Podcasts about Kiasma

Its central avenue, Mannerheimintie, is flanked by institutions including the National Museum, tracing Finnish history from the Stone Age to the present. Also on Mannerheimintie are the imposing Parliament House and Kiasma, a contemporary art museum. Ornate red-brick Uspenski Cathedral overlooks a harbo

Stāsta mākslas zinātniece, Latvijas Mākslas akadēmijas docente Helēna Demakova Vai zini, kāds sakars Somijas Ziemas karam pret PSRS un Laikmetīgās mākslas muzejam KIASMA Helsinkos? Deviņdesmito gadu vidū somus pārņēma milzu dusmas. Tauta mobilizējās, un pirmajās dienās tika savākti 40 000 paraksti. Tad parādījās vairāk parakstu. Somi bija sašutuši, viņiem neraksturīgi un temperamentīgi kaislības sita augstu vilni. Dusmu avots bija slavenā amerikāņu arhitekta Stīvena Holla lēmumi, būvējot jauno laikmetīgās mākslas muzeju Helsinkos ar simbolisko nosaukumu KIASMA. Pat deviņdesmito gadu sākumā, kad Somiju skāra dziļa finanšu krīze, ļaudis šo krīzi pacieta stoiski. Toreiz bija apdraudēta viņu labklājība, bet ne identitāte, kā KIASMA gadījumā. 1998. gadā, kad muzeju KIASMA atklāja, biju klāt preses konferencē, kad Stīvens Holls izstāstīja, kā viņam gāja ar lieliskās ēkas būvniecību. Vēlāk par to lasīju ievērojamā somu mākslas kritiķa un pedagoga Mikas Hanulas promocijas darbā, kas bija veltīts somu identitātes struktūrai un veidolam. Bet viss kaislību stāsts aizsākās 1992. gadā. Togad tika nolemts, ka Somijas Nacionālas galerijas sastāvā esošais muzejs Ateneum piešķirs vienu stāvu topošam laikmetīgās mākslas muzejam. Jaunā muzeja ēkas vēl nebija, bet sākās krājuma veidošana un tika radīta jauna struktūrvienība. Starp citu, tieši šādu modeli ir izvēlējusies pašreizējā Latvijas Republikas Kultūras ministrijas vadība. Pēc kāda laika tika izsludināts starptautisks konkurss par ēkas arhitektu, un viens redzams somu politiķis bija atradis asprātīgu veidu, kā ēku finansēt. Konkursā uzvarēja jau pieminētais amerikānis Stīvens Holls un tad sākās nedienas. Kad viņš prezentēja savu projektu pasūtītājiem, viņa maketā bija redzams, ka viņš vēlas par dažiem metriem pārvietot maršala Manerheima skulptūru, kura atradās topošajā būvlaukumā iepretim Somijas parlamentam. Tautas sašutums bija neizmērojams. Vai šis amerikānis vispār zina, ko somiem nozīmē maršals Manerheims?! Vai viņš zina to, ka Manerheims vadīja, organizēja somus pret PSRS pārspēku cīņās 1939. un 1940. gadā, ko vēsture pazīst kā Ziemas karu? Vai amerikānis kaut ko zina par Manerheima līniju, pie kuras pēdējā posma krievi apstājās? Vai viņš zina, ka pat zaudējot Karēliju un dažas citas teritorijas, Somija saglabāja savu valstisko neatkarību un valsts iekārtu? Stīvens Holls tajā preses konferencē vaļsirdīgi pateica, ka tikai pēc milzu trača patiesi uzzinājis par Somijas visu laiku populārākā cilvēka, maršala Manerheima nozīmi somu sabiedrībā. Viņš saprata, ka maršalu Manerheimu nedrīkst pārvietot pat dažus centimetrus. Interesanti, ka var notikt tā, ka stereotipi par kādu no tautām, ko šķietam zinām labi, izrādās virspusēji. Mūsdienu Somijā, it sevišķi, ja blakus ir tas pats milzu kaimiņš, kas mums, un par kuru mēs nezinām, kurā brīdī tas sāks uz mums velties, Somijas identitāte vairs nav tikai sauna, “Kalevala”, Sibēliuss, Ziemassvētku vecītis, Nokia un vēl daži lieliski jaukumi. Maršala Manerheima gars ir dzīvs, somu vēlme ir neatkāpties no viņa mantojuma ne par centimetru.  

