Podcasts about Shinji Higuchi

Et voici le hors-série du mois de mai 2025 dans 24FPS, le podcast ciné avec ou sans spoiler. Et voilà la liste des 13 films abordés par Jérôme et Julien : Jane Austen a Gâché Ma Vie de Laura Piani (à partir de 0:04:17) Partir Un Jour de Amélie Bonnin (à partir de 0:11:58) The Surfer de Lorcan Finnegan (à partir de 0:18:54) Fight Of Flight de James Madigan (à partir de 0:27:55) Bullet Train Explosion de Shinji Higuchi (à partir de 0:33:41) Destination Finale : Bloodlines de Zach Lipovsky et Adam Stein (à partir de 0:42:07) Watch The Skies de Victor Danell (à partir de 0:53:25) Balle Perdue 3 de Guillaume Pierret (à partir de 0:58:17) Friendship de Andrew DeYoung (à partir de 1:01:18) Predator - Killer Of Killers de Dan Trachtenberg (à partir de 1:05:51) Substitution (Bring Her Back) de Michael Philippou et Danny Philippou (à partir de 1:11:43) Ballerina de Len Wiseman (à partir de 1:19:45) Mission: Impossible - The Final Reckoning de Christopher McQuarrie (à partir de 1:50:43) Et ils débutent les spoilers sur Mission: Impossible à partir de 2:17:20 Bonne écoute, et n'hésitez pas à partager votre avis sur les cascades de Thunderbolts* Crédits musicaux : Partir Un Jour de 2Be3, issu de l'album Partir Un Jour (1997), et Main Titles From Mission: Impossible The Final Reckoning (2025)

Émission irréductibles, petites mains et combats. On s'en va prendre le train, à cinq heures demain matin, sans billet dans le dernier des fourgons qui sentira le charbon calciné. C'est ça la vie, tant qu'il y aura des trains qui s'en vont au loin on sautera dans leur fourgon sans explication.And on da tube :Au programme cette semaine :* Sinners, de Ryan Coogler. Aaaah, le blues...* Astérix et Obélix: Le Combat des chefs, réalisé par Alain Chabat et Fabrice Joubert* Bullet Train Explosion, de Shinji Higuchi, legacyquel de Super Express 109______PUBLIC SERVICE ANNOUNCEMENT: Le Film du Dimanche Soir, dimanche 08 juin, LE MEILLEUR FILM DU MONDE.______Coups de cœur:THOMAS: The Hot Box (Joe Viola) + Du poison pour les fées (Veneno para las hadas - Carlos Enrique Taboada)DOC ERWAN: Le Jour d'après (The Day After - Nicholas Meyer)MARGAUX: Faux-semblants (David Cronenberg)PLAYLISTPrégénérique / Extrait Astérix et Obélix: Le Combat des chefsExtrait DavaBuddy Guy / Travelin SinnersExtrait Astérix et Obélix: Le Combat des chefsLe Grand Orchestre du Splendid / La chanson d'AstérixJohnny Burnette And The Rock And Roll Trio / The Train Kept A Rollin

Ein Hochgeschwindigkeitszug, eine Bombe und ein Ultimatum: In Bullet Train Explosion darf der Shinkansen nicht unter 100 km/h fallen – sonst droht die Katastrophe. Klingt nach Speed? Tatsächlich basiert der neue Netflix-Film auf dem japanischen Klassiker Panik im Tokio Express von 1975 und setzt weniger auf Spektakel als auf Teamwork und Bürokratie. In dieser Folge vom Filmmagazin sprechen wir über die Stärken des Films – wie das solidarische Krisenmanagement – und über seine Schwächen, etwa bei den Figuren und dem etwas gezwungenen Rückbezug auf das Original.

Byrd, Matt, Lux and Kevin discuss Shinji Higuchi's recent Netflix film Bullet Train Explosion.  Higuchi's latest revamp of an old tokusatsu IP is a remake/sequel to Toei's 1975 classic disaster film The Bullet Train.  Like its predecessor, the story revolves around a bomb on a bullet train, which will explode if the train slows down under 100kph.  Show how does Higuchi's latest fare in comparison to the original film and his other recent tokusatsu reboots?  Listen and find out!

Analizamos sin spoilers Pánico en el tren bala, el remake japonés de la clásica cinta de 1975, ahora dirigida por Shinji Higuchi, que combina tensión, acción y una buena dosis de crítica social. Disponible en Netflix desde el 23 de abril. Sinopsis: Un grupo ata bombas a un tren bala japonés en un intento de extorsionar al gobierno. Las autoridades emprenden una carrera contrarreloj para salvar a los pasajeros. Remake de la película japonesa de 1975 "Super Express 109". Únete a nuestro chat de telegram en el que miles de personas hablamos cada dia de series: Telegram – Grupo de debate: https://telegram.me/fueradeseries Telegram – Canal de noticias: https://t.me/noticiasfds Twitter: https://twitter.com/fueradeseries Facebook: https://twitter.com/fueradeseries Instagram: https://www.instagram.com/fueradeseries/ Youtube: youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Shin Godzilla - Ep 335: Protecting a country isn't easy, and neither is watching this very challenging film! We return to March Madness with a host's choice episode that dares to ask the question: what's more deadly - radiation or bureaucracy? It's Shin Godzilla on Normies Like Us! RAWWWWWWWWR! @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

If you love gross freaks, body horror, and scathing indictments on government bureaucracy, then boy do we have the movie for you! Chels from The Q Division and And a Rewatch Podcast joins us to talk about her special boy that she couldn't be prouder of: a mutating creature who goes from adorable waddling googly-eyed baby to the scariest Godzilla of all time. We peel back the bloody layers of this masterpiece from Hideaki Anno and Shinji Higuchi of Neon Genesis Evangelion fame, including America's political relationship with Japan, how this harkens back to the original Godzilla film, that devastating opera song, and more.Find Chels:The Q Division⁠ | And a Rewatch Podcast | Bluesky | InstagramCover Art by: Alex Gayheart (@mekagojira3k)Bluesky | Twitter | InstagramPart of⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover Art Gallery⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources include: The Notenki Memoirs Studio Gainax and The Men Who Created Evangelion by Yasuhiro TakedaGodzilla FAQ: All That's Left to Know About the King of the Monsters by Brian SolomonWikizilla

Episode spécial ! Nous vous parlons avec passion de la monstrueuse trilogie Gamera dite "Heisei", soit les 3 films réalisés par Shusuke Kaneko (et pas mal aussi par Shinji Higuchi) entre 1995 et 1999 :Gamera : Guardian of the universe (1995)Gamera : Attack of the legion (1996)Gamera : Revenge of Iris (1999)L'occasion aussi de parler un peu de la Daei et de son histoire contrariée et de l'arrivée de Gamera dans le monde des kaiju.Enjoy ! 

“Shin Godzilla” (2016), de Hideaki Anno y Shinji Higuchi. Junto a Montserrat Fraile Alonso.

Derek hasn't seen it since it's initial (limited) US theatrical run. Beth has never seen it before. How does Shin Godzilla (dir. Hideaki Anno, Shinji Higuchi) strike them today? Plus, Mark Matzke's Beta Capsule Review (Ultraman Ace) and Kenny's Look at Famous Monsters of Filmland! Team Deth YouTube Channel -  Monster Kid Radio Contact Information: Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Kenny Email Kenny at  Monster Kid Radio Amazon Wishlist - Suplex Stream YouTube Channel -  When shopping on Amazon, please use this link: Monster Kid Radio on TeePublic -  Next week on Monster Kid Radio: Feedback Special! The opening and closing song () provided courtesy of - A Day Called X (dir. Harry Rasky) Monster Kid Radio is a Team Deth Production. All original content of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Designs, Mail Order Zombie, Monster Kid Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts.

