Podcasts about Film criticism

Sweet Smell of Success (1957) is one of the most visually ruthless films Hollywood ever made — and one that doesn't show up in the conversation as often as it should. We dig into James Wong Howe's New York City cinematography, the Burt Lancaster and Tony Curtis dynamic, and what the Library of Congress saw in it when they added it to the National Film Registry.   Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter.  

Send us Fan MailWith recent films like “Titane” and “The Substance”, are we entering a new wave of body horror films? In this episode, we chat about the creepiness of body horror and how how technology has changed the modern day “look” of the genre.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Light is a language, and learning to read it - in a darkened theater, in the stories of your neighbors, in the films you were told to avoid - helps us see clearly. In this conversation, Jeffrey Overstreet and I talk about cinema as a spiritual practice, what it looks like to love your neighbor by actually watching their films, why the filmmakers he was told to fear have shaped his faith far more than he was told they would, and why pursuing truth and beauty on the big screen has a way of leading us back to Jesus.Jeffrey Overstreet is the author of two film-focused memoirs—Through a Screen Darkly (2007) and Lost and Found in the Cathedral of Cinema (2026)—and the four-volume fantasy series The Auralia Thread. He has served as Senior Film Critic at Christianity Today, a film columnist for the literary arts journal Image, and has been published at Paste and Bright Wall/Dark Room. In 2024, students at Seattle Pacific University voted him Undergraduate Professor of the Year for his work teaching creative writing and film studies. You can find more than 25 years of his writing on film, music, and faith at JeffreyOverstreet.comJeffrey's Book:Lost and Found in the Cathedral of CinemaJeffrey's Recommendations:Scott CairnsTania RunyanDelicate Machinery SuspendedConnect with Joshua: jjohnson@shiftingculturepodcast.comGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeSupport the podcast and the ministry that my wife and I do around the world. Just click on the support the show link below NEW PODCAST: American Evangelicals - A History PodcastA thoughtful, deep dive into one of the most talked-about movements in American history.Support the show

Send us Fan MailWhy are ghosts not taken seriously? It seems that ghosts are pretty harmless compared to other scary creatures. We chat about what makes a creature scary and how romanticising ghosts may have influenced our perception of them.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Hello and welcome to another episode of the Shame List Picture Show. On this episode, Michael is joined by photographer/comedian/cinephile Jason Hillman to discuss film discourse. This episode, which was recorded shortly after the 2026 Academy Awards, delves into what online film discourse is like now, why film criticism is still needed, not watching films in a bubble, and our thoughts on the Sinners and One Battle After Another discourse.Intro Bumper - 0:00 - 0:07Frightmares Podcast - 0:07 - 00:55Intro Music - 00:55 - 2:08Film Culture - 2:08 - 1:21:21Social Media Plugs - 1:21:21 - 1:23:54Outro - 1:23:54 - 1:24:12Edited by: Austin ProctorProduced by: Michael ViersTheme Music by: Austin ProctorOpening Narration by: Nick RichardsCredits Music by: Ten-SpeedLogo Design by: Amanda ViersFor more amazing shows like this, be sure to check out https://www.someonesfavoriteproductions.com/network

Send us Fan MailWe've decided to watch “Beetlejuice”, because Cheryl can't stomach many horror films. There are many cult classic horror films, many of which are set in haunted houses. Why are haunted houses the perfect setting? And, what does Beetlejuice do differently with the haunted house?Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

The cast: Meryl Streep, Stanley Tucci, Anne Hathaway. The brands: ALL of them. The result: The Devil Wears Prada 2, of course. But is the most anticipated movie event of the year more than the sum of its parts? The answer from our film critic Nikki Gemmell is a resounding yes, who laughed and cried during this “delicious” comedy. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

