Podcasts about stage design

Text us about this show.Brandon Johnson is an incredibly talented and innovative guy. Thoughout life, he's always been able to apply his imagination toward how he could use technology to entertain people and now he does it for a living. Brandon is one of the go-to guys in the Northeast Wisconsin music scene when it comes to live stage production, but his talents don't stop there. He is the designer, engineer, and personality behind SpiritWalker, a practical effects technology for the stage and screen. He's even brought SpiritWalker to one of the biggest stages in the world, the Coachella Festival. Learn how Brandon combines all his life experiences to catapult himself to the next level in his stellar career.See SpiritWalker for yourself!Support the Show.Visit Into The Music at https://in2themusic.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2024 by Project X Productions. All rights reserved....

Die Headlock-Community hat Fragen, das Team antwortet: Ein Mal im Monat widmet sich die Headlock-Crew euren eingesandten Gedanken und Fragen. Diesmal knöpfen sich Headlock-Host Olaf Bleich und David Kloss, Portalleiter bei screen.de, die eingesandten Fragen vor. Im ersten Teil des Podcasts dreht sich alles um den Wrestlemania-Hype: Spielt Roman Reigns aktuell wirklich nur die zweite Geige hinter dem "Final Boss" The Rock? Und schadet The Rock der Backstage-Moral? Was sind die Erwartungen an Wrestlemania und welche Shows schauen sich die Podcaster gerne noch im Vorfeld an? Danach sprechen die Beiden über aktuelle AEW-Entwicklungen: Muss AEW seine Shows größer präsentieren? Was muss man tun, um Talente wie MJF und Adam Page langfristig zu halten? Würde ein Match zwischen Bryan Danielson und Zack Sabre Jr. auch bei Wrestlemania funktionieren? Und zum Abschluss geht's dann nochmal in die Tiefe: Wieso braucht Wrestling Storylines? Wie wichtig ist das Stage-Design ... und waren Olaf und David Team RAW oder Team SmackDown? Die Antworten hört ihr im ausführlichen Fragen-Podcast.

British visual artist Es Devlin has designed spectacular sets for some of the largest stages on earth. As well as designing for the theatre, Es has created unique performance spaces for the likes of Beyoncé and U2. Now, her award-winning stage design for The Lehman Trilogy, about the rise and fall of the Lehman Brothers investment bank, can be seen on stage in Sydney.Also, Pip Williams' bestselling novel The Dictionary of Lost Words has been adapted for the stage, and 400 years after its publication, John Webster's play The Duchess of Malfi is back. So, what is this violent and bloody play's appeal in 2024?

Aldo é um dos primeiros iluminadores cênicos em Brasília (DRT/DF 043), assinando sua primeira iluminação em 1977. Desde então tem trabalhado em espetáculos de teatro, dança e música, além de ministrar várias palestras e oficinas na área da iluminação cênica. Possui especialização em Iluminação e Design de Interiores, pelo IPOG – Instituto de Pós-graduação e graduação em Licenciatura em Artes-Cênicas pela Faculdade de Artes Dulcina de Moraes, Brasília-DF. Também na Faculdade de Artes Dulcina de Moraes foi professor nas disciplinas de iluminação, sonoplastia e cenotécnica do curso de Artes-Cênicas de 1996 a 2002. Atualmente é professor do curso de Iluminação de Palco no Centro de Educação Profissional Escola de Música de Brasília (CEP/EMB) escola da rede pública do DF, onde também realiza projetos na área musical erudita (óperas e concertos) e popular. Lemar Rezende, formado na Faculdade de Artes Dulcina de Moraes. Iluminador e técnico há mais de 10 anos. Em sua trajetória, ja montou mais de 1000 espetáculos e afinou mais de 20 mil refletores. Ana Quintas é atriz, iluminadora e pesquisadora. Mestra em Stage Design pela Trinity College, Universidade de Dublin, Mestra em processos composicionais para a cena com a dissertação “Iluminação e Atuação: outros diálogos possíveis” pela Universidade de Brasília, e doutoranda também na UnB. É integrante fundadora do Grupo Tripé e integrante do Grupo Liquidificador. Já fez a iluminação de mais de 60 espetáculos com diferentes grupos e artistas de Brasília e do Brasil. Vencedora do prêmio Sesc do Teatro Candango 2016 de melhor dramaturgia com o espetáculo Entre Quartos, Vencedora do prêmio de Melhor Espetáculo e Melhor Dramaturgia e indicada ao prêmio de melhor atriz e melhor iluminadora no Prêmio Sesc do Teatro Candango 2017 com o espetáculo O NOVO ESPETÁCULO (tudo está à venda). Mais infos: www.anaquintas.com Raoni é técnico de iluminação há mais de 10 anos. Iniciou a carreira no teatro, mas também passou pela iluminação de diversas áreas como ballet, dança contemporânea, danças urbanas, shows e musicais em palcos de grande porte que contempla outro tipo de linguagem. Alguns trabalhos marcantes de sua carreira foram: espetáculos de ballet da Escola de Dança Noara Beltrami, peças teatrais da Cia de Comédia Setebelos e Cia Quatro Homens e Meio, danças urbanas com Stúdio Under7, show musicais com Kel e as Margaridas, Festivais de Dança, além de trabalhar como Técnico de Iluminação no Teatro Yara Amaral. Atualmente trabalha como Analista de Cultura (Sonorização e Iluminação) no Sesc-DF.

Join Renata and Maxxy Rainbow as they discuss all the songs competing in Benidorm Fest 2024 to represent Spain, Olly Alexander representing the UK, the official stage design layout, Croatia and Lithuania's national selections artists, and MORE!

