Podcasts about niccolo paganini

Um seine Schreibblockade zu überwinden, macht sich Rachmaninow 1934 an Variationen über sein Lieblingsthema von Paganini. Das Ergebnis ist eines seiner berühmtesten Werke für Klavier und Orchester mit romantischen Ohrwürmern und einem Gruß aus dem Jenseits. Von Michael Lohse.

durée : 01:59:20 - France Musique est à vous du samedi 29 juin 2024 - par : Gabrielle Oliveira-Guyon - Pour la dernière émission de la saison, nous continuons à programmer vos suggestions : Dmitri Chostakovitch, Niccolo Paganini, Guy Ropartz, Luca Sestak. Et en bonus : les coups de cœurs surprises des membres de l'équipe de "France Musique est à vous" ! - réalisé par : Emmanuel Benito

durée : 01:59:20 - France Musique est à vous du samedi 29 juin 2024 - par : Gabrielle Oliveira-Guyon - Pour la dernière émission de la saison, nous continuons à programmer vos suggestions : Dmitri Chostakovitch, Niccolo Paganini, Guy Ropartz, Luca Sestak. Et en bonus : les coups de cœurs surprises des membres de l'équipe de "France Musique est à vous" ! - réalisé par : Emmanuel Benito

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Yngwie Johann Malmsteen (Estocolmo, 30 de junio de 1963), de nombre real Lars Johan Yngve Lannerbäck;​ es un guitarrista de heavy metal y compositor sueco, que participó activamente en grupos como Steeler o Alcatrazz; y al que se le atribuye ser la mayor influencia en la creación del subgénero conocido como metal neoclásico, siendo uno de los grandes exponentes de las técnicas de shred en la guitarra eléctrica durante las décadas de 1970 - 1980. Nació el 30 de junio de 1963, siendo el hijo menor de una familia conformada por su madre, Rigmor, su hermana Ann Louise, y su hermano Björn. Inicialmente no tenía ningún interés en la música; sin embargo, el 18 de septiembre de 1970 vio un especial de televisión sobre la muerte del guitarrista Jimi Hendrix, con siete años de edad, en el que solo vio con asombro cómo incendiaba su guitarra en llamas. Practicando con su primera guitarra, una Mosrite antigua, y luego una Stratocaster barata, aprendió las estructuras clásicas de Bach, Vivaldi, Beethoven y Mozart, y su estilo comenzó a tomar forma. A los 10 años, comenzó a concentrar todas sus energías en la música, dejando de lado los estudios. Gracias al apoyo de su madre y hermana, que tocaba la flauta, su dominio del instrumento progresó rápidamente.1​ En su temprana adolescencia, vio un espectáculo de televisión ruso, en el que se presentaba el violinista Gidon Kremer, que llevó a cabo los muy difíciles «24 Caprichos» del violinista Niccolo Paganini,y comprendió la forma de combinar la música clásica con sus crecientes habilidades en la guitarra. A los 15 años, su estilo ya estaba prácticamente definido, sin recibir influencias de Hendrix; sino con mezcla entre las canciones de Ritchie Blackmore y el material clásico. Trabajó durante un tiempo como lutier en un taller de reparación de guitarras, donde se encontró con un mástil festoneado por primera vez, cuando un laúd del siglo xvii entró en la tienda y festoneó el mástil de una vieja guitarra de manera similar a como lo había visto en el laúd para probarlo en sus propias guitarras. El mástil festoneado es un poco más difícil de tocar que un mástil normal, debido a que los trastes obligan a hacer una pulsación más firme y precisa, pero su control sobre las cuerdas mejoró tanto, que de inmediato lo adoptó como una alteración permanente en su equipo de guitarras. En ese tiempo, mientras trabajaba en la tienda del lutier, comenzó a tocar en varias bandas formadas en torno a su estilo de guitarra explosiva, cromática, veloz y con largas exploraciones instrumentales. Alrededor de los 18 años de edad, él y varios amigos grabaron un demo con tres canciones para la CBS sueca, pero no hubo suerte. A continuación comenzó a enviar demos a las compañías discográficas de música y a contactos en el extranjero. Una de esas cintas cayó en manos del guitarrista y productor Mike Varney. A consecuencia fue invitado a grabar con una nueva banda de jóvenes llamada Steeler, junto al vocalista Ron Keel, el bajista Rik Fox y el baterista Mark Edwards. De Steeler, pasó a Alcatrazz, una banda al estilo Rainbow, ya que su cantante, Graham Bonnet lo había sido de estos hasta que fue despedido; pero se hizo evidente que para desarrollar plenamente su talento, Yngwie tendría que ir en solitario. Los conciertos se hacían extraños, con el público invocando al guitarrista más que al propio Bonnet, quien ya tenía un nombre hecho en la escena heavy metal. Su primer álbum como solista, Rising Force, llegó al # 60 en las listas de Billboard, un gran logro para un disco de guitarra principalmente instrumental, sin apenas difusión comercial. El álbum también le otorgó una nominación al Grammy por la mejor interpretación de rock instrumental. Rising Force abrió un camino en el circuito californiano de conciertos, y le estableció como una de las más brillantes nuevas estrellas del metal pesado, agregando un nuevo género al léxico del metal: el metal neoclásico. Con un lugar en la historia de la guitarra heavy metal firmemente establecido, sus composiciones alimentaron los oídos de los fanes y las ambiciones de los guitarristas aspirantes en todo el mundo, con álbumes como Rising Force, Marching Out, Trilogy, Odyssey o Trial by Fire: Live in Leningrad. En 1997, demostró que era mucho más que un fenómeno del heavy metal: después de meses de intenso trabajo produjo su primera obra completamente clásica, Concerto Suite for Electric Guitar and Orchestra, grabado en Praga con la prestigiosa Orquesta Filarmónica Checa, liderada por el famoso director de orquesta sinfónica Yoel Levi. Varios años más tarde, en 2001, encontró su primera oportunidad para llevar a cabo esta creación con la Nueva Orquesta Filarmónica de Japón, en Tokio. El paquete de DVD, CD y VHS de este desempeño innovador se convirtió en su primer lanzamiento del año, en enero de 2002. En 2003, se unió a la gira «G3», con Steve Vai y Joe Satriani, que una vez terminada volvió a retomar la suya propia en promoción de su álbum Attack!!. Teniendo la mayor parte de 2004 para descansar y trabajar en su estudio, produjo un nuevo álbum titulado Unleash the Fury, lanzado en 2005, y que recibió críticas muy favorables de parte de fanáticos y críticos por igual. En el verano de 2005 el tour en apoyo del disco comenzó en Irlanda, y se extendió a toda Europa y los Estados Unidos. En el año 2008 es publicado Perpetual Flame, lanzado por su propia compañía, Rising Force Records, que marcó el debut de su nuevo cantante, el ex-Judas Priest Tim «Ripper» Owens. En 2009 tocó en una serie de conciertos en Japón junto a una de sus grandes influencias Deep Purple, y lanzó Angels of Love, un álbum compuesto de versiones instrumentales acústicas de algunas de sus viejas canciones. En el año 2010 edita su decimoctavo álbum como solista, Relentless, una vez más lanzado por su propio sello, y con Tim Owens en las voces. El 5 de diciembre de 2012 publica Spellbound, disco en el cual él mismo tocó todos los instrumentos. El 12 de junio de 2014 se embarcó en una gira titulada «Guitar Gods 2014 Tour» junto a los guitarristas Bumblefoot y Gary Hoey. En 2016 publicó el álbum World on Fire. Pagina Oficial: https://www.yngwiemalmsteen.com/

Every house holds a secret, doesn't it? And in those houses, individual rooms have secrets of their own... and in those rooms, there are items with their own secrets, too. What happens when one of those secrets goes missing? And needs to be returned... Read by Rachel Blake.   Music: Theme music by Trevor Brown Incidental music: (All tracks played by Gregor Quendel) and free for use under the Pixabay Content License.) Moonlight Sonata 1st Movement by Ludvig van Beethoven. Impromptu No 1 by Franz Schubert. Piano Arpeggio 1 Variation 1 by Gregor Quendel. Cinematic Music Sketches: Cinematic Piano Sketch by Gregor Quendel. Fantasie Impromptu by Chopin, arr for music box by Gregor Quendel. Caprice N0 24 in A Minor by Niccolo Paganini. Prelude Op 32 No 12 in G Sharp Minor by Sergei Rachmaninoff. Moonlight Sonata 3rd Movement by Beethoven arr for strings by Gregor Quendel. Requiem Dies Irae by Wofgang Amadeus Mozart. Frühlingsrauschen Rustle of Spring by Christian Singding. The Tempest Piano Sonata No 17 in D Minor by Ludvig van Beethoven. Clair de Lune by Claude Debussy.

