Podcasts about Zooropa

Regresamos al gran clásico -en las sombras- de la banda irlandesa U2. Les hablamos de Zooropa de 1993, un disco lleno de misterio y riesgo, grabado entre concierto y concierto de la gira ZOO TV. Ricardo Portman nos cuenta su historia. Escucharemos Zooropa, Babyface, Numb, Lemon, Stay (Faraway, so close!), Daddy’s Gonna Pay For Your Crashed Car, Some Days Are Better Than Others, The First Time, Dirty Day y The Wanderer + Bonus tracks. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ LH Magazin (Madrid) jueves 12:00 Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

Rejoignez-nous dans les coulisses du disque le plus audacieux et le plus expérimental de U2 : Zooropa. Sorti en 1993, cet album a été conçu comme un miroir de son époque, alors que le groupe était en pleine tournée mondiale.Confrontés à un Daniel Lanois, leur producteur attitré, indisponible, les membres de U2 ont dû se réinventer et faire appel à un nouveau collaborateur, Brian Eno. Ensemble, ils ont entrepris de retranscrire sur disque la folie et la créativité qui les animaient à cette période. Le résultat est un Zooropa loin des sonorités traditionnelles du groupe, qui a séduit la critique mais laissé perplexes de nombreux fans.Malgré tout, certains titres comme "Stay (Faraway, So Close!)" ont su traverser les années et s'imposer comme des classiques. Cette chanson, hommage à Frank Sinatra, a notamment été choisie par le réalisateur Wim Wenders pour figurer sur la bande originale de son film "Trop près de mon cœur".Rejoignez-nous pour découvrir les coulisses fascinantes de cet album atypique, qui a permis à U2 de repousser encore un peu plus les limites de leur créativité

Dans cet épisode captivant de 'La Partition', nous plongeons dans l'histoire fascinante de l'album 'Zooropa', sorti en 1993 par le célèbre groupe irlandais U2. Alors que leur précédent album, 'Achtung Baby', les avait déjà éloignés de leur son caractéristique, 'Zooropa' marque une nouvelle étape audacieuse dans l'évolution musicale du groupe.Conçu initialement comme un mini-album destiné à accompagner leur tournée 'Zoo TV Tour', 'Zooropa' s'est finalement transformé en une véritable œuvre à part entière, reflet de l'époque mouvementée que traversait l'Europe à cette période. Le guitariste The Edge décrit cet album comme le plus 'actuel' du groupe, un véritable 'polaroïd' de ce qui les entourait alors.Confrontés à l'absence de leur producteur attitré, Daniel Lanois, les membres de U2 ont fait appel à une nouvelle équipe de production, ouvrant la voie à une expérimentation musicale sans précédent. De la musique parfois qualifiée d'« expérimentale » au style influencé par Frank Sinatra, 'Zooropa' a surpris les fans, récoltant davantage de succès critique que commercial.Malgré cette réception mitigée, l'album a laissé une empreinte durable sur la discographie du groupe. La chanson 'Stay', issue des sessions d'enregistrement d''Achtung Baby', a notamment été choisie par le réalisateur Wim Wenders pour figurer sur la bande originale de son film 'Si loin, si proche', offrant ainsi une nouvelle vie à ce titre.Rejoignez-nous pour explorer les coulisses fascinantes de la création de 'Zooropa', un album qui a marqué un tournant dans la carrière de U2 et qui continue d'intriguer les mélomanes du monde entier.

Este episodio de #U2ChileElPodcast está enfocado en uno de los colaboradores más interesantes, experimentales e importantes de U2, el señor Brian Eno. Pepo, Miguel y Zed conversan sobre este músico, escritor, productor y artista visual, sobre su paso de la música pop a la música ambiental, su música para aeropuertos y películas, sus discos en solitario y colaboraciones. Obviamente el plato fuerte es comentar su participación en la creación de los discos The Unforgettable Fire, The Joshua Tree, Achtung Baby, Zooropa, Passengers, All That You Can't Leave Behind y No Line On The Horizon. La lista de artistas mencionados en este capítulo es gigante, desde David Bowie a Robert Fripp, Daniel Lanois, Roxy Music, Vangelis, Simple Minds, James, Japan y David Sylvian Talking Heads y David Byrne, Genesis y Phil Collins... y si, Coldplay. Hablamos de como llegó al concepto de música ambiental, de sus cartas de "Estrategias oblicuas", la pizarra de instrucciones, como casi destruye Where The Streets Have No Name y mucho más! ***** Suscríbanse al podcast, dennos Like, dennos 5 estrellas y compartan este capítulo. Y esperamos sus opiniones e ideas! Sígannos en: Facebook.com/u2Chile.net Como @u2chile en Instagram, Twitter, Youtube, TikTok, Threads, Bluesky y Mastodon Y en nuestro sitio web U2Chile.net Buena onda!

This week's episode covers three albums: 1) "Rainbows from Atoms" by Lungfish 2) "Where You Been" by Dinosaur Jr 3) "Zooropa" by U2 In addition, Jon and Matt will rank 10 singles from the years 1991-93. --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

This episode looks at Johnny Cash's “The American Recordings”, a series of 6 albums released on American Records between 1994 and 2010.  By 1994, when he signed to Rick Rubin's American Records, it looked like Cash's career was all but done. However, Rubin had other ideas and, over the next 10 years, worked with Cash to produce some of the most memorable work of his career. Part of this process involved Cash covering songs by some of the greatest artists of the late 20th Century - U2, Nine Inch Nails, Nick Cave, Tom Petty and Leonard Cohen.  He's not performing the songs in his usual country style, but simply as Johnny Cash.  It's a great story, with a fabulous playlist! Jeff's found 5 bands you would not believe exist, including Mac Sabbath, a parody of Black Sabbath with lyrics about fast food, and Shat, a band that is offensive in every possible way, whose lead singer's costumes are draped with dildoes!  Our "Album you must listen to before you die" is “Arrival” by Abba.  Reviewers weren't convinced.  Neither is Jeff.  Have a listen and see what Mick thought. References: Winny Puhh, The Residents, Mac Sabbath, Shat, TISM, Taylor Swift, Tortured Poets Department, Abba, Arrival, American Records, Rick Rubin, Def Jam, Shel Silverstein, “A Boy Named Sue”, “Solitary Man”, The Highwaymen, The Man in Black, Johnny Cash, Waylon Jennings, Willie Nelson, Kris Kristofferson, June Carter Cash, “Bitter Tears”, “Ballad of Ira Hayes”, Bruce Springsteen, “Highway Patrolman”, U2, Zooropa, “The Wanderer”, “Personal Jesus”, “The Mercy Seat”,  “Streets of Laredo”, John Cale   Johnny Cash American Recordings – Full albums Johnny Cash – Our episode playlist Discogs' listing of all 6 covers Interview with Rick Rubin re “Hurt”  Ten Bands you Won't Believe Exist

In Pt 2 on Zooropa we continue our song by song examination and then get into the launch of the European leg of Zoo TV which sees the band rediscovering their love of Dada. The wildly successful Zoo TV marches on to its final leg in Australia by which time the band is running on fumes.

Este es un episodio creado 100% gracias a la ayuda de los fans de U2, que nos escribieron sus preguntas sobre la banda, su historia, discos, planes a futuro, y también esperan nuestra opinión sobre diversos temas. Pepo, Dafy, Franz y Zed respondemos a casi todas las preguntas que nos hicieron, sin dejar pasar temas controversiales ni esquivamos golpes. Las preguntas a responder son: (3:01) - ¿Por qué no vinieron a Chile en los 80s? (9:08) - ¿Ya no dan más como equipo creativo? (26:00) - ¿Vuelve Larry el 2024? (27:19) - ¿Por qué Crystal Ballroom fue lado B? (29:38) - ¿Por qué no tocan en festivales? (37:47) - ¿Por qué casi se separan en los 90s? (42:21) - ¿Pueden seguir sin Larry? (45:17) - ¿Odian al Pop? (51:00) - La Esfera + Letras (57:12) - ¿Está Holy Joe en formato digital? (59:12) - ¿Qué foros usamos? (1:02:42) - ¿Dónde viven? (1:04:32) - ¿Pagan impuestos en Irlanda? (1:07:06) - Miracle Drug: ¿quién canta? (1:09:22) - ¿Qué significa Rattle & Hum? (1:16:49) - Mensajes a U2 (1:18:36) - ¿Qué significan los trajes azules de Zooropa? (1:25:06) - ¿Por qué no llegó el Elevation Tour a Sudamérica? (1:31:40) - ¿Cuál es la mejor canción post 2005? (1:36:55) - Mejor uso del piano (1:39:55) - ¿En qué disco destaca qué integrante? (1:48:16) - ¿Por qué The Edge ya no canta solo? (1:50:54) - Llamados de Macphisto (1:53:48) - Merchandising (1:55:11) - Apodos de Adam y Larry (2:00:07) - ¿Por qué no hicieron un MTV Unplugged? (2:04:39) - Larry 2 + Setlists largos (2:08:20) - U2, ¿mejores que los Beatles y los Stones? (2:20:29) - Gira mundial ZooTV (2:23:18) - Larry 3 (2:25:56) - ¿Por qué no se han separado? (2:30:24) - ¿Desde el Pop se acabó la creatividad? (2:31:40) - ¿U2 planea una gira mundial? + La Esfera + Chile (2:33:57) - ¿Por qué el logo de Lovetown parece el del Partido Comunista? (2:45:00) - ¿Qué pasará con Songs of Ascent? (2:45:51) - Ediciones especiales HTDAAB y Pop (2:47:16) - Los errores de No Line On The Horizon (2:54:40) - ¿Cuántos álbumes quedan? (2:59:41) - Sonidos pregrabados + The Edge (3:06:04) - Las sesiones con Rick Rubin (3:08:17) - ¿Por qué Bono usa lentes? (3:09:14) - ¿Por qué 1, 2, 3, 14? ****** Suscríbanse, denle Like, 5 estrellas y compartan este capítulo. Sígannos en Facebook.com/u2Chile.net Como @u2chile en Instagram, Twitter, Youtube, TikTok, Threads, Bluesky y Mastodon Y en nuestro sitio web U2Chile.net Buena onda!

U2 came home after the Outside Broadcast Tour completing a wildly successful 1992 that saw the band reinvent themselves on record and as a live act. It was supposed to be a six month break before returning for the European leg the next summer. But Edge was still looking for a diversion from his marriage falling apart and convinces the band to make a 4 or 5 song EP. Bono, not ready to downshift back into domesticity, ups the ante and says if we're going to all that trouble we may as well make it a full album: A weird and wonderful left turn called Zooropa...and a kind of wayward experimentation U2 would never feel comfortable making again.    

