Podcasts about Beauty and the Beast

"It's me, hi, I'm the problem, it's me.” This week, we (finally) go line-by-line through what might be Taylor Swift's most psychologically dense song: “Anti-Hero” from Midnights (2022). From the Hamlet-coded antihero definition, to the “Beauty and the Beast” reference lurking in "tale as old as time," to ghosts and Freud, this song keeps delivering new angles. We each came to the song with our own anxieties, and we leave with three potentially different purposes of this high-anxiety, deeply revealing song. Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe.  After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com Mentioned in this episode: Hamlet, William Shakespeare Alice in Wonderland, Lewis Carroll Beauty and the Beast (Disney) Dexter (Showtime) Younger (Paramount+) 30 Rock, "Seinfeldvision" — the "sexy baby" episode "Blank Space," 1989 (2014) The Miss Americana Documentary (Netflix) Lena Dunham's Substack

Is Disney quietly using live-action remakes to cheat the copyright system? What if every single Disney live-action remake isn't about “reimagining classics", but a calculated, multi-billion-dollar strategy to keep Mickey, Simba, Elsa, and the entire empire under lock and key forever? In this explosive episode, we look into the theory that Disney's remake machine (The Lion King, Aladdin, Beauty and the Beast, The Little Mermaid, etc.) is less about creativity and more about copyright protection warfare. Are these soulless cash-grabs actually a brilliant legal hack to reset the clock on beloved characters before they risk falling into the public domain? Or is it all just corporate greed disguised as nostalgia? 51 Minutes.

Send us Fan MailMeredith Walker has spent her career helping tell stories that make us laugh, think, and occasionally spit coffee across the room.She's an award-winning television producer who worked during what I personally consider one of the greatest eras of Saturday Night Live—an era that gave us unforgettable characters, legendary sketches, and enough quotable moments to survive every awkward family gathering ever since.But that's just the beginning.She is also the co-founder of Amy Poehler's Smart Girls alongside her best friend, chosen sister, and podcast royalty herself, Amy Poehler. Amy even wrote the foreword to Meredith's brand-new book released earlier this month—Today we're talking about friendship, creativity, storytelling, building communities around vulnerability, humor and grace. And Yall know we need more of ALL THREE.So grab a beignet... if you're lucky enough, pour yourself a cup of CDM coffee, and try not to accidentally audition for Saturday Night Live while listening. lolol #guiltyBe Yourself and Other Bad Advice: A Teen Girl's Guide to Unlearning the RulesBeing a teen girl can be confusing and frustrating—luckily Meredith Walker created this guide to show how to dig deep, find what's important to you, and use that authenticity to make the world a better place.                                                   Published by our friends at Workman Pub Kids.From us and our friends at Cafe Du Monde, it's my pleasure to welcome producer, author, storyteller, and all-around force of nature…Meredith Walker! ☕

Get ready for a tale as old as time! In this episode of the podcast, Dad and Lad are taking you deep into the enchanted castle for a massive family trivia challenge all about Disney's Beauty and the Beast!If you are looking for the perfect screen-free activity for your next road trip, family game night, or rainy afternoon, this episode is for you. We have designed 15 trivia questions across three distinct levels so the whole family can play along!Fun News! Family Trivia with Dad and Lad has a MERCH STORE!You can find, T-Shirts, Hoodies, Hats and more for you or that Trivia Loving friend or family member! Visit the link below to go to the Family Trivia with Dad and Lad Merch Store!https://www.bonfire.com/store/dadladtrivia/

Cassie and Matt discuss a little-known YA adaptation of Beauty and the Beast, Beast Charming by Jenniffer Wardell, talking about their love of witty banter, found family relationships, and circumvented tropes in this fun novel that creates a wonderfully whimsical modernized fairy tale world.Join our community! View all of the benefits of joining our Patreon including the Official Of Slippers and Spindles Book Club, exclusive polls, monthly newsletters, Zoom hangouts, and more!Visit our our merch store, Facebook group, Instagram, Discord, and more! We love to hear from you! You can reach us at ofslippersandspindles@gmail.com Music: Through The Woods by Shane Ivers

So many things are misunderstood between seemingly normal creatures.  Beauty and the Beast is a pretty good example of things just not making sense.  For the record Gaston is a hero.  Other relationship don't make sense for very different reason.  At least we undestand the relationship yard creatures have with the others. 

Ep. 79. Re-released.Discover insights into love, friendship, and identity through an engaging conversation about Honey and Spice. Viv and her guest delve into character development, storytelling, and the portrayal of romance from different perspectives, offering valuable reflections on life and relationships.Main Topics:The blend of friendship and romance in Honey and SpiceCharacter analysis of Kiki, Amina, and MalachiThe depiction of romantic ideals and real-life expectationsReflection on personal love stories and fictional influencesCritique of storytelling techniques like flashbacks in contemporary novelsViv shares her love for Honey and Spice and its themes of friendship, love, and self-discoveryShe discusses her views on romantic character portrayals and storytelling methodsThe two explore how fiction influences real-life perceptions of romanceA lively debate on the authenticity of romance in media and literaturePersonal favorite romantic movies and fantasies, including Beauty and the Beast, The Notebook, and OutlanderAn honest conversation about self-worth, standards, and how to design your ideal romantic lifeConnect with the podcastTwitterInstagram

Here is your Daily Disney News for Friday, May 15th, 2026 - Disneyland introduces a new interactive attraction in Star Wars: Galaxy's Edge, offering fans a chance to pilot spacecraft and engage with storylines. - Walt Disney World's Magic Kingdom announces the "Dream Lights Parade," a nighttime parade featuring LED-lit floats and classic characters. - Tokyo Disneyland celebrates the 5th anniversary of its Beauty and the Beast-themed area with special events, a Belle-inspired menu, and a stage show. - Disney+ debuts "Behind the Magic: Inside Disney's Parks," a documentary series exploring the creation and daily operations of Disney attractions. Have a magical day and tune in again tomorrow for more updates.

