Podcast appearances and mentions of Bret Easton Ellis

In 2003, when the author James Frey published his first book, A Million Little Pieces—a gut-punch account of his experience with addiction and rehab—nobody could have expected what would come next. Thanks to an Oprah Book Club endorsement, A Million Little Pieces was instantly catapulted to bestseller status, but soon blew up in scandal after Frey admitted to having falsified certain portions of the book, which had been marketed as a memoir. The drama that ensued sparked a media controversy—one that now, around 20 years later, feels petty and misplaced, especially in the context of today's cancel-culture climate. More than 10 million copies of A Million Little Pieces have sold since, and Frey is still at it, writing, publishing, and pushing the boundaries of his art. His latest novel, Next to Heaven, is a rollicking, raunchy, absurd-yet-not satire about money, murder, and the all-too-human desires for power, pleasure, and greed. On the episode—our Season 11 finale, in which Frey sat lotus for the entire duration—he reflects on the A Million Little Pieces saga; his long-term study of Taoism; writing as a gateway to vulnerability; and why love, for him, is the greatest drug there is.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:James Frey[5:08] “Tao Te Ching”[5:08] Lao Tzu[5:08] Stephen Mitchell[5:08] Taoism[8:51] Cubism[13:11] “A Million Little Pieces” (2003)[14:16] “Next To Heaven” (2025)[14:16] New Canaan, Connecticut[17:14] Jackie Collins[17:14] “Hollywood Wives” (1983)[17:14] Danielle Steel[21:35] Honoré de Balzac[29:37] “Katerina” (2018) [29:37] “Full Fathom Five” (1947) by Jackson Pollock[37:14] “Larry King Live” (2006)[39:09] “Tropic of Cancer” (1971)[42:24] “Up to Me” (1985)[44:20] “Kissing a Fool” (1998)[52:22] “My Friend Leonard” (2005)[52:22] “Bright Shiny Morning” (2008)[52:22] “The Final Testament” (2011)[58:56] “Author Is Kicked Out of Oprah Winfrey's Book Club”[58:56] “James Frey: ‘I Always Wanted to Be the Outlaw'”[01:03:18] Bret Easton Ellis[01:03:18] Jay McInerney[01:03:18] Norman Mailer[01:10:54] Rashid Johnson[01:10:54] HBO's “Native Son” (2019)

We're joined by Sammy and Emily of the TOO SCARY, DIDN'T WATCH horror movie podcast this week to talk about Bret Easton Ellis' American Psycho. None of us had an amazing time with this read, partly because the book seems to revel in its extreme violence and misogyny. But be sure to tune in to TSDW later this week to hear what we all thought about the Christian Bale-led movie adaptation!For more from Too Scary, Didn't Watch:Website: https://www.tooscarydidntwatch.com/Apple Podcasts: https://podcasts.apple.com/us/podcast/too-scary-didnt-watch/id1476552025Spotify: https://open.spotify.com/show/528s8w9v4MKG55ZyQXHj9gOur theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ya era tiempo de discutir la película "American Psycho". Dirigida por Mary Harron y basada en la novela homónima de Bret Easton Ellis. Estrenada en el año 2000 , es una sátira oscura ambientada en la élite corporativa de Manhattan en los años 1980. La historia sigue a Patrick Bateman, un joven y exitoso ejecutivo de Wall Street, obsesionado con la perfección superficial: el físico, la moda, los restaurantes de moda y las apariencias sociales. Sin embargo, detrás de esa fachada oculta que comete actos de violencia extrema y asesinatos sin motivo aparente...#americanpsycho #trumpism #patrickbateman

Still Sharp, Still Savage, Still Satirical! Join us as we dissect Mary Harron's controversial and iconic adaptation of Bret Easton Ellis's “American Psycho.” From Christian Bale's career-defining performance as Patrick Bateman to the film's razor-sharp commentary on yuppie culture and consumerism, we explore why this psychological horror/black comedy hybrid continues to resonate (and shock) audiences 25 years later. We'll delve into the brilliant work of Harron and screenwriter Guinevere Turner, the stellar supporting cast including Willem Dafoe, Jared Leto, Reese Witherspoon, and more, and unpack the film's enduring legacy as a dark masterpiece. Is it a biting satire? A disturbing portrait of madness? Or both? Listen in to find out!Where To Watch American Psycho

Before you go return some video tapes, join Barry and Julia for their conversation on the horror film, American Psycho. Topics include the original 1991 banned book written by Bret Easton Ellis, how Julia found the comedy in the horror, their favorite scenes and the thing Julia wished she knew before they got married. Comment with your favorite quote or scene from the film. Please like and subscribe! We appreciate it!Follow the show behind the scenes on IG @soimarriedafilmcritic_podcast.

Comedy? Horror? Satire? A full-length Huey Lewis and the News music video? There's a lot going on in Mary Harron's big screen adaptation of Bret Easton Ellis's controversial 1991 bestseller. Will Christian Bale's much-lauded turn as Patrick Bateman blow Mick, Hannah and Jen away or turn their stomachs? What does a female director's perspective bring to the exaggerated misogyny? Is any of it actually real? Do you like Phil Collins?  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Script Apart – one of cinema's great monster movies. The terrifying creature at this movie's core, though, didn't have trailing tentacles, bloodshot eyes or reptilian skin. Instead of sharp teeth, it wore a sharp suit – Valentino pinstripe, perfectly pressed. This monster owned a gleaming Rolex, lived in an elegant condo and smiled politely through slap-up dinners with his fellow Wall Street sleazes. At night, he stalked the streets of New York, maiming sex workers and murdering the homeless, to a soundtrack of Huey Lewis and the News. And twenty-five years on, he's arguably more fearsome than ever in his relevance to our own world. Yes, joining Al Horner for a metaphorical reservation at Dorsia this week is author, actress and screenwriter Guinevere Turner, who co-wrote American Psycho. Guinevere teamed up with someone who would become a long-time collaborator, director Mary Harron, to adapt Bret Easton Ellis' controversial novel about a deranged investment banker named Patrick Bateman (Christian Bale). In the spoiler conversation you're about to hear, Guinevere tells me about the parts of herself she perhaps threaded into her and Mary's version of the story, either consciously or subconsciously – as revealed in her 2023 memoir, When The World Didn't End, she grew up in a cult that promised followers they'd be whisked off in a spaceship to Venus, and there's cult-like framing of money and materialism in American Psycho that perhaps was no accident. We get into her and Mary's treatment of Patrick as an “alien who's crash-landed to Earth,” learning to fit in through the pop culture he engages in. You'll also hear about Bret Easton Ellis's version of the film that ended with Patrick Bateman singing a musical tribute to New York, and what Guinevere's take is on the upcoming remake, reported to be directed by Luca Guadagnino. For more from Guinevere, whose other work includes The L Word, Go Fish, The Notorious Bettie Page and 2018's Charlie Says, pick up When The World Didn't End, which is a great read – and head to our Patreon page! We're running an exclusive series on our Patreon called One Writing Tip, in which great writers share one piece of advice they swear by that they think all emerging writers should know. And for more from us at Script Apart, hit subscribe if you haven't already.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from Final Draft.To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

We welcome Hal (@shestructured on Letterboxd) and Craig (@gentlemanbaby on Letterboxd) from the Red Rose Film Club podcast to cover American Psycho (2000), the Wall Street horror/comedy starring Christian Bale as Patrick "Jason" Bateman. This movie's got a lot going on, folks. And we get to it all—we determine who has the best business card, we explain why you wouldn't want Christian Bale as your co-worker at Whataburger, we try to figure out what's going on with Justin Theroux's hair, and we marvel at Patrick Bateman's chainsaw math. Also, is American Psycho Jared Leto's villain origin story?   But more than anything, we're trying to identify what exactly Patrick Bateman represents. Is he the embodiment of toxic masculinity? A victim of America's addiction to competition and consumption above all else? A misunderstood baby boy? An iconic slasher villain? What if our answer was…. Yes?   Next week:  We are the nation's top fun-havers, so we're taking the week off for Spring Break. We'll unlock our The Truman Show episode from our Patreon archive, and we'll be back on April 25, 2025 with a brand-new episode about Sister Act 2 (1993) with our friend Jen Walks N2 Walls.   Subscribe to Red Rose Film Club: Apple Podcast: https://apple.co/42qrGU6  Spotify: https://bit.ly/4ieGX0b    Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get two extra episodes! patreon.com/loadbearingbeams     Time stamps: 00:08:00 — Our personal histories with American Psycho 00:16:30 — History segment:  Bret Easton Ellis and his American Psycho novel; development of the film under director Mary Harron; star Christian Bale 00:41:45 — In-depth movie discussion 02:02:39 — Final thoughts and star ratings   Sources: “American Psycho: An Oral History, 20 Years After Its Divisive Debut” by Tim Molloy | Movie Maker, 2020 - https://bit.ly/44e4Kd2  “Blood, Boycott, and Body Bags: An Oral History of ‘American Psycho'” by Tatiana Tenreyro | Vice, 2020 - https://bit.ly/4i61CmW  “Snuff This Book!  Will Bret Easton Ellis Get Away With Murder?” by Roger Rosenblatt | The New York Times, 1991 - https://nyti.ms/3G0emOE    Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ   Follow the show! Twitter:  @LoadBearingPod | @MattStokes9 |  @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @loadbearingbeams.bsky.social