Send us Fan MailWhat makes a Kubrick film? In this episode, we chat about Stanley Kubrick, the undeniable quality of his films, and what makes his films so highly discussed. We also end the episode talking about the “Bait”, starring Riz Ahmed, and chat about who we want to be the next James Bond.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWhat was real and what was a dream in “Eyes Wide Shut”? In this episode, we talk about the use of dreams in films and how it makes the audience feel. We also chat about the source material 1926 German novella ‘Dream Story' by Austrian writer Arthur Schnitzler - and what a character he seemed to be!Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWill Alice and William's marriage last after the events of “Eyes Wide Shut”? We chat about how jealousy is often the cause of miscommunication and drama in filmmaking. Our conversation ends with a discussion of our favourite real-life couples.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Michael Phillips talks with author Paul Fischer about The Last Kings of Hollywood and the fragile, collaborative moment that brought Coppola, Lucas, and Spielberg together before success hardened into mythology. From near-misses and rivalries to the system they helped build—and later found themselves up against—the conversation asks what was possible then, what was lost, and why none of it happens without people pushing one another. Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Send us Fan MailMaybe the weirdest and most disturbing of the films we've watched on this podcast! We're chatting about Kubrick's “Eyes Wide Shut”, particularly about how sex is depicted on film and how it compares with the depiction and sexual themes across “Rocky Horror Picture Show” and “Being John Malkovich”.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Today I am joined by Kit Stone to talk about film criticism and movies of 2025 and 2026 Pick up Where We Belong by Savannah Carlisle using our affiliate link https://amzn.to/4sch8mk (ad) Follow Kit at https://x.com/bykitstone More about Kit https://linktr.ee/bykitstone For our best and worst of 2025 https://youtu.be/R9Cv54qxsPA For our best and worst of 2024 https://youtu.be/yLxTEa15O2E For our Best and Worst of 2023 https://youtu.be/hMWAOEder1A For our first episode with Molly and Manda https://traffic.megaphone.fm/ADV4398866680.mp3?updated=1630629175 Get our awesome Female Film Critics Speak Out logo at our merch store for all kinds of designs for mugs, masks, shirts and more https://www.teepublic.com/stores/hallmarkies?ref_id=8581 For all our Female Film Critics panels https://www.youtube.com/playlist?list=PL7wz447AgL4y6x38rcvZNfRlfYQUgWpDP Check out the Online Association of Female Film Critics https://oaffc.com/ Check out Cherry Picks https://www.thecherrypicks.com Please support my content on patreon at https://www.patreon.com/hallmarkies Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Follow Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Rachel's Reviews at https://rachelsreviews.net Follow Rachel on twitter https://twitter.com/rachel_reviews Follow Rachel on facebook https://www.facebook.com/smilingldsgirlreviews/ Find the patreon at https://www.patreon.com/hallmarkies Check out Hallmarkies Twitter at https://twitter.com/HallmarkiesPod Learn more about your ad choices. Visit megaphone.fm/adchoices

After two rounds entirely dominated by top seeds, could the first upset of ’40s Madness be brewing between Bicycle Thieves and Brief Encounter? Plus — thanks to the Filmspotting Bump™ — does The Best Years of Our Lives have what it takes to go toe‑to‑toe with It’s a Wonderful Life? Adam and Josh dig into the Sweet 16. This episode is presented by Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:03:30) Round 2 Results (00:03:31-00:33:55) Sweet 16 Matchups (00:33:56-00:40:43) Bracket Challenge (00:40:44-00:45:15) Credits / New Releases (01:13:01-01:18:01) Links:-Filmspotting Madness https://www.filmspotting.net/madness/ Feedback:-Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support:-Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Send us Fan MailWhy does Charlie Kaufman have a cult following? In this episode, we chat about our thoughts on Charlie Kaufman films, particularly what we remember from them and whether we enjoy them or not. We also discuss what makes surrealist films difficult to engage with, especially compared to other genres.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Adam and Josh review PROJECT HAIL MARY, exploring Ryan Gosling’s blend of humor, melancholy, and middle‑school‑teacher energy. They also discuss the practical effects approach that makes it all work before turning to Round 2 of '40s Madness. This episode is presented by Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:30) Project Hail Mary (00:03:31-00:33:55) Filmspotting Family (00:33:56-00:40:43) Notes / Save the Date (00:40:44-00:45:15) ‘40s Madness Rd. 2 (00:45:16-01:13:00) Credits / New Releases (01:13:01-01:18:01) Links: -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Send us Fan MailWhy did Charlie Kaufman choose to make the main character a puppet master? We chat about how puppets and the idea of being a “puppet master” is used throughout the story to symbolise power imbalances and identity.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Jake Serwin and Ian Rhine of the illustrious Pod Casty for Me join to discuss Alex Cox's 1991 crime drama Highway Patrolman. Made during a period of exile in Mexico after Cox's ostensible blacklisting from Hollywood (and the WGA) following the dramatic failure of his 1987 film Walker, the film tells the story of - you guessed it - a rookie highway patrolman in rural northern Mexico as he navigates the job, The System™, and myraid problems domestic and romantic. We survey the signature punk style of Alex Cox as filmmaker, and how he renders Mexico an environment of characteristically seedy texture and aesthetic while preserving nuance, never letting the people or the country become a monolith. Then, we discuss the film's handling of character, specifically protagonist Pedro Rojas (played excellently by Roberto Sosa) and how he relates to two women in the film - his wife (Zaide Silvia Gutiérrez) and his sex worker girlfriend (Vanessa Bauche). Finally, we consider the film's reflections on policing, the things distinctive to Mexico and its people's relationship with law enforcement, as well as those things that remain consistent in how young men become attracted to the job and how value systems and ideology are propagated and preserved. Watch Highway Patrolman on YouTube via Kino LorberListen and Subscribe to Pod Casty For MeFollow Pod Casty For Me on Twitter....Our theme song is "Mirror" by Chris Fish. 

