Podcast appearances and mentions of Jordan Peele

Black on Black Cinema tackles Chameleon Street (1989), Wendell B. Harris Jr.'s astonishing writer-director-star debut based on the true story of Detroit con artist William Douglas Street Jr., who successfully impersonated reporters, lawyers, an Ivy League exchange student, and even a surgeon, performing over 30 real hysterectomies without any medical training. The film won the Grand Jury Prize at Sundance in 1990, beating out Reservoir Dogs, and then inexplicably went without distribution for over a year, effectively burying Harris's career before it started.The concept is genuinely brilliant, a razor-sharp satire about race, class, and identity performance in America, anchored by a magnetic, one-of-a-kind lead performance from Harris himself. But the execution is a different story. The film is tonally unpredictable, structurally chaotic, and at times narratively difficult to follow, swinging wildly between avant-garde experimentation and straightforward biopic beats without clear rhythm. We break down what makes Chameleon Street a genuine one-of-a-kind vision worth seeking out, where the filmmaking gets in its own way, and why this would be ripe for a modern remake with better structure and focus.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Black on Black Cinema breaks down the National Association of Black Journalists giving Stephen A. Smith its "Thumbs Down" award, reserved for commentary the organization considers especially insensitive, stereotypical, or at odds with NABJ's mission around fair representation of the Black community. NABJ's statement specifically cited Smith's recurring pattern of disparaging commentary toward prominent Black women across politics, sports, and media, saying it reinforces harmful narratives and undermines fair, respectful representation.We agree with NABJ here, and we break down exactly why. Smith has spent years building a media empire on saying whatever gets a reaction, and his commentary toward Black women specifically has followed a consistent, well documented pattern that deserves scrutiny; not just from critics online, but from an organization built to hold Black media figures accountable to Black communities. Smith's response was predictably combative, essentially promising retaliation on his platform. He even ran to Fox News' Sean Hannity to make his thoughts known. A curious platform if he is trying to reach Black people...hmmm. We discuss why that reaction proves NABJ's point more than it disproves it, what accountability from within the profession actually looks like, and why Smith's expanding political platform makes this moment even more significant.We also announce the next film to be reviewed which is the 1989 film "Chameleon Street" which follows a social chameleon who impersonates reporters, doctors and lawyers in order to make money. (Film is available to watch on Tubi for free).Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

This week Jacob Bertrand is joined by actor Brandon Pera on the Lone Lobos podcast. known for his role in Jordan Peele's “Nope” and Lee Issac Chung's “Twisters”, Brandon talks to us all about his new film Insidious: out of the further in theaters August 21st. Listen in as Brandon talks his experience on set, his fears and stunts for the film. Lobitos exclusivos listen to an extended version of the episode where Brandon talks his life off set including his love for rock climbing and jamskating.Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobosFollow Brandon Perea on Instagram:https://www.instagram.com/brandonpereaFollow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrandFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram: https://www.instagram.com/officialmonicat_We want your feedback! Please fill out the survey to help us improve our podcast https://tinyurl.com/LLPodcastFeedbackhttp://www.heyxolo.com/Jacobs Channel: @ThreeFloating

This week on Black on Black Cinema, the entire crew returns to discuss the 2026 film that was written and directed by Chris Stokes, "Stepfather." The film stars Taye Diggs as a desperate man who hunts for the perfect family, but when his new wife and daughters fear he may be deranged, escaping him will have deadly consequences.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Emma and Ally are seeing double, because this week on Spooky Chicks and Horror Flicks, the hosts recap and review Us (2019). Jordan Peele's mind-bending horror film about a family whose vacation takes a terrifying turn when they're confronted by their own doppelgängers.Support the showWe Have Merch! - shop.spookychickspod.comWebsite - spookychickspod.comInstagram - instagram.com/spookychickshorrorflicksTiktok - tiktok.com/@spookychickshorrorflicksLetterboxd - letterboxd.com/spookychickspod/ Patreon - patreon.com/SpookyChicksandHorrorFlicks

There's something in the sky and it might be denim...Nick and Justin rip open Jordan Peele's sci-fi classic and see what kind of little bits and bobs are inside.Post show song: DAY DRINKING, a brand new song from the recently released album THE MOTHER by PKG (Nunziata, Makarewicz, Robinson, Murphy).  By the way, you can donate to this show in the link if you have more money than sense. You can follow on Insta and on Twit. You can also write a 5 star review on Apple Podcasts!Theme music by Nick Nunziata and Steve Murphy and their many bands can be heard on Soundcloud.

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will be reading "The Best Horror Comedies Everyone Should Watch" by Chris Hinton of Looper as well as "Out There Screaming: An Anthology of New Black Horror" Edited by Jordan Peele.#Fyp #haunted #creepy #scary #viral #ghost #supernatural #paranormal #haunting #ufo #uap #alien #visit #being #GlowingEyes #thing #it #cringe #demon #spirit #truth #omniverse #moon #sun #planets #alignment #mandela #effect #karma #dirty #open #multiverse #soulBecome a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson

Jordan Peele uses his directorial debut to introduce audiences to the talent of Daniel Kaluuya, win a Best Original Screenplay Oscar, and try to make white liberals confront their participation in systemic racism. How well did he succeed?Pluggables: Shami: @theonlinemuse on tumblrTodd: http://theguyinthe3rdrow.blogspot.com/Spotlight: The Black TV & Film Collective (https://www.blacktvfilmcollective.org/donate/) — help provide opportunities and resources for Black filmmakers across the world!Support the showSam: @DemiSemme on YouTube, Tumblr, BlueSky, and most other social media platforms (NOT eX-Twitter). Visit our Tumblrs at sixdegreesofstarwars.tumblr.com and ier-6d.tumblr.comTheme Music provided by Refractory Period: @RefractoryPeriodTheBand on Instagram, linktr.ee/RefractoryPeriodForever Mutual Aid LinksE-Sims for Gaza: https://gazaesims.com/Click to Help: https://arab.org/click-to-help/Anti-Imperialism support for people across the world, organized by Kandakat_alhaqq:  https://linktr.ee/kandakat_alhaqqCampus Bail Funds: https://campusbailfunds.com/6DOSW is a Pro-Union podcast. Please support artists by contributing to the Entertainment Community Fund if you can: https://entertainmentcommunity.org/how-get-help-and-give-help-during-work-stoppageThe views and opinions expressed in this podcast are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.