Ars Fennica 2023 -ehdokkaat on valittu ja Kiasmassa on esillä heidän taidettaan. Yksi tämän vuoden ehdokkaista on Henni Alftan joka kuvailee omaa maalaustyyliään vihjailevaksi ja viittaavaksi. Hänen teoksissaan on lähikuvia housujen raidoista ja uivista naisista. Tuomas A. Laitinen taas tutkii installaatioissaan symbioottisia suhteita. Hän on saanut vaikutteita tieteiskirjallisuudesta ja tieteenfilosofian suuntauksista. Teos Maailma karhun korvassa koostuu kuvista, joissa on monta korvaa ja erilaisia eläimiä ja myyttisiä olentoja. Millä tavalla hän ottaa kantaa ilmastonmuutokseen? Tukholmassa syntynyt Lap-See Lam on tutkinut taiteessaan kiinalaisten ravintoloiden sisustusten estetiikkaa. Tales of the Altersea -teoksen tarina kertoo kaksossiskoista jotka uivat mielikuvituksellisessa Altersea-meressä, joka sijaitsee kiinalaisessa ravintolassa. Liettualainen taiteilija ja ­­elokuvantekijä Emilija Škarnulytėa tutkii ihmiskunnan muuntautumista modernista humanismista post-humaaniin tilaan. Videoteoksessa esiintyy taiteilijan liettualainen isoäiti Aldona, joka sokeutui keväällä 1986 Tšernobylin ydinvoimalaonnettomuuden myrkyistä. Katossa roikkuu kuivattuja yrttejä. Millä tavalla kriisien keskellä voi säilyttää toivon? Norjalainen taiteilija Camille Norment tutkii kulttuurista psykoakustiikkaa. Millä tavalla sosiokulttuuriset ilmiöt vaikuttavat kehoon ja mieleen äänten kautta. Hänen taideteoksensa ovat somaattisia ja kognitiivisia. Miltä ne tuntuvat katsojalta? Palkintolautakuntaan kuuluvat Leena Niemistö, puheenjohtaja, Leevi Haapala, museonjohtaja, Kiasma, Kai Kartio, museonjohtaja, Amos Rex ja Eija-Liisa Ahtila, taiteilija. Taidepalkinto, joka on suuruudeltaan 50 000 euroa, myönnetään tunnustuksena korkeatasoisesta ja omaleimaisesta taiteellisesta työstä. Ars Fennica 2023-palkinto jaetaan 22.11. Tänä vuonna palkinnon saajan valitsee Anne Barlow, joka toimii johtajana Tate St Ivesissä. Millaiset meriitit hänellä on valitsijana? Ehdokkaiden taidetta on esillä nykytaiteen museo Kiasmassa 28.1.2024 asti. Yleisö voi myös äänestää omaa suosikkiaan näyttelyssä. Ohjelman vieraina ovat museonjohtaja Leevi Haapala Kiasmasta, palkintolautakunnan puheenjohtaja Leena Niemistö ja taiteilija Henni Alftan Pariisista. ‌Ohjelman juontajana on Pia-Maria Lehtola.

How are art institutions funded, and where is the money coming from? What kind of financial support should institutions accept? How do artists and activists utilise soft power, for example in the recent Kiasma strike, and what effects can it have? Moderated by Ervin Latimer, with guests Terike Haapoja and Bassam El Baroni. Terike Haapoja is a Brooklyn based artist. In her installations, writings and collaborations, Haapoja explores possibilities for non-violent coexistence, focusing especially on multi-species politics. She was one of the core organisers of the recent kiasma strike. Bassam El Baroni is associate professor of curating and art mediation at the School of Arts, Design and Architecture, Aalto University. His most recent research engages with issues such as financialization in relation to artistic practices, AI and curating, artists' engagement with infrastructural futures and histories, and new forms of artist-led activism. Ervin Latimer is a fashion and print designer, and the founder of deady-to-wear label Latimmier. Alongside design work Latimer writes and lectures on the intersections of queer-culture, anti-racism, masculinity and fashion.