Why does STAND BY ME still resonate 40 years later? Adam and Josh revisit Rob Reiner’s classic, reflecting on its friendships, its wistfulness, and River Phoenix’s unforgettable performance. Plus: a review of Maggie Gyllenhaal’s THE BRIDE and a look at the Round 1 matchups of Filmspotting '40s Madness. Join the Filmspotting Family for the full archive, bonus episodes, ad‑free listening, and more: filmspottingfamily.com This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:53)Stand by Me (00:02:54-00:49:35)Filmspotting Family (00:49:36-00:57:12)The Bride (00:57:13-01:02:59)Notes / Save the Date (01:03:00-01:08:22)'40s Madness Rd. 1 (01:08:23-01:24:03)Credits / New Releases (01:24:04-01:25:53) Correction: -Yes, Adam realizes that he said "Jesus, does anybody" – twice! – not "anyone." He regrets the error. Notes/Links: -Filmspotting Madnesshttps://www.filmspotting.net/madness -Stephen King: Why I Hugged Rob Reiner After Watching ‘Stand by Me’https://www.nytimes.com/2025/12/16/opinion/culture/stephen-king-rob-reiner-stand-by-me.html Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Movies biggest night! Pretty good! We enjoyed this years ceremony and without spoiling our conversation, felt they got it mostly right in a field of movies we quite enjoyed. Plus, a new Spider-Man movie is on the way, and a new Buffy series....is not. Thanks for listening!Hosted by Stephen Williams and Zack Miller

Adam, Josh, and Michael Phillips size up the Oscars with their annual rundown of who will win, who should win, and who was unfairly overlooked — plus the Filmspotting Madness: Best of the 1940s Play‑Ins. This episode is presented by Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:16) Supp. Actress (00:02:17-00:22:03) Supp. Actor (00:22:04-00:40:56) Lead Actor (00:40:57-00:56:52) Lead Actress (00:56:53-01:05:37) Director (01:05:38-01:15:57) Picture (01:15:58-01:37:53) Family / Next Week / Notes (01:37:54-01:47:21) Filmspotting Madness: Play-Ins (01:47:22-2:07:41) Credits / New Releases (2:07:42-02:09:531) Notes/Links: -Filmspotting Madness https://www.filmspotting.net/madness/ -Michael Phillips on WFMT https://radionetwork.wfmt.com/people/hosts/michael-phillips/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

This week, we finish our Oscars 2026 movie coverage with "The Ugly Stepsister." We discuss the long road for director, Emilie Blichfeldt, to get her film made the way she wanted it to. We, then dive into the production, and the various FX shots. We follow this with a plot breakdown of the film, and finish up with two pairings for a pair of double bills!Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

This week’s Top 5 explores cinema’s most unreliable narrators, characters who bend, twist, or completely invent the truth. Adam and Josh pair the list with a fresh look at Kurosawa’s RASHOMON, the film that set the template for them all – and a potential 2026 Pantheon inductee. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:18) Top 5 Unreliable Narrators (00:03:19-01:05:17) Filmspotting Family (01:05:18-01:11:08) Next Week, Notes, Poll (01:11:09-01:18:16) Pantheon Project: Rashomon (01:18:17-01:56:39) Credits / New Releases (01:56:40-01:59:51) Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Ten years after the original Mamma Mia! a sequel appeared... and Here We Go Again! Oh, and luckily for us, we watched them within just about 1 year of each other, give or take. We're back and discussing the jukebox musical sequel to 2008's Mamma Mia! with all its campy delights, hundreds of fires, flashbacks, ABBA, and Meryl Force Ghosts. Plus, the MouthGarf Report, and of course, I See What You Did There!Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Graffiti

This episode was originally recorded for a panel at the Berlinale Film Festival called Let's talk about (short) films! Pluralistic Discourse in Film Criticism. I was invited to speak about the online film programs I've been building for thinking and talking about film — where we don't just share opinions about a film and move on. Instead, we're looking for something new: what does this film offer that I didn't notice the first time? Because you don't need to wait for a major life change to see a film differently. Sometimes, all you need is a new question, a new lens, or the chance to look again with other curious people. In this episode, I walk through some of the ways I structure those conversations to be places to explore ideas and discover something new. And the best part? You don't need to be a film expert. You just need to be willing to notice something — even if it feels obvious — and let the group carry the torch from there. Curious about joining the next film program? 

