Podcasts about Obel

In dieser Episode des Ruhrpodcast begrüße ich Till Hoheneder, bundesweit bekannt geworden mit dem Duo Till & Obel und somit Mitbegründer der neuen deutschen Comedy-Szene. Wo steht Till heute.?

durée : 00:54:41 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas nous entraîne dans un rêve, mais un de ces rêves dont on ne sait trop s'ils sont heureux ou si c'est tout le contraire. - réalisé par : Stéphane Ronxin

Episode 145: Kender du det at være omgivet af mennesker, der vil dig det bedste?Vi taler om at tilbringe tiden med de mennesker, der er et bidrag til ens liv fremfor at bruge sit liv sammen med mennesker, der dræner en. Vi forsøger os med en model (en matrix) som vi selv har udviklet. I denne matrix sætter vi forbundethed og energi op som parametrene for om en relation er et bidrag eller ej. Matrixens fire kvadrater defineres som kvadrat 1, hvor der både er forbundethed og energi, kvadrat  2, hvor der er energi, men ikke forbundethed; kvadrat 3, hvor der er forbundethed, men ingen energi og endelig kvadrat 4, hvor der hverken er forbundethed eller energi. Hack: Fortæl de mennesker i kvadrat 1, hvad de betyder for dig, del det med dem, vis dem at du er taknemmelig for at de er i dit liv. Tak til Yuiliana for musikken - hun underviser i klaver og du kan finde et link til hende herVi talte om Eisenhower matrixen som vi har lavet en podcastepisode om, som vi kaldte 'Vigtigt - haster ikke' og der er et link til den herFølg os gerne på instagram på MisforståetpodcastOg endnu vigtigere T A K fordi du lytter med. Kærlig hilsen Laura og Pia fra Misforstået-podcast

Henning und Till reden über erfolgreiche musikalische Comebacks der letzten Jahrzehnte. Warum die H-Blockx dazugehören und Till & Obel nicht - sowie noch weitere wunderbar persönliche Geschichten aus der Welt des Rock´n´Roll – könnt ihr alles in dieser Comeback-Folge hören! Die Songs der Sendung: 1) Fallout / H-Blockx2) Can´t get you out of my head / Kylie Minogue3) Warum hast du nicht nein gesagt / Maite Kelly & Roland Kaiser4) The Healer / John Lee Hooker & Carlos Santana5) Nutbush City Limits / Tina & Ike Turner6) Nick of time / Bonnie Raitt7) Alone / The Cure 8) I know what I know / Paul Simon, General M.D. Shirinda & The Gaza Sisters Links zur Sendung: H-Blockx Fallout / Video:https://www.youtube.com/watch?v=4bgOIy3Ln2o Till & Obel live im Rockpalast:https://www.youtube.com/watch?v=jjcRlydy9IQ Hosted on Acast. See acast.com/privacy for more information.

En este episodio, conversamos con los miembros del Colectivo C733, ganadores del OBEL 2024, donde hablamos de arquitectura, tecnología y sostenibilidad. Aprende cómo transforman espacios urbanos y sus estrategias innovadoras para un impacto positivo. ¡Una charla imprescindible para apasionados del diseño y el cambio social! #Arquitectura #Innovación #Sostenibilidad

Projektas „Lietuvių kalbos akademija“ pasakoja apie lituanistines mokyklas, veikiančias užsienyje, kalbina mokinius, mokytojus, tėvus, kas dar įtaką ir skatina mokytis, ką reiškia lietuvišką mokyklą baigti užsienyje? Pirmoje laidoje - lituanistinės mokyklos „Obelėlė“ Londone vadovė Alvija Černiauskaitė, absolventė ir mokytoja Silvija Černiauskaitė bei moksleivis Adrijus Kvederavičius. Projektas vykdomas kartu su Jungtinės Karalystės lietuvių bendruomene, dalinai finansuojamas Užsienio reikalų ministerijos.

Alytaus miesto tarybai teikiamas sprendimas dėl Alytaus darželių „Obelėlė“, „Vyturėlis“ bei „Linelis“ tėvų peticijos. Tėvų peticijoje buvo prašoma leisti formuoti po 2 priešmokyklinio ugdymo grupes šiuose darželiuose. Alytaus miesto savivaldybės peticijų komisija, posėdžiavusi rugpjūčio 7 dieną, išnagrinėjo peticiją ir vieno balso persvara priėmė sprendimą siūlyti tarybai tėvų prašymo netenkinti. 5 Peticijų komisijos nariai balsavo už tokį sprendimą, 4 buvo prieš. 

Freund:innen, Partner, Stars & Rockidole – alles hat seine Zeit. Manche verschwinden In der Versenkung, mit einigen entfremdet man sich und andere wiederum kann und will man nicht mehr sehen, treffen oder hören! Die passende Musik und persönlichen Lebensgeschichten zum Thema kommen wie immer gewohnt authentisch, emotional und reflektiert von Henning Wehland & Till Hoheneder. ACHTUNG: Musik ist Trumpf geht in die Sommerpause. Die nächste Folge erscheint am 14. August! Genießt den Sommer! Links zur Sendung: Doku über Phil Lynott, Musiker, Kopf & Songschreiber von Thin Lizzy: https://www.youtube.com/watch?v=Ej5LJ6W339kDie Songs der Sendung: 1) Die Abrechnung / Eko Fresh, German Dream Allstars 2) Das Urteil / Kool Savas 3) Michelle / Till & Obel 4) Denkmal / Wir sind Helden 5) Shake it off / Taylor Swift 6) Chinatown / Thin Lizzy 7) Bitumen / Takt32, Khrome, Liquit Walker 8) The Ocean / Led Zeppelin Informationen zu unserem Werbepartner: Das 3 Tagesticket für den Guitar Summit vom 27.9. - 29.9.24 in Mannheim jetzt bestellen auf www.guitarsummit.de ! Es gibt 10% Rabatt mit dem Code TRUMPF10 . Henning & Till sind am Freitag, dem 27.9. live auf dem Guitar Summit mit einer Spezialfolge von "Musik ist Trumpf": Der beste Gitarrist der Welt! Hosted on Acast. See acast.com/privacy for more information.

„Obelėlės“ tėvai šiandien kvietė ir mitingui prie savivaldybės. Vos susirinkę 8.30 val mitinguotojai buvo pakviesti pas merą. Pasakoja tėvų atstovė Leonilė Tretiak.

Alytaus lopšelyje - darželyje "Obelėlė" naikinama viena priešmokyklinė grupė, kitos dvi - pilnai užpildytos. Kur dėtis vaikams, klausia mama Leonilė. FM99 studijoje Leonilė ir tarybos narys Šarūnas Klėgeris.

Les arpèges de piano ruissellent, les notes pleuvent parfois douces et fines, parfois chaudes et charnues, Penelope Antena semble convoquer les nuages. Son troisième album intitulé James & June, entièrement composé, enregistré par ses soins et indéniablement inspiré par les éléments, est un pont entre l'intime et le majestueux. Seule, la chanteuse franco-belge explore ses ressentis souvent amoureux et crée une musique où se marient l'électronique et l'organique, qui ne sont en rien contraires. « J'ai passé une grande partie de ma vie au milieu des bois, puis au bord de la mer, se souvient-elle. Cela fait partie de moi. » Après les albums Antelope en 2019 et Beamorose en 2021, Penelope Antena a eu besoin de changer de cap, de délaisser partiellement les sonorités lo-fi pour ancrer sa musique dans les harmonies soignées et la délicatesse. Elle a pris d'autres directions personnelles, passant du sud de la France au Finistère, à ce bout du monde rongé par les marées et qui a imprégné tant d'artistes et de musicien·nes. Les grands espaces y sont légion, les sources d'inspiration également. Mais c'est avant tout du piano que naissent les chansons de James & June : « J'en jouais déjà auparavant, mais c'est devenu mon instrument de prédilection pendant le confinement, raconte-t-elle. J'ai grandi avec le jazz et les standards. Avant, je samplais beaucoup, j'utilisais principalement les machines. Mais sur cet album, j'ai eu besoin de ce point de départ, d'être assise devant le piano pour écrire. » Penelope Antena a ce quelque chose du bedroom producer, de la musicienne qui chérit la solitude. Dans James & June, les influences de James Blake, Agnès Obel ou Bon Iver procurent des rengaines, des boucles électroniques malaxées et sublimées, surplombées par une voix constamment sur la brèche, comme une béquille, comme un souffle. C'est cette voix, parfois presque susurrée, qui hante le doux Goodbye For Now. La même qui est modulée, comme pour entretenir le mystère, la rendant presque cosmique, sur Beautiful, ode aux peintures exécutées dans le ciel par les astres. Depuis ses débuts dans la musique, Penelope Antena s'isole en studio pour composer, pour trouver une osmose. En résulte une liberté évidente, illustrée par les batteries jazz modernes du pénétrant Every Story ever told et ses envolées vocales libérées, presque exutoires. Elle y scande l'amour inconditionnel, celui qui l'anime et la pousse désormais à créer. Et puis, le piano reprend ses droits. Sur le titre Bloom, Penelope Antena paraît être parvenue à l'harmonie, à celle qui permet un dialogue entre l'instrument fétiche et sa voix claire ou hésitante, que l'on distingue telle une éclosion. On y entend sans peine le bois, les respirations, les cordes, les touches... Tout son semble être émis à quelques centimètres de nous, ancré dans le réel. L'impression de force et de sérénité n'en est que plus forte. « Cet album est très personnel, très intime, et je voulais que cela transparaisse. Il n'y a presque pas d'effets sur les instruments, tout est limpide. » Ces titres les plus organiques tranchent avec sa capacité à dupliquer sa voix, à la transformer comme sur Enough, aux boîtes à rythmes empreintes de doutes et de questionnements sentimentaux. James & June est un album apaisé. Il est une nouvelle étape franchie dans la maîtrise et l'émotion, une preuve que la sensibilité de Penelope Antena, lorsqu'elle est traduite en notes et en ondes, n'a pas son pareil. infos : www.parapentemusic.com Enregistré à Bonjour Minuit, SMAC à Saint-Brieuc Production : Parapente Music Mastering : Radio Campus France

Les arpèges de piano ruissellent, les notes pleuvent parfois douces et fines, parfois chaudes et charnues, Penelope Antena semble convoquer les nuages. Son troisième album intitulé James & June, entièrement composé, enregistré par ses soins et indéniablement inspiré par les éléments, est un pont entre l'intime et le majestueux. Seule, la chanteuse franco-belge explore ses ressentis souvent amoureux et crée une musique où se marient l'électronique et l'organique, qui ne sont en rien contraires. « J'ai passé une grande partie de ma vie au milieu des bois, puis au bord de la mer, se souvient-elle. Cela fait partie de moi. » Après les albums Antelope en 2019 et Beamorose en 2021, Penelope Antena a eu besoin de changer de cap, de délaisser partiellement les sonorités lo-fi pour ancrer sa musique dans les harmonies soignées et la délicatesse. Elle a pris d'autres directions personnelles, passant du sud de la France au Finistère, à ce bout du monde rongé par les marées et qui a imprégné tant d'artistes et de musicien·nes. Les grands espaces y sont légion, les sources d'inspiration également. Mais c'est avant tout du piano que naissent les chansons de James & June : « J'en jouais déjà auparavant, mais c'est devenu mon instrument de prédilection pendant le confinement, raconte-t-elle. J'ai grandi avec le jazz et les standards. Avant, je samplais beaucoup, j'utilisais principalement les machines. Mais sur cet album, j'ai eu besoin de ce point de départ, d'être assise devant le piano pour écrire. » Penelope Antena a ce quelque chose du bedroom producer, de la musicienne qui chérit la solitude. Dans James & June, les influences de James Blake, Agnès Obel ou Bon Iver procurent des rengaines, des boucles électroniques malaxées et sublimées, surplombées par une voix constamment sur la brèche, comme une béquille, comme un souffle. C'est cette voix, parfois presque susurrée, qui hante le doux Goodbye For Now. La même qui est modulée, comme pour entretenir le mystère, la rendant presque cosmique, sur Beautiful, ode aux peintures exécutées dans le ciel par les astres. Depuis ses débuts dans la musique, Penelope Antena s'isole en studio pour composer, pour trouver une osmose. En résulte une liberté évidente, illustrée par les batteries jazz modernes du pénétrant Every Story ever told et ses envolées vocales libérées, presque exutoires. Elle y scande l'amour inconditionnel, celui qui l'anime et la pousse désormais à créer. Et puis, le piano reprend ses droits. Sur le titre Bloom, Penelope Antena paraît être parvenue à l'harmonie, à celle qui permet un dialogue entre l'instrument fétiche et sa voix claire ou hésitante, que l'on distingue telle une éclosion. On y entend sans peine le bois, les respirations, les cordes, les touches... Tout son semble être émis à quelques centimètres de nous, ancré dans le réel. L'impression de force et de sérénité n'en est que plus forte. « Cet album est très personnel, très intime, et je voulais que cela transparaisse. Il n'y a presque pas d'effets sur les instruments, tout est limpide. » Ces titres les plus organiques tranchent avec sa capacité à dupliquer sa voix, à la transformer comme sur Enough, aux boîtes à rythmes empreintes de doutes et de questionnements sentimentaux. James & June est un album apaisé. Il est une nouvelle étape franchie dans la maîtrise et l'émotion, une preuve que la sensibilité de Penelope Antena, lorsqu'elle est traduite en notes et en ondes, n'a pas son pareil. infos : www.parapentemusic.com Enregistré à Bonjour Minuit, SMAC à Saint-Brieuc Production : Parapente Music Mastering : Radio Campus France