Tod Browning went from Dracula in 1931 to Freaks in 1932, and, boy, are those two movies different! A lot's been said about Dracula, but Monster Kid Radio has never discussed Freaks before, so this week, Steve Turek from the DieCast Movie Podcast joins Derek to discuss the film. Plus, Mark Matzke's Beta Capsule Review (Ultraman Ace), and Kenny's Look at Famous Monsters of Filmland! Team Deth YouTube Channel -  Monster Kid Radio Contact Information: Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Kenny Email Kenny at  Follow Steve DieCast Movie Podcast - Monster Kid Radio Amazon Wishlist - Suplex Stream YouTube Channel -  When shopping on Amazon, please use this link: Monster Kid Radio on TeePublic -  Next week on Monster Kid Radio: Shin Godzilla (dir. Hideaki Anno, Shinji Higuchi) with Beth Koch The opening and closing song () provided courtesy of - - - - Monster Kid Radio is a Team Deth Production. All original content of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Designs, Mail Order Zombie, Monster Kid Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts.

MOVIE DISCUSSION: Nate Marchand's Monster Island Film Vault Podcast, Henshin Men Podcast, The Power Trip: A Journey Through the Power Rangers Franchise Podcast, and Author website.Nate Marchand, host of several podcasts, joins Melvin in discussing Hideaki Anno's bizarre entry to the Godzilla film-canon: Shin Godzilla! This film has it all: satire, comedy, tragedy, horror, and social commentary! This podcast? Equally so! Tune in now! Topics:(PATREON EXCLUSIVE) 73-minutes discussing the 5 MonsterVerse films from Godzilla (2014)'s grounded nature, Kong: Skull Island still probably being the best film in the series, Godzilla: King of the Monsters contested quality, and a combined look on both Godzilla vs. Kong and Godzilla x Kong: The New Empire. (PATREON EXCLUSIVE)Self-described "content machine" Nate Marchand shares about his several creative endeavors.Shin Godzilla is weird. Not necessarily as weird as Hideaki Anno's previous work, but definitely weird when compared to previous Godzilla material.At its face value, there's a lot to appreciate about the film. However, it's best understood in the light of modern Japanese history; most notably, the 3/11 disaster.Shin Godzilla is baked in Japanese culture almost to a fault, in that it makes a lot of the rich nuance of the film hard to engage as foreigners. Nate shares insight into some of these cultural hurdles.Getting into the atomic breath scene because it would be a mistake if they didn't.Shinji Higuchi was asked about the film's mysterious ending. In response, paraphrased: "I don't know. And the only person who does is Anno. And he's not talking."Recommendations:Godzilla (1954) (Movie)Godzilla Minus One (2023) (Movie)Rebuild of Evangelion Films (2007-2021)Shin Ultra Man (2022) (Movie)Shin Kamen Rider (2023) (Movie)Monsters (2010) (Movie) Support the Show.Support on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

Émission destructions, carnaval et arriver à pieds par la shin. Dans notre maison, on ne pense qu'à la bombe. En mettant nos chaussons, on pense à la bombe. On pense à nos frères, et on pense à la bombe. On pense à la bombe, on je pense à l'explosion de la bombe. On n'a plus de joie, on n'a plus de chagrin, On n'a plus d'autres pensées du soir au matin. La bombe, la bombe, nucléaire, atomique, incendiaire, escadron de la mort, kamikaze, militaire, on ne pense qu'à la bombe.Dispo itou on da tube:Au programme cette semaine :* Shin Godzilla, de Hideaki Anno et Shinji Higuchi, qui signait le retour triomphal du Roi des Monstres en 2016, et qui vient enfin de sortir chez nous dans un bel écrin chez Spectrum Films. Vrai, pur, terrifiant chef d'oeuvre.* Veneciafrenia, avant-dernier film en date d'Alex de la Iglesia, bazardé chez nous en VOD 2 ans après sa sortie espagnole______PUBLIC SERVICE ANNOUNCEMENT: Le Film du Dimanche Soir, célébrons le bowling avec le Dude.______Coups de cœur:THOMAS: Bramayugam (Rahul Sadasivan) + Le Mystère des Lagunes : fragments andins (Atahualpa Lichy)THIBAUT: Shin Godzilla + réécouter tout Nine Inch NailsDOC ERWAN: revoir Heat (Mann)PlaylistPrégénérique / Extrait Godzilla 98Fu Manchu / GodzillaJohnnie Thunders / Eve of Destruction

TO THE MEETING ROOMS WE GO!Our ATLA intermission is over, back to the Godzillathon! It's been a while since we visited our good friend Hideaki Anno, and now it's finally time to take a look at what he cooked up during the lost years between Eva 3.0 and 3.0+1.0. As Anno struggled with his mental health while trying to get his final Evangelion movie into production, Toho approached him and director Shinji Higuchi to do a brand new take on the King of the Monsters after the massive success of Hollywood's new entry. What followed was the creation of a modern classic so iconic, the two filmmakers have continued to make reimaginings of existing IPs under the "Shin" umbrella to this day. So, how does Toho's first foray back into their biggest franchise after 12 years hold up? Come watch with Brian and Alec to find out as they take a look at the movie that reignited Hideaki Anno's passion -- Shin Godzilla!

We review Shin Godzilla (2016) on The Atomic Cinema Experiment. This is a sci fi movie podcast. Shin Godzilla is directed by Hideaki Anno, Shinji Higuchi and stars Hiroki Hasegawa, Yutaka Takenouchi, Satomi Ishihara patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight discord: https://discord.gg/8fbyCehMTy TWITCH: https://www.twitch.tv/mildfuzztv Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co

A god incarnate. A city doomed. We're calling an emergency board meeting to talk about Hideaki Anno and Shinji Higuchi's Shin Godzilla with surprise special guests Blowtorch Bro and Lizard Lad. CHAPTERS (00:00:00) Intro & Welcome (00:01:44) Shin Godzilla (00:35:29) Movie Trivia (00:43:08) Final Thoughts & Ratings (00:52:30) Emails & Voice Messages (01:01:07) Next Episode... LINKS We'd love to hear from you! Send us a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠voice message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Check out our amazing artist ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cassie Selin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

l⁠inktr.ee/CatchingUpOnCinema⁠ This week Trevor is joined by Richie AKA MdntAgntRAW from the ⁠Super Media Bros.⁠ Podcast to review Takashi Yamazaki's, Godzilla Minus One (2023)! Released domestically in October, Godzilla Minus One (2023) is the the most recent Japanese produced Godzilla film since Hideaki Anno and Shinji Higuchi's critically acclaimed, Shin Godzilla (2016). A post-war period film, Godzilla Minus One returns the franchise to its roots, exploring not only horrors of nuclear bombings of Hiroshima and Nagasaki, but also the painful process of rebuilding following the nation's unconditional surrender. While Godzilla Minus One exceeds expectations in terms of the quality and breadth of its effects driven destruction sequences, in truth, the film's greatest strength comes in the form of it's very raw, and compelling characterizations and themes. At times feeling like an apology to the Japanese public for the intentions and actions of the long since defunct Empire of Japan, Godzilla Minus One boldly confronts many of the traumas endured by the Japanese, both civilian and military, during and immediately after the Pacific War. Horrifying, beautiful, uplifting, and occasionally quite funny, Godzilla Minus One is a fantastic film that deftly utilizes the franchise framework to unexpectedly deliver a compelling human drama that exceeds all expectations. An truly exceptional Godzilla film, fit for the Big G's 70th anniversary. Check out Richie's podcast at ⁠https://www.supermediabrospodcast.com/⁠ Follow them on Twitter ⁠@SuperMediaBros_⁠ Follow them on Instagram ⁠@SuperMediaBrosPodcast⁠ Also, check the ⁠Odd Pods Media Network⁠ while you're at it! Follow us on Instagram ⁠@catchinguponcinema⁠ Follow us on Twitter ⁠@CatchingCinema⁠ Like, share, subscribe, and we'll catch you next time!

 This week on Heroes Three podcast we are closing out our summer of G with the beginning of the Reiwa era! Hideaki Anno and Shinji Higuchi bring to us their take on Godzilla with 2016's Shin Godzilla! Full cast and credits at Wikizilla. Find us online - https://linktr.ee/Heroes3Podcast Email us! - heroes3podcast@gmail.com Check out some H3 art and merch! - https://www.teepublic.com/user/kf_carlito Full blogpost here! - https://heroes3podcast.blogspot.com/2023/09/115-shin-godzilla.html Great Disasters podcast covers the 2011 Tohoku earthquake and tsunami and the Fukushima Daiichi disaster. Animatronic Shin Goji Clip Kaiju Masterclass Talks Godzilla Redacted, a History of Military Oversight in Kaiju Film! Timestamps (0:00) Intro (1:09) Why Shin Godzilla (11:38) Marty's thoughts (17:00) The movie is divisive (31:50) Back of the VHS (32:38) Movie recap (1:35:00) Thoughts on whole Godzilla Arc (1:43:22) Plugs and training for next week

In this episode, Phillip and Eric continue their series on the Hideaki Anno's Shin Heroes reboot with Shin Ultraman, directed by Shinji Higuchi and written by Ano himself. Phillip schools Eric on the history of this beloved Japanese franchise, and Eric reviews a disgustingly sweet Ultraman drink.