Over on Matt's other podcast, Time Enough, he's been going over every Jordan Peele produced film after doing the entire Jordan Peele Twilight Zone series. Here Mark and friend of the pod Andrew Shearer (Gonzoriffic) join him to talk about Nia DaCosta's 2021 legacy sequel to a 90's Clive Barker adaptation, and what all of that means to the history of movies, horror, society, and everything. If you like this, then check out Time Enough Podcast for a lot more about Twilight Zone related stuff. We're taking a couple of weeks off for summer break and will be back to the list soon.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: Santa Claus Conquers the MartiansThe Usual SuspectsEnes Batur: Imagination or Reality?

Continuing their cycle dedicated to Twins and Doppelgängers, Julian, Madeline and Emilio welcome friend of the pod and always delightful guest Mariquita Reese for their "Two Shot" episode to discuss two recent horror-coded films rich with metaphors and themes pertaining to race in America, Jordan Peele's 2018 film 'Us' and Ryan Coogler's critical and commercial hit 'Sinners' from 2025.  Though genre conventions and mainstream thrills are at the heart of both of these films, there is A LOT there to discuss, and the group hones in on the ways dualities present themselves throughout these movies.  Dual roles, dichotomies, and conflicting characteristics are abound throughout 'Us' and 'Sinners', and the group finds comparisons between the films regarding how characters process religion, notable scenes that feature music, and antagonists that are there to induce more than just scares.  It's a lively discussion about two of the more well regarded films from recent years, and milestone entries from their respective auteur's filmographies.  Follow Mariquita on IG, Tik Tok and Letterboxd at keeta_babe - and check out Post Film Clarity, her podcast with cohost Lindsey Strickland, at postfilmclaritypodIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!We have a monthly newsletter!  Subscribe at sleeplesscinematicpod.substack.comFollow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

This week talk concert educate, the loss of a genre, and we roll into summer genre blockbusters discussing Curry Barker's 'Obsession'.   Stream on Spotify: https://open.spotify.com/show/14ioP0zfFczK8hKPsDUmko?si=cff351ada3944a9a 0:00 Cold open 0:34 The Avett Brothers, a Yes Day, and a drunk guy at the pit 7:30 RIP Sam Neill 10:00 Housekeeping: the Allentown saga and the SD card mystery 14:00 Staff Picks: The Love Witch and Willow Creek 25:00 OBSESSION review begins 29:00 Who is Curry Barker 34:00 The art department pay controversy 42:00 Spoilers begin 1:08:00 Final ratings OBSESSION (2026) is a supernatural horror film written, directed, and edited by Curry Barker, starring Inde Navarette and Cooper Tomlinson. Barker and Tomlinson are the duo behind the sketch channel That's a Bad Idea, the horror short The Chair, and the viral found footage feature Milk and Cereal. Barker is attached next to Anything But Ghosts and a Texas Chainsaw Massacre remake. Want more? Join the Frightday Society, at http://thefrightdaysociety.org As a Society Member, you'll have access to all Screamium content (Behind the Screams, It's Been a Weird Week, A Conversation With..., Toast to Toast PM with Wine Kelly, Cinema Autopsy, the Writers' Room, bonus episodes of Captain Kelly's Cryptids & Conspiracies, Byron's Serial Corner, and so much more! You'll also be part of our interactive community dedicated to the advancement of horror, hauntings, cryptids, conspiracies, aliens, and true crime. All things frightening. Keep our mini-fridges full of blood...I mean...not blood...normal things that people drink...by going to http://shop.frightday.com  Theme music by Yawns Produced by Byron McKoy Follow us in the shadows at the following places: @byronmckoy @kellyfrightday @frightday  TALKING POINTS The comedy to horror pipeline (Jordan Peele, Zach Cregger, Jim Cummings, and now Barker), the Monkey's Paw and Treehouse of Terror origin of the wish premise, the Sally Choi art department pay conversation and Barker's response, and where OBSESSION sits in the current wave of low budget horror breakouts. This is an Audio Wool Original. #Obsession2026 #CurryBarker #HorrorReview #Frightday #IndeNavarette #MonkeysPaw #HorrorPodcast

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will be reading from Mr Jordan Peele's book :Out There Screaming: An Anthology of New Black Horror"!Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will be sharing some news from around the world as well as reading from "Out There Screaming: An Anthology of Horror" Edited by Jordan Peele.Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson

Let us know your thoughtsThis is a back episode from Gary's time on Choose Film Podcast. Ashley and Gary were joined by Scottish Music Composer John McFarlane, who has picked the hugely successful 'GET OUT' (directed by JORDAN PEELE) for us to discuss.Support the showIG - @thehorrorcutshow | @HewittGPro | @StephenkerrActor_PerformerFB - Facebook.com/profile.php?id=61573701383591

Eric & Serling are getting veeeeery sleepy, but we're starting off Season 7 strong with 2017's social commentary horror flick. Tune in to hear us kick off the “G”s. Send us Fan Mail