En utställning med Kaj Stenvalls Putin-kritiska tavlor inhiberades i Åbo och nu anklagas hela konstfältet för finlandiserings-tendenser. Vad kan vi överhuvudtaget förvänta oss av konsten – hur politisk ska den vara, och stämmer det att det är särskilt svårt och obekvämt för konstfältet i Finland att kritisera just Ryssland? I Slaget efter tolv möts chefen för Åbo konstmuseum Kari Immonen, kuratorn, kritikern och tidigare museichefen Pontus Kyander och Berndt Arell som har varit chef för bland annat Åbo Konstmuseum, Kiasma och Nationalmuseum i Stockholm och dessutom direktör för Svenska Kulturfonden. Maria Nylund leder ordet. E-post: slaget@yle.fi

SEIU, FIFA, Kiasma https://news.artnet.com/art-world/artists-boycott-finland-museum-zabludowicz-2226813 https://www.espn.com/soccer/fifa-world-cup/story/4827792/activists-supporting-qatar-world-cup-migrant-workers-protest-in-fifa-boss-home-town https://www.huffpost.com/entry/airport-workers-protests-congress_n_63929c22e4b0c2814641e745 #peoplearerevolting twitter.com/peoplerevolting Peoplearerevolting.com movingtrainradio.com

Ett hundratal finländska konstnärer har inlett en bojkott mot muséet för nutidskonst, Kiasma. De vill att konstmecenaten Chaim "Poju" Zabludowicz som sitter i styrelsen för Kiasmas stödförening ska ge upp sin plats - på grund av kopplingar till Israel och på grund av Israels politik mot palestinierna. Antisemitism, svarar nu bland annat representanter för judiska församlingar. Vad handlar detta om? Konstnären Magdalena Åberg, ordföranden för de judiska församlingarnas centralråd, Yaron Nadbornik samt konstkritikern och kuratorn Pontus Kyander debatterar konst och identitetspolitik under ledning av Bettina Sågbom. E-post: slaget@yle.fi

Kulttuurin ajankohtaisista aiheista ja ajan hengestä ovat Perjantaistudiossa keskustelemassa mainonnan ja markkinoinnin suunnittelija Jussi Turhala, Suomen Kuvalehden toimittaja Matti Rämö ja Helsinki Pride -yhteisön toiminnanjohtaja Annu Kemppainen. Mitä ajatuksia herättää nimekkäiden taiteilijoiden Kiasma-boikotti? Suomalaiset taiteilijat ovat asettuneet vaatimaan miljardööri Chaim Poju Zabludowiczia eroamaan Kiasman tukisäätiön hallituksesta. Suomen valtio ostaa ohjuksia Israelista. Pitäisikö taiteilijoiden myös boikotoida Suomen valtion apurahoja? Suomessa on vietetty itsenäisyyspäivää rauhallisissa merkeissä eikä natseja ja hakaristilippuja ole nähty kaduilla, mutta Saksassa tilanne on toinen. Saksan liittotasavallan laillisuuden kieltävän äärioikeistolaisen liikkeen suunnitelmissa oli tarkoituksena oli syrjäyttää Saksan nykyinen hallinto ja korvata se ryhmän haluamalla hallinnolla. Vaarallinen salaliitto paljastettiin ja osalliset pidätettiin. Annu Kemppainen kysyy, sensuroiko Yle samansukupuolisia pareja Linnan juhlien selostuksissa. Oletetut heteroparit esiteltiin taas Linnan juhlien suorassa lähetyksessä puolisoineen, mutta oletetusti samansukupuolisten kohdalta jätettiin järjestään puoliso-sana pois aveceja esitellessä järjestelmällisesti. Nyt kuullaan miten Yle toimii Linnan juhlien selostuksissa. Meta aikoo ehkä boikotoida mainoksia. Media-alalle on some-ajan alussa pesiytynyt ajatus, jonka mukaan someen on pakko jakaa ilmaisesti kalliilla tehtyä sisältöä. Tämä oli mediayhtiöiltä ilmeinen valtava virhearvio, jota sittemmin ollaan epätoivoisesti yritetty korjata. Mutta jos nyt uutiset katoaisivat somesta, olisiko some enää kiinnostava? Jos some täyttyisi ainoastaan ihmisten itse tuottamasta sisällöstä? Lähetyksen toimittaa Pauliina Grym.