2 sessions live entre carnaval pop et contemporain & country-folk ivoirienne. Notre 1ère invitée est Lucie Antunes pour la sortie de son 2ème album Carnaval.Armez-vous d'un sifflet, de tambours, de cloches et de plumes, il y a urgence à remplir le parvis. Demain, vous défilerez à nos portes aux yeux du monde. Demain, c'est Carnaval. Février de cette année-là, Lucie suffoque et avec elle, on a du mal à respirer. L'épidémie s'infiltre comme une épine sourde qui nous traverse. Blessés, nos corps s'épuisent et nous lâchent par manque de souffle au pays de l'inertie. Lucie se souvient qu'elle a toujours été cette lumière qui résiste, feu follet incandescent, au service du mouvement et de la transe. On raconte que les jeunes percussionnistes choisissent le marimba, le vibraphone ou les timbales pour se faire entendre, pour être visibles, enfin audibles. Alors en février de cette année-là, Lucie se tient fièrement debout, baguettes aux poings et synthétiseur en bandoulière, décidée à briser l'isolement et le silence à coups de rythmes débridés. Elle se trouve une chambre dans la maison Deman à La Rochelle. Face à la mer, elle défait sa valise. À l'intérieur, il y a l'envie d'en recoudre et de broder des morceaux avec sa voix, ses percussions virtuoses, des boucles de bribes vocales trouvées sur Google, des sons électro qui vibrent sous la peau jusqu'à en retirer l'épine. Lucie a prévu de composer une fête pour nous guérir. Ce deuxième album est un remède. Carnaval sonne le temps des réjouissances et des jours charnels. Pour Lucie, la diète a assez duré, elle prépare son sifflet et ses cloches et les pose sur la table de chevet. Dans la poche de sa valise, il y a la bande son des Sparks composée pour le film « Annette » de Léos Carax. Les voix du film, par leur audace guident la compositrice vers un chœur libérateur. Carnaval célébrera un chant extatique qui nous rappelle d'autres sirènes comme Laurie Anderson, Meredith Monk, Charlotte Adigéry, Agnès Obel. Sous hypnose, Lucie Antunes avance, tambour battant, marchant sur ses peurs. La crainte d'avoir un bébé, la peur de la maladie, de ne pas réussir à braver la mort, il faut conjurer le sort. Elle s'enferme dans une bulle, tombe, se cogne, se redresse, cherche la rupture et des morceaux plus courts, toujours à l'affût des timbres et des motifs qui pourraient nous sauver. Elle en fait trop, elle épure à nouveau, chante tout haut, sous l'eau, scande de nouvelles prophéties répétitives, martèle sur sa boîte à rythmes et forge un autel carnavalesque en matière brute. Elle reprend de la distance et sa respiration, et au loin elle commence à apercevoir une boîte à musique sous un chapiteau coloré. Un rituel de poche est le né, véritable kit de survie de la fête. Pour danser à deux, Lucie va chercher la musicienne Léonie Pernet. Ensemble elles accordent leurs fragilités, leur voix, leurs pouls. « Tout est là, devant toi », lui dit Léonie. Rassurante, complice, Léonie va s'employer à faire beaucoup avec peu et aider Lucie à produire les onze séquences de ce Carnaval en forme de mini free party. Ça cogne à nos fenêtres, on l'entend, elle arrive de loin cette batucada dégingandée. Au signal des cloches timbrées et du sifflet, on se joint au défilé à Cuba, à Rio, à Paris, à Bali. On invite Steve Reich, John Cage et on carillonne sur des rythmes frénétiques, on s'enivre d'effluves tectoniques, on tape sur des cloches tubulaires, on tourbillonne sur des contrepoints au marimba, on prie à haute voix, on se serre fort dans les bras Réveillez-vous, vous êtes vivants, la fête commence maintenant.Titres interprétés au grand studio- Yagé (radio edit) Live RFI- Faites-vous des bisous, extrait de l'album Carnaval- Mais Live RFI.Line Up : Clémence Lasme, basses, voix, percussions ; Franck Berthoux, traitement du son en temps réel, synthés modulaires ; Lucie Antunes: vibraphone, batterie.Son : Mathias Taylor, Laurie Plisson.► Album Carnaval (InFiné / CryBaby 2023).voir le clip  It's amazing. Puis nous recevons PETER ONE pour la sortie de l'album Come Back To Me.Originaire de Côte d'Ivoire, Peter One a été une star en Afrique de l'Ouest, au sein d'un duo avec son partenaire d'écriture Jess Sah Bi, qui ont ensemble créé un album folk séminal, Our Garden Needs Its Flowers en 1985. L'album a pris de l'ampleur dans toute la région. Peter a joué pour des présidents, des premières dames, des foules adulées à guichets fermés, et a même joué la bande-son de la libération de Nelson Mandela en 1990, comme en témoigne la BBC. Il s'est ensuite installé aux États-Unis dans les années 90, en raison des troubles politiques dans son pays d'origine, pour tenter d'y poursuivre sa carrière musicale. Cependant, en raison du coût de la vie, il a été contraint d'abandonner et a travaillé en tant qu'infirmier, d'abord dans le Delaware, puis dans le Tennessee, pendant la majeure partie des 20 dernières années, jusqu'à aujourd'hui.   En 2018, la réédition de Our Garden Needs Its Flowers a relancé l'attention sur Peter One, avec une couverture médiatique de Pitchfork et Rolling Stone. Aujourd'hui, Peter revient sur la scène musicale avec un mélange unique d'afro-pop et de bandes sonores country-folk influencées par les années 60 et 70. Peter One nous offre une collection authentique de chansons folk chantées en anglais, français et guro, racontant des histoires de divorce douloureux, d'amour et de perte. Il nous propose des réflexions sur les concepts du pouvoir de guérison de la musique, de la diaspora, de l'immigration et de la patrie. Quiconque entend les premières notes de Cherie Vico sur le nouvel album de Peter vous le dira certainement : Peter One est de retour, et a apporté avec lui un ensemble de chansons qui pourraient bien transporter ses auditeurs vers de nouveaux horizons car elles sont finalement le reflet du propre voyage imprévisible et surprenant de Peter One.    Titres interprétés au grand studio- Kavudu RFI Live- African Chant Jess Sah Bi & Peter One, extrait de l'album Our Garden Needs Its Flowers (1985)- Chérie Vico, extrait de l'album Come Back To Me voir le clip- Sweet Rainbow Live RFI. Line Up : Peter One, chant, guitare ; Agustin Escalante, claviers.Son : Jérémie Besset, Mathias Taylor.► Album Come Back To Me (Verve Forecast 2023).

Prieš tris dešimtmečius, dar gyvendamas Klaipėdoje, Adomas Poškys pasodino pirmąsias obelis. Dabar Kretingos rajone, Darbėnų seniūnijos Medomiškių kaime, jau įveistas 4 ha sodas, kuriame auga 7 veislių obelys. Ūkininkas rinkosi atsparias ligoms, ypač rauplėms, veisles. Kaip tokį jo pasirinkimą vertina sodininkystės žinovas, mokslininkas Darius Kviklys?Garbaus amžiaus sulaukusi, Daugėduose, Rietavo savivaldybėje, gyvenanti buvusi mokytoja Genutė Mažeikienė visada linksma, gyvenimo džiaugsmu trykštanti, labai darbšti moteris. Ir dabar randa įvairios veiklos: piešia, rašo eilėraščius, audžia, siuvinėja, dainuoja moterų ansamblyje. Apie ją tik gražiai atsiliepia kaimynai, seniūnijos darbuotojai, seniūnė Asta Globienė.Buvusių kauniečių Renatos ir Eugenijaus Sipavičių šeima sėkmingai įsitvirtino Zarasų rajone Avilių kaime. Pradėję nuo kelių Lietuvos juodgalvių avių, dabar turi per 300. Per porą metų ūkininkai tikisi padvigubinti avių bandą.Ved. Regina Montvilienė

