Podcast appearances and mentions of frank price

Frank Price will moderate a conversation between Gregg Hurwitz and Kevin Compton, both experts in "Thrillers, Tech, and Ethics in a Rapidly Changing World." Join us for a fast-paced discussion with plenty of twists to keep you on your toes. Gregg Hurwitz is a New York Times #1 internationally bestselling author of 24 thrillers, including the Orphan X series. His novels have won numerous literary awards and have been published in 33 languages. Hurwitz currently serves as the co-president of International Thriller Writers (ITW). Additionally, he's written screenplays and television scripts for many of the major studios and networks, comics for AWA (including the critically acclaimed anthology NewThink), DC, and Marvel, and poetry. Currently, Hurwitz is actively working against polarization in politics and culture. To that end, he's penned op eds for The Wall Street Journal, The Guardian, The Bulwark and others, and has produced several hundred commercials, which have received more than 100 million views on digital TV platforms. He also helped write the opening ceremony of the 2022 World Cup. Kevin Compton is a co‐founder of Radar Partners in Palo Alto, CA, a private investment partnership focused on venture capital and multi-asset investing. Previously, Compton was a partner with Kleiner Perkins Caufield & Byers, one of Silicon Valley's most successful high technology venture capital firms for almost 20 years. Compton and his partners invested in many of the most powerful and high profile start‐ups over the past 30 years, including Google, Sun Microsystems, Intuit, Netscape and Amazon. The Forbes “Midas Touch” ranking of top investors has named Kevin as one of the top private investors in the world on numerous occasions, ranking him in the top 10 three times. MLF Organizer: Frank Price   An International Relations Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. This program is part of our Good Lit series, underwritten by the Bernard Osher Foundation.     Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Memorial Day! Join us for another Ike Live at the bar, where we will dive into some of the latest fishing drama while we enjoy Neck of the Woods latest brew "Stay in the boat Ike" with the Head Brewer and friend, Frank Price.

We welcome back owner and master brewer at Neck of the Woods, Frank Price. We learn about some beer and talk about one or two major injuries from each time still in the playoffs. Deebo Samuel is the biggest name on the list. Also discussed, Joe Thuney, Marlon Humphrey, Jonah Jackson, and others!

We welcome back Frank Price, master brewer at "Neck of the Woods" and we talk about the recent burst of hihg scoring fantasy football players going on IR plus a ton of information about beer and some of the impactful stories behind the beers. For the first time ever, we went live on Youtube with this one!

Frank Price from StAG Church, Cambridge on 06/07/2008

Frank Price from StAG Church, Cambridge on 22/07/2007

In celebration of this weekend's Academy Awards, WUKY's award-winning history series Saving Stories, goes Hollywood. Doug Boyd, director of the Louie B. Nunn Center for Oral History in the UK Libraries, shares an interview with film producer Frank Price. He was a major figure in the field of American television from the 1950's-1970's, including as an executive producer of "Ironside," before becoming head of Universal Studios and head of Columbia Pictures in 1978. Price left television to continue his career in motion pictures. He discusses some of his movies, (Gandhi, Out of Africa, Kramer vs Kramer and Ghostbusters) and why a film like Out of Africa wouldn't even be made in today's Hollywood.

