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2 episodes with Transmat
3 episodes with Transmat
3 episodes with Transmat
2 episodes with Transmat
2 episodes with Transmat
2 episodes with Transmat
Layne, Clinton, and Jon meet Dreadmon in Teenage Mutant Ninja Turtles Adventures 15 from Archie Comics and then traipse through several short stories from Mirage: “The Survival Game”, “It's a Gas”, and “Terror by Transmat!”
For the tenth episode of There Is No Planet Earth Stories, I'm joined by guest Alan Oldham representing stories from Detroit.ALAN OLDHAM has been called “Detroit's Renaissance Man,” equally as known for his art as for his music under the pseudonym DJ T-1000. The Detroit-born polymath, now living and working in Berlin, began his dual careers in the late 80s. First as the host of the “Fast Forward Program” on WDET FM 101.9, Detroit's first-ever radio show devoted exclusively to electronic music, and as a young indie comic artist, writing and drawing his own original creation, “Johnny Gambit” (predating the Marvel character). Oldham was later tapped by his childhood friend, Derrick May, to illustrate the label art for the now-classic records “Nude Photo” and “Beyond The Dance” on his fledgling Transmat label, and Detroit Techno history was made. Oldham was later hired by another childhood friend, Jeff Mills, to do freelance PR for the nascent Underground Resistance collective, writing press releases for the label. When Mills departed for a solo career, UR partner “Mad” Mike Banks tapped AO to replace him as DJ for their Australian Tour of 1992. The codename DJ T-1000 was adopted, and history was made once again. Jumpstart to infamy.Since then, as an international DJ, Oldham has spun all over the planet, as far afield as Tokyo, Manila, The Phillipines, and Shanghai. When he's not behind the decks at home clubs Tresor Berlin and RSO, on the road to places like Batumi, Georgia or Trapani, Italy, or in the studio making music for labels like RSPX/Rekids, BPitch Berlin, Suspected Music, Third Ear, Elypsia Records, or his own Pure Sonik Records label, he is making new paintings and organizing art openings showcasing his iconic works. Oldham has put on art happenings in Amsterdam, Paris, Barcelona, Berlin, Vienna, and Detroit, as well as his iconic techno artworks being on view in Paris, London and Dusseldorf, as part of its traveling “Electronic: From Kraftwerk to the Chemical Brothers” exhibit. The multi-talented Oldham has also made his artistic debut in Kobe, Japan in 2022 with the exhibit “Massive Dynamic” at the Nick Jerky Art Cafe. In 2024, Oldham was also honored by the Mayor and Detroit City Council with a “Spirit of Detroit” Award for his musical and artistic contributions to his hometown. And back in Berlin, as part of Love Parade founder Dr. Motte's Rave The Planet team, Oldham helped Berlin Techno to achieve UNESCO Intangible Cultural Heritage status. Oldham's long-awaited EP as DJ T-1000 for Rekids sub-label RSPX is out now, as well as his new “Ask Me No Questions And I'll Tell You No Lies” EP on Pure Sonik Records, currently riding high on several Spotify techno charts including Mary Anne Hobbs' on BBC6. New releases to come!Support the show
"All I want to do is express what I love." The beloved Berghain resident talks about learning from failure, putting in the time and how good sound systems have changed his life. Born and bred in Minneapolis, Zak Khutoretsky, AKA DVS1, has been throwing and playing raves for decades. Now 47, he's at the top of his game. As one of Berghain's most popular residents and a producer known for his deep and versatile sound, he's amassed thousands of followers around the world, releasing on Klockworks, Transmat and Ostgut Ton, in addition to his own label, HUSH. Not just an artist, Khutoretsky has garnered a reputation for speaking critically about the challenges facing the electronic music community, notably through his essay about the battle between art and entertainment, and more recently through the inauguration of his revenue sharing platform ASlice. The organisation was designed in 2020 as an antidote to the pay disparity between DJ earnings and producer earnings, and its basic conceit is that DJs submit playlists of their tracks and share small percentages of their gig fees to be redistributed among the artists whose tracks they've played. In this RA Exchange live from ADE, Khutoretsky talks with journalist Christine Kakaire about the platform and the impetus behind it, as well as his underlying tendency to be a "fixer," from the problems in his house to the issues he sees plaguing his community. Listen to the episode in full.
DJ et producteur américain, Kevin Reynolds est originaire de Détroit. Sa musique explore une facette plus soul et légèrement moins techno.Né dans une famille irlandaise et américaine de militants, il grandit avec la musique et la voix du célèbre Dj de Détroit Electrikyin' Mojo. Son enfance est rythmée par des sons Afropop, ou encore de Chine, et du Moyen-Orient. Il apprend en autodidacte à travailler avec les machines pour faire de la musique. Il a commencé dans les milieux underground de la scène techno de Détroit au milieu des années 1990 et a travaillé avec son comparse Derrick May sur son label Transmat, aussi en tant qu'ingénieur du son ou encore manager de tournées. Il a son propre label Todhchai, qui veut dire “futur” “choses à venir” en gaélique.©gabriellastephaniec Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Welcome to DRR Podcast 099, this week we welcome Rennie Foster, Canadian House & Techno Wizard based in Vancouver. Rennie Foster has been a well-respected figure in the Canadian music and art community for over two decades. He influenced many as an early pioneer of the Hip-Hop / B-Boy movement, and later the House Music and Techno / Rave scene, participating in the first events in Western Canada during the birth of these now common urban subcultures. He is also very well known within the niche of graffiti art for his early work, having been archived in several published books. Rennie relocated to Tokyo Japan in 2004 and became an important part of the Japanese club scene, playing all over Japan in venues such as Womb, ageHa, and Yellow, maintaining DJ residencies in Tokyo and Kyoto at the Metro club and at the Nagisa Music Festival in Tokyo and Osaka. Rennie was consistently ranked in the top 50 DJs in Japan by LOUD Magazine until re-locating back to Canada in 2011. Rennie is currently a resident DJ at Western Canada's top after-hours club, Gorg-O-Mishin Vancouver, BC, regularly traveling to play as a guest at underground venues across Canada, Detroit, New York,and Paris and has played festivals such as Shambhala and Bass Coast among others. Rennie Foster has released music with Jack White's Third Man Label, classic dance music labels including Transmat, F-Communications, Synewave, Teknotika, Subject Detroit, and is widely recognized for his underground anthem Devil's Water on Rebirth Records. Rennie has remixed, or been remixed by, some of the top names in dance music such as Juan Atkins, James Zabiela and Swayzak. He has released many singles, EPs, and four full length albums. He runs a signature record label RF and continues to produce tough urban house music and stylish techno for cutting edge dance music imprint including Goldmin Music and Skylax Records in Paris and the Detroit based Soiree Records. Track List: 01. The Passenger - Haagenti - RF 02. Shinedoe - Nidra - Intacto 03. DJ Hockey - Dense Particulate - RF 04. Mark Broom - EFX - Rekids 05. Chris Baumann - Oxygain - Soiree Records Int'l 06. Tao Andra - Prevail - RF 07. Dustin Zahn - Wet Hot Heat - Blueprint Records 08. John Hester - Haze - Rekids 09. Daphni - Cherry - Jiaolong 10. Kyle Geiger - Bellhouse 3 - made of CONCRETE 11. Alan Fitzpatrick & Reset Robot - Phantom - UNCAGE 12. Shlomi Aber - Warping - Be As One 13. Adrian Hex - Chrono - Undertone 14. Yan Cook - Olympus Mons - Arts 15. Monobox - Blackwater Canal - M-Plant 16. Rennie Foster - Midnight Sun (Tao Andra Remix) - RF 17. Rennie Foster - Falling Skyward (Gary Martin Remix) - Teknotika Follow Rennie Here: Facebook: https://www.facebook.com/renniefostermusic Instagram: https://www.instagram.com/renniefoster/ Soundcloud: https://soundcloud.com/renniefoster Bandcamp: https://renniefoster.bandcamp.com Subscribe to our weekly email bulletin and follow us on all platfroms here: www.drrlts.ck.page Email: info@drr-lts.com Website: www.drr-lts.com
From Tehran to Detroit, in this episode of Electronic Music Life with James Locksmith, is with Detroit based Iranian artist, music producer, DJ, electronic musician, Salar Ansari. Salar moved to Detroit almost a decade ago to immerse himself amongst musicians, producers, history and electronic music culture, a place he dreamed about. Little did he know what was installed for this journey, that led him to work with DJ producer Derrick May's label, Transmat, then meeting and working closely with songwriter, record producer and keyboardist, Luis Resto, known for his twenty year collaboration with Eminem, at Salar's favorite yogurt, rice and beans spot. Salar Ansari spoke about the road to establishing himself in America for a new life and following his heart. FOLLOW SALAR ANSARI: https://www.instagram.com/passedoutonapersianrug/ https://ra.co/dj/salaransari/biography
In this episode I'm speaking with Chicago born, Detroit raised DJ, music producer, musician Alton Miller, who is widely known for his impact and as a pioneer of Detroit electronic music culture. Having started legendary club night Music Institute with George Baker and Chez Demier, working on Kevin Saunderson's KMS Records, Derrick May's label Transmat, signed artists like Joey Beltram, releasing five albums of his own, including a long list of EP's and touring the world for over three decades. Miller currently resides in Johannesburg, and during COVID, launched his own Beard grooming product line and a non for profit to develop skills and empowering young women in rural areas of South Africa, while continuing to release music. I sat down with Alton Miller at the end of an impromptu Australian tour, which he described as an exploration to revisit his footprints and to commence touring again to spread house and soul music to the world. We spoke about his early Detroit experiences and some recent ones, his label work throughout the years, his recent contribution projects and the choice of a “slow burn” career in electronic music. FOLLOW ALTON MILLER: https://en.wikipedia.org/wiki/Alton_Miller https://www.instagram.com/djaltonmiller