Tämän viikon podcastissa Tuomas Peltomäki, Marko Junkkari ja Anni Keski-Heikkilä keskustelevat loputtomalta tuntuvasta puurosta joksi Suomen politiikka on keskustan temppuilujen vuoksi muuttunut, ja antisemitismistä joka on Kiasma-taiteilijoiden ja Kanye eli Ye Westin vuoksi taas pinnalla, sekä itsenäisyyspäivän juhlista. Uutisraportti podcast on Helsingin Sanomien julkaisema viikottainen podcast, jossa puretaan ja analysoidaan sen viikon tärkeimmät uutisaiheet. Tarkoitus on siis puhua tärkeistä aiheista, mutta sillä tavoin kuten ihmiset niistä normaalisti puhuvat: turhia jännittämättä. Kaikki vuosien aikana julkaistut jaksot löydät Suplasta https://bit.ly/2ygrn3T. Suplan lisäksi podcast julkaistaan myös - Spotify: https://spoti.fi/3dAuELu - Apple: https://apple.co/3bwLVDu - Soundcloud: https://bit.ly/2XGVBra. Podcastin nauhoitus lähetetään suorana lähetyksenä Helsingin Sanomien Facebook-sivulla torstaisin kello 14 – tosin aika saattaa vaihdella ja poikkeuksia on. https://www.facebook.com/helsinginsanomat/ Podcastien tekeminen on yleisesti tunnustettu synkäksi ja yksinäiseksi puuhaksi, joten ilahduta meitä lähettämällä joku kiva tai kriittinen viesti esimerkiksi - Twitterissä @uutisraportti https://bit.ly/2KaozrA, - Instagramissa @tuomaspeltomaki https://bit.ly/3eqJqVt, - Facebookissa @tuomaspeltomakipodcast https://bit.ly/2XF4UIj, tai - sähköpostilla tuomas.peltomaki@hs.fi. Muut Helsingin Sanomien podcastit löydät Suplasta: https://www.supla.fi/grid/1062.

Kiasma karsi pohjoissuomalaisen taiteen kliseet pois tuodessaan nykytaidenäyttelyn Helsinkiin. kiasma.fi, 2.4.2023 asti.

Uudelleen avattu Kiasma lupaa esitellä nykytaiteen kärjen. Avoinna 16.10.2022 asti, kiasma.fi

Katrīnas Neiburgas darbs "Transformācijas.Vējaslotas.Raganuslotas” tagad atrodas Somijas laikmetīgās mākslas muzejā Kiasma kolekcijā, viņa strādā pie operas “Dons Žuans” Vanemuines koncertzālē Tartu un gatavojas izstādei Dānijas mežos. Tāpat māksliniecei ir plāni, kas saistās gan ar Cēsu mākslas festivālu, gan operu. Sazināsimies ar mākslinieci Katrīnu Neiburgu.

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

STM odottaa koronarokotetta Suomeen ensi viikolla. Koronaepidemian voimakas kasvu Suomessa on ehkä pysähtynyt. Suomalaisvanhemmat ovat uupuneita. Ateneum ja Kiasma menevät remonttiin.

durée : 00:11:28 - L'Happy hour, on sort FB Hérault - Julie Benegmos en lien avec Le Kiasma

