Podcasts about Zabriskie Point

HT2266 - The Exotic Cliché It's always an adventure to photograph in an iconic location. But let's be honest, how much of an accomplishment is it to make a photograph that looks like thousands of others? I remember being stunned by the number of people at the Zabriskie Point overlook, so many that they've paved the walkway to the overlook to accommodate the masses. I didn't walk up there, but I did use the Port-a-Pottie in the parking lot. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Hello and welcome back to The Dana Gould Hour. Your brief audio respite from the world's worst reality show, reality. Samm Deighan is here. She is a film historian and author and has written such books as The Legacy Of World War 2 in European Art House Cinema and a study of Fritz Lang's child murder romp M. Her new book, written with Andrew Nette is entitled Revolution In 35 MM, Political Violence And Resistance In Cinema, From The Art House To The Grindhouse 1960 to 1990. It covers everything from The Battle Of Algiers to Coffin Joe to Zabriskie Point.  Harry Medved and Bennet Yellin are here. Harry Medved wrote the book the 50 Worst Movies of All Time when he was in high school! He was 15 when he wrote that book. And that was in the late 70's before VHS tapes. He also wrote, with his brother Michael, the Golden Turkey Awards, which, as you know, is what helped put Ed Wood back on the map in the mid-eighties.  He has a series now on PBS called Locationland, where he takes audiences on a tour of famous film locations, this was back when films had locations, as opposed to standing in front of a green screen at a warehouse in Atlanta. I recently had the pleasure of joining Harry on a tour of the locations for a little film you may have heard me talk about, Plan 9 from Outer Space.  Bennet Yellin is an author and screenwriter, he's written, with the Farrelly Brothers, There's Something About Mary, Dumb And Dumber, Dumb And Dumber Two. Bennet and Harry have been friends for eons and they are here to talk bad movies, good movies and Ed Wood movies which are, of course, an alchemic mixture of the two. True Tales From Weirdsville tells the tale of the place both wonderful and strange, Twin Peaks. Like everyone else I was super bummed out by the passing of David Lynch in January. I think it was a combination of things. The election, we were in the middle of these catastrophic fires and then, just when things couldn't get worse, they did. As much as I love David Lynch and his work, and have back to…I guess Blue Velvet, what he stood for meant more to me than any particular film or television show or what have you.  He was uncompromising in his vision, you could like it or not. That wasn't the point. That's a rare thing these days, when studios and networks seem to be operating under the belief that the only audience worth getting is everyone alive, and anything less is a failure. Twin Peaks, it's origins, success, fall from grace and resurrection is a terrific microcosm of how Lynch's refusal to compromise created something far greater than the sum of it's parts, it flew against convention, challenged audiences. In the case of Fire Walk With Me, it really challenged audiences. But in every instance, time has proven Lynch's instincts were right, so we're going to do a two, possibly three part series on Lynch's career through the lens of Twin Peaks. And NOW, it's on to our filthy business. https://DanaGould.com

Antonioni's notorious failure has a lot going for it

In 2014, I became obsessed with the films of Michelangelo Antonioni and like an idiot ignored Zabriskie Point because some pesky critics didn't like it. I've now watched it more times than I can remember and hope in some ways this episode encourages you to seek it out.

Corporate culture meets counterculture on The Cinema of Mad Men. get the full episode and a bonus every week at https://www.patreon.com/Extended_Clip

The incredible Alexei Navalny, a goofy but great forgotten Los Angeles movie, keeping it together with Ted Lange, meet me at the corner of Corleone and Siegel, Joe Don Baker will kick your ass, the defiance of Lenny Bruce, the foxiness of Valerie Perrine, my Martin Riggs moment, and a few Glorias. Stuff mentioned: Terminal Exposure (1987), Blow Up (1966), Zabriskie Point (1970), The Passenger (1975), The Love Boat (1977-1987), Jack Jones "Love Boat Theme" (1977), Suspiria (1977), Tenebrae (1982), The Godfather (1972), Escape From Alcatraz (1979), Dirty Harry (1971), Charley Varrick (1973), The Outfit (1973), The Killing of a Chinese Bookie (1976), The Outfit (2022), Lenny (1974), Superman (1978), Maureen McGovern "Can You Read My Mind?" (1978), Deathtrap (1982), Sleuth (1972), Sleuth (2007), Lethal Weapon (1987), Wind River (2017), Gloria (1999), Gloria (1980), Laura Branigan "Gloria" (1982), and Umberto Tozzi "Gloria" (1979).

Well, this was ill-advised, I now think to myself... and now you've got a big ol' buffet to keep going back to for as many trips as you'd like, and I don't know how many of you were expecting Jell-O as well as sushi after your fried green beans. But, whether you listen to it all in sequence or segments, I hope it's valuable to you! Here's a few things you will hear about during the ride:  Contraptions used to make Pink Floyd songs like "One of These Days" happen and how they were calibrated The definition of scenery gorn and other tropes found in the film The Bear's emotional relationship with the Wall of Sound, which becomes everyone's relationship with it as well, because The Dead could not perform the same way on everyone else's rinky dink P.A. systems after experiencing the clarity they were used to Pink Floyd's year-long scheme to move from Capitol to CBS in America Hendrix blowing off the Dead on the night he promised to jam, and their low key "revenge" Antonioni's opinions on filmmaking in America vs Italy. What it was like to film Z.P. through the eyes of an American member of the crew who actually did admire his work Richard Wright not showing up very much, getting booted Jerry Garcia records his Zabriskie Point soundtrack music in much less time than he wanted to. And has his payment stolen by Mickey Hart's dad. Who also steals car parts and speakers from Bear Floyd does more regrouping, post-breakup with Roger. Roger gets cranky. Clapton gets a cheeseburger. Roger is still cranky today that the band he walked away from and then sued when they didn't die without him will not promote his albums on their social media The Grateful Dead play for the largest outdoor rock audience of all time in upstate New York. And perform long soundcheck concerts for free on top of that Pink Floyd's 1975 SoCal shows being ruined by LAPD for 4 days Phil Lesh drinks Canadian Whisky with mystery capsules in it and Jerry Garcia crawls around on the floor like a caterpillar who can't leave the room on his own Kurt Loder gives a mean-spirited review of a mean-spirited album.  Monthly exclusive Rock History bonus feed here https://www.patreon.com/rockfilmrock Choose your preferred method of supporting the show for no money or maybe some money: PayPal: https://www.paypal.com/paypalme/whatsamatta Shirt designs with defeatist messaging delivered via bright colors and childish graphics: https://www.bonfire.com/store/justtheworstshirtsever/ Subscribe to me on YouTube: https://www.youtube.com/channel/UCV4Up7xGgjioEC07bjwu4mQ Follow on Instagram: https://www.instagram.com/justtheworstever/ Send me an email with show suggestions: Justtheworstever@gmail.com  https://antonioni9.wordpress.com/2021/06/25/michelangelo-and-the-leviathan-the-making-of-zabriskie-point-1992/  https://antonioni9.wordpress.com/2011/10/24/lets-talk-about-zabriskie-point-august-1970/ https://www.rollingstone.com/music/music-news/pink-floyd-the-inside-story-104505/ https://archive.org/details/guitarworldprese0000unse/page/26/mode/2up https://archive.org/details/saucerfulofsecre00scha/page/n7/mode/2up https://www.youtube.com/results?search_query=jim+ladd+innerview+pink+floyd  

The next episode(s) featuring Floyd, The Dead and Zabriskie Point are mostly done and in final editing stages. I haven't decided whether or not to split it into two releases or keep all 4-5 hrs together yet. I figure if you love Pink Floyd and/or the Grateful Dead then having a healthy attention span is probably not an issue for you.  In the meantime, please avail yourself of one free episode from the Patreon feed to tide you over and tickle your brain parts that love rock history:  https://www.patreon.com/posts/audio-episode-16-91478246?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link   Choose your preferred method of supporting the show for no money or maybe some money: PayPal: https://www.paypal.com/paypalme/whatsamatta Shirt designs with defeatist messaging delivered via bright colors and childish graphics: https://www.bonfire.com/store/justtheworstshirtsever/ Subscribe to me on YouTube: https://www.youtube.com/channel/UCV4Up7xGgjioEC07bjwu4mQ Follow on Instagram: https://www.instagram.com/justtheworstever/ Send me an email with show suggestions: Justtheworstever@gmail.com Suicide Prevention, Text/Call: 988 https://afsp.org/ National Sexual Assault Hotline 1-800-656-4673 https://www.rainn.org/resources  