As a third generation Angelino, Hannah Einbinder reps her city hard. “I pledge allegiance to the United States of Los Angeles,” she declared proudly to Chloe on the latest episode of The Run-Through podcast, “I love LA from the tip to the tail.” Right now, Einbinder is making the rounds on one of her biggest press tours to date ahead of the premiere of Jane Schoenbrun's third tongue twister of a film, Teenage Sex and Death at Camp Miasma. Einbinder stars as Kris, a young queer director, who is working on a revival of a slasher horror franchise. Prior to working on the project, slashers were a bit of a blindspot for Einbinder, though she was well-versed in the great horror genre and cited Silent Hill as the scariest movie she's seen.  “I see a huge link between comedy and horror,” Einbinder observed, noting that this film is as funny as it is scary, “I think that it kind of creates the same thing in the body, like this buildup of tension with this big release. I think that's why you see so many, like, comedians go in that direction. Like, you look at Jordan Peele and that, to me, makes so much sense.”  Along those lines, Einbinder pointed out that Schoenbrun actually has a comedy background and did sketch comedy at UCB many moons ago. The two of them became quite close working on the film, which like Schoenbrun's prior film, I Saw The TV Glow, is a work of autofiction and an allegory for queerness and transition. This film required them to explore topics of dissociation relative to sex. “I feel like many of us have not taken the time to examine how universal it is.”  Einbinder hasn't yet settled on her look for the premiere, but she is already considering how she is going to accessorize. She intends to visit a New York City based nail artist who uses the moniker claws by joy to get a bloody, slasher style manicure.  As a major Hacks fan, Chloe also brought up her favorite duo: Ava Daniels and Deborah Vance. While the show has reached its conclusion, she and Jean Smart are in regular contact and sharing memes. “She's absolutely out of control,” Einbinder said of Smart's meme sharing tendencies.   Einbinder won her first Emmy for the series back in the fall and when asked where she displays it, she sheepishly revealed that she keeps it tucked away. She explained that her grandfather was a decorated war hero and when he passed, the family found all of his medals in a manila envelope in a drawer. “And so I kinda figure if, like, if that guy's not putting his stuff out,” she said trailing off, “I thought he was so swag for doing that.” The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dracula, The Hills Have Eyes, Nope, Maximum Overdrive, and Deep Blue Sea headline this episode of This Week in Horror History, covering July 20 through July 26. Summer horror gets seductive, sun-scorched, mechanical, extraterrestrial, and shark-infested as we explore gothic vampires, desert survival horror, reverse-horror gaming, Jordan Peele's terrifying vision of spectacle, Stephen King's killer-machine apocalypse, and genetically engineered sharks loose inside an underwater laboratory.  Inside this episode:July 20, 1979 — Dracula releases in the United StatesFrank Langella gives Count Dracula a dangerous combination of gothic romance, theatrical charm, and supernatural menace. This version of Bram Stoker's vampire proves that evil does not always need to force its way through the door. Sometimes it gets invited inside.July 22, 1977 — The Hills Have Eyes premieres in Tucson, ArizonaWes Craven turns an ordinary family road trip into a brutal desert survival nightmare. When a shortcut leaves the Carter family stranded far from civilization, the open landscape becomes a trap filled with heat, isolation, violence, and another family watching from the hills.July 23, 2020 — Carrion releasesThis reverse-horror video game flips the familiar monster formula by letting players become the creature. A growing mass of teeth, tendrils, and hunger escapes through a research facility while terrified scientists and guards discover that containment has completely failed.July 22, 2022 — Nope releases in U.S. theatersJordan Peele turns the sky into a haunted house in a strange and ambitious collision of UFO horror, creature-feature spectacle, Hollywood exploitation, western imagery, animal behavior, and the dangerous human need to capture the impossible on camera.Deep-Cut Spotlight — Maximum OverdriveStephen King steps behind the camera for one of the loudest and most gloriously unhinged killer-machine movies of the 1980s. After Earth passes through the tail of a comet, trucks, vending machines, arcade games, lawn equipment, and other everyday technology suddenly turn against humanity. At the Dixie Boy truck stop, a group of survivors becomes trapped by eighteen-wheelers that appear to have developed personalities, grudges, and a deep hatred of human beings. With a goblin-faced truck, massive explosions, diner panic, homicidal machinery, and AC/DC blasting through the chaos, Maximum Overdrive remains a greasy, absurd, and unforgettable piece of Stephen King horror history.Horror Birthdays This Week: Diana Rigg, Josh Hartnett, Willem Dafoe, and Lynda Carter enter the birthday roll, bringing connections to Theatre of Blood, Last Night in Soho, Halloween H20, The Faculty, 30 Days of Night, Trap, Shadow of the Vampire, The Lighthouse, Nosferatu, and The Initiation of Sarah.Weekly Recommendation — Deep Blue Sea Researchers inside an isolated underwater facility genetically engineer mako sharks while searching for a medical breakthrough. Unfortunately, making enormous predators more intelligent turns out to be a catastrophically bad idea. Packed with violent storms, flooding corridors, underwater laboratories, corporate hubris, giant sharks, and one of the most memorable shock moments in 1990s horror, Deep Blue Sea remains a fast, fun, and wonderfully ridiculous summer creature feature. From Dracula and The Hills Have Eyes to Carrion, Nope, Maximum Overdrive, and Deep Blue Sea, this week in horror history proves that summer terror can wait inside a gothic mansion, watch from the desert hills, escape from a laboratory, descend from the sky, take control of an eighteen-wheeler, or circle silently beneath the water.