Thanksgiving . Like everybody (we hope), it's just us this year. So being that neither of us couldn't care less about the bird... no bird. We do care about our Italian roots, though!  Elaine is making the escarole soup with little meatballs. Fried up the meatballs and sausage for the "gravy" (go Philly.)  Travis is making  ravioli, Italian stuffing, and shrimp cocktail, or as Donald Sutherland calls it, shrimp "caulktail." Travis is making deviled eggs, and Elaine is making stuffed jalapenos wrapped in bacon. And of course... "We got pie!" (see Toby Huss in Carnavale to get the reference!) Lemon Merangue and Cheesecake, because we also don't care about pumpkins either! Pix to come!Next week we'll go back to regular binging and purging-yeah, The Crown (ouch) and The Undoing and Fargo probably. But it's Thanksgiving weekend and since you are making tiny feasts and have no visitors, movies and revisiting old TV is on the menu. We are going for stuff you may not have seen! And just like our cooking, there is no guarantee of quality.Knock Knock (Netflix)Leap of Faith (Shhudder)An excellent doc about movies, music, art, and the making of The Exorcist.  Is Friedkin a maniac?  You decide!Run  (Hulu)Sarah Paulson is excellent as always and newcomer Kiera Allen is worth a look.Much better choice along the same lines. The Act is also on HULU. Tom of Finland  (HULU)This one is absolutely brilliant, so save it for after dinner and def after the kiddies go to bed.  Tom of Finland's work is in museums such as MoMA, Art Institute of Chicago, LACMA, and his home country's Kiasma. If you want to know more about Touko Laaksonen 'Tom of Finland', check out Tom of Finland Foundation .We love Pekka Strang!We'll keep looking for movies starring Pekka. In the meantime, check our episode... A Sexy Movie... where we talk about Dogs Don't Wear Pants.Deals and ExtrasBlack Friday and Cyber Monday as in full swing, and some of our favorite deals include:CBS All Access free for a month! Use our LINK, and if requested, the code is TURKEY.  This is the best time to give it a trial, not just because you get a full month, but it is the month CBS All Access is dropping The Stand! It expires on November 30th.

Future Matter #2 "The Bodily Life" Written and Narrated by Ane Graff Sound and Mixing by Ignas Krunglevicius Cover Design by Helin Şahin The text "The Bodily Life" is about a body dealing with autoimmunity and reflecting upon issues of identity, permeability and materiality. Discussing what a body is and how it is positioned in the world, the text draws from an era of privilege, where the self was perceived not only as unique and self-contained but uncontaminated. This view is challenged along with the idea of "Horror autotoxicus", the idea that the body cannot attack itself. Autoimmune diseases refer to a collection of chronic diseases wherein normal tissues are misidentified by the immune system as "foreign" and the body starts "attacking itself". Thus the dangers of the world exist both "without" and "within". Ane Graff is an artist and researcher based in Oslo, Norway. Graff's practice is informed by feminist new materialism – a re-thinking of our material reality, in which a process-oriented approach to matter plays an integral part. Her work traces lines between Western intellectual history and how ideas of human exceptionalism and dualism relate to the ecological disasters we face today. Recent exhibitions include the 58th Venice Biennale, Italy; KIASMA, Finland, the Rhizome/ New Museum/ Stavanger Kunsthall collaboration 7x7; and Liverpool Biennial of Contemporary Art, United Kingdom. https://www.futurematter.institute

durée : 00:14:18 - L'Happy hour, on sort FB Hérault - Sylvain Stawski, - France bleu Hérault soutient la culture, les théâtre, les comédiens, les metteurs en scène.

Five Reports from Eight Locations is a collection of five attempts to make music out of sounds that are already out there: cars and trains, wind and water, sounds made by people and other animals. Tracks 1 and 4 were made from sounds recorded in parks in Sweden (Malmo and Gothenburg respectively). Track 2 is a collage of recordings from various towns in Europe: Swinoujscie (Poland), Helsinki, Zagreb and Amsterdam in order of appearance. A square in Helsinki is then the sole sound source used in track 3. The final track was recorded in Gothenburg. From Gothenburg, Sweden From Bivouac. Archive. 02 (2004)

Tänä vuonna 20 vuotta täyttävä URB (7.-14.6.2019) on Kiasma-teatterin tuottama vuosittainen kaupunki- ja nuorisokulttuurin sekä nykytaiteen festivaali. Neljään eri tapahtumapaikkaan levittäytyvän festivaalin sisältöön on vaikuttanut varta vasten tehtävään valittu nuorten tekijöiden kuraattoriryhmä. Studiovieraina ovat nuoret kuraattorit Biniyam Schelling ja Alina Pappi. Haastateltavana ovat myös feminististen variteee-show'n Delta Venuksen Sara Melleri ja Markku Haussila sekä URB:in taiteellinen johtaja Mikael Aaltonen. Ohjelman juontaa Pauliina Grym.