Filmspezial Michael vergaß die Anmoderation und macht einfach eine zweite. Aber immerhin will er noch mit Michael reden. Das soll ja für Podcasts von Vorteil sein, doch führt es auch dazu, dass sie einiges doppelt erzählen. Deppen... Es geht jedenfalls mal wieder um den Shinji Higuchi, nach dem Evangelion-Shinji benannt ist und der auch bei Gamera dabei war, und seinen Shin Ultraman, der mit seinen Schienbeinen auf Schienen fährt, habe ich mir sagen lassen. Von Hideaki Anno geschrieben und produziert und von vielen als unverständliches Fanservicespekatkel bezeichnet. Dem müssen wir doch auf den Grund gehen. Viel Spaß mit der Monsterklopperei! Podcast herunterladen

Seven years after Hideaki Anno and Shinji Higuchi lit the world on fire with Shin Godzilla – which we very vocally went crazy for! – the duo's follow-up, Shin Ultraman, is finally available for home viewing in the United States! Sean's been gradually watching through the Ultraman TV shows over the past few years, while Jonathan has only seen a few stray episodes, but we're both in love with this passionate re-imagining of the tokusatsu classic. It's a striking piece of filmmaking with amazing special effects, creative and disorienting camera work, a great cast, and terrific music, giving us plenty to sink our teeth into. Jonathan also talks about his experiences seeing and reviewing both halves of the Barbenheimer phenomenon this weekend (Barbie and Oppenheimer, both reviewed at the new www.jonathanlack.com), and we discuss our continued adventures in Final Fantasy XVI. Enjoy, and come back next week for our review of the other Hideaki Anno tokusatsu film released in the US this week, Shin Kamen Rider! Time Chart:Intro: 0:00:00 – 0:06:35 Barbenheimer: 0:06:35 – 0:28:17Final Fantasy: 0:28:17 – 0:54:43Shin Ultraman: 0:54:43 – 2:47:57 Support the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffSubscribe to JAPANIMATION STATION, our sister series about the wide, wacky world of anime: https://www.youtube.com/c/japanimationstation  Explore our archives and subscribe to The Weekly Stuff Podcast on all podcasting platforms:https://weeklystuffpodcast.comFollow The Weekly Stuff Wordcast newsletter for regular updates and extra content! https://weeklystuff.substack.comEnding music by Thomas Lack https://www.thomaslack.com/ 

Time to get huge! The podcast goes tokusatsu as we check out Shinji Higuchi and Hideaki Anno's back to basics reimagining of a beloved icon first debuting in 1966, and the next entry in Anno's ‘Shin Japan Heroes Universe', the kaiju slayer himself: SHIN ULTRAMAN. The Crew gets into what sets this apart from other ‘Shin' entries, the way Anno injects beauty into the absurd, how this is the best Miracleman adaptation we never got, and the sad fact that every culture can identify with incompetent governments being self serving!Activate your beta-capsule and check out our review here! Facebook: https://www.facebook.com/BoxOfficePulpPodcast/ Twitter: https://twitter.com/BoxOfficePulp Apple Podcasts: https://itunes.apple.com/us/podcast/box-office-pulp/id577338641 Amazon Podcasts: https://music.amazon.com/podcasts/7c11ff8b-2875-454d-8770-8b1d36d04b52 Spotify: https://open.spotify.com/show/534ZPRmDoZzNs5GtiAhOEc

The second film in the Heisei Gamera trilogy reunites director Shusuke Kaneko, SFX specialist Shinji Higuchi, and writer Kazunori Ito for an ambitious alien invasion film. This time, the titanic turtle's opponent is the creepy-crawly colony of space bugs, the Symbiotic Legion; a kaiju that brings the biblical barbarism from Neon Genesis Evangelion front-and-center to the Gamera experience. Legion's got Ian asking, “What's up with bugs in the ‘90s?” He and Joseph go on an exciting excursion through the canon of great pre-millennium insect critters – the Zerg from Starcraft, the Arachnids from Paul Verhoeven's now-beloved but then-derided Starship Troopers, and so on. Later, Joseph drops another cortex-crushing take on the psychological subtext to Gamera's triumphant return to the screen. All that plus a solid discussion of post-apocalypses in film and video games and why we could use fewer of them. Notes: ‘Video Games Are Giving Up On The Idea that We Can Save The World' by Michael Lee, via Kotaku (https://kotaku.com/video-games-are-giving-up-on-the-idea-that-we-can-save-1849727976)

Byrd and Matt are joined by guest hosts Tom (Final Forum - A Dragonball Podcast), Kevin (Maser Patrol), Lux (of metal bands Soulmass and Wraithstorm), Connor (Easter's Kaiju Kompendium blog) for a giant round table discussion on Tsuburaya's recent reboot, Shin Ultraman!  The film was directed by Shinji Higuchi and Hideaki Anno, following up their massively successful Shin Godzilla (2016).  We'll give our full review of the movie as well as talk a bit about how the project came to be.  But first we have a kaiju sized news roundup as we discuss the director announcement for the upcoming Gamera: Rebirth, the news of a THEM remake, a recap of the recent King Kong at 90 exhibit in Michigan, a mini review of the recent documentary Theaters of War, and the recently leaked documents about the United States military's involvement in Godzilla 2014.  This is a super sized, action packed episode, so get comfy and join our conversation!

Zum Abschluss unseres ersten Themenmonats Japan packen wir noch ein Franchise an, das wir in diesem Podcast bisher noch gar nicht behandelt haben: Attack on Titan. Manga und Anime von Hajime Isayama haben eine große Fan-Gemeinde, die Realfilme genießen allerdings keinen guten Ruf. Trotzdem hat auch der Film durchaus ein paar Stärken. Welche? Das erfahrt Ihr heute bei Movigilantes!

Yes, this episode is about Shin Ultraman (dir. Shinji Higuchi), but (thanks to this week's guest Beth Westbo) the podcast also touches on, of all things, Doctor Who, American pop culture . . . and it wouldn't be an episode of Monster Kid Radio if Derek didn't mention Manos: The Hands of Fate (dir. Harold P. Warren) at least once. MKR listeners got into the act as well with their called-in thoughts on Shin Ultraman. Plus Listener Feedback, Kenny's Look at Famous Monsters of Filmland, and Mark Matzke's Beta Capsule Review. Monster Kid Radio Listener Survey - Voicemail: (360) 524-2484‬ Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Mark MatzkeMonsteropolis - Monster Study Group - Small Town Monsters - Monster Fest - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist - Monster Kid Radio on TeePublic - Next time on Monster Kid Radio: STAY TUNED! All original content of Monster Kid Radio by is licensed under a .

"WELL GANG, WE REALLY WERE A NEON GENESIS EVANGELION (1995)." Much of Evangelion 3.0 was made the way it was due to the intent of it being part one of a two-part final chapter, with part two initially set to release just one year later in 2013. However, due to Anno's declining mental health, the movie was put on indefinite hold, with no clear release for years. Fortunately, once he felt healthy enough after directing Shin Godzilla with Shinji Higuchi, he quickly got back to work, and despite COVID delays, the long-awaited final ending to Evangelion released worldwide in 2021. So, after all this time, with 25+ years of history and anticipation, how did this movie wrap things up? Tune in and sync up with Brian and Alec to find out!

Ben and Hank follow up on their Salt Screen commentary track of Shin Ultraman with a discussion of the film as a whole. Shin Ultraman is directed by Shinji Higuchi and written by Hideaki Anno. Email: SaltCirclePodcast@gmail.com Twitter: @SaltCirclePod Hank's Twitter: @ComicPanels The Burning Barrel Discord: discord.gg/jBDGW5j Logo Artist: bellamy.world/

Shin Ultraman Full Movie Review! Spoilers! Japan. Kathy, Mark and Burk give our full review of Shin Ultraman, a 2022 Japanese superhero kaiju film directed by Shinji Higuchi (Shin Godzilla).Join this channel to get access to fun perks like exclusive content and private Slack channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinSupport the show

Monsteriana, monsteriano, bienvenido a ¡Cosas de Monstruos! El programa en el que te enseñamos a sobrevivir a las amenazas más terroríficas: Las criaturas gigantes. Nos vamos al cine, hoy toca película de estreno, justo acabamos de volver de Sitges y disfrutarla en cines que hoy toca hablar de Shin Ultraman ¿Qué nos habrá parecido la versión de Hideaki Anno y Shinji Higuchi del personaje? Ya os adelantamos que no nos ha entusiasmado pero sí que nos ha dado mucho para hablar. Todo esto por supuesto con mucha publicidad del libro Ultraman la guía definitiva. Programa: 00:00 Inicio y presentación 01:55 Noticias 16:35 Ficha de la película: Shin Ultraman (2022) 29:45 Análisis de la película 1:03:10 Comentarios 1:11:45 Despedida Ultraman la guía definitiva se puede comprar en la web de applehead: https://appleheadteam.com/producto/ultraman-la-guia-definitiva-1966-1987/ Formas de contacto: Twitter: @monsterianos https://twitter.com/Monsterianos Facebook: www.facebook.com/cosasdmonstruos Twitch: https://www.twitch.tv/cosasdemonstruos Youtube: https://www.youtube.com/channel/UCGkf_fCXfvQ6ETO72b--i3g Ivoox: https://www.ivoox.com/podcast-podcast-cosas-monstruos_sq_f1391833_1.html

Luke Brown and Lily Edwardes-Hill get together for a stimulating exploration of Shin Godzilla (Hideaki Anno & Shinji Higuchi, 2016), the first Japanese Godzilla film since 2004, and a considerable financial and critical success: it was made for 15 million and grossed 78 million whilst also winning the equivalent of Japan's Academy Awards for Best Picture and Best Director. The podcast discusses how it differs from the American Godzilla films; how it may be seen as a response to the 2011 Tohoku earthquake and tsunami and the subsequent Fukushima nuclear disaster. The conversation explores how the film fits into the Godzilla canon and how it departs from it, arguing that narratively it mainly shrugs off the canon but nonetheless cites it with visual references and particularly through its use of music. Luke and Lily discuss the meaning of the film's title in Japanese and why the English translation was ultimately rejected as a title for international release. Luke argues that it is a film about Tokyo and about Japan and that in this iteration there is a return to Japan as a place and as a people with, ultimately, a belief in the establishment and the ability of the people to deal with disasters; a film that is very aware of Godzilla's past and present and also that of Japan, one with unique attributes, but also exhibiting a return to themes of climate change and nuclear technologies missing in a lot of recent reiterations of the character. There is, of course, also a discussion of CGI, models, etc. A podcast worth listening to.

Ben and Hank give running commentary as they watch through Shin Ultraman from Shinji Higuchi and Hideaki Anno. This one is mostly a hype track because this movie rules. Full podcast on Shin Godzilla will still happen at some point. Press play on your copy of the movie at 1:52 to sync up. Email: SaltCirclePodcast@gmail.com Twitter: @SaltCirclePod Hank's Twitter: @ComicPanels The Burning Barrel Discord: discord.gg/jBDGW5j Logo Artist: bellamy.world/

Doc & Shadon romp, stomp, and spray atomic breath all over the place on this episode that's all about Hideaki Anno and Shinji Higuchi's 2016 kaiju powerhouse, Shin Godzilla! We discuss the film's seething hatred of bureaucracy, ability to put the viewer into ground zero of a disaster, fantastic editing and shot composition, driven core cast, and more! Enjoying this podcast? Tip us a coffee on Ko-fi! This will get you access to The World's Best Anime (and Other Media Too) Discord. | https://ko-fi.com/waruideshou Want to get in touch? Tweet the show, Doc or Shadon | Email the show Music: Blue Oyster Cult "Godzilla" Michael Kelly "Calicomp 1.1 Shutdown" --- Send in a voice message: https://anchor.fm/waruideshou/message Support this podcast: https://anchor.fm/waruideshou/support

In 2006, long time effects director Shinji Higuchi was given the chance to direct a remake of the famous 1973 book and movie, Sinking of Japan. He brought his craft and knowledge to the project and opted for fully cgi effects instead of the practical effects he's known for. But was this a good idea, or a bad one? Join us with Nana Pratt from Blerds R Us to find out!

Épisode bonus canicule-Fantasia-summer-vibe-late-night-special-bonanza! Jeik, Simon, et l'incroyable Joan-Jet Jaguar sont de retour pour un épisode bonus! Tout droit sorti de Fantasia, le trio parle furieusement du nouveau film de Shinji Higuchi; SHIN ULTRAMAN! Diffusion originale : 23 juillet 2022 Site web : MysterieuxEtonnants.com © Les Mystérieux Étonnants. Tous droits réservés.

SLAM into overdrive! It's a Bonus Episode of the PURE TOKYOSCOPE Podcast! Writers Matt Alt (Pure Invention: How Japan Made the Modern World) and Patrick Macias (TokyoScope: The Japanese Cult Film Companion) combine their powers Voltron-style to bring you news, views, and pop culture direct from the Land of the Rising FUN! In this bonus episode: We present a 2016 conversation between Matt and Pat all about the movie SHIN GODZILLA, directed by Hideaki Anno and Shinji Higuchi, starring the King of the Monsters! ALSO AVAILABLE! YouTube version of this episode with Japanese comments from Nico Nico Douga LINKS: Pure TokyoScope on YouTube Pure TokyoScope on Twitter Matt Alt on Twitter Patrick Macias on Twitter Visit www.tokyoscope.com for merch Visit TokyoScope on Patreon for bonus episodes and content The podcast is produced by jaPRESS LLC© Theme song by W. David Marx

Reaply extrait du dernier épisode : On parle de Shin Godzilla, film fou co-réalisé par Hideaki Anno et Shinji Higuchi, sorti en 2016. Kaiju total, flm de bureau extrême, métaphore de Fukushima ? Tout ça à la fois ? Très bonne écoute !

Welcome back to Inside Movies Galore As we decide to go on about directors Hideaki Anno and Shinji Higuchi's film Shin Godzilla Put out in 2016 let's see what we had to say about the Film Shall we? --- Support this podcast: https://anchor.fm/inside-movies-galore/support

Nathan and Travis have been really busy this week and unable to record a regular episode, but they did carve out some time for a special report on the new Shin Ultraman trailer! This film from director Shinji Higuchi and producer/co-screenwriter Hideaki Anno releases May 13 in Japan, and your intrepid hosts “pull a YouTuber” and break down the trailer in meticulous and nerdy detail. They theorize what the story may involve—aliens manipulating world governments against Ultraman?!—and make many comparisons to Shin Godzilla. You betcha if and when this film gets a stateside release, they'll cover it!You can watch the trailer here. No English subtitles.Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.MUSIC:                                                                                         -“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

Who Dropped The Popcorn? Episode 21 - Shin Godzilla (with Michael Scott) This week, the “lads” are joined by Action For Everyone Podcast host and Film/Action Twitter Moses, Michael Scott!Mike and the lads reach their final form to delve Deeper Underground and discuss all things Kaiju, as they take on Hideaki Anno and Shinji Higuchi's 2016 Japanese language Gojira reboot, Shin Godzilla (aka Godzilla Resurgence).The Anglo-American alliance has never been stronger!So sit back, relax, Simon Says get the fuck up and Come With Me, pick up the “Mike” and welcome to Who Dropped The Popcorn!00:00 - The Start04:00 - Mike talks about his Action For Everyone Podcast and more!25:00 - Shin Godzilla30:31 - Andy's Articulate Analysis35:19 - Subs vs Dubs55:19 - Mike talks about the Hollywood Godzilla films01:19:44 - Jun Kunimura appreciation01:27:00 - One Words Reviews01:29:00 - Quickfire Quiz for Mike01:50:25 - Kyle's choice for the next episode01:51:44 - OutrosHit us up at via the Popcorn Postbag at whodroppedthepopcorn@gmail.com or leave an in-app review!Please LIKE and SUBSCRIBE!ACTION FOR EVERYONE PODCASTACTION FOR EVERYONE TWITTERMIKE'S TWITTER MIKE'S LETTERBOXDTWITTERINSTAGRAMYOUTUBETIKTOKBUY US A COFFEE!LINKTREESupport this show http://supporter.acast.com/who-dropped-the-popcorn. See acast.com/privacy for privacy and opt-out information.

On this episode, Seb and Dustin spotlight one of their favourite artists working in Tokusatsu today, famed FX director and filmmaker Shinji Higuchi. Join them and they discuss both of Higuchi's ATTACK ON TITAN films as well as his work as co-director of SHIN GODZILLA.

Our film this week is the slacker comedy/drama 25 WATTS, from Uruguay. Post-reviews, we talk about movies with which this shares obvious roots, as well as how this captures the experiences of disenfranchised youth, and some borderline-colonial-tourist-y speculation about why this was such an important touchstone in Uruguayan film. Next Up The next film on our cinematic journey through Latin America is the 2002 film CITY OF GOD. Recent Media KATE (2021): Cedric Nicolas-Troyan, Mary Elizabeth Winstead, Miku Martineau GODZILLA VS. KONG (2021): Adam Wingard, Alexander Skarsgård, Millie Bobby Brown SHIN GODZILLA (2016): Hideaki Anno, Shinji Higuchi, Hiroki Hasegawa Recommendations THE MYTH OF THE AMERICAN SLEEPOVER (2010): David Robert Mitchell, Claire Sloma, Marlon Morton waydowntown (2000): Gary Burns, Fab Filippo, Don McKellar CLERKS (1994): Kevin Smith, Brian O'Halloran, Jeff Anderson SHE'S GOTTA HAVE IT (1986): Spike Lee, Tracy Camilla Johns, Tommy Redmond Hicks Footnotes Firstly, it would be remiss of me not to include a reference to our CLERKS episode, from way back in the mists of time (remember how the world was, before COVID and Trump and Brexit? Ahhh…): www.kaiju.fm/prestige/clerks-slacker-cinema. For more on the cinema of Uruguay, see here: en.wikipedia.org/wiki/Cinema_of_Uruguay. If you're a fan of 25 WATTS, why not try one of these: www.guruguay.com/5-uruguayan-films. Given our discussion of nationality, and why this might be a particularly ‘Uruguayan' film, this is a good book (for the whole of this mini-season, in fact): books.google.co.uk/books/about/Latin_American_Cinema.html?id=MB-hBAAAQBAJ&redir_esc=y. Finally, I know it's a comedy, not a drama, so doesn't meet Rob's criteria for authentic youth/university life on screen, but here's a nice little summary of what made FRESH MEAT a good — and, it turns out, poignant — bit of tv: www.theguardian.com/tv-and-radio/2016/mar/28/fresh-meat-farewell-good-luck-in-the-real-world-its-terrible-out-there. Find Us On Podchaser - https://www.podchaser.com/podcasts/the-prestige-417454 Follow Us - https://www.twitter.com/prestigepodcast Follow Sam - https://www.twitter.com/life_academic Follow Rob - https://www.twitter.com/kaijufm Find Our Complete Archive on Kaiju.FM - https://www.kaiju.fm/the-prestige/

For the first horror episode of October, we are joined by our three most frequent guest hosts (for the first time together), Trev, Kevin, and Tom to discuss movies so crazy we needed five people to make sense of them.  We look at a pair of Hong Kong horror films from director Lam Ngai Kai (of Riki-Oh fame) based on books from the Chinese "Wisely" series.  Not only do these films have future Hong Kong stars like Chow Yun Fat, Maggie Cheung and Gloria Yip, but they also feature special effects from Japanese monster veterans such as Keizo Murase, Shinichi Wakasa, Shinji Higuchi and more!  We'll discuss the history of these brain melters (including the obscure origin of the Cat) and see if we can talk about them without sounding insane.  Relax and enjoy the conversation!

Byrd and Matt are joined by Chris Marti (Cosmic Monster) and Jared Foust (Xenofauna) to discuss the rich history of kaiju fan films!  We discuss their recent short Ultraman Sorta vs. Godzilla (which Jared directed and Chris did sound design for) and then we get into the history of kaiju fan films, going way back to the 50s and forward all the way into the present.  Future trail blazers such as Hideaki Anno, Shinji Higuchi, John Carpenter, Steve Wang, Nobuhiko Obayashi, Tom Woodruff, and others got their start making fan films, often featuring our favorite iconic giant monsters, including Godzilla, Gorgo, King Kong, Ultraman and more.  We discuss the fan films of Don Glut, Gainax, Steve Wang and others including well known titles such as Wolfman vs. Godzilla, Coming Out, Bambi Meets Godzilla, Godzilla: Battle Royale, and Toho's Gemstone contest entries, as well as obscurities like Godzilla vs. Mito Komon, and Godzilla vs. the Netherlands.   Relax and enjoy the show!

What is the Weakness Month continues with the 2016 instant classic Shin Godzilla. Directed by the legendary Hideaki Anno and Shinji Higuchi, this film goes back to basics and shows us what a natural disaster like Godzilla looks like when it strikes with such intensity only for the response to take forever to get going. The film continues the tradition of being inspired by devastating real-world events, but with the creator of Neon Genesis Evangelion at the helm, it also takes a deep inward look at the ugliest parts of ourselves too. Más Fanbyte: Fanbyte Podcast Network (We have other channels with equally incredible shows. We promise.) Follow us on Twitter (Yell at us on Twitter in good ways.) Talk to us on Discord (Talk to us and our loving community. Also we have a pets channel that is very good so like...) Twitch Live Streams (Hang out with us live and yell good things at us.) Rate and review our show (Please show us your support by rating and telling Paul how much you love his work to make his heart feel good or we keep him in the podcast dungeon forever, never to see the sun again.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim and Tay are joined by Rob (our very first guest on the podcast) to talk about bureaucracy, kaiju films, and more in a discussion about 2016's Shin Godzilla. This 2016 installment in the 67-year Godzilla franchise examines how the modern Japanese government (and allied forces) would respond when a skyscraper-sized lizard comes ashore to wreak havoc in Tokyo. Shin Godzilla was written and directed by Hideaki Anno and Shinji Higuchi, and stars:Horoki Hasegawa as Rando YaguchiMikako Ichikawa as Hiromi OgashiraSatomi Ishihara as Kayoko Ann PatersonYutaka Takenouchi as Hideki AkasakaTagline — "A god incarnate. A city doomed."Shin Godzilla is available to rent on Google Play. Scene  (12:42 - 15:55)As the first form of Godzilla moves upriver, the Prime Minister begs his team to find new perspectives. Hiromi (Mikako Ichikawa) is called in, immediately cutting through the bureaucratic decorum with radical ideas about Godzilla's capabilities and rapid evolution, including the idea that it could support its own weight to walk on land. Bound by procedure, the cabinet agrees that they need to hold a press conference to calm the public, at which the Prime Minister foolishly goes off script and announces that Godzilla cannot leave the sea, according to experts. He is interrupted by an aide, who informs him that Godzilla has in fact come ashore.Links6:40 — Neon Genesis Evangelion, available to stream on Netflix8:20 — Anno and fan service25:55 — Frilled shark design33:30 — Found footageRecommendationsTim: Colossal (Vigalondo, 2016). Available to stream on Amazon Prime and CBC Gem.Tay: Trollhunter (Øvredal, 2011.) Available to stream on Hoopla.Rob: The Twentieth Century (Rankin, 2020). Available to stream on Crave.All links are verified at the time of publication and based on availability in Canada.

In 2016 Hideaki Anno and Shinji Higuchi of Neon Genesis Evangelion won Picture and Directors of the Year at the Japan Academy Prize - Japan's equivalent of the Academy Awards - for Shin Godzilla (or Shin Gojira, Or Godzilla Resurgence, and so on). It's one of the best and most original films in the Godzilla series. It's also basically a big Eva episode. But is it right-wing propaganda? ...Kinda yes? Kyle Byrd and Matt Parmley of the (excellent) Kaiju Transmissions podcast take Ian and Joseph on a deep dive through the Ultraman-related references in Eva. Together we unpack the super un-comfy political history behind the Godzilla film that comes closest to Doctor Strangelove in tone and prestige. Sources: Master Patrol Podcast 36 - 'Neon Reference Evangelion' (youtube.com/watch?v=uOW05Xpv0ww) Analog Drift - 'The Meaning of Shin Godzilla: Cultural and Linguistic Analysis' (https://www.youtube.com/watch?v=TqTNLUz9tUQ) Follow the Kaiju Transmissions podcast Facebook - @kaijutransmissionspodcast (https://www.facebook.com/kaijutransmissionspodcast/) Twitter - @KT_podcast (https://twitter.com/kt_podcast) Instagram - @kaijutransmissions (https://www.instagram.com/kaijutransmissions/)

Get ready for a real "two plus two cooperation" as we are joined by Joseph Schafer and Ian Cory (of the Evangelion podcast, the Human Instrumentality Podcast) to take a deep dive into Hideaki Anno and Shinji Higuchi's radical, yet beloved Godzilla reboot.  Now with five years since the film's release, we thought there would be nobody better to join us for this retrospective look back.  We discuss how Anno and Higuchi's previous work has been informed by the kaiju genre, the film's production history and unused concepts, political messaging and real life situations referenced in the film, and the impact the film has had on the Godzilla franchise.  How does the film fare five years later?  Join us and find out! -Human Instrumentality Podcast- https://human-instrumentality.fireside.fm/   -Maser Patrol's Pop Culture References in Eva panel: https://www.youtube.com/watch?v=uOW05Xpv0ww   -Shin Godzilla vs. Evangelion Theme Park Ride Footage: https://www.youtube.com/watch?v=uodPkOMMp_Y  

Join this group of geographically-challenged friends who explore movies through trivia as an excuse to keep their friendships alive. In this episode, they'll be discussing Shin Godzilla (2016), directed by Hideaki Anno and Shinji Higuchi.

A god incarnate. A city doomed.Shin Godzilla is a 2016 Japanese kaiju film directed by Hideaki Anno and Shinji Higuchi, with a screenplay by Anno and special effects by Higuchi. Produced by Toho Pictures and Cine Bazar and distributed by Toho, it is the 31st installment in the Godzilla franchise, the 29th Godzilla film produced by Toho, Toho's third reboot of the franchise, and the first film in the franchise's Reiwa period.The film stars Hiroki Hasegawa, Yutaka Takenouchi, and Satomi Ishihara. In the film, politicians struggle with bureaucratic red tape in order to deal with the sudden appearance of a giant monster that evolves whenever it is attacked.Podcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/hawkandcleaver​​​Facebook - https://www.facebook.com/hawkandcleav...​Twitter - https://twitter.com/hawkandcleaver​​​Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Luke - https://twitter.com/LukeofKondor​​​Andy -

In this week's installment of Catching Up On Cinema's March of the Monsters event month, we review Hideaki Anno and Shinji Higuchi's modern monster classic, Shin Gojira (2016)! Produced only a few short years after the Tohoku earthquake and subsequent Fukushima Daiichi nuclear disaster of 2011, the film boldly reinstates Godzilla's status as the living embodiment of a nation and people's fears and insecurities, not just of nuclear technology and weapons, but of their complicated and delicate position in the geopolitical landscape. Starring a cast of thousands, and filled with equal measures of biting political commentary and bold nationalistic sentiments, the film swept the Japanese equivalent of the Academy Awards. Brilliant, engaging, and innovative in every way that a movie can be, Shin Gojira is a truly exceptional film that non-Godzilla fans should consider adding to their watchlists.

Jacob, Logan, and special guest Jack, discuss their experience as film minors. Then Jack teaches the boys about Ishiro Honda's 1956 film "Godzilla" and Hideaki Anno and Shinji Higuchi's 2016 film "Shin Godzilla." They touch on the tragic inspirations for the films, the legacy of Godzilla, the epic battles, and more! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, we discuss 2016's "Shin Godzilla" directed by Hideaki Anno, Shinji Higuchi. Japan's latest entry into the legendary Godzilla franchise and we discuss the continuation of that legacy in this film. As always thanks for listening Don't forget to subscribe and leave a rating Join the conversation on Instagram @mythicmorons

Aujourd'hui, l'équipe du pifffcast passe au microscope les secrets de la Hard SF, sous genre rigoureux mais loin d'etre austère, à travers 5 expériences fascinantes qui vont enflammer votre matière grise. Quand la science-fiction joue la dure, tout le monde range les sabres laser pour parler physique quantique, this is Hard SF ! Avec Véronique Davidson, Xavier Colon, Talal Selhami, Cyril Despontin et Laurent Duroche. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/ZnVGiwBSdQA ► La liste des films abordés dans les précédentes émissions : bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : bit.ly/ForumPIFFFcast REFERENCES L'oeil du PIFFF : - 300 de Zack Snyder (2006) - Immortal de Tarsem Singh (2011) - Gods of Egypt d'Alex Proyas (2016) - Troie de Wolfgang Petersen (2004) - Watchmen de Zack Snyder (2009) - Les insectes de feu de Jeannot Szwarc (1975) - Phase IV de Saul Bass (1974) - Fool's Fire de Julie Taymor (1992) - Titus de Julie Taymor (1999) - Gakidama de Masayoshi Sukita (1985) - Ghoulies de Luca Bercovici (1985) - X-tro de Harry Bromley Davenport (1982) - Relic de Natalie Erika James (2020) - La maison des feuilles de Mark Z. Danielewski (roman) - Au-delà des murs (série TV 2016) Le Dossier : - Primer de Shane Carruth (2004) - Le mystère Andromède de Robert Wise (1971) - Star Trek, le film de Robert Wise (1979) https://soundcloud.com/pifffcast/pifffcast-47-this-is-halloween - Le Mystère Andromède (mini-série - 2008) - Shin Godzilla de Hideaki Anno, Shinji Higuchi (2016) - Cypher de Vincenzo Natali (2002) - Cube de Vincenzo Natali (1997) - La mort aux trousses d'Alfred Hitchcock (1959) - Chinatown de Roman Polanski (1974) - Seconds / L'Opération diabolique de John Frankenheimer (1966) - Total Recall de Paul Verhoeven (1990) - Another earth de Mike Cahill (2011) - Ex-machina d'Alex Garland (2014) - Annihilation d'Alex Garland (2018) https://soundcloud.com/pifffcast/pifffcast-51-les-oublies-des-top-2-le-retour - Devs d'Alex Garland (série TV)https://soundcloud.com/pifffcast/pifffcast-89-la-petite-boutique-de-roger-corman - Never let me go de Mark Romanek (2010) - Premier contact de Denis Villeneuve (2016) - Story of your life de Ted Chiang (nouvelle) - Rendez-vous avec Rama d'Arthur C. Clark (série de romans) - Interstellar de Christopher Nolan (2014) - H0us3 de Manolo Munguia (2018) - The Invitation de Karyn Kusama (2015) https://soundcloud.com/pifffcast/pifffcast-84-nos-films-doudous - Cohérence de James Ward Byrkit (2013) Les recos en vrac : - The Boys Saison 2 (série TV) - 3" de Marc-Antoine Mathieu (BD) - Kajillionaire de Miranda July (2020) - Hadès (jeu vidéo) - Les fous du son de Laurent de Wilde (essai)

In this episode we review Shinji Higuchi's live action adaption of the popular anime Attack on Titan. Does this film capture the best elements of the anime and translate them to the big screen? Or does this film join the long line of live action anime adaptions that disappoint? Listen and find out!You can visit our website at www.stompthisway.podbean.comYou can contact us at stompthisway1954@gmail.comVisit our social medias:Twitter: https://twitter.com/stompthiswayFacebook: https://www.facebook.com/stompthiswayInstagram: https://www.instagram.com/stompthiswayThe final track is "Anti-Hero" by Sekai No OwariDon't forget to join us next week for Shin Godzilla! 

