Podcast appearances and mentions of Bob Dylan

Bill Frisell is here to discuss his new sextet record, In My Dreams, the different American and European cities he has lived in over the years and how they might inform his musical practice, his 75th birthday and the March 2026 tour dates that mark the occasion, a dream about music and its possibilities that he had 30 years ago and is still processing, the lessons mistakes teach us, how film noir scores and the work of Alfred Hitchcock film composer Bernard Hermann may have found their way to In My Dreams, the time he saw Bob Dylan and the Hawks in 1966 and why Dylan might be into Bill's latest record, what inspired him to put together the In My Dreams sextet, future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:March Mergeness! Or Merge Madness? Prize Pack!All Things Konsidered: The Beatles AnthologyEp. #1069: The Messthetics and James Brandon LewisEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1008: Marc RibotEp. #1015: Alan LichtEp. #985: PUPEp. #905: Duane Denison from The Jesus LizardEp. #910: The Hard QuartetEp. #866: Jim White and Marisa AndersonEp. #839: Mary TimonySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

A track from the new Moonchild album featuring Rapsody and Jill Scott. Soul from Bettye LaVette (covering Bob Dylan). The brilliant tune from K' Alexi Shelby & Tony Lovelesss. A classic from Mr. Scruff. Broken Beat from Bruk Rogers feat Lyric L & Andrea Clark, and Lovellious. Disco dancefloor grooves from Close Counters and Morttimer Snerd III. Cro-Magnon's quality cover of Moodymann. Plus plenty more music treats.

Hello friends! Three-time Austin Music Award winner, Sarah Sharp returns to the show for episode 1550! Sarah has a new album, Deja Vu dropping on May 15th on Spaceflight Records, and the first single, a dreamy reimagining of Bob Dylan's "Don't Think Twice, It's All Right" is available now on all streaming services. Sarah and her amazing band will be playing their usual happy hour show at The Elephant Room during SXSW on Thursday, March 12th from 6-8:30 pm. Go to sarahsharp.com for show dates, music, videos, and more. We have a great conversation about recording Deja Vu live in two days at Eric Johnson's studio, choosing the songs for the album, growing into her voice, her nine-year residency at The Elephant Room, her tumultuous decade and the bright light at the end of the tunnel, her upcoming trips to play in France and Japan, taking the reigns of her career, her many song placements, being a mom, and much more. I had a great time catching up with Sarah. I'm sure you will too. Let's get down! Find Sarah Sharp on Instagram, Facebook, Spotify Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

“For rising of the womenMeans the rising of the race.No more the drudge and idler,Ten that toil where one reposes,But the sharing of life's glories,Bread and roses, bread and roses.”Mimi Fariña spent most of her life living in someone else's shadow. First, she was the kid sister of folk music's Mother Mary, Joan Baez. Then, she was one half of a duo with her husband Richard Fariña; a mysterious and handsome writer cut down in his prime. Mimi refused to let these larger-than-life figures dictate her story. She found her own voice and her life's work, establishing her nonprofit Bread & Roses to bring music to isolated communities in the San Fransisco Bay Area, and found her purpose in tragedy.Plus, the Dolls Pod gives…hot takes on classic literature and film? Emma and Abby talk about the difficulties of adapting “Wuthering Heights,” and Emma loves a slow film but declares “Gone With The Wind” is an hour too long. Do you agree?“Mimi Fariña: Beyond the Baez Name” is available wherever you stream your podcasts

From Jerry Lee Lewis at Kellogg Auditorium in 1958 to Frank Zappa in Tampa, host Michael Gross takes listeners on a deeply personal journey through the music that shaped his soul. In this episode, Michael reflects on how rock and roll, folk, classical, and the lyrics of Bob Dylan and Nanci Griffith became the defining thread of his life — and asks the big question: Do you have a soundtrack to yours?#TheDailyGrateful #MusicPodcast #SoundtrackOfYourLife #NanciGriffith #BobDylan #FrankZappa #RockAndRoll #FolkMusic #60sMusic #MichaelGross #MusicMemories #LiveMusic #ClassicRock #Nostalgia #GratefulLiving

Spanish indie folk artist Guitarricadelafuente has come a long way since his days of posting covers on social media. Back then, he wasn't only inspired by his own culture, but American folk music as well, reinterpreting songs of Woody Guthrie and Bob Dylan. Eventually finding his own vein within the art of storytelling, Guitarrica began drawing inspiration from folklore, viewing it as not a snapshot from the past, but “something that already lives within us”. In his two albums, La Cantera and Spanish Leather, this is the concept he embraces, embodying the curiosity and joy of a kid that lives in a village, discovering the city for the first time.  There is a delicate melancholy in the music of Guitarricadelafuente, but a celebration of love and laughter, too. His lens is an unfiltered one, embracing the reality of unadulterated human emotions and making peace with the poses he strikes daily. Fresh off the NPR Tiny Desk stage, he takes a short break from his first world tour to play a stripped-down set at the Soundcheck studios. (- Sırma Munyar) Setlist: 1.Poses 2. Mataleón 3. Quién teme a la máquina?

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Chanteuse Chan Marshall, best known as the artist Cat Power talks about her recreation of the historic 1966 Bob Dylan concert album at the Royal Albert Hall with Cornell University neuroscientist and nostalgia expert, Hetvi Doshi. We cover the origins of nostalgia study, the growing body of scientific evidence that suggests nostalgia has health benefits and improves social cohesion with one another. We also talk about the dynamics of food nostalgia and Hetvi's community nostalgia initiative. For more information on Cat Power's tour and Hetvi's work please visit catpowermusic.com, hetvidoshi.com and thecommunitynostalgiaproject.com.

Radio legend and comedian Frazer Smith recently joined the "We Think It's Funny" podcast for an all new episode and the consensus is that it's a must listen for fans of comedy history. Bringing his signature high-energy "party animal" persona, Smith delivers a whirlwind of insane, firsthand accounts from the front lines of Hollywood and rock radio ranging from spotting a young Van Halen to the infamous night Michael Richards lost it at the Laugh Factory. The episode functions less like a standard interview and more like a masterclass in storytelling, packed with "inside baseball" anecdotes about legends like Bob Dylan and Richard Pryor. Given Smith's reputation as a welcoming fixture at the Laugh Factory and his naturally chaotic wit, it is definitely considered a funny and engaging episode, particularly for those who appreciate the grit and glamour of old-school entertainment.