Send us a textOn this episode of Movies Worth Seeing, we take on One Battle After Another — and fair warning, this one did not survive the review.We went in open-minded, ready to meet the film where it was… but what we got was a bloated, self-serious experience that mistakes noise for meaning and ambition for depth. Instead of tension, momentum, or emotional payoff, the film delivers repetition, confusion, and a whole lot of wheel-spinning.In this episode, we break down:Why the movie feels exhausting rather than grippingHow “important” themes are hinted at but never exploredThe lack of payoff after all that buildupWhere the storytelling completely loses the audienceAnd why ambition alone doesn't make a movie worth your timeThis isn't a hate-watch for the sake of it — it's an honest conversation about why some films just don't work, no matter how hard they try to look meaningful.

This week we cover Jafar Panahi's Palme d'Or winning film, "It was Just an Accident." We cover the clandestine process of making this film in the repressive Iranian regime. After covering the background, we get into the film itself, and describe everything we loved about this masterpiece. Finally, we end the episode with a pair of double bills for your viewing pleasure.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

It's time for us to weigh in (again) about all the hottest topics in this Oscars race, including all the discourse about One Battle After Another and Teyana Taylor's role. Don't tweet at us!Hosted by Stephen Williams and Zack Miller

It's Oscar season, baby! This week, we are kicking it off with our coverage of Paul Thomas Anderson's new masterpiece, "One Battle After Another." We discuss the early attempts at adapting Thomas Pynchon's "Vineland," as well as the eventual production of this story. After we discuss the production of the film, we take a look at the film itself, and describe all of the things we like about this film. Finally, we each pair this film with another for a duo of double bills for your viewing pleasure!Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Inglourious Basterds (2009), written and directed by Quentin Tarantino, revolves around two plots to assassinate Nazi leaders during the closing years of World War II. One plot centers on a secret band of Jewish-American soldiers under the command of Ltn. Aldo Raine (Brad Pitt)—the “Basterds”—who terrorize Nazis. The other involves Shosanna Dreyfus (Melanie Laurent), a young Jewish woman who narrowly escapes death at the hands of notorious “Jew hunter” Hans Landa (Christoph Waltz) and flees to Paris where she runs a cinema under a false identity. The plot lines converge at the Paris cinema where the Basterds and Shosanna are each separately plotting to kill Hitler and other Nazi leaders while they are attending the premiere of a German propaganda film. The film utilizes alternate history to explore themes surrounding the pursuit of justice against the perpetrators of mass atrocities and the complex relationship between law and vengeance.Timestamps:0:00    Introduction2:37     Reimagining the arc of justice8:00     Alternatives to the progress narrative16:51     The power of violence and revenge21:56     Counterfactuals and alternative histories27:03     The limits of legalistic responses to atrocities32:24     The role of cinema in Nazi Germany39:00     Narratives of progress44:10     Ending with a primal moment of revenge  Further reading:Hussain, Nadine, “‘Inglorious Basterds': A Satirical Criticism of WWII Cinema and the Myth of the American War Hero,” 13(2) Inquiries Journal 1 (2021)Jackson, Robert H., Opening Statement before the International Military Tribunal, Robert H. Jackson Center (Nov. 21, 1945)James, Caryn, “Why Inglourious Basterds is Quentin Tarantino's Masterpiece,” BBC (Aug. 16, 2019)Keydar, Renana, “‘Lessons in Humanity': Re-evaluating International Criminal Law's Narrative of Progress in the Post 9/11 Era,” 17 (2) J. Int'l Criminal Justice 229 (2019)Kligerman, Eric. “Reels of Justice: Inglourious Basterds, The Sorrow and the Pity, and Jewish Revenge Fantasies,” in Quentin Tarantino's Inglourious Basterds: A Manipulation of Metacinema (Robert Dassanowsky ed., 2012)Tekay, Baran “Transforming Cultural Memory: ‘Inglourious Basterds'”, 48(1) Film Criticism (2024)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

This week, we're discussing the winner of our latest Patreon poll, Senegalese auteur Djibril Diop Mambéty's Hyenas. Adapting Swiss-German playwright Friedrich Dürrenmatt's 1956 satirical tragicomedy The Visit and transposing its story onto post-colonial Senegal, the film tells the story of Dramaan Drameh, a grocer in the poor town of Colobane, whose life is upended when a former flame, Linguère Ramatou, returns to the town after decades. Having amassed a large fortune in the intervening years, Ramatou makes the township a disquieting offer - she will bestow her fortune onto Colobane in exchange for the murder of Drameh as revenge for abandoning her following a pregnancy during their brief love affair. Gorgeously-lensed, blackly satirical, and ultimately tragic, Hyenas imbues its tense tale of vengenace and greed with resonances examining Senagal's (and the greater continet of Africa's) subjugation under western capitalism in the post-colonial period. We begin with a discussion of Senegal's cinema, its anti-colonial dimensions, and how the rhythms of Mambéty's film antagonize western modes of narrative and filmmaking. Then, we examine the film's exploration of the corrupting nature of capital, and how forces like the International Monetary Fund and World Bank acted as coercive mechanisms for privatization and neoliberal policy in Africa and throughout the developing world. Finally, we discuss the film's sexual politics, where we feel its metaphors break down in its exploration of the character of Ramatou, and where fidelity to source material occasionally muddles the film's incisive colonial critique. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

This week on the Erotic Thriller Club we watch a sexy tale of magic and infidelity. Not only does Mark Hamill cheat on his girlfriend but ends up with a witches hex in the process! Poor buddy.

