Podcasts about Film criticism

Ten years after the original Mamma Mia! a sequel appeared... and Here We Go Again! Oh, and luckily for us, we watched them within just about 1 year of each other, give or take. We're back and discussing the jukebox musical sequel to 2008's Mamma Mia! with all its campy delights, hundreds of fires, flashbacks, ABBA, and Meryl Force Ghosts. Plus, the MouthGarf Report, and of course, I See What You Did There!Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Graffiti

Send a textWhat makes something camp? In this episode, we talk about how camp Rocky Horror Picture is and how its camp aesthetic and sensibility makes it timeless. Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

This episode was originally recorded for a panel at the Berlinale Film Festival called Let's talk about (short) films! Pluralistic Discourse in Film Criticism. I was invited to speak about the online film programs I've been building for thinking and talking about film — where we don't just share opinions about a film and move on. Instead, we're looking for something new: what does this film offer that I didn't notice the first time? Because you don't need to wait for a major life change to see a film differently. Sometimes, all you need is a new question, a new lens, or the chance to look again with other curious people. In this episode, I walk through some of the ways I structure those conversations to be places to explore ideas and discover something new. And the best part? You don't need to be a film expert. You just need to be willing to notice something — even if it feels obvious — and let the group carry the torch from there. Curious about joining the next film program? 

Send a textWhat is eventising and how does Rocky Horror use events to keep its fans engaged in the fandom? We chat about the experiential element of Rocky Horror Picture Show, particularly the sense of expression and belonging that cult followers feel when they participate in a midnight screening of the film.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textOn this episode of Movies Worth Seeing, we take on One Battle After Another — and fair warning, this one did not survive the review.We went in open-minded, ready to meet the film where it was… but what we got was a bloated, self-serious experience that mistakes noise for meaning and ambition for depth. Instead of tension, momentum, or emotional payoff, the film delivers repetition, confusion, and a whole lot of wheel-spinning.In this episode, we break down:Why the movie feels exhausting rather than grippingHow “important” themes are hinted at but never exploredThe lack of payoff after all that buildupWhere the storytelling completely loses the audienceAnd why ambition alone doesn't make a movie worth your timeThis isn't a hate-watch for the sake of it — it's an honest conversation about why some films just don't work, no matter how hard they try to look meaningful.

Send us a textLet's do the time warp again! We couldn't resist watching the most popular cult classic of all cult classics - Rocky Horror Picture Show! This episode, we chat about how we first got introduced to the film, it's stage origins and how it became popular.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

This week we cover Jafar Panahi's Palme d'Or winning film, "It was Just an Accident." We cover the clandestine process of making this film in the repressive Iranian regime. After covering the background, we get into the film itself, and describe everything we loved about this masterpiece. Finally, we end the episode with a pair of double bills for your viewing pleasure.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Send us a textWhat are musical fantasies and what are the common tropes within them? In this episode, we chat about the musical fantasy genre, comparing “Labyrinth” with other famous musical fantasies, such as The Wizard of Oz, Into the Woods and Shrek. We also chat about what works and doesn't work for us in this genre.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

It's time for us to weigh in (again) about all the hottest topics in this Oscars race, including all the discourse about One Battle After Another and Teyana Taylor's role. Don't tweet at us!Hosted by Stephen Williams and Zack Miller

Send us a textHas Labyrinth turned us into David Bowie fans? In this episode, we chat about what makes David Bowie special, including his music, Ziggy Stardust, his style and his legacy. We also chat about the concept album and use of storytelling, comparing David Bowie to Lady Gaga and Taylor Swift.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

It's Oscar season, baby! This week, we are kicking it off with our coverage of Paul Thomas Anderson's new masterpiece, "One Battle After Another." We discuss the early attempts at adapting Thomas Pynchon's "Vineland," as well as the eventual production of this story. After we discuss the production of the film, we take a look at the film itself, and describe all of the things we like about this film. Finally, we each pair this film with another for a duo of double bills for your viewing pleasure!Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Inglourious Basterds (2009), written and directed by Quentin Tarantino, revolves around two plots to assassinate Nazi leaders during the closing years of World War II. One plot centers on a secret band of Jewish-American soldiers under the command of Ltn. Aldo Raine (Brad Pitt)—the “Basterds”—who terrorize Nazis. The other involves Shosanna Dreyfus (Melanie Laurent), a young Jewish woman who narrowly escapes death at the hands of notorious “Jew hunter” Hans Landa (Christoph Waltz) and flees to Paris where she runs a cinema under a false identity. The plot lines converge at the Paris cinema where the Basterds and Shosanna are each separately plotting to kill Hitler and other Nazi leaders while they are attending the premiere of a German propaganda film. The film utilizes alternate history to explore themes surrounding the pursuit of justice against the perpetrators of mass atrocities and the complex relationship between law and vengeance.Timestamps:0:00    Introduction2:37     Reimagining the arc of justice8:00     Alternatives to the progress narrative16:51     The power of violence and revenge21:56     Counterfactuals and alternative histories27:03     The limits of legalistic responses to atrocities32:24     The role of cinema in Nazi Germany39:00     Narratives of progress44:10     Ending with a primal moment of revenge  Further reading:Hussain, Nadine, “‘Inglorious Basterds': A Satirical Criticism of WWII Cinema and the Myth of the American War Hero,” 13(2) Inquiries Journal 1 (2021)Jackson, Robert H., Opening Statement before the International Military Tribunal, Robert H. Jackson Center (Nov. 21, 1945)James, Caryn, “Why Inglourious Basterds is Quentin Tarantino's Masterpiece,” BBC (Aug. 16, 2019)Keydar, Renana, “‘Lessons in Humanity': Re-evaluating International Criminal Law's Narrative of Progress in the Post 9/11 Era,” 17 (2) J. Int'l Criminal Justice 229 (2019)Kligerman, Eric. “Reels of Justice: Inglourious Basterds, The Sorrow and the Pity, and Jewish Revenge Fantasies,” in Quentin Tarantino's Inglourious Basterds: A Manipulation of Metacinema (Robert Dassanowsky ed., 2012)Tekay, Baran “Transforming Cultural Memory: ‘Inglourious Basterds'”, 48(1) Film Criticism (2024)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