Phil Lesh is the best music writer. Richard Wright may or may not have been incredibly smart for not legally being a member of Pink Floyd from 1980 onward. I agree with Roger Ebert for once. Bear knows a thing or two about sound reenforcement after going mostly deaf in one ear. EMI helps create the first internet conspiracy theories in rock. The Dead ditch the jug band thing after seeing "Hard Day's Night." Star of the film dies in the middle of bench press. Douglas Adams makes an appearance in the name of "The fundamental interconnectedness of all things" and $5,000 of Floyd's money. Stuff blows up in slow motion. Weir and Garcia have a pointed back-and-forth with their front-of-house feedback. Roger Waters does his best Italian accent and makes sure all the 1970 soundtrack tapes are reused in future song demos.    All this and more, in today's educational whirlwind of sound and flerp. Flerp means words, I guess.    Choose your preferred method of supporting the show for no money or maybe some money: PayPal: https://www.paypal.com/paypalme/whatsamatta Monthly exclusive Rock History bonus feed here https://www.patreon.com/rockfilmrock (currently paused until end of this month) Shirt designs with defeatist messaging delivered via bright colors and childish graphics: https://www.bonfire.com/store/justtheworstshirtsever/ Subscribe to me on YouTube: https://www.youtube.com/channel/UCV4Up7xGgjioEC07bjwu4mQ Follow on Instagram: https://www.instagram.com/justtheworstever/ Send me an email with show suggestions: Justtheworstever@gmail.com Suicide Prevention, Text/Call: 988 https://afsp.org/ National Sexual Assault Hotline 1-800-656-4673 https://www.rainn.org/resources  

First up, Johnson speaks with San Diego–based Alana Quintana Albertson about her latest novel, Kiss Me, Mi Amor. Albertson discusses how the Golden State's diverse settings provide endless inspiration for her many romance novels. “I really use setting as a character, and I was contrasting La Jolla and Barrio Logan and different communities,” says Albertson. Albertson also shares a few sneak peaks of her upcoming works and names some of her top San Diego County spots for coffee, tacos, and books.  Next, Johnson is joined by Melissa Broder, author of the mystical desert tale Death Valley. The Los Angeles author and poet recounts how a traumatic personal experience in the California desert inspired her latest novel. “I was just going to Zabriskie Point where nobody—it's a very touristy area—nobody ever gets lost there. I got completely lost and did everything you're not supposed to do,” Broder recalls.  She tops off the conversation by sharing her favorite local boutiques, restaurants, and hiking trails.   Lastly, Johnson talks with South Lake Tahoe–based memoirist and poet Suzanne Roberts. The Almost Somewhere author recounts her experience hiking the John Muir Trail: “Those 28 days taught me that there is more than one view of nature, that nature is a place where we should be connecting and not conquering.” The experienced outdoorswoman also builds an itinerary for both a laid-back and action-packed winter weekend in her hometown.

Zabriskie Point, un lieu-dit dans la Vallée de la Mort en Californie. Un paysage érodé en forme de vaguelettes, des terres asséchées, le sable, le vent. Cʹest à Zabriskie Point que Michelangelo Antonioni filme son épopée américaine en 1970. Un film qui a pour thème les contestations estudiantines et la libération sexuelle. Il narre la rencontre entre une étudiante idéaliste et un militant radical dans la vallée de la Mort, pendant les troubles étudiants des années 1960 aux États-Unis. Il est produit par Carlo Ponti, et écrit en partie par le dramaturge Sam Shepard. Zabriskie Point est un film explosif à beaucoup de point de vues. Tourné en couleur, dans le désert, avec des comédiens amateurs, sans plan de travail réel, avec en bruit de fond des contestataires venus manifester bruyamment contre ce quʹils considèrent être une atteinte à la morale, le film est un véritable tour de force. Les militant pro-Nixon attaquent la production constamment. Mais Antonioni tient bon. Il sait où il va, ce quʹil veut. Il fait un film sur la colère, sur la violence de lʹAmérique. Cʹest seul quʹil rentre en Italie avec des milliers de mètres de pellicules. Son film est jugé sévèrement par la critique aux Etats-Unis. En Europe, il plaît un peu plus, mais ce nʹest pas un grand succès pour autant. Cependant, les cinéphiles le regardent, intéressés. Zabriskie Point influencera l'esthétique du cinéma américain des années 1970. Et devient culte. Tout comme sa bande originale composée en partie par Pink Floyd. Cʹest parti pour un film qui reflète la rencontre brutale dʹun artiste sensible avec la société de son temps marquée par la violence. REFERENCES Björkman, Michelangelo Antonioni, Cahiers du Cinéma, Le Monde, 2007 Antonioni regarde lʹAmérique, Zabriskie Point, notes de productions du film, Metro Goldwyn Mayer, 1970 Zabriskie Point, Interview des deux jeunes comédiens https://www.youtube.com/watch?v=r_fwZaaPNG8 Zabriskie Point en 6 minutes https://www.youtube.com/watch?v=tZZl21PpWlo

Une exposition de Laure Marville, présentée par Séverine Cattin, conservatrice adjointe Musée des beaux-arts, Le Locle (MBAL) Commissariat : MBAL "J'ai vu des pensées attendre sous l'orme" est une installation évoquant un décor, réalisée spécialement pour l'occasion, qui mobilise des techniques diverses et chères à l'artiste telles que la linogravure, le dessin, l'écriture ou encore le collage. Des éléments figuratifs, des motifs décoratifs et des fragments de texte se déploient sur les parois de l'espace, à la manière d'un courant de conscience dont l'origine reste ouverte : Est-ce la voix de cette créature ailée prophétique, dont les indications sont condamnées à rester ignorées par les hommes que l'on entend ? S'agit-il simplement de l'artiste qui s'adresse au public ? Serait-ce une spectatrice qui partage un récit ? "J'ai vu des pensées attendre sous l'orme" utilise un vocabulaire fictionnel, humoristique et poétique pour transmettre des idées qui sont chères à Laure Marville, telles que le décloisonnement des catégories de savoir, le libre accès aux objets de connaissance ou encore l'émancipation des voix minorisées. Laure Marville (*1990, vit et travaille à Genève) est une artiste diplômée de la Haute école d'art et de design (HEAD) de Genève. Dans son travail, elle a souvent recours à la linogravure sur tissu ou sur papier, répétant des motifs qu'elle découpe et assemble dans des compositions où apparaissent parfois des fragments de textes. Lauréate de nombreuses bourses et résidences, elle a participé à des expositions de groupe en Suisse et à l'étranger, et a entre autres bénéficié d'une exposition personnelle à la Ferme de la Chapelle, Genève (2021). Parallèlement à son travail d'artiste, elle est active dans les milieux alternatifs, notamment en tant que curatrice et co-directrice des espaces d'art Zabriskie Point et Hard Hat à Genève.

The Beatles, Dennis Hopper, M. Antonioni, Barbet Schroeder, Jean-Luc Godard, Pink Floyd, Frank Zappa, Bob Dylan, Neil Young, Jerry García… cineastas-rockeros y rockeros-cineastas. Desde A Hard Day's Night y Magical Mystery Tour hasta Easy Rider y Zabriskie Point.