In today's episode of the 2-Minute Drill, Success is a Choice podcast host, Jamy Bechler talks about a legendary story regarding the Italian violinist Niccolo Paganini. In life, we can't control what happens to us but can definitely control our reactions. The 2-Minute Drill is a short and sweet segment that examines insights regarding success, business, teamwork, culture, or leadership.   Each week, the Success is a Choice podcasting network brings you leadership expert Jamy Bechler (as well as various guests) who provides valuable insights, tips, and guidance on how to maximize your potential, build a stronger culture, develop good leadership, create a healthy vision, optimize results, and inspire those around you.  - - - -  Please follow us on Twitter @CoachBechler for positive insights and tips on leadership, success, culture, and teamwork. - - - -  The Success is a Choice podcast network is made possible by TheLeadershipPlaybook.com. Great teams have great teammates and everyone can be a person of influence. Whether you're a coach, athletic director, or athlete, you can benefit from this program and now you can get 25% off the price when you use the coupon code CHOICE at checkout. Build a stronger culture today with better teammates and more positive leaders. If you like motivational quotes, excerpts, or thoughts, then you'll want to check out Jamy Bechler's book "The Coach's Bulletin Board" as it has more than 1,000 positive insights to help you (and those around you) get motivated and inspired. Visit JamyBechler.com/BulletinBoardBook. Please check out our virtual sessions for parents, coaches, students, and administrators at FreeLeadershipWorkshop.com. These sessions are free and cover a variety of topics.  - - - - Please consider rating the podcast with 5 stars and leaving a quick review on Apple podcasts. Ratings and reviews are the lifeblood of a podcast. This helps tremendously in bringing the podcast to the attention of others. Thanks again for listening and remember that “Success is a choice. What choice will you make today?” - - - - Jamy Bechler is the author of five books including "The Captain" and "The Bus Trip", host of the "Success is a Choice Podcast", professional speaker, and trains organizations on creating championship cultures. He previously spent 20 years as a college basketball coach and administrator.  TheLeadershipPlaybook.com is Bechler's online program that helps athletes become better teammates and more positive leaders while strengthening a team's culture. As a certified John Maxwell leadership coach, Bechler has worked with businesses and teams, including the NBA. Follow him on Twitter at @CoachBechler. To connect with him via email or find out about his services, please contact speaking@CoachBechler.com. You can also subscribe to his insights on success and leadership by visiting JamyBechler.com/newsletter.

Lange vor Paganini schrieb Giuseppe Tartini seine Teufelstriller-Sonate. Der Meister des Spätbarock entfacht darin ein virtuoses Feuerwerk auf der Geige. Die Komposition soll ihm der Teufel 1713 in einem Traum angeblich persönlich in die Feder diktiert haben. Tartini war eben auch ein Pionier in Sachen PR... Von Ben Süverkrüp.

EL DIABLO: PACTOS Y TENTACIONES .- La iglesia católica y el Diablo. .- Jesús y el Diablo. .- Pactos de famosos y artistas. .- Niccolo Paganini. .- Guiuseppe Tartini. .- Guille de Rais. .- Sor María Crosiffisa della Concezione y la carta del Diablo. .- Urbain Grandier: El cura y el diablo. .- HISTORIAS EXTRAORDINARIAS: Moises. RADIO BETIS - Producción.- Emisora Oficial EMA - Emisoras Municipales de Andalucía. OLA - Onda Local de Andalucía. RADIO GUADALQUIVIR. AHORA RADIO GELVES. RADIO ALCORES EN EL VISO ALCOR EDENEX

A Reta Atenção pertence às quatro nobres verdades, e é um dos oito caminhos do Budismo que leva à libertação da consciência. Numa época de tantas distrações, em que somos constantemente bombardeados por um excesso de informações e estímulos, nunca foi tão urgente descobrir como desenvolver a atenção.   Intimamente relacionada com os elementos psicológicos e as funções cognitivas, a atenção nos permite estar presente nas experiências e desenvolver percepções mais profundas, memória, inteligência, além de integrar novos aprendizados. Com Danilo Gomes e Bernardo Norat, professores voluntários de Nova Acrópole Trilha sonora: Niccolo Paganini, Cantabile

Editoriales para acompañar y motivar tus días. El Comunicador Juanjo Vargas comparte todas las semanas editoriales sobre temas de Comunicación y vida cotidiana. En este caso comparte la historia de Niccolo Paganini (1782/1840) para vincularlo a inspiración actual para los oyentes. Más sobre el autor: juanjovargas.com

SynopsisIn 1834, the great violin virtuoso Niccolo Paganini acquired a new Stradivarius viola. He approached 30-year-old French composer Hector Berlioz and commissioned him to write a viola concerto.What Berlioz came up with, however, was a Romantic program symphony with a prominent part for solo viola, Harold in Italy, inspired by Byron's narrative poem “Childe Harold.” Paganini was disappointed. “That is not what I want,” he said. “I am silent a great deal too long. I must be playing the whole time.”And so, when Harold in Italy was first performed, at the Paris Conservatory on today's date in 1834, it was an old classmate of Berlioz's, Chrétien Urhan, who was the soloist, not the superstar Paganini. The audience seemed to like the “Pilgrims' March” movement of the symphony, which was encored, but otherwise the performance was one train wreck after another.Four years later, however, Berlioz had the last laugh when Paganini, hearing the music he commissioned at a better performed concert, rose from the audience, mounted the stage and publicly declared Berlioz a genius, and, two days later, presented the stunned Berlioz with a check for 20,000 francs.Music Played in Today's ProgramHector Berlioz (1803-1869) Harold in Italy; Nobuko Imai, viola; London Symphony; Colin Davis, cond. Philips 416 431

Chillout Classic w Radiu Spin #29 "Straszny dworzec" z dnia 26 pazdziernika 2023. Audycja w przededniu Halloween oraz dedykowana spotkaniom z kryminalem i horrorem w dniach 4-7 listopada "Straszny dworzec" w Straszynie. 1. J.S. Bach - Aria z Wariacji Golbergowskich, Trevor Pinnock. 2. Bernard Herrmann - Murder from Psycho with special effeckts, Cincinnati Pop Orchestra, Erich Kuncel. 3. Krzysztof Penderecki - De Natura Sonoris No.1, Polish National Radio Symphony Orchestra. 4. Jerry Goldsmith - Face Hugger from Alien. 5. John Williams - The Raptor Attack from Jurassic Park. 6. John Williams - The Rooftops of the Hanamachi from Geisha. 7. John Williams - Temat glowny z filmu Szczeki. 8. Camille Saint-Saens - Danse Macabre, Philharmonia Orchestra, Charles Dutoit. 9. Niccolo Paganini - kaprys nr 13, Gil Shaham, Jonathan Feldman. 10. Hector Berlioz - Symfonia fantastyczna cz. 5 Sabat czarownic, Chicago Symphony Orchestra, Claudio Abbado. 11. Krzysztof Komeda - Kolysanka z filmu Dziecko Rosemary, Mia Farrow. 12. Sting - Moon Over Bourbon Street, Live In Berlin/2010.

Ein Italiener in Wien: Mauro Giuliani feierte Anfang des 19. Jahrhunderts an der Donau Triumphe als glanzvoller Gitarrenvirtuose. Mit seiner einzigen Sonate schuf der Komponist aus Apulien einen Klassiker der Gitarrenliteratur voller Esprit und Leichtigkeit. Von Murat Kayi.

