Podcasts about slash records

This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italy's Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chris' time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipers' first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.So, let's innocently stage dive off the movie theater's stage for this week's Revolutions Per Movie!JERRY A LANG:https://americanleatherrecords.bigcartel.com/https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week Jeremy interviews musician, songwriter, and producer Ken Andrews of Failure, Year of the Rabbit, and more. On this episode Jeremy and Ken talk Elton John, the radio station 91X, The Cars, Warmoth guitar kits, Eddie Van Halen, his relationship with Tool, home studios, Slash Records, recording with Steve Albini, forming the supergroup Replicants, navigating major labels, and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where Ken answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

This is Draw The Line Radio Show with Jacki-E, presenting the best music from female producers and DJs. Helping me Draw The Line this week, with her guest mix in the second hour, it's Ailen DC, a techno DJ / Producer from Buenos Aires, Argentina. With futuristic soundscapes, energetic rhythms and epic drops her tracks are, at the same time, both universal and unique. Her latest production ‘Alternate Universe' was released on Redlof Records in Nov 2023. The sound of her DJ sets is driving, rhythmic techno with pounding drums, tension building breakdowns and touches of acid. Links for Ailen DC:- Soundcloud:- https://soundcloud.com/user-84402378 Instagram::- https://www.instagram.com/ailen_dc/ You Tube:- https://www.youtube.com/@ailendc In my all female mix in the first hour I'm playing tracks by Marie Vaunt, Mha Iri, Marika Rossa, Anna, Sara Simonit & lots more. If you like the tracks we play, please support the artists by buying their music. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production. Track list 1st hour mixed by Jacki-E 1. B4rbra – Lost Paradise (original mix) Neu Gravity. 2. Rebeca Ark – Changes (Theodore Elektrk remix) Onesun Records. 3. Niels van Gough – Pulvertrum ( Denise Schneider remix) Kosmo Records. 4. Anna – Dimensions (original mix) Drumcode. 5. Marika Rossa – No Reasons (original mix) Fresh Cut. 6. Sara Simonit – Evolution (original mix) Tronic. 7. Nicole Moudaber – Come To My Beat ft Romina (original mix) Drumcode. 8. Drunken Kong – Take It (original mix) Tr-onic. 9. Kami (Fr) – The Walk (original mix) Red Channel Records. 10. Nancy Live – Revo Rave (original mix) Trick. 11. Rave Syndicate, Zephixx – Telepathy (original mix) UKR Special Series. 12. Bullzeye – Padrobotic (Simina Grigoriu remix) Movement Recordings. 13. Mha Iri – Bell (original mix) Drumcode. 14. Marie Vaunt – Dark Room (original mix) Drumcode. 15. Jesika Jane – Demons (original mix) Onhcet Republik. 16. Amelie Lens – You and Me (original mix) Exhale. 17. Marie Vaunt – Techno Acid 303 (original mix) Revealed Music. 18. Ki/Ki – Leave It To The Vibe (original mix) Slash Records. 2nd hour Ailen DC - An exclusive guest mix for Draw The Line Radio Show. 1. Christian Smith - Sleeptalker (Victor Ruiz remix) Filth on Acid. 2. Teenage Mutants, Martin K4rma - Take a Look Around (original mix) 3. UMEK, Sam Wolfe - Enter the Rave (extended mix) 1605. 4. Enrico Sanguliano - Glitch In Time (original mix) Ninetozero. 5. Ailen DC - Anahata (original mix) 6. Mart.in - I Want You (original mix) Set About. 7. Ailen DC – Mind, Body and Soul (original mix) 8. Alex Lentini, Stomp Boxx - Arresto Momentum (original mix) Ninetozero. 9. Marie Vaunt, Frank Spector - Cosmology (original mix) Codex. 10. Patrick Scuro, Nicosh - Lonely (original mix) Animarium Recordings. 11. Mara Sander - Moving Forward (original mix) IAMT. 12. Pablo Say - Come With Me (original mix) Unrilis. 13. MOTVS - We Are Still Here (original mix) Exetra Records. 14. Teenage Mutants, Replay M - Vertigo (original mix) Filth on Acid. 15. Sebastiaan Hooft - You (original mix) Redesign Records.