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will be reasing from "Out There Screaming: An Anthology of New Black Horror" Edited by Jordan Peele.Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson

Concluding Issue 74 of Double Reel, the monthly magazine podcast for the discerning film nerd. Author Deborah Fox joins us to discuss Jordan Peele, rising star of horror, thrillers and suspense films. We talk about his career overall and take a closer look at his films US and Nope. All the other parts if Issue 74 are out now including Double Reel Monthly, Classics and Hidden Gems, the Remakes Tribunal and a special Christopher Nolan/Odyssey preview. Issue 75 will start soon. Check out Deborah's author page here: Deborah Fox author And check out YouTube reviews of films on physical media on Maximum Disc

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will be finishing "The Best of the Best Horror of the Year" and beginning THE Jordan Peeles book featuring amazing black Authors. This is a amazing extended show!Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson

Continuing Issue 74 of Double Reel, the monthly magazine podcast for the discerning film nerd. Now we have a special episode with returning co host James (no the other one) and a new feature - The Adamsons vs Films. In recognition of the film event of the summer, the impending release of The Odyssey, it's the Adamsons vs Christopher Nolan and James and James talk about why they love this director, their ups and downs with his previous films and what they're expecting from this new epic tale from the Greek myths. The other parts of issue 74 are out now - Double Reel Monthly, Classics and Hidden Gems and the Remakes Tribunal, and there's a Spotlight on Jordan Peele coming next week. Check out our YouTube channel for reviews of films on physical media: Maximum Disc

This week on Fright Flick FMK, we're watching and reacting to Abruptio — a surreal horror-thriller performed with lifelike puppets, and yes, it looks just as unsettling as that sounds. The movie follows Les Hackel, a guy already having a rough time, who wakes up to find an explosive device implanted in his neck. From there, he is forced into a series of violent, bizarre, and increasingly twisted missions while trying to figure out who is controlling the nightmare around him. And the entire thing is done with puppets. Not cute puppets. Not fun puppets. Not “let's all learn a lesson” puppets. These are creepy, lifelike, dead-eyed nightmare puppets voiced by a wild cast that includes James Marsters, Robert Englund, Jordan Peele, Hana Mae Lee, Christopher McDonald, and Sid Haig. Fright Flick FMK is a horror movie watch-along and reaction show for fans who like their scary movies with attitude, laughs, bad decisions, and zero fake polish. We kick back, get elevated, pour a drink, press play, and talk through the chaos in real time. For Abruptio, we're looking at the puppet madness, the violence, the weirdness, the voice cast, the “what the hell am I watching?” factor, and whether this movie is actually a bold horror oddity or just a fever dream someone put strings on. At the end, we rate it with The Only Rating System That Matters: Marry It means the movie is a keeper — the kind of horror flick you can grow old with and keep coming back to. F@#k It means it's a good time when the mood hits — maybe not forever material, but definitely worth another late-night visit. Kill It means the movie gave us a good time, we might tell our friends about it, but we are ghosting it in the morning. So pull up a chair, pour whatever you're pouring, light whatever you're lighting, and join the Fright Flick Family. Sip. Smoke. Scream. Rate. Drop your FMK rating for Abruptio in the comments: Are you giving it Marry It, F@#k It, or Kill It?

This week on Black on Black Cinema we break down the collapse of Graham Platner's Maine Senate campaign and why none of us were surprised. For months, white leftists rallied behind Platner despite a tattoo associated with WW2 fascism, resurfaced posts disparaging veterans and sexual assault survivors on Reddit, and troubling accounts from past relationships. None of it mattered until an ex-girlfriend came forward with a serious sexual assault allegation, and only then did the Democratic Party's left wing scramble to distance themselves and Platner suspended his campaign.We ask the real question: why did it take THIS allegation to move people who already had every reason to walk away months ago? We break down how "winning at all costs" politics let a deeply flawed candidate skate through a primary while the warning signs sat in plain sight, and what this says about who gets the benefit of the doubt and for how long.Then we announce our next film: Stepfather (2026), Chris Stokes' Tubi thriller starring Taye Diggs as a man obsessed with building the "perfect family." We preview what to expect from Diggs' performance and Stokes' latest entry into his growing catalog of Tubi originals.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Join Ray and I as we talk about “HIM”, the movie I had JUST finished minutes before we did this chat. We talk what we think the movie was getting at with its symbolism and kinda nerding out about Jordan Peele and the worlds that he's created over his movies, and if they're possibly a shared multiverse?From there  Ray opens up about the success of his solo career, how when we last talked it was sort of a last ditch attempt at a career in making music. The challenges of releasing a song a week for a year.  Dealing with the success of his solo material, while also learning to deal with comments that he was either an industry plant or wasn't even a real human being but AI. We talk about how the success of those songs allowed Ray to really dive deeper into himself to get to some of his most personal songs yet, including one that he wrote for his dad that he hasn't shown him yet. We also dive into how hard it is for each of us to know how much of ourselves to put into our creative outlets due to backlash from strangers. Ray talks about some big life changes happening for him, partying with Gary Busey and more in this chat. Show Sponsors:Rockabilia (⁠www.rockabilia.com⁠) USE OUR CODE BREWTALLY AND GET 10% OFF YOUR TOTAL ORDER!!Links:Facebook:www.facebook.com/rockabilia www.facebook.com/brewspeakpodInstagram:@rayhawthorne_, @rockabiliacom, @brewspeakpod, @jbeatty616Twitter:@rockabilia, @brewspeakpod, @jbeatty616Website:rayhawthornesucks.comEmail:⁠Brewtallyspeaking@gmail.com⁠RATE/REVIEW/SUBSCRIBE!!!

This week on Black on Black Cinema we take a deep dive into Above the Rim (1994), the final entry in Barry Michael Cooper's Harlem Trilogy following New Jack City and Sugar Hill. Directed by Jeff Pollack in his feature debut, the film stars Duane Martin as Kyle Watson, a high school basketball star torn between two men; Shep (Leon), a security guard with a complicated past seeking redemption, and Birdie (Tupac Shakur), a dangerous local drug dealer who wants to use Kyle's talent for his own ends. Marlon Wayans, Bernie Mac, Wood Harris, and Tonya Pinkins round out the cast.We break down what works, what doesn't, the Harlem Trilogy peaks and valleys, Tupac's performance legacy, and why Above the Rim remains a film of moments rather than a complete film.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about ElevenLabs, Porter Square Books, Tinder, and ThriftBooks. Then, stick around for a chat with Maurice Broaddus! Maurice Broaddus: An Award-Winning Afrofuturist, editor, and librarian, Maurice Broaddus has had over a hundred short stories published in such places as Lightspeed Magazine, Black Panther: Tales from Wakanda, Out There Screaming (edited by Jordan Peele), The End of the World As We Know It: New Tales of Stephen King's The Stand, Asimov's, Weird Tales, Magazine of Fantasy & Science Fiction, and Apex Magazine. With over a dozen novels in print, his latest include Sweep of Stars, Breath of Oblivion, A City Dreaming, Black Panther: T'Challa Declassified, & Unfadeable. Some of his short stories have been collected in The Voices of Martyrs. Learn more at MauriceBroaddus.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