This week, we're discussing the winner of our latest Patreon poll, Senegalese auteur Djibril Diop Mambéty's Hyenas. Adapting Swiss-German playwright Friedrich Dürrenmatt's 1956 satirical tragicomedy The Visit and transposing its story onto post-colonial Senegal, the film tells the story of Dramaan Drameh, a grocer in the poor town of Colobane, whose life is upended when a former flame, Linguère Ramatou, returns to the town after decades. Having amassed a large fortune in the intervening years, Ramatou makes the township a disquieting offer - she will bestow her fortune onto Colobane in exchange for the murder of Drameh as revenge for abandoning her following a pregnancy during their brief love affair. Gorgeously-lensed, blackly satirical, and ultimately tragic, Hyenas imbues its tense tale of vengenace and greed with resonances examining Senagal's (and the greater continet of Africa's) subjugation under western capitalism in the post-colonial period. We begin with a discussion of Senegal's cinema, its anti-colonial dimensions, and how the rhythms of Mambéty's film antagonize western modes of narrative and filmmaking. Then, we examine the film's exploration of the corrupting nature of capital, and how forces like the International Monetary Fund and World Bank acted as coercive mechanisms for privatization and neoliberal policy in Africa and throughout the developing world. Finally, we discuss the film's sexual politics, where we feel its metaphors break down in its exploration of the character of Ramatou, and where fidelity to source material occasionally muddles the film's incisive colonial critique. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

This week on the Erotic Thriller Club we watch a sexy tale of magic and infidelity. Not only does Mark Hamill cheat on his girlfriend but ends up with a witches hex in the process! Poor buddy.

Send us a textWhere have all the puppets gone? In this episode, we chat about the use of puppets in Labyrinth and how puppetry has become a lost art. We also touch on whether VFX is the new puppeteering and whether the use of physical props and effects (such as puppets and explosions) could help with realism in filmmaking.Corridor Crew VFX Artists React: https://www.youtube.com/watch?v=M4nGxX2mHOs&t=379sLet us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

The year is 1992, the film is Bob Roberts... a political mockumentary satire. The director, first-time filmmaker (and star) Tim Robbins. And it's also the first film role for a lovable gent named Jack Black. We dig into the parallels between Bob Roberts and present day American politics and consider the right wing folk songs that were, at one point, comedic in their absurdity. Plus, we get into it with the MouthGarf Report, and play a nice round of I See What You Did There.Additional Sources:https://en.wikipedia.org/wiki/Bob_Robertshttps://www.cracked.com/article_40869_when-tim-robbins-tried-and-failed-to-be-the-most-controversial-snl-host.htmlPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Attempt at Time Travel

Send us a textTo celebrate its 40th anniversary, we are starting 2026 with the very strange “Labyrinth”! In this episode, we chat about who the film was made for and how it achieved its cult following.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Last episode of the year! Here's part 2 of our best of the year lists featuring our favorite movies, television, and personal wild cards from 2025.Hosted by Stephen Williams and Zack Miller

Not only is this Veronica and Eli's last episode, it's our fourth annual Cruisemas. With the release of One Battle After Another, we revisit Paul Thomas Anderson's blank check big swing Magnolia (1999), and get into: young PTA and the New New Hollywood, sincerity and good listening, Phil Parma made Chad become a therapist, Fiona Apple as PTA's Polly Platt, we desperately want a Tom Cruise coconut cake, life imitating art with Cruise's Oprah interview, Melora Walters' enigmatic smile, Magnolia trying to understand the same things as the Bible, the bleak prescience of ‘Seduce and Destroy,' how to pace a 3+ hour runtime, and more.Further reading: Roger Ebert's “ecstatic” review, Lynn Hirschberg's profile “His Way,” Steven Hyden on PTA and Fiona Apple for Grantland, and books from friends of the pod Adam Nayman (Paul Thomas Anderson: Masterworks) and Ethan Warren (The Cinema of Paul Thomas Anderson).The Bright Wall/Dark Room Podcast has been co-hosted since 2021 by Veronica Fitzpatrick and Chad Perman, and produced by Eli Sands. Our theme music is composed by Chad. Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com, and thanks for listening.Note: This episode was recorded days before the December 13 shooting at Brown University. Our thoughts remain with Veronica's students and the entire community at Brown and beyond.