We fix our gaze upon another of the legendary record labels of the O3L era, Slash Records. Slash was formed in Los Angeles in 1978 by the late Bob Biggs. Over the course of its 22 year run as an active label, Slash released slew of classics by the likes of The Germs, X, Violent Femmes, Fear, The Blasters, Los Lobos, Rank and File, The Del Fuegos, The Gun Club, Dream Syndicate, Misfits, Robyn Hitchcock, Burning Spear, BoDeans, Faith No More, Failure, Green On Red, Grant Lee Buffalo, L7, The Chills, Rammstein, Soul Coughing, The Verlaines, and more. Boasting such an eclectic and iconic roster, how are we possibly going to pick our Top 5 songs from the label? We'd better call in the reinforcement! We'll take "Great O3L Third Lads" for $1,000, Alex. "This talented singer/songwriter just released his highly anticipated brand new album, Mug, on one of the best modern indie labels, Big Stir Records." "Who is Dolph Chaney?" Yes, this week's Third Lad is rockin' Chicagoland indie-pop singer/songwriter/guitarist Dolph Chaney, and you'll be seeing his "mug" all over in the near future, because his new album is pretty dang special. It's full of memorable melodies, indelible hooks, witty, intelligent lyrics, and playful production. Mug continues Dolph's evolution from '90s lo-fi troubadour to widescreen guitar pop auteur. Get it now at https://bigstirrecords.com/dolph-chaney. We go in depth with Dolph on his wonderful new album, critical cats, recording career, songwriting process, alliance with Big Stir and producer Nick Bertling, 2016 Jeopardy! appearance, and Mug merchandising (from mugs to...thongs??). Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

We fix our gaze upon another of the legendary record labels of the O3L era, Slash Records. Slash was formed in Los Angeles in 1978 by the late Bob Biggs. Over the course of its 22 year run as an active label, Slash released slew of classics by the likes of The Germs, X, Violent Femmes, Fear, The Blasters, Los Lobos, Rank and File, The Del Fuegos, The Gun Club, Dream Syndicate, Misfits, Robyn Hitchcock, Burning Spear, BoDeans, Faith No More, Failure, Green On Red, Grant Lee Buffalo, L7, The Chills, Rammstein, Soul Coughing, The Verlaines, and more. Boasting such an eclectic and iconic roster, how are we possibly going to pick our Top 5 songs from the label? We'd better call in the reinforcement! We'll take "Great O3L Third Lads" for $1,000, Alex. "This talented singer/songwriter just released his highly anticipated brand new album, Mug, on one of the best modern indie labels, Big Stir Records." "Who is Dolph Chaney?" Yes, this week's Third Lad is rockin' Chicagoland indie-pop singer/songwriter/guitarist Dolph Chaney, and you'll be seeing his "mug" all over in the near future, because his new album is pretty dang special. It's full of memorable melodies, indelible hooks, witty, intelligent lyrics, and playful production. Mug continues Dolph's evolution from '90s lo-fi troubadour to widescreen guitar pop auteur. Get it now at https://bigstirrecords.com/dolph-chaney. We go in depth with Dolph on his wonderful new album, critical cats, recording career, songwriting process, alliance with Big Stir and producer Nick Bertling, 2016 Jeopardy! appearance, and Mug merchandising (from mugs to...thongs??). Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the 40th anniversary of Violent Femmes' classic debut album, we take a detailed look at how it was made. After bassist Brian Ritchie and drummer Victor DeLorenzo first started playing around Milwaukee as a rhythm section, they met a teenage songwriter named Gordon Gano. Despite having limited experience and still just being in high school, Gano had an extraordinary set of good songs that he had already written. Violent Femmes began playing as a trio but weren't able to get many gigs in town so they started playing acoustically on the street. One day they decided to play for a line of people outside the Oriental Theater who were there to see the Pretenders. James Honeyman-Scott was on a break from soundcheck and became interested in this band playing outside the theater. He convinced the rest of the Pretenders to listen and Chrissie Hynde ended up inviting the Femmes to open for them that night. Though the impromptu gig didn't lead to other opportunities, it gave them a boost of confidence to continue doing what they were doing. Shake Records became interested in releasing an album so they booked studio time with producer Mark Van Hecke. The label deal fell through but they decided to keep the studio time with the help of a loan from DeLorenzo's father. The recordings they made ended up on Slash Records' radar and they eventually released the Violent Femmes debut album as is in 1983. In this episode, Gordon Gano reflects on being a bored and lonely teenager who had a drive to write songs as a way to get out frustration. Brian Ritchie describes his unconventional approach to the acoustic bass guitar that helps give Violent Femmes their signature sound. Victor DeLorenzo offers his perspective on using brushes, a snare drum and his invention called the trancephone in order to have a simple setup that could be moved easily and played on the street. From being booed by thousands of Milwaukeans to punk music played acoustically to embracing the improvisation of Sun Ra to the first album as a mixtape that continues to get passed between generations, we'll hear the stories of how the record came together.