EPISODIO 183.Temporada 5-12.EPISODIO PATROCINADO POR:CBM Clases de batería Madrid. https://clasesdebateriamadrid.com/ .Superdrummer Academy.www.simonefolcarelli.com .COMUNIDAD DEL CBM de Iñigo Iribarne:http://Clasesbateriaonline.com .Email diario de Iñigo Iribarne.https://inigobatera.activehosted.com/f/17 .EL MESTODO. ​​https://t.me/unmetodoalmes/ .Disco recomendado por Iñigo.Zooropa de U2: https://open.spotify.com/intl-es/album/0IYjMBLA9PgtXyRPlLmTDE?si=NznS_edqQROCGGNvvlmoYw .Batería Larry Mullen JrLIBRO RECOMENDADO por Simone .Modern school for snare Drum: https://amzn.to/3ucebd3 . TOP TRI.Simone:Gianluca Pellerito: https://www.youtube.com/watch?v=z_DAfIn3Ync .William Berrio García: https://www.youtube.com/watch?time_continue=3&v=psoBY65A8tU .Roberto Porta:https://www.youtube.com/watch?v=3v-6RxdYY4Y .Iñigo:Serge Nedzelsky: https://www.instagram.com/nedzelsky/ .Rayani Martins: https://www.instagram.com/rayani.martins/ .Toby Mills: https://www.instagram.com/toby_mills_drums/ .Síguenos en: FB: https://www.facebook.com/Drumless-el-Podcast-101614758071997 .INSTAGRAM: https://www.instagram.com/drumlesspodcast/ .TELEGRAM: https://t.me/drumlesspodcast .ABEL:https://www.instagram.com/kustomdk/ .SIMONE:https://www.simonefolcarelli.com .http://clasesdebateriaonline.com .IÑIGO:http://inigoiribarne.com .https://Clasesdebateriamadrid.com .https://www.twitch.tv/inigobatera .https://www.ellibrodelascorcheas.com .http://Clasesbateriaonline.com .http://insidethegrooveof.com/ .BUY US A COFFEEPaypal: https://www.paypal.me/inigoiribarne .Bizum: 606424669 .

Join our PATREON for bonus episodes.⁠⁠⁠⁠  This week we have musician, actor, and comedian Dave Hill on to talk about the Hüsker Dü album New Day Rising. We also discuss: ravioli eating, the wrong times to buy a book, WFMU, Dave's range of friends, recording studios, the last week tonight theme, having fun/being stupid, the paths to comedy, America's Moby, Neil Hamburger, metal is underdogs music, Zooropa, Mark Messier, not connecting with hardcore, Mould songs vs Hart songs, Zen Arcade, lots of Danzig chat and so much more.  ________ ⁠⁠⁠⁠Order our Gatekeep Harder shirt here!⁠⁠⁠⁠⁠ // Follow us at ⁠⁠⁠⁠@danbassini⁠⁠⁠⁠, ⁠⁠⁠⁠@mysprocalledlife⁠⁠⁠⁠, @mrdavehill ⁠⁠⁠and ⁠⁠⁠⁠@runintotheground⁠⁠⁠⁠.

In which the Curmudgeons remember and pay fond tribute to one of our favorite bands of all time, which now unfortunately is masquerading as an emblem for Las Vegas tourism. We give close attention to the hope, grace and sense of wonder that made the band's anthemic brand of rock 'n' roll so magnificent. We focus especially on the period between 1983 and 1993, when U2 ruled the world via six studio albums and some legendary tours.   Check out a book we reference during the episode, Neil McCormick's "U2 by U2": https://www.thriftbooks.com/w/u2-by-u2_u2_neil-mccormick/287778/?resultid=b31d846a-b396-4558-9fdd-27e446d6859c#edition=5780193&idiq=5601732   Here is a handy navigation companion for the episode.   (0:00 - 13:30) - Arturo sets the parameters for this episode with some deeply personal history    (16:24 - 27:33) - The Parallel Universe, featuring reviews of new albums by Margo Cilker and Wilco.    (28:13 - 58:14) - We cover U2's early history and the albums War, The Unforgettable Fire and the Joshua Tree   (59:13 - 01:19:06) - We cover U2's albums Rattle and Hum and Achtung Baby   (01:20:51 - 01:41:59) - We cover U2's albums Zooropa and Pop and briefly cover a rather forgettable 25 years since then   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80M    

No queda nada para #U2UVSphere, la residencia de U2 en Las Vegas, inaugurando #LaEsfera, la arena de espectáculos más tecnológica del mundo. Pepo recibe a Bea, Bilbao, Karol, Gonzalo y Ely, quienes conversan sobre sus experiencias pasadas, sus expectativas y el hecho de enfrentar una serie de shows sin el fundador de la banda, Larry Mullen Jr. Tambien hablamos sobre: El sufrimiento (o no) para conseguir entradas. El ultimo show de U2 en India. Las canciones de Achtung Baby que mas esperan escuchar. Si creen que hay opciones de escuchar algo de Zooropa, Pop, No Line On The Horizon o Songs of Innocence/Experience/Surrender. Volveran The Fly o Macphisto o habrá un personaje nuevo? Y mucho mas! Esten atentos a nuestras redes sociales para toda la informacion sobre #U2UVSphere, que no parará de aquí a fin de año. Encuéntranos como @u2chile en Instagram, Youtube, TikTok, Twitter, Threads, Bluesky y Mastodon.Encuéntranos como U2Chile.net en Facebook. Buena onda!

¿Què Pasa, New York? Mornings, on WXTV, Univision 41, Nueva York! But also, that's a refrain from arguably the most commercially viable song from John & Yoko/Plastic Ono Band's “Some Time In New York City”. So why wasn't the semi-title track a single? Why didn't it lead off the album; not enough racial epithets in the title? And who in the love of Danza decided “Angela” - a heart-wrenching tribute to Judith Light - belongs on ANY Lennon comp? So many preguntas! Què Pasa, indeed! Fortunately/Maybe (#Oasisish) it's time for part two of the highly anticipated CHICAGO STYLE deep-dish of one of the most derided solo Beatles albums this side of “The Family Way” soundtrack! And as if this 2LP set isn't long enough - the Giles Martin deluxe remix is slated to include the full 117 minute version of “Au” - the UBP's very own Cap'n Jamrag and Lt. Scumbag (#PossibleForestGumpReference), to answer these, and more!

Shawn McGhee is not just a teacher, historian, and father-- he is also a huge fan of U2. He comes to the podcast with an appreciation for Zooropa as well as some sober criticisms. U2 is a titan of a band and there is much to be said about them. Fortunately, Shawn was more than up for the task.

You may not have noticed we were gone but, we were and it's time to catch up. Join Jenny and Hillary as we catch up after a few weeks off. We talk everything from the Sphere to Zooropa 30 to the U2 cover band Hillary is seeing this weekend. Join the convo! www.thegardentarts.com SUPPORT: www.patreon.com/thegardentarts AND www.buymeacoffee.com/thegardentarts twitter: @the_gardentarts instagram: @the_gardentarts --- Send in a voice message: https://podcasters.spotify.com/pod/show/thegardentarts/message

This month marks 30 years since U2 released their 1993 album Zooropa if you can believe. Dan Hegarty, presenter of The Alternative on 2FM and 2XM, joins Dearbhail to explore the album's impact and legacy.

La Junta Electoral Central ha abierto un expediente sancionador al presidente del Gobierno y líder del PSOE, Pedro Sánchez. El motivo ha sido quebrantar el principio de neutralidad institucional durante el proceso electoral y realizar apreciaciones valorativas con connotación electoralista. La lucha por los votos continúa y esta noche los portavoces y dirigentes parlamentarios se enfrentarán a las 22 horas en el debate organizado por RTVE para exponer sus programas, exigencias o líneas rojas ante el 23 J. Las peticiones para solicitar el voto por correo de cara al próximo 23 de julio marcan un máximo histórico con 2,4 millones de solicitudes. La reunión de ministros europeos de empleo se centra en el fomento del diálogo social.  Y fuera de nuestras fronteras, el presidente de Estados Unidos, Joe Biden evalúa enviar a Ucrania misiles de mayor alcance.  España se adhiere a la declaración del G7 que da garantías de seguridad a Ucrania. Hace treinta años desde que U2 publicaron “ Zooropa”, uno de sus discos más revolucionarios y lo celebran con un evento de streaming gratuito y global.See omnystudio.com/listener for privacy information.

La Junta Electoral Central ha abierto un expediente sancionador al presidente del Gobierno y líder del PSOE, Pedro Sánchez. El motivo ha sido quebrantar el principio de neutralidad institucional durante el proceso electoral y realizar apreciaciones valorativas con connotación electoralista. La lucha por los votos continúa y esta noche los portavoces y dirigentes parlamentarios se enfrentarán a las 22 horas en el debate organizado por RTVE para exponer sus programas, exigencias o líneas rojas ante el 23 J. Las peticiones para solicitar el voto por correo de cara al próximo 23 de julio marcan un máximo histórico con 2,4 millones de solicitudes. La reunión de ministros europeos de empleo se centra en el fomento del diálogo social.  Y fuera de nuestras fronteras, el presidente de Estados Unidos, Joe Biden evalúa enviar a Ucrania misiles de mayor alcance.  España se adhiere a la declaración del G7 que da garantías de seguridad a Ucrania. Hace treinta años desde que U2 publicaron “ Zooropa”, uno de sus discos más revolucionarios y lo celebran con un evento de streaming gratuito y global.See omnystudio.com/listener for privacy information.

There's no fresh, funny, and incisive commentary on Indiecast this week due to technical issues. But here's a rundown of what you would have heard, including musing about Bluesky, The Bear's soundtrack, and the 30th anniversary of U2's Zooropa.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Big O talks U2

Big O talks U2

Rock News digs into whatever DLR is saying AND how U2 are celebrating Zooropa's 30th! 