Kansainvälistä uraa tekevä koreografi Maija Hirvanen tutkii empatian eri puolia uudessa näyttämöteoksessaan Magic and Despair, Kiasma-teatterissa. Psykologian tohtori Silja Martikainen Helsingin yliopistosta tutkii kuinka aivot synkronoituvat yhteistyön aikana ja miten olla samalla taajuudella. Mikä empatiassa kiehtoo juuri nyt? Juontajana on Pia-Maria Lehtola.

Performing Love 3/4 - Harold Hejazi We meet at Harold's home for some popcorn. Well, we talk some about love too. Harold is taking part in the Performing Love festival in Kiasma, the 11th & 12th of April. This is a two day festival with the aim to spread the culture of love and explore it as a communal force. At the festival Harold will be doing his Animating Love performance. The performance works to evoke experiences of love with the audience while learning about the Love Foundation's five pillars. In the podcast Harold shares songs of love which were the result of musical collaborations with some of his closest friends: For My Friend [ https://www.youtube.com/watch?v=2ng9r0fk-T0 ] Grand Slam [ https://soundcloud.com/cathedralbloom/grand-slam ] Blue Love (unreleased) Music and Production by Steeve Allen Bjørnson & Jesse Henderson For more info about Harold, visit his webpage: www.haroldhejazi.com Photo by Linda Lehtovirta

Day 2 in Helsinki, Finland.Helsinki, Finland’s southern capital, sits on a peninsula in the Gulf of Finland. Its central avenue, Mannerheimintie, is flanked by institutions including the National Museum, tracing Finnish history from the Stone Age to the present. Also on Mannerheimintie are the imposing Parliament House and Kiasma, a contemporary art museum. Ornate red-brick Uspenski Cathedral overlooks a harbor.Links:www.allasseapool.fi/en/ Subscribe, rate and review Travel First at any good podcatcher app, including ApplePodcasts (formerly iTunes) (featured in New & Noteworthy), Google Podcasts, Stitcher, Pocketcasts, Podbean, CastBox.fm and more.Email: travelfirst@bitesz.comFor more, follow Travel First on Facebook, twitter, Google+ and Instagram:Facebook:  @travelfirstpodcasttwitter:   @biteszHQtravelInstagram:  www.instagram.com/biteszhqtravelGoogle+:      https://plus.google.com/u/2/collection/wi0YaB If you're enjoying Travel First, please share and tell your friends. Thank you... #travel #Europe #holiday #podcast #travelfirst #finland #helsinki Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Day 8 in Finland and it’s off to Helsinki.Helsinki, Finland’s southern capital, sits on a peninsula in the Gulf of Finland. Its central avenue, Mannerheimintie, is flanked by institutions including the National Museum, tracing Finnish history from the Stone Age to the present. Also on Mannerheimintie are the imposing Parliament House and Kiasma, a contemporary art museum. Ornate red-brick Uspenski Cathedral overlooks a harbor.Links:www.allasseapool.fi/en/ Subscribe, rate and review Travel First at any good podcatcher app, including ApplePodcasts (formerly iTunes) (featured in New & Noteworthy), Google Podcasts, Stitcher, Pocketcasts, Podbean, CastBox.fm and more.Email: travelfirst@bitesz.comFor more, follow Travel First on Facebook, twitter, Google+ and Instagram:Facebook:  @travelfirstpodcasttwitter:   @biteszHQtravelInstagram:  www.instagram.com/biteszhqtravelGoogle+:      https://plus.google.com/u/2/collection/wi0YaB If you're enjoying Travel First, please share and tell your friends. Thank you... #travel #Europe #holiday #podcast #travelfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Megha Sharma Bhagat and Abhijit Sinha from Project DEFY in Bangalore visited Helsinki to take part in the HundrED innovation summit. Owen Kelly met them in the cafe in Kiasma, Helsinki’s modern art museum, to talk to them about culture, democracy, and radical action in India.