Andrey Hermuche impulsiona a percepção da poesia e a emoção de vivenciar o novo, no momento em que as pessoas mergulham em seu universo artístico e imaginativo. Colaborando com a cadeia produtiva do setor cultural, de atividades criativas e de entretenimento com inovação em seus ambientes sensoriais disruptivos. Está à frente da direção de criação e cenografia participa desde a concepção – elaborando os detalhes da experiência individual e coletiva da jornada do cliente – contribuindo no planejamento estratégico e de ação, com visão multidisciplinar e metodologia própria de execução em consonância com o desenvolvimento das equipes. Totalmente comprometido em corresponder com o objetivo do projeto e superar as expectativas a cada realização. A excelência presente nas obras de Andrey Hermuche é essencialmente alcançada por ter um vasto conhecimento sobre arte e cultura – do qual teve contato desde a primeira infância, além de sua vivência cosmopolita – somados ao aprofundamento conceitual dedicado com respeito em tudo que envolve o seu trabalho. Ao longo destes 27 anos de experiência profissional implementou mais de 500 projetos de direção de criação e cenografia, entre programas para televisão, filmes para cinema, shows, festas, festivais, eventos, óperas, danças, teatros e campanhas políticas. Com atuação nacional e internacional.

Li Wang (b. 1995) is a New York-based painter, born in Beijing, China. Li holds a Bachelor of Arts from The Central Academy of Drama in Beijing, where he studied Stage Design. He graduated from the Columbia University School of the Arts' MFA program in 2022. Wang is a finalist of the AXA Art Prize and the New American Paintings competition. He is a recipient of the Elizabeth Greenshields Foundation Grant and the Columbia University Dean's Project Grant. In 2023, his solo exhibitions were held at Fragment gallery (New York, USA) and NADA New York. Li Wang, After bathing, 2022, oil o canvas, 48 x 50 in Li Wang, Carousel, 2022, oil on canvas, 58 x 70 in Li Wang, Tao in my studio, 2022, oil on canvas, 60 x 60 in

We visit a stately home in northern England for an exhibition marrying historic architecture with contemporary artworks. Plus: the signs that define Canada's biggest city and a conversation with the show and set designer bringing lyrics to life on stage for Alicia Keys and hip-hop artist Loyle Carner.See omnystudio.com/listener for privacy information.

The Australian Ballet have brought their iconic production of Don Quixote, choreographed by and originally starring Rudolf Nureyev, back to the stage. Nureyev's production became a film in 1973 which has inspired new designs by one of our most venerable stage designers, Richard Roberts.Also, Richard Wagner's epic four-opera Ring Cycle comes to regional Australia for the very first time and includes a concert held in a gold mine, and we meet 'the mother of African contemporary dance,' Germaine Acogny, the co-founder of the famous Ecole des Sables in Senegal.

The Australian Ballet have brought their iconic production of Don Quixote, choreographed by and originally starring Rudolf Nureyev, back to the stage. Nureyev's production became a film in 1973 which has inspired new designs by one of our most venerable stage designers, Richard Roberts. Also, Richard Wagner's epic four-opera Ring Cycle comes to regional Australia for the very first time and includes a concert held in a gold mine, and we meet 'the mother of African contemporary dance,' Germaine Acogny, the co-founder of the famous Ecole des Sables in Senegal.

Ana Quintas, nasceu e vive em Brasília, é Doutoranda em Artes Cênicas pela Universidade de Brasília, Mestra em Artes Cênicas também pela UnB (2020), Mestra em Stage Design pela Trinity College Dublin, Irlanda (2017), Bacharel em Interpretação Teatral pela UnB (2010). Desde 2001 entre palcos, oficinas, ensaios, cabines de luz, escadas, universidades, hoje como atriz, iluminadora, diretora, pesquisadora, produtora, professora… anda se definindo cada vez mais como uma “artista de teatro”. Uma pesquisadora do acontecimento cênico em suas diversas e complexas camadas. É integrante do Grupo Tripé desde a sua fundação em 2012, e integrante do Grupo Liquidificador desde 2017. Entre alguns dos seus últimos trabalhos estão a iluminação dos espetáculos “Senhora P.” do Coletivo Coquetel Molotov dirigido por Adriana Lodi, “Entrevista de Emprego” do Grupo BR.SA dirigido por Denis Camargo e “Mantenha Fora do Alcance do Bebê” dirigido por Rita de Castro. Além disso dirigiu e iluminou o espetáculo Menina Valente - O Musical, e produziu e foi curadora, junto do Grupo Tripé, da exposição “Cenas de uma década: Teatros de Grupo do DF”. @anaquintas | Release: " A Menina Valente", que conta a história de uma garotinha muito corajosa, a Joana. Ela se une aos seus melhores amigos, as Plantas e os Animais, para protegerem juntos a floresta da gananciosa vilã, a Dona Fábrica, que chega na região querendo desmatar e expulsar todos os seres vivos. Ficha Técnica Elenco: Arthur Araújo, Bárbara Albuquerque, João Pedreira, Lohany Kayná, Lucas Amado, Manu Gioieli, Raíssa Coutinho Banda: Rênio Quintas - teclados e regência Daniel Sarkis - guitarra Dani Neri - flauta Sebass Nadales - baixista Son Andrade - bateria Edinho Silva - percussão Letras - Tetê Catalão Arranjos - Rênio Quintas e Fernando Corbal Direção geral: Ana Quintas Direção musical: Rênio Quintas Preparação Vocal: Célia Porto Coreografo: Rafael Quintas Texto: Regina Fittipaldi Direção de Arte (cenografia e figurino): Roustang Carrilho Preparação de Elenco: Fernanda Alpino Sonorização: Tom Serralves Iluminação: Ana Quintas Designer Gráfico: Gabriel Guirá Assessoria de Imprensa: Paó Comunicação