“Black Americans Talking About Us” with Michael Obel-Omia, Donald Cunnigen, Denise Mendez, and Roy Hamilton   Interviewer info Lyssa Rome is a speech-language pathologist in the San Francisco Bay Area. She is on staff at the Aphasia Center of California, where she facilitates groups for people with aphasia and their care partners. She owns an LPAA-focused private practice and specializes in working with people with aphasia, dysarthria, and other neurogenic communication impairments. She has worked in acute hospital, skilled nursing, and continuum of care settings. Prior to becoming an SLP, Lyssa was a public radio journalist, editor, and podcast producer. Michael Obel-Omia Michael Obel-Omia is a public speaker, writer, and educator who has aphasia due to a stroke in 2016. In his tireless efforts to improve, he has found poetry allows him to express himself in ways that speech cannot. An avid advocate for people with aphasia, Michael has published essays about experiences in the journal “Blood and Thunder: Musings the Art of Medicine; The Boston Globe; the Providence Journal; and Rhode Island NPR's This I Believe. Michael lives with his family in the beautiful town of Barrington, Rhode Island.   Links: Boston Globe article about Michael Obel-Omia A Black Father Wonders: Is ‘The Talk' Enough? by Michael Obel-Omia (Boston Globe article about disability and race) Finding My Words: Aphasia Poetry by Michael Obel-Omia (book) Ask the Expert with Michael and Carolyn Obel-Omia (National Aphasia Association video)   Roy Hamilton Roy Hamilton, MD, MS, FAAN, FANA is a professor in the departments of Neurology, Psychiatry, and Physical Medicine and Rehabilitation at the University of Pennsylvania, where he is the director of both Penn's Laboratory for Cognition and Neural Stimulation (LCNS) and the Penn Brain Science, Translation, Innovation and Modulation Center (brainSTIM). His research uses noninvasive electrical and magnetic brain stimulation to better understand the neural basis of language and to enhance aphasia recovery. Dr. Hamilton has also been recognized nationally for his work in diversity in neurology and academic medicine. He served as the inaugural Assistant Dean for Cultural Affairs and Diversity at the Perelman School of Medicine and is the inaugural Vice Chair for Diversity and Inclusion in Penn's Department of Neurology.   Links brainSTIM Laboratory for Cognition and Neural Stimulation Instagram Twitter: PennbrainSTIM   Donald Cunnigen Dr. Donald (Doc) Cunnigen is Professor emeritus of Sociology at the University Rhode Island, where he was the first Black full professor of sociology with tenure since the founding of the university in 1892. He was a member of the steering committee that started the Black Americans with Aphasia Conversation group and continues to be an active member of the group.   Doc Cunnigen videos 2011 Harlem Book Fair panel on the Obama Administration Hands in Harmony: Aphasia Clefs Denise Mendez Dr. Denise Mendez is an educator who worked for 29 years as a teacher, administrator, and curriculum coordinator. In 2017, she suffered the first of four hemorrhagic brain bleeds (from an AVM) and was never able to return to her job. Her life-long passion for teaching and advocacy is still there. Aphasia just changed who she serves. She has a website, More Than Aphasia.com and a podcast called Still Something To Say. Denise is one of the leaders of the Mid Atlantic Aphasia Conference, and a facilitator of the Penn State Alumni Aphasia Group. She also participates in multiple aphasia groups, including San Francisco State's Black conversation group NAA's Black Americans with Aphasia Conversation Group. Denise's motto is “I have aphasia, but aphasia does not have me!”   Links: https://morethanaphasia.com/ Twitter: MoreThanAphasia Podcast: Still Something 2 Say Podcast on Spotify     Additional Notes: Aphasia Access Aphasia Conversations Episode 102: Researching Health Disparities in Minority Stroke Survivors with Dr. Davetrina Seles Gadson     EDITED TRANSCRIPT Lyssa Rome  Welcome to the Aphasia Access Aphasia Conversations Podcast. I'm Lyssa Rome. I'm a speech language pathologist on staff at the Aphasia Center of California, and I see clients with aphasia and other neurogenic communication impairments in my LPAA-focused private practice. I'm also a member of the Aphasia Access Podcast Working Group. Aphasia Access strives to provide members with information, inspiration and ideas that support their aphasia care through a variety of educational materials and resources.   June is Aphasia Awareness Month, and I'm excited to be today's host for an episode that will feature the National Aphasia Association's Black Americans with Aphasia Conversation Group. I'll be talking first with Michael Obel-Omia, a co-founder and co-host of the group. Michael is a public speaker, writer, and educator who has aphasia due to a stroke in 2016. In his tireless efforts to improve he has found poetry allows him to express himself in ways that speech cannot. An avid advocate for people with aphasia, Michael has published essays about experiences in the journal Blood and Thunder: Musings on The Art of Medicine, the Boston Globe, the Providence Journal, and Rhode Island NPR's This I Believe. Michael lives with his family in the beautiful town of Barrington, Rhode Island. Michael, welcome to Aphasia Access Conversations Podcast, I'm really glad to be talking with you today.   Michael Obel-Omia    Thank you so much. I'm blessed to be on this opportunity. Thank you so much.   Lyssa Rome  I wanted to start by asking you why you wanted to start an aphasia group for Black Americans.   Michael Obel-Omia  Thank you, Lyssa. I had a stroke on 21 May, 2016. And I worked very hard to be able to talk first. But no one had talked about being a Black person, about the ideas we had. So I talked to Darlene Williamson. And I said, this is great. I know so many wonderful people. Aphasia Resource Center is so plentiful, so wonderful. I've been creative writing, I've done Toastmasters, everything like that. But I still haven't spoken to Black Americans.   There are 2 million people who have aphasia. And probably about 10% of the population is a Black person. So I said to Darlene—I said, “Is it possible I could talk to people about being Black with aphasia, to talk about what's going on?” And she was very excited. She called Roy Hamilton. I spoke with him, from the University of Pennsylvania. I talked to him for a while. And it started, we started doing it. I started thinking about what we could do. We called a few people together, emailed. All of a sudden, I think in January 2022, we had people on the Black Americans with Aphasia Conversation Group, four or five people at first. But now, we have meetings twice a month in April, in May, etc. with 19 participants. It's a wonderful thing now. It's really great.   Lyssa Rome Wow. So it's grown from this, this need that you felt, and that you saw, to have a space for Black Americans with aphasia, to… it sounds like a really thriving group.   Michael Obel-Omia Yes. Yes, that's true. And again, please remember, there are dozens or hundreds of people with aphasia, and it's wonderful. It really is great—to hear from different people is wonderful. But this is a chance for a few Black people to talk about being Black.   Lyssa Rome When the group came together for the first time, what did you think? Or what was your reaction when you were among other Black people with aphasia? What did that feel like for you?   Michael Obel-Omia Well, of course, I'm an educator—28 years teaching English and everything and preparing for education, everything, English. So I was very nervous. The first time I said, “What am I gonna do?” I sat down and wrote out the outline of what I was going to do. I had to have all the ideas. I went on the internet for ideas—what's happening here, what's happening there. I'm very nervous about things. I'm nervous about everything now, with the stroke, with everything, I'm nervous. But I was already prepared with an outline. I had it written down, ready to go. And I was ready to do that.   We started talking about, “Well, what are you doing? What's going on? How's it happening? What do you do that's so much fun?” So we started talking about things and talking about ourselves. And just chatting about things. I had my outlines so precise, written down, for conversations—being an English teacher. But now I just go in and I go in, I'm smiling and laughing about “What's going on. How are you doing? How is it, having aphasia? How is it, talking about what's happening? What's getting in the way?” And that is one hour. That's what it is: Black Americans talking about us.   Lyssa Rome  Sounds like a really meaningful experience. And when we first spoke about doing this podcast, you described the feeling of relief that you felt, being in a room with other people who shared this experience with you.   Michael Obel-Omia Yes, I have great relief. I have a great feeling. I'm so relaxed, is what I am. When I'm talking to someone right now about podcasts, obviously, my senses are tense right now. My shoulders are high. I'm nervous. I'm worried about what I should say. But when I call the Black Aphasia Conversation Group, my shoulders drop down. There's great relief. Great relaxing, I'm smiling. I'm laughing. It's a lot of fun just to see what's going on.   There are serious issues too. One time, a woman wrote about fear and anxiety. What was going to happen, what I'm worried about, I think being anxious, having a stroke on 21 May, 2016. I'm really anxious about things now. Really, anxiety. I'm very worried things will happen. It's very silly. I mean, when I think about it, it's very silly, but I'm anxious about things.   So a woman asked us, “What about aphasia? What about anxiety?” And we talked about that. Dr. Gadson—Dr. Davetrina Gadson— talked about fear or flight. And of course, for me, Fate—Native Son by Richard Wright. Fear, flight, fate. So we talked about that very seriously, about what it is to be so anxious about things. So there are things that are fun and laughing and great relief and comfort, but fear and flight and fate. Yeah, that's there too.   Lyssa Rome  So it sounds like you are able to talk about a wide range of experiences that you have—both the joyful experiences, and then also the harder experiences and the anxiety and the other emotions that can go along with aphasia. You mentioned Dr. Davetrina Seles Gadson, who was recently on our podcast. The episode with her will be linked in our show notes. I'm wondering if you could describe how the group works a little bit more. What's Dr. Seles Gadson's role? What's your role? You mentioned that you meet twice a month? Tell us a little bit more about the nuts and bolts of it.   Michael Obel-Omia  And so we're all on here on the Zoom 12 of us, 14, 19 participants, and we can talk about it. What makes us tick? What's happening? So everyone can talk about something. Everything—we can talk about it. We talked for about an hour—what's happening, what's going on. And it's wonderful.   Twice, or three or four times, we've had Black Jeopardy, which is Jeopardy with Black people. And she asks great questions. It's a lot of fun to hear. And we can laugh about that as well. It's great. And it's a lot of fun to ask great questions. It's just fun to talk about that. And people feel really good about ourselves.   But we stop for a few seconds to talk about: “How can I get prescriptions? How can I find about someone [to answer] questions or ideas or opportunities or issues? I mean, how do I get somebody? How do I find somebody in Philadelphia? How to find somebody near Maryland about this question? How do I find this out? How do I find speech therapy? How do I find that?” And sometimes it's pretty frustrating. It's like, “Well, I don't know how to do this anymore. I used to meet with a speech therapist, and now they say, ‘No—no more anymore.' What can I do?” And so we talked about that.   Lyssa Rome  Yeah, yeah. So many frustrations and obstacles that aphasia can cause for people and I think it sounds like what you're describing is people with Aphasia in the group helping one another to find some solutions. Is that one of the functions of the group?   Michael Obel-Omia    Yes, I have the idea. I have aphasia. I have ideas of what I'm supposed to say, but sometimes I can hear people say something. And—excuse me, I try to be humble—I'm a pretty smart guy for years with aphasia. I was a teacher at Roxbury Latin, at William Penn Charter, University School. I was the head of school at Paul Cuffee School. I'm pretty smart. I can do that. Now, I got aphasia in 2016. I have the idea now, but I can't do it just right.   About a month ago with the Boston Globe—I just did an article in the Boston Globe about a time I was in North Carolina with Aphasia Access that day. Aphasia Access was wonderful with Stroke Across America. It was a wonderful, wonderful, wonderful night—Thursday, Friday, Saturday, Sunday. It was great.   I was at the airport in Durham, to get on at North Carolina at Charlotte. And I was anxious because I couldn't do something that the security officer asked of me and I froze. I was frightened. And I was very lucky—a very kind, very young Black man reached out to me, and said, “Come on, follow me. Come on.” And I followed him. And very simple, all of about 25 seconds. But I was very afraid. I was very worried about what I was supposed to do. What am I supposed to do right now? What do you want me to do right now? I was froze. But I walked easily—walked through very easily, very comfortably, very quietly. But yeah, I have aphasia. It's really hard. I can't imagine—I just can't imagine how hard life is sometimes.   Lyssa Rome  Yeah, yeah. And I mean, I think what you're describing are some of those moments where aphasia can really get in the way. And I can imagine that as a Black man in America, feeling frozen when someone has asked someone, say like a TSA agent in the airport, is asking you to do something, and you're not sure what they're asking you, there's an extra layer, or many extra layers, of experience, of history, of fear that goes along with that, that I'm not sure—as much as, say a white person who has aphasia can understand the experience of not knowing exactly how to respond to someone, not fully understanding what they're saying. I'm not sure that they can understand that, or it might be harder for them to understand that second level of your experience as a Black man with aphasia.   Michael Obel-Omia Yeah, being a Black man. It is very hard. I don't think on a podcast you can see my face, but I write things the way I look at things. I can look very serious and very angry. But you know, my face is angry and frustrated, and I have to deal with that sometimes. And I can't do anything about it. Sometimes, I look very angry, but it is what it is. And I understand that sometimes I can be looked at this way. It's one of the chances of life.   Lyssa Rome  Michael, you told us about the origins of the National aphasia Association's Black Americans with Aphasia Conversation Group, and talked a little bit about how that group works. I know that there are some other similar groups out there. And one of them is San Francisco State's Gray Matter Lab, which also has a Black Conversation Group. There are some Spanish-language aphasia groups as well. I'm wondering, what should people know about identity-based aphasia groups? What advice would you have for people who want to start a group like yours?   Michael Obel-Omia Every single lives have aphasia, 24 hours, seven days a week. Always aphasia. Always. When this ends, I have to go back to my house, or my apartment, my home, wherever, and I have to think about aphasia. I'm always thinking about having aphasia. So it's wonderful to think about aphasia for one hour, twice a month, I can relax. I can say what I feel about things. I can laugh. I can stumble and fall over words. And it's okay. That's all right. It's fine. It's wonderful. And that's what this opportunity does every time. We can talk among ourselves, with other Black people, smile, laugh, be comfortable, relax. We can be worried about things sometimes. We can be anxious about fear and anxiety. Mostly we can laugh, what we're doing. And it feels right. It feels good for one hour, once every twice a month. So yeah.   Lyssa Rome So I also had the chance to speak with some other members of the National Aphasia Association's Black Americans with Aphasia Conversation Group. And here's what they had to say about it.   [music]   My next guest is Dr. Roy Hamilton, professor in the departments of neurology, psychiatry and physical medicine and rehabilitation at the University of Pennsylvania, where he's the director of both Penn's Laboratory for Cognition and Neural Stimulation, and the Penn Brain Science, Translation, Innovation and Modulation Center. Dr. Hamilton also serves on the board of the National Aphasia Association. Dr. Hamilton, welcome to Aphasia Access Conversations.   Roy Hamilton  Thank you. It's such a pleasure to be here.   Lyssa Rome   So tell me a little bit about why you think it's important for Black people for people of color, maybe more generally, with aphasia to have a space to meet with other people who identify in the same way.   Roy Hamilton    Well, first, I want to take a step back and talk about aphasia as it occurs in individuals who identify as Black or African American, you have to understand that aphasia has a couple of principal causes. For many individuals, it's on the basis of having had a stroke. For others, their aphasia arises from having a neurodegenerative condition, something called primary progressive aphasia. But for both of those causes, whether it be neurodegenerative conditions like underlying Alzheimer's pathology, or whether it's vascular disease like stroke, it turns out that individuals who are African American are at substantively higher risk than the rest of the population. And because aphasia is the most common cognitive manifestation of stroke, if we understand that conditions like stroke are much more prevalent in this population, we're also talking about a population that is substantively more burdened by aphasia or challenged by aphasia. So just on the basis of what causes the condition, we understand that we're talking about a population that is at greater risk.   Now, having said that, in addition to the incidence and the prevalence of the condition itself, there are also many, many barriers that prevent individuals who are Black in this country from obtaining all manner of care, and amongst that care, ways to address, or ways to help with their aphasia. And so, targeted efforts are especially important when you're trying to overcome these kinds of barriers.   And then thirdly, in instances where individuals are able to access care, it's often the case that they're treated differently. They receive a different level or a different kind of care than the rest of the population. So that's another reason why it is important to be focused and intentional and to think about creating venues, creating spaces, where we can focus on the needs of individuals who are Black, who are living with aphasia.   Lyssa Rome   So then, tell me about what you think this group is doing for the people who are part of it?   Roy Hamilton   Well, I think one thing that's important about the group is that it provides a sense of community, a level of comfort. I think that that comes through in the kinds of things that are discussed, the kinds of conversations that are had. They often range towards topics that are culturally relevant, that feel comfortable to the group. And here again, I want to draw a distinction or perhaps point to another aspect of having a focused, intentional group that makes it valuable. Groups of individuals who are brought together to have conversations have an easier time having conversations when they are comfortable with each other, when they're comfortable with the setting, and when you're talking about topics that seem relevant to them. So I think bringing all those elements to a conversation group is a particular value. And I think it's a particular value to this group.   Lyssa Rome    You mentioned earlier about the incidence and prevalence of aphasia for Black people in this country. So is there anything else that you want to add that you think is important to have in here, from your perspective?   Roy Hamilton When we're talking about aphasia, and how it affects Black communities, I think the thing that I would emphasize is that this is not an issue that should only be of interest to individuals and communities who are Black, or persons who care for and work with persons with aphasia, who are themselves marginalized, or minoritized individuals. Health equity, and equity around aphasia is everyone's responsibility. And so I think it is perhaps as important, if not more important, that everyone be aware of disparities as they exist in aphasia, for individuals who are Black and other populations as well. And so I'm really glad that we are having this opportunity to have this conversation.   Lyssa Rome  Thank you. I think that that's an important note to end on. And I appreciate it. Thanks so much for taking the time to talk with me today, Dr. Hamilton.   Roy Hamilton Really, it's my pleasure. Thank you.   [music]   Lyssa Rome  My next guest is Dr. Donald Cunnigen, Professor Emeritus of Sociology at the University of Rhode Island, where he was the first Black full professor of sociology with tenure since the founding of the university in 1892. He was a member of the steering committee that started the Black Americans with Aphasia Conversation Group and continues to be an active member of the group. Doc, welcome to the show.   Doc Cunnigen  Thank you. What has it meant to me? It has been an important place where I can feel comfortable in sharing my experiences as a person who, well, basically suffers from dysarthria.   Once I was in another group, and I mentioned our group. And one of the members turned around and asked, “Why do you need an all-Black group?” And I had to say, “The fact that you asked that question is an indication of why we need the group!”   People feel comfortable in groups where they can express themselves the way they are, and not feel somewhat intimidated if they don't speak proper English or people are making fun of their dialect. You may not feel free to say things the way you feel like saying them. So we explore issues on a regular basis that deal with our daily lives. And a lot of people don't fully appreciate that we have a different journey through life as people of color. And we all have different racialized experiences.   There are some commonalities. But the one commonality is that we are Black in America, and that is a special thing in and of itself. And since we have aphasia, it somewhat colors all of our experiences, like negotiating the racism that one might find in institutionalized medicine. Sometimes it's subtle and other times it's blatant. But we often encounter it. And this group helps you to deal with it.   Lyssa Rome Yeah, yeah. It sounds like you're describing a space in which you can both be yourself and then also connect with others who have an experience that people who aren't Black—people with Aphasia who don't have that experience of being Black in America—just might have a very hard time understanding. And so to have that space seems like a very important thing.   Doc Cunnigen    Well it helps us to get through the day, but it also helps not only with those institutional things I referenced, but little experiential things that we have, that people with aphasia, dysarthria, or TBI only know. That we have to deal with. People bring up, “Oh I have this problem, or I have that problem.” And we can share those types of things. So this is a very comforting place, where people share with each other the good times and the bad times.   Lyssa Rome What advice would you have for people who are interested in starting identity-based aphasia groups?   Doc Cunnigen   Well, it helps to have someone who is sensitive to one's cultural or linguistic abilities. That awareness is helpful. It will also help if there is someone who is culturally or linguistically identified with the group, but it's not necessary, if you have the sensitivity. I think it is important not only for one to be sensitive, but to become a bit knowledgeable. Reciprocity, being able to exchange with the stroke survivor, is critical. Listen. Listening is very difficult for anybody, whether they have aphasia or not. Now that I have difficulty with my speech, I appreciate the ability to listen and have patience. Lyssa Rome Doc Cunnigen, thank you so much for sharing your thoughts about the group. I really appreciate it.   Doc Cunnigen  Thank you for having such a nice program.   [music]   Lyssa Rome    My next guest is Dr. Denise Mendez. Denise is an educator who worked for 29 years as a teacher, administrator, and curriculum coordinator. She has a website: morethanaphasia.com, and a podcast called Still Something to Say. Denise is one of the leaders of the Mid Atlantic Aphasia Conference and the facilitator of the Penn State Alumni Aphasia Group. She also participates in multiple aphasia groups, including San Francisco State's Black Conversation Group, and the NAA's Black Americans with Aphasia Conversation Group. Denise, welcome to the podcast.   Denise Mendez    Thank you so much, Lyssa.   Lyssa Rome   Denise, what has the NAA's Black Americans with Aphasia group meant to you?   Denise Mendez    Well, you know what? The conversation group, it's sort of like—this sounds corny—but it's family, you know. It's a comfortable, safe place for us to check with one another, “How are you? How's everything going?” It's very familial. I don't know, it sounds weird. But like I call some of the folks there, different ones, I'll say like, “Oh, that's my cousin.” You know what I mean? Like, you've got all these cousins down this family line, but aphasia is what made us connected.   So we encourage one another, we teach each other, we just share information from other people. The beautiful thing is, people are all over the United States. It's not just a little group out of Philadelphia, or out of the New England area, because that's where our leaders are, but we're all over the United States. And we're connected. It's very comfortable, where sometimes, different things that happen in the United States, I mean, come on, let's not even go into the whole history of the United States and all of that, but you're going to get different perspectives when it's a group with all African Americans there. You have different perspectives than, say, your general population. What's very good about the groups are the groups are aphasia-friendly. Nobody's talking up here. Nobody's talking underneath anyone. It's just a conversation. It reminds me of how we used to have in the summer, and your whole family would be there. What are those called when your family…   Lyssa Rome    Like a family reunion?   Denise Mendez     Reunion, thank you, when everybody's there. So you've got some young people there, you've got some of the seniors there, you've got the middle group there. But everybody's having a conversation, and everybody's putting a little bit of this on, we're sharing some music, we're sharing some games. And guess what, when people have a bad day, or a rough time, or they just need to vent, it's a space for them to do that as well.   Lyssa Rome    Yeah. That brings me to my next question for you, which is, you know, you've been part of these two groups plus many others. What advice would you have for other people with aphasia who are interested in starting an identity-based aphasia group?   Denise Mendez    You got to have trust, if people don't trust that this is a safe place, that this is a place that I can just say what I want to say, the way I say it, I don't have to measure my words, or people are going to judge me, because I'm using double negatives, or dropping off the INGs and things like that off your words, then it's just a more free conversation.   So I applaud anyone who would like to start an identity-based group. But just know, you can't just wake up and say, you know, I'm gonna do that tomorrow. You've got some homework to do. So do some homework, find out what the need is for the group. And just remember, you've got to be authentic, you may not be a part of the identity group. That doesn't mean you still can't be effective facilitating that group.   Lyssa Rome   I think that's great advice. And I really appreciate hearing from you about what this group has meant to you and also your thoughts about these kinds of identity-based groups in general.   Denise Mendez Yeah.   Lyssa Rome Dr. Denise Mendez, thank you so much for being part of this podcast.   [music]   Lyssa Rome Michael, I know you brought in the mission statement that you wrote, when you were starting the Black Americans with Aphasia Conversation Group. Would you like to share that with us?   Michael Obel-Omia    Yes. The Black American Aphasia Conversation Group is a place for Black people, the patient to share their stories, provide support, encourage meditative reflection, and brainstorm ways to advocate for relevant policies. This diverse, inclusive, aphasia-friendly group will discuss the unique challenges and gifts we share due to our experiences with disability and race. And it's open to all who support its mission of creating an emotional refuge for Black persons living with aphasia.   Lyssa Rome     I think that that mission statement is such an important summary of what you've been talking about, of the kind of space that it sounds like you've been able to create with this group.   Michael Obel-Omia     Well, thank you, thank you so much. With being this part, it's great for you to hear about it.   Lyssa Rome     It sounds like you've found, in that hard work and the advocacy that you've done, you found another way to make a meaningful difference for other Black people with aphasia, who are part of this group.   Michael Obel-Omia     Absolutely. Yes.   Lyssa Rome     Thank you so much for talking with us, for sharing about your group—about the National Aphasia Association's Black Americans with Aphasia Conversation Group. Michael Obel-Omia, it has been such a pleasure talking with you.   Michael Obel-Omia     Thank you very much.   Lyssa Rome     And thanks to Dr. Roy Hamilton, Doc Cunnigen, Denise Mendez and Darlene Williamson of the National Aphasia Association.   Thank you also to our listeners. For references and resources mentioned in today's show, please see our show notes. They're available on our website, www.aphasiaaccess.org. There you can also become a member of our organization, browse our growing library of materials and find out about the Aphasia Access Academy. If you have an idea for a future podcast episode, email us at info@aphasiaaccess.org Thanks again for your ongoing support of Aphasia Access. For Aphasia Access Conversations, I'm Lyssa Rome.