paypal.me/LibroTobias ko-fi.com/asier24969 Esta semana os hablo de “Déjame salir (Get Out)”, la primera película escrita y dirigida por Jordan Peele, estrenada en 2017. Esta aclamada cinta de terror psicológico y sátira social le valió al director el premio Oscar al Mejor Guion Original. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Na een paar afleveringen vol fantasy en scifi duiken Koos en speciale gast Shelly deze week juist weer wat dieper de horror in. Ze bespreken onder meer de nieuwste films van Ari Aster en Jordan Peele, keren terug naar Avatar: The Last Airbender en praten je bij over alles wat er speelt in film, series en popcultuur. Daarnaast is er volop nieuws, met updates over James Bond, Halo, Gears of War, Robert Eggers’ Werwulf, de terugkeer van Blair Witch en nog veel meer. Supergirl Review Koos is deze week naar de première van Supergirl geweest en deelt zijn spoilervrije indrukken van de nieuwste DC-film. Maakt Milly Alcock direct indruk als Kara Zor-El? Slaagt DC Studios erin om het succes van Superman door te trekken en een overtuigende nieuwe held neer te zetten? Koos bespreekt wat hem opviel aan de film, de toon, de actie en de toekomst van het vernieuwde DC Universe. Eerste blik op Aaron Taylor-Johnson in Werwulf Robert Eggers is terug met een nieuwe nachtmerrie. In deze aflevering bespreken Koos en Shelly de eerste beelden van Werwulf, de nieuwe horrorfilm van de regisseur van The Witch, The Lighthouse en Nosferatu. Aaron Taylor-Johnson speelt een vervloekte middeleeuwse boer die verlossing zoekt, terwijl Eggers bewust afrekent met klassieke weerwolfclichés als zilveren kogels en beten om een volledig eigen mythologie neer te zetten. Ook bespreken we waarom Eggers dit zijn donkerste film tot nu toe noemt en waarom Werwulf nu al één van de meest veelbelovende horrorfilms van 2026 lijkt. Timestamps: 00:00:00 Nerd Culture #264 (26 juni) 00:03:20 They Will Kill You00:07:18 Obsession00:13:00 Resurration00:16:45 Avatar the last airbender season 2 episode 100:25:35 Supergirl00:36:20 Evil Dead Burn Trailer00:40:45 The Blair Witch Project Remake krijgt 2027 target00:44:08 Een eerste blik op Aaron Taylor-Johnson in Robert Egger’s Werwulf00:47:40 Ghost in the Shell Teaser Trailer00:56:52 Gears of War op Netflix vertelt origin story Delta Squad01:00:00 30 jaar na dato krijgen de Powerpuff Girls een film01:05:00 Famke Janssen zegt dat Marvel een vergissing maakt haar te skippen01:14:00 Batman Knightfall TrailerWil je adverteren bij de podcast Nerd Culture óf misschien bij een andere podcast van ILVY Network? Mail dan naar management@ilvy.com en/of kijk even op de website: https://ilvy.com/podcastSee omnystudio.com/listener for privacy information.

(00:00:00) Technical Difficulties and Podcast Beginnings (00:00:59) Stargate's Cancellation and Sci-Fi Franchise Comebacks (00:08:13) Exploring Quentine Dupieux's Bizarre Filmography (00:32:51) The Rise of Dungeon Crawler Carl (00:46:26) Paranormal TV Shows and Ghost Hunting (00:53:41) Jordan Peele's Next Project and Book Collectibles (00:53:53) Jordan Peele's Upcoming Film and Hideo Kojima Collaboration (00:55:34) Special Edition Books and Collectible Publishing (00:56:31) The Expanse and Other Limited Edition Books (01:05:47) Amazon Deals and Prime Day Preparations To start the episode, the guys engage in an insightful discussion about Amazon's recent decision to cancel the highly anticipated reboot of the beloved sci-fi franchise Stargate. They delve into the implications of this cancellation, reflecting on the legacy of the original series and its impact on the genre as a whole. The conversation then transitions seamlessly into a deep dive into the unique cinematic world of Quentin Dupieux, the talented writer and director known for his unconventional storytelling. They explore his 2010 masterpiece Rubber, a film that has garnered a cult following due to its absurd premise of a sentient tire that goes on a murderous rampage. The hosts analyze Dupieux's distinctive style, characterized by surreal humor and a penchant for blending the bizarre with the mundane, and discuss how this approach is evident in some of his other notable works, such as Wrong and Deerskin. Next, the discussion takes an unexpected turn as they briefly touch upon the iconic silent movie star Harrison Ford, reflecting on his illustrious career and the fascinating evolution of his roles from the early days of cinema to his current status as a Hollywood legend. The hosts share anecdotes and insights about Ford's contributions to film, highlighting his versatility as an actor and his ability to captivate audiences across generations. Following this, Cody takes the opportunity to inform Joe about Matt Dinniman, the creative mind behind the popular novel Dungeon Crawler Carl. He elaborates on Dinniman's journey as a writer and the recent announcement regarding the adaptation of the book into a TV series, discussing the potential this adaptation holds for both fans of the book and newcomers to the story. They speculate on casting choices, production details, and how the essence of the original narrative might be captured on screen. As the episode progresses, some exciting news surfaces about Jordan Peele's next film project. The hosts share their thoughts on Peele's previous works, such as Get Out and Us, and express their anticipation for what he will bring to the table next. They discuss the themes that Peele often explores in his films and how they resonate with contemporary audiences. To wrap up the episode, the guys shift gears to talk about Subterranean Press, a publisher renowned for its dedication to high-quality limited editions of speculative fiction. They discuss Subterranean Press's recent partnership with Conversation Tree Press, examining the potential benefits of this collaboration for both publishers and the authors involved. The conversation highlights the importance of independent publishing in promoting diverse voices and unique stories in the literary world. Overall, the episode is a rich tapestry of discussions that not only entertain but also provide listeners with valuable insights into the ever-evolving landscape of film and literature.Official Website: https://www.comesnaturallypodcast.comOfficial Merchandise: https://shop.spreadshirt.com/comes-naturally-podcast/iTunes: http://tinyurl.com/kqkgackFacebook: http://tinyurl.com/myovgm8Tumblr: http://tinyurl.com/m7a6mg9Twitter: @ComesNaturalPodYouTube: http://tiny.cc/5snxpy