This week, we talk about the 1980s Marvel Cinematic Universe that could have been, and eventually was. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   The Marvel Cinematic Universe is the undisputed king of intellectual property in the entertainment industry. As of February 9th, 2023, the day I record this episode, there have been thirty full length motion pictures part of the MCU in the past fifteen years, with a combined global ticket sales of $28 billion, as well as twenty television shows that have been seen by hundreds of millions of people worldwide. It is a entertainment juggernaut that does not appear to be going away anytime soon.   This comes as a total shock to many of us who grew up in the 1970s and 1980s, who were witness of cheaply produced television shows featuring hokey special effects and a roster of has-beens and never weres in the cast. Superman was the king of superheroes at the movies, in large part because, believe it or not, there hadn't even been a movie based on a Marvel Comics character released into theatres until the summer of 1986. But not for lack of trying.   And that's what we're going to talk about today. A brief history of the Marvel Cinematic Universe in the 1980s.       But first, as always, some backstory.   Now, I am not approaching this as a comic fan. When I was growing up in the 80s, I collected comics, but my collection was limited to Marvel's Star Wars series, Marvel's ROM The SpaceKnight, and Marvel's two-issue Blade Runner comic adaptation in 1982. So I apologize to Marvel comics fans if I relay some of this information incorrectly. I have tried to do my due diligence when it comes to my research.   Marvel Comics got its start as Timely Comics back in 1939. On August 31, 1939, Timely would release its first comic, titled Marvel Comics, which would feature a number of short stories featuring versions of characters that would become long-running staples of the eventual publishing house that would bear the comic's name, including The Angel, a version of The Human Torch who was actually an android hero, and Namor the Submariner, who was originally created for a unpublished comic that was supposed to be given to kids when they attended their local movie theatre during a Saturday matinee.   That comic issue would quickly sell out its initial 80,000 print run, as well as its second run, which would put another 800,000 copies out to the marketplace. The Vision would be another character introduced on the pages of Marvel Comics, in November 1940.   In December 1940, Timely would introduce their next big character, Captain America, who would find instant success thanks to its front cover depicting Cap punching Adolph Hitler square in the jaw, proving that Americans have loved seeing Nazis get punched in the face even a year before our country entered the World War II conflict. But there would be other popular characters created during this timeframe, including Black Widow, The Falcon, and The Invisible Man.   In 1941, Timely Comics would lose two of its best collaborators, artists Joe Simon and Jack Kirby, to rival company Detective Comics, and Timely owner Martin Goodman would promote one of his cousins, by marriage to his wife Jean no less, to become the interim editor of Timely Comics. A nineteen year old kid named Stanley Lieber, who would shorten his name to Stan Lee.   In 1951, Timely Comics would be rebranded at Atlas Comics, and would expand past superhero titles to include tales of crime, drama, espionage, horror, science fiction, war, western, and even romance comics.   Eventually, in 1961, Atlas Comics would rebrand once again as Marvel Comics, and would find great success by changing the focus of their stories from being aimed towards younger readers and towards a more sophisticated audience. It would be November 1961 when Marvel would introduce their first superhero team, The Fantastic Four, as well as a number of their most beloved characters including Black Panther, Carol Danvers, Iron Man, The Scarlet Witch, Spider-Man, and Thor, as well as Professor X and many of the X-Men.   And as would be expected, Hollywood would come knocking. Warner Brothers would be in the best position to make comic book movies, as both they and DC Comics were owned by the same company beginning in 1969. But for Marvel, they would not be able to enjoy that kind of symbiotic relationship. Regularly strapped for cash, Stan Lee would often sell movie and television rights to a variety of Marvel characters to whomever came calling. First, Marvel would team with a variety of producers to create a series of animated television shows, starting with The Marvel Super Heroes in 1966, two different series based on The Fantastic Four, and both Spider-Man and Spider-Woman series.   But movies were a different matter.   The rights to make a Spider-Man television show, for example, was sold off to a production company called Danchuck, who teamed with CBS-TV to start airing the show in September of 1977, but Danchuck was able to find a loophole in their contract  that allowed them to release the two-hour pilot episode as a movie outside of the United States, which complicated the movie rights Marvel had already sold to another company.   Because the “movie” was a success around the world, CBS and Danchuck would release two more Spider-Man “movies” in 1978 and 1981. Eventually, the company that owned the Spider-Man movie rights to sell them to another company in the early 1980s, the legendary independent B-movie production company and distributor, New World Pictures, founded and operated by the legendary independent B-movie producer and director Roger Corman. But shortly after Corman acquired the film rights to Spider-Man, he went and almost immediately sold them to another legendary independent B-movie production company and distributor, Cannon Films.   Side note: Shortly after Corman sold the movie rights to Spider-Man to Cannon, Marvel Entertainment was sold to the company that also owned New World Pictures, although Corman himself had nothing to do with the deal itself. The owners of New World were hoping to merge the Marvel comic book characters with the studio's television and motion picture department, to create a sort of shared universe. But since so many of the better known characters like Spider-Man and Captain America had their movie and television rights sold off to the competition, it didn't seem like that was going to happen anytime soon, but again, I'm getting ahead of myself.   So for now, we're going to settle on May 1st, 1985. Cannon Films, who loved to spend money to make money, made a big statement in the pages of the industry trade publication Variety, when they bought nine full pages of advertising in the Cannes Market preview issue to announce that buyers around the world needed to get ready, because he was coming.   Spider-Man.   A live-action motion picture event, to be directed by Tobe Hooper, whose last movie, Poltergeist, re-ignited his directing career, that would be arriving in theatres for Christmas 1986. Cannon had made a name for themselves making cheapie teen comedies in their native Israel in the 1970s, and then brought that formula to America with films like The Last American Virgin, a remake of the first Lemon Popsicle movie that made them a success back home. Cannon would swerve into cheapie action movies with fallen stars like Lee Marvin and Charles Bronson, and would prop up a new action star in Chuck Norris, as well as cheapie trend-chasing movies like Breakin' and Breakin' 2: Electric Boogaloo. They had seen enough success in America where they could start spending even bigger, and Spider-Man was supposed to be their first big splash into the superhero movie genre. With that, they would hire Leslie Stevens, the creator of the cult TV series The Outer Limits, to write the screenplay.   There was just one small problem.   Neither Stevens nor Cannon head honcho Menachem Golan understood the Spider-Man character.   Golan thought Spider-Man was a half-spider/half-man creature, not unlike The Wolf Man, and instructed Stevens to follow that concept. Stevens' script would not really borrow from any of the comics' twenty plus year history. Peter Parker, who in this story is a twenty-something ID photographer for a corporation that probably would have been Oscorp if it were written by anyone else who had at least some familiarity with the comics, who becomes intentionally bombarded with gamma radiation by one of the scientists in one of the laboratories, turning Bruce Banner… I mean, Peter Parker, into a hairy eight-armed… yes, eight armed… hybrid human/spider monster. At first suicidal, Bruce… I mean, Peter, refuses to join forces with the scientist's other master race of mutants, forcing Peter to battle these other mutants in a basement lab to the death.   To say Stan Lee hated it would be an understatement.   Lee schooled Golan and Golan's partner at Cannon, cousin Yoram Globus, on what Spider-Man was supposed to be, demanded a new screenplay. Wanting to keep the head of Marvel Comics happy, because they had big plans not only for Spider-Man but a number of other Marvel characters, they would hire the screenwriting team of Ted Newsom and John Brancato, who had written a screenplay adaptation for Lee of Sgt. Fury and His Howling Commandos, to come up with a new script for Spider-Man.   Newsom and Brancato would write an origin story, featuring a teenage Peter Parker who must deal with his newfound powers while trying to maintain a regular high school existence, while going up against an evil scientist, Otto Octavius. But we'll come back to that later.   In that same May 1985 issue of Variety, amongst dozens of pages of ads for movies both completed and in development, including three other movies from Tobe Hooper, was a one-page ad for Captain America. No director or actor was attached to the project yet, but comic book writer James L. Silke, who had written the scripts for four other Cannon movies in the previous two years, was listed as the screenwriter.   By October 1985, Cannon was again trying to pre-sell foreign rights to make a Spider-Man movie, this time at the MIFED Film Market in Milan, Italy. Gone were Leslie Stevens and Tobe Hooper. Newsom and Brancato were the new credited writers, and Joseph Tito, the director of the Chuck Norris/Cannon movies Missing in Action and Invasion U.S.A., was the new director. In a two-page ad for Captain America, the film would acquire a new director in Michael Winner, the director of the first three Death Wish movies.   And the pattern would continue every few months, from Cannes to MIFED to the American Film Market, and back to Cannes. A new writer would be attached. A new director. A new release date. By October 1987, after the twin failures of Superman IV: The Quest for Peace and Masters of the Universe, Cannon had all but given up on a Captain America movie, and downshifted the budget on their proposed Spider-Man movie. Albert Pyun, whose ability to make any movie in any genre look far better than its budget should have allowed, was brought in to be the director of Spider-Man, from a new script written by Shepard Goldman.   Who?   Shepard Goldman, whose one and only credit on any motion picture was as one of three screenwriters on the 1988 Cannon movie Salsa.   Don't remember Salsa? That's okay. Neither does anyone else.   But we'll talk a lot more about Cannon Films down the road, because there's a lot to talk about when it comes to Cannon Films, although I will leave you with two related tidbits…   Do you remember the 1989 Jean-Claude Van Damme film Cyborg? Post-apocalyptic cyberpunk martial-arts action film where JCVD and everyone else in the movie have names like Gibson Rickenbacker, Fender Tremolo, Marshall Strat and Pearl Prophet for no damn good reason? Stupid movie, lots of fun. Anyway, Albert Pyun was supposed to shoot two movies back to back for Cannon Films in 1988, a sequel to Masters of the Universe, and Spider-Man. To save money, both movies would use many of the same sets and costumes, and Cannon had spent more than $2m building the sets and costumes at the old Dino DeLaurentiis Studios in Wilmington, North Carolina, where David Lynch had shot Blue Velvet. But then Cannon ran into some cash flow issues, and lost the rights to both the He-Man toy line from Mattel and the Spider-Man characters they had licensed from Marvel. But ever the astute businessman, Cannon Films chairman Menahem Golan offered Pyun $500,000 to shoot any movie he wanted using the costumes and sets already created and paid for, provided Pyun could come up with a movie idea in a week. Pyun wrote the script to Cyborg in five days, and outside of some on-set alterations, that first draft would be the shooting script. The film would open in theatres in April 1989, and gross more than $10m in the United States alone.   A few months later, Golan would gone from Cannon Films. As part of his severance package, he would take one of the company's acquisitions, 21st Century Films, with him, as well as several projects, including Captain America. Albert Pyun never got to make his Spider-Man movie, but he would go into production on his Captain America in August 1989. But since the movie didn't get released in any form until it came out direct to video and cable in 1992, I'll leave it to podcasts devoted to 90s movies to tell you more about it. I've seen it. It's super easy to find on YouTube. It really sucks, although not as much as that 1994 version of The Fantastic Four that still hasn't been officially released nearly thirty years later.   There would also be attempts throughout the decade to make movies from the aforementioned Fantastic Four, the X-Men, Daredevil, the Incredible Hulk, Silver Surfer and Iron Man, from companies like New Line, 20th Century-Fox and Universal, but none of those would ever come to fruition in the 1980s.   But the one that would stick?   Of the more than 1,000 characters that had been featured in the pages of Marvel Comics over the course of forty years?   The one that would become the star of the first ever theatrically released motion picture based on a Marvel character?   Howard the Duck.   Howard the Duck was not your average Marvel superhero.   Howard the Duck wasn't even a superhero.   He was just some wise crackin', ill-tempered, anthropomorphic water fowl that was abducted away from his home on Duckworld and forced against his will to live with humans on Earth. Or, more specifically, first with the dirty humans of the Florida Everglades, and then Cleveland, and finally New York City.    Howard the Duck was metafiction and existentialist when neither of these things were in the zeitgeist. He smoked cigars, wore a suit and tie, and enjoy drinking a variety of libations and getting it on with the women, mostly his sometimes girlfriend Beverly.   The perfect character to be the subject of the very first Marvel movie.   A PG-rated movie.   Enter George Lucas.   In 1973, George Lucas had hit it big with his second film as a director, American Graffiti. Lucas had written the screenplay, based in part on his life as an eighteen year old car enthusiast about to graduate high school, with the help of a friend from his days at USC Film School, Willard Huyck, and Huyck's wife, Gloria Katz. Lucas wanted to show his appreciation for their help by producing a movie for them. Although there are variations to the story of how this came about, most sources say it was Huyck who would tell Lucas about this new comic book character, Howard the Duck, who piqued his classmate's interest by describing the comic as having elements of film noir and absurdism.   Because Universal dragged their feet on American Graffiti, not promoting it as well as they could have upon its initial release and only embracing the film when the public embraced its retro soundtrack, Lucas was not too keen on working with Universal again on his next project, a sci-fi movie he was calling The Journal of the Whills. And while they saw some potential in what they considered to be some minor kiddie movie, they didn't think Lucas could pull it off the way he was describing it for the budget he was asking for.   “What else you got, kid?” they'd ask.   Lucas had Huyck and Katz, and an idea for a live-action comic book movie about a talking duck.   Surprisingly, Universal did not slam the door shut in Lucas's face. They actually went for the idea, and worked with Lucas, Stan Lee of Marvel Comics and Howard's creator, Steve Gerber, to put a deal together to make it happen.   Almost right away, Gerber and the screenwriters, Huyck and Katz, would butt heads on practically every aspect of the movie's storyline. Katz just thought it was some funny story about a duck from outer space and his wacky adventures on Earth, Gerber was adamant that Howard the Duck was an existential joke, that the difference between life's most serious moments and its most incredibly dumb moments were only distinguishable by a moment's point of view. Huyck wanted to make a big special effects movie, while Katz thought it would be fun to set the story in Hawaii so she and her husband could have some fun while shooting there. The writers would spend years on their script, removing most everything that made the Howard the Duck comic book so enjoyable to its readers. Howard and his story would be played completely straight in the movie, leaning on subtle gags not unlike a Zucker/Abrahams/Zucker movie, instead of embracing the surreal ridiculousness of the comics. They would write humongous effects-heavy set pieces, knowing they would have access to their producer's in-house special effects team, Industrial Light and Magic, instead of the comics' more cerebral endings. And they'd tone down the more risqué aspects of Howard's personality, figuring a more family-friendly movie would bring in more money at the box office.   It would take nearly twelve years for all the pieces to fall into place for Howard the Duck to begin filming. But in the spring of 1985, Universal finally gave the green light for Lucas and his tea to finally make the first live-action feature film based on a Marvel Comics character.   For Beverly, the filmmakers claimed to have looked at every young actress in Hollywood before deciding on twenty-four year old Lea Thompson, who after years of supporting roles in movies like Jaws 3-D, All the Right Moves and Red Dawn, had found success playing Michael J. Fox's mother in Back to the Future. Twenty-six year old Tim Robbins had only made two movies up to this point, at one of the frat boys in Fraternity Vacation and as one of the fighter pilots in Top Gun, and this was his first chance to play a leading role in a major motion picture. And Jeffrey Jones would be cast as the bad guy, the Dark Overlord, based upon his work in the 1984 Best Picture winner Amadeus, although he would be coming to the set of Howard the Duck straight off of working on a John Hughes movie, Ferris Bueller's Day Off.   Howard the Duck would begin shooting on the Universal Studios lot of November 11th, 1985, and on the very first day of production, the duck puppet being used to film would have a major mechanical failure, not unlike the mechanical failure of the shark in Jaws that would force Steven Spielberg to become more creative with how he shot that character. George Lucas, who would be a hands-on producer, would suggest that maybe they could shoot other scenes not involving the duck, while his crew at ILM created a fully functional, life-sized animatronic duck costume for a little actor to wear on set. At first, the lead actor in the duck suit was a twelve-year old boy, but within days of his start on the film, he would develop a severe case of claustrophobia inside the costume. Ed Gale, originally hired to be the stuntman in the duck costume, would quickly take over the role. Since Gale could work longer hours than the child, due to the very restrictive laws surrounding child actors on movie and television sets, this would help keep the movie on a good production schedule, and make shooting the questionable love scenes between Howard and Beverly easier for Ms. Thompson, who was creeped out at the thought of seducing a pre-teen for a scene.   To keep the shoot on schedule, not only would the filmmakers employ a second shooting unit to shoot the scenes not involving the main actors, which is standard operating procedure on most movies, Lucas would supervise a third shooting unit that would shoot Robbins and Gale in one of the film's more climactic moments, when Howard and Phil are trying to escape being captured by the authorities by flying off on an ultralight plane. Most of this sequence would be shot in the town of Petaluma, California, on the same streets where Lucas had shot American Graffiti's iconic cruising scenes thirteen years earlier.   After a month-long shoot of the film's climax at a naval station in San Francisco, the film would end production on March 26th, 1986, leaving the $36m film barely four months to be put together in order to make its already set in stone August 1st, 1986, release date.   