Vous écoutez Dig Dig Diggers, le magazine des radios Ferarock ! Romain de Radio PFM ouvre cette émission avec les tourangeaux de Mossaï Mossaï à l'occasion de la sortie de leur nouvel album Faces. On pense, en modèles, à la musique industrielle de Throbbing Gristle, à la noise de Sonic Youth ou Swans. Comme ces derniers, Mossaï Mossaï tord les formats, balaye les frontières de styles à une époque où tout invite plutôt à la prudence et aux standards. Jordane de Radio Méga reçoit alors Coco Aikura pour revenir sur son album A Place Called Home. Sa voix ronde et souriante embrasse des rythmes entraînants, dansant à la frontière entre l'atmosphère douillette d'un dimanche matin et l'euphorie d'un vendredi soir. Son univers évoque Agnès Obel et sa capacité à rendre ses mélodies majestueusement tristes, intenses et grandioses. Adrien de Radio PFM clôture ce magazine en présentant le festival Motocultor en présence de Yann Le Baraillec, programmateur du festival. L'occasion de redécouvrir le festival breton pour sa 14 ème édition du 17 au 20 août prochain à Carhaix. 

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Joining host Amanda Borschel-Dan today are military correspondent Emanuel Fabian, Palestinian Affairs correspondent Jack Mukand and, from the World Cup in Doha, news correspondent Ash Obel. Two explosions at two bus stops near entrances to Jerusalem on Wednesday morning killed one person and left another 22 people injured, police and medics said. Post recording, the victim of the Jerusalem bombing attack was named as 16-year-old Aryeh Shtsupak, a yeshiva student from Jerusalem's Har Nof neighborhood. Next, Fabian discusses the heartbreaking case of Tiran Fero, an 18-year-old 12th grader from the Druze-majority town of Daliyat al-Karmel, who was critically injured in a car crash in the West Bank and treated at a Palestinian hospital where he died. His body is believed to have been snatched by Palestinian gunmen from a hospital in the city, the military said. Podcast first-timer Jack Mukand speaks about some of the factors that led to the horrific beheading of Ahmad Abu Murkhiyeh, a gay Palestinian who sought refuge in Israel, only to be kidnapped and murdered in Hebron. Also joining the podcast for the first time is Obel, who is The Times of Israel's intrepid reporter onsite in Doha. He speaks about the availability of kosher food, approaching Iranian fans for interviews and how the tournament stacks up to Russia in 2018. Discussed articles include: LIVE BLOG, November 23, 2022 1 killed as terror bombings target 2 bus stops at entrances to Jerusalem; 22 hurt IDF: Body of Israeli who died after West Bank crash snatched by Palestinian gunmen Ghastly beheading lays bare the myriad perils for LGBT Palestinians fleeing to Israel ‘I'm talking to an Israeli journalist!' Giggles and grace from Iranians at World Cup Iran newspapers: World Cup loss due to protest pressure and ‘Zionist,' Saudi media Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Israeli police inspect the scene of an explosion at a bus stop in Jerusalem, November 23, 2022. (AP Photo/Mahmoud Illean)See omnystudio.com/listener for privacy information.

She's worked for Chicago's biggest newspapers and he's worked for Chicago's most successful radio stations. And now … they do email.Joining Charlie Meyerson for this edition of the Chicago Public Square / Rivet360 podcast, Chicago Media Talks: Axios Chicago newsletter authors Justin Kaufmann and Monica Eng.Listen in your favorite podcast player, via Spotify and Pandora, on Amazon's Alexa-powered speakers or on Apple Podcasts.Or if you prefer to read your podcasts, check out the transcript below.And if you're a completist, check out the behind-the-scenes raw audio and video from the recording of this podcast via Zoom on YouTube—including deleted segments like Eng and Kaufmann's answers (at 34:50) to the question, “How did Charlie most annoy you?” ■ Enjoying these podcasts? Help keep them coming by joining The Legion of Chicago Public Squarians.■ And consider subscribing—free—to the daily Chicago Public Square email newsletter._____Now, here's a roughly edited transcript of the interview with Eng and Kaufmann. Corrections? Email Squerrors@ChicagoPublicSquare.com.Charlie Meyerson 0:00 She's worked for Chicago's biggest newspapers, and he's worked for Chicago's most successful radio stations. And now, they do email.Monica Eng 0:08 At WBEZ they kept saying, “Would you like to write our newsletter?” And I'm like, “Are you kidding me? I'm a reporter! Stop with the insulting questions.” And now, like, I love it.Meyerson 0:20 Monica Eng is a longtime Chicago reporter who's covered food, culture, health and the environment for the Chicago Sun-Times, the Chicago Tribune and, yes, also at a radio station, WBEZ. Justin Kaufmann's a former talk show host and producer in Chicago at WBEZ and WGN Radio. They've teamed up to create the Axios Chicago newsletter, rounding up the day's biggest Chicago news plus coverage of their passions, including food and sports.Justin Kaufmann 0:44 Chicago is a different place. It is going to be a different newsletter than Denver. It should be a different newsletter than San Francisco.Meyerson 0:52 Coming to you despite a cough, congestion and a mild fever that a test assures me do not signify COVID-19, I am a well-medicated Charlie Meyerson with Rivet360 and Chicago Public Square, which, yes, is also an email newsletter. And this is Chicago Media Talks. Justin, what did you want to be when you grew up? And how did that lead you into Chicago radio?Kaufmann 1:14 You know, it's funny. My dad always reminds me that I was really into DePaul Blue Demon basketball when I was a kid and I would write up stories like sports stories of the games that they would show on Channel 9 at the time, like when DePaul would pay like Creighton, or Georgetown. And I would write—he showed me when I was older—like, these write-ups. So I think I wanted to be a sports writer in some form. But to be honest, I really wanted to be in radio. I love the idea I had my own— I did the announcements in high school and a lot of things to end up where I ended up to be a talk show host. So I think that that's what I wanted to be.Meyerson 1:53 High school announcements: You and I have that in common. Monica, what did you want to be when you grew up? And how has that shaped your career?Eng 2:01 I had no idea. But by the time I was 15, and my mom was dating Roger Ebert, he said, “Hey, so do one of your kids need a job this summer?” I said, “Well, I'm not going to be doing anything but watching TV. So maybe I'll go try this thing called being a copy clerk at the Chicago Sun-Times.” And from the first day I started working in the features department at the Chicago Sun-Times in 1985, I fell in love with it, and that's all I ever wanted to do—be a newspaper woman or a newswoman. I did not envision I would be an emailer, thanks for calling me that.Meyerson 2:35 It's an honorable profession. It's honorable. Eng 2:37 There was no email at the time, which was why I had a job. You know, putting the mail in the slots at the Chicago Sun-Times.Meyerson 2:45 How and when did you two first meet?Kaufmann 2:48 Ooh.Eng 2:49 Ooh.Kaufmann 2:49 That's a good question. Monica was world-renowned, you know, in Chicago media. And I think I booked her a couple times on talk shows on WBEZ. And then, you know, when Monica was looking to make a career change, she came over to WBEZ. So we worked together at WBEZ for a couple of years, working on talk shows and reporting.Eng 3:12 Yeah, well, yeah, I remember I remember. I used to hear you on the radio. And I was always a huge fan of WBEZ, and then you know, you, you'd say, “Hey, can you come on and talk about your Tribune stories?” And I thought, “Oh, this is fun.” So when you said, “Hey, there might be a spot here,” like, “You know what? I'm gettin' a little sick of the Tribune, maybe I'll think about that.” But as you recall, hiring at public radio sometimes takes a little time. So I think we were doing that dance for a couple of years.Kaufmann 3:39 Yeah, we had a lot of lunches at Fox & Obel, which is that high-end grocery store over on …Eng 3:44 … between Tribune Tower and WBEZ.Meyerson 3:47 How did you come to be a team on the Axios Chicago newsletter?Eng 3:51 Justin had already been working with the Axios daily podcast. So he kind of knew about that world. And we both had worked with Niala Boodhoo at WBEZ. And she was already there. She was quite an evangelist for the place. And I thought, “Whatever, I've never really even heard of this thing.” And so when she told us both about it, I think we're like, “Well, let's take a look at this.” I don't think either of us were like super-sure we wanted to do a newsletter because obviously we had different skills. We didn't like who has newsletter skills? Do people like graduate college knowing how to do this?Kaufmann 4:25 Yeah, I will say, Charlie, that the one thing that grabbed our attention, I think, was looking at what Axios was doing with newsletters—not just in the local markets, but what they were doing with Mike Allen and others who do the national newsletters—is they really did feel like a written talk show. And if you look at Mike's Axios AM, that's what it is. Mike is hosting a talk show—he's doing articles instead of segments—but it really had this vibe, this energy to it. He's connecting to his readers. He's engaging, he's going back and forth. It reminded me a lot of what I was doing at WGN Radio when I was doing a WBEZ with Reset. So it was an easy opportunity when they said they wanted to do it for Chicago, you know, it was a, it was a no-brainer to say, “OK, well, you know, could you do a talk show in an email format?” And that's what we've been, that's really our ethos, our mission statement, our philosophy, Monica and I, that this is a talk show in an email format, and it seems to be working.Eng 5:19 In fact, when we are when we're over length on these newsletters, Justin's like, “Oh, we gotta cut it for time.” I'm like, “Justin, we're not doing radio.”Kaufmann 5:28 It's hard to lose the little radio things like “cut for time.” “Listeners,” I always— Our readers are listeners, I always say that.Meyerson 5:37 It's easy to get those mixed up. You know, sharing some of that same professional DNA with you guys, I know that one of the hardest things I find in creating an email newsletter is deciding what not to put in. Because, as Monica has said, there's no time restriction, there's no length restriction, and deciding what doesn't go in is harder than deciding what does go in. How do you wrestle with that?Eng 6:00 Well, we do have a length: Nothing over 950 words. But that does make it harder. I mean, Chicago is full of, you know, a million stories in the naked city. And so how do you choose, you know, four or five a day? It's a terrible Sophie's choice to make.Kaufmann 6:16 That has been an issue where I think a lot of the editors and everyone were like, “You know, you're gonna have to do this every day, you're gonna watch out— Finding content will be an issue.” For Monica and I—because we've covered the city for years, and you know, this, Charlie; I read your newsletters and same idea—you could do 50 stories, you could do 100 stories. I mean, there's— time is nothing, so you're just like, yeah, every night at 10 o'clock, after we put the thing to bed, I'm like, “Darn it, we didn't talk about this, or we didn't do this.” And that reminds me of when I worked at 'BEZ and 'GN as well, where you would be down on yourself because you missed the topic that you think Chicago wanted to talk about.Meyerson 6:52 As we record this August 22, 2022, you've been with Axios just a bit more than a year. What's been a high point of that year or so with Axios?Kaufmann 7:00 I think, to me, the highlight has been just connecting with Chicago readers. I would have never thought this would be this successful. I mean, at the time we tape this, we're over 80,000 people who are signed up for it. The open rate is way above the average. And people are engaging and sending us emails on a daily basis on every story we do. It's way more than I ever had at WGN or WBEZ. I think that that has much to do with the format—I mean, people at their computers are like I can easily respond to this. But that has been the high point to me is watching that sort of evolved engagement from some of the other things that were— I mean, you know, Charlie, talk radio is all about engaged. So by getting people on the phone, like, that's where it's supposed— you think that's ingrained in the secret sauce of an AM talk radio station like WGN, but this supersized it. We're talking hundreds and hundreds of emails and people who want to engage.Eng 7:56 They can be overwhelming at times—because, yeah, it's like, “Oh, I want to respond to all 150 people who wrote to us today sharing you know, where they like to go, you know, for a picnic in Chicago, or, you know, what they remember about Tower Records.” So, yeah, similarly, I think, you know, the engagement. Yeah, of course, I got COVID during our first or before our first retreat, so I couldn't go, and Justin just loves to rub it in about how fun it was.Kaufmann 8:25 It was such a fun time without Monica. That really I think that's the secret sauce is that Monica wasn't there.Eng 8:30 Leave that old wet blanket home.Meyerson 8:32 All right, how about the low point of your first year with Axios? Monica?Eng 8:36 Oh, jeepers, I wouldn't say low point. But, I think, you know: Breaking news. During the strike, when omicron was raging and the CPS and CTU were fighting. We were doing really long days. And it was like, “Oh, shoot, something else just happened. Let's, you know, break the thing open again.” It can kind of it's actually very exciting to cover breaking news. But it was wearing and I think, you know, and well and then the Highland Park thing, day after day, turns into a manhunt it turns into to these things. And our bosses are actually great. They're like, “Look, are you guys feeling worn down? What can we do to kind of rejuvenate you.”Kaufmann 9:20 I think because we are news media creatures at best and at heart, it becomes really difficult to shut it off. And so, if there are breaking news stories on top of breaking news stories, we're not the type to bury our head in the sand. We're the type to say it doesn't matter if it's 8 o'clock, 10 o'clock at night, 11 o'clock, we get up and we start working again. And that is just part of the pitfalls of the job. I mean that you get burnout. You don't get a chance to have any sort of renewal moment or time to rest. You just gotta keep going.Meyerson 9:53 Just six years after its founding Axios is being bought by Cox Enterprises, the cable communications and historically a newspaper company, for a little more than half a billion dollars. What's that mean for you and Axios Chicago? Are you both millionaires now?Eng 10:09 Well, I guess quasi-millionaires maybe like, multi. It's actually, you know, I've been and Justin's been at companies that have been bought before, and it's usually bad, bad news. It actually appears to be good news, in this case. And, and our bosses made sure that they got a really good deal for employees as well. As far as we can tell, they're not going to touch the journalism, they just actually want more local journalism. Cox seems to really love the local end of it. And so I think it means we get more love and, and, and our bosses are talking about this as a multi-generational thing. They want Axios to be around generations after they're gone. And I think, as far as I can tell, that's, that's really gonna help with this. Kaufmann 10:59 Yeah, they're saying all the right things.Meyerson 11:00 When you say “good deal for employees,” what does that really mean? Eng 11:03 We get to sell a third of our stock. So everyone is vested, even people who have been there a short time, and you can sell a third of your stock to Cox and then later, we can sell it for actually an even better deal—you know, depending on the valuation of the company at the time.Kaufmann 11:17 You know, Axios is a young company. And it is interesting to see the difference in philosophy and styles when a young company is bought, as opposed to an older company. And I've been on both sides of the spectrum. I was there when WGN Radio was sold to Nexstar, before that tried to be sold to Sinclair. That is a different feeling. That's a feeling of dread. And, you know, they're coming in to change formats or cut or like even work in the newspapers. That's not what this is, this is a win for Axios, they got a media company to buy the product for a pretty sizable amount of money. And they look at it as this is an indicator and also, I would think, an encouraging sign that people are interested in the future of local news.Meyerson 12:03 Between the two of you, you have by my count, more than half a century of experience in newspapers and radio. What's your take on this, this email news business? Is it a fad? Is it here for the long run? Is it the successor in any way to traditional radio and television? Or is it something that you expect is going to fade away as something else comes along?Kaufmann 12:23 Well, I will say this: I think that obviously you've been a pioneer and doing email, and you've you found your voice, and that's really what it's about. It's not that everybody can go to email and, and be like, “All right, I'm just going to transfer my product to this new format and it's gonna work.” I mean, it's the same tenets. You have to be engaging, you have to have personality, it's about the tone. Everything is the same. It's just you're using words, and I think it's very akin to maybe what we saw in the early 2000s, with the blog movement. I think that that was something that at first people were like, “What, you're gonna put your—this is in the newspaper? It's digital? What are we doing?” And you saw some that became very successful and very profitable, and some that were middle of the road and some that died off. And I think that newsletters, especially independent newsletters, are in the same ballpark. I think it's the same game. It's just evolved. And I think that advertisers are more interested in putting their money into email newsletters because it's been tried and true by now.Eng 13:26 Yeah, if you'd asked me a year ago, I would have said, “What the heck email newsletters?” I mean, actually, I'll be honest: At WBEZ they kept saying, “Would you like to write our newsletter?” And I'm like, “Are you kidding me? I'm a reporter! Stop with the insulting questions.” And now, like, I love it. And it really is meeting people where they are. People our age still open email. My daughter, she's like, “Can't you just text it to me, mom?” So maybe these will be texted in the future. But it's respecting their time. It's curating for them. And it's yeah, it's going into the box that they open every morning.Kaufmann 14:05 I think it's all about advertising. And I think that the audience has been there. Charlie, you—we did it together at 'BEZ.Meyerson 14:13 Let's be transparent. You hired me to do WBEZ's— Kaufmann 14:17 Yeah!Meyerson 14:17 Well, it wasn't even— WBEZ in 2013 was not set up to send email to readers. So I did what should have been email but was just a blog at the time.Kaufmann 14:27 Yeah, but it was a news blog. It was similar. It's similar in the way to what you do right now with Square. I mean, it was a very similar idea. But that is where this— I mean, you could see the evolution from those kinds of posts that were important—that people would go to the URL to check it out every morning to see what Charlie had to say about Chicago news. Now, they've just like podcasts, they figured out a way to take these blog posts and give them right to you in an email format. And that is that I mean, if you really think about podcasts, that's where the world changed when you were doing radio and it was appointment and I had to go to a dial. I had to actually punch the numbers in. Now they found technology that just puts it on my phone when I wake up. And that's a big difference. That's why you have … so much audience there because they're not having to do anything. It's almost like the media industry is finally figuring out, you have to go where the audience is at as opposed to trying to get them to come to you.Meyerson 15:20 A colleague in the broadcast business once talked about his organization's ability to train listeners to do certain things at certain times. That seems to be a notion that I think is going away. I don't even know when my favorite TV shows are on, they just show up on my TV when I want to watch—Kaufmann 15:34 When you're ready to watch them! Exactly! Right? I mean, I watched two or three TV shows over the weekend that were season finales from two weeks ago. And I didn't have any problem with it. I knew how to avoid the spoilers. We're not living in this collective zeitgeist anymore, where everybody's watching one episode of Lost. There's a lot going on. And I feel like that is the same with we talked about podcasts, you talking about newsletters, talking about news. And I think that what I find interesting is just the idea that Monica and I are, we get this all the time from listeners—or readers. Sorry, there you go—that say, “I get all my stuff from you.” You know that—Eng 16:11 Which is scary. Come on, guys, you shouldn't be—Kaufmann 16:13 Yeah, it is scary. You should read other stuff for sure. I mean, but I think it'd be the same with your readers, Charlie. I mean, they're coming to you, they can go get the stories from different places. But they're coming to you for that five, three to five minutes in the morning. For them to say, this is what I this is what's going on. And this is what I need to know what's going on.Meyerson 16:28 You know, “We read the news so you don't have to” is one approach to email newsletters, I think. How has the pandemic played out for you, as you create the Axios Chicago newsletter? Monica? Eng 16:40 Well, we started it like 1/3 or halfway into the pandemic. And so, I'm thrilled to be at an organization that says “We will be remote all the time.” If you're in New York, and you want to go to the New York office, or in Virginia and want to go there, that's great. But they say “Home is where your office is,” and we get a nice fat stipend every month to make our home a nicer place. And you can spend it on flowers or a dog or whatever — Meyerson 17:12 A dog? I'm impressed. Eng 17:14 I mean, anything that will make your home a nicer place to do your job. But for younger people for whom work is like the place where you're gonna meet your mate, and you can learn from older journalists, I could see how it's a problem. The world, you know, we know it all.Meyerson 17:29 You're both youngsters compared to me! Justin, how did the pandemic play out for you?Kaufmann 17:33 Well, I mean, I left—I got, you know, tossed outta WG