The monster at the end of the podcast is...Grover! And also Colonel Kurtz. Thank you so much for listening! There will be bonus episodes on the "French Plantation Sequence" as well as an in-depth discussion of the sound and music of the film in the weeks to come. The original ending to Apocalypse Now, pulled during its initial theatrical run can be seen here: https://youtu.be/kCShcqvG8mU The final scene from "Zabriskie Point" that Chris mentions: https://youtu.be/guOmJM8xvHA   - Chris & Tierney

Oggi con Massimiliano Fantò, antropologo e dottorando in Scienze Marine Tecnologie e Gestione all'Università Milano Bicocca, parliamo di World Anthropology Day a tema La città fuori di sé e di convegno Gli animali non umani delle città, di Darwin Day, di Canc di Torino, di Nutrie, di Massimo Filippi, di M49 un orso in fuga dell'umanità, di Zabriskie Point di Novara, di terremoto, di cane da salvataggio messicano morto, di Me l'ha detto l'armadillo, di Altreconomia, di Comune di Lesmo, di Alboran cooperativa sociale, di Biblioteca Civica Tarcisio Beretta e scopriamo che Massimiliano voleva essere Camaleonte

Matt Fagerholm joins Collin and Kerry to talk ALL things Muppets! In celebration of the 30th Anniversary of “The Muppet Christmas Carol,” the three get into Muppet Christmas specials of the past as well as the other Muppet films. How does Michael Caine approach sharing screen space with non-humans? How does the new Disney+ version of The Muppets compare to the original? What happens when you hit Pause on the blu-ray version? All this, plus a Rainbow Connection is made between the main topic and the Book segment.    FIlms covered in Book segment: “The Muppet Movie” (1979) “Onibaba” (1964) “Zabriskie Point” (1970)

Including a new and essential intro with original co-host Joe Kennedy joining Dave Gebroe to chat, with emotional candor, about the long and winding road that led Discograffiti to your door. It's not been easy, that's for sure, but it's definitely been worth it. Do you have any idea how few podcasts make it to a year? Thank you so much for your support. It means literally everything. -Curated Pink Floyd episode 1 playlist: https://open.spotify.com/playlist/0Bgqta5NHvQBPqN5NqTuS1 -Syd Barrett-fronted Pink Floyd on BBC1: https://www.youtube.com/watch?v=8suJXPXXo7M -Post-Syd lineup plays some Piper material on French TV: https://www.youtube.com/watch?v=jkPN20Ek3Zo -Treasure trove of Syd Barrett material: https://www.sydbarrett.com -Pink Floyd - the officially unreleased Zabriskie Point soundtrack: http://albumsthatneverwere.blogspot.com/2020/03/pink-floyd-zabriskie-point-soundtrack.html CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Link Tree: https://linktr.ee/discograffiti Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ Patreon: www.Patreon.com/Discograffiti CONTACT DAVE Email: dave@discograffiti.com Twitter: https://twitter.com/DaveGebroe Instagram: https://www.instagram.com/davidgebroe/ CONTACT TODD ZIMMER: GRAPHIC DESIGN Facebook: https://www.facebook.com/ToddZimmer and https://www.facebook.com/punknjunkradio Instagram: https://www.instagram.com/the_real_todd_zimmer/ and https://www.instagram.com/punknjunkradioshow/ --- Send in a voice message: https://anchor.fm/discograffiti/message

Forty-five years ago in a galaxy far, far away a little science-fiction film called Star Wars hit cinemas nationwide and in an instant, the industry was changed forever. So, it is on this anniversary that we are excited to launch The Making Of… a fresh newsletter and podcast shining a light on the artists behind the scenes of the most innovative, influential, and iconic films in recent history.In this first issue, we're pleased to share a conversation with an industry legend, Mr. Bruce Logan, ASC, who worked on Star Wars (in which he blew up the Death Star). Bruce was also cinematographer of the landmark film TRON in 1982, and has worked on a long list of epic films including 2001: A Space Odyssey, Star Trek: The Motion Picture, Airplane!, Batman Forever, Fear and Loathing in Las Vegas, Blade Runner (via Zabriskie Point), The Incredible Shrinking Woman, and so many others. Over the years, Bruce has worn many hats — cinematographer, writer, director, producer, visual effects supervisor, editor, colorist, and is an esteemed member of The ASC, The Academy, & DGA. We are grateful to Bruce for all of his creative contributions and for talking shop with us here.The Making Of is presented by AJA Video Systems:Advanced H.264 Streaming and RecordingIntroducing the new HELO Plus, a compact, next-gen H.264 streaming and recording device. Portable and feature-rich, HELO Plus offers powerful production capabilities, including dual streaming outputs and multi-input processing, SRT support, advanced encoding and decoding, improved scheduling options and device operation, and more. www.aja.com/products/helo-plus.What's Ahead:In the coming months, we'll share a variety of inspiring and insightful conversations with talented cinematographers, producers, directors, post pros, & other hard-working members of the community. In every discussion, we'll be focusing on each artist's unique creative process…Film Book of The Month:The Cine Lens Manual is a comprehensive examination of cinema optics. Written in clear, easily-digestible language, and extensively illustrated. It is not just for cinematographers, but for directors, visual effects artists, camera assistants, animators, journalists, historians, students, rental house technicians and more. It covers everything you could ever want to know about cinema style lenses. Learn more at www.cinelensmanual.com. Partner Event of the Month:LAPPG - June 2022Join LAPPG online on June 8, 2022 at 2pm PST for their 14th Anniversary meeting with a presentation on "Remote Video Workflows with HELO Plus." AJA's Product Marketing Manager, Andy Bellamy, will be joining LAPPG again this year and giving away a T-TAP Pro! For more, visit www.lappg.com.Special thanks to our friends at CSS Music for their support.Cutting-edge underscore used daily by major Film Studios. Redi-Trax lets you find music faster with waveform analysis. Choose from thousands of tracks of production music (needle drop, royalty free, gratis licenses). A Playlist Utility lets you keep track of music scene by scene. Choose from single track downloads or save with a "You Pick 'Em" plan or 450+ virtual CDs. Browse the library at www.cssmusic.com.The Making Of is created by Michael Valinsky. To inquire about sponsorship opportunities, please contact mvalinsky@me.com. Get full access to The Making Of at themakingof.substack.com/subscribe

At Death Valley you will quickly come to Zabriskie Point, be sure to do it. Furnace Creek is OK. Make sure you drive all the way out to the dunes as that's the best part, and don't skip Dante's Peak. Do them in that order.

Rencontre avec François Bégaudeau. Écrivain, dramaturge, cinéaste, scénariste de BD… et punk-rocker depuis ses 14 ans.Il a notamment été le chanteur des Zabriskie Point. Le premier volet de cette conversation gravite autour de l’amour de Bégaudeau pour le punk-rock. Des Clash à NOFX … Échange placé sous le patronage spirituel de Didier Wampas, (photo), apôtre … Continuer la lecture de François Bégaudeau – Quelle joie le punk-rock ! Cet article François Bégaudeau – Quelle joie le punk-rock ! est apparu en premier sur Polémix et la voix off.

Nippon Connection 2021 Runde 3 Mit Michael vom Kompendium des Unbehagens und Max von Der Podcast wird dieses Mal über The Day of Destruction von Toshiaki Toyoda palavert. Dabei geht es u.a. um Corona, die Krise des Kapitalismus, tote Schwestern, Olympia 2021, Zabriskie Point, Exorzismus, gute Musik und Astra Rakete. Viel Vergnügen. Falls ihr Feedback und/oder Fragen habt, schreibt uns doch eine Mail, hinterlasst einen Kommentar oder meldet euch bei mir (Johannes) doch auf Twitter. Folge direkt herunterladen

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

Name: Olga Reading: Second-hand Time, Svetlana Alexievich Why did you want to read this? I am interested in the idea of compiling alternative archives and subverting the ‘official' narratives. The voices in this book belong to a particular time and place, but at the same time speak outside of history; their desires are very human: simultaneous desire for a greater purpose and for a comfortable life, for freedom, for love even when tanks are under the windows. How did you record yourself? Sitting cross-legged on a cushion underneath Antonioni's Zabriskie Point film poster. I did a few sittings over a Sunday afternoon with long tea breaks in-between.