In ganz Europa feierte Niccolň Paganini Erfolge. Aber erst mit 38 Jahren gab der "Teufelsgeiger" sein erstes Werk in Druck: die 24 Capricen für Violine solo. Star-Geiger Thomas Zehetmair stellt diese "Starken Stücke" vor.

Angeblich im Auftrag Paganinis komponierte Hector Berlioz 1834 ein Werk für Bratsche und Orchster. Das Ergebnis ist Romantik pur: ein faszinierender Zwitter aus Sinfonie und Solokonzert, in dem der Komponist Autobiografisches mit Lord Byrons literarischer Vorlage vermischt. Von Christoph Vratz.

The greatest violinist of all time, he had a life full of mystery and tragedy. --- Support this podcast: https://podcasters.spotify.com/pod/show/stories-in-spanish9/support

In the not so distant past, the violin was considered the Devil's instrument and Niccolo Paganini was the Dark Lord's favorite player.

Niccolo Paganini - Guitar Sonatina No. 4 Giuseppe Buscemi, guitar More info about today's track: Naxos 8.574400 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

In today's episode of the 2-Minute Drill, Success is a Choice podcast host, Jamy Bechler talks about a legendary story regarding the Italian violinist Niccolo Paganini. In life, we can't control what happens to us but can definitely control our reactions. The 2-Minute Drill is a short and sweet segment that examines insights regarding success, business, teamwork, culture, or leadership. - - - -  If you're a coach (or really anyone for that matter) that wants to increase your toolbox of inspirational quotes or remarks, then check out Jamy's book, "The Coach's Bulletin Board". It has 1000+ insights, thoughts, excerpts, and quotes to help inspire others. Visit JamyBechler.com/BulletinBoardBook. - - - -  Please follow us on Twitter @CoachBechler for positive insights and tips on leadership, success, culture, and teamwork. - - - -  Please check out our weekly virtual sessions for parents, coaches, students, and administrators at FreeLeadershipWorkshop.com. These sessions are free and cover a variety of topics. - - - -  The Success is a Choice podcast network is made possible by TheLeadershipPlaybook.com. Great teams have great teammates and everyone can be a person of influence. Whether you're a coach, athletic director, or athlete, you can benefit from this program and now you can get 25% off the price when you use the coupon code CHOICE at checkout. Build a stronger culture today with better teammates and more positive leaders.  Chin Up Chest Out is also a proud partner of the Success is a Choice podcast network. ChinUpChestOut.com is more than a great apparel brand, it's a movement. A portion of all sales of their fabulous merchandise and apparel goes to support mental health initiatives. Our listeners can get 10% off and free shipping with promo code PLAYBOOK. With the new NIL (name, image, and likeness) rules, they are looking for college athletes to be brand ambassadors.  - - - -  Please consider rating the podcast with 5 stars and leaving a quick review on iTunes.  Ratings and reviews are the lifeblood of a podcast. This helps tremendously in bringing the podcast to the attention of others. Thanks again for listening and remember that “Success is a choice. What choice will you make today?” - - - -  Jamy Bechler is the author of five books including The Captain and The Bus Trip, host of the Success is a Choice Podcast, professional speaker, and trains organizations on creating championship cultures. He previously spent 20 years as a college basketball coach and administrator.  The Leadership Playbook is Bechler's online program that helps athletes become better teammates and more positive leaders while strengthening a team's culture. As a certified John Maxwell leadership coach, Bechler has worked with businesses and teams, including the NBA. Follow him on Twitter at @CoachBechler. To connect with him via email or find out about his services, please contact speaking@CoachBechler.com. You can also subscribe to his insights on success and leadership by clicking here.

Temperado - Niccolo Paganini by Radiotelevisión de Veracruz

Odcinek #27 Pick Please Podcast to historie relacji rodzinnych znanych muzyków z rodzicami, których to relacji… Ci pierwsi woleliby nie mieć. Matka podkradająca synowi kasę na imprezy, wielka rodzinna wojna z powodu kapelusza, to zaledwie kilka przykładów historii, które dla was przygotowaliśmy. Zatem jeśli myślicie, że wasza rodzina jest dosyć dziwna, z ripostą nadchodzą Bracia Wilson z Beach Boys, James Hetfield, Prince, Marvin Gaye, Clapton czy choćby sam Elton John

Day 147 Today's Reading: 1 Corinthians 14 An article in a Detroit newspaper, titled “Remedy for a Prune Face,” said, “Ladies, do you want to stay young? Then join a church choir. Women who sing stay younger-looking. A singer's cheek muscles are so well developed by exercise that her face will not wrinkle nearly as soon as a nonsinger!” Singing makes you look good. And that's biblical. Psalm 33:1 says, “Praise is becoming to the upright.” The Detroit newspaper article was confirming what the psalmist claimed: that you look good when you praise God. So let me help our praise. In 1 Corinthians 14, our singing and praying are about to get expanded. Paul is going to show us how to take our singing and praying to a new level. Here it is: “What's the solution? The answer is simple enough. Do both. I should be spiritually free and expressive as I pray, but I should also be thoughtful and mindful as I pray. I should sing with my spirit, and sing with my mind” (verse 15, MSG). Here is how the Living Bible says it: “Well, then, what shall I do? I will do both. I will pray in unknown tongues and also in ordinary language that everyone understands. I will sing in unknown tongues and also in ordinary language so that I can understand the praise I am giving.” It's easy to get stuck in ordinary language. Paul tells us to go to another level—to pray and sing in the spirit. Is this Pentecostal? No, this is 1 Corinthians 14. Paul encourages us to sing and pray two ways—to pray with the spirit and pray with the mind. I believe the simple way of putting this is in English (the mind) and in tongues (with the spirit). Sometimes we sing what's on the screen and sometimes we sing from what is filling our hearts. To sing in the spirit is to sing in tongues; we go off script. Paul is saying the same about prayer. Sometimes it's in English and sometimes in tongues. How do we know this “with the spirit” is tongues? Look at the next verse: “Otherwise if you bless in the spirit only, how will the one who fills the place of the ungifted say the “Amen” at your giving of thanks, since he does not know what you are saying?” When you pray or sing in the spirit, as verse 16 tells us, people do not know what we are saying. Why? Because we are praying and singing to God. When we are praying and singing in the spirit, what is happening? It's just a new level, a new way of saying, “Thank You.” As verse 17 shows us: “For you are giving thanks well enough.” The story goes that Niccolo Paganini (1782–1840), an amazingly gifted violinist, willed his violin to the city of Genoa, Italy, on one condition: that no one would ever play it. What he failed to understand was that when the wood on the instrument was handled and used, the violin would wear only slightly. But unused, it would decay. Today Paganini's lovely violin has become worm-eaten and useless. We are given a gift by the Spirit to be used not simply to discuss the theological implications. Use it! If the Bible gives me the option to expand my singing and praying to a new level, I'm all in. Mind is what I am comfortable with, but spirit and mind together give me another tool, another weapon, but also takes it out of my control and now under the control of the Spirit. This is important because this is something that is part of Paul's life. He tells us in verse 18: “I speak in tongues more than you all.” Jackie Pullinger has made an enormous impact in Hong Kong. She is the author of Chasing the Dragon, in which she tells the story of how she went to the walled city of Kowloon in Hong Kong to minister to the Triad gang members. Because of who and where she was, Jackie says she committed herself to praying in the spirit every day for fifteen minutes—by the clock. After about six weeks of this, she found new power in h

¿Conocías de esta leyenda de la música clásica? Niccolo Paganini era un violinista excepcional, con un talento de otro mundo, por lo que su habilidad para tocar el violín fue fuertemente criticada a tal punto de que empezaron a salir rumores de que vendió su alma al diablo. Conoce más de esta historia dándole play al episodio

durée : 00:58:08 - Niccolo Paganini, compositeur et source d'inspiration - par : Aurélie Moreau - La voix de Teresa Berganza s'est tue aujourd'hui, nous lui rendons hommage avec notamment ses enregistrements sous la direction du chef d'orchestre italien Claudio Abbado avec qui elle aimait beaucoup travailler.