Marcus Mumford (Prizefighter, Sigh No More, Wilder Mind) is a Grammy Award-winning songwriter, singer, and producer. Marcus joins the Armchair Expert to discuss enjoying occupying the liminal space between his kids and his parents, being born into the church attended by Joni Mitchell and Bob Dylan, and becoming pen pals with his wife Carey Mulligan at bible camp when they were 10 years old. Marcus and Dax talk about finally feeling able to embrace being an artist with his new record, forming Mumford & Sons from childhood friends, and not understanding ahead of time how performing at the Grammys would impact their career. Marcus explains loving to tour in weird ways like on a boat and a train, releasing a weight with his song Cannibal, and the magical experience of readiness on his new album Prizefighter.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today's podcast I welcome on photographer Danny Clinch. Danny has spent over three decades photographing musicians such as Bob Dylan,Johnny Cash,Green Day,NAS,and Willie Nelson to name a few. His work is a mix of portraits and reportage and has appeared in publications such as Vanity Fair,Rolling Stone,GQ,and SPIN. Use Promo Code "Banter" for 2 months free at picdrop.com www.picdrop.com/go/banter Peep Danny's work www.dannyclinch.com www.transparentclinchgallery.com Peep Danny's Patreon www.patreon.com/c/DannyClinch

On this edition of The Arts Section, host Gary Zidek catches up with the director behind a thought-provoking new documentary that puts a spotlight on a southern town grappling with its dark history. The Dueling Critics join Gary to review a world premiere titled PIVOT. Later in the show, Gary checks in with Chicago-based filmmaker & author Michael Glover Smith to talk about his new book BOB DYLAN AS FILMMAKER: NO TIME TO THINK. And we'll visit a suburban music school that's continues to grow.

De la guitare saharienne aux koshis pyrénéens, tout est dans la #SessionLive. Les 1ers invités de la #SessionLive sont les musiciens de Tinariwen pour la sortie de Hoggar Les pionniers de la musique touarègue et lauréats d'un Grammy Award, Tinariwen, annoncent aujourd'hui la sortie de leur dixième album studio, Hoggar sur leur propre label Wedge. Plus de 45 ans après leurs débuts, le groupe revient, avec cet album, aux fondations mêmes de son identité sonore. Fervents défenseurs de la culture nomade de leur peuple, vivant dans les régions désertiques frontalières entre le Mali et l'Algérie, Tinariwen ont acquis une reconnaissance mondiale au cours des deux dernières décennies grâce à leur musique blues portée par la guitare, mêlant politisation en langue tamasheq, rythmes syncopés et mélodies planantes. Avec Hoggar, ils s'affirment désormais comme des aînés de la tradition musicale touarègue, renouant avec leurs premières années d'écriture autour de guitares acoustiques et de chants collectifs au coin du feu dans le désert, tout en transmettant le flambeau à une nouvelle génération de musiciens invités, chargés de faire perdurer l'esprit de rébellion et de défi. Le premier single Sagherat Assan est une chanson traditionnelle soudanaise portée par la voix mélismatique et profondément soul de l'artiste soudanaise Sulafa Elyas. Pour accompagner la sortie de Hoggar, Tinariwen ont confirmé une tournée mondiale qui a débuté, début février 2026, en Inde. Concernant l'absence de dates en Amérique du Nord, le groupe précise : « Nous étions impatients de présenter notre musique en Amérique du Nord, mais en raison des restrictions actuelles de voyage, nous ne pourrons pas nous y produire dans le cadre de cette tournée. Nous savons que c'est décevant, et notre équipe a exploré toutes les options possibles, mais cela dépassait notre contrôle. Nous espérons revenir aux États-Unis dès que possible pour partager notre musique avec notre public. » Connus pour enregistrer au cœur des vastes étendues balayées par les vents du désert saharien central, Tinariwen ont toujours puisé leur inspiration dans les rythmes de la nature. Face à l'instabilité politique au Mali, les membres fondateurs, désormais basés en Algérie, ont enregistré Hoggar dans un studio installé par le groupe touareg de la nouvelle génération Imarhan, dans la ville méridionale de Tamanrasset, poursuivant ainsi leur héritage d'innovation et de collaboration. Alors que des albums précédents, comme Amatssou (2023), voyaient Tinariwen collaborer avec Daniel Lanois, producteur de Bob Dylan et Willie Nelson, Hoggar marque un retour à une approche plus locale. Réunis quotidiennement pendant un mois avec la communauté musicale touarègue locale, les membres fondateurs Ibrahim Ag Alhabib, Abdallah Ag Alhousseyni et Touhami Ag Alhassane ont composé des chansons inspirées par les troubles politiques, aux côtés de jeunes artistes tels que Iyad Moussa Ben Abderrahmane, Hicham Bouhasse et Haiballah Akhamouk (Imarhan). Le groupe a également collaboré avec Sanou Ag Hamed (Terakaft) et retrouvé Liya ag Ablil, alias Diarra, cofondateur de Tinariwen, pour la première fois depuis 25 ans. De cette rencontre, est née une profonde impression de retrouvailles, mais aussi une évolution du son Tinariwen. Hoggar propose 11 titres chargés d'émotion, aux mélodies complexes et à la chaleur chorale de voix collectives en harmonies puissantes. L'album marque également plusieurs premières notables : Ibrahim et Abdallah chantent ensemble, pour la première fois, depuis plus de 30 ans, rompant avec la tradition selon laquelle chaque compositeur interprète uniquement ses propres morceaux, et le chanteur José González, admirateur de longue date, fait une apparition spéciale. Sur le plan des textes, Hoggar aborde des thématiques urgentes et contemporaines, évoquant les défis sociaux et politiques auxquels font face les Touaregs et le nord du Mali. Fidèles à leur engagement, Tinariwen continue de témoigner à travers leur musique, conciliant l'énergie joyeuse de leurs concerts avec une réflexion profonde sur la résilience, les luttes communautaires et la préservation culturelle. Avec Hoggar, Tinariwen s'affirme finalement comme des symboles culturels, à l'image du massif montagneux touareg, dont l'album porte le nom et qui surgit du désert saharien central. Repère défiant visible à des kilomètres, les montagnes du Hoggar incarnent une terre natale pour les peuples déplacés, tandis que la musique de Tinariwen continue d'ouvrir un espace pour les générations futures. Titres interprétés au grand studio : - Sagherat Assani Live RFI - Cd Amidinim Ehaf Solan, extrait de l'album - N'ak Tenere Iyat Live RFI. Line Up : Abdallah ag Alhousseyni (guitare, voix), Sadam (guitare voix), Elaga ag Hamid (guitare), Said ag Ayad (percussions). RFI Musique YouTube Tinariwen.  Son : Mathias Taylor, Benoît Letirant.  ► Album Hoggar (Wedge 2026).  Site - Instagram - Bandcamp - YouTube - Concert Cirque d'hiver.   Puis nous recevons Awa Ly pour la sortie d'Essence & Elements. Flirtant avec une soul-folk hybride, l'auteure-compositrice-interprète Awa Ly est à l'image de sa discographie : en voyage. Celle qui pratique la musique de l'âme, transforme les émotions en sons avec une dimension spirituelle et universelle. Après les remarqués Five And a Feather (2016) et Safe and Sound (2020), elle a sorti son troisième album en 2025 : Essence And Elements. C'est sur l'île d'Alicudi, dans l'archipel des Eoliennes, où Awa Ly se rend régulièrement pour se ressourcer, que naît Essence And Elements. Là-bas, inspirée par le silence, elle enlace la nature qui l'embrasse à son tour : le vent, les vagues, le crépitement des flammes ou encore le craquement des arbres lui souffle des mélodies et des textes. S'affranchissant du tumulte du monde, elle s'imprègne des éléments qui l'entourent (Terre, Eau, Air, Feu) pour composer et écrire son nouvel album. Au fil des rencontres, de Paris au Cap, elle s'entoure de quatre producteur.ices pour réaliser ses compositions. Chacun arrangeant trois titres autour d'un élément : Nicolas Repac (No Format, Arthur H, Blick Bassy, Mamani Keïta…) pour la Terre, avec ses percussions et guitares organiques. Lossapardo (Prix Joséphine 2024, Roche Musique, Dinos…) et sa néo soul/folk pour l'Eau. Hannah V (Grammy awards 2021, Rihanna, Jessie J, JP Cooper, Stormzy, Yola…) pour l'Air, avec sa pop éthérée. Léonie Pernet (Infine Music, Malik Djoudi, Acid Arab…) pour le Feu, avec ses percussions et claviers électroniques. Pour cette #SessionLive, Awa Ly est accompagnée par la violoncelliste Lucie Cravero. Titres interprétés au grand studio : - Breathe in, Breathe out Live RFI - My Essence, extrait de l'album - L'une Live RFI. Line Up : Awa Ly (chant), Lucie Cravero (violoncelle) Son : Anouk Bodenan, Mathias Taylor. ► Album Essence and Elements (Rising Bird Music/Naïve 2025). Site - Instagram - YouTube - Concert 20 mars Seine Musicale.