The year is 1992, the film is Bob Roberts... a political mockumentary satire. The director, first-time filmmaker (and star) Tim Robbins. And it's also the first film role for a lovable gent named Jack Black. We dig into the parallels between Bob Roberts and present day American politics and consider the right wing folk songs that were, at one point, comedic in their absurdity. Plus, we get into it with the MouthGarf Report, and play a nice round of I See What You Did There.Additional Sources:https://en.wikipedia.org/wiki/Bob_Robertshttps://www.cracked.com/article_40869_when-tim-robbins-tried-and-failed-to-be-the-most-controversial-snl-host.htmlPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Attempt at Time Travel

Last episode of the year! Here's part 2 of our best of the year lists featuring our favorite movies, television, and personal wild cards from 2025.Hosted by Stephen Williams and Zack Miller

Not only is this Veronica and Eli's last episode, it's our fourth annual Cruisemas. With the release of One Battle After Another, we revisit Paul Thomas Anderson's blank check big swing Magnolia (1999), and get into: young PTA and the New New Hollywood, sincerity and good listening, Phil Parma made Chad become a therapist, Fiona Apple as PTA's Polly Platt, we desperately want a Tom Cruise coconut cake, life imitating art with Cruise's Oprah interview, Melora Walters' enigmatic smile, Magnolia trying to understand the same things as the Bible, the bleak prescience of ‘Seduce and Destroy,' how to pace a 3+ hour runtime, and more.Further reading: Roger Ebert's “ecstatic” review, Lynn Hirschberg's profile “His Way,” Steven Hyden on PTA and Fiona Apple for Grantland, and books from friends of the pod Adam Nayman (Paul Thomas Anderson: Masterworks) and Ethan Warren (The Cinema of Paul Thomas Anderson).The Bright Wall/Dark Room Podcast has been co-hosted since 2021 by Veronica Fitzpatrick and Chad Perman, and produced by Eli Sands. Our theme music is composed by Chad. Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com, and thanks for listening.Note: This episode was recorded days before the December 13 shooting at Brown University. Our thoughts remain with Veronica's students and the entire community at Brown and beyond.

SummaryIn this episode, the host expresses gratitude towards Nas and reflects on personal challenges while discussing recent music releases, particularly focusing on the impact of social media on the music industry. The conversation delves into themes of racism in the NFL, the evolution of music production, and critiques of social media culture. The host also shares insights on relationships and personal growth, culminating in a discussion about the legacy of De La Soul and the importance of healing in music.TakeawaysGratitude towards influential artists like Nas is essential.Personal challenges can affect one's engagement with music.Recent music releases reflect broader cultural themes.Social media has a significant impact on music perception.Racism in the NFL is a critical issue that needs addressing.The evolution of music production has changed the industry landscape.Critiques of social media culture highlight its negative effects.Relationships and personal growth are intertwined with music appreciation.The legacy of De La Soul is vital to understanding hip hop history.Healing themes in music can resonate deeply with listeners.Chapters00:00 Introduction and Personal Updates02:23 Reflections on Music and Entertainment04:50 Critique of Social Media and Cultural Commentary09:10 Discussion on Film Criticism and Black Representation13:23 Analysis of NFL Commentary and Racial Dynamics22:33 Exploring Relationships and Personal Growth31:23 Concluding Thoughts on Life and Community36:16 artsEntertainment-transition-high.wav36:29 Introduction and Salute to Nas38:34 Mass Appeal Records and Its Impact45:17 Album Releases and Reviews53:33 De La Soul's Cabin in the Sky54:14 Nas and DJ Premier's Light Years01:13:13 Conclusion and Reflection on Healing in Music01:14:19 artsEntertainment-outro-low-long.wavKeywordsNas, De La Soul, music review, social media, NFL, racism, personal growth, hip hop, music production, relationships