Send us a textTo start of the second half of the 2020's, we invited Faus back to the podcast to chat about our top 3 films of the last 5 years. What were your favourites of the decade so far? Let us know on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

SummaryIn this episode, the host expresses gratitude towards Nas and reflects on personal challenges while discussing recent music releases, particularly focusing on the impact of social media on the music industry. The conversation delves into themes of racism in the NFL, the evolution of music production, and critiques of social media culture. The host also shares insights on relationships and personal growth, culminating in a discussion about the legacy of De La Soul and the importance of healing in music.TakeawaysGratitude towards influential artists like Nas is essential.Personal challenges can affect one's engagement with music.Recent music releases reflect broader cultural themes.Social media has a significant impact on music perception.Racism in the NFL is a critical issue that needs addressing.The evolution of music production has changed the industry landscape.Critiques of social media culture highlight its negative effects.Relationships and personal growth are intertwined with music appreciation.The legacy of De La Soul is vital to understanding hip hop history.Healing themes in music can resonate deeply with listeners.Chapters00:00 Introduction and Personal Updates02:23 Reflections on Music and Entertainment04:50 Critique of Social Media and Cultural Commentary09:10 Discussion on Film Criticism and Black Representation13:23 Analysis of NFL Commentary and Racial Dynamics22:33 Exploring Relationships and Personal Growth31:23 Concluding Thoughts on Life and Community36:16 artsEntertainment-transition-high.wav36:29 Introduction and Salute to Nas38:34 Mass Appeal Records and Its Impact45:17 Album Releases and Reviews53:33 De La Soul's Cabin in the Sky54:14 Nas and DJ Premier's Light Years01:13:13 Conclusion and Reflection on Healing in Music01:14:19 artsEntertainment-outro-low-long.wavKeywordsNas, De La Soul, music review, social media, NFL, racism, personal growth, hip hop, music production, relationships

Denzember concludes as Journalist and host of the Turbulence podcast Séamus Malekafzali returns to the show to discuss Edward Zwick's 1998 geopolitical thriller The Siege, a film about a Muslim terrorist cell wreaking havoc on New York City, the resultant fear it stokes, and the vidictive results of martial law being enforced in an American city. Largely lost to time as an artifact of The End of History, the film nonetheless rings with a startling prescience as a pre-9/11 document of Hollywood's casual anti-Arab sentiments (even among well-meaning liberal sects), and trust in American institutions to disavow bad actors and preserve democracy.We begin by dissecting the films amorphous, byzantine, and *totally fabricated* understanding of Middle Eastern geopolitics, and how its obfuscations function as a tool of propaganda, making the threat of Muslim extremism feel omnipresent and unknowable. Then, we consider how the film contends with imperial blowback, individuating it as mistakes by discrete actors rather than the guiding policy of America's geopolitical meddling across the globe. Finally, we reckon with the film's countless contradictions, its liberal posturing toward the "right" kind of wariness toward extremism, and its unconscious buttressing of the same ideologies that lead to fascist persecution of The Other. Follow Séamus Malekafzali on Twitter.Listen and Subscribe to Turbulence Podcast. Subscribe to Séamus' Substack. Get access to the whole Denzember experience, all of our premium episodes and bonus content, and an invite to the Hit Factory Discord by becoming a Hit Factory Patron for just $5/month.....Our Denzember Theme Song is "Funk" by Oppo.

Send us a textWhat were our top 5 five films of 2025? Listen into our annual wrap up episode where we chat about our favourite films of the year and what we are looking forward to in 2026!Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Get access to this entire episode, the entire Denzember catalog, and all of our premium episodes by becoming a Hit Factory Patron for just $5/month.Roger Ebert Associate Editor Robert Daniels returns to the show to once again discuss the work of Denzel Washington and Spike Lee, this time unpacking his brilliant 1998 sports drama He Got Game. The film stars Denzel Washington as Jake Shuttlesworth, an Attica inmate who is tasked with getting his high school basketball prodigy son, Jesus (Ray Allen), to commit to playing for the governor's alma mater in exchange for a reduced prison sentence. A film as concerned with the capitalist mechanisms undergirding basketball culture as it is with acknowledging the intoxicating allure of the game's myth, Spike crafts a uniquel rewarding sports movie in a melodrama's skin. We begin with a discussion about Spike's formal ingenuity, and how he positions basketball as inextricable from broader Americana; a definitive part of American culture. Then, we praise the dual leading performances of Denzel Washington and NBA star Ray Allen. Finally, we disscuss the film's showstopper final act, showcasing Denzel and Allen's skills on the court in a brilliantly pitched one-on-one game that approaches the sublime, even supernatural.Follow Robert Daniels on Twitter.Read Robert on the musical direction of Spike Lee films at Letterboxd.....Our Denzember theme song is "Funk" by Oppo.

It's the most wonderful time of the year! Denzember 2 kicks off with a conversation about Spike Lee and Denzel Washington's first collaboration, 1990's Mo' Better Blues, a film about jazz, art-making, and the pursuit of greatness at the expense of personal relationships. The terrific Minnie Zondi is our guest! We discuss the film's tepid reception upon release, and how a (predominantly white) critical audience failed to understand the political dimensions of a film about Black music and its commercial and social appropriation. Then, we reflect on Spike Lee's career and his brilliant cohort of collaborators, including composer Terence Blanchard (making his first appearance on a Spike Lee soundtrack), cinematographer Ernest R. Dickerson, and the electric stylings of costume designer Ruth E. Carter. Finally, we reflect on the movie's complicated ending, and what we're to make of its reflections on artistry, family, and whether exceptional talents can hold the two in balance. Follow Minnie Zondi on Twitter. Follow Minnie on Substack. Read Minnie's Twitter thread on Ruth E. Carter's costume work for Ryan Coogler's Sinners.Get access to the whole Denzember experience, all of our premium episodes and bonus content, and an invite to the Hit Factory Discord by becoming a Hit Factory Patron for just $5/month.....Our Denzember Theme Song is "Funk" by Oppo