Sein Violinkonzert hat Mendelssoh viel Mühe gekostet. Sechs Jahre quält er sich mit dem Werk, das er seinem Jugendfreund Ferdinand David widmet. Dem Resultat hört man die Anstrengung nicht an. (Autor: Christoph Vratz) Von Christoph Vratz.

Niccolo Paganini - Caprice No. 24 Marco Tamayo, guitar More info about today's track: Naxos 8.578176 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

1980ndate vinüüli taasväljaanne CD-l. Jürgen Schöllmann mängib klassikalisel kitarril Mauro Giuliani, Fernando Sori, Johann Sebastian Bachi ja Niccolo Paganini loomingut.

Martín Leopoldo Díaz y Magali Kohan viajan a Italia para conocer la vida Niccolo Paganini Entre romanticismo y caprichos Plaza 1110 te invita a adentrarse en la historia del violinista más virtuoso Además Justo Salvatierra de la banda La Bicicleta nos cuenta todo sobre su universo musical Aprendé con ellos mientras juegan y se divirtien juntos en esta aventura musical que llena de magia el aire de la Am Oncediez los domingos de 7 a 9.

Im Schweizer Exil schreibt Rachmaninow 1934 eines seiner berühmtesten Werke für Klavier und Orchester. Nach einer depressiven Phase entstehen Variationen für Klavier und Orchester, in denen der Komponist effektvoll ein Thema von Paganini mit einem Motiv aus der Totenmesse verwebt. (Autor: Michael Lohse) Von Michael Lohse.

The Disappearing Spoon, a podcast collaboration between the Science History Institute and New York Times best-selling author Sam Kean, returns for its third season on March 8, 2022. To celebrate, our producer, Padmini Parthasarathy, sat down with Kean to talk about his book The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code. This interview is a great companion piece for the new season of The Disappearing Spoon, which tackles all sorts of strange and interesting stories about the geniuses we know well—from Einstein and his great scientific blunder that turned out to be correct, to Monet and the cataracts that almost made him put down his brush forever. Listen as Kean talks about violin protégé Niccolo Paganini, whose genes were both a blessing and a curse, the scientific arms race that led to the mapping of the human genome, and the sometimes-murky lines between human and non-human. Credits Hosts: Alexis Pedrick and Elisabeth Berry Drago Senior Producer: Mariel Carr Producer: Rigoberto Hernandez Associate Producer: Padmini Parthasarathy Audio Engineer: Jonathan Pfeffer Photo: Wikimedia Commons

Episode 46 Breakdown: Intro | 0:00 Beer Breakdown | 6:39 (Ranch Fire Hard Seltzer and Upland Brewing Company's Dragonfly IPA) Metal News | 15:37 Tours | 25:33 New Music | 37:07 Featured Band | 47:20 (Arise From Worms) Synopsis: 2021 was one HELL of a year for metal music, but 2022 is looking just as promising. Todd is starting off his year on a "positive" note while Arie celebrates his birthday, death day. As yinz know, Texas is hot. Todd brings it up all the time and he's here to quench his thirst with some Ranch Fire. On the other hand, Arie snags one of his favorite locale IPAs to kick off 2022. Speaking of the heat, Wendy's cranks it up a notch in the kitchen in celebration of 'National Roast Day,' there will be 'Chaos & Carnage' ripping through North America, and we cover what can only be known as 'National Deathcore Day' with one of the strongest release days we've seen in a while! One of those releases just so happens to be this week's featured band. Break in case of fire when you hear the aboslute SHRED impaling your ear holes. ARISE! Turn it up to 11, crack open that beer, it's about to get BREWTAL! https://linktr.ee/brewtal This week's episode features Axes of the Voivode 2 (feat. Dallas Toler-Wade of Narcotic Wasteland and Ex-Nile) from Porgressive Death Metal Outfit Arise From Worms Bio: “Arise from Worms” will eat your musical vocabulary for breakfast and compost you a newfound respect for what is to come Forged throughout the 2020 pandemic, Arise from Worms is the Shred Child of Sonny Lombardozzi (Ex-Incantation), Steve Tucker (Morbid Angel), Flo Mounier (Cryptopsy/Vltimas). The group came together as a result of the 2019 Sickenss Tour, when Sonny spent 2 months on the road with Steve. During this time they decided that they would love to collaborate on a project! Steve had mentioned that they should approach Flo with the offer and without hesitation he was in. Combining the classic elements of death metal, while creating arrangments that push the form to new heights. AFW's influences span the gambit fromm Neo-classical/classical greats like Niccolo Paganini to moments of tech Jazz and even crossing into the world of Video Game midi sound tracks, while never losing its absolute pummeling brutality. Not even for one goddamn second! AFW is not only the culmination of its members' influences, but most of all is fueled by the forward thinking, and boundless arranging/playing style, of Sonny. Mixed and Mastered by Christian Donaldson at the GRID Productions Montreal, QC, CAN. Midi & Sample Arrangement by Andrew DeSanctis of Enslaved Sound Productions. Produced by Sonny Lombardozzi." What AFW are drinking: "Guitarist Sonny enjoys a cold PBR." Adult beverages fueling this week's episode include Ranch Fire Hard Seltzer (Todd's pick) and Upland Brewing Company's Dragonfly IPA (Arie's pick). Artwork by megabeast Kevin Burfield! https://www.instagram.com/artofkevinb/ Intro track by absolute legend ZaKrahe https://linktr.ee/ZaKrahe Brewtal was chopped and sliced by Arie Lombardozzi of Death Dealer Productions with additional production from Todd Bailey https://www.deathdealerproductions.com/

durée : 00:07:16 - La Chronique musicale de Marina Chiche - Marina Chiche va vous parler de la star du violon, Niccolo Paganini, le grand violoniste virtuose italien du début du XIXe siècle.Paganini, c'est un peu notre Thomas Pesquet à nous car d'une certaine manière il est parti à la conquête de l'espace, l'espace sonore.

Part 1: We've all heard the rumors of celebrities selling their souls to the devil in order to achieve musical success. Today in part one, we discuss the violin prodigy, Niccolo Paganini and the King of Delta Blues singer, Robert Johnson, and their stories on how they potentially made a pact with the devil. Listeners beware! Tritones are used in the making of this episode!  Part 2: When 15 year-old Emma Niederbrock and 19 year-old Richard “Syko Sam” McCroskey met on MySpace in 2009, they clicked instantly due to their shared interest in the “horrorcore” rap scene. A year later, Sam would take a cross-country trip to finally meet his love interest in person. What Sam expected to be a nice week with his “girlfriend”, ended up being far from it when Emma decided she didn't feel anything romantic with Sam. Did Sam turn into a raging killer because of Emma's refusal to return his love? Or was it the dark & gruesome music they were fans of that made him flip?

Niccolo Paganini - Caprice No. 24 Ilya Kaler, violin More info about today's track: Naxos 8.550717 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic

In today's episode of the 2-Minute Drill, Success is a Choice podcast host, Jamy Bechler talks about a legendary story regarding the Italian violinist Niccolo Paganini. In life, we can't control what happens to us but can definitely control our reactions. The 2-Minute Drill is a short segment that examines insights regarding success, business, teamwork, culture, or leadership. - - - -  The Success is a Choice podcast network is made possible, in part, by TheLeadershipPlaybook.com. Great teams have great teammates and everyone can be a person of influence. Build a stronger culture today by helping athletes become better teammates and more positive leaders. Get $100 off your first year when you use the coupon code SUCCESS at checkout.  Chin Up Chest Out is also a proud partner of the Success is a Choice podcast network. ChinUpChestOut.com is more than a great apparel brand, it's a movement. A portion of all sales of their fabulous merchandise and apparel goes to support mental health initiatives. Our listeners can get 10% off and free shipping with promo code PLAYBOOK. With the new NIL (name, image, and likeness) rules, they are looking for college athletes to be brand ambassadors.  - - - -  Please consider rating the podcast with 5 stars and leaving a quick review on iTunes.  Ratings and reviews are the lifeblood of a podcast. This helps tremendously in bringing the podcast to the attention of others. Thanks again for listening and remember that “Success is a choice. What choice will you make today?”   - - - -  Jamy Bechler is the author of three books including The Bus Trip and The Leadership Playbook, host of the Success is a Choice Podcast, professional speaker, and trains organizations on creating championship cultures. He is also a certified John Maxwell leadership coach. Bechler spent 20 years as a college basketball coach and administrator. He has worked with businesses and teams, including the NBA. Follow him on Twitter at @CoachBechler. To connect with him via email or find out about his services, please contact speaking@CoachBechler.com. You can also subscribe to his insights on success and leadership by clicking here.