What Books are Healthiest for Your Tween or Teen an Interview with Betsy Farquhar and Hayley Morell (Episode 293)   *Disclaimer: Some of this content is not intended for young audiences. Please use discretion.   Proverbs 4:7 NIV “The beginning of wisdom is this: Get wisdom. Though it cost all you have, get understanding.”   *Transcription Below*   Betsy Farquhar holds Masters degrees in Children's Literature and Information and Library Science. She taught middle and high school English, homeschooled her three children, and has served on many book award committees.   Hayley Morell loves reading, writing, trying new recipes, knitting, or chatting with her parrot. Hayley loves traveling and lived abroad in Europe and Asia. She and her husband and infant live in Wisconsin in an old house overflowing with books and are active in their local community.   Their Website, Book, and Social Media Handles: Instagram @redeemed_reader and Facebook: @redeemedreader   Thank you to our sponsor: Sam Leman Eureka   Questions and Topics We Cover: What are some benefits of reading and why is it worthwhile to devote our time to curating a healthy diet of books? Can you elaborate on why the Young Adult or YA category is the most controversial? What is on your radar for genres or books that will require even more discernment in the future?   Other Savvy Sauce Episode Mentioned: 21. Promoting a Family Culture of Reading with Megan Kaeb 22. Inspiring Your Children to Become Readers, Part Two with Megan Kaeb 253. Low Tech Parenting with Erin Loechner 273. Wise Living: Why to Get Outside, and Travel, and Read Aloud with Amber O'Neal Johnston   Connect with The Savvy Sauce on Facebook or Instagram or Our Website   Gospel Scripture: (all NIV) Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”    Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”    Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”    Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”    John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”    Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”   *Transcription*‍   Music: (0:00 – 0:11)   Laura Dugger: (0:12 - 1:46) Welcome to The Savvy Sauce, where we have practical chats for intentional living. I'm your host, Laura Dugger, and I'm so glad you're here.   The principles of honesty and integrity that Sam Leman founded his business on continue today over 55 years later at Sam Leman Chevrolet Eureka.   Owned and operated by the Bertschi family, Sam Leman and Eureka appreciates the support they've received from their customers all over Central Illinois and beyond. Visit them today at lemangm.com.   My guests for today are Betsy Farquhar and Haley Morrill, two of the four authors of this book, The Redeemed Reader, which is also the name of the website that they run together where they have thousands of book reviews for children and tweens and teens.   We all know that books are so powerful, so it's vitally important that we're discerning both for what we're intaking and the filters that we use to allow our children to engage with books in our home. We're going to sprinkle book recommendations throughout this episode, and you're also going to learn some surprising things, such as more details about the YA or young adult category. Here's our chat. Welcome to The Savvy Sauce, Betsy and Haley.   Betsy Farquhar: (1:48 - 1:49) Thanks. It's good to be here.   Laura Dugger: (1:50 - 1:57) I would love to just start out hearing the way that the two of you found your way into the work that you get to do today.   Betsy Farquhar: (1:58 - 2:42) Mine started way back in the 1900s when I was in college. I did my senior thesis on children's literature, George MacDonald, and that led to a children's literature class my last semester, which led me to grad school with one of my now co-workers, but at the time fellow students and friends, and we got our master's in children's literature. And then rabbit trail, lots of detours, children, marriage. She and I started a blog back when those were cool and hip, and it was reviewing children's books and that was just for fun. And then we connected with Janie and Emily from Redeemed Reader. Through that blog venue, we were commenting on each other's blogs, and they brought us on board. And so here we are 15 years later.   Hayley Morell: (2:43 - 3:38) And for me, I was a high schooler. I was homeschooled. I loved reading.   So, I started my own blog back in the teenage years and I was always looking for book recommendations and came upon Redeemed Reader in the early days. I turned out they were looking for an intern. I started interning and at the end of my internship, Emily Witten, who was our founder, asked if I'd like to stay on.   And that was 14 or 15 years ago now. So, I was younger. And so, I had a period at college.   I studied at Boyce College. I worked in children's ministry and worked as a private tutor. So, a lot of interactions with children.   I was known as the babysitter with the book bag for a number of years. And now I've got my own little, and so I'm in the land of board books and happily working at Redeemed Reader.   Laura Dugger: (3:39 - 3:49) I love hearing that. And if people are watching this through video, can you both just say your name, so we know who's Betsy and who's Haley? I'm Haley.   Betsy Farquhar: (3:50 - 3:51) I'm Betsy.   Laura Dugger: (3:52 - 4:07) Okay, wonderful. Thank you for that. And at Redeemed Reader, I'm assuming you have so many book recommendations to try and read and review.   So, how do you even determine which books you are going to review?   Hayley Morell: (4:08 - 7:49) So, right now we are wrapping up one of the things we love doing, which is providing award coverage. In January is when the American Library Association announces their awards, and they like to recognize the best middle grade with the Newberry, the best picture books with the Caldecott, and then a number of other awards. We know that those books are going to be going into lots of libraries and schools.   And so, we like to provide coverage of that and review those books that we know parents are going to be seeing on shelves and wondering, is this a good book? Should we be reading this? What do we want to check out?   We also like to watch what is popular. What is causing discussion? So, several years ago, that was The Hunger Games.   And there was a lot of questions about dystopia. Should we be reading this? Is this helpful?   Do I want my teen reading The Hunger Games? More recently, some popular middle grade series like Keeper of the Lost Cities have had a lot of parents asking, what is this series? Is there anything I should know about?   And so, we try to have a balanced review. We review books that you're going to find at the library. We also like to review books that maybe you wouldn't know about.   So, a smaller Christian imprint, for example, we like to review that type of book to encourage readers to read widely, to read Christian authors, to read secular authors. We like books. And so, we each bring our own specialty to the team and experience.   Janie, who's our senior editor, is a children's author. She loves history. And so, as the community relations manager, I tend to handle review requests.   So, when somebody asks us, can you review this book? It's popular. Or I'm an author.   I wrote a book. Can you review it? I'll look at the book.   I'll look at how hard is it to get? We do try to review books that are easy to find, that you might find in your local library. But then I'll look at our team.   So, for Janie, if it is going to be a nonfiction history, let's say for a 10 to 12-year-old, I know that's going to be up her alley. Meanwhile, Betsy loves poetry. She loves nature, nonfiction.   Betsy is a very, I'd say you're one of our Renaissance people. And so, I know Betsy is going to be inclined towards maybe a novel and verse. And she also likes dealing with high school books.   You've got that teacher education background, where if it is an epic poem, Betsy is going to be our reviewer. Megan is our amazing picture book author. She's super creative, loves picture books.   Megan is who I turn to when I find a picture book. Meanwhile, I used to handle as I was the team member of the team and then turned into my 20s. So, I gravitated toward YA, and I still love a good YA fantasy.   But I am now in board book land and picture books. So, I have been expanding my reach. I do serve on our middle grade fiction, so I can help out with middle grades.   But each of us will flex in, flex out. Megan has a large family of boys. And so, if it's a boy book, she is a great person.   We love to send those to her to see if her boys like them. And that's, I could keep going because we love books, but that's a big snapshot.   Laura Dugger: (7:50 - 8:09) That's so helpful because you cover such a wide variety of books throughout your team. And as curators of book reviews, what questions are you most commonly receiving, both from young people and maybe their parents as well?   Hayley Morell: (8:12 - 9:22) I think we often get questions like, is this book clean? Is this book safe? And we like to kind of change that question.   And we like to say, why is the content in this book? Because that can be different, you know, depending on something that is in a picture book, which wouldn't be appropriate for an age, could be very appropriate for a YA book and a great discussion starter. So, it definitely depends on the content and what audience and what age of the audience we're dealing with.   So, we try to, as people ask us, well, is this safe or is this clean? Should I read this? We want to build discernment and encourage parents to interact, parents and educators to interact with our reviews.   And they know their reader. They know how their reader is going to receive a book. And what questions might come up.   And so, we like to help interact with that conversation. And then there's another kind of question we often get, which I'm going to let Betsy answer.   Betsy Farquhar: (9:23 - 10:10) The other question is, my kid likes blank kind of book or is blank kind of reader. What do I get for him or her? And so that, of course, can vary widely.   But people love to know what book is right for my family or my classroom or my child. And so, we try to write our reviews with that question in mind, not to make a blanket statement, you should all read this book, or nobody should read this book, but to give parents and educators enough information to make that decision for themselves. And then we started doing these reels on Instagram, where we're pretending we're answering a customer service phone call with questions we've been asked, right?   My son only likes video games, or my daughter doesn't want fantasy, but she reads these kinds of books. And so, we try to help people think that through.   Laura Dugger: (10:10 - 10:14) So, that's really how we continue.   Hayley Morell: (10:15 - 11:09) Sorry. And one more question that we often get because we are book reviewers is, will you review my book? And so, at that point, we do have a process.   We encourage people to submit a request. And it could be maybe a book they're curious about and would just like a review from us, or they're an author or a publisher. And so, in that case, we direct them to our review submission form.   And like I said before, we are definitely looking for books that are easy to find. That will encourage us to review a book, because while we love books that are like smaller imprints, et cetera, and we do try to provide coverage for that, we also are aware that a lot of our audience only has their library or their school library. And so, we are trying to do books that are easy to find and accessible for our readers.   Laura Dugger: (11:10 - 11:40) Okay, that's really helpful to hear what people are writing in and asking you about. And so, hearing the sweet spot from each team member, and then Betsy, how you mentioned people love to know what's right for my family. So, no, this won't fit every situation. But can you give examples of maybe books that the four of you find yourselves recommending quite a bit because they are ones that fit a wide range of people?   Betsy Farquhar: (11:41 - 13:39) Of course, we put a ton of recommendations in our book that came out in the fall. And those are sort of our most common recommendations. We have a place on our website called Starred Reviews.   And those are the best of the best in our mind of their genre. So, if you're looking for graphic novels, and you see a star on a graphic novel, it's because we think this is an amazing graphic novel. So, that's just a helpful framework, because of course, people are all over the map, right?   We're in the midst of whittling down our Book of the Year for this year. And we also have our Reader's Choice Book of the Year. And those books are ones we tend to recommend all the time.   So, I'm going to give you just some samples of what are on our Reader's Choice list, because that is a public list. And I can't reveal the 2025 releases we're considering for the other one. But for our Book of the Year for the Reader's Choice this year, we have The Found Boys by S. D. Smith.   We've got, I've got them all right here, Olivetti by Allie Millington. There's The Hiding Place: A Graphic Novel and the Watership Down: The Graphic Novel that are both really fun. People have really enjoyed them.   We've got the first book in The Dream Keeper Saga by Kathryn L. Butler. That's a Christian fantasy series. We've got Enemies in the Orchard, which is the novel in verse about World War II.   One Big Open Sky by Lesa Cline-Ransome, which is another novel in verse about some Black pioneers going west on a wagon train. And that might be, oh, The Puppets of Spelhorst by Kate DiCamillo. Kate DiCamillo is a super prolific author, and we do recommend her books often.   Her book, Ferris, was our Book of the Year last year. So, there's just a quick sampling of some middle grades' books. And middle grades, for people who don't know, that's the broad fourth through eighth grade age range.   You think of like ages 8 to 12. And they tend to be the broadest in audience. You can usually read those aloud to a younger audience, or even teenagers might find them enjoyable.   So, that's a good start.   Hayley Morell: (13:40 - 14:29) I do think one of the beauties of our team is that we've worked together for a long time. And we trust our team. And so, I will happily recommend a book that I haven't seen, but I know Betsy loved and reviewed.   And it's so fun reading the same books. So, like right now, since we're on award committees, we are seeing a lot of the same books and getting to talk about them. But I think it's one of our strengths that we each bring something to the table.   And I would say if someone really likes history, I'm going to look at what Janie has loved recently, because I know she is looking for those good new history books. And its so fun recommending books and getting to play to our strengths.   Laura Dugger: (14:31 - 16:16) And that comes out in book recommendations. When you're passionate about what you're reading, it's naturally contagious, I think. And now a brief message from our sponsor.   Sam Leman Chevrolet Eureka has been owned and operated by the Bertschi family for over 25 years. A lot has changed in the car business since Sam and Stephen's grandfather, Sam Leman, opened his first Chevrolet dealership over 55 years ago.   If you visit their dealership today, though, you'll find that not everything has changed. They still operate their dealership like their grandfather did, with honesty and integrity. Sam and Stephen understand that you have many different choices in where you buy or service your vehicle.   This is why they do everything they can to make the car buying process as easy and hassle-free as possible. They are thankful for the many lasting friendships that began with a simple welcome to Sam Leman's. Their customers keep coming back because they experience something different.   I've known Sam and Stephen and their wives my entire life, and I can vouch for their character and integrity, which makes it easy to highly recommend you check them out today. Your car buying process doesn't have to be something you dread, so come see for yourself at Sam Leman Chevrolet in Eureka. Sam and Stephen would love to see you, and they appreciate your business.   Learn more at their website, LemanEureka.com or visit them on Facebook by searching for Sam Leman Eureka. You can also call them on 309-467-2351. Thanks for your sponsorship.   I'm curious, over the years, what character qualities have you noticed in people who are now adults, but they originally fell in love with reading in childhood?   Betsy Farquhar: (16:17 - 17:39) So, that's a pretty broad question. I would think, I'm just going to paint this with broad strokes. People who read typically are people who think, and especially in a day and age where we're bombarded with screens and soundbites all the time, if somebody can actually read an analog book from start to finish, then typically they're going to be able to think about ideas in a different way than people who are just existing on soundbites.   So, the ability to think is pretty critical. There's been a lot of studies that show that people who read also have better empathy. It's just a way we can sort of step into somebody else's shoes, especially if we're reading a story about somebody who perhaps lived in a different time period, or they're from a different ethnic background, or even if there's just a different socioeconomic level, it helps us understand the people on the other side a little bit better.   So, that kind of, this twin characteristics of empathy and thoughtfulness, I think are pretty common. We all go through seasons where we don't read as much, whether we're stressed or perhaps, my kids are in college and they were avid readers in high school, and they're not doing a lot of reading for fun right now, but they know how to read and they enjoy it. So, they'll probably come back to that in the future.   So, I think that's a helpful thing to remember, just because your eight-year-old loves reading, when he or she is 18, they may not be reading as much, and that's okay. They'll probably come back to it.   Hayley Morell: (17:40 - 17:53) And I've definitely seen that with younger siblings too, burning out and then all of a sudden back, asking for book recommendations. And it's fun to know that reading habits stick around.   Laura Dugger: (17:55 - 18:38) That's well said. And yet, even if they lie dormant for a while, they may be reawakened in adulthood. But I think I find it's less common for someone to fall in love with reading for their first time as an adult.   So, I think it's very beneficial as parents to cultivate or instill this love of reading in our children. And you two are the experts. So, I'd love to hear your take on this.   What are some of the benefits of reading? And why is it worthwhile to devote our time to curating a healthy diet of books, both for ourselves, but especially for our children?   Hayley Morell: (18:39 - 20:06) Betsy, I think you might've said this once, but I think it came up as we were talking about writing our book. As I have a small child who's just starting to notice pages and we're reading board books and he's trying to reach for it. I remember someone once said that reading to a very young child, they're not registering the story yet.   They might be registering the pictures. But the time that we're taking reading, when I read to him or when my husband gets home from work and they read one board book together, he's not really looking at the book as much as he's looking at our face and hearing our voice. And books are becoming something that we do together and that we do as a family.   And it's a way that we're building relationships. And I think that's a great encouragement to me to keep reading. And I have nieces and nephews who loved books.   And then that's something that we enjoy the story together and we'll laugh over silly stories and we'll read. But I think that it's something that as we want to like curate our collections but also think about how are we encouraging children to love reading. It's if they see us reading too and see us enjoying books and still picking up a book ourselves.   I'm not sure, Betsy, if you have anything that you would add to that.   Betsy Farquhar: (20:07 - 20:41) Well, I just think the better we read anything, the better equipped we are to read the story in the Bible because God revealed himself to us in a written book. And so, we're sort of flexing those muscles when we read. And the more we can engage with what we read, even if it's a picture book with a five-year-old, we're beginning that practice of developing discernment.   And that's part of discipling our children. So, I do think it's all part of the same picture. It's not going to look the same for every family but just working on developing those muscles of discernment and reading intelligently, that's going to go a long way.   Laura Dugger: (20:43 - 22:07) I love how you bring in the Bible that is so important. And I found myself even just this week at bedtime praying over our daughters that they would have a love for the written word because that is what God has gifted to us. And I love how the word became flesh and dwelt among us, but he is the original storyteller and has instilled that in each of us.   And I think just a very practical way at any age to help our children cultivate this love is by reading aloud. And we recently were on a family vacation and had a rental vehicle and we had a long drive-in front of us and listened to the radio for a while. But we also like this tradition of reading one book aloud on a vacation.   So, we remember our time in Florida from one year was a place to hang the moon and it was a different book this year, but I get car sick while we're driving. So, I couldn't read it aloud. So, our oldest daughter read it aloud for all of us.   And I realized how much attention and focus is required and imagination to paint these pictures of the characters in your mind. And I just thought, wow, there's so much learning that's going on even as the one listening to the book, not reading the actual words.   Betsy Farquhar: (22:09 - 22:15) And a place to hang the moon was our reader's choice favorite last year. So, lots of our readers have read that one.   Laura Dugger: (22:16 - 22:36) It's such a good one. And as wonderful as books are, they're also powerful and influential. So, as you've reiterated, discernment is required.   And I'd love for you to elaborate on why the young adult, or the YA category can be the most controversial.   Hayley Morell: (22:38 - 25:12) Young adult protagonists are often upper teenage years. And so, we like to say, as we mentioned in our book, no topic is out of bounds. And this means that there can be a lot going on and a lot of messiness.   We like to use that word as we're talking about that. And sometimes the messiness can be thought provoking. Sometimes it can be provocative.   And we have noticed often YA deals with questions of identity. Who am I? How do I relate to the world?   And that can look like lots of different things. It can include sexual identity, which can lead to a lot of conversations. But something that we like to lean into as we look at the YA genre is that in a world where everything is constantly shifting, as you have a teen and they're encountering conversations at school, conversations with peers, or using social media, having an ever-changing feed that I can look at my Instagram feed and it's going to look nothing like a teenager's Instagram feed.   Even if you're looking at the same account, the way that reels are coming, they're getting bombarded with messages. The messiest of books is static. And you both can look at that and read the cover, read what's going on, and talk about it.   And you both have the same place to have a conversation. And so, we like to lean into that when we're looking at YA books and realize they are powerful, but they're powerful conversation starters. And books like, Betsy recently read a book, and it's called Bright Red Fruit.   And it's a cautionary tale about a teenage girl who has a relationship with an older man that's predator. And he is taking advantage, trying to separate her that is an excellent conversation starter. It's not an easy book to read.   You're reading it, getting worried for this girl, but it's a great way to say, let's read this book and let's talk about what a healthy relationship looks like, because this is not healthy. So, we love YA books that can provoke conversations. And sometimes it might be you both looking at a book and going, you know, this doesn't seem helpful.   We don't need to finish this book. It's okay to stop reading a book and return it to the library.   Laura Dugger: (25:12 - 26:11) I completely agree. And even with that YA section, one of our daughters was just saying, when I go through that section of the library, it seems like every single book is about death. And it did provoke a good conversation from that.   But I think it was Sarah McKenzie who was the first person that I heard explain the difference between a middle grade novel or YA because from my understanding, middle grade isn't just for those grades. You even said younger ages can enjoy that and older. I have friends that only read middle grade novel now as adults.   So, it's not just your reading level, but YA has different rules on it where I think you said anything goes, any topic is allowed. So, it doesn't mean that YA is necessarily what you have to graduate to once you enter high school. Is that right?   Hayley Morell: (26:11 - 27:06) But yes, it's typically and the funny thing that you kind of leaned into it, some middle grade books definitely deal with coming of age or might even have a teenage protagonist, but it's written in a way that a 12 year old could read it and enjoy it. When you get into like the higher YA, it is more like young adults, people starting their own lives, having adventures, leaving home, going on quests. And like you said, bringing in some heavier topics.   Now we have seen since like in the last five years, a lot of books dealing with death and grieving that are hitting that middle grade genre too, which can be helpful. But at the same time, if you're just reading sad books, you might want to change your diet and find a fun, happy book too.   Laura Dugger: (27:07 - 27:31) Again, in a conversation like this, it has to be more general of a recommendation, but there's such a difference, I'm sure in YA for your 13-year-old versus your 18-year-old. So, for someone who does want to dip their toe into some YA books, do you have anyones that you find yourselves recommending again for that age group?   Betsy Farquhar: (27:32 - 28:42) I'll jump in here. We've got a couple of book lists on our site that are, have actual number ages attached to them. Thirteen books for 13-year-old boys is a great one for that younger teen audience.   But those tend to be, they're grappling with some coming-of-age issues, but they tend to be more adventure based in a sense and more fun. I think of the Ranger's Apprentice series by John Flanagan. There's a little bit of language.   There's a little bit of romance, but it's very teen, young teen friendly. And its actually kind of a good picture of men being heroes and women are heroes in very, like the men are men, they're very masculine. And the women, even if they're part of the army, so to speak, they're still doing it in a feminine way.   So, it's just kind of a nice sort of entry into some of those conversations. But then if you fast forward, by the time teens are in their upper teens, they should be able to read adult books too. And so, you might find yourself reading something like Peace Like a River by Leif Enger, which is very much written for an adult market, but very accessible to teens if they're willing to grapple with some of those ideas.   But that book's going to be a lot heavier than a book for a 13-year-old.   Laura Dugger: (28:44 - 29:05) That's helpful just to have examples. And I think it's also helpful to put this into context by reflecting back through time. So, just in America, what have you learned about the trends and the changes in libraries, specifically over the past 75 years?   Betsy Farquhar: (29:06 - 31:30) So, I have a library degree too, so I love talking about libraries. In library science, we have a rule, it's called Ranganathan's Law, and it simply says every book is reader, which means that for every book out there, there's a reader out there. And libraries take that very seriously.   No book is off the table for a public library. We had an entire class on serving our community. So, the goal behind a public library has always been to serve the community in which it's placed.   Now that's changed a lot as our society has changed a lot. So, before World War II, most libraries were funded very locally, local taxes, they may have even been subscription-based, but after we have all these army vets coming back after World War II, they're going back to school later. We have this explosion of information access for people who can't get it.   So, the Library Services Act was the first one. We've had lots of iterations since then. Now it includes technology.   It started with giving federal dollars to rural libraries, and it's continued even to big cities now, but the focus is still on services for people who can't access them as easily. So, free Wi-Fi was a really big one before Wi-Fi was as broad spread. There are services for the blind and for other communities that might not be able to read as easily.   So, it's still sort of an information hub, but I think that makes us uncomfortable sometimes as Christians because our society has changed so much that we go into a library now and we're like, I would never read this book to my kid. Well, but your neighbor might, and the public library is not the parent of your child. The public library is serving the whole community.   So, go ahead and request them to stock some Christian books. A lot of them will buy the Christian books that you request because they want to serve you. You're part of their community.   So, I think we just have to remember that their goal is broader. My goal as a parent is far more niche than my public librarian's goal to serve her community. She's not my enemy.   Even if she's picking things for story time that I would never read to my children, it doesn't mean I have to ignore the library. I can love that those are image bearers. I can respectfully bring up my concerns, and I can suggest books and I can build a relationship with this fellow image bearer in my community.   It can be a great mission field. So, yes, libraries are continually evolving. That's why they now offer you can even check out sports equipment.   