For another October horror edition of the podcast, Byrd, Matt and Tom discuss the directorial work of Japanese special effects maverick, Tomoo Haraguchi!  Primarily known as a makeup artist and monster maker on films such as the Heisei Gamera trilogy, Ringu 0, Ultraman Mebius, and others, he also directed a handful of horror films.  We discuss his straight to video debut Mikadroid: Robokill Beneath Disco Club Layla, his Yokai spectacle Sakuya: Slayer of Demons, and his Yokai westerns Kibakichi and Kibakichi 2.  We also discuss his prolific career, partnership with Shinji Higuchi, and more!  But first, Byrd reports back from the Nightmares Film Festival in Columbus, we discuss our October horror viewings, and we follow up on some confusion on Beware the Blob!

This week Motel Hell dive into the life and work of Shinya Tsukamoto (塚本 晋也), legendary Japanese auteur director. Dick Fetti and Ben the Beardo discuss Tsukamoto's childhood, his persistent love of kaiju films and his origins as an 8MM film maker, actor, playwright and director. If you want to know about the man behind "Tetsuo: The Iron Man", "Tokyo Fist" and "Vital", here's the place to start! In honor of Mr. Tsukamoto's life-long love of kaiju (and because he appears in it), the boys start with a review of incredible "Shin Godzilla" by Hideaki Anno and Shinji Higuchi from 2016.

Episode 9 of First Impact Podcast, a weekly podcast where we discuss the 90s anime series Neon Genesis Evangelion. New episodes are released every Thursday. This week we discuss: 17. "Fourth Child” originally aired on January 24th 1996, written by Hideaki Anno and Shinji Higuchi, directed by Minoru Ohara 18. "Ambivalence" originally aired on January 31st 1996, written by Hideaki Anno and Shinji Higuchi, directed by Tensai Okamura Produced by https://itsgotstealth.com/ Art by https://www.instagram.com/addrawz/ Also available on Soundcloud: https://bit.ly/2Xtoast Spotify: https://spoti.fi/2IsRV4u Google: https://bit.ly/2NTqwNF iTunes: https://apple.co/2N2e7GP You can also find us at Twitter: https://twitter.com/FirstImpactPod and https://twitter.com/ItsGotStealth Facebook: https://www.facebook.com/FirstImpactPod/ Instagram: https://www.instagram.com/firstimpactpod/

Cette mini-série montre que le petit écran peut, aussi bien que le grand, produire des œuvres tirées au cordeau. Inspiré du travail de Svetlana Aleksievitch, journaliste biélorusse et lauréate du prix Nobel de littérature, « Chernobyl » relate la multiplicité des points de vue autour de la catastrophe nucléaire survenue en avril 1986. Aussi bien ceux du personnel de la centrale, que ceux des équipes de secours et de nettoyage, que ceux de l’appareil politique soviétique qui veut à tout pris taire cet accident.Craig Mazin, à l’origine de la série, évite le principal écueil de plonger dans un pathos étouffant. La souffrance, traitée hors cadre, est abordée avec élégance et sobriété. L’exceptionnel casting, la mise en scène précise, l’intense dramaturgie sans cesse renouvelée, tout comme la musique aussi puissante qu’angoissante expliquent ce succès unanime et donnent l’envie d’en savoir plus.Animé par Thomas Rozec avec Daniel Andreyev, Julie Le Baron et David Honnorat.RECOMMANDATIONS ET COUPS DE CŒUR LA RECO DE JULIE : « À la poursuite d’Octobre rouge », réalisé par John McTiernan en 1990 (même si les accents sont à couper à la serpette) LA RECO DE DANIEL : « Shin Godzilla », par les brillants Hideaki Anno et Shinji Higuchi, qui savent décrire comme personne l’inaptitude des acteur·rice·s politiques à se mettre d’accord #adminporn LA RECO DE DAVID : pour prolonger l’expérience, « Stalker » d’Andreï TarkovskiRÉFÉRENCES CITÉES DANS L’ÉMISSION La Supplication (Svetlana Aleksievitch, éd. Ostozhye ,1997), Kursk (Thomas Vinterberg, 2018), Tchernobyl : mise en examen du professeur Pellerin (France 2, Ina, 2006) CRÉDITS NoCiné est un podcast de Binge Audio animé par Thomas Rozec. Cet épisode a été enregistré le 11 juin 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Jules Krot. Générique : Corentin Kerdraon. Chargée de production : Juliette Livartowski. Chargée d’édition : Diane Jean. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

In this episode of Adapt or Perish, we discuss Godzilla! For this episode, we watched: Godzilla (Gojira), 1954. The original. Directed by Ishirō Honda, produced by Tomoyuki Tanaka, and starring Akira Takarada, Momoko Kōchi, Akihiko Hirata, and Takashi Shimura. Watch it on Amazon. Godzilla, King of the Monsters!, 1956. The “original.” Directed by Ishirō Honda and Terry Morse, and starring Raymond Burr. Watch it on Amazon. Godzilla, 1998. The modern “classic.” Directed by Roland Emmerich, written by Emmerich and Dean Devlin, and starring Matthew Broderick, Maria Pitillo, Hank Azaria, and Jean Reno. Watch it on iTunes and Amazon. Godzilla, 2014. The newer American one. Directed by Gareth Edwards, and starring Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Sally Hawkins, and Bryan Cranston. Watch it on iTunes and Amazon. Shin Godzilla, 2016. The Japanese reboot. Directed by Hideaki Anno and Shinji Higuchi, and starring Hiroki Hasegawa, Yutaka Takenouchi, Satomi Ishihara, and literally every other actor in Japan. Watch it on iTunes and Amazon. Footnotes: Adapt or Perish Episode 11. The Fault in Our Stars Takashi Shimura and Seven Samurai The History and Evolution of Godzilla by YouTuber Cynical Justin Mothra, Rodan, and King Ghidorah Independence Day and Stargate “Museum,” the original teaser trailer for Godzilla (1998) Godzilla and Taco Bell Production designer Patrick Tatopoulos The Fukushima Daiichi nuclear disaster Dead Men Don’t Wear Plaid and Kung Pow! Enter the Fist You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.

It's a bird, it’s a plane...that’s also a dragon. Today we discuss the Bones original Hisone to Masotan aka Dragon Pilot. Directed by Hiroshi Kobayashi, written by the legendary Mari Okada, with Shinji Higuchi as executive director. For questions, comments, or just to say "Hi!", email us at dubterfuge@gmail.com!WatchDragon Pilot on NetflixFind anime legally in your region: https://because.moe Twitter: @becausemoeOur SponsorBrews & The 'Boys Podcast: www.brewsandtheboys.comFollow the show and our hostsThe Show: @Dubterfuge on Twitter and FacebookStella Luna: @Looonahtic on TwitterMatt Voss: @MatthewHVoss on Twitter"Dubterfuge" was created by Stella Luna and Matt Voss. The show is produced by Shway Media and is a part of the Shway Media Podcast Network. For more information, visit www.Dubterfuge.com and www.ShwayMedia.com.

Byrd and Matt are joined by author/blogger Kevin Derendorf (Maser Patrol, Kaiju for Hipsters) to take a deep dive into the original Neon Genesis Evangelion anime TV series.  Hideaki Anno's colossally popular series was an inversion on classic mecha and tokusatsu, twisting the tropes of these genres into an abstract and existential examination of mental illness.  At this point, the show's reputation as a groundbreaking classic proceeds it.  Do we find the show worthy of its immense popularity?  Listen and find out!  But first, we talk about the early careers of Hideaki Anno, Shinji Higuchi and their cohorts and the birth of Gainax! 

Byrd and Matt take a deep dive (no pun intended) into three submarine-centric Toho science fiction films.  First we tackle two Ishiro Honda classics with the iconic Atragon (1963) and Latitude Zero (1967).  Then we fast forward to Shinji Higuchi's World War II sci-fi epic Lorelei: Witch of the Pacific (2005).  All three of these movies are loaded with subtext and messages that we will get into and compare and contrast.  Join us in the deep end of Toho waters!