Paul and Amy continue their alien-movie streak alive with Nope, Jordan Peele's ambitious sci-fi spectacle. They revisit the Haywood siblings' quest to capture the impossible on camera, celebrate Keke Palmer's star-making performance, and unpack the unforgettable menace of Jean Jacket, one of the most original movie monsters in recent memory. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The guys discuss who they believe to be worst directors of all time.

For over a century, Alfred Hitchcock has remained one of cinema’s most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller “The Lodger” (1927) marked the start of his signature style, which was later exemplified in classic films like “Vertigo” (1958), “North by Northwest” (1959), “Psycho” (1960), and “The Birds” (1963). Hitchcock’s work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. https://www.youtube.com/watch?v=0NUJN1fq0Sc Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, “A Century of Hitchcock” challenges the long-standing narratives that have shaped Hitchcock’s legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock’s alleged abuses, scrutinizing biographer Donald Spoto’s interpretations—particularly Spoto’s portrayal of the director’s relationship with actress Tippi Hedren. With his analysis of Spoto’s 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock’s career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock’s first film, “The Pleasure Garden”, and fifty years since his last film, “Family Plot”, Moral reexamines the director’s cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock’s legacy in the post-#MeToo era.

This Week for your Daily Ratings Movie News: Selena Gomez and Timothee Chalamet go animated. Netflix wants Lionsgate and Google throws in on A24. Jordan Peele shows signs of life, and the Obsession of Barker continues. Then Jim Carrey and Mike Myers tease some things!   - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!

Pack your bags and head to small town Champaign, Illinois with Producer Brandon for one last year of the Roger Ebert Overlooked Film Festival, affectionately known to movie-lovers as Ebertfest. Brought back for a final year, festival organizers Chaz Ebert and Nate Kohn programmed a lineup of modern classics and under-the-radar films audiences may have missed. First, Brandon sits down with actress Betty Gabriel following a screening of her film, Get Out (now coming up on its 10-year anniversary). Critically acclaimed for her role as housekeeper-with-a-disturbing-secret Georgina, Betty reflects on being a part of Jordan Peele's beloved horror-social satire's legacy. The conversation then pivots to Betty's current and upcoming projects in television and film. Get Out is currently available to stream on HBO Max.Next, Brandon is joined by writer-director Tracie Laymon & actor French Stewart of the Barbie Ferreira & John Leguizamo dramedy, Bob Trevino Likes It. The film follows a lonely young woman (Ferreira) who strikes up a relationship online with a stranger (Leguizamo) who shares the name of her own narcissistic father (Stewart).After premiering at the South by Southwest Film Festival, the crowd-pleasing film received both the Narrative Feature Grand Jury Award and the Audience Award for Best Narrative Feature. Tapping into her own experience with her own father, Tracie discusses the semiautobiographical nature of her film and how the personal themes and narrative have resonated with audiences from all walks of life. In this joint interview, French Stewart provides insight into his role as an unsupportive father and how he approached playing this antagonistic character with pathos and three-dimensionality.  Tracie then touches on how following the worldwide success of Barbie, Mattel Studios hired her to write and direct a live-action film based on the discontinued 90's cult toy, Tony The Tattooed Man. Bob Trevino Likes It is now streaming on Hulu and Disney+Watch the trailerTo read more about Ebertfest ‘The Last Dance,' visit: ‘The Last Dance' Ends a Beautiful, Impactful Run for the Long-time Roger Ebert Film FestivalIn the famous words of Ebertfest founder, Roger Ebert: “the balcony is closed”Support the show---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

This week, we continue our series chatting about the best 25 films of the 21st century (so far). Our 17th film of the list is Jordan Peele's 2017 masterpiece: Get Out. Then we talk briefly about Scott's favorite show of the year, Widow's Bay!Note: Matt had some audio issues this episode that resulted in him sounding pretty tinny. Should be fixed next episode. We are putting this list together based on the rankings of our Patrons. You can check out the list, compile your own, and help influence the top 25 over at Doofmovies.com!We'll be off next week, but back in 2 weeks to chat about movie #18: Knives OutSupport us on Patreon: https://www.patreon.com/doofmediaFollow us on Twitter: @doofmediaSee all of our podcasts and more at doofmedia.com!Time Stamps:2:00 - Get Out58:59 - Widow's Bay (No Spoilers)1:10:27 - Discussion Question