Denzember concludes as Journalist and host of the Turbulence podcast Séamus Malekafzali returns to the show to discuss Edward Zwick's 1998 geopolitical thriller The Siege, a film about a Muslim terrorist cell wreaking havoc on New York City, the resultant fear it stokes, and the vidictive results of martial law being enforced in an American city. Largely lost to time as an artifact of The End of History, the film nonetheless rings with a startling prescience as a pre-9/11 document of Hollywood's casual anti-Arab sentiments (even among well-meaning liberal sects), and trust in American institutions to disavow bad actors and preserve democracy.We begin by dissecting the films amorphous, byzantine, and *totally fabricated* understanding of Middle Eastern geopolitics, and how its obfuscations function as a tool of propaganda, making the threat of Muslim extremism feel omnipresent and unknowable. Then, we consider how the film contends with imperial blowback, individuating it as mistakes by discrete actors rather than the guiding policy of America's geopolitical meddling across the globe. Finally, we reckon with the film's countless contradictions, its liberal posturing toward the "right" kind of wariness toward extremism, and its unconscious buttressing of the same ideologies that lead to fascist persecution of The Other. Follow Séamus Malekafzali on Twitter.Listen and Subscribe to Turbulence Podcast. Subscribe to Séamus' Substack. Get access to the whole Denzember experience, all of our premium episodes and bonus content, and an invite to the Hit Factory Discord by becoming a Hit Factory Patron for just $5/month.....Our Denzember Theme Song is "Funk" by Oppo.

Get access to this entire episode, the entire Denzember catalog, and all of our premium episodes by becoming a Hit Factory Patron for just $5/month.Roger Ebert Associate Editor Robert Daniels returns to the show to once again discuss the work of Denzel Washington and Spike Lee, this time unpacking his brilliant 1998 sports drama He Got Game. The film stars Denzel Washington as Jake Shuttlesworth, an Attica inmate who is tasked with getting his high school basketball prodigy son, Jesus (Ray Allen), to commit to playing for the governor's alma mater in exchange for a reduced prison sentence. A film as concerned with the capitalist mechanisms undergirding basketball culture as it is with acknowledging the intoxicating allure of the game's myth, Spike crafts a uniquel rewarding sports movie in a melodrama's skin. We begin with a discussion about Spike's formal ingenuity, and how he positions basketball as inextricable from broader Americana; a definitive part of American culture. Then, we praise the dual leading performances of Denzel Washington and NBA star Ray Allen. Finally, we disscuss the film's showstopper final act, showcasing Denzel and Allen's skills on the court in a brilliantly pitched one-on-one game that approaches the sublime, even supernatural.Follow Robert Daniels on Twitter.Read Robert on the musical direction of Spike Lee films at Letterboxd.....Our Denzember theme song is "Funk" by Oppo.

It's the most wonderful time of the year! Denzember 2 kicks off with a conversation about Spike Lee and Denzel Washington's first collaboration, 1990's Mo' Better Blues, a film about jazz, art-making, and the pursuit of greatness at the expense of personal relationships. The terrific Minnie Zondi is our guest! We discuss the film's tepid reception upon release, and how a (predominantly white) critical audience failed to understand the political dimensions of a film about Black music and its commercial and social appropriation. Then, we reflect on Spike Lee's career and his brilliant cohort of collaborators, including composer Terence Blanchard (making his first appearance on a Spike Lee soundtrack), cinematographer Ernest R. Dickerson, and the electric stylings of costume designer Ruth E. Carter. Finally, we reflect on the movie's complicated ending, and what we're to make of its reflections on artistry, family, and whether exceptional talents can hold the two in balance. Follow Minnie Zondi on Twitter. Follow Minnie on Substack. Read Minnie's Twitter thread on Ruth E. Carter's costume work for Ryan Coogler's Sinners.Get access to the whole Denzember experience, all of our premium episodes and bonus content, and an invite to the Hit Factory Discord by becoming a Hit Factory Patron for just $5/month.....Our Denzember Theme Song is "Funk" by Oppo

As part of our ongoing TIFF coverage, Justin is joined by Eric Marchen — host of Cinema Seen on Rogers TV Durham and one half of The Untitled Movie Podcast — for a thoughtful review and discussion of Sentimental Value. Together they explore the film's emotional core, its layered family dynamics, and the European sensibilities that shape its storytelling. They break down standout performances from Stellan Skarsgård, Renate Reinsve, Inga Ibsdotter Lilleaas, and Elle Fanning, while diving into themes of grief, reconciliation, creative ambition, and the push-and-pull between art and family. Eric also brings insights from his interviews with the cast and crew, making this a rich, nuanced conversation that expands our TIFF coverage with depth and perspective.Sentimental Value is in select theatres November 14 Check out Eric's Interview with the cast & crew of Sentimental Value, including - Podcast | YouTubeFollow The Untitled Move Podcast -  Podcast | Instagram | LetteboxdFollow Eric Marchen Here Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Devin and Jacob are here to talk about The Running Man, a Richard Bachman (*cough Stephen King cough*) novel as well as the original film adaptation starring Arnold Schwarzenegger!Support Film Literate on Patreon!Guest: Jacob White (Instagram|Substack|YouTube)

