Podcasts about contemporary art museum st

Episode No. 683 features artist Tala Madani and curator Jamillah James. James is the curator of "The Living End: Painting and Other Technologies, 1970-2020" at the Museum of Contemporary Art Chicago. Madani is among the 60-plus artists included in the exhibition. "The Living End" surveys the arc of painting over the last half-century with a particular focus on artists who have redefined painting by using new technologies, imaging techniques, and their own bodies. The exhibition will be on view through March 16, 2025. Jack Schneider assisted James with the show. The exhibition catalogue is available from the MCA for under $20. The Henry Art Gallery at the University of Washington is presenting "Tala Madani: Be flat," a solo exhibition featuring recent and newly commissioned work that explores the influence of symbols, language, and mark-making on power dynamics and individual agency. It was curated by Shamim M. Momin and is on view through August 17, 2025. Madani makes paintings and painting-informed animations that consider gender, political authority, and representation. Her work typically includes bald, middle-aged men in bizarre, often hilarious circumstances. She has had solo shows at museums such as the Museum of Contemporary Art, Los Angeles; Secession, Vienna; the Contemporary Art Museum St. Louis, and the Mori Art Museum, Tokyo.

Ep.205 Kahlil Robert Irving was born in San Diego, in 1992, but spent most of his youth in St. Louis, Missouri. He attended the Kansas City Art Institute, where he received his BFA, and earned his MFA from the Sam Fox School of Design and Visual Art at Washington University in St. Louis. Irving's work has been featured in numerous group exhibitions at the Whitney Museum of American Art, the Mass MOCA, the New Museum, and the Contemporary Art Museum St. Louis. In February of 2024, Irving opened concurrent exhibitions at the Nerman Museum of Contemporary Art (AnticKS & MOdels + My theater to your eyes) and Archeology of the Present at the Kemper Art Museum in Saint Louis and both will be on view until July. Like many artists today, Irving works in many media, including sculpture, painting, and collage. His collages are largely influenced by contemporary digital culture. He gathers different pieces of digital material ranging from photographs he takes, to items he sees online to assemble these works. While appearing chaotic at times, he uses this method to subtly describe a view of how to navigate being Black in the United States. Irving's range of ideas and materials shine through his practice—as he combines contemporary memes with evolved ceramic techniques, he shows how different ceramic materials can be fashioned into looking like objects from life. Throughout his practice, Irving focuses on Black joy while also shedding a light on violent white people and their ideologies. Photo credit: Andrew Castañeda Artist https://www.kahlilirving.com/ Nerman Museum https://nermanstaging.jccc.edu/exhibitions/2024-02-09-kahlil-irving.html Kemper Art Museum https://www.kemperartmuseum.wustl.edu/on-view/on-view/kahlil-robert-irving-archaeology-of-the-present-20232024 MoMA https://www.moma.org/calendar/exhibitions/5396 Walker Art Center https://walkerart.org/calendar/2023/kahlil-robert-irving St. Louis Magazine https://www.stlmag.com/culture/visual-arts/kahlil-robert-irving-returns-to-washington-university-for-ar/ Art Review https://artreview.com/kahlil-robert-irving-excavating-the-recent-past-walker-art-center-bold-tendencies/ River Front News https://www.riverfronttimes.com/arts/kahlil-robert-irving-reflects-on-the-built-world-in-kemper-exhibition-41948583 St. Louis Post Dispatch https://www.stltoday.com/life-entertainment/local/art-theater/art-by-kahlil-robert-irving-gets-a-special-platform-at-mildred-lane-kemper-museum/article_14b149ee-cf92-11ee-b349-3fef347f28cf.html ARTnews https://www.artnews.com/art-news/artists/kahlil-robert-irving-walker-art-center-interview-1234663240/ Culture Type https://www.culturetype.com/2023/10/15/on-view-at-walker-art-center-kahlil-robert-irvings-site-specific-installation-reinterprets-the-notion-of-street-art/ Star Tribune https://www.startribune.com/ceramic-artist-kahlil-robert-irving-wants-us-to-stay-in-the-present-walker-art-center-minneapolis/600261276/ NPR https://www.stlpr.org/arts/2024-03-13/st-louis-artist-kahlil-robert-irving-explores-modern-life-and-loss

Visitors to the Contemporary Art Museum St. Louis can experience New York artist Paul Chan's exhibition “Breathers,” which relies upon air and wind to create kinetic movement and evoke an emotional response that reminds us to inhale and exhale with greater intention. Associate curator Misa Jefferies and artist Simiya Sudduth reflect on what air and breath look like both in art and in healing —- and why taking a ‘breather' is necessary.

Lisa Melandri is the executive director of the Contemporary Art Museum St. Louis.

Ep.179 features Basil Kincaid (b. 1986, St. Louis, Missouri) an American artist who honors and evolves traditional practices through quilting, collaging, photography, installation and performance. Implementing materials vested with emotional and memorial content, Kincaid allows these mediums to function as spiritual technology that forward various wisdoms born from Kincaid's greatest values: family, imagination, rest, and experience. Kincaid studied drawing and painting at Colorado College, graduating in 2010. Kincaid has exhibited works with Hauser & Wirth, Mindy Solomon, Kravets Wehby, Kavi Gupta, Carl Kostyal and others. In 2019, Kincaid debuted a first museum performance, “The Release,” at the Pulitzer Arts Foundation in St. Louis MO. In 2020 Kincaid received the Regional Arts Commission Fellowship. In 2021, Kincaid became a United States Artist Fellow and joined the Collection of the Smithsonian American Art Museum. In 2022, Kincaid exhibited new quilt works in both the Legacy Russell-curated show, “The New Bend” at Hauser & Wirth's New York and Los Angeles locations, and the Ekow Eshun-curated exhibition, “New African Portraiture” at the Kunsthalle Krems in Austria. Kincaid also produced a ceremonial installation at Laumeier Sculpture Park in St. Louis, wrapping a Manuel Neri figure in a quilt entitled “Take Me Home” just days after Neri's passing. Kincaid opened 2023 with “Dancing the Wind Walk”, a semi-permanent fabric monument during Frieze LA, with support from the Art Production Fund; before the end of the year, he will reveal a new quilt as part of “The Threads We Follow” at SECCA, North Carolina Museum of Art, and will have a solo exhibition, “Spirit in the Gift”, at the Rubell Museum, where he was the 2023 Artist in Residence. Basil Kincaid has been awarded the Great Rivers Biennial Prize and will have a solo exhibition at the Contemporary Art Museum St. Louis in Fall 2024. Photo courtesy of Basil Kincaid Artist https://basilkincaid.art/ Rubell Museum https://www.rubellmuseum.org/miami-exhibitions-2/2023-24-miami-2/2023-basil-kincaid Kavi Gupta https://kavigupta.com/artists/76-basil-kincaid/ Mindy Solomon https://mindysolomon.com/artist/basil-kincaid/ Hauser Wirth https://www.hauserwirth.com/viewing-room/basil-kincaid/ Carl Kostya https://kostyal.com/basil-kincaid-refraction-new-photography-of-africa-and-its-diaspora-surface-design-association/ Smithsonian SAAM https://americanart.si.edu/artist/basil-kincaid-32186 Artnet News https://news.artnet.com/art-world/meet-basil-kincaid-miami-beach-2402768 Artnet News https://news.artnet.com/art-world/basil-kincaids-studio-visit-2323227 Rockefeller Center https://www.rockefellercenter.com/magazine/arts-culture/artist-basil-kincaid-at-rockefeller-center/ Art Production Fund https://www.artproductionfund.org/eventsblog/basil-kincaid-art-sundae Whitewall https://whitewall.art/whitewaller/new-exhibitions-basil-kincaid-spirit-in-the-gift-and-more/ Lensculture https://www.lensculture.com/basil-kincaid UTA https://www.unitedstatesartists.org/fellow/basil-kincaid/ Cultured Magazine https://www.culturedmag.com/article/2022/09/15/2022-09-15-basil-kincaid-quilts-exhibition The Art Newspaper https://www.theartnewspaper.com/2023/02/16/quilt-covered-airplane-at-frieze-los-angeles-has-many-stories-to-tell Frieze https://www.frieze.com/event/now-playing-basil-kincaid-dancing-wind-walk

An American poet and artist, Sally Van Doren is the author of four poetry collections, Sibilance, (LSU Press 2023) Promise, (2017) Possessive, (2012) and Sex at Noon Taxes (2008) which received the Walt Whitman Award from the Academy of American Poets. Her poems have been featured by NPR, PBS, The Poetry Foundation, American Life in Poetry, and Poetry Daily, and nominated for a Pushcart Prize. Her poetry has appeared widely in national and international publications such as American Letters and Commentary, American Poet, Barrow Street, Boulevard, Cincinnati Review, Colorado Review, Crazyhorse, december, Lumina, The Moth, The New Republic, Poetry Ireland Review, Poetry London, Southern Review, Southwest Review, Verse Daily and Western Humanities Review. Her ongoing poetic memoir, The Sense Series, served as the text for a multi-media installation at the Contemporary Art Museum St. Louis. ------ As a practicing visual artist, Van Doren formalized her training at Hunter College and The School of Visual Arts in New York. She has had solo exhibitions at Furnace Art on Paper Archive and other venues and participates in group shows regularly. Her work is held in distinguished private and corporate collections, including a print commission for each guest room for the Hotel Downstreet in North Adams, MA.  Her art appears on the cover of The Difference is Spreading: Fifty Contemporary Poets on Fifty Poems (UPenn Press 2022) and in literary magazines such as The Nashville Review and 2River. ------ A graduate of Princeton University (BA) and University of Missouri-St. Louis (MFA), Van Doren has taught poetry workshops for a variety of educational institutions, among them the 92nd Street Y, the St. Louis Public Schools, Washington University in St. Louis, the St. Louis County Juvenile Detention Center and Scoville Memorial Library. She curated the Sunday Poetry Workshops for the St. Louis Poetry Center and serves on the board of the Five Points Center for the Visual Arts in Torrington, CT. A native St. Louisan, she works from her studio in West Cornwall, CT. -------

Discover the compelling journey of our guest, Aunia Kahn, the dynamic CEO of Rise Visible, who overcame debilitating and undiagnosed illnesses. Aunia's story is far from ordinary, as she turned her personal trials into a powerful force that propelled her business to heights unimaginable. Her remarkable transformation, from undercharging as a self-employed business owner to understanding her worth and the market rates, is a vital lesson for every entrepreneur. We also chat about building connections, striking a balance between providing value and authenticity, and the criticality of separating work from personal life - an enlightening and enriching conversation that you wouldn't want to miss. Who is Aunia Kahn?   Aunia Kahn is a multi-faceted entrepreneur and a globally awarded and collected artist/photographer, published author, curator, and inspirational speaker.   Kahn's artistic journey started as a therapeutic response to a challenging upbringing and her enduring battle with chronic illnesses like Ehlers-Danlos Syndrome, Mast Cell Activation Syndrome, Dysautonomia, and POTS. Art became a way to express herself and a survival mechanism, rather than an initial career pursuit.   Her artwork and photography weave together human and animal subjects, blending symbolism, nature, anatomy, and the profound themes of mortality and rebirth. Her chosen mediums include watercolor, colored pencil, ink, gouache, collage and a Nikon   Her work has been in over 300+ exhibitions in 10+ countries; at institutions such as San Diego Art Institute, iMOCA, St. Louis Art Museum, Contemporary Art Museum St. Louis and the Jordan Schnitzer Museum of Art. She has lectured at colleges and universities, and has been featured in Yahoo, Prevention Magazine, Authority Magazine, and Entrepreneur on Fire.   Kahn's influence extends beyond her own work; she's honored to have served as both gallerist and curator for internationally recognized books and projects. She is also the owner of Rise Visible, a web design and digital marketing agency, as well as the founder of Create for Healing. Connect with Aunia: Website: https://www.risevisible.com                 http://auniakahn.com                 https://createforhealing.com/ ———— I love connecting with Work at Home RockStars! Reach out on LinkedIn, Instagram, or via email  Website

Episode No. 619 features artists Edra Soto and José Lerma. Soto and Lerma are among the 18 artists featured in "entre horizontes: Art and Activism Between Chicago and Puerto Rico" at the Museum of Contemporary Art Chicago. The exhibition examines the artistic genealogies and social justice movements that connect Puerto Rico with Chicago, which is home to third-largest mainland population of Puerto Ricans. "entre horizontes" was curated by Carla Acevedo-Yates with Iris Colburn. It is on view through May 5, 2024.  Edra Soto's sculpture and installations prompt viewers to reconsider cross-cultural dynamics, the legacy of colonialism, and personal responsibility. Her work has been exhibited at the Whitney Museum of American Art, New York, in the 2020-21 El Museo del Barrio, New York, triennial, at the Contemporary Art Museum St. Louis, the Bemis Center for Contemporary Arts, Omaha, the Pérez Art Museum Miami, and more. In 2023 Soto was awarded a US LatinX Art Forum fellowship. Soto also is the co-director of the outdoor project space The Franklin.  Lerma is a painter whose work blends the historical, autobiographical, art historical and mythological, often through portraits that suggest (or name) specific individuals while pointing to how much of their public personae are manufactured. Simultaneously riffing on European portraiture traditions and popular representation, his work is smart, funny, and always painterly. The Kemper Museum of Art in Kansas City, the Museum of Contemporary Art Detroit and the MCA Chicago have all presented solo exhibitions of his work. 

Juan William Chávez is an artist and activist whose multidisciplinary practice extends across public sculptures, installations, paintings, drawings, and unconventional forms of beekeeping and agriculture. He often works collaboratively on social-practice projects that address the environment, food rights, and urban ecologies. His exhibitions focus on themes of the urban environment, ecology, sustainability, craft/labor, activism, identity, and archaeology of place. Chavez has exhibited at ArtPace, Van Abbemuseum, McColl Center for Art, Tube Factory Artspace, John Michael Kohler Arts Center, The Bemis Center for Contemporary Arts, Laumeier Sculpture Park, and Contemporary Art Museum St. Louis. Chavez's work was most recently included in El Museo's survey of contemporary Latinx art, ESTAMOS BIEN - LA TRIENAL 20/21. His interdisciplinary approach to art has gained the attention and support of prestigious institutions like the John Simon Guggenheim Foundation, Creative Capital, Graham Foundation, ArtPlace America, Andy Warhol Foundation, and Art Matters Foundation. Chávez holds a BFA from the Kansas City Art Institute and an MFA from the School of the Art Institute of Chicago. Chavez was born in Lima, Peru, and raised in St. Louis, MO, where is lives and work.

Ep.137 features Hayv Kahraman. She was born in Baghdad, Iraq in 1981 and lives and works in Los Angeles. Recent solo exhibitions include Gut Feelings, The Mosaic Rooms, London (2022); Touch of Otherness, SCAD Museum of Art, Savannah (2022); Not Quite Human: Second Iteration, Pilar Corrias, London (2020); Shangri La Museum of Islamic Art, Culture, and Design, Honolulu, HI (2019); De La Warr Pavilion, Sussex, UK (2019); Pomona College Museum of Art, Claremont, California (2018); and Contemporary Art Museum St, Louis, St. Louis, Missouri (2017). Recent group exhibitions include Reflections: Contemporary Art of the Middle East and North Africa, British Museum, London (2021); Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum, Berkeley (2021); Henry Art Gallery, Seattle (2019); ICA Boston (2019); and MASS MoCA, North Adams, (2019). Kahraman's work is in several important international collections including the British Museum, London, UK; Museum of Contemporary Art, San Diego, California, US; Los Angeles County Museum of Art (LACMA), California, US; Birmingham Museum of Art, Alabama, US; The Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum of Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami, Miami, US. Photo ~ Courtesy the artist and Pilar Corrias, London Artist https://hayvkahraman.com/ Book https://www.rizzoliusa.com/book/9780847862627/ Pilar Corrias Gallery https://www.pilarcorrias.com/artists/hayv-kahraman/2/ Jack Shainman https://jackshainman.com/artists/hayv_kahraman Vielmetter https://vielmetter.com/artists/hayv-kahraman The Third Line https://thethirdline.com/ ICASF https://www.icasf.org/exhibitions/7-hayv-kahraman Hyperallergic https://hyperallergic.com/tag/hayv-kahraman/ Financial Times https://www.ft.com/content/ba61f731-e007-4c6c-922f-bc93dd4ad4c8 Perez Art Museum Miami https://www.pamm.org/en/artwork/2020.093/ Rubell Museum https://rubellmuseum.org/nml-hayv-kahraman Art Forum https://www.artforum.com/print/reviews/201909/hayv-kahraman-81120 SCAD https://www.scadmoa.org/exhibitions/the-touch-of-otherness NPR https://www.npr.org/2019/11/27/770452266/iraqi-american-artist-hayv-kahraman-is-building-an-army-of-fierce-women Art Review https://artreview.com/hayv-kahraman-gut-feelings-review/ The Guardian https://www.theguardian.com/artanddesign/2022/feb/21/hayv-kahraman-i-was-brainwashed-into-thinking-anything-euro-american-centric-is-the-ideal Wikipedia https://en.wikipedia.org/wiki/Hayv_Kahraman jdeed Magazine http://jdeedmagazine.com/hayv-kahraman-exhibits-gut-feelings-at-the-mosaic-rooms/ Mosiac Rooms https://mosaicrooms.org/event/hayv-kahraman/

Sponsored by www.betterhelp.com/TheBarnTom Huck is a renowned printmaking artist based in St. Louis, Missouri, known for his intricate and visually stunning woodcut prints. Huck's work draws inspiration from American folk art, tattoo culture, and popular culture, creating a unique blend of traditional and contemporary styles.Huck was born in Potosi, Missouri, in 1971, and grew up in rural Missouri. He first discovered printmaking while studying at Southern Illinois University Carbondale, where he earned a BFA in printmaking in 1997. He later received an MFA in printmaking from Washington University in St. Louis in 2000.Huck's early work was heavily influenced by traditional woodcut techniques, using bold lines and high contrast to create striking and detailed images. Over time, his style evolved, incorporating more intricate and layered designs, as well as a wider range of subjects and themes.Huck's prints often explore themes of American culture and history, often with a satirical or subversive twist. His work addresses issues such as politics, religion, and social inequality, while also celebrating the traditions and values of rural America.One of Huck's most famous series is "The Hillbilly Kama Sutra," a collection of woodcut prints that parody the traditional Indian sex manual, reimagining it through the lens of American folk culture. The prints feature humorous and often graphic depictions of sexual positions, accompanied by witty and irreverent titles.Huck's work has been exhibited in numerous galleries and museums across the United States, including the Smithsonian American Art Museum, the New York Public Library, and the Contemporary Art Museum St. Louis. He has also been featured in publications such as Juxtapoz, Print Magazine, and Art in America.In addition to his printmaking, Huck is also an accomplished musician and songwriter, performing with the band Salt Horse. He has also published several books, including "The Bloody Bucket," a collection of his woodcut prints, and "Evil Prints," a guide to printmaking techniques and history.Throughout his career, Huck has remained dedicated to preserving the traditions and techniques of woodcut printing, while also pushing the boundaries of the medium and exploring new directions in his art. His work is a testament to the enduring power and relevance of printmaking as a form of artistic expression.This episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

The architect Brad Cloepfil views his work as less of a job and more of a calling. Sites speak to him. He listens with his eyes. When embarking on a project, Cloepfil slowly feels out the place, studying its particularities closely in order to understand its truest, deepest nature. He and his Portland, Oregon- and Brooklyn-based firm, Allied Works, craft buildings as much as they design them. His are finely tuned, well-wrought structures, elegantly proportioned, and unforgettable in their tactility, visual wonder, and reverence for their sites and surroundings.From the Portland, Oregon, headquarters of the advertising agency Wieden+Kennedy (2000); to Denver's Clyfford Still Museum (2011); to, more recently, the U.S. embassy in Mozambique (2021), Allied Works sculpts spaces of meaning and feeling that also serve pragmatic functions. Not surprisingly, the firm has become renowned for its designs of museums and arts institutions, including the Contemporary Art Museum St. Louis (2003).On this episode of Time Sensitive, Cloepfil talks with Spencer about his multisensorial approach to design and making; how reading, writing, and poetry have shaped his perspectives on the built world; and why all of his buildings are on some level about “amplifying and elevating the idea of service.”Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Brad Cloepfil[23:46] Allied Works[07:26] Wieden and Kennedy[45:29] Portland Institute for Contemporary Art[48:01] Maryhill Overlook[48:20] Sitings Project[51:40] Contemporary Art Museum St. Louis[53:30] Museum of Arts and Design[55:37] Duchess County Guest House[55:58] University of Michigan Museum of Art[58:38] Clyfford Still Museum[01:07:43] Eleven Madison Park[01:08:43] National Music Centre of Canada[01:11:41] National Veterans Memorial and Museum

Ep.112 features BETHANY COLLINS (b. 1984 Montgomery, AL). She lives and works in Chicago, IL. Collins is a multidisciplinary artist whose conceptually driven work is fueled by a critical exploration of how race and language interact. Collins received an MFA from Georgia State University in Atlanta GA, and a BA from the University of Alabama in Tuscaloosa, AL. Recent solo exhibitions include: Cadence (2022), PATRON, Chicago, IL; America: A Hymnal (2021), Crystal Bridges Museum of American Art, Bentonville, AK; Evensong (2021) Frist Art Museum, Nashville, TN; My destiny is in your hands (2021), Montgomery Museum of Fine Arts, Montgomery, AL; Chorus (2019), Contemporary Art Museum St. Louis, St Louis, MO; Benediction (2019) The University of Kentucky Art Museum, University of Kentucky, Lexington, KY; A Pattern or Practice (2019), University Galleries of Illinois State University, Normal, IL; The Birmingham News 1963 (2018-2019), Art Institute of Chicago, Chicago IL; The Litany, Locust Projects (2018), Miami, FL; Undersong (2018), PATRON, Chicago IL; and Occasional Verse (2018), The Center for Book Arts, New York, NY. Image courtesy of the artist and PATRON Gallery, Chicago. Photography by Evan Jenkins Additional information~ Artist https://bethanyjoycollins.com/home.html Patron Gallery https://patrongallery.com/exhibition/285/cadence https://patrongallery.com/artist/bethanycollins Montgomery Museum of Fine Art Bethany Collins - MMFA Brooklyn Rail https://brooklynrail.org/2022/02/artseen/Seize-the-Time WSJ https://www.wsj.com/articles/collectors-eye-they-built-a-world-class-collection-of-black-artists-work-who-are-they-acquiring-now-11594828483 Artspace https://www.artspace.com/artist/bethany-collins Richard Gray Gallery Bethany Collins - Artists - Richard Gray Gallery Block Museum https://www.blockmuseum.northwestern.edu/events/2022/artist-talk-laylah-ali-and-bethany-collins.html Chicago Gallery https://www.chicagogallerynews.com/events/bethany-collins-cadence Crystal Bridges https://crystalbridges.org/calendar/bethany-collins-america-a-hymnal/ Frist Art Museum https://fristartmuseum.org/exhibition/bethany-collins-evensong/ https://burnaway.org/daily/collins-frist/ The Phillips Collection https://www.phillipscollection.org/event/2021-06-25-jacob-lawrence-american-struggle Speed Art Museum https://www.promisewitnessremembrance.org/ Art in America https://www.artnews.com/art-in-america/aia-reviews/breonna-taylor-promise-witness-remembrance-speed-art-museum-1234594195/ Hyperallergic https://hyperallergic.com/641634/amy-sherald-bearing-witness-to-breonna-taylor-life-and-death/ NYTimes https://www.nytimes.com/2021/04/11/arts/design/breonna-taylor-review-museum-louisville.html PBS https://www.pbs.org/newshour/show/what-breonna-taylors-name-and-image-is-teaching-america-about-black-lives The Guardian https://www.theguardian.com/artanddesign/2021/apr/01/remembering-breonna-taylor-through-art-it-keeps-her-alive Artforum https://www.artforum.com/print/reviews/202202/the-dirty-south-contemporary-art-material-culture-and-the-sonic-impulse-87629 Smart Museum https://smartmuseum.uchicago.edu/exhibitions/take-care/ Renaissance Society https://renaissancesociety.org/exhibitions/540/nine-lives/ Hirshhorn https://hirshhorn.si.edu/explore/bethany-collins-part-1-hirshhorn-artist-diaries-2/

Aunia Kahn's work in trauma and mental health has grown over the years and has created a launching pad for the Healing Art Creatively Program. Art and trauma-related work first came together as a passion and purpose with her career's first exhibition Voices Within Surviving Through the Arts (St. Louis Artist Guild 2005) where her art took on subjects of abuse and trauma and was awarded for her endeavors. Later, she was invited for consecutive years as a panelist for the Washington University School of Medicine's MOHOP (Mental Health Outreach Program) and has regularly been a guest lecturer at Southwestern Illinois College speaking abuse, trauma and medical trauma. With her interest to create a supportive and interactive tool to support people working through trauma and adversity, she authored the “Inspirations for Survivors” deck. She has also worked as a mentor at OSLP Art & Culture Program, collaborating one-on-one with students who have developmental disabilities on projects and assisted the program in building their student's portfolios. As a curator, she has curated exhibitions focusing on trauma and mental health such as Darkest Dreams a Lighted Way (2008) and Empathic: A Mental Health Awareness Exhibition (2016) and Touch By Violence (2013). She continues her work in the field teaching courses, offering free resources, and providing tools to those that need. Her work has been in over 300+ exhibitions in over 10 countries; at places such as San Diego Art Institute, Los Angeles Center for Digital Art, iMOCA, St. Louis Art Museum, Contemporary Art Museum St. Louis, Mitchell Museum, and the Jordan Schnitzer Museum of Art. She has also been on podcasts like Entrepreneur on Fire, with 70 million downloads & 1 million monthly listens. Aunia has curated several internationally recognized books and projects.https://auniakahn.com/Ace Score:The Body Keeps the ScoreAunia Kahn's InstagramAunia's FacebookAunia's YouTubeAunia's Pinterest If you feel this Podcast is beneficial, I encourage you to share it, and I invite you to leave a 5-Star Review. It does so much for putting this podcast in the hands of those that may need it.Connect with me!Bettina@intherising.comPinterest:  Facebook

Episode No. 547 features artists Leslie Hewitt and Cornell Watson. Hewitt is included in "A Movement in Every Direction: Legacies of the Great Migration" at the Mississippi Museum of Art in Jackson. The exhibition, which was curated by Ryan N. Dennis and Jessica Bell Brown, features newly commissioned work from 12 Black artists that addresses the Great Migration. The Great Migration was the movement of more than six million Black Americans from the South to cities across the United States. The exhibition is in Jackson through September 11, when it will travel to Baltimore. Hewitt's photography and sculpture revisit art historical forms such as the still-life and minimalist sculpture through the lens of personal history, biography and America's past. The Minneapolis Institute of Art, the MCA Chicago, the Contemporary Art Museum St. Louis, the Des Moines Art Center and the Menil Collection are among the institutions that have presented solo or two-person exhibitions of her work. Cornell Watson's work is included in “Reckoning and Resilience: North Carolina Art Now” at the Nasher Museum of Art at Duke University. The exhibition features over 100 works by 30 artists working across North Carolina. It features work from Watson's "Behind the Mask" series, a visual consideration of Black life in present-day America. Instagram: Leslie Hewitt, Cornell Watson, Tyler Green.

On this episode I KiKi down with Crystal Ellis about sexual health, public health, and enduring care during a pandemic. Crystal Ellis is a sexuality educator currently employed at Planned Parenthood of St. Louis and Southwest Missouri, and owner of Crystallized Sexuality, LLC. CS LLC explores the connection to sexuality through arts and media while uplifting marginalized identities and communities. Crystal was recently nominated to the Contemporary Art Museum- St. Louis' Junior Board as well! ~please note the audio quality isn't the best, didn't realize the mic set up didn't align during this interview. However, it's still a fab convo!~ Follow today's guest @crystaaa1 website: http://crystallizedsexuality.substack.com Follow sex KiKi @_sexKiKi on Twitter Patreon for sex journal prompts: patreon.com/sexkikipod rate, review, & subscribe! produced by: SK STUDIOS Music: Moesha's Diary (Mike Nasty Remix) by Mike Nasty is licensed under a Creative Commons License.

This soundbite features Louis Cameron describing his first solo exhibition in Germany.  Tune in next week for the full episode. During the full episode, Jewell Sparks and Louis Cameron discuss their journeys as expats in Germany,  and Louis reflects on the impact that George Floyd had on him as a Black American man, and his art on the outside looking in while living in Berlin, Germany during the incident.  Louis Cameron was born in Columbus, Ohio, raised in Los Angeles, and currently lives in Berlin. His exhibition "Louis Cameron" takes place at Galerie Michael Janssen February 19 —16 April 16, 2022. In addition to his upcoming exhibition at Galerie Michael Janssen, Berlin Cameron has had solo exhibitions and projects at the Contemporary Art Museum St. Louis; The Kitchen, New York; The Armory Show, New York; and the Saint Louis Art Museum. He has also participated in group exhibitions in the United States and abroad at the Albright-Knox Art Gallery, Buffalo; the Contemporary Art Museum Houston; MoMA PS1, New York; The Studio Museum in Harlem, New York; Baltic Centre for Contemporary Art, Gateshead, United Kingdom; Paris Photo, France; and the Dakar Biennial, Senegal. Cameron has participated in the Artist-in-Residence program at The Studio Museum in Harlem and been a Fellow in Painting with the New York Foundation for the Arts. His work is in the collections of the Albright-Knox Art Gallery, Buffalo; the International Center of Photography, New York; JPMorgan Chase Art Collection, New York; the Saint Louis Art Museum, and The Studio Museum in Harlem, New York. Cameron has taught at Princeton University, Yale University, and Brooklyn College amongst other institutions. Cover Art: Louis Cameron, BRLN 31 (detail), 2021, paper on canvas, collage, 40 x 30 cm

Shaka Myrick and Delyn Stephenson, Romare Bearden fellows at the Saint Louis Art Museum, stopped by to talk with Nancy about their fellowships and the work they are doing at the museum. ABOUT THE ROMARE BEARDEN GRADUATE MUSEUM FELLOWSHIP: The Romare Bearden Graduate Museum Fellowship is a critical component in the museum's long-established commitment to increase diversity among its professional staff. Past fellows have gone on to hold key positions at the Saint Louis Art Museum, as well as at other noteworthy museums and universities, including the Art Institute of Chicago, National Gallery of Art, Philadelphia Museum of Art and University of Texas at Austin. Named for African-American artist Romare Bearden, the paid fellowship is designed to prepare graduate students of color seeking careers as art historians and museum professionals. Fellows gain valuable hands-on experience working throughout the Art Museum on specific assignments tailored to their background and interests. Since the program's inception in 1992, Bearden Fellows have spent their year teaching, researching works in the collection, developing programming, writing gallery materials and assisting curators with the development of exhibitions. This year's expansion of the fellowship is funded in part by the Romare Bearden Fellowship Endowment, which was created with a $100,000 gift from the Frost family. About SHAKA MYRICK Shaka Myrick (2021-2023) earned a bachelor's degree in painting at the University of Missouri in Columbia and spent the next decade working and interning at the NYCH Art Gallery in Chicago, the Museum of Contemporary Art Denver and the Nelson-Atkins Museum of Art and the Kemper Museum of Contemporary Art in Kansas City. She earned a master's degree in art history from the University of Missouri–Kansas City, where she concentrated on West African culture and presence in Brazil. Last year, Myrick curated Real Black, the first exhibition featuring all Black artists at the UMKC Gallery of Art. About DELYN STEPHENSON Delyn Stephenson (2021-2022) earned a bachelor's degree in art history and archaeology at the University of Missouri in Columbia and a master's degree in history through the Museums, Public History, and Heritage program at the University of Missouri–St. Louis. While at UMSL, Stephenson worked with the Griot Museum of Black History to create the exhibition Still We Thrive: The Neighborhoods of Fountain Park, Lewis Place, and The Ville. She also completed an internship with the Contemporary Art Museum St. Louis and worked at the National Blues Museum in St. Louis.

Miguel Abreu Gallery is pleased to announce Jimmy Raskin's STATIONS OF THE LAST ECCENTRIC, the artist's fourth one-person exhibition at the gallery. The exhibit is open Jan. 4th - Feb. 5, 2022. STATIONS OF THE LAST ECCENTRIC features nine layered works, each holding at its center The Cone of Expression. This diagrammatic overlay includes a prominent vertical line that imposes a primordial fold, creating a mirror-image wherein a chosen picture of the cosmos faces itself. This event, in turn, conjures a myriad of faces staring back at the viewer. The phenomenon, known as facial pareidolia, instills an emotional charge in an otherwise non-sentient image or form. A point of connective stillness emerges, which may be considered sacrificial: we bypass the layers, critical-distance, dynamic conversations therein, and reach an almost humorous reduction point; an anthropomorphic flattening in the name of stillness. Within the gaze of the gaze, a space for mesmerization or resonance is generated. An artist book accompanies the exhibition. Jimmy Raskin (b. 1970, Los Angeles) lives and works in New York. A graduate of the California Institute of the Arts, Raskin has exhibited his work internationally and staged “lecture-performances” in institutions, art galleries and other non-traditional gathering places since the mid-1990s, notably at the P.S.1 Contemporary Art Center, Thread Waxing Space, Foundation 2021, Greene-Naftali, Cooper Union, Miguel Abreu Gallery, SculptureCenter (all in New York), as well as at the Centre Pompidou, Paris, Real Art Ways, Hartford, The Swiss Institute, Paris, and KW Institute for Contemporary Art, Berlin. In 2013, Raskin participated in Performa 13 as part of Performa After Hours, which marked his second contribution to the performance biennial, following A Certain Misgiving in the Disciple (2009). Raskin's third one-person exhibition at Miguel Abreu Gallery, Petals Ears & Tears, was held in 2013. Previously, his work was selected for the Art Statements sector of Art |42| Basel (2011). He was included in For the blind man in the dark looking for the black cat that isn't there (2010), a major group exhibition curated by Anthony Huberman at the Contemporary Art Museum St. Louis. The show traveled to the Museum of Contemporary Art, Detroit, the ICA, London, de Appel Arts Center, Amsterdam, and Culturgest, Lisbon. Raskin also participated in the group exhibition Breaking New Ground Underground (2009), curated by Thea Westreich at Stonescape, a private museum in Napa Valley, California. Raskin's publications include The Prologue, The Poltergeist & The Hollow Tree (Foundation 20 21, 2005), The Lisbon Lecture (Sequence Press, 2012), Corner Jump (Onestar Press, 2012), and The Final Eternal Return, published as part of his participation in the group exhibition Tribe-Specific at Felix Gaudlitz, Vienna (2019). Jimmy Raskin, STATION 4, 2021, 18×31 in., courtesy Miguel Abreu Gallery Jimmy Raskin, STATION 7, 2021, 18×31 in., courtesy Miguel Abreu Gallery

Amy Reidel, Independent Artist, and Margaret Rieckenberg, Associate Curator for Barrett Barrera Projects stopped by to speak about the happenings at the various galleries of BBP, and specifically about the exhibition "Stretch Marks" which has been extended through November 27th. Amy Reidel is a St. Louis-based artist who has exhibited work regionally and nationally. She has been a resident artist at ACRE (Artists' Cooperative Residency and Exhibitions) based out of Chicago, the David and Julia White Artists' colony in Ciudad Colon, Costa Rica and at the Luminary Center for the Arts in St. Louis. She has exhibited work at venues including the Contemporary Art Museum-St. Louis, ACRE projects gallery in Chicago, and the Amarillo Museum of Art. Her work can be viewed online in the curated artist registries and viewing programs at White Columns and the Drawing Center in New York City. In 2014, 2019 and 2020 Reidel was awarded Artists' Support and COVID-19 relief grants from the Regional Arts Commission of St. Louis and the Washington University/Mildred Lane Kemper Art Museum. In 2016 she received the Critical Mass Creative Stimulus award. Reidel is currently a faculty member at Washington University and St. Louis Community College as well as Co-Founder of All the Art: The Visual Art Quarterly of St. Louis (2015-2020). Stretch Marks is an exhibition that highlights expressive mark-making as a means to explore the material in the maternal and the experience of having a body and therefore a mother. Representations in painting, drawing, photography, fiber, sculpture, and ceramics reveal bodies in transitional states, stretching themselves, often reaching through time toward other bodies that precede or continue their own material existence. The artists in this exhibition investigate subjects that include the experience of being a mother; our relationship to the Earth; materiality and tactility; abjection and the grotesque; portraiture and self-portraiture; domestic space; familial relationships; cultural identities; and feelings of love, horror, faith, and loss as they relate to maternal bodies. With many references to the landscape—and trees in particular—the images in these artworks allude to the longstanding conceit of nature and the Earth as a mother, as well as how we often envision family lineages as both branches of a tree and roots. Another repeating motif in the exhibition is images of hands, suggesting tactile manipulation and the presence of touch. Connecting these many images and ideas is a critical attention to generation—both as an act of creation and a form of inheritance—with works that reflect on time, family, birth, and making in their myriad incarnations. One of Amy Reidel's Mombies Natalie Baldeon: Reminders or Loss              

In this episode of The Artist Business Plan, we sit down with award winning artist/photographer Aunia Kahn. She leads an amazing masterclass on using mind tricks to keep yourself fresh and creative as an artist. Practice healing and be kind to yourself. Guest: Aunia Kahn is a globally awarded and exhibited figurative artist/photographer, a published author, a mental health and trauma researcher, as well as an instructor and an inspirational speaker. Her work in trauma and mental health has grown over the years and has created a launching pad for the Healing Art Creatively Program.  Her work has been in over 300+ exhibitions in over 10 countries; at places such as San Diego Art Institute, Los Angeles Center for Digital Art, iMOCA, St. Louis Art Museum, Contemporary Art Museum St. Louis, Mitchell Museum, and the Jordan Schnitzer Museum of Art. https://auniakahn.com/ (https://auniakahn.com/) For more information on applying to Superfine Art Fair as well as recordings of this and all of our past podcasts, just visit http://www.superfine.world/ (www.superfine.world ) IG: https://www.instagram.com/superfineartfair/?hl=en (@superfineartfair) IG: https://www.instagram.com/auniakahn/?hl=en (@auniakahn) | https://www.instagram.com/healingtraumacreatively/?hl=en (@healingtraumacreatively) If you want to submit a listener question you can email it to kelsey@superfine.world for a chance of it being answered by Alex, James, and our guest! Hosted and Executive Produced by James Miille and Alexander Mitow Executive Producer/Producer : Kelsey Susino Written by: Kelsey Susino, Alexander Mitow, and James Miille Audio Edited by: Federico Solar Fernandez