Black on Black Cinema announces our next full review: Above the Rim (1994), the final entry in Barry Michael Cooper's Harlem Trilogy. Directed by Jeff Pollack and starring Duane Martin, Tupac Shakur, Leon, Marlon Wayans, Bernie Mac, and Wood Harris. Above the Rim follows high school basketball star Kyle Watson torn between Shep, a fallen athlete trying to redeem himself, and Birdie, a dangerous drug dealer who happens to be Shep's brother. Tupac Shakur's final theatrical film before his 1996 death is reason enough to revisit it.Then we get into the real conversation: Donald Trump has become everything racists feared a Black president would be. Barack Obama had to be practically perfect to even be considered; Harvard Law, Constitutional law professor, decorated Senator, devoted husband and father, scandal-free, measured, dignified. Every box checked. Meanwhile Trump arrived with business failures, fraud convictions, hush money payments, multiple affairs, and a career built on corruption. Ta-Nehisi Coates called Trump "the first white president;" not merely because he's white, but because his entire political existence hinges on the fact of a Black president. His campaign started with birtherism. Coates wrote: "It is as if the white tribe united to say — if a Black man can be president, then any white man, no matter how fallen, can be president." We unpack what that means in 2026.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

This week Black on Black Cinema finally gives Sugar Hill (1994) the deep analysis it deserves. Directed by Leon Ichaso and written by Barry Michael Cooper — the architect behind New Jack City and Above the Rim — Sugar Hill is the second and most emotionally dramatic entry in Cooper's Harlem Trilogy. Wesley Snipes as Roemello Skuggs, a high-level Harlem drug dealer who wants out. He's got money, power, a woman he loves in Melissa (Theresa Randle), and a future waiting for him if his volatile brother Raynathan (Michael Wright) and the game itself will let him leave.We break down what makes Sugar Hill flawed but still underrated. Cooper's layered screenplay that tries to give Roemello genuine intellectual depth (Georgetown scholarship-eligible, chess player, art collector), Michael Wright's explosive performance as the brother who can't escape the past, and Leon Ichaso's atmospheric direction that turns Harlem into a character of its own. Terence Blanchard's jazz-inflected gives the film a serious connection to Spike Lee's own work. Clarence Williams III steals scenes effortlessly, and Ernie Hudson has a good time as a villain this time around.We discuss why it got overshadowed by New Jack City, how it works to keep the idea of Wesley Snipes being one of the coolest dudes in this era. Sugar Hill has its flaws from scenes that in hindsight are oddly placed (potentially post edit bay issues), some characters who aren't as explored as actual human beings, but there is still something here worth talking about and the effort of making a gentlemen gangster film with the same actor who was notorious for playing one of the most brutal gangsters in the 90s era is something to admire here.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Sponsors:IndaCloud: If you're 21 or older, get 30% OFF your first order @IndaCloud with code DIYS at https://inda.shop/DIYS! #indacloudpodMint MobileTo get your new wireless plan for just 15 bucks a month, go to https://mintmobile.com/DIYSHimsReady to reach your goals? Visit https://hims.com/DIYS to get a personalized, affordable plan that gets you. Dam Internet, You Scary! hosts Patrick Cloud and Tahir Moore break down the disturbing but interesting stories on the internet!AI can apparently steal your fingerprints from selfies, a New Zealand woman gets detained because officials didn't believe her country existed, and an astronaut gets stranded in space after the Soviet Union collapses.This week Tahir Moore and Patrick Cloud dive into some of the strangest stories on the internet while debating Jordan Peele vs M. Night Shyamalan, Key & Peele vs Chappelle's Show, AI scams, party stories, and much more.Topics This Week• AI stealing fingerprints from selfies• ChatGPT helping people fight rent increases• New Zealand woman detained in Kazakhstan• Soviet astronaut stranded in space• Jordan Peele movie breakdown• Key & Peele vs Chappelle's Show• Neuralink discussion• Cockroach causes apartment explosionJoin our Patreon now!! https://www.patreon.com/DamInternetYouScaryChapter Titles & Timestamps00:00 Intro Chat: The Vibe App Idea09:58 New Studio & DreamCon Updates15:17 Patreon, Streaming & Content Creation20:18 YouTube Creators Taking Over Hollywood25:20 Jordan Peele vs M. Night Shyamalan34:32 Ad Read: IndaCloud38:10 Horror Movies, Get Out, Nope & Signs54:54 Key & Peele vs Chappelle's Show Debate1:05:43 Ad Read: Mint Mobile1:08:12 Movie Production Costs & Hollywood Stories1:14:03 Staying Out Until 5 AM1:18:47 Ecstasy, Molly & Party Stories1:28:40 Ad Read: Hims1:31:03 AI Can Steal Fingerprints From Selfies1:36:07 Neuralink Discussion1:38:22 Woman Detained Because New Zealand "Didn't Exist"1:49:11 The Astronaut Trapped in Space After the Soviet Union Collapsed1:57:35 Man Blows Up Apartment Trying to Kill a Cockroach2:02:06 Outro

It's apparently an open secret in Hollywood that Keegan-Michael Key doesn't always have the best picker when it comes to his lady friends. And one in particular might be causing some harm. (Allegedly!) Not just Jordan Peele, but Akilah Hughes too. If you're ready to feel more rested, head to bioptimizers.com/rosepricks and use my exclusive code ROSEPRICKS to get 15% off any order plus a free bottle of Masszymes worth $20!

Black on Black Cinema announces our next film review: Sugar Hill (1994), directed by Leon Ichaso and written by Barry Michael Cooper; the second film in his legendary Harlem Trilogy alongside New Jack City and Above the Rim. Wesley Snipes stars as Roemello Skuggs, a high-level Harlem drug dealer who decides to walk away from the life to start fresh with his girlfriend Melissa (Theresa Randle), only to discover that leaving isn't something the game allows. Co-starring Michael Wright, Clarence Williams III, Ernie Hudson, and Abe Vigoda.Then we get into it: Reparations for Black Americans. We agree it should happen, the historical, economic, and moral case is ironclad. But what does repayment actually look like in practice? Direct cash payments? Targeted investment? Tax free benefits? Educational and business funds? And who qualifies for it? Is it just direct descendants of enslaved people only, or a broader class of Black Americans impacted by systemic racism? We break down the competing frameworks, the political obstacles, and what an honest reparations conversation looks like beyond the talking point.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