Giuseppe Culicchia"Fondazione Circolo dei lettori"www.circololettori.itGiuseppe Culicchia è il nuovo direttore della Fondazione Circolo dei lettori. Culicchia guiderà la direzione culturale e operativa della Fondazione, del Circolo dei lettori nelle sue sedi a Torino, Novara e Verbania con il Circolo della musica a Rivoli per il triennio 2025-2028. Il profilo di Giuseppe Culicchia è risultato il più adatto a dirigere il lavoro della Fondazione Circolo dei lettori, per proseguire e innovare un'istituzione centrale in Italia per produzione culturale, di pensiero e promozione del libro. Il Consiglio di gestione della Fondazione Circolo dei lettori, composto dal presidente Giulio Biino e dai consiglieri Elena D'Ambrogio Navone e Massimo Pedrana, ha nominato Giuseppe Culicchia a seguito dell'avviso di selezione pubblicato il 2 febbraio scorso, al quale hanno risposto 40 professionisti ai vertici della cultura, del mondo editoriale e del libro in Italia. Le candidature e i progetti sono stati oggetto di valutazione da una apposita commissione che ha selezionato i cinque migliori profili, i quali hanno presentato ieri il loro progetto di sviluppo della Fondazione davanti al Consiglio, che ha nominato Giuseppe Culicchia, informando la Regione Piemonte, socio unico della Fondazione Circolo dei lettori. «È per me un grande onore essere chiamato alla direzione della Fondazione Circolo dei lettori - e delle lettrici! - di Torino: la città che amo, la città di La donna della domenica e dell'Einaudi, della Utet e della Paravia, della Edt e del Salone Internazionale del Libro… e sì, di Torino è casa mia, nostra, di tutte e tutti voi che amate la lettura, e che avete eletto il Circolo a luogo del cuore. Desidero dunque ringraziare il Presidente Giulio Biino e i consiglieri Elena D'Ambrogio Navone e Massimo Pedrana per la fiducia riposta nei miei confronti: da parte mia mi impegnerò al massimo per proseguire l'ottimo lavoro svolto da chi mi ha preceduto in questi primi diciotto anni, a cominciare dalla fondatrice Antonella Parigi. Ringrazio altresì l'Assessore alla Cultura della Regione Piemonte, Marina Chiarelli, e il Presidente Alberto Cirio: sarà mio dovere avere cura di questa preziosa istituzione, nelle sue sedi di Torino, Novara e Verbania, senza dimenticare il Circolo della musica di Rivoli. Lasciatemi ringraziare anche Elena Loewenthal, sotto la cui direzione ho potuto realizzare le prime due edizione del festival Radici, e con lei Maurizia Rebola e il nostro caro Luca Beatrice. Ma devo sincera e profonda gratitudine anche a tutte le ragazze e i ragazzi con cui al Circolo ho avuto la fortuna di lavorare a tante iniziative nel corso di questi anni: so di poter contare su persone motivate, capaci, che con la loro passione, la loro abnegazione, la loro professionalità hanno reso questo luogo ciò che è: un punto di riferimento e d'incontro, di dialogo e di confronto, capace di coagulare l'interesse di chi ama i libri e di guadagnarsi l'apprezzamento del mondo dell'editoria e di tantissimi autori italiani e internazionali. In passato ho lavorato a quindici diverse edizioni del Salone Internazionale del Libro, ricoprendo vari ruoli: a cominciare, nel 1988, anno in cui prese il via la manifestazione, da quello di addetto alla reception. Non me lo sono dimenticato. La prima cosa che farò sarà ascoltare quanto avranno da dirmi coloro che ogni giorno contribuiscono con il loro impegno a fare del Circolo una realtà che nel resto d'Italia non ha eguali, anche grazie al contributo dei curatori dei festival nati in via Bogino: Armando Buonaiuto per Torino Spiritualità, Marco Belpoliti per Scarabocchi a Novara, Ugo Cardinale per il Festival del Classico, il cui presidente onorario è Luciano Canfora. Sarò felice di lavorare con tutti loro. E a questo punto non vedo l'ora di iniziare » dichiara Giuseppe Culicchia, nuovo direttore della Fondazione Circolo dei lettori. Giuseppe Culicchia, torinese di nascita e con una carriera che si è sviluppata tra la scrittura e il mondo editoriale, prende il testimone in un momento di grande fermento per la Fondazione Circolo dei lettori. Il suo percorso letterario, che lo ha visto pubblicare una trentina di libri tradotti in dieci lingue, è arricchito da una continua ricerca e passione per il racconto delle storie e delle identità. Inoltre, Culicchia ha tradotto alcuni tra i maggiori autori in lingua inglese, da Mark Twain a Francis Scott Fitzgerald e Bret Easton Ellis, portando la sua visione critica e la sua sensibilità culturale anche nel campo della traduzione. Culicchia frequenta il Circolo dei lettori dalla sua nascita nel 2006: per l'istituzione culturale ha proposto progetti, ideato gruppi di lettura e curato le prime due edizioni di Radici, il festival dell'identità (coltivata, negata, ritrovata) che ha visto tra i diversi protagonisti autori mondiali come Michel Houllebecq, Bret Easton Ellis, Irvine Welsh, il regista Palma d'oro Emir Kusturica affrontare le tematiche del nostro tempo e delle relazioni con l'altro da sè. Per numerose edizioni è stata prolifica di idee e dialoghi la collaborazione con il Salone Internazionale del Libro di Torino. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

In this episode of Horror Hour with the Hanna's, we take a deep dive into American Psycho (2000), Mary Harron's razor-sharp adaptation of Bret Easton Ellis's infamous novel. With Christian Bale delivering a career-defining performance as the impeccably groomed and deeply unhinged Patrick Bateman, this film slices into the heart of 1980s consumer culture, toxic masculinity, and moral decay—all with a wink and a blood-spattered smile.We explore the film's biting satire, stylish direction, and the ongoing debate: is Bateman a cold-blooded killer or just a delusional product of Wall Street excess? From the now-iconic business card scene to chainsaws and Huey Lewis, American Psycho continues to spark discussion 25 years later.Book Discussion: 15:30 - 26:11Follow Us on ⁠⁠⁠Instagram⁠⁠⁠ and ⁠⁠⁠TikTok⁠⁠⁠: @horrorhourwiththehannasMusic by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This was fun.

Big things. Yuge.

We're commemorating the 25th anniversary of the time director Mary Harron and co-writer Guinevere Turner adapted AMERICAN PSYCHO for the screen and tossed in an extra dose of feminist rage and humor, with the help of Christian Bale and a stunning cast of your favorite character actors. With Stuart Wellington of The Flop House! Then, we'll work together to try and name the top 10 domestic box office movies of 2000.What's GoodAlonso - “a strong name” at Gusto BreadDrea - Farmacy's The Honey GrailStuart - Triangle Agency RulebookIfy -  JoCo CruiseITIDIC“IRL Movie Club” Encourages Cinema-going & Conversation‘Hundreds of Beavers' Crosses $1 Million at the Box OfficeAppleTV+ Turned Down Offers to Release Killers of the Flower Moon on BlurayStaff PicksAlonso - Charlie SaysDrea - EephusStuart - Blue SteelIfy - The Perfect StormStuart's Twitch Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

Ione throws a wild party at Chateau Marmont to celebrate her book. Ben wonders is he really a simp?For a deeper dive into our world visit https://weirdertogether.substack.com/

Successful NYC banking executive, Patrick Bateman, attempts to hide his murderous side from his colleagues and those close to him as he loses grip on reality.American Psycho is based off the Bret Easton Ellis novel of the same name and features an all-star cast led by Christian Bale in a movie we believe is the most quotable and rewatchable of all time. It's about time we discuss this move as it's a favorite of ours. From the acting to the dark humor, to the soundtrack, the film is so original and fun to watch. It also has great kills and the buildup to those kills are very enjoyable. Watch the film and catch our review.Check out our website https://thefinalpodcast.com/Subscribe to our YouTube channel @thefinalpodcast  Join the Discord | https://discord.gg/UFtVP243Follow us on Facebook The Final Podcast Follow us on Instagram @thefinalpodcastFollow us on X @thefinalpodeverMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/channel/UC_6h...