We discuss the work of master arthouse director Michelangelo Antonioni and focus on L'AVVENTURA, THE PASSENGER and ZABRISKIE POINT. Are his movies just pretentious drivel about bored rich people? Passionate works about the human condition? Laugh riots? We find out! Listen to exclusive episodes at www.patreon.com/theimportantcinemaclub Check out Justin's other podcast THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie) as well as Will's other podcast MICHAEL AND US (@michael-and-us) Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ

This week's guest is Aaron Lowe. We talk about the film's of Michelangelo Antonioni. This week's films are: L'avventura, La notte, Red Desert, Blow-up, and Zabriskie Point.  Dial F for Film is a podcast about the love of movies and host's -- J. Carlos Menjivar -- attempt to watch 1001 movies before he dies. A lover of lists and film, Carlos is a firm believer that all film lists should be tackled with one goal in mind: completion. Steven Jay Schneider's "1001 Movies You Must See Before You Die" is the subject of this podcast. Each episode features one guest and five movies from the massive list, compiled into themed lists by the host. Guests each week will select one category without any prior knowledge as to what films are included. Once a category is chosen, Carlos reveals the five films and the viewing begins. The guests then come on Dial F for Film via Zoom and the discussion begins.

Ce mois-ci, je vous propose de nous arrêter sur un classique de la littérature américaine, précurseur de l’absurde, certes, mais un classique plutôt mal connu… et pour cause, Bartleby, le scribe est écrasé par le poids gigantesque du roman phare de son auteur, Herman Mellville : à savoir Moby Dick. Pourtant, peu d’œuvre peuvent se targuer de marquer les esprits avec une seule formule synthétique : « I would prefer not to » que l’on pourrait traduire en français par « Je préférerais ne pas… » ou « J’aimerais mieux pas », encore que résumer la nouvelle de Melville, par cette simple formule, s’avère assurément simpliste. Bartleby l'écrivain, Bartleby le scribe, Bartleby : une histoire de Wall Street, et plus simplement Bartleby est donc une nouvelle de Herman Melville parue une première fois en 1853 dans le Putnam's Monthly Magazine et reprise en 1856 dans le recueil Les Contes de la véranda. C’est un texte violemment comique ; en cela il se lit littéralement. Il s’ouvre sur le narrateur, un notaire, qui engage dans son étude un homme maigre et livide, Bartleby, pour un travail de clerc, chargé de copier des actes. Bartleby est d’abord un travailleur consciencieux, lisse, ne parlant à personne ; il déjeune à son bureau ; il ne semble vivre que pour son travail de copiste. Pourtant, il n’est pas seul à l’étude. Il a pour collègue trois personnages haut en couleur : Dindono, un anglais trapu, au visage vermeil et flamboyant… jusqu’à 6 heure du soir ; qui a une excessive énergie et une témérité étrange pour un écervelé ; Pincette, un jeune homme de 25 ans, bleime, moustachu, ambitieux, mais qui souffre d’indigestion chronique le rendant irritable et susceptible ; Pincette ne sait pas ce qu’il veut sauf qu’il a un inextricable problème avec son pupitre ; enfin Gingembre, le garçon de course de 12 ans complète la galerie de l’étude notariale de Wall Street. Très productif, Bartleby copie toute la journée à la lumière du soleil puis de la bougie… il est silencieux et triste. Mais un jour, il refuse d’accomplir le travail de collation que lui demande son patron. Il ne le refuse pas ouvertement, il dit simplement qu'il « préférerait ne pas » le faire, et par conséquent ne le fait pas. Progressivement, cette formule-phrase revient systématiquement dans sa bouche : « I would prefer not to », jusqu’à ce que Bartleby cesse complètement de travailler… En ne posant aucun choix, on renonce à l’affirmation de Soi en refusant purement et simplement d’une part, de se questionner sur ce que l’on souhaite vraiment et d’autre part, de l’assumer, de le porter. Et n’est-ce pas là le fondement même de la mission de tout juriste, avocat comme notaire ? Crédits : - I would prefer not to, Zabriskie Point, 1999 - Variations on an Original Theme, Op.36 'Enigma': IX. Nimrod (A. J. Jaeger) (Moderato), Edward Elgar, 1899 - Mathieu Lindon lit Bartleby - Ép. 4/0 - Herman Melville, France Culture, 2016 - Daniel Pennac parle de Bartleby, Août 2010 - Le père Noel est une ordure, Jean-Marie Poiré, 1982 - A bout de souffle, Jean-Luc Godard, 1960

In 1971, Monte Hellman cast young unknown Laurie Bird in Two Lane Blacktop, thrusting the orphaned teenager into a Hollywood milieu of opportunists and phonies she wasn't emotionally prepared for. The year before, fellow nonactor Mark Frechette was cast in Michaelangelo Antonioni's Zabriskie Point, and his minor fame and naivete made him the perfect target for cultists looking for a meal ticket. This week, Doug Woychechowsky joins us to talk about why the story of two young aspiring actors who met a tragic fate would make a great movie about the movie world.

Follow the links below to see the photograph talked about in this episode.http://briceweaverphotography.com/gallery/death-valley/https://www.instagram.com/p/B8-ZEQfnWcA/

Per il pubblico e i critici dell'epoca fu un fiasco, ma rivedere a 50 anni di distanza Zabriskie Point fa capire che alla base del film di Michelangelo Antonioni c'è un messaggio potente e ancora attuale. Nella cornice degli anni della contestazione in America, il regista mette in scena la ricerca di autodeterminazione e di libertà dei suoi protagonisti, che si scontrano con la società del capitalismo e la banalità della violenza. L’epilogo opposto delle storie di Mark e Daria ci fa pensare da un lato all’aspirazione del movimento Fridays for Future e dall’altro al brutale omicidio di George Floyd. E la libertà della regia di Antonioni, che scrive il film con Tonino Guerra e Sam Shepard, rappresenta una capacità del cinema di sperimentare che abbiamo perduto.

Puzsér Róbert

In this preview of our upcoming series Movie Geek Yearbook, a panel of experts dissect Michelangelo Antonioni's controversial Zabriskie Point. The first episodes of Movie Geek Yearbook premiere in June. Visit MovieGeekYearbook.com (MovieGeekYearbook.com) for more details.

a cura di Alessandro Achilli. Musiche di Frank Zappa & The Mothers of Invention, Kevin Ayers, Pink Floyd, Alvin Curran & Jon Rose, The Greatest Show on Earth (prima parte)

a cura di Alessandro Achilli. Musiche di Frank Zappa & The Mothers of Invention, Kevin Ayers, Pink Floyd, Alvin Curran & Jon Rose, The Greatest Show on Earth (prima parte)