Violent Femmes, Liderados por Gordon Gano en la guitarra acústica y voz, Brian Ritchie en el bajo acústico y, originalmente, Victor DeLorenzo en las percusiones o “mezclando la sopa”, como se referían en sus conciertos, los Violent Femmes siempre fueron una banda de raritos que no encajaban con los estereotipos de la época. Eran una banda de culto de Wisconsin en los 80 que triunfaron en los 90 con su debut homónimo de canciones descaradas y diabólicas que zumbaban con sexo, violencia y religiosidad pervertida. La banda fue formada por Brian Ritchie y Victor DeLorenzo en 1980 y la formación se completó con la entrada de Gordon Gano. En sus inicios solían tocar en cafés y en las calles. El 23 de agosto de 1981, James Honeyman-Scott (integrante de The Pretenders), se interesó por su música cuando los vio tocando enfrente del local en el que The Pretenders iba a tocar esa misma noche, de tal manera que Chrissie Hynde les invitó a compartir escenario. Así fue como el grupo se dio a conocer y posteriormente firmó con la disquera Slash Records con la que publicaron su primer disco homónimo en 1982. Violent Femmes, el éxito seminal del indie-rock de cocción lenta, contenía el sencillo definitivo de la banda y una de las 50 mejores canciones punk de todos los tiempos, "Blister in the Sun" Blister in the sun del album debut homónimo de The Violent Femmes en su 40 aniversario acá en nuestro Ritual de lo Virtual de eclectomeiroland Sedición 479 por política y rockandroll radio 106.7 FM

Donnie & Sean do an impromptu phone-interview to honor SPOT of SST Records, Founder of Slash Records, Producer of Black Flag, Misfits' "Earth A.D." LP, Descendents, Saccharine Trust. Germany Bans Roger Waters due to racist, anti-semitic sentiments on his part and why Sid Barret was the real genius behind Pink Floyd. Great discussion!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/sean0493/message Support this podcast: https://podcasters.spotify.com/pod/show/sean0493/support

Interview with Victor DeLorenzo Of Violent Femmes & The Night Crickets DeLorenzo was born in 1954, the son of Victor and Charlotte DeLorenzo, grew up in Racine, Wisconsin, and has lived in Milwaukee since. He has been a drummer since the age of 16 while attending St. Catherine's High School (Racine, Wisconsin), and has been an actor since the age of five. While attending the University of Wisconsin–Milwaukee, he auditioned for and was accepted into Theatre X in 1976, and worked with them in various roles for more than 20 years.[ As a drummer, DeLorenzo paired up with bassist Brian Ritchie in 1980, as a rhythm section they called "Violent Femmes". When singer, guitarist, and songwriter Gordon Gano joined them in 1981, the band kept the name.[2] DeLorenzo's father loaned the band $10,000 to record their eponymous debut album in 1982. However, the band was forced to delay its release until 1983 after they signed to Slash Records. DeLorenzo's signature sound is a result of his minimalist drum kit. He often uses nothing more than a snare drum, a tranceaphone and steel brushes. The tranceaphone consists of a metal bushel basket inverted over a tom. He favors this style of kit because in their early days, the band often played on the streets. DeLorenzo continued to act with Theatre X, and record and tour with the Femmes until 1993, when he left to devote more time to acting and to recording his own music.He toured as part of Moe Tucker's band in that year. In 1996 he opened a recording studio called "Joe's Real Recording" He has released three solo records since 1990. In addition to recording his own music, he has played with several side projects, including Ash Can School. In 2000, he teamed up with Ritchie to put together a Femmes compilation, and subsequently rejoined the band until it disbanded again in 2009.In March 2013, Gano, Ritchie and DeLorenzo reformed Violent Femmes once more and played a homecoming show at the Summerfest music festival in their native Milwaukee. Three months later, in July, the band announced a new line-up with Dresden Dolls member Brian Viglione as the band's drummer. DeLorenzo confirmed in a statement that he had left the Femmes permanently because of a failure of the band members to resolve their long-standing business disputes. DeLorenzo performs percussion in the chamber rock duo Nineteen Thirteen with cellist Janet Schiff. Nineteen Thirteen's recording of "Hurricane Noel" was featured in the 2011 TED Global Conference. Night Crickets, a long-distance groove affair conducted during the drawn-out days of lockdown and beyond. Featuring David J, Victor DeLorenzo, and Darwin Meiners.   Iconic and foundational bands in the history of alternative music certainly include Bauhaus, Love And Rockets, and Violent Femmes. San Francisco born artist Darwin Meiners was a fan of all three. A chance meeting 13 years ago with David J (Bauhaus, Love & Rockets) grew into a friendship, and Darwin not only became a bandmate, but David J's manager. After reaching out to Victor DeLorenzo through e-mail, Darwin met the Violent Femmes drummer after the Femmes' Coachella set in 2013. Soon after the three collaborated on Darwin's 2014 release Souvenir. As the pandemic took hold, Darwin was looking for a new project to occupy the lock-down time and approached Victor, who was keen to proceed and suggested that David join as well. The musical trust established between these three was immediate and Night Crickets were born. Within weeks a global process was initiated between them, the recordings eventually forming the album, A Free Society. To say this is something of a dream come true for music fans would be entirely accurate. (The band's name came from one of many Zoom meetings between the three members. After addressing various pressing musical issues the conversation rambled somewhat and turned to the subject of David Lynch, with David J telling an anecdote which was told to him by Lynch's sound designer, John Neff. Lynch had asked Neff to obtain a field recording of crickets chirping at night for inclusion in Mulholland Drive. When Neff played him the tape, the director immediately recognized the sound that the insects make when it is light which is apparently a little different to their nocturnal chirp. “No! No! No! These are day crickets, John! I want my night crickets!” Victor, Darwin, and David then shared a look of mutual realization and instantly agreed that the project now had a name!) Night Crickets Info http://omnivorerecordings.com/shop/a-free-society/?fbclid=IwAR20Jsa93KV7Npoxfan53Mjd67ihiceYXEkESshe5I0SGiKhGAveeZJgMrk   Victor's Info https://victordelorenzo.weebly.com/vf-press-release.html  