Hard to believe it's been thirty years since Bono gave me a world-exclusive preview of the Zooropa album. This is a radio show - never broadcast - I made in 2016. To mark the 30th anniversary of this album, I am reposting this 2020 podcast

- U2 célèbre les 30 ans de "Zooropa" avec une réédition très spéciale - Le biopic sur la vie de Bob Dylan annoté par l'artiste - Taylor Swift ajoute des dates européennes à sa tournée "Eras"

Hoy se cumplen 30 años del lanzamiento del álbum Zooropa de U2, y para celebrarlo regresamos a uno de los temas destacados del disco: Lemon, el segundo sencillo extraído de Zooropa. Presenta Ricardo Portman. Si os gusta el programa podéis apoyar Ecos del Vinilo Radio siendo patrocinadores ¡por lo que vale un café al mes! desde el botón azul de iVoox. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Generación Radio (Medellín, Colombia) jueves y domingos 19:00 (hora Col.) Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

Uno de los discos más especiales de la discografía de U2 cumple 30 años este 5 de Julio. En 1993, en medio de la gira Zoo TV, la banda se propuso seguir con su impulso creativo y crear un disco para acompañar la gira. Partió como una idea de un EP de 4 canciones y terminó con 10 canciones, cada una más extraña, cada una distinta de la otra, pero con un tema en común en ese extraño y complicado comienzo de los 90s para Europa, mezclando comercialismo y reorganización política. Pepo, Karol y Nacho discuten y analizan este disco, su lugar en la historia de la banda, sus letras y cómo tratan de transmitir un mensaje que no es tan obvio y que cuando se entiende cambia la experiencia del disco completamente. Como siempre, hablamos de muchas cosas entremedio, como: Pruebas coeficiente 2 y familiares funados The Beatles y Get Back, Soda Stereo, The Police, Radiohead y Coldplay (otra vez) ¿Bono es musical o no? Pink Floyd y el valle de la luna Sueños con Wim Wenders Adam y la musica porno El Maestro y Margarita U2 feat Lucho Jara! Zooropa, Trump y American Soul La historia de Karol colándose al Hotel W y toqueteando a The Edge El momento Perdóname y el nuevo Momento Chile Y mucho más! ------------------------- El próximo 8 de Agosto nuestro guitarrista favorito, The Edge, cumplirá 62 años, y es por eso que el próximo episodio del podcast será dedicado a él y saldrá ese mismo día. Varios guitarristas y músicos de distintos tributos chilenos a U2 se darán cita para hablar sobre Edge y por sobre todas las cosas sobre su música, incluyendo música en vivo y muchas sorpesas más. Imaginen un "It Might Get Loud", pero sólo sobre The Edge. Suscríbanse a nuestro Podcast, denle Like, 5 estrellas y compartan este capítulo. Y esperamos sus comentarios sobre este capítulo. Recuerden que pueden seguirnos en Facebook.com/u2Chile.net, en Instagram y Twitter en @u2chile y en nuestro sitio web U2Chile.net Buena onda!

Esta es una edición extra de U2 Chile: El Podcast dado que, en el capítulo oficial del disco, nuestra amiga Ely estaba en el aeropuerto y tuvo que viajar a la mitad del capítulo!! Así que creímos que era justo darle otra oportunidad para dar a conocer sus historias, opiniones e interpretaciones sobre este gran disco de U2. Un capítulo corto, con algunas historias relacionadas al disco al comienzo y luego el análisis pista a pista. Dentro de todas las cosas que hablamos se cuentan: Mucha religión y algo de política Los Discman, MP3s y discos rayados Los concursos de la Rock & Pop y el de Coca Cola  Los dibujos de Ely Miracle Drug, la Biblia y el Estallido Social Surrender y Bob Hewson Coexist y los amigos de Bono En pocas semanas más se viene el 30 Aniversario de Zooropa y de eso se tratará el próximo capítulo! Suscríbanse, denle Like, 5 estrellas y compartan este capítulo. Recuerden que pueden seguirnos en Facebook.com/U2Chile.net, en Instagram y Twitter en @u2chile y en nuestro sitio web U2Chile.net Buena onda!

It was thirty years ago I got my "world exclusive" interview with Bon about U2's yet-to-be-titled next album, which turned out to be called Zooropa. This podcast is one of two parts based on my 2018 radio show The Joe Jackson Tapes Revisited: Bono. The full interview is in my ebook, Bono: Soul Searching and Uncensored. 

This week’s Is This Song Good? podcast features a reimagined song from U2’s 1993 album Zooropa. Is it better than the original?

Candlebox had a seemingly immediate success with their self-titled debut album in July 1993.  The group had formed in November of 1990, with lead singer Kevin Martin, guitarist Peter Klett, bassist Bardi Martin, and drummer Scott Mercado as the founding members.  They performed in clubs around Seattle, a musical mecca at the time that benefitted from the grunge movement, and released an EP that got the attention of the new Maverick Records.  Maverick would sign Candlebox, and the group would be the studio's successful act.  While grunge was still king in Seattle and on the air waves at the time, Candlebox does not neatly fit into that category.  Some of the band's work has a grunge feel, but it tends towards a more mainstream hard rock sound in general.  The debut album Candlebox would peak at number 7 on the Billboard album charts, and would see a number of singles hit both the radio and video charts.  The strength of their songs would land them as openers for Rush and Metallica, and they would be headlining their own tours by the end of 1994.Despite the rapid success, the popularity of Candlebox was a slower burn at the time.  The album did not enter the top 10 of the Billboard 200 chart until August of 1994, and initial reviews were mixed.  However, the album would remain on the chart for 104 weeks, and would be certified 4x platinum in the United States.Candlebox would release three albums with Maverick Records before running into disputes, and they disbanded in 2000.  A revised lineup would reappear in 2006, and a new album would be released in 2007.  As of this podcast Candlebox has released seven albums and is still performing today.Rob brings us this debut album for this week's podcast. YouThe second single was inspired by the time that lead singer Kevin Martin gave up drug dependency.  He had seen Midnight Oil in concert and dedicated himself to becoming a rock singer.  The single peaked at number 78 on the Billboard Hot 100 and number 6 on the Billboard Album Rock Tracks charts.  The song in 6/8 time alternates between a heavy rock feel on the chorus and a softer portion in the verses.Don't YouThis song leads off the album, and is a deeper cut that was not released as a single.  It really rocks from the start.  “And I could break your heart down as I tell you that you've burned out.  Don't you?  You want to let it go, yeah - you want to let it go, yeah.”RainAnother deeper cut with a very bluesy feel at the start that continues for several minutes before picking up the pace.  The lyrics are about a woman leaving the singer, and the regret the singer feels at the loss.  About three minutes in, it changes to a more rocking jazz section with a staccato scat meter in the lyrics.Far BehindThe third single would be the big hit from the album.  Their most commercially successful song went to number 18 on the Billboard Hot 100 and number 4 on the Album Rock chart.  It was written as a tribute to Andrew Wood, a singer from the Seattle group Mother Love Bone, who died of a heroin overdose in 1990.  The lyrics are written from the perspective of the drug that killed him.   ENTERTAINMENT TRACK:Saturday Night by Ned's Atomic Dustbin (from the motion picture “So I Married an Axe Murderer”)  The Mike Myers dark comedy featured this cover of the Bay City Rollers' song on its soundtrack. STAFF PICKS:Long Day In the Universe by Darling Buds Wayne opens up the staff picks with a deeper cut, and one that also appeared on the soundtrack to “So I Married an Axe Murderer.”  The Darling Buds are from South Wales, forming in 1986 and disbanding in 1993.  Andrew Lewis, the lead singer, tells about a woman that misses her man so much she can't wait for him to come home. Dream All Day by The Posies  Bruce's staff pick is another Seattle band.  This song hit number 4 on the Modern Rocks Chart and number 17 on the Mainstream Rocks chart.  Band members and songwriters Jon Auer and Ken Stringfellow wrote this about dreaming of accomplishing things that the singer either can't or won't achieve. Have I Told You Lately by Rod Stewart Rock legend Rod Stewart begins his crooner phase with this cover of the Van Morrison classic from 1989.  Lynch brings this staff pick which hit number 5 on the US and UK charts.  Morrison originally wrote these lyrics inspired by spirituality and religious conviction.   Zooropa by U2Rob reminds us just how big U2 was at the time with his staff pick.   The “Zoo TV Tour” was a huge production, highlighting the commercialism of the time.  “Be a winner, eat to get slimmer.”  This song takes the form of a suite of three movements.  The album of the same name was produced by Brian Eno. COMEDY TRACK:Achy Breaky Song by “Weird” Al Yankovic We close out today's podcast with Weird Al's parody of the Billy Ray Cyrus country hit which was constantly played at the time.

In which the Curmudgeons offer a study of albums from artists whose music and grand ambitions influenced the U.K.'s beloved band Muse. We'll be defending Muse during our next episode. The band's status as a mainstream stadium filler has made them a target for lazy disrespect. We're pushing back, and we're starting now with a journey through the past.    Albums discussed during this episode include: Queen, A Night at the Opera (1975) Rush, A Farewell to Kings (1977) U2, Zooropa (1993) Radiohead, The Bends (1995) Coldplay, A Rush of Blood to the Head (2002)   Join our Curmudgeonly Community today! facebook.com/curmudgeonrock   Now hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911 https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80MW   

TRUE HOUSE STORIES W/ COLIN HUDD # 089 - PART 2 Ever since dance music first swelled up in the UK, Colin Hudd has been riding the crest of the waves. Beginning his monumental journey, with humble beginnings working as a mobile DJ from 1971 to 1976, This laid the foundations of his DJ career today. Colin began a residency in 1976 at ‘The Monica' on Canvey Island, a year later gaining another residency at ‘Wings', Gravesend End. After passing an audition, Colin moved from ‘Monica' to ‘Goldmine', a residency he kept until 1981. In those days Colin had already established a respected reputation among the soul and funk clubs of the time. He had been a regular at Canvey's legendary ‘Goldmine' and was still on a high from winning the ‘Blues & Soul Club' DJ award. His profile gained momentum enough for him to be noticed and given his now legendary run at ‘Flicks' which ran from 1978 through to 1987. But, from as early as 1986, when the rest of the world was still listening to soul and the new romantics, Colin had already started leaning towards an entirely new genre of dance music. Little did he know that the music he had recognised as something more than a ‘fad' would become the global phenomenon it is still today; House Music. Colin has always been ahead of his time. From when he discovered house music in 1986 when he was advised to leave this new ‘noise' alone and stick to the soul that had worked so well for him, but, going with his instincts; he found himself pioneering a dance revolution. His technical ability and creative foresight enabled him to go on to headline landmark clubs such as Heaven, Legends, Ministry of Sound, World Dance, Pure Sex, and Spectrum/Land of Oz. Even bigger events were round the corner. His residency at Spectrum found him working alongside Paul Oakenfold a man he remains good friends with today. By that time house music had begun to take hold and Colin and Paul found themselves playing to packed dance floors night after night, Leading to Colin and Paul supporting U2 on their Zooropa tour. It was inevitable that Colin would turn to producing his own music. He worked as the Manic MCs and Audio Deluxe, whilst remixing PP Arnold, Billy Idol and a host of other well-respected artists.