Unos colores pastel, claros, de los que no hay duda, acompañan a la cama a David, seguro de no estar confundido. Ya descansa, ha visto lo que costaba y cuánto tiempo tardó en todo lo nuestro, por eso es tiempo ya de una larga siesta. Ahí fuera se ve la vorágine de alguien mirando. En el exterior, coches, carreras, chiquillos, mucha arena, y un malestar inquieto de no se sabe donde. Pero Antonioni ya lo ha logrado y nos da tiempo, ahora somos nosotros lo que tenemos por delante. Un sólo aviso, romper con algo, coger el amor, el deseo, si apareciese, e ignorarlo todo, mintiendo, porque vendrán los vándalos. José Miguel Moreno El periodista huye de su propia sombra, en un hotel destartalado, en pleno corazón del Sahara, se transmuta en otra persona. Intercambiar la identidad no consiste en cambiar la foto del pasaporte de un tipo con rasgos similares. La otredad. Morar en otra piel y llevar la cruz del otro, en este caso un traficante de armas con varias citas apuntadas en su agenda. David Locke no dudará en acudir a cada una de ellas, en Munich, Londres o Barcelona. Busca un contacto. Hastiado, no se reconoce, no sabe quien es. De ahí a la usurpacion vital. Y sin esperarlo, se encuentra en la Pedrera con una chica que le habla de Gaudí. La aridez más cegadora se pierde en el horizonte del desierto, a cada paso una duna, un amor torcido, la muerte en la vida, y un plano secuencia para la historia del cine. Antonioni puso sobre la mesa su elegancia y distanciamiento en El Reportero, integrada en la trilogía americana, junto con Blow-up y la incomprendida Zabriskie Point. Las obsesiones más recurrentes en su obra, la incomunicación, la alienación, o la muerte, terrible el fusilamiento del lider prisionero, en las filmaciones de archivo que revisionan su mujer y amigo. Un Jack Nicholson contenido y una espontánea María Schneider, la estudiante de arquitectura que se despista de su grupo de turistas. Las apariencias enturbian aún más las respuestas. En estructura circular el pasajero disfruta de una libertad efímera. En el teleférico, en la iglesia, en el aeropuerto un hombre pide un billete de avión a cualquier destino donde pasar el resto de su días. Y al fin, un hotel perdido en un pueblo de Almería. La cámara deja atrás al hombre postrado, el plano secuencia se aproxima a los barrotes de la ventana, sale al exterior, en rotación, vemos a la chica desorientada, llega la policía, pasa un coche de autoescuela, unos niños corren, gira sobre su propio eje y nos muestra el contraplano. Roland Barthez dijo que mirar más tiempo del necesario era peligroso, querer comprender, atisbar la verdad. Tal como hace esa chica sin nombre que quizá también quiere aceptarse a sí misma. Raúl Gallego Esta noche morimos dos veces en el estudio de Radiopolis... José Miguel Moreno, Salvador Limón, Manuel Broullón y Raúl Gallego.

On a particularly coastal episode, Joe and Scott survey the "sun-struck L.A. optimism of 'Change of the Guard'" and end up agreeing with (later) Donald Fagen that it "approaches a level of filler," though Skunk delivers another killer guitar solo. The boys swing east to grab a bite at Bob Giraldi's stylish and entertaining Dinner Rush (2000) before going back to Cali for a tour of the counterculture and the desert in Michaelangelo Antonioni's divisive Zabriskie Point (1970). Scott hits the flyover states to recommend rock out of Austin and jazz out of Chicago; while Joe goes global with a film out of Brazil, as well as a post-punk record and a modern Gothic horror novel out of England. We're willing to die too, but not of boredom. Email us! steelininthedan@gmail.com (mailto:steelininthedan@gmail.com) Follow us on Twitter @steelininthedan (https://twitter.com/steelininthedan) Links: Steely Dan Setlist at Jiffy Lube Live, Bristow, VA September 20, 2013 (https://www.setlist.fm/setlist/steely-dan/2013/jiffy-lube-live-bristow-va-43c7a3e3.html) KUTX - Austin, TX (https://kutx.org) WDCB - Chicago, IL (https://wdcb.org) Bacurau - 2019 (https://wmglobalfilmfestival.com/portfolio-item/bacurau/) The Dentists - Some People Are On The Pitch They Think It's All Over It Is Now (Full Album, 1985) (https://youtu.be/OvifqjfKd8A) The Fifth Child - Doris Lessing (https://www.penguinrandomhouse.com/books/100297/the-fifth-child-by-doris-lessing/)

la nascita della colonna sonora di Zabriskie Point di Michelangelo Antonioni

la nascita della colonna sonora di Zabriskie Point di Michelangelo Antonioni

Hippieploitation meet Italian auteurism in our latest episode of Oklahoma Film Society: AFTER DARK. First up is Zabriskie Point, Michelangelo Antonioni 1970's capture of Vietnam protesting, airplane stealing and strange desert happenings; and last is An American Hippie in Israel, another instance of a foreign filmmaker trying to capture hippie culture... with very different results (a lot more white-faced murderers, goats and raft losing than Zabriskie Point).

Zabriskie Point and I have had a romantic love affair since my childhood from watching the movie Zabriskie Point by Michelangelo Antonioni. So of course, one of my most desired travel destination upon my arrival in Southern California was the Death Valley - Zabriskie Point. Funny enough, no one in California knew about this place and Death Valley was not the ideal destination for them. But I knew I had to inspire these Californians, my friends who are actually witches like me, to venture out of their comfort zones and see the beauty of Zabriskie Point. The adventure began with a road trip into the dusty yet tranquil ambiance of the Death Valley. A place where magic can be created by three witches bonding and sharing life stories. In this peaceful setting, without a trace of civilization, we brewed some mystical magic potions and invoked wisdom of our sorcery to purify each other. If magic is something you believe in and create, we with purpose intended our mission. A witch and her manifestation abilities with pure intentions can heal and create magical spells.

Quand nous avons traversé la Vallée de la Mort à l'occasion de notre roadtrip dans l'ouest des Etats-Unis, on ne s'attendait pas à y trouver autant de vie : du lac de sel de Badwater Basin aux dunes de Mesquite Flat en passant par Zabriskie Point ou Dante's View, on vous dit tout sur la fameuse Death Valley dans ce neuvième épisode de Partir Un Jour.

You probably love THE CONVERSATION and NIGHT MOVES, but what if we told you there was a third Gene Hackman conspiracy thriller from the '70s that you haven't heard of? Join us to hear five reasons you should never watch THE DOMINO PRINCIPLE! We dare to ask: Is Kafka relatable? Was Stanley Kramer talented? Are private eye films about class warfare? Does the opening montage borrow from Chris Marker or Peter Watkins? Is Gene Hackman's best performance in SUPERMAN II? Why is Mickey Rooney playing with his nipple hair? And a bunch of random stuff about FIRST BLOOD, ZABRISKIE POINT and CUTTER'S WAY. Get to know Mickey Rooney, Candice Bergen and Richard Widmark in ways that make you uncomfortable OR YOUR MONEY BACK. Subscribe to our show on iTunes and Podbean. Search for "Stan the Obscurities."

这期节目我邀请来两位新朋友，杭州另类”匪帮空间”马丁戈雅生意的创始人：艺术家程然和大绵。程然的很多作品都是影像作品，所以录节目前，我请他向文化土豆的观众介绍一部自己很喜欢的电影，他选择了安东尼奥尼的《扎布里斯基角》Zabriskie Point，这是我们的第一个话题。大绵和程然都是正在北京金杜艺术中心展出的《后南宋王朝》都参展艺术家。大绵为这个展览写了一篇特殊的展览前言，是以宋词《莺啼序》为词牌的科幻故事。她自己的参展作品也是一篇无法阅读的奇幻小说。这些有趣的尝试是我们的第二个话题。节目中提到的信息：杭州马丁·戈雅生意http://martingoyabusiness.com/category电影《扎布里斯基角》Zabriskie Point，米开朗基罗·安东尼奥尼https://movie.douban.com/subject/1293623/电影《红色沙漠》Il deserto rosso，米开朗基罗·安东尼奥尼https://movie.douban.com/subject/1299261/电影《放大》Blow Up，米开朗基罗·安东尼奥尼https://movie.douban.com/subject/1310176/小说《罪与罚》，陀思妥耶夫斯基https://book.douban.com/subject/1022632/文化土豆68年特别节目《父母皆祸害》http://www.culturepotato.com/blog/053影像/装置艺术《竹林七贤》，杨福东https://v.qq.com/x/page/j05142c2i7p.html词牌名《莺啼序》http://suo.im/4T4uN1展览《后南宋王朝》（展览至2018.10.16），北京金杜艺术中心http://www.kwm-artcenter.com科幻宋词《莺啼序·原初在否》，大绵孤宸访袭异日，永昼碎更漏。烟波淼，行止随心，拢簟醉曲寒垢。岁过也、梵音杳杳，白妃忍顾雷峰皱。念旧情游荡，湖心莺来啼透。千载西湖，浮空映月，散纤尘红瓯。花拍岸、歌引一程，絮絮教樵人候。近蟾宫、几回痛寐，询他人，竟忽风又。舞初休，烁烁凌波，银湾千宿。飞车骤落，异客毕临，乘文马游宙。越九岳、从风远旅，天槎如盘，共往须弥，可知气候？众宾错卧，碧泉为觞，香池几度迷魂锁，洗夜凉、疏盏廊倚就。光阴旁落，愀心便拟归期，总不欲与人透。孤山依立，枯藕还生，往事画不够。更无奈，昼歇春分，夜似年长，池下含光，锦鲤追走。如今望到，消息空落，似抱一枕朦胧伴，乍梦起，密雨如旧。钱塘潮落潮生，宋调即返，原初在否？展览：Made In LA 2018https://hammer.ucla.edu/exhibitions/2018/made-in-la-2018/装置艺术/小说《北捣轩之皮戏》，大绵见展览《后南宋王朝》编辑推荐剧集《猎毒人》, 于和伟主演https://movie.douban.com/subject/27180959/精酿酒吧/空间 Taste Room杭州文二西路73号非虚构 Fear，Bob Woodwardhttps://www.amazon.com/dp/B075RV48W3Intro 音乐是 Willie Nelson 新专辑中的 My Way， Outro 音乐也是这个专辑里他和 Nora Jones 合唱的 What is this thing called love.文化土豆的官网是 http://www.culturepotato.com See acast.com/privacy for privacy and opt-out information.