Best of MTC: Sooner Routhier, Lighting Designer for Coldplay. Production Designer for Panic at the Disco, The Weeknd, KISS, Imagine Dragons, The Lumineers, Rhianna, Pentatonix, Jay-Z, Halsey and More.www.MeettheCreatives.org 

Our reaction to the Eurovision 2023 stage design by Julio Himede, his team at Yellow Studio and the BBC. Are you loving the Liverpool stage which will go up inside M&S Bank Arena? Featuring: William - http://instagram.com/williamleeadams Bernardo - http://instagram.com/bernardotpereira  

In this episode of Hello Church! we talk with Jonathan Malm of churchstagedesignideas.com. Church stage design is not going to be the thing that grows your church. But, it does impact the overall Sunday experience for your congregation and will affect the first impression of new visitors. During our conversation, Jonathan shares some of the most creative ideas he's seen over the years. From the simple to the complex, listeners will gain practical tips on creating effective and impactful church stage designs. 

This podcast was recorded on the show floor of USITT22 at Studio USITT in partnership with AKG by Harman.On this week's episode, we sat down with 2022 YDMT winner of the Zelma H. Weisfeld Costume Design & Technology Award, Zhang Yu.Zhang Yu is a costume designer with professional experience in theater, opera, musical, dance and Chinese traditional opera. Deeply rooted in his diverse background and interest in bridging the gaps between design and fine art, Zhang Yu incorporates various intercultural elements and interdisciplinary techniques in many of his designs on stage. Acknowledging both the designer and artist in himself, he hopes to break new ground and redefine his practice in both the studio and the theater. He wishes that his work can bring the beauty and value that all humanity share. Zhang Yu has presented his works in the Shanghai Expo 2010, Shanghai Art Biennial 2010, Expo Milan 2015, and 2010 Taipei Kuandu Arts Festival. He has also won the 2020 Kennedy Center American College Theatre Festival Region Two Design Excellence for Costumes Award, and the Annual Award of the China Institute of Stage Design for Best Costume Design in 2012. Zhang Yu is currently pursuing his MFA in costume design in the School of Drama at Carnegie Mellon University. There, he has been accorded the honor of being an Elizabeth Schrader Kimberly Fellow.TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.

As the Filthy Beat Inspectors Podcast expands, Audiofreq joins us to be the first non-bass music producer on the show! He talked about what the hard dance world is like from the inside, Q Dance, stage design and how music has evolved in the last decade. We also grilled him on our signature interrogation related to who he would f*ck, marry or kill: Darksiderz, Lil Texas or GPF. 

This episode features Professor Scott Murray (Primary Palliative Care Research Group, University of Edinburgh, Scotland, UK). People living at home with advanced progressive illness require well-coordinated services at all times of the day and night. Early identification for generalist palliative care support and care planning in the community can improve outcomes but requires effective information sharing across services. People with palliative care needs are high users of unscheduled care in the last months of life. People dying with advanced organ failure accessed unscheduled community health services less often than people with cancer or frailty. The organisation of unscheduled healthcare services is poorly understood, and current care pathways could be used more effectively in line with patient preferences. Early identification and care planning in primary care of those requiring palliative care informs and enhances their urgent and emergency care Better resourcing of unscheduled community services for people identified for palliative care support in the community will provide safer, more responsive, and cost-effective care. Rapid access to unscheduled care via effective NHS telephone services and out-of-hours primary care assessment can reduce unwarranted ambulance calls, attendances at emergency departments and hospital admissions. Public education should encourage and support patients and carers living with advanced illness to access the unscheduled care best suited to their needs. Routine clinical datasets for most NHS unscheduled care services lack a variable to record patients in the community identified for palliative care.

Waarom blijft een gek gesprek bij de wc je soms beter bij dan een heel concert? Waarom is decor eigenlijk zo belangrijk? En wat kun jij als artiest leren van de rij bij de Efteling?Deze aflevering hebben we het over Stage Design. Dat doen we met Art Director: Marieken van Huijstee.Met haar bedrijf Shit Art ontwerpt en maakt ze sfeer. Van albumhoezen en props, tot decors voor videoclips, podia en festivals, zij creëert de fysieke representatie van de droom van menig Nederlands artiest. Zo werkte ze al met onder andere Ronnie Flex, Merol, Joshua J, Blanks, Gaidaa, SMANDEM, en Spinvis.We hebben het over het belang van unexpected elements, hoe je als artiest props kunt inzetten om jezelf houvast te geven, waarom het belangrijk is om rekening te houden met de individuele associaties van je bezoekers, en nog héél veel meer.Volg @TheLiveCoaches op Instagram voor inspiratie, updates over nieuwe afleveringen en Q&A's en check de website http://www.thelivecoaches.nl/podcast-stagedesign voor links naar alles wat er in de aflevering voorbij komt!Ready? Let's go!