Being used to quick turnaround times, the effects teams working on the film would get all their shots completed with time to spare, not only because they were good at their jobs but they had the ability to start work before the film went into production. For the end sequence, when Jones' character had fully transformed into the Dark Overlord, master stop motion animator Phil Tippett, who had left ILM in 1984 to start his own effects studio specializing in that style of animation, had nearly a year to put together what would ultimately be less than two minutes of actual screen time.   As Beverly was a musician, Lucas would hire English musician and composer Thomas Dolby, whose 1982 single She Blinded Me With Science became a global smash hit, to write the songs for Cherry Bomb, the all-girl rock group lead by Lea Thompson's Beverly. Playing KC, the keyboardist for Cherry Bomb, Holly Robinson would book her first major acting role. For the music, Dolby would collaborate with Allee Willis, the co-writer of Earth Wind and Fire's September and Boogie Wonderland, and funk legend George Clinton. But despite this powerhouse musical trio, the songs for the band were not very good, and, with all due respect to Lea Thompson, not very well sung.   By August 1986, Universal Studios needed a hit. Despite winning the Academy Award for Best Picture in March with Sydney Pollack's Out of Africa, the first six films they released for the year were all disappointments at the box office and/or with the critics.    The Best of Times, a comedy featuring Robin Williams and Kurt Russell as two friends who try to recreate a high school football game which changed the direction of both their lives. Despite a script written by Ron Shelton, who would be nominated for an Oscar for his next screenplay, Bull Durham, and Robin Williams, the $12m film would gross less than $8m.    The Money Pit, a comedy with Tom Hanks and Shelley Long, would end up grossing $37m against a $10m budget, but the movie was so bad, its first appearance on DVD wouldn't come until 2011, and only as part of a Tom Hanks Comedy Favorites Collection along with The ‘Burbs and Dragnet.   Legend, a dark fantasy film directed by Ridley Scott and starring Tom Cruise, was supposed to be one of the biggest hits… of 1985. But Scott and the studio would fight over the film, with the director wanting them to release a two hour and five minute long version with a classical movie score by Jerry Goldsmith, while the studio eventually cut the film down an hour and twenty-nine minutes with a techno score by Tangerine Dream. Despite an amazing makeup job transforming Tim Curry into the Lord of Darkness as well as sumptuous costumes and cinematography, the $24.5m film would just miss recouping its production budget back in ticket sales.   Tom Cruise would become a superstar not three weeks later, when Paramount Pictures released Top Gun, directed by Ridley's little brother Tony Scott.   Sweet Liberty should have been a solid performer for the studio. Alan Alda, in his first movie since the end of MASH three years earlier, would write, direct and star in this comedy about a college history professor who must watch in disbelief as a Hollywood production comes to his small town to film the movie version of one of the books. The movie, which also starred Michael Caine, Bob Hoskins, Michelle Pfieffer and screen legend Lillian Gish, would get lost in the shuffle of other comedies that were already playing in theatres like Ferris Bueller and Short Circuit.   Legal Eagles was the movie to beat for the summer of 1986… at least on paper. Ivan Reitman's follow-up film to Ghostbusters would feature a cast that included Robert Redford, Debra Winger and Daryl Hannah, along with Brian Denny, Terence Stamp, and Brian Doyle-Murray, and was perhaps too much movie, being a legal romantic comedy mystery crime thriller.   Phew.   If I were to do an episode about agency packaging in the 1980s, the process when a talent agency like Creative Artists Agency, or CAA, put two or more of their clients together in a project not because it might be best for the movie but best for the agency that will collect a 10% commission from each client attached to the project, Legal Eagles would be the example of packaging gone too far. Ivan Reitman was a client of CAA. As were Redford,  and Winger, and Hannah. As was Bill Murray, who was originally cast in the Redford role. As were Jim Cash and Jack Epps, the screenwriters for the film. As was Tom Mankewicz, the co-writer of Superman and three Bond films, who was brought in to rewrite the script when Murray left and Redford came in. As was Frank Price, the chairman of Universal Pictures when the project was put together. All told, CAA would book more than $1.5m in commissions for themselves from all their clients working on the film.   And it sucked.   Despite the fact that it had almost no special effects, Legal Eagles would cost $40m to produce, one of the most expensive movies ever made to that point, nearly one and a half times the cost of Ghostbusters. The film would gross nearly $50m in the US, which would make it only the 14th highest grossing film of the year. Less than Stand By Me. Less than The Color of Money. Less than Down and Out in Beverly Hills.   And then there was Psycho III, the Anthony Perkins-directed slasher film that brought good old Norman Bates out of mothballs once again. An almost direct follow-up to Psycho II from 1983, the film neither embraced by horror film fans or critics, the film would only open in eighth place, despite the fact there hadn't been a horror movie in theatres for months, and its $14m gross would kill off any chance for a Psycho IV in theatres.   In late June, Universal would hold a series of test screenings for Howard the Duck. Depending on who you talk to, the test screenings either went really well, or went so bad that one of the writers would tear up negative response cards before they could be given to the score compilers, to goose the numbers up, pun only somewhat intended. I tend to believe the latter story, as it was fairly well reported at the time that the test screenings went so bad, Sid Sheinberg, the CEO of Universal, and Frank Price, the President of the studio, got into a fist fight in the lobby of one of the theatres running one of the test screenings, over who was to blame for this impending debacle.   And a debacle it was.   But just how bad?   So bad, copywriters from across the nation reveled in giddy glee over the chances to have a headline that read “‘Howard the Duck' Lays an Egg!”   And it did.   Well, sort of.   When it opened in 1554 theatres on August 1st, the film would gross $5.07m, the second best opener of the weekend, behind the sixth Friday the 13th entry, and above other new movies like the Tom Hanks/Jackie Gleason dramedy Nothing in Common and the cult film in the making Flight of the Navigator. And $5m in 1986 was a fairly decent if unspectacular opening weekend gross. The Fly was considered a massive success when it opened to $7m just two weeks later. Short Circuit, which had opened to $5.3m in May, was also lauded as being a hit right out of the gate.   And the reviews were pretty lousy. Gene Siskel gave the film only one star, calling it a stupid film with an unlikeable lead in the duck and special effects that were less impressive than a sparkler shoved into a birthday cake. Both Siskel and Ebert would give it the dreaded two thumbs down on their show. Leonard Maltin called the film hopeless. Today, the film only has a 14% rating on Rotten Tomatoes with 81 reviews.   But despite the shellacking the film took, it wouldn't be all bad for several of the people involved in the making of the film.   Lea Thompson was so worried her career might be over after the opening weekend of the film, she accepted a role in the John Hughes movie Some Kind of Wonderful that she had turned down multiple times before. As I stated in our March 2021 episode about that movie, it's my favorite of all John Hughes movies, and it would lead to a happy ending for Thompson as well. Although the film was not a massive success, Thompson and the film's director, Howard Deutch, would fall in love during the making of the film. They would marry in 1989, have two daughters together, and as of the writing of this episode, they are still happily married.   For Tim Robbins, it showed filmmakers that he could handle a leading role in a movie. Within two years, he would be starring alongside Kevin Costner and Susan Sarandon in Bull Durham, and he career would soar for the next three decades.   And for Ed Gale, his being able to act while in a full-body duck suit would lead him to be cast to play Chucky in the first two Child's Play movies as well as Bride of Chucky.   Years later, Entertainment Weekly would name Howard the Duck as the biggest pop culture failure of all time, ahead of such turkeys as NBC's wonderfully ridiculous 1979 show Supertrain, the infamous 1980 Western Heaven's Gate, Warren Beatty and Dustin Hoffman's Ishtar, and the truly wretched 1978 Bee Gees movie Sgt. Pepper's Lonely Hearts Club Band.   But Howard the Duck, the character, not the movie, would enjoy a renaissance in 2014, when James Gunn included a CG-animated version of the character in the post-credit sequence for Guardians of the Galaxy. The character would show up again in the Disney animated Guardians television series, and in the 2021 Disney+ anthology series Marvel's What If…   There technically would be one other 1980s movie based on a Marvel character, Mark Goldblatt's version of The Punisher, featuring Dolph Lundgren as Frank Castle. Shot in Australia in 1988, the film was supposed to be released by New World Pictures in August of 1989. The company even sent out trailers to theatres that summer to help build awareness for the film, but New World's continued financial issues would put the film on hold until April 1991, when it was released directly to video by Live Entertainment.   It wouldn't be until the 1998 release of Blade, featuring Wesley Snipes as the titular vampire, that movies based on Marvel Comics characters would finally be accepted by movie-going audiences. That would soon be followed by Bryan Singer's X-Men in 2000, and Sam Raimi's Spider-Man in 2002, the success of both prompting Marvel to start putting together the team that would eventually give birth to the Marvel Cinematic Universe we all know and love today.   Thank you for joining us. We'll talk again soon, when Episode 102, the first of two episodes about the 1980s distribution company Vestron Pictures, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Howard the Duck, and the other movies, both existing and non-existent, we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week, we talk about the 1980s Marvel Cinematic Universe that could have been, and eventually was. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   The Marvel Cinematic Universe is the undisputed king of intellectual property in the entertainment industry. As of February 9th, 2023, the day I record this episode, there have been thirty full length motion pictures part of the MCU in the past fifteen years, with a combined global ticket sales of $28 billion, as well as twenty television shows that have been seen by hundreds of millions of people worldwide. It is a entertainment juggernaut that does not appear to be going away anytime soon.   This comes as a total shock to many of us who grew up in the 1970s and 1980s, who were witness of cheaply produced television shows featuring hokey special effects and a roster of has-beens and never weres in the cast. Superman was the king of superheroes at the movies, in large part because, believe it or not, there hadn't even been a movie based on a Marvel Comics character released into theatres until the summer of 1986. But not for lack of trying.   And that's what we're going to talk about today. A brief history of the Marvel Cinematic Universe in the 1980s.       But first, as always, some backstory.   Now, I am not approaching this as a comic fan. When I was growing up in the 80s, I collected comics, but my collection was limited to Marvel's Star Wars series, Marvel's ROM The SpaceKnight, and Marvel's two-issue Blade Runner comic adaptation in 1982. So I apologize to Marvel comics fans if I relay some of this information incorrectly. I have tried to do my due diligence when it comes to my research.   Marvel Comics got its start as Timely Comics back in 1939. On August 31, 1939, Timely would release its first comic, titled Marvel Comics, which would feature a number of short stories featuring versions of characters that would become long-running staples of the eventual publishing house that would bear the comic's name, including The Angel, a version of The Human Torch who was actually an android hero, and Namor the Submariner, who was originally created for a unpublished comic that was supposed to be given to kids when they attended their local movie theatre during a Saturday matinee.   That comic issue would quickly sell out its initial 80,000 print run, as well as its second run, which would put another 800,000 copies out to the marketplace. The Vision would be another character introduced on the pages of Marvel Comics, in November 1940.   In December 1940, Timely would introduce their next big character, Captain America, who would find instant success thanks to its front cover depicting Cap punching Adolph Hitler square in the jaw, proving that Americans have loved seeing Nazis get punched in the face even a year before our country entered the World War II conflict. But there would be other popular characters created during this timeframe, including Black Widow, The Falcon, and The Invisible Man.   In 1941, Timely Comics would lose two of its best collaborators, artists Joe Simon and Jack Kirby, to rival company Detective Comics, and Timely owner Martin Goodman would promote one of his cousins, by marriage to his wife Jean no less, to become the interim editor of Timely Comics. A nineteen year old kid named Stanley Lieber, who would shorten his name to Stan Lee.   In 1951, Timely Comics would be rebranded at Atlas Comics, and would expand past superhero titles to include tales of crime, drama, espionage, horror, science fiction, war, western, and even romance comics.   Eventually, in 1961, Atlas Comics would rebrand once again as Marvel Comics, and would find great success by changing the focus of their stories from being aimed towards younger readers and towards a more sophisticated audience. It would be November 1961 when Marvel would introduce their first superhero team, The Fantastic Four, as well as a number of their most beloved characters including Black Panther, Carol Danvers, Iron Man, The Scarlet Witch, Spider-Man, and Thor, as well as Professor X and many of the X-Men.   And as would be expected, Hollywood would come knocking. Warner Brothers would be in the best position to make comic book movies, as both they and DC Comics were owned by the same company beginning in 1969. But for Marvel, they would not be able to enjoy that kind of symbiotic relationship. Regularly strapped for cash, Stan Lee would often sell movie and television rights to a variety of Marvel characters to whomever came calling. First, Marvel would team with a variety of producers to create a series of animated television shows, starting with The Marvel Super Heroes in 1966, two different series based on The Fantastic Four, and both Spider-Man and Spider-Woman series.   But movies were a different matter.   The rights to make a Spider-Man television show, for example, was sold off to a production company called Danchuck, who teamed with CBS-TV to start airing the show in September of 1977, but Danchuck was able to find a loophole in their contract  that allowed them to release the two-hour pilot episode as a movie outside of the United States, which complicated the movie rights Marvel had already sold to another company.   Because the “movie” was a success around the world, CBS and Danchuck would release two more Spider-Man “movies” in 1978 and 1981. Eventually, the company that owned the Spider-Man movie rights to sell them to another company in the early 1980s, the legendary independent B-movie production company and distributor, New World Pictures, founded and operated by the legendary independent B-movie producer and director Roger Corman. But shortly after Corman acquired the film rights to Spider-Man, he went and almost immediately sold them to another legendary independent B-movie production company and distributor, Cannon Films.   Side note: Shortly after Corman sold the movie rights to Spider-Man to Cannon, Marvel Entertainment was sold to the company that also owned New World Pictures, although Corman himself had nothing to do with the deal itself. The owners of New World were hoping to merge the Marvel comic book characters with the studio's television and motion picture department, to create a sort of shared universe. But since so many of the better known characters like Spider-Man and Captain America had their movie and television rights sold off to the competition, it didn't seem like that was going to happen anytime soon, but again, I'm getting ahead of myself.   So for now, we're going to settle on May 1st, 1985. Cannon Films, who loved to spend money to make money, made a big statement in the pages of the industry trade publication Variety, when they bought nine full pages of advertising in the Cannes Market preview issue to announce that buyers around the world needed to get ready, because he was coming.   Spider-Man.   A live-action motion picture event, to be directed by Tobe Hooper, whose last movie, Poltergeist, re-ignited his directing career, that would be arriving in theatres for Christmas 1986. Cannon had made a name for themselves making cheapie teen comedies in their native Israel in the 1970s, and then brought that formula to America with films like The Last American Virgin, a remake of the first Lemon Popsicle movie that made them a success back home. Cannon would swerve into cheapie action movies with fallen stars like Lee Marvin and Charles Bronson, and would prop up a new action star in Chuck Norris, as well as cheapie trend-chasing movies like Breakin' and Breakin' 2: Electric Boogaloo. They had seen enough success in America where they could start spending even bigger, and Spider-Man was supposed to be their first big splash into the superhero movie genre. With that, they would hire Leslie Stevens, the creator of the cult TV series The Outer Limits, to write the screenplay.   There was just one small problem.   Neither Stevens nor Cannon head honcho Menachem Golan understood the Spider-Man character.   Golan thought Spider-Man was a half-spider/half-man creature, not unlike The Wolf Man, and instructed Stevens to follow that concept. Stevens' script would not really borrow from any of the comics' twenty plus year history. Peter Parker, who in this story is a twenty-something ID photographer for a corporation that probably would have been Oscorp if it were written by anyone else who had at least some familiarity with the comics, who becomes intentionally bombarded with gamma radiation by one of the scientists in one of the laboratories, turning Bruce Banner… I mean, Peter Parker, into a hairy eight-armed… yes, eight armed… hybrid human/spider monster. At first suicidal, Bruce… I mean, Peter, refuses to join forces with the scientist's other master race of mutants, forcing Peter to battle these other mutants in a basement lab to the death.   To say Stan Lee hated it would be an understatement.   Lee schooled Golan and Golan's partner at Cannon, cousin Yoram Globus, on what Spider-Man was supposed to be, demanded a new screenplay. Wanting to keep the head of Marvel Comics happy, because they had big plans not only for Spider-Man but a number of other Marvel characters, they would hire the screenwriting team of Ted Newsom and John Brancato, who had written a screenplay adaptation for Lee of Sgt. Fury and His Howling Commandos, to come up with a new script for Spider-Man.   Newsom and Brancato would write an origin story, featuring a teenage Peter Parker who must deal with his newfound powers while trying to maintain a regular high school existence, while going up against an evil scientist, Otto Octavius. But we'll come back to that later.   In that same May 1985 issue of Variety, amongst dozens of pages of ads for movies both completed and in development, including three other movies from Tobe Hooper, was a one-page ad for Captain America. No director or actor was attached to the project yet, but comic book writer James L. Silke, who had written the scripts for four other Cannon movies in the previous two years, was listed as the screenwriter.   By October 1985, Cannon was again trying to pre-sell foreign rights to make a Spider-Man movie, this time at the MIFED Film Market in Milan, Italy. Gone were Leslie Stevens and Tobe Hooper. Newsom and Brancato were the new credited writers, and Joseph Tito, the director of the Chuck Norris/Cannon movies Missing in Action and Invasion U.S.A., was the new director. In a two-page ad for Captain America, the film would acquire a new director in Michael Winner, the director of the first three Death Wish movies.   And the pattern would continue every few months, from Cannes to MIFED to the American Film Market, and back to Cannes. A new writer would be attached. A new director. A new release date. By October 1987, after the twin failures of Superman IV: The Quest for Peace and Masters of the Universe, Cannon had all but given up on a Captain America movie, and downshifted the budget on their proposed Spider-Man movie. Albert Pyun, whose ability to make any movie in any genre look far better than its budget should have allowed, was brought in to be the director of Spider-Man, from a new script written by Shepard Goldman.   