They're still trying to provide information and resources for the community.   Hayley Morell: (31:32 - 32:01) I just recommended or requested two books that were Christian picture books that aren't in our system. And one of our librarians helped me fill out the form explaining why I wanted them. And I just got a notification yesterday. Both are on hold for me and have been added to our library. So, it's exciting. If you don't ask, you don't know if you're going to get it. I honestly was surprised. I was like, oh, they actually got the books I wanted.   Laura Dugger: (32:02 - 32:56) It is so exciting when they do that. I love our local library, and the staff is just wonderful to work with. So, that's great encouragement for us to get to know them by name and have a relationship with them.   And just to zero in on that one piece after World War II, I think that's tied to what so many people call is it the golden age of children's literature where some people will say we only read books before a certain year, like mid-1900s. But I love that you guys review even modern books because it's not that it was all better back then. But I do think there's a piece of truth in it that libraries had to be so discerning back then with less funding.   And so maybe they had the best of the best available and then funds came in and we can have a wider range.   Betsy Farquhar: (32:56 - 33:40) There's so many factors here historically because we could really nerd out, but I won't. But what's also being reflected is simply printmaking technology because the ability to print paperbacks, paperbacks as like a thing weren't a thing until the 20th century. So, books were incredibly expensive.   You've got all those factors playing in too. So, not only are they getting different funding, but there is an explosion in printmaking technology that allows publishers to produce inexpensive books. And that allows families and libraries to buy more books.   It's not dissimilar to the way we have digital media now that's got its own sort of technology behind the distribution of the digital books. So, there's a lot of factors involved in that.   Laura Dugger: (33:41 - 34:03) That is fascinating. I'm glad you brought that up. And like I said, so helpful to look back.   But now if we're also looking forward, I'd really appreciate your perspective on where we're headed. So, what's on your radar for genres or books that may require even more discernment in the future?   Hayley Morell: (34:04 - 37:18) So, right now, romanticy is having a moment and that's a genre that is getting a lot of attention. There's a lot of marketing using that language. And I think it's really helpful to realize this is a marketing term.   So, Fourth Wing became very popular. That is a book that is for adults. It has a lot of explicit sex.   But it used the term romanticy and it sold very well. And so suddenly all books that are fantasy and have some romance are being called romanticy. And that could mean a lot of different things.   So, what we're seeing is this term that if it's used in the YA genre, we don't know what it means going into a book. It might mean a lot of focus on romance and some unhelpful sex. It also could mean a really fun fantasy that happens to have a romantic angle.   So, I recently gave a starred review to A Forgery of Fate by Elizabeth Lim. That's a Chinese fairy tale, beauty and the beast type story. And it is excellent.   One of the marketing terms that used was romanticy. And it just is a wonderful fantasy story that has this thread of romance perfectly appropriate for teen readers. But that is a term that we're currently aware of.   And this is a genre that we want to notice and take with a grain of salt. It's kind of a contrast on the other side. It's differentiating between romanticy has romance and then there's cozy fantasy, which is more cottage core, comfortable feeling.   It also could have sex. So, there's, as we run into this fantasy genre, there's a lot of things going on, but it's definitely having a moment. And it's just nice to know what's going on and what cozy fantasy is going to be focused on character development, like very like a shopkeeper who inherits a cottage with a garden and grows mushrooms.   That's cozy fantasy. Romanticy is a chosen one motif who's at some dramatic school. Dark academia is also having a moment where it's a lot of angst, a lot of little bit of horror.   And some of it can be done really well because it's popular. There's a lot of it out there. And so, some discernment is required as you're figuring out, is this a book for adults or is this a book for teens?   I think I would be cautious with books that are being marketed for adults as romanticy because you could run into some things that are meant for an adult audience and might not be helpful for that teenage reader of yours.   Betsy Farquhar: (37:18 - 38:06) The only other thing I'll add, and this is sort of a different approach, but we're seeing a lot of genre blending. It's getting harder to say this is a mystery or this is a fantasy, even this is a historical fiction story. So, I think genre fiction in general is kind of having a moment.   And when we say genre fiction, we really mean things like mystery, science fiction, romanticy, these sort of sub genres that are underneath the broader terms of realistic fiction or speculative fiction is an umbrella term that includes fantasy, dystopia, science fiction, magical realism, all the little niche downstream sort of sub genres. But we're seeing some really interesting things. It's going to be harder to automatically decide I like that genre, or I don't because they're just mixing and matching elements from all over the place.   Laura Dugger: (38:08 - 39:15) Mm-hmm. That is helpful. I had never heard of some of those things that you just mentioned, but also I'd love for you to respond after I shared this story.   I had a previous guest, Megan Cabe, who used to run a blog. It was called Young Book Love and she would review, I think, middle grade novels, maybe a little bit of YA, but she would say most topics are beneficial to read, even if they're difficult, what you all refer to as messy books. But she did provide extra caution and just said she strongly advised against explicit sexual content because those mental images have a way of sticking with us.   And I agree with her. I would also add sometimes what's not appropriate for our children is not appropriate for us either. And just a funny way to remember this, I had a loved one recently who just said, “You can't sugarcoat a turd. I'd love your take on all of that.”   Hayley Morell: (39:17 - 41:54) So, we like to use the term beyond ever after when we're dealing with this idea of what romance is helpful, what is not helpful. And like you said, the age of the reader comes into play because something that might be a good conversation point with your teen, let's say dealing with a first kiss, that is something that is good to be thinking about and be talking about having healthy conversations about what is God's design for sexuality. And as you are starting to notice the opposite sex and have feelings, what do we do with those?   And again and again, it's been shown that it is helpful to have these conversations because if we're not having a conversation about what is God's view and what does God want us to do with this, our young people are going to turn to the world, which is very happy to give them a lot of talk about sexuality, but some very different perspectives and answers that are focused on yourself, let's you do you versus no, what has God given us and how are we going to steward this?   So, one of the things that I like to, that we like to be aware of as we're reviewing at Redeemed Reader is, is this a 12-year-old reading this book? And if a 12-year-old is reading a book and in the book, a 12-year-old is having a crush and it's kissing, we don't want our 12-year-olds kissing. That's not that helpful yet.   I mean, that's, that's quite young and yes, in some cultures you might, but not yet. However, if this is a book about an 18-year-old on a high school trip, like Becky Dean has some really fun YA romances that are appropriate for teens, then dealing with what is it like dating? What is it like dealing with these emotions and chemistry that can be really well done for an 18-year-old?   But like you said, we want to be aware of our imaginations. We want to be aware of what we're able to handle. And for someone, maybe reading those romances is fun and helpful.   For another, it might be unhelpful. And I think that comes down to as a reader growing discernment and knowing what you are able to read that will still be edifying.   Betsy Farquhar: (41:56 - 42:55) I'm going to piggyback a little bit. I, I agree that there, we look to scripture for what the standards are, and the Bible is not describing sexual activity in sordid detail. So, it's probably a good idea for us not to be wallowing in the same sorts of things.   And I think the same thing is true for language. In fact, it's easier to ignore profanity in a book you're reading versus listening to it. I mean, if we immerse ourselves in audio books that have, that are littered with profanity, it's going to stick in our head differently than if we're just reading it on the page.   And I think sexual activity; there are some similar dynamics at play. Obviously, a visual scene is going to be probably stick with us even more than a written scene. But either way, you know, that's part of discernment is what is my imagination doing with this?   And the overall picture of my reading diet. Is this all I'm reading? Is this what my thoughts are going towards?   Are they pointing me back to Christ? Are they promoting some helpful conversation? Or is it just sort of my guilty pleasure? Well, that should be maybe a sign.   Laura Dugger: (43:21 - 43:45) Some love stories are described as squeaky clean. But when it comes to the world of Christian romance, what are some helpful questions that we can be asking our tween or teen? And what are some healthy considerations for filtering books that we're going to allow to be consumed in our home?   Hayley Morell: (43:47 - 47:15) So, it's interesting. I think each genre of romance can have its own pitfalls. And I know I really appreciate the authors who are writing clean, squeaky-clean stories.   And as I've read them and consumed them, one of the things I've noticed is that it is clean. There's no question of something being clean. But at the same time, if the only thing we're reading, going back to having a balanced book diet, is a squeaky-clean story, I don't think that's helpful because it doesn't show an accurate view of the world.   And we want to be preparing our tweens and teens for a world where, yes, there is a happily ever after. Yes, we have the fairy tale wedding, or we have an imagination that is sparked by boy meets girl. But then what happens next?   And we live in a fallen world. And so, we have to work on relationships. We have to work on communicating.   And sometimes squeaky clean can lean so far into being safe that it doesn't actually show what it is like to have a relationship with the opposite sex. I think of one story I read and it's very superficial, playful. Snarky is often something I've noticed in the squeaky clean because we don't, we have to have some form of banter.   And so, it's perpetual sarcasm and no physical touch. But then suddenly our protagonists marry and now they're still being snarky and not touching. And as an adult, I look at that and go, that is not an accurate portrayal of what it looks like to have a romance and to have marriage.   And so, we love to ask, what are the relationships like in this book? And if that's in a middle grade novel, one of the things we love seeing is are they showing a healthy family? Are they showing parents that like being together?   Because that's at a middle grade level is you're sparking that imagination. What is our protagonist seeing as the adults around them are having relationships? Do the adults like to be together?   I just was reading a really sweet, Betsy, I think you read it. But Will's Race for Home is a story about this boy and westward expansion. And so, it's when the Oklahoma, Oklahoma land rush opens up.   And there's the sweetest time where he talks about how he knows his father loves his mother because his father will look at his mother and she will blush. And it's the sweetest age-appropriate picture of what romance looks like when you're a 12-year-old looking at your parents. And I think that type of thing can be a really healthy way of having these conversations versus having a diet that is just squeaky clean and yet might actually be showing an inaccurate portrayal of what it's like to have relationships in a fallen world.   Laura Dugger: (47:16 - 47:30) Well, let's get specific on another type of book as well. How do you advise parents to think critically on what age is appropriate to consume what you mentioned earlier, the Hunger Games or a book like that?   Betsy Farquhar: (47:31 - 49:44) Ooh, pick me. I love these kind of books. I'll read anything.   And I tend to get tasked with books that are difficult sometimes. Although many of us on our team read them and we do talk about these behind the scenes. So, when you're thinking about the age your child is and when they're ready for any book, but especially a popular one, I think part of that is our job as parents is always to be watching our children, to be students of our children.   How are they consuming media in general? What kind of video games? What kind of movies?   Are they on social media? What is their media diet like? And how are they handling that?   And if they're showing discernment in general, and they're kind of grappling with issues and ideas, then they're going to be ready for a book like the Hunger Games sooner than a child who's just blindly taking it all in. There's no magic age where you say, ooh, you're 12, you can read the Hunger Games. A lot depends on what that child's already displayed.   And I think dystopia are the books where there's some apocalyptic future and there's usually an autocratic governor or government system or it's futuresque. But they're really great books about bringing up big questions about how society works and the nature of authority and even the nature of anarchy. And they're just such great discussion starters.   But if your child isn't able to have those kinds of conversations yet, they're going to miss the forest for the trees and it's going to be all shock value. But I'm going to add a big caveat. If it's really popular and you think your child is maybe ready, maybe not quite, I would probably go ahead and read it with him or her if all of the peers are reading it.   Because I would rather my child have that conversation with me than with their friend. Or at least have it with me first before they read it with their friends. Even if we skip parts, maybe it's a book that you feel like we can't read chapter 12 for whatever reason.   Be honest with your child and say, you know what? This book has a scene I'm really uncomfortable with. Maybe give a brief summary.   We're going to keep going. But engage with your children over what is popular. I think that is the number one takeaway because they're going to find answers somewhere.   We want it to be from us.   Laura Dugger: (49:46 - 50:52) That is good. And that's why I appreciate the redeemed reader because you're putting in all this work for us because we can't pre-read everything. But when we're faced with a situation like that, it is helpful that we can choose to read some with them.   And another angle, I just love a few of your quotes in the book. First, on page 76, you write, If Genesis were made into a true-to-the-book movie, the Redeemed Reader team would not allow our children to watch it. We might abstain as well.   And then you go on for page 111 and you say, the best tool we can give our growing readers is God's word. The more they know and understand the Bible, the better equipped they will be to think discerningly, to recognize error, and to know how the Bible handles the same issues. So, will you just elaborate on this wisdom and advise us on how and why to encourage our children to read the Bible, even though it is messy?   Betsy Farquhar: (50:53 - 52:58) Well, it is a messy book, but thankfully, it's not only a messy book. I mean, if it were a movie, we have nudity very quickly. Then we have rebellion against God, and then we have murder.   And before you know it, six chapters in, the world is so bad that God is sending a flood to destroy it. So, it must have been really bad. But the Bible isn't giving us all those details.   And I think that is a big piece of the picture when it comes to discernment in literature. The Bible is not shy about telling us that people sinned. I mean, our heroes, David, infidelity, murder, you know, most of the famous people in the Bible did something egregiously wrong and sinful.   And yet the whole story of the Bible is God redeeming his people. We're all sinners. And there is hope because of Christ.   None of us can make it without Christ. And so, in the Bible, you're seeing both the mess and the hope. You're seeing God's answer to this problem.   And so, as we read scripture with our kids, one of the things that is helpful is we know what sin is. It's rebellion against God. It includes everything from sexual activity outside of marriage to gossip and pride and sort of the easy sins, right?   They're all sin. So, I think that's one thing that comes across when we're studying God's word. We also see Christ.   And when we then turn to a book, just a regular fiction book or even a nonfiction book, is the book also labeling sin as sin or at least a mistake? Or is it glorifying it? How is it handling it compared to how we know scripture handles it?   Is there any hope in the book? And where is that hope found? Are they just praying to the universe?   We're seeing universe capitalized all over the place now as sort of this amorphous deity. Well, that's not hopeful. I don't want to pray to Jupiter.   You know, we have a God who cares about us. And so just getting your kids to sort of reckon with the differences between how a book is portraying hope and judgment versus how scripture portrays it, that's going to take them a long way.   Laura Dugger: (53:01 - 53:23) That's fantastic. And your book lists at the end of each chapter are reason enough to purchase the book. But I'm sure that you've encountered additional titles since your publication date that you also enjoy.   So, will you share a handful of book recommendations, maybe some from each of those sweet spots again from your team?   Hayley Morell: (53:24 - 54:03) For young adults, we've actually mentioned both of the ones that I would add. They both have received starred reviews. A Forgery of Fate by Elizabeth Lim.   Excellent fantasy for young adults. And then Bright Red Fruit by Sophia O'Heo. And that one is a discussion starter.   It is a messy book, but it's an excellent book for its audience. Those would be two young adult fantasies. We see a lot of young adult fantasies.   So, but I would have loved to include those in the book. We just read them later.   Betsy Farquhar: (54:03 - 55:03) So, quick correction, Bright Red Fruit's not a fantasy, but it is it is. Oh, I apologize. That's fine.   It's a discussion starter. And that usually means that there's something in there you need to know about before you read it. As a parent, I would recommend doing your homework on that book.   It's a really good book to read with your daughters, but you might want to pre-read it first. Middle grade, that's our biggest bucket. Because it's the most it's got the widest audience reach and it's just so fun.   So, some of the ones that we've really liked, The Teacher of Nomadland by Daniel Nayeri. He is a Christian author. He won the National Book Award for this book for young people's literature and a Newbery Honor.   It's fantastic. It's a story about World War II. Benny on the Case by Wesley King is a really lovely mystery that features the protagonist has mosaic down syndrome, and it's just not very common to read books with different disabilities represented.   So, that's just a really sweet story. Lots of fun.   Hayley Morell: (55:04 - 55:05) It's a great audio book too.   Betsy Farquhar: (55:06 - 56:40) Yes. Song of the Stone Tiger, another Christian author, Glenn McCarty. It's a kind of a mix of realistic fiction and fantasy.   So, it's fun. A new one that we like. And then I'll leave you with one more.   I actually have it right here. So, for those who are watching this, they can see it. It's called Radiant by Vonda Michaud-Nelson.   And it's a novel in verse, but a beautiful picture of what it means to love your neighbor. So, The Sword by Marty Murkowski from New Growth Press. It's kind of a family devotional resource.   It was the World Magazine Book of the Year. We gave it a starred review as well. The Amazing Generation is a book for kids by the same author as The Anxious Generation.   So, that book is like a super bestseller for adults. This is kind of taking that idea and helping kids know how not to be the anxious generation, right? How they can be the amazing generation.   The World Entire is a nonfiction, maybe technically a picture book, but it's really long. And it's for this audience. And it's a true story about World War II, about a rescue.   I think it was set in Portugal. And then a graphic novel that's nonfiction. I'm trying to cover all your different genres here.   This is How to Say Goodbye in Cuban by Daniel Meadez. It's about his father and how he emigrated or escaped from Cuba. But it's a graphic novel.   So, there's a lot of visual interest. So, that's a really interesting background for kids who are hearing a lot of headlines about places like Cuba. And they're like, what's really going on?   A book like that can help them understand just some of the nuance behind the headlines.   Hayley Morell: (56:41 - 58:51) One of the things about middle grades as we talk about books is that middle grade is the age where readers are just exploding. And while you might have been able to keep up with your reader, then they hit 10 or 12 years old, and you give them a stack of books and they're reading them and asking for more. So, we definitely have a lot of middle grade reviews.   Picture books, though, are another place that we just love. And there's been some recent ones that we looked at and got, oh, this would be so good for the book. Something like Tuesday's Bear by Alexander Davis.   It's this beautiful story based on a true historical event. Unclaimed luggage is where, you know, if a suitcase gets lost, what happens to the contents? Well, one family had an idea, and Alexandra tells it through the story of this little bear who gets lost and then is found.   It's the most beautiful story. As a Christian, you can see a lot of very true themes running through it. And it's a delight to read aloud.   Wild Honey from the Moon by Kenneth Craigel. It's a story about a mother shrew whose little boy is sick, and she is going to do anything, even if it means traveling all the way to the moon to get some wild honey. It's a very imaginative story.   Beautiful pictures. A couple sneak peek that are going to just, these reviews are just going up. Iguanodon's Horn by Sean Rubin.   We've loved Bolivar, it was a graphic novel he did about a dinosaur. You can tell he likes dinosaurs. This is an amazing nonfiction picture book.   And for our Christian readers, this is a book about dinosaurs that doesn't have evolution. And I think you're going to love it. One more. His Grace is Enough. This is like Dr. Zeus type rhyming. Melissa Kruger wrote it.   It's a Christian book and it's a wonderful reminder for children. When you are dealing with sin, God's grace is enough. And I think you'll find if you read this, you'll be repeating the stanzas to yourself and encouraged as you read.   Laura Dugger: (58:54 - 59:41) I love having book lists. And if any other listeners are like me, we'll finish this episode and go ahead and put a bunch of books on hold at the library, which is always so convenient. And I'm sure a lot of people aren't able to take notes right now.   Maybe they're driving or working out as they're listening to this. But I love that every episode on The Savvy Sauce now has a transcript available. So, if anybody wants these book lists, you can go to the show notes page, either on our website or click on your podcast app and the transcript is available there.   So, thank you for all those wonderful recommendations. And do you have any other helpful tips to give us as parents if we're trying to navigate this well?   Betsy Farquhar: (59:42 - 1:00:26) Yes, start at birth and start not just reading with your kids, but asking them questions. They don't, it doesn't have to be a lengthy discussion. Is Piglet a good friend to poo?   You know, if you're reading Winnie the Pooh or if you're an Elephant and Piggy fan, like my kids were. Do you think Gerald should share his ice cream with Piggy? You can just pause in the middle of the story and just get them thinking, right?   So then when you get to the Hunger Games, you can say, what did you think of the ending? Would you have liked it to end differently? Those are great open-ended questions that get people talking and engaging and that you're often running.   If you can just think, I need to engage with my kids over what we're reading, then almost any book can be a discussion starter.   Laura Dugger: (1:00:27 - 1:00:33) Well, where can we go after this conversation to find more of your book recommendations?   Betsy Farquhar: (1:00:35 - 1:01:29) I'll do this one. Redeemedreader, alloneword.com is our website. And then we're super creative.   Our Facebook is exactly the same. Redeemedreader, alloneword. Our Instagram is redeemed underscore reader.   That's kind of a long story. But if you Google Redeemed Reader, you'll find us. And then the best way, oh yes, of course our book, which is also called The Redeemed Reader.   We're so original. But the best way to experience Redeemed Reader, other than the book, is through our weekly newsletter, which Haley curates and she does a fantastic job. But there's where you'll get the latest reviews.   We put in links for other places around the web that you might find interesting, different bookish news. Haley does a really fun book trivia with picture books. So, we like to think that it's going to make your inbox a happy place.   It's not a marketing email.   Laura Dugger: (1:01:30 - 1:01:50) I love that. We will provide links to all of that in the show notes for today's episode. And you two are already familiar.   We are called The Savvy Sauce because savvy is synonymous with practical knowledge. And so, as my final question for both of you today, what is your savvy sauce?   Betsy Farquhar: (1:01:52 - 1:03:03) So, as a business owner and a mom and a wife, it's probably not a surprise that I love my planner, but I've been through a lot of planners in my day, and I have very specific requirements. It needs to be bound, not coil bound. There's a certain size.   I mean, I have issues. I should say I have high standards for my planner. The single best feature in my current planner is that it forces me to break down my to do list between my life to do and my work to do.   And that was a game changer for me because I am wearing a lot of hats as most women are these days. And so, I limit myself to the number of bullet points that I'm given in the planner so that my work doesn't overtake my family life. It tends to be that way, sadly, more than the other way around.   Usually, my family life is not overtaking the work life, but it just it just gives me a chance to articulate each week. You know, I've got a birthday coming up that I need to plan for or I need to make sure my I mean, I graduated my youngest last year from high school, but the senior year in high school has a lot of deadlines. And so, it just helped me prioritize those milestones for my family and not let work get in the way.   Love that.   Laura Dugger: (1:03:03 - 1:03:04) What's the name of your planner?   Betsy Farquhar: (1:03:04 - 1:03:17) It's called the commit 30. I know there are other planners that do the same sort of thing, but I love having a weekly spread and I just love breaking it out between life to do and work to do.   Laura Dugger: (1:03:18 - 1:03:20) Absolutely. That sounds amazing. I love it.   Hayley Morell: (1:03:21 - 1:05:10) And my savvy sauce, I was going to say, Betsy is the planner and Betsy, I know you wouldn't appreciate this is spiral bound. So, I echo having a planner is a great way for me to just sort through all my thoughts, put them down and organize what needs to get done. But my savvy sauce is related to tech habits.   And as we were getting ready for our first, my husband and I were talking about how could we be mindful with our phone usage? And I have to thank Betsy for recommending Andy Crouch's, The Tech-Wise Family. Love that book.   And one of the things that we decided to do was to create a charging station downstairs in our house. And when I am not working where I need my phone for authentication or sending a voice message or being on the phone, if I'm not actively working, my phone lives on its charger. And that's been a struggle for me.   I have to admit the moment I had a child, anxiety kicked in. And for the first month, the phone was on me because that's what I needed to have a little security blanket. But I've been learning to leave my phone behind.   And then I'm not tempted to pick it up and scroll. And I feel like a child again because I get to the middle of the afternoon. And since I haven't been distracting myself, I've been getting things done. And all of a sudden I'm like; it's two o'clock and it's not dinner time yet. I have all of this time because I've created some more time by using the phone as a tool. But not having it right present and honestly, just distracting myself with it.   Laura Dugger: (1:05:12 - 1:05:48) That is a good, savvy tip. I love both of those. And you two have such warm and engaging personalities.   And I love those benefits that you were talking about for people who are readers. I experienced all of that through both of you today. And you're so wise and discerning yourselves.   And I am just beyond grateful that the Lord gifted you with your intellect, but also this passion for reviewing these resources. You're benefiting so many parents and children alike.   So, thank you for the work that you do. And thank you for being my guests.   Betsy Farquhar: (1:05:49 - 1:05:57) Thank you for having us. It is all from the Lord. Anything we have that's wise and worth taking away.   The credit should go to him, of course.   Hayley Morell: (1:05:58 - 1:06:00) Ame

Join us today on Mother's Day as Pastor Brian focuses on "Beauty and the Beast" while giving us four points on Nabal's folly and three on Abigail's Beauty. Key Passage: 1 Samuel 25 May 10th, 2026

Here is your Disney News for Friday, May 8th, 2026. - Tokyo Disneyland opens a new Fantasyland with attractions like a Beauty and the Beast ride and a Minnie's area. - Disneyland California introduces "Summer Nights," featuring extended hours, dance parties, and nighttime shows. - Disney+ launches an interactive feature with behind-the-scenes content and trivia for movies and series. - "DuckTales" returns with a new series combining nostalgia with fresh storylines and innovative animation. Have a magical day and tune in again tomorrow for more updates.

From smoky barbecue on the pool deck to elegant multi-course meals in one of the most upscale restaurant Disney Cruise Line has ever created, we're breaking down every single dining experience aboard the brand-new Disney Destiny. On this episode, we cover it all — the hits, the surprises, the snacks, the desserts, the late-night bites, and yes… even the meals that didn't quite live up to the hype. We dive deep into the rotational dining experiences including Worlds of Marvel, Pride Lands: Feast of The Lion King, and 1923, sharing our favorite dishes, standout desserts, and zero-proof drinks, and which restaurants truly delivered the full Disney magic. Along the way, we talk quick service favorites at Mickey & Friends Festival of Foods, the buffet offerings at Marceline Market, coffee shops and sweet treats around the ship, room service, and more. And then there's Enchanté. Going into this sailing, Enchanté by Chef Arnaud Lallement was one of the experiences we were most excited for. With its luxurious Beauty and the Beast-inspired atmosphere and premium price point, expectations were sky high. But did it actually deliver? Let's just say… we had thoughts. Honest ones. Some dishes impressed us, others left us the opposite of impressed, and the overall experience sparked one of the most candid conversations we've ever had on the podcast. This episode is packed with detailed food reviews, plenty of laughs, unexpected opinions, and the kind of honest conversation that we think helps listeners know what's truly worth their time and money aboard the Disney Destiny. Whether you're sailing soon or just dreaming about your next cruise, come hungry for this one.

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Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rebekah shares the sad story of Monarch the Bear, who spent much of his life in Golden Gate Park and his entire afterlife at the Academy of Sciences. You won't want to miss this episode that dispels stubborn myths, and reveals that the park once had a designated huntsman (that may or may not have looked like Gaston from Beauty and the Beast).

This week, Alex & Dan make it down to the Pop Culture Beach to bring you some dark content on what should arguably be off-limits - some of your favourite childhood animated movies growing up: Dark Disney Theories!That's right, these seemingly innocent films are not what you thought they were and the doors are blasted well and truly open, as the dynamic duo of southsea trawl through some of the dankest thoughts of the internet.From parasitic rats, discarded innanimate immortal toys to unlikely collaborations of ship wrecks and Mermaids, this episode certainly lives up to its title!Alex & Dan find the true villain of Beauty and the Beast and perhaps Captain Hook wasn't a bad guy after all! Who'd have thought?! Thanks to the power of social media, we have some of yours too!Come on down to the OTT beach and be prepared to have some of your favourite films absolutely ruined! Sorry not sorry.#GITS

Survivor AU: Redemption Simon Mee Deep Dive Australian Survivor: Redemption is back with host Mike Bloom diving deep into the strategy, chaos, and tough decisions that shaped this season. Special guest Simon Mee joins for a recap and behind-the-scenes look at his third (and final) run on the beaches of Samoa. From nail-biting Tribal Councils to surprise flips and social tightropes, Redemption's blend of returnees and newbies brings unpredictable drama at every turn. Simon breaks down how he navigates early-game perceptions, intentionally leans into the “bad player” narrative to lower his threat level, and forges connections among the Bounty tribe. He shares his mentality around building alliances, highlighting his work with Harry, Paula, Lottie, and more. Camp life scenes come alive as Simon describes leading by example, dedicating himself to daily chores, and avoiding strategy talk around the well, all to build trust and appear unthreatening. Fuse-laden moments include the Paula blindside that split the early alliance, Asha's dramatic boot after a slow-build strategic campaign, and the shifting dynamics post-merge as anti-returnee sentiment builds. Simon reveals the emotional and strategic calculations behind saving (and sometimes betraying) allies, outlasting swaps, orchestrating the “beauty and the beast” counter-narrative, and the wild tribal moment giving an immunity necklace to save Rich. The final phase captures Simon's efforts to escape the chopping block, wrangle fractured alliances, and pull off a potential stalemate at Rocks. Simon discusses the deliberate “house arrest” and campwork strategy to minimize his threat factor early on. Insight into the fracturing of Simon's original alliances, with key reads on Paula, Harry, and Lottie. Behind the curtain on the fire-making challenge and a unique play with immunity that shakes up both tribes. The plan and fallout from flipping Jackson as a swing vote, including emotional scenes at Tribal Council. Reflections on post-merge chaos as numbers dwindle and the Club Kaput underdogs make noise. Just how far can trust, a few clever moves, and relentless hustle carry a returnee in a game teetering between “cohesion” and cutthroat blindsides? Who truly flips the script in the tribal crossfire? Listen for the full Survivor analysis—from idols to final jury fireworks, alliance drama, near-rock draws, and the legacy left behind by Simon Mee—on this episode of Australian Survivor: Redemption! Chapters: 0:00 Simon Reflects on Live Finale 6:48 Third Season: Return and Sacrifice 14:44 Pre-Game Connections and Prep 18:55 Building Early Bonds at Bounty 25:56 Paula Vote: Alliance Tension Emerges 35:40 Harry's Downfall and Fallout 46:47 Tribe Swap: Power Dynamics Shift 55:54 Beauty and the Beast Alliance Forms 1:03:46 Fire Challenge and Tribal Twists 1:12:21 Asha Blindside and Lottie Fallout 1:24:13 Merge: Club Kaput Takes Shape 1:33:01 Rich and Loz Flip Alliance 1:41:47 Mark's Idol and Breakdown 2:00:31 Making the Rocks Gamble Pitch 2:08:21 Flipping Jackson to Vote Brooke 2:19:24 Brooke Turns, Simon's Game Ends 2:27:34 Final Thoughts on Survivor Legacy Never miss a minute of RHAP's extensive Global Survivor coverage! LISTEN: Subscribe to the Survivor Global podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

  Thank you for tuning in to Episode 319 of the Down Cellar Studio Podcast. Full show notes with photos can be found on my website. This week's segments included:   On the Needles, Hook or Bobbins Brainstorming From the Armchair Knitting in Passing In my Travels KAL News Events Life in Focus On a Happy Note Quote of the Week   Thank you to this episode's sponsors: Stitched by Jessalu- Check out all of Jessalu's bags and accessories at NH Sheep and Wool - May 9 & 10 in Deerfield NH & at the Webs Tent Sale- May 15-17 in Northampton, MA, Massachusetts Sheep & Wool- May 23 & 24 in Cummington, MA   On the Needles, Hook or Bobbins   Log Cabin Blanket Pattern: Log Cabin Square by Julie Harrison. Free crochet pattern available on Ravelry. Video tutorial available on the Little Woollie Makes YouTube Channel Yarn: Legacy Fiber Artz Minis (mostly from Advent calendars 2023 & 2024) Hook: I (5.5 mm) Ravelry Project Page Inspired by Rachel (treehousefiberarts on Instagram) and Sue & Chelsea (Legacy Fiber Artz on Instagram). Check out the Floss Toss Ravelry Group for details on their Scrappy Blanket CAL. Ends December 21st (but you don't have to finish. 2 prize drawings will be done). My color placement is inspired by this project/pattern available on Ravelry. Inspired to pick it back up after see Sue (from Legacy Fiber Artz)'s version on their latest podcast episode. She bordered with cream before seaming. I love it. You can see a peek in this Instagram post. I bordered one square with a worsted weight Cascade 220 black yarn which I didn't like. Tune in to hear my tale of woe after I decided to machine wash squares before weaving in all of the ends. 23 squares (I think)   Jelly Roll Blanket    Pattern: Crocheted Jelly Roll Blanket by Kay F Jones Hook: H (5.0 mm) Yarn: Legacy Fiber Artz Steel Toes Mini Skeins + other minis from stash Ravelry Project Page I was inspired by KnitwithNat's blanket- check it out on Instagram. Progress: I finished 2 columns and nearly done with the third   Inclinations Cowl Inclinations Cowl by Andrea Mowry ($7.00 Knitting Pattern available on Ravelry & her website. Needles: US 2 (2.75 mm) Yarn: 2 skeins of handspun Color A: Fiber Addict Designs 100% Merino in the Wild Plum Colorway- Ravelry link. Color B: Candombe, I think the fiber is from Malabrigo- Ravelry link. My Ravelry Project Page Progress, I am finally onto the decrease section.   Pucker Brush Farm BFL Sweater Spin Fiber: 16 oz of multi colored BFL roving from Pucker Brush Farm (purchased at Rhinebeck 2025), 4 oz Merino in a mustard color & 20 ounces of Grey Shetland from Forever in Fiber on Etsy Ravelry Project Page I am planning to knit a Traveler sweater inspired by Emily Curtis' handmade version- click here for her Ravelry Project Page. I was thrilled to see a recent post on Emily's Instagram that she made a YouTube video about this spin/knit. Finished spinning the first 4 oz of Shetland and started spinning another. I wound off 2 bobbins of the Pucker Brush onto storage bobbins and then wound off the Shetland onto storage bobbins.   Midnight Orchid Socks Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Yarn: Patons Kroy Stripes in the Midnight Orchid colorway Ravelry Project Page About the yarn: skinny stripes of cream with contrast colors- greens, ochre and mauvy purples. Progress: Cast on both socks on two separate needles.   Sunday Brunch Socks Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Yarn: Woolens & Nosh Targhee Sock in the Sunday Brunch at the Breakfast Club colorway; club colorway Ravelry Project Page About the yarn: mini skein in a medium denim blue. Self striping- tan, navy, mustard, pink, coffee w/ milk brown. Progress: several inches into the first sock's foot   Merry Christmas Kevin Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Yarn: Legacy Fiber Artz, Steel Toes in the Merry Christmas, Kevin colorway Ravelry Project Page Progress: a few inches to the first leg. Knit on these in Saturday in NYC, during Book of Mormon.   Brainstorming   I knit a swatch out of DK cream yarn I had in stash with colorwork in handspun. I haven't taken the time to check gauge after washing it, but that may be my next colorwork yoke sweater. I love using the Ravelry advanced search to search by gauge.   DK Tank & similar fingering weight version (DK) Top Sol by Mochi Knits $9.77 US knitting pattern available on Ravelry or the designer's website. (Fingering weight yarn) the Claire vest- available on Ravelry or the designer's website.   Summer Raffia Clutch Bag by Anna Ushakova -$4 crochet pattern available on Ravelry or $7.50 on Etsy   From the Armchair   Books Good People by Patmeena Sabit. Amazon Affiliate Link. Buckeye by Patrick Ryan. Amazon Affiliate Link. River is Waiting by Wally Lamb. Amazon Affiliate Link.   Musicals Beauty and the Beast- this show is touring through next November. Two Strangers Carry a Cake Across New York- check out our video set to the opening song. Book of Mormon  (this show is also touring if you want to see it in a city near you)   Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.   Knitting in Passing I had a nice chat with a little boy and his grandmother on the train during MA school vacation week. He was absolutely mesmerized.   In My Travels   NYC for Riley & Aila's birthdays! Friday: Thrifting, shopping, coffee, FAO Schwartz (for JellyCat Cafe but they didn't have any openings). We met Laura for dinner at Serendipity in Times Square. Saturday: we scored Rush tickets for Two Strangers Carry a Cake Across New York, did a little more shopping and eating (got in some NYC pizza of course) then to see the show at 2p which Laura joined us for. Then we all had dinner at Dos Caminos before our 7p Book of Mormon Show. At home, we heated up a cinnamon roll Laura went all the way downtown to get us from Losers. Sunday: we got bagels and then coffee, finished the TikTok video to the Two Strangers opening song and then hit the road. Stay tuned for a YouTube video of our adventures.   KAL News   Splash Pad Party '26 Details Event runs 5/22-7/31 Splash Pad Party Registration is open as of 5/1 View Stats and/or Verify Registration here. Check out our Sponsor List Splash Pad '26 Official Rules Enter your FOs using the Summer Celebration Form. Then come over to this Ravelry Thread to share pics and let us ooh and ahh with you! Submit something incorrectly? Need help? Fill out this Support Form & we'll be in touch. Find official SPP'26 images you can use on social media in this Google folder.   Splash Pad RAVELRY Links Start Here Thread Pro Shop Exclusive Items Thread Coupon Codes Thread Questions Thread   Events NH Sheep and Wool - May 9 & 10 in Deerfield NH Coggeshall Farm Fiber Festival- May 16 in Bristol, RI Webs Tent Sale- May 15-17 in Northampton, MA Massachusetts Sheep & Wool- May 23 & 24 in Cummington, MA   Life in Focus   26 in 2026 List   E- Events- go to at least 26 ticketed events (17 as of 4/25!) L- Literary pursuit- read at least 65 books (24 as of 4/27) N- NYC- go visit Laura at least once (scheduled for April) Q-Quarterly review of calendar/photos & goals (to make Year in Review easier and faster)- calendar it! March done S- Socks- knit 26 pair- 6 done so far. W- Wheel- sit down at my spinning wheel every month (put reminders on my calendar at the beginning of each month to help remind me) Jan, Feb, March, April done     On a Happy Note During a short spell of what actually felt like Spring weather, Dan and I went to our friend's daughter's high school lacrosse game and then out for dinner after. I joined Dan for his weekly card game. We played Five Crowns, which I really enjoy. We had dinner with Dan's cousins who we don't see often and then with an old high school friend of Dan's who he hasn't seen in over 25 years! He and his wife were lovely. Fun chat. We brought Hattie to Beauty and the Beast, looking all beautiful in her Belle dress. She had an absolute blast. My work friends were reminiscing about this funny old cell phone commercial video we used to love watching it. Check out show notes for link to the video    Quote of the Week   " I think one of the things that makes theater special is first of all, it's one of the last places you put your phone away." - Lin-Manuel Miranda   " I know the world is filled with troubles and many injustices. But reality is as beautiful as it is ugly. I think it is just as important to sing about beautiful mornings as it is to talk about slums. I just couldn't write anything without hope in it." - Oscar Hammerstein   ------ Thank you for tuning in!   Contact Information: Check out the Down Cellar Studio Patreon! Ravelry: BostonJen & Down Cellar Studio Podcast Ravelry Group Instagram: BostonJen1 YouTube: Down Cellar Studio Facebook: https://www.facebook.com/downcellarstudio Sign up for my email newsletter to get the latest on everything happening in the Down Cellar Studio Check out my Down Cellar Studio YouTube Channel Knit Picks Affiliate Link Bookshop Affiliate Link Yarnable Subscription Box Affiliate Link FearLESS Living Fund to benefit the Blind Center of Nevada Music -"Soft Orange Glow" by Josh Woodward. Free download: http://joshwoodward.com/ Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.  

Kevin Jones, a native of Toronto, Canada, has spent more than 30 years working in professional theatre as an actor, musical director, director, and choreographer. His many credits include the Broadway first and fourth national tours of Disney's Beauty And The Beast, the Asian tour of Annie, the European tour of Annie Get Your Gun, three productions of Evita, and two of Phantom.Recently, Kevin served as the musicalsupervisor for the Oceania Marina Cruise ship and the Regent Seven Seas Mariner cruise ship, and sailed to both ends of the world as well as Australia and Indonesia. Kevin is an alumnus of Western University in Canada, where he received a B.MUS.ED; and The American Musical and Dramatic Academy in New York City, where he received his certificate in musical theater performance. For 22 years, Kevin has served as the choreographer for the award winning Roanoke Valley Children's Choir.For 27 years, Kevin has served as the artistic director of the KJPAS Summer and Winter Intensives (Performing Arts Camps) in Virginia. As a vocal and acting coach, Kevin has coached hundreds of actors into Broadway shows, national tours, regional theater productions, film, and television shows. Kevin continues to work professionally as an actor, filming television commercials.

Sometimes the best Disney trips aren't the ones where you do the most… They're the ones where you finally slow down enough to feel it. This week on the podcast, I sat down with my longtime buddy Bubba—a true Geekin' family member—who came back to Walt Disney World after stepping away for a while… and had a trip that completely changed his perspective. And honestly… this one stuck with me. Planning a Trip? If you're thinking about planning your next Disney vacation and some Epic Universe… My wife Margita and our good friend Auntie Judy are the Travelin' Tiaras — your trusted Disney travel planners. Whether you're booking Walt Disney World, Disneyland, Disney Cruise Line, Universal, or beyond… They'll help you plan a smart, stress-free vacation from start to finish. Already booked? You can transfer your reservation to us and still get expert tips, strategy, and support — and it's a great way to support the show. TravelinTiaras@gmail.comOr reach out on Facebook Messenger. And right now… there are great opportunities for upcoming travel, so it's a perfect time to start planning. Featuring Bubba Bubba has been part of this community for years—but this trip? This one was different. After going to Disney constantly for a stretch, he stepped away for a bit. And when he came back… everything felt new again. Not because the parks changed— But because he did. A Different Kind of Disney Trip This wasn't about rope dropping rides or stacking Lightning Lanes. This was about: Resort hopping at a relaxed pace Sitting in Adirondack chairs for 45 minutes doing absolutely nothing Trying new experiences like boating on Seven Seas Lagoon Enjoying quiet moments at places like Port Orleans French Quarter And that's where things started to shift. French Quarter—something he never expected to love—ended up being one of the highlights of the entire trip. Small. Peaceful. Walkable. Sometimes… that's all you need. Doing Less… and Getting More Here's the wild part: Bubba didn't even ride Guardians. Didn't ride Tron. Didn't chase every big attraction. And you know what? He didn't miss it. Instead, he leaned into: After Hours events to ride what mattered Unique experiences like Keys to the Kingdom Incredible food moments (yes… including that legendary cookie dough ice cream sandwich) And simply being present The Moment That Changed Everything But like always… the heart of the trip wasn't the rides. It was something deeper. During the trip, Bubba shared the story of losing his brother—the person who first introduced him to Disney through Beauty and the Beast. And then… one night… On a quiet carriage ride… They crested a hill just as Beauty and the Beast was ending across the water. Perfect timing. No planning. Just one of those moments. The kind that makes you stop and feel like… Maybe there's something more going on here. Why This Trip Meant More That moment set the tone for everything that followed. This trip became about: Connection Reflection Slowing down And appreciating where your Disney story began Because sometimes… Disney isn't about what you do. It's about what you feel while you're there. Final Thoughts This episode is a reminder that there's no “right way” to do Disney. You can go hard… Or you can slow it down… But if you're open to it— The magic will meet you where you are. Patreon Love To our Patreon family—thank you for being such an incredible part of this community. Your support keeps this show going and helps us continue sharing these stories. Listen Now You can find this episode wherever you listen to podcasts: Apple Podcasts Spotify And all major platforms The post 17 Resorts, No Rush, and One Magical Moment We'll Never Forget With Bubba Mack – Ep 665 first appeared on Geekin' On WDW Podcast.

Blanche's granddaughter Melissa is visiting. Blanche enters her in a beauty pageant. Melissa is not happy. Sophia has an injury and requires a home nurse to recover. She and the nurse start off rocky, but it winds up making Dorothy a bit jealous.  --- If you would like to support this podcast by making a donation, please do so with cashapp to $pasta26mc

Cassie and Matt kick off the second Beauty and the Beast era with a look at one of the most classic adaptations -- the 1946 French film by Jean Cocteau, La Belle et La Bete. While considered by many to be a shining example of French cinema, Cassie and Matt were . . . it's a weird film, y'all. They chat surrealism, strong but not necessarily great acting choices, and the clear influence that this film had on adaptations to come.This episode was edited by Brianna Jean.Join our community! View all of the benefits of joining our Patreon including the Official Of Slippers and Spindles Book Club, exclusive polls, monthly bookmarks, Zoom hangouts, and more! https://patreon.com/ofslippersandspindles Visit our our merch store, Facebook group, Instagram, Discord, and more! https://linktr.ee/ofslippersandspindles We love to hear from you! You can reach us at ofslippersandspindles@gmail.com Music: Through The Woods by Shane Ivers - https://www.silvermansound.com 

Patrick is joined by ViaVision's Tyson Legg for a podcast that's totally razor. Download this episode here. Listen to F This Movie! on Apple Podcasts. Also discussed this episode: Beauty and the Beast (1991), The Hunted (1995), Coyote Ugly (2000), Pretty Lethal (2026), Primate (2026), Spider-Man (2002)

On episode 340 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and contributors Mark Johnson, Karen Peterson, and Josh Parham to go back 35 years and take a look at the 64th Academy Awards, covering the films of 1991. On this retrospective, the AW team takes a look back in time to when the Oscars last rewarded a film for winning the "Big Five" awards, with The Silence of the Lambs taking home Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay. In being only the third film in Oscar history to ever do that, and it being 35 years since it's big night, the wins for the film are historic, so the question would be for this episode, will The Silence of the Lambs stay a "Big Five" winner? In a wide ranging conversation, the Best Picture winner is mentioned alongside films The Prince of Tides, JFK, Beauty and the Beast, My Own Private Idaho, The Addams Family, Terminator 2: Judgment Day, Cape Fear, Thelma & Louise, Boyz n the Hood, and more, as well as spicy, first time moment for the game that you'll want to listen to asap! In their in-depth discussion, the AW team talked about the film year of 1991, briefly discuss talk about The Silence of the Lambs as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h32m. We will be back in next week for a review of Mother Mary, the latest film from director David Lowery. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Hey there, and a very happy Sunday to you! This is your Disney News for Sunday, April 12th, 2026. I hope you're having a relaxing day and ready for your sprinkle of Disney magic! - Hong Kong Disneyland is buzzing with a new "Zootopia" attraction in Adventureland, featuring immersive technology and interactive elements with Judy Hopps and Nick Wilde. - Tokyo Disneyland celebrates the grand reopening of Fantasyland with a new "Beauty and the Beast" area, including a stunning castle and themed attractions. - Disney World in Orlando unveils the "Guardians of the Galaxy: Cosmic Rewind" coaster in EPCOT, featuring Disney's first reverse launch and a unique storytelling ride experience. - Disney+ revives "DuckTales," bringing back Scrooge McDuck and his nephews in a new animated series with modern twists for both new and long-time fans. That's a wrap for today! Thanks for tuning in, and I hope you have a magical day ahead. Remember to check in tomorrow for more Disney updates. Catch you tomorrow!

“Tale as old as time…” It started with a simple question — and an answer that changed everything. “You're looking for an Airstream.” What followed wasn't just a purchase… but the beginning of a life we hadn't yet imagined. A trailer.
 A truck.
 And a name that felt right the moment we said it. Some things you choose.
 Some things choose you. This is the story of how Beauty and the Beast came into our lives — and how it all began.

Planning a Disney World wedding at the Wedding Pavilion or Contemporary Resort? In this episode of the Disney Wedding Podcast, Diana Muñoz and Sandeep Moses share how they planned a stunning multicultural Disney Fairytale Wedding blending Puerto Rican and South Indian traditions—complete with a Wedding Pavilion ceremony and a Sorcerer's Apprentice Ballroom reception at Disney's Contemporary Resort. From a magical Disney Cruise proposal to a vibrant wedding day filled with cultural traditions, Diana and Sunny walk through exactly how they planned their Disney wedding, including real decisions about venues, budget, guest count, and how to personalize a Disney Fairytale Wedding experience. Their day featured a Cinderella-inspired ceremony at the Wedding Pavilion, a Beauty and the Beast enchanted forest reception created for thousands less using an outside florist, and unforgettable entertainment—including the Major Domo, Disney characters, and a high-energy hora loca with live drummers, dancers, and stilt walkers. If you're researching Disney wedding cost, Disney wedding planning tips, Contemporary Resort wedding receptions, or how to have a multicultural wedding at Disney World, this episode is packed with real-world advice and creative ideas you can actually use. They also share: How to plan a Disney World destination wedding with 100+ guests Why they chose indoor venues for a summer Disney wedding How they incorporated South Indian and Latin wedding traditions Tips for saving money on Disney wedding floral and décor What it's like to add Major Domo, Cinderella carriage, and custom entertainment How to book a Premier Portrait Session in Magic Kingdom View photos by 505 Media Co. and full details from this Disney wedding here: https://disneyweddingpodcast.com/diana-sandeeps-contemporary-resort-wedding/ And click here to start planning your own Disney World wedding with the Fairytale Weddings Guide: https://fairytaleweddingsguide.com/shop/fairytale-weddings-guide/ This episode covers: Disney Wedding Pavilion ceremony Contemporary Resort wedding reception Sorcerer's Apprentice Ballroom wedding Disney wedding cost and budget tips Multicultural Disney wedding planning Disney wedding floral and decor savings Disney wedding entertainment ideas Major Domo wedding experience Disney character appearances at weddings Magic Kingdom wedding portraits Disney Fairytale Weddings planning tips #DisneyWorldWedding #DisneyWedding #WeddingPavilion #ContemporaryResortWedding #DisneyFairytaleWedding #DisneyWeddingPlanning #DisneyWeddingCost #MulticulturalWedding #DisneyBride #MagicKingdomWedding #DisneyWeddingIdeas #DisneyWeddingPodcast    

Cassie and Laura say farewell to our revisit of Snow White and the Seven Dwarfs with a discussion of how else we'd love to see the story tackled, and then Cassie and Matt turn their attention to our revisit of Beauty and the Beast. For a more in depth discussion of this story, go back to episode 18 about halfway through! We're looking at a classic film and several more modern book adaptations this era, so please join us!Join our community! View all of the benefits of joining our Patreon including the Official Of Slippers and Spindles Book Club, exclusive polls, monthly bookmarks, Zoom hangouts, and more: https://patreon.com/ofslippersandspindles Visit our our merch store, Facebook group, Instagram, Discord, and more! https://linktr.ee/ofslippersandspindles We love to hear from you! You can reach us at ofslippersandspindles@gmail.com Music: Through The Woods by Shane Ivers - https://www.silvermansound.com  

For this week's bi-weekly scene study, Vanessa and Hannah analyze the ending of The Phantom of the Opera. They discuss the black-and-white frame narrative of the film, what makes the phantom hot (and not), and the show's similarity to Beauty and the Beast.Hot and Bothered is a Not Sorry ProductionFind us at our website | Follow us on Instagram---If we give you butterflies, consider supporting us on Patreon! On Patreon we have more great romance content including a bonus close scene analysis of The Phantom of the Opera with Vanessa and Hannah. Hosted on Acast. See acast.com/privacy for more information.

Episode 170: Dave Bossert & his book, Find Your Happy Place: The 8-Step Guide to Boosting Your Creativity Through a Personal RetreatABOUT DAVEDavid A. Bossert is an award-winning artist, filmmaker, and author. He received his B.A. from CalArts School of Film and Video with a major in Character Animation. As a 32-year veteran of The Walt Disney Company, he contributed his talents to The Black Cauldron (1985), Who Framed Roger Rabbit (1988), The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), Tim Burton's The Nightmare Before Christmas (1993), The Lion King (1995), Fantasia/2000 (1999), and the Academy Award©-nominated shorts Runaway Brain (1995), Dali/Disney Destino (2003), and Lorenzo (2004), among many others. He is now an independent producer, creative director, and writer. As an author, Bossert has published thirteen books, numerous articles, liner notes, and program notes. His latest books are The House of the Future: Walt Disney, MIT, and Monsanto's Vision of Tomorrow (2023, The Old Mill Press) and Find Your Happy Place: The 8-Step Guide to Boosting Your Creativity Through a Personal Retreat. Learn more at www.davidbossert.comCONVERSATION HIGHLIGHTSDavid remarkable career journey from Disney animator to independent producerThe story behind his latest book, Find Your Happy Place, and its practical frameworkHow historical projects like Destino and The House of the Future inspire creativityThe role of serendipity, curiosity, and persistence in creative evolutionEffective strategies for managing fear and criticism while taking on bold projectsThe significance of family, passion, and continuous skill developmentInsights from David's annual personal retreats to foster innovationThe influence of childhood passions on lifelong career pathsThe importance of adaptability, experimentation, and embracing failureThe MAIN QUESTION underlying my conversation with Dave is, How are you taking the time (and tapping into your curiosity) through personal retreats to discover and realize what it is you need to recharge your professional and personal ecosystems?FIND DAVELinkedIn: https://www.linkedin.com/in/davebossert/Website: www.davidbossert.comTwitter: https://x.com/dave_bossertFacebook: https://www.facebook.com/dave.bossert.10/Instagram: https://www.instagram.com/dave_bossert/?hl=enLinkedIn - Full Podcast Article: CHAPTERS00:00 - The Book Leads Podcast - Dave Bossert00:46- Introduction & Bio02:51 - Who are you today? Can you provide more information about your work?15:48 - Dave speaking on fear18:21 - Dave on his writing process25:13 - How did your path into your career look like, and what did it look like up until now?59:53 - Dave on what prompted him to begin taking personal retreats01:09:11 - How does the work you're doing today reconcile to who you were as a child?01:14:52 - What is your superpower?01:16:44 - What does leadership mean to you?01:19:44 - Can you introduce us to the book we're discussing?01:31:19 - What's changed in you in the process of writing this book?01:35:11 - What book has inspired you?01:36:14 - What are you up to these days? (A way for guests to share and market their projects and work.)This series has become my Masterclass In Humanity. I'd love for you to join me and see what you take away from these conversations.Learn more about The Book Leads and listen to past episodes:Watch on YouTubeListen on SpotifyListen on Apple PodcastsRead About The Book Leads – Blog PostFor more great content, check out the catalog for my newsletter Last Week's Leadership Lessons, if you haven't already!