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.live“Something is happening here and you don't know what it is,” goes the Bob Dylan track from 1965. That song was directed at the squares who weren't yet hip to the Sixties. It sounded foreboding then, and it sounds foreboding now, because something is happening, again — something perhaps as great and consequential as the cultural changes of Dylan's time. For several years now, people have been speaking about a cultural “vibe shift.” The MAGA electoral victory appears to have been the culmination of that shift. The Trumpist victory has ushered in a new political elite and with it, a cultural style that is more transgressive, crude, and rude than the once-liberal American mainstream. Helping us understand what's happening is this week's special guest, Sean Monahan, one of the most perceptive cultural forecasters of our time. If you've ever used the term “normcore,” or if you've heard someone talk about a “vibe shift,” you've been influenced by Sean. And if you haven't heard those terms, then you're about to learn a lot about American culture in this episode. Sean is a writer, trend forecaster and brand consultant, whose Substack, 8Ball, is an oracle of cultural insight.Sean joins Christine Emba and Shadi Hamid and they all get deep about vibes. What is a vibe? Can it be defined? If it can't, then how is it a useful concept? Is it based on material conditions? How long does a vibe last? But the conversation soon ventures beyond these theoretical generalities. Shadi wants to know whether American culture has fundamentally shifted to the right since the rise of Trump. Christine detects a mean streak to this new culture: a certain cruelty or at least, ruthless competitiveness. Sean puts things in perspective, explaining how generations create, condition, and then abandon trends, and how the weird period of Covid lockdown had a unique effect on trend creation, one that still affects us to this day. He also describes the new aesthetic of the Trump era, which he believes is based primarily on desire for money, and which he has dubbed, “Boom Boom.”In our bonus section for paid subscribers, Sean discusses why religion has become attractive to young people, especially young men, whether he sees good vibes or bad vibes in the near future, and whether he believes most Americans actually like Trump and DOGE.Required Reading:* Sean Monahan's Substack, 8Ball.* Sean Monahan, “Anatomy of a Vibe Shift” (8Ball).* Sean Monahan, “Boom Boom: Anatomy of a Trend” (8Ball).* Sean Monahan, “The Counter Elite Won the Meme War” (8Ball).* CrowdSource: “Truth and Vibes” (WoC).* Famous 2022 article from New York Magazine: “A Vibe Shift is Coming” (New York).* W. David Marx, Status and Culture: How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change (Amazon).* Pierre Bourdieu, Distinction (Amazon).* Mana Afsari, “Last Boys at the Beginning of History” (The Point).* Saddle Creek Records.* Bright Eyes (Saddle Creek).* “Cottagecore Aesthetic, Explained” (Country Living).* MySpace.* Matthew Walther on the origin of “Woke Capital” (American Conservative).* “Dimes Square” (Know Your Meme).* Alex P. Keaton (Wikipedia).* Gordon Gecko (Wikipedia).* Patrick Bateman (Wikipedia).* Bret Easton Ellis, American Psycho (Amazon).* American Psycho film (YouTube).* Graeme Wood, “How Bronze Age Pervert Charmed the Far Right” (The Atlantic).* “Yosemite Locksmith: 'The People Who Fired Me Don't Know What I Do'” (MSN).* “Garry Tan for mayor? ‘Never, or 20 years from now,' Y Combinator chief says” (San Francisco Standard).Wisdom of Crowds is a platform challenging premises and understanding first principles on politics and culture. Join us!

Tony O'Neill, a British-born writer now in the U.S., has built a career that moves between fiction, non-fiction, and screenwriting. A former musician who played with Marc Almond and The Brian Jonestown Massacre, he made his literary debut with Digging the Vein in 2005, followed by noir-tinged novels like Sick City—now edging toward a TV adaptation with Bret Easton Ellis. Tony's work has found an eager audience in France, where 13e Note Editions translated much of his output. He's also co-authored bestselling memoirs and worked with screenwriters like Jim Uhls. When not writing for The Guardian or Vice, he resides in New Jersey with his family.

Maria Luisa Frisa"I racconti della moda"Einaudi Editorewww.einaudi.itÈ la forma d'arte piú contraddittoria di tutte. Visionaria e insieme classica, pop ma anche snob, fieramente ignorata da molti eppure capace di muovere il mondo. La moda è un prisma: cultura e industria, sogno irraggiungibile e necessità quotidiana, haute couture e fast fashion. Ma in tutti questi anni, come l'ha raccontata la letteratura? E cosa ne sappiamo noi, veramente? Tra grandi nomi e riscoperte che non potremo piú dimenticare, in questa raccolta scintillano voci, sguardi e immaginari diversissimi, cuciti in un disegno audace, eclettico e divertente, pieno di intelligenza. Un viaggio dai salotti sfarzosi di inizio Novecento fino alle passerelle e ai flash dei giorni nostri, dai fruscii dell'atelier ai corpi iconici di domani.La moda è un linguaggio universale, che ci parla di noi e del tempo in cui viviamo. Ogni giorno, ogni volta che usciamo di casa, stiamo decidendo come mostrarci al mondo: dobbiamo sapere che tutto ciò che indossiamo è una forma d'arte progettata per noi da chissà chi. Maria Luisa Frisa quest'arte la conosce benissimo, la teorizza e la narra da anni. E in questa raccolta si serve di alcuni grandi racconti per dar forma al suo moda-pensiero, usando la letteratura come strumento per parlare di corpi, e degli abiti con cui si mostrano, e delle società che attraversano. Immaginando la moda come un affaccio panoramico sul mondo. Troverete, tra gli altri, Joyce Carol Oates che racconta di ragazze, consenso e abuso nell'America profonda, Pier Vittorio Tondelli con una riflessione su musica, stile e cravatte, Bret Easton Ellis che mette in scena la ricca disperazione del jet set di Los Angeles. Mentre Stefano Pistolini parte dal mito fondativo di Woodstock per capire l'impatto delle ondate giovanili sulla società dei consumi, Flavia Piccinni ci mette in guardia sui pericoli delle sfilate per bambini e ci fa entrare in quell'universo parallelo che è la moda per l'infanzia. E poi scoprirete la parabola di un artista fuori dagli schemi come Leigh Bowery, mondi immaginari in cui gli abiti diventano grandi come interi palazzi e le donne ci si nascondono dentro; assisterete a spettacoli fetish con luci soffuse, lacci e forbici, e vi misurerete con testi rivelatori come quello di Jhumpa Lahiri sui tanti significati che assume l'uso della divisa nella scuola dell'obbligo. E ancora, una serie di recuperi d'eccezione: Irene Brin, Gianna Manzini e la moda maschile secondo Lucio Ridenti. Infine, un dono: un racconto disperso e ritrovato di Michela Murgia.Maria Luisa Frisa, teorica della moda e curatrice, professoressa ordinaria all'Università Iuav di Venezia, dove ha fondato il corso di laurea in Design della moda e Arti multimediali. Dirige la rivista accademica «Dune». Le ultime mostre: Bellissima. L'Italia dell'alta moda 1945-1968 (Roma, MAXXI, 2014-15; Bruxelles, BOZAR, 2015; Monza, Villa Reale, 2015-16; Fort Lauderdale, NSU Art Museum, 2016); Italiana. L'Italia vista dalla moda 1971-2001(Milano, Palazzo Reale 2018); Memos. A proposito della moda in questo millennio (Milano, Museo Poldi Pezzoli, 2020); Memorabile. Ipermoda (Roma, MAXXI 2024-25). Gli ultimi libri: Le forme della moda (Il Mulino, 2022) e I racconti della moda (a cura di) (Einaudi 2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Time to misbehave.   Virginia Feito's new novel, Victorian Psycho, is all about good behaviour, positive standards and polite conduct…and what happens when you flout all that, by – I dunno – slaughtering a houseload of people.   It's a much buzzed about book that takes the psychopathy of American Psycho back to the straightlaced, be-corseted world of the 19th Century, then let's rip. We talk about glorious violence, the humour of extremity, Charles Dickens and Bret Easton Ellis…and have a deeply amusing conversation about infanticide.   Queen Victorian would be appalled.   Enjoy!   Other books mentioned:   Mrs March (2021), by Virginia Feito American Psycho (1991), by Bret Easton Ellis A Christmas Carol (1843), by Charles Dickens Nightmare Abbey (1818), by Thomas Peacock The Secret Garden (1911), by Frances Hodgson Burnett The Lamb (2025), by Lucy Rose Come Closer (2003), by Sara Gran The Fate of Mary Rose (1981), by Caroline Blackwood David Copperfield (1850), by Charles Dickens   Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In the twelfth episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and screenwriter August Gummere to discuss Mary Harron's adaptation of the famously unadaptable novel by Bret Easton Ellis about the pathetic, isolated, and insecure perfect consumerist serial killer Patrick Bateman and his fulfillment of the corporation as a human promise of Reagan-era Wall Street economics known as American Psycho (2000). 