Who?   Shepard Goldman, whose one and only credit on any motion picture was as one of three screenwriters on the 1988 Cannon movie Salsa.   Don't remember Salsa? That's okay. Neither does anyone else.   But we'll talk a lot more about Cannon Films down the road, because there's a lot to talk about when it comes to Cannon Films, although I will leave you with two related tidbits…   Do you remember the 1989 Jean-Claude Van Damme film Cyborg? Post-apocalyptic cyberpunk martial-arts action film where JCVD and everyone else in the movie have names like Gibson Rickenbacker, Fender Tremolo, Marshall Strat and Pearl Prophet for no damn good reason? Stupid movie, lots of fun. Anyway, Albert Pyun was supposed to shoot two movies back to back for Cannon Films in 1988, a sequel to Masters of the Universe, and Spider-Man. To save money, both movies would use many of the same sets and costumes, and Cannon had spent more than $2m building the sets and costumes at the old Dino DeLaurentiis Studios in Wilmington, North Carolina, where David Lynch had shot Blue Velvet. But then Cannon ran into some cash flow issues, and lost the rights to both the He-Man toy line from Mattel and the Spider-Man characters they had licensed from Marvel. But ever the astute businessman, Cannon Films chairman Menahem Golan offered Pyun $500,000 to shoot any movie he wanted using the costumes and sets already created and paid for, provided Pyun could come up with a movie idea in a week. Pyun wrote the script to Cyborg in five days, and outside of some on-set alterations, that first draft would be the shooting script. The film would open in theatres in April 1989, and gross more than $10m in the United States alone.   A few months later, Golan would gone from Cannon Films. As part of his severance package, he would take one of the company's acquisitions, 21st Century Films, with him, as well as several projects, including Captain America. Albert Pyun never got to make his Spider-Man movie, but he would go into production on his Captain America in August 1989. But since the movie didn't get released in any form until it came out direct to video and cable in 1992, I'll leave it to podcasts devoted to 90s movies to tell you more about it. I've seen it. It's super easy to find on YouTube. It really sucks, although not as much as that 1994 version of The Fantastic Four that still hasn't been officially released nearly thirty years later.   There would also be attempts throughout the decade to make movies from the aforementioned Fantastic Four, the X-Men, Daredevil, the Incredible Hulk, Silver Surfer and Iron Man, from companies like New Line, 20th Century-Fox and Universal, but none of those would ever come to fruition in the 1980s.   But the one that would stick?   Of the more than 1,000 characters that had been featured in the pages of Marvel Comics over the course of forty years?   The one that would become the star of the first ever theatrically released motion picture based on a Marvel character?   Howard the Duck.   Howard the Duck was not your average Marvel superhero.   Howard the Duck wasn't even a superhero.   He was just some wise crackin', ill-tempered, anthropomorphic water fowl that was abducted away from his home on Duckworld and forced against his will to live with humans on Earth. Or, more specifically, first with the dirty humans of the Florida Everglades, and then Cleveland, and finally New York City.    Howard the Duck was metafiction and existentialist when neither of these things were in the zeitgeist. He smoked cigars, wore a suit and tie, and enjoy drinking a variety of libations and getting it on with the women, mostly his sometimes girlfriend Beverly.   The perfect character to be the subject of the very first Marvel movie.   A PG-rated movie.   Enter George Lucas.   In 1973, George Lucas had hit it big with his second film as a director, American Graffiti. Lucas had written the screenplay, based in part on his life as an eighteen year old car enthusiast about to graduate high school, with the help of a friend from his days at USC Film School, Willard Huyck, and Huyck's wife, Gloria Katz. Lucas wanted to show his appreciation for their help by producing a movie for them. Although there are variations to the story of how this came about, most sources say it was Huyck who would tell Lucas about this new comic book character, Howard the Duck, who piqued his classmate's interest by describing the comic as having elements of film noir and absurdism.   Because Universal dragged their feet on American Graffiti, not promoting it as well as they could have upon its initial release and only embracing the film when the public embraced its retro soundtrack, Lucas was not too keen on working with Universal again on his next project, a sci-fi movie he was calling The Journal of the Whills. And while they saw some potential in what they considered to be some minor kiddie movie, they didn't think Lucas could pull it off the way he was describing it for the budget he was asking for.   “What else you got, kid?” they'd ask.   Lucas had Huyck and Katz, and an idea for a live-action comic book movie about a talking duck.   Surprisingly, Universal did not slam the door shut in Lucas's face. They actually went for the idea, and worked with Lucas, Stan Lee of Marvel Comics and Howard's creator, Steve Gerber, to put a deal together to make it happen.   Almost right away, Gerber and the screenwriters, Huyck and Katz, would butt heads on practically every aspect of the movie's storyline. Katz just thought it was some funny story about a duck from outer space and his wacky adventures on Earth, Gerber was adamant that Howard the Duck was an existential joke, that the difference between life's most serious moments and its most incredibly dumb moments were only distinguishable by a moment's point of view. Huyck wanted to make a big special effects movie, while Katz thought it would be fun to set the story in Hawaii so she and her husband could have some fun while shooting there. The writers would spend years on their script, removing most everything that made the Howard the Duck comic book so enjoyable to its readers. Howard and his story would be played completely straight in the movie, leaning on subtle gags not unlike a Zucker/Abrahams/Zucker movie, instead of embracing the surreal ridiculousness of the comics. They would write humongous effects-heavy set pieces, knowing they would have access to their producer's in-house special effects team, Industrial Light and Magic, instead of the comics' more cerebral endings. And they'd tone down the more risqué aspects of Howard's personality, figuring a more family-friendly movie would bring in more money at the box office.   It would take nearly twelve years for all the pieces to fall into place for Howard the Duck to begin filming. But in the spring of 1985, Universal finally gave the green light for Lucas and his tea to finally make the first live-action feature film based on a Marvel Comics character.   For Beverly, the filmmakers claimed to have looked at every young actress in Hollywood before deciding on twenty-four year old Lea Thompson, who after years of supporting roles in movies like Jaws 3-D, All the Right Moves and Red Dawn, had found success playing Michael J. Fox's mother in Back to the Future. Twenty-six year old Tim Robbins had only made two movies up to this point, at one of the frat boys in Fraternity Vacation and as one of the fighter pilots in Top Gun, and this was his first chance to play a leading role in a major motion picture. And Jeffrey Jones would be cast as the bad guy, the Dark Overlord, based upon his work in the 1984 Best Picture winner Amadeus, although he would be coming to the set of Howard the Duck straight off of working on a John Hughes movie, Ferris Bueller's Day Off.   Howard the Duck would begin shooting on the Universal Studios lot of November 11th, 1985, and on the very first day of production, the duck puppet being used to film would have a major mechanical failure, not unlike the mechanical failure of the shark in Jaws that would force Steven Spielberg to become more creative with how he shot that character. George Lucas, who would be a hands-on producer, would suggest that maybe they could shoot other scenes not involving the duck, while his crew at ILM created a fully functional, life-sized animatronic duck costume for a little actor to wear on set. At first, the lead actor in the duck suit was a twelve-year old boy, but within days of his start on the film, he would develop a severe case of claustrophobia inside the costume. Ed Gale, originally hired to be the stuntman in the duck costume, would quickly take over the role. Since Gale could work longer hours than the child, due to the very restrictive laws surrounding child actors on movie and television sets, this would help keep the movie on a good production schedule, and make shooting the questionable love scenes between Howard and Beverly easier for Ms. Thompson, who was creeped out at the thought of seducing a pre-teen for a scene.   To keep the shoot on schedule, not only would the filmmakers employ a second shooting unit to shoot the scenes not involving the main actors, which is standard operating procedure on most movies, Lucas would supervise a third shooting unit that would shoot Robbins and Gale in one of the film's more climactic moments, when Howard and Phil are trying to escape being captured by the authorities by flying off on an ultralight plane. Most of this sequence would be shot in the town of Petaluma, California, on the same streets where Lucas had shot American Graffiti's iconic cruising scenes thirteen years earlier.   After a month-long shoot of the film's climax at a naval station in San Francisco, the film would end production on March 26th, 1986, leaving the $36m film barely four months to be put together in order to make its already set in stone August 1st, 1986, release date.   Being used to quick turnaround times, the effects teams working on the film would get all their shots completed with time to spare, not only because they were good at their jobs but they had the ability to start work before the film went into production. For the end sequence, when Jones' character had fully transformed into the Dark Overlord, master stop motion animator Phil Tippett, who had left ILM in 1984 to start his own effects studio specializing in that style of animation, had nearly a year to put together what would ultimately be less than two minutes of actual screen time.   As Beverly was a musician, Lucas would hire English musician and composer Thomas Dolby, whose 1982 single She Blinded Me With Science became a global smash hit, to write the songs for Cherry Bomb, the all-girl rock group lead by Lea Thompson's Beverly. Playing KC, the keyboardist for Cherry Bomb, Holly Robinson would book her first major acting role. For the music, Dolby would collaborate with Allee Willis, the co-writer of Earth Wind and Fire's September and Boogie Wonderland, and funk legend George Clinton. But despite this powerhouse musical trio, the songs for the band were not very good, and, with all due respect to Lea Thompson, not very well sung.   By August 1986, Universal Studios needed a hit. Despite winning the Academy Award for Best Picture in March with Sydney Pollack's Out of Africa, the first six films they released for the year were all disappointments at the box office and/or with the critics.    The Best of Times, a comedy featuring Robin Williams and Kurt Russell as two friends who try to recreate a high school football game which changed the direction of both their lives. Despite a script written by Ron Shelton, who would be nominated for an Oscar for his next screenplay, Bull Durham, and Robin Williams, the $12m film would gross less than $8m.    The Money Pit, a comedy with Tom Hanks and Shelley Long, would end up grossing $37m against a $10m budget, but the movie was so bad, its first appearance on DVD wouldn't come until 2011, and only as part of a Tom Hanks Comedy Favorites Collection along with The ‘Burbs and Dragnet.   Legend, a dark fantasy film directed by Ridley Scott and starring Tom Cruise, was supposed to be one of the biggest hits… of 1985. But Scott and the studio would fight over the film, with the director wanting them to release a two hour and five minute long version with a classical movie score by Jerry Goldsmith, while the studio eventually cut the film down an hour and twenty-nine minutes with a techno score by Tangerine Dream. Despite an amazing makeup job transforming Tim Curry into the Lord of Darkness as well as sumptuous costumes and cinematography, the $24.5m film would just miss recouping its production budget back in ticket sales.   Tom Cruise would become a superstar not three weeks later, when Paramount Pictures released Top Gun, directed by Ridley's little brother Tony Scott.   Sweet Liberty should have been a solid performer for the studio. Alan Alda, in his first movie since the end of MASH three years earlier, would write, direct and star in this comedy about a college history professor who must watch in disbelief as a Hollywood production comes to his small town to film the movie version of one of the books. The movie, which also starred Michael Caine, Bob Hoskins, Michelle Pfieffer and screen legend Lillian Gish, would get lost in the shuffle of other comedies that were already playing in theatres like Ferris Bueller and Short Circuit.   Legal Eagles was the movie to beat for the summer of 1986… at least on paper. Ivan Reitman's follow-up film to Ghostbusters would feature a cast that included Robert Redford, Debra Winger and Daryl Hannah, along with Brian Denny, Terence Stamp, and Brian Doyle-Murray, and was perhaps too much movie, being a legal romantic comedy mystery crime thriller.   Phew.   If I were to do an episode about agency packaging in the 1980s, the process when a talent agency like Creative Artists Agency, or CAA, put two or more of their clients together in a project not because it might be best for the movie but best for the agency that will collect a 10% commission from each client attached to the project, Legal Eagles would be the example of packaging gone too far. Ivan Reitman was a client of CAA. As were Redford,  and Winger, and Hannah. As was Bill Murray, who was originally cast in the Redford role. As were Jim Cash and Jack Epps, the screenwriters for the film. As was Tom Mankewicz, the co-writer of Superman and three Bond films, who was brought in to rewrite the script when Murray left and Redford came in. As was Frank Price, the chairman of Universal Pictures when the project was put together. All told, CAA would book more than $1.5m in commissions for themselves from all their clients working on the film.   And it sucked.   Despite the fact that it had almost no special effects, Legal Eagles would cost $40m to produce, one of the most expensive movies ever made to that point, nearly one and a half times the cost of Ghostbusters. The film would gross nearly $50m in the US, which would make it only the 14th highest grossing film of the year. Less than Stand By Me. Less than The Color of Money. Less than Down and Out in Beverly Hills.   And then there was Psycho III, the Anthony Perkins-directed slasher film that brought good old Norman Bates out of mothballs once again. An almost direct follow-up to Psycho II from 1983, the film neither embraced by horror film fans or critics, the film would only open in eighth place, despite the fact there hadn't been a horror movie in theatres for months, and its $14m gross would kill off any chance for a Psycho IV in theatres.   In late June, Universal would hold a series of test screenings for Howard the Duck. Depending on who you talk to, the test screenings either went really well, or went so bad that one of the writers would tear up negative response cards before they could be given to the score compilers, to goose the numbers up, pun only somewhat intended. I tend to believe the latter story, as it was fairly well reported at the time that the test screenings went so bad, Sid Sheinberg, the CEO of Universal, and Frank Price, the President of the studio, got into a fist fight in the lobby of one of the theatres running one of the test screenings, over who was to blame for this impending debacle.   And a debacle it was.   But just how bad?   So bad, copywriters from across the nation reveled in giddy glee over the chances to have a headline that read “‘Howard the Duck' Lays an Egg!”   And it did.   Well, sort of.   When it opened in 1554 theatres on August 1st, the film would gross $5.07m, the second best opener of the weekend, behind the sixth Friday the 13th entry, and above other new movies like the Tom Hanks/Jackie Gleason dramedy Nothing in Common and the cult film in the making Flight of the Navigator. And $5m in 1986 was a fairly decent if unspectacular opening weekend gross. The Fly was considered a massive success when it opened to $7m just two weeks later. Short Circuit, which had opened to $5.3m in May, was also lauded as being a hit right out of the gate.   And the reviews were pretty lousy. Gene Siskel gave the film only one star, calling it a stupid film with an unlikeable lead in the duck and special effects that were less impressive than a sparkler shoved into a birthday cake. Both Siskel and Ebert would give it the dreaded two thumbs down on their show. Leonard Maltin called the film hopeless. Today, the film only has a 14% rating on Rotten Tomatoes with 81 reviews.   But despite the shellacking the film took, it wouldn't be all bad for several of the people involved in the making of the film.   Lea Thompson was so worried her career might be over after the opening weekend of the film, she accepted a role in the John Hughes movie Some Kind of Wonderful that she had turned down multiple times before. As I stated in our March 2021 episode about that movie, it's my favorite of all John Hughes movies, and it would lead to a happy ending for Thompson as well. Although the film was not a massive success, Thompson and the film's director, Howard Deutch, would fall in love during the making of the film. They would marry in 1989, have two daughters together, and as of the writing of this episode, they are still happily married.   For Tim Robbins, it showed filmmakers that he could handle a leading role in a movie. Within two years, he would be starring alongside Kevin Costner and Susan Sarandon in Bull Durham, and he career would soar for the next three decades.   And for Ed Gale, his being able to act while in a full-body duck suit would lead him to be cast to play Chucky in the first two Child's Play movies as well as Bride of Chucky.   Years later, Entertainment Weekly would name Howard the Duck as the biggest pop culture failure of all time, ahead of such turkeys as NBC's wonderfully ridiculous 1979 show Supertrain, the infamous 1980 Western Heaven's Gate, Warren Beatty and Dustin Hoffman's Ishtar, and the truly wretched 1978 Bee Gees movie Sgt. Pepper's Lonely Hearts Club Band.   But Howard the Duck, the character, not the movie, would enjoy a renaissance in 2014, when James Gunn included a CG-animated version of the character in the post-credit sequence for Guardians of the Galaxy. The character would show up again in the Disney animated Guardians television series, and in the 2021 Disney+ anthology series Marvel's What If…   There technically would be one other 1980s movie based on a Marvel character, Mark Goldblatt's version of The Punisher, featuring Dolph Lundgren as Frank Castle. Shot in Australia in 1988, the film was supposed to be released by New World Pictures in August of 1989. The company even sent out trailers to theatres that summer to help build awareness for the film, but New World's continued financial issues would put the film on hold until April 1991, when it was released directly to video by Live Entertainment.   It wouldn't be until the 1998 release of Blade, featuring Wesley Snipes as the titular vampire, that movies based on Marvel Comics characters would finally be accepted by movie-going audiences. That would soon be followed by Bryan Singer's X-Men in 2000, and Sam Raimi's Spider-Man in 2002, the success of both prompting Marvel to start putting together the team that would eventually give birth to the Marvel Cinematic Universe we all know and love today.   Thank you for joining us. We'll talk again soon, when Episode 102, the first of two episodes about the 1980s distribution company Vestron Pictures, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Howard the Duck, and the other movies, both existing and non-existent, we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Not only do we welcome Dr. Brad Bernardini back to the show to talk about the potential career altering injury for cornerback J.C. Jackson, a patella tendon tear, but we also get back to our roots and welcome back Frank Price, owner of 'Neck of the Woods' brewery who gives us great information about his new Czech style Side Pull Faucet and explains why it is better than a standard tap!