U2 continued their reinvention with the release of Pop in 1997. Is Pop just a companion piece to Zooropa? Simply the other bookend of this era for U2? Jason and Don evaluate this album, revealing it's greatness, as well as the song that is an all-time low point for U2. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The times were changing as our favorite Irish band U2 took on the mainstream world of the 1990s. This week, Carl Coleman and I chat about the ever-evolving music of "Achtung Baby," "Zooropa," and "POP" as well as why some were both hits and misses in our opinions. Plus, we talk about both the ZOO TV and PopMart tours from the craziness of their production, to the struggles of another.

Comenzamos una nueva temporada de U2 Chile El Podcast con un análisis en profundidad, en un mega capítulo de un mega disco. Fue tanta la conversación de Pepo, Franz, Zed y JP que tuvimos que dividir el capítulo en 2 partes! POP, uno de los discos más importantes en la relación de Chile con la banda, cumplió 25 años este mes. Este fue un disco que enganchó a una gran camada de fanáticos y EL disco que trajo a U2 por primera vez a al país. Hacemos un repaso a la historia previa al disco y luego hacemos un análisis del álbum completo, canción a canción y como un todo, sobre sus conceptos, su letra y su música. Y también hablamos sobre Zooropa, Passengers, Misión Imposible, Batman, Tupac y Biggie, poetas beat, hongos alucinógenos, clases de bajo, cirugías a la espalda, Boeings 747, Limp Biskit, piscolas, completos, los tele-evangelistas, los arcos de McDonalds y mucho más. Suscríbanse al podcast, denle Like, 5 estrellas y compartan este gran capítulo. Pueden seguirnos en Facebook.com/u2Chile.net, en Twitter e Instagram @u2chile y en nuestro sitio web U2Chile.net. Buena onda!

Is this a good album? Under appreciated? Jason and Don take on Zooropa, U2's polarizing release from 1993. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's amazing what opinions come out in casual conversations about music. We give our hot takes on a couple of old albums. Find out which U2 album Dave thinks is superior to their others, and which bands follow up project, Tom thinks is better than their most famous work. Editors note: Either brain fart or early onset dementia, Dave kept calling U2's Zooropa, the incorrect name of Zoo TV. Zoo Tv was the name of the Tour, not the album. We punched in the correct name in multiple spots during the episode so perfectly, you'll never notice. (Sarcasm, you'll totally notice) Don't forget to follow along on our Spotify playlist and listen in next week when we discuss the oldest album ever picked for the show!

Libri: Antonio Tabucchi, Sostiene Pereira (Feltrinelli)..Fernando Pessoa, Poesie di Fernando Pessoa (trad. A. Tabucchi, M.J. de Lancastre, Adelphi)..Barry Lopez, Attraverso spazi aperti (trad. S. Reggiani, Black Coffee)..Richard Ford, Canada (trad. V. Mantovani, Feltrinelli)..Valerio Magrelli, Geologia di un padre (Einaudi)..Valerio Magrelli, Il sangue amaro (Einaudi)..Musica:..Madredeus, Guitarra, Milagre, Céu da Mouraria (Oinda, colonna sonora di Lisbon Story)..U2, Stay (faraway, so close), (Zooropa)..Cave, Ellis, Home, The Road, Story Time (The Road, colonna Sonora)..The Low Anthem, Oh My God, Charlie Darwin (Oh My God, Charlie Darwin)..Teho Tehardo, In limine, Will You Still Jeer, Train of Thought (L'alligatore, colonna sonora)..Arcade Fire, Ready to Start (The Suburbs)..Giacomo Puccini, O mio babbino caro (Gianni Schicchi)..Sharon Van Etten, Seventeen (Remind Me Tomorrow)..Nat King Cole, Quizás, Quizás, Quizás (In the Mood for Love, colonna sonora)..Afterhours, Il mio ruolo (Quello che non c'è)..Film: Lisbon Story, Wim Wenders..Così lontano, così vicino, Wim Wenders..In the Mood for Love, Wong Kar-wai

It's Alias August on Bizarre Albums! All month long, episodes will focus on albums that artists released under another name. When nearing the completion of their Zooropa album, U2 felt like they hit a wall. That's when producer Brian Eno had them improvise. This turned into a project with Eno where the band would write songs for non-existent movies. This is the story of Passengers: Original Soundtracks 1, from 1995. Support the show: patreon.com/bizarrealbums Follow the show on Twitter & Instagram: @bizarrealbums Follow Tony on Twitter & Instagram: @tonythaxton --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

It is rumoured that U2 may do a 30th-anniversary Achtung Baby/Zooropa tour. So, in this podcast, the first in a series based on my world exclusive interview with Bono during the recording sessions for Zooropa, I play the part where he tells me about how he plans to use in the Zooropa tour a poem he wrote, called In Cold Blood. The complete interviews are included, with a backstory, in my eBook Bono: The Joe Jackson Zooropa Interviews Uncensored. 

En este capítulo, junto a Carlos y Arturo, hablamos sobre el coleccionismo de Vinilos de U2 (comenzando a los 35:08), cuándo comenzaron a acumular vinilos, y sobre muchas historias, anécdotas, tips y recomendaciones para poder comenzar tu propia colección. Tornamesas, audífonos vs parlantes, primeras ediciones vs remasterizados, dónde comprar, sus vinilos más preciado y mucho más. Como siempre, mucha conversación random, incluyendo: CHAYANNE, Coldplay, Inhaler (la banda del hijo de Bono), historias de emprendimiento colegial, cómo manejar Trabants en Alemania, cuando conversamos con Bono en Tulsa, como funcionan los bootlegs en vivo en vinilo También aprovechamos de repasar las últimas noticias: Bono en Sing 2 (02:00) Últimos videos en Youtube (9:42) La Eurocopa y "We Are The People" (14:43) 28 años de Zooropa (23:02) Vinilos de "Fire" y "Elevation" en Record Store Day (29:52) Suscríbanse al podcast y compartan esta interesante conversación. Sígannos en Facebook.com/u2Chile.net, en Twitter e Instagram @u2chile y en nuestro sitio web U2Chile.net. Buena onda!

Pearl Jam has a rich history of playing shows in Italy. Many of their Italian shows have been among some of their best such as Verona 2006 and the entire Immagine In Cornice run. They've also had some not so memorable moments opening up for U2 on the 1993 Zooropa tour where they were not well received. Out of the 21 shows they've played there, there might not be one that beats the last time they've played there to date at the famous Stadio Olimpico in Rome. In front of 70,000 fans, the band returned to the ancient city for the first time since the 1996 tour. That Rome show is relevant because it was on that tour that Ed wrote the lyrics to what would become Yield song MFC and would play it at his first ever solo show in Rome after the tour ended. Ed tells the story of how MFC was written during this show as the song is clearly an obvious choice to play due to the environment. Speaking of obvious songs, since this is a massive crowd, the band comes out firing with all of their hits. Some of the best moments from this show are the songs that you might be able to hear at any Pearl Jam show, but remember this isn't in front of a mere 15,000 people in a hockey arena. This is in front of one of the largest stadiums in the world. After Ed had to deal with throat issues that postponed a London show a week prior to this night, they bounced back with a 35-song performance and an instant classic. Release, Elderly Woman, Corduroy, Daughter, Black, Rearviewmirror, Alive, and Rockin' In The Free World are all major highlights from this show. Thanks to our Patron Craig Peterson for requesting this episode! If you'd like to request a show for us to cover, subscribe to our Patreon and help out the show - http://patreon.com/liveon4legs

Regresamos al gran clásico -en las sombras- de la banda irlandesa U2. Les hablamos de Zooropa de 1993, un disco lleno de misterio y riesgo, grabado entre concierto y concierto de la gira ZOO TV. Ricardo Portmán nos cuenta su historia. Escucharemos Zooropa, Babyface, Numb, Lemon, Stay (Faraway, so close!), Daddy’s Gonna Pay For Your Crashed Car, Some Days Are Better Than Others, The First Time, Dirty Day y The Wanderer + Bonus tracks.

March of 1992 was somewhat of a breakthrough for Pearl Jam. After returning from a successful tour overseas featuring memorable shows in Germany and Amsterdam, they found themselves in a major spotlight getting the call to perform on MTV's Unplugged. Although it wouldn't premiere for 2 months, the band's rise was imminent and their popularity in America had grew exponentially from the time they left. This show at The Cabaret Metro in Chicago, as documented in the Let's Play Two documentary, was important for so many reasons. Not only was it a hometown show for both Ed and The Smashing Pumpkins who acted as the opening act, it was a platform where they had to prove that they belonged up on that stage headlining these clubs shows and even bigger shows to come. The guys from U2 were there that night to scout them to be an opening act for what would be the Italian run of the Zooropa tour. Everything seemed to be falling into place at the time. This performance is classic 1992. You have some improvs, including Rockin' In The Free World played on the spot due to a drum issue, great performances of Ten songs and an encore where they shared the stage with the Pumpkins saluting them in their hometown. Like what you're listening to? Help support the show! We're 10 patrons away from reaching our goal! http://patreon.com/liveon4legs

The 1990s for U2 was a period of reinvention, and bold, interesting, adventurous musical experimentation. Bob & Marc invite Lee Gerstmann from Free Form Rock Podcast into the chat to discuss 1993's "Zooropa", an album Marc hates with a passion hahahaha!! We also tangent on a variety of other musical artists. Support ALL musical artists by buying music on Physical Media, to hell with downloads and streaming! You can find "Zooropa" on CD, Vinyl, Cassette, and Boxed Set at Discogs

The wild ride (and drinks) continue on side B of U2's Zooropa. Don't miss the addition to Bono's lounge set and our questions for him over whiskey and cake. thegardentarts.com merch.thegardentarts.com twitter: @the_gardentarts instagram: @the_gardentarts #u2 #u2podcast #bono #zooropa --- Send in a voice message: https://anchor.fm/thegardentarts/message Support this podcast: https://anchor.fm/thegardentarts/support