Hey Horror Fans!!!This week on Mostly Horror, Steve and Sean dig into some intriguing horror headlines! They discuss rumors of Robert Eggers possibly directing a Labyrinth sequel with the Jim Henson Company, Bret Easton Ellis casting doubt on the legitimacy of Austin Butler playing Patrick Bateman in a new American Psycho project, and some surprising CGI updates to Alien: Romulus for its physical release.Then, they sit down with the incredible Eric LaRocca to discuss his chilling new novella At Dark I Become Loathsome. Eric opens up about the catharsis of horror, how long-held fears like cancer and mortality evolve into recurring themes in his work, and why he's fascinated by the monstrous things humans do to one another. They also dive into his influences, from Clive Barker to Universal Monsters, and the delicate balance between beauty and depravity in his storytelling.Finally, Eric takes on the Spook'em Scare'em Starter Kit with some delightfully twisted prompts inspired by giallo, monsters, and more!This episode is incredibly insightful, unsettling, and a whole lot of fun so...COME HANG OUT!!!Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage on all socialsSean: @hypocrite.ink on IG/TikTok, @hypocriteink on Twitter/XEnjoy this episode? Don't forget to subscribe, rate and leave a review on your favorite podcast platform! For early Access and ad-free episodes, subscribe on Wondery+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Helen's pick this week is the 2000 movie which really put Christian Bale on the map, is American Psycho! American Psycho was a journey marked by controversy, creative vision, and a touch of chaos. Initially, the project faced significant challenges, with multiple directors and actors attached to the adaptation of Bret Easton Ellis's infamous novel. Mary Harron eventually took the helm, bringing a sharp satirical perspective to the material. Her insistence on Christian Bale as the lead, despite studio pressure to cast bigger names like Leonardo DiCaprio, proved pivotal in shaping the film's identity. Bale's unwavering commitment to the role, including his meticulous physical transformation and deep understanding of the character, set the tone for the entire production.us costume choices. Harron's direction, alongside co-writer Guinevere Turner, skillfully balanced the satirical elements of the story with its darker undertones. The production faced criticism and protests from the outset due to the book's graphic contenFilmed in Toronto to replicate 1980s New York City, the movie captured the era's sleek, cold aesthetic with a mix of opulent set design and meticulot, but Harron's adaptation reined in the gratuitousness, focusing instead on societal commentary. Despite its tumultuous path to the screen, the film ultimately became a cult classic, celebrated for its biting critique of materialism and its razor-sharp performances. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Patrick Bateman, a wealthy and seemingly successful investment banker in 1980s Manhattan, hides a dark and psychopathic side beneath his polished exterior. While obsessing over materialism and social status, Bateman's mask of normalcy slips as he indulges in increasingly violent and depraved acts. His descent into madness blurs the lines between reality and delusion, leaving viewers to question whether his horrific crimes are real or merely figments of his deranged imagination. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠

The first person is a narrative style as old as storytelling itself—one that, at its best, allows us to experience the world through another person's eyes. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how the technique has been used across mediums throughout history. They discuss the ways in which fiction writers have played with the unstable triangulation between author, reader, and narrator, as in Vladimir Nabokov's “Lolita” and Bret Easton Ellis's “American Psycho,” a book that adopts the perspective of a serial killer, and whose publication provoked public outcry. RaMell Ross's “Nickel Boys”—an adaptation of Colson Whitehead's 2019 novel—is a bold new attempt to deploy the first person onscreen. The film points to a larger question about the bounds of narrative, and of selfhood: Can we ever truly occupy someone else's point of view? “The answer, in large part, is no,” Cunningham says. “But that impossibility is, for me, the actual promise: not the promise of a final mind meld but a confrontation, a negotiation with the fact that our perspectives really are our own.”Read, watch, and listen with the critics:“Nickel Boys” (2024)“The Nickel Boys,” by Colson Whitehead“Lolita,” by Vladimir Nabokov“Meet the Director Who Reinvented the Act of Seeing,” by Salamishah Tillet (The New York Times)“Great Books Don't Make Great Films, but ‘Nickel Boys' Is a Glorious Exception,” by Richard Brody (The New Yorker)“Lady in the Lake” (1947)“Dark Passage” (1947)“Enter the Void” (2010)“The Blair Witch Project” (1999)Doom (1993)“The Berlin Stories,” by Christopher Isherwood“American Psycho,” by Bret Easton Ellis“The Adventures of Augie March,” by Saul Bellow“Why Did I Stop Loving My Cat When I Had a Baby?” by Anonymous (The Cut)“Harmony and Dissonance: Orphism in Paris, 1910-1930” at the Guggenheim MuseumNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

This episode is free! We're back with another solo pod to kick off the new year! This weeks episode is co-hosted by friend of the show Nick Marian. We discuss new years resolutions, pepper spray, candy addiction, Dry January, anger management, learning to drive in your 30s, road rage, quitting smoking, Iggy Pop, ZYN, ketamine, hating music, Bret Easton Ellis' The Shards, bringing back the term 'poser', Joy Division, The Golden Globes, dating apps, King St being cheaper than Ossington, Cherry's High Dive, 905ers, country bars, Jeremy Strong, Justin Trudeau, the return of skinny jeans and more! Josh McIntyre Nick Marian ---- COLD POD SUPPORT THIS PODCAST https://www.patreon.com/c/coldpod

Han är den svenska litteraturens främsta dandy. Han är Sveriges äldsta tonåring och yngsta pensionär. Han är eleganten från vidderna. Han är allas älskare och ingens älskling och han är den andra icke-musiker som gästar "Hemma hos Strage" efter Bret Easton Ellis – en författare som han jämfördes med på nittiotalet. I podden berättar Per om sina egna musikaliska projekt: The Cure-coverbandet The Funeral Party hemma i Skövde, schlagerbidraget "Louise" som han i gymnasiet skrev med den blivande mellokungen Thomas G:son, samt trion The Sabrina i vilken han med Andreas Tilliander och Johan Skugge uppfann genren euroclash (en fusion av eurodisco och electroclash). Per pratar också om nya boken "Johannes och du", om kärleken till Soft Cell, Duran Duran och Eddie Meduza och om att bli trakasserad av elitistiska house-dj:er. Hosted on Acast. See acast.com/privacy for more information.