The fine, upstanding gentlemen of Pod Casty for Me, Jake Serwin and Ian Rhine, return to discuss Hirokazu Kore-eda's After Life, which follows a group of recently deceased people entering a state of limbo where counselors  (also deceased) help them locate their most important memory and then go about the work of turning that memory into a film that they will watch forever in eternity. The film adopts, at least in part, a docu-fiction quality, assembling talking head interviews with several non-actors telling their memories directly to camera before becoming a treatise on art-making itself, considering how cinema reflects and retains memory. We begin with a discussion of Kore-eda's formalism, and how the director embraces both the erudite affect of slow cinema and the melodramatic dramaturgy of classical narrative to mixed effect. Then, we engage the film's high concept premise, how its emboldened by its ambiguities and where the film still feels grafted to terrestrial quotidian experience. Finally, we ponder the wide array of films that deal with the afterlife as a bureaucratic machine, and whether applying systemic order to something like death is a comforting fantasy or a cloistering nightmare. Read Hirokazu Kore-eda's director statement on After Life.Listen & Subscribe to Pod Casty for Me.Follow Pod Casty for Me on Twitter.Join us on Thursday November 6th, 2025 6pm PT/9pm ET for a virtual screening of FAILED STATE + Q&A w/ Dir. Christopher Jason Bell.Purchase tickets HERE.Hit Factory Patrons can RSVP at Patreon from our pinned post.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

Imagine, you've taken your clients out to an unforgettable luncheon and... *pat* *pat* *pat*... you don't have your wallet, or any cash, or even your checkbook! How mortifying!? Whatever will you do? Well... you invent a new way to pay that fundamentally alters the economy and complicates everyone's lives... FOREVER. We're talking about the FIRST CREDIT CARD, so get ready to join the Diners' Club and start deferring payment to the end of the month... when surely you'll have the money to cover it... Right? Right!? Also, a MouthGarf Report and I See What You Did There!Sources:www.dinersclub.com/about-us/historyhttps://medium.com/@BOLDAwards/the-story-of-diners-club-the-first-credit-card-c0191d02c89ehttps://boardgamegeek.com/boardgame/34270/the-diners-club-credit-card-gamehttps://en.wikipedia.org/wiki/Diners_Club_InternationalPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Star on the Hollywood Walk of Fame

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish

This week, Sam Watermeier joins me to review the new Benny Safdie movie, The Smashing Machine in a feature review and then, in this week's secondary review, we talk about Renny Harlin's, The Strangers: Chapter 2. We also discuss recent movie and TV news, screenings around Indianapolis, Heartland Film Festival, Robert Redford, Heat 2, and more. Timestamps Show Start - 01:29 Introducing Sam - 04:31 Screening in Indy - 10:49 News Before the Reviews - 17:54 Feature Review The Smashing Machine (2025) - 23:51 Spoiler - 1:06:57 Secondary Review The Strangers: Chapter 2 (2025) - 1:36:17 Closing the Ep - 2:03:00 Patreon Clip - 2:05:13 Related Links My Voice Work on The Endless Elsewhere Podcast My Guest Spot on Short Bites: A Stephen King Podcast OV429 - I Saw the TV Glow (2024) & The Strangers: Chapter 1 (2024) - Guest: Sam Watermeier Robert Redford, ‘Butch Cassidy' and ‘All the President's Men' Icon, Dies at 89 ‘Heat 2' Moves From Warner Bros. to Amazon MGM as Michael Mann's Sequel Gains Traction   Sam's Letterboxd Sam's Writing on Midwest Film Journal Sam's Review of Arrow's Spawn 4K UHD Release Sam's Review of Are We Good? Sam's Review of The Strangers: Chapter 2 Sam's Quick Takes Reviews of Twinless and Lurker   My 2025 Podcast and Writing Archive Book Reaction - The Long Walk by Stephen King - Chapters 1-2 - Sept 18, 2025 Book Reaction - The Long Walk by Stephen King - Chapters 3-5 - Sept 21, 2025 Book Reaction - The Long Walk by Stephen King - Chapters 6-7 - Sept 28, 2025 Book Reaction - The Long Walk by Stephen King - Chapters 8-10 - Oct 4, 2025 Patreon Special - Yojimbo (1961) at the Kan-Kan - Aug 27, 2025 Patreon Special - High and Low (1963) at the Kan-Kan - Aug 24, 2025 Immediate Reaction - Together (2025) - Jul 23, 2025 Patreon Companion Episodes Collection   Indianapolis Theaters Heartland Film Festival The Tenderness Tour Documentary at HIFF34 Alamo Drafthouse Indy Kan-Kan  Living Room Theaters Keystone Art  Flix Brewhouse   Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS   Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.6.6) Sam: Samson Q2U via USB in Google Meet   Episode Homepage: ObsessiveViewer.com/OV489   Next Week on the Podcast OV490 - Roofman (2025) & Bone Lake (2025)

This week on the Erotic Thriller Club we're sending our dear, sweet Kit into Titane blind! Kit requested something cozy or spooky and I think the serial killer, car pregnancy movie checks both boxes.