Episode 025 Dj, Producer and label owner Rennie foster tells us how he got into the electronic music scene and working with well established producers. He explains about his life in Japan and how he broke into the dj scene there. Rennie Foster has been a well-respected figure in the Canadian music and art community for over two decades. He influenced many as an early pioneer of the Hip-Hop / B-Boy movement, and later the House Music and Techno / Rave scene, participating in the first events in Western Canada during the birth of these now common urban subcultures. He is also very well known within the niche of graffiti art for his early work, having been archived in several published books. Rennie relocated to Tokyo Japan in 2004 and became an important part of the Japanese club scene, playing all over Japan in venues such as Womb, ageHa, and Yellow, maintaining DJ residencies in Tokyo and Kyoto at the Metro club and at the Nagisa Music Festival in Tokyo and Osaka. Rennie was consistently ranked in the top 50 DJs in Japan by LOUD Magazine until re-locating back to Canada in 2011. Rennie is currently a resident DJ at Western Canada's top after-hours club, Gorg-O-Mishin Vancouver, BC, regularly traveling to play as a guest at underground venues across Canada, Detroit, New York,and Paris and has played festivals such as Shambhala and Bass Coast among others. Rennie Foster has released music with Jack White's Third Man Label, classic dance music labels including Transmat, F-Communications, Synewave, Teknotika, Subject Detroit, and is widely recognized for his underground anthem Devil's Water on Rebirth Records. Rennie has remixed, or been remixed by, some of the top names in dance music such as Juan Atkins, James Zabiela and Swayzak. He has released many singles, EPs, and four full length albums. He runs a signature record label RF and continues to produce tough urban house music and stylish techno for cutting edge dance music imprint including Goldmin Music and Skylax Records in Paris and the Detroit based Soiree Records. Video Version: https://www.youtube.com/watch?v=NqYzPxzU_uA&t=4135s CONNECT: The music Matters Podcast Instagram: https://www.instagram.com/the_music_m... Patreon: https://www.patreon.com/themusicmatte... Website: www.themusicmatterspodcast.com Treat us to coffee :) https://www.buymeacoffee.com/musicmatteo CONNECT: Rennie Foster Facebook: https://www.facebook.com/renniefostermusic Twitter: https://twitter.com/renniefoster YouTube: https://www.youtube.com/channel/UC2c32WKmZJQoQCGCVagj0mg --- Send in a voice message: https://podcasters.spotify.com/pod/show/raveroompodcast/message
Håkan Lidbo har släppt 350+ skivor under mer än 20 år men sysslar idag mest med att utforska kopplingen mellan konst, musik, vetenskap, spel, teknik och samhälle. Vi snackar om hans uppfinningar och framtidens musik men även om allmänna klokheter och Håkans karriär inom dansmusiken med släpp på etiketter som Transmat, Poker Flat och Loaded. Plus mycket annat. Följ Håkan Lidbo: Hemsida: www.hakanlidbo.com Supporta Dansmusikpodden via Patreon och ta del av exklusiva poddavsnitt, tävlingar och behind the scenes-material: www.patreon.com/dansmusikpodden Snacka loss i vår Facebook-grupp: www.facebook.com/groups/1813288435494427 Följ oss: Instagram: www.instagram.com/dansmusikpodden Facebook: www.facebook.com/dansmusikpodden Twitter: www.twitter.com/dansmusikpodden Özze: www.instagram.com/ozze.can Mats: www.instagram.com/matswurnell Mejla oss: dansmusikpodden@gmail.com
Двадцать шестой выпуск подкаста #nightenergy #hardgeneration получился особенным. 10 апреля 2021 года в рамках вечеринки #hitechtechnology мы провели лекцию-интерактив и рассказали об истории #techno, основополагающих треках, повлиявших на развитие стиля, и, собственно, сопроводили этот интерактив dj сэтом, состоящим из легендарных композиций, начиная от Kraftwerk и детройтского #techno Juan Atkins & Co, и заканчивая прекрасными гимнами Loveparade & Mayday... Полтора часа настоящей истории, эмоций, первый в мире #techno трек, первый официальный сборник #techno музыки, различные ответвления на minimal, techno+trance, techno+electro. Так начиналась замечательная история #techno музыки. 1. Sven Väth - L`Esperanza 1993 [EYE Q Records] 2. Kraftwerk - The Robots 1978 [Kling Klang (EMI)] 3. Model 500 - No UFO's 1985 [Metroplex] 4. Juan Atkins-Techno Music 1988 [Ten Records] 5. Rhythim Is Rhythim - Strings Of Life 1987 [Transmat] 6. Underground Resistance - Punisher 1991 [Underground Resistance] 7. Robert Hood - Dancer 2001 [M-Plant] (Disco styled techno track based around Sister Sledge's 1978 hit "He's the greatest dancer") 8. Joey Beltram - Energy Flash 1991 [R&S Records] 9. U 96 - Das Boot (Techno Version) 1991 [Polydor] 10.Choice - Acid Eiffel 1993 [Fnac Music Dance Division] 11.Da Hool - Meet Her At The Loveparade 1997 [Kosmo Records] 12.Members Of Mayday - 10 In 01 2001 [Low Spirit Recordings] 13.Members Of Mayday - Sonic Empire 1997 [Low Spirit Recordings] 14.Sven Väth - An Accident In Paradise 1992 [EYE Q Records]
Friends, Greetings to all of you out there for another edition of the ESOA Podcast. "Rhythim is Rhythim - Nude Photo" released on "Transmat" is an ultimate classic from 87' and another really great track with the "Detroit" seal of approval. My guest today was, if you like, in charge of it. Everyone should know Thomas Barnett, but surely also some of his aliases like Groove Slave, Subterfuge or Four313, a project in collaboration with Blake Baxter. Today, well over 30 years later, Thomas is still active and can look back on a countless series of productions and releases. In '96 he was to found his own label "Visillusion" but over the years he has also released on a number of international labels. Here are a few examples Transmat, Novamute, Psychothrill, Submerge, Warp, Prime and many more. But his productions are not only known for the club, also for commercials and movies. I am very happy to finally present a first guest from Detroit. I hope you enjoy his exclusive set, here is ESOA Podcast 033 by Thomas Barnett. Stay faithful and stay healthy. Cheers. Thomas Barnett Info: www.facebook.com/thomasbarnett.grooveslave @grooveslave www.instagram.com/thomasbarnett313/ www.discogs.com/artist/11663-Thomas-Barnett Listen to all ESOA Podcast Shows: www.esoa-podcast.com www.facebook.com/esoapodcast www.instagram.com/esoa.podcast
Friends, Greetings to all of you out there for another edition of the ESOA Podcast. "Rhythim is Rhythim - Nude Photo" released on "Transmat" is an ultimate classic from 87' and another really great track with the "Detroit" seal of approval. My guest today was, if you like, in charge of it. Everyone should know Thomas Barnett, but surely also some of his aliases like Groove Slave, Subterfuge or Four313, a project in collaboration with Blake Baxter. Today, well over 30 years later, Thomas is still active and can look back on a countless series of productions and releases. In '96 he was to found his own label "Visillusion" but over the years he has also released on a number of international labels. Here are a few examples Transmat, Novamute, Psychothrill, Submerge, Warp, Prime and many more. But his productions are not only known for the club, also for commercials and movies. I am very happy to finally present a first guest from Detroit. I hope you enjoy his exclusive set, here is ESOA Podcast 033 by Thomas Barnett. Stay faithful and stay healthy. Cheers. Thomas Barnett Info: www.facebook.com/thomasbarnett.grooveslave @grooveslave www.instagram.com/thomasbarnett313/ www.discogs.com/artist/11663-Thomas-Barnett Listen to all ESOA Podcast Shows: www.esoa-podcast.com www.facebook.com/esoapodcast www.instagram.com/esoa.podcast
ALAN OLDHAM has been called “Detroit's Renaissance Man,” equally as known for his art as for his music under the pseudonym DJ T-1000. The Detroit-born polymath, now living and working in Berlin, began his dual careers in the late 80s. First as the host of the “Fast Forward Program” on WDET FM 101.9, Detroit's first-ever radio show devoted exclusively to electronic music, and as a young indie comic artist, writing and drawing his own original creation, “Johnny Gambit” (predating the Marvel character). Oldham was later tapped by his childhood friend, Derrick May, to illustrate the label art for the record, “Nude Photo,” on the fledgling Transmat label, and Detroit Techno history was made. Oldham was later hired by another childhood friend, Jeff Mills, to do PR for the nascent Underground Resistance collective, writing press releases for the label. When Mills departed for a solo career, partner “Mad” Mike Banks tapped AO to replace him as DJ for their Australian Tour of 1992, and the codename DJ T-1000 was adopted. Jumpstart to infamy. Since then, as an international DJ, Oldham has spun all over the planet, as far afield as Manila, The Phillipines, and Shanghai, China. When he's not behind the decks at home clubs Tresor Berlin and Suicide Circus (Berlin), on the road or in the studio making music for BPitch Control, Suspected Music, Third Ear, Elypsia Records, or his own Pure Sonik Records label, he is making new paintings and organizing art openings showcasing his iconic works. Oldham has put on art happenings in Amsterdam, Paris, Berlin, Vienna, and Detroit, as well as his works being currently on view at the Design Museum in London, as part of its “Electronic: From Kraftwerk to the Chemical Brothers” exhibit. On the graphic novel side, he has also worked on the Afrofuturist classic “The Book of Drexciya, Vol 1.” Oldham is keeping busy during the current pandemic, drawing and painting, doing commission work, online teaching for RAMP Academy, making new music and remixing with MASCHINE MK3 and ABLETON, and generally moving forward in one of the world's most creative cities, Berlin. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: domm@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk
Rather than focussing on music released in the last month Ben casts his net further back to electronic music that has come out since the beginning of the 90s. Giving us a personal musical biography of music that moved and shaped him over the last few decades Ben takes us on a trip down memory lane from the armchair to the dancefloor. Featuring Orlando Voorn, Model 500, Terrace, E621 & Reload, Dany Rodriguez, Luke Slater, X-101, Blapps Posse, Oliver Way, Jeff Mills, Kosmic Messenger, Space DJz partner Jamie Bissmire and more.EPM RADIO SHOW - FEBRUARY 2021 TRACKLIST1. Oliver Way - ‘Lucky Dip (Ben Long & Oliver Way Late Night Mix)' (EPM)2. Orlando Voorn - ‘I Know (UK Mix)' (Elypsia)3. Ben Long - Open Doors_Ben Long remix (EPM)4. Dany Rodriguez - ‘Oscilo Karate' (RMR)5. Ben Long - ‘Set Ups' (RMR)6. Terrace - ‘Bewitched' (Djax)7. E621 & Reload - ‘Ptysch' (Warp)8. Model 500 - ‘Infoworld' (Transmat)9. Jeff Mills - ‘Inner Sanctum' (Axis)10. Kosmic Messenger - Sights & Spirits (Eclipse) 11. Ben Long & Jamie Bissmire - ‘Loose Change' (Infonet)12. Reload - ‘Teque' (Infonet)13. The Blapps Posse -‘Don't Hold Back' (Blapps Records)14. Egyptian Empire - ‘The Horn Track (Luke Slater's Khufu Remix)' (Missile)15. Ben Long Mash up - (using Jeff Mills ‘Revertting' - Purpose Maker)16. Ben Long Mash up - (using Apollo Two ‘Atlantis - I Need You' - Good Looking)17. Jamie Bissmire & DJ Bam Bam - ‘4 The Club' (50 Hertz)18. Luke Slater - ‘Quad Fonik' (Peacefrog)19. 3Phase - ‘Der Klang Der Famille' (Tresor)20. H - ‘World Downfall' (Red Seal)21. X101 - Sonic Destroyer (Underground Resistance)RELATED LINKS:https://youtu.be/yfBXtCmKXWwhttps://www.mixcloud.com/EPM-Music/epm-radio-show-february-2021/https://soundcloud.com/epm-music/epm-radio-show-february-2021https://www.epm-music.com
A 1 Hour special with only the best classics made by 2 man or 1 label! Transmat Records, Founded in 1986 by Derrick May, Transmat is one of the first techno labels established in Detroit alongside Metroplex and KMS. **FOLLOW US FOR OLDSKOOL AT:** http://technoclx.blogspot.com https://hearthis.at/oldskool/ http://instagram.com/oldskooltrax http://youtube.com/oldskooltrax
A 1 Hour special with only the best classics made by 2 man or 1 label! Transmat Records, Founded in 1986 by Derrick May, Transmat is one of the first techno labels established in Detroit alongside Metroplex and KMS. **FOLLOW US FOR OLDSKOOL AT:** http://technoclx.blogspot.com https://hearthis.at/oldskool/ http://instagram.com/oldskooltrax http://youtube.com/oldskooltrax
A 1 Hour special with only the best classics made by 2 man or 1 label! Transmat Records, Founded in 1986 by Derrick May, Transmat is one of the first techno labels established in Detroit alongside Metroplex and KMS. **FOLLOW US FOR OLDSKOOL AT:** http://technoclx.blogspot.com https://hearthis.at/oldskool/ http://instagram.com/oldskooltrax http://youtube.com/oldskooltrax
Terminal V Podcast 001 - Stephen Brown Edinburgh born and bred, Stephen Brown has been channelling the spirit of the Motor City since the 90's and the Terminal V favourite demonstrates it every time he steps behind a set of decks. It is no secret that Brown's connection to Detroit Techno goes back nearly as far as the genre itself and with releases on a string of influential and seminal labels that include Djax Up Beats, Soma, Skudge and Derrick May's Transmat. With many more production credits to his name it is no surprise to learn that he counts Ben Sims, Laurent Garnier, Sven Vath and Richie Hawtin amongst his most verdant supporters. Stephen's uncompromising yet soulful style has lead him around the world and he can be regularly found captivating crowds at the most discerning clubs alongside Terminal V events... Full interview with Stephen Brown - terminalv.co.uk/podcast001-stephen-brown/ ---------------------------- Upcoming Terminal V events: www.terminalv.co.uk/events
Detroit-born, Berlin-based Alan D. Oldham has been called "Detroit Techno's Renaissance Man" by Muzik Magazine ( UK ). Electronic musician, label owner, remixer, graphic illustrator, and international DJ, Oldham-under his stage name DJ T-1000-does it all. A lifelong cartoonist and graphic designer, a young Oldham published his own indie comic book "Johnny Gambit" in 1987 to local notoriety. Hired that same year by his childhood friend Derrick May to illustrate several memorable pieces for his new Transmat label, this led to Oldham's very first involvement in the fledgling Detroit Techno scene. More art requests quickly followed, most famously from the Djax-Up-Beats label ( NL ), where his art took center stage for many years (the lone EP that Oldham produced for Djax, under the name Signal To Noise Ratio, brought home a 1991 Detroit Metro Times Music Award for best single in "Detroit Is Burning"). As a DJ, he has played clubs and festivals all over the world, as far afield as Shanghai, China. As a producer, he has released on Tresor ( DE ), BPitch Control ( DE ), Third Ear Recordings ( UK ), Elypsia Records ( BE ), Finale Sessions ( USA ), Astralwerks ( USA ), and my own labels Generator and Pure Sonik Records, among others. TRACKLIST: DJ T-1000 - Body Signal ( Unreleased ) Dubfire presents Evolv - Deadbug 4A Mr G - All U Need Plural - You Crazy MF Patrick DSP - Isolation DJ T-1000 - I Told ‘Em I Was From Detroit ( Scan 7 Remix ) Xander - Control Anne Clark - Our Darkness Black Girl White Girl - Destroy All Monsters!! FBK - I’ll Sit Back ( LF Hardspace Mix ) DJ T-1000 - New Acceleration ( Unreleased ) Andre Crom - Ceres Gaetano Parisio - Untitled_A1 DJ T-1000 - My Body Is Ready ( P. Leone Remix ) ( Unreleased ) Kraftwerk – Numbers / Computer World 2 Follow ALAN OLDHAM here: Web: http://www.alanoldham.com/ Resident Advisor: https://www.residentadvisor.net/dj/djt-1000 Facebook: https://www.facebook.com/AlanOldhamMusic/ Instagram: https://www.instagram.com/alan_oldham_/?hl=it Soundcloud: https://soundcloud.com/dj-t-1000 Beatport: https://www.beatport.com/artist/dj-t-1000-aka-alan-oldham/114363 Bandcamp: https://djt1000.bandcamp.com/ Discogs: https://www.discogs.com/artist/1108-DJ-T-1000 Contact: booking@bpitch.de --- Follow TECH CLUBBERS here: Web: https://www.techclubbers.com/ Resident Advisor: https://www.residentadvisor.net/profile/techclubbers Facebook: https://www.facebook.com/TechClubbers/ Instagram: https://www.instagram.com/techclubbers/ Soundcloud: https://soundcloud.com/techclubbers Mixcloud: https://www.mixcloud.com/TechClubbersRadio/ Youtube: https://www.youtube.com/c/TechClubbersPodcast Contact: info@techclubbers.com
Mantis Radio 310 + Kareem Zhark Recordings' Kareem turns in a stunning session this week, alongside music from Holotone, Scorn, New York Haunted, JK Flesh and Echologist, Phase Fatale, Werk Discs, Fuel Records, King Cannibal, Southern Lord, Bjork, Mo Wax, and Mike Huckaby who passed last month. Show playlist available at Darkfloor.
Bsession 071 Artist: Cesare vs Disorder| @cesare-vs-disorder | @https://soundcloud.com/serialism | BR Genre: House Duration: 71:02 Released: 10/12/19 Recorded: Sāo Paulo, Brazil Cesare Marchese is an Italian now Brazilian based artist, composer, music producer and audio engineer. Now based in São Paulo since a few years he’s setting Brazil nightlife ablaze with events in main cities but also touring the planet constantly. His background is eclectic, obsessive, ranging from classical music studies and live drums to a deep passion for jazz, electronica and hip hop and his discography stretches over for years and continents and includes top labels such as Cocoon, Bpitch Control, Transmat and Vakant plus his own label Serialism that has been a reference in the industry since more than a decade.
Run it Red from Ben Sims is back with the freshest new beats around. This month's edition features the likes of NewworldAquarium, Scan 7, FJAAK, Ken Ishi, Truncate, Jeff Mills, SecretSundaze and more. The next show goes out live at midnight on Saturday night/Sunday morning of the 14th September via www.nts.live You can also sign up to the podcast via iTunes, Acast or wherever you get your podcasts as well as subscribing to the Spotify playlist of tracks via this link > bit.ly/RUNITREDSPOTIFY please send any music to promos@djbensims.com BEN SIMS pres RUN IT RED 55. AUG 2019 1. Sweely - Please Stay. La Chinerie 2. Urulu - Quasimidi (Explored). Tartelet 3. Tripmastaz - Got My Visa!. Bass Culture 4. Newworldaquarium - Mercury. Delsin 5. Delroy Edwards - Funny Style. Apron 6. Basic Rhythm - The Light. Planet Mu 7. Avision - Retro. Unknown 8. Scan 7 - Chuuch. Transmat 9. Ecilo - This Is What We Do. Visillusion 10. Boris Acket - Znton 06. De Lichting 11. Fjaak - Turn It Up . Spandau20 12. Gforty - Bargain Centre. Momb 13. Ryan Elliott - Get To You. Faithbeat 14. Martinez - Inter Species Relations. Slap funk 15. Unknown - Unknown. W R House 16. Truncate - Utility 2. EI8HT 17. NIKK - Force Of Pleasure. Spandau20 18. SecretSundaze- Mezcal. SecretSundaze 19. Joe Claussell pres Cosmicdelic Africa - Okoasambi (Traditional). Sacred Rhythm 20. Franco Cinelli - BC. Bass Culture 21. AWOL - 54 973379, -1 614705 (Markus Suckut Remix). Jaunt 22. JTC - Innerloire Rendezvous. Spectral Sound 23. Marquis Hawkes & DJ Haus - Feel So Real. UTTU 24. Chambray - Where You At?. Dirtybird 25. Cari Lekebusch - Flip A Lid. H-Productions 26. Frag Maddin - Gotta Run. Misstress 27. Fabio Monesi - Flanger City. Craigy Knowes 28. Gforty - Todo Esse Caos No Mundo. Momb 29. John Jastszebski -Wonder. Bass Cluture 30. Spencer Parker - You’re Under My Control Now (Fadi Mohem Remix). Rekids 31. Submerge and Hiroko - X.SPE.8086 (Truncate Remix). Impact Mechanics 32. Tom Flynn - I Don't Know. Into Orbit 33. JTC - FlightSTRENS2Rd. Spectral Sound 34. Sanso - Crcketz. Wilson 35. Mark Forshaw - Hoax. Unreleased 36. Do the Du - Peckham. Stealth Mission 37. Ken Ishii - Escape (Industrialyzer Remix I). Code 38. TR - Tribe Task. End Of Dayz 39. Truncate - The Bell. Blueprint 40. VIL - Reaction. Float 41. Cosmin Trg - Mae Geri. Sportiv 42. Absent - Thin Leaves. Beardman 43. TWR72 - Summer Bod. Float 44. Deniro - Monsoon 2. Tape 45. Oscar Mulero - Solarized. Warm Up 46. Unknown Artist - Gateway To Infinity. Chronicles 47. Shifted - The Light Touch. SA 48. Sleeparchive - Trust (v.2). Tresor 49. Cloze Encounter & Stndrd - Contra. Primitive State 50. Andres Gil - Radiation (Moteka Remix). Deadcert 51. TWR72 - Pinch. Float 52. LSD - Process 6. LSD 53. Vohkinne - XY. Out Electronics 54. Electric Rescue - TST 04 (Joton Remix). KR 55. Rove Ranger - Metrik. Android Muziq 56. Cari Lekebusch - Off The Hinge. H-Productions 57. Blue Hour - Front (D Dan Remix). Blue Hour 58. Moteka - Dystrophy. Newrhythmic 59. Jeff Mills - Stabilising The Spin. Axis 60. PVNV - Pandonium. Norite 61. Petrichor - 6EQUJ5. Soma 62. Systm B - Long Tail. AtJazz 63. Premis - Awkward Eye Contact. Uncage 64. Premis - Commonly Known. Uncage
Matar el silencio es la obligación para el dancefloor. Y disfrutarlo al máximo como el single de Depeche Mode. Por ello, para este set , G@botron pensó en algunos tracks sumamente energéticos que fueron saliendo al azar, con unos nuevos disquitos en vinyl que recientemente llegaron junto con otros tracks clásicos que a tocado en sus ultimas fiestas. Podrán encontrar referencias de disqueras como Transmat, Mancha, Omena, Madhouse, Vicario Musique, Trax, Rough, Velours, entre otras. Altamente recomendado si se quiere bailar. ¡Disfrutenlo!
Matar el silencio es la obligación para el dancefloor. Y disfrutarlo al máximo como el single de Depeche Mode. Por ello, para este set , G@botron pensó en algunos tracks sumamente energéticos que fueron saliendo al azar, con unos nuevos disquitos en vinyl que recientemente llegaron junto con otros tracks clásicos que a tocado en sus ultimas fiestas. Podrán encontrar referencias de disqueras como Transmat, Mancha, Omena, Madhouse, Vicario Musique, Trax, Rough, Velours, entre otras. Altamente recomendado si se quiere bailar. ¡Disfrutenlo!
Matar el silencio es la obligación para el dancefloor. Y disfrutarlo al máximo como el single de Depeche Mode. Por ello, para este set , G@botron pensó en algunos tracks sumamente energéticos que fueron saliendo al azar, con unos nuevos disquitos en vinyl que recientemente llegaron junto con otros tracks clásicos que a tocado en sus ultimas fiestas. Podrán encontrar referencias de disqueras como Transmat, Mancha, Omena, Madhouse, Vicario Musique, Trax, Rough, Velours, entre otras. Altamente recomendado si se quiere bailar. ¡Disfrutenlo!
Laurent Garnier « Jacques In The Box » feat. LBS crew Entre transe et amertume, euphorie et désespoir, Laurent Garnier nourrit ses machines de sentiments humains intenses. Le DJ français est aussi généreux aux platines que lorsqu'il s'agit de parler musique, et pas seulement celle de Carl Graig ou du label Transmat par exemple. Pionnier de l'electro en France, icone des clubs internationaux, l'adolescent qui rêvait de faire danser les gens est toujours dans le coup après 30 ans de carrière, comme le prouve ce single, « Jacques In The Box ». Avec son complice Scan X du LBS crew, ils décomposent ensemble chaque ingrédient de leur recette avec la précision des grands chefs. Le site et le SoundCloud de Laurent Garnier. Autres extraits dans l'épisode :- Carl Craig : « Goodbye World »- Dream Frequency featuring Debbie Sharp : « Feel So Real »- Laurent Garnier « First reaction »- DJ Medhi : « Tunisia Bambata » Dans cette deuxième saison, dix nouveaux producteurs français (King Doudou, Laurent Garnier, Trackbastardz, Don Nodey...) racontent le « making of » de leur plus grand tube.En partenariat avec Clique.tv Enregistrements : 2018 - Auteurs : David Commeillas, Samuel Hirsch - Réalisation : Samuel Hirsch - Illustration : Marine Stéphan - Production : ARTE Radio
This is a regular podcast of mostly guest DJ mixes and live sets from producers, live acts and DJ's who are rising or established talent. Subscribe via iTunes : apple.co/2wZAVvJ Interview & tracklist: https://bit.ly/2X2WCLg Guests are encouraged to explore a bit further into their collections with an opportunity to step away from the dance floor if they desire. The eighth guest mix in the podcast series is from Biz (@biz) who has been involved the Sydney dance music scene it started here.. This mix includes loads of his unreleased and forthcoming tracks along with some absolute classics. We are super excited for you to hear this one. Biz has worn many hats as a DJ since the early 90’s under the name Biz E (now just Biz), on support for the cutting edge techno and electro acts (Dave Clarke, Green Velvet, Ritchie Hawtin, Carl Cox Laurent Garnier & Jeff Mills to name a faw), and as a promoter with his Flash series of parties and Technikal club night touring greats such as Derrick May, Juan Atkins, Carl Craig, Claude Young, DJ Godfather and DJ Rolando.. As a producer he has released as Biz/Biz E & Calix on his Cliq Recordings label, along with an upcoming release on Derrick May’s iconic Transmat label in after Derrick caning his track Biz - Don’t Stop in DJ sets for the last few years. Playlist 1. Biz - Autumn Blues 2. The Advent - Wasp 3. Calix - Day turns to Night 4. Calix - Summertime 5. Biz - Detroit is Burning 6. Biz - Turning Point 7. Black Jazz Consortium - Mystery of fantasy [Perpetual Sound] 8. Plaid-OI [Warp] 9. Dawl - Cyberdrone [Furthr Electronix] 10 Biz - Dont Stop 11. Biz - Revelation 12. James Ruskin & DVS1 - Page 1 [Blueprint] 13. Vince Watson - Aurelion 14. Kenny Larkin - Track [Warp] 15. Biz - Tres Chic 16. Martin Buttrich & Mathew Jonson - Synchronicity [Rhythm Assault] 17. BFC - Chicken Noodle Soup [ART] 18. DBX - Baby Judy [Accelerate] 19. Dopplereffekt - Infophysix [Dataphysix Engineering]
EVOLUTION est un podcast qui vous explique l’histoire d’un courant ou d’un genre musical. Pendant une heure, je vous explique la genèse et le développement de chaque genre, en vous faisant écouter les morceaux importants qui ont contribué à faire évoluer la musique populaire. Pour ce sixième épisode je m'intéresse à deux genres connexes qui représentent le côté le plus futuriste de la musique afro-américaine : l'electro et la techno. Tracklist : Frankie Knuckles – The Whistle Song (E.K. 12’’ mix) [Virgin Records, 1991] Herbie Hancock – Rockit [Columbia, 1983] Kraftwerk – It’s More Fun To Compute [EMI, 1981] Egyptian Lover – Egypt Egypt [Egyptian Empire, 1984] Afrika Bambaataa & The Soul Sonic Force – Planet Rock [Tommy Boy, 1982] Cybotron – Clear [Fantasy, 1983] Model 500 – No UFO’s [Metroplex, 1985] Rhythim Is Rhythim – It Is What It Is (majestic mix) [Transmat, 1988] Reese & Santonio – Truth of Self Evidence [KMS, 1988] X-101 – Sonic Destroyer [Underground Resistance, 1991] Underground Resistance – The Final Frontier [Underground Resistance, 1991] Drexciya – Bubble Metropolis [Underground Resistance, 1993] Carl Craig – At Les [Buzz, 1993] Plastikman – Spastik [Plus 8 Records, 1993] Jeff Mills – Man From Tomorrow [Axis, 1994] Robert Hood – Minus [Tresor, 1994] The Aztec Mystic – Jaguar [Underground Resistance, 1999]
That effing drifter... Band of the week is Unturned Patreon.com/BarelyADS BarelyADS.com BarelyADestinyShow@gmail.com twitter.com/BarelyADS Twitch.tv/BarelyADS
In the second episode of This Is Modulations Greg Gow (Truesoul,/Transmat) takes us a deeper journey: Music from artists such as Robert Hood, Deetron and Steve Rachmad plus many others. For more information please visit: www.thisismodulations.com www.greggow.com N/A This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
Born and raised in Detroit and based in Berlin, Alan Oldham a.k.a. DJ T-1000 has been called “Detroit Techno's Renaissance Man,” Not only is he the owner of the legendary Detroit labels Generator and Pure Sonik, and a veteran international techno DJ, the Detroit-born polymath is also an accomplished graphic illustrator, known globally for his iconic artwork for Djax-Up-Beats, +8 Records, Transmat, Astralwerks and many other electronic music labels. www.alanoldham.com/ https://www.residentadvisor.net/dj/djt-1000 https://www.bpitch.de/artist/alan-oldham/ twitter.com/slamdjs facebook.com/Slam.soma slam-djs.com Subscribe on Spotify: http://bit.ly/SlamRadioOnSpotify Subscribe on iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850 Slam Radio is produced at www.glowcast.co.uk For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk
Joey Negro is the most well-known pseudonym of master British DJ/producer/remixer Dave Lee. Under a plethora of other monikers including Akabu, Doug Willis, The Sunburst Band, Jakatta, Raven Maize, Sessomatto, and Z Factor, Dave was one of the first artists to incorporate disco samples in house music when he began his production career in 1988. Indeed, he was in the studio making credible British House music when many luminaries around him were still busy getting to grips with their decks. Little has changed since then and Dave is still widely regarded as one of the forefathers of the UK dance scene who is still as productive as ever in the studio and behind the decks most weekends. A producer first, his work ethic is legendry, having been involved in well over 300 productions, countless albums and a healthy stack of pop crossover hit singles with tracks such as ‘Must Be The Music’, ‘Make A Move On Me’ and Jakatta’s ‘American Dream” making the UK Top 10. Dave has also been commissioned to remix the likes of Kelly Rowland, Empire of the Sun, Mariah Carey, Labrynth, Pet Shop Boys, Diana Ross and many many more. He also conceived and produced the UK number 1 “Relight My Fire” by Take That. However, despite the crossover successes the majority of Dave’s productions have had the heart in underground clubland – with releases on many seminal house music labels – Transmat, Nu Groove, Quark, JBO, Azuli, Deconstruction Guidance & NRK. Intrinsically linked with the birth of house in the UK, Dave Lee set up the dance music division of Rough Trade, Demix in 1986 and through this link, he began working with the Rhythm King label, which had had a number of hits with acts like Bomb The Bass, S-Express, Cookie Crew and Beatmasters. This experience and intimacy with other leading house labels led to him establishing his own imprint, Republic Records, in 1988. Now defunct, Republic was one of the UK’s first soulful house label releasing classics such as Phase II “Reachin” and Turntable Orchestra “You’re Gonna Miss Me” - as well as some early productions of his own like Raven Maize “Forever Together” Joey Negro, as an entity, was born in 1990 with the release of “Do It Believe It’ on US cult house label Nu Groove. When struggling for an act name Dave flicked through a pile of records next to his desk and ending up putting together Pal Joey and J Walter Negro - “I thought it sounded like a cool hispanic New York guy, I certainly never envisaged I’d be answering to the name Joey 25 years later”. The track was a breakthrough success and was followed by ‘Do What You Feel’, which was released on his second label and successor to Republic, Z Records. ‘Do What You Feel’ eventually crossed from a club hit to a top 40 pop hit on Virgin Records. Another Top 40 track followed with “Love Fantasy” and an album “Universe of Love” with guest appearances from disco acts The Trammps and Gwen Gutherie. Throughout the 90/00’s Dave delivered a constant stream of productions and remixes with tracks like his “Can’t Get High Without U” and Z Factor “Gotta Keep Pushin” (used as the theme for Ibiza Uncovered) becoming anthems on the dancefloor. These days his label ZR is not only a vehicle for him to release his own music but has become a very cool brand featuring productions and remixes from both cutting edge and established producers like Dennis Ferrer, Jimpster, Henrik Schwarz, The Revenge and Frankie Knuckles. Dave’s work producing live disco act The Sunburst Band has been the source of much praise and adoration. Their fourth album ‘The Secret Life of Us’ from 2012 was yet another power house of all things soul, jazz, and funk featuring a host of live musicians and vocalists has been widely regarded as the strongest Sunburst album yet. The LP topped the Solar Sweet rhythms for over 2 months (a record), Starpoint Soul chart, Amazon Funk chart and has received across the board props. The band continue to tour around the world on a regular basis. Dave has remained an avid vinyl collector and has put together many genre defining compilations – ‘Disco (Not Disco)’ (Strut), ‘Joey Negro In The House’ (Defected), ‘Disco Spectrum’ Vol.1–3 (BBE), ‘Jumpin’ 1& 2 (Harmless), Southport Weekender Volume 1, ‘Nite:Life’ and ‘Back In The Box’ (NRK) ‘The Trip’ (Family Records) ‘The Voyage – Excursions into Early House’ (X Treme) & ‘Lust: Art & Soul’ (Susu). Whilst on ZR he’s compiled ‘Destination Boogie’, ‘Locked In The Vinyl Cellar’, ‘Supafunkanova’ ‘The Soul of Disco’ (Vol.1-3), ‘Back Street Brit Funk’ and the latest labour of love ‘GoGo Get Down’ that focused on Washington DC GoGo funk, all of which continue to further cement him as one of the UK’s foremost musical authorities. Not wanting to hog all the limelight, Dave has started the ‘Under The Influence’ series on ZR which gives a platform to some of the worlds most serious record collectors – unknown names who’ve spent their lives collecting music and have the knowledge to put together a wicked selection on previously unheard music. His discography is undoubtedly impressive and his deep understanding as a selector of all things disco and house on the dancefloor have ensured his status on the global DJ circuit worldwide to this day. Joey Negro's dj sets reflect his extensive love of music ranging from rare disco through to vocal and classic house and often into more deep, electronic and techy areas, his sets littered with exclusives, old and new. Where as many producers from his era have tended to ease off on the studio work Mr Lee keeps turning out the club hits, evident in 2012 when he had 5 releases in the Traxsource end of year top 100. 2013 saw his long awaited compilation ‘Remixed With Love’ hit the stores. Packed with brand new remixes of classic disco tracks all reworked from original 24 track tapes and including artists such as Roxy Music, Patrice Rushen & Roy Ayers, the album topped sales charts on Amazon and Juno and stayed at No.1 on Traxsource for 4 months. His Akabu track "Everybody Wants Something" also featured in many end of year ‘best of’ charts. Joey has kept the pressure on in 2014 with singles under his Z Factor, Doug Willis and Sunburst Band aliases plus remixes for Zo! and Tramhead. He also put together and released a universally applauded Italo House album which dug deep into house history delivering some forgotten gems that still sound great today. Looking forward to next year there are already three albums lined up - Supafunkanova Volume 2, Remixed With Love Vol. 2 and a stunning compilation of 90s House and Garage. Also look out for a new artist album from Joey Negro coming soon... For all booking enquiries please email simon AT zrecords DOT ltd DOT uk
Joey Negro is the most well-known pseudonym of master British DJ/producer/remixer Dave Lee. Under a plethora of other monikers including Akabu, Doug Willis, The Sunburst Band, Jakatta, Raven Maize, Sessomatto, and Z Factor, Dave was one of the first artists to incorporate disco samples in house music when he began his production career in 1988. Indeed, he was in the studio making credible British House music when many luminaries around him were still busy getting to grips with their decks. Little has changed since then and Dave is still widely regarded as one of the forefathers of the UK dance scene who is still as productive as ever in the studio and behind the decks most weekends. A producer first, his work ethic is legendry, having been involved in well over 300 productions, countless albums and a healthy stack of pop crossover hit singles with tracks such as ‘Must Be The Music’, ‘Make A Move On Me’ and Jakatta’s ‘American Dream” making the UK Top 10. Dave has also been commissioned to remix the likes of Kelly Rowland, Empire of the Sun, Mariah Carey, Labrynth, Pet Shop Boys, Diana Ross and many many more. He also conceived and produced the UK number 1 “Relight My Fire” by Take That. However, despite the crossover successes the majority of Dave’s productions have had the heart in underground clubland – with releases on many seminal house music labels – Transmat, Nu Groove, Quark, JBO, Azuli, Deconstruction Guidance & NRK. Intrinsically linked with the birth of house in the UK, Dave Lee set up the dance music division of Rough Trade, Demix in 1986 and through this link, he began working with the Rhythm King label, which had had a number of hits with acts like Bomb The Bass, S-Express, Cookie Crew and Beatmasters. This experience and intimacy with other leading house labels led to him establishing his own imprint, Republic Records, in 1988. Now defunct, Republic was one of the UK’s first soulful house label releasing classics such as Phase II “Reachin” and Turntable Orchestra “You’re Gonna Miss Me” - as well as some early productions of his own like Raven Maize “Forever Together” Joey Negro, as an entity, was born in 1990 with the release of “Do It Believe It’ on US cult house label Nu Groove. When struggling for an act name Dave flicked through a pile of records next to his desk and ending up putting together Pal Joey and J Walter Negro - “I thought it sounded like a cool hispanic New York guy, I certainly never envisaged I’d be answering to the name Joey 25 years later”. The track was a breakthrough success and was followed by ‘Do What You Feel’, which was released on his second label and successor to Republic, Z Records. ‘Do What You Feel’ eventually crossed from a club hit to a top 40 pop hit on Virgin Records. Another Top 40 track followed with “Love Fantasy” and an album “Universe of Love” with guest appearances from disco acts The Trammps and Gwen Gutherie. Throughout the 90/00’s Dave delivered a constant stream of productions and remixes with tracks like his “Can’t Get High Without U” and Z Factor “Gotta Keep Pushin” (used as the theme for Ibiza Uncovered) becoming anthems on the dancefloor. These days his label ZR is not only a vehicle for him to release his own music but has become a very cool brand featuring productions and remixes from both cutting edge and established producers like Dennis Ferrer, Jimpster, Henrik Schwarz, The Revenge and Frankie Knuckles. Dave’s work producing live disco act The Sunburst Band has been the source of much praise and adoration. Their fourth album ‘The Secret Life of Us’ from 2012 was yet another power house of all things soul, jazz, and funk featuring a host of live musicians and vocalists has been widely regarded as the strongest Sunburst album yet. The LP topped the Solar Sweet rhythms for over 2 months (a record), Starpoint Soul chart, Amazon Funk chart and has received across the board props. The band continue to tour around the world on a regular basis. Dave has remained an avid vinyl collector and has put together many genre defining compilations – ‘Disco (Not Disco)’ (Strut), ‘Joey Negro In The House’ (Defected), ‘Disco Spectrum’ Vol.1–3 (BBE), ‘Jumpin’ 1& 2 (Harmless), Southport Weekender Volume 1, ‘Nite:Life’ and ‘Back In The Box’ (NRK) ‘The Trip’ (Family Records) ‘The Voyage – Excursions into Early House’ (X Treme) & ‘Lust: Art & Soul’ (Susu). Whilst on ZR he’s compiled ‘Destination Boogie’, ‘Locked In The Vinyl Cellar’, ‘Supafunkanova’ ‘The Soul of Disco’ (Vol.1-3), ‘Back Street Brit Funk’ and the latest labour of love ‘GoGo Get Down’ that focused on Washington DC GoGo funk, all of which continue to further cement him as one of the UK’s foremost musical authorities. Not wanting to hog all the limelight, Dave has started the ‘Under The Influence’ series on ZR which gives a platform to some of the worlds most serious record collectors – unknown names who’ve spent their lives collecting music and have the knowledge to put together a wicked selection on previously unheard music. His discography is undoubtedly impressive and his deep understanding as a selector of all things disco and house on the dancefloor have ensured his status on the global DJ circuit worldwide to this day. Joey Negro's dj sets reflect his extensive love of music ranging from rare disco through to vocal and classic house and often into more deep, electronic and techy areas, his sets littered with exclusives, old and new. Where as many producers from his era have tended to ease off on the studio work Mr Lee keeps turning out the club hits, evident in 2012 when he had 5 releases in the Traxsource end of year top 100. 2013 saw his long awaited compilation ‘Remixed With Love’ hit the stores. Packed with brand new remixes of classic disco tracks all reworked from original 24 track tapes and including artists such as Roxy Music, Patrice Rushen & Roy Ayers, the album topped sales charts on Amazon and Juno and stayed at No.1 on Traxsource for 4 months. His Akabu track "Everybody Wants Something" also featured in many end of year ‘best of’ charts. Joey has kept the pressure on in 2014 with singles under his Z Factor, Doug Willis and Sunburst Band aliases plus remixes for Zo! and Tramhead. He also put together and released a universally applauded Italo House album which dug deep into house history delivering some forgotten gems that still sound great today. Looking forward to next year there are already three albums lined up - Supafunkanova Volume 2, Remixed With Love Vol. 2 and a stunning compilation of 90s House and Garage. Also look out for a new artist album from Joey Negro coming soon... For all booking enquiries please email simon AT zrecords DOT ltd DOT uk
Originally from Detroit, born and raised, this Atlanta transplant, has been a DJ since his youth. From backyard and basement parties as a youngster, to the small club scene of metro Detroit, Reggie Dokes eventually became a sought after DJ in Mo-Town. Fast forwarding to 2001 he created his label Psychostasia Recordings, which after a period of hibernation has been reinvigorated in 2017... Having released on heavyweight labels such as Clone, Transmat, Royal Oak and We Play House, Reggie's ear for a soulful flavour of US house is finely tuned. His mix here is no exception. Happy Friday folks...
♫ Read More ♫: http://www.deephouseamsterdam.com/premiere-scan-7-sunday-on-saturday-original-mix 'Test of Time' EP is available 16 July on Transmat Records https://soundcloud.com/scan-7 https://www.facebook.com/scan7detroit
Fondée en 1986 par l'un des père fondateur de la techno : Derrick May, Transmat est aujourd'hui un des plus anciens label du genre. Tracklist : X-Ray - Let's Go Rhythim Is Rhythim - Strings of Life Bang The Party - Release Your Body (acid Batchelor Mix) Dark Comedy - War Of The Worlds (Dark Room Mix) Suburban Knight - The Art Of Stalking Aril Brikha - Groove La' Chord Matthew Dear - Dog Days Karim Sahraoui - Stella Francesco Tristano - Pacific FM Hiroshi Watanabe - Leonids
前回の配信は2016年1月の頭でした。 が、その時のMIXは2015年12月の新譜MIXだったので、今回のMIXが2016年リリースのトラックを使った正真正銘2016年の初回MIXになります！！！ 前回のMIXも含めこの3ヶ月弱で500DLを突破しました。 世界中の方々に聴いていただけて感謝ですm(__)m 今回1月分の新譜MIXが配信できなかったので1〜2月分まとめてです！ と、ここまでは今まで何度かあったのですが、今回は初の試み。 MIXをLightSide(DeepHouse/SoulfullHouse Set)とDarkSide(Techno/Minimal/Progressive)に分けての配信！！！ 今までは1つのMIXでHouse〜Technoと展開を作り幅広く掛けてましたが今回はHouseならその中での展開、TechnoならTechnoでの展開で構成しています。 このMIXはDarkSide(Techno/Minimal/ProgressiveSet)です。 珍しくBPMも中盤あたりから126くらいまで上げています。 一番の注目トラックはDerrick May主催のレーベル"Transmat"が復活し、日本人初のリリースになる個人的に以前から綺麗なメロディラインが大好きなHiroshi WatanabeのMultiverse!!! 4月にアルバムがリリース予定ですが、現段階ではVinylオンリーのトラックなので必聴です。 前置きが長くなりましたが、早速全18トラック82分のCruiseへ♪ 1. Lady Feat. Aisha (wAFF Remix)/Citizenn 2. La Pasadena (Original)/Andre Butano & Pablo Inzunza 3. Vapour (Original Mix)/Dmitry Molosh 4. Euforia (Original Mix)/John Cosani 5. BWR/Sugiurumn & Nao Nomura & Osakaman 6. Odd Concept (Original Mix)/Anna 7. The Enemy Feat. Felix Da Housecat (Original Mix)/Matador 8. Ladies Loves Chords (Original Mix)/Congrat 9. Surreal (Original Mix)/Jayforce 10. House Is Mine (Original Mix) /Dino Maggiorana 11. Fusion (Original Mix)/Jay Lumen 12. Growler (Original Mix)/Pig & Dan 13. The Multiverse/Hiroshi Watanabe 14. 9909LA (Christian Smith's Filtered Dub Mix)/Marc Marzenit 15. Magenta (Original Mix)/Miss Melera 16. Mystic Path (Original Mix)/Tash 17. Silver (Original Mix)/Hunter/Game 18. Cloud Runner (Joel Forsberg Remix)/We Need Cracks
AZIMUTE (Crosstown Rebels, Transmat, Serialism)are the fresh new act from the legendary QUENUM & the unstoppable CESARE vs DISORDER. Hear them live at Subsonic Music Festival. They are also touring nationally for Subsonic Music. More on Azimute: http://www.residentadvisor.net/dj/azimute
K1971 PODCAST - DJ T-1000 aka Alan Oldham Alan Oldham has been called "Detroit Techno's Renaissance Man" (Musik, UK).A lifelong cartoonist and graphic designer, a young Oldham published his own comic book "Johnny Gambit" in 1987 to local notoriety. Hired that same year by his childhood friend Derrick May to illustrate several memorable pieces for the new Transmat label, this led to Oldham's first involvement in the fledgling techno scene. Besides his art and writing, 1987 also saw Oldham's radio debut on Detroit's WDET-FM with the long-running 'Fast Forward' program. Originally meant to be a free-form rock, jazz and fusion show, Oldham's passion for both local and international electronic music gradually took centerstage until it finally became the only radio program in Detroit to feature techno and house music exclusively. The early cassette, reel-to reel and four-track material of such (now) well-known international artists as Underground Resistance, Carl Craig, Kenny Larkin, Octave One, Anthony Shakir, and Richie Hawtin made its on-air debut here, as well as being the first and only show to break international acts like Moby, Joey Beltram, 808 State, LFO, Front 242, Nitzer Ebb, and others in Detroit. In 1988, Oldham graduated from Wayne State University with a degree in Radio-TV-Film. In 1990, having finally produced his own EP at a friend's studio, Oldham sold the project to a small Dutch label whose fax number he found in the record bins of Recordtime. His pseudonym for the four-track project was Signal to Noise Ratio released by the small Dutch label, DJAX Records. After the release of the EP, label boss Saskia "Miss DJAX" Slegers hired Oldham to create the graphic identity of DJAX-UP-BEATS. Ten years on, DJAX dominates the Dutch techno scene and Oldham's trademark visual style still defines the label. In 1992, Jeff Mills left Underground Resistance to become a solo act. "Mad" Mike Banks, needing an immediate replacement DJ for a month-long Austrailian live tour, tapped Oldham for the job. Without rehearsals, Oldham took the leap of faith that changed his life. Jump start into infamy. Leaving his increasingly-thankless WDET airshift behind forever and adopting the onstage personal of DJ T-1000 (taken from the shape-shifting liquid metal cyborg in "T2"), Oldham began rocking decks for UR and never looked back, setting the stage for subsequent UR "assault DJs"Rolando and James Pennington. Upon returning from UR's triumphant Austrailian tour, Banks again tapped Oldham's many talents, this time asking him to create a label to be distributed by a new company that Banks was organizing, a distributorship that would within a few years come to dominate the Detroit landscape: Submerge. Oldham agreed and his second and most successful attempt at a label, (the first was the disasterous Technika records 1989) would be called Generator. It was also during this time that Oldham once again became prolific, artwise. A fully-painted "Danger Girl" comic strip in Muzik UK and the album cover for Astralwerks "Beyond The Third Wave" (ASW6170) compilation marked 1995, as well as his debut retrospective at Detroit's Cement Space Gallery and a new "Miss DJAX" comic. With his solo career in full swing, however, it was time for his music to follow suit. Oldham established the Pure Sonik label in 1996 with the double-barreled, double-vinyl statement of intent "Pure Sonik Manifesto" (PURE1). This move garnered his first cover story in Magic Feet (UK), and a music video that aired on MTV UK's "Party Zone". Three years later, the label continues to feature Oldham's production talents as DJ T-1000, the best moments of which can be found on the CD/2x12", "A Pure Sonik Evening" (PURE10) . In 1998, Oldham began an alliance with legendary German techno label, Tresor when their label manager vacationing in Detroit, was blown away be his demo tracks. Signing him on the spot, the first product of that transatlantic union was "Jetset Lovelife EP" (Tresor87) and his debut performance at the Tresor club in Berlin. In between a solid year's worth of DJ dates both in the US and abroad, the release of his first-ever mix CD "Live Sabotage" (BML/X-Sight 6386), and many personal changes at home, Oldham delivered his debut album "Progress" (Tresor128). It was released in Europe in October 1999 and a world tour quickly launched, capped by an epic, four-and-a-half hour set at the Tresor Club, broadcast live over the internet. "Progress" was bracketed by the dual release of "Codes And Structures Vol 1" (PURE11) and "Vol 2" (PURE12) on his own Pure Sonik label. As the new millenium began, Oldham produced a second mix CD "The Last DJ On Earth" (PURE14) , launched 2 websites (both for label and his art), participated in DEMF 2003, released of another album "Neutra" (PURE17CD), and a return to artwork. After over a decade in the music business, DJ T-1000's job of World Sonik Domination is never done. Oldham in 2006 started his first-ever, low-tempo/experimental, CD-only label, "xfive." and presented its first release, "The Art of Transformation" (X5001CD) inspired by his art gallery openings in France, Los Angeles, Chicago, and Germany. Another "Art of Transformation" CD released in January 2008. In 2009, Oldham released an all new Johnny Gambit comic with accompanying original soundtrack with 2nd installment and soundtrack finished in March 2013, awaiting release.2012 saw the rise of the moniker, Detroitrocketscience (first appeared on xfive), and debut of label of same name with the release of a series of 10" records in 2012/2013.
Motorcitysounds is a heart and soul driven concept... bringing you a record label, An fm/livestream radioshow, underground party nights and artist agency.
Luis Rozalén has been exposed to electronics since late eighties, he bought his first synth in 1987 and formed a band called Ballet Mecánico, heavy sinthy pop influenced. After travelling to London he discovers acid house and LFO, then came Detroit with all the first UR releases and Transmat. Heavily shocked, he decides to start as a dj after a Kenny Larkin show in the first Sonar Festival 1995. Now he regularly plays all over the place and in the best Festivals like Sonar, Art Futura, Festimad, BAM, Benicàssim,… and clubs around the world. His primal succes comes in the form of Atlas label. During three years he creates a trademark of techno sound, appreciated by key dj’s worldwide, as Carl Cox (regularly charting his tunes) , Garnier or Hawtin. He runs SOFTWARE RECORDS in partneship with DECODER MUZIQUE.
For our 1 year anniversary week show we invited to close the 5 day live broadcasting at COCO.FM, one half of Black Nation Recordings artist “Ds and Cs”, Mr Dj Nova (Miami). The last show lasted 0ver 4 hours and we have 2 hrs for you this week!! Check out Nova’s Bio and enjoy the episode! Nelson Fernandez , also known as DJ Nova ,has been involved in Miami’s underground scene since the early 90s , And began djing in 1996 . Shortly after , he began spinning at local clubs such as Nikki Beach, Mission, Bash, BarRoom, Liquid, The Marlin Bar (Thursday Night Resident DJ ’99-‘02) and Meza(Coral Gables), and most recently: Nocturnal Terrace, and the Techno Loft @ Space – Miami. From 1997-‘99 Nova Hosted his own weekly internet radio show at The Womb (107.1FM , www.thewomb.com) a “REAL AUDIO” preset. Special Guests on his show included :Juan Atkins, John Acquaviva, Terrence Parker, Glenn Underground, Mike “Agent X” Clark, Boo Williams, Stryke, Christian Smith, and Mistress Barbara. On the show he had various World Premiers (first time broadcast) such as Transmat’s Time:Space Compilation, in March 1999 , as well as several releases from Hybrid Records and the Cari Lekebusch crew. He also makes guest appearances on several internet radio shows, such as Andrew Duke’s “Cognition Audioworks”, Radio Maestrals (Croatia) “Musika Na Struju”, and DJ Reversive’s “Bangin’ Grooves” show on Techno.FM . Nova has also been a regular on WVUM 90.5 FM(Univ. of Miami) on Friday nights Underground show since 1997. His bookings in the U.S. run up the East Coast including NYC, and to the Midwest including Columbus , OH in clubs such as Mecca , and The Redzone, and Detroit, MI in clubs such as The Works, Forans, and Panacea. His love for music has found him bookings internationally as well, spinning all over Central America and South America including Tango India and Club Oxygen in San Jose, Costa Rica. Club Morocco,Club Gotika, and Barfly in Bogota, Carnival in Medellin Colombia and Club Casbah in Antigua, Guatemala. Most recently , DJ Nova performed at the World Recognized , Movement Festival 2004 (formerly known as DEMF) on the historical Music Institute Stage, and Ultra Music Festival 2006, on the Beatport Techno Stage, alongside Pjay, Agent Orange, Marco Carola, DJ Hell, Adam Beyer, Chris Liebing, Mistress Barbara, Christian Smith, Mauro Picotto, and Richie Hawtin. Nelson’s Commitment to music comes from early in his childhood years , when he began playing guitar and percussion while involved with various rock , punk, funk, and jazz bands. Much of his deep knowledge of music comes from years of working at local record stores Such as Spec’s , Uncle Sams Music Cafe , and Virgin Megastore. It has all carried over to the present , as he is now working on his own exclusive DJ-tracks and using Traktor Scratch with over 4,000 records on file . All this while being the creator and event coordinator for the highly successful Miami Meets Detroit WMC BBQ , held annually during the Miami Winter Music Conference (1999-2005), showcasing artists such as Juan Atkins, Kevin Saunderson, Stryke, Phoenecia (aka Soul Oddity) , Sean Deason , Terrence Parker, DJ Minx, Alton Miller, The Beatdown Sounds Crew, DJ T-1000 , Matthew Dear, DJ Rolando “The Aztec Mystic”, Murk (Oscar G & Ralph Falcon), and Magda. “Pornograph Events”, Nelson’s vision for Miami’s local scene went a step further, by showcasing artists such as: Derrick May, Stacey Pullen, Bryan Zentz, DJ Rolando, Kevin Saunderson and Lee Burridge outside of the “WMC” week. In a Market driven by TOP 40, Hip Hop, and Mash Ups, Pornograph Events, was one of THE FIRST and ONLY outlets for UNDERGROUND DANCE MUSIC in South Florida! Showcasing DJs & LIVE PA’s (A FIRST FOR A PROMOTER TO BOOK “Techno” LIVE PA’s IN A “MAINSTREAM Venue – DREAM NIGHTCLUB” outside of the WMC week-For A WEEKLY PARTY), such as: MARC ANTONA (LIVE), SHONKY, JONAS BERING (LIVE), MAZI, STEWART WALKER (LIVE), TOUANE (LIVE), KEVIN SAUNDERSON and JOHN ACQUAVIVA. Nelson’s latest partnership brings him together with a bright young prducer from Los Angeles, CA. Los Angeles based Luis Rosario and Miami based Nelson Fernandez (DJ Nova), have come together to form Ds and Cs. A derivative from their heritage, Dominicans and Cubans. Both shared similar influences as Detroit Techno bridged the gap between their coasts. Both share over a decade of DJ experience crossing dance venues coast to coast. As solo production artists, they continue to push their growing sound, Ds and Cs music production however, is a mix of old school and nu school creating a unique but modern day sound. With obvious ties to Detroit, their sound digs into those influences and creates a new feel. Keep your eye on this young DJ/Producer as he propells Miami to the cutting edge of electronic music!!
01. Shann-X - Bass Conspiracy 02. Gragee Vs. Mystic Letter K - Origins 03. ALH - Notionalist 04. Steve Stoll - Side Step 05. Illektrolab - In My World 06. Alavux - Floating 07. Braincell - Networks 08. AS1 - Ufo Cathering 09. Illektrolab - I´m Elektro 10. Cybotron - Clear (Cobblestone Jazz Remix) 11. Global Surveyor Feat. K1& Gab Gato - Global Surveyor (The Exaltics Journey Remix) 12. Model 500 - Night Drive (Time,Space,Transmat) 13. Gragee - Significance 14. Hardfloor - The Trill Acid Theme (E.R.P. Remix) 15. Shann-X - In The Shadows 16. Crotaphytus - Sceloporus Malachiticus 17. Crotaphytus - Crotaphytus Theme (CPU Remix) 18. Crotaphytus - Rhynchocephalia (Komarken Electronics Remix)
Artist Name: Mark Farina Web: http://www.djmarkfarina.net/ Biography: Shortly after Mark befriended Derrick Carter in 1988 at a record store in Chicago, his passion for House music, and sharing it with the world, exploded. Mark experimented with a deeper style, dropping De La Soul, disco classics and other stuff that wasn’t being played in the main rooms of nightclubs. While exploring his love for the purist forms of House Music, Mark developed his trademark style: Mushroom Jazz; acid jazz infused with the West Coast’s jazzy, organic productions combined with urban beats. Fans embraced Mark’s downtempo style so much that he started a weekly Mushroom Jazz club night in San Francisco with Patty Ryan. In 3 short years, the club established a fanatical, cult-like following for Farina and the Mushroom Jazz sound. When the doors closed, Farina continued the tradition by releasing a series of Cds on OM Records: simply titled, “Mushroom Jazz”. Since then, Mark has been traveling the globe performing 100s of shows, to over one million club goers, every year. His House sets take fans on journeys to the jazzy side of Chicago House mixed San Fran style. Some of these sets have been known to last up to 8 hours. And sometimes you’ll find Mark playing in two different rooms at the same party, showcasing his range of big room sound to the uber-chill. When Mark’s not touring, you can likely find him in his studio, working on his next release for his imprint, Great Lakes Audio, or on another signature mix for Mushroom Jazz. Mark’s chunky-funky underground house style continually turns the heads of tastemakers worldwide, drawing him not only new fans, but landing him on the Top DJs in the World lists by URB, MUZIK and BPM Magazines. 01. How did you approach the dj profession? Saw DJs playing vinyl in club at age of 15/16 and was interested. 02. Tell us your first time playing in a club? Very first time, my friend, who was a resident DJ at a club I went to regularly was in the middle of his set and told me to get on. I was a nervous wreck. The place was packed with 1000 people. 03. What device do you prefer to use in your live and studio set up? Live in clubs I use CDJ 2000s Pioneer. For production I like Akai MPC-4000. 04. Your Mushroom Jazz saga reached the 7th edition, what can we expect from the next edition? Don't know just yet… Stay tuned! 05. What are you favorite record labels? Coyote Cuts, Classic, Sire, Wax Trax, Transmat, Greenhouse, Sampled, BBE. 06. What lead you to found Great Lakes Audio? Always wanted my own label since I began DJing. Finally made it happen. 07. In your opinion how will electronic music change in the next 10 years? It will always be about good music. 08. What do you love and what do you hate in the DJs life? Love travel, meeting people and seeing new places. Don't like airport delays and bad sound systems. 08. What would you suggest to a beginner DJ? Practice. Practice. Practice. And do your homework. 09. Can you tell us something about your future works? MJ8 this year. Various remixes
Recorded in Pacha (Ibiza) During the Cadenza Vagabundos Residence Party (Essential Mix) No Introduction needed for Luciano, Simply a master at work. Born in 1978, Luciano is a DJ since 1993 and a producer since 1997. In the mid-90's, he was promoting Sense Club and Encuentros con la Technocultura in Santiago de Chile in the company of many initiators of the Latin American electronic music scene: Senor Coconut AKA Atom Heart, Ricardo Villalobos, Dandy Jack & brother Adrian Schopf, Washington Miranda, Argenix Brito, Microman etc. He's played radio stations and DJed clubs & events in Santiago and Latin America, Germany, Spain & Holland, settling in Switzerland in 2000 to release on Mental Groove Records in Geneva, where he also holds a residency at the Weetamix club. His releases appear on the Transmat, Perlon, Lo-Fi Stereo, Bruchstuecke and Klang Elektronik record labels. Luciano's mixed Swiss & Chilean identity shows in his music, a somewhat mystical blend of deep techno & electro that integrates southern elements in rhythms and colorful patterns in sound. His collaborations with Ricardo Villalobos (Playhouse, Perlon, Warp, Force Inc etc.) as Sense Club are especially rewarding, as is his partnership with Pier Bucci and Argenix Brito as Monne Automne. Mellowing his style as times goes by, getting more experimental and spacey with a fresh style of his own, Luciano's production is destined to the wiser dancefloors that have enjoyed his live sets in Peru, Chile, Argentina, the U.S., Spain, Germany & Switzerland. DJ-wise, Luciano's trade relies on groovy & minimal.
Stacey Pullen is an innovator from the second wave of Detroit techno; he grew up under the mentorship of Detroit's legendary three: Derrick May, Juan Atkins and Kevin Saunderson. Still continuing to produce his characteristic atmosphere laden electronic sound, Stacey Pullen compounds his reputation as a producer with that of being one of the world's most in demand DJs. Above all, from his earliest attempts to the current day Stacey Pullen has stayed true to his one goal: to become and to always be an Innovator. In the early days, through legenday Detroit club “The Music Institute”, Stacey quickly got to know the leading lights of Detroit's underground: Alton Miller, Chez Damier, Derrick May, and Jay Denham who influenced and taught him strongly. A couple of years later, in 1992, Derrick suggested that a good way to develop his skills would be for Stacey to do some remix work with Kevin Saunderson. Stacey began to work on remixes including one for Karen White ‐'The Way I Feel About You', for Prodigy and KMS – just to name a few. Thus Stacey truly became part of the Transmat / Metroplex / KMS team. After touring Europe with Derrick May all of 1993, Stacey moved back to Detroit, ready to establish himself and start his own label. Throughout 1994 he commuted between Europe and the USA, finishing the Silent Phase album on R & S. Releases like 'The Sphinx' as Bango and the first Silent Phase album on Transmat followed as well as a couple of releases on Plink Plonk by the alias 'Kosmik Messenger' and 'Eye to Eye and 'Flash' ‐ both released in 1995. In 1998 Stacey was invited to produce his very first major label release on Virgin Records, and at the same time opened the label he had wanted to start for about three years, 'BlackFlag'. Its debut release, Black Odyssey‘s „Sweat“, was considered a future classic. The pseudonym under which Stacey recorded also dropped the labels second release „Stand“. Both found great success and went on to be licensed to a number of compilation albums, including Stacey‘s „Fabric 14“ mix compilation. Around that time, Stacey took a break from recording and spent the next years concentrating mainly on furthering his own musical education and Djing. 2011 sees Stacey still on the road, bringing his signature eclecticism to some lucky parts of the planet. As a result, every set becomes more personalized, more unique, a window into Stacey's musical passions. With Black Flag resurrected, 2010’s hit "Alive" is now followed up by "Get Up" in April 2011. „I wanted to create a clean palette of ‚beats‘ music. Programming it to deliver a serious groove that would keep on coming, progressing and leaving you wanting more.“ Yes, please."
Meticulously assembled then recorded down onto cassette, London producer Matt Whitehead reworks and splices together his two 30-minute sets from this year's Bloc Weekend (one performance being at Brackout, the tribute to the much-missed Ben Bracket that kickstarted the festval). Along with material released collaboratively as Cyantific and Signal Type, Matt has two essential electro 12"s out under his own name for London's Rebel Intelligence collective. Like his set from 2010's Bloc Weekend, this is the real deal. Play it loud. Tracklisting: Hollywood And The Heat - I Need You / (1988) Westside Records - 00:17 "Fast Eddie" Smith - Jack The House / (1987) Underground - 01:24 Reese - Just Want Another Chance / (1988) Incognito Records - 00:39 Julian Jonah - Jealousy And Lies / (1988) Cooltempo - 02:11 Nami Shimada - Sunshower (Original Version) / (1991) Colombia - 03:36 Fallout - Morning After (Sunrise Mix) / (1987) Fourth Floor Records - 04:07 Fast Eddie - Jack To The Sound Of The Underground / (1988) D.J. International Records - 04:54 Fingers Inc - Distant Planet / (1988) Jack Trax - 04:54 Jungle Wonz - Bird In A Guilded Cage / (1993) Trax Records - 05:33 Virgo Four - In A Vision / (1989) Trax Records - 06:59 Joe Smooth - Inside My Mind / (1988) D.J. International Record - 07:07 Rocky Jones - Choice Of A New Generation / (1987) D.J. International Records - 09:43 Risque III - Essence Of A Dream / (1987) Stride Records Inc - 11:12 Rhythm Track Tony Sineni - Rhythm Of The Beat / (Kenny Jammin Jason's Mix) (1987) Hot Mix 5 - 13:12 Rhythm Track Xperiment - Karn Evil #10 (Club) / (1987) Underworld Records - 15:00 Rhythm Track Chicago Music Syndrome - Work It / (1987) Dance-Sing Records - 15:47 Rhythm Track Risque Rhythm Team - More Than Just A Dance / (1988) Chicago Connection Records -16:26 Rhythm Track Risque Rhythm Team - The Jacking Zone / (1986) Chicago Connection Records - 17:35 Rhythm Track Mr. Lee - Come To House / (1987) Trax Records - 18:30 Rhythm Track Jackmaster Dick - Sensuous Woman Goes Disco / (1986) Trax Records - 19:31 Rhythm Track + TB-303 - 19:31 Jack Frost & The Circle Jerks - Cool Dry / (1988) Trax Records - 20:18 Rhythm Track Cool McCool - World Turns Around / (1988) Hot Mix 5 - 20:48 MDIII - Set Me Free / (1988) Underground - 21:35 Rhythm Track Maurice - This Is Acid (Original Mix) / (1988) Trax Records - 22:36 Maurice - This Is Acid (A New Dance Craze) (K&T Mix) / (1988) Breakout - 23:19 Members Of The House - Share This House (Radio Version) / (1988) ITM Records - 24:12 Rodney Bakerr presents Mystic - House Girl (Serge & Tyrell Edit) / (2007) Clone Classic Cuts - 25:37 Gentry Ice - Utilize The Beat / (1988) Westside Records - 26:23 The Housefactors - Play It Loud / (1988) Black Market International - 26:54 Phuture Pfantasy Club - Spank Spank / (1988) Low Fat Vinyl - 28:18 Maurice Joshua - I Got A Big Dick (with Hot Hands Hula instrumental) / (1988) Trax Records - 28:42 Adonis - Lost In Sound / (1988) Jack Trax - 29:50 A Guy Called Gerald - Blow Your House Down / (1988) Rham! - 30:05 MDIII - Face The Nation / (1988) Underground - 31:37 Rhythm Track + TB-303 – 32:01 Juan - Techno Music / (1988) 10 Records – 32:55 Bam Bam - Where Is Your Child (1988) Desire Records – 33:56 Rhythm Track + TB-303 – 34:27 Rhythm Track House Master Boyz And The Rude Boy Of House - House Nation / (1986) Dance Mania – 35:43 On The House - Pleasure Control (Radio) / (1986) Bright Star Records - 36:00 Kissing The Pink - Certain Things Are Likely (Garage) (1986) Magnet – 37:24 Rhythm Track Steve 'Silk' Hurley - Jack Your Body (Club Your Body) / (1986) London Records – 39:09 Rhythm Track Z Factor - Fantasy / (1984) Mitchbal Records – 39:19 Risque Rhythm Team - 122 House / (1986) Chicago Connection Records – 39:19 Rhythm Track Julian Jumpin" Perez - Jack Me 'Til I Scream (Jumpin' Mix) / (1987) D.J. International Records – 39:26 Rocky Jones - Choice Of A New Generation / (1987) D.J. International Records – 39:41 Subject - The Magic, The Moment (1985) Pow Wow Records - 40:28 Rhythm Track Ron Hardy - Liquid Love (Instrumental Mix) / (1997) Mirakkle Records - 40:36 Ron Hardy - Sensation (Dub) / (1985) Trax Records - 41:22 Rhythm Track Kevin Saunderson - Bounce Your Body To The Box / (1988) Kool Kat Music - 43:32 Farley "Jackmaster" Funk - This Acid Life / (1988) House Records - 44:18 Rhythm Track Cool McCool - World Turns Around / (1988) Hot Mix 5 - 44:34 The Party Boy - The Twilight Zone / (1988) Urban - 45:27 Farley "Jackmaster" Funk - It's You (House Mix) / (1987) D.J. International Records - 46:06 Rhythm Track Dr Derelict - That Shits Wild / (1988) Trax Records - 46:21 Rhythm Track Gene Hunt - Living In a Land / (1989) Housetime Records - 46:29 Fingers - Ecstasy / (1988) Hot Mix 5 - 47:36 Rhythm Track Mr. Fingers - Washing Machine / (1986) Trax Records - 47:54 Raze - Jack The Groove / (1986) Grove Street Records - 48:59 Justin Timberlake - Sexy Back / (2006) Jive - 49:29 Rhythm Track + TB-303 + SH-101 K. Alexi Shelby - My Medusa (1989) Transmat - 52:03 Rythim Is Rythim - Nude Photo / (1987) Transmat - 52:24 Rhythm Track Maurice Joshua - I Got A Big Dick (with Hot Hula Hands) / (1988) Trax Records - 52:54 Manuel Göttsching - E2-E4 / (1984) Inteam GmbH - 53:43 Mr. Fingers - Can You Feel It / (1986) Trax Records - 53:43 Rhythm Track Baby Ford - Fordtrax / (1988) Rhythm King Records - 54:14 Marcus Mixx - Without Makeup (Ron Hardy Mix) / (2006) Let's Pet Puppies - 54:29 Mr. Fingers - Ammnesia / (1989) Jack Trax - 55:15 Jack Frost - Cool Dry / (1987) FLEX Records - 55:46 Reese & Santonio - The Sound / (1988) Kool Kat Music - 56:09 Adonis - Rockin Down The House / (1986) Trax Records - 56:09 Rhythm Track Arnold Jarvis - Take Some Time Out (Dub / Instrumental) (1987) Fourth Floor Records - 56:24 Frankie Knuckles - Your Love / (1989) Btech - 56:40 Arnold Jarvis - Take Some Time Out (Original Club Mix) / (1987) Fourth Floor Records - 56:47 Fingers Inc. - Mystery Of Love (Club Mix) / (1986) D.J. International Records - 57:02 Mayday - Wiggin (Master Reese Mix) / (1988) Pheerce Citi - 59:34 Rhythm Track Jean Luc Ponty - Computer Incantations For World Peace / (1983) Atlantic - 01:00:06
SJSA 4.2 4.3 and 4.4 Part 1 A teenage girl enters an asylum, and approaches The Vault of Secrets. She tries to access it, but only has one disc. She is then confronted by The Alliance of Shades, so she escapes, injures herself and falls over. Androvax exits her body, and escapes. The Alliance of Shades (a.k.a Men In Black) arrive at the scene, and scan the unconscious girl. The Veil is declared no longer in her. Sarah Jane, Clyde and Rani are in the attic, speaking to Luke on webcam, and Mr Smith interferes with a NASA space probe on Mars, to prevent it discovering an ancient and deadly civilisation. Gita and her husband Haresh have joined B.U.R.P.S.S. (The British UFO Research and Paranormal Studies Society) due to Gita's encounter with the Judoon and Androvax in the past. When the couple arrive home on Bannerman Road, Gita spots Androvax entering Sarah Jane's front garden. Haresh arms himself and goes to investigate, and encounters Sarah Jane, Rani and Clyde. Haresh leaves after a conversation with them, and Androvax enters Rani's body. Sarah Jane scans for alien activity, and realises Rani has been taken over. Sarah Jane and Clyde chase her/him to the attic, and order Mr Smith to contain him after exiting Rani's body. They discover that Androvax is dying, having escaped a prison in a swamp and been poisoned by an alien viper. He intends to free 100 of his people from cryogenic sleep in The Vault of Secrets - the last survivors of the Veil species, aside from Androvax himself. Ocean Waters, the founder of B.U.R.P.S.S., arrives with Minty to scan for alien activity by picking up Beta particles. Sarah Jane uses her Sonic lipstick to deactivate this device. The three of them go to investigate at a mental asylum, where they encounter the base of the Men In Black. They are detected, and the Men In Black go to confront them. They discover that Ocean Waters was abducted in 1972 and encountered the Men In Black. The Men In Black then arrive to confront them, and activate their robotic hands. They tell Sarah Jane she must hand over Androvax and their disc, or prepare to be incinerated. The gang arrive home, where they agree with Androvax to let him use Clyde's body. They then speak to Ocean and Minty. Ocean turns out to have the other disc required to enter the Vault, and she recalls past encounters with the Men In Black and Mister Dread. Then the Men In Black arrive and tell them they must prepare to be incinerated. [] Part 2 The incineration is averted, Androvax escapes and enters Gita's body. Gita leaves for the Vault, and is followed by Mister Dread, Sarah Jane, Rani and Clyde. Sarah Jane causes Mister Dread's car to malfunction, so he acquires a new one. They all arrive at the asylum, where Rani and Clyde rescue Gita. Androvax then leaves and encounters Sarah Jane. Sarah Jane refuses to help him because when the Veil are reawakened and leave Earth, the spaceships will cause Earth to explode, ending the human civilisation. Sarah Jane's body is then taken over by Androvax. Clyde jumps away from an incineration blast from two Men In Black, and the two men destroy each other. Rani explains to her mother about aliens, and how Sarah Jane, she and Clyde have encountered them. Mister Dread is placed into his capsule and made to sleep. Androvax goes to the Vault, in Sarah Jane's body, pretending to be her. He/she opens the Vault, revealing many spaceships, much to Gita's surprise. Androvax then leaves Sarah's body, and locks himself inside the Vault, which uses a Transmat to make it bigger on the inside. The team awaken Mister Dread, who gives up 450 years of his energy to allow Androvax and his race to leave Earth without harming anybody, by being beamed into space. Mister Dread now lacks power, and declares his mission terminated. He erases the memory of Gita, who intends to tell the world about their experiences, and goes to sleep in his capsule. The team return home, and Ocean and Minty arrive to ask about the Men In Black. Sarah Jane denies everything and Gita says she doesn't believe in aliens. Minty and Ocean say that the aliens have won again and decide to leave. In outer space, Androvax flies away to find a new world, having saved his species. Sarah Jane, Rani and Clyde are talking to Luke via webcam but are interrupted when Mr Smith alerts them that a armed forces convoy is converging on the house. The commanding officer, Colonel Karim, informs the group that is dead, despite Sarah Jane's protests that it can't be possible. It is claimed that the Doctor died in the Wastelands of the Crimson Heart, where he had saved the lives of 500 children from the Scarlet Monstrosity. A race called the Shansheeth have retrieved the body and are holding a funeral for the Doctor at UNIT Base 5, buried underground at the foot of Mount Snowdon. Sarah Jane still believes that the Doctor must be alive, and so goes along to search for evidence that it is a hoax. Upon arrival at the base they find that a small number of other mourners have been invited, as few survive their encounters with the Doctor. Many also couldn't make it including the , who is stranded in . The team also find, to their surprise a Groske working in the base, a blue skinned cousin of the Graske race they have had problems with in the past. The Doctor's body is to be blasted into space via a huge rocket, built by the Groske. They proceed to the ceremony of remembrance, however Clyde's left hand develops a growing blue electric charge, which he is unnerved at. At the ceremony, music is played which recalls memories for all about the Doctor; for Sarah Jane it is memories of the and Doctors, while for Rani and Clyde it is their encounters with the Doctor at . Clyde then realises that the charge is Artron energy, which he had previously carried after touching the vanishing at the wedding. The ceremony is interrupted by the clumsy arrival of , as she drops a vase of flowers. She is accompanied by her grandson, Santiago. The two former companions chat, as do the children, and both women agree that they are sure that the Doctor must still be alive. In their dormitory, the two women make a list of enemies that might try to fake the Doctor's death, while the children leave and wander round the base. Outside the room, Clyde again receives a shock on his hand and reveals the affliction to the other two. They encounter the lead Groske again, who informs them that the rising artron energy signals that an unidentified someone is getting closer and closer. Clyde, desperate to find out more pursues the Groske down an air vent, where they watch as the Shansheeth plot to make the two companions relive their days with the Doctor and therefore drain their minds for an unknown purpose, killing them in the process. The Shansheeth play music down the ventilation shafts to the former companions, where they start to recollect their adventures with the Doctor. The children are discovered by the Shansheeth when another artron energy discharge gives away their position. The children flee and run into Sarah Jane and Jo who sense they are in trouble. After recollecting what the Shansheeth are doing, they are surprised to hear an adult male talking through Clyde's mouth. However, the next minute Clyde appears normal. He then gains the Doctor's hand before seemingly morphing into . The Doctor, now in the UNIT base, explains that he used Clyde's residual Artron Energy to make a complicated swap of 10,000 light years. The result of this is, as the Doctor realises, is that he can fight the Shansheeth while Clyde however is where the Doctor just was: trapped in danger on an alien world. Sarah Jane realises that the man standing before them is the Doctor's newest incarnation shortly before the Shansheeth catch up with the group where the Doctor confronts them. A Shansheeth quips that they will ensure their announcement of the Doctor's death is correct this time, they then proceed to launch a beam of energy from their claws at him, causing him to yelp in pain and collapse to the floor. [] Part 2 The Doctor disappears and Clyde reappears—they have swapped places again. Clyde, Jo, Rani, Santiago and Sarah Jane run away from the Shansheeth to safety, the Doctor swapping places again with Clyde part way. The Doctor, Jo and Sarah swap places with Clyde and go to the alien planet, where they talk. The Doctor says that he visited Jo before he regenerated and told Jo that he had been into her future and seen her thirteenth grandchild. The Doctor works on perfecting the machine which allowed them to swap places with Clyde. When fixed, it can transport them without needing to swap with Clyde. Clyde and Rani talk with Santiago, who reveals he hasn't spoken to his parents in six months. Colonel Karim meanwhile is with the Shansheeth, and they are plotting to use Jo and Sarah Jane's memories of the to create a new TARDIS Key, so the Shansheeth can stop death across the universe by interfering with the timelines and so that Colonel Karim, in return, shall visit the stars because she has nothing left for her on Earth. Rani, Santiago, Clyde and a Groske try to get through the ventilation shafts, but Colonel Karim heats the shafts up, until the children are in danger of roasting. The Doctor, Jo and Sarah Jane go to the rescue, but Jo and Sarah Jane are kidnapped and the Doctor must go on alone. Sarah Jane and Jo are strapped up and the Memory Weave is used on them. Their minds are scanned and they begin remembering the TARDIS, these memories generate a new TARDIS Key as the Shansheeth and Colonel Karim make their intentions clear. The Doctor, Rani, Clyde, Santiago and a Groske come to the room Sarah Jane and Jo are in and tell them to remember other experiences. Sarah Jane and Jo both remember past encounters with the Doctor and all the creatures and enemies they met. Jo remembers all the countries she has been to as Sarah Jane remembers her battles with aliens. The memory weave overloads and explodes, the room is on fire. Sarah Jane and Jo hide in the lead coffin and shut themselves inside to survive the explosion. Later, they are taken to Sarah Jane's house, alive and well. Jo and Sarah Jane talk with the Doctor inside the TARDIS; Jo mentions the Time Lords and the Doctor mentions a foreshadowing (that if he ever were to die, the universe would shiver). He then allows them to leave, and demateralises. Jo and Santiago leave for Norway, and the trio are left behind, where Sarah Jane tells them of , , , , , and . They say that with friends like themselves, the Doctor will never die. Rani and Clyde are the only people left in the world and are trying to find other people. This episode includes red and yellow robots that try to attack Clyde and Rani. After detecting an alien energy source, Clyde and Rani go to bed while Mr Smith tries to trace it. But in the morning, Rani realises that her parents are missing and so is Sarah Jane and everyone on Bannerman Road.
In 1995, I was completely emerged in the Detroit rave scene. I wasn't always super social, as talking with people was never really in the cards for the evening. But, after the music was off there would be some milling about and at that point, I would meet a few people. Garrett McGrath was one of those people for me. I think we met by me commenting on his T-shirt, which I'm pretty sure was either a Tresor or Transmat shirt.... I can't remember exactly. From then on, I would see him out rather regularly and we would have quick chats and such. Eventually, I saw him on the 313 list on Hyperreal, as well. He at some point moved out to Los Angeles, and our paths stopped crossing regularly. We were never really close, but I always thought he was a cool guy. And when Snowprayers launched, he dropped me an email digging the concept and asked if he could do an edition. Since I've always known he had good taste in Techno, I had no doubt he would deliver a rock solid contribution for this series. So, thank you for tuning in yet again, and thank you to Garrett as well. I hope doing this reminded you of how much you miss Fall. (photo credit: Wayne Harrison)
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