Frank Price from StAG Church, Cambridge on 10/04/2005

Frank Price from StAG Church, Cambridge on 06/01/2008

Frank Price from StAG Church, Cambridge on 27/01/2008

Frank Price is a consultant and speaker in the family entertainment industry. With 25 years of experience, Frank has observed how the business has evolved, including the guest and employee experience along with it. In this interview, Frank shares specific examples on how a company's culture can make or break the organization. You must make sure that the right people are hired for the right roles, and recognize that guest experience is not for everyone. We get into the intricate details of recruiting, hiring, onboarding, training, and ongoing reinforcement of the organization's values. When reinforcing positive behavior, Frank shares how the “old school” way of doing things is by recognizing and rewarding the results, when in actuality it should be the actions along the way that should be identified, even if the employee still has additional progress to make. Frank's philosophy is that your guest experience must be something that everyone in your organization can live and breathe on a daily basis.

Frank Price from StAG Church, Cambridge on 04/03/2007

Join us as we discover and learn how these four dynamic returned women Peace Corps volunteers crafted their careers to become important leaders. We will also find out what hurdles they had to overcome and how they became influential and creative leaders. Their stories are valuable for all to hear, and we can all learn from their experiences. Lisa Curtis is the founder and CEO of Kuli Kuli, the leading brand pioneering the sustainably sourced superfood moringa. Kuli Kuli works with farmers in the developing world to access the nutritional power and economic opportunities of moringa. Curtis began working on Kuli Kuli while serving in the Peace Corps in Niger and has grown it into a multi-million dollar social enterprise. Previously, Lisa wrote political briefings for President Obama in the White House, served as a United Nations Environment Programme Youth Advisor, and worked at an impact investment firm in India. The moderator for today's program is Frank Price, the vice president of the Northern California Peace Corps Association and Shriver Circle Member of the National Peace Corps Association. Price served in the Peace Corps in Côte d'Ivoire. He is currently president of the Stewardship of the Commons Foundation MLF ORGANIZER Frank Price NOTES MLF: International Relations SPEAKERS Lisa Curtis Founder & CEO of Kuli Kuli; Served in Niger Karen DeWitt Journalist; Digital Newsroom Director, School of Global Journalism and Communication, Morgan State University; Served in Ethiopia Nalini Elkins CEO and Founder of Inside Products, Inc.; Served in Togo Rahama Wright Founder and CEO of Shea Yeleen Health and Beauty; Served in Ghana Frank Price Vice President, Northern California Peace Corps Association; Shriver Circle Member, National Peace Corps Association; Served in Côte d'Ivoire In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on August 26th, 2021 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as we discover and learn how these four dynamic returned women Peace Corps volunteers crafted their careers to become important leaders. We will also find out what hurdles they had to overcome and how they became influential and creative leaders. Their stories are valuable for all to hear, and we can all learn from their experiences. Lisa Curtis is the founder and CEO of Kuli Kuli, the leading brand pioneering the sustainably sourced superfood moringa. Kuli Kuli works with farmers in the developing world to access the nutritional power and economic opportunities of moringa. Curtis began working on Kuli Kuli while serving in the Peace Corps in Niger and has grown it into a multi-million dollar social enterprise. Previously, Lisa wrote political briefings for President Obama in the White House, served as a United Nations Environment Programme Youth Advisor, and worked at an impact investment firm in India. The moderator for today's program is Frank Price, the vice president of the Northern California Peace Corps Association and Shriver Circle Member of the National Peace Corps Association. Price served in the Peace Corps in Côte d'Ivoire. He is currently president of the Stewardship of the Commons Foundation MLF ORGANIZER Frank Price NOTES MLF: International Relations SPEAKERS Lisa Curtis Founder & CEO of Kuli Kuli; Served in Niger Karen DeWitt Journalist; Digital Newsroom Director, School of Global Journalism and Communication, Morgan State University; Served in Ethiopia Nalini Elkins CEO and Founder of Inside Products, Inc.; Served in Togo Rahama Wright Founder and CEO of Shea Yeleen Health and Beauty; Served in Ghana Frank Price Vice President, Northern California Peace Corps Association; Shriver Circle Member, National Peace Corps Association; Served in Côte d'Ivoire In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on August 26th, 2021 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Everyday Sniper Podcast, Marc and Frank Price Utah After Action  Marc and Frank coming off a short road trip to Price Utah.  We just finished a precision rifle class in Price Utah at the North Springs Range Complex in Utah. We had a fantastic class with a great group of shooters.  The flow was perfect, the class was outstanding, the fun doesn't begin to explain it. I am just getting back in the swing, the house is getting sorted, my computers are set up. So Marc and I are talking class.  In this episode:  Aliens and UFO going Mainstream  3 Day Precision Rifle Class  Bipods - Again  Drinking  Echo the house echos  Thanks for listening, thanks for sharing, thanks for being a part of the everyday sniper podcast  To all listening thank you ... 

This week Jay introduces Frank Price, brewmaster at, "Neck of the Woods." Then we delve into Lebron's injury, high ankle sprains.

Frank Price from StAG Church, Cambridge on 29/06/2008

This week, we have the pleasure of welcoming Frank Price, VP of Product at CyberGRX, to discuss Third Party Risk Assessment: What's in Your Supply Chain? In our second segment, we welcome Alain Espinosa, Director of Security Operations at Online Business Systems, to talk about Logging, Monitoring, and SIEM, Oh My!   Show Notes: https://wiki.securityweekly.com/scw49 Visit https://securityweekly.com/cybergrx to learn more about them!   Visit https://www.securityweekly.com/scw for all the latest episodes! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly

This week, we have the pleasure of welcoming Frank Price, VP of Product at CyberGRX, to discuss Third Party Risk Assessment: What's in Your Supply Chain? In our second segment, we welcome Alain Espinosa, Director of Security Operations at Online Business Systems, to talk about Logging, Monitoring, and SIEM, Oh My!   Show Notes: https://wiki.securityweekly.com/scw49 Visit https://securityweekly.com/cybergrx to learn more about them!   Visit https://www.securityweekly.com/scw for all the latest episodes! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly

An introduction to CyberGRX and how to get companies working together safely and efficiently. Topics: - Third-party risk management and importance for your organization - The nature of bilateral relationships between vendors and enterprises - The evolution of PCI assessments   This segment is sponsored by CyberGRX. Visit https://securityweekly.com/cybergrx to learn more about them!   Visit https://www.securityweekly.com/scw for all the latest episodes! Show Notes: https://wiki.securityweekly.com/scw49

Much of the time we take it for granted that we have a safe water. This panel explores the creative ways in which these two organizations provide clean and safe water for those who do not have it. Jon Kaufman is the Director of H2OpenDoors, a project of Rotary International. Kaufman brings together the best-in-class providers of water purification, smart solar nanogrids and satellite internet technologies to create water and power hubs. The most impoverished villages throughout the world are mentored on creating enterprise through these unique approaches, fostering self reliance rather than continual dependence. Averill Strasser of Water Charity, a 501(c)(3) nonprofit dedicated to helping people access clean drinking water and improved sanitation. In 14 years, Water Charity has done more than 6,000 water, sanitation and public health projects in 78 countries. Averil is an RPCV (returned Peace Corps volunteer) who served in Bolivia. In addition, Water Charity is a proud supporter and partner of the National Peace Corps Association. Frank Price, RPCV Côte d'Ivoire, a Northern California Peace Corps Association East Bay Board representative, will moderate this program. MLF ORGANIZER Frank Price NOTES MLF: International Relations Learn more about your ad choices. Visit megaphone.fm/adchoices

The biographies you never knew you needed! Lean about how the finances of Ghostbusters breaks down, plus: Bernie Brillstein was in John Belushi and Dan Aykroyd’s corner, making Saturday Night Live, the Blues Brothers, and trying to make Ghostbusters happen. Plus, Muppets! Agent Mike Ovitz ruled Hollywood for a time, and got great deals for Ghostbusters’ principal players. Also, surprisingly, a great pal with Bill Murray. Frank Price was a pioneering TV producer who later oversaw Columbia Pictures and Universal. Learn how he had confidence in the Ghostbusters movie, and what happened to him afterwards.   https://www.patreon.com/rossmaywriter   For 2020, patrons’ donations will be used to purchase toys for children at Victoria Hospital this Christmas.

It's 1983 and we’re on the Road to Ghostbusters. Learn amazing secrets such as: -Dan Aykroyd’s early drafts, and thoughts of casting Eddie Murphy and John Belushi. -How the movie ended up in front of Frank Price at Columbia Pictures. -Developing the sets and special effects while the script was still being finalized. -Nailing down Bill Murray!   https://www.patreon.com/rossmaywriter   For 2020, patrons’ donations will be used to purchase toys for children at Victoria Hospital this Christmas.

Frank Price from StAG Church, Cambridge on 23/01/2005

Frank Price from StAG Church, Cambridge on 11/02/2007

When does science become art? We often refer to the “Art and Science of Range Management' but how often do we acknowledge the “art” or the “artist?” in today's world of ever-expanding technology and engineering, many aspects of the “art” of natural resource and land management are being overshadowed by a desire for predictability driven decision processes. This session with Jenny Pluhar and Frank Price, involving a conversation with H.L. Bentley, Special Agent in Charge of Grass, Abilene, Texas Field Station, 1898, was recorded at the Society for Range Management annual meeting in Denver in February 2020. Learn more about Frank Price at https://rangelandsandranching.com/. The desire to be “right,” or better yet, to not be “wrong,” weighs heavily on the decision-maker and ultimately can lead to inaction for fear of getting the science wrong. Science and management theory have become a driver for many decision-makers in their efforts to minimize potential negative impacts of decisions made, and in the realm of natural resources, command and control are sought over managed ecosystems. Management decisions must be made every day in the world of land management and are nearly always made with less than perfect and far less than complete knowledge. Those tasked with the responsibility of stewarding the lands they manage are confronted with challenges that require a decision in the present that may have long-term implications, both to the operation as well as across a broad array of society. Added to the basic operational challenges of land management, the impacts of social, political, ecological and economic drivers confront the land manager with a complexity of scenarios that cannot be addressed through traditional scientific methodologies. in addressing these facts, the Society for Range Management recognized that rangeland management is the “art and science” of deploying management decisions on the landscapes. Whereas, academic endeavors rightfully focus on the “science,” the practitioner remains the ultimate decision-maker in the rangeland management system, the “artist” if you will, integrating both “art” and “science” into the decision-making process. in many ways, land management is truly a creative endeavor with the managers creativity producing the art of the management process. Science favors one “right” answer, while the artist may create many scenarios on the landscape, utilizing the science but considering all the other drivers mentioned above. WE NEED YOUR FEEDBACK! Please take 60 seconds to complete this survey: https://wsu.co1.qualtrics.com/jfe/form/SV_9Y3fUWlQdBsyBZX TRANSCRIPT A full transcript of this session is available at https://bit.ly/2RnGI9m

