Podcast appearances and mentions of Bob Dylan

This legendary British songwriter and producer went multi-platinum with his band Eurythmics before embarking on a career that has included collaborations with Bob Dylan, Mick Jagger, Tom Petty, and many others.

For our centennial episode, we took a trip down memory lane and revisited all the interviews we've shared over the years. We gathered some of our team's favorite moments—stories that inspired us, moved us, and reminded us why we love making this show. We're incredibly proud of everything we've created together, and we hope you can feel that joy and gratitude in this special episode. Thanks for being here, and we hope you enjoy listening as much as we enjoyed putting it together!

This week we look at the rising tides in our cultures - from climate protesters and trans ideology,  to AI and Islamists and war....including protest at Newcastle port;  Bjorn Lomberg; blackouts in Eastern Australia; Felling trees in Scotland;  China and Coal; the Maldives; the Great Barrier Reef; 2001 - a Space Odyssesy; the power needed by AI;  Islamic St Andrews Day; Immigration in the UK; Jakarta becomes largest city in the world;  Country of the week - Ukraine; the end of the Russia/Ukraine war?  North Korea and Russia;  Australia's sex discrimination minister doesn't know what a woman is; Your Party launches;  the new Archbishop of Melbourne; the intelligent pupils of Belmont Christian College; Feedback; and the Final Wordwith music from Bob Dylan, Radiohead, Richard Strauss, Ukrainian Orthodox music;  the Red Flag; Yothu Yindi and Hillsong.

In this week's mixtape rewind, we go back a couple of years to when Matt and Sam did a deep dive into music supergroups.Imagine loading a playlist where legends keep walking through the door. That's the ride we built as we dive into supergroups that actually deliver, from the crunch of Audioslave and the finesse of Cream to the indie cohesion of Boygenius and the pure joy of the Traveling Wilburys. We chase the central mystery behind these collaborations: when distinct sounds collide, what holds, what changes, and why does it matter?We start with the gravitational pull of great voices. Chris Cornell gives Audioslave immediate identity while Tom Morello adds that unmistakable edge, and Maynard James Keenan turns A Perfect Circle into a masterclass in mood without copying Tool. Then we test chemistry in the engine room: Chickenfoot fires up old-school rock craftsmanship, and Them Crooked Vultures stretch grooves into cinematic builds powered by Dave Grohl, Josh Homme, and John Paul Jones. For a genre swerve, Mount Westmore brings bass and swagger with Snoop, Too Short, E-40, and Ice Cube trading bars like it's a victory lap.Contrast keeps the mix alive. Wild Flag threads surfy drums with indie bite, and Boygenius shows how three solo voices can trade lead without crowding the song. Prophets of Rage fuse protest and power, pulling rap and rock tight around a sharp social focus, while The Highwaymen remind us that sometimes the most classic move—four giants trading verses—still lands hardest. And to cap it all, the Traveling Wilburys prove that when Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty decide to have fun, the hooks practically write themselves.Be Yourself by AudioslaveBig Subwoofer by MOUNT WESTMOREWhite Room by CreamDown the Drain by ChickenfootElephants by Them Crooked VulturesRomance by WILD FLAGPassive by A Perfect CircleBruised by The BensLiving on the 110 by Prophets of RageHighwayman by HighwaymanSatanist by boygeniusWilbury Twist by The Traveling Wilburys Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

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In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Let's celebrate Thanksgiving 1970s-style, by watching Martin Scorsese's concert documentary of the last performance by The Band (or at least the Band with Robbie Robertson still part of it). It's not just a concert, of course--it's a meditation on the end of the 1960s counterculture, bookending Scorsese's earlier work in Woodstock. We also have an interview with Mary's mother about cinematography, editing, and keeping up with music when you age out of youth culture. Starring Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, Robbie Robertson, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Joni Mitchell, Van Morrison, The Staples, Dr. John, Muddy Waters, Paul Butterfield, Ronnie Hawkins, Ringo Starr, Ron Wood. Directed by Martin Scorsese. This is a reposting of a recent episode without any copyright issues, to get past YouTube's blocker.

On this episode of Talking Guitars on JohnnyBeaneTV, we opened with a heartfelt tribute to the legendary Steve Cropper, whose family announced his passing today. I share the story of meeting him nearly 30 years ago at the guitar shop I worked at—an unforgettable moment with a true icon. Legendary guitarist Steve Cropper — the soulful force behind Booker T. & the MG's, Otis Redding, and the Blues Brothers — has passed away at the age of 84. His son Cameron confirmed the news to Variety on Wednesday. Cropper's influence on Memphis soul is immeasurable. As a guitarist, producer, songwriter, and engineer at Stax Records, he shaped the sound of an era. His tight, tasteful, unmistakable guitar work powered Booker T. & the MG's, while also elevating recordings by Otis Redding, Wilson Pickett, Sam & Dave, Rufus and Carla Thomas, Eddie Floyd, and more. In 1996, Mojo magazine ranked him the second-greatest guitarist of all time, just behind Jimi Hendrix, praising his metronomic timing, razor-sharp riffs, and perfectly placed licks — always serving the song, never overstaying their welcome. As a songwriter, Cropper co-wrote classics like “Green Onions,” “Time Is Tight,” and “Soul-Limbo,” along with timeless R&B hits including Otis Redding's “(Sittin' On) The Dock of the Bay”, Wilson Pickett's “In the Midnight Hour” and “634-5789,” and Eddie Floyd's “Knock On Wood.” After leaving Stax in 1970, he continued making history. Booker T. & the MG's reunited into the '90s, backing icons like Bob Dylan, John Fogerty, Neil Young, and Levon Helm. Cropper also became widely known to new generations as the guitarist for The Blues Brothers, appearing on their platinum records and in both films. In 1992, Steve Cropper was rightfully inducted into the Rock and Roll Hall of Fame as a member of Booker T. & the MG's. Then it's off to the workbench! I swap out the strap pins on my TEASE Telecaster, tighten up some screws on a Squier Tele, and Ron jumps in to show off some killer 3D-printed guitar goodies he's been crafting. And somehow… we wrap the night talking about MASSIVE burgers—PermanI Brothers, local burger joints, and the monster creations Ron hunts down. Guess we were starving! Rock, mods, memories, and monster burgers—classic JohnnyBeaneTV energy.

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

New Hampshire DIY indie-folkster Geoff Himsel joins the show today! After reminiscing about their time playing Portsmouth together, Thomas shares songs from artists at their various ...low points. Geoff then asks the group to really examine the three "Christian" albums from ol' Bob Dylan.   https://www.birdfriendtheband.com   LMO Survey https://www.niagaramoonmusic.com/   https://www.thinlear.com/ Bluesky IG Tiktok

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

30 years after Blues Traveler broke through with "Run-Around" and "Hook," John Popper looks back, and also reveals the story of how he almost died — multiple times — this year. Plus, he explains why he's decidedly not a fan of the harmonica playing of Neil Young, Bob Dylan, and Alanis Morissette. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Are you ever going to text me?This episode is like Mick Jagger and gets no satisfaction.Jason, Jim, and Joseph replay some of the best songs that reference other songs.Joseph presents "The Purge" starring Henry Winkler.Jim claims to have "The most '70s' " family photo ever.Jason pushes the interpretational boundaries (again) by claiming a remake is actually an original song as long as it has a few extra lyrics.Joseph reminisces about him and Jim's bro love over Zima and Tone Loc. Jim's impression of Darius Rucker is impressive, but not as impressive as his impression of Bob Dylan.My Fair Lady, who knew?What song was used for the first season of Happy Days?

GGACP celebrates the birthday (December 1st) of writer-director Larry Charles (“Borat,” “Seinfeld,” “Curb Your Enthusiasm”) with this ENCORE of an interview from 2019. In this episode, Larry joins the boys for an engrossing conversation about humor as a survival tactic, the hazards of guerrilla filmmaking, the persuasive powers of Sacha Baron Cohen and the Netflix show, “Larry Charles' Dangerous World of Comedy.” Also, Mel Brooks sends up Bill Cullen, Jerry Lewis inspires Bob Dylan, Gilbert guest stars on “Mad About You” and Larry remembers the late, great Bob Einstein. PLUS: “Lancelot Link, Secret Chimp”! The Zen of Jack Nicholson! The influence of Jackie Mason! Larry hangs with Huntz Hall! And the “Seinfeld” episode that never aired! Learn more about your ad choices. Visit megaphone.fm/adchoices

"Another lonely park, another SundayWhy is it life turns out that way?Just when you think you got a good thingIt seems to slip away"No need to be lonely, Music is the perfect companion on a late Sunday afternoon. Please join me and Carole King, Crosby Stills Nash & Young, Bob Dylan, Boston, Neil Diamond, Bruce Springsteen, Dan Fogelberg, Steely Dan, Laura Nyro, Mott The Hoople, Leon Russell, George Benson, Marvin Gaye, Atlanta Rhythm Section, Chicago, Albert Hammond Jr., Creedence Clearwater, Delaney & Bonnie, Bachman Turner Overdrive, Don McLean, Chicago amd The Doobie Brothers on this weeks, Super Sounds Of The 70's.

Podcast: Conversations with Tyler Episode: Cass Sunstein on Liberalism and Rights in the Age of AIRelease date: 2025-11-26Get Podcast Transcript →powered by Listen411 - fast audio-to-text and summarization Cass Sunstein is one of the most widely cited legal scholars of all time and among the most prolific writers working today. This year alone he has five books out, including Imperfect Oracle on the strengths and limits of AI and On Liberalism: In Defense of Freedom. In his second appearance on the show, he brings his characteristic intellectual range to exploring liberalism's present precariousness and AI's implications for law and speech. Tyler and Cass discuss whether liberalism is self-undermining or simply vulnerable to illiberal forces, the tensions in how a liberal immigration regime would work, whether new generations of liberal thinkers are emerging, if Derek Parfit counts as a liberal, Mill's liberal wokeism, the allure of Mises' "cranky enthusiasm for freedom," whether the central claim of The Road to Serfdom holds up, how to blend indigenous rights with liberal thought, whether AIs should have First Amendment protections, the argument for establishing a right not to be manipulated, better remedies for low-grade libel, whether we should have trials run by AI, how Bob Dylan embodies liberal freedom, Cass' next book about animal rights, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded October 10th, 2025. This episode was made possible through the support of the John Templeton Foundation. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Cass on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

the playground is deserted/ no buses passthe street smells heavy of broken glass"Tombstone Blues Original Transcript" by Bob Dylan (1965)I was at the Bob Dylan Center in Tulsa yesterday. What a massive archive collection of so many "physical" holdings. Here are some deep thoughts on the value of physical and paper items as opposed to the current emphasis upon digital.

ohn McEuen is a Grammy-winning multi-instrumentalist, producer, author, and a founding member of the legendary Nitty Gritty Dirt Band, a group that helped bridge bluegrass, folk, and country-rock for mainstream audiences starting in the 1960s. Over a career spanning more than six decades, he has performed thousands of shows, contributed to dozens of albums, and become one of the most influential acoustic musicians in American roots music. His work on banjo, guitar, mandolin, and fiddle has shaped how generations hear traditional music reimagined for modern ears.In 1971, McEuen was the driving force behind the landmark triple album “Will the Circle Be Unbroken,” which brought the Nitty Gritty Dirt Band together with icons like Earl Scruggs, Doc Watson, Mother Maybelle Carter, Roy Acuff, and others for historic cross-generational sessions in Nashville. That project has been recognized as one of the most important country and bluegrass albums ever recorded, helping introduce younger audiences to the classic repertoire and artists who defined American roots music. The album's legacy later inspired his detailed book on the making of those sessions, further cementing his role as both participant and historian of that moment.Beyond the Dirt Band, John has built a rich solo career with multiple albums that showcase his “String Wizard” reputation, blending instrumental firepower with storytelling and cinematic arrangements. His discography includes acclaimed projects like “Made in Brooklyn,” which earned major Americana honors, as well as collaborations with artists ranging from Steve Martin to John Carter Cash and Martha Redbone. As a producer, he also earned a Grammy for Steve Martin's “The Crow,” highlighting his skill on both sides of the glass.McEuen is also an author and storyteller, with his memoir “The Life I've Picked” tracing his journey from Southern California kid to hall-of-fame banjo player working with legends like Linda Ronstadt, Willie Nelson, Johnny Cash, the Allman Brothers, and Bob Dylan. His more recent book and projects around “Will the Circle Be Unbroken” revisit those sessions with photos, stories, and reflections that bring fans right into the circle of players. Onstage and on the page, he brings the same mix of humor, detail, and lived history that makes him such a compelling guest for any music podcast.John's contributions have been recognized with inductions into the American Banjo Museum Hall of Fame and the Traditional Country Music Hall of Honor, along with multiple Grammy, CMA, and ACM honors across his career. He continues to tour, record, and create new projects, bringing stories and songs from more than fifty years on the road to audiences around the world. To learn more, check out his music, books, and tour dates at: https://johnmceuen.net

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

I hear Jeff Lynne has recently been sidelined by a mysterious infection, and had to cancel some performances. We wish the revered music producer and founder of ELO good health and a quick recovery. Today, Bill and Rich, The Splendid Bohemians would like to celebrate this versatile Rock stylist by playing two cuts separated by decades, from two vastly different incarnations, but somehow identifiable as his, if only by the unique sensibility in which these cuts are marinated: Imposters of Life's Magazine by The Idle Race, and Tweeter and the Monkey Man by The Traveling Wilburys.There are certain tropes that signify this creator's hand: catchy musical themes, thick layers of horns and strings and witty Beatle-esque harmonies - (he even got to work with the resurrected voice of John Lennon when producing the Beatle's ghostly “reunion”tracks Free As a Bird, and Real Love. Like so many of his generation, Jeff came up under the spell of the mop tops, and even this early recording by the Idle Race has that 1967 Psychedelic flavor, pre-dating by a year, but somehow reminiscent of his future Willburys bandmate, George Harrison's song Savoy Truffle. IMPOSTERS OF LIFE'S MAGAZINEThe personnel changes of the several Birmingham beat groups in the mid-sixties are too numerous to recite here, but one group, The Nightriders are notable because they took on a teenaged Lynne as guitarist in '66 - and changed their name to The Idle Race (a more timely handle). Roy Wood of the Move, Jeff's friend and future partner in the formation of ELO, helped the IR get signed, and influential DJ John Peel was an early and strong promoter of the group. Jeff's tenure with IR was short lived however, and in 1970 he founded (with Wood) the legendary Electric Light Orchestra.This early composition has all the hallmarks that would later define Jeff's work: witty, yet Romantic lyrics; hard driving rhythms, but with plenty of surprisingly lush filigree. The ambition of the work, with its startlingly different movements, is impressive for such a young talent - but, at the core is Jeff's unmistakable ear for the “hook” - marking him as one of the most reliable masters of Pop.TWEETER AND THE MONKEY MANTweeter and the Monkey Man, from 22 years later - demonstrates how far the musician had come professionally.  Here Jeff is, arguably the lowest man on the totem pole of The Traveling Wilburys, a Super Group's Super Group (with a Beatle, George Harrison, future Nobel Laureate Bob Dylan, Tom Petty, and Roy - fucking - Orbison…., yet his mark is unmistakeable. This tune, supposedly written by Bob Dylan, who spittingly delivers it like a parody of Springsteen's New Jersey, drenched in a Sopranos sauce - and it's just plain fun. But, the chorus, penned by Jeff with George Harrison, lifts the track to the existential level of a rock opera, giving it “the hook,” the drama and the flair. The layers on this musical cake are delicious - there's George's sly slide work; the Lady Madonna horns, the timpani booms counterpointed by a tinkling piano riff; the building of the strings and horns and oohing and aaahing harmonies… they suck me in every time. Good stuff!

On the eve of the second anniversary of the death of her husband, Shane McGowan, writer Victoria Mary Clarke talks about grief, ice baths and breath work. She also chose five songs that chart her life, from ‘Haunted' by Shane & Sinead O'Connor to Bob Dylan, Kneecap and Van Morrison.

Stephen and Becca discuss Thanksgiving plans and traditions before launching into a very special interview with Oscar-winning filmmaker and journalist Cameron Crowe, who saw Bob Dylan perform at a school gym in 1964 and interviewed the world's biggest bands as a teenager, and brings our host a personalized message from the one and only Joni Mitchell. Crowe's new memoir, "The Uncool," is available now. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It is with heavy hearts that we present this week's episode as a tribute to Paul Daniel "Ace" Frehley. The rock 'n' roll icon, legendary guitar god, and former KISS guitarist, passed away on October 16, 2025, after suffering a fall in his home studio weeks earlier. Kevin has a profound connection to KISS and Ace as a lifelong fan and proud member of the KISS Army. While not an obscure artist by any means (the Rock & Roll Hall of Famer had 10 gold records, 5 multi-platinum records with KISS, and a platinum solo album), the duo tries to share some lesser-known songs, including a few crazy guest appearances. Excuse Kevin's extensive ramblings about the great Space Ace, but this loss was hard, and the tribute is necessary. Ace was a true character, who played a character, and played with character. A genuine original. A true rock star.New to InObscuria? Typically, what we do is exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In the case of this particular episode, we are leaning towards the FORGOTTEN. Although a member of a band that holds the RIAA distinction of having the most gold-certified albums overall by any American band is hardly forgotten… In any case, we are paying tribute to one of the greatest guitarists of all time! Rest In Peace, Ace. There will never be another like you!Songs this week include:Criss – “Bad Attitude (feat. Ace Frehley)” from Cat #1(1994)Anton Fig – “Know Where You Go (feat. Ace Frehley & Sebastian Bach)” from Figments (2002)Ace Frehley – “The Girl Can't Dance” from The Girl Can't Dance Demo (1983)