Lili returns to the podcast to speak about her popular new book, Didion & Babitz, detailing the lives of Joan Didion and Eve Babitz through never-before-seen letters. We chat about Timotheé Chalamet on Theo Von's podcast, Billy Joe from Green Day and Ryan Reynolds' hard launch, a dinner with Bret Easton Ellis and Naomi Fry, the psychology of having to be in charge, we rediscover her unique eating habits and love of Pepsi Zero, Joker 2, her thoughts on the American Psycho remake, when writers become characters themselves, would Eve have an OnlyFans if she were emerging today? Courtney Love and Madonna, when the hoarding goes too far, and, we must hate you if you want to make it. instagram.com/lilianolikwriter twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes Just like that, the much discussed, but never official, Nova Disney Plus series, has gone from rumored to confirmed with Deadline reporting the onboarding of a showrunner: Criminal Minds' Ed Bernero. Bernero, who also co-created the Criminal Minds spinoff, Suspect Behavior, will serve as writer and showrunner for the Richard Ryder-focused series. Additionally, off the heels of last week's reports about Chris Evans' return to the MCU in Avengers: Doomsday, last Friday, Variety broke the news that Evans' frequent scene partner, Hayley Atwell is also expected to reprise her role as Agent Peggy Carter. While the DCU officially launched earlier this month with the premiere of Creature Commandos on Max, James Gunn's first live action offering, next summer's Superman, unveiled its official poster via social media Monday morning. The image, a motion graphic, is an obvious allusion to Christopher Reeves' take on the character, and showcases David Corenswett's Superman ascending in flight, accompanied by a remix of John Williams' classic score and a tagline that reads, ‘Look up.' Exciting details; all of which preempts the gut punch that the official teaser trailer will not release until Thursday… (Thanks, James…) Elsewhere, horror filmmaker Mike Flanagan has been given the go ahead to write his standalone Clayface film. Without a director attached yet, it's unclear whether this film will be a part of the Matt Reeves The Batman/Penguin crime Elseworld, though Gunn referred to it as a DCU film. Currently slated for a September 2026 release, Flanagan previously described it as a horror/thriller/tragedy while expressing interest back as early as 2021. Kraven the Hunter, the latest and perhaps final entry of Sony's Spider-Man-less universe, opened this weekend to a disappointing $11 million total, a franchise low. In the wake of this fumble, just the most recent in a long string, many a Sony insider have come out of the woodwork to spill the tea, resulting in the internet being ablaze with claims that the studio is finally pulling the plug. But, not so fast! While it does sound like Sony will stop making spin-offs without Spider-Man, the studio remains quote, ‘deeply invested' in projects that include the marquee character and his many variations, including the Spider-Man Noir series that is in production in partnership with Amazon. Michael Gracey is in talks to direct Disney's live-action Tangled with a screenplay by Jennifer Kaytin Robinson  from the I Know What You Did Last Summer reboot. Variety has learned that Austin Butler is set to star in Luca Guadagnino‘s new interpretation of the book “American Psycho” by Bret Easton Ellis for Lionsgate. Per Deadline, Joseph Quinn is reportedly set to play George Harrison in Sam Mendes' upcoming Beatles biopic series. Barry Keoghan will portray Ringo Starr, Paul Mescal is expected to play Paul McCartney, and Harris Dickinson is the frontrunner for John Lennon. Marvel Comics announced Godzilla vs. Marvel, a six-issue one-shot series marking their first Godzilla crossover in nearly 50 years. The series spans different time periods, starting with a Fantastic Four story. Malcolm in the Middle is returning for a four-episode revival on Disney+ to celebrate its 25th anniversary. Original stars Frankie Muniz, Bryan Cranston, and Jane Kaczmarek will reprise their roles as Malcolm and his parents, Hal and Lois. The Hollywood Reporter claims Greta Gerwig and Noah Baumbach pitched a Barbie sequel to Warner Bros., but both their rep and the studio deny it. “There is no legitimacy to this,” says the filmmakers' rep, while Warner Bros. calls the report “inaccurate.” The previously announced DCU film Dynamic Duo has received a release date of June 30th, 2028.

We have to return some videotapes! Al & Siena are peeling off the mask of sanity in this serial killer-stuffed episode on THE HOUSE THAT JACK BUILT (2018) x AMERICAN PSYCHO (2000)! Hear the lengths Christian Bale went to in order to scare Bret Easton Ellis, learn which murder almost kept Matt Dillon from taking the role of Jack, and discover what sound is used for foley in that infamous business card showdown sequence on this tastefully thick edition of Splice & Splatter. Splice & Splatter is presented by the Jean Cocteau Cinema in Santa Fe, New Mexico with new episodes out every other Monday!THIS VIDEO IS SPONSORED BY BEASTLY BOOKSSAVE 10% OFF ONLINE WITH CODE SPLICE10 AT CHECKOUT!Hosts: Al LaFleur and Siena Sofia BergtProducer: Warren LangfordTheme Song: Theodore SchaferFollow us on social media at linktr.ee/spliceandsplatterpodEnjoy full length video episodes on Youtube and behind-the-screams on Patreon!Support the show

Wall Street Chainsaw Massacre - Mary Harron's American Psycho On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I take a look at director Mary Harron's 2000 adaptation of Bret Easton Ellis's American Psycho. A controversial and polarizing film that has gained cultural and critical praise in the nearly quarter century since the film's release (and the 1991 publication of the novel), we are thrilled to discuss the pros (Christian Bales's performance as Patrick Bateman) and cons (a limited scope in portraying and commenting on the society it was showcasing and influencing) of this cult classic. As always, our discussion takes us on a journey into American Culture and a greater understanding in how the culture is both portrayed and influenced by images traveling at 24 frames per second. Take a listen . . . it's a pretty intersting conversation. As always, we can be reached at gondoramos@yahoo.com. Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.   

Hlustaðu í fullri lengd (50mín) inni á www.patreon.com/skodanabraedur Bret Easton Ellis er bandarískur rithöfundur og podcastari fæddur árið 1964. Hann er þekktastur fyrir að hafa skrifað American Psycho. White (2019) eftir hann er bók mánaðarins núna í Nóvember. Bókin er menningargagnrýni skrifuð í esseyju/memoir formi og má túlka sem nokkurskonar ákall um að fegurðin eigi að þrífast og sjálfsritskoðun þurfi að stöðva. Bók mánaðarins í Desember er Ilíonskviða eftir Hómer. Spennið beltin!

Tom Muller comes back to the show to discuss Mary Harron's American Psycho, released in 2000 and based on the 1991 book by Bret Easton Ellis. Christian Bale stars as Patrick Bateman, a New York City investment banker who's an unreliable narrator with a psychopathic alter-ego, and lives out violent fantasies that spill from his personal life onto his work life.-Tom's an award-winning designer and creative director at helloMuller, and has made an impact on the cultural landscape with narrative-driven design and brand storytelling, creating compelling identities and experiences. I was first introduced to Tom's work in 2018 with The Weatherman, a dark, apocalyptic comic book series from writer Jody LeHeup and artist Nathan Fox, published by Image Comics. The co-creators brought in veteran designer Tom Muller for title type, cover, and layout. Tom's work on The Weatherman is bold and colorful, grabbing the attention of any passersby. You can't avoid the book, and the whole reading experience is mind-blowing.-Tom's radical and visionary re-design for Marvel's X-Men identity, a new visual language that included wordmarks and typography, helped launch 2019's groundbreaking HOUSE OF X and POWERS OF X. He's also designed for entertainment giants DC and Disney, tech pioneers like Google and Gearbox Software, as well as Wired magazine, Skydance New Media, and Wizards of the Coast.-Learn more about Tomhttps://www.hellomuller.com/https://www.instagram.com/hellomuller/https://www.marvel.com/articles/comics/tom-muller-designing-evolution-x-logo/https://www.thepopverse.com/marvel-house-of-x-designer-tom-muller-x-men-logo-redesign/https://www.printmag.com/comics-animation-design/behind-design-the-weatherman/https://imagecomics.com/comics/series/the-weatherman/-American Psychohttps://www.imdb.com/title/tt0144084/https://www.imdb.com/title/tt0144084/locations/https://www.imdb.com/name/nm0254735/-Business Card Holdershttps://www.muji.us/collections/card-holders-Robert Longo and American Psychohttps://news.artnet.com/art-world/as-seen-on-american-psycho-robert-longo-2434409

Bret Easton Ellis took 13 years to write The Shards. It's a horror novel. Or maybe it's an autobiography.  In fact, it's both. The Shards is a fictionalized retelling of Mr. Ellis's 18th year. It tells the story of a group of superficially sophisticated teens have their lives shattered by a series of terrible events. It's 1981 Los Angeles and a local serial killer known only as The Trawler draws ever closer to Bret and his friends. He taunts them with grotesque threats and acts of violence. As Bret's obsession with the killer grows, he spirals into paranoia and isolation.This mesmerizing novel is a vivid and nostalgic fusion of fact and fiction at the edge of what's real and fantasy. Bret Easton Ellis is probably best known for his now-iconic book American Psycho (1991) and the highly memeable film that followed.Bret Easton Ellis was interviewed for the John Adams Institute by Dutch writer and critic Joost de Vries at Boom Chicago in January of 2023.Become a Member of the John Adams Subscribe to our newsletterSupport the show

Degens Andy S and Brandon Bombay just back back from returning videotapes so they can talk about the sickly hilarious satirical classic, 'American Psycho.' Andy starts the episode off on a downer, and recalls the sad/unique circumstances that led him to reading the novel the movie is based on for the first time. Then the fellas try to impress the hookers they hired by showing off their film knowledge, and discuss this comedy that very much has horror roots. Original marketing may have been a little misleading in conveying the tone of the movie, but the lead star-turning performance from Christian Bale (who seems as if he was auditioning for a Bruce Wayne-type) was undeniable from the beginning. The film features dialogue with the typical existential disconnectedness found in many of Bret Easton Ellis's works depicting upper class malaise, but the way Bale's Patrick Bateman details his exhausting health and skincare routine, and then watches himself in the mirror during threeways helped the character become truly iconic. Much like a Friday night reservation at Dorsia, you won't want to miss this episode. 