Welcome back to The Literary Life Podcast and our series on Charlotte Brontë's Jane Eyre. This week Angelina and Thomas discuss chapters 20-26, especially looking at the character of Bertha and the symbolism of "the woman in the attic." They talk more about the medieval idea of the well-ordered person in contrast to the person ruled by the passions, as well as how Bertha is a mirror for Jane's inner turmoil. Angelina highlights more ways in which we see glimpses of the stories of Beauty and the Beast and Cinderella in this section, as well as a hint at Sleeping Beauty. Other ideas Thomas and Angelina bring out are the story of Griselda, Jane's journey of the soul, images of the Garden of Eden, and so much more! You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! You can pre-order Jason Baxter's new book Falling Inward in its revised and expanded 2nd edition now! Also, if you missed it, here is the podcast episode in which he shares more personal thoughts on how this book came to be. And to view the full show notes for this episode, head over to https://theliterary.life/322. 

Healing While Building: LaShana West ft. Seven Figure Spa Chick Candace Holyfield Parker"The Real Cost of Showing Up: What Success Doesn't Show You"Welcome to the Healing While Building Podcast, hosted by LaShana West — the space where healing, mindset, entrepreneurship, and personal growth collide.Sixteen years in business and she's just now learning to enjoy her own moments. In this episode, we get honest about the pressure that comes with influence — the quotas, the expectations, the constant giving — and what it really costs to show up for everyone when nobody's asking if you're okay. If you've ever hit a milestone and immediately moved to the next one without stopping to breathe, this conversation was made for you.It's a reminder that you can pursue purpose, build your brand, grow your business, and still make room for the inner work.If you've ever felt like you were carrying the vision and the weight at the same time, this podcast is for you.Featuring:Host: LaShana WestSpecial Guest: Candace Holyfield Parker | Seven Figure Spa ChickMake sure you:Subscribe to the channel-Like this video-Drop a comment with your biggest takeawayConnect with LaShana West / Healing While Building:Instagram:   / lashanawest  Facebook: https://www.facebook.com/mswestcccTikTok:   / lashanawest  Website: www.mswestcreativecoach.comPodcast Guest Inquiries: Text PODCAST to 833-607-2941Take advantage of a 1:1 Breakthrough call with LaShana now!www.mswestcreativecoach.com/breakthroughConnect with Candace Holyfield Parker:Instagram:   / sevenfigurespachick  PS: Join us at the 3rd annual Healing While Building Summit in ATL November 6th-8th 2026. use code "podcast" to savewww.healingwhilebuildingsummit.com#HealingWhileBuilding #LaShanaWest #CandaceHolyfieldParker #SevenFigureSpaChick #HealingWhileBuildingPodcast #WomenInBusiness #EntrepreneurshipPodcast #MindsetMatters #BusinessGrowth #PersonalDevelopment #HealingJourney #HighPerformingWomen #BeautyAndTheBeastSeries

Julian is a Broadway actor, dancer, and singer. He's currently on the road with Disney Theatrical Group's touring production of Beauty and the Beast. We got to chat with Julian about his Bay Area roots and his life performing on some of America's grandest stages! The show is playing across the U.S. If you happen to be in the Bay Area this summer, it'll be at the Orpheum Theater July 14th-August 9th, 2026. Julian promises you'll have fun! Find out more here https://beautyandthebeastthemusical.com, and follow Julian @julianofguzman on social media.  You can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by @invictusquartet Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters  

On The Literary Life Podcast this week, Angelina and Thomas cover chapters 13-19 of Charlotte Brontë's Jane Eyre. Today's episode includes more discussion of the important symbols and images in these chapters. Angelina highlights the stories of Bluebeard, Beauty and the Beast, and Cupid and Psyche and their connections to this book. She and Thomas also talk about the trope of the "reformed rake" and how it relates to Brontë is setting up that possibility here. In these chapters we see more fire images, as well as several things that point to this story as a journey of the soul for both Jane and Mr. Rochester. You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! Don't forget to visit https://theliterary.life/321 for the full show notes for this episode!

Survivor AU: Redemption Episode 13 Recap Mike Bloom and Chappell diving into one of the season's decisive post-merge episodes. As alliances twist and power shifts, they ask: Is it safer to lie low before the jury, or do the biggest game-players always become the biggest targets? The “Beauty and the Beast” alliance merges with heavy-hitters Mark and Keeley, setting up a crucial showdown that knocks major players out and reshapes the social order. This week, the podcast spotlights the back-to-back exits of pre-merge stars Lottie and Aisha, raising questions about whether a big move early is ever the best play. Brooke snags yet another immunity win, solidifying her threat status, while Sally's car challenge victory threatens to change her standing among the castaways. Chappell’s favorite, Caleb, brings energy and comic relief, with his outbursts keeping both camp and listeners buzzing. The path to the endgame looks uncertain and full of shifting possibilities. The merge vote comes down to “Beauty and the Beast” vs. Mark and Keeley. Debates over whether targeting high-profile players helps or hurts alliances. Immunity and car wins create fresh fractures in camp. Swing votes are up for grabs. Will someone flip the game soon? Who really runs the tribe now, and can the remaining crew avoid the fate of the “tallest poppy”? Check out Peace Corps: https://peacecorps.gov/serve Never miss a minute of RHAP's extensive Global Survivor coverage! LISTEN: Subscribe to the Survivor Global podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Survivor AU: Redemption Premerge Check-In w/ Shannon Guss Shannon Guss and Mike Bloom are diving into a wild pre-merge stretch full of blindsides, downfalls, and constantly shifting alliances. From chaotic tribal councils to one of the messiest double idol splits we've seen, there's a lot to unpack. Shannon and Mike break it all down with sharp insight (and a few laughs along the way). This week, the focus is on some major turning points in the game. Faith and Aisha lean fully into their villain era, but their downfalls feel just as big as their edits. The hosts dig into two standout episodes packed with classic nine-person votes and shocking idol plays, as underdog groups like Beauty and the Beast flip the script on the majority. Mark's flip becomes a key moment, blowing up alliances and reshaping the power structure. There's also plenty to talk about with Brooke's perfectly executed double split, Caleb's Redemption Beach win, and the ongoing debate around twists, especially idol expiration rules and just how random things are starting to feel. Along the way, Shannon and Mike highlight the small social moments that matter, including the “carrot in the box” reward play and how reading people can be just as important as any advantage. Mark flips on Faith and changes the direction of the game Brooke pulls off a textbook idol play and vote split Richard and Caleb continue their underdog run “Carrot in the box” shows how strong social reads can win rewards The hosts question production twists and their impact on strategy With the merge here, everything is wide open. Can Beauty and the Beast (plus Mark) hold control, or are we heading straight into another round of chaos? 0:00 Merge Looms After Pre-Merge Chaos 06:00 Faith and Asha Downfall Explained 12:00 Brooke's Idol Play Breakdown 18:00 Mark Betrays Faith at Tribal 24:00 Keely Sent to Redemption Beach 30:00 Production Twists and Idol Frustrations 36:00 Carrot In Box Challenge Debated 42:00 Rich's Underdog Journey Emerges 48:00 Confessional Counts Shape Winner Picks 54:00 Lottie and Simon Alliance Uncertainties 1:00:00 Old School Survivor Vibes Return 1:06:00 Merge Dynamics and Possible Targets 1:12:00 Post-Merge Predictions and Recap Check out Peace Corps: https://peacecorps.gov/serve Never miss a minute of RHAP's extensive Global Survivor coverage! LISTEN: Subscribe to the Survivor Global podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Survivor AU: Redemption Week 4 Exit Interviews Australian Survivor: Redemption is back with another week of blindsides, bold moves, and heartbreak as host Mike Bloom sits down for exclusive exit interviews with stand-out competitors Aisha and Faith. In these revealing chats, Mike uncovers the real stories behind two of the most dramatic pre-merge exits of the season—both orchestrated by savvy returning players. From risky challenge throws to missed idol plays, this episode peels back the layers on what really happens when the game flips on its head. This episode, the chaos ramps up as tribe dynamics shift and trust erodes. Aisha reflects on the fateful tribal where she holds an idol she won't play out of loyalty, only to be sent home in a move she calls both impressive and humbling. She breaks down her alliances with Cameron, Lottie, and Richard, how a misfired challenge throw put her in the crosshairs, and why she underestimated the “Beauty and the Beast” alliance. Faith takes us inside her surprise boot, giving context to her relationship with Mark—the alliance's power struggles, her reputation for honest confessionals, and how cross-tribe connections sealed her fate. Both castaways reckon with the sting of trusting the wrong people and the razor-thin margins of Survivor strategy. Idol hesitation: Aisha details why she wouldn't play Blanche's idol at Tribal—and how the fast-paced vote left both idols out of play. Challenge drama: Both Aisha and her allies attempt to throw challenges to control their fates, but plans backfire spectacularly. Honest gameplay: Faith's direct confessions—like warning Johnson or her exchange with Mark—spark fiery camp reactions and influence the vote. Power struggles: The tension between Faith and Mark comes to a head, exposing how controlling alliances can splinter under pressure. Alliance flips: Listeners get insight on how relationships evolve and when trusting old allies becomes a fatal flaw. Will future castaways learn from these pivotal exits, or is throwing a challenge still a tempting risk? What happens when honesty at camp becomes a double-edged sword? Tune in for the full breakdown, featuring detailed stories of alliance, betrayal, and the Survivor rollercoaster! Check out Peace Corps: https://peacecorps.gov/serve Never miss a minute of RHAP's extensive Global Survivor coverage! LISTEN: Subscribe to the Survivor Global podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Today, we're exploring the fascinating history of Disney on Broadway—a partnership that now feels like a perfect fit, but almost never happened. In the early 1990s, Disney was just beginning its renaissance of animated musicals, while Broadway itself was struggling to reinvent and revitalize Times Square. When Disney brought Beauty and the Beast to the stage, it kicked off a theatrical partnership that would reshape Broadway for decades. In this episode, we cover: How Disney first made the leap from animation to Broadway Why Beauty and the Beast became Disney's first Broadway hit The incredible Tarzan Musical that we wished we could see The evolution of Disney's stage productions over the years How Disney helped transform Broadway and Times Square in the 1990s Whether you're a theater fan, a Disney history buff, or just love a good behind-the-scenes story, this episode dives into how two entertainment worlds came together to create something magical. Submit a question/topic for us to discuss on a future episode. Don't forget to check us out on: -Instagram -Facebook  -Youtube -Patreon Get your Enchanted Ears merch now and save 20% using code LAUNCH.   Timestamps Welcome 00:00 Use code LAUNCH to Save 20% on Merch 01:33 Beauty and Beast on Broadway 02:29 The New Amsterdam Theater 10:42 Why Disney Works on Broadway 14:17 Why Aren't There More Shows? 16:20 We Missed the Tarzan Musical! 18:54 Disney Reality Shows 23:29 All the Shows Disney has Done on Broadway 28:48 Which Disney Movie Would You Turn Into a Broadway Musical? 31:54 Is Aladdin the Best Show Ever?? 36:09 How Disney Uses the Parks and Cruise Ships to Test Out Ideas 41:36

Survivor AU: Redemption Episode 10 Recap Mike Bloom and Chappell dive into the twists and turns of Australian Survivor Redemption episode 10. This week, the game explodes with a high-impact blindside, a risky idol play, and some of the most entertaining challenge tactics yet. When alliances falter and hidden advantages surface, who's pulling the strings and who's at real risk? This episode packs a punch as “Beauty and the Beast” orchestrates a blindside that sends shockwaves through camp. The focus is on Aisha's downfall, a self-described “slow car crash” as she leaves the game, idol in her pocket and with Blanche’s trust in tatters. The fallout is huge for Lottie, Cameron, and Blanche, who are left to rethink their power positions. Meanwhile, Simon's move to flip alliances pays off, as he debates the dangers of throwing challenges, and Brooke delivers a memorable (and ruthless) idol play after bluffing her way to a tart in a now-legendary challenge showdown. The hosts break down voting strategies, shifting allegiances, and the social gamesmanship that makes this season so unpredictable. – “Beauty and the Beast” make a decisive move, targeting Aisha and upending tribe power balances. – Simon's refusal to throw the fire-making challenge sparks a heated debate Did he really save himself, or just draw more heat? – Brooke's emotional bluff for a slice of tart shows just how creative and cutthroat reward challenges have become. – Lottie and Cameron's alliance unravels, while Jackson and Ben leverage their outsider status for a seat at the table. Hilarious and awkward moments abound: from budgie smugglers at challenges to heads-up gameplay that's both sharp and occasionally clueless. Will Brooke's bold idol play make her a target, or is her social game just getting started? Can Lottie bounce back after a brutal blindside, or will a new alliance seize control in the next vote? Mike Bloom and Chappell break down every blindside, idol read, and vote split from Australian Survivor Redemption's wildest Tribal Councils yet! Check out Peace Corps: https://peacecorps.gov/serve Never miss a minute of RHAP's extensive Global Survivor coverage! LISTEN: Subscribe to the Survivor Global podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

THE HUNCHBACK OF NOTRE DAME is one of the most popular musicals to never have a Broadway run, but its epic story of Quasimodo and his bell tower home had reached legend status long before the Disney produced stage musical premiered in Germany. Here to chat about the film, the novel it's based on, and the story of how they found their way to the stage is someone who knows a thing or two about epic musicals. This week, actor Rodd Cyrus brings not only his experience with HUNCHBACK, but also the hit revival of RAGTIME and, maybe most importantly, an impressive knowledge of Disney straight-to-home video sequels. Get ready, Disney fans. You're gonna love this one. Follow Rodd on Instagram at @roddcyrus and see him as Harry Houdini in Ragtime : Lincoln Center Theater. If you enjoyed this episode, check out one of our most popular episodes: BEAUTY AND THE BEAST with Kim Huber If you're not already with us at ⁠⁠⁠⁠PATREON!⁠⁠⁠⁠ enjoying the contests, essays, and bonus episodes, what are you waiting for?! Be sure to follow and share our content on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ and ⁠⁠⁠⁠TikTok⁠⁠⁠⁠ and subscribe to the show wherever you listen to podcasts! Looking to give back? We have designs at our ⁠⁠⁠⁠TeePublic Store⁠⁠⁠⁠, and the profits we receive are donated to ⁠⁠⁠⁠Broadway Cares/Equity Fights AIDS⁠⁠⁠⁠. Above all, thank you for being part of this wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices

This powerful exploration of Isaiah 53 invites us into what scholars have called the golden passage of the Old Testament, the fifth gospel, written 700 years before the cross yet describing Christ's suffering with astonishing precision. We discover that the entire passage calls us to be astonished, to behold with wonder a Servant who would act wisely and be highly exalted, yet whose appearance would be marred beyond recognition. The central paradox confronts us immediately: God's powerful arm of deliverance doesn't come to smash enemies but gets smashed itself. From birth to death, Jesus defied expectations. He grew up like a tender shoot from dry ground, nothing impressive about his appearance, easily dismissed like a sucker growing beside a tree that we'd cut off without thought. Yet this rejection wasn't accidental but intentional. Christ became what we truly are, taking on the ugliness of our sin-marred image, that we might become what he is. The image of God in us has been distorted beyond recognition through our hatred, laziness, and base desires, yet God loved us too much to simply cut us off. Instead, he sent his Son to be rejected for us, to die the gruesome death we deserved, accomplishing the great exchange where our beastliness becomes his and his beauty becomes ours. This Lenten season challenges us to worship this astonishing Savior, to witness to the Beauty and the Beast story of our own redemption, and to walk in the humble way of Christ who emptied himself for our sake.

Survivor AU: Redemption Episode 9 Recap w/ Laura Darras Australian Survivor: Redemption is back, and so are the strategic twists! Host Mike Bloom is joined by guest Laura Darras (Brains vs. Brawn 2) to unpack a wild week of gameplay, as both tribes face unexpected moves, shifting alliances, and some head-scratching production choices. This episode dives straight into the flames, from a dramatic paired immunity challenge to the unraveling of “Idolgate,” and the rise of new power alliances on the island. This week's Australian Survivor episode brings everything from fiery tribal shakeups to controversial necklace handoffs. After a challenge where immunity is won in pairs, both tribes strategize when forced to choose fire-making champions, sparking debates over who's willing to throw, who's fighting for their life, and how production's decisions shape the game. Laura shares her insights on why players like Simon and Richard might be underestimated, why the “Beauty and the Beast” alliance might have legs, and how the “Head Office” trio's blunt power moves ruffle feathers. The unraveling confusion over swap idols (“Idolgate”) is finally explained, clarifying why some played their idols, and others lost them at the swap. The “paired immunity” challenge gives players a chance to scheme across tribe lines, but also sidelines key targets like Lottie and Aisha, raising big fairness questions. Simon's controversial decision to hand off the immunity necklace after fire-making is debated, with Laura backing bold moves while questioning Faith's public objections. The birth of the “Beauty and the Beast” alliance sets up intriguing new tribe dynamics, but Simon and Jackson's secrecy (or lack thereof) comes under scrutiny. The dominant “Head Office” trio (Faith, Keeley, Mark) faces internal friction and growing resentment, with Laura and Mike analyzing their blunt, sometimes divisive approach. Tez's underdog struggle and awkward scramble, including his attempts to flip the vote, shows the gap between good strategy ideas and social execution. With alliances shifting and big players in the hot seat, can new power groups seize control, or will their plans blow up at Tribal? Is the “Head Office” heading for a dramatic fall, and will the “Beauty and the Beast” crew outmaneuver their rivals? Tune in for a full Survivor breakdown, idols, alliances, fire-making, and all the big moves dissected! If you want to hear all about idol power, shifting alliances, and the toughest strategic calls, don't miss this Survivor deep-dive. 0:00 Laura Darras joins Mike Bloom 6:22 Idolgate: Brooke and Lyndall's Idols 12:16 Lottie, Aisha Sit Out: Challenge Fallout 18:15 Mark, Simon Face Fire Showdown 24:45 Simon Gives Necklace to Richard 28:56 Jackson Leads Beauty and Beast Alliance 33:52 Simon, Lottie, Jackson: Trust Tested 42:15 Faith, Keeley, Mark's Head Office Rift 49:28 Brooke, Richard, Ben: New Alliance Moves 52:36 Tez's Plans Unravel With Faith 56:04 Chizzy Points: Simon, Richard, Jackson Check out Peace Corps: https://peacecorps.gov/serve Never miss a minute of RHAP's extensive Global Survivor coverage! LISTEN: Subscribe to the Survivor Global podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

After a full travel soccer weekend and “spring forward” daylight savings, we discuss how much we'd pay for extra sleep. We also discuss which live action Disney films were actually good, Rick gets educated about Starbucks and shares his experiences there. Also shared are the qualities our friends have in our most inner circle (The Victory Couch is hosted by Rick and Julie Rando).Show notes: Connect with us on Instagram @thevictorycouch, Facebook,victorycouchpodcast@gmail.com, or www.thevictorycouch.comWant a new Victory Couch sticker for your water bottle, laptop, guitar case, etc.? Send us a message and we'll mail you one.SUBSCRIBE to The Victory Couch e-mail list by visitinghttps://www.thevictorycouch.com/ and click SUBSCRIBE at the top of your screen.What are the top qualities that have kept people in our most inner circle?Good Hang with Amy Poehlerhttps://open.spotify.com/show/1z20EiwuKoDiftKxMVLde1?si=a7c3bed2a3d243f8How much would you pay to sleep in late after a travel soccer tournament weekend which also included daylight savings time?What's your go to Starbucks order?Starbuckshttps://www.starbucks.com/Chick-fil-Ahttps://www.chick-fil-a.com/Cracker Barrel https://www.crackerbarrel.com/Moana live action https://www.imdb.com/title/tt27419466/?ref_=ext_shr_lnkWhat in your opinion has been the best Disney live action movie to date?Beauty and the Beast https://www.imdb.com/title/tt2771200/?ref_=ext_shr_lnkMaleficenthttps://www.imdb.com/title/tt1587310/?ref_=ext_shr_lnkLion King https://www.imdb.com/title/tt6105098/?ref_=ext_shr_lnkAladdinhttps://www.imdb.com/title/tt6139732/?ref_=ext_shr_lnkHookhttps://www.imdb.com/title/tt0102057/?ref_=ext_shr_lnkSpeechless from Aladdin live action https://www.youtube.com/watch?v=mw5VIEIvuMICouch crumb: my mom was sick on her birthday, alternate hair stylist, alleged gas leak at the studioProp your feet up: dad/daughter vacation, extra time with Lawson (Happy Gilmore, Duke, BWW take-out)Cameron Boozerhttps://www.espn.com/mens-college-basketball/player/_/id/5041935/cameron-boozerIsaiah Evanshttps://www.espn.com/mens-college-basketball/player/_/id/5061585/isaiah-evans

When You Wish Upon a Smiley, your Disney dreams could come true! Upload your 30 second Disney re-enactment here and you'll be in the running to win a Walt Disney World vacation for up to four people! Will you guys dress up and do a scene from Frozen? Maybe coordinate a dance from Beauty and The Beast? Lift your infant up like in The Lion King? The sky is the limit - go big because this prize is HUGE!One winner will win a trip for 4 to Walt Disney World including roundtrip airfare, ground transfers, 4 nights at a Walt Disney World resort hotel, 4 4-Day Walt Disney World Theme Park tickets with Park Hopper option, and a $500 Disney gift card. When You Wish Upon A Smiley ⭐ | 99.5 ZPL FM See omnystudio.com/listener for privacy information.

Welcome back to another episode of Market House! This week, we do the impossible task of sharing our list of Top 10 Disney Songs. We dove deep into classics like "A Whole New World", "Circle of Life", "Beauty and the Beast", "Part of Your World", and many more. Plus, we "cheated" a little and put together a bonus list of our favorite Disney instrumental tracks.Let us know what ones we missed! We have a Patreon! Support the show and receive exclusive content, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Follow us on Instagram @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MarketHousePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Make sure to leave a review on Apple Podcast or Spotify! It's a great way to support the show.Use code MarketHouse10 to save $10 on your next Disney vacation package with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Away Today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

London is a world away as we arrive at Benedict's My Cottage, where the isolation makes society's rules feel ephemeral and avoidable. As Benedict takes the time he needs to heal, Sophie is able to play make-believe in a life that could have been – but will never be – her own. Meanwhile, back in town, the demand economy is in the workers' favour and salaries and benefits go up as the Ton scrambles to maintain the staff necessary to keep up appearances – and Francesca attempts to scale a mountain. Featuring:- The elasticity of Bridgerton geography- Curiousity as kindling- Labour reform- Family versus workplace- The elasticity of Bridgerton time- A Bridgerton-specific orgasm gap- Maps to a pinnacle- One two true loves?- Return to realityHere are is the media we talk about in this episode:- Miss Caroline Bingley, Private Investigator, a book by Kelly Gardiner and Sharmini Kumar- Bridgerton, a television series- Sense and Sensibility, a book by Jane Austen- Call Me By Your Name, a film by Luca Guadagnino- An Offer from a Gentleman, a book by Julia Quinn- The Butterfly Effect, a mathematics termCinderella, a fairytale- Beauty and the Beast, a Disney film ‘- Macarena', a song by Los Del Rio- Mary Poppins, a Disney film- Anne of Green Gables, a TV series by Kevin Sullivan- Les Miserables, a book by Victor Hugo- Les Miserables, a film by Tom Hooper- Pride and Prejudice, a TV series by Simon Langton- JJ Abrams, a director- Star Wars: The Force Awakens, a film by JJ Abrams- Mean Girls, a film by Mark Waters- X-Men, a film by Bryan SingerSome extra notes:- Sophie's dress is indeed a repurposed dress from Daphne's wardrobe!Our guest host this episode is the sharp and sassy Sharmini Kumar. You can hear more from Sharmini on instagram and buy her book at all good bookstores!For your TBR, Sharmini brought us two recommendations! She recommends Babel and Katabasis, both by RF Kwang.Don't forget you can find us on facebook @bridgertonpod and instagram and bluesky @wwddpod and join the conversation using the hashtag #WWDDpod. Please follow us on your favourite podcast provider! Leaving a 5-star rating and a review will not only help us find more listeners, but also ensure you have an open invite to a cottage of your choice.This episode was recorded on the traditional and unceded land of the Kaurna, Wurundjeri and Boonwurrung people.Our editor is Ben McKenzie of Splendid Chaps Productions. If you need production work completed, you can find them here: splendidchaps.com

Leaked correspondence between Jes Staley—former CEO of Barclays and long-time JPMorgan executive—and Jeffrey Epstein laid bare more than just casual business exchanges; they revealed a troubling bond rooted in intimacy, trust, and privilege. In one exchange, Staley mused, “That was fun. Say hi to Snow White,” to which Epstein replied, “What character would you like next?” Staley coyly responded, “Beauty and the Beast,” turning their relationship into a grotesque pantomime. More damningly, Staley described Epstein as “family” and spoke of a “profound” connection, while photos of young women were also swapped—all under the guise of everyday correspondence. Far from distancing himself, Staley sustained contact well past Epstein's 2008 conviction, even joining him on his private island in 2009—behavior that defied any claim of a “purely professional” relationship.The fallout was swift—and deserved. The UK's Financial Conduct Authority (FCA) concluded that Staley “recklessly misled” both Barclays and regulators by downplaying the closeness of his ties with Epstein. A £1.8 million fine (later reduced to £1.1 million) and a lifetime ban from senior financial roles followed. The Upper Tribunal upheld the sanctions, emphasizing that Staley knowingly took a calculated risk, hoping the truth would stay buried. But the emails, held up like digital incriminators, ensured his downfall. His denials, evasive demeanor in court, and attempt to frame the relationship as innocuous only magnified the breach of trust. In financial leadership, reputation is everything—and Staley burned his.to contact me:bobbycapucci@protonmail.comsource:Epstein-Staley Emails Reveal Friendship Forged at JPMorgan (yahoo.com)

Coffee is a connector. I think we all have seen this in our personal lives, our social lives, and in the community we help facilitate through our shops. In the fast paced often stessful world of cafes and the vocation of coffee, we need to take some time, and leave some room for appreciating the real impact a simple cup can have on people.  On today's episode we will be talking all about the ways coffee does this and how we can use coffee to advance understanding, exploration, and connection with the Director of Room for Cream, Grant Garry! Grant Garry is an award winning filmmaker, actor, singer, and Certified Grief Educator. He is the director of the documentary Meet Me Where I Am -  Grant has played The Cowardly Lion in The Wizard of Oz at Opera San Luis Obispo as Disney's Beauty and the Beast, NCIS: Los Angeles, Legally Blonde: The Musical, Black Cat, Night of the Living Deb, Sweeney Todd, and Cinderella.   He hosts the podcast Where I Am on Apple Podcasts, Spotify, and Amazon Music. A long-form discussion based show about love, loss, and finding meaning as we move forward.     His recent release and project is called "Room for Cream", a series dedicated to the exploration of coffee, coffee culture, and the ways coffee facilitates connection. Related episodes:  165 : The Art of Deep Listening w/ Oscar Trimboli 415: The Best Lessons On How to Listen w/ Listening Expert, Oscar Trimboli 230 : Making room for Community in your Shop Founder Friday! Youth, Foster Care, and Human Connections Through Coffee | w/ Miah Sommer of Astute Coffee in Omaha, NE 334 : How to Approach Deescalation w/ Melissa Tucker of Mind Over Matters and Pathways to Peace   KEY HOLDER COACHING GROUPS! Are you a coffee shop owner looking to join a community of other owners to help bring perspective, insight, encouragement, and accountability in a well curated setting?  Then you need to apply to join Key holder Coaching Groups!  Applications are now open for Spring 2026 Cohort: Click below to learn more:  APPLY TO KEY HOLDER COACHING GROUPS     KEYS TO THE SHOP ALSO OFFERS 1:1 CONSULTING AND COACHING! If you are a cafe owner and want to work one on one with me to bring your shop to its next level and help bring you joy and freedom in the process then email  chris@keystothshop.com of book a free call now:  https://calendly.com/chrisdeferio/30min   

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.