Day 3 in Helsinki, Finland….and it’s a quick visit to The National Library of Finland  The National Library of Finland is the foremost research library in Finland. Administratively the library is part of the University of Helsinki. Until 1 August 2006, it was known as the Helsinki University Library. - Wikipedia Helsinki, Finland’s southern capital, sits on a peninsula in the Gulf of Finland. Its central avenue, Mannerheimintie, is flanked by institutions including the National Museum, tracing Finnish history from the Stone Age to the present. Also on Mannerheimintie are the imposing Parliament House and Kiasma, a contemporary art museum. Ornate red-brick Uspenski Cathedral overlooks a harbor. - Google Maps For more visit: www.kansalliskirjasto.fi/                        www.myhelsinki.fi Subscribe, rate and review Travel First at any good podcatcher app, including ApplePodcasts (formerly iTunes) (featured in New & Noteworthy), audioBoom, Stitcher, Pocketcasts, Podbean, CastBox.fm and more. Email: travelfirst@bitesz.com For more, follow Travel First on Facebook, twitter, Google+ and Instagram: Facebook: @travelfirstpodcast twitter: @biteszHQtravel Instagram: www.instagram.com/biteszhqtravel Google+: https://plus.google.com/u/2/collection/wi0YaB If you're enjoying Travel First, please share and tell your friends. Thank you... #travel #Helsinki #Finland #Europe #holiday #podcast #travelfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Day 2 in Helsinki, Finland….another sauna and even more culture… Finland is a Northern European nation bordering Sweden, Norway and Russia. Its capital, Helsinki, occupies a peninsula and surrounding islands in the Baltic Sea. Helsinki is home to the 18th-century sea fortress Suomenlinna, the fashionable Design District and diverse museums. The Northern Lights can be seen from the country's Arctic Lapland province, a vast wilderness with national parks and ski resorts.- Google Maps Helsinki, Finland’s southern capital, sits on a peninsula in the Gulf of Finland. Its central avenue, Mannerheimintie, is flanked by institutions including the National Museum, tracing Finnish history from the Stone Age to the present. Also on Mannerheimintie are the imposing Parliament House and Kiasma, a contemporary art museum. Ornate red-brick Uspenski Cathedral overlooks a harbor. - Google Maps For more visit: www.myhelsinki.fi Subscribe, rate and review Travel First at any good podcatcher app, including ApplePodcasts (formerly iTunes) (featured in New & Noteworthy), audioBoom, Stitcher, Pocketcasts, Podbean, CastBox.fm and more. Email: travelfirst@bitesz.com For more, follow Travel First on Facebook, twitter, Google+ and Instagram: Facebook: @travelfirstpodcast twitter: @biteszHQtravel Instagram: www.instagram.com/biteszhqtravel Google+: https://plus.google.com/u/2/collection/wi0YaB If you're enjoying Travel First, please share and tell your friends. Thank you... #travel #Helsinki #Finland #Europe #holiday #podcast #travelfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Alex travels to Finland in the next stage of his Nordic tour and arrives in Helsinki... Finland is a Northern European nation bordering Sweden, Norway and Russia. Its capital, Helsinki, occupies a peninsula and surrounding islands in the Baltic Sea. Helsinki is home to the 18th-century sea fortress Suomenlinna, the fashionable Design District and diverse museums. The Northern Lights can be seen from the country's Arctic Lapland province, a vast wilderness with national parks and ski resorts.- Google Maps Helsinki, Finland’s southern capital, sits on a peninsula in the Gulf of Finland. Its central avenue, Mannerheimintie, is flanked by institutions including the National Museum, tracing Finnish history from the Stone Age to the present. Also on Mannerheimintie are the imposing Parliament House and Kiasma, a contemporary art museum. Ornate red-brick Uspenski Cathedral overlooks a harbor. - Google Maps For more visit: www.myhelsinki.fi                        www.loylyhelsinki.fi Subscribe, rate and review Travel First at any good podcatcher app, including ApplePodcasts (formerly iTunes) (featured in New & Noteworthy), audioBoom, Stitcher, Pocketcasts, Podbean, CastBox.fm and more. Email: travelfirst@bitesz.com For more, follow Travel First on Facebook, twitter, Google+ and Instagram: Facebook: @travelfirstpodcast twitter: @biteszHQtravel Instagram: www.instagram.com/biteszhqtravel Google+: https://plus.google.com/u/2/collection/wi0YaB If you're enjoying Travel First, please share and tell your friends. Thank you... #travel #Helsinki #Finland #Europe #holiday #podcast #travelfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Hej, det är jag igen, Kristina Lugns nya pjäs, har haft premiär på Dramaten och Kritiken var där. Programledare Anneli Dufva, Expressens Nils Schwartz och Jenny Aschenbrenner diskuterar uppsättningen och Lugns dramatik. Vad är kännetecknar hennes dramatik? Hej, det är jag igen kretsar kring familjen och de såriga relationer som den kan generera. Det gör även den danska TV-serien Arvingarna som just nu visas på SVT. Hur bra är den egentligen? Just nu på går en stor utställning med chilenske konstnären Alfredo Jaars konst på Kiasma, museet för nutidskonst i Helsingfors. Titeln är Tonight No Poetry Will Serve, ett mycket talande citat tycker kulturredaktionens Karsten Thurfjell, som sett en utställning där de stora mänskliga katastroferna dominerar verken. Dessutom, lyssnaren Irene Möller förklarar i Verket som värker, hur hennes liv helt förändrades av en bok av Alva Myrdal. Programledare Anneli Dufva Producent Maria Götselius