Perhaps best known for his novels Motherless Brooklyn (1999), The Fortress of Solitude (2003), and Chronic City (2009)—or, more recently, Brooklyn Crime Novel (2023)—the author, essayist, and cultural critic Jonathan Lethem could be considered the ultimate modern-day Brooklyn bard, even if today he lives in California, where he's a professor of English and creative writing at Pomona College. His most celebrated books take place in Brooklyn, or in the case of Chronic City, on Manhattan's Upper East Side, and across his genre-spanning works of fiction, his narratives capture a profound sense of the rich chaos and wonder to be found in an urban existence. Lethem is also the author of several essay collections, including the newly published Cellophane Bricks: A Life in Visual Culture (ZE Books), which compiles much of his art writing from over the years written in response to—and often in exchange for—artworks by friends, including Gregory Crewdson, Nan Goldin, and Raymond Pettibon.On the episode, Lethem discusses his passion for book dedications; the time he spent with James Brown and Bob Dylan, respectively, when profiling them for Rolling Stone in the mid-aughts; how his work is, in part, a way of dealing with and healing from his mother's death in 1978, at age 36; and why he views his writing as “fundamentally commemorative.”Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Jonathan Lethem[5:35] Cellophane Bricks[5:35] High School of Music and Art[5:35] Motherless Brooklyn[5:35] The Fortress of Solitude[5:35] The Disappointment Artist[5:35] Maureen Linker[7:15] Carmen Fariña[8:26] Julia Jacquette[8:26] Rosalyn Drexler[9:08] The Great Gatsby[9:08] Brooklyn Crime Novel[10:59] Lynn Nottage[13:08] Bennington College[13:08] Bret Easton Ellis[13:08] Donna Tartt[23:41] The Collapsing Frontier[23:41] Italo Calvino[23:41] Cold War[23:41] Red Scare[23:41] J. Edgar Hoover[27:37] Dada movement[27:37] Ernest Hemingway[27:37] Gertrude Stein[27:37] Dissident Gardens[29:38] Reaganism[29:38] “Does intergenerational transmission of trauma skip a generation?”[31:21] John Van Bergen[31:21] Nan Goldin[34:33] “The Ecstasy of Influence”[34:33] Lawrence Lessig[35:31] Copyleft movement[35:31] Hank Shocklee[38:46] Hoyt-Schermerhorn Station[42:32] “Being James Brown: Inside the Private World of the Baddest Man Who Ever Lived”[42:32] “The Genius and Modern Times of Bob Dylan”[51:00] Chronic City[54:04] The Thalia[55:50] “Lightness” by Italo Calvino[1:06:26] Jorge Luis Borges

We're taking a detour this week to talk about some Paul Schrader projects that never made it to the screen - the Montreal-set gangster film QUÉBECOIS!, the Elio Petri remake INVESTIGATION, psychedelic murder mystery THE DOORS OF PERCEPTION, film festival-set stage plays Berlinale and The Cleopatra Club, biopics EIGHT SCENES FROM THE LIFE OF HANK WILLIAMS and GERSHWIN, and the Bret Easton Ellis-scripted shark thriller BAIT. We read PDFs so you don't have to! Unless you want to, in which case they're linked below. Ian also makes a medium-exciting discovery about one of the screenplays he read...listen to find out what the h--- we're talking about. Further Reading: QUÉBECOIS! by Paul Schrader INVESTIGATION by Paul Schrader THE DOORS OF PERCEPTION by Paul Schrader Berlinale by Paul Schrader The Cleopatra Club by Paul Schrader EIGHT SCENES FROM THE LIFE OF HANK WILLIAMS by Paul Schrader GERSHWIN by Paul Schrader BAIT by Bret Easton Ellis   Further Viewing: 24 HOURS OR MORE (Groulx, 1973) INVESTIGATION OF A CITIZEN ABOVE SUSPICION (Petri, 1970) ODYSSEY INTO THE MIND'S EYE (Boydstun, 1996) MISHIMA: A LIFE IN FOUR CHAPTERS (Schrader, 1985) THE CANYONS (Schrader, 2013) INTO THE BLUE (Stockwell, 2005)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

¡Vótame en los Premios iVoox 2024! Es nuestro programa más duro realizado hasta la fecha. Nada ha sido como esto, ni lo volverá a ser. Este audio puede herir la sensibilidad del oyente y no está en absoluto recomendado a menores de edad. Hoy se analiza la novela de Bret Easton Ellis, AMERICAN PSYCHO, posiblemente el material más terrible, sangriento y cruel al que nos hemos enfrentado en La Órbita de Endor. También examinaremos la película de mismo título dirigida por Mary Harron y protagonizada por Christian Bale. Una versión infinitamente más amable y light de un libro absolutamente perturbador. El programa estará en la sintonía de la obra de Easton Ellis, por lo que ésta podría ser una escucha poco recomendable para la mayoría de nuestros oyentes habituales, por ello os recomendamos NO descargar el programa en esta ocasión. La próxima semana volveremos a encontrarnos. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Show Notes and Links to Porochista Khanpour's Work   For Episode 258, Pete welcomes Porochista Khakpour, and the two discuss, among other topics, her harrowing departure from Iran to the US at a young age, her voracious reading and writing and storytelling, amazing life experiences that have fed her writing, her love of contemporary stan culture and KPop, how her latest book's release is different, seeds for Tehrangeles, modern wellness and conspiracy theory cultures, her experiences with the real Tehrangeles, the role of the outsider as a writer, and so much about themes and topics related to her novel, like celebrity worship, assimilation, cancel culture, and racism.      Porochista Khakpour was born in Tehran and raised in the greater Los Angeles area. She is the critically acclaimed author of two previous novels, Sons and Other Flammable Objects and The Last Illusion; a memoir, Sick; and a collection of essays, Brown Album. Her writing has appeared in The New York Times, The Washington Post, the Los Angeles Times, The Wall Street Journal, Bookforum, Elle, and many other publications. Her latest book is Tehrangeles. She lives in New York City.   Buy Tehrangeles  Porochista's Official Website Porochista's Wikipedia Page “Writing Iranian America…”-2020 Interview from Columbia Journal   At about 1:45: Pete gets the wrong vegetable in remembering his first exposure to Porochista's excellent work   At about 2:45, Porochista talks about the year in publishing and the ways in which this year's tragedies have been in juxtaposition to careful and affectionate feedback for her novel   At about 7:30, Porochista and Pete discuss some politicians' cowardice and Porochsta's book as a “weird distraction”   At about 10:20, Pete asks Porochista about writing satire in an increasingly off-its-hinges world   At about 13:20, Porochista talks about the 1%, richest of the richest, and how “this sort of madness of wealthy people during the beginning of the pandemic”   At about 15:10, Porochsta gives background on the acquisition of her novel    At about 17:25, The two highlight Danzy Senna's great work   At about 18:20, Porochista cites examples of “dark humor” that at times run through Persian cultures    At about 20:10, Porochista reflects on the idea of “perpetual outsiders” and the effect on writing   At about 21:40, Porochista details her family's fleeing Iran and the traumas and memories that came with her odyssey to arriving in the US   At about 24:30, Porochista traces the way that Iran was often viewed by Americans at the time in which her family arrived in the US   At about 25:15, Porochista responds to Pete's questions about her early reading and writing and language life, both in English and Persian    At about 31:45,    At about 32:50, Porochista talks about she's been described as a “maximalist” and the connection to Persian as her first language   At about 34:35, Porochista talks about representation in the texts she read growing up and her early love of particular works that allowed her to learn about the Western canon in order to enjoy it and resist it   At about 37:30, Porochista charts her reading journey from Faulkner to Morrison to Sartre to the Beat Poets and describes her self-designed silent book reading “retreat”   At about 40:20, Porochista describes her reading and writing as responses to her life experiences and her identity revolving around writing   At about 41:35, Porochista describes transformative and formative texts and mentors and her time at Sarah Lawrence College and Oxford   At about 43:50, Porochista talks about the ways in which her reading was affected by how women writers are often limited, and how this connects to her seeking out adventure and life experience in living as a writer, including her going to William Faulkner Country   At about 49:45, The two make appreciations of James Joyce's work    At about 50:55, Porochista makes a case for contemporary writing as comprising a “golden era”   At about 52:00, Pete wonders if and how Porochsta has been influenced by Bret Easton Ellis and David Foster Wallace   At about 54:45, Porochista talks about ways in which Less than Zero and American Psycho and Donna Tartt's work have affected the sensibility of Tehrangeles and especially its ending   At about 59:15, Porochista talks about “dream” casting in case the novel becomes a movie, including Tara Yummy   At about 1:01:00, Porochista talks about the “twisted logic” found on many of the chat rooms/forums she spent time in for book research    At about 1:04:15, Porochista talks about how Louisa May Alcott's Little Women and Alcott's experience informed the writing of Tehrangeles   At about 1:07:55, The two discuss how Shahs of Sunset affected the novel   At about 1:10:00, Porochista explains her rationale in making the book's reality show producers a collective   At about 1:10:45, Porochista responds to Pete's question about the book's epitaphs     At about 1:13:55, Porochista talks about the book's untranslated Persian section and “progress” in people's understanding   At about 1:15:20, Pete cites and quotes the book's opening litany and the exposition of Book I   At about 1:16:20, Porochista describes a raucous scene where Roxana, a main character, goes through a “zodiac reassignment”   At about 1:17:50, Porochista digs into Roxana's “Secret”   At about 1:19:10, The two lament Kanye West's horrible recent behavior and other misogynists and abusers, in connection with the setting of the book   At about 1:22:30, The two discuss the world of influencers and their effect on younger generations in line with the characters of the book   At about 1:24:20, Pete recounts the Milani family members and their views of the    At about 1:26:00, Porochista recounts inspiration for Violet's sweets diet from an interview with Momofuku's Christina Tosi and Porochista's time at Sarah Lawrence   At about 1:28:00, The two discuss Violet's experience with a racist and demeaning model shoot that plays on her Iranian heritage    At about 1:29:30, Porochista reflects on Tehrangeles culture and its connection to religion    At about 1:30:35, Porochista discusses KPop and “stan culture” and how Mina “found her voice” through these online forums    At about 1:34:20, Porochista talks about purposely focusing on realistic and empathetic portrayals of gender identity    At about 1:38:30, The two discuss Hailey as representative of the intersections between Covid conspiracy theories and racism and “hidden” CA racism and wellness culture   At about 1:40:00, Porochista talks about her own experiences with the “dark wu wu” of the wellness cultures during her own fragile    At about 1:44:00, The two discuss Ali (Al) and his leaving Iran behind and how he seeks Americanization and how he makes his fortune   At about 1:46:15, Porochista likens events of the book, “The World of Al” to the DJ Khaled song    At about 1:48:05, The two discuss Roxana's desire to have a blowout early Covid-era party and how the physical “wings” of the house connect to the sisters' different growing pains and goals and ethics   At about 1:50:40, The two riff on some beautifully absurd scenes in the book, including a pet psychic's appearance    At about 1:51:50, Porochista gives background on deciding to do untranslated Persian in the book and about Homa and the ways she doesn't want to be part of Tehrangeles; also Editor Maria Goldberg Love   At about 1:55:10, Pete asks about the rationale and background for the book's ending using stream of consciousness   At about 1:57:15, Porochista shouts out Golden Hour Books and City of Asylum Books, and other places to buy her book, including Shawnee, Kansas' Seven Stories, run by 17 yr old Halley Vincent   At about 1:59:45, Porochista shouts out the stellar Deep Vellum and Verso and writers like   At about 2:01:05, Porochista talks about exciting upcoming projects    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 259 with Jessica Whipple. Jessica writes for adults and children, and her poetry has been published recently in Funicular, Door Is a Jar, and many more. She has published two children's picture books in 2023: Enough Is… and I Think I Think a Lot.  The episode will air on October 29. Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