In Episode XXX the crew dives deeper into the 2005 Japanese submarine film Lorelei: the Witch of the Pacific Ocean directed by Shinji Higuchi & Cellin Gluck, starring Kôji Yakusho, Stoshi Tsumabuki, Toshirô Yanagiba, Yû Kashii, and Shin'ichi Tsutsumi. To alter the course of WW2 a Japanese submarine captain is put onboard the I-507, an experimental Nazi submarine with a secret weapon. With news of atomic bombs being dropped on Japan it’s up to the crew of the I-507 to stop a third bomb from being dropped on Tokyo. Get ready for movie trivia, the Phantom Zone where Jamie connects submarine movies back to Ed Harris in Phantom, Subs Worldwide where Kyle discusses the Kaiten class manned torpedo, and Brom’s Countdown where he discusses the top 6 most interesting facts about Japan in the 30th installment of Submersion.

We're back with an exclusive interview with suit actor/mo-cap performer Mizuho Yoshida!  For this episode, Byrd traveled to Grand Rapids, Michigan and sat down with Mr. Yoshida for this career spanning interview.  Fans know Yoshida best for many iconic roles, including the GMK Godzilla, half of the Legion Queen in Gamera 2, Zeiram, Death Ghidorah and Dagarah in the Mothra films, and Solid Snake in the Metal Gear games.  We touch on his beginnings in suit acting, working with tokusatsu visionaries such as Keita Amemiya, Shusuke Kaneko, Shinji Higuchi, and Koichi Kawakita, the difficulties of being in the two person Legion suit, operating GMK Godzilla, motion capture performances, and more!    Special thanks to Hiro Kitagawa for translating!

Disaster strikes podcastland as a giant beast emerges from the sea… Look out! Call a meeting! It’s the bureaucratic body-horror of Episode 18: SHIN GODZILLA! Directed by Hideaki Anno and Shinji Higuchi, Starring Hiroki Hasegawa, Satomi Ishihara, Mikako Ichikawa, Ren Osugi, and Akira Emoto. The post Toho Yaro #18, “Shin Godzilla” appeared first on Toho Yaro.

Shin Godzilla is finally here! Tune in to find out whether this latest iteration of the big G, courtesy of Hideaki Anno and Shinji Higuchi, merits the considerable hype. Timestamps: Intro (00:00) Review (20:40)

Shin Godzilla is finally here! Tune in to find out whether this latest iteration of the big G, courtesy of Hideaki Anno and Shinji Higuchi, merits the considerable hype. Timestamps: Intro (00:00) Review (20:40)

Yatta!!! This is big news for me on a personal level. The subject of this episode is a man who I have been admiring for just about 20 years. In the late nineties, I remember renting Gamera 2: Advent of Legion (1996) from our local awesome video store and I was completely enamored with the amazing […]

Byrd and Matt are back home from G-Fest XXIV and they're ready to talk all about it! We discuss interview recordings gone horribly wrong, meeting KT listeners, highlights and new information learned from various panels including those from Shinji Higuchi, Kiyotaka Taguchi, and Yuji Kaida, seeing Kong: Skull Island in 70mm, meeting director Jordan Vogt-Roberts (and what we learned from his Q and A), being a kid again at the Field Museum's Jurassic World exhibit, and more!

Byrd and Matt take a look at Toho's disaster epic, SUBMERSION OF JAPAN. What happens when Toho decides to make destruction spectacle without giant monsters? We take a look at Shiro Moritani's SUBMERSION OF JAPAN (1973), Shinji Higuchi's SINKING OF JAPAN (2006), and Minoru Kawasaki's parody film THE WORLD SINKS EXCEPT JAPAN (2006). We compare and contrast the films by talking about their political themes, effects, and how each version is a product of their times.

In this episode, Jessica, Mark and Chris review the very unique Kaiju flick: Colossal.  Full spoilers ahead so beware. Notes: Colossal trailer https://www.youtube.com/watch?v=fqcZtz8VXXE Famous Monsters Convention with Shinji Higuchi in Dallas Tx Listen to us on Stitcher: Or download us on Itunes Feedback on either would be appreciated Let us know what you think by emailing us at The.Kaiju.Kingdom.Podcast@gmail.com Check us out on Twitter @TheKaijuKingdom Facebook: https://www.facebook.com/TheKaijuKingdomPodcast And on Tumblr as well http://thekaijukingdompodcast.tumblr.com Also check out our other podcasts and follow the Panzer Crush Podcast Network on Twitter: @Panzercrush As well as Facebook And if you like what you hear, please pass it along to a friend.  We always welcome feedback as well.

  In this thrilling episode, Mark and Chris talk of the 40th anniversary of the Marvel Comics Godzilla series. Listen as the duo waxes nostalgia over Godzilla's first forray into the American funny books.  They then close out with a tribute to the late Yoshimitsu Banno   Notes: Shogun Warriors Ad   Rest in peace Banno Famous Monsters Convention with Shinji Higuchi in Dallas Tx   Listen to us on Stitcher: Or download us on Itunes Feedback on either would be appreciated Let us know what you think by emailing us at The.Kaiju.Kingdom.Podcast@gmail.com Check us out on Twitter @TheKaijuKingdom Facebook: https://www.facebook.com/TheKaijuKingdomPodcast And on Tumblr as well http://thekaijukingdompodcast.tumblr.com Also check out our other podcasts and follow the Panzer Crush Podcast Network on Twitter: @Panzercrush As well as Facebook And if you like what you hear, please pass it along to a friend.  We always welcome feedback as well.

Aprovechando la tibieza de la actualidad en una de las semanas más tontas del año, nos despachamos “Ouija: El origen del mal” aka “Ouija: Origin of evil”, del solvente Mike Flanagan, y reincidimos muy gustosamente con “Shin Godzilla”, de Hideaki Anno & Shinji Higuchi, y con “John Wick”, del duo de especialistas Chad Stahelski & […]

In episode 14 of Changing Reels, we dive into Shane Carruth's experimental science fiction drama Upstream Color. The film is a love story revolving around two individual who find themselves inexplicably drawn together after being the victim of an unthinkable crime. Exploring themes of memory and identity, and featuring brilliant sound design, there is plenty to discuss in this film. As is custom, we also take a few minutes to highlight our two short film picks of the week: Hideaki Anno and Shinji Higuchi's Giant God Warrior Appears in Tokyo and Alberto Roldán's Everything & Everything & Everything. If you like what you hear, or want to offer some constructive criticism, please take a moment to rate our show on iTunes! If you have a comment on this episode, or want to suggest a film for us to discuss, feel free to contact us via twitter (@ChangingReelsAC), follow us on Facebook and reach out to us by email (Changing.Reels.AC@gmail.com). You can also hear our show on SoundCloud or Stitcher!

Un viejo amigo está de vuelta, y no nos referimos a ningún expresidente cara nalga, sino a un radiactivo ser primigenio salido de las simas abisales del Pacífico: “Shin Godzilla” es el retorno al hogar del mítico monstruo de la productora Toho, dirigido por el tandem Hideaki Anno & Shinji Higuchi. Pero también viajamos a […]

Otaku Movie Anatomy hosts review Shin Godzilla! Shin Godzilla is a 2016 Japanese science fiction kaiju film featuring Godzilla, produced and distributed by Toho. It is the 31st film in the Godzilla franchise, the 29th Godzilla film produced by Toho, and Toho's third reboot of the franchise. The film is co-directed by Hideaki Anno and Shinji Higuchi, with a screenplay by Anno and visual effects by Higuchi and stars Hiroki Hasegawa, Yutaka Takenouchi, and Satomi Ishihara and reimagines Godzilla's origins where he emerges in modern Japan for the first time. In December 2014, Toho announced plans for a new domestic Godzilla film. Anno and Higuchi were announced as the film's directors in March 2015 and principal photography began on September and ended in October with the special effects work following in November that year. Shin Godzilla was released in Japan on July 29, 2016 in IMAX, 4DX, and MX4D to positive reviews and was a box office success, becoming the hi Learn more about your ad choices. Visit megaphone.fm/adchoices

Episodio 113. Oggi Marco Casolino ci parla di Shin Godzilla di Hideaki Anno e Shinji Higuchi. Per l'immagine di copertina: © Aventi diritto. All rights reserved.Support this podcast at — https://redcircle.com/fantascienticast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Comparación entre los avances de The Revenant de Alejandro G. Iñárritu y Attack on Titan, de Shinji Higuchi. Learn more about your ad choices. Visit megaphone.fm/adchoices

Comparación entre los avances de The Revenant de Alejandro G. Iñárritu y Attack on Titan, de Shinji Higuchi.