In this episode, host Marcus Jefferson and set designer Alex McCargar discuss the rich history of stage design and from a Viennese stage designer's perspective! This episode is sponsored by Opera NexGen in anticipation of their performance of Night Trip, a gripping new one-act opera from composer Carlos Simon and librettist Sandra Seaton. This one-night-only performance will be streamed live and online on Saturday, December 11th at 7:30pm Eastern. Learn more and get your tickets at operanexgen.org/nighttrip. --- Support this podcast: https://anchor.fm/whatisoperaanyway/support

Ana Quintas, nasceu e vive em Brasília, é atriz e iluminadora, formada Bacharel em Interpretação Teatral pela Universidade de Brasília (2010), é Mestra em Stage Design pela Trinity College Dublin, Irlanda (2017), e Mestra em Artes Cênicas pela Universidade de Brasília (2020), e agora Doutoranda pela mesma Universidade. É fundadora do Grupo Tripé, e membra do Grupo Liquidificador. Resumo: A presente pesquisa busca explorar possíveis diálogos entre iluminação e atuação cênica em uma busca de tornar os processos de criação mais colaborativos e menos hierárquicos. Tendo a experiência como principal atitude metodológica e apostando em uma epistemologia ecológica, a pesquisa traça um percurso que se inicia nas experiências vividas pela autora em seus grupos de teatro (Grupo Tripé e Grupo Liquidificador), e segue para a construção de um modo ecológico de se relacionar com o mundo, dirigindo-se para uma nova perspectiva de conexão com as luzes que acompanham o cotidiano da existência humana e estabelecendo um paralelo com os atuantes e a luz cênica. A partir dessa perspectiva e do conceito de corpo proposto por Espinoza, propõe-se a compreensão da luz cênica como um corpo – o corpo-luz –, numa tentativa alternativa de se discutir a iluminação na cena contemporânea. A pesquisa segue, então, para o relato de uma experiência vivida pela autora através da prática docente em uma disciplina no curso de graduação em Artes Cênicas da Universidade de Brasília, no primeiro semestre de 2019. Nessa disciplina, buscou-se propor uma prática que pretende complexificar os afetos e as afetações possíveis entre o corpo-luz e o corpo da atuante, para uma melhor compreensão de como se pode experienciar uma colaboração mais afetiva e efetiva entre as artistas criadoras de ambos os campos. Palavras-chave: Iluminação cênica. Atuação cênica. Processos colaborativos. Teatro contemporâneo. Ecologia afetiva. Corpo. Disponível em: https://repositorio.unb.br/bitstream/10482/40325/1/2020_AnaLuisadeOliveiraQuintas.pdf

Unser heutiger Interviewgast kommt aus dem Bereich Bühnenbild & Stage Design sowie Interior Design, Interior Styling & Dekoration und Visual Merchandising. Sie arbeitet seit Jahren als ausgebildete Raumenergetikerin Raumenergetik. Wer sie ist und was sie mit Astrologie verbindet, das ist in dieser spannenden Folge zu hören.

What can a 60-year-old play about drunk and sometimes spiteful American academics tell us about culture and race relations in Australia? Margaret Harvey introduces her bold vision for Who's Afraid of Virginia Woolf at the State Theatre Company South Australia. Also, ABC Top 5 resident artist Rose Montgomery introduces us to the enduring, physical creative device that is still the stage designer's go-to tool for generating, developing and communicating ideas: the scale model.

What can a 60-year-old play about drunk and sometimes spiteful American academics tell us about culture and race relations in Australia? Margaret Harvey introduces her bold vision for Who's Afraid of Virginia Woolf at the State Theatre Company South Australia.Also, ABC Top 5 resident artist Rose Montgomery introduces us to the enduring, physical creative device that is still the stage designer's go-to tool for generating, developing and communicating ideas: the scale model.

What can a 60-year-old play about drunk and sometimes spiteful American academics tell us about culture and race relations in Australia? Margaret Harvey introduces her bold vision for Who's Afraid of Virginia Woolf at the State Theatre Company South Australia. Also, ABC Top 5 resident artist Rose Montgomery introduces us to the enduring, physical creative device that is still the stage designer's go-to tool for generating, developing and communicating ideas: the scale model.

In this second interview with Alex McCargar, we discussed the intricacies of rethinking traditional stage design in the world of opera. To learn more about Alex, you can visit his website: https://www.alexandermccargar.com/ Credits: Overture – Reagan Casteel Producers, Technical Directors, Editors – Jeremy Lopez and Noah Sesling Executive Producer – Francesca Lionetta Host – Josh Lau --- Support this podcast: https://anchor.fm/whatisoperaanyway/support

In this episode we talk to Tim Herron.   5:45 Range Panda Optic Covers review 8:02 Race Holsters in CO/Prod 10:52 Stage Design discussion 24:39 Tim Herron Interview 68:19 USPSA Major match video coverage 75:08 Major match recap 79:59 Industry News 82:29 Video 

Thank you for tuning into the first official season of the GoodBadMad Podcast! To start us off, we have the wonderful wonderful Anna Fleischle, an Olivier-Award winning stage & costume designer for theatre, opera and dance. She has designed for @everybodystalkingaboutjamie, Home, I'm Darling & many many more. She is also heavily involved in the movement 'Scene Change' which we shall discuss along with what it takes to be a designer. Enjoy!