Épisode 84 : on explore le cinéma à travers ses sons, ses dialogues et ses musiques. Montage sonores à partir d'extraits des films Mandy, Game Night, Zabriskie Point, Sashinka, Un Zoo la nuit, et plusieurs autres. Musique de Johann Johannsson, Jean Coriveau, Cliff Martinez, Jean-Sébastien Williams, Pink Floyd, James Horner... installez-vous, monter le volume, l'expérience débute ici

Épisode 84 : on explore le cinéma à travers ses sons, ses dialogues et ses musiques. Montage sonores à partir d'extraits des films Mandy, Game Night, Zabriskie Point, Sashinka, Un Zoo la nuit, et plusieurs autres. Musique de Johann Johannsson, Jean Coriveau, Cliff Martinez, Jean-Sébastien Williams, Pink Floyd, James Horner... installez-vous, monter le volume, l'expérience débute ici

Lista la nueva emisión de "En el principio era Pink Floyd", programa N° 5. En esta ocasión, nos instalamos en 1970: momento de preparación de Pink Floyd para lo que sería su siguiente disco, Atom Heart Mother. Sesiones en diversos programas de la radio británica, y la música compuesta para el filme "Zabriskie Point", por encargo del mítico realizador Michelangelo Antonioni, también serán algunos de los espectros abordados por el crítico musical Herbert Neutra. Emisión de 26 de mayo, auspiciada por Galeria Afirme en Ciudad de México y Colectivo audiovisual Zerkalo en Buenos Aires.

Antonioni sale de Italia, empujando por Carlo Ponti para convertirlo en un realizador global. El periplo empieza en la ondera y vibrante Londres, donde los jóvenes viven en una realidad paralela y banal, inconsciente de su potencial subversivo y renovador en lo político. Pasa a EE. UU. con mayo del 68 a cuestas, armando una fábula crística de la toma de conciencia; para saltar a un tour europeo acompañando a un sobreviviente no muy digno de la década anterior que opta (con progresiva conciencia) por la disolución de su propia personalidad. De eso y más hablamos en el podcast.

"To me, the great hope is that now these little 8mm video recorders and stuff have come out, and some—just people who normally wouldn't make movies are going to be making them. And you know, suddenly, one day some little fat girl in Ohio is going to be the new Mozart, you know, and make a beautiful film with her little father's camera recorder. And for once, the so-called professionalism about movies will be destroyed, forever, you know. And it will really become an art form. That's my opinion." – Francis Ford Coppola (1991) Avengers Infinity War https://www.youtube.com/watch?v=6ZfuNTqbHE8 Movie Pass https://www.moviepass.com/ Zabriskie Point https://www.youtube.com/watch?v=rhZNXDOl_eM Sorcerer https://www.youtube.com/watch?v=UMof5PuQF7w The Wages of Fear https://en.wikipedia.org/wiki/The_Wages_of_Fear David Zwirner https://www.davidzwirner.com/ Gogosian https://www.gagosian.com/ Hauser and Wirth https://www.hauserwirth.com/ Pace Gallery https://www.pacegallery.com/ Society of the Spectacle https://en.wikipedia.org/wiki/The_Society_of_the_Spectacle Jason Blum https://en.wikipedia.org/wiki/Jason_Blum Get Out https://www.youtube.com/watch?v=DzfpyUB60YY Black Panther https://www.youtube.com/watch?v=xjDjIWPwcPU Jordan Peele https://en.wikipedia.org/wiki/Jordan_Peele Moonlight https://www.youtube.com/watch?v=9NJj12tJzqc Goddard 3d movie https://www.newyorker.com/culture/richard-brody/jean-luc-godards-3-d-movie Cave of Forgotten Dreams https://www.youtube.com/watch?v=kULwsoCEd3g Beyonce Coachella 2018 https://en.wikipedia.org/wiki/Beyonc%C3%A9_2018_Coachella_performance Creativity Inc https://www.goodreads.com/book/show/18077903-creativity-inc New York Underground Film Festival https://en.wikipedia.org/wiki/New_York_Underground_Film_Festival Westworld Season 2 https://www.youtube.com/watch?v=sjVqDg32_8s Jeff Koons http://www.jeffkoons.com/ Cadbury Gorilla Drummer https://vimeo.com/62839747 Revenge https://www.youtube.com/watch?v=sU3TRJiRobs Mad Max Fury Road https://www.youtube.com/watch?v=hEJnMQG9ev8 ** Advertisement ** https://www.instagram.com/energetic_k/ JR http://www.jr-art.net/videos/women-are-heroes-by-jr War is Over John Lennon/Yoko Ono https://www.youtube.com/watch?v=CbKsgaXQy2k John Cage 4’33” http://mentalfloss.com/article/59902/101-masterpieces-john-cages-433 Netflix Movie Theatres https://www.cnet.com/news/netflix-has-reportedly-considered-buying-movie-theaters/ Annihilation https://www.youtube.com/watch?v=89OP78l9oF0 The Florida Project https://www.youtube.com/watch?v=WwQ-NH1rRT4 Francis Ford Coppola on the Future of Cinema https://www.youtube.com/watch?v=Vrxywc1v6S0 Google Duplex Announcement https://www.youtube.com/watch?v=bd1mEm2Fy08

Pela estrada - 18 - Zabriskie Point, CA by Martinho Lucas Pires

Today Ken welcomes BACK to the show Hallelujah the Hills frontman and author of the new book "Astral Weeks: The Secret History of 1968", Ryan Walsh to the show. Ken and Ryan discuss going with it, Van Morrison, mobbed up record execs, Astral Weeks, Cambridge MA, Boston, Charley, The Thomas Crown Affair, Zabriskie Point, Mark Frechette, cat impressions, iRobot, Tampon ads, cats who can do 11 tricks, Racial tensions, James Brown, Kevin White, WGBH, The Newlywed Game, in the butt, makin' Whoopie, Shane MacGowan's Nips, pay offs, The Boston Tea Party, Don Rickles, The Cryptkeeper, X The Man with X-Ray Eyes, Star Search, Hollywood Palace, Bluebird, the birth of the ACLU, Variety Shows, America's first Elephant, the death of America's first elephant, Folk Guitar, Rat Patrol, tough choices for Roddy McDowell fans, LSD, Chicago Festival, the sounds of '68, Bill Cosby, Celebrity Billiards, Scottish Games, sponges, Dom DeLuise, The Flying Nun, Brookline Tennis, the strange history of Salem, MA, problems for married women, That Girl, sound FX CDs, fart machines, Halloween Sound FX tapes, Mexico, BUTTS, screwing, qware, Up With People and the sandwich police.