Today, on a very special episode of The Goggler Podcast, Uma speaks to fellow film journalists Katie Rife and Nick Newman about how this new world has changed they do the work that they do. This episode of The Goggler Podcast was recorded live at the Tokyo International Film Festival. You can find out more information about the festival here. ABOUT THE TOKYO INTERNATIONAL FILM FESTIVAL: In 2025, the Tokyo International Film Festival once again presents a rich lineup of films from Japan and around the world. The selection spans acclaimed titles from international festivals, world premieres, animation, and documentaries. We will also welcome international guests to the TIFF Lounge, symposia, networking parties, and other forums designed to foster dialogue and exchange between Japanese and international filmmakers and industry professionals. Following the launch of the Women's Empowerment section last year, which opened new horizons for dialogue by embracing female perspectives, TIFF will now inaugurate the new Asian Students ' Film Conference section. This new initiative will invite film students from across Asia to Tokyo for a short film competition, with the aim of cultivating yet another new path for the future of cinema. This year also marks the unveiling of a new festival poster. One of its core visual themes is “perspective.” In a world often enveloped by sweeping grand narratives, we feel that it is the small, personal gaze that truly gives power to storytelling. Each film presented at TIFF from around the world embodies the unique and indispensable perspectives of its creators and protagonists—perspectives that promise to broaden the horizons of audiences everywhere. We invite you to experience these perspectives as they resonate from the screen. Thank you for checking out The Goggler Podcast, if you have any thoughts or questions, just email us on podcast@goggler.my, or reach out to us via Instagram. You can also WhatsApp us on The Goggler Hotline, on +60125245208 RSS: https://goggler.my/feed/podcast/

As part of our ongoing TIFF coverage, Justin is joined by Eric Marchen — host of Cinema Seen on Rogers TV Durham and one half of The Untitled Movie Podcast — for a thoughtful review and discussion of Sentimental Value. Together they explore the film's emotional core, its layered family dynamics, and the European sensibilities that shape its storytelling. They break down standout performances from Stellan Skarsgård, Renate Reinsve, Inga Ibsdotter Lilleaas, and Elle Fanning, while diving into themes of grief, reconciliation, creative ambition, and the push-and-pull between art and family. Eric also brings insights from his interviews with the cast and crew, making this a rich, nuanced conversation that expands our TIFF coverage with depth and perspective.Sentimental Value is in select theatres November 14 Check out Eric's Interview with the cast & crew of Sentimental Value, including - Podcast | YouTubeFollow The Untitled Move Podcast -  Podcast | Instagram | LetteboxdFollow Eric Marchen Here Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Devin and Jacob are here to talk about The Running Man, a Richard Bachman (*cough Stephen King cough*) novel as well as the original film adaptation starring Arnold Schwarzenegger!Support Film Literate on Patreon!Guest: Jacob White (Instagram|Substack|YouTube)

The fine, upstanding gentlemen of Pod Casty for Me, Jake Serwin and Ian Rhine, return to discuss Hirokazu Kore-eda's After Life, which follows a group of recently deceased people entering a state of limbo where counselors  (also deceased) help them locate their most important memory and then go about the work of turning that memory into a film that they will watch forever in eternity. The film adopts, at least in part, a docu-fiction quality, assembling talking head interviews with several non-actors telling their memories directly to camera before becoming a treatise on art-making itself, considering how cinema reflects and retains memory. We begin with a discussion of Kore-eda's formalism, and how the director embraces both the erudite affect of slow cinema and the melodramatic dramaturgy of classical narrative to mixed effect. Then, we engage the film's high concept premise, how its emboldened by its ambiguities and where the film still feels grafted to terrestrial quotidian experience. Finally, we ponder the wide array of films that deal with the afterlife as a bureaucratic machine, and whether applying systemic order to something like death is a comforting fantasy or a cloistering nightmare. Read Hirokazu Kore-eda's director statement on After Life.Listen & Subscribe to Pod Casty for Me.Follow Pod Casty for Me on Twitter.Join us on Thursday November 6th, 2025 6pm PT/9pm ET for a virtual screening of FAILED STATE + Q&A w/ Dir. Christopher Jason Bell.Purchase tickets HERE.Hit Factory Patrons can RSVP at Patreon from our pinned post.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

Imagine, you've taken your clients out to an unforgettable luncheon and... *pat* *pat* *pat*... you don't have your wallet, or any cash, or even your checkbook! How mortifying!? Whatever will you do? Well... you invent a new way to pay that fundamentally alters the economy and complicates everyone's lives... FOREVER. We're talking about the FIRST CREDIT CARD, so get ready to join the Diners' Club and start deferring payment to the end of the month... when surely you'll have the money to cover it... Right? Right!? Also, a MouthGarf Report and I See What You Did There!Sources:www.dinersclub.com/about-us/historyhttps://medium.com/@BOLDAwards/the-story-of-diners-club-the-first-credit-card-c0191d02c89ehttps://boardgamegeek.com/boardgame/34270/the-diners-club-credit-card-gamehttps://en.wikipedia.org/wiki/Diners_Club_InternationalPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Star on the Hollywood Walk of Fame