On today's episode, Chaz Macrander joins Travis Ishida immediately after the completion of the 2021 Heartland Harvester match, the inaugural match of the NRL Hunter's inaugural season of hunter-style matches, to give an AAR! Tune in to their conversation as they share major takeaways; standard practices typically seen in a race-gun series VS this new hunter-style series; the first reactions to the course of fire; setting the tone for the season; favorite rifle class to watch and why; free train-up prior to the match, and more! Chaz Macrander and Jake Jensen kicked off the NRL Hunter series with the 2021 Heartland Harvester presented by Nosler and Season Title Bushnell the weekend of February 19-21, 2021 in Nehawka, Nebraska. NRL HUNTER presented by Bushnell, is a series of competitions for hunters, by hunters. It brings a combination of ethical hunters and conservationists together in an innovative, competitive format for new and seasoned hunters to learn about their skills, gear, overall capabilities, and about local hunting terrains. Learn more about the Match Director's strategic planning of the course of fire, witnessing competitors' reactions, and more, on the NRL Hunter Podcast! Index: 00:18 – Narrow Window in Weather 01:01 – Location and Range 02:01 – Favorite Takeaways; Stage Design, Problem Solving on the clock 03:48 – 4-Minute Timeframe; Start with all gear, to minimalist, figuring things out on their own 05:28 – Standard Practices in Race-Gun series VS this New Hunter-Style series 06:13 – Get to practice ranging then moving into stable position and re-locating target; Making that hunting shot 07:21 – Reactions to COF; Physical aspect relatable to true hunting 08:08 – 18 stages went by quick: No long stage brief as previously seen in Race-gun series; Competitors always on the clock leading to accomplishing stages faster 09:23 – The 1st Ever NRL Hunter; Setting the Tone for the Season 10:37 – Perspective from Match Director; Foreseeing any future changes 14:16 – Chaz Macrander and Jake Jensen effort in kicking off the series; Setting High Standards 16:11 – Favorite Rifle Class to watch; Open Heavy, Open Light, or Factory; pros and cons tradeoff 18:01 – NRL Hunter Loaner Rifle Program; in the spirit of what this series is meant to be 19:33 – Watching competitors experience things for the first time; Mentoring through their journey; meeting people 21:34 – Free Train-Up with Chaz and Isaiah Curtis 22:18 – When it all comes together; Worth Every Minute Links – NRL Hunter – https://nrlhunter.org The Match “2021 Heartland Harvester” – https://nrlhunter.org/matches/21-01 Heartland Harvester Facebook – https://www.facebook.com/HeartlandHarvester NRLH Loaner Rifle Program - https://nrlhunter.org/loaner-rifle-program AAR by KJ Glodowski - https://www.snipershide.com/shooting/threads/nrl-hunter-heartland-harvester-aar.7063309/ Video of this AAR - https://youtu.be/5GmThRP25zg If you enjoyed this podcast, make sure to subscribe to us on Soundcloud or iTunes for more episodes and write us a review! Share this episode with anyone interested in all things Hunting. Do you have questions, comments, insight on the topics discussed today? Shoot an email to travis@nrlhunter.org with Subject: “NRL Hunter Podcast S1 E6” Follow Us On: Website: https://nrlhunter.org/ iTunes: https://podcasts.apple.com/us/podcast/nrl-hunter-podcast/id1549731175 Soundcloud: https://soundcloud.com/nrlhunter Facebook Group: https://www.facebook.com/groups/nrlhuntercommunitygroup Instagram: https://www.instagram.com/nrlhunter/ Release date: 26 February 2021

The 15th episode of Darmstadt On Air is hosted by a new composition tutor of the Darmstadt Summer Course: Sarah Nemtsov. She invited the set designer Sebastian Hannak to be her conversation partner in this podcast. At the opera house in Halle he created „Raumbühne Heterotopia“ in 2017, a 360° stage installation conceived as a music-theatre-city where the borders between audience, orchestra and performers are blurred for the benefit of an immersive spatial experience and emphatic „Totaltheater“. In more than ten different formats such as opera, drama, dance, performance or concert, the space can be experienced from totally different perspectives. Sebastian adapted his Heterotopia stage for several theater and music theater productions like Sarah’s opera „Sacrifice“ (2016). That was when the two artists met in Halle some years ago. He started to work on his set design when he only knew parts of Sarah’s music. Maybe more than ever before he was forced to invent reality for a piece on stage. For both of them theater is an extraordinary moment of transition.

Anna looks at the uses of structure and stage design in A Streetcar Named Desire, for your A Level English Literature course. She will look at the ways in which the settings and scene differentiation influence the plot and the audience's experience. Ideal for preparing you for your A Level English Literature exam. Click here for the full course, or visit this link: http://bit.ly/36ZLiAA

Maxine Drury - Light Designer

Jon Bausor is a multi award winning set and costume designer working in mixed stage genres including Theatre, Dance, Opera and large scale performance. He designed the opening ceremony of the Paralympic Games in London in 2012 and has made work for many national and international theatres and opera houses including the National Theatres of UK, Scotland, and Wales, Finnish and Norwegian Opera houses, Glyndebourne Opera, the Imperial Theatre, Tokyo, the ShiberHur theatre of Palestine as well as numerous Broadway and West End theatre and musical productions including Bat Out of Hell, and the Grinning Man which received a UK theatre award for Best Design. As an associate artist of the Royal Shakespeare Company he has designed numerous productions including Hamlet, King Lear, The Winter’s Tale and the entire 2012 season. Jon originally trained as a cellist, and singer, studying at the Royal Academy of Music and Oxford University before training on the Motley Theatre Design Course. He is proud to serve on the committee for the Linbury Prize for Stage Design. www.jonbausor.com Instagram: @crookslikeus Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

Brian Thomson made his theatre debut in 1971 when he designed set and costumes for Jim Sharman’s celebrated production of As You Like It for the Old Tote Theatre. The tribal musical Hair quickly followed, beginning a succession of iconic productions constructed for impresario Harry M. Miller.Brian designed settings for the original Australian and London productions of Jesus Christ Superstar and The Rocky Horror Show. He also designed the cinematic staple, The Rocky Horror Picture Show, a cult classic that continues to charm audiences through generations.In 1996 Brian Thomson was awarded the Tony Award for the Broadway production of The King and I. The production also played The London Palladium having originated in Australia.The Thomson resume is considerable recording a vast repertoire of work for stage, film and live performance. He has worked for many of the Nation’s major theatre and opera companies and in 1999 designed Kylie Minogue’s Intimate and Live Tour. He was a Supervising Designer for The Sydney 2000 Olympic Games also.A Brian Thomson design guarantees immediate transportation to the world of the play. His aesthetic is informed, unique and seductive. He is a prolific stage designer and it was our pleasure to record this episode of Stages and capture an extraordinary life in the theatre.