When Johnnie Burn first came on Tonebenders in 2022, to talk about his sound work on director Jordan Peele's hit film Nope, it was immediately clear that he was going to be one of our favourite guests. He has since been on many more times, but this first interview is a classic. He discusses designing the film's ominous winds, the "voice" of Jean Jacket and lots more. As a bonus this episode also features a mini-interview with Johnnie about his latest film, Tuner. ______SPONSORS: Sound Ideas works with partners across the media and creative industries to distribute professional sound libraries, and they're always looking to grow their collection. If you've created your own sound effects library, or are currently developing one, Sound Ideas is interested in acquiring high-quality collections from creators - whether it's a focused collection or a wide ranging release. They offer a trusted platform with global distribution, professional licensing, metadata support, and a team that understands the craft. If you have a sound effects library and are interested in selling it, Sound Ideas would like to hear from you. For more information, please reach out via: support@sound-ideas.com ________ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store ________ Tonebenders' host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film's Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to https://www.eventbrite.ca/e/vff-mpse-present-independence-day-30th-anniversary-screening-live-qa-tickets-1984406081007?aff=erellivmlt and use the code VFFTonebenders to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/360-nope-with-johnnie-burn-re-podcast-plus-bonus-tuner-mini-interview/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead and Mark Kilborn

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Black on Black Cinema dives deep into Is God Is (2026), Aleshea Harris' feature directorial debut adapted from her Obie Award-winning stage play. Starring Kara Young as "The Rough One" and Mallori Johnson as "The Quiet One," the film follows twin sisters bearing the disfiguring burn scars of a childhood tragedy, ordered by their bedridden mother to kill the abusive father who destroyed their family. With Janelle Monáe, Sterling K. Brown, Vivica A. Fox, Erika Alexander, and Mykelti Williamson rounding out the cast, and Tessa Thompson and Janicza Bravo producing.We analyze Harris' genre-blending, part western grind house, part noir, part dark comedy; and how she translates her stage play to cinema. We break down how the film confronts generational trauma, absent and intimate partner violence, and the totality of Black womanhood with brutal honesty. Sterling K. Brown cast against type as a villain is inspired. Black women's rage played straight, not for laughs or shame, is the film's greatest achievement.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This week on Black on Black Cinema, the crew returns to announce the next film, "Is God Is." The film follows two sisters who embark on an epic quest for revenge; confronting a charged family history that will push them to extraordinary lengths. The movie is written and directed by Aleshea Harris who is also the playwright for the original play the film is based on.This week's random topic tackles the viral leaked text messages exposing alleged coaching between white women on how to "lock down" Black athletes. The screenshots show detailed "rules" including positioning the athlete as "the prize," completely integrating into his life, dealing with competition from Black women, and even strategies to provoke Black women to reinforce stereotypes. We break down the racialized manipulation at play, and the history of predatory targeting of Black athletes.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Welcome back to another episode of the bottom of the stream movie show. On this weeks episode Adam and Nick discuss the 2008 movie Lake Mungo. In a first for this show this movie is a Mockumentary and has gained high praise not only from Jordan Peele but also Mike Flanagan love this movie. Bottom of the stream is a weekly podcast, hosted by film lovers Adam and Nick, exploring the parts of Netflix that most people don't go to in a bid to find out what hidden gems are lurking down thereEvery week we rank the films we watch against each other and place them in what we like to call THE STREAM TABLE which can be found on our website www.bottomofthestream.comFollow us on TikTok, Instagram and Letterboxed at  @bots_podcastSearch for Bottom of the Stream on youtube to stay up to date with our Monday show where we discuss the latest goings on at Netflix and the world of StreamingPlease consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream We also now have a discord so join us to hang out https://discord.com/invite/wJ3Bfqt

Black on Black Cinema reviews Michael (2026), Antoine Fuqua's Michael Jackson biopic starring Jaafar Jackson as the King of Pop. While Jaafar delivers a great impression of his uncle Michael, the film itself is a shallow, sanitized music biopic that refuses to engage with Jackson's complexity and controversies. Director Antoine Fuqua (Training Day, The Equalizer) crafts a visually stunning but emotionally hollow portrait that hits every musical biopic cliché—rise to fame, family dysfunction, creative genius, tragic decline, and rise again without taking risks or offering fresh insight into one of music's most complicated icons.We break down why the film fails despite strong performances, analyzing how it sidesteps difficult questions about Jackson's life, allegations, and legacy in favor of a safe, reverential approach. The Thriller recreation is impressive, the musical sequences are well-executed, and Jaafar's physical transformation is remarkable—but beneath the spectacle lies a film afraid to be honest about its subject. We discuss what a truly great Michael Jackson film would require, compare it to other music biopics, examine the Jackson estate's involvement and creative control, and explore why Hollywood keeps making shallow biopics instead of complex character studies. Essential viewing for understanding how NOT to make a music biopic.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

This week on Black on Black Cinema, the crew returns to announce the next full film review on the 2026 music biopic "Michael." The film follows the life of famed musician Michael Jackson from early childhood to the middle of his career as one of the biggest names in music history. The random topic this week is all about the Supreme Court further damaging the Voting Rights Act, and how online Black spaces have had just about enough of celebrities and political influencers who helped put us in the current situation and now are asking for Black people to come together to fight back.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Black on Black Cinema breaks down Love, Brooklyn (2025), Rachael Abigail Holder's directorial debut that premiered at Sundance Film Festival. Starring André Holland, Nicole Beharie, DeWanda Wise, and Roy Wood Jr., this indie romantic drama follows writer Roger as he navigates complicated relationships with his ex Casey (an art gallery owner) and current lover Nicole (a newly-single mother) against Brooklyn's rapidly changing landscape.Executive produced by Steven Soderbergh, Love, Brooklyn delivers intelligent Black characters working through love, loss, career, and friendship without falling into stereotypes—no one raps, dies, or gets incarcerated. Director Holder created a story with "no villains," just good people navigating modern relationships.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).