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish

This week, Sam Watermeier joins me to review the new Benny Safdie movie, The Smashing Machine in a feature review and then, in this week's secondary review, we talk about Renny Harlin's, The Strangers: Chapter 2. We also discuss recent movie and TV news, screenings around Indianapolis, Heartland Film Festival, Robert Redford, Heat 2, and more. Timestamps Show Start - 01:29 Introducing Sam - 04:31 Screening in Indy - 10:49 News Before the Reviews - 17:54 Feature Review The Smashing Machine (2025) - 23:51 Spoiler - 1:06:57 Secondary Review The Strangers: Chapter 2 (2025) - 1:36:17 Closing the Ep - 2:03:00 Patreon Clip - 2:05:13 Related Links My Voice Work on The Endless Elsewhere Podcast My Guest Spot on Short Bites: A Stephen King Podcast OV429 - I Saw the TV Glow (2024) & The Strangers: Chapter 1 (2024) - Guest: Sam Watermeier Robert Redford, ‘Butch Cassidy' and ‘All the President's Men' Icon, Dies at 89 ‘Heat 2' Moves From Warner Bros. to Amazon MGM as Michael Mann's Sequel Gains Traction   Sam's Letterboxd Sam's Writing on Midwest Film Journal Sam's Review of Arrow's Spawn 4K UHD Release Sam's Review of Are We Good? Sam's Review of The Strangers: Chapter 2 Sam's Quick Takes Reviews of Twinless and Lurker   My 2025 Podcast and Writing Archive Book Reaction - The Long Walk by Stephen King - Chapters 1-2 - Sept 18, 2025 Book Reaction - The Long Walk by Stephen King - Chapters 3-5 - Sept 21, 2025 Book Reaction - The Long Walk by Stephen King - Chapters 6-7 - Sept 28, 2025 Book Reaction - The Long Walk by Stephen King - Chapters 8-10 - Oct 4, 2025 Patreon Special - Yojimbo (1961) at the Kan-Kan - Aug 27, 2025 Patreon Special - High and Low (1963) at the Kan-Kan - Aug 24, 2025 Immediate Reaction - Together (2025) - Jul 23, 2025 Patreon Companion Episodes Collection   Indianapolis Theaters Heartland Film Festival The Tenderness Tour Documentary at HIFF34 Alamo Drafthouse Indy Kan-Kan  Living Room Theaters Keystone Art  Flix Brewhouse   Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS   Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.6.6) Sam: Samson Q2U via USB in Google Meet   Episode Homepage: ObsessiveViewer.com/OV489   Next Week on the Podcast OV490 - Roofman (2025) & Bone Lake (2025)

This week on the Erotic Thriller Club we're sending our dear, sweet Kit into Titane blind! Kit requested something cozy or spooky and I think the serial killer, car pregnancy movie checks both boxes.

We inaugurate the late Japanese master Shinji Sōmai with a discussion of his beautiful, melancholy coming-of-age drama Moving. The film follows the young Ren as she navigates her parents' recent separation, balancing loyalties to both her mother and father, dealing with gossiping classmates, and making attempts to reconcile the marriage. With a characteristic sensitivity and perceptiveness for the experience of youth, Sōmai excavates a universe of detail from the film's simple premise, arriving at a profoundly moving and cathartic emotional climax. We begin by discussing Sōmai as director, his style, and what we think might have drawn him to stories about the occasionally painful experiences of youth. Then, we explore how the film elicits nuance within the childhood experience of familial separation, acknowledging both the grief intrinsic to such experiences and the role children play as emotional anchors for their parents. Finally, we examine Sōmai's considerations about modern Japanese life and how he rallies against conservative social positions on divorce through the film's delicate character work. The Roxie kicks off The Dream Will Never End, a career retrospective of the films of Satoshi Kon THIS FRIDAY, beginning with the new 4K restoration of PERFECT BLUE on Friday 10/3 introduced by Hit Factory Podcast! You can purchase tickets to the screening or the entire retrospective here.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

After writing Empire Strikes Back and Raiders of the Lost Ark Lawrence Kasdan blessed us with one of the sweatiest, sexiest movies ever made! William Hurt plays a man who is not only moist and incompetent but the most confident man we've ever seen. Kathleen Turner rules in her big screen debut. AND MICKEY ROURKE IS AT HIS PEAK SEXINESS.

Get Reelisms Podcast #165: Oscars Predictions and Filmmaking Stories with Christine Chen In this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen dive into the complexities of the transgender and Mexican representations in media, share personal filmmaking experiences, and discuss the recent fires in LA. Christine also highlights her recent acting gig and a fun translation job for a food documentary. The duo shifts to an in-depth talk about the upcoming Oscars, sharing insights and predictions on the nominated films. Featuring discussions on the substance, genre-bending films, and the challenges of filmmaking, this episode is packed with insider knowledge and engaging commentary on the arts.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and Controversial Representation 00:47 Welcome to Get Reelisms Podcast 01:28 Christine's Sleep Struggles and LA Fires 03:41 Recent Filmmaking Experiences 06:53 Christine's Food Adventures 12:34 Christine's Mandarin Skills and Career Opportunities 17:10 Upcoming Projects and Genre-Bending Films 19:34 Discussion on Emilia Perez and Representation Issues 22:38 Oscars Nominations Overview 23:04 Actor and Actress Nominations 25:54 Mixed Genres in Film 28:20 Voting Dynamics and Film Awards 31:50 Animated Features and Short Films 36:07 Best Picture Nominees 42:10 Production Design and Visual Effects 43:41 Writing Categories and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Amartya and Dhruv had been desperately waiting for Spike Lee's latest film to release, only because they wanted an excuse to go back and revisit Akira Kurosawa's incredibly influential 1963 classic, "High and Low."This episode -- promoted as an extended deep dive into Spike Lee's exasperatingly absurd (mostly in an amusingly bad way) "Highest 2 Lowest" -- is, in actuality, very much an excuse for both Amartya and Dhruv to also wax lyrical about Kurosawa's original.Listen to the full episode to hear their full spoilerific thoughts on both Kurosawa's original version and Lee's interpretation of it -- and why the 2 (memorable) highs of the latter don't outmatch its (2) many lows.TIME CODESHighs & Lows of Film Criticism: [00:00 - 11:09]For the Impatient Ones: [11:09 - 14:43]Akira Kurosawa's "High and Low": [14:43 - 56:49]Spike Lee's "Highest 2 Lowest": [56:49 - 01:39:11]Outro: [01:39:11 - 01:44:36]Do hit 'Follow' on Spotify and rate us if you haven't already to help the podcast reach more people!Follow our Instagram page:https://instagram.com/queenisdead.filmpodcastYou can also follow us on Instagram at:Amartya: https://www.instagram.com/amartya25/Dhruv: https://www.instagram.com/terminalcinema/On Letterboxd at:Dhruv: https://letterboxd.com/aterminalcinema/Amartya: https://letterboxd.com/amartya/