De la guitare saharienne aux koshis pyrénéens, tout est dans la #SessionLive. Les 1ers invités de la #SessionLive sont les musiciens de Tinariwen pour la sortie de Hoggar Les pionniers de la musique touarègue et lauréats d'un Grammy Award, Tinariwen, annoncent aujourd'hui la sortie de leur dixième album studio, Hoggar sur leur propre label Wedge. Plus de 45 ans après leurs débuts, le groupe revient, avec cet album, aux fondations mêmes de son identité sonore. Fervents défenseurs de la culture nomade de leur peuple, vivant dans les régions désertiques frontalières entre le Mali et l'Algérie, Tinariwen ont acquis une reconnaissance mondiale au cours des deux dernières décennies grâce à leur musique blues portée par la guitare, mêlant politisation en langue tamasheq, rythmes syncopés et mélodies planantes. Avec Hoggar, ils s'affirment désormais comme des aînés de la tradition musicale touarègue, renouant avec leurs premières années d'écriture autour de guitares acoustiques et de chants collectifs au coin du feu dans le désert, tout en transmettant le flambeau à une nouvelle génération de musiciens invités, chargés de faire perdurer l'esprit de rébellion et de défi. Le premier single Sagherat Assan est une chanson traditionnelle soudanaise portée par la voix mélismatique et profondément soul de l'artiste soudanaise Sulafa Elyas. Pour accompagner la sortie de Hoggar, Tinariwen ont confirmé une tournée mondiale qui a débuté, début février 2026, en Inde. Concernant l'absence de dates en Amérique du Nord, le groupe précise : « Nous étions impatients de présenter notre musique en Amérique du Nord, mais en raison des restrictions actuelles de voyage, nous ne pourrons pas nous y produire dans le cadre de cette tournée. Nous savons que c'est décevant, et notre équipe a exploré toutes les options possibles, mais cela dépassait notre contrôle. Nous espérons revenir aux États-Unis dès que possible pour partager notre musique avec notre public. » Connus pour enregistrer au cœur des vastes étendues balayées par les vents du désert saharien central, Tinariwen ont toujours puisé leur inspiration dans les rythmes de la nature. Face à l'instabilité politique au Mali, les membres fondateurs, désormais basés en Algérie, ont enregistré Hoggar dans un studio installé par le groupe touareg de la nouvelle génération Imarhan, dans la ville méridionale de Tamanrasset, poursuivant ainsi leur héritage d'innovation et de collaboration. Alors que des albums précédents, comme Amatssou (2023), voyaient Tinariwen collaborer avec Daniel Lanois, producteur de Bob Dylan et Willie Nelson, Hoggar marque un retour à une approche plus locale. Réunis quotidiennement pendant un mois avec la communauté musicale touarègue locale, les membres fondateurs Ibrahim Ag Alhabib, Abdallah Ag Alhousseyni et Touhami Ag Alhassane ont composé des chansons inspirées par les troubles politiques, aux côtés de jeunes artistes tels que Iyad Moussa Ben Abderrahmane, Hicham Bouhasse et Haiballah Akhamouk (Imarhan). Le groupe a également collaboré avec Sanou Ag Hamed (Terakaft) et retrouvé Liya ag Ablil, alias Diarra, cofondateur de Tinariwen, pour la première fois depuis 25 ans. De cette rencontre, est née une profonde impression de retrouvailles, mais aussi une évolution du son Tinariwen. Hoggar propose 11 titres chargés d'émotion, aux mélodies complexes et à la chaleur chorale de voix collectives en harmonies puissantes. L'album marque également plusieurs premières notables : Ibrahim et Abdallah chantent ensemble, pour la première fois, depuis plus de 30 ans, rompant avec la tradition selon laquelle chaque compositeur interprète uniquement ses propres morceaux, et le chanteur José González, admirateur de longue date, fait une apparition spéciale. Sur le plan des textes, Hoggar aborde des thématiques urgentes et contemporaines, évoquant les défis sociaux et politiques auxquels font face les Touaregs et le nord du Mali. Fidèles à leur engagement, Tinariwen continue de témoigner à travers leur musique, conciliant l'énergie joyeuse de leurs concerts avec une réflexion profonde sur la résilience, les luttes communautaires et la préservation culturelle. Avec Hoggar, Tinariwen s'affirme finalement comme des symboles culturels, à l'image du massif montagneux touareg, dont l'album porte le nom et qui surgit du désert saharien central. Repère défiant visible à des kilomètres, les montagnes du Hoggar incarnent une terre natale pour les peuples déplacés, tandis que la musique de Tinariwen continue d'ouvrir un espace pour les générations futures. Titres interprétés au grand studio : - Sagherat Assani Live RFI - Cd Amidinim Ehaf Solan, extrait de l'album - N'ak Tenere Iyat Live RFI. Line Up : Abdallah ag Alhousseyni (guitare, voix), Sadam (guitare voix), Elaga ag Hamid (guitare), Said ag Ayad (percussions). RFI Musique YouTube Tinariwen.  Son : Mathias Taylor, Benoît Letirant.  ► Album Hoggar (Wedge 2026).  Site - Instagram - Bandcamp - YouTube - Concert Cirque d'hiver.   Puis nous recevons Awa Ly pour la sortie d'Essence & Elements. Flirtant avec une soul-folk hybride, l'auteure-compositrice-interprète Awa Ly est à l'image de sa discographie : en voyage. Celle qui pratique la musique de l'âme, transforme les émotions en sons avec une dimension spirituelle et universelle. Après les remarqués Five And a Feather (2016) et Safe and Sound (2020), elle a sorti son troisième album en 2025 : Essence And Elements. C'est sur l'île d'Alicudi, dans l'archipel des Eoliennes, où Awa Ly se rend régulièrement pour se ressourcer, que naît Essence And Elements. Là-bas, inspirée par le silence, elle enlace la nature qui l'embrasse à son tour : le vent, les vagues, le crépitement des flammes ou encore le craquement des arbres lui souffle des mélodies et des textes. S'affranchissant du tumulte du monde, elle s'imprègne des éléments qui l'entourent (Terre, Eau, Air, Feu) pour composer et écrire son nouvel album. Au fil des rencontres, de Paris au Cap, elle s'entoure de quatre producteur.ices pour réaliser ses compositions. Chacun arrangeant trois titres autour d'un élément : Nicolas Repac (No Format, Arthur H, Blick Bassy, Mamani Keïta…) pour la Terre, avec ses percussions et guitares organiques. Lossapardo (Prix Joséphine 2024, Roche Musique, Dinos…) et sa néo soul/folk pour l'Eau. Hannah V (Grammy awards 2021, Rihanna, Jessie J, JP Cooper, Stormzy, Yola…) pour l'Air, avec sa pop éthérée. Léonie Pernet (Infine Music, Malik Djoudi, Acid Arab…) pour le Feu, avec ses percussions et claviers électroniques. Pour cette #SessionLive, Awa Ly est accompagnée par la violoncelliste Lucie Cravero. Titres interprétés au grand studio : - Breathe in, Breathe out Live RFI - My Essence, extrait de l'album - L'une Live RFI. Line Up : Awa Ly (chant), Lucie Cravero (violoncelle) Son : Anouk Bodenan, Mathias Taylor. ► Album Essence and Elements (Rising Bird Music/Naïve 2025). Site - Instagram - YouTube - Concert 20 mars Seine Musicale.