⚡⚡ PODCAST ALERT! ⚡⚡   #145 The Whizbanger Show Getting Creepy +Bandcamp Friday+ Edition 7 October 2022   Please share the pod and tag me (and the show) in your post. Please also invite your pals to like The Whizbanger Show on Twitter, Insta, and FB - if you want your music featured on the one and only Whizbanger Show, gimme a holler!  Love y'all!   The Bands: Al Bowlly, Banjo & Sullivan, Barry Bostwick, Charles Gray, The Dickies, Electric Wizard, Ennio Morricone, Fastway, Gene Kelly, Goblin, Iron Maiden, Jerry Goldsmith, John Carpenter, KiLLeR DWaRfS, Misfits, Orange Goblin, Peter Robinson and Michael Hoenig, Philip Glass, Possessed, Rachel Elkind, Ramones, Ray Noble & His Orchestra, Spence Moore, Susan Sarandon, Tim Curry, Wendy Carlos, Wölfhead   The Labels: Columbia Records, Combat Records, Discos Macarras, East Side Digital, EMI, Enigma Records, Harvest Records, Hip-O Records, Maze Music, MCA Soundtracks, One Way Static Records, RCA Records, Rise Above Records, Sacred Bones Records, Sire Records, Slash Records, Spinefarm Records, Terror Vision, UK Records, Varèse Sarabande Records, Warner Records     Tune in to MMH The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show. Stream ===>>> www.mmhradio.co.uk Whizbanger Show Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/   The Whizbanger Show is 100% sweat equity. Support me by donating to the show! Tip the Deejay Right Here: https://www.buymeacoffee.com/WhizbangerShow    Download the app ===>>> Google Play or Apple Store Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn   Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger Twitter: @SaraWhizbanger  

For the 30th anniversary of L7's breakthrough third album, BRICKS ARE HEAVY, we take a detailed look at how it was made. After L7 had released albums on venerable west coast indie labels, Epitaph and Sub Pop, they decided to go for major label distribution with their third album. Seminal Los Angeles label, Slash Records, allowed them more reach as well as a larger recording budget than ever before. After visiting their friends in Nirvana at Sound City during the recording of NEVERMIND, they met Butch Vig and decided he would be the right producer for their next album. In late 1991, they headed to Madison, Wisconsin to record at Butch Vig's Smart Studios, just as NEVERMIND was blowing up and changing the face of popular music. In this episode, Donita Sparks describes L7 in this pivitol moment when they were going from the underground to the mainstream. Sparks talks about gaining confidence with her songwriting, getting more specific with her lyrics and embracing her pop side more than ever before. The result was BRICKS ARE HEAVY, an album full of personal songs by Sparks, Suzi Gardner and Jennifer Finch that went on to become generational anthems. From the mind blowing place in the mainstream to major label guilt to using songwriting as revenge to getting the nod from Yoko Ono, we'll hear the stories around how the album came together.

It's not everyday you get to talk to legends but I'll be damned if I'm not to talking to one on this episode! On the show we have musician and actor John Doe. We discuss John's new record Fables in a Foreign Land along with topics such as:- Writing murder ballads with Shirley Manson of Garbage- If John felt any pressure releasing Alphabetland after X hadn't released an album since 1993- Having to find a replacement bass player for a tour because Willie Nelson took yours- Being in the early stages of writing a new X record with Exene- Going on tour all summer with X and the John Doe Trio- If John's surroundings influence his songwriting- Trying new things as a musician 40+ years in your career- The irony of children listening to Folk music & more!Follow John Doe -https://johndoex.bandcamp.comhttp://www.theejohndoe.comhttps://www.xtheband.comhttps://www.instagram.com/theejohndoe/https://www.instagram.com/xthebandofficial/https://twitter.com/johndoefromXhttps://twitter.com/Xthebandhttps://www.facebook.com/theejohndoehttps://www.facebook.com/XLosAngelesCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgThank you to Jay Vics for his behind the scenes help on this episode - https://www.jvimobile.comhttps://www.facebook.com/jvimobilehttps://www.twitter.com/jvimobile