Fifteen-Minute Cities, plus Climate Champion, Carlos Moreno, and the Obel Awards

Hoher Besuch bei „Spitz auf Knopf“ – Till Hoheneder, eine der beiden Chef-Cousinen schaut vorbei. Zusammen mit Atze Schröder geht Till jeden Freitag im Podcast „Zärtliche Cousinen“ auf Sendung. Till ist Comedian, Comedy-Autor, Musiker, Sänger, Gitarrist und Podcaster. Mit Carsten spricht er über sein erfolgreiches Comedy-Duo „Till & Obel“ in den 1990er-Jahren, seine besondere Verbindung zu Atze, die Leidenschaft zur Musik, seine Stärken und Schwächen und warum ihn ein Satz von Horst Lichter aus den Socken gehauen hat. Viel Spaß mit einem besonders offenen, ehrlichen und gleichzeitig sehr unterhaltsamen Gespräch.

Mein heutiger Gast ist Spiegel-Bestseller-Autor, Musiker, Comedian - und betreibt gemeinsam mit seinem langjährigen Partner und Freund Atze Schröder den Nummer 1-Podcast „Zärtliche Cousinen“, der mittlerweile mehr als 1 Millionen Abonnenten verzeichnet. Als Autor hält er seit Jahren so einigen Künstler*innen der Comedyszene den Rücken frei und erarbeitet gemeinsam mit ihnen Bücher und Programme, die dann auf den grossen Bühnen und in den TV-Studios beklatscht werden, während auf den Familienmenschen Till Hoheneder zuhause in Hamm die möglicherweise die noch nicht ausgeräumte Spül- oder Waschmaschine wartet… Nach einer extrem erfolgreichen Bühnen- und TV-Karriere in den den 90er Jahren mit Till & Obel, ist er nun als Co-Host seines Podcasts „Zärtliche Cousinen“ neben Atze auch mal wieder Frontmann… Und ich mag die Art wie Till zwischen den Welten navigiert - sich selber und auch seine kreativen Sparringspartner reflektiert - verbal gerne mal kurz vorsprintet - und doch ganz genau weiss, wo beruflich und ganz persönlich sein Zuhause ist. Und darüber sprechen wir in dieser Podcastfolge und erfahren wo er herkommt, was ihn nervt, inspiriert und zu diesem Menschen mit dem grossen Herzen gemacht hat.

Dans Le Coin des Confidences, on dit tout à VERO au Boudu fil ! Chaque semaine, un artiste parle de son projet musical et dévoile sa playlist perso. Cette semaine : Dame Géraldine Page de l'Artiste : https://www.radiolocalitiz.fr/dame-geraldine/ Auteur, compositeur, interprète, elle rencontre son piano à l'âge de 7 ans. Avec 11 ans de formation classique et jazz, elle obtient son Bac musique et s'intéresse à la composition. Son nouvel Ep "I will go" est un univers feutré d'influence Pop porté par un climat cinématographique. 7 titres réalisés au Studio Elixir à Toulouse avec la participation de Thibault Monsch au saxo alto, Giovanni Scardino à la basse, et Léo Hugot à la guitare électrique ; il est disponible sur toutes les plateformes de téléchargement légales   Dame Géraldine - I will go Il est très bien accueilli auprès des médias locaux : France Bleu Occitanie, La Dépêche du Midi, France 3 Occitanie . Ses chansons arborent une pop cinématographique sensuelle, en français et en anglais, à mi-chemin entre London Grammar, Tori Amos et Agnès Obel. Retrouvez les clips de ses derniers titres en image sur sa chaîne YouTube ! Elle fait découvrir sa musique sur Soundcloud , elle compose des pianos intimes et introspectifs pour évoluer vers des thèmes cinématographiques ; avec plus d'1 million d'écoutes, elle travaille à présent pour des éditeurs comme BMG Production Music ou encore le Label Lost Tapes (Publicis - Prodigious France). Dans son prochain album à venir, elle fait évoluer ses parties rythmiques avec un zeste de textures électro pour colorer le tout ! Voici un aperçu avec sa reprise de Blinding Lights . Des collaborations sont également en cours, comme la sortie du titre "Waterfalls" le 19 Marschez Dbeatzion Records, en collaboration avec Christophe Daugé : Dame Géraldine & Late Than Ever - Waterfalls on Spotify. "In love with creation since I am a child, I'm writing as I'm breathing" Le Coin des Confidences : https://www.radiolocalitiz.fr/le-coin-des-confidences/ Titres diffusés : Dame Géraldine - Sacha, au nom de quoi ? : https://music.apple.com/fr/artist/dame-géraldine/1522139255 London Grammar - Wild Eyed : https://music.apple.com/fr/album/wild-eyed/1447135178?i=1447135404 Womack & Womack - Teardrops : https://music.apple.com/fr/album/teardrops/1443082736?i=1443083810 Charlotte Cardin - Sex To Me : https://music.apple.com/fr/album/sex-to-me/1547994105?i=1547994121 Zouk Machine - Maldon : https://music.apple.com/fr/album/maldon-version-originale/525382182?i=525382185 Sade - No Ordinary Love : https://music.apple.com/fr/album/no-ordinary-love/604770232?i=604770783 Dame Géraldine -  Je flotte : https://open.spotify.com/track/5asnE2yzv4TT9eNeqrIUDg?si=47cf8e615cc146fe

Vi præsenterer status og bud på, hvordan vi kan hjælpe børn og unge med mentale helbredsproblemer bedre. Alt for mange danske børn og unge lider for længe og unødigt, fordi opsporing og forebyggelse er usystematisk og utilstrækkelig. Og fordi de indsatser, der skal hjælpe dem, er for spredte og usammenhængende. Pia Jeppesen har udviklet redskabet Mind My Mind, som er evidensbaseret og effektivt.  Med Carsten Obel, professor i almen medicin og mental børnesundhed, Pia Jeppesen, Ph.d., seniorforsker og overlæge i børne- og ungdomspsykiatri og Bjørn Holstein, professor emeritus og forsker i børnesundhed. Vært og tilrettelæggelse: Line Gade Redigering: Lærke Sødring Nielsen Udgives af firmaet Sundhedskommunikation

Toujours sous couvre-feu, avec des confinements locaux qui se déclarent dans plusieurs zones en France, l’arrivée définitive des beaux jours se fait plus qu’attendre. Nous voilà déjà au 10ème épisode de la saison 2 et, pour ce nouveau périple, on se laisse porter - entre autres - par l’entraînante soul psychédélique de Common Saints ou la douce nonchalance de MOSSS. Et c'est sans compter les rythmes caressants du trio américain Holy Hive, la grâce mélancolique d’Agnès Obel ou encore le compositeur Max Richter et ses rêveries symphoniques. Toutes les tracklists sont à retrouver sur le compte Soundcloud de Dernier Métro. Prochain rendez-vous le dimanche 14 mars.  