Heute gibt es einen Doppelpunkt-Spezial zum Iran Krieg. Radio 1-Chef Roger Schawinski spricht mit folgenden Gästen: Kurt Pelda, Kriegsreporter, Georg Häsler, NZZ-Militärexperte, Ulrich Schmid, ehemaliger NZZ-Sonderkorrespondent und Peter Hossli, Journalist und Leiter der Ringier Journalistenschule. Songs: Get Up, Stand Up - Bob Marley, Blowin' in the Wind, Bob Dylan

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode I talk to Chicago-based filmmaker, author, and college professor Michael Glover Smith about Bob Dylan the filmmaker, specifically his work on Eat the Document (1972), Renaldo & Clara (1978), and Masked & Anonymous (2003).Michael's new book Bob Dylan as Filmmaker: No Time to Think is published by McNidder & Grace on 2nd of March. If you're in the Chicago area and interested in attending the book launch and screening of Masked & Anonymous on 35mm, you can get your tickets here. Get your Definitely Dylan baseball cap here.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.

Send a textJoin Cheryl Lee - That Radio Chick on STILL ROCKIN' IT for news, reviews, music and interviews with some of our favourite Australian musiciansWhat happens when a working bassist falls hard for rock's most chaotic roadshow and decides to rebuild it from the ground up? We welcome South Australia's Brayden Leske to share how Dylan's Rolling Thunder Revue—white face paint, flowered hats, and that soaring, haunting violin—became his magnum opus and why he's bringing it roaring back for one night only at Woodville Town Hall. Brayden walks us through the craft behind the chaos: charting arrangements from the 1975 bootlegs, learning to let tempos breathe, and recruiting a local cast that captures the revue's chemistry. Bernie Nicholson steps into the Joan Baez role with luminous harmonies, while violinist Leah Zweck channels Scarlett Rivera's cinematic lines that defined the tour's heartbeat. Along the way, we revisit how Dylan shrank arenas to civic centers, handed out flyers on the street, and turned each night into a living room with a PA—risky, human, unforgettable.We also trace Brayden's path from wedding gigs and indie bands to the Ashes to Ashes Bowie tribute. He admits he didn't “get” Dylan at first, oversaturated by family listening and uneven records. The switch flipped only when he started writing, picked up harmonica, and locked onto a single Rolling Thunder disc that's lived in his car ever since. That slow-burn devotion fuels a production that aims for truth, not tribute: rough edges welcome, emotion first, the room leaning forward.If this one-night revival finds its legs, the caravan rolls on to new halls. If not, it stands as a complete statement about why Rolling Thunder still matters: the courage to risk, the joy of small rooms, and the way a voice and a fiddle can cut through time. Join us for the backstory, the cast, and the energy behind a show years in the making—then come feel it up close. If you enjoy the conversation, follow the show, share it with a friend, and leave a quick review to help more music lovers find us.What has Brayden Leske been up to lately?  Let's find out!Get out when you can, support local music and I'll see you down the front!!Visit: ThatRadioChick.com.au