The Plugz fusionó el espíritu del punk y la música latina. La banda se formó en 1977 y fue contemporánea de las bandas que aparecen en la película The Decline of Western Civilization. Sus canciones reflejaban la ira y la angustia de crecer chicano, y esto se reflejó en su versión sardónica de alta velocidad de "La Bamba" de Ritchie Valens. Los Plugz son generalmente reconocidos como los primeros D.I.Y. banda de punk en Los Ángeles, habiendo comenzado su propio PLUGZ RECORDS y más tarde Fatima Records. La banda inicialmente estaba compuesta por: - Tito Larriva (Voz principal/guitarra) - Charlie Quintana (batería) (m. 2018) - Barry McBride (bajo/coros) Esta formación grabó el primer álbum de la banda, Electrify Me, producido y diseñado por Alan Kutner, y lanzado en 1979. Después de que McBride se fue (en algún momento entre 1979 y 1980), fue reemplazado por John Curry de The Flyboys, quien se fue para formar Choir Invisible menos de un año después. Larriva y Curry escribieron la canción principal del segundo álbum Better Luck. Los músicos del segundo álbum de la banda, Better Luck (1981), fueron: - Tito Larriva (Voz principal/guitarra) - Charlie Quintana (batería) (acreditado como "Chalo Quintana") MUSICOS INVITADOS: - Gustavo Santaolalla (Bajo/Guitarras/Charango/Coros) - Aníbal Kerpel (teclados) - Steve Berlín (saxofón) - Bruce Fowler (trombón) - Steve Fowler (Saxofón) - Brian Qualls (piano) Tony Marsico se unió a la banda a fines de 1980 y Steven Hufsteter comenzó a tocar la guitarra principal con el grupo en 1984. Con la incorporación de Steven Hufsteter a la guitarra principal, The Plugz también ocupan un lugar destacado en la banda sonora de la película Repo Man. El grupo interpretó "Hombre Secreto", una versión en español de "Secret Agent Man" de Johnny Rivers, "El Clavo y la Cruz" y la música de fondo instrumental original de la película, parte de la cual aparece en la banda sonora como Reel Ten. El bajista Tony Marsico de Plugz y el baterista Charlie Quintana junto con su amigo, el guitarrista JJ Holiday, acompañaron a Bob Dylan en su aparición en Late Night with David Letterman el 22 de marzo de 1984 para tres canciones: "Don't Start Me Talkin'" (por Sonny Boy Williamson), "Jokerman" y "Licencia para matar". En 1984, el nombre de The Plugz se retiró y los tres miembros continuaron como Cruzados con Steven Hufsteter. The Plugz reunió a los tres miembros fundadores de The Masque 30th Anniversary Party and Book Release show el 11 de noviembre de 2007 en The Echoplex en el distrito de Echo Park de Los Ángeles, California. Discografía - Sencillo "Move // Mindless Contentment / Let Go" en Slash Records (1978) - Electrificame (1979) PLUGZ RECORDS - Sencillo "Achin' / La Bamba" en Fatima Records (1981) - Mejor suerte (1981) - Los Angelinos - el renacimiento del lado este (compilación) (1983) - Banda sonora de Repo Man (1984) - Bob Dylan y los enchufes (1984) - Banda sonora de New Wave Hookers - Electrify Me (1985) Lista de canciones - Electrify Me (1979) "Una ganancia - una pérdida" (Tito Larriva) "La Causa" (Tito Larriva) "Electrificame" (Tito Larriva) "Muere satisfecho" (Tito Larriva/Barry McBride) "La Bamba" (dominio público) "Adolescente" (Tito Larriva) "Tiempo de cerebro" (Tito Larriva) "Sin palabras" (Tito Larriva) "Déjalo ir" (Tito Larriva/Barry McBride) "Infección" (Tito Larriva) "Berserktown" (Tito Larriva) La canción "Adolescent" se utilizó en la película Scarred (1984). La canción "Electrify Me", se utilizó en la película para adultos New Wave Hookers (1985).

It's two-fer Tuesday as we deliver a second straight edition of the "bite-size history lesson" series What Was First, which explores the first release on iconic record labels. Today, on a second-straight suggestion from listener David Leedy, Patrick takes a look at the first record released on Slash Records, a highly influential label born out of the Los Angeles punk boom. The label, which evolved from Slash Magazine, put out their very first record in May of 1978: a 7" EP by the Germs titled "Lexicon Devil." Hit play and get your Tuesday dose of record label history. Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com