We inaugurate the late Japanese master Shinji Sōmai with a discussion of his beautiful, melancholy coming-of-age drama Moving. The film follows the young Ren as she navigates her parents' recent separation, balancing loyalties to both her mother and father, dealing with gossiping classmates, and making attempts to reconcile the marriage. With a characteristic sensitivity and perceptiveness for the experience of youth, Sōmai excavates a universe of detail from the film's simple premise, arriving at a profoundly moving and cathartic emotional climax. We begin by discussing Sōmai as director, his style, and what we think might have drawn him to stories about the occasionally painful experiences of youth. Then, we explore how the film elicits nuance within the childhood experience of familial separation, acknowledging both the grief intrinsic to such experiences and the role children play as emotional anchors for their parents. Finally, we examine Sōmai's considerations about modern Japanese life and how he rallies against conservative social positions on divorce through the film's delicate character work. The Roxie kicks off The Dream Will Never End, a career retrospective of the films of Satoshi Kon THIS FRIDAY, beginning with the new 4K restoration of PERFECT BLUE on Friday 10/3 introduced by Hit Factory Podcast! You can purchase tickets to the screening or the entire retrospective here.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

After writing Empire Strikes Back and Raiders of the Lost Ark Lawrence Kasdan blessed us with one of the sweatiest, sexiest movies ever made! William Hurt plays a man who is not only moist and incompetent but the most confident man we've ever seen. Kathleen Turner rules in her big screen debut. AND MICKEY ROURKE IS AT HIS PEAK SEXINESS.

It's indie filmmaking Smash Bros this week! Ti West, Joe Swanberg, Kentucky Audley–everyone is here! And they're all (probably) going to die!! This week we are joining a cult that's definitely not a Jonestown ripoff, and getting everything on tape for our latest VICE documentary. Hopefully no one gets killed! Next week it's another mumblecore favorite, Patrick Brice's CREEP. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesCommentaryCreating The Sacrament: Revealing the VisionEli Roth Signs On To The SacramentVariety Ti West InterviewLos Angeles Times Production HistoryDeep Fried Movies Eric Robbins InterviewCinemacy Cast and Crew InterviewCinephiled Amy Seimetz InterviewThe Skinny Ti West InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com

Check out Bert's new special "Lucky" streaming on Netflix! The 2 Bears 5k is this Sunday! There's still time to sign up and join us in Tampa at Raymond James Stadium! Sign up at https://www.2bears5k.com/#intro SPONSORS: - Go to https://shipstation.com and use code CAVE to sign up for your FREE trial. - Learn more about Lightstrike at https://Drinklightstrike.com or follow on TikTok and Instagram @drinklightstrike. - You can find Cremo's new line of antiperspirants and deodorants at Target or https://Target.com - Get started at https://factormeals.com/bears50off and use code bears50off to get 50 percent off plus FREE shipping on your first box. - Head to https://policygenius.com to get your free life insurance quotes and see how much you could save. This week on 2 Bears 1 Cave, Bert Kreischer is joined by legendary funnyman and certified bear Thomas Lennon for one of the wildest rides yet. No stranger to confrontations, Thomas tells Bert some stories about a fight he got into in the real-world and the internet. They dive into the Amazon reviews of Mein Kampf, unpack the all-female Blue Origin space flight, and debate which celebs should be launched into orbit next. Thomas also opens up about working with Christopher Nolan, shares the weirdest thing he's ever used his fame for, and the two squirm over some spelunking stories. The two also discuss claustrophobia, Tom's basketball injury, suicide pods in Switzerland, and whether getting beat up by a woman is a fair fight. From film criticism to Karen moments, to the legendary Pink Palace, this episode has it all! 2 Bears, 1 Cave Ep. 286 https://tomsegura.com/tour https://www.bertbertbert.com/tour https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:01:23 - Mein Kampf 00:06:34 - Women In Space 00:11:03 - Happy Endings 00:18:18 - Back To The Lady Astronauts 00:22:37 - Thrill Seeking 00:26:00 - Caves 00:35:53 - A Funny Death 00:40:05 - Fame 00:45:47 - Tom's Broken Body 00:49:37 - Swiss Unalive Pods 00:56:38 - The Man Who Would Be King 00:59:44 - Christopher Nolan Movies 01:07:24 - Film Criticism 01:22:27 - Confrontations 01:34:57 - Cop Stuff 01:39:34 - Karen Moments 01:42:57 - Can't We All Just Get Along 01:49:38 - Couples Therapy & The Space Draft 01:55:31 - Body Acceptance Learn more about your ad choices. Visit megaphone.fm/adchoices