Helsingissä on jo Kiasma, Ateneum, musiikkitalo, ooppera, Kansallismuseo, Hartwall-areena, Kansallisteatteri ja Finlandia-talo. Nyt keskustellaan kiihkeästi Guggenheim-museon mahdollisesta rakentamisesta pääkaupunkiin. Kuinka monta taiteen temppeliä tarvitaan? Kuka niissä käy ja mitä niissä tarjotaan? Taiteesta ja sen infrastruktuurista keskustellaan Roman Schatzin Maamme-kirjassa teatteriohjaaja ja Voima-lehden toimituspäällikkö Susanna Kuparisen ja emeritus-museonjohtaja Markku Valkosen kanssa.

Transit of Venus, with Simo Alitalo, for KIASMA, ABC and YLE.

På Göteborgs internationella Konstbiennal visas, under tio veckor, aktuell samtidskonst under temat What a wonderful world. Snittet åkte buss mellan de sju utställningsplatserna. Dessutom har vi sett den schweiziska videostjärnan Pipilotti Rists stora utställning på Kiasma i Helsingfors och träffat fotografen Mikael Olsson som under flera år har följt formgivarikonen Bruno Mathssons två hus i Småland. En av de stora svenska konstsatsningarna i år är . Under tio veckor visas aktuell samtidskonst under temat What a wonderful world. Curatorer är två kända namn från konstsverige. Celia Prado som var med startade Tensta Konsthall och Johan Pousette som drog igång Baltic Art Center i Visby. Snittet åkte buss mellan de sju utställningsplatserna och försökte förstå vad som är så underbart med vår värld. Dessutom har vi sett den schweiziska videostjärnan  Pipilotti Rists stora utställning på Kiasma i Helsingfors och träffat fotografen Mikael Olsson som under flera år har följt formgivarikonen Bruno Mathssons två hus. Det är villan Södrakull och fritidshuset. Frösakull. Fotografier som nu visas på Hasselblad center och som också resulterat i en omfattande bok om Bruno Mathsson.  Programledare för Snittet den här veckan är Mia Gerdin.