欢迎乘坐有待时光机~~今天的音乐旅行，将由“中国DJ教父”、位列朝阳区三大“不靠谱文艺青年”之一的有待老师磁性发声领航，与唱片美工“大湿”晓辉老湿和本期的vocal担当划水怪欢快畅聊，一起回到Whitney Houston（惠特妮·休斯顿）正当炙手可热、U2发了一张奇奇怪怪的专辑《Zooropa》、张楚发了《一颗不肯媚俗的心》的1992-1994年~ 本期节目，不仅有三位乐界大佬的36届格莱美获奖音乐推荐，而且当时正值风起云涌的90年代初期，全球的各大唱将、乐队、音乐商店的精彩往事在三人的谈笑风生之间就信手拈来。说到兴所至，三位主播多次原地起飞就唱了起来！！？（提前预警） 所以，大内“Midnight Blues”、何勇发小的有待老师，因何与爵士乐结下不解之缘？又是怎么做到和何勇、张楚等中国第一代摇滚天团互相挤兑？这还得回到1992年，有待老师开始担任北京人民广播电台《爵士列车》的编辑和主持的往事说起~ 更多精彩内容，欢迎收听本期节目~ 主播 / 张有待 宋晓辉 相征封面设计 / 划水怪音频后期 / 米斯特道格 黑爪音频上传 / Observer playlistToni Braxton-Breathe Again@00:22:41Soul Asylum-Runaway Train@00:28:39U2,Johnny Cash-The Wanderer@00:39:51张楚-姐姐@01:26:33唐朝乐队-粉雾@ 01:37:01大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

欢迎乘坐有待时光机~~今天的音乐旅行，将由“中国DJ教父”、位列朝阳区三大“不靠谱文艺青年”之一的有待老师磁性发声领航，与唱片美工“大湿”晓辉老湿和本期的vocal担当划水怪欢快畅聊，一起回到Whitney Houston（惠特妮·休斯顿）正当炙手可热、U2发了一张奇奇怪怪的专辑《Zooropa》、张楚发了《一颗不肯媚俗的心》的1992-1994年~ 本期节目，不仅有三位乐界大佬的36届格莱美获奖音乐推荐，而且当时正值风起云涌的90年代初期，全球的各大唱将、乐队、音乐商店的精彩往事在三人的谈笑风生之间就信手拈来。说到兴所至，三位主播多次原地起飞就唱了起来！！？（提前预警） 所以，大内“Midnight Blues”、何勇发小的有待老师，因何与爵士乐结下不解之缘？又是怎么做到和何勇、张楚等中国第一代摇滚天团互相挤兑？这还得回到1992年，有待老师开始担任北京人民广播电台《爵士列车》的编辑和主持的往事说起~ 更多精彩内容，欢迎收听本期节目~ 主播 / 张有待 宋晓辉 相征封面设计 / 划水怪音频后期 / 米斯特道格 黑爪音频上传 / Observer playlistToni Braxton-Breathe Again@00:22:41Soul Asylum-Runaway Train@00:28:39U2,Johnny Cash-The Wanderer@00:39:51张楚-姐姐@01:26:33唐朝乐队-粉雾@ 01:37:01大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

欢迎乘坐有待时光机~~今天的音乐旅行，将由“中国DJ教父”、位列朝阳区三大“不靠谱文艺青年”之一的有待老师磁性发声领航，与唱片美工“大湿”晓辉老湿和本期的vocal担当划水怪欢快畅聊，一起回到Whitney Houston（惠特妮·休斯顿）正当炙手可热、U2发了一张奇奇怪怪的专辑《Zooropa》、张楚发了《一颗不肯媚俗的心》的1992-1994年~ 本期节目，不仅有三位乐界大佬的36届格莱美获奖音乐推荐，而且当时正值风起云涌的90年代初期，全球的各大唱将、乐队、音乐商店的精彩往事在三人的谈笑风生之间就信手拈来。说到兴所至，三位主播多次原地起飞就唱了起来！！？（提前预警） 所以，大内“Midnight Blues”、何勇发小的有待老师，因何与爵士乐结下不解之缘？又是怎么做到和何勇、张楚等中国第一代摇滚天团互相挤兑？这还得回到1992年，有待老师开始担任北京人民广播电台《爵士列车》的编辑和主持的往事说起~ 更多精彩内容，欢迎收听本期节目~  主播 / 张有待 宋晓辉 相征封面设计 / 划水怪音频后期 / 米斯特道格 黑爪音频上传 / Observer playlistToni Braxton-Breathe Again@00:22:41Soul Asylum-Runaway Train@00:28:39U2,Johnny Cash-The Wanderer@00:39:51张楚-姐姐@01:26:33唐朝乐队-粉雾@ 01:37:01大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

欢迎乘坐有待时光机~~今天的音乐旅行，将由“中国DJ教父”、位列朝阳区三大“不靠谱文艺青年”之一的有待老师磁性发声领航，与唱片美工“大湿”晓辉老湿和本期的vocal担当划水怪欢快畅聊，一起回到Whitney Houston（惠特妮·休斯顿）正当炙手可热、U2发了一张奇奇怪怪的专辑《Zooropa》、张楚发了《一颗不肯媚俗的心》的1992-1994年~ 本期节目，不仅有三位乐界大佬的36届格莱美获奖音乐推荐，而且当时正值风起云涌的90年代初期，全球的各大唱将、乐队、音乐商店的精彩往事在三人的谈笑风生之间就信手拈来。说到兴所至，三位主播多次原地起飞就唱了起来！！？（提前预警） 所以，大内“Midnight Blues”、何勇发小的有待老师，因何与爵士乐结下不解之缘？又是怎么做到和何勇、张楚等中国第一代摇滚天团互相挤兑？这还得回到1992年，有待老师开始担任北京人民广播电台《爵士列车》的编辑和主持的往事说起~ 更多精彩内容，欢迎收听本期节目~  主播 / 张有待 宋晓辉 相征封面设计 / 划水怪音频后期 / 米斯特道格 黑爪音频上传 / Observer playlistToni Braxton-Breathe Again@00:22:41Soul Asylum-Runaway Train@00:28:39U2,Johnny Cash-The Wanderer@00:39:51张楚-姐姐@01:26:33唐朝乐队-粉雾@ 01:37:01大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

欢迎乘坐有待时光机~~今天的音乐旅行，将由“中国DJ教父”、位列朝阳区三大“不靠谱文艺青年”之一的有待老师磁性发声领航，与唱片美工“大湿”晓辉老湿和本期的vocal担当划水怪欢快畅聊，一起回到Whitney Houston（惠特妮·休斯顿）正当炙手可热、U2发了一张奇奇怪怪的专辑《Zooropa》、张楚发了《一颗不肯媚俗的心》的1992-1994年~ 本期节目，不仅有三位乐界大佬的36届格莱美获奖音乐推荐，而且当时正值风起云涌的90年代初期，全球的各大唱将、乐队、音乐商店的精彩往事在三人的谈笑风生之间就信手拈来。说到兴所至，三位主播多次原地起飞就唱了起来！！？（提前预警） 所以，大内“Midnight Blues”、何勇发小的有待老师，因何与爵士乐结下不解之缘？又是怎么做到和何勇、张楚等中国第一代摇滚天团互相挤兑？这还得回到1992年，有待老师开始担任北京人民广播电台《爵士列车》的编辑和主持的往事说起~ 更多精彩内容，欢迎收听本期节目~  主播 / 张有待 宋晓辉 相征封面设计 / 划水怪音频后期 / 米斯特道格 黑爪音频上传 / Observer playlistToni Braxton-Breathe Again@00:22:41Soul Asylum-Runaway Train@00:28:39U2,Johnny Cash-The Wanderer@00:39:51张楚-姐姐@01:26:33唐朝乐队-粉雾@ 01:37:01大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

Welcome to the Garden Tarts' TART Talk about U2's Zooropa LP. Come on this wild ride with us that is full of Blade Runner references, wanderlust, cover bands, cats and.... gin? Yep, I believe that's what it was. You don't want to miss this one! thegardentarts.com twitter: @the_gardentarts instagram: @the_gardentarts #u2 #u2podcast #bono #zooropa --- Send in a voice message: https://anchor.fm/thegardentarts/message Support this podcast: https://anchor.fm/thegardentarts/support

Vier Jahre haben sich U2 Zeit gelassen, um Ende der 1990er Jahre das neue Album "Pop" zu erschaffen - und gerieten am Ende doch in Zeitnot. Die Folge: Eine unfertige Platte, große Probleme zum Tourstart und der selbstauferlegte Druck, die größte Band der Welt bleiben zu wollen. Denn der Zeitgeist hatte sich weiterentwickelt, musikalisch drehte sich die Welt - anders als Ende der 80er/Anfang der 90er Jahre -  eben nicht mehr um U2. Wie ging die Band damit um, warum dieser unbändige Ehrgeiz und wie war der Plan für die Zukunft der Band in Richtung Millennium? Um diese Fragen geht es in der neuen Folge von one:desire. Zwischen Kunst und Kommerz U2-typisch nutzte die Band nach Zooropa die Zeit für persönliche und musikalische Weiterentwicklung: Fiktive Soundtracks wurden geschrieben, künstlerische Inspiration überall auf der Welt gesucht und sogar Opernsänger für eine Zusammenarbeit gewonnen. Der künstlerische Anspruch findet sich dementsprechend auch auf Pop wieder - was aber zulasten der kommerziellen Hits und musikalischen aktuellen Zugpferde für die gigantische Popmart ging. Und abermals wollte man sich mit dem vorhandenen, eigenen Status nicht zufriedengeben. Warum eigentlich nicht? Gigantismus und Wurzeln Höher, schneller, weiter - U2 verstanden sich auch in dieser Phase als Pioniere zur Verschiebung der eigenen Grenzen. Doch damit verlangten sie sich rund um die Produktion von Pop und der bereits gebuchten Popmart-Tour alles ab - und fast schien es im Nachgang des Disco-Zaubers so, als würden U2 mit dem ersten Best of Album einen Schlussstrich unter die eigene Karriere ziehen wollen oder zu den eigenen Wurzeln zurückzukehren müssen... Ein besonderer und vielfältiger Milestone hier bei one:desire.