Scott's one of my best buds. Recently, we released his new novel Jack Waters on Broken River Books. I think that Scott is one of the only writers out there doing whatever the fuck he wants. He's everything I could ask for in an author and a friend: intelligent, insightful, talented.  On this episode, we talk about: what makes a Broken River Book, the origins of Jack Waters, magical realism in Latin American writing, dictators that fixed countries, revolutions turning to fascism, Mulholland Drive, the compromise at the heart of America, Invictus, people who want power needing to be kept away from power, engaging with writers you dislike honestly, Takashi Miike, what i mean by “good” and “bad” writing, leaving imperfections in writing, Raging Bull, Heaven's Gate, Southland Tales, preferring audacity over quality, Three Billboards Outside Ebbing Missouri, Zabriskie Point, colonial literature, things that bother me vs. things that are a problem, our current tendency to torture ourselves with the news, and climate change. Follow Scott on Twitter: @ScottAdlerberg Here's the article he wrote about Michael Kohlhaas by Heinrich von Kleist (mentioned in the podcast) Buy Jack Waters here

After the murders, Manson moved his family to the depths of the California desert. There, even before they were finally apprehended by the law, their utopia started to fall apart. Hollywood was in the process of being changed by Dennis Hopper's Easy Rider, a film shot partially in the same desert where Manson was now hiding. The Family and their flight to Death Valley -- and the impossible dream of the 60s revolution in general -- was soon thereafter unwittingly reflected in Italian filmmaker Michelangelo Antonioni's attempt to make a Hollywood studio film, Zabriskie Point, starring Hopper's future wife. Originally released in 2015.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we invite special guest Jonathan to discuss Kathryn Bigelow's classic actioner, _Point Break_. We also take turns discussing what we watched, the new _Tomb Raider_ and _Annihilation_ trailers, as well as answering feedback from you, the listeners. Hope you enjoy! Thanks for listening! 0:00 - Intro 3:35 - What We Watched: _L'Argent_ , _The Way of the Gun_ , _Dillinger_ , _Walkabout_ , _Super Dark Times_ , _The Childhood of a Leader_ , _Let Me Make You A Martyr_ , _Jackie_ , _Under the Skin_ , _Twin Peaks: Fire Walk With Me_ , _Zabriskie Point_ , _Blow-Up_ , _K-19: The W_ _idowmaker_ , _The Loveless_ 1:11:30 - Kathryn Bigelow's Filmography Ranked 1:13:20 - Deep Dive: _Point Break_ 1:38:24 - Feedback: Dead directors we want one more movie from; the sizes of our movie collections 1:52:54 - Trivia/Jordan's assignment 2:02:08 - Outro/Next episode

This week we invite special guest Jonathan to discuss Kathryn Bigelow's classic actioner, Point Break. We also take turns discussing what we watched, the new Tomb Raider and Annihilation trailers, as well as answering feedback from you, the listeners. Hope you enjoy! Thanks for listening! 0:00 - Intro 3:35 - What We Watched: L'Argent , The Way of the Gun , Dillinger , Walkabout , Super Dark Times , The Childhood of a Leader , Let Me Make You A Martyr , Jackie , Under the Skin , Twin Peaks: Fire Walk With Me , Zabriskie Point , Blow-Up , K-19: The W idowmaker , The Loveless 1:11:30 - Kathryn Bigelow's Filmography Ranked 1:13:20 - Deep Dive: Point Break 1:38:24 - Feedback: Dead directors we want one more movie from; the sizes of our movie collections 1:52:54 - Trivia/Jordan's assignment 2:02:08 - Outro/Next episode

This week Rafael and I get lost in Google’s increasingly large and increasingly subjective maze of products and controversies, Rafael almost invents a new musical genre and Jeremy neglects the emotional needs of his power outlets. Metrograph, Rafael’s new favourite local theatre http://metrograph.com/ Zabriskie Point, Michelangelo Antonioni http://www.imdb.com/title/tt0066601/ Cancel Netflix https://www.netflix.com/CancelPlan Alien Covenant on Rotten Tomatoes https://www.rottentomatoes.com/m/alien_covenant/ Guardians of the Galaxy Vol 2 on RT https://www.rottentomatoes.com/m/guardians_of_the_galaxy_vol_2/ Frank Costanza https://www.youtube.com/watch?v=7gVi-kIVY4I Farewell Hulu, Hello Criterion Collection https://www.criterion.com/current/posts/4293-farewell-hulu-hello-criterion-channel Tiff Bell Lightbox Theatre https://www.tiff.net/ David Ross https://www.youtube.com/watch?v=PHk0XatMV6s Radical Candor, Kim Scott https://www.radicalcandor.com/ Loose Lips Sink Ships https://en.wikipedia.org/wiki/Loose_lips_sink_ships James Damore’s Google Memo https://www.wired.com/story/the-pernicious-science-of-james-damores-google-memo/ Culture Amp https://www.cultureamp.com/ Project Include http://projectinclude.org/ Alphabet https://abc.xyz/ History of high heel shoes http://history-of-heels.weebly.com/origins-of-high-heels.html Playground http://playground.global/ Andy Rubin wants to unleash AI on the world https://www.wired.com/2016/02/android-inventor-andy-rubin-playground-artificial-intelligence/ Google X, the moonshot company https://x.company/ Google Wave https://en.wikipedia.org/wiki/Apache_Wave Slack https://slack.com Asana https://asana.com/ Workplace by Facebook https://www.facebook.com/workplace Bing https://www.bing.com/ DuckDuckGo https://duckduckgo.com/ Back Rub http://www.businessinsider.com/the-true-story-behind-googles-first-name-backrub-2015-10 How Meta Tags affect search engines http://www.wordstream.com/meta-tags Google RankBrain https://en.wikipedia.org/wiki/RankBrain 22 Immutable Laws of Marketing https://www.slideshare.net/GrahamMcInnes1/22-immutable-laws-of-marketing Killer robots: World’s top AI and robotics companies urge United Nations to ban lethal autonomous weapons https://futureoflife.org/2017/08/20/killer-robots-worlds-top-ai-robotics-companies-urge-united-nations-ban-lethal-autonomous-weapons/ Noise Dub https://www.last.fm/tag/noise+dub Postinternet http://www.artspace.com/magazine/interviews_features/trend_report/post_internet_art-52138 Google’s Associate Product Manager Program https://www.wired.com/2012/07/marissas-secret-weapon-for-recruiting-new-yahoo-talent/ In The Plex: How Google Thinks, Works, and Shapes Our Lives https://www.amazon.com/Plex-Google-Thinks-Works-Shapes/dp/1416596585/ Swype keyboard http://www.swype.com/ Android fragmentation http://bgr.com/2017/07/07/android-market-share-versions-july-2017/ Self Employment in the USA (10.1%) https://www.bls.gov/spotlight/2016/self-employment-in-the-united-states/pdf/self-employment-in-the-united-states.pdf Tom’s gel toothpaste https://www.amazon.com/Maine-Fluoride-Natural-Toothpaste-Spearmint/dp/B01IAE0OX0/ref=sr_1_2_a_it?ie=UTF8&qid=1503877330&sr=8-2&keywords=tom%27s+gel+toothpaste+8+pack Prime Pantry https://www.amazon.com/Prime-Pantry/ Constant Dullaart http://constantdullaart.com/ See Saw – Gallery Guide https://itunes.apple.com/ca/app/see-saw-gallery-guide/id791643418?mt=8 Avertising Break – Zirkel http://zirkelgame.com/ Google 20% time is dead https://9to5google.com/2013/08/16/googles-20-percent-time-birthplace-of-gmail-google-maps-adsense-now-effectively-dead/ Rafael Rozendaal image search https://www.google.ca/search?q=rafael+rozendaal&rlz=1C5CHFA_enCA727CA728&source=lnms&tbm=isch&sa=X&ved=0ahUKEwj9-6ygzfjVAhVl3IMKHQS3C0sQ_AUICigB&biw=1262&bih=882 Taylor Swift deletes social media https://www.theverge.com/tldr/2017/8/18/16169342/taylor-swift-social-media-black-out-reddit-theories Field Recording: Pyry Qvick, Tampere, Finland