American Psycho is a 2000 satirical horror film directed by Mary Harron, who co-wrote the screenplay with Guinevere Turner. Based on the 1991 novel by Bret Easton Ellis, it stars Christian Bale as Patrick Bateman, a New York City investment banker who apparently leads a double life as a serial killer. Willem Dafoe, Jared Leto, Josh Lucas, Chloë Sevigny, Samantha Mathis, Cara Seymour, Justin Theroux, and Reese Witherspoon appear in supporting roles. The film blends horror and black comedy to satirize 1980s yuppie culture and consumerism, exemplified by Bateman. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Director Mary Herron and her co-screenwriter Guinevere Turner did what 'American Psycho' author Bret Easton Ellis thought was impossible: made a film of his controversial, considered-unfilmable 1991. novel.  And the lens through which they espied Patrick Bateman proved exactly the right way to gain something meaningful out of what, frankly, is a pretty unreadable and repetitive novel. The astonishing lead performance from Christian Bale catapulted him to the stardom and rarified air he continues to occupy as an actor today.  And the performance is a wonder to dissect, if you'll pardon the pun. Featuring a wonderful assortment of supporting actors like Willem Dafoe, Chloe Sevigny, Justin Theroux, Reese Witherspoon, Reg E. Cathey, Josh Lucas, Matt Ross, Jared Leto, Cara Seymour and Samantha Mathis, the film is one of the most essential films about NYC in the 80's.

Our season of political thrillers continues with guest Kayla Bates (host of ScreenVomit) joining to discuss Mary Harron's AMERICAN PSYCHO starring Christian Bale, Chloë Sevigny, Willem Dafoe, Jared Leto, Samanta Mathis and Reese Witherspoon. Based on the novel by Bret Easton Ellis, this turn-of-the-millenium satirical thriller delves into the psyche of Patrick Bateman, a status-obsessed investment banker leading a double life as a sadistic serial killer in 1980s Manhattan. Anchored by an audacious performance from Bale, AMERICAN PSYCHO had much to say about Trump-style materialism and dehumanization long before Trump entered the political arena. As both a slyly feminist work and an oft-misinterpreted staple of filmbro canon, it's only grown in esteem as a darkly fascinating film to watch and discuss. Join us as we go nuts for AMERICAN PSYCHO, taking diversions into Blink Twice, The Dark Knight, Serial Mom, Chris Hansen, Gloria Steinem, Caligula, and much, much more! AMERICAN PSYCHO is currently available to stream with subscription to Netflix.

In 2013, Paul Schrader directed deeply troubled recent child actress Lindsay Lohan and porn star/human Quagmire James Deen from a script by literary dolt Bret Easton Ellis in a crowdfunded, low-budget curio about the vapid cruelty of modern Los Angeles. THE CANYONS was widely disregarded on release, but has steadily grown in esteem by some particularly movie-brained folks. Will we be among them? What about our guest, writer Charles Lyons-Burt? You'll have to listen to find out! Spoiler: we both despised the experience of watching this, and reading other people's appreciations of it made us feel insane. But Charles makes some compelling arguments! Good ep, please don't get too mad at us. Further Reading: "In Lindsay's Stardust Orbit" by Braxton Pope "Paul Schrader's 'The Canyons'" by Richard Brody "Here Is What Happens When You Cast Lindsay Lohan in Your Movie" by Stephen Rodrick Paul Schrader interviewed for Salon by Daniel D'Addario Further Viewing: AMERICAN GIGOLO (Schrader, 1980) THE COMFORT OF STRANGERS (Schrader, 1990) THE 15:17 TO PARIS (Eastwood, 2018) THE KILLING OF A CHINESE BOOKIE (Cassavetes, 1976)   Follow Charles Lyons-Burt: https://x.com/aridabyss https://www.slantmagazine.com/author/clyonsburt/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

From classic eighties films like “Wall Street” to Bret Easton Ellis's 1991 novel “American Psycho,” the world of finance has long provided a seductive backdrop for meditations on wealth and power. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the many portrayals of this élite realm, and how its image has evolved over time. Where earlier texts glorified Wall Street types as roguish heroes, the Great Recession ushered in more critical fare, seeking to explain the inner workings of a system that benefitted the few at the expense of the many. In 2024, as TikTokkers and personal essayists search for “a man in finance,” things seem to be shifting again. HBO's “Industry,” now in its third season, depicts a cadre of young investment bankers clawing their way to the top of a soulless meritocracy—and may even engender some sympathy for the new finance bro. Why are audiences and creators alike so easily seduced by these stories even after the disillusionment of the Occupy Wall Street era? “We're talking about something—money—that is fun, and that we all on some level do want,” Cunningham says. “It's always going to make us feel.”Read, watch, and listen with the critics:“Industry” (2020—)“Wall Street” (1987)“You don't have to look for a ‘man in finance.' He's everywhere,” by Rachel Tashjian (The Washington Post)Joel Sternfeld's “Summer Interns, Wall Street, New York”“American Psycho” (2000)“American Psycho,” by Bret Easton Ellis“Wall Street: Money Never Sleeps” (2010)“The Big Short” (2015)“The Wolf of Wall Street” (2013)“Margin Call” (2011)“The Case for Marrying an Older Man,” by Grazie Sophia Christie (The Cut)“My Year of Finance Boys,” by Daniel Lefferts (The Paris Review)“Ways and Means,” by Daniel Lefferts“Custom of the Country,” by Edith WhartonNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Share your thoughts on Critics at Large. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2