The vaccines are being rolled out as we speak, but that doesn't mean COVID-19 is behind us. The pandemic has left tens of millions of people out of work and companies struggling to stay alive. This week, Duntrune LLP's https://www.duntrune.law/matthew-dewar (Matthew Dewar) joins the show to share his expectations for employer/employee relations in 2021. While some long layoffs might be considered termination, seeking a settlement from cash strapped companies could be futile in the midst of a pandemic. He's got some ideas on how employers can manage risk and what laid-off employees should consider, too. Then we look at some positive news from last week: Major League Baseball's decision to include player statistics from the Negro Leagues into the official baseball stat book. The Negro Leagues stopped playing 72 years ago, so it was a long-time coming. While it might appear to be an easy win for MLB, Cam explains why it wasn't quite so simple, and shared his thoughts on what MLB did right as it rolled out the announcement. In Check This Out, we look at the much maligned (but excellent) U2 album Zooropa, which was released 25 years ago. Staying on the music theme, Cam talked about Britney Spears (!?!?), Henry Kissinger, and growing up in Kentucky. You won't want to miss it. This marks the final episode of the PR & Law Podcast in 2020. We managed to complete 37 episodes in 37 consecutive weeks, made simpler by the fact Cam and Ewan have both been locked at home throughout much of the pandemic! We have big plans for the show in 2021 and are always looking to improve it. We welcome your thoughts, criticisms, suggestions, ideas, whatever you've got! You can reach us at podcast@prand.law. We will be back with Episode #38 on January 4. Don't miss any future episodes and get updates about the podcast by https://prlawpodcast.club/ (signing up) to the PR & Law Podcast newsletter. We promise: no spam. Ever. If you enjoy the show, please tell a friend or family member. It's the best way to get the word out and we are very grateful! We also frequently post updates to the stories we discuss on social media. You can find us on https://linkedin.com/in/prlawpodcast (LinkedIn), https://twitter.com/prlawpodcast (Twitter), https://instagram.com/prlawpodcast (Instagram), and https://facebook.com/prlawpodcast (Facebook). You can also subscribe to our channels on https://www.youtube.com/channel/UCrKssq1REhnQb3lHhCXL7GQ (YouTube) and https://soundcloud.com/user-697756979 (Soundcloud). If you have a question we would be happy to answer it on the show! Just post it to social media with the hashtag #PRLawPod. Links and Show Notes https://www.theringer.com/mlb/2020/8/14/21368488/major-league-negro-leagues-classification (As it Celebrates the Centennial of the Negro Leagues, MLB May Undo a "Major" Mistake) - The Ringer https://www.espn.com/mlb/story/_/id/30540089/mlb-add-negro-leagues-official-records-never-change-did-black-players (MLB Can Add Negro Leagues to Official Records but Can Never Change What it Did to Black Players) - ESPN MLB is Correcting a Longtime Oversight in the Game's History by Officially Elevating the Negro Leagues to "Major League" Status - @MLB on Twitter https://www.mlb.com/press-release/press-release-mlb-officially-designates-the-negro-leagues-as-major-league?t=mlb-press-releases (MLB Officially Designates the "Negro Leagues" as Major League) - MLB News Release https://www.mlb.com/video/sean-gibson-on-josh-gibson (Sean Gibson Discusses Grandfather Josh Gibson) - MLB Film Room https://www.mlb.com/video/larry-lester-on-willie-mays (Willie Mays to get More Home Runs from Negro Leagues?) - MLB Film Room https://www.prand.law/episode/episode-36-how-to-fire-people-properly-and-respectfully-and-why-a-blog-beats-a-news-release (Episode #36: Why a Blog Beats a News Release) - PR & Law Podcast https://canva.com (Canva) - Design Graphics Quickly and Easily https://lumen5.com (Lumen5)... Support this podcast

The Travel Tales with Fergal Podcast is a weekly interview series that hopes to fuel listeners wanderlust while we all wait for post pandemic travel to hopefully return next year. We may not be able to travel right now but this podcast aims to share soul-lifting travel memoirs about day-dream worthy destinations. The Podcast episode this week features the troubadour Jerry Fish who has travelled the world with his music. He reminisces about live on the road touring with an Emotional Fish and tells great stories about when they supported U2 on the Zooropa tour. Jerry has a lifelong love of travelling and shares great tales of going to a kibbutz in Israel and sleeping out in the Sinai desert under the stars. He talks of his hippy trail days in the 80's in Greece and Egypt. This travel Podcast interview series is out every Tuesday and guests talk about travel, sport, culture, people, food, politics, history, the tourism industry and life abroad. I would ask you to please subscribe on Apple Podcast so a new episode will appear in your library every week. I would also really appreciate if you could leave a rating and review as it helps others to discover this podcast. To find out who is on every Tuesday please follow me on Instagram and Facebook @traveltaleswithfergal.Destination GuideMarseilles, FranceU2Athens, GreeceGreek IslandsParos AntiParosNaxosMatala, CreteAeginaHydraGolan HeightsIsraelKabbutzJerusalem Tapa, EgyptSinai DesertDehabYosemite National Park, CaliforniaUSARome, ItalyGlastonbury FestivalElectric Picnic Burning ManDerrynane, KerryMount Leinster See acast.com/privacy for privacy and opt-out information.

Fran talks to Tipperary Travel Blogger Fergal O'Keeffe about vaccines and vacations. Fran asks Fergal is it time to start planning holidays and asks about what offers are available at present. For more information on the Travel Tales travelblog, visit https://shows.acast.com/travel-tales-with-fergal The Travel Tales with Fergal Podcast is a weekly interview series that hopes to fuel listeners wanderlust while we all wait for post pandemic travel to hopefully return next year. The Podcast this week features the Irish troubadour Jerry Fish who has travelled the world with his music. He reminisces about living the life of a travelling ‘hippy beach bum” in the 80’s with trips to a Kibbutz in Israel and sleeping out under the stars in the Sinai desert and spending months living on the Greek islands of Naxos and Crete. He considers these times of the happiest travel memories of his life. “I have loved travel for ever and ever. I grew up an emigrant in south London, so I never really belonged. I was told daily I was the Irish boy. We returned to Ireland, but I never really settled as then I was the English boy. So, I have taken to the road since. I became addicted to travel. Since then I have been collecting cultures and learning about new faiths and new countries”. Jerry share great tales of life on the road with his band An Emotional Fish in the 90’s in Europe and American. He fell in love with the Yosemite National Park where the Giant Sequoia trees are over 2000 years old and the majesty of the Grand Canyon in Nevada where the shadows of the sunlight changes the landscape every few minutes. An Emotional fish toured with U2 on their Zooropa tour with Pearl Jam. He share a great story about how Eddie Vedder and himself would try to outdo each on stage each night with outrageous antics which culminated in Jerry stripping naked on stage in Marseilles on his birthday in front of a stadium full of screaming U2 fans. Jerry has missed touring and playing live this year but looking on the bright side he said “I haven’t been to many places this year but if you had been in my mind, you’d see I have been all over the world”. “I think what we have been doing this year is reflecting on past travels and that is another form of travel” This travel Podcast interview series is out every Tuesday and guests talk about travel, sport, culture, people, food, politics, history, the tourism industry and life abroad. Website for the Podcast https://shows.acast.com/travel-tales-with-fergal

From their beginnings in the 1980s U2 have maintained a reputation for their earnest and serious-minded pop rock, often tackling social issues, spiritual mattesr, and their Irish background in their new wave-inflected songs. In the 1990s however, the band experienced a career rebirth in embracing a more ironic and detached image, with a dance-inspired sound to match, achieving major commercial success on the backs of albums like Achtung Baby and Zooropa.For many however, this shift away from their classic sound would reach a tipping point in 1997 with the release of their 9th record, Pop. The album was not a commercial or critical failure initially, but left a lot of fans and reviewers confused and baffled by this latest effort, which many believed couldn't reach a proper balance between rock and electronic. This, coupled with a turbulent production timeline, as well as a tour controversial for its technical failures sullied Pop's reputation, and to this day it's still regarded as one of U2's weakest efforts.On this episode of Jukebox Zeroes we begin the first of a two-part crossover month we're dubbing "Old Men Yell At Lilz Month". Lilz and Patrick are joined by Christopher G. Brown of Nickelbackin' and Old Men Yell At Cloud (of course) to dig into U2's Pop for themselves, and decide whether it should have gotten a fairer shake.Local Music Feature: Left Hand Does - "Rock Walker"#ZeroScience#JukeboxZeroes#MusicPodcast#OddPodSquad#PodernFamily#U2#RockHardBonking

I did this interview as a world exclusive offered to me by Bono - which was for reasons I disclose in this podcast was a shock to me - and during which the talked me through the upcoming U2 album, Zooropa. This clip has Bono singing the praises of Johnny Cash, telling the surreal tale of the time Cash was almost killed by an Emu and finally playing for me the staggering brilliant U2/Johnny Cash collaboration The Wanderer - a title I tell him I think the song should be called, and it was. This is a slice of U2 and rock 'n' roll history. 

After nearly a month on hiatus from a regular episode it's wonderful to be back behind the microphone. It's been incredibly busy both personally and professional for me. One of the big reasons for the delay is because of the exciting news that I have a feature film premiering Online on Sunday Night at 8pm (Eastern Time). The film is titled, The Assassination of Western Civilization. Since I make a point to not profit in anyways from this podcast, this is a great way to support my other artistic endeavors, feature film making. To learn about the film and how to register for the screening visit www.assassinatemovie.com.This episode features another one of my all-time favorite bands. In fact throughout most of high school and college they were MY BAND. I'm not too naive to understand that not everything they produced was pure gold. I do have some gripes with some of their output and I don't pull any punches when I get to some of the eras of their music. I really hope you enjoy this journey through my favorite underrated and under-appreciated music form U2.I do not own the rights to any of the music played on this podcast. The musicians or the music labels own the copyright. I play this music under the doctrine of Fair Use. I am not here as a DJ, but to offer music commentary and criticism. My goal is for you to gain a larger appreciation for the bands or the musicians played here on this podcast and I ask for you to go out and purchase their music or legally stream it. The musicians need your support and I hope this show contributes to spreading the good word about the bands you hear on these episodes. I do not profit in any way from this podcast. It is truly done out of my pure love of the music.Featured songs (read ahead OR be surprised!!!)An Cat DubhI Threw a Brick Through a WindowSurrenderWireOne Tree HillGod Part IIUntil the End of the WorldUltraviolet Light (Light My Way)Dirty DayGone

The 1990s were quite the decade for U2. They reinvented their sound and style with the daring album, Achtung Baby, and then quickly released the equally impressive follow-up album, Zooropa, less than two years later. But 1997s Pop proved to be a commercial and critical disappointment, and left many wondering if Bono and the boys were starting to run out of ideas. And then they made a triumphant return to form in 2000 with All That You Can't Leave Behind, an upbeat and often uplifting album that proved to be the perfect soundtrack to the optimism associated with the dawn of the 21st century. The album would also later provide the songs that would help a bruised and bloodied world begin to heal in the days and weeks immediately following the September 11th attacks. On the twentieth anniversary of it's release, Chris and Jon look back at the milestone album that would mark the beginning of the third chapter in the story of one of rock music's most important and successful groups. The duo also discusses a wide array of topics oddly related to their memories of this album including different types of cheese, a late night drunken pizza bender in Hartford back in June of 2001, and Kaiser Soze.