Toujours sous couvre-feu, avec des confinements locaux qui se déclarent dans plusieurs zones en France, l'arrivée définitive des beaux jours se fait plus qu'attendre. Nous voilà déjà au 10ème épisode de la saison 2 et, pour ce nouveau périple, on se laisse porter - entre autres - par l'entraînante soul psychédélique de Common Saints ou la douce nonchalance de MOSSS. Et c'est sans compter les rythmes caressants du trio américain Holy Hive, la grâce mélancolique d'Agnès Obel ou encore le compositeur Max Richter et ses rêveries symphoniques. Toutes les tracklists sont à retrouver sur le compte Soundcloud de Dernier Métro. Prochain rendez-vous le dimanche 14 mars.

Du « 105e étage » de « la bibliothèque de Babel », ce jeune musicien venu de Saint-Etienne aimerait « stopper le progrès intellectuel de l'humanité », avant d'improviser au piano sur un thème de Stevie Wonder.« Videz les jerricanes. » Mi-2020, l'effondrement à venir de la civilisation industrielle nous offrait une ritournelle en deux minutes trente-deux. Derniers dans le monde, signée Fils Cara, conte la fonte des pôles, ainsi qu'un « crash » imminent – prétexte comme un autre pour tout arroser d'essence et craquer une allumette – où jaillit cet avantage : bientôt, « plus de fric et d'armes, on sera si bien » ; lisons d'ailleurs cette punchline comme le marqueur de ce qui sépare ce musicien à col roulé de 25 ans, venu de Saint-Etienne et prénommé Marc, de ses confrères du rap game.« Cara » est le nom de sa mère, « une personne extrêmement travailleuse » dont le patronyme fut choisi par le fils pour servir de « bonne étoile ». Début 2019, celui qui se décrit comme un « diamant dans un océan de merde » (sur Petit Pan) arrête son boulot d'ouvrier en usine « et les fins de semaine rincées par le labeur et le goût du café » pour monter à Paris et publier, flanqué de son frère Francis au piano, deux mini-albums de huit titres, Volume (2019) et Fictions (2020) via le label Microqlima, écosystème des expériences d'Isaac Delusion ou de L'Impératrice. Ce n'est pas tellement du rap, en fait ; plutôt de la chanson humble et sensible. En témoigne ses marottes musicales éclectiques, de Bon Iver à Booba, de Gainsbourg aux Sages Poètes de la Rue, en passant par Agnès Obel et Nirvana – groupe à propos duquel il est incollable au point de désigner ses premiers sons sous le nom de « sub pop », en clin d'œil au premier cocon des rois maudits du grunge.« Savoir écrire, c'est dire n'importe quoi sur un ton plus ou moins radical », dit-il. Plus ou moins, en effet : on découvre ainsi les rimes douces-amères d'un lecteur de l'écrivain Jorge Luis Borges – auteur d'un célèbre et génial recueil de nouvelles intitulé Fictions, en 1944. Il n'est donc pas étonnant de l'entendre nous proposer, en nous téléphonant d'une cabine située au « 105e étage » de la « bibliothèque de Babel » (Borges, encore), la fondation d'une « académie de l'oubli » à destination de « futurs enfants », visant à « stopper le progrès intellectuel de l'humanité, pendant quelques années », le temps de retrouver « l'état de nature » et « des vies superficielles » jusqu'à… oublier « l'existence même de l'académie ».Fils Cara se rappelle, cependant, des notes du morceau qu'il reprend spécialement pour Nova : Seasons, instrumental cosmique tiré du double album Journey through the secret life of plants (1979) de Stevie Wonder, soit la bande-son d'un documentaire lui-même adapté de l'enquête des journalistes Peter Tompkins et Christopher Bird sur les prétendues « perceptions extra-sensorielles » des végétaux. Merci, Fils.Réalisation : Mathieu Boudon.Image : modélisation de la nouvelle Le Jardin aux sentiers qui bifurquent, de Jorge Luis Borges, par le département neurologie de l'Université de Californie (2018). See acast.com/privacy for privacy and opt-out information.

Inden for hjemmets fire vægge bliver flere og flere ting mere og mere automatiserede og digitale. Men de danske virksomheder, der bygger, leverer til eller servicerer danske boligejere lever ikke op til den stigende efterspørgsel på Smart Home-løsninger.Professor Børge Obel og postdoc Lone Kavin giver i denne podcast ideer til, hvordan man som virksomhed i byggesektoren kan lave en god forretning på Smart Home.

durée : 00:07:33 - Dans la playlist de France Inter - par : Jean-Baptiste AUDIBERT, Thierry Dupin, Muriel Perez, Julien Deflisque - Voici dix ans qu’Agnès Obel brouille les pistes avec un succès qui va de pair avec ses exigences.

I podcasten til 2. juledag taler Lars Obel, Aldersro-Lundehus og Hans Egedes pastorat, med Johanne Stubbe Teglbjærg Kristensen, institutleder ved systematisk teologi og ulønnet hjælpepræst ved Søborgmagle Kirke. Det handler om synd og død, og om hvordan man prædiker evangelium på Sankt Stafans dag, så hele liturgien synger med.

Det handler om identitet i samtalen mellem Lars Obel, Aldersro-Lundehus og Hans Egedes pastorat, og Jesper Tang Nielsen, præst ved Københavns og Vartov Valgmenigheder. Præster og levitter spørger, hvem Johannes er? Jesper Tang Nielsen fortæller om Johannesevangeliets Johannes, og det diskuteres, om Johannes' svar også kan have noget at sige vores identitetssøgende samtid?

Vladimirs Zismans ir mūziķis, kurš strādājis gan operā, gan simfoniskajā orķestrī, piedalījies vairākos mūziklos. Viņš rakstījis recenzijas un esejas, grāmatu bērniem „Orķestris un tā iemītnieki”, bet Gundara Āboliņa uzmanību piesaistīja viņa asprātīgā grāmata "Ceļvedis orķestra pasaulē un tās pažobelēs". Zismana darbu latviski tulkojis un fragmentus priekšā lasa Gundars Āboliņš. Izdod „Upe tuviem un tāliem”.   Raidījumu atbalsta:  

Børge Obel is a professor at the Interdisciplinary Center for Organizational Architecture, Business and Social Sciences, Aarhus University, Denmark, and professor at EIASM, Brussels. He teaches graduate courses in organizational design and digital transformation. Børge holds a Ph.D. and a Dr. Oecon. from Aarhus University, Denmark. His research interests fall within strategy, management, and organizational design. Børge is the lead expert in EcoMerc on Strategic Organizational Diagnosis and Design. Børge Obel has published several books including Organizational Design: A Step-By-Step Approach, Cambridge University (jointly with Richard M. Burton and Geraldine DeSanctis), second edition 2011, and the third edition with Richard M. Burton and Dorthe Håkonsson. He has published numerous academic papers including papers in Strategic Management Journal, Organization Science, ASQ and Management Science. He was the founding editor of Journal of Organization Design. He has served as an advisor to the Danish Government on e-infrastructure. He also serves on a number of company boards. - TIMESTAMPS - 00:00:00 – Podcast Start 00:01:07 – Borge Obel - Introduction 00:05:00 – Virtual vs Distributed vs Remote Work 00:11:10 – Is remote work here to stay? 00:14:40 – Organizational design for remote work 00:18:28 – Remote work and its effect on team coherence 00:21:35 – Opportunism and cheating when working remotely 00:24:35 – Are matrix or functional organizations suitable for remote work? 00:28:18 – Designing better remote organizations with the use of data 00:34:20 – Designing incentives for remote organizations 00:36:40 – Power and promotions when remote: “the virtual rat race” 00:39:57 – Insights on all-remote companies from an organizational design perspective 00:46:13 – Organizational design advice for companies moving or starting remote 00:49:38 – Future organizational design research areas that are driven by the Covid-19 pandemic 00:55:24 – Final thoughts on remote work MAKING REMOTE WORK - is a limited series led by the ORGANIZATIONAL DESIGN COMMUNITY and hosted by SKILLS FOR MARS. It is a public service video-podcast in response to the COVID-19 pandemic. It will host 20+ researchers and practitioners in the field of distributed work. They will share their insights and knowledge to support companies and employees who are making this transition. If you are interested in the Future of Work - consider subscribing to Skills for Mars: https://bit.ly/3cA2UF1 Support the Skills for Mars podcast? Please visit: https://www.skillsformars.com or https://www.patreon.com/skillsformars - LinkedIn @skills for mars - Facebook @skillsformars - Instagram @skillsformars - Twitter @skillsformars Support this podcast

Der er kommet en ny app, som skal hjælpe forskere med at håndtere corona-virus. Men hvordan fungerer app'en COronaVIDen app? Daniel Cesar taler med Carsten Obel, der er Professor i almen medicin og mental børnesundhed ved Institut for Folkesundhed ved Aarhus Universitet, samt er faglig hovedansvarlig for app'en.

Heute vor 17 Jahren, am 15. Oktober 2003, feierte "Das Wunder von Bern" seine Premiere. In der Lichtburg in Essen wurde der Kinofilm erstmals einer breiten Öffentlichkeit präsentiert. Eine kleine, wenn auch feine und für mich als Fußballkommentator interessante Rolle spielte Andreas Obering. Der als "Obel" bekannte Comedian verkörperte den Rundfunkreporter Herbert Zimmermann. Mit "Obel" habe ich über seinen kuriosen Weg zum Film gesprochen, die Dreharbeiten und habe hinter die Kulissen des wohl erfolgreichsten deutschen Sportfilms geblickt.

Heute vor 17 Jahren, am 15. Oktober 2003, feierte "Das Wunder von Bern" seine Premiere. In der Lichtburg in Essen wurde der Kinofilm erstmals einer breiten Öffentlichkeit präsentiert. Eine kleine, wenn auch feine und für mich als Fußballkommentator interessante Rolle spielte Andreas Obering. Der als "Obel" bekannte Comedian verkörperte den Rundfunkreporter Herbert Zimmermann. Mit "Obel" habe ich über seinen kuriosen Weg zum Film gesprochen, die Dreharbeiten und habe hinter die Kulissen des wohl erfolgreichsten deutschen Sportfilms geblickt.

Als mein heutiger Gast zum ersten mal ein TV-Star war, war Comedy im deutschen Medien-Sprachgebrauch noch nicht wirklich geläufig und - „Till & Obel“ sind damals wohl eher als Musik-Kabarett durchgegangen.. Und ich erinnere mich noch sehr gut: Als ich Ende der 80er Jahre zum ersten mal länger als 20 Uhr fernsehen durfte, waren sie aus den grossen TV-Shows nicht wegzudenken. Ich habe Till Hoheneder in einer Talkshow kennengelernt und wurde hellhörig, als er dort von den Talsohlen seiner Laufbahn, Scheitern und Selbstzweifeln, sowie seinem Quasi-Neuanfang sprach, der gleich mit einer absoluten Herzensangelegenheit begann. Dem Schreiben des Bestsellers „Ein Schnupfen hätte auch gereicht“ gemeinsam mit Gaby Köster über ihr Leben mit und nach ihrem Schlaganfall. Wir sprechen über den Bühnen-Till, den Dienstleister-Till - und was es nach all den Jahren mit ihm macht, mit dem Bühnenprogramm und Podcast „Zärtliche Cousinen“ gemeinsam mit Atze Schröder wieder vor den Vorhang zu treten. Wir treffen uns in Münster - einer Stadt ganz in der Nähe von Hamm - wo Till Hoheneder zuhause ist.

Der Gast dieser Ausgabe hat eine unglaubliche Karriere hingelegt und mich schon als Gymnasiast begeistert, als Teil des legendären Comedy-Duos „Till & Obel“. Zuletzt ging sein Podcast "Zärtliche Cousinen", den er zusammen mit Atze Schröder produziert, durch die Decke: Till Hoheneder, längst einer der erfolgreichsten Comedy-Autoren und Ghostwriter für Bestseller wie Gaby Kösters Nummer 1-Buch „Ein Schnupfen hätte auch gereicht“. Er bekommt den Deutschen Comedypreis und hält auf der Bühne mit seiner Band den Geist des guten Rock am Leben. Wir sprechen über Alkohol beim Fernsehen, die spannende Story hinter den Cousinen, unglaubliche Begegnungen mit Stars - und was gute Comedy heute ausmacht. Ich habe mich über diese Begegnung sehr gefreut. Viel Vergnügen!

This week, a conversation with renowned Danish pianist, experimental composer, and atmospheric-folk songstress Agnes Obel. Recorded high above Hollywood in the famed Capitol records building (Obel was recently signed to Blue Note Records), host Z. Lupetin takes an intimate tour of her newest work “Myopia”, which shows Obel at her most personal and aurally fearless. Born in Copenhagen and based in Berlin, Obel's albums warrant repeat listening, as it's often hard to know exactly what instruments are playing at any given time. At times the darting, looping piano and quicksilver string work seem like a chamber orchestra, or maybe the songs in “Myopia” are secretly the technicolor backdrop and emotive score to a film that only she sees. It's been nearly a decade since her transcendent DIY debut album “Philharmonics” put her into many people's minds (she may not be very well known yet in the States, but she is a gold-record selling underground star in many parts of Europe). This past Spring, Obel was supposed to be playing the expansive Greek Theater in Los Angeles before Covid-19 forced her to stay in Berlin, which for an artist that creates hushed, often lyricless songs you probably can't dance to, is an impressive leap. Listen to her newest “Myopia” on Blue Note Records.

I podcasten til fjerde søndag efter trinitatis taler sognepræst Lars Obel med Lotte Blicher Mørk, præst ved Rigshospitalet, om Guds dom og menneskers, om uretfærdighed, og håb i håbløsheden - og så lidt om præstesnak og damebladsromantik.

I podcasten til trinitatis søndag taler Lars Obel, sognepræst Aldersro-Lundehus og Hans Egedes pastorat, med Niels Nymann Eriksen, sognepræst ved Apostelkirken i Vesterbro Sogn med særligt fokus på missions og kulturarbejde. Det bliver en samtale om missionsbefalingen; om det kristne imperativ Gå ud!, om trinitetsfigurer, og ikke mindst om troens Anker.

I podcasten til Kristi himmelfart taler Lars Obel, Aldersro-Lundehus og Hans Egedes pastorat, med Rasmus Nøjgaard, sognepræst i Sankt Jacobs sogn, om at forkynde syndernes forladelse, velsignelse, det eksistentielle grundvilkår og kristentroen.