Nick and Alex review Roger Avary's adaptation of Bret Easton Ellis' “The Rules of Attraction.” Topics include the film's stunt casting of former child stars, Ellis' source novel, how they shot the Victor sequence, Shannyn Sossamon, and much more. Deal with it, rock 'n roll.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

Jay McInerney is a writer from New York. It's the 40th anniversary of his book Bright Lights, Big City, and we spoke with Jay from his Malibu home about when people call meat "protein," cinnamon rolls, surfing in Malibu, we romanticize smoking in restaurants and on airplanes, blasting lines with Ray Carver, Absolut Vodka ads in the 80s and 90s, hanging with Bret Easton Ellis, sucks when the producer gets canceled, he finished his memoir but probably shouldn't put it out, Keith McNally's memoir, his hangover cure, classic New York restaurants, Tesla cars, and his thoughts on Substack. instagram.com/jaymcinerney twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode:In the summer of 2020, I interviewed the novelist, screenwriter, and cultural critic, Bret Easton Ellis. Bret is the author of some of the most famous novels in contemporary American literature including many, like American Pyscho, that were made into major Hollywood films.We recorded this interview as the season premiere of Bret's podcast in 2020. I'm impressed with how well it's held up.Bret's episode begins with an hour-long monologue of how music shaped Bret's summers throughout his life, and if you'd like to hear that, you can it and the rest of Bret's podcast library at: https://www.patreon.com/posts/b-e-e-podcast-7-39698541Connect with Be Reasonable: https://linktr.ee/imyourmoderatorHear the show when it's released. Become a paid subscriber at imyourmoderator.substack.comVisit the show's sponsors:Diversify your assets into Bitcoin: https://partner.river.com/reasonableDiversify your assets into precious metals: reasonablegold.comOther ways to support the work:ko-fi.com/imyourmoderatorDonate btc via coinbase: 3MEh9J5sRvMfkWd4EWczrFr1iP3DBMcKk5Make life more comfortable: mypillow.com/reasonableMerch site: https://cancelcouture.com or https://riseattireusa.com/intl/cancelcouture/Follow the podcast info stream: t.me/veryreasonableOther social platforms: Truth Social, Gab, Rumble, or Gettr - @imyourmoderator Become a member at https://plus.acast.com/s/be-reasonable-with-your-moderator-chris-paul. Hosted on Acast. See acast.com/privacy for more information.

Notes and Links to Jesse Katz's Work      For Episode 249, Pete welcomes Jesse Katz, and the two discuss, among other topics, his childhood love of baseball, formative and transformative books and writers, lessons learned from early writing, LA and MacArthur Park lore, and salient themes and issues in the book like poverty and the punitive nature of powerful interests, grief, and various forms of violence, as well as larger narratives about the immigration system, family units, and traumas and silences.      Jesse Katz is a former Los Angeles Times and Los Angeles Magazine writer whose honors include the James Beard Foundation's M.F.K. Fisher Distinguished Writing Award, PEN Center USA's Literary Journalism Award, a National Magazine Award nomination, and two shared Pulitzer Prizes. As a volunteer with InsideOUT Writers, he has mentored incarcerated teenagers at Central Juvenile Hall and the former California Youth Authority.    Buy The Rent Collectors   Jesse Katz's Website   New York Times Review of The Rent Collectors   At about 2:00, the two discuss Jesse's recent book launch at Skylight Books, which Pete was lucky to attend At about 4:10, Jesse talks about generous feedback, including from those featured in the book At about 6:30, Jesse discusses the experience of recording the audio for his book At about 9:45, Jesse gives background on his relationship with language growing up At about 12:15, The two share memories of reading formative works on Jackie Robinson At about 14:30, Jesse describes takeaways from his adolescent readings of Hemingway, Kerouac, and immersive writers, and college reading that “flipped the switch,” including Joe McGinniss and Hunter Thompson At about 18:15, Jesse talks about his relationship with his alma mater, Bennington College, and Bret Easton Ellis and other standout alumni At about 19:55, Jesse highlights Matthew Desmond and Susan Orlean as contemporary writers (especially Orlean with her The Library Book and Desmond with his Poverty by América, an inspiration for The Rent Collectors) who inspire and thrill At about 22:55, Pete makes a connection between American Psycho and The Rent Collectors, especially with regards to litanies, and Jesse expands on “the cost of being poor” At about 24:50, Pete and Jesse talk about Jesse's book, The Opposite Field, and connections to the great Luis J. Rodriguez At about 27:50, Jesse responds to Pete's questions about how he sees the book now, speaking about The Opposite Field At about 29:00, Pete highlights a generous blurb from hector Tobar, and Jesse outlines how Hector's support propelled Jesse to get to work on realizing the book's finish At about 32:00, Jesse cites Giovanni's (Macedo, the book's protagonist) own healing and his generosity in sharing his story At about 34:00, Pete and Jesse discuss the book's opening, and why Jesse decided to start the book in the middle of the story with Giovanni “rising from the dead” At about 38:50, Jesse gives background on Giovanni's backstory, especially with regard to his father, and not knowing the reason for his father's death At about 42:10, Jesse expands upon the setting of MacArthur Park, the focus of the book's Chapter Two, and its denseness and uniqueness in LA At about 43:30, The two discuss Giovanni's early forays into gang life and some members of the clique featured in the book At about 45:30, Jesse speaks about Reyna, Giovanni's mother, and how she felt powerless in keeping her son from gangs At about 47:40, Jesse speaks to the staying power of gangs and how they “[fill] a void,” and Pete quotes Father Greg Boyle and his thoughts on hopelessness  At about 49:45, Jesse replies to Pete's question about Francisco Clemente, who survived the targeted shooting by Giovanni and how he stood up against the rent collectors At about 51:20, Jesse describes the “older, savvier gang members” who were sought out by Giovanni At about 54:30, Pete and Jesse talk about how he sets the scene in the book for the horrendous events perpetuated by the gang and Giovanni; Jesse also details how he used court transcripts and written correspondence with Giovanni to piece together Giovanni's thoughts before and after the shooting At about 58:30, The backlash and early investigations about the homicide are discussed At about 1:00:45, Pete charts Giovanni's life in the immediate aftermath of the murder, and Jesse responds to a question about his a key decision  At about 1:04:10, Jesse speaks to the naivete of Giovanni's dialogue with Holmes, the investigator  At about 1:05:40, The two discuss sentencing for Giovanni and his reflection on his crimes and aftermath At about 1:07:00, Jesse talks about Daniela, the mother of Luis Angel, and how he tried and failed to find her to speak with for the book, and why it was maybe for the good that she didn't have to relive the trauma At about 1:09:45, Jesse ruminates on Giovanni's future At about 1:11:15, Jesse reflects on how the book may help him with his parole At about 1:13:00, Pete and Jesse trade quotes and meditate on the book's hopeful lessons At about 1:14:50, Jesse gives contact info and book buying information       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 249 with Ben Tanzer. He is an Emmy-award winning coach, creative strategist, podcaster, writer, teacher and social worker who has been helping nonprofits, publishers, authors, small business and career changers tell their stories for 20 plus years.     He produces and hosts This Podcast Will Change Your Life, which was launched in February 2010, focuses on authors and changemakers from around the country and the world, and was named by Elephant Journal as one of "The 10 Best Podcasts to Help you Change your Life.”    His written work includes the short story collection UPSTATE, the science fiction novel Orphans and the essay collections Lost in Space and Be Cool. His most recent novel is The Missing.    The episode will go live on August 27.    Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Time to get controversh with with one of the most argued about films of the century, 2000's American Psycho. Based on Bret Easton Ellis' lightning rod novel, the film passed through multiple directors before landing in the inspired hands of Mary Harron. The independent director struck the right satirical note on Ellis' difficult blend of consumerism … Continue reading "304 – American Psycho"

#1 ACS #1938 (feat. Brian Huskey, Jo Koy, Gina Grad and Bryan Bishop) (2016) #2 ACS #1933 (feat. Nate Adams, Gina Grad and Bryan Bishop) (2016) #3 ACS #1896 (feat. Bret Easton Ellis, Gina Grad and Bryan Bishop) (2016) Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner