Podcasts about record labels

On Your World of Creativity, we travel around the world talking with creative professionals who turn ideas into impact. Today we're diving into music and business with Don Rodriguez — a former general contractor who left a 20-year career to pursue his passion for music… and ended up redesigning the record label model itself.Don's WebsiteDon on YouTubeDon's Facebook pageIntroductionDon Rodriguez is an 18-year entrepreneur and general contractor who walked away from a successful construction career after becoming burned out and disillusioned. He pivoted into music — not just as a creative outlet, but as a producer and founder of The I&I Music Studio, a recording studio, record label, and music publisher for independent artists.Drawing on two decades of business and contract experience, Don created a radically different label structure: one where artists own their masters and publishing, while the label generates its own revenue streams and collects points — flipping the traditional industry model on its head.Today, he's here to talk music, ownership, contracts, publishing, and how independent artists can thrive without giving away their future.1 — From Construction to CreationDon, you spent nearly two decades as a general contractor before pivoting into music full-time. What happened internally that made you leave that career — and how did music pull you into a new chapter? When you entered the music industry, what did you immediately see that didn't sit right with you?2 — Why Artists Still Need a LabelThere's a strong narrative right now that independent artists don't need record labels anymore. From your perspective, why is it still necessary for independent artists to have a label structure around them? What's the difference between an artist trying to build alone versus having the right kind of team behind them? • Spotlight on Lexsey (emerging pop star)3 — Flipping the Contract ModelYou've created what you describe as a complete 180 from how record contracts have operated for the last 70 years. Walk us through how your contract works — and why artist ownership of masters and publishing is so critical. How are traditional big-label contracts typically structured — and where do artists lose leverage? • Spotlight on the classical-to-fantasy-grunge artist4 — Publishing, Production & RevenueYou've said that music publishing is the key to making money in music. For listeners who aren't deep in the industry, what exactly is publishing — and why does it matter so much? In today's world of home studios and DIY production, why does an artist still need a producer and professional studio environment?5 — Building a Sustainable EcosystemOne of the most interesting parts of your model is that your label generates its own revenue instead of relying solely on artists' music. How does that work — and how does that change the power dynamic between label and artist?If an artist has already released music under a different structure, can they pivot into a more ownership-driven future? What's possible?We tie together all these themes:• Creative reinvention• Ownership vs exploitation• Entrepreneurship in music• Designing a better ecosystem• Artists as business partners

Are labels still relevant in 2026? Joey, Ralph (Bassjackers), and Jobke (Jay Hardway) dig into the real power shift happening in the music industry and what it means for working DJs and producers. They break down why traditional A&R is basically a spreadsheet job now, when a label still makes strategic sense, and why cool-by-association is still a real thing. Plus: does releasing music every single month for five years actually build a career? And how much does your environment shape the artist you become?(00:00) Intro(14:00) The death of the record deal(19:00) Labels lost their five core functions(21:00) When labels are still worth it(25:00) Modern A&R is a spreadsheet job(44:00) Releasing music every month for five years(47:00) The proximity effect

Welcome to my latest Mix " Blues Audiocast 83 " Mixed in the Progressive House Genre! A full Track List is below! * Please note: All tracks in this Mix are from Promos I receive from Record Labels and artists from across the globe! If you wish to have your track removed from this Mix, please message me here and I will remove your track from this Mix!* B

Bruce Soord, frontman and founder of prog band The Pineapple Thief talks about his new solo album "Ghosts in the Park", new record label for TPT, upcoming album and tour, and more. Host: Roie Avin

Welcome to my latest Mix " Audio Extraction 110" Mixed in the Melodic House & Techno genres with a full Track List below. * * Please note: All tracks in this Mix are from Promos I receive from Record Labels and artists from across the globe! If you wish to have your track removed from this Mix, please message me and I will remove your track from this Mix!* B

“DIY shouldn't mean being ashamed of excellence.” In this episode, I sit down with the founders of http://hellbendervinyl.com We talk about the modern Seattle music scene, DIY culture, youth creativity, recording music with teenagers, physical media, and why “real life experiences” still matter in a hyper-online world. Check out The Big Dark Records - http://thebigdarkrecords.com Support provided by Squarespace - Get 10% OFF by using the code ORL10 at http://otherrecordlabels.com/squarespace

Paul Loeb: Revolutionizing Music Promotion with AI | Phantom Electric Ghost Bio: Paul Loeb is the Founder and CEO of DropTrack, an AI-powered music promotion platform built to help independent artists and record labels get their music heard by the right industry contacts — including DJs, bloggers, and playlist curators. A veteran of both the music and technology industries, Paul has worked at companies including Beats by Dre and Apple, where he gained firsthand insight into how music is discovered and promoted at the highest levels. He built DropTrack after experiencing firsthand the frustrations independent artists face when trying to break through.Tags: Music Industry, Music Promotion, Independent Artists, AI & Technology, Entrepreneurship, Record Labels, Artist Development, DropTrack, Music Business, Startup FounderLinks:Website: droptrack.comEmail: paul@droptrack.comPhone: +1 (925) 290-5501Suggested Questions: In addition to your standard questions, I would welcome the opportunity to discuss the following:What mistakes do independent artists most commonly make after releasing new music?How are AI and data changing the music promotion landscape?What did working at Beats by Dre and Apple teach you about how the music industry really works?How can an artist stand out in crowded industry inboxes?What does it look like when a musician takes true ownership of their promotional strategy?Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

*Infinity Fields 56 * Mixed By Blue Tone Boy aka The Sonic Journeyer!

If you're an artist or running a label, is CD actually the smartest physical format right now? If you're a fan, is it worth collecting, or just nostalgia? We're digging into the real pros and cons on both sides—no hype, no nostalgia bias. Because this isn't just about a format… It's about understanding where the next opportunity might be hiding. Get Books for Record Labels: http://otherrecordlabels.com/books   Learn more about managing your label's royalties: http://infinitecatalog.com/otherrecordlabels  

Este, como todos los lunes, escuchamos y reaccionamos a las cancion es que nos sugieren o recomiendan durante la semana. No se lo pierdan.Canciones mencionadas en orden : Tipa tipo, Lala, Andres Wurst - el mundo puede esperarEl Pony Express - Chingado BabyBPuntito - DespuésMax Luiz - el amor no esperaManu dal Santo, amigo de artistas - una vida contigoLlane - Don JacintoMarcelo rubio - …mi otra mitadJorge Luis Chacin - Una CancionZulia, lagos - sistemasolarLeo Rizzi, Santi Balmes - Aqui nadie se puede morirAria Vega - cule poco (sirena_besarico_costeña)Nella, Carlos Ponce - Margarita o San JuanFea - PacoBird - the filmIke Dweck - The End of MeSíguenos en:                                                                                                                                 Instagram: @mixtape_lado_aSpotify: Mixtape: Lado A Youtube: Mixtape Lado AApple Podcast: Mixtape Lado A

Welcome to my latest Mix " Break The Speakers 33 " Mixed in the Breaks - Bass Breaks & UK Breaks -with a dash of Atmospheric & Electro Breaks! The full Track List is below. Please note: All tracks in this Mix are from Promos I receive from Record Labels and artists from across the globe! If you wish to have your track removed from this Mix, please message me here and I will remove your track from this Mix!* B

Your easy weekly guide to the music biz and how it all works. Become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Superfan of the podcast for free – and enjoy the exclusive weekly Lock-in bonus section!⁠⁠⁠⁠⁠This week... Stu and Steve grapple with:→ Brace yourself - how many AI-generated tracks are being uploaded every single day now?→ Steve uses his knowledge of London pubs to try and figure out which one Olivia Rodrigo shot her new video in... but wait: both Spotify and Apple Music have a an exclusive new Olivia Rodrigo music video. How can this be possible? → The UK's voluntary levy on stadium and arena concerts is starting to pay off for the grassroots live scene - some latest news on that...→ Superfan David joined in the debate on buying tickets at the last minute –  in particular the non-refundable fees on tickets being a possible cause of delays.→ Greater Music Group is a brand new record label – run by an army of AIs. Is this really the future we're heading towards? (And what vital skill does Steve realise that AI's can't do with new bands?)→ You can get music, podcasts and audiobooks on Spotify, but now you can also get… fit? → With AI deepfakes getting ever more convincing, Taylor Swift, has taken action with trademark filings…→ And introducing.... Finnish band Heavysaurus, who make “high-quality heavy metal music for children” while dressed up as dinosaurs. And in the special post-show lock-in section just for our ⁠⁠Patreon Superfans⁠⁠, Steve and Stu prop themselves at the bar – and Steve's getting the first round in – as they discuss this week's bonus material:Steve has an update on the sale of the BBC's legendary Maida Vale studios – where everyone from the Beatles and Nirvana to Adele and Amy Winehouse recorded sessionsCan Stu guess how many summer festivals Little Grandad will perform at?Vinyl is so popular now that criminals are creating fake versions of official vinylRecord Store Day took place recently - but which records didn't sell?===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Steve and Stuart======TPOM online: http://tpom.uk/Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠joe@musically.com

In this episode, I sit down with Brady (Alaskan Tapes), the artist and mind behind We All Speak In Poems—a project that exists somewhere between a label, a creative platform, and a philosophy. PRESENTED BY HELLBENDER VINYL - www.hellbendervinyl.com   We talk about the quiet power of ambient music, building a world around your art, and what it really means to create without chasing numbers. Brady shares how his journey evolved from early experimentation to a more intentional, emotionally-driven practice—and how that same mindset shapes the artists and releases he supports. This conversation goes deep into independence, creative identity, and the tension between art and algorithms. If you're running a label, releasing music, or just trying to stay grounded in your creativity… this one's for you.   Supported by Infinite Catalog - http://infinitecatalog.com/otherrecordlabels   Learn more about We All Speak in Poems: http://weallspeakinpoems.com  

[PATREON PREVIEW] Is Geese a Psyop? How the Music Industry Fakes ViralitySubscribe to my Patreon to get this and other bonus Power User podcast episodes!! Support my independent journalism: 

Welcome to my latest Mix " Music Mindscapes 125 " Mixed in the Melodic Progressive House Genre! A full Track List is below! * Please note: All tracks in this Mix are from Promos I receive from Record Labels and artists from across the globe! If you wish to have your track removed from this Mix, please message me here and I will remove your track from this Mix!* B

Most music releases fail before they even come out. Not because the music isn't good — but because there's no real strategy behind it. Presented by HELLBENDER VINYL - www.hellbendervinyl.com In this episode, I walk through 5 essential principles every artist should follow when preparing a new release. These are simple, practical shifts that turn scattered “drops” into focused campaigns that build real momentum over time. You'll learn how to think beyond release day, create clarity around your music, and use each release to grow your audience and your catalog. If you want your next release to actually do something — start here.   Special thanks to Infinite Catalog - www.infinitecatalog.com Grab more record label resources here: www.otherrecordlabels.com  

“How you present something affects how you hear it.” Presented by HELLBENDER VINYL - www.hellbenderviny.com In this episode, I sit down with Charmaine and Randall of Kou Records — one of the most ambitious and creative indie labels I've come across — to break down their “cohort” model: multiple records released together as a unified body of work. We talk about: Why they reject genre, algorithms, and streaming-first thinking How they combine music + visual art into a single experience The philosophy behind releasing 4–5 records at once Why physical products matter more than ever in the age of AI and “content” How constraints (like recording an album in 4–5 days) actually unlock creativity This is a masterclass in thinking differently about what a record label can be — and why the future might belong to labels willing to take creative risks. Kou Records: www.KouRecords.com   Proudly Supported by Infinite Catalog: www.infinitecatalog.com  

What does it actually look like to take over a legendary indie label? In this episode, I sit down with Emmy Black, the new owner of Bar/None Records—a label with nearly 40 years of history and a roster that helped launch artists like They Might Be Giants and Yo La Tengo. PRESENTED BY LANDR - get.landr.com/otherrecordlabels We talk about what it means to inherit a legacy, how to modernize an indie label without losing its identity, and the real, behind-the-scenes work of running a record label in 2026. This is a conversation about stewardship, taste, relationships, and the long game of building something that lasts. If you're running (or dreaming of running) a record label, this episode is essential listening.  

AP's Lisa Dwyer reports on a Supreme Court win for internet providers.

Social media feels like a necessary evil for most indie artists and label owners. You know you should be posting… but what's actually working? What matters? And is any of it even worth your time? *PRESENTED BY LANDR*  get.landr.com/otherrecordlabels In this episode, I'm not coming to you as an expert—I'm coming to you as someone figuring it out alongside you. I break down 5 things I've personally noticed about social media that have helped me make sense of it all—from short form vs long form, to why quantity might matter more than quality, to why curation could be the most important skill moving forward. If you've ever felt overwhelmed, frustrated, or just completely uninterested in playing the social media game… this episode is for you.

On this week's episode: Tina Turner's estate reaches a deal, music companies make a boat load of money, and Universal Music Group changes their mind.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:24 About00:59 Record Label news03:20 Corporate Finance news 06:25 A.I. Legal News06:52 Legal news07:36 Outro

The New Rory & Mal gang is back and ready for March Madness. We discuss the tournament and also talk about our st Record Label bracket. Jay Z is outside this summer, giving us shows and hopefully music. We also discuss new music coming out, + more! All lines provided by Hard Rock Bet Visit your nearest Boost Mobile store or https://www.boostmobile.com/promo/25-foreverSee omnystudio.com/listener for privacy information.

Step into Episode 204 of On The Delo as Delo sits down with Teddy, a fifth-generation Arizona native and co-founder of Pretty Decent Concepts, for a wide-ranging conversation about music, grit, marriage, and building one of Phoenix's most creative restaurant groups from the ground up. From touring the country on $7 a day with his rock band Hollywood Heartthrob to winning a million-dollar raffle and losing it all chasing the music dream — and then betting everything on Downtown Phoenix before anyone else believed in it — Teddy's story is a masterclass in persistence, pivoting, and playing the long game.The conversation covers how Teddy and his wife Katie built their restaurant group concept by concept, starting with a bootstrapped Chico Malo at Cityscape in Downtown Phoenix, navigating chef drama and a complete menu overhaul weeks before opening, opening and ultimately shuttering Chico Malo Miami after a four-year battle with neighbors, and doubling down on Tempe when everyone said it couldn't work. Teddy also shares the creative philosophy behind their cinematic concepts, why he treats every restaurant like an album, how collaboration with talent like Scott Conant on the upcoming Roman God of Fire sets them apart, and why a rising tide lifts all ships when it comes to building great neighborhoods. If you're in hospitality, entrepreneurship, or just love the Arizona food scene, this episode is packed with real insight and great stories.Chapter Guide (Timestamps):(0:00 - 1:41) Delo's Intro, Episode 204, and Welcoming Teddy(1:42 - 3:34) Fifth-Generation Arizona Roots, Sun Devil Marching Band, and West Side Phoenix(3:35 - 7:19) Hollywood Heartthrob, Warped Tour, Record Label, and Music Industry Lessons(7:20 - 10:57) Every Failure Translates: Business Lessons from Music to Restaurants(10:58 - 13:49) Building with Katie: Partnership, Marriage, and 17 Years of Growing Together(13:50 - 17:03) Life on Tour, $7 a Day, and Katie Running Merch on the Road(17:04 - 18:25) Winning the Million-Dollar Health & Wealth Raffle and Taking the Cash Option(18:26 - 24:36) Opening Chico Malo: Downtown Phoenix, Chef Drama, Menu Pivots, and the Underdog Win(24:37 - 26:38) Chico Malo Miami: COVID, Hotel Rooms with a Toddler, and Knowing When to Walk Away(26:39 - 32:18) Betting on Tempe: Filthy Animal, Doubters, a Rising Tide, and the ASU Generation(32:19 - 36:10) Pat Tillman, Jake Plummer, ASU Lore, and the Rose Bowl Memory(36:11 - 38:23) Roman God of Fire, Scott Conant, Forgive Me Father, and What's Opening in June(38:24 - 40:48) Wren and Wolf, the California Group That Never Opened, and Downtown Phoenix Today(40:49 - 44:31) Rapid Fire: Coffee, Aliens, Bench Press, Richardson's, and Rapid-Fire Wrap-Up

On this week's episode: Live Nation Settles, Google gets sued, as does Anthropic.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:24 About00:56 Record Label news05:40 Corporate Finance news 09:26 Live Music Companies News10:23 A.I. & streaming news11:19 A.I. Legal News15:56 Legal news18:15 Stock news28:07 Outro

In this episode, Scott talks with Bryce, founder of Crestfallen Records, a Pittsburgh-based DIY metal label that has quietly become one of the most respected names in the modern deathcore and metalcore vinyl scene. ***Presented by LANDR - get.landr.com/otherrecordlabels *** In just five years, Bryce has released 60+ vinyl titles, many with 4–6 variants each, turning Crestfallen into a destination label for collectors who want beautiful physical editions of heavy music. What makes the story remarkable is how it started: Bryce launched the label right after college with almost no experience, a small internship at another DIY label, and a willingness to email bands he loved and ask if he could press their albums on vinyl. The risk paid off. Today Crestfallen is embraced by the scene it serves, with fans praising the label's quality, design, and commitment to physical media.   Learn More: www.crestfallenrecords.com   Resources for Record Labels: www.otherrecordlabels.com  

This week on the New Music Business podcast, Ari sits down with Michael Turner, founder of the disruptive record label Rebellion. Turner shares how he's building a modern music company by leveraging viral marketing, short-form video, and niche communities to help independent artists break through without relying on traditional gatekeepers.In this episode, Turner breaks down how viral hits are engineered through tastemaker networks and micro-influencers, how artists track fan conversion across platforms, and why touring and deal structures are evolving outside the traditional label system. They also discuss royalties, distribution, and AI-generated music—and why Turner believes we're entering a golden era for those independent artists willing to adapt.https://www.instagram.com/iamplvtinum/https://www.instagram.com/rebellionrecordsnyc/Chapters00:00 - From Artist to Rebellion Founder05:48 - Early Spotify Virality & Indie Strategy08:17 - From Algorithms to TikTok Discovery13:32 - Engineering Viral Campaigns18:38 - Metrics That Matter Beyond Streams21:36 - Turning Virality Into Ticket Sales24:13 - New Touring Models for Indie Artists34:04 - Building the Modern Indie Ecosystem43:01 - AI's Impact on the Music Industry48:32 - Signing Artists in the Indie EraEdited and mixed by Ari Davids-ErgasMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

For DJs and music producers building a career today, one question keeps coming up.Do you still need record labels to succeed?In this episode of the Artist Coaching Podcast, we talk about how independent releases, SoundCloud, and social media have changed the way artists build a DJ career.For years, record labels were the gatekeepers of the music industry. If you wanted to reach a global audience, you needed a label behind you.But today, artists can release music themselves, collaborate with other producers, and grow their audience without relying on traditional labels.So what role do labels actually play today?We discuss when labels still make sense, when they don't add much value anymore, and what artists should focus on instead if they want to build a sustainable DJ career.Question for you:Do you think artists still need record labels today?

Atlanta rapper CashTalk pulls up to Skipping Class, a segment presented by The Progress Report, for an honest conversation about life, growth, and music. CashTalk speaks on the inspiration behind his new project “REAL FOREVER (DELUXE)”, how fatherhood changed his mindset, and why his son motivates him to become a better man. During the interview, he opens up about personal struggles including family challenges, losing passion for music after issues with a previous record label, and what ultimately motivated him to return to the studio. The Atlanta artist also discusses navigating friendships, the impact of losing people close to him, and how music has become a form of therapy. CashTalk shares his thoughts on the Atlanta music scene, writing music for other artists, and building his brand while staying authentic. Throughout the conversation, CashTalk reflects on growth, healing, and continuing to push forward in both life and music. What's next for CashTalk? Watch the full interview to find out. Presented by The Progress Report Instagram: https://www.instagram.com/cashtalk1/ https://www.instagram.com/lalaashep/ https://www.instagram.com/theprogressreport101/ https://www.instagram.com/tprmediagroup1/ Website: https://TPRMediaGroup.com Listen to us on Apple Podcasts https://podcasts.apple.com/us/podcast/the-progress-report-podcast/id1494070183 Listen to us on Spotify Podcasts https://open.spotify.com/show/5sBgF6wWa7NmHraP2QuBEv?si=a0f5f19b8a494fb5 Learn more about your ad choices. Visit megaphone.fm/adchoices

Email marketing might be the most boring topic in the music industry… and also the most profitable. PRESENTED BY LANDR - get.landr.com/otherrecordlabels In this episode, Scott breaks down why email lists remain the most powerful marketing tool for record labels and indie artists — even in a world obsessed with TikTok, reels, and algorithms. While platforms come and go, email has quietly remained the most reliable way to reach fans, sell records, and stay top of mind. Scott explains why email consistently outperforms social media in ROI and conversions, and walks through the five simple steps any label can use to start building an email list today. If you run a record label or release music as an independent artist, this might be the most important marketing strategy you're overlooking. Step 1. Gather Any Email Address You Have Step 2. Get New Emails Step 3. Get an Email Tool Step 4. Create an Email Schedule Step 5. Stay Consistent And Grow Slow   ***Get FREE Email Marketing Resources at http://otherrecordlabels.com/emailmarketing  

Man of many talents, Kevin Douch, joins the pod to discuss setting up and running the Big Scary Monsters record label over the past 25 years, band management and organising the madness of ArcTanGent and Trees' merch tents.But first, what's in the box?Buy your We Lost The Sea tickets: https://www.seetickets.com/tour/we-lost-the-seaAnd your pod merch: www.nomad-stores.com/collections/2-promoters-1-podWe go again, every Thursday morning.

“Here's some weird fruit. Trust me — once you bite into it, you'll love it.” What if your record label operated like a farmers market for strange, exotic fruit? PRESENTED BY LANDR - get.landr.com/otherrecordlabels In this episode, I sit down with Aaron of Weird Fruit Records, a Santa Cruz-based label born out of pandemic farming, unconventional recording spaces, and a love for music that's just a little… weird. We talk about: Why “weird” is a compliment Recording inside hollowed-out redwood trees Building a label around production and collaboration The per-project label model (instead of restrictive long-term deals) Balancing artistry, engineering, and marketing Why some music needs to slow down before it's released This is a conversation about creativity without handcuffs — and how to introduce listeners to music they didn't know they were ready for.

You ever go to Vegas for “work” and accidentally turn into a socially awkward casino goblin with access to steak money? Yeah. That's this episode.In Episode 101 of your favorite daily comedy podcast, the crew welcomes KC95's Tim Virgin into the early-morning chaos while Riz breaks down his 48-hour Vegas sprint — which included flying Southwest (girth battle included), getting rescued from a questionable hotel by a hero friend with standards, and discovering that Fremont Street is basically a live-action fever dream with zip lines and Chippendales.But that's just the warm-up.Riz attends a record label convention where Linda Perry performs, AI panels nearly induce a coma, and radio is once again declared “dead” for the 47th straight year. (Spoiler: it's not.) Tim Virgin delivers an intro so epic it basically resurrects the room, and Riz uses his moment on stage to yell at record companies for sending drummers to interviews. Lead singer or we riot.Then comes the emotional rollercoaster:Riz meets Jacob from Sublime… and immediately shuts down like a Windows 98 desktop.He reflects on sitting next to Anderson Cooper and Andy Cohen on a plane without saying a word.He realizes he may be wildly successful… and still socially broken.And then… redemption.Riz stumbles into a showcase for Barbarians of California (AWOLNATION's side project) and actually loves it. Like, downloads-it-immediately loves it. There's hope, people.Also:Slot machines hit. Twice.$1,200 up.Rib cap steak that changed his life.Four Mai Tais at a tiki bar.Zero regret.One extremely positive Monday.This episode of The Rizzuto Show delivers everything you expect from a daily comedy podcast — celebrity near-misses, industry chaos, gambling wins, sarcastic life advice, and Tim Virgin absolutely thriving in morning radio madness.If you like funny show energy, entertainment gossip, weird news vibes, radio insider stories, and watching grown men try to process their emotions through steak and slot machines… congratulations. You're home.It's the kind of daily comedy podcast that reminds you radio isn't dead — it's just slightly hungover and holding a Mai Tai.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr Boyce explains why artists get robbed by record labels.

“Twenty years as an artist prepared me to serve other artists better.” This week on Other Record Labels, Scott sits down with Chris Kelly, founder of Alt Dub Records, a UK-based dub techno label that's been quietly selling out vinyl releases and building serious momentum in under two years. Presented by LANDR - landr.otherrecordlabels.com   Chris is an artist-first label owner with decades of experience in sound, design, and culture — and it shows. In this wide-ranging, unplanned conversation, we dig into Chris's musical roots, his obsession with imperfection, how strong branding and genre focus fuel demand, and why patience (especially with vinyl) is one of the hardest skills to learn as a label owner. www.altdub.com bandcamp.altdub.com  

Middle Ground with JLE L.L.C. "Where We Treat You Like Family" on MIDDLE GROUND WITH JLE NETWORK YOUTUBE CHANNEL welcomes Best Selling 5x Published Author, Musician, Journalist, Speaker, CEO & Host 4 JLE BRAND SHOWS Jeffrey L. Edwards(JLE) for a Black History Special dedicated to Black Inventors, Innovations & Record Labels and their impacts to society.

February is Black History Month and every Friday, we're highlighting Black musicians, producers and other creatives who've shaped the city's contributions to the music world. WBBM's Lisa Fielding tells us the story of Chicago's own "Vee Jay" records.

You should download my free TOOLKIT for new record labels... http://otherrecordlabels.com/toolkit   Thanks to LANDR for sponsoring this episode. landr.com/otherrecordlabels Starting a record label is exciting—but sticking with it is where the real work begins. In Episode 8 of How to Start a Record Label This Year, Scott focuses on one of the most important (and underrated) qualities of successful labels: consistency. Not hustle. Not volume. Not chasing trends—but showing up in a sustainable, repeatable way over time. This episode explores: Why consistency matters more than frequency Choosing a release cadence you can actually maintain The difference between full-length releases, singles, and supplemental content How the pipeline supports consistency and prevents burnout Why a label's greatest asset is its catalog, not any single release How labels act as a bridge between artists and music fans Scott reframes the role of a record label as a long-term conduit—balancing the infinite appetite of music fans with the creative rhythms of artists—and explains how thoughtful consistency builds trust, momentum, and sustainability for everyone involved.  

You should download my free TOOLKIT for new record labels... http://otherrecordlabels.com/toolkit   Thanks to LANDR for sponsoring this episode. landr.com/otherrecordlabels   Contracts and royalties are where a lot of people get stuck—and for good reason. Record labels have a long history of bad deals, broken trust, and artists getting the short end of the stick. In Episode 7 of How to Start a Record Label This Year, Scott tackles this head-on and explains how modern independent labels can do things differently. This episode walks through the fundamentals of contracts and royalties from a practical, empathetic perspective—without legal jargon and without pretending there's a one-size-fits-all solution. In this episode, you'll learn: Why you do need contracts—and why they protect artists as much as labels When to involve a music attorney (and why templates and AI contracts fall short) Common contract terms artists actually care about (term length, exclusivity, territory) How licensing master recordings works for indie labels Why 50/50 profit sharing has become a modern standard How to structure fair splits while keeping the label sustainable The importance of having these conversations before any music is released Scott emphasizes that the most important part of any contract isn't the paperwork—it's the conversation. Clear expectations, honest communication, and transparency from day one are what turn contracts from something scary into something empowering.

You should download my free TOOLKIT for new record labels... http://otherrecordlabels.com/toolkit   Thanks to LANDR for sponsoring this episode. landr.com/otherrecordlabels   People love to say there's no money in the music industry. And honestly? It can feel that way—especially when you're just getting started. In Episode 6 of How to Start a Record Label This Year, Scott tackles this myth head-on and shares what he's seen firsthand after nearly a decade of working with independent labels across every genre imaginable. Not major labels. Not household names. Real, niche, often obscure labels that are quietly building sustainable, profitable businesses. This episode breaks down: Why some indie labels are thriving while others stay stuck The difference between struggling revenue streams and sustainable ones Traditional label income (streaming, physical sales, sync, merch) Why the healthiest labels rely on multiple revenue streams How predictable income and release cycles balance each other The power of creating one unique revenue stream no one else has Scott explains why diversification—not chasing trends—is what keeps labels alive long-term, and why many of the most inspiring labels succeed by combining music with something bigger: studios, stores, education, events, or entirely new ideas that only they could create.  

Steve Lindsey is a wildly successful music entrepreneur. He's a musician, songwriter, producer, publisher and record label owner. He started out working with the legendary producer Richard Perry on albums by The Pointer Sisters, Elton John, Luther Vandross, Chaka Khan, and Ray Charles. He's gone on himself to produce artists like Marvin Gaye, Leonard Cohen, Aaron Neville, Celine Dion, Elton John and Chris Botti. He's worked with Cher and Keith Urban. He started several music publishing companies that published works by Bruno Mars and others. And he started several record labels. This man is a jack of all trades.My featured song is “All Of The Time”. It's a light, airy, whimsical love song. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH STEVE:https://www.extrememusic.com/atonerecordings/------------------------------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

You should download my free TOOLKIT for new record labels... http://otherrecordlabels.com/toolkit   Thanks to LANDR for sponsoring this episode. landr.com/otherrecordlabels   In Episode 5 of How to Start a Record Label This Year, Scott walks through what actually happens when you're ready to release music—and how to do it in a way that gives your record the best possible chance to succeed. From choosing the right release date to working backward months in advance, this episode breaks down the practical realities of releasing music today, especially if you're dealing with physical formats, digital distribution, and limited time and resources. In this episode, you'll learn: How to choose a release date that serves the music (not just the calendar) Why working backward from release day is essential—especially for vinyl and physical formats What assets you need before release day (artwork, photos, videos, press materials, instrumentals) How pre-release singles, preorders, and promotion fit into a release timeline Why release day is not the finish line—and how to think about the long tail of your music

We're diving deep into the world of iconic album cover art with our special guest, Frm. Elektra Records Art Director Bob Heimall.  A name behind some of the most memorable visuals in music history. From his humble beginnings at Elektra Records in the late 1960s to becoming the youngest art director in the business, Bob Heimall's creativity has graced records by legends like Carly Simon, Jim Croce, The Doors, Bread, Iggy Pop, and even Yoko Ono.You'll hear Bob Heimall share personal stories, like joining Jim Morrison, Jimi Hendrix, and Janis Joplin for an unforgettable moment in a New York penthouse, rubbing elbows with rock royalty, working with Carly Simon while she breastfed her son, and being the sole audience for Jim Croce's final album performance just two weeks before tragedy struck. He'll reveal behind-the-scenes anecdotes about album art decisions—some even leading to legendary band debates—describe the step-by-step design process before Photoshop, and recount the emotional impact these collaborations left on him.Plus, Bob Heimall discusses the cutthroat world of record labels, his transition from Elektra to Arista under Clive Davis, and reflects on the vital role music—and its packaging—plays in shaping our memories. Whether you're a vinyl enthusiast, design lover, or music history buff, this episode is packed with untold stories, industry insights, and the passion that goes into creating the artwork we all grew up with.(0:00) "Starting at Elektra Records"(4:14) "Music Legends at the Hilton"(9:14) "Redefining Album Cover Art"(11:45) "Early Album Cover Design Process"(15:41) Carly's Jingles and Brother(18:19) "Unplanned Success, Captured Moment"(22:04) "Music, Photos, and Choices"24:39 "Following the Music"(28:45) "Rejected Naked Silhouette Cover"(30:17) "Innovative Multi-Fold Album Design"(33:30) "Reflecting on Jim Croce's Death"(38:13) "Asthma, Draft Exception, Jersey Shore"(41:40) "QuadSound and Career Transition"(43:59) "High-Stakes Creative Meetings"(46:15) "Jack's Artistic Integrity Struggle"(48:45) "Pool Nights in the Office"(53:56) "The Band's Big Pink Album Cover Story"(56:19) "The Doors Strange Days Album Cover Controversy"(59:19) "Cover Stories Book"You can download or stream every episode of AIRCHECK from Apple Podcasts, and Spotify. You can also listen on YouTube. Ask your Smart Speaker to “Play Aircheck Podcast”.If you're a radio vet with a story to tell we want to hear from you.Email us at Aircheckme@gmail.comFollow us on Facebook: facebook.com/aircheckmeTell us what you think and your favorite episode!

ABOUT DEREK SHULMAN: Musician with Gentle Giant and Simon Dupree & The Big Sound and successful Record Label Executive who worked with Bon Jovi, Dream Theater, AC/DC, Bad Company, Slipknot, Cinderella, Nickelback & many more ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most intimidating questions new label owners face is: How do I actually find artists for my record label? And right behind it: How do I even approach an artist without feeling awkward or unqualified? PRESENTED BY LANDR - landr.com/otherrecordlabels In Episode 4, Scott breaks this down in the most practical—and human—way possible. Instead of chasing hype or cold-pitching strangers, he explains why the healthiest labels grow slowly, organically, and through genuine relationships. This episode explores: Why most labels start with the founder's own music or close community How to “expand your radius” from friends to friends-of-friends to wider scenes Matching your label's stage with artists at the same point in their career Using Bandcamp as a powerful (and underused) artist discovery tool Why community matters more than connections The right mindset for approaching artists: being a fan first, always Scott shares real stories from his own label's early days and explains why starting from authenticity—not opportunity—is the foundation of long-term trust, sustainable growth, and meaningful releases.

The tap is back on at Vinyl Community Podcasts as Alex (Beer & Vinyl) returns to the airwaves with an insightful chat with the founder/owner of Colemine Records Terry Cole.  Coleman Records was founded in late 2007 by Terry and Louis Rideout as a way to release music they loved, starting with an album from their own band and evolved into a significant independent soul and funk label, later expanding with his brother Bob in the form of the independent shop Plaid Room Records in Loveland, OH in 2015.   Colemine has released amazing vinyl contemporary soul, funk, and indie pop from arists like Durand Jones & The Indications, Delvon Lamarr Organ Trio, Monophonics, as well as artists like Neal Francis and Kendra Morris.   This conversation focuses on about the economics of running a label like Colemine, the impact of streaming on the business, the importance of physical media to what they do, and MORE! Empty that glass and pour another, and don't forget to tip the bartender - only on Vinyl Community Podcasts!   For more information on host Alex (Beer & Vinyl): https://www.youtube.com/@beerandvinyl IG: alexdudek1   For more on Terry Cole + Colemine Records & Plaid Room Records: https://www.coleminerecords.com https://www.plaidroomrecords.com   IG: https://www.instagram.com/coleminerecords       https://www.instagram.com/plaidroomrecords     For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com

One of the biggest questions new label owners ask is: When can I officially launch my record label? Is it when you announce the name? Post a logo? Release your first record? PRESENTED BY LANDR - http://landr.com/otherrecordlabels In Episode 3, Scott explains why the real answer has less to do with a launch date—and everything to do with what he calls the pipeline. This episode breaks down why a record label isn't legitimate because of one release, but because of what comes next. Scott walks through how professional labels think months (and years) ahead, and why momentum, consistency, and planning are what separate sustainable labels from one-off projects. You'll learn: What a “pipeline” actually is and why every label needs one before launching How far ahead your releases should realistically be planned A manageable release cadence for one-person and small labels How to stagger projects across 3, 6, and 12-month timelines Why pipelines build confidence with artists, press, and fans A strong pipeline keeps your label from stalling after the excitement of release day and helps you build a healthy, sustainable catalog over time—even when some releases perform better than others.

Power, ownership, and timing decide more careers than any single hook—and this episode shows why. We pull back the curtain on country music's biggest label battles, from unpaid digital royalties to shelved albums and surprise re-releases. Kenny Rogers, Brad Paisley, and the Chicks wrestle with reporting and payouts; Tim McGraw challenges an “unfair” contract and wins; and Garth Brooks redefines royalties with a bold 50-percent deal. Then there's Taylor Swift, turning re-recordings into a masterclass on leverage and fan alignment, and Morgan Wallen calling out reissued early work that tests the ethics of timing and brand control.We keep the pace quick with a news sweep that actually matters: Margo Price aiming for Grammy glory, Jelly Roll judging a Star Search reboot, Zach Bryan's deeply personal wedding tribute, and Garth teasing a tour that will melt ticket sites. We talk duets that blur the line between home and studio, why CRS still sets the tone for country radio and industry strategy, and how authenticity cuts through the noise when new and legacy artists share the same stage.Listeners jump in with their favorite music documentaries and create a watchlist worth saving: Sound City, It Might Get Loud, History of the Eagles, and the ever-quotable Spinal Tap. We fold that into our country chart rundown and indie spotlight, highlighting songs on the rise and the artists betting on craft over hype.Episode LinksScotty Simpson: https://jayfranze.com/episode3/Bob Bullock: https://jayfranze.com/episode28/Dave Jackson: https://jayfranze.com/episode53/William Lee Golden: https://jayfranze.com/episode72/John McEuen: https://jayfranze.com/episode85/McBride & The Ride: https://jayfranze.com/episode87/Billie Jo Jones: https://jayfranze.com/episode98/Dalila Mya: https://jayfranze.com/episode102/Mark Badolato: https://jayfranze.com/episode1Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

You should download my free TOOLKIT for new record labels... http://otherrecordlabels.com/toolkit   Thanks to LANDR for sponsoring this episode. landr.com/otherrecordlabels   Imposter syndrome is one of the biggest reasons people never start a record label. That quiet (or loud) voice asking: Who am I to do this? Why would anyone care about my taste, my curation, or my point of view? In this episode, Scott breaks down why imposter syndrome never really goes away—even for Grammy-winning label owners—and why that's actually good news. Instead of waiting to feel “qualified,” he reframes the conversation around what truly makes a record label valuable: your unique taste, your lived experience, and the specific combination of influences only you can bring to the table. You'll learn how to: Understand why imposter syndrome is normal at every level of the music industry Identify the unique ingredients that make your label different (genre, geography, format, values, and that all-important X-factor) Stop comparing yourself to existing labels and start owning your own curation If you've been stuck in analysis paralysis, feeling like an outsider, or waiting for permission to begin—this episode is your reminder that no one else can build the label you're meant to create. Because yes, we're all imposters. And that's exactly why your record label matters.   Branding Your Record Label (Why the Name Matters Less Than You Think) In Episode 2 of How to Start a Record Label This Year, Scott dives into branding—specifically how to name your label, define your identity, and build a brand that actually connects with the right audience. If you've been stuck obsessing over the perfect label name, this episode is your permission slip to move on. Scott breaks down why your name won't make or break your label, what does matter when choosing one, and how to avoid common mistakes that can slow you down before you even release music. This episode covers: Why most successful labels weren't built on clever names—but clear identity Practical rules for choosing a label name (logos, domains, searchability, and social handles) How niche, taste, and curation form the real foundation of your brand Using genre, geography, format, and values to “dog-whistle” to your audience Translating your niche into visual branding, design, and consistency Branding isn't just logos and colors—it's the sum of your taste, your mission, and the community you're building. When done right, someone should be able to spot one of your records from across the room and know it belongs to your label. This episode will help you stop overthinking, pick a name, define your niche, and start building a label identity that feels intentional, confident, and unmistakably yours.

You should download my free TOOLKIT for new record labels... http://otherrecordlabels.com/toolkit   Thanks to LANDR for sponsoring this vid. landr.com/otherrecordlabels   Imposter syndrome is one of the biggest reasons people never start a record label. That quiet (or loud) voice asking: Who am I to do this? Why would anyone care about my taste, my curation, or my point of view? In this episode, Scott breaks down why imposter syndrome never really goes away—even for Grammy-winning label owners—and why that's actually good news. Instead of waiting to feel “qualified,” he reframes the conversation around what truly makes a record label valuable: your unique taste, your lived experience, and the specific combination of influences only you can bring to the table. You'll learn how to: Understand why imposter syndrome is normal at every level of the music industry Identify the unique ingredients that make your label different (genre, geography, format, values, and that all-important X-factor) Stop comparing yourself to existing labels and start owning your own curation If you've been stuck in analysis paralysis, feeling like an outsider, or waiting for permission to begin—this episode is your reminder that no one else can build the label you're meant to create. Because yes, we're all imposters. And that's exactly why your record label matters.

Kathleen Edwards has been releasing records for over 20 years on labels such as Rounder and Dualtone, she is critically acclaimed by NPR, The New York Times, The New Yorker, and Rolling Stone, and has worked with Jason Isbell, Bon Iver, John Doe, Marren Morris. We talk to Kathleen about winning the lottery, quitting as an ego reset, why musicians are the bottom of the food chain, finishing on a positive, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Kathleen EdwardsKen YatesAllison RussellStephen Wilson JrEp 126 - Yancey StricklerKahlil GibranClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.