Film writer and critic Brendan Hodges joins to discuss Steven Spielberg's Saving Private Ryan, a self-proclaimed love letter to the filmmaker's WWII veteran father and all the fighting men of the Second World War. Visceral, upsetting, and deeply conflicted, the film formally disavows many of Spielberg's more populist tendencies as director and creates a tension between the valorizing, mythic tone of its war movie forebears and its own aims as a subjective, hyperreal chronicle of boots-on-the-ground combat. Is the film a viscious, jingoistic piece of propaganda? A formally exhilarating but ideologically dubious piece of late 20th century moviemaking? Or is it, as our guest asserts, one of the most misunderstood texts in popular American cinema? We begin by reflecting on Saving Private Ryan's legacy and cultural context, its place as a cultural behemoth and its application as a load-bearing hagiography for American militarism that found new purchase in a post-9/11 context just a few years after its release. Then, we examine Spielberg's formalism, how images contradict text within the film, and what to make of the movie's propositions on its own terms. Finally, we address the movie's evocation of difficult realities of warfare, and ask if the film meets the mandate and responsibility of such images; how history and contemporary context color our interpretations, and what value there is in continuing to return to such questions in our current moment. Follow Brendan Hodges on TwitterRead Peter Labuza's Radical Democracy: Mythos and Politics in Saving Private RyanGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

It's indie filmmaking Smash Bros this week! Ti West, Joe Swanberg, Kentucky Audley–everyone is here! And they're all (probably) going to die!! This week we are joining a cult that's definitely not a Jonestown ripoff, and getting everything on tape for our latest VICE documentary. Hopefully no one gets killed! Next week it's another mumblecore favorite, Patrick Brice's CREEP. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesCommentaryCreating The Sacrament: Revealing the VisionEli Roth Signs On To The SacramentVariety Ti West InterviewLos Angeles Times Production HistoryDeep Fried Movies Eric Robbins InterviewCinemacy Cast and Crew InterviewCinephiled Amy Seimetz InterviewThe Skinny Ti West InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com

Filmmaker Christopher Jason Bell (Miss Me Yet, Attention Shoppers) joins us to discuss Last Action Hero, a meta action comedy featuring too many ideas, a healthy serving of great jokes, and a fascinating reckoning for its star Arnold Schwarzenegger as he was aging into the second act of his movie star career. We begin with a conversation about the action hero vehicle, its dominance in the 1980s, and its turn to self-reference and parody in the early 1990s. Then, we explore Last Action Hero's bizarre combination of action movie tropes and lighter cartoon comedy logic that makes its satirical targets more difficult to identify. After, we address the ways the film incidentally exonerates itself from some of the more ideologically thorny tendencies of police films by embracing fantasy and drawing attention to its artifice. Finally, we spend some time discussing Chris's latest brilliant and beautiful film Failed State, how its component parts all came together, and what it means to be a filmmaker in our moment of constant crises and social alienation.Follow Christopher Jason Bell on TwitterWatch Chris's films on Means.tv Watch the trailer for Failed StateGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Today on the Movies We've Never Seen Podcast, Mike is joined by his good friend Dexter De La Paz (of The Scarlet Thread Book Club and Timeline Earth) as they kick off the road to spooky season by watching the alleged modern 2014 classic The Babadook. Will they be blown away? Will they be underwhelmed? Will they simply be whelmed? Tune in to find out. This episode does contain *SPOILERS* for The Babadook and Greta Gerwig's Barbie. This podcast may contain STRONG LANGUAGE and ADULT THEMES. Not Recommended for children. This episode is Rated R.On The Movies We've Never Seen Podcast, we talk about a movie that one or more of the hosts have not seen. In the fist half of the episode, we talk about our pre-viewing thoughts, expectations and impressions about it punctuated by a small trivia quiz and other fun facts. We then give the movie a tentative rating (on a scale of 0-5 Snake Plisskens) based on the discussion. We then come to the intermission, where we take a break and watch the film in question. In the second half we have a similar conversation and discuss our post-viewing thoughts and see how right, wrong or on the nose we were about the film and give it our final rating. Links:TwitterInstaTwitch Contact with questions or suggestions at MWNSPodcast@protonmail.comFriends Links:Scarlet Thread Book Club Patreon Dexter De La Paz on Twitter Timeline Earth Podcast Alex at Altiora Aerial Unmutual Citizen on ETSY and Twitter AJ On Instagram and Twitter Mike also has a non movie related podcast with his good friend sometimes enemy Patrick where he rambles about random topics called All Downhill. You can check that out on Twitter @alldownhillshow or at their home page. All Music in this episode is Prod. by Yung Kartz and used with License. All clip samples are used under either Public Domain or Fair Use. Tags: Film, Film Criticism, Conversational, Long Form, Opinion, Review, Cult Classic, Action, Adventure, Horror, Comedy, Whimsical