Estamos no ar com mais um episódio do IF Farofa. Muito se tem falado sobre o cotidiano dos imprescindíveis profissionais que estão diretamente ligados ao combate à Covid-19, bem como os cuidados e as medidas para prevenir e combater a pandemia. No entanto, a equipe do IF Farofa sentiu a necessidade de ouvir os estudantes sobre suas angústias e visões sobre esse processo de pandemia e crise que vivemos. Para isso, conversamos com três estudantes do IF Fluminense, campus Macaé (Lucas Siqueira - 1004B; Maria Eduarda Mello - 2008 e Thalita Heringer 2008), sobre como estão passando, sentindo, se cuidando e tentando estudar no período da quarentena. Nessa conversa, abordamos assuntos do cotidiano dos alunos tais como: a rotina de estudos e lazer nesse período, os cuidados que estão tomando e como deve ser (e mesmo se deve haver) o retorno às aulas. Bora ouvir e compartilhar! Apoie a cultura Podcast. Compartilhe, curta e sugira temas para nossos próximos episódios: https://linktr.ee/iffarofa Site: www.anchor.fm/iff-farofa / E-mail: iffarofapodcast@gmail.com / Twitter: @ifFarofa / Instagram: @iffarofa Música da abertura: Zooropa, U2 Edição: Miguel Gustavo (Audiovisual - IFF) Coordenadores do projeto de Extensão: Alexandre Elias e Ana Paula Siqueira Esse projeto de extensão conta com o apoio da FAPERJ - Fundação Carlos Chagas Filho de Amparo à Pesquisa do Estado do Rio de Janeiro

El octavo albúm de los irlandeses U2 "Zooropa", más experimental, redefinió lo que sería su sonido en los años 90. No tuvo la repercusión comercial de otros títulos anteriores, pero para varios de los integrantes, es su obra favorita. Publicado en 1993, cuenta con temas como "Lemon", "Numb" o "Stay (Far away, so close)"... y como siempre , crearemos una historia paralela traduciendo parte de las letras originales, para entre varias canciones, que cada oyente pueda imaginar, a su vez una historia distinta. No están todas las que son, pero son todas las que están.

Devon Allman y Duane Betts son la base vital de la Allman Betts Band, cuyos sonidos afilados reflejan la herencia de dos de los mejores músicos de Southern Rock, Gregg Allman y Dickey Betts personificada en sus hijos, que decidieron unir fuerzas tras un concierto de homenaje a Gregg un año después de su muerte en Phoenix. A la aventura también se unió bajista Berry Oakley Jr. — hijo de Berry Oakley, el que fuera miembro de The Allman Brothers Band. El año pasado debutaron con Down to the River y ahora anticipan un segundo registro gracias a “Magnolia Road”, que evoca los sonidos de sus padres respectivos. Procedentes del sur de California, Robert Jon & The Wreck está formada por cinco músicos veteranos músicos que un día decidieron unir sus fuerzas para crear un sonido propio como resultado de enredar el rock más clásico y el southern rock con la frescura del punk californiano. Hace cinco años apareció Glory Bound, su primer larga duración, tras debutar en 2013 con un EP titulado Rhythm Of The Road. El carisma de Robert Jon & The Wreck, la enorme calidad de sus canciones y la energía de sus directos, les hicieron crecer rápidamente y conseguir la tutela de Rival Sons, con quienes terminan compartiendo gira y a los que les une una gran amistad. Su nuevo trabajo es Last Light On The Highway, con mucho de blues, rock y soul pasados por el filtro del Orange County californiano y canciones tan motivadoras como “Do You Remember”. Ross Cooper llegó a Nashville tras abandonar los circuitos del rodeo y empezó a combinar de forma natural country y folk para completar un par de álbumes muy recomendables que ahora tendrán continuación con Chasing Old Highs, su tercer disco de estudio. Tejano de Lubbock y a medio camino entre Sam Outlaw y Ryan Adams, Ross Cooper cabalga, nunca mejor dicho, entre el regusto por la tradición de su estado y los nuevos paisajes sonoros de la country music como ha demostrado componiendo temas que han grabado Randy Rogers, Wade Bowen y William Clark Green, entre otros. Chasing Old Highs sigue la temática de su trabajo anterior, pero continúa ampliando horizontes. Además, su guitarra Gibson J-50, regalo de un amigo de la familia fallecido, ha tomado un papel protagonista en la construcción sonora del álbum. Hay canciones como “Hello Sunshine”, que abre el álbum, que traen a la memoria sonidos propios de John Hartford o Roger Miller y que dejan un mensaje de positividad sobre cómo los días no son inútiles aunque a veces no sean felices. Corb Lund tiene un nuevo álbum titulado Agricultural Tragic. Es un proyecto para honrar el pasado, compartiendo las lecciones aprendidas y las historias escuchadas en su rancho familiar en la provincia canadiense de Alberta, donde nació. Su personalidad artística siempre le ha derivado a publicar canciones que mezclan sus orígenes rurales y los nuevos tiempos. Compuesta junto a la cantautora Jaida Dreyer, "Never Not Had Horses" pasó de ser una tonalidad divertida de principio a terminar convirtiéndose en un lamento por la pérdida y la desesperación. Tiene que ver con el dicho popular de tener demasiados caballos y poco dinero y trata de aferrarse a pequeños hilos de esperanza. Como viene ocurriendo en los últimos tiempos, las nuevas canciones visitan muchos más paisajes reales de y se acercan a un estilo de vida agrícola y rural, al margen de los estereotipos, tantas veces irreales. Dale Watson se acogió al término Ameripolitan para diferenciarse de la industria de Nashville, como un rebelde de la country music, mezclando Outlaw Country, rockabilly, honky-tonk e incluso Western swing. Nacido en Alabama y criado en Texas, la constancia ha sido una de las características de su personalidad hasta convertirse en un músico con tintes de leyenda. Un verdadero forajido. Lo último que hemos conocido de él es esta versión a "Chevy Van", una canción de Sammy Johns, que compuso y cantó en 1973 junto a los miembros de la la mítica Wrecking Crew de Los Angeles. La canción detalla el encuentro fugaz de una pareja en la parte trasera de una Chevrolet Van. En First Rose of Spring, el último álbum de Willie Nelson, no hay demasiadas referencias al paso del tiempo, como había sido costumbre en sus últimos trabajos, ni tantas canciones propias. Tan solo ha compuesto dos temas junto a su viejo amigo y productor Buddy Cannon, y uno de ellos es “Blue Star”. Es una canción de amor donde él promete a su pareja que se encontrarán nuevamente en el cielo. Será “la estrella azul a la derecha”. Willie impone su impacto emocional con una voz entregada que se arropa en su legendaria guitarra Trigger, provocando una sensación relajante de abrazo cálido y seguro. Johnny Cash regresa a la actualidad con la recuperación de sus álbumes grabado en el sello Mercury en la segunda mitad de los años 80. Columbia Records decidió no contar con él y el legendario Hombre de Negro se marchó a mediados de 1986. Pero Mercury Records decidió firmarle un contrato y aquella relación duró cinco años y dejó para la historia seis álbumes. Ahora se edita The Complete Mercury Recordings 1986-1991, una caja de siete discos y el recopilatorio Easy Rider: The Best of the Mercury Recordings, con 24 de aquellos temas. Todos ellos han sido remasterizados de las cintas originales. La versión en CD incluye varias pistas inéditas e incluso un disco adicional de mezclas primitivas de las 20 canciones de su álbum, Classic Cash: Hall of Fame Series. Por supuesto una colección así no podíamos dejarla pasar por alto. Chips Moman fue el productor de Class of ’55: Memphis Rock & Roll Homecoming, un disco grabado conjuntamente por Johnny Cash, Carl Perkins, Jerry Lee Lewis y Roy Orbison recordando sus comienzos en Sun Records durante los 50. En cierta forma, también era un homenaje a su antiguo compañero en el sello Elvis Presley. El disco fue grabado en los Sun Studios y culminado en los American Sound Studios, ambos localizados en Memphis, en tan solo cuatro jornadas de septiembre de 1985. Johnny Cash, Carl Perkins y Jerry Lee Lewis había colaborado juntos previamente en un par de ocasiones. El 1956 fueron protagonista junto a Elvis Presley del mítico Million Dollar Quartet y en 1982 publicaron a trío The Survivors grabado en vivo en Alemania. Johnny Cash fue solista en un par de temas de Class of ’55: Memphis Rock & Roll Homecoming, “We Remember the King” de Paul Kennerly y “I Will Rock and Roll with You”, un tema propio en el que se dejaba acompañar por un cuarteto de metal. Había problemas legales con el Hombre de Negro, ya que aún tenía contrato con Columbia. De tal forma que Chips Moman tuvo que pagar 100.000 dólares a la compañía por el permiso de grabación. Johnny Cash firmó con Mercury muy poco después. Johnny Cash siempre supo rodearse de grandes amigos y en, Johnny Cash Is Coming To Town, su debut en solitario para Mercury en 1987, no dejó de hacerlo. Se puso en manos de "Cowboy" Jack Clement para el trabajo de producción y se reunió con sus artistas más cercanos y familiares como June, Anita, Helen y Carlene Carter, su entonces yerno Marty Stuart y su compañero Waylon Jennings. Con este último cantó “The Night Hank Williams Came to Town”, que fue el único single extraído. Era una canción compuesta por Bobby Braddock, autor de algunos de los mayores éxitos para George Jones y Tammy Wynette, y Charlie Williams, que hizo la locución final. El tema describe la visita de Hank Williams a una pequeña ciudad para dar un concierto en 1951, con Harry Truman de presidente. En el año 1988, Johnny Cash lanzaba el álbum Water From The Wells Of Home, una vez más producido por Jack Clement, con un buen número de colaboraciones con otros artistas, algunas especialmente brillantes, y que abarcaban desde su hija Rosanne, su hijo John, Glen Campbell, Jessi Colter, los Everly Brothers, Tom T. Hall, Waylon Jennings, Hank Williams, Jr., y Paul y Linda McCartney y Emmylou Harris, con quien interpretó un tema del legendario Roy Acuff como “As Long As I Live", en el que encontramos a Waylon, su mujer Jessi y al propio Roy Acuff en los coros. Publicado en formato de doble Lp coincidiendo con el Record Store Day, Classic Cash: Hall of Fame (Early Mixes) es uno de los regalos de esta caja de siete CDs del Hombre de Negro. Contiene las mezclas originales de las 20 canciones que conformaron en 1988 el álbum Classic Cash: Hall of Fame Series y cuyas cintas fueron descubiertas recientemente en los archivos de Mercury. Johnny Cash decidió grabar de nuevo temas emblemáticos de sus años en Sun y Columbia aprovechando las nuevas técnicas de producción, algo que no terminó de contentar a ciertos puristas, aunque el guitarrista Bob Wootton y el batería W.S. Holland seguían a su lado. Entre aquellos viejos éxitos resucitados se encontraba “Sunday Morning Coming Down”, que este pasado viernes cumplió medio siglo desde que fue grabada por primera vez. Era el 10 de Julio de 1970. Estaba escrita por Kris Kristofferson, a quien conoció en los estudios de Columbia un año antes y al que introdujo en los círculos musicales. En 1990 apareció en el mercado Boom Chicka Boom, cuyo título hacía referencia al sonido de los Tennessee Three, la banda de acompañamiento de Johnny Cash. En este caso, se han añadido seis cortes con cuatro primitivas versiones de otros tantos temas y dos canciones que se publicaron como caras B de un par de singles. Entre lo más destacado encontramos “Hidden Shame”, una canción que Elvis Costello compuso expresamente para el veterano artista. Costello ya había visto como uno de los temas de su álbum King of America, "The Big Light", sirvió de apertura tres años antes en Johnny Cash Is Coming to Town. Con el regreso de “Cowboy” Clement a la producción, The Mystery of Life fue el último disco de Johnny Cash para Mercury y, lo cierto, es que no se esforzó demasiado. El artista ya había iniciado la aventura de los Highwayman con Waylon, Willie y Kristofferson y este disco contenía temas de algunas sesiones de grabación muy recientes y de sobras de su primer disco en la compañía, en 1986, Johnny Cash is Coming to Town. The Mystery of Life fue el último disco de estudio en el que participó el mítico batería W.S. Holland, bien conocido como "Fluke", aunque siguió acompañándole en los conciertos. Aquel disco lo cerraba la versión larga de “The Wanderer” que aparecería en la banda sonora de la película de Wim Wenders Faraway, So Close! con Johnny Cash y U2. El cuarteto británico la incluiría en su álbum Zooropa del 94. Menos mal que tres años después comenzaron los American Recordings. En cualquier caso, el Hombre de Negro casi nunca defrauda y al margen de volver a grabar “Hey Porter” y “Wanted Man” de sus años en Sun y Columbia, nos dejó “I’ll Go Somewhere and Sing My Songs Again” con Tom T. Hall. Escuchar audio