Inspired by violinist Niccolo Paganini, Franz Liszt became a piano superstar. Many classical music superstars followed, including Jan Paderewski, Jenny Lind, Van Cliburn, Enrico Caruso, Yo-Yo Ma and Lang Lang.

Una nueva forma para viajar, a traves de las grandes obras musicales del genero clasico. Conducido por Juan Fernando Villafuerte Ex colaborador de la Deutsche Welle de Alemania y la Elizabeth Trabanino, Directora de Radio Clasica, quienes a traves de una tertulia contaran las historias que se esconden detras de las operas a manera de poner en contexto al publico sobre el origen de estas grandes composiciones.

Co ma wspólnego Genua z kolanem? Jak się okazuje całkiem sporo. Genua leży już „na cholewce” włoskiego buta, w miejscu gdzie linia brzegowa okalająca Morze Liguryjskie zakręca w lewo. Stąd skojarzenie z kolanem czyli po łacinie „genu”. W dziewiątym odcinku naszego podcastu przybliżymy Wam Genuę i opowiemy ciekawe historie związane z tym miejscem. Zapraszamy. ————————————————— Spis treści: 00:00:00 - Wstęp 00:02:01 - Na początku był bóg Janus 00:03:23 - Zwiedzamy port 00:05:02 - Il Bigo - ni to żuraw ni pająk 00:05:44 - Latarnia morska 00:08:05 - Czy Krzysztof Kolumb urodził się w Genui? 00:10:22 - Niccolo Paganini - wielki człowiek z Genui 00:11:39 - Pierwszy bank w Genui 00:12:16 - Pesto alla genovese 00:12:52 - Pierwsze jeansy z Genui 00:13:52 - Genua - ojczyzną lotto 00:15:47 - Zakończenie ————————————————— W odcinku wykorzystano: Godna polecenia strona: https://duecappucci.pl Zdjęcia Il Bigo w Genui: https://www.duecappucci.pl/co-zobaczyc-w-genui/ Historia Krzysztofa Piątka: https://pl.wikipedia.org/wiki/Krzysztof_Piątek Czy Krzysztof Kolumb był Polskiem? https://www.rp.pl/artykul/571526-Krzysztof-Kolumb-byl-Polakiem.html Kontakt z nami na: kontakt@duecappucci.pl

This episode is about deals with the devil and crossroads. We discuss Niccolo Paganini, Faust, and Blues legend Robert Johnson.

Norra viiuldaja Vilde Frangi uuel albumil kõlab Niccolo Paganini ja Franz Schuberti looming. Koos Frangiga musitseerib pianist Michail Lifits.

Paganini's talents made him a celebrity, but also inspired "devilish" rumors.

Born in 1782 in Genoa, Italy this amazing violin virtuoso certainly made his mark as one of the pillars of the modern violin technique. Listen for some of his most memorable music . --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/diamond-chronicles/support

Nous suivons Frédéric Chopin et George Sand depuis leur arrivée à Paris en 1831, où tous deux luttent pour faire reconnaître leur art. Rapidement, Chopin devient l’âme des salons, avant de voir son talent éclater au grand jour lors d’un concert à la Salle Pleyel. Et George publie des romans qui rencontrent le succès auprès du public et de la critique. L’un et l’autre assistent à la misère du choléra, à la terreur des émeutes de juin 1832, au passage de Niccolo’ Paganini, qui traverse le ciel parisien comme une comète. Au fil des épisodes, nous croisons aussi Franz Liszt, Marie d’Agoult, Felix Mendelssohn, Honoré de Balzac, Victor Hugo, Henri Heine, Eugène Delacroix,... Paris est un tel rassemblement de talents ! Et nous suivons les amours de Frédéric Chopin et George Sand, depuis leur rencontre surprenante jusqu’à leur installation dans le quartier de la Nouvelles Athènes, en passant par leur voyage à Majorque, les étés ensoleillés à Nohant, les séjours à Paris, où l’automne les ramène. Un feuilleton écrit par Axelle Thiry et réalisé par Thierry Lequeux. Avec les voix d'Alexandre Tharaud, Dominique Blanc de la Comédie-Française et Thierry Hellin. Photo : George Sand et Alfred de Musset par Célestin Nanteuil

In 1834, the great violin virtuoso Niccolo Paganini acquired a new Stradivarius viola. He approached the 30-year old French composer Hector Berlioz and commissioned him to write a viola concerto. What Berlioz came up with, however, was a Romantic program symphony with a prominent part for solo viola titled “Harold in Italy,” inspired by Byron’s narrative poem “Childe Harold.” Paganini was disappointed. “That is not what I want,” he said. “I am silent a great deal too long. I must be playing the whole time.” And so, when “Harold in Italy” was first performed, at the Paris Conservatory on today’s date in 1834, it was an old classmate of Berlioz’s, Chrétien Urhan, who was the soloist, not the superstar Paganini. The audience seemed to like the “Pilgrims’ March” movement of the symphony, which was encored, but otherwise the performance was one train wreck after another. Four years later, however, Berlioz had the last laugh when Paganini, hearing the music he commissioned at a better performed concert, rose from the audience, mounted the stage and publicly declared Berlioz a genius, and, two days later, presented the stunned Berlioz with a check for 20,000 francs.

In 1834, the great violin virtuoso Niccolo Paganini acquired a new Stradivarius viola. He approached the 30-year old French composer Hector Berlioz and commissioned him to write a viola concerto. What Berlioz came up with, however, was a Romantic program symphony with a prominent part for solo viola titled “Harold in Italy,” inspired by Byron’s narrative poem “Childe Harold.” Paganini was disappointed. “That is not what I want,” he said. “I am silent a great deal too long. I must be playing the whole time.” And so, when “Harold in Italy” was first performed, at the Paris Conservatory on today’s date in 1834, it was an old classmate of Berlioz’s, Chrétien Urhan, who was the soloist, not the superstar Paganini. The audience seemed to like the “Pilgrims’ March” movement of the symphony, which was encored, but otherwise the performance was one train wreck after another. Four years later, however, Berlioz had the last laugh when Paganini, hearing the music he commissioned at a better performed concert, rose from the audience, mounted the stage and publicly declared Berlioz a genius, and, two days later, presented the stunned Berlioz with a check for 20,000 francs.

Chaque samedi, Laure Dautriche nous fait (re)découvrir un morceau qui a marqué l'histoire de la musique classique. Aujourd'hui, elle nous présente une œuvre du compositeur italien Niccolo Paganini : "Les 24 caprices pour violon seul".

It's not really a sign of a life well lived when everyone accuses you of selling your soul to the Devil. Niccolo Paganini was the 1800s equivalent to Marilyn Manson, only with a lot more talent. His life was filled with debauchery, and ended on a very sour note. Listen to our first bonus ep on the Fuckbois of Classical Music now! Follow us on Twitter and Instagram @FuckboisOfLit Love FBOL? Become a Patron! patreon.com/fuckboisoflit TRANSCRIPT available here: https://bit.ly/FBoLPaganini  

This week we talk about "The Devil's Violinist," Niccolo Paganini.

#Leyendas #Musicos ¡Te regalo $600 MXN en costos de envío para tus primeros pedidos en Rappi! :D Descarga la app, activa mi código contodoa21 y pide YA https://bnc.lt/ChillandRappi NICCOLO PAGANINI, VIOLINISTA DEL DIABLO, le decían de muchas formas a este PRODIGIO DE LA MÚSICA, hoy les presentamos ¡EL VIOLINISTA DEL DIABLO! La Leyenda de Niccolo Paganini. Contacto eventos/negocios/prensa: insomniashowvlogs@gmail.com Créditos música: Metaphysik: Metaphysik de Kevin MacLeod está autorizado la licencia Creative Commons Attribution (https://creativecommons.org/licenses/...) Fuente: http://incompetech.com/music/royalty-... Artista: http://incompetech.com/ Day of Chaos: Day of Chaos de Kevin MacLeod está autorizado la licencia Creative Commons Attribution (https://creativecommons.org/licenses/...) Fuente: http://incompetech.com/music/royalty-... Artista: http://incompetech.com/

How many people will cry at your funeral? When you learn the truth, you can let go of the fear of other peoples' opinions. Plus, the most updated research on persecution around the world; Rick Gillespie on making today the day; Bertoldode Giovanni's advice to Michelangelo and how it can move you to the next level; John Ramirez on moving from Satanism to faith; Kaitlyn Pinkleton on ultimate lessons learned after moving from abuse and addiction to healing and love; the controversial Frankfurt list on how to destroy a nation; Robin from Brooklyn Tabernacle on what a doctor told her about miracles; a personal story on why "hurt people hurt people"; Niccolo Paganini's violin; and the fascinating, healing and hilarious story of Jia Jing living out "rejection therapy".

Mariana and Diego are back for a fourth season of Latin flare in food, art and music. In this episode, Diego talks to one of the last remaining descendants of violin virtuoso Niccolo Paganini. Her name is Helena Paganini, an Argentinian philanthropist who is set on a mission: to find the world’s next violin virtuoso. She started in the right spot: The Carnegie Hall.   The holiday season is all about food and community. There’s no better time to show your support for food radio by becoming a member! Lend your voice and help HRN continue to spreading the message of equitable, sustainable, and delicious food – together, we can change minds and build a better food system. Go to heritageradionetwork.org/donate today to become a crucial part of the HRN community.Buenlimón is powered by Simplecast.  

Ribbons & Bows Podcast 3  In this episode,  the roaring 20s grind to a terrible halt – the stock market crash and the great depression!  To escape from depression into joy, people willingly placed themselves under the spell of the entertainer.  And there was something particularly transportive about the magical bows of Ruth Breton, Leona Flood Viola Mitchell, Ruth Posselt & Byrd Elliott. Podcast 3 Segment 1 Featured Violinists Ruth Breton, Leona Flood, and Viola Mitchell Podcast 3 Segment 2 Featured Violinists Ruth Posselt and Byrd Elliott Podcast 3 Segment 1 Other Mentions Leopold Auer, Niccolo Paganini, Margaret Horn, Eugene Ysaye Podcast 3 Segment 2 Other Mentions Emanuel Onkricek, Jacques Thibaud, Franklin Poosevelt, Eleanor Roosevelt Podcast 3 Segment 1 Music & Credits Maud Powell – Souvenir (Drdla) Deborah Tien-Price/Karen Shinozaki – Aucassin (Kreisler), Symphonie Espagnole (Lalo), Violin Concerto No 1 in D major Op 6 (Paganini), Nocutne in C#m (Chopin) Podcast 3 Segment 2 Music & Credits Maud Powell – Souvenir (Drdla) Ruth Posselt – Baal Sherm (Bloch), Concerto for Violin Op 38 (Hill), Violin Concerto in D major Op 35 (Tchaikovsky), Interview with Ruth Posselt Violin Concerto (Hindemith) Deborah Tien-Price/Karen Shinozaki Sor – Sonata for Violin KV454, 2nd Movement (Mozart), Symphonie Espagnole (Lalo), Romance in F Op 50 (Beethoven) ### About Ribbons & Bows  An exciting new podcast series from Elfenworks Productions, LLC “Ribbons & Bows ~ American Women in Violin History”  delves into the stories of dozens of pioneering American women who helped shape today’s robust violin scene.  These are fabulous tales of perseverance,  vision, and hope.   Why has so little been said about them, in history books, until today?  More importantly, won’t you please join us for an enchanting trip down memory lane as we call them back to us to tell their stories, ensuring they’ll never be lost in the mists of time?  You’ll love these brave and beautiful souls, as you share their experiences back in the days when little girls were not encouraged to play violin.  After all, who among us hasn’t felt like the odd one out, the person interested in trying something different, in going where they didn’t exactly fit in?  Ribbons & Bows… a Podcast Series with accompanying downloadable CD release from Elfenworks Productions, LLC,  expected in 2018.

Ribbons & Bows Podcast 3  In this episode,  the roaring 20s grind to a terrible halt – the stock market crash and the great depression!  To escape from depression into joy, people willingly placed themselves under the spell of the entertainer.  And there was something particularly transportive about the magical bows of Ruth Breton, Leona Flood Viola Mitchell, Ruth Posselt & Byrd Elliott. Podcast 3 Segment 1 Featured Violinists Ruth Breton, Leona Flood, and Viola Mitchell Podcast 3 Segment 2 Featured Violinists Ruth Posselt and Byrd Elliott Podcast 3 Segment 1 Other Mentions Leopold Auer, Niccolo Paganini, Margaret Horn, Eugene Ysaye Podcast 3 Segment 2 Other Mentions Emanuel Onkricek, Jacques Thibaud, Franklin Poosevelt, Eleanor Roosevelt Podcast 3 Segment 1 Music & Credits Maud Powell – Souvenir (Drdla) Deborah Tien-Price/Karen Shinozaki – Aucassin (Kreisler), Symphonie Espagnole (Lalo), Violin Concerto No 1 in D major Op 6 (Paganini), Nocutne in C#m (Chopin) Podcast 3 Segment 2 Music & Credits Maud Powell – Souvenir (Drdla) Ruth Posselt – Baal Sherm (Bloch), Concerto for Violin Op 38 (Hill), Violin Concerto in D major Op 35 (Tchaikovsky), Interview with Ruth Posselt Violin Concerto (Hindemith) Deborah Tien-Price/Karen Shinozaki Sor – Sonata for Violin KV454, 2nd Movement (Mozart), Symphonie Espagnole (Lalo), Romance in F Op 50 (Beethoven) ### About Ribbons & Bows  An exciting new podcast series from Elfenworks Productions, LLC “Ribbons & Bows ~ American Women in Violin History”  delves into the stories of dozens of pioneering American women who helped shape today’s robust violin scene.  These are fabulous tales of perseverance,  vision, and hope.   Why has so little been said about them, in history books, until today?  More importantly, won’t you please join us for an enchanting trip down memory lane as we call them back to us to tell their stories, ensuring they’ll never be lost in the mists of time?  You’ll love these brave and beautiful souls, as you share their experiences back in the days when little girls were not encouraged to play violin.  After all, who among us hasn’t felt like the odd one out, the person interested in trying something different, in going where they didn’t exactly fit in?  Ribbons & Bows… a Podcast Series with accompanying downloadable CD release from Elfenworks Productions, LLC,  expected in 2018.

Inspired by violinist Niccolo Paganini, Franz Liszt became a piano superstar. Many classical music superstars followed, including Jan Paderewski, Jenny Lind, Van Cliburn, Enrico Caruso, Yo-Yo Ma and Lang Lang.

The Trufaux Sho presents: Salvatore’s Return The Alpha and the Omega, well sort of…. The man himself, 20+% of TFS, having now graced episodes 001 and 009, pretty cool catch up session to say the least. I hope you enjoy the chat as much as I did. Thanks again Salvatore! 00:09 - Sal meets Dale 00:14 - Dale’s Church 00:17 - The Reality of Truth documentary https://topdocumentaryfilms.com/reality-truth/ 00:20 - Paganini https://www.britannica.com/biography/Niccolo-Paganini 00:23 - Lady Gaga http://thehill.com/blogs/in-the-know/in-the-know/356605-photo-of-lady-gaga-and-five-former-presidents-goes-viral 00:37 - The real Gaga https://babe.net/2017/05/17/officially-scariest-bat-shit-celebrity-conspiracy-theory-week-4369 00:45 - Mason Lodge Vandalized https://www.vaildaily.com/news/crime/glenwood-springs-masonic-lodge-tagged-with-pro-satan-graffiti/ 00:49 - Uri Geller http://www.urigeller.com/ 00:56 - Project Heaven https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3821155/ 00:58 - Skeptico http://skeptiko.com/ 01:11 - Screen time https://www.denverpost.com/2016/06/29/media-use-america-11-hours/ 01:16 - Level9news https://www.level9news.com/ 01:19 - The 100 https://en.wikipedia.org/wiki/The_100_(TV_series) 01:25 - The Comittee of 300 https://www.henrymakow.com/committee_of_300.html 01:27 - Helena Blavatsky http://blavatskyarchives.com/longseal.htm 01:30 - Isaac Weishaupt https://youtu.be/-ELO4unQ5KM 01:33 - Zuck’s sigil https://lipstick-and-war-crimes.org/ascension-technocrats-illuminati-hollywoods-reagan-schwarzenegger-illuminati-cias-thiel-zuckerberg/   Thanks to Grimerica.ca/support Thank you @BillyBon3s for the intro music Thank you Mr. Anderson for your buck Thank you Mr. Wein Please consider supporting  this show patreon.com/trufauxsho Thank you for listening!

Knygų festivalis „Vaikų Kalėdų sala“.Dienraščių kultūros puslapių apžvalga.Naujų knygų apžvalgoje – Algimanto Mikutos knyga „Kelias į Laumes“ bei Edmundo Janušaičio „Debesų sala“.Pirmadienio viktorinoje – apie visame pasaulyje pripažintą smuikininką Niccolo Paganini, kurio netekome prieš tris dešimtmečius.„Klasikos enciklopedija“ – apie Žozelinos pilį Prancūzijoje.

Knygų festivalis „Vaikų Kalėdų sala“.Dienraščių kultūros puslapių apžvalga.Naujų knygų apžvalgoje – Algimanto Mikutos knyga „Kelias į Laumes“ bei Edmundo Janušaičio „Debesų sala“.Pirmadienio viktorinoje – apie visame pasaulyje pripažintą smuikininką Niccolo Paganini, kurio netekome prieš tris dešimtmečius.„Klasikos enciklopedija“ – apie Žozelinos pilį Prancūzijoje.

In ganz Europa feierte Niccolò Paganini Erfolge. Aber erst mit 38 Jahren gab der "Teufelsgeiger" sein erstes Werk in Druck: die 24 Capricen für Violine solo. Susanna Felix stellt zusammen mit dem Geiger Thomas Zehetmair diese "Starken Stücke" vor.

Am 28. August begann der Internationale ARD-Musikwettbewerb mit den Kandidaten im Fach Geige. Die 35 Teilnehmer der Eröffnungsrunde hatten ein Soloprogramm mit Werken von Johann Sebastian Bach, Niccolo Paganini und einem zeitgenössischen Werk nach Wahl zu präsentieren. Ulrich Möller-Arnsberg hat den ersten Geigern im großen Saal der Münchner Musikhochschule zugehört.

With Music by: Niccolo Paganini, Frederic Chopin, Enjott Schneider, Mieczyslaw Weinberg, Johann Sebastian Bach, Gustav Mahler, Alfredo Casella

Mit Musik von: Niccolo Paganini, Frederic Chopin, Enjott Schneider, Mieczyslaw Weinberg, Johann Sebastian Bach, Gustav Mahler, Alfredo Casella

Paganini's talents made him a celebrity, but also inspired "devilish" rumors.

Um dos maiores músicos da história e protagonista de uma grande lenda do século XIX. A você e a Niccolo Paganini, bem-vindos ao Promontório Estéril. Siga o Promontório Estéril nas redes sociais! Facebook: facebook.com/PromontorioEsteril Twitter: twitter.com/promontesteril Você também pode mandar um e-mail para promontorioesteril@gmail.com e assinar nosso feed: Feed: feeds.feedburner.com/promontorioesteril iTunes: … Saiba mais

As a soloist, Paganini used to purposefully break two or three of his violin strings during performances, playing an entire piece on just one or two strings and wowing his audience. It’s awe-inspiring to imagine the Italian composer playing “La Campanella” with one string—most violinists find the piece challenging even with unbroken violins! Youtube: http://www.youtube.com/watch?v=lWaOnqmtr9U&NR=1&feature=fvwp Local virtuosi in Seattle: http://seattlevirtuosi.org/content.php Exploring Music On-Demand: http://filesource.abacast.com/king/music/exploringmusic/3133625.mp3

Auch nach seinem Tod nahmen die Gerüchte um den "Teufelsgeiger" Niccolo Paganini kein Ende.

The Great Kat must be worshipped. Media outlets who proclaim The Great Kat to be in the top 50, top 10, top whatever, are wrong. The Great Kat is the best, the fastest, the greatest. She is Beethoven reincarnated. This is not open for debate. You either 'get' what this means, or you do not. "Only one who devotes himself to a cause with his whole strength and soul can be a true master. For this reason, mastery demands all of a person." -Albert Einstein Read the follow-up email interview below, after listening to the phone interview (the yellow/green play button is at the bottom). Fellow WSCA DJ Kim joined me in the studio for the interview. Email/Requests: blacknightmeditations@msn.com Playlists: http://wsca.radioactivity.fm/show.html?showoid=1242 BLACK NIGHT MEDITATIONS - A heathenish foray along the shining path. Aural ruminations of Black, Death, Speed, Thrash, Doom, Folk, Shred, Power, Prog & Traditional Metal. Tuesday Nights 10pm-2am e.s.t. - WSCA 106.1 FM - Portsmouth, NH USA - Listen online live @ www.wscafm.org ***The Great Kat email interview - 17 Dec 09*** BNM - There were a few things we did not get to discuss during our phone interview. I'd like you to expand on the evolution of your music. Your first 2 albums, Worship Me Or Die & Beethoven On Speed, featured more of a Thrash influence, notably in the riffs. Since your brand of Shred/Classical hadn't fully developed to what it has been over the last decade, can you explain the influence that Thrash Metal had on your early songwriting? Your Metal influences were more traditional, so how much of an influence on your song-writing did Thrash have? Was it a product of the times? Were you at all involved in the New York Thrash scene of the '80s? TGK - The Great Kat High Priestess Of Guitar Shred (http://www.greatkat.com ) got into SPEED METAL after graduating from Juilliard. I liked the power and speed of that music. I decided to mix vicious, speed metal guitar riffs with my Classical Motives. The result was the first Great Kat CD “WORSHIP ME OR DIE!” with it’s RAW, VICIOUS SPEED METAL RIFFS AND CLASSICAL GUITAR SOLOS. The Great Kat’s NEXT CD “BEETHOVEN ON SPEED” was a pure mixture of SHREDDING GUITAR VIRTUOSITY with AUTHENTIC Classical Music from Beethoven, Rimsky-Korsakov, Chopin, Paganini ALL MIXED with POWERFUL METAL SONGS, like “ULTRA-DEAD” and “KAT ABUSE”! BNM - Much is said about your guitar playing, your violin playing, your image and so on, but I feel your vocals have always been vital to who The Great Kat is. Without those patented Kat shrieks, growls and unique delivery, your music would feel like a symphony without a conductor. My favorite Kat songs tend to be the ones that have the most memorable vocal delivery, especially when you mix the singing and shouting. Would you consider trying new vocal approaches that you have not used in the past? It would be tough to sing over the insanity, but you can easily do it and I want more of those catchy choruses! TGK - The Great Kat’s BRILLIANT music is a TOTAL MULTIMEDIA COMBINATION of CLASSICAL and METAL Virtuosity with SCREAMS, YELLS, BRUTAL SHOUTING and WILD and OUTRAGEOUS IMAGERY—this is the NEW OPERA of the 21st CENTURY!!! NOW CHECK OUT THE NEW “BEETHOVEN’S GUITAR SHRED” DVD: This DVD stars The Great Kat’s Guitar/Violin Virtuosity and finger-blistering guitar shredding of Classical masterpieces and original outrageously theatrical SPEED METAL Wagnerian Mini-Operas. “Beethoven’s Guitar Shred” DVD Features: 7 Outrageous Shred/Classical Guitar Music Videos, including: • “The Flight Of The Bumble-Bee” - At the finger-blistering speed of 300 BPM! • Beethoven’s “5th Symphony” - Metal version of the world’s most famous symphony! • Paganini’s “Caprice #24” – Kat dazzles on this technical virtuoso showpiece on guitar and violin! • Bach’s “Brandenburg Concerto #3”- The Great Kat shreds on 6 guitars & 3 violins! • “Torture Techniques” – Watch Kat’s arsenal of Torture devices and abused victims! • Plus MORE Theatrical Metal Madness! 4 Shred BONUS Features: • Hot Kat Shred Photos! Shred Geniuses! Kat Kartoon – A crazy cartoon of The High Priestess of Guitar Shred! DVD Video Clips: http://www.greatkat.com/dvd/dvd.html BNM - Do you own the rights to your first 2 albums that were released by Roadracer? Those albums are hard to find, so a reissue would be great for those who have yet to hear your early material. What is the status of the Total Insanity compilation that features over 50 songs from your discography? It is not available on greatkat.com, nor is the Guitar Goddess ep. How can your worshippers get these releases? TGK - “Total Insanity” is NOT an authorized Great Kat CD and is NOT released by TPR Music. To purchase The Great Kat’s “Worship Me Or Die!” and “Beethoven On Speed” try Amazon.com. “Guitar Goddess” is on TPR Music, but is currently sold out. The Great Kat’s NEW “Beethoven’s Guitar Shred” DVD is available through major retailers (Amazon.com, Best Buy, Target, CDUniverse, Barnes And Noble) and through the Kat Store at http://www.greatkat.com/07/index07.html BNM - Your releases have been issued on vinyl, cassette, cd, and you even released a cd-rom in the mid-90s. Your last 2 releases have been dvds. You seem to want to stay with what is current in promotion, as your online presence has expanded to Youtube, Facebook and Twitter. Will we see any more cd releases, or has the current trend in promotion of music (that sees fewer cd sales) pushed you solely into dvd releases for the forseeable future? TGK - The Great Kat’s SHRED/CLASSICAL GENIUS MUSIC must be SEEN and well as HEARD—that’s why The Great Kat is concentrating on MUSIC VIDEO DVDS!!! Like Wagner’s Operas, you need to get the ENTIRE GREAT KAT EXPERIENCE to understand the REINCARNATION OF BEETHOVEN FOR YOURSELVES!!!!!!!!! Check out The Great Kat on FACEBOOK: http://www.facebook.com/pages/The-Great-Kat/296984350242 and TWITTER at http://twitter.com/greatkatguitar and YOUTUBE at http://www.youtube.com/user/KthomasPR and Kat Web Site at http://www.greatkat.com MUSIC VIDEO CLIPS from “BEETHOVEN’S GUITAR SHRED” DVD: -BEETHOVEN’S “5th SYMPHONY” http://www.greatkat.com/beethovens5thsymphonynew.wmv -“The Flight Of The Bumble-Bee” http://www.greatkat.com/metalvideos/TheFlightOfTheBumbleBeeMusicVideo.wmv -Paganini’s “Caprice #24” http://www.greatkat.com/metalvideos/PaganinisCaprice24.wmv -Bach’s “Brandenburg Concerto #3 http://www.greatkat.com/BachsBrandenburgConcerto3.wmv “Torture Techniques” http://www.greatkat.com/metalvideos/TortureTechniques.wmv DVD trailer at: http://www.greatkat.com/BeethovensGuitarShredVideosMenuMED.wmv More DVD Video Clips: http://www.greatkat.com/dvd/dvd.html BNM - How do you regard radio? There aren't many stations (terrestrial, satellite, internet) who are willing to support music such as yours. Those that do "feature" your work tend to be quite insulting and demeaning. Has this old-school method of promoting The Great Kat been worth your effort over the years? Is it still now? Basically, is any press good press for The Great Kat? TGK - RADIO IS OLD!!! The Great Kat needs to be SEEN to FULLY UNDERSTAND SHRED/CLASSICAL!!!! THAT’S THE MAIN REASON The Great Kat is PRODUCING DVDS!!!!!!!!!!! REVIEWS OF THE GREAT KAT: -"The Great Kat should be feared because her hyper-blasting, neo-classical, whirlwind guitar playing is so precise and intense. This woman really is a better guitarist than most men ever were. Beethoven’s Guitar Shred DVD is a portable clinic of seemingly inhuman guitar antics. Dominating torture, blood, fire, anti-terrorist sentiments – all wrapped in an oddly tasteful, hyper-classical visual feast." - Mark Morton, Heavy Metal Examiner -"The Great Kat named one of the fastest guitar players. Probably the fastest female shredder on the face of the earth. 'Flight Of The Bumble-Bee' at 300 Beats Per Minute. It does not get any faster than that. This ('Beethoven's Guitar Shred' DVD) makes a great stocking stuffer." - Michael Butler, MEVIO Music "The guitarist Katherine Thomas aka The Great Kat is ranked among the fastest metal shredders of all time." - Danny Kringiel, Spiegel Online (Germany) -"Blending the showmanship of metal with the intensive musical construction of classical, Kat has carved out a name for herself in musical history by shredding some of the greatest musical works of our time." - Carly Milne, AOL's Digital City BNM - How do you regard the composer Felix Mendelssohn, given that it's possible J.S. Bach's brilliant music may have been lost to the ages had it not been for Mendelssohn bringing back Bach's compositions to the stage? TGK - Mendelssohn did a great service to society by finding J.S. BACH’S MUSIC and BRINGING it to the masses! THAT’S THE SAME MISSION THE GREAT KAT IS ON—to BRING BEETHOVEN TO THE PEOPLE WHO DON’T EVEN KNOW BEETHOVEN’S GENIUS MUSIC!!!!!!!! BNM - You have been motivated to perform music composed by those you consider to be "geniuses." But can we expect The Great Kat's musical tribute to non-composer geniuses such as Galileo Galilei or our founding fathers of the U.S.A.? Certainly you can apply your Shred/Classical style of music in honor of these geniuses as well. Instead of wasting any more of your time on terrorist scum, how about expanding upon the Wagner's War theme and further celebrate our history, or composing music based upon our future through the eyes of the past? TGK - The Great Kat Guitar Shredder’s MISSION is to NOT only UPDATE CLASSICAL MUSIC for the MASSES, but to ALSO TALK ABOUT WHAT IS HAPPENING RIGHT NOW IN THIS TERRORIST INFESTED WORLD—like on my songs “ISLAMOFASCISTS” and “TORTURE TECHNIQUES” from “Beethoven’s Guitar Shred” DVD!!!!!!!!!! BNM - Many of us Kat slaves would like to here much more of your violin playing. Personally, I'd love to hear solo violin pieces. Especially Paganini's Caprice no.1. TGK - The Great Kat’s VIOLIN VIRTUOSITY is heard on the NEW BEETHOVEN’S GUITAR SHRED” DVD—on “THE FLIGHT OF THE BUMBLE-BEE”, PAGANINI’S “CAPRICE #24”, BEETHOVEN’S “5th SYMPHONY” and BACH’S “BRANDENBURG CONCERTO #3”!!!!! On the NEXT Shred/Classical DVD, The Great Kat will be SHREDDING one of THE MOST TECHNICALLY DIFFICULT AND DEMANDING VIOLIN VIRTUOSO PIECES ever written: NICCOLO PAGANINI’S “MOTO PERPETUO” on the GUITAR and VIOLIN, along with works of BEETHOVEN, MOZART and MORE!!!!!! BNM - Thanks for your time, Kat. I'd love to delve deeper into your psyche and find out more about you as a person, but I know if I tried you'd just pummel me into submission. Your boots would be cleaner, and I'd still have no answers. Thank you again for sticking to your guns over the years, and continuing on with The Great Kat's Shred/Classical supremacy. You have my support. TGK - THANKS MARK!! THE GREAT KAT IS THE METAL MESSIAH/REINCARNATION OF BEETHOVEN! NOW GO TO THE GREAT KAT WEB SITE at http://www.greatkat.com KAT on FACEBOOK: http://www.facebook.com/pages/The-Great-Kat/296984350242 KAT on TWITTER at http://twitter.com/greatkatguitar KAT on YOUTUBE at http://www.youtube.com/user/KthomasPR