Show #930 Keep It Up 01. Peter Veteska & Blues Train - Done With Bad Luck (4:28) (So Far So Good, Blue Heart Records, 2022) 02. Ben Reel - Isolation Blues (3:12) (Single, B.Reel Records, 2022) 03. Bernard Allison - Side Step (4:20) (Highs & Lows, Ruf Records, 2022) 04. Scott Ellison - There's Something About the Night (4:45) (There's Something About the Night, Liberation Hall Records, 2022) 05. Katie Henry - Too Long (4:15) (On My Way, Ruf Records, 2022) 06. Grant Dermody & Frank Fotusky - You Better Lie Down (4:05) (Digging In John's Backyard, self-release, 2022) 07. John Cephas & Phil Wiggins - Black Rat Swing (5:00) (Living Country Blues USA Vol. 1, L+R Records, 1981) 08. Ruzz Guitar's Blues Revue - Spag Mambo (4:47) (Live! Against The Grain, RG Records, 2022) 09. BigLlou Johnson - Chill On Cold (4:34) (Bigman, Goldenvoice Audio, 2021) 10. Brandon Santini - Don't Shake The Devil's Hand (3:47) (Single, San-Tone Music, 2022) 11. JP McDermott & Western Bop - (Still The) Last Fool Here (2:54) (Lucky Stars, Shower-Tone Records, 2022) 12. The Blasters - Hollywood Bed (3:33) (The Blasters, Slash Records, 1981) 13. Tinsley Ellis - Don't Bury Our Love (5:19) (Devil May Care, Alligator Records, 2022) 14. Mandy Marylane – Blues On The Ceiling (2:22) (Blues Shack, Y&T Music, 2021) 15. Fred Neil - Blues On The Ceiling (2:26) (Bleecker & MacDougal, Elektra Records, 1965) 16. Laura Tate - Smokey Tango (3:56) (Blind Raccoon Nola Blue Collection Vol. 4, Blue Heart Records, 2022) 17. Mary Jo Curry Band - Idaho Bound (5:50) (Blind Raccoon Nola Blue Collection Vol. 4, Blue Heart Records, 2022) 18. Dick Van Dyke - Is You Is Or Is You Ain't My Baby (3:18) (Blind Raccoon Nola Blue Collection Vol. 4, Blue Heart Records, 2022) 19. Mike Guldin & Rollin' & Tumblin' - Tumblin' (3:13) (Blind Raccoon Nola Blue Collection Vol. 4, Blue Heart Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Ken Andrews is a singer, guitarist, songwriter, producer and founding member of Failure.   In this episode Joe and Ken discuss the poison legacy of the Trump administration and the stress that comes with a politicized public health system.  Ken explains the major label debacle that is responsible for Failure's 1997 break up and why the band is a better a functioning unit in the reboot phase.  We hear a couple tunes from Failures forthcoming record Wild Type Droid (out December 3 2021)  and Ken shares how improvisation was influential in the recording process. Music by Failure and Joe Plummerhttps://failureband.com/Visit https://www.izotope.com/ and use code FRET10 to get 10% off all softwareVisit https://wundergroundcoffee.com/ and use code doctorwunder to get 10% your purchase

I am joined this week by original Violent Femmes drummer Victor DeLorenzo to talk about the making of the bands album Why Do Birds Sing for it's 30th anniversary, acting and writing outside of drumming, writing music with his new band NINETEEN THIRTEEN, being possibly the only band to open for both the Grateful Dead and Ramones, playing drums in Moe Tuckers band and a whole lot more  FOLLOW VICTOR DELORENZO - https://victordelorenzo.weebly.comhttp://www.nineteenthirteen.comhttps://nineteenthirteen.bandcamp.comTwitter - https://twitter.com/VicDeLorenzohttps://twitter.com/1913mkeInsta -https://www.instagram.com/vjd/https://www.instagram.com/1913mke/Facebook -https://www.facebook.com/Nineteen13Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

Green on Red special with Dan Stuart in conversation with David Eastaugh  Plus, just published the third book in the trilogy of Marlowe Billings - a 'false memoir'.    Dan Stuart founded punk band The Serfers in 1979. The next year the band moved to LA, changed the name to Green On Red, and became associated with the paisley underground (along with Rain Parade and The Dream Syndicate). After releasing two EPs, the band recorded their first full album, Gravity Talks for Slash Records in 1983. Green On Red toured America and Europe extensively and released eight more records before disbanding in 1992

Indie legend Brian Ritchie of Violent Femmes appears on the latest installment of Gone In 30 Minutes to chat about life on the big, blue(ish) marble. A seminal figure of punk, Ritchie thinks back to his upbringing in Milwaukee, the band’s…let’s say…less-than-ideal deal with Slash Records and the incessant nature of music itself. And Ritchie hasn’t stopped either—in addition to curating for annual music and arts festival MONA FOMA, in his homeland of Tasmania, he’s been broadcasting daily performances so we never lose touch of that “American Music.”