This week on the show, Adam and Kevin take a look at the latest Coen brothers film, Hail Caesar!, along with some other stuff they've been watching including: You Wont Miss Me, Contamination, Zabriskie Point, Don't Torture a Duckling, V For Vendetta, Amer, and Charlie's Country. 00:00:30 - Movie news00:10:36 - Hail Caesar! review00:30:50 - Watch list:You Wont Miss Me, Contamination, Zabriskie Point, Don't Torture a Duckling, V For Vendetta, Amer, Charlie's Country 01:02:06 - Movie predictions, new on VOD, Blu-ray releases Please consider supporting Film Pulse by contributing to our Patreon page at: patreon.com/filmpulse web: filmpulse.nettwitter: twitter.com/filmpulsenetfacebook: facebook.com/filmpulse intro music by: Matt Oakleyoutro music by: SJMellia

In a wide ranging interview Dario talks to prolific film scholar Murray Pomerance. The discussion touches on everything from Zabriskie Point to The Force Awakes, from The Clouds of Sils Maria to The Bourne Identity, from Marnie to The Dark Knight Professor Pomerance demonstrates an in-depth knowledge, engaging presence and fascinating insights on all things cinema. Murray Pomerance is Professor in the Department of Sociology at Ryerson University, Toronto. His publications include Moment of Action: Riddles of Cinematic Performance (forthcoming), Marnie (BFI, 2014), Alfred Hitchcock's America (Polity, 2013), The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory (Rutgers 2008), and An Eye for Hitchcock (Rutgers 2004), among others.He has edited or co-edited numerous volumes, including The Last Laugh: Strange Humors of Cinema (Wayne State, 2013), Hollywood's Chosen People: The Jewish Experience in American Cinema (Wayne State, 2012), Shining in Shadows: Movie Stars of the 2000s (Rutgers 2011), and Cinema and Modernity (Rutgers 2006), among others. In August 2009, he appeared on Broadway in conjunction with a performance of The 39 Steps and in August 2013 his visual essay (co-authored with R. Barton Palmer) appeared on the Criterion DVD of John Frankenheimer's Seconds. For further details and publications click here.

Zabriskie Point (# | 1970) Rendező: Michelangelo Antonioni Tőzsdecápák (Wall Street | 1987) Rendező: Oliver Stone Edukators (Die fetten Jahre sind vorbei | 2004) Rendező: Hans Weingartner Kapitalizmus: szeretem! (Capitalism: A Love Story | 2009) Rendező: Michael Moore | Puzsér Róbert, Magyar Dávid

After the murders, Manson moved his family to the depths of the California desert. There, even before they were finally apprehended by the law, their utopia started to fall apart. Hollywood was in the process of being changed by Dennis Hopper's Easy Rider, a film shot partially in the same desert where Manson was now hiding. The Family and their flight to Death Valley -- and the impossible dream of the 60s revolution in general -- was soon thereafter unwittingly reflected in Italian filmmaker Michelangelo Antonioni's attempt to make a Hollywood studio film, Zabriskie Point, starring Hopper's future wife. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this, the last BITD episode of 2012, The Guys Outta Brooklyn revisit The Summer (now Winter) of Speed to examine a trio of films where the cars are secondary to psychological introspection and angst! Join Tom and Derrick as they express their love of Two-Lane Blacktop! Enjoy Derrick's reminiscences about seeing Vanishing Point in the theaters! Laugh as Tom tries to cover up how he misremembered Zabriskie Point! And decide for yourself whether "Baby It's Cold Outside" is a charming seduction or date rape! If you like pina coladas, you best get to clicking!

In this, the last BITD episode of 2012, The Guys Outta Brooklyn revisit The Summer (now Winter) of Speed to examine a trio of films where the cars are secondary to psychological introspection and angst! Join Tom and Derrick as they express their love of Two-Lane Blacktop! Enjoy Derrick's reminiscences about seeing Vanishing Point in the theaters! Laugh as Tom tries to cover up how he misremembered Zabriskie Point! And decide for yourself whether "Baby It's Cold Outside" is a charming seduction or date rape! If you like pina coladas, you best get to clicking!

In this, the last BITD episode of 2012, The Guys Outta Brooklyn revisit The Summer (now Winter) of Speed to examine a trio of films where the cars are secondary to psychological introspection and angst! Join Tom and Derrick as they express their love of Two-Lane Blacktop! Enjoy Derrick's reminiscences about seeing Vanishing Point in the theaters! Laugh as Tom tries to cover up how he misremembered Zabriskie Point! And decide for yourself whether "Baby It's Cold Outside" is a charming seduction or date rape! If you like pina coladas, you best get to clicking!

In this, the last BITD episode of 2012, The Guys Outta Brooklyn revisit The Summer (now Winter) of Speed to examine a trio of films where the cars are secondary to psychological introspection and angst! Join Tom and Derrick as they express their love of Two-Lane Blacktop! Enjoy Derrick's reminiscences about seeing Vanishing Point in the theaters! Laugh as Tom tries to cover up how he misremembered Zabriskie Point! And decide for yourself whether "Baby It's Cold Outside" is a charming seduction or date rape! If you like pina coladas, you best get to clicking!

Colin Marshall sits down in Silver Lake with Thom Andersen, professor at the California Institute of the Arts' School of Film/Video and director of films including Red Hollywood, the new Reconversion, and the well-known documentary Los Angeles Plays Itself, on the truth and falsity of the city's representation in motion pictures. They discuss The Fast and the Furious shooting on his street; the end of the current era of impressive car chases crafted by Nicolas Winding Refn and Quentin Tarantino; H.B. Halicki's original Gone in 60 Seconds, and the importance of its literalism regarding greater Los Angeles' South Bay; how rarely mainstream cinematic interest looks beyond white people of "immodest means," and what the films that do go beyond them achieve (such as the creation of detective films that actually involve detecting); Killer of Sheep, Boyz n the Hood, and the differences between garden-variety "gang movies" and those that truthfully deal with survival; the questions to do with the black population, bank bailouts, and the destruction of the working class he believes movies could address but rarely do; how much more interesting reality is than our imaginations, which by now have long since filled up with junk; Los Angeles as a representational battleground, and the way filmmakers have an alibi here not to do important work; the native's lack of advantage in understanding this city, and the outsider's advantage in making it strange again, as seen in Zabriskie Point, The Outside Man, Model Shop, and Point Blank; the changes in Los Angeles, how they vanish in comparison to the changes in major Asian cities, and how they have for the most part taken place among the people rather than in the infrastructure; the racism of Crash versus the naïveté of Falling Down; his continuing fascination with the Los Angeles wherein people struggle to make a living; and what fillms and books can to do change minds, given that they so often make minds in the first place.

No dia 29 de setembro de 2012, é celebrado o centenário de Michelangelo Antonioni. E o Podcast Cinema em Cena, na nona entrada da série Grandes Diretores, aborda a filmografia completa deste verdadeiro mestre do cinema. Nossa equipe comenta não apenas os filmes mais conhecidos do cineasta italiano, como A Aventura, A Noite, O Eclipse, Deserto Vermelho, Blow-Up - Depois Daquele Beijo e Profissão: Repórter. como também os primeiros longas, entre eles Crimes da Alma e A Dama Sem Camélias, e ainda As Amigas, O Grito, Zabriskie Point, O Mistério de Oberwald, Identificação de uma Mulher, Além das Nuvens e Eros. Aviso: este programa possui spoilers de filmes maiores de 18 anos. O podcast traz também o desafio do Diálogo Misterioso, que premiará os acertadores com o livro Deixa Ela Entrar, cortesia da editora Globo Livros. Participam desta edição: Renato Silveira (@cinematorio), Heitor Valadão (@gelogurte), Larissa Padron (@laripadron) e Tullio Dias (@2t_dias). Série Grandes Diretores: #1 - Steven Spielberg #2 - Martin Scorsese #3 - Billy Wilder #4 - David Cronenberg #5 - Sergio Leone #6 - Roman Polanski #7 - Paul Verhoeven #8 - Glauber Rocha