsky talks about permissions to access mines and industrial sites and how this has changed over time. 31:44: A wrong turn on the highway in 1981 and the photos that led Burtynsky to an epiphany about human-altered landscapes.  35:48: Burtynsky talks about forming his photo lab Toronto Image Works as a ballast to provide income in printing for other photographers while pursuing personal fine art photo projects. 43:38: Burtynsky's retrospective exhibit at the ICP in New York, his thoughts about the future of technology, plus recent collaborations with a young artist working in Artificial Intelligence.   Guest Bio:  Edward Burtynsky has spent more than 40 years bearing witness to the impact human industry on our planet. Regarded as one of the world's most accomplished contemporary photographers, Burtynsky's work is included in the collections of more than 80 museums worldwide and featured in major exhibitions around the globe. Born in St. Catharines, Ontario in 1955, Burtynsky's early exposure to a nearby General Motors plant and ships navigating the Welland Canal in his hometown captured his imagination, helping to formulate his ideas about the scale of human creation he would later capture in photographs. These images explore the collective impact we as a species have on the surface of this planet. A select list of Burtynsky's many distinctions include the inaugural TED Prize, the title of Officer of the Order of Canada, the International Center of Photography's Infinity Award for Art, a Royal Photographic Society Honorary Fellowship, and the World Photography Organization's Outstanding Contribution to Photography Award. Burtynsky currently holds nine honorary doctorate degrees, and in addition to his work in photography, he was a key production figure in the award-winning documentary film trilogy Manufactured Landscapes, Watermark, and ANTHROPOCENE: The Human Epoch. All three films continue to play in festivals around the world. Stay Connected: Website Instagram Facebook YouTube Linktree    - Host: Derek Fahsbender  Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

SEASON 2 - EPISODE 148 - Pulling a Film Together - with Paula McGann In this episode of the Team Deakins Podcast, we speak with Paula McGann (1917, DARKEST HOUR, MIDNIGHT SKY). We had the pleasure of working with Paula on 1917, and we asked her to come on the podcast to discuss the work that goes into pulling a film together nowadays. Paula—after years of working for directors, producers, and in several departments on numerous films—has recently begun producing herself, and with several projects in various stages of development, we thought her perspective would be valuable to hear and share. Paula teaches us what the film marketplace actually is, and we explore several hypothetical situations such as breaking down a script without a director's vision and handling a financier's creatively disruptive note. Paula also shares an experience in which a project was taken away from her, and we discuss practicing resilience in a business of ups and downs. Throughout the episode, we discuss mentors, budgeting, sales agents, putting yourself out there, and finding your own way in the business. - This episode is sponsored by Profoto & Aputure