This week I feature some tracks that have lyrics in French, German, Spanish and Anishinaabemowin. Enjoy! Link to score Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Voodoo Glow Skulls. “El Mas Chingon.” Symbolic. Epitaph Records, 2000. CD. LP. Ferrat, Jean. “La Môme.” J'♥ la Chanson Française. Wagram Music, 2016. 5xCD. Faith No More. “Das Schutzenfest.” Songs To Make Love To. Slash Records, 1993. EP. CD. Sinsemilla. “Défenseurs de la Paix?” Resistances. Double T Music. CD. LP. Poulenc, Françis. Le Petit Garçon Malade. Perf. Accentus. Cond. Laurence Equilbey. Disques Pierre Verany, 1994. CD. LP. Propagandhi. “Things I Like.” Failed States. Epitaph Records, 2012. Vinyl. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Greetings, salutations, and a two-fingered bollocks, my fine friends and esteemed Whizbanger Listeners! If you missed today’s ah-may-zing show today, here’s the podcast. Party with me, punkers!The Cramps, The Stooges, The U-Men, 7 Year Bitch, DOA, Clown Alley, Dayglo Abortions, Big Black, The Misfits, Anti-Nowhere League, Sinsation, Dr. Know, Fear, Jesus Fucking Christ, Howling Gods, GBH, War on Women, Cock Sparrer, The Dwarves, Lunachicks, ArnoCorps, Rollins Band, Corrosion of Conformity, DRI, Dead Kennedys, Bad Brains, Black Flag, Poison Idea, Crumbsuckers, Cro-Mags, Overkill, Laaz Rockit, Napalm Death, Slayer, Orange Goblin, Motorhead EP Chuckie Boy Records, Sudden Death Records, Southern Lord Records, Restless Records, Atom Age Industries, Slash Records, FEAR Records, Inimical Records, Puke Records, Bridge Nine Records, Go Kart Records, Metal Blade Records, Nuclear Blast, Beer City Records, SST Records, Toy’s Factory, Century Media Records, Rise Above Records Tune in to MMH – The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show. Stream ===>>> www.mmhradio.co.uk Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/ Download the app ===>>> Google Play or Apple Store Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger

After recently watching all 3 Decline of Western Civilization films as well as the H.R documentary, I thought what a better subject for this one than some old school punk rock and the youth culture of the 80's that Penelope Spheeris captured so well. Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour guitar picks - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgGofundme for original Bad Brains vocalist Sidney McCray burial assistance https://gf.me/u/yx59xb

Coming in at number 15 on Rolling Stones Greatest Grunge Albums list is the LZ 1992 major label debut, Bricks Are Heavy. Co-hosted this week, from the Talk Toomey Podcast, host Josh Toomey. Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992 by Slash Records. The album peaked at number 160 on the US Billboard 200 and number one on the Heatseekers Albums chart. AllMusic - "Though they hailed from sunny L.A., L7 became the poster girls for grunge in 1992, with the meteoric success of their third album, Bricks Are Heavy. While their previous efforts had sounded sloppy and uneven, Nevermind producer Butch Vig helped the girls obtain a tight, compact sound on Bricks, pushing them to focus on their songwriting to boot." http://www.talktoomeypod.com/ L7 - http://l7theband.com/ Buy Bricks Are Heavy - https://www.amazon.com/Bricks-Are-Heavy-L7/dp/B000002LRV

Slash Records was an American record label originally specializing in local punk rock bands, active from 1978 to 2000. It was notable as one of the first and most successful independent record labels in alternative music, before its eventual acquisition by Warner Music Group. Bands Include: The Plugz, The Germs, X, The Gun Club, The Misfits, After the Millennials, Fear, Bonnie Hayes and the Wild Combo, The Violent Femmes, Robyn Hitchcock & the Egyptians and Faith No More.

John Doe and X recently surprised the world with their new album "Alphabetland". Today we hear the story of that record and the path that led us here through late 70s Los Angeles, Dangerhouse records, the wisdom of Ray Manzerek, Slash Records and more.  If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related.

Find us at: iTunes Spotify Patreon CONTENT WARNING: Discussions of violence, violent masculinity, sex scenes, mention of a homophobic line used in the film. We're closing out our Summer of Swayze with quite possibly the single greatest bad movie ever made. Nine total bar fights, two smoking hot male leads, a monster truck crashing through a building, introspective male bonding and speeches…this movie really does have it all. There's a reason this is now a cult classic - because despite its reputation, and despite the incredible sharpness of this movie's cheese factor, there's a pretty great movie at its core. We finish off our series with the 1989 new classic, Road House! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including an upcoming review of Swayze's surfing classic with the majestic Keanu Reeves, Point Break! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Clips from Road House are copyright 1989 Metro-Goldwyn-Mayer Studios Inc. Excerpt taken from "Cliff's Edge" written by Patrick Swayze, Stacy Wiedelitz, and Bob Marquette, and performed by Patrick Swayze. Copyright 1989 United Artists Pictures, Inc.; Arista Records, Inc. Excerpt taken from "Angel Eyes" written by Fred Koller and John Hiatt, and performed by The Jeff Healey Band. Copyright 1988, 1989 Arista Records, Inc. Excerpt taken from "Johny Hit and Run Paulene" written by John Doe and Exene, and performed by X. Copyright 1980 Slash Records. All rights reserved. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

Find us at: iTunes Spotify Patreon CW: Kidnapping, chloroforming, cult behavior, gaslighting, drug use, drug-induced psychosis, parental neglect, death. So we did a whole lot of set up last week to…do a whole lot more setup. I mean, it's not the worst episode of TV we've ever seen, but what exactly got accomplished? And is it just us or do things seem weirdly disjointed? We know there was an extended hiatus to deal with the passing of Luke Perry, and we're just wondering if maybe we're trying to shove a bunch of stories together to pad time. Still, we're stoked for the final twist at the end, Kurtz's creepy mannerisms, and Betty's emotional confrontation with her own dark feelings. But mostly watching Fangs and Kevin stare lovingly at each other. We can only dream for them this week on The Doghouse! Macintosh & Maud have started a Patreon! You can sign up now at our $2/month level to get our Doghouse Drive-Thru every Friday after a new Riverdale episode, plus The Chilling Adventures of the Doghouse, a weekly review of The Chilling Adventures of Sabrina on Netflix! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Clip from “Yoo Hoo” written and performed by Imperial Teen. © ℗ 1998 Slash Records. Clip from “(Don't Fear) the Reaper” written by Donald “Buck Dharma” Roeser and performed by Blue Öyster Cult. © ℗ 1976 CBS Inc. Intro music taken from "Make Up" from the compilation album Kamelot by Distortions. Licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International license. To hear the song or get more information about the artist, visit the song page at Jamendo.

In the fourth episode of the ALL NEW Anhedonic Headphones Podcast, Kevin interviews his co-worker (and across the street neighbor) Kyle. Surprisingly, the entire podcast was not recorded in an exaggerated David Lynch-voice, but instead, the two discuss nostalgia for the 1980s and 1990s, having the same CD collection as kids, being a 'Hulkamaniac' and having fun with their families and friends, and Kyle's charmingly eclectic and diverse taste in music. Click here for more information about the AWARD WINNING music site, Anhedonic Headphones.  Episode 4 credits: The intro to the episode featured an instrumental version of "Labels," performed by GZA/Genius, taken from the 2012 Get On Down/Geffen/Universal Music Special Markets release Liquid Swords - The Chess Box (Instrumentals.) The song originally appears on the 1995 Geffen Records release Liquid Swords. The theme music is a YouTube rip of the intro to BET's "Rap City: The Bassment," airing from 1999 to 2005. In this episode, we discussed: "Beautiful Girl" by INXS, taken from the 1992 Atlantic Records release, Welcome to Wherever You Are. "Please Do Not Go" by The Violent Femmes, taken from the 1983 Slash Records release, Violent Femmes. "The Lovecats" by The Cure, taken from the 1983 Fiction/Sire Records singles collection, Japanese Whispers. "Solsbury Hill" by Peter Gabriel, taken from the 1977 ATCO Records release, Peter Gabriel (Car.) "Like The Weather" by 10,000 Maniacs, taken from the 1987 Elektra Records release, In My Tribe. and as a special bonus track: "She Drives Me Crazy" by Fine Young Cannibals, taken from the 1989 London/IRS Release, The Raw & The Cooked. Please note the music played on the Anhedonic Headphones is used with the intent for discussion and promotional purposes only. Please do not sue me because someone wanted to talk about your song on the show. Thank you for understanding.

This week’s Silent Giant is legendary music executive and publicist Bill Bentley. In this interview I flew out to Los Angeles to chat with BIll about his early life in Texas, getting his start as Music Editor at the Austin Sun, his move to LA to which lead him to become music editor for the LA Weekly, Director of Publicity at Slash Records, and how he rose to become Senior Vice President of Media Relations at Warner Bros Records.FOLLOW SILENT GIANTS ON INSTAGRAM & TWITTERFOLLOW COREY ON INSTAGRAM AND TWITTERCHECKOUT MY OTHER SHOW 'OPP - OTHER PEOPLE'S PODCAST'WHICH HIGHLIGHTS YOUR FAVORITE PODCASTERS AND THE DOPES THEY CREATED. This episode has been mixed by Mark Byrd. See acast.com/privacy for privacy and opt-out information.

A showcase on the early years of LA punk spanning 1977-1982, featuring mostly stuff on Dangerhouse, Frontier, Poshboy and Slash Records.

NEW LONGEST EPISODE ALERT!!!Never mind the East Bay tea, here's the Soup: Sergie Loobkoff has come to TOAP! Listen in as Damian sits down with the Sweet Baby, Soup, Samiam, Knapsack, Ways Away legend to talk all things punk. From haters in bands being a sign of success, to being the last band at the Slash Records party, to was it Crimpsoupivyocracy or Crimpsoupocracy, to the art of selling out and so much more: don't miss this one!!! Also, don't miss Sergie in: Ways Away, Samiam and Knapsack!Support this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy