Podcasts about Prada

Grace Coddington has been working in fashion for longer than most of us have been alive. She started working as a junior editor at British Vogue back in 1968 and before that, she was modeling. Grace served as the Creative Director at American Vogue for nearly three decades and since stepping back from that role, has continued to work on shoots across many major publications.  Grace, now in her late eighties, joined Chloe in the studio for a conversation about her latest work Grace: Now, a massive yellow art book that compiles her favorite fashion shoots from the last decade. The spreads come from thirteen photographers, many of whom are Vogue regulars including Rafael Pavarotti, Annie Leibovitz, and Steven Meisel. In order to narrow down her selection, she printed out hundreds of images, laid them out on boards, and made a dummy book a la Vogue way: “I learned from the best.” When asked if her favorite shoots regularly fluctuate, Grace replied “One always loves the last one one did.” In the opening pages of the book, there is a handwritten tribute to her late friend, the fashion journalist Michael Roberts, noting this is her first major project without him in her career. “Michael was someone who could complete my sentences,” she told Chloe, “I'd known him since the early '70s, so he knew my life very well. He could write and he was a visual person too. I wanted to do it in my handwriting because I felt that I was talking to him. I adored him.” Reflecting on the 2009 ‘The September Issue' documentary, she thinks of it now as a distinct shift in fashion and her life. “Fashion has changed a lot since then,” she explained, “Fashion shows were getting bigger and bigger and what you saw was grander and grander. Clothes got much bigger.” Everything except the magazines Chloe offered. “I don't feel it's about more anymore. It seems obscene to be excessive, with all the things happening in the world.” Grace has often referenced Beatrix Miller's description of creating narratives in fashion photography as “enhanced reality”. Chloe observed that unlike her previous work, this book of shoots feels more like reportage than fantasy. “I love that you noticed that because that was my intention,” Grace said, noting that shift was intentional, “It's interesting to see the about turn from complete fantasy like Alice in Wonderland and all those stories I did with Annie. I'm not interested in the [clothes] you can't actually wear. Maybe we're not about fantasy anymore, sadly. Life is very real at the moment.” Her pivot away from the fantastical doesn't mean she isn't still inspired. Still loves to go extreme on big hair. She's going to fewer shows these days, but she still keeps up with the designers—especially Prada, who she said hits the button every time. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Türkiye dünyanın en büyük markalarına tekstil üretiyor. Peki neden Zara, Nike veya Prada ölçeğinde global bir Türk markası çıkmadı?Mısırlı Yönetim Kurulu Üyesi Murat Taşçı ile Türkiye'nin üretim gücünü, Çin rekabetini, e-ticareti, private label fırsatlarını ve sıfırdan tekstil markası kurmanın yollarını konuştuk.

Rewind to 1 - 7 October 2006 — when secrets were about to get a lot harder to keep, cerulean was absolutely not just blue and television introduced us to a serial killer we were somehow supposed to like.

O melhor e o pior dos desfiles na Semana da Moda de Milão (da "Store" da Gucci às 63 saias de Miuccia) e ainda os vestidos mais memoráveis da passadeira vermelha.See omnystudio.com/listener for privacy information.

O melhor e o pior dos desfiles na Semana da Moda de Milão (da "Store" da Gucci às 63 saias de Miuccia) e ainda os vestidos mais memoráveis da passadeira vermelha.See omnystudio.com/listener for privacy information.

O melhor e o pior dos desfiles na Semana da Moda de Milão (da "Store" da Gucci às 63 saias de Miuccia) e ainda os vestidos mais memoráveis da passadeira vermelha.See omnystudio.com/listener for privacy information.

A.M. Edition for Sept. 29. OpenAI is scrapping its new model over safety concerns in one of the clearest signs yet that agent misbehavior could stymie the industry's rapid progression. Oxford Analytica's Tatia Bolkvadze explains what this means for AI revenues, ahead of Anthropic's much-anticipated IPO. Plus, an exclusive look at who's in line to be Goldman's next CEO. And WSJ's Nick Kostov reports on how luxury brands are targeting the ultra-wealthy as well as your average Joe, at Paris fashion week. Daniel Bach hosts. Sign up for the WSJ's free What's News newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nicole Phelps and Luke Leitch have touched down in Paris and are eager to attend the many shows that comprise fashion week in the City of Light. But before they check out shows from the likes of Julie Kegels, Matières Fécales, Rick Owens, or the latest collaboration between John Galliano and Zara, the pair of reviewers sat down to talk about the highlights and critical moments that emerged during Milan Fashion Week.  They started by talking about the Diesel show, which ended Glenn Martens six year run at the brand, before he devotes himself fully to Maison Margiela. “Martens has always been very inclusive, very sex positive,” Luke observed, “it's quite punk.” The sex positive energy at the show manifested in a young couple making out at the show. “I really felt my age and like a slightly disapproving old dowager,” he laughed.  There was the Prada collection devoted exclusively to the skirt as a central garment. Mrs. Prada has given several interviews (including on our very podcast) about seeing the skirt as similar to a tee in its capacity to be a canvas for expression. The skirts were paired with these barely there bras, possibly as a styling point against the skirt to accentuate it all the more.  Luke wrote about the Emporio Armani presentation (not a runway show), which was the last to be overseen by Leo Dell'Orco and Silvana Armani before Dario Vitale helms the brand. The show was about time. Luke at first interpreted this with some heaviness, but it became clear that the intent was about the accrual that time allows and the layers that are added in an innovative interregnum moment. “There was the addition and the encrustation of salt crystals on garments and bags, which is not something I'd wanna wear in this Parisian rain because I'd be melting,” Luke noted, but it was beautiful nonetheless.  Nicole and Luke were both “Sanderistas”—great fans of Simone Belloti's Jil Sander collection. Maria Grazia Chiuri's second ready-to-wear collection for Fendi also made a splash. “She didn't make it very easy for us to see the collection,” Nicole commented, which arguably is a metaphor for fashion at large. Meryll Rogge's Marni has been finding her footing and community. “You can really feel—call them Gen Z, call them what you will—but young people coalescing around her,” Nicole said, “the way she's collaging references and whipping them all together in her own way really speaks to how people who are 30 or so, are looking at the '90s or the early 2000s.” Demna had a big moment at Gucci following his divisive February show, and he showed in his beautifully realized store. “It was a fabulous vehicle for saying Gucci is not necessarily just for one person or just for one style,” Luke noted. Demna imagined a whole universe of people coming to his store which included the horse girl, the glamour puss, and the punk prep school kids. Paris Fashion Week, here we come. Allez! The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Toronto-based Biossil has become Canada's newest AI unicorn after raising US$153 million in a round led by OpenAI, betting that artificial intelligence can find new uses for drugs that failed in late-stage clinical trials — and potentially turn pharmaceutical castoffs into medical breakthroughs.Plus, luxury brands like Prada, Chanel, and Louis Vuitton are spending millions to take their wealthiest customers on exclusive trips and experiences, as a slowdown among aspirational shoppers pushes the industry to focus on the small group of buyers who account for an outsized share of sales.And in The Big Picture: Nvidia launches a tool to rein in rogue AI agents, Canada's competition watchdog investigates grocery pricing policies, SpaceX sends its massive Starship rocket into orbit, Stelco lays off 350 workers, the FBI offers a US$1 million reward in the Nijjar case, the U.S. and China remove tariffs on billions in goods, and more.The Peak Daily is produced in partnership with reframevid.com

En este episodio repasamos los desfiles Primavera-Verano 2027 de Milan Fashion Week: desde las faldas de Prada hasta lo nuevo de Moschino, pasando por el tan comentado desfile de Bottega Veneta. También repasamos algunas de las tendencias y los momentos más comentados de esta última semana de la moda. Hosted on Acast. See acast.com/privacy for more information.

+ Lourdes, mensaje sin rebajas: “No te prometo la felicidad en este mundo, sino en el cielo” “¡Penitencia, penitencia, penitencia!” + Dos diálogos con D. Juan Manuel de Prada: 1º la crisis afectiva como causa de la emergencia educativa. 2º Ni aferrarse al poder, ni huir de nuestra imagen de fragilidad. + Preguntas de los oyentes.

Avui conversem amb un company d'aquesta casa, el delegat al Conflent, Enric Balaguer. Ell ens defensa que Prada podria dedicar un carrer a Charles Romeu, veguer d'Andorra i impulsor de l'arribada del telègraf al país dels Pirineus i de la carretera al Pas de la Casa. Romeu està enterrat al cementiri de Prada. 

Go to groundnews.com/skinny for a better way to stay informed. Subscribe through our link for 40% off unlimited access to world-wide coverage. NVIDIA just agreed to buy Hugging Face, and the deal won't add a cent to its earnings per share. So why do it? In this episode we dig into what NVIDIA really gets from owning the home of open-weight AI, and whether this is a threat to OpenAI and Anthropic that the market hasn't priced in yet. What's the actual difference between open source and open weight, and why does almost everyone (yes, even us included) mix them up? If Amazon, Google, and the frontier labs are all building their own inference chips, where does NVIDIA's next wave of customers come from? And if the free "Temu version" of AI gets good enough for most people, who keeps paying for the Prada bag? Then we bring on Michelle Weaver, Head of US Thematic Equity Research at Morgan Stanley, to ask the questions everyone in finance is worried about. Which companies are actually seeing AI show up in their margins, and which are just burning tokens so they can say "AI" on the earnings call? Is AI already showing up in the jobs data for young workers? What happens to the traditional Wall Street analyst class if the org chart stops being a pyramid? Does the Jevons Paradox of economic theory help or hurt the frontier model companies? And why are American companies nervous about building on Chinese open-weight models? We also get into the growing fight over AI data centers. Why has this become one of the few issues uniting voters on both the left and the right? What do power bills, water use, and old brownfield sites have to do with it? How big is a 57-gigawatt power shortfall, really? And what does Oracle declaring force majeure on its New Mexico Stargate site tell us about where the AI build-out is headed? 00:00 Intro: Revisiting our early episodes 03:00 Life updates: Flying, dogs & kids 06:10 Our Yahoo Finance Market Hang recap 07:50 Why NVIDIA bought Hugging Face 11:10 Training vs. inference: Where AI compute is headed 14:15 CUDA and NVIDIA's software moat 15:50 Open source vs. open weight, explained 19:20 Is NVIDIA a threat to OpenAI & Anthropic? 21:25 Meta's Muse and why easy AI wins 25:00 Why companies struggle with AI adoption 27:20 Oracle's Stargate force majeure (Ground News) 28:45 Michelle Weaver joins: What is thematic research? 30:15 AI enablers vs. AI adopters 35:05 Open vs. closed models and Jevons paradox 37:25 The risks of Chinese open-weight models 39:45 Pricing security risk in AI adoption 42:15 Token budgets and the end of token maxing 44:00 Is AI already costing jobs? 46:55 What AI means for Wall Street analysts 49:25 Data centers: People, power & politics 53:00 Tax breaks, brownfields & state moratoriums 55:35 The 57-gigawatt power shortfall 57:35 US vs. China: Chips, power & the AI race 59:20 Where to find Michelle's research

Gearóid and Niamh ponder on 5 years of Agony Rants and what has changed over those years.   They tackle how to escape a Devil wears Prada type boss without losing it and how to survive your best friend emigrating. If you would like to support and access our bonus content us we would love for you to become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HeadStuff+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and leave us a lovely rating/review on whatever platform you listen on. Gearóid's tour-dates are ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://gearoidfarrelly.com/tour⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy nos visita Amancio Prada, cantautor y compositor, que llegó a Urueña y se quedó. "Uno nunca sabe lo que se esconde aquí cuando pasa por estas carreteras con el coche", pero se enteró de que Joaquín Díaz vivía aquí y ese fue el primer motivo. Después, Urueña hizo el resto. "Me enamoré de la tierra, del lugar. Un paraje con espacio, silencio y luz", ha subrayado.El silencio de un lugar como Urueña es un gran valor para el cantautor: "para un músico el silencio es fundamental, porque la música anida en el silencio".Nunca olvida sus raíces, El Bierzo, muy ligado a tierras gallegas y a Rosalía de Castro, a quién admira y canta. "Tú te adentras en la poesía y el poema se adentra en ti".Amancio Prada ha puesto voz a muchas de las grandes composiciones de los mejores autores de la lírica española. Escuchar audio

durée : 00:04:20 - Grand bien vous fasse ! - par : Guillemette Odicino - Le style au cinéma. Morceaux choisis par Guillemette Odicino de styles au cinéma et de films sur la mode. Parce qu'il n'y a pas que "Le Diable s'habille en Prada", mais "Crazy Stupid Love " et "Haute Couture". Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

On today's episode of the Run-Through podcast, presented by Prada, Chloe sat down with the two co-creative directors of Prada: Mrs. Miuccia Prada and Raf Simons in their first ever joint podcast interview. They covered everything from the Prada show earlier this week that prominently featured skirts to their respective design philosophies, favorite soups, and everything in between.  They started with the latest collection which debuted hours before Vogue World Milano. Mrs. Prada spoke about the parallels between t-shirts and skirts in the sense that “usually in a T-shirt you put your ideas” but you are less constrained with the skirt being further from the face.  Then, they went back to the beginning. "I became a fashion designer because I didn't find anything to wear,” Mrs. Prada explained sincerely, “I don't dedicate a lot of time to dressing.” She dresses swiftly and usually wears skirts. Simons countered that by stating that while that might technically be true, "It never looks like a fast decision to me. It always looks very sophisticated."  Already, the Prada of Mrs. Prada and Simons has left an indelible mark but their legacy is still in the making. In reflection, Mrs. Prada commented that “if I have to say what my contribution was to fashion, it was reality. Fashion is only about glamour and beauty and actually life is so much the opposite.” Reality is a grounding principle in this moment of societal upheaval with politics and artificial intelligence throwing so much into turmoil. When asked about what she makes of the present fascination with vintage and style of the previous decades, she had some wisdom. “ I think that in this moment people are very interested in the past because the present and the future are so scary. No one is able to envision a future.  People are scared and want to be bound to something, otherwise you are lost. It's an instinct of survival, probably.” Mrs. Prada has long had an affinity for the word useful. She sees it as her obligation to make useful clothing and to design with utility at the forefront. “At the end of the day, I work for a commercial company that has to sell, so I am not an artist. In our field, you have to try to be useful and creativity for the sake of creativity if it's useless is really not good.” Towards the end of their conversation, Chloe asked Mrs. Prada if she was familiar with the concept of a meme. “Anything you people ask me now, I have no idea” was her response. But Chloe proceeded to explain to her the recently circulating meme of her skeptical facial expression reacting to the robots at Vogue World. “You were a hero!” Chloe exclaimed. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Vogue World robot, Prada's skirt collection, Zoe Kravitz lack of pants, the Nathan Fielder Elizabeth Holmes doc and more. Hosted on Acast. See acast.com/privacy for more information.

Sophie Grove and Natalie Theodosi are in Milan for the inaugural episode of Konfekt Conversations: Life and Style. They discuss the behind the scenes of Fashion Week and we meet Margherita Missoni at her new store, Maccapani, on via G. Leopardi.See omnystudio.com/listener for privacy information.

Vogue World Milano 2026: Wir sprechen über italienische Mode, großes Handwerk, spektakuläre Looks und die spannende Frage, was passiert, wenn Tradition auf künstliche Intelligenz trifft. Auch in diesem Jahr gab es wieder eine Vogue World, diesmal in Milano. Für uns eines der Fashion Highlights des Jahres und selbstverständlich der Anlass, eine neue Podcast Episode aufzunehmen. Das Besondere an Vogue World liegt für uns darin, dass nicht eine einzelne Marke, eine Kollektion oder ein Produkt im Mittelpunkt steht, sondern die Mode und die kulturellen Besonderheiten des jeweiligen Austragungsortes gefeiert werden. In Milano geht es dabei vor allem um das italienische Handwerk und die jahrhundertelange Entwicklung der Textil- und Modeindustrie. Gleichzeitig stellt Vogue World 2026 die spannende Frage, wie sich Handwerk, Kreativität und Technologie miteinander verbinden lassen. Künstliche Intelligenz und die Zukunft der Mode sind deshalb ebenfalls Teil der Show. Im Herzen der Stadt, in der historischen Galleria Vittorio Emanuele II, fand Vogue World Milano am 22. September und damit zum Auftakt der Milan Fashion Week statt. Die Show führte in mehreren Akten durch die Geschichte und Zukunft der italienischen Mode, von Renaissance-Handwerk über industrielle Entwicklung und „Made in Italy“ bis hin zu Technologie und Zukunftsvisionen. Auf dem Laufsteg trafen dabei historische Referenzen auf aktuelle Mode. Große italienische Modehäuser wie Dolce & Gabbana, Gucci, Giorgio Armani, Prada, Versace und Ferragamo waren Teil des Spektakels. Dazu kamen internationale Models, Künstler, Musiker und prominente Gäste. Und natürlich gab es auch in diesem Jahr wieder diese Momente, bei denen wir uns gefragt haben: Was passiert hier eigentlich gerade? Besonders die Roboter und der Umgang mit Technologie mitten in dieser großen Feier des italienischen Handwerks haben für Gesprächsstoff gesorgt. Mit ganz viel Leidenschaft berichten wir in dieser Podcast Episode über unsere Lieblingsmomente von Vogue World Milano, spannende Hintergründe und natürlich ganz viel persönliche Meinung. Was hat uns begeistert? Was hat uns vielleicht irritiert? Und was halten wir von der Idee, Handwerk und menschliche Kreativität ausgerechnet im Zeitalter von KI so stark gegenüberzustellen? All das und noch viel mehr hört ihr in dieser Episode von Lost On Planet Fashion. ***** Alle Bilder auf Social Media @lostonplanetfashion : Instagram: www.instagram.com/lostonplanetfashion/ TikTok: www.tiktok.com/@lostonplanetfashion und unserer Website: www.lostonplabetfashion.de

Mere minutes after Vogue World Milano wrapped, Chloe, Nicole, and Head of Editorial Content at Vogue Italia Francesca Ragazzi gathered in a nearby ristorante to recap what they just witnessed. After a long day following the Prada and Diesel runway shows, the pageant continued at the Galleria, bringing together Italian designers from across time. The clothes, the models, the dancing, the singing—not a detail was missed in celebrating the best of Italian fashion and craftsmanship! As Chloe pointed out, Francesca has functionally been working as the Mayor of Milan for the past few years in preparation for this massive event. In order to book the Galleria Vittorio Emanuele II, she had to speak to every stakeholder, every restauranteur, and every shop owner to make this magical evening come to fruition. “It's all about being curious about their stories. I could write a book,” Francesca told them, “Believe me—the secrets and the mysterious things…”  While this event truly took years to plan, some of the crucial details only came together in the last couple of days before the show. She spoke about going street casting with Anna for some of the roles. “We plan too much, Chloe! It was curated chaos, we say.”  The group then identified their highlights from the show. For Nicole, seeing the designers sitting in the front row was a standout moment. “It was really fun to watch everyone watching their designs in the show. And it's a unique situation for them, because usually when they put on a show it's all their own clothes, and this time it was all mixed.” Chloe was a big fan of the song and dance, and in particular the La Scala choir, Alicia Keys, and Roberto Bolle's performance. Fran couldn't help but express utter gratitude for the many teams of people that worked together to make tonight's event happen. “I've never seen such harmony and teamwork,” she noted.  The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nutrição e Bioinsumos - Entrevista com Ithamar Prada - CEO e Fundador da Synkka

Los alimentos son la mayor puerta de entrada de las sustancias tóxicas en nuestro organismo, cuestión de la que es bien consciente Carlos de Prada, autor del libro "Cómo comer sano en un mundo tóxico" (Ediciones i). El reconocido periodista y divulgador ambiental, que actualmente dirige la campaña Hogar Sin Tóxicos, analiza en esta extensa obra de 700 páginas los graves problemas de salud que causa la presencia en nuestra dieta de pesticidas, disruptores endocrinos o contaminantes orgánicos persistentes, entre otras muchas sustancias tóxicas asociadas a un aumento del riesgo de padecer diferentes tipos de cáncer, diabetes, obesidad, alergias, retrasos en el desarrollo, etc. Todo ello contado con un estilo sencillo y divulgativo, pero riguroso al mismo tiempo, apoyado en una extensa documentación que aportan cientos de estudios científicos realizados por universidades y centros de investigación de reconocida solvencia. Como ya es habitual en todas sus obras, Carlos también se muestra muy crítico con las autoridades reguladoras y su escasa diligencia a la hora de velar por nuestra salud, asegurando, por ejemplo que son seguras sustancias —o valores límites de dichas sustancias— que en realidad están muy lejos de ser inocuas, según la evidencia científica. Aquí te dejamos con la entrevista, que recomendamos especialmente para las personas preocupadas por su salud y los efectos de la contaminación ambiental.

Miranda Priestly vuelve a las andadas, ahora peleando contra su antigua asistente convertida en rival, con la decadencia de la prensa escrita de fondo. Repite el esquema de la primera, con vestidos espectaculares y guiños para los fans. Entretenida sin ser memorable, aunque no sabemos si de verdad critica algo o solo lo disimula.

"Los Niños de los Ojos Rojos", NOR, son una banda internacional de Folk y World Music, que llevan años fusionando magistralmente Rap, Reggae, Rock, Ska, Funk y música balcánica, irlandesa y extremeña, entre otras. Desde el año 2000 no han parado de subirse a los escenarios y en todo este tiempo han ofrecido cerca de mil conciertos por todo el mundo. Ahora vienen a nuestro programa con nuevo trabajo grande: "Hard Folk". Es su quinto trabajo de estudio y en esta nueva entrega, la banda nos invita a sumergirnos en un viaje donde la música se convierte en el hilo conductor de una experiencia en la que se celebra la vida, el ritmo, y la palabra. "Hard Folk" es un disco que suena muy bien, con una cuidada producción y vuelve a confirmar a NOR como uno de los referentes internacionales dentro de la Worl Music. Hablamos con los miembros del grupo y disfrutamos con este nuevo trabajo."-"Carlos de Prada, es periodista, investigador y uno de los mayores expertos en sustancias tóxicas desde hace años. Las sustancias tóxicas están presentes en nuestra vida diaria prácticamente en todos los ámbitos en los que nos desenvolvemos y la alimentación no es una excepción; aditivos químicos que no están bien investigados con respecto a la salud humana, envases y utensilios de plástico y comidas ultra procesadas, son solo algunos de los elementos con los que convivimos habitualmente. Ahora nos presenta un extenso trabajo de investigación, en forma de libro, "Cómo Comer Sano en un Mundo de Tóxicos"-Hacia una dieta saludable reduciendo los tóxicos alimentarios- (Ediciones i), dentro de la campaña "Hogar sin Tóxicos". Hablamos con Carlos de las precauciones y las decisiones que podemos tomar para llevar una alimentación saludable y reducir el riesgo a sufrir enfermedades que están relacionadas con nuestra forma de comer y de consumir."Escuchar audio

Confluències és una emissió enregistrada amb públic en condició de directe de Ràdio Arrels des del Casal del Conflent a Prada.

In conversation with Molly Rogers, the costume designer behind And Just Like That and the The Devil Wears Prada 2. For decades, Molly worked side-by-side with Patricia Field, starting at her famous downtown New York store before helping define a generation of style across the entire Sex and the City universe. We get into what brought her to the Pat Field store in 1984, who was shopping at the store back then and the energy in the city, how the store was the answering machine of the 80s, what it was like when she first started to work in costume with Pat, if there was an expectation of designer clothes on the first season of Sex and the City, where some of the iconic pieces came from, how bringing the gate kept fashion industry to audiences around the world contributed to the shows cult status, how she approached the legacy sequals she designed, When she chooses to have something made or use vintage, the first vintage piece she bought for Prada 2, how working with designers has changed since when she started, the importance of working your way up from the mailroom to the top -- and so much more!!Full Episode on Patreon and Substack:Cant Not PatreonCant Not Substack

Juan Manuel de Prada nos invita a leer a José Saramago y su “ensayo sobre la ceguera” una alegoría sobre el avance tecnológico de la humanidad cuando no se corresponde con un avance moral.

Today is the first day of school for NYC students... Lower Manhattan to be secured for tomorrow's 9/11 ceremony... 'Devil Wears Prada' costumes on display at Christie's before being auctioned off full 445 Thu, 10 Sep 2026 08:54:31 +0000 iw2us32S1sUgBa1Vrf8RHjcw5AIjR9Zm news 1010 WINS ALL LOCAL news Today is the first day of school for NYC students... Lower Manhattan to be secured for tomorrow's 9/11 ceremony... 'Devil Wears Prada' costumes on display at Christie's before being auctioned off The podcast is hyper-focused on local news, issues and events in the New York City area. This podcast's purpose is to give New Yorkers New York news about their neighborhoods and shine a light on the issues happening in their backyard. 2024 © 2021 Audacy, Inc.

Was hat Haute Couture mit unseren Klamotten zu tun? Und warum gelten Luxusmarken wie Gucci oder Prada als Statussymbol? Mit Sekt und Style schauen Anca und Gregor in unserer ersten Folge von What the Wirtschaft?! auf die Fashionindustrie und ihren Rolle in der Weltwirtschaft. (Wiederholung vom 18.01.2024) Fun Fact: Das Geschäft mit dem Luxus hat LVMH-Besitzer Arnault laut aktuellen Forbes-Ranking sogar zum reichsten Mensch der Erde gemacht (in der Podcast-Folge vermutet Gregor noch, Arnault sei der drittreichste Mensch der Erde).https://www.forbes.com/consent...**********In dieser Folge:1:59 - Fashion Weeks in Guccistan4:26 - Marken, Mythen und hohe Margen12:52 - Warum Luxus sich so gut verkauft: Der Veblen-Effekt16:16 - Das BiP/Kopf in Guccistan: Warum Luxus sehr wenige sehr reich macht**********An dieser Folge waren beteiligt: Hosts: Anne-Catherine Beck und Gregor Lischka**********Die Quellen zur Folge:World Bank (2023). GDP Ranking, untersuchter Zeitraum: 2022Unger, B. (2016, Juli 28). The Secret Economics of the Birkin Bag. The EconomistDahm, J. (2020). The Veblen effect revisited: Literature and empirical analyses. 2020: Vallendar : WHU - Otto Beisheim School of Management.**********Habt ihr auch manchmal einen WTF-Moment, wenn es um Wirtschaft und Finanzen geht? Wir freuen uns über eure Themenvorschläge und Feedback an whatthewirtschaft@deutschlandfunknova.de.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

Konstantin Grcic (*1965) absolvierte zunächst eine Ausbildung zum Möbelschreiner an der John Makepeace School for Craftsmen in Wood und studierte anschließend Design am Royal College of Art in London. Seit der Gründung seines eigenen Studios 1991 entwickelt er Möbel, Produkte und Leuchten für international führende Unternehmen. Heute ist Konstantin Grcic Design in Berlin ansässig und arbeitet in den Bereichen Industrie- und Ausstellungsdesign sowie an Projekten an den Schnittstellen zu Architektur und Mode. Zu seinen Partnern im Industriedesign zählen Cassina, Flos, Kettal, Laufen, Magis, Mattiazzi, Muji, Mutina, Nespresso, Plank und Vitra. Im Mode- und Lifestylebereich arbeitet er unter anderem für Audi, Hugo Boss, Issey Miyake, Louis Vuitton, Prada, Rado und smart/Daimler. Viele seiner Produkte wurden mit internationalen Designpreisen ausgezeichnet, darunter der Compasso d'Oro und der German Design Award. Seine Arbeiten sind in den ständigen Sammlungen bedeutender Museen vertreten, darunter MoMA New York, Centre Pompidou Paris, Triennale di Milano und Die Neue Sammlung München. Neben dem Produktdesign bilden Ausstellungen und Installationen einen wichtigen Schwerpunkt seiner Arbeit. Grcic war dabei wiederholt zugleich Kurator und Ausstellungsdesigner, zuletzt für White Out in der Triennale di Milano (2026). Weitere Projekte umfassen unter anderem den Deutschen Pavillon der Architekturbiennale Venedig sowie Ausstellungen für das Vitra Design Museum. 2009 wurde Grcic zum Royal Designer for Industry ernannt, 2010 war er Stipendiat der Villa Massimo in Rom. Von 2020 bis 2024 lehrte er als Professor an der Hochschule für bildende Künste Hamburg, der er seither als Honorarprofessor verbunden ist. Er ist Mitglied der Akademie der Künste Berlin und der Bayerischen Akademie der Schönen Künste. Grcics Arbeit verbindet formale Strenge mit geistiger Präzision und Humor. Sie basiert auf intensiver Auseinandersetzung mit Kunst-, Design- und Architekturgeschichte sowie einer ausgeprägten Leidenschaft für Technologie und Materialien.

What do today's secondhand shoppers actually want from thrift and resale stores? For Caroline Phillips, founder of Paloma Modern Consignment in Austin, the answer goes beyond finding a great deal. Shoppers are looking for quality, recognizable brands, an inviting experience, community, and an easier way to make secondhand part of how they shop. On the Get Thrifty Podcast, host Maggie Scivicque talks with Caroline about creating an upscale modern consignment boutique that bridges everyday fashion and luxury while making secondhand shopping more approachable. They explore the stigma that still surrounds thrifting, why younger shoppers are embracing resale differently, and how trust, hospitality, sustainability, and community can shape the modern resale experience.   GUEST HANDLES & RESOURCES TT: @paloma_consignment IG: @paloma_consignment Website: https://www.palomaconsignment.com/   SHOW NOTES How a curated boutique experience can make secondhand shopping more approachable to people intimidated by traditional thrifting Why shoppers want everything from Lululemon and Anthropologie to Chanel, Gucci, Prada, and Hermès secondhand What Caroline is learning about Gen Z shoppers discovering resale through TikTok Why building trust and community can matter more than pushing for an immediate sale How buying, wearing, and reselling clothing creates a more circular approach to fashion Why Caroline focuses primarily on modern pieces from the past five years, including new-with-tags inventory How events, local makers, and experiences like color analysis can turn a resale store into a community destination

For this Out Takes we went to Italy and then back to Victoria with a pit stop in Adelaide and Barcelona to speak to two of our guests about a brilliant book they’ve collaborated on with a group of academics to explore LGBTQ+ diversity and social change in Aussie film and television. First up we celebrated the return of the St Ali Italian Film Festival across Australia this September by reviewing ‘Armani and the Birth of Italian Fashion‘, a new documentary that traces the rise of Italy's style empires through the story of the legendary families that have been ruling it for decades and have defined an era: Armani, Versace, Gucci, Valentino, Missoni, Zegna, Ferragamo, Prada and more. Set against Milan's lavish and exclusive fashion sanctuaries, the film explores creative rivalries, personal stories and the enduring love affair between Hollywood and Italian designers. Next we headed to regional Victoria to look at ‘Constructing Change’, a wonderful short documentary from Alex Riches who joined us to discuss the film, its upcoming screenings this September plus the importance of women and gender-diverse representation in the construction and film industries. We finished up this program featuring a two part interview with media scholars Rob Cover and Stuart Romeo-Richards who are two of the authors behind ‘Australian Queer Screens’, the first book-length study of Australia’s rich history of LGBTQ+ film and television, covering histories, production, screen representation and audience identities. The post Australian Queer Screens, ‘Armani and the Birth of Italian Fashion’ and ‘Constructing Change’ short documentary appeared first on Out Takes.

El filòsof Kevin Prados, excap de colla dels Nens del Vendrell, ha reflexionat sobre la part filosòfica dels castells al llibre "Contra la gravetat. Filosofia dels castells", que ha presentat aquest mes d'agost a Prada. 

Bianca Carrasco, a 29-year-old oncology nurse and mother of three, disappeared on May 1, 2016, in San Antonio, Texas. She was last seen by her husband, who said she walked out of the house after an argument. Bianca's phone went dark that night, and no one has heard from her since. Dateline's Josh Mankiewicz speaks with Bianca's sister, Jovanna Burney, her friend Julie Stinson, and a representative from Search and Support San Antonio, Lori Wittmeyer. Bianca is right-hand dominant, has a tattoo of the letter "B" on her left hip, and a surgical scar on her abdomen. At the time of her disappearance Bianca was 5'1, 125 lbs., with brown eyes and shoulder-length brown hair. She was last seen wearing a blue jean jacket, multi-colored leggings, and wedge shoes. She is said to have been carrying a pink Prada purse, and a black Prada wallet. Anyone with information regarding Bianca's case is urged to call the San Antonio Police Department at (210) 207-7660 or San Antonio Crime Stoppers at 210-224-STOP (210-224-7867). Get more information and see pictures of Bianca Carrasco here:https://www.nbcnews.com/datelinemissing Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

318. bölümde İngiltere merkezli Hashtag Collabz'ın kurucuları Ela Ceren Diker ve Hüseyin Kaplan'ı konuk ettim. Prada ve Miu Miu, yeni lansmanlarını neden büyük influencer'lar yerine UGC'ye emanet etti? Bu bölümde, İngiltere merkezli Hashtag Collabz'ın kurucuları Ela Ceren Diker ve Hüseyin Kaplan ile creator economy'nin bugününü konuşuyoruz: makro influencer'dan mikro/UGC'ye geçişteki güven krizini, yapay zekâ içeriklerine artan şüpheyi, büyük ve küçük markaların farklı beklentilerini, ve İngiltere'de yatırımsız şirket kurmanın gerçek zorluklarını. (00:00) Açılış (01:20) Hikaye nasıl başladı? (08:54) Yatırımsız büyüme ve creator economy sahada nasıl işliyor? (17:40) Markaların sponsorluk taleplerindeki değişim (21:29) Mikro içerik trend mi, kalıcı mı? (23:08) İlginç niş içerik üretici örnekleri (28:55) İngiltere'de şirket kurmak: gerçek süreç (33:04) Yatırım almadan büyümenin bedeli (37:52) İngiltere'de iş kurmak isteyenlere tavsiyeler (39:44) Büyük markalar vs küçük markalar: fark ne? (43:50) Yapay zekâ içerik üretimini nasıl değiştirdi? (46:12) UGC nedir? (48:54) Kapanış ve kitap önerileri Sosyal Medya takibi yaptın mı? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  – ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linkedin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Goodreads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bülten⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-Posta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Bu çalışmaları ve emeklerimi desteklemek için ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ve ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ hesabımız⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Auf Schulhöfen sind sie längst nicht mehr wegzudenken: gefälschte Modeartikel - die Kappe von Gucci, Louis Vuitton-Gürtel und Schuhe von Prada. Solche Kopien sind aber auch in der Mittelschicht angekommen. Was sagt das über unsere Gesellschaft aus? Von Laura Ewert www.deutschlandfunk.de, Essay und Diskurs

No episódio 159 do Moda Importa, Marcella Lorenzon e Su Biazoli atravessam algumas das movimentações que estão mudando a forma como consumimos moda, conteúdo e desejo.Por que o turquesa voltou com tanta força depois de temporadas dominadas pelos neutros? O que Prada, Chanel e as ruas de Copenhague revelam sobre o caminho de uma tendência até ela chegar ao nosso armário? E será que, quando uma tendência finalmente chega até nós, já estamos cansados de tanto vê-la?A conversa parte da moda e chega a um comportamento cada vez mais presente: a fadiga da performance. A pressão para transformar trabalho, rotina, bem-estar e até autenticidade em conteúdo cria a sensação de que todos precisamos performar para uma audiência, mesmo quando produzir conteúdo nunca fez parte da nossa profissão.E, se já estamos cansados de produzir e consumir tanto, o que acontece quando as próprias plataformas ficam ainda mais comerciais? TikTok Shop, links afiliados, Meta e Shopee entram na discussão sobre creator economy, monetização, ética e a fronteira cada vez mais nebulosa entre recomendar e vender.Um episódio sobre cor, tendência, desejo, redes sociais, performance e consumo para entender como tudo isso acaba muito mais conectado do que parece.E falamos de moda, muita moda. Porque moda importa.Siga o Moda Importa no Spotify e avalie o podcast com cinco estrelas para acompanhar os próximos episódios.Trilha: Sonora Trilhas @sonoratrilhasEdição de áudio e vídeo: FICK Branding & Business

This week, Stassi is off the grid in a secret European location, and Taylor is recovering from a sleep-deprived bender in Las Vegas.First up, we are coming hard for the fashion world's latest epidemic: Chanel's "phantom shoes." The duo dive into the marketing genius behind putting starlets in footwear without soles, and the truth about wanting the yacht life. Then, the duo unpacks their obsession with the Lindsay Clancy trial and the internet conspiracy theories that is all over their TikTok algorithm. Finally, a child caviar king and a culinary breakthrough involving handmade chicken nuggets and ranch crème fraîche. Is it completely normal to take your rings off when getting your hands wet or putting on lotion, or is it unhinged to do it all with your jewelry on?Thank you to our sponsors!Amazon Music: Your one app for music, podcasts, and audiobooks — Amazon Music Unlimited subscription now includes access to audiobooksBoll and Branch: For a limited time, get 15% off sitewide at BollAndBranch.com/stassi with code Stassi. Exclusions apply.Dose: Head to dosedaily.co/STASSI or enter STASSI to get 35% off your first subscriptionMinnow: Shop the summer collection at shopminnow.com and enter code MEETMINNOW15 at checkout to receive 15% off your first orderProgressive: Compare car insurance quote with rates from other companies at Progressive.comRo: Go to RO.CO/STASSI to see if you're eligibleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

AI news this week: Mark Zuckerberg says superintelligence is coming and Meta wants to build it for everyone. Meanwhile, a new Annenberg survey shows opposition to AI data centers jumped 12 percent in just four months. So... do people even want this? On today's AI For Humans, Kevin Pereira and Gavin Purcell dig into the widening gap between the people building AI and the people living next to it. Anthropic makes real progress on the Riemann Hypothesis, one of the hardest math problems in the world, apparently because Claude was told "good job champ, keep going." And OpenAI's little agents broke out of their sandbox, with one hacking its way into a gym. It's a weird time for AI. Also: Anthropic leans into health & biology research, Claude starts watermarking AI generated content, Apple eyes Chinese memory chips amid the supply crunch, and OpenAI delays Astra for "cybersecurity" reasons. Plus: Seedance 2.5 makes Gavin the face of Prada, a two minute mini-movie made entirely on local hardware with MiniMax H3, Suno cuts a deal with the music industry, Spotify says AI personas won't get recommended, and a fresh Slop-Trough with Cursed Slop, The Archive Inbetween & Mario 64: War on Terror. THE ROBOTS ARE GETTING SMARTER. THE HUMANS ARE GETTING SUSPICIOUS.   // Show Links // Zuck says superintelligence is for everyone https://www.meta.com/thefutureisforeveryone/ Open weights on Muse Spark coming https://x.com/finkd/status/2086755195535413696?s=20 Data center opposition rose 12% over four months (Annenberg survey) https://www.annenbergpublicpolicycenter.org/opposition-to-local-data-centers-rises-sharply-annenberg-survey-finds/ Anthropic leans into health & biology https://x.com/AndrewCurran_/status/2087025539114750168?s=20 How Claude marks AI generated content https://support.claude.com/en/articles/16266773-how-claude-marks-ai-generated-content Anthropic makes progress on the Riemann Hypothesis https://www.anthropic.com/research/riemann-zeta "Keep going, believe in yourself" https://x.com/NickADobos/status/2086926299927552061?s=20 Apple reportedly testing Chinese memory chips https://gizmodo.com/apple-reportedly-testing-controversial-chinese-chips-as-memory-supply-crunch-intensifies-2000796483 OpenAI's Astra delayed due to "cybersecurity" https://x.com/sama/status/2085862292311396515?s=20 OpenClaw hacked into a gym https://techcrunch.com/2026/08/10/tech-industry-is-buzzing-after-a-claude-agent-hacked-into-a-gym/ Seedance 2.5's new type of prompting https://bytedance.larkoffice.com/docx/A88jd0B47oAd8zxWp5ycZFMfnxh Gavin as the face of Prada https://x.com/gavinpurcell/status/2085712203446149173?s=20 Single shot flipping across multiple scenes https://x.com/gavinpurcell/status/2086097266390221187?s=20 Single shot balloon POV into space https://x.com/gavinpurcell/status/2087004434207498416?s=20 Gavin's two minute local MiniMax H3 mini-movie https://x.com/gavinpurcell/status/2087243349338329561?s=20 FAL's Realism LORA https://x.com/fal/status/2086883706891808867?s=20 MiniMax H3 video references https://x.com/toyxyz3/status/2086443622262820904?s=20 https://x.com/LikeToasters/status/2086831194780360979?s=20 Suno's new models "in partnership with the music industry" https://suno.com/blog/suno-updates-tos Suno on building the future of music responsibly https://suno.com/blog/building-the-future-of-music-responsibly Fenix Flexin says "I never denied using AI" https://www.xxlmag.com/fenix-flexin-admits-rubberz-ai/ Spotify's AI personas won't get recommended https://techcrunch.com/2026/08/11/spotify-will-label-ai-persona-profiles-and-exclude-their-music-from-recommendations/ Gavin's Fig AI video essay: The Optimistic Case for AI (from an AI) https://youtu.be/efUqvbmuweU?si=AWlp5plnjJ0gVaia Cursed Slop https://cursedslop.com/   // Join the AI For Humans community // Join the AI For Humans Discord https://discord.gg/muD2TYgC8f Support AI For Humans on Patreon https://www.patreon.com/AIForHumansShow Subscribe to the AI For Humans newsletter https://aiforhumans.beehiiv.com/ Follow AI For Humans on X: @AIForHumansShow https://x.com/AIForHumansShow Follow AI For Humans on TikTok: @aiforhumansshow https://www.tiktok.com/@aiforhumansshow Speaking and booking https://www.aiforhumans.show/  

We're off for our August hiatus, but we couldn't go quiet without re-sharing one of our favorite conversations from the past year. With fall right around the corner, this episode on cleaning out your closet and rebuilding your wardrobe with intention felt like the right one to bring back.One of our most requested guests is finally here — @StyledSara joins us on today's episode! From her early days writing for College Fashionista, to working on the buying team at Revolve, and now creating content full-time for brands like Levi's and Prada, Sara walks us through her inspiring journey into the fashion industry. We also dive into her personal style evolution, the color combinations she's loving right now, and her latest collaboration with Few Moda — which just dropped.Shop Sara's Few Moda collaboration here https://www.fewmoda.com/collections/few-moda-x-sara-walkerSpecial thanks to today's sponsor Aerie! Visit Aerie.com to find your perfect fit.Sara WalkerInstagram: https://www.instagram.com/styledsara/Let's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperezLet's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

Listener Week on Woman's Hour is where we bring your stories, ideas and the issues you want to hear about to air.Sarah tells us about the burden and resentment she feels at caring for a parent who is in her 90s, when she is a pensioner too. This is the time she thought she would have for herself. Clare Jefferies, who co-runs care companies and has written the book: I'm Your Daughter, Not Your Carer; and Caroline Abrahams, Charity Director, Age UK. discuss the problem with Kylie Pentelow.How hard is to get a job in midlife? Age 52, Stacey Duguid is a columnist and former fashion editor, who once held positions at some of the world's top fashion brands; Prada, Harrods, Net-a-Porter and Paul Smith. However for the past 16 months Stacey has been unemployed and actively applying for jobs. She estimates she has sent over 150 applications out and received very few replies and not a single job interview. Stacey posted about this on her social media account and received a tsunami of responses from other women. With decades of experience and perspective under their belts, why are so many midlife women struggling to find employment? Stacey joins Kylie with Ingrid Fawcett from Midlife 360, which advises women returning to work.Have you ever considered working in boat building? We were contacted by Women in Boat Building, a community of women working hands-on in the industry, who wanted to tell us about their experiences and raise the profile of a trade that's largely male-dominated. Abbey Molyneux, a traditional boat builder who runs her own boatyard in Norfolk and is a director of Women in Boat Building, and Vanessa Larmond, who's just starting out in the industry in Southwold, Suffolk, tell us what it is like.How many people can call themselves a fashion/style influencer in their 80s? A listener suggested we interview Viv the Carer about timeless fashion as women get older. She adds I love her energy. Viv Truran is 82 and shares her morning outfit-of-the-day posts with more than 800,000 followers online.PRESENTER: Kylie Pentelow PRODUCER: Melanie Abbott