John and Noah talk to Lyndon Barrois Jr., Assistant Professor of Art at Carnegie Mellon University and a visual artist who reconfigures the language of print, design, and popular culture in order to investigate underlying ideology, ethics, and conceptions of identity. We discuss Lyndon's "Of Color" exhibition for the 2016 Great Rivers Biennial at CAM St. Louis, what it's like to put an asphalt basketball court inside an art museum, noticing the lack of hoops in Forest Park, being an NBA fan today, and how artistic practice can function in the fight for social justice. Artist website: Lyndon Barrois Jr. Dreamsickle at 47 Canal (New York, NY) Of Color at the 2016 Great Rivers Biennial, Contemporary Art Museum St. Louis “Kinloch Park's Basketball Courts Are Now a Work of Art,” Riverfront Times, Sept. 5, 2017

In this bonus episode, co-producers Wassan Al-Khudhairi, Michelle Dezember, and Misa Jeffereis look back at Radio Resistance with Lara Hamdan, Producer of St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. The four trace connections between episodes, share behind the scenes insights, and celebrate the power of radio. -As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.

What is the power of writing to carry a voice, or many voices, particularly defiant ones? In this final episode, we return to the impetus for this series, the exhibition Stories of Resistance, as an invitation to consider the medium of words and storytelling. Artist Banu Cennetoğlu and poet Treasure Shields Redmond discuss their work attending to the writings of American Civil Rights activist Fannie Lou Hamer and Kurdish freedom fighter Gurbetelli Ersöz, respectively. They acknowledge the responsibility of caring for the words of activists, especially those who gave their lives to struggle for what's right.Banu Cennetoğlu is a cross-disciplinary artist whose practice incorporates methods of collecting and archiving and enquires into the politics of the production, classification, and distribution of knowledge. Her work Gurbet's Diary (27.07.1995–08.10.1997) inscribed words from Gurbetelli Ersöz's diary—which Ersöz kept while she was a Kurdish freedom fighter before she was killed—onto 145 press-ready lithographic limestone slabs. Cennetoğlu lives and works in Istanbul, where she founded BAS, an artist-run space dedicated to artists' books and printed matter.Dr. Treasure Shields Redmond is a St. Louis metro-based poet, performer, and educator. She has been featured at the Nuyorican Poets Café, and published poetry in such notable anthologies as Bum Rush the Page: A Def Poetry Jam, Breaking Ground: A Reader Celebrating Cane Canem's First Decade, and in journals that include Obsidian and The African American Review. A Cave Canem fellow, Treasure has received an MFA from the University of Memphis, and a PhD from Indiana University of Pennsylvania.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

Wassan Al-Khudhairi, Chief Curator of the Contemporary Art Museum St. Louis, stopped by to talk with Nancy about the museum and one of the current exhibitions, Stories of Resistance.  Stories of Resistance explores artistic forms of resistance from across the world. Through visual narratives, artists amplify and bring to focus the multitude of conditions that ignite and inspire people to resist. The exhibition activates the entire museum space, inside and out, with video, photography, drawing, sculpture, painting, and installation. Presenting narratives from many social, political, and geographical spaces, the artists include: Bani Abidi, Andrea Bowers, Banu Cennetoğlu, Torkwase Dyson, Emily Jacir, Glenn Kaino, Bouchra Khalili, Candice Lin, Jen Liu, Guadalupe Maravilla, Tuấn Andrew Nguyễn, Trevor Paglen, PSA: (Jen Everett, Aida Hasanović, Simiya Sudduth), Wendy Red Star, Dread Scott, Kemang Wa Lehulere, and Wide Awakes (Maryam Parwana, Combo, Otherward). St. Louis serves as an ideal platform for Stories of Resistance. Resistance movements that have arisen here, most especially the rise of Black Lives Matter in response to the police killing of Michael Brown, have incited global actions against racism and injustice. By looking through a local lens, the exhibition draws connections worldwide, revealing profound influences that traverse borders and cultures. With this in mind, Radio Resistance, an integral component of the exhibition, will broadcast conversations between exhibiting artists and artists, activists, scholars, and others with a deep knowledge and experience of St. Louis. Because of radio's legacy as a tool for dissent, it serves as the medium for dialogue between intersecting local and global agents of change. Alongside the exhibition and radio program, a CAM publication will include images of works in the exhibition and writings that further explore and expand on the ideas and themes of Stories of Resistance.   Stories of Resistance, installation view, CAM.  Photo: Dusty Kessler Wassan Al-Khudhairi: Chief Curator at CAM  

How can we move beyond the dominant narrative, to hear stories that have been erased? Artist Tuấn Andrew Nguyễn and curator and public historian Gwen Moore find similarities in growing up in communities that were violently transformed or completely erased. Building on earlier discussions of trauma in this program, the two talk about how their practices of storytelling and public memory are a response to damage leveled on Ho Chi Minh City in Vietnam and Mill Creek Valley in St. Louis. Their mutual interests point to listening to the voices of ancestors, the testimonial power of objects, and our collective responsibility to understand history.Tuấn Andrew Nguyễn's artistic practice explores strategies of political resistance enacted through counter-memory and post-memory. Extracting and re-working narratives via history and supernaturalisms is an essential part of Nguyen's video works and sculptures where fact and fiction are both held accountable. Gwen Moore is the Curator of Urban Landscape and Community Identity at the Missouri Historical Society focusing on race, ethnicity, race relations, and social justice issues in St. Louis. An important part of her work has been documenting the Ferguson protest movement, which includes a collection of physical materials along with an oral history project. Gwen was also the curator for the Missouri History Museum exhibition, #1 in Civil Rights: The African American Freedom Struggle in St. Louis. -As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

This episode explores historic and contemporary failures of infrastructure, racial capitalism, and climate change and how these current dysfunctions are intertwined. Our guests discuss ideas of spatial justice, St. Louis's ongoing engagement with confronting its past, and how to work across disciplines to envision possible futures.Torkwase Dyson describes herself as a painter working across multiple mediums to explore the continuity between ecology, infrastructure, and architecture. Dyson's abstract works are visual and material systems used to construct fusions of surface tension, movement, scale, real and finite space. With an emphasis on the ways Black and brown bodies perceive and negotiate space as information, Dyson looks to spatial liberation strategies from historical and contemporary perspectives, seeking to uncover new understandings of the potential for more livable geographies.Geoff Ward is Professor of African and African-American Studies and Associate Director of the Center for the Study of Race, Ethnicity & Equity (CRE2) at Washington University in St. Louis. His scholarship examines histories of racist violence, their legacies, and implications for repair.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

In this episode of HappyTalks, we interview Aunia Kahn and discuss her life with chronic illness and how she was able to overcome it. Aunia Kahn is a multi-faceted creative entrepreneur and a globally awarded, collected, and exhibited figurative artist/photographer, graphic/web designer at Auxilium Haus Design, the host of the Create & Inspire Podcast, a published author, as well as a teacher and an inspirational speaker. Her work has been in over 300+ exhibitions in over 10 countries; at places such as San Diego Art Institute, Los Angeles Center for Digital Art, iMOCA, St. Louis Art Museum, Contemporary Art Museum St. Louis, Mitchell Museum, and the Jordan Schnitzer Museum of Art. From her entrepreneurial beginnings at five selling bags of glitter-water to her neighbors, to becoming an award-winning screenwriter, certified Pilates instructor, Miss Congeniality, and six-time WEGO Health Activist Award nominee, Kimberly is proof that it's better to make your own mold than to conform to someone else's. She's also the former executive of a national e-commerce startup and was the owner of the private Pilates studio, Fitness with Kim in Los Angeles, CA. Her journey into the world of mompreneurship with her husband was featured in the 2017 Netflix docuseries, Being Dad. Her work has been featured on The CW, ESPN, Chicken Soup for the Soul, and NPR, and in Thrive Global, CNBC, and Forbes. Dr. Alice Fong is a naturopathic doctor, known as the “Virtual Stress Doc,” and she helps busy professionals break free from stress, anxiety, and burnout without having to quit their jobs using a 5-step holistic approach. She is the founder of Amour de Soi Wellness and her mission is to help people discover self-love and happiness. She has given several talks around the country for healthcare providers, corporations, women's conferences and for the general public. Donovon Jenson is a software engineer in the Bay Area and the founder of howtohappy.com. He is a Utah native who has long been interested in human development and health. He double majored in psychology and health policy, and graduated Magna Cum Laude through the Honors College at the University of Utah. How to Happy strives to provide thoughtful and actionable insights on living a happier life. We believe happiness is the result of self-awareness, balance and a positive mindset, among a myriad of other things. Our goal is to inspire you to see life through a new lens by adding strategies and exercises to your toolbox, then encouraging you to take action. We are all capable of being happier, let's work together to find the best pathways to get there. Together we're out to cause more happiness in the world! Aunia Kahn Website: https://auniakahn.com/ Instagram: https://www.instagram.com/auniakahn/ Facebook: https://www.facebook.com/auniakahn/ Youtube: https://www.youtube.com/c/auniakahn Dr. Alice Fong http://www.dralicefong.com https://www.facebook.com/DrAliceFong/ https://www.instagram.com/dralicefong/ https://twitter.com/DrAliceFong https://www.youtube.com/dralicefong https://ios.joinclubhouse.com/@dralicefong Donovon Jenson https://howtohappy.com/ https://www.facebook.com/TheHowToHappy/ https://www.instagram.com/thehowtohappy/ https://twitter.com/TheHowToHappy https://www.youtube.com/HowtoHappy Michael Lira, Voice Actor Opening Credits Voice https://www.michaelapollolira.com/ Information on this video is provided for general educational purposes only and is not intended to constitute medical advice or counseling. #chronicillness --- Support this podcast: https://anchor.fm/happytalks/support

What would it mean to live out a fair and better future, right now? Join artist Jen Liu and scholar Candace Borders as they explore the complex role that women have played in labor rights and activism in both the US and China. This episode digs into the history of St. Louis's Pruitt-Igoe housing project and the African American women who lived there, organized, and performed everyday acts of resistance. Our guests unpack the radical idea of building community and the immense possibilities that open up when we think together beyond our current circumstances.Jen Liu is a visual artist based in New York and Vermont, working in video/animation, genetically engineered biomaterial, choreography, and painting to explore national identities, gendered economies, neoliberal industrial labor, and the re-motivating of archival artifacts.  She is a 2019 recipient of the Creative Capital Award, 2018 LACMA Art + Technology Lab grant, and 2017 Guggenheim Fellowship in Film/Video.  She has presented work at The Whitney Museum, MoMA, and The New Museum, New York; Smithsonian American Art Museum, DC; Royal Academy and ICA, London; Kunsthaus Zurich; Kunsthalle Wien; Aspen Museum of Art; Henry Art Gallery, Seattle; MUSAC, León; UCCA and A07 @ 798, Beijing; Times Museum Guangzhou, and the 2014 Shanghai Biennale and 2019 Singapore Biennale.Candace Borders is a PhD student at Yale University in the departments of American Studies and African American Studies. She also works as a Wurtele Gallery Teacher at the Yale University Art Gallery. Currently, her dissertation focuses on the experiences of African American women who grew up in St. Louis, Missouri's Pruitt-Igoe housing project. Through the use of oral history and Black feminist methods, the work accesses Black women's everyday experiences at the nexus of race, gender, class, and public assistance in the mid-20th century. More broadly, Candace is interested in Black Feminist theory, the politics of knowledge production, public humanities, and the intersections between race and architecture. Prior to starting her graduate studies, Candace was the PNC Arts Alive Fellow at the Contemporary Art Museum St. Louis.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

Episode No. 501 of The Modern Art Notes Podcast features artists Ekene Ijeoma and Chloë Bass. Ijeoma is featured in "All Together, Amongst Many: Reflections on Empathy" at the Bemis Center for Contemporary Arts in Omaha. The exhibition, which was curated by Rachel Adams, examines how artists have centered empathy within their work. It is on view through September 19. Ekene Ijeoma is the director of Poetic Justice at the MIT Media Lab. His work brings together data with aesthetics and social issues across disciplines such as performance and installation. His work has been exhibited at institutions such as Storefront for Art and Architecture, The Kennedy Center, Washington, the Contemporary Art Museum Houston, and the Contemporary Art Museum St. Louis. His A Counting, a series of multimedia linguistic portraits of the United States created by crowdsourced recording, is currently on view in Houston, St. Louis and at the Bemis. Listeners may participate by calling a toll-free number via this link. Ijeoma's website has extensive detailing of additional projects discussed on the program, including: Breathing Pavilion, 2021; Heartfelt #2, 2019-present; Wage Islands #2, 2019; Deconstructed Anthems, 2017-present; and The Refugee Project, 2014-present. The Pulitzer Arts Foundation is showing "Chloë Bass: Wayfinding" through October 31. The exhibition is an installation of sculpture informed by public wayfinding signage of the sort that directs tourists through a city. Chloë Bass created more than 30 signs which she then placed throughout the Pulitzer's outdoor spaces. "Wayfinding" is part of Bass's "Obligation to Others Holds Me In My Place" project. "Wayfinding" includes a site-specific audio work narrated by both the artist and a group of Saint Louis collaborators. Listeners may access the site-specific audio work by calling via this link or via the SoundCloud file below. See the Pulitzer's exhibition guide. Bass's often conceptual practice examines daily life and human intimacy. Her work has been exhibited at the Studio Museum in Harlem, New York's Public Art Fund, the Kunsthalle Wilhelmshaven in Germany, and plenty more.

What it would mean to reset our understanding of health and well-being as an entire community, especially now? In this episode, artist Guadalupe Maravilla and trauma surgeon Dr. LJ Punch speak to the effects of untreated, unhealed trauma in the body. They explore deep connections between the body and the mind, between physical and spiritual realities, and the power of ancient and traditional medicinal practices from across the world. Ultimately, they advocate for the importance of bringing healthcare to the community and offering people better access to alternative ways of healing.Guadalupe Maravilla is a transdisciplinary visual artist, choreographer, and healer. At the age of eight, Maravilla was part of the first wave of unaccompanied, undocumented children to arrive at the United States border in the 1980s as a result of the Salvadoran Civil War. In 2016, Maravilla became a US citizen and adopted the name Guadalupe Maravilla in solidarity with his undocumented father, who uses Maravilla as his last name. As an acknowledgement of his own migratory past, Maravilla grounds his practice in the historical and contemporary contexts of immigrant culture, particularly those belonging to Latinx communities. Dr. LJ Punch is an American critical care surgeon, an associate professor of surgery, and a scholar within the Institute for Public Health at Washington University School of Medicine in St. Louis, Missouri. Punch is also an activist in the fight against gun violence and directs StopTheBleedSTL, located at "The T" anti-violence center, which runs programs to educate the community on how to reduce the impact of trauma, injury, and violence in St. Louis. As a physician, educator, and activist, Punch aims to propagate the idea of “Radical Generosity” as means to better his community and the lives of those around him.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