Dans la capsule numéro 5, vous entendrez les mots Laurence Goubet. Après avoir travaillé 8 ans dans le milieu de la musique, Laurence Goubet s’est formée en cuisine à Montréal avant de s'orienter vers l'événementiel, le journalisme culinaire et le conseil en restauration. Elle s’est notamment investie dans le développement de l'association Le RECHO qui a pour but de créer du lien par la cuisine auprès des réfugiés, avant de rejoindre Nantes où elle a créé le média et l'association Les Bouillonnantes qui valorise, fédère et accompagne les lieux et acteurs du bien-manger (et du bien-boire).  Nantes. Samedi 14 mars. Le gouvernement annonce l'inévitable décision de fermeture des bars et restaurants. Comment puis-je seulement imaginer ma ville d’adoption dénudée de cette joyeuse animation ? Avec cette annonce, l'envie de me confiner arrive avant même que, 3 jours plus tard, nous y soyons tous contraints. Et rapidement c’est un nouvel espace qui s'ouvre à moi. Il contient les prémices de mes fantasmes les plus sauvages. Comme si, enfin, le droit m’était donné de faire une pause et de me réinventer dans l’intimité introspective d’une vie sobre et frugale. Comme une escapade improvisée sur une île imaginaire et lointaine, loin du non-sens de nos vies urbaines. Loin de l’agitation démesurée de notre quotidien. Une escapade silencieuse empreinte d’abandon et d’enchantements nouveaux. M’entourer de vide. Éteindre la radio. Relire Sylvain Tesson, Amin Maalouf, Romain Gary, Zola, Andrée Chedid ou Stefan Zweig. Écouter le calme, le bruissement des feuilles... et de temps à autre, un peu de Ravel, de Radiodeah, Rachmaninov, Agnès Obel ou Dominique A. (la suite sur www.ceuxquinouslient.fr)

I podcasten til 3. søndag efter påske taler Lars Obel, Hans Egedes, Lundehus og Aldersro Sogne, med Kathrine Lilleør, sognepræst i Sankt Pauls Sogn, om forræderi, tilgivelse, og det forfærdede hjerte, om knap så uskyldige spørgsmål, og de mange boliger og den ene vej – ja, om vejen, sandheden og livet.

Lars Obel, sognepræst i Hans Egedes, Lundehus og Aldersro sogne, taler med lektor i etik og religionsfilosofi ved Det Teologiske Fakultet, KU, dr. theol. Carsten Pallesen om teksten til påskedag.

Presentado por Jordi Anell, Mar Merchán y Victoria Oliveras. Con la participación de @Locura__ con lo último de SuperParientes. Adryan Ruíz con lo ultimo de la TV y ESTA CASA ES UNA RUINA, culebrón ToñoBelén House. La opinión de los twiteros y del chat de youtube. Puedes colaborar con las emisiones a la radio en: https://www.paypal.me/Vuelo714Radio

In der heutigen Podcastfolge lernst du Stephan kennen. Stephan ist der Erfinder eines Supplements, welches unbedingt zu deinen daily Supps gehören sollte – Chlorophyll. Aber nicht irgendein Chlorophyll, sondern das erste liposomale Chlorophyll. Ein solches Produkt gibt es in der Qualität noch nicht auf dem deutschen Markt. Du erfährst natürlich auch sehr viel über Stephan und vor allem, wie er auf die Idee gekommen ist, Unternehmer und Produktentwickler zu werden. Du wirst viele Parallelen zu anderen erfolgreichen Menschen erkennen, weil alle immer wieder feststellen, dass das beherrschen und befolgen der universellen Gesetze zum Erfolg führt. Über den Link, kannst du dir dein liposomales Chlorophyll bestellen und mit dem Rabattcode CEO20 erhältst du 20% Rabatt – mega oder? J Viel Spaß beim Reinhören - schön, dass du da bist! Alle Infos zu Stephan bzw. MAWEJU Instagram: https://www.instagram.com/maweju_inc/ Facebook: https://www.facebook.com/mawejuvital/ Website: https://maweju.com/?ref=k2tivqq5gza Rabattcode: CEO20 Youtube: https://www.youtube.com/channel/UCiVaWFtFgSH9mQLBXWtpEUQ Empfehlungen von Stephan: Reportage über Tierhaltung (Earthlings) https://www.youtube.com/watch?v=WqT5g9y4dmE&has_verified=1 alles zu Frank Jester: https://frank-jester.com Buchtipp: das grüne Blut: https://amzn.to/3c3SzC0 Wir freuen uns auf dein Feedback: hallo@ceodeineslebens.com oder per DM auf IG/ Fb. Hier findest du uns! Feel free to follow:
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 facebook.com/ceodeineslebens Unsere kraftvolle Fair Fashion findest du hier:
 instagram.com/5to12am https://5to12am.bigcartel.com Tausend Dank an Lexer für die Intro und Outro Beats! facebook.com/Lexer.Official
 instagram.com/lexer_official Für die Studioaufnahmen+Beat Mixing special thanks to Bre Beatz & Our Life Music! instagram.com/bre_beatz www.ourlifemusic.de instagram.com/ourlifegmbh Danke an den besten Fotografen Leipzigs, Mr. Tom Thiele, für das nice Coverfoto: 
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Historisk sex uden samtykke: Dansk voldtægtslovgivning skal skærpes, mener regeringen, så et nej til sex ikke kan gradbøjes. Sammenfilteringen af kønsdrift og jura er ikke noget nyt: Helt tilbage i 1200-tallet var der lovgivning, der regulerede kødets lyst. Kulturen på P1 ser tilbage på 800 års voldtægtsjura. En meget lidt kendt top-idrætskvinde: Danmark har fået en verdensmester, men de færreste har hørt om hende. For det, Vicky Dose gør bedre end sine konkurrenter, er at spille computerspil. Kulturen på P1 får besøg af en kvinde i E-sportens udprægede mandeverden. En stille stjerne på nye eventyr: Hvis man kan brage ind på hitlisterne med et afdæmpet klaver, så var det hvad Agnes Obel gjorde i 2010, da hun udgav sit debutalbum. Nu er Obel på Europatur med ny musik, som hun indtil videre har talt meget lidt om - men i Kulturen på P1 i dag giver Agnes Obel sit første interview herhjemme om den nye retning, hendes musik har taget. Tiden sletter ikke alle spor: En jernalderudgravning nær Skanderborg er et rent rædselskabinet: Her fandt en blodig massakre sted for to tusinde år siden, man ved bare ikke, hvem der massakrerede hvem. En ny bog samler den viden, arkæologerne trods alt har gravet frem om et drabeligt fortids-mysterium, og Kulturen på P1 bladrer i den. Værter: Tore Leifer og Jesper Dein.

durée : 00:03:51 - Pop N' Co - par : Rebecca Manzoni - La chanteuse et musicienne danoise Agnes Obel vient de sortir un nouvel album intitulé 'Myopia'. Une fois encore, c'est un disque singulier, « inclassable ». Une fois encore, Agnes Obel fait fi des modes. Une fois encore, elle ose et expérimente. 'Myopia' est à l'affiche de Pop N' Co ce mardi.

Les chroniques complètes de nos journalistes sont à retrouver dans l'article Musique en bref, sur maze.fr. Générique : Neko Flash

On her fourth LP Myopia, Danish musician/composer Agnes Obel is looking deeper into herself than ever before. As an artist, Obel requires isolation to create, but what happens when that self-created world cannot be trusted? Love, death, and our relationship with the world around us all take a seat at the table on this atmospheric journey into the self.PLUS! Who, or what is Maximilian and The Reinhardt? Tune in and find out everything you need to know about this new project, and bear witness to their first single, “Pardon This!”.We’re part of the Osiris podcast network. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. To stay up to date on what we’re up to, visit our site and sign up for our newsletter. Osiris works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live music. See acast.com/privacy for privacy and opt-out information.

durée : 00:54:03 - Et je remets le son - par : Matthieu Conquet - Auteur de Bande Dessinée, ZEP, le père de Titeuf, est aussi un grand fan de musique et de concerts qui habitent ses BD, de Led Zeppelin à Yves Montand ou Bob Dylan... Découvrez aussi les nouveautés de la Playlist Inter : Bill Fay, Agnès Obel, Rachid Taha, -M- - ZEP

Berlin-based Danish singer, pianist, and composer Agnes Obel presents her ghostly, beautiful, classical chamber music-informed self-produced art-pop. Listen for luthéal (a kind of mechanism that can make a piano sound like a harp or cimbalom), piano, viola, cello, percussion, and lots of dreamy, ethereal vocals, asking questions about trust and doubt. For the latest record, Myopia, Obel experimented with recording processing, warping and pitching down vocals, melting and twisting the chamber music instruments strings, piano, celesta and lutheal piano – until she found a feeling of home in the soundworld she’d created. Agnes Obel and her band share some of these latest songs, in-studio. - Caryn Havlik Watch the session here: Set List:  Won't You Call Me Island of Doom Broken Sleep  

We continue relaxation week with a 3 Minute Epiphany from Danish singer/songwriter, Agnes Obel, whose forthcoming album Myopia is set for release in 2020 on the Deutsche Grammophon label. The album is an album about trust and doubt and the writing process for this record found Obel experimenting with with production techniques including warping and pitching down vocals, strings, piano and other instruments. All this week we're relaxing and we encourage you to join us. We'll be chatting to some of our favourite artists and asking them to share their top tips for switching off and taking time for self care.

Kan man midt i en travl hverdag som fuldtidsstuderende tillade sig at stoppe op, trække vejret og tænke sig om? Lyt med, når Xenia med mange års erfaring deler ud af tanker om at skynde sig gennem livet, stille skarpt på sig selv og sørge for overskud på egen karriere- og velfærds-bundlinje. Candidaterne er en podcast til dig som studerende om nogle af alle de ting vi alle går tænker på midt i studielivet. I podcasten får du selskab af Martin og Anne, som selv er studerende og som har startet Candidaterne, for netop at behandle nogle af alle de mange emner, ved at tale med eksperter og folk fra erhvervslivet.

Con tres carreras en Sebring, Mathias Soler-Obel, aseguró el tercer lugar del campeonato F3 Américas de la FIA y el premio al piloto que más mejoró durante el año. Después de un inicio muy dificil de temporada, con problemas desde los tests al final remata con 5 podios en las últimas 8 carreras y un triunfo. Montoya y Cameron siguen sumando puntos con una victoria en Laguna Seca para cerrar el 1-2 del Equipo Penske y Autos y Carreras visitó Miami GP Raceway para hablar con Sebastián Rengifo sobre carreras de autos, kartismo, fórmula 1 y por supuesta dar algunas vueltas al circuito que ha sido el punto de inicio de muchos pilotos latinoamericanos en Estados Unidos. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Johan Obel and Clemens Boeninger run the Drug Store — the UK's foremost and finest seller of CBD. And if you don't know what CBD is, you soon will — the cannabis extract is behind one of the biggest new industries of this century, and it's being applied in a huge amount of treatments and supplements. The market around it, meanwhile, is predicted to be worth some $22 billion by 2022. For two young guys, Johan and Clemens are annoyingly switched on, and their ideas around start ups are applicable to anyone interested in starting a business. Enjoy the episode. Our thanks again to Mark's Club for playing hosts. Excellent olives. 

This recording is an excerpt from my work in progress called “Abel & Obel”. Please enjoy!

Lietuvos miestuose padidėjo kietųjų dalelių koncentracija.Minint Lietuvos ir Lenkijos draugiškų santykių ir gero kaimyninio bendradarbiavimo sutarties 25-metį, Lietuvoje vieši Lenkijos Senato pirmininkas Stanislawas Karczewskis ir jo vadovaujama delegacija. Senato vadovas ketvirtadienį kalbės Seime vyksiančiame iškilmingame minėjime, skirtame Lietuvos ir Lenkijos draugiškų santykių ir gero kaimyninio bendradarbiavimo sutarties pasirašymo 25-mečiui.Šiaurės Korėjos lyderis Kim Čen Unas Rusijoje susitinka su šios šalies prezidentu Vladimiru Putinu.Tarptautiniame Marvelės uoste Kaune krovininė barža atplukdė komercinį krovinį iš Klaipėdos jūrų uosto. Kandidatų į prezidentus portretai – Gitanas Nausėda. Švietimo, mokslo ir sporto ministerijoje bus įteiktos Metų mokytojų premijos ir diplomai. Šiemet komisija nusprendė skirti šešias, o ne penkias, kaip įprastai, premijas. Per šventę taip pat bus įteikta ir užsienio lituanistinio švietimo metų premija, kuri gruodį buvo paskirta Londono darželio-mokyklos „Obelėlė“ direktorei, Pasaulio lietuvių bendruomenės Švietimo komisijos pirmininkei Alvijai Černiauskaitei.Ugniagesiai ragina gyventojus būti itin atidžius, nes visoje šalyje susidarė itin palankios sąlygos kilti miškų ir žolės gaisrams.Specialistai ragina gyventojus išsitirti šulinių ir gręžinių vandenį.Laidoje taip pat – laikraščių ir portalų publikacijos, sporto apžvalga, kultūros renginiai, sinoptiko prognozės. R.Terlecko komentaras. Ved. Darius Kuodis.

