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3 episodes with Bridget Kearney
2 episodes with Bridget Kearney
2 episodes with Bridget Kearney
2 episodes with Bridget Kearney
3 episodes with Bridget Kearney
For the series finale, we go back to the Fort. Join us as we bring you the sights and sounds we experienced at Fort Adams as Newport Folk returned after a necessary break in 2020, and presented their six-day, half capacity 2021 festival, Folk On. We'll take you from the meaningful first notes sung by the first performers to grace the stage, Resistance Revival Chorus, to one of the last - Lake Street Dive, and their tribute to beloved member of the folk family and former WFUV Program Director, the late Rita Houston. We also hear from Andrew Bird and Hiss Golden Messenger's MC Taylor about their return to performing and paying homage to John Prine, from mandolin virtuoso Chris Thile about the magic of Newport and why it continues to gives him hope, and the kismet journey of Allison Russell organizing and performing during the most talked about set at Folk On, Sunday night's 'Once and Future Sounds', curated by, and featuring women of color, with a very very special guest. We also check in with Margo Price and Jeremy Ivey, Katie Crutchfield (Waxahatchee), Yola, Newport Executive Director Jay Sweet, and many other artists, fans and members of the Folk family about their experiences at Folk On, their reflections of the past 18 months, and where we are headed. Through it all, the feeling of family and community is ever present, giving us the courage to take tentative steps forward, leaning into the truth and power of music, and the magic that happens when we dream together. Festival Circuit: Newport Folk is presented by Osiris Media, and hosted by Carmel Holt. It is co-written, co-produced and edited by Carmel and Julian Booker, who is also the series' audio engineer. Production assistance from Zach Brogan. Executive producers are RJ Bee and Christina Collins. Show Logo and art by Mark Dowd. The series theme music is "Ruminations Pt. 3 (Afternoon Haze)" by Steven Warwick. Thanks to Billy Glassner of the Newport Festivals Foundation for providing archival audio. Thanks to our Folk Family guests Abena Koomson-Davis, Nelini Stamp, Andrew Bird, MC Taylor, Margo Price, Jeremy Ivey, Yola, Allison Russell, Dan Knobler, Samantha Betley, Josh Wool, Julien Baker, Holland Saltzman, Nancy Sheed, Natalie Hemby, Katie Crutchfield, Jay Sweet, Chris Thile, Jonathan Russell, Rachael Price and Bridget Kearney. Learn more about your ad choices. Visit megaphone.fm/adchoices
Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993 (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO: Here Comes Sunshine Track #1 0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played: 66 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing: Played 32 times in 1973 Played 1 time in 1974 Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ - 18 years Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1: Spoonful Track #2 :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago. Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set. This version is rare because it is the second song of the show and does not have a lead in. Ended Here Comes Sunshine, stopped, and then went into this. When it follows Truckin', just flows right into Spoonful. Played: 52 timesFirst: October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast: December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA MUSIC NEWS: Lead In Music Rich Girl Lake Street Dive Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com) 0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him. Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River. Beautiful weather and a great night overall. My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago. Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music. They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well. 2. Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3. Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year. Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many. SHOW No. 2: Broken Arrow Track #5 1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987. It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played: 35 timesFirst: February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA SHOW No. 3: Lucy In The Sky With Diamonds Track #9 2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live. Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics. It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version. Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point. Gotta keep the Deadheads guessing. Played: 19 timesFirst: March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2. Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3. Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4. CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows SHOW No. 4: Wave To The Wind Track #10 5:00 – 6:40 Hunter/Lesh tune that was never released. In fact, the Dead archives say that there is no studio recording of the song. Not a great song. I have no real memory of it other than it shows up in song lists for a couple of shows I attended. Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times. Just something different to talk about. Played: 21 timesFirst: February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA OUTRO: The Other One Track #16 2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day" - one of my favorite Grateful Dead lyrics - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune. Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer. During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece. Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes. When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played: 550 timesFirst: October 31, 1967 at Winterland Arena, San Francisco, CA, USALast: July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!” Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Lake Street Dive recorded their first album with money that their bassist won in a songwriting contest. They built a following the old-fashioned way, touring small venues for years and building a loyal following of fans—including David Remnick—who thought of them as an under-the-radar secret. Almost twenty years later, the band finds themselves onstage at Madison Square Garden. “My main inspiration for playing M.S.G. is Billy Joel,” the bassist Bridget Kearney said. “It feels like the club when he's playing there, because he's so comfortable there. . . . Like, ‘Welcome to my monthly gig, here again at Madison Square Garden.' It won't be quite like that for us . . . but I'd love it if we could in some ways make it feel intimate, make it feel like it's a gigantic dive bar.”They joined David Remnick in the studio at WNYC to perform “Good Together”and “Set Sail (Prometheus & Eros),” from their new album, and “Shame, Shame, Shame,” an older song about a Donald Trump-like “big man” who doesn't “know how to be a good man.” Share your thoughts on The New Yorker Radio Hour. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2
David & Phil joyfully welcome Rachael Price and Bridget Kearney of Lake Street Dive, the remarkable band celebrating 20 years of making inspiring music without borders. Phil, Rachael and Bridget discuss how the group came to collaborate with him on the beloved, Emmy-nominated theme song for Phil's Netflix show "Somebody Feed Phil." They discuss the group's slow burning success story, their upcoming gig at Madison Square Garden, with surprising stories involving Seals & Crofts and Paul McCartney. All this, plus a cameo by another group member, Mike Calabrese. To learn more about Lake Street Dive, go to https://www.lakestreetdive.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com
Crystal McKenzie began the chat with a huge compliment to Bridget from Amos Lee that his band has been listening to her new solo album on the bus!! It's her 4th solo album and is called Comeback Kid. We also talked about her being a midwestern Iowa girl and a huge Caitlin Clark fan like us here in Indy, plus her love of strange potato chips. Lake Street Dive plays Everwise Amphitheater at White River State Park on July 12th
Two remarkable guests this week Celeigh Cardinal and her new album Boundless Possibilities and Bridget Kearney – Bassist and songwriter for Lake Street Dive Both guests have albums that came out Friday. Celeigh Cardinal has her latest dropping Friday - Boundless Possibilities. Personally written songs that describe the feelings of losing her son's Father in a murder and the death of a friend by suicide. Also surviving the pain and loss and changing her life forever. It's not your average album and certainly not your average interview. Open, bare and loving. The second guest is Bridget Kearney. Bassist, vocalist and songwriter for Lake Street Dive. The album is Good Together and after 20 years together, they've decided to write songs and play together in the same room. It shows in the exceptional songs. They appeared this week on Colbert and they're on tour. One of the dates is Madison Square Garden.
Bridget Kearney and Rachael Price of Lake Street Dive return to SHEROES to discuss their brand new album, Good Together. Now twenty years in, their eighth album simultaneously highlights the unity and togetherness of this extraordinary band with their most collaborative collection to date, with songs that are intended to bring audiences together in "joyful rebellion".
Rhett and Zach are back with special guest Bridget Kearney, who plays upright bass in the experimental Brooklyn-based indie-folk-soul band Lake Street Dive. The band, formed 20 years ago in Boston, was looking for ways to keep their songwriting fresh when their mutual love of Dungeons and Dragons presented a unique challenge: Could they write a song using a D20 die, with different elements of the tune assigned to the sides? You have to hear Kearney explain it to believe it. The exercise was a helpful kickstart: “My creative self is lazy, and so I need to sort of get them out of bed,” laughs Kearney.Kearney shares her thoughts on the intersections of theory and melody in a bassist's skillset, with an affectionate plug for Paul McCartney's simple, effective melodic constructions. But playing upright bass is no walk in the park. Kearney details her top tour horror stories brought on by the sizeable instrument, including a time in Shanghai that ended with a shattered windshield, and a brutal stairway fall that ended with stitches in her head. Does the new era of fold-up uprights solve the danger? Somewhat, as Kearney explains.It wasn't til later that Kearney gave the electric bass its fair shake, and she preaches the importance of having a “playground” of sorts on which to learn and hone your skills on a new instrument, while keeping things fun. Tune in to learn how, for Kearney, that meant listening to and learning Irish fiddle tunes on the bass.Subscribe, like, and leave us a commentSign up on our mailing list: http://eepurl.com/iaCee5Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintoneMERCH: https://teespring.com/stores/dipped-in-toneFollow us on Instagram: https://instagram.com/dippedintone Dipped in Tone is:Rhett Shull https://www.rhettshull.com/Zach Broyles / Mythos Pedals https://mythospedals.comPremier Guitar https://www.premierguitar.com/
This founding member of the wildly popular group Lake Street Dive joins the show to discuss her new solo project, her early years learning the upright bass, and composing with a group.
Bridget Kearney returns to SHEROES to celebrate the release of her new solo album Comeback Kid. Best known as a founding member of Lake Street Dive, the bassist, songwriter, producer, and multi-instrumentalist and host Carmel Holt discuss Bridget's multi-faceted journey thus far - from discovering her love of songwriting and the bass as a child in her native Iowa City, to her pursuit of jazz at New England Conservatory where Lake Street Dive was formed, to her travels and recordings in Ghana with one of her many side projects, to teaching a course in songwriting at Princeton University and the magic of sharing her love of music with others.
Benjamin Lazar Davis joins the pod to discuss production, songwriting, multi-instrumentalism, cross-cultural collaboration, and the artist's journey. Be sure to stream his new single with Monica Martin "No Need To Reply" when it's released on Friday, Jan 12, 2024! And follow Ben on IG here You can find my music at: https://scoobertdoobert.pizza Benjamin Lazar Davis is an American multi-instrumentalist, singer-songwriter, arranger, composer and record producer. He is a member of several bands, including Okkervil River and Cuddle Magic. Davis attended New England Conservatory of Music. Davis's father Peter started being a musician at the age of five. Peter toured nationally and internationally with several groups, including a brief time with the Mamas and Papas. Like his son, Peter can play a variety of instruments ranging from banjo to clarinet to trombone. Davis's interest in Africa came through his father who spent three years in Malawi as a school music director. Davis has a brother and two sisters. He collaborates with his brother Tim on songs. In 2006 while students at The New England Conservatory of Music Davis, Alec Spiegelman, Christopher McDonald, Kristin Slipp, Cole Kamen-Green, and David Flaherty founded Cuddle Magic in 2006. The band is known for collaborations with many artists including Fred Frith, Ran Blake, the David Wax Museum, Larkin Grimm, Mike & Ruthy (formerly of the Mammals), Phyllis Chen, Joy Kills Sorrow. Individuals from Cuddle Magic have also performed with Bridget Kearney, Railbird, Sister Sparrow and the Dirty Birds, Baby States, Ronald Reagan, Bird Fly Yellow, Margaret Glaspy, The People's Champs, Girls Guns and Glory, Lake Street Dive, Petal Shield, Split Red, Yapp! and The Superpowers Horns. Davis went to West Africa in 2009 and 2014 to study music. "The first time I went ...., I was studying awa drumming, which is like drum ensemble music for a bunch of different instruments." Davis is referring to a music tradition involving the djembe and dunun style of drums. In his first visit he heard of northern Ghanaian tradition of music called Bawa. In 2014 Davis traveled to Ghana with Bridget Kearney of Lake Street Dive and a former member of Cuddle Magic. They spent just over two weeks in the capital Accra, studying the traditional music of Northwest Ghana with master gyil player Aaron Bebe. They subsequently co-released an EP, BAWA, incorporating gyil music as source material. After leaving Ghana, Davis came down with typhoid and was very sick. When Davis and Joan Wasser (Joan As Police Woman) met in 2013, they found they both had an interest in Central African Republic Pygmy music. Davis co-wrote, recorded, co-produced and toured for the album Let It Be You (Reveal Records 2016) with Wasser. Ben is currently based in LA. Leave the studio to like, let everything happen. Close a door open a window kinda thing. Set Design by Max Horwich Podcast Produced by Beformer --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoobertdoobert/message
Since forming in 2004, Lake Street Dive have matched their sophisticated musicianship with a fearless refusal to limit their sound. As shown on their most recent album, 2021's critically acclaimed Obviously, the Boston-bred band also possess a keen talent for combining socio-political commentary with immediately catchy pop gems. Over the years, they've captivated massive audiences at such esteemed festivals as Newport Folk Festival, Telluride Bluegrass Festival, and Toronto Jazz Festival, in addition to headlining tours all across the globe and sharing stages with acts like Brandi Carlile and Sheryl Crow. And through their fierce commitment to constantly elevating their artistry, Lake Street Dive have ultimately emerged as one of the most compelling voices in alternative music today, both reliably sublime and thrillingly unpredictable. With their current lineup comprised of founding members Rachael Price (vocals), Bridget Kearney (bass), and Michael Calabrese (drums)—as well as keyboardist/vocalist Akie Bermiss and touring guitarist James Cornelison—Lake Street Dive continue to create joyously soulful rock & roll with equal parts ingenuity, intelligence, and irresistible abandon. In recent years, Lake Street Dive have brought even more boldness to their kaleidoscopic sound while deliberately expanding their songcraft. To that end, Obviously finds the band examining such complex matters as gender inequality (on “Being a Woman”) and the monumental challenges faced by younger generations (on “Making Do”), shaping each track with a profound intentionality and ineffable mastery of melody and groove—a process Price refers to as “putting these messages into three and a half minute snippets, dropping whatever truth we can and hoping it's the type of thing that people want to ruminate on.” Made with producer Mike Elizondo (Fiona Apple, Mary J. Blige), the result is an endlessly illuminating body of work that's earned praise from the likes of Rolling Stone (who noted that “at a moment when pop strives for lo-fi, solitary-world intimacy, the jazz-pop whatever band refuses to think small”). This episode features recordings from Lake Street Dive's 2022 performance at Big Top Chautauqua. First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands. EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Jaime Hansen - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/ Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/ Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism The Bayfield Inn - https://bayfieldinn.com/ Cable Area Chamber of Commerce - https://www.cable4fun.com/ Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/
On this week's Talkhouse Podcast we've got a pair of talented songwriter/performers who've known each other for years, and who've both had busy years: Margaret Glaspy and Bridget Kearney. Margaret Glaspy has quietly built an impressive catalog of songs over the past decade, putting her sharp lyrics front and center. Her third album, Echo The Diamond, came out earlier this year, and it takes a turn back toward more organic sounds after 2020's Devotion. You may have seen Glaspy on tour over the years with the likes of the Lumineers and Neko Case, and she just finished her first post-pandemic solo run throughout the U.S.—she's an amazing live performer. Chicagoans will have a chance to see her this December when Glaspy opens Andrew Bird's yearly holiday concerts there. In the meantime, check out the bluesy, scrappy “Act Natural” from Echo the Diamond. The other half of today's conversation, Bridget Kearney, is best known as a member of the band Lake Street Dive, the soulful indie-pop outfit that's been kicking around for the past 20 or so years—and probably playing a big theater in your town sometime soon. In addition to holding down the low end for that band, Kearney makes slightly more somber music as a solo artist and more groove-oriented songs in a trio called BB Wisely. In other words, she's not that into sitting still, musically or physically, it seems. Check out the great “I Bet UR,” from Kearney's 2023 solo album Snakes of Paradise. In this lively chat, Glaspy and Kearney talk about their long friendship, which leads to… powerful microscopes. They talk about Kearney's three musical lanes, and how you should trust your gut when the recording vibe is off. And then they get into some powerful advice about exactly how many fucks one should give in a day—it seems like a great system to me, so check it out. Thanks for listening to the Talkhouse Podcast, and thanks to Margaret Glaspy and Bridget Kearney for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
SUMMARY:Lake Street Dive's Rachael Price and composer/guitarist Vilray discuss their dynamic duo that preserves the spirit of the Great American Songbook with original music. PART ONE:Scott tells a story about a bad demo that helped him learn an important lesson. Then Paul introduces a pop quiz to identify songs solely based on their drum intros. Scott does OK. PART TWO:Scott's in-depth interview with Rachael & Vilray ABOUT RACHAEL & VILRAY:Rachael and Vilray first met when they were both students at the New England Conservatory of Music. Rachael Price went on to form the band Lake Street Dive with their fellow students Michael Calabrese, Bridget Kearney, and Mike “McDuck” Olson, while Vilray developed his own path as a solo performer. Inspired by a shared love of classic Tin Pan Alley pop standards, the duo came together in 2015, eventually signing with Nonesuch Records. They released their self-titled debut in 2019, and the more elaborately produced I Love a Love Song album earlier this year. While Rachael contributes as a songwriter in other contexts, vocalist and guitarist Vilray is the sole writer of the duo's original songs. Heavily steeped in classic songwriting traditions with a contemporary flourish, the music of Rachael & Vilray is simultaneously fresh and timeless. The pair joined Scott for a conversation about songwriting and song interpretation earlier this year when I Love a Long Song was first released.
Since forming in 2004, Lake Street Dive have matched their sophisticated musicianship with a fearless refusal to limit their sound. As shown on their most recent album, 2021's critically acclaimed Obviously, the Boston-bred band also possess a keen talent for combining socio-political commentary with immediately catchy pop gems. Over the years, they've captivated massive audiences at such esteemed festivals as Newport Folk Festival, Telluride Bluegrass Festival, and Toronto Jazz Festival, in addition to headlining tours all across the globe and sharing stages with acts like Brandi Carlile and Sheryl Crow. And through their fierce commitment to constantly elevating their artistry, Lake Street Dive have ultimately emerged as one of the most compelling voices in alternative music today, both reliably sublime and thrillingly unpredictable. With their current lineup comprised of founding members Rachael Price (vocals), Bridget Kearney (bass), and Michael Calabrese (drums)—as well as keyboardist/vocalist Akie Bermiss and touring guitarist James Cornelison—Lake Street Dive continue to create joyously soulful rock & roll with equal parts ingenuity, intelligence, and irresistible abandon. In recent years, Lake Street Dive have brought even more boldness to their kaleidoscopic sound while deliberately expanding their songcraft. To that end, Obviously finds the band examining such complex matters as gender inequality (on “Being a Woman”) and the monumental challenges faced by younger generations (on “Making Do”), shaping each track with a profound intentionality and ineffable mastery of melody and groove—a process Price refers to as “putting these messages into three and a half minute snippets, dropping whatever truth we can and hoping it's the type of thing that people want to ruminate on.” Made with producer Mike Elizondo (Fiona Apple, Mary J. Blige), the result is an endlessly illuminating body of work that's earned praise from the likes of Rolling Stone (who noted that “at a moment when pop strives for lo-fi, solitary-world intimacy, the jazz-pop whatever band refuses to think small”). This episode features recordings from Lake Street Dive's 2022 performance at Big Top Chautauqua. First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands. EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Jaime Hansen - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/ Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/ Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism The Bayfield Inn - https://bayfieldinn.com/ Cable Area Chamber of Commerce - https://www.cable4fun.com/ Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/
College internships can run the gamut. They can lead you into a career or dissuade you from pursuing one altogether. In 2004, while still attending the New England Conservatory of Music in Boston, singer Rachael Price, bassist Bridget Kearney, guitarist Mike “McDuck” Olson, and drummer Mike Calabrese joined forces to perform as what they dubbed a “free country band,” where they intended to play country music in an improvised, avant-garde style. As it goes with many college-years experiments, it didn't stick, but the fervid foursome pushed forward in continuing to develop their own sound. They quickly graduated to a bona fide band cultivating a buzz with infectious concerts, creative covers, and complex, groovy originals. Through their mutual influences and complimentary counterpoints, their sound matured into a harmonious fusion, as if Berry Gordy produced the Beatles in Nashville's RCA Studio.If starting a band and shaping their sound was an internship and bachelor's degree, self-releasing records and organizing U.S. tours would be their master's and doctorate. They self-released 2007's In This Episode... and 2008's Promises, Promisesbefore joining Signature Sounds, who put out 2010's Lake Street Dive and 2014's Bad Self Portraits. (The latter slotted them on the Billboard charts—No. 18 in the 200 and No. 5 in Top Rock Albums.) They then signed to Nonesuch, where they've dropped three more albums—most notably 2016's Side Pony, which put them atop the Top Rock Albums chart, while 2021's Obviously netted them their highest single, with “Hypotheticals” hitting No. 2 on the Adult Alternative Airplay chart.And while the band has continued to evolve, experiment, and expand their signature sound, they have kept to their core identity—having fun. They seem never to miss a Halloween dress-up show, and still aren't gun-shy about covering classics and making them their own. Setlists are often littered with audience requests and reinterpretations of the Beatles, Hall & Oates, George Michael, Bonnie Raitt, Elvis, Shania Twain, the Pointer Sisters, the Jackson Five, the Kinks, Steely Dan, Annie Lennox, Sly & the Family Stone, and countless others.The afternoon before their second consecutive sellout at Nashville's Ryman Auditorium, Lake Street Dive's Bridget Kearney and James Cornelison welcomed PG's Chris Kies on stage for a casual gear chat. Kearney explained how she uses a pair of octave pedals through her standup double bass, and what she's doing with four tuners! Plus, she explains what restarted her slow-burn courtship with electric bass. Then, Cornelison walks us through his setup, which includes leftover pieces from cofounding guitarist Mike “McDuck” Olson and a ratty pickup bought off a former PGstaffer. It both honors the band's catalog and carves his own musical fingerprint.Brought to you by D'Addario Nexxus 360 Tuner.
Lake Street Dive bassist Bridget Kearney talks about the band's upcoming New Year's Eve concert, Gather Round Sounds Tour and more on Episode 151 of 'The JamBase Podcast.'
2022 brought music at a whole new level to the Charleston Wine + Food Festival. Lake Street Dive headlined the first of two huge outdoor live concerts at Riverfront Park, which brought festival-goers back together in high energy celebration mode in a gorgeous setting. Lake Street Dive's Bridget Kearney and Mike Calabrese sit down with Caity and HRN On Tour guest host Christine Sykes Lowe to talk about being back on the road, food and nostalgia in their creative processes, and what it means to be performing in Charleston.HRN On Tour is powered by Simplecast.
Featuring the brand new single from NYC downtown unit COSMO; CDMX piano-playing diva Andrea Acosta; the NOLA all-star collective in tribute to Pops; Brooklyn whiz kids Bridget Kearney and Benjamin Lazar Davis; a jam from the fresh EP from EPCAR; bassist/composing legend Ben Allison; three frenchman that are Three of a Kind; a newly-released live solo concert from bass virtuoso Eberhard Weber; and straight outta Memphis on the Stax label… Albert King.
As broadcast January 7, 2022 with plenty of extra Joan & Tone for your podcast spirits. Tonight for our first guest artist selector show of the new year, we couldn't be more thrilled to have welcomed Joan As Police Woman to the show to discuss the creative process that went into her latest album with Tony Allen and Dave Okumu. A surprising one night jam session in Paris in 2019 bloomed into the glimmering, brooding flower that is The Solution Is Restless, one of our favorite albums of the year. Joan talked quite specifically about what moved her to create some of the tunes on the LP, and also how she met the late, great father of afrobeat and kind of "took a chance" asking if he'd like to record with her. Not to be missed for fans of the artist or the album.#feelthegravityTracklisting:Part I (00:00)Joan As Police Woman with Tony Allen & Dave Okumu – Take Me To Your LeaderGhost Funk Orchestra – Fuzzy LogicOrions Belte – Cherchez La GhostThe Rebels of Tijuana – Et le blizzard s'estompeLeenalchi – Ultimate PrescriptionPart II (30:36)Robert Glasper – So Beautiful (Live at Capitol Studios)James Booker – Black Minute WaltzJ Dilla – Waves Joan As Police Woman with Tony Allen & Dave Okumu – MasqueraderTony Allen – Politely Part III (60:43)Joan As Police Woman with Tony Allen & Dave Okumu – Geometry Of YouTony Allen feat Damon Albarn – Go BackKrystle Warren & The Faculty – If It Wasn't For The LakeBaths – Lovely BloodflowMeshell Ndegeocello – Forget My NameHere We Go Magic – Over The Ocean Part IV (99:55)Joan As Police Woman with Tony Allen & Dave Okumu – Get My BearingsTony Allen feat Theo Parrish, ESKA, & Andrew Ashong – Day Like This ReworkBridget Kearney – Who Are We KiddingThe Flamingos – I Only Have Eyes For YouConnan Mockasin – Momo'sMadlib – The StrollSly & The Family Stone – Skin I'm In
In this episode of Salute the Songbird, Maggie is joined by Lake Street Dive artists Rachael Price and Bridget Kearney. The pair share the story of how they met and formed the band, the things that make them work so well together, and what they love about being women in the music industry.As a band, Lake Street Dive epitomizes democracy in action: the group, expanded into a quintet since touring keyboardist Akie Bermiss officially joined in 2017, share writing and arrangement duties. Their personalities, skills, and wide-ranging taste in pop, rock, R&B, and jazz have long blended together to make an impressively cohesive sound, both sophisticated and playful, combining retro influences with contemporary attitude. On its most recent Nonesuch album, 2018's Free Yourself Up, the band even produced the record itself.Salute the Songbird is brought to you by Osiris Media. Hosted by Maggie Rose. Produced by Austin Marshall, Maggie Rose, Kirsten Cluthe and Brad Stratton. Music by Maggie Rose. Show logo by Premier Music Group. Graphics by Katherine Boils. See acast.com/privacy for privacy and opt-out information.
Thanks for checking out this very special bonus episode. Today we're pleased to feature a great podcast called Basic Folk, by sharing one of their episodes in our feed. Fellow members of the American Songwriter podcast network, Basic Folk is a unique show that features honest conversations with a variety of musicians. The proceedings are anchored by public radio host Cindy Howes and guest host, singer/songwriter Lizzie No. They bring the warmth, the humor, and most importantly, insightful questions to a genre that is often misunderstood. Their definition of “folk” is extremely broad, so they've featured interviews with people such as Tom Rush, Jonatha Brooke, and even some past Songcraft guests, including Lori McKenna, Bridget Kearney of Lake Street Dive, and Emily Saliers of Indigo Girls. The interview we're sharing with you today features Cindy's chat with Wesley Schultz of The Lumineers. The two-time Grammy nominees have released three studio albums, starting with the triple platinum self-titled debut which featured now-classic songs such as “Hey Ho” and “Stubborn Love.” Subsequent releases have featured Top 10 Billboard rock singles such as “Ophelia,” “Angela,” and “Gloria,” making The Lumineers one of the most popular artists in the folk-oriented Americana genre. We chose to feature this particular episode based on Wesley's in-depth analysis of songwriting, including the first comparison we've ever heard on songwriting and playing golf as similar disciplines. Interesting interview, so check it out. Wesley Schultz. The Lumineers. Basic Folk. Good stuff!
For the series finale, we go back to the Fort. Join us as we bring you the sights and sounds we experienced at Fort Adams as Newport Folk returned after a necessary break in 2020, and presented their six-day, half capacity 2021 festival, Folk On. We'll take you from the meaningful first notes sung by the first performers to grace the stage, Resistance Revival Chorus, to one of the last - Lake Street Dive, and their tribute to beloved member of the folk family and former WFUV Program Director, the late Rita Houston. We also hear from Andrew Bird and Hiss Golden Messenger's MC Taylor about their return to performing and paying homage to John Prine, from mandolin virtuoso Chris Thile about the magic of Newport and why it continues to gives him hope, and the kismet journey of Allison Russell organizing and performing during the most talked about set at Folk On, Sunday night's 'Once and Future Sounds', curated by, and featuring women of color, with a very very special guest.We also check in with Margo Price and Jeremy Ivey, Katie Crutchfield (Waxahatchee), Yola, Newport Executive Director Jay Sweet, and many other artists, fans and members of the Folk family about their experiences at Folk On, their reflections of the past 18 months, and where we are headed. Through it all, the feeling of family and community is ever present, giving us the courage to take tentative steps forward, leaning into the truth and power of music, and the magic that happens when we dream together.Festival Circuit: Newport Folk is presented by Osiris Media, and hosted by Carmel Holt. It is co-written, co-produced and edited by Carmel and Julian Booker, who is also the series' audio engineer. Production assistance from Zach Brogan. Executive producers are RJ Bee and Christina Collins. Show Logo and art by Mark Dowd. The series theme music is "Ruminations Pt. 3 (Afternoon Haze)" by Steven Warwick. Thanks to Billy Glassner of the Newport Festivals Foundation for providing archival audio. Thanks to our Folk Family guests Abena Koomson-Davis, Nelini Stamp, Andrew Bird, MC Taylor, Margo Price, Jeremy Ivey, Yola, Allison Russell, Dan Knobler, Samantha Betley, Josh Wool, Julien Baker, Holland Saltzman, Nancy Sheed, Natalie Hemby, Katie Crutchfield, Jay Sweet, Chris Thile, Jonathan Russell, Rachael Price and Bridget Kearney.---------Visit SunsetLakeCBD.com and use promo code FESTIVAL for 20% of premium CBD productsVisit Melophy.com and use promo code FESTIVAL for 20% off your first virtual lesson.Visit GarciaHandPicked.com to find Garcia cannabis products near you and to learn more. Have you heard Black Pumas self-titled debut album? Don't miss a chance to see Black Pumas live if they come to your town and pick up a copy of their album wherever you purchase or stream music. Visit TheBlackPumas.com to learn more. See acast.com/privacy for privacy and opt-out information.
This week, we bring you a conversation with members of the internationally loved soul-pop pioneers Lake Street Dive. Starting out as jazz nerds storming local folk festivals and tiny rock clubs around Boston, they've since become a well-oiled touring phenomenon, headlining Red Rocks, touring Europe, playing late night on Colbert and Kimmel, all while never settling into an easily nameable genre. In 2021, after three years since their last, they celebrated the release of their much-awaited seventh studio album 'Obviously.' Most notable bands are like sunsets: they flash their colors, they create a few memories and fade away. And most groups that attempt somehow to connect virtuoso players in the jazz, roots and rock ‘n' roll scenes never actually live in the same town and each have a Beatles-esque knack for singing sublime harmony and writing effortlessly killer hooks (see fan favorites like “Go Down Smooth,” “Good Kisser” or their new Tik-Tok earworm “Hypotheticals”) and also have their own solo groups? Maybe they last a few fiery tours and finally disband. And yet Lake Street Dive have become a steady standard-bearer in the nascent Americana world – and only seem to be getting tighter and more creative 17 years in. Founded in 2004 by luminous singer Rachael Price, upright bassist-songwriter Bridget Kearney, high-energy drummer Mike Calabrese, and the recently departed guitarist-trumpeter Mike “McDuck” Olsen at The New England Conservatory of Music in Boston, the group caught new wind and inspiration after adding kinetic keyboardist/singer-songwriter Akie Bermiss in 2017. After months of planning, we finally caught up with Calabrese and Bermiss on the Zoomways to discuss how they are forging a fresh path forward after a tough year and a half away. Make sure you stick around to end of the episode to hear how they meticulously created their knockout a-cappella pop gem “Sarah” which closes out their new LP.
“One thing I really love about Great North Sound Society is that you can stay on site, it's a great place to hang out and then there are these two specific rooms that are primarily music making rooms. So, you also have a sort of focused area. It's like okay, now we're here and we're working on the record and all that fun stuff we did last night is over and we're working on the record again,” said Bridget.Lake Street Dive has a big heart for Maine and continues to come back year-after-year to perform in Portland. They will be performing this fall at Thompson's Point. I was just in awe that they had recorded one of their most popular albums here in the great state of Maine at Great North Sound Society.So how did Lake Street Dive find out about this awesome studio in Maine? “We knew Sam a little bit from his work with the Josh Ritter band. We're all big fans of Josh's music. We knew that Sam had had a big hand in what some of those records sounded like. Then, we heard that he had his own studio, which is remote, in Maine, kind of deep inland, like outside of town. So it sounded like a really great place to get away and kind of focus on the project of making the record, which for me has become a big part of how I like to make records. Making it kind of an event that is separate from your day-to-day, separate from what touring life is like and separate from what home life is like. You go to the studio and you're really able to kind of just stay in that zone for the space of the recording to take place,” said Bridget.She shared with me that the most important thing to her when picking a studio to record at, is the vibe. There is always a concern for technical capabilities, but how the studio feels will always be top priority.Her experience at Great North Sound Society, has been truly one-of-a-kind and she enjoys the vibe it brings. She continues to utilize it every once in a while as a writers retreat and who knows may she will come back one day to record a song or another album. Lake Street Dive recently came out with a new album called Obviously and a bit of their track Hypotheticals is featured at the end of the episode.To learn more about Lake Street Dive please visit their website and Instagram.
SUMMARY: Bridget Kearney and Rachael Price of the band Lake Street Dive join us to talk about a career that’s earned them top 20 albums on the Billboard 200 chart, a half dozen singles on the AAA chart, massive critical praise, and a brand new album on Nonesuch Records called "Obviously" that elevates the band’s pop, rock, R&B, and jazz influences into a perfectly unique blend that's equal parts retro and contemporary. PART ONE:Paul & Scott read listener mail, talk Patreon perks, and tell you how to get your very own Songcraft T-shirt! PART TWO:Our in-depth conversation with Rachael and Bridget of Lake Street DiveABOUT LAKE STREET DIVE:Lake Street Dive’s tight harmonies and wide-ranging tastes in pop, rock, R&B, and jazz blend together to create a cohesive sound that celebrates retro influences with a contemporary attitude. Formed at the New England Conservatory of Music in 2004, the group has released seven studio albums, issued two EPs, and charted a half dozen singles on Billboard’s Adult Alternative Airplay chart including “Call Off Your Dogs,” “Good Kisser,” “Shame Shame Shame,” and “Hypotheticals.” The latter is off their most recent album on Nonesuch Records, titled Obviously. The group has appeared on Late Night with David Letterman, Conan, The Ellen DeGeneres Show, and NPR’s Tiny Desk series. They’ve earned many millions of YouTube views with their innovative interpretations of covers songs, as well as with originals such as “What I’m Doing Here,” “You Go Down Smooth,” “Mistakes,” “Side Pony,” and “Bad Self Portraits.” Lead singer Rachael Price and bassist Bridget Kearney join us to talk about their songwriting process and the evolution of the band.
The big news of the week was the Government announcement regarding the new public health measures and the plans for the phased reopening over the coming weeks and months. Samantha McCaughren, Business Editor of the Sunday Independent joined John to discuss what the changes are and what it means for business across the different sectors.After months of lockdown, many businesses will now be preparing and planning for reopening, Alan Seery of O'Neill Foley Chartered Accountants spoke with John about what he sees as the main challenges for businesses that have been badly impacted by the Covid restrictions and what solutions are available for those who may be experiencing difficulties.We first spoke with Bridget Kearney of Belle Femme Lingerie and Joe Sheridan of Sheridan Stained Glass this time last year when they were adjusting to a new way of working, one year later John spoke with both Bridget and Joe to find out how the past year of operating through the pandemic has been, what they have learned and how they feel about the future.Learning Waves is the training body for the Independent Radio Sector in Ireland, and they recently announced details of their graduate journalism internship programme. Teresa Hanratty, Director of Learning Waves joined John to tell him more about the programme. With thanks to O'Neill Foley, Produced by Deirdre Dromey.To contact the show, email: thebottomline@kclr96fm.com
We first spoke to our three guests over a year ago, in the early days of the pandemic as businesses began to face into what was to be the new reality of trying to operate during lockdowns. One year on we caught up with Ken Byrne of RedSky Europe, Bridget Kearney of Belle Femme Lingerie and Joe Sheridan of Sheridan Stained Glass to hear what their experiences of the past year have been
Featuring a vibey new jam from outstanding Pakistani/NYC musician Arooj After; a recently-released work by Argentine composer Francisco del Pino; Brooklyn genius kids Bridget Kearney and Benjamin Lazar Davis; a remix of Brassie by Rench; a slick cut from East Village legends Brazilian Girls; badass NYC collective the Analog Players Society and their most recent release; and a trio of legends: Charles Earland, Ella Fitzgerald, and the one and only Mac Rebanach aka Dr. John.
Episode #38, Rachael Price and Bridget Kearney from Lake Street Dive walk us through their hot new album Obviously (Nonesuch), Matthew Sweet reports from Nebraska about his new album Catspaw (Omnivore). We also meet Lacie and Adam Lindstaedt from our featured retailer The Pour House, in Raleigh, NC. Meanwhile, also in Raleigh, RSD's Carrie Colliton reveals the identity of the Record Store Day Ambassador for 2021. Go to RecordStoreDay.com for all the latest RSD news. Sponsored by Dogfish Head Craft Brewery, and Tito's Handmade Vodka. Please rate us, review us, and subscribe, wherever you get podcasts!
Bassist and vocalist Bridget Kearney of Lake Street Dive joins host John Floridis in conversation from her basement studio in Brooklyn, New York on Halloween Eve, 2020.
Iowa City native Bridget Kearney has toured the world and performed on The Tonight Show, Stephen Colbert, and countless others as a part of Lake Street Dive. In fact, just before the pandemic shut everything down, legendary singer Mavis Staples sat in with the band! Bridget’s latest release, “Still Flying,” was recorded in Ghana with … Continue reading The post Bridget Kearney appeared first on Jazz 88.3 KCCK.
There are many women around the country in dire need of a new bra but how can we make sure we have a good bra giving proper support without a professional fitter on hand with the measuring tape? Bridget Kearney from Belle Femme Lingerie in Kilkenny has the answer and can help fit women any shape or size whilst completely abiding by social distancing guidelines. Her virtual fittings have been in demand for years now even more so during the current pandemic. See acast.com/privacy for privacy and opt-out information.
On this week's episode of The Bottom Line on KCLR John Purcell chatted to Eamon Quinn, Business Editor at The Irish Examiner on all the weeks business stories as well the issues facing the Irish economy over the coming weeks and months.Alan Seery of O'Neill Foley Chartered Accountants joined John to provide further information on the up to date measures introduced by Revenue in addition to the Wage Subsidy Scheme, as well as explaining Warehousing of Revenue Debt and discussing other financial supports available for businesses. https://onf.ie/Deirdre Martin, President of Network Ireland Kilkenny branch provides an update on all their activities that have been taking place during the covid-19 pandemic. https://networkireland.ie/kilkenny/The Tourism & Hospitality Industry is an industry which is hugely important to Carlow & Kilkenny. Colin Ahern joined John to discuss the challenges that the industry is facing, as well as the measures that will be required to ensure that the industry will be in a position to reopen once restrictions have been lifted. https://visitkilkenny.ie/Roisín Gilroy, Head of Marketing & Business Development with St. Canice's Credit Union chatted to John about the recent news that Credit Unions had topped the Ireland Reptrack 2020 Study as the most reputable and highly regarded organisation in Ireland, she also discussed how they have adapted their ways of working during the Covid-19 restrictions, and discusses the services that St. Canice's Credit Union are offering their members such as temporary loan arrangements and their new Kickstart Loan. https://stcanicescu.ie/Bridget Kearney of Belle Femme Lingerie Boutique located on Kieran Street spoke to John about their virtual bra fitting service that they are offering their customers. Bridget talks through the process and how to avail of this unique service. https://bellefemmelingerie.ie/With thanks to O'Neill Foley Produced by Deirdre Dromey.To contact the show, email thebottomline@kclr96fm.com
The band Mipso is a group that never anticipated being as successful or as long lived as they became. It is a band that mandolin player Jacob Sharp called unlikely, because none of the members studied music when they met in college at UNC-Chapel Hill, and none of them thought music was going to be a career -- nothing beyond their initial love of other bands, and of playing together. If Mipso is an unlikely band, it is also quite an exceptional one, now set to release their fifth album (sixth if you count their Mipso Trio debut). They were in the middle of recording their new record during the time we got together in the small city of Elkin, NC. In this episode of Southern Songs and Stories, we talk with members Libby Rodenbough, Joseph Terrell and Wood Robinson as well as Bridget Kearney of Lake Street Dive, who is soon to tour with Mipso in her project with Benjamin Lazar Davis. Featured are many live songs from their performance earlier this year at the Reevestock Music Festival.
Lake Street Dive bookend the show today and prove to be a big hit here at Record Box HQ. Tobin floated the band and their kick-off-the-show tune Good Kisser is a great introduction to the Boston five piece. More on Lake Street Dive later. Personal friend and country songstress Andrea Glass features at long last. Well overdue is a play from her. We have a track from her debut LP, North Wind. More used to being played alongside other Country/Americana greats on shows like the legendary Bob Harris' we hope she feels equally at home here. Bobby Womack ends his track so abruptly it causes some hilarity in the studio. However, we delve into his colourful private life and the legacy he, and his brother Cecil left. Cecil forming Womack and Womack with Sam Cooke's daughter, Bobby's step-daughter with whom he'd had an affair. All very risqué and exciting. We've also got New Music in the form of the decisive Husbands track Mexico. You can get early access to New Music from Record Box HQ here. Wax time and a pre-release Richard spins up more legendary tracks from deep in his personal crates with the sublime Urban Species feat. MC Solaar track Listen. French rap never sounded so good. Couple that with a pre-release from Goner Records, Aquarian Blood send us a teaser from their forthcoming LP. Couple that with a Record Box Classic and you're in for a musical ride without comparison. Sit down, buckle up, get them head phones on and let's give the proverbial musical bird to the outside world and enjoy each other's company for about an hour. Just a little less actually, but it's time well spent. Good Kisser Lake Street Dive North Wind Andrea Glass Fly Me To The Moon (In Other Words) Bobby Womack Mexico Husbands Listen Urban Species feat MC Solaar A Song For You Donny Hathaway There's A World Aquarian Blood Rich Girl Lake Street Dive Lake Street Dive - tell us more Named after a street in Minneapolis that contains many dive bars (disreputable drinking establishment) Lake Street Dive formed in 2004. You're hearing lead singer Rachael Price here telling us all about how good she is at kissing. Backing her mighty claim is Mike Olson, Bridget Kearney, Mike Calabrese and Akie Bermiss. Respectively they play trumpet and guitar, upright bass, drums and finally keys. Keyboardist Akie Bermiss joined the band on tour in 2017 and plays on this LP. Lake Street Dive was brought into existence by a shared love to create free country music. Yes, really that. Just country music played for free. However, as Mike "McDuck" Olson states, The concept was abandoned for something that actually sounded good. Mike Olson Most members were already playing instruments at a young age and some even had classical training. However, their influences came mainly from the music they heard at home. Mainly jazz, soul and '60s rock. Lake Street Dive also all individually cite the entire Beatles discography as hugely influential. In fact Kearney wrote Hello? Goodbye! and Don't Make Me Hold Your Hand as a direct result of her love of The Beatles. Further influences on Lake Street Dive In addition to The Beatles, LSD cite Hall and Oates (heard here on the track Rich Girl), The Jackson 5, The Mamas and the Papas, Fleetwood Mac, ABBA and The Drifters. They also annually release a Halloween cover/video. You can go check out their Fun Machine EP which contains some of these covers. With this in mind, it's quite obvious Lake Street Dive don't take themselves too seriously at all. They're a fun band knocking out slick grooves and having a whole lot of fun along the way. In fact, they claim to draw on the energy of their audience and are able to pump that energy back at them and mould the atmosphere in the room We want it to sound like the Beatles and Motown had a party together Mike Calabrese Andrea Glass roll call Richard mentioned on today's show that Andrea Glass had an incredible roll call of musicians on this recording. Well, here's some further information to fill in the gaps. The LP from which Northwind comes is Stood Under Stars, recorded, mixed and engineered at 16 Ton Studios in Nashville, Tennessee in 2007. Mastered at Yes Master, again in Nashville. Featured musicians are as follows: Acoustic Guitar - Andrea Glass, Shawn Byrne Bass - Danny White Drum - Paul Griffith Electric Guitar - Shawn Byrne Hammond Organ - Mike Webb Piano - John Hobbs, Steve Knight Steel Guitar (lap & pedal), Resonator Guitar, Banjo - Al Perkins Vocals - Andrea Glass, Kevin Montgomery, Ashley Monroe, Andrea Zonn
Bridget Kearney, bassist for Lake Street Dive, has been deeply immersed in studying music since childhood. From the "super nerds" she met at jazz camp to the nights in her parents' basement transposing songs, Kearney has dedicated herself to the betterment of her craft. In our conversation, we talk about how her experience in playing in orchestras prepared her for collaborative life in a band like Lake Street Dive.
Bridget Kearney doesn’t talk much about the electric bass (mostly because that’s not her instrument of choice). The musician and composer is a double bass player that graduated with a dual degree from Tufts University and New England Conservatory of Music. She started playing the bass when she was nine years old and fell madly, deeply in love with the...
Bridget Kearney tells me about a song she loves, and there's music from The Spook Of The Thirteenth Lock, illuminati hotties, Hobo Johnson, Super Extra Bonus Party, Gruff Rhys, Lyla Foy (feat. Jonathan Donohue), 77:78, Pavo Pavo and Tune-YArds. Every Thursday night at Róisín Dubh, Galway, Ireland and every Friday at 9pm & Saturday at 7pm on 8radio.com. Strange Brew : Songs Of The Day playlist - https://open.spotify.com/user/gugai www.strangebrew.ie www.facebook.com/strangebrewgalway www.twitter.com/@strangebrewirl gugai@strangebrew.ie
This week. Bridget Kearney and Mike McDuck Olson from Lake Street Dive on why their new album and on how they are doing a benefit show for the theater around the corner from the bar where they had their first big break. With Cinco de Mayo being celebrated this weekend, how to avoid cultural appropriation. Also how to make a real margarita and a mint julep for Kentucky Derby Day. Plus Word Nerd Emily Brewster from Merriam-Webster on the Mediopassive voice?
Shemekia Copeland, John Nemeth & The Blue Dreamers, Bridget Kearney, T Sisters and Edward David Anderson perform on NPR Music & West Virginia Public Broadcasting's Mountain Stage. Episode 894 recorded live at the Peoples Bank Theatre in Marietta, Ohio.
Rob and Callum present their new music podcast in association with a new Judd Apatow film starring all your regular Friends of Judd.While we wait for the cheque to clear on this lucrative brand marriage, here are some songs for you to enjoy… From the 100% fire emoji hip hop of Eureka the Butcher to the afro-electronic loosener of Kondi Band, there’s some ‘Rock’ with a capital R from Gonzo, nasty punk from Golden Pelicans, some swinging sophisticade pop from Bridget Kearney and some funk from Manchester’s Children of Zeus.There’s plenty more besides in this very special music podcast.
In this podcast bonus, enjoy the full version of Lake Street Dive's VIP Challenege, including two extra questions that didn't make it to air. Jonathan Coulton performs some radio hits from the 1990s, but butchers the lyrics. It's up to band members Rachael Price, Bridget Kearney, Mike Calabrese and Mike "McDuck" Olson (and you) to correct them.
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