We inaugurate (and conclude) our coverage of Senegalese master Ousmane Sembène with a discussion of his 1992 feature Guelwaar, the late filmmaker's only work of the decade. In essence a minor comedy of errors revolving around the misplaced body of a departed community leader and political agitator, Guelwaar transforms several times over into a profound and moving chronicle of national identity, religious conflict, and the material politics required to resist colonial rule. We begin with an explication of Sembène's politics and how his Marxism informs the social milieu of his works. Then, we praise the film's feminism, its many nuanced women characters, and the director's progressive standpoint on sex work . Finally, we relate Sembène's invocation of aid as a tool of imperial oppression to current situations ongoing in Gaza.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Recorded August 7, 2025: This week, Tiny and I review The Naked Gun in a feature review and then, in this week's secondary review, I talk about Happy Gilmore 2. We also discuss recent movie and TV news, screenings around Indianapolis, and more.   Timestamps Show Start - 00:28 Screening in Indy - 08:13 News Before the Reviews - 12:00 Feature Review The Naked Gun (2025) - 32:21 Spoiler - 53:58 Exit Tiny - 1:00:55 Secondary Review Matt's Mea Culpa - 1:02:24 Happy Gilmore 2 (2025) - 1:04:35   Closing the Ep - 1:31:30 Patreon Clip - 1:32:52   Related Links Jeremy Strong Circling Mark Zuckerberg Role in ‘The Social Network Part II' Hulu App to Be Phased Out as Disney Is ‘Fully Integrating' Service Into Disney+ AMC Theatres Looks To Shorten Preshow Following Studios' Ire – The Dish James Gunn to Direct Next Movie in the ‘Super-Family' at DC Studios After ‘Superman' Success ‘The Batman 2' Is ‘Preparing to Begin Shooting Next Spring,' Warner Bros. Discovery Announces   My 2025 Podcast and Writing Archive 198 - OV B-Roll - “Crack of the Bat Podcast” - 2025's Brickyard 400, Watching Podcasts and the Evolution of the Format, and MattHurtAI - Aug 7, 2025 Immediate Reaction - Together (2025) - Jul 23, 2025 Patreon Special - 28 Days Later (2002) at Alamo Drafthouse - May 23, 2025 Patreon Companion Episodes Collection Patreon - Severance Episode Reviews   Indianapolis Theaters Alamo Drafthouse Indy Kan-Kan  Living Room Theaters Keystone Art  Flix Brewhouse   Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS   Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.6.5) Tiny: Samson Q2U via USB in Google Meet   Episode Homepage: ObsessiveViewer.com/OV486   Next Week on the Podcast OV487 - Weapons (2025) & War of the Worlds (2025)  

It's a bird! It's a plane! It's a podcast! We burst into the feed with a special episode on the First James Gunn Superman Movie, 2025's Superman! We also want to know what you've done with the dog! Then it's all talk of hunks, kindness, quality acting, cuteness, good jokes, earnest people, and controversies in our quest to embrace the punk rock nature of being a good person. Plus, we get into some horror in the MouthGarf Report, and fight our way through I See What You Did There! Please go to the movies! Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: "First," the Internet Comments Section Meme (1997)

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.More new movie talk as we take on the most divisive film of the summer, Ari Aster's COVID-era neo-western Eddington. The film follows Joaquin Phoenix as Joe Cross, the sheriff of Eddington, NM who - frustrated by the state's mask mandates in early 2020 - decides to run for mayor to depose the incumbent Ted Garcia (Pedro Pascal), a boilerplate liberal looking to move the town into the future by granting subsidies to a tech company attempting to build a data center at the edge of town. The film also traces the various conflicts that erupts as the era's wave of Black Lives Matter protests (following the murder of George Floyd) run up against the sheriff's department and the competing ideologies of the townsfolk, all emboldened by the hypermediated, isolated existences that defined the pandemic.We beging by addressing the film's politics, rejecting criticisms of the film as "centrist" or evincing a "both sides are bad" mentality, instead revealing the fundamental retreat of material politics as the defining order of the 2020s. Then, we discuss the film as western, how it embraces the lineage of John Ford, and how its world of localized, independent vacuums of internet-fed ideology suggest a collapse of the dialectic. Finally, we look at what the movie has to say about Big Tech, the victims of capitalism, and its (quite cynical) read on where America all headed.Read Alex on Eddington at More Like Shit StackRead Ed Berger on Eddington at Reciprocal Contradicton 2.0....Our theme song is "Mirror" by Chris Fish