Vor mehr als 15 Jahren kreuzten sich unsere Wege das erste Mal. Damals war Nikos regionaler Entertainment Manager bei ROBINSON Club und ich startete dort gerade in meine erste Saison. Heute ist er mit „n-tertainment concepts“ selbständig und produziert für Unternehmen, Ferienresorts und Kulturinstitutionen großartige Showproduktionen. Unsere Wege kreuzten sich erneut im GOP, als Nikos dort das erste Mal Regie führte. Immer nach Perfektion strebend, steht für ihn das visuelle Erlebnis im Vordergrund. Was ihn dabei immer wieder antreibt und woraus er seine Motivation zieht, erfahrt ihr hier im Podcast. Viel Spaß bei dieser Folge und herzlichen Dank an Nikos.

Today's episode discusses the very first step to starting a business, identifying an idea, or really a solution to a problem with a market size large enough to justify funding a start-up. I chat through methodologies such as design thinking and customer interviews while sharing my personal experience on how I came up with the idea for suite-social.com. This was a requested topic so feel free to direct message me on Instagram @jendeangelis with your questions and I'll do my best to address them here or on my YouTube channel. Follow me on Instagram @jendeangelis Follow me on TikTok @jenndeangelis Follow me on YouTube https://youtube.com/c/jenniferdeangelis --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jennifer-deangelis9/support

There's a church stage design trend that I've been seeing pop up more and more lately.   And this church stage design trend is different from virtually every other because it's focused more on setting the stage for preaching rather than music.   So stick around, and I'll share with you a number of examples of churches implementing this kind of setup - and you'll learn about the missional reasoning behind this type of configuration.   ***FIND THE FULL TRANSCRIPT HERE:   FEATURED RESOURCES & ADDITIONAL LINKS:   - Start your 30-day free trial (no credit card required) of Nucleus here:   https://www.nucleus.church/   - Rich Wilkerson Jr:   https://youtu.be/cSilebdE94U?t=344   - T.D. Jakes:   https://youtu.be/h2J7cqnvAOc?t=888  

Ana Kuzmanic is Yugoslav born, Chicago based costume designer. Her theatrical work has been seen on Broadway (August: Osage County, Desire Under the Elms, Superior Donuts), off-Broadway (The Jacksonian), in the U.K. (The Royal National Theatre) and Australia (Sydney Theatre Company). Based in Evanston, she is closely associated with many Chicago companies including the Goodman Theatre, Steppenwolf Theatre, Looking Glass Theatre, Chicago Shakespeare Theater and The House. Among the regional companies with whom she has worked are Milwaukee Repertory Theater, Berkley Repertory Theatre, McCarter Theatre Center, Washington Shakespeare Theatre Company, Trinity Repertory Company, Oregon Shakespeare Festival and the Geffen Playhouse. The Lyric Opera of Chicago’s production of Don Giovanni, directed by her long-time collaborator Tony Award-winning director Robert Falls was Ana’s opera debut.Ana earned her Bachelor’s Degree in Costume and Fashion Design from Faculty of Applied Arts and Design in Belgrade, Serbia and her Master of Fine Arts in Stage Design from Northwestern University, USA. She has designed for her fashion label from 1993 to 2002.Ana is an Associate Professor of costume design at Northwestern University in Evanston, USA.

In episode 10 of the CSRG Podcast, we talk about designing stages and match flow. We'll go through some basic rules of USPSA stage design and talk about what goes into designing interesting stages and other things to think about when designing stage flow at a match.

 Church stage design can feel intimidating - especially if you’re a smaller church. But here’s the good news: you *can* design a stunning church stage on a budget. And by the end of this video, you’ll know exactly how - and I’ll share with you five churches that are implementing these cost-saving stage designs as inspiring examples.   ***VISIT THE FULL POST HERE: https://prochurchtools.com/simple-cheap-church-stage-design-ideas-real-examples/    What's In This Session? Stage design is one of the things that churches obsess over that doesn’t move the needle forward (0:28) 65 published videos on our YouTube channel - the most popular with a quarter of a million views is called ‘3 Small Church Stage Design Ideas’ (1:08) STAGE DESIGN FOUNDATION: Lighting (1:45) BIG IDEA: 1x2x8 wood boards from Home Depot, painted black and combined with LED tape (2:32) Example #1: Worship Leader Hangout (4:46) Example #2 - The Well (Geneva, IL) (6:22) Example #3 - Palm Valley Church (Mission, TX) (7:12) Example #4 - Dunn’s Creek (San Mateo, FL) (9:35) Example #5 - Praise Church (Beaumont, TX) (10:47) Safety disclaimer: Fire and rigging safety is important, and varies per region () Show Notes & Resources Mentioned: Barna: Making Space For Millennials Pro Church Tools: 3 Small Stage Design Ideas Home Depot: Wood Board LED Light Strips Stage Design Ideas: Lined Lightly Church Stage Design Ideas: Light Sticks Church Stage Design ideas: LED Logo Lines Church Stage Design Ideas: Angled Glow Lines Church Stage Design Ideas: Safety In Stage Design Pro Church Tools Pro Church Tools on Facebook Pro Church Tools on YouTube Brady Shearer on Instagram Brady Shearer on Twitter Alex Mills on Instagram  

Born in South-Africa, raised in Israel, Maureen has lived in England, Australia and is now based in Brooklyn, NY. She studied Design for Performance at the Wimbledon College of Art in London. A finalist in the Linbury Prize for Stage Design, she gained practical experience in England and returned to Israel where she continued to work in diverse areas of performance including devised performance, movement and object theatre. Maureen was recognized for her design contribution to the production of "The House by the Lake" at the Acco Festival for Alternative Theatre - and which has since toured Europe and Canada - and received a Fringe First Golden Hedgehog Award for her work on a physical theatre piece "The Boat is Sinking". She then accepted a scholarship from the University of Connecticut Design Tech program, and since moving to the US Maureen has collaborated on productions for theatre, opera, new writing and musicals crafting characters and storylines through the design of costumes and space. Work of hers has been presented in CT, MA, LV and in NYC at BAM, and Off Broadwy at 59e59 theatres, The Actor’s Temple and the Rattlestick Theatre. And in July this year Maureen was a fellowship to the NYFA Immigrant Artist Program. Maureen has exhibited at the United States Institute for Technology (USITT), and twice at the Kennedy Center's American College Festival - both locally and in Washington D.C. - garnering the National Partners-American Theatre award and Stage Craft Institute Las Vegas award for excellence in Design technology. Productions Maureen has designed for have been reviewed in several notable papers including The New York Times, Theatre World Publication and USITT Sightlines. And her dramaturgical process behind the scenic design of "Intimate Apparel" for the Connecticut Rep. has been reviewed and published in "A Companion to Lynn Nottage" (Routledge). Working not only in scenic design, but costume design as well, Maureen was awarded the Zelma H. Weisfeld award for Costume Design and Technology, and was invited to join the US exhibitors of "Costume at the Turn of the Century" at the Bakhrushin Museum in Moscow. This exhibition has since toured the US, the World Stage Design Festival in Taiwan, China and Poland. www.maureenfreedman.com

Welcome to this latest episode of the podcast. The guest this week is Mr. Jim Streeter James E. Streeter currently serves as the Production Manager for the Frist Campus Center Film and Performance Theatre at Princeton University. He was previously the Resident Lighting Designer/ Master Electrician for Princeton University's Program in Theater and Dance, where has designed the lighting for multiple productions including: A Little Night Music, Cabaret, Yankee Dawg You Die, The Vagina Monologues, The Crucible, The Duchess of Malfi, HAMLETMACHINE, Twelfth Night, The Maids, A Delicate Balance, Happy Days, A Streetcar Named Desire, The Seagull As well as the premieres of student works such as A Test of Love, Chamber Music, Mixed Drinks, Invitation to the Blues, Utopia Parkway, Shadowman, The Tire Iron ( Beer, Pool and Darts), Joyce Carol Oates' Mother's Day Weekend, Of Beauty Born and T.S. Eliot's The Wasteland. Jim has also designed lighting and visual effects for A Sacred Place, choreographed by Jacques D'amboise, Negotiations, choreographed by Ze’eva Cohen and Aleta Hayes, Chamber Pieces, with choreography by Ze’eva Cohen, Aleta Hayes and Jill Sigman. Other works include Resident Lighting Designer for the Body Hype Dance Company at Princeton University, Konvergence and Rosemary with Ginger for the Acting Studio, Inc. in New York City, The Sound of Music and Phantom for The Media Center for the Performing Arts, The Glass Menagerie (Set & Lighting Designer) and A Lifetime on the Streets for Trenton State College Theater, The Rothchilds for Bristol Riverside Theatre, Jungle Coup, Moby Dick and the American Premiere of The Graduate for Stageworks/Summit and the East Coast Premiere of Cynthia Lee Smith's The Night Spirit for the Aphre Behn Theatre Co. Jim is a graduate of the Center for Media Arts and studied lighting design at The Studio and Forum of Stage Design in New York City. He is also a member of the USITT Board of Directors and a strong proponent of USITT’s Equity, Diversity, & Inclusion Committee. This committee is responsible for supporting and promoting equity, diversity, and inclusion within USITT’s programs and projects and the Institute as a whole. This was a fantastic conversation on topics ranging from lighting practices and how they need to evolve both in teaching and perception, the recent 2018 Telegraph article written by reporter Patrick Sawer titled "Traditional theatre lighting and stage design discriminates against black and asian actors warns Shakespeare's Globe" and finally the merits of hiring someone based on their talent. This is a must listen conversation for students of all backgrounds. This is one you shouldn't miss. Without further ado, Mr. Jim Streeter.

Hey everyone and welcome back to the Savvy Musician Show! In this episode, we dive into Part Two of our conversation with Matty Chirichillo, as he tells us about touring, the music industry, and putting together a great show. Matty is a DJ, Songwriter, Music Producer and Production Manager/Systems Engineer at Pure Joy Productions. After covering some important topics in Part One of our interview with Matty, today we are jumping in and discussing hiring the right people according to your budget, funding your tour, organizing transport, and much more. Matty's enthusiasm and young expertise is so inspiring and we are sure you will find a few of gems in our conversation that you can apply to your own career. For all this and more be sure to join us!   Key Points From This Episode: Putting together a skeleton crew for a great, low cost tour. Considering different ways of funding a tour and its expenses. Figuring out salaries and the going rates for different roles. The vehicle, the driver and the laws around these. Hiring a visual artist and the video and projection aspects of a show. Matty's last little piece of advice to our audience. And much more!   Links Mentioned in Today's Episode: Matty Chirichilo — https://www.linkedin.com/in/mattchirichillo Leah McHenry — https://leahmusic.net/ Leah on Twitter — https://twitter.com/LEAHthemusic Savvy Musician Academy — https://savvymusicianacademy.com/ Savvy Musician Academy Facebook — https://www.facebook.com/onlinemusician/ The Super Fan System Elite Program  — http://www.callsma.com/ The Super Fan System Elite Program — https://savvymusicianacademy.com/elite/call/ Facebook For Musicians Mini Course — http://facebook4muscians.com/ BVRLY — https://bvrlymusic.com/ Excel — https://products.office.com/excel Eagles — https://eagles.com/ Airtable — https://try.airtable.com/

Welcome back to the show everyone. Today we are joined by Matty Chirichillo who is here tell us all about how to put together a successful tour and all the different aspects that go into this. Matty has worn a lot of hats at his young age, having toured with the Eagles amongst other big names, traveled the world as a DJ, and worked in studio as a producer and musician. In this first part of the conversation, we cover Matty's early years and how he got into the music industry. Matty then breaks down the logistical aspects of touring and offers tons of great advice for accounting, merchandise, and who to hire. The conversation continues in part two, so stay tuned for that too!   Key Points From This Episode: Some background on Matty, his work and area of expertise. Where to start when planning a first tour. Tour accounting and Matty's own tips for this endeavor. Tickets, merchandise and logging all these numbers before paying anybody. The different roles and people you need to take along. And much more!   Links Mentioned in Today's Episode: Matty Chirichilo — https://www.linkedin.com/in/mattchirichillo Leah McHenry — https://leahmusic.net/ Leah on Twitter — https://twitter.com/LEAHthemusic Savvy Musician Academy — https://savvymusicianacademy.com/ Savvy Musician Academy Facebook — https://www.facebook.com/onlinemusician/ The Super Fan System Elite Program  — http://www.callsma.com/ The Super Fan System Elite Program — https://savvymusicianacademy.com/elite/call/ Facebook For Musicians Mini Course — http://facebook4muscians.com/ BVRLY — https://bvrlymusic.com/ Excel — https://products.office.com/excel The Eagles — https://eagles.com/ Airtable — https://try.airtable.com/  

This week we talk about things we like and don’t like to see in USPSA stage design. Then we talk about our experiences with switching guns and switching divisions. The post SFP 7 – Stage Design & Switching Guns appeared first on Axon Shooting Sports.

In this episode Jonathan Malm, creator of churchstagedesignideas.com, unpacks 3 philosophies for stage design and how every youth pastor can get started today. JONATHAN'S RESOURCES Click here to find his personal website at http://www.jonathanmalm.comClick here to find him on Instagram @jonthanmalmClick here to explore stage designs on http://www.churchstagedesignideas.comClick here to check out Jonathan's latest venture https://www.sundaysocial.tvBOOKS BY JONATHAN MalmThe Hidden OptionCreated For More: 30 Days To Seeing Your World In A New WaySet the Stage: A Manifesto for Church Stage Design

In this episode Jonathan Malm, creator of churchstagedesignideas.com, unpacks 3 philosophies for stage design and how every youth pastor can get started today. JONATHAN'S RESOURCES Click here to find his personal website at http://www.jonathanmalm.comClick here to find him on Instagram @jonthanmalmClick here to explore stage designs on http://www.churchstagedesignideas.comClick here to check out Jonathan's latest venture https://www.sundaysocial.tvBOOKS BY JONATHAN MalmThe Hidden OptionCreated For More: 30 Days To Seeing Your World In A New WaySet the Stage: A Manifesto for Church Stage Design

In this episode Jonathan Malm, creator of churchstagedesignideas.com, unpacks 3 philosophies for stage design and how every youth pastor can get started today. JONATHAN'S RESOURCES Click here to find his personal website at http://www.jonathanmalm.com Click here to find him on Instagram @jonthanmalm Click here to explore stage designs on http://www.churchstagedesignideas.com Click here to check out Jonathan's latest venture https://www.sundaysocial.tv BOOKS BY JONATHAN Malm The Hidden Option Created For More: 30 Days To Seeing Your World In A New Way Set the Stage: A Manifesto for Church Stage Design

Those Bearded Brothers you know so well are at it again. This time they talk about how they plan their sermon series, how their stages at church are designed, and the best way to deal with aggressive nuisance critters. None will escape Justin's gaze as he stands on the platform and Martin will finally give his congregation a break from moving the furniture in this wonderous episode of podcast gold!

If you had to create a stage for a major musical act, how would you go about doing it? In many ways creating our lives or business is like setting the stage and there is a process to follow to do it correctly and get the right results. Having worked with many entrepreneurs, read many books on the matter and experienced my own failures and successes I've learned the important steps that you must follow in the beginning to achieve the desired results in the end.

This episode Jeremy and Tim talk about effective church web design. We then go deeper into an article written by Tim called LEDs vs. "Hot" Lights. Finally, we interview Jason Wiser, owner and creator at On Track Tips. You can sign up for the Level Up newsletter to get exclusive podcast content here: http://78p.tv/newsletter Subscribe to our YouTube streams Connect with us on Google+ Follow us on Twitter Subscribe to our RSS feed

http://prochurchtools.com/026 - Jonathan Malm stopped by the Pro Church Podcast for an in-depth interview on church stage design. Jonathan shares the easiest & most inexpensive way to re-design your church stage. We also discuss Jonathan's new book Created for More - a 30-day devotional written for creative Christians.

This episode Jeremy and Tim talk about tech for Sunday worship cohesion on stage. We then go deeper into an article written by Jeremy called Human Sex Trafficking: An Online Epidemic [Infographic]. Finally, we interview Jeff McIntosh, owner and creator at ChurchMotionGraphics.com. You can sign up for the Level Up newsletter to get exclusive podcast content here: http://78p.tv/newsletter Subscribe to our YouTube streams Connect with us on Google+ Follow us on Twitter Subscribe to our RSS feed

Professor Edith Hall discusses Katie Mitchell's staging for the 2007 production of Euripides' Women of Troy in the Lyttelton Theatre, exploring archive images of Bunny Christie's designs for the production