In this episode, artist Hank Willis Thomas holds space for Congresswoman Cori Bush to share vulnerability around the intense battles that have shaped her public career: the Ferguson uprising, personal traumas, the road to Congress, and the violent insurrection she confronted in her first weeks in office. Thomas shapes an empathetic conversation, taking a moment to recognize Bush and show an appreciation of Black women throughout history. Their conversation asks us to consider how we can care for front-line activists, bring joy to the center, and insist on our humanity.Congresswoman Cori Bush is a registered nurse, community activist, organizer, single mother, and ordained pastor for the people of St. Louis. Congresswoman Bush is serving her first term as the representative of Missouri’s 1st Congressional District in the United States House of Representatives. She is the first Black woman and first nurse to represent Missouri; the first woman to represent Missouri’s 1st Congressional District; and the first activist from the movement fighting for Black lives elected to the United States Congress.Hank Willis Thomas is a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture. His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), Writing on the Wall, and the artist-run initiative for art and civic engagement For Freedoms. Thomas is a recipient of the Gordon Parks Foundation Fellowship (2018), Guggenheim Foundation Fellowship (2018), Art for Justice Grant (2018), AIMIA | AGO Photography Prize (2017), Soros Equality Fellowship (2017), and is a former member of the New York City Public Design Commission.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

How do public spaces reflect public consciousness? Join Shannon Levin and Marina Peng of PSA:, a public art project that features text installations by St. Louis-based artists, writers, and poets, and Cleo Barnett of Amplifier, a non-profit design lab that builds media experiments to amplify social movements. These creatives share with us how and why they use their platforms to reclaim public space in order to uplift the voices of others, and how public art has the ability to shift our perspectives and make room for real change. Cleo Barnett is a curator, creative director, post disciplinary artist and emergent strategist working in the arts & civic engagement. Barnett is currently the Executive Director of Amplifier, a non-profit design lab that builds media experiments to amplify social movements. Since 2009, Barnett has directed and produced more than 300 public space interventions across five continents. Collaborating with artists, government agencies, non-profit and community based organizations, foundations, educators and global brands, her work shifts culture through public art and mass media experiments that amplify the voices of environmental & social justice movements. Shannon Levin is co-founder of PSA: and an illustrator, designer, and educator living, working, and playing in St. Louis, MO. She earned a BFA from Washington University in St. Louis where she currently teaches an undergraduate illustration course. Driven by color and expression, her work extends to clients in the arts, music, and community-focused spaces.Marina Peng is co-founder of PSA: and a visual artist based in St. Louis, MO. She holds a BFA from Washington University in St. Louis. In her practice, she examines her position as a second-generation American in the Midwest. Her work visualizes experiences of isolation, sacrifice, and hyper self-analysis.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

In a gesture witnessed around the world, Tommie Smith’s raised fist at the 1968 Olympics, with fellow US sprinter John Carlos, connected with and inspired future athletes to take part in social and political activism. Colin Kaepernick and other NFL players taking a knee during the National Anthem, WNBA players wearing Black Lives Matter adorned jerseys in games—such recent acts are part of Smith’s legacy. In this two-part episode, hear from Smith and artist Glenn Kaino about their long collaboration on a body of work paying homage to this moment and the timelessness of taking a stand. Dr. Harry Edwards, a St. Louis/East St. Louis native, also joins the episode to share how his segregated upbringing laid the foundation for him to contribute to the Olympic Project for Human Rights and the rise of sports sociology. All three participants explore the potential for athletics to serve as a metaphor for creating an arena for social change, and the imagination, ambition, and courage required to do so.Glenn Kaino is an artist whose works, often functioning as poetic contradictions, aim to reconcile conflicting ideologies, opposing systems, and strict dichotomies in material and experiential ways. In addition to his studio practice, he also operates outside the traditional purview of contemporary art, instigating collaborations with other modes of culture—ranging from tech to music to political organizing. He has collaborated on a consciousness-raising body of work with Tommie Smith since 2013.Tommie Smith is an activist and athlete who, in Mexico City in the summer of 1968, broke the world and Olympic records with a time of 19.83 seconds and became the 200-meter Olympic champion. As the Star-Spangled Banner played, Smith and John Carlos stood on the victory podium and raised a fist in a historic stand for Black power, liberation, and solidarity. Dr. Smith made a commitment to dedicate his life, even at great personal risk, to champion the causes of oppressed people. Dr. Harry Edwards is Professor Emeritus of Sociology at the University of California, Berkeley. He was born in Homer G. Phillips Hospital and raised in East St. Louis before he moved to California. There, he organized the Olympic Project for Human Rights, the movement that encouraged Tommie Smith and John Carlos to raise a fist at the 1968 Olympics. He is the author of the seminal book The Revolt of the Black Athlete.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

I consider myself lucky - I'm lucky because I have the pleasure of working with Aunia Kahn. She has been given a very special gift of creating the most spectacular art. She also has a gift of giving ideas life - in art - by designing websites (ahem, like mine). When I met her we spent an hour talking about books. We barely even talked about design. But I loved her from the start. She is kind, she is humble and she opens up in this interview about her experience with not so nice leaders and those that left a positive impact on her life. Please listen to Aunia's podcasts: https://auniakahn.com/press/ Please check out her work: https://auniakahn.com/portfolio/ And finally sign for her newsletter: https://auniakahn.com/write-me/ Aunia Kahn is a multi-faceted creative entrepreneur and a globally awarded, collected, and exhibited figurative artist/photographer, graphic/web designer at Auxilium Haus Design, a podcast host at the Auxilium Haus Podcast/Create & Inspire Podcast, a published author (view projects), as well as a teacher and an inspirational speaker. Her work has been in over 300+ exhibitions in over 10 countries; at places such as San Diego Art Institute, Los Angeles Center for Digital Art, iMOCA, St. Louis Art Museum, Contemporary Art Museum St. Louis, Mitchell Museum, and the Jordan Schnitzer Museum of Art. She has also been a guest on podcasts like Entrepreneur on Fire, with 70 million downloads & 1 million monthly listens. Aunia has curated several internationally recognized books and projects, including Silver Era Tarot, Inspirations for Survivors, Obvious Remote Chaos, Minding the Sea: Inviting the Muses Over for Tea, Avalanche of White Reason, XIII: The Art of Aunia Kahn, Witch's Oracle and the Witch's Oracle 2nd Edition, Moon Goddess (Modern Eden Gallery) exhibit, Tarot Under Oath (Last Rites Gallery), Lowbrow Tarot Project (La Luz De Jesus Gallery), etc. Her forthcoming projects include; An Epidemic of Retrospective, Disintegrating Stars, and the Ethereal Realms Tarot. She loves Animals, Prussian blue, Psychology, Design, Miracles, Hummingbirds & Life.

Visual artist Tim Portlock is our tour guide to the uncanny as we explore his aphoristic, sublime, manufactured, large scale cityscapes that distort reality and maybe bring us closer to a new truth. He's schoolin' us in the history of Hudson River Valley painting, monuments, American Exceptionalism, video games, and obviously that one weird building in New York. Portlock is one of the participants selected for the 2020 Great Rivers Biennial presented by the Contemporary Art Museum St. Louis. Follow him @timportlock and check out his website timportlock.net This episode was brought to you by May's Place and Perennial Artisan Ales. Thank you for making cool WIP possible!  

Get your metaphysical internet spaceship ready because we're taking a journey through time, space, place, history, constructed narratives, Google Images, WWE, and cooking with artist Kahlil Robert Irving! He is one of the participants selected for the 2020 Great Rivers Biennial presented by the Contemporary Art Museum St. Louis. Follow him @kahlilrobertirving and check out his website kahlilirving.com This episode was brought to you by May's Place and Perennial Artisan Ales. Thank you for making cool WIP possible!

Guest  Wassan Al-Khudhairi, Chief Curator of the Contemporary Art Museum St. Louis, stops by to share a bit of history about the organization and outline some of her plans to bring exciting contemporary art to the city.

Guest Lisa Melandri, Director of the Contemporary Art Museum St. Louis, explains the benefits of being a collection-less museum and shares a number of upcoming highlights that visitors to CAM can look forward to over next few months.

British artist Hurvin Anderson in conversation with Contemporary Art Museum St.Louis Deputy Director for Exhibitions and Programs Jeffrey Uslip.