Topics: Rodney King, Boyz II Men / Jodeci, Boyz In the Hood, Roc - Sitcom (Bonus Artist: Luck Pacheco) 1991 General Snapshots 1.    President: George H. W. Bush 2.    January - Gulf War: The Congress of the United States passes a resolution authorizing the use of military force to liberate Kuwait. 5 days later, Operation Desert Storm begins with airstrikes against Iraq. 3.    January - Whitney Houstondelivers her now legendary rendition of "The Star-Spangled Banner" 4.    February - Gulf War: U.S. President George H. W. Bush announces that "Kuwait is liberated". 5.    February - Tim Meadows and Adam Sandler join the cast of NBC's Saturday Night Live. 6.    March - An amateur video captures the beating of Rodney King by Los Angeles, California police officers. 7.    July - Boxer Mike Tyson is arrested and charged with raping Miss Black America contestant Desiree Washington in Indianapolis, Indiana. 8.    July - Serial killer Jeffrey Dahmer is arrested after the remains of eleven men and boys are found in his Milwaukee, Wisconsin apartment. Police soon find out that he is involved in six more murders. 9.    August - Nickelodeon introduces its series of Nicktoons, with Doug, Rugrats and The Ren & Stimpy Show the first three to air. 10.    August - The Super Nintendo Entertainment System is first released in the United States. 11.    October - The U.S. Senate Judiciary Committee interviews both Supreme Court candidate Clarence Thomas and former aide Anita Hill, who alleges that Thomas sexually harassed her while she worked for him. 12.    October - Jennifer Lopez joins the cast as one of the Fly Girls on the Fox sketch comedy series In Living Color (she would leave the show after the next season). Other cast additions include future Academy Award winner Jamie Foxx. 13.    November - Los Angeles Lakers point guard Magic Johnson announces that he has HIV, effectively ending his NBA career. 14.    November - Queen lead singer Freddie Mercury dies from AIDS at 45 years old, one day after making his diagnosis public. 15.    December - The Cold War ends as President of the Soviet Union Mikhail Gorbachev resigns and the Soviet Union dissolves. 16.    Open Comments 17.    Top 3 Pop Songs 18.    #1 - "(Everything I Do) I Do It for You", Bryan Adams 19.    #2 - "I Wanna Sex You Up", Color Me Badd 20.    #3 - "Gonna Make You Sweat (Everybody Dance Now)", C+C Music Factory 21.    Record of the Year: "Unforgettable" performed by Natalie Cole with Nat King Cole 22.    Album of the Year: Unforgettable... with Love performed by Natalie Cole 23.    Song of the Year: "Unforgettable" performed by Natalie Cole with Nat King Cole 24.    Best New Artist: Marc Cohn 25.    Best R&B Vocal Performance, Female: Lisa Fischer for "How Can I Ease the Pain" & Patti LaBelle for "Burnin'" 26.    Best R&B Vocal Performance, Male: Luther Vandross for Power of Love 27.    Best R&B Performance by a Duo or Group with Vocal: Boyz II Men for "Cooleyhighharmony" 28.    Best Rhythm & Blues Song: "Power of Love/Love Power" performed by Luther Vandross 29.    Best Rap Solo Performance: LL Cool J for "Mama Said Knock You Out" 30.    Best Rap Performance by a Duo or Group: DJ Jazzy Jeff & The Fresh Prince for "Summertime" 31.    Top 3 Movies 32.    #1. Terminator 2: Judgment Day     33.    #2. Robin Hood: Prince of Thieves 34.    #3. Beauty and the Beast 35.    Notables: The Silence of the Lambs, New Jack City, The Five Heartbeats, A Rage in Harlem, Thelma & Louise, Jungle Fever, Point Break, and House Party 2 36.    Top 3 TV Shows 37.    #1 60 Minutes 38.    #2 Roseanne 39.    #3 Murphy Brown 40.    Mea Culpa: Family Matters originated 9/22/1989 on ABC 41.    Notables: The Party Machine with Nia Peeples, The Jerry Springer Show, The Montel Williams Show, Hammerman, & Roc. 42.    Economic Snapshots 43.    Avg. Income: 29.9k (29K) 44.    New Home: 120k (previously 123K) 45.    Avg Rent: 495 (465) 46.    New Car: 16.8k (16K) 47.    Harvard: 14.5k (13.5k) 48.    Movie Ticket: 4.25 (3.50) 49.    Gas: 1.12 (1.34) 50.    Stamp: .25 (.25) 51.    Social Scene: Police Beating of Rodney King 52.    Early Life: Rodney King (@ 26 yrs. old), born in Sacramento, CA, was an American taxi driver who is best known for the 1991 police beatings and the 1992 riots as a result of the officers’ trial. 53.    Prior Record: In 1987, he pleaded no contest to a charge of battery. In 1989, King was imprisoned for robbery after robbing a store; he served one year of a two-year sentence. 54.    1991 Arrest: Rodney King attempted to outrun a police patrol car in March 1991. King had been drinking and feared he would be over the limit, driving under the influence charge would have seen King return to jail. King refused to pull over for the police and a high-speed chase ensued. Eventually, King was cornered, and he and the other occupants of the car were ordered to leave the vehicle and lie face down on the ground. King refused and was forcibly removed from the car. While on the ground the police beat and abused the three men. The Los Angeles Police Department then arrived on the scene; the original officers on the scene had been highway patrol. Rodney King resisted arrest and was tasered. King was then viciously beaten repeatedly while on the ground by police wielding batons. King continually attempted to stand up only to be met with a further hail of baton blows from the four police officers. King suffered from thirty-three baton blows and six kicks before having his arms and legs cuffed. Eight officers were involved in his arrest. George Halliday, a man who lived near the sight of the arrest, had filmed the arrest from the time that King was tasered. Halliday contacted the LAPD about his videotape, but the police department showed no interest in the footage. Halliday next presented the footage to a local TV station which aired the footage. It caused a sensation across the media. The footage made Rodney King’s arrest a lightning rod for a more comprehensive discussion about police brutality against minorities. 55.    Legal Proceedings: Rodney King had suffered facial fractures, lacerations and a broken ankle from his arrest. The city awarded King damages amounting to 3.8 million dollars as well as covering his legal costs which totaled to close to two million dollars. He was also not charged with drink driving or evading arrest due to the time between the incident and the start of legal proceedings. Four LAPD officers were charged with using excessive force. The legal case against the officers was mired in controversy from the start as the initial judge, Bernard Kamins was removed, and the trial received a change of venue. Warren Christopher also began a commission to investigate accusations of police discrimination. Three of the officers charged were acquitted, and the fourth faced a no verdict. The court’s decision shocked the nation. The mayor of Los Angeles, Tom Bradley, and the President of the United States of America, George Bush, both declared they could not understand the verdict and condemned the officers involved. Many African Americans considered the trial a whitewash and were incensed. Following the 1992 Riots, the officers were tried in a federal court, and two were found guilty and sentenced to thirty months in prison. 56.    Rodney King Riots: Following the court's verdict and the release of the officers, widespread civil unrest erupted in North America. The worst of the rioting was confined to LA, but Las Vegas, San Francisco, Atlanta and even Toronto in Canada experienced violence. The 1992 LA Riots became known as the Rodney King Riots due to their link to the court case. King appeared on TV during the riots to appeal for calm. Before the verdict was announced the police, force had been expecting trouble, money for overtime and a delay in the reading of the verdict were granted to give police time to prepare. Rioting started at a liquor store in Normandie. LAPD officers attempted to make an arrest a hostile crowd surrounded them and forced them to retreat. TV coverage of the violence encouraged more people to take to the streets, and the police communications proved wholly inadequate to deal with the spread of the violence. The rioters began destroying property and attacking people going about their business. Over a thousand firearms were looted, and some fires were started as night set in. The riots spread throughout the city and emergency workers came under gunfire as they attempted to tackle the fires and help the wounded. A curfew was declared, and the National Guard began deploying. Despite this the second day of looting and arson took place. Rioting spread to Hollywood, Inglewood, Long Beach and Compton. Police was criticized for focusing their attention on defending the wealthier areas of LA such as Beverley Hills. Other minority neighborhoods were forced to form militias to protect their property. Korean shopkeepers were involved in a shoot-out with rioters in Koreatown. On the third day of rioting, the Federal government took direct control of all military in the area and began overseeing the response to the riots. Troops and police officers from other regions of California started pouring into the city. On the fourth day, over thirteen thousand soldiers were deployed on the streets of LA, and the rioting was slowly quelled. The riot was spread over six days, but troops remained in the area for weeks afterward. Fifty-five people died during the riots and over two thousand hospitalized. A billion dollars’ worth of damage had been done; the worst affected were the Korean community. Eleven thousand people were arrested during the rioting, but because of the sheer volume of prisoners, police were unable to prosecute the majority. 57.    King After the Riots: Rodney King continued to have run-ins with the law and was sometimes arrested after the 1992 Riots. In 2007, King was shot in an attempted robbery. King appeared in a reality TV show, Sober House, which covered celebrities in rehab. 2012 saw King publish his memoirs, The Riot Within: My Journey from Rebellion to Redemption. Rodney King fathered a daughter with Carmen Simpson when they were both teenagers. In 1985, he married Daneta Lyles, and they had a daughter together. The pair divorced in 1988. King then married Crystal Waters, with whom he also had a daughter. They divorced in 1996. King had been arrested for assaulting both his wives. In 2010, King began living with Cynthia Kelly, and it was she who found him in the swimming pool on 17 June 2012. King was pronounced dead by medical staff, and plenty of drugs and alcohol were found in his system. 58.    The King beating began a wave of reforms for the Los Angeles Police Department, including tighter rules on when officers can use force, more minority officers, and stricter term limits for police chiefs. 59.    Question: What is the lesson to be learned? 60.    Question: What do we teach the children about dealing with cops? 61.    Top Black Songs from the top 40 62.    #2 - "I Wanna Sex You Up", Color Me Badd 63.    #3 - "Gonna Make You Sweat (Everybody Dance Now)", C+C Music Factory 64.    #4 - "Rush Rush", Paula Abdul 65.    #8 - "I Like the Way (The Kissing Game)", Hi-Five 66.    #9 - "The First Time", Surface 67.    #11 - "Motownphilly", Boyz II Men 68.    #12 - "Because I Love You (The Postman Song)", Stevie B 69.    #13 - "Someday", Mariah Carey 70.    #16 - "All the Man That I Need", Whitney Houston 71.    #18 - "I Adore Mi Amor"    , Color Me Badd 72.    #19 - "Love Will Never Do (Without You)", Janet Jackson 73.    #20 - "Good Vibrations", Marky Mark and the Funky Bunch 74.    #21 - "Justify My Love", Madonna 75.    #22 - "Emotions", Mariah Carey 76.    #24 - "Romantic", Karyn White 77.    #25 - "Hold You Tight", Tara Kemp 78.    #26 - "I Don't Wanna Cry", Mariah Carey 79.    #28 - "Every Heartbeat", Amy Grant 80.    #29 - "Sensitivity", Ralph Tresvant 81.    #30 - "Touch Me (All Night Long)", Cathy Dennis 82.    #31 - "I've Been Thinking About You", Londonbeat 83.    #32 - "Do Anything", Natural Selection 84.    #34 - "Coming Out of the Dark", Gloria Estefan 85.    #35 - "It Ain't Over 'til It's Over", Lenny Kravitz 86.    #36 - "Here We Go", C+C Music Factory 87.    #38 - "Summertime", DJ Jazzy Jeff & The Fresh Prince 88.    #40 - "P.A.S.S.I.O.N.", Rythm Syndicate 89.    Vote: 90.    Top R&B Albums 91.    Jan - I'm Your Baby Tonight - Whitney Houston 92.    Feb - The Future - Guy 93.    Feb - Do Me Again - Freddie Jackson 94.    Mar - Business as Usual - EPMD 95.    Apr - Ralph Tresvant - Ralph Tresvant 96.    Apr - Hi-Five - Hi-Five 97.    Apr - New Jack City - Soundtrack / Various artists 98.    Jun - Power of Love - Luther Vandross 99.    Jul - Make Time for Love - Keith Washington 100.    Aug - Jungle Fever - Soundtrack / Stevie Wonder 101.    Aug - Cooleyhighharmony - Boyz II Men 102.    Sep - Boyz n the Hood - Soundtrack / Various artists 103.    Oct - Can You Stop the Rain - Peabo Bryson 104.    Oct - Good Woman - Gladys Knight 105.    Oct - Different Lifestyles - BeBe & CeCe Winans 106.    Nov - As Raw As Ever - Shabba Ranks 107.    Nov - Forever My Lady - Jodeci 108.    Nov - Apocalypse 91... The Enemy Strikes Black - Public Enemy 109.    Dec - Diamonds and Pearls - Prince and The New Power Generation 110.    Dec - Death Certificate - Ice Cube 111.    Vote: 112.    Featured Artists #1: Boyz II Men is the most commercially successful R&B group of all time. They've sold millions of records and produced three of the longest-running No. 1 pop singles in music history. The pioneering R&B group is known for their flawless blend of four-part harmonies, and their influence is still felt to this day. 113.    Formation: Boyz II Men formed in 1988 at the Philadelphia High School for Creative and Performing Arts. Nathan Morris and Marc Nelson founded the group, originally known as Unique Attraction. Other members came and went due to graduation, but Morris and Nelson eventually met Wanya Morris, Shawn Stockmanand Michael McCary, and the group stabilized. They took inspiration from the popular R&B group New Edition and renamed themselves Boyz II Men after their song "Boys to Men." They got their big break in 1989 when they snuck backstage at a concert to sing for New Edition and Bell Biv DeVoemember Michael Bivins. They sang an a cappella rendition of the New Edition song "Can You Stand the Rain." Bivins was impressed and agreed to help them get signed. Marc Nelson left the group not long before they started working on their debut album, allegedly due to personality differences. Boyz II Men became a quartet—with Michael McCary, Nathan Morris, Wanya Morris and Shawn Stockman—that would soon find international fame. 114.    Early Career: Bivins helped produce Boyz II Men's first album, Cooleyhighharmony, on Motown Records in 1991. The new jack swing style was characteristic of Bell Biv DeVoe's music, but Boyz II Men's classic, soulful vocals offered something different that was eventually dubbed "hip hop doo wop." Since the very beginning, Boyz II Men has featured all members equally as lead vocalists, going against the typical R&B group set up of one lead singer/front man and a handful of nameless backups. Their arrangement became a sort of trademark for the group. Cooleyhighharmony was a major success, peaking at No. 3 on the Billboard 200 and winning them a Grammy Award for Best R&B Performance by a Duo or Group with Vocals. The singles "Motownphilly" and "It's So Hard to Say Goodbye to Yesterday" both became No. 1 R&B hits. 115.    Commercial Breakthrough: After their debut, they abandoned the new jack swing style to focus on creating a more mature, pop-infused sound. They released the wildly successful single "End of the Road" in 1992. The song spent a record-breaking 13 weeks at No. 1 on the Billboard Hot 100 and became the year's most popular song. Just like that, Boyz II Men has transformed from R&B up-and-comers to mainstream superstars. 116.    Legacy: Boyz II Men was instrumental in bringing R&B back to the mainstream, where it had not appeared since the '70s. With a staggering 60 million albums sold worldwide; they hold the distinction of being the best-selling R&B group of all time. For more than 20 years they have created a catalog of massively successful songs known for rich, smooth harmonies and timeless subject matter. 117.    Open Comments: 118.    Featured Artists #2: Jodeci, one of the premier '90s R&B acts, were a quartet notable for successfully marrying gospel-esque harmonization’s with a sexier-than-thou style.  Also, they were the first act that future hip-hop superstars Timbaland and Missy Elliott were involved with. 119.    Biography: Jodeci was an R&B group formed from two sets of two brothers, the Haileys and the DeGrates. All four of them were brought up in the Pentecostal church in North Carolina, the DeGrates' father was a minister. As young boys, they sang in gospel choirs which recorded albums and had their songs played on the radio, but they weren't destined to meet until they were teenagers. Their girlfriends introduced them. However, when they did meet, K-Ci was with a girl Dalvin had been dating, and a fight nearly broke out. The Hailey brothers and DeVante started hanging out together, partying and talking about making R&B records together, coming up with the name Jodeci at this time. At age 16, DeVante ran away to Minneapolis to get a job in Prince's organization but was refused. He returned to Charlotte, where he wrote a song and recorded JoJo singing it. The two planned on going to New York to shop the demo around by themselves, but both K-Ci and Dalvin decided to tag along at the last minute. By the time they got to New York, they had demo recordings of 29 songs, which they brought to the offices of Uptown Entertainment. They were almost rejected, but rapper Heavy D overheard the tape and talked Uptown president Andre Harrell into hearing the group. Harrell was impressed, and just like that, Jodeci signed a recording contract. In 1991, they recorded Forever My Lady, which featured the gold single "Come and Talk to Me" and went on to sell over three million copies. 120.    Jodeci Albums: 1991: Forever My Lady (3x platinum) / 1993: Diary of a Mad Band (2x platinum) / 1995: The Show, The After Party, The Hotel (platinum) 121.    Open Comments: 122.    Track vs Track Album Battle: Cooleyhighharmony vs Forever My Lady 123.    Movie Scene: John Singleton / Boyz In the Hood 124.    John Singleton’s 1991 feature film debut, Boyz n the Hood, garnered an Academy Award nomination for Best Director. Singleton followed-up with Poetic Justice in 1993 and Higher Learning in 1995. Subsequent works include 1997's Rosewood, 2000's Shaft remake and 2001's Baby Boy. In 2005, he produced Hustle & Flow and directed Four Brothers. The filmmaker died on April 29, 2019, after suffering a stroke. 125.    Profile: He grew up in South Central Los Angeles and studied screenwriting at the University of Southern California's School of Cinematic Arts. During his four-year studies there, he won three writing awards. 126.    These achievements in writing earned Singleton a contract with the powerful Creative Artists Agency during his sophomore year at USC, and in May of 1990, his agent sent the script for Boyz N the Hood to Columbia pictures. The response was immediate: “I thought John’s script had a distinctive voice and great insight,” Frank Price, chairman of Columbia Pictures, said in an interview excerpted in the New York Times. “He’s not just a good writer, but he has enormous self-confidence and assurance. In fact, the last time I’d met someone that young with so much self-assurance was Steven Spielberg.” Columbia wanted to make the picture, but at first wanted someone else to direct it. Singleton believed only he could do it. “They asked me if I would consider anybody else directing it,” he recalled to Interview’s Steven Daly. “And I said, Hell, no, I’m not gonna let somebody from Idaho or Encino direct a movie about living in South Central Los Angeles. They can’t come in here and cast it and go through the rewrites and know exactly what aesthetics are unique to this film.” In 1991, Columbia Pictures bought his script for Boyz n the Hood and budgeted it at $7 million. The film portrayed life in crime-ridden South-Central L.A. and was nominated for an Academy Award for Best Director in 1991, making Singleton the first African American and the youngest person ever nominated for the award. The film also garnered a nomination for Best Original Screenplay. 127.    Legacy: Regina King, Cuba Gooding Jr., Ice Cube, Nia Long, Angela Bassett, Morris Chestnut, Tyra Banks, Tyrese Gibson, Taraji P Henson 128.    Open Comments: 129.    Boyz In the Hood Summary: Follows the lives of three young males living in the Crenshaw ghetto of Los Angeles, dissecting questions of race, relationships, violence and prospects. 130.    Major Themes: (1) the power of family and black culture in the ghettos, (2) effects of capitalism to American citizens especially the Negros living in harsh environments, (3) the power of temptation and (4) more so juvenile and gang associated delinquencies that are usually influenced by peer and social pressure (5) gentrification, (6) living in a bad neighborhood, and (7) gangs. 131.    Question: What themes stood out for you? 132.    Television Scene: Roc (3 Seasons) Comedy, Sitcom 133.    Summary: Garbageman Roc Emerson and his wife shared their Baltimore home with his outspoken father and apathetic brother. In an unusual move, the sitcom's entire second season was performed live. Series star Charles S. Dutton won a 1993 NAACP Image Award for his portrayal of Roc. The show deals with real life issues such as gang violence, local politics, drugs, teens and sexually transmitted diseases. Roc reminded you of a typical family with normal problems such as parenting and dealing with live in relatives. The series gaining momentum in the last season could not make its presence felt on Tuesdays, the networks worst night for ratings. The struggle eventually led up to the series cancellation. 134.    Awards: 1992: GLAAD Media Award for Outstanding Comedy Episode, 1994: NAACP Image Award for Outstanding Lead Actor in a Comedy Series, Charles S. Dutton 135.    Question: Has anyone ever watched this? 136.    Vote: Most impactful item/event from 1991?

Topics: Rodney King, Boyz II Men / Jodeci, Boyz In the Hood, Roc - Sitcom (Bonus Artist: Luck Pacheco) 1991 General Snapshots 1.    President: George H. W. Bush 2.    January - Gulf War: The Congress of the United States passes a resolution authorizing the use of military force to liberate Kuwait. 5 days later, Operation Desert Storm begins with airstrikes against Iraq. 3.    January - Whitney Houstondelivers her now legendary rendition of "The Star-Spangled Banner" 4.    February - Gulf War: U.S. President George H. W. Bush announces that "Kuwait is liberated". 5.    February - Tim Meadows and Adam Sandler join the cast of NBC's Saturday Night Live. 6.    March - An amateur video captures the beating of Rodney King by Los Angeles, California police officers. 7.    July - Boxer Mike Tyson is arrested and charged with raping Miss Black America contestant Desiree Washington in Indianapolis, Indiana. 8.    July - Serial killer Jeffrey Dahmer is arrested after the remains of eleven men and boys are found in his Milwaukee, Wisconsin apartment. Police soon find out that he is involved in six more murders. 9.    August - Nickelodeon introduces its series of Nicktoons, with Doug, Rugrats and The Ren & Stimpy Show the first three to air. 10.    August - The Super Nintendo Entertainment System is first released in the United States. 11.    October - The U.S. Senate Judiciary Committee interviews both Supreme Court candidate Clarence Thomas and former aide Anita Hill, who alleges that Thomas sexually harassed her while she worked for him. 12.    October - Jennifer Lopez joins the cast as one of the Fly Girls on the Fox sketch comedy series In Living Color (she would leave the show after the next season). Other cast additions include future Academy Award winner Jamie Foxx. 13.    November - Los Angeles Lakers point guard Magic Johnson announces that he has HIV, effectively ending his NBA career. 14.    November - Queen lead singer Freddie Mercury dies from AIDS at 45 years old, one day after making his diagnosis public. 15.    December - The Cold War ends as President of the Soviet Union Mikhail Gorbachev resigns and the Soviet Union dissolves. 16.    Open Comments 17.    Top 3 Pop Songs 18.    #1 - "(Everything I Do) I Do It for You", Bryan Adams 19.    #2 - "I Wanna Sex You Up", Color Me Badd 20.    #3 - "Gonna Make You Sweat (Everybody Dance Now)", C+C Music Factory 21.    Record of the Year: "Unforgettable" performed by Natalie Cole with Nat King Cole 22.    Album of the Year: Unforgettable... with Love performed by Natalie Cole 23.    Song of the Year: "Unforgettable" performed by Natalie Cole with Nat King Cole 24.    Best New Artist: Marc Cohn 25.    Best R&B Vocal Performance, Female: Lisa Fischer for "How Can I Ease the Pain" & Patti LaBelle for "Burnin'" 26.    Best R&B Vocal Performance, Male: Luther Vandross for Power of Love 27.    Best R&B Performance by a Duo or Group with Vocal: Boyz II Men for "Cooleyhighharmony" 28.    Best Rhythm & Blues Song: "Power of Love/Love Power" performed by Luther Vandross 29.    Best Rap Solo Performance: LL Cool J for "Mama Said Knock You Out" 30.    Best Rap Performance by a Duo or Group: DJ Jazzy Jeff & The Fresh Prince for "Summertime" 31.    Top 3 Movies 32.    #1. Terminator 2: Judgment Day     33.    #2. Robin Hood: Prince of Thieves 34.    #3. Beauty and the Beast 35.    Notables: The Silence of the Lambs, New Jack City, The Five Heartbeats, A Rage in Harlem, Thelma & Louise, Jungle Fever, Point Break, and House Party 2 36.    Top 3 TV Shows 37.    #1 60 Minutes 38.    #2 Roseanne 39.    #3 Murphy Brown 40.    Mea Culpa: Family Matters originated 9/22/1989 on ABC 41.    Notables: The Party Machine with Nia Peeples, The Jerry Springer Show, The Montel Williams Show, Hammerman, & Roc. 42.    Economic Snapshots 43.    Avg. Income: 29.9k (29K) 44.    New Home: 120k (previously 123K) 45.    Avg Rent: 495 (465) 46.    New Car: 16.8k (16K) 47.    Harvard: 14.5k (13.5k) 48.    Movie Ticket: 4.25 (3.50) 49.    Gas: 1.12 (1.34) 50.    Stamp: .25 (.25) 51.    Social Scene: Police Beating of Rodney King 52.    Early Life: Rodney King (@ 26 yrs. old), born in Sacramento, CA, was an American taxi driver who is best known for the 1991 police beatings and the 1992 riots as a result of the officers’ trial. 53.    Prior Record: In 1987, he pleaded no contest to a charge of battery. In 1989, King was imprisoned for robbery after robbing a store; he served one year of a two-year sentence. 54.    1991 Arrest: Rodney King attempted to outrun a police patrol car in March 1991. King had been drinking and feared he would be over the limit, driving under the influence charge would have seen King return to jail. King refused to pull over for the police and a high-speed chase ensued. Eventually, King was cornered, and he and the other occupants of the car were ordered to leave the vehicle and lie face down on the ground. King refused and was forcibly removed from the car. While on the ground the police beat and abused the three men. The Los Angeles Police Department then arrived on the scene; the original officers on the scene had been highway patrol. Rodney King resisted arrest and was tasered. King was then viciously beaten repeatedly while on the ground by police wielding batons. King continually attempted to stand up only to be met with a further hail of baton blows from the four police officers. King suffered from thirty-three baton blows and six kicks before having his arms and legs cuffed. Eight officers were involved in his arrest. George Halliday, a man who lived near the sight of the arrest, had filmed the arrest from the time that King was tasered. Halliday contacted the LAPD about his videotape, but the police department showed no interest in the footage. Halliday next presented the footage to a local TV station which aired the footage. It caused a sensation across the media. The footage made Rodney King’s arrest a lightning rod for a more comprehensive discussion about police brutality against minorities. 55.    Legal Proceedings: Rodney King had suffered facial fractures, lacerations and a broken ankle from his arrest. The city awarded King damages amounting to 3.8 million dollars as well as covering his legal costs which totaled to close to two million dollars. He was also not charged with drink driving or evading arrest due to the time between the incident and the start of legal proceedings. Four LAPD officers were charged with using excessive force. The legal case against the officers was mired in controversy from the start as the initial judge, Bernard Kamins was removed, and the trial received a change of venue. Warren Christopher also began a commission to investigate accusations of police discrimination. Three of the officers charged were acquitted, and the fourth faced a no verdict. The court’s decision shocked the nation. The mayor of Los Angeles, Tom Bradley, and the President of the United States of America, George Bush, both declared they could not understand the verdict and condemned the officers involved. Many African Americans considered the trial a whitewash and were incensed. Following the 1992 Riots, the officers were tried in a federal court, and two were found guilty and sentenced to thirty months in prison. 56.    Rodney King Riots: Following the court's verdict and the release of the officers, widespread civil unrest erupted in North America. The worst of the rioting was confined to LA, but Las Vegas, San Francisco, Atlanta and even Toronto in Canada experienced violence. The 1992 LA Riots became known as the Rodney King Riots due to their link to the court case. King appeared on TV during the riots to appeal for calm. Before the verdict was announced the police, force had been expecting trouble, money for overtime and a delay in the reading of the verdict were granted to give police time to prepare. Rioting started at a liquor store in Normandie. LAPD officers attempted to make an arrest a hostile crowd surrounded them and forced them to retreat. TV coverage of the violence encouraged more people to take to the streets, and the police communications proved wholly inadequate to deal with the spread of the violence. The rioters began destroying property and attacking people going about their business. Over a thousand firearms were looted, and some fires were started as night set in. The riots spread throughout the city and emergency workers came under gunfire as they attempted to tackle the fires and help the wounded. A curfew was declared, and the National Guard began deploying. Despite this the second day of looting and arson took place. Rioting spread to Hollywood, Inglewood, Long Beach and Compton. Police was criticized for focusing their attention on defending the wealthier areas of LA such as Beverley Hills. Other minority neighborhoods were forced to form militias to protect their property. Korean shopkeepers were involved in a shoot-out with rioters in Koreatown. On the third day of rioting, the Federal government took direct control of all military in the area and began overseeing the response to the riots. Troops and police officers from other regions of California started pouring into the city. On the fourth day, over thirteen thousand soldiers were deployed on the streets of LA, and the rioting was slowly quelled. The riot was spread over six days, but troops remained in the area for weeks afterward. Fifty-five people died during the riots and over two thousand hospitalized. A billion dollars’ worth of damage had been done; the worst affected were the Korean community. Eleven thousand people were arrested during the rioting, but because of the sheer volume of prisoners, police were unable to prosecute the majority. 57.    King After the Riots: Rodney King continued to have run-ins with the law and was sometimes arrested after the 1992 Riots. In 2007, King was shot in an attempted robbery. King appeared in a reality TV show, Sober House, which covered celebrities in rehab. 2012 saw King publish his memoirs, The Riot Within: My Journey from Rebellion to Redemption. Rodney King fathered a daughter with Carmen Simpson when they were both teenagers. In 1985, he married Daneta Lyles, and they had a daughter together. The pair divorced in 1988. King then married Crystal Waters, with whom he also had a daughter. They divorced in 1996. King had been arrested for assaulting both his wives. In 2010, King began living with Cynthia Kelly, and it was she who found him in the swimming pool on 17 June 2012. King was pronounced dead by medical staff, and plenty of drugs and alcohol were found in his system. 58.    The King beating began a wave of reforms for the Los Angeles Police Department, including tighter rules on when officers can use force, more minority officers, and stricter term limits for police chiefs. 59.    Question: What is the lesson to be learned? 60.    Question: What do we teach the children about dealing with cops? 61.    Top Black Songs from the top 40 62.    #2 - "I Wanna Sex You Up", Color Me Badd 63.    #3 - "Gonna Make You Sweat (Everybody Dance Now)", C+C Music Factory 64.    #4 - "Rush Rush", Paula Abdul 65.    #8 - "I Like the Way (The Kissing Game)", Hi-Five 66.    #9 - "The First Time", Surface 67.    #11 - "Motownphilly", Boyz II Men 68.    #12 - "Because I Love You (The Postman Song)", Stevie B 69.    #13 - "Someday", Mariah Carey 70.    #16 - "All the Man That I Need", Whitney Houston 71.    #18 - "I Adore Mi Amor"    , Color Me Badd 72.    #19 - "Love Will Never Do (Without You)", Janet Jackson 73.    #20 - "Good Vibrations", Marky Mark and the Funky Bunch 74.    #21 - "Justify My Love", Madonna 75.    #22 - "Emotions", Mariah Carey 76.    #24 - "Romantic", Karyn White 77.    #25 - "Hold You Tight", Tara Kemp 78.    #26 - "I Don't Wanna Cry", Mariah Carey 79.    #28 - "Every Heartbeat", Amy Grant 80.    #29 - "Sensitivity", Ralph Tresvant 81.    #30 - "Touch Me (All Night Long)", Cathy Dennis 82.    #31 - "I've Been Thinking About You", Londonbeat 83.    #32 - "Do Anything", Natural Selection 84.    #34 - "Coming Out of the Dark", Gloria Estefan 85.    #35 - "It Ain't Over 'til It's Over", Lenny Kravitz 86.    #36 - "Here We Go", C+C Music Factory 87.    #38 - "Summertime", DJ Jazzy Jeff & The Fresh Prince 88.    #40 - "P.A.S.S.I.O.N.", Rythm Syndicate 89.    Vote: 90.    Top R&B Albums 91.    Jan - I'm Your Baby Tonight - Whitney Houston 92.    Feb - The Future - Guy 93.    Feb - Do Me Again - Freddie Jackson 94.    Mar - Business as Usual - EPMD 95.    Apr - Ralph Tresvant - Ralph Tresvant 96.    Apr - Hi-Five - Hi-Five 97.    Apr - New Jack City - Soundtrack / Various artists 98.    Jun - Power of Love - Luther Vandross 99.    Jul - Make Time for Love - Keith Washington 100.    Aug - Jungle Fever - Soundtrack / Stevie Wonder 101.    Aug - Cooleyhighharmony - Boyz II Men 102.    Sep - Boyz n the Hood - Soundtrack / Various artists 103.    Oct - Can You Stop the Rain - Peabo Bryson 104.    Oct - Good Woman - Gladys Knight 105.    Oct - Different Lifestyles - BeBe & CeCe Winans 106.    Nov - As Raw As Ever - Shabba Ranks 107.    Nov - Forever My Lady - Jodeci 108.    Nov - Apocalypse 91... The Enemy Strikes Black - Public Enemy 109.    Dec - Diamonds and Pearls - Prince and The New Power Generation 110.    Dec - Death Certificate - Ice Cube 111.    Vote: 112.    Featured Artists #1: Boyz II Men is the most commercially successful R&B group of all time. They've sold millions of records and produced three of the longest-running No. 1 pop singles in music history. The pioneering R&B group is known for their flawless blend of four-part harmonies, and their influence is still felt to this day. 113.    Formation: Boyz II Men formed in 1988 at the Philadelphia High School for Creative and Performing Arts. Nathan Morris and Marc Nelson founded the group, originally known as Unique Attraction. Other members came and went due to graduation, but Morris and Nelson eventually met Wanya Morris, Shawn Stockmanand Michael McCary, and the group stabilized. They took inspiration from the popular R&B group New Edition and renamed themselves Boyz II Men after their song "Boys to Men." They got their big break in 1989 when they snuck backstage at a concert to sing for New Edition and Bell Biv DeVoemember Michael Bivins. They sang an a cappella rendition of the New Edition song "Can You Stand the Rain." Bivins was impressed and agreed to help them get signed. Marc Nelson left the group not long before they started working on their debut album, allegedly due to personality differences. Boyz II Men became a quartet—with Michael McCary, Nathan Morris, Wanya Morris and Shawn Stockman—that would soon find international fame. 114.    Early Career: Bivins helped produce Boyz II Men's first album, Cooleyhighharmony, on Motown Records in 1991. The new jack swing style was characteristic of Bell Biv DeVoe's music, but Boyz II Men's classic, soulful vocals offered something different that was eventually dubbed "hip hop doo wop." Since the very beginning, Boyz II Men has featured all members equally as lead vocalists, going against the typical R&B group set up of one lead singer/front man and a handful of nameless backups. Their arrangement became a sort of trademark for the group. Cooleyhighharmony was a major success, peaking at No. 3 on the Billboard 200 and winning them a Grammy Award for Best R&B Performance by a Duo or Group with Vocals. The singles "Motownphilly" and "It's So Hard to Say Goodbye to Yesterday" both became No. 1 R&B hits. 115.    Commercial Breakthrough: After their debut, they abandoned the new jack swing style to focus on creating a more mature, pop-infused sound. They released the wildly successful single "End of the Road" in 1992. The song spent a record-breaking 13 weeks at No. 1 on the Billboard Hot 100 and became the year's most popular song. Just like that, Boyz II Men has transformed from R&B up-and-comers to mainstream superstars. 116.    Legacy: Boyz II Men was instrumental in bringing R&B back to the mainstream, where it had not appeared since the '70s. With a staggering 60 million albums sold worldwide; they hold the distinction of being the best-selling R&B group of all time. For more than 20 years they have created a catalog of massively successful songs known for rich, smooth harmonies and timeless subject matter. 117.    Open Comments: 118.    Featured Artists #2: Jodeci, one of the premier '90s R&B acts, were a quartet notable for successfully marrying gospel-esque harmonization’s with a sexier-than-thou style.  Also, they were the first act that future hip-hop superstars Timbaland and Missy Elliott were involved with. 119.    Biography: Jodeci was an R&B group formed from two sets of two brothers, the Haileys and the DeGrates. All four of them were brought up in the Pentecostal church in North Carolina, the DeGrates' father was a minister. As young boys, they sang in gospel choirs which recorded albums and had their songs played on the radio, but they weren't destined to meet until they were teenagers. Their girlfriends introduced them. However, when they did meet, K-Ci was with a girl Dalvin had been dating, and a fight nearly broke out. The Hailey brothers and DeVante started hanging out together, partying and talking about making R&B records together, coming up with the name Jodeci at this time. At age 16, DeVante ran away to Minneapolis to get a job in Prince's organization but was refused. He returned to Charlotte, where he wrote a song and recorded JoJo singing it. The two planned on going to New York to shop the demo around by themselves, but both K-Ci and Dalvin decided to tag along at the last minute. By the time they got to New York, they had demo recordings of 29 songs, which they brought to the offices of Uptown Entertainment. They were almost rejected, but rapper Heavy D overheard the tape and talked Uptown president Andre Harrell into hearing the group. Harrell was impressed, and just like that, Jodeci signed a recording contract. In 1991, they recorded Forever My Lady, which featured the gold single "Come and Talk to Me" and went on to sell over three million copies. 120.    Jodeci Albums: 1991: Forever My Lady (3x platinum) / 1993: Diary of a Mad Band (2x platinum) / 1995: The Show, The After Party, The Hotel (platinum) 121.    Open Comments: 122.    Track vs Track Album Battle: Cooleyhighharmony vs Forever My Lady 123.    Movie Scene: John Singleton / Boyz In the Hood 124.    John Singleton’s 1991 feature film debut, Boyz n the Hood, garnered an Academy Award nomination for Best Director. Singleton followed-up with Poetic Justice in 1993 and Higher Learning in 1995. Subsequent works include 1997's Rosewood, 2000's Shaft remake and 2001's Baby Boy. In 2005, he produced Hustle & Flow and directed Four Brothers. The filmmaker died on April 29, 2019, after suffering a stroke. 125.    Profile: He grew up in South Central Los Angeles and studied screenwriting at the University of Southern California's School of Cinematic Arts. During his four-year studies there, he won three writing awards. 126.    These achievements in writing earned Singleton a contract with the powerful Creative Artists Agency during his sophomore year at USC, and in May of 1990, his agent sent the script for Boyz N the Hood to Columbia pictures. The response was immediate: “I thought John’s script had a distinctive voice and great insight,” Frank Price, chairman of Columbia Pictures, said in an interview excerpted in the New York Times. “He’s not just a good writer, but he has enormous self-confidence and assurance. In fact, the last time I’d met someone that young with so much self-assurance was Steven Spielberg.” Columbia wanted to make the picture, but at first wanted someone else to direct it. Singleton believed only he could do it. “They asked me if I would consider anybody else directing it,” he recalled to Interview’s Steven Daly. “And I said, Hell, no, I’m not gonna let somebody from Idaho or Encino direct a movie about living in South Central Los Angeles. They can’t come in here and cast it and go through the rewrites and know exactly what aesthetics are unique to this film.” In 1991, Columbia Pictures bought his script for Boyz n the Hood and budgeted it at $7 million. The film portrayed life in crime-ridden South-Central L.A. and was nominated for an Academy Award for Best Director in 1991, making Singleton the first African American and the youngest person ever nominated for the award. The film also garnered a nomination for Best Original Screenplay. 127.    Legacy: Regina King, Cuba Gooding Jr., Ice Cube, Nia Long, Angela Bassett, Morris Chestnut, Tyra Banks, Tyrese Gibson, Taraji P Henson 128.    Open Comments: 129.    Boyz In the Hood Summary: Follows the lives of three young males living in the Crenshaw ghetto of Los Angeles, dissecting questions of race, relationships, violence and prospects. 130.    Major Themes: (1) the power of family and black culture in the ghettos, (2) effects of capitalism to American citizens especially the Negros living in harsh environments, (3) the power of temptation and (4) more so juvenile and gang associated delinquencies that are usually influenced by peer and social pressure (5) gentrification, (6) living in a bad neighborhood, and (7) gangs. 131.    Question: What themes stood out for you? 132.    Television Scene: Roc (3 Seasons) Comedy, Sitcom 133.    Summary: Garbageman Roc Emerson and his wife shared their Baltimore home with his outspoken father and apathetic brother. In an unusual move, the sitcom's entire second season was performed live. Series star Charles S. Dutton won a 1993 NAACP Image Award for his portrayal of Roc. The show deals with real life issues such as gang violence, local politics, drugs, teens and sexually transmitted diseases. Roc reminded you of a typical family with normal problems such as parenting and dealing with live in relatives. The series gaining momentum in the last season could not make its presence felt on Tuesdays, the networks worst night for ratings. The struggle eventually led up to the series cancellation. 134.    Awards: 1992: GLAAD Media Award for Outstanding Comedy Episode, 1994: NAACP Image Award for Outstanding Lead Actor in a Comedy Series, Charles S. Dutton 135.    Question: Has anyone ever watched this? 136.    Vote: Most impactful item/event from 1991?

This week, Frank Price, former CEO & Chairman of Columbia Pictures, talks with Tanya about the late, great John Singleton. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Frank Price, President of FL Price and Founder of Birthday University, joins the AttractionPros Podcast to talk about one of the largest revenue sources for the family entertainment industry: birthday parties.  Sometimes more isn't always better, and you can't always be everything to everyone. Frank talks about the human element of the operation.  Your facility might have the greatest attractions, food, games, and retail, but that's not what will set you apart from your competition.  You can't fill an entertainment with amazing offerings and call it a day.  It all comes down to the people who deliver that experience to your guests. Training budgets often get cut when there is an emphasis on marketing.  Frank talks about certain times when you can (and even should) reduce your marketing budget so you can focus more attention on developing your employees in the interest of building a strong guest experience culture.  That way, the marketing aspect is driven through positive word of mouth and online reviews. ***DON'T FORGET*** AttractionPros LIVE will be held on November 14th, 2018 in Orlando!  Free tickets are still available on a first come, first served basis.  Need a ticket?  Click here.

On the show today we will take a step away from the normal conversation and instead have a conversation with Author Rhonda Baker Stansberry about her new book 'Numbers 35&53 The Case of The Brown Paper Bag. Ms. Stansberry takes her readers on an inside look at the world of number running as she remembers her father "Frank Price 'chico' Baker"; through her eyes we learn about the financial prosperity, respect and betrayal. How local and federal law enforcement paid insider's to turn on those that had taken care of them over the years: and then the sudden death of her father which shocked family and friends. Please join us for a great conversation today here on Let's Talk. Showtime is 2pm Central / 3pm Eastern Time Zones Call in Number is (347) 838-8622 Chatroom Link is http://www.blogtalkradio.com/mrtalk

Frank Price, co-owner/operator of the Frank and Sims Price Ranch in Sterling City, Texas, talks about voluntary conservation efforts undertaken by America’s ranchers.

In the 2nd part of our interview, Frank Price talks about the business of film making as well as some of the iconic films he's made, including Tootsie, Gandhi, and Boyz in the Hood. 

In the 2nd part of our interview, Frank Price talks about the business of film making as well as some of the iconic films he’s made, including Tootsie, Gandhi, and Boyz in the Hood. [28:59]

In the 2nd part of our interview, Frank Price talks about the business of film making as well as some of the iconic films he’s made, including Tootsie, Gandhi, and Boyz in the Hood. [28:59]

In the 2nd part of our interview, Frank Price talks about the business of film making as well as some of the iconic films he’s made, including Tootsie, Gandhi, and Boyz in the Hood. [28:59]

In the first of a two-part interview, Frank Price talks about his early days as a television writer and producer of shows like The Virginian and Columbo. 

In the first of a two-part interview, Frank Price talks about his early days as a television writer and producer of shows like The Virginian and Columbo. [28:40] 

In the first of a two-part interview, Frank Price talks about his early days as a television writer and producer of shows like The Virginian and Columbo. [28:40] 

In the first of a two-part interview, Frank Price talks about his early days as a television writer and producer of shows like The Virginian and Columbo. [28:40]