In 1993 I was offered a "world exclusive" interview with Bono, who apparently had said he wanted to be interviewed by me, about what would turn out to be the new U2 album Zooropa. This Podcast is a 45-minute edit of the two-and-a-half hours we put on tape. The full tapes are available at joejacksoninterviewer.com

U2 are a very serious band, with very serious songs, and they were inescapable in Ireland in the 1980's, when I was a child. While those uplifting, energised stadium rock tunes took over the world, they didn't catch on with 5 year old me. But In the 1990's as the focus of the world shifted decisively to Europe, so did U2's attention, and the change yielded something that really resonated with 10 year old me. It was a 1993 album called Zooropa, dashed off quickly, and mostly forgotten by all but serious U2 fans. U2, though, had done something that for them was very different. They'd forseen the future. And it had loops and synthesisers and effects, and it was good.

Ya pueden escuchar una nueva emisión de Ecos del Vinilo Radio. El Programa 3: Zoo Baby, nos adentra en ese punch 1-2 que representaron los discos Achtung Baby (1991) y Zooropa (1993) de la banda irlandesa U2. Ricardo Portmán nos comentará las sutilezas de esos discos y sobre todo nos agrupa temas de ambos trabajos con puntos en común tanto en lo musical como en lo emocional. Nuestros programas también los podrán escuchar en streaming en Radio Free Rock cada viernes a las 18:00. Ecos del Vinilo Radio | Programa 3 - Zoo Baby: Zoo Station Zooropa One Stay (Faraway, So close!) Mysterious Ways Lemon Acrobat Dirty Day (+ Bonus track)

Episode 237: The Record Company Gonna Give Me Lots of Money This week Host Dave Bledsoe is not ALL jealous of others good fortune and in fact wishes them all the success in the world, and these tears you see are tears of joy. (The only other time we've seen him cry like this was at Last Call) On the show this week we talk about selling out and angry fans. (Not ours, we don't have any fans, even angry ones) Along the way we discuss the good fortune of our friends over the Last Podcast Network who just signed an exclusive deal with Spotify. (By friends we mean friends of friends of friends, and in New York City, that counts!) Then we dive deep into the sausage making of creating a financially successful podcast only to discover whatever meat we are putting into the sausage gives people food poisoning. (But you should totally donate to our Patreon!) Then we take a turn through why the Fans thinks they are more important than the people who create the art. (Which you totally are, please donate to our Patreon!) Finally, we explain why U2's Zooropa was a bad album and that is totally OK! (We would still like a refund from our purchase in 1993, however.) Our Sponsor this week is Eddify, a new streaming service with exclusive content no one has heard before because it is unlistenable. We open the show with The Beast, Which Will Never Sell Out and close with some Reel Big Fish. Show Theme: https://www.jamendo.com/track/421668/prelude-to-common-sense The Show on Twitter: https://twitter.com/TheHell_Podcast The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Soundcloud https://soundcloud.com/david-bledsoe-4 www.whatthehellpodcast.com Give us your money on Patreon https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music: https://youtu.be/QL3Rj9IT4Mc Citations Needed: 'Last Podcast on the Left' Moving Exclusively to Spotify https://www.hollywoodreporter.com/news/last-podcast-left-moving-exclusively-spotify-1256236 The Rise and Decline of the “Sellout” https://slate.com/culture/2017/07/the-history-of-calling-artists-sellouts.html Nirvana: Inside the Heart and Mind of Kurt Cobain https://www.rollingstone.com/music/music-news/nirvana-inside-the-heart-and-mind-of-kurt-cobain-103770/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Episode 21 otherwise known as the letter "U". This week our wine is the Blasted Church Hatfield's Fuse, as we could not find a wine that started with U, and we are discussing U2. After the Fact Checking is back this week to cover the last two podcasts and as always we are covering what's happening in the world of pop culture news so sit back and enjoy!Support the show (https://www.patreon.com/abcsandpinotgris)

U2's finest hour wasn't lifting us up singing about MLK, a spiritual celebration of the history of American music, or even future pop from the edges of our imagination: It was an insistent, eccentric, and infinitely prescient project that almost wasn't, named Zooropa.This week, we're revisiting the "biggest band in the world's" most powerful statement about us all, twenty-five years after it's prophetic vibrations confounded and delighted music fans of all walks, and making that Zooropa isn't just the best U2 album...it's the only one that really matters.Show NotesIncidental music courtesy of Aquatic Gardener. Hear more/buy it HERE.Support us on Patreon! [LINK]Support/find out more about Washington, DC's Uptown Art House [LINK] See acast.com/privacy for privacy and opt-out information.

No Cultural Authority

It’s Dealer’s Choice week on the Throwback Podcast and Dan has made the completely shocking decision to dive deep into the U2 canon with Zooropa, the band’s 1993 weirdo space rock odyssey. Can Dan finally convince Bob to admire Bono? Will this be the episode that destroys a 30-year friendship? Stay tuned.

In Episode 033, we deep-dive into the history of one of our favorite bands, U2. To do so, we brought on one of our close friends, and U2-expert, Ryan Nichols (@ryannichols7) to help us out. Approaching the band's history chronologically, we explore how U2 grew into the biggest band in the world, shifted in one of the most extreme manners for a mainstream Rock band, and has spent much of the last 20 years trying to figure out what's next. We also consider possible ways for U2 to reclaim the status of "The World's Most Important Band."Songs featured in this episode are: "The Electric Co" - Boy (1980), "I Fall Down" - October (1980), "Drowning Man," - War (1983), "Indian Summer Sky," - The Unforgettable Fire (1984), "Red Hill Mining Town" - The Joshua Tree (1987), "Hawkmoon 269" - Rattle & Hum (1988), "Zoo Station" - Achtung Baby (1991), "Dirty Day" - Zooropa (1993).Check us out on Spotify: Beyond The Pond Podcast SongsYou can find us on Twitter: @_beyondthepondMedium: https://medium.com/beyond-the-pondPlease check out the Osiris Podcast Network at: OsirisPod.com // Go to Relix.com to learn more about Osiris, our sister podcasts, & upcoming events!Please leave us a review on iTunes! See acast.com/privacy for privacy and opt-out information.

A man builds a podcast, with guests and commentary. A man records a conversation so he can hear himself up close. Marylinn, Sherry, Ian, and Chris are talking Zooropa until the day begins at midnight so grab the nearest lemon and don't go wandering too far.

A man builds a podcast, with guests and commentary. A man records a conversation so he can hear himself up close. Marylinn, Sherry, Ian, and Chris are talking Zooropa until the day begins at midnight so grab the nearest lemon and don’t go wandering too far.

Season 2's sensory odyssey continues with Zooropa. This week on RevU2 - The U2 Podcast: -The Irish lads dream out loud about lemons -The Edge gets his capable hands on a production credit -And a Bono and Bukowski anecdote goes badly off the rails

Matkin and Ax continue their recap of the Innocence + Experience tour by looking at how U2 paid tribute to BB King and Dennis Sheehan, who both passed away while they were on the road. After this farewell they move on to talk of those pesky snippets, why the website lists Zooropa as a full song, and historical judgement calls. Could some tweaks to the database in the future solve the problem? Also why does U2Gigs list Shine Like Stars but not Do You Hear Us Coming? The episode ends off with a look at what happened to U2's idea of rotating setlists.

Adam Scott Aukerman are back this week to talk all about U2's eight studio album Zooropa. They'll discuss the worldwide Zoo TV Tour, Bono's many alter egos, and U2's experimental side project Original Soundtracks 1. Plus, they’ll give their impressions on the new U2 single “Invisible” and talk about the films of Judd Apatow in the triumphant return of the “I Love Films” podcast. This episode is sponsored by:  Bonobos . Use offer code EDGE to get 20% off  Stamps.com . Click here for a special $110 Bonus Offer! Naturebox: Go to naturebox.com/u2 to save 50% on your first box of delicious snacks.  GoDaddy.com : Use offer code U295 for 85%off for $2.95 own your own dot COM

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