Charles Leclerc sigue demostrando velocidad en la F1, esta vez no el resto ni Vettel pudieron detenerlo;hizo gala un corto circuito. Matías Soler-Obel debuta en la f3 Americas en Barber motorsports park con un corto circuito y con una velocidad sorprendente. Tata Calderón también debutó en Sakhir, en la peineta fecha de la temporada de F2. Un inicio modesto con buenas recuperaciones en carrera pero poca velocidad. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Lai arī pilsēta ir vide, kuru par savu pasludinājis cilvēks, iekārtojot to ērtu sev - ar ielām intensīvai auto satiksmei, ēkām, piemērotām dzīvošanai un darbam, lielveikaliem un pārējo infrastruktūru, arī pilsētā ienāk daba. Putni gadsimtu laikā prasmīgi iemanījušies dzīvot mūsu tuvumā un dažkārt šī vieta nebūt nav māja pie meža vai mazdārziņš, bet pilsētas mūri. Ir pārsteidzoši redzēt, cik daudz un dažādu putnu sugu mīt mums līdzās pilsētu pagalmos, parkos un pat māju pažobelēs, ja vien ir vēlme un pacietība ielūkoties vērīgāk. Kādi putni mīt mums līdzās, kā mainās to dzīvesveids mūsdienu pilsētās un kā veidojas attiecības starp cilvēku un putniem šādā industriālā un cieši apdzīvotā vidē, raidījumā Zināmais nezināmajā stāsta ornitologs Ruslans Matrozis. Cilvēku konflikts ar krauķiem Nepatīkams atklājums putnu pētniekiem ir tas, ka Rīgā vairs neligzdo krauķi. Ornitologi vēl tikai min, kas tam ir par iemeslu, jo citviet Latvijā, piemēram, vairāku Zemgales novadu pilsētu pašvaldības nesekmīgi mēģina cīnīties pret krauķiem. Vairāk par šo minēto problēmu, par pašiem krauķiem un kā ar tiem sadzīvot nevis cīnīties, stāsta Latvijas Ornitoloģijas biedrības valdes priekšsēdētājs Viesturs Ķerus. Melni, ne visai daiļu balsi, ligzdo baros, salīdzinoši daudz posta, reizumis var nodarīt skādi lauciniekiem, uzknābājot svaigus sējumus, kas no cilvēka skatupunkta raugoties, ir krauķu lielākais grēks. Citādi tie visai izplatīti vārnu dzimtas putni, gudri, nevienam neuzbrūk, pa atkritumiem nerakājas un atkal no homo sapiens viedokļa – nekādu ļaunumu nevienam nerada. Bet dabā, kā zināms, viss ir savienots vienā ķēdē, un vienam posmam iztrūkstot, pakāpeniski tiek jaukti blakus esošie, tāpēc ir saprotamas ornitologu bažas par krauķu populācijas samazināšanos galvaspilsētā. Krauķi tāpat kā vārnas savas ligzdas vij koku zaros un kā norāda Viesturs Ķerus, tad koku izzāģēšana ir tikai īslaicīgs risinājums, ja kāds vēlas tik vaļa no šiem putniem, jo krauķi, agri vai vēlu, atradīs citu mājvietu. Viņš uzskata, ka galvenais populācijas izzušanas iemesls ir nepietiekams barības daudzums pilsētā. Ja jums ir novērojumi par krauķiem, tos varat ierakstīt interneta vietnē www.dabasdati.lv vai sūtīt uz Latvijas ornitoloģijas biedrības e-pastu: viesturs@lob.lv.  

Er war das Till aus Till & Obel und ist der literarische Feingeist hinter den Biographien von u.a. Mike Krüger, Gaby Köster, Horst Lichter und Lisa Feller. Durchgehend bringt er mich nicht nur zum Kichern – sondern zeigt auch, dass das Ziel definitiv im Weg ist. Wir sprechen über den kometenhaften Aufstieg, den Absturz danach, wie man dann neue Talente an sich entdeckt und wie schmerzhaft es sein kann, sich in das Schicksal eines Menschen einzufühlen um es aufzuschreiben. Gegen Ende zieht Till sogar noch den Telefonjoker Atze Schröder hinzu. P.S. Till Hoheneder geht mit Kumpel Atze auf Tour durch die Republik als "Zärtliche Cousinen" - Daten dazu auf der Facebookseite "Das Ziel ist im Weg"

This week! Matt is worried that the big reveal of what Burnham did to Spock won't live up to the hype and Ken is there to talk him down. Also we discuss the New Picard show. Does this #1 reconcile with the one we see on the Original TOS Pilot? We deep dive into the structure of this episode and realize why last week's didn't work. Also wik the Universal Translator, how much we'll miss Pike when he leaves, and Matt realizes that while he hates the Saru story in this episode he loves where it's going to go. You can't miss this!

Todo empezó porque no me acordaba del nombre de un grupo, los Bel Canto. Una casualidad hizo que alguien publicara en Facebook una de las canciones de este grupo y entonces empecé a recordar otras voces femeninas. Al final, se ha hecho evidente que no caben todas en un solo programa. Escucharemos temas de Björk, Enya, Serah & Friedemann, Eurielle, Erutan, Heather Dale, Loreena McKennitt, Hans Zimmer & Lisa Gerrard, Kate Bush, Half Waif, Maria del Mar Bonet, Elefthería Arvanitáki, Vangelis & Irene Papas, Els Trobadors, Bel Canto, Agnés Obel y Vök.

Tenemos en estudio a Mathias Soler-Obel contándonos como logra ser el más rápido en el último test de la temporada. Montoya se etsrelló en Road Atlanta, pero Gabby Chavez fue parte del equipo campeón. La fórmula 1 llega a Texas este fin de semana al Circuit de las Américas. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ansøgninger er den primære drivkraft i Det Obelske Familiefonds filantropiske arbejde inden for kunst, forskning og det sociale område. Desuden har Nordjylland en særlig plads i fondens strategiske fokus, som skyldes, at familien bag står i en form for positiv til gæld til egnen. Og så er fonden ikke bange for at støtte drift i en periode. Det for­tæl­ler fondsdirektør Michael Bjørn Nellemann i dette afsnit af podcasten Moderne Filantropi. ”Helt overordnet set ønsker fonden at gøre en forskel på den måde, at vi gerne vil øge sum­men af det gode,” siger direktør i Det Obelske Familiefond, Michael Bjørn Nellemann i dette afsnit af podcasten Moderne Filantropi. I samtale med podcastvært Trine Gammelgaard fortæller han blandt andet om fondens ind­sats­om­råder og de filantropiske redskaber, som fonden benytter. Med almennyttige uddelinger for mere end 200 mio. kr. om året er Det Obelske Familiefond en af de større fonde, der lægger stor vægt på ansøgningsdrevet filantropi. ”Jeg tror ikke, vi er en af de mere opsøgende fonde, men vi er meget lydhør overfor folk, der gerne vil blive klogere, inden de ansøger. Og vi tager gerne en indledende snak, ikke for at skubbe projektet i en given retning, men for at blive klogere på det og få noget mere at vide. Men jeg vil skynde mig at sige, at man også bare kan sætte sig ved tastaturet og skrive en ansøgning. Det kan der også godt komme en bevilling ud af. For nogle gange er der behov for at udbygge fortællingen om et projekt. Men andre gange er projekterne per definition bare gode og passer godt ind i vores strategi, og så skal man jo bare ansøge,” siger direktør i Det Obelske Familiefond, Michael Bjørn Nellemann. Fonden har tre strategiske, faglige indsatsområder, nemlig kunst, forskning og sociale for­mål. Derudover er Nordjylland en vigtig del af fondens uddelingsområde, hvilket skyldes at fonden oprindeligt var baseret på ejerskabet af tobaksvirksomheden C.W. Obel i Aalborg. ”Jeg tror, at fondens stifter og familiens efterkommere føler sig i en form for positiv gæld til Nordjylland. Derfor giver det mening, at vi uddeler penge, så egnen Nordjylland udvikles, så­dan at det er attraktivt at blive boende, og det er attraktivt at flytte dertil. Inden for alle tre indsatsområder støtter vi mange projekter i Nordjylland. Jeg vil ikke sige, at det er lettere at få et projekt igennem til Nordjylland, men vores hjerte banker særligt for Nordjylland af hi­sto­ris­ke årsager,” siger Michael Bjørn Nellemann. At Det Obelske Familiefonds fokus dog i høj grad også er landsdækkendes, afspejles blandet andet i, at fonden i dag både har kontor i Aalborg og i København. Risikovillighed og plads til intuition Fondsdirektøren fortæller endvidere om fondens indsats på kunst- og kulturområdet, og han forklarer, hvordan han ser på fondenes samarbejde med stat og kommuner i en tid, hvor de offentlige besparelser sætter kulturlivet under pres. Han fortæller desuden om fordelen ved at uddele penge til almennyttige formål ud fra et tan­ke­sæt, som er noget mere risikovilligt og langsigtet end det ofte er tilfældet, når det offentlige investerer. ”Vi kan være en lille smule mere intuitive, end man kan med offentlige midler. Vi kan tro på et givet projekt og bevilge hjælp til det, selvom det kan have lange udsigter, inden det bliver selvbærende eller drevet for offentlige midler,” siger Michael Bjørn Nellemann. Derudover peger han på, at det ofte er en myte, at fonde ikke ønsker at investere i eller støtte drift. I hvert fald er Det Obelske Familiefond ikke bange for drift. ”Som udgangspunkt vil vi ikke ind og støtte drift i tid og evighed. Vi vil gerne tage en in­ve­ste­rings­rol­le på os i en given periode. Vi er ikke som sådan bange for drift, men vi vil gerne se, at noget udvikler sig, og at det kan blive – om end ikke helt – så næsten selvbærende over tid. Men hvis der skal driftsmidler til i den indledende fase, så gør det ikke os noget,” siger Michael Bjørn Nellemann.

Lo conocimos en Lucas Oil Raceway, Indiana, quería hacer 2 años en USF2000 pero ya se promovió con honores a la Pro MAZDA. En Fórmula 1 cayó una bomba de dientes cuando ricciardo anunció que deja a Red Bull Racing y se va a Renault.¿Cómo cambia la temporada? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Aujourd'hui, je vous invite à faire la connaissance de Marieke Zeegers, une nantaise néerlandaise de 39 ans (merci à Virginie Barré pour la mise en relation !). J'ai commencé par lui demander de raconter son histoire : ses origines familiales, ses études en sciences humaines et sociales aux Etats-Unis puis en France, son parcours en France, de Tours à Nantes en passant par Paris et Bordeaux. Ensuite, on a parlé de son expérience des langues, des modes de vie, de nationalité(s) et d'Europe, de ses envies pour l'avenir, d'éducation des enfants, ce qui nous a finalement ramenées à... son histoire familiale marquée par des parcours de migration. Bonne écoute ! Musique originale du générique de l'émission : Susi Hyldgaard, je tends la main vers toi (album Dansk, 2011) BONUS. Une sélection musicale d'artistes féminines européennes, par Marieke : . Sidsel Endresen, Norvégienne (surtout avec Bugge Wesseltoft) . Ane Brun, Norvégienne . Emiliana Torrini, Islandaise-italienne . Lykke Li, Suédoise . Selah Sue, Belge . Agnès Obel, Danoise . Sophie Hunger, Suisse

Ayer tuvimos una noche de carreras de Road to Indy dede Lucas Oil Raceway y estuvimos con Mathias Soler-Obel, piloto colombiano en la USF2000

W tym odcinku poznacie Katarzynę Krupińską-Obel, która jest trenerem wewnętrznym w dużej organizacji. Kasia w rozmowie z Marcinem opowie o tym, jak wygląda praca trenera wewnętrznego. Dowiecie się: • Czym zajmuje się trener wewnętrzny? • Jak wygląda przeciętny tydzień pracy trenera wewnętrznego? • Co jest potrzebne, by stać się trenerem wewnętrznym? • Jak wygląda rekrutacja na trenera wewnętrznego? • Jakie są blaski i cienie bycia trenerem wewnętrznym? Linki: Cykl Kolba: https://setkiinspiracji.pl/wp-content/uploads/MAGAZYN-WIEDZY-Projektowanie-szkolen-Cykl-Kolba.pdf Intro: https://setkiinspiracji.pl/wp-content/uploads/MAGAZYN-WIEDZY-Prowadzenie-szkolen-Budowanie-bezpieczenstwa.pdf Magazyn wiedzy: https://setkiinspiracji.pl/magazyn-wiedzy/ https://grupaset.pl/rozwiazania-dla-klientow-indywidualnych/szkola-trenerow-biznesu/ https://grupaset.pl/o-nas/odpowiedzialnosc-spoleczna/klub-trenera-i-coacha/

Even though there are hundreds of words describing feelings, I found a song that makes me feel the basic four without using a single word.  Join me on this short journey, and enjoy the adventure.

Ce qui fait son unicité et sa complexité, Damso le révèle dans Ipséité et prend le public à contre-pied, seulement un an après Batterie Faible. Un an, pour se positionner comme un personnage incontournable du rap français. Déjà disque d’or, Ipséité est un album de recherche qui contient des chansons très travaillées, au storytelling fin, des histoires dures mais mélodiques et faciles à chanter. Au fond, des titres à apprivoiser, car derrière la violence, la vulgarité, le trash et la froideur des relations humaines qu’il dépeint, se révèle écoute après écoute un Damso romantique exalté déçu, plus sad que sale, plus intello que racaille. Plus artiste que rappeur. Animé par Mehdi Maïzi avec Raphaël Da Cruz, Nicolas Pellion et Aurélien ChapuisRÉFÉRENCES CITÉES DANS L’ÉMISSIONBruxellesVie (Damso, Batterie faible, 2016), Ipséité (Damso, 2017), Macarena (Damso, Ipseité, 2017), Mortal Kombat, PNL, JUL, Etienne Daho, SCH, Paradis, Alain Bashung, Serge Gainsbourg, Vladimir Cosma, Amnésie, Barter 6 (Young Thug, 2015), Lil Wayne, Will Hunting (Gus Van Sant, 2016), Agnès Obel, Kaaris, La salle d’attente (Damso, 2014), Disclosure, Strive (A$AP Ferg ft. Missy Elliott, 2016), DSK on the beat, MHD, Double X, Faf La Rage, James Delleck, Dance with the devil (Immortal Technique, 2001), Deltron 3030, Disiz La Peste, Rimeur à gages (Deen Burbigo, Inception, 2013), Le Poisson Rouge (Disiz La Peste, 2000), Jeu de Société (Disiz La Peste, 2003), Stromae.COUPS DE COEUR ET RECOMMANDATIONSRETROUVEZ LES RECOMMANDATIONS FAITES EN FIN D'ÉMISSION sur la page Soundcloud officielle des recommandations de NoFun >> @nofun-reco

Anurag and Nicholas discuss their favorite albums of 2016.

Agnes Obel - Riverside (Lulu Rouge remix) Lovebirds - Want You In My Soul ft. Stee Downes (Original Mix) Kai Urig - Raindrops (Original Mix) Matt G. - Champagne's Song (Original Mix) Dj Boris VS. Jamie Woon - Lady Drums (Darko M. Bootleg) Matthew Codek, Nader Razdar - Alegria (Original Mix) Moonbeam - Hidden Place (Original Mix) Sinc Daniel Sanchez - New Day (Original Mix) Ralph Good ft. Polina Griffith - Sos (Richard Dinsdale Tanzanite Remix) Laera - La Guitarra De La Luna (Tinush Remix)

Nessi Tausendschön, der Obel und Serhat Dogan stehen auf dem Programm des “Kulturraum Auerberg 2011”. Gebucht hat sie kein x-beliebiger Konzertveranstalter, sondern der karitative Verein SKM. Eintritt gibt’s für kleines Geld, und das fließt in Projekte für Langzeitarbeitslose. Im Studio: SKM-Geschäftsführer Reinhard Tetenborg. Moderation: Nastaran Bagherian.