3D artist, animator and director of the new film Boys Go to Jupiter Julian Glander joins us to discuss the live wire pleasures of SLC Punk! starring Matthew Lillard as a Stevo, a brash, blue-haired anarchist punk rocker who, alongside his best friend Bob, seeks meaning in the aimlessness of Salt Lake City, Utah. Though set amidst the deeply conservative Reagan 80s, the film belongs to the long lineage of early 90s slacker movies, navigating the push-pull of material stability at the expense of authenticity and self-actualization. We discuss the film's take on the punk in the 80s and how it finds common throughlines with 90s slacker culture through a flattening of the political contours of the anarcho-punk movement. Then, we explore how the film fluctuates between flattery and fetishization for its disaffected protagonists' lifestyle and critique of its shallowness, as well as the harsh realities of conforming to the capitalist systems we all seek to rebel against. Finally, we discuss Julian's new film Boys Go to Jupiter, and how it updates many of the concerns of the 90s slacker era, finding rich satirical terrain in the gig economy, hustle culture, and a system that asks us to choose between integrity and comfort. Go see Boys Go to Jupiter, now playing at a theater new you.Follow Julian on Twitter.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Writer, academic, and prestigious poster Peter Raleigh earns his hat trick, returning to the Factory Floor to discuss Abel Ferrara's philosophical vampire film The Addiction. Shot in stark, vivid black & white cinematography and featuring a breathtaking lead performance by the great Lili Taylor, the film explores vampirism as a natural extension of the maladies of the world, a physical expression of the spiritual sickness of existing in modernity as a subject of the American Empire.We begin with a discussion of Abel Ferrara as director, his unsparing eye for difficult subject matter, and the unexpected tenderness and humanism that emanates from such an exacting body of work. Then, we explore the film's multifaceted take on vampirism, simultaneously allegorizing addiction, spiritual retribution, and a subjective manifestation of imperial blowback. Finally, we discuss the potency of a film that locates a cutlural zeitgeist and comment on its afflictions through formalism rather than mimeography, conjuring the essence of a historical-material milieu rather than seeking shallow pattern recognition.Follow Peter Raleigh on Twitter.Read and Subscribe to Peter's Substack Long Library.Read Peter on Abel Ferrara's The Addiction.....Our theme song is "Mirror" by Chris Fish

We welcome the esteemed critic, journalist, and podcaster Jourdain Searles to the show to discuss Quentin Tarantino's seminal third feature Jackie Brown, an adaptation of the Elmore Leonard novel Rum Punch that also serves as Tarantino's love letter to Blaxploitation cinema and one of its defining stars, Pam Grier. We begin with a discussion of Blaxploitation cinema, Pam Grier's status within the genre, and how Tarantino navigates the fine line between homage and aesthetic fetishism. Then, we unpack the film's taught, thoughtfully structured script that manages to pack the customary twists and reversals of a Leonard adaptation without skimping on the romance and hangout vibes that underly Tarantino's most accomplished work. Finally, we pull back to discuss Tarantino today and whether we can successfully decouple the director's artistry from his support for Israel. Follow Jourdain Searles on Twitter. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

In this episode of Cyrus Says, celebrated film critic, writer, and editor-in-chief of Galatta Plus, Baradwaj Rangan, joins Cyrus Broacha for an unfiltered chat on movies, filmmaking, and the Indian film industry.He shares honest insights on Bollywood vs. South Indian cinema, the rise of streaming platforms, and how the audience's taste in films has evolved over the years. They have a candid chat about Indian cinema: Kabir Singh, Animal, Rajnikanth, Mani Ratnam, aging stars, producers, and the madness behind the camera.Also: why critics stay hated, what panels are missing, and is Nepotism still cinema's biggest problem?Stay till the end for his fav filmmakers and whether or not he would make a film!See omnystudio.com/listener for privacy information.

Check out Bert's new special "Lucky" streaming on Netflix! The 2 Bears 5k is this Sunday! There's still time to sign up and join us in Tampa at Raymond James Stadium! Sign up at https://www.2bears5k.com/#intro SPONSORS: - Go to https://shipstation.com and use code CAVE to sign up for your FREE trial. - Learn more about Lightstrike at https://Drinklightstrike.com or follow on TikTok and Instagram @drinklightstrike. - You can find Cremo's new line of antiperspirants and deodorants at Target or https://Target.com - Get started at https://factormeals.com/bears50off and use code bears50off to get 50 percent off plus FREE shipping on your first box. - Head to https://policygenius.com to get your free life insurance quotes and see how much you could save. This week on 2 Bears 1 Cave, Bert Kreischer is joined by legendary funnyman and certified bear Thomas Lennon for one of the wildest rides yet. No stranger to confrontations, Thomas tells Bert some stories about a fight he got into in the real-world and the internet. They dive into the Amazon reviews of Mein Kampf, unpack the all-female Blue Origin space flight, and debate which celebs should be launched into orbit next. Thomas also opens up about working with Christopher Nolan, shares the weirdest thing he's ever used his fame for, and the two squirm over some spelunking stories. The two also discuss claustrophobia, Tom's basketball injury, suicide pods in Switzerland, and whether getting beat up by a woman is a fair fight. From film criticism to Karen moments, to the legendary Pink Palace, this episode has it all! 2 Bears, 1 Cave Ep. 286 https://tomsegura.com/tour https://www.bertbertbert.com/tour https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:01:23 - Mein Kampf 00:06:34 - Women In Space 00:11:03 - Happy Endings 00:18:18 - Back To The Lady Astronauts 00:22:37 - Thrill Seeking 00:26:00 - Caves 00:35:53 - A Funny Death 00:40:05 - Fame 00:45:47 - Tom's Broken Body 00:49:37 - Swiss Unalive Pods 00:56:38 - The Man Who Would Be King 00:59:44 - Christopher Nolan Movies 01:07:24 - Film Criticism 01:22:27 - Confrontations 01:34:57 - Cop Stuff 01:39:34 - Karen Moments 01:42:57 - Can't We All Just Get Along 01:49:38 - Couples Therapy & The Space Draft 01:55:31 - Body Acceptance Learn more about your ad choices. Visit megaphone.fm/adchoices