Bird on AmericanaFest, Accidental Filmmaking, and Storytelling Through Music | Curious Goldfish PodcastHost Jason English welcomes Janie, who performs as Bird, to the Curious Goldfish Podcast in Nashville during AmericanaFest. Bird, half Irish and half English, grew up in London, is based in Italy, and is increasingly working in the U.S. after receiving an O-1 visa. She discusses Irish storytelling roots, her classical cello training from age six, learning drums at 11, and influences ranging from Jacqueline du Pré to Led Zeppelin and Bob Dylan that shaped her Americana sound. Bird explains the origin of her stage name, her “accidental filmmaker” path after a cinematic album stalled during COVID, and her short films “Wider Than the Sky” and “You Found a Friend in Elvis,” inspired by a Roy Orbison story. She outlines festival strategy, upcoming full-length film plans, two EPs (“Heads or Tales” and “Strange as Folk”) and a vinyl release, touring via Café Nero, and performs “The Tides” solo on cello for the first time.00:00 Irish Storytelling Roots00:55 Podcast Welcome and Guest Intro02:56 Meeting at AmericanaFest03:35 AmericanaFest Buzz and US Plans04:44 Why the Name Bird07:22 Accidental Filmmaker Origin09:12 Elvis and Roy Orbison Mystery11:15 Festival Strategy and No Money12:45 Third Film Tease and Timeline14:13 Back to Music Classical Beginnings15:13 Drums and Rock Influences15:56 Irish Storytelling Roots17:24 Albums and Genre Evolution17:52 Heads or Tales EP18:28 Why Two EPs19:17 Folk Horror Inspiration21:17 Lockdown Demos in Italy22:27 Touring and Future Plans25:19 Curiosity and Connection27:58 The Tides Closing Song

In which The Curmudgeons show love for artists that are, well, falling out love. A great break-up album takes the listener on a journey through the complicated layers of our humanity and our very souls: Love, anger, betrayal, heartbreak, grief, forgiveness, false hope, celebrations of new love, reservations about getting back in the game and healing. The albums on our list all take us to these delicate places, and in doing so, they demonstrate the power of music, and the power of the heart, magnificently. We cover albums from artists such as Blur, Millie Jackson, Richard & Linda Thompson, Wilco and others. Oh, and there's this one album by Bob Dylan...   Check out select songs from these breakup albums by accessing our special Spotify playlist: https://open.spotify.com/playlist/5uI7a4eI5s5uM8J04RsLxR?si=bdd3829cd454483d   Here's a handy navigation companion to this episode:   (00:52 - 02:49) - Arturo Andrade sets the parameters for our discussion of great break-up albums   (03:00 - 11:01) - The Parallel Universe, featuring reviews of recent albums from The Men and Dove Ellis   (12:00 - 36:31) - We start our countdown of the 15 greatest break-up albums by discussion list number 15 through number 8. Artists include Phish, Blur, Millie Jackson, Mickie Newberry and Amy Winehouse.   (37:47 - 01:06:48) - We count down from list number 7 all the way down to our (very) vaunted number 1 album on our list. Plus, Christopher O'Connor gives his spiel about how AC/DC's Back in Back is a pretty good break-up album, too.      Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Edited with an assist from Descript! web.descript.com/    Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   music.amazon.com/podcasts/5fea16f1-664e-40b7-932e-5fb748cffb1d/the-   Co-produced and co-hosted by The Curmudgeons - Arturo Andrade and Christopher O'Connor

This week, Eric and Josh are joined again by Usman Karimi to discuss his Back Pages radio show, and Reeled In podcast! (you can find info on Instagram for both, at @backpagescu and @reeledinpodcast) They also chat about Olympic hockey, baseball movies, Miracle, appointment television, Spider-Noir, Godzilla Minus One, Johnny Mnemonic, The Simpsons, Bob Dylan, Springsteen: Deliver Me from Nowhere, the four Beatles movies, The Kissing Booth, and more! Plus, they mention the movies screening the week of Friday February 27 - Thursday March 5: Hamnet, Pillion, A Better Tomorrow, Big Trouble In Little China, Saturday Night Sinema, and Space Jam: A New Legacy!

From the beginning of Galileo's career, well before the publication of the Sidereus Nuncius, his contemporaries took pains to shape his reputation and fame. They were fully aware that their efforts would shape the course of his career; they also knew that they would profit from helping him. With Galileo's Fame: Science, Credibility, and Memory in the Seventeenth Century (U Pittsburgh Press, 2025), Anna-Luna Post offers a welcome new perspective on the volatile dynamic between early modern fame and science in Italy, shifting the focus from the recipient of fame to its brokers. Galileo's contemporaries knew his rise to fame was not a matter of course. Not only were his discoveries highly contested, he also was not the first to observe Jupiter's four largest moons. Yet, of the three men who did so between the summer of 1609 and the winter of 1610, Galileo is the only one who achieved both widespread fame and posthumous glory. Post convincingly argues that fame is, rather than the direct result of merit or extraordinary achievements, shaped through human intervention. Freddy Domínguez is a Historian or early modern European history at the University of Arkansas-Fayetteville. He is the author of Radicals in Exile (2020), Bob Dylan in the Attic (2022), and Luisa de Carvajal y Mendoza (2025). He is also co-editor with William Bulman of Political and Religious Practice in the Early Modern British World (2022). Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the beginning of Galileo's career, well before the publication of the Sidereus Nuncius, his contemporaries took pains to shape his reputation and fame. They were fully aware that their efforts would shape the course of his career; they also knew that they would profit from helping him. With Galileo's Fame: Science, Credibility, and Memory in the Seventeenth Century (U Pittsburgh Press, 2025), Anna-Luna Post offers a welcome new perspective on the volatile dynamic between early modern fame and science in Italy, shifting the focus from the recipient of fame to its brokers. Galileo's contemporaries knew his rise to fame was not a matter of course. Not only were his discoveries highly contested, he also was not the first to observe Jupiter's four largest moons. Yet, of the three men who did so between the summer of 1609 and the winter of 1610, Galileo is the only one who achieved both widespread fame and posthumous glory. Post convincingly argues that fame is, rather than the direct result of merit or extraordinary achievements, shaped through human intervention. Freddy Domínguez is a Historian or early modern European history at the University of Arkansas-Fayetteville. He is the author of Radicals in Exile (2020), Bob Dylan in the Attic (2022), and Luisa de Carvajal y Mendoza (2025). He is also co-editor with William Bulman of Political and Religious Practice in the Early Modern British World (2022). Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From the beginning of Galileo's career, well before the publication of the Sidereus Nuncius, his contemporaries took pains to shape his reputation and fame. They were fully aware that their efforts would shape the course of his career; they also knew that they would profit from helping him. With Galileo's Fame: Science, Credibility, and Memory in the Seventeenth Century (U Pittsburgh Press, 2025), Anna-Luna Post offers a welcome new perspective on the volatile dynamic between early modern fame and science in Italy, shifting the focus from the recipient of fame to its brokers. Galileo's contemporaries knew his rise to fame was not a matter of course. Not only were his discoveries highly contested, he also was not the first to observe Jupiter's four largest moons. Yet, of the three men who did so between the summer of 1609 and the winter of 1610, Galileo is the only one who achieved both widespread fame and posthumous glory. Post convincingly argues that fame is, rather than the direct result of merit or extraordinary achievements, shaped through human intervention. Freddy Domínguez is a Historian or early modern European history at the University of Arkansas-Fayetteville. He is the author of Radicals in Exile (2020), Bob Dylan in the Attic (2022), and Luisa de Carvajal y Mendoza (2025). He is also co-editor with William Bulman of Political and Religious Practice in the Early Modern British World (2022). Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

From the beginning of Galileo's career, well before the publication of the Sidereus Nuncius, his contemporaries took pains to shape his reputation and fame. They were fully aware that their efforts would shape the course of his career; they also knew that they would profit from helping him. With Galileo's Fame: Science, Credibility, and Memory in the Seventeenth Century (U Pittsburgh Press, 2025), Anna-Luna Post offers a welcome new perspective on the volatile dynamic between early modern fame and science in Italy, shifting the focus from the recipient of fame to its brokers. Galileo's contemporaries knew his rise to fame was not a matter of course. Not only were his discoveries highly contested, he also was not the first to observe Jupiter's four largest moons. Yet, of the three men who did so between the summer of 1609 and the winter of 1610, Galileo is the only one who achieved both widespread fame and posthumous glory. Post convincingly argues that fame is, rather than the direct result of merit or extraordinary achievements, shaped through human intervention. Freddy Domínguez is a Historian or early modern European history at the University of Arkansas-Fayetteville. He is the author of Radicals in Exile (2020), Bob Dylan in the Attic (2022), and Luisa de Carvajal y Mendoza (2025). He is also co-editor with William Bulman of Political and Religious Practice in the Early Modern British World (2022). Website here Learn more about your ad choices. Visit megaphone.fm/adchoices

From the beginning of Galileo's career, well before the publication of the Sidereus Nuncius, his contemporaries took pains to shape his reputation and fame. They were fully aware that their efforts would shape the course of his career; they also knew that they would profit from helping him. With Galileo's Fame: Science, Credibility, and Memory in the Seventeenth Century (U Pittsburgh Press, 2025), Anna-Luna Post offers a welcome new perspective on the volatile dynamic between early modern fame and science in Italy, shifting the focus from the recipient of fame to its brokers. Galileo's contemporaries knew his rise to fame was not a matter of course. Not only were his discoveries highly contested, he also was not the first to observe Jupiter's four largest moons. Yet, of the three men who did so between the summer of 1609 and the winter of 1610, Galileo is the only one who achieved both widespread fame and posthumous glory. Post convincingly argues that fame is, rather than the direct result of merit or extraordinary achievements, shaped through human intervention. Freddy Domínguez is a Historian or early modern European history at the University of Arkansas-Fayetteville. He is the author of Radicals in Exile (2020), Bob Dylan in the Attic (2022), and Luisa de Carvajal y Mendoza (2025). He is also co-editor with William Bulman of Political and Religious Practice in the Early Modern British World (2022). Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

From the beginning of Galileo's career, well before the publication of the Sidereus Nuncius, his contemporaries took pains to shape his reputation and fame. They were fully aware that their efforts would shape the course of his career; they also knew that they would profit from helping him. With Galileo's Fame: Science, Credibility, and Memory in the Seventeenth Century (U Pittsburgh Press, 2025), Anna-Luna Post offers a welcome new perspective on the volatile dynamic between early modern fame and science in Italy, shifting the focus from the recipient of fame to its brokers. Galileo's contemporaries knew his rise to fame was not a matter of course. Not only were his discoveries highly contested, he also was not the first to observe Jupiter's four largest moons. Yet, of the three men who did so between the summer of 1609 and the winter of 1610, Galileo is the only one who achieved both widespread fame and posthumous glory. Post convincingly argues that fame is, rather than the direct result of merit or extraordinary achievements, shaped through human intervention. Freddy Domínguez is a Historian or early modern European history at the University of Arkansas-Fayetteville. He is the author of Radicals in Exile (2020), Bob Dylan in the Attic (2022), and Luisa de Carvajal y Mendoza (2025). He is also co-editor with William Bulman of Political and Religious Practice in the Early Modern British World (2022). Website here Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor, writer, and director Andrew McCarthy is the latest inductee into The Last Word's Culture Club, with Bob Dylan, John Williams and The Brady Bunch among some of his biggest influences.Andrew is currently starring in The Crucible, which runs in the Gaiety Theatre until March 21st.Hit the 'Play' button on this page to hear his picks.

Buck Meek is here for a talk about his charming, confessional new album, The Mirror, coming up in Wimberley, Texas and people's misconceptions of the Lone Star State, the vibrancy of transient college towns, how his grandmother's death and caring for his grandfather galvanized his family and inspired aspects of The Mirror, writing songs about communication, teaching, language, speech, parenting, and family, pondering duality, mid-life, and overcoming societal inhibitions, a unique recording studio set-up, ambience and intuitive expression, being a participant in Bob Dylan's Shadow Kingdom film and recording project, upcoming solo and Big Thief tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Buck Meek February 2026 Prize Pack!Ep. #1041: Ryan DavisEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1025: Esther RoseEp. #981: The Minus 5Ep. #975: DeerhoofEp. #910: The Hard QuartetEp. #864: Mary Lattimore and Walt McClementsEp. #821: Kurt VileEp. #769: Jana HornEp. #692: WilcoEp. #586: Spencer TweedyEp. #467: Susan RogersSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Dr. Richard Marcs, author of A Murder Most Foul: The Life of a Hitman, joins Marv to talk abouthow a chance conversation with a Hollywood producer turned his longhand manuscript into aweekly audio drama recorded in Jakarta — and why the ending will send you straight back toepisode one. From accidental historical coincidences buried in a Texas road map, to using rock music asserious literary reference, to the unexpected self-editing power of hearing your own writing readaloud — this conversation covers what it actually takes to write a story that rewards beingexperienced twice. Whether you love crime fiction, audio drama, literary podcasts, or you're a writer looking for newways to edit your work, this episode is worth your time.

Tuesday in North Carolina and a band from the past with two members forming a duo gig as well. Let's hear some storied from the band Laurel Canyon East and 2 Far Gone with Sophia Phillips and Paul Quick. We will hear medleys of Neil Young, Crosby Stills and Nash, The Turtles and Bob Dylan s well as the duo and their cover of Killing The Blues and Sounds Of Silence

Get your cigar, your cowboy hat, and your copy of the First Amendment ready -- this week we salute musical satirist Richard "Kinky" Friedman who blended sarcastic and often offensive lyrics with Texas twang to create a singular comic persona. Way back in the early 1970s after a stint in the Peace Corps, Kinky returned to his home in Texas and set about forming his most famous -- and most outrageously named -- band -- Kinky Friedman and the Texas Jewboys. Country rock was becoming popular so in spite of (or maybe because of) the name, Kinky scored a recording contract. Did he dial it back a little? Of course, the answer is a resounding NOOOO! In fact his appearance on Austin City Limits was taped, then shelved, because of Kinky's "take no prisoners" approach. After a stint with Bob Dylan's Rolling Thunder Revue, Kinky's musical career stalled leading him to a second round of fame as a mystery novelist with 20-some titles to his credit. Add to that a surprisingly robust run for Governor of Texas in 2006 and we'd say Kinky's "Legend" resume is complete. As always find extra cuts below and thanks for sharing our shows! Want more Kinky? Back in 2005 CBS Sunday Morning profiled Kinky and it has some nice examples of his plain spoken style. https://youtu.be/KOOiCxbL9-g?si=4mqGoBlMphFFLLIt Kinky's lyrics were decidedly radio-unfriendly, but his albums were passed around by fans who liked their lyrics unfiltered. Thanks to Austin City Limits for capturing Kinky back in the day -- even if they put it straight into the vault. https://youtu.be/5FSWm67IhDU?si=L06HLwGX6OntonzO When Kinky ran for Governor of Texas he managed to lure his old pal Mojo Nixon out of retirement to pen a campaign song. He didn't win, but the song is a gem. https://youtu.be/wtOXb2wAlOQ?si=KhHId5bHL3Frf-KQ

Ever argued over what makes a voice truly unique? We go all-in on that question and discover why “unmistakable” beats “perfect” almost every time. From Cher and Sinatra to Tom Waits, Stevie Nicks, and Bob Dylan, we debate tone, phrasing, range, and the magic test: can you spot them in one note?We kick off with a left-field warm-up on Texas Roadhouse—founder geography, 34-degree cutting rooms, 36-degree beer, fresh-daily bread, and how grassroots roll drops double as smart local marketing. Then it's a tight country news sweep: Ella Langley's triple-chart moment, Jason Aldean's milestone perspective against legacy greats, the Country Music Hall of Fame's American Currents signal, the Braves Country Fest lineup, new drops from Luke Combs to Charlie Crockett, a classic country tour package, and a Lee Brice single stirring up “country nowadays” debate. The throughline is clear: country's center is widening and listeners are picking winners across lanes.Our chart check balances mainstream and indie, spotlighting why a hold at number three means something different than a quick climb to one, and how pop-country crossovers, storytelling, and rock edges share the same field. Then a rapid-fire trivia duel (rock and country) transforms fun facts into a map of genre evolution—Zeppelin's first name, Master of Puppets in 1986, who ripped the Beat It solo, Opry induction stats, Chris Gaines, and more.The mailbag brings the sharpest industry insights. Can an artist be “outlaw” with label money? What's smarter today: 20-track albums or a disciplined singles drip? Is vinyl a real revenue lane or a nostalgia-forward merch play? Who owns the masters when singers go solo—and what can they do about it? We unpack strategy, contracts, and fan behavior without the fluff.Episode LinksVonray: https://jayfranze.com/episode1/Jason Hale: https://jayfranze.com/episode55/Kyle Fields: https://jayfranze.com/episode79/Lucy Becker: https://jayfranze.com/episode86/Mark Badolato: https://jayfranze.com/episode140/Send a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Insurance leaders Brandon Schuh and Nick Hartmann unpack the real impact of AI on insurance operations after Insurify's ChatGPT app triggered a 3.9% drop in the S&P 500 Insurance Index. They separate hype from reality, examining how AI actually enhances productivity versus serving as a scapegoat for strategic workforce reductions. The conversation explores Munich Re's Ergo unit cutting 1,000 positions partly through AI integration, while contrasting this with AIG's ambitious 500,000-submission target using their AIG Assist platform by 2030.Major consolidation continues reshaping the industry landscape with Zurich's £8 billion ($11 billion) acquisition of specialty insurer Beazley following rejected initial bids, and Sompo Holdings' regulatory-approved $3.5 billion purchase of Aspen Insurance. Brandon and Nick also analyze the explosive Brown & Brown versus Howden lawsuit after approximately 200 employees departed during holiday season 2025, revealing tensions around non-compete enforcement and talent mobility in brokerage.Beyond M&A drama, Schuh and Hartman discuss underwriting culture at Lloyd's marketplace where reputation risk follows individual decisions, the legal profession's AI adaptation challenges for entry-level associates, and why operational visibility, not more tools, solves agency productivity problems. They emphasize that AI's greatest value lies in eliminating tedious data analysis so professionals can focus on client relationships and strategic advisory work.Key Takeaways- Insurify's ChatGPT integration caused temporary market panic but represents comparison shopping evolution, not industry disruption- AI productivity gains enable faster policy reviews while freeing teams for high-value client advisory work- Munich Re's Ergo unit (not entire company) plans 1,000 position reductions over five years with AI assistance- Zurich secured Beazley acquisition after multiple rejected bids reached £8 billion valuation- Sompo Holdings (not Sampo) received regulatory approval for $3.5 billion Aspen Insurance acquisition- Howden faces multiple lawsuits after approximately 200 Brown & Brown employees departed simultaneously in December 2025- Lloyd's underwriters carry personal reputation risk with each binding decision in the marketplace- Operational visibility tools like FreeFlow.ai solve agency bottlenecks without replacing producersChapters00:00 Episode introduction and sponsor FreeFlow.ai01:35 Return from hiatus and personal updates06:15 Bourbon tasting and Bob Dylan discussion07:14 Insurify ChatGPT app market impact analysis08:42 AI fears versus realistic productivity gains10:33 Legal profession AI adaptation challenges12:48 Policy review efficiency transformation potential13:07 Munich Re Ergo workforce reduction reality check18:15 Industry consolidation: Zurich/Beazley and Sompo/Aspen deals19:39 Brown & Brown versus Howden employee poaching lawsuit21:38 Underwriting culture and reputation risk at Lloyd's marketplace27:22 Ping An and global insurance employment statistics28:44 AIG Assist platform exceeding submission targets30:50 Two truths and a lie game segment33:42 Closing remarks and next episode previewFact Checks Correction: Sompo Holdings (Japanese insurer), not "Sampo," acquired Aspen Insurance for $3.5 billion with regulatory approval expected H1 2026 Clarification: Munich Re's Ergo primary insurance unit (not entire Munich Re) plans 1,000 position reductions in Germany over five years with AI integration Connect with RiskCellar:Website: https://www.riskcellar.com/Brandon Schuh:Facebook: https://www.facebook.com/profile.php?id=61552710523314LinkedIn: https://www.linkedin.com/in/brandon-stephen-schuh/Instagram: https://www.instagram.com/schuhpapa/Nick Hartmann:LinkedIn: https://www.linkedin.com/in/nickjhartmann/

durée : 00:05:09 - C'est une chanson - par : Frédéric Pommier - Le metteur en scène Olivier Solivérès présente actuellement à la fois "Le Cercle des Poètes disparus", à Paris et en tournée, et "Amadeus" au théâtre Marigny. Il a choisi cette reprise de Bob Dylan qui le ramène aux souvenirs d'un voyage linguistique aux États-Unis. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Americana, Roots, Folk, Blues and Country music."Sounds of the Seventies Special". All artists are aged over 70.This all male  special  includes Neil Young , Willie Nelson , Bob Dylan and more.(Ep. 201 is all  female artists.)

We may choose to say YES to new habits, but saying NO is also a way to take control. Pastor Jody borrows from Bob Dylan and suggests saying NO to things that don't align with our values. It can give us opportunities that lead to greater intention and focus.

In this episode John Corabi returns to the podcast. John talks about his new solo album (out 4/24), working with Marti Frederiksen, Charlie Starr of Blackberry Smoke and his contributions to the album, Paul Taylor of Winger, Troy Lucketta (ex Tesla), his son Ian Corabi, his admiration for Sly and the Family Stone, Bob Dylan, Rod Stewart, his touring and 45+ year friendship with Tom Keifer, lots of talk about The Dead Daisies, Richard Fortus, Michaek Devin, Motley Crue, The Scream, Union, Frontiers Records, Cains Ballroom, Led Zeppelin, blues standards, and so much more. Thanks for listening, and please share! #johncorabi #podcast #allkillernofiller This episode is brought to you by DEB Concerts. Follow DEB on Facebook and Twitter to get updates on upcoming shows and more! This episode is also brought to you by Sunset Tattoo Tulsa. Sunset Tattoo has over 25 years of experience, and is located at 3146 E. 15th St. in Tulsa, OK. Native owned, and a female tattoo artist in house. Follow them on Instagram and Facebook page for more details. Stream us anytime everywhere podcasts are heard.

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The iconic folk duo met at an audition for the only country music band at a prestigious jazz school in Boston. They immediately clicked, and joined the rich lineage of Americana artists that stretches back centuries.In their 20s, Gillian Welch and David Rawlings discovered they had something special when they sang together, a sort of eerie emotional resonance that is usually confined to the blood harmonies produced when siblings sing together.Ever since they've been making music together which draws on the bluegrass, country and folk traditions they love.In their historic recording studio in Nashville, Tennessee (which has withstood three tornadoes in the last century), they craft haunting songs about the ugly and beautiful parts of humanity.For Gill and Dave, the DNA of folk music is something we can all contribute to, and which contributes to all of us.Gillian Welch and David Rawlings are currently touring Australia's eastern states. You can find information about where and when they are playing on their website.Their seventh studio album is called Woodland, named after their indestructible studio.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores music, recording, career musicians, Woody Guthrie, The Carter Family, Lead Belly, revival folk, Bob Dylan, Joan Baez, Simon & Garfunkel, Joni Mitchell, Emmy Lou, Dolly Parton, Southern America, United States, Pete Seeger, Love, relationship, natural disaster, Neil Young, Gordon Lightfoot, Leonard Cohen, Odetta, Harry Belafonte, Rhiannon Giddens, banjo, guitar, mandolin, true crime, murder ballad, Revival, Time (The Revelator), Soul Journey, The Harrow & The Harvest, All the Good Times (Are Past & Gone), Grammy Awards, Grammys, songwriting, Coen Brothers, O Brother, Where Art Thou?To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Chad Hollister is a Vermont based singer songwriter and roots rocker with over 35 years in the music industry, known for his uplifting, community focused indie rock. He has released multiple recordings, toured nationally, and has opened for Bob Dylan, Paul Simon and Tom Petty and has shared the stage w/ every PHISH member, Billy Gibbons, Merl Saunders, Warren Haynes, and Blues Traveler. His music is a voice for the Positive and reminds you that life is truly a gift as is the ability to share it through music.

Ian speaks with Robert Polito about After The Flood: Inside Bob Dylan's Memory Palace, his superb new book about the second (and best) half of Bob Dylan's artistic career. BUY "AFTER THE FLOOD"

Odetta was one of the defining voices of American folk music. Though she had been trained in classical music, she was drawn to spirituals, work songs, traditional ballads, and blues. These songs told the stories of true life - of struggle and of those that overcame oppression. Odetta used her theater training and deep resonant voice to bring these messages to life. Her work inspired later artists like Bob Dylan and Joan Baez, served as a soundtrack for the social reforms of the 1960s, and led to her honorary title as "The Voice of the Civil Rights Movement." There are still a few spaces open on our fall Field Trips to the Loire Valley, and Italy! For information and to register, visit Like Minds Travel. We hope to see you there! For links and codes to advertised products, visit our website's sponsor page at thehistorychicks.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In breaking news and a body blow to the Trump Administration , a Republican Federal Judge has entered an emergency injunction blocking the Trump Administration and Sec Def Pete Hegseth from retaliating against Senator Mark Kelly for speaking out against Trump's deranged military policies, in an order filled with Exclamation Marks, references to the Marx Brothers and Bob Dylan. Michael Popok explains how in the last 24 hours a DC Grand Jury rejected the Trump DOJ's efforts to criminally indict Sen. Kelly along with 5 other members of Congress and a federal judge won't let them censure them either. DeleteMe: Get 20% off your DeleteMe plan when you go to join https://deleteme.com/LEGALAF and use promo code LEGALAF at checkout. Visit https://meidasplus.com for more! Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast Cult Conversations: The Influence Continuum with Dr. Steve Hassan: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show Burn the Boats: https://www.meidastouch.com/tag/burn-the-boats Majority 54: https://www.meidastouch.com/tag/majority-54 On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Learn more about your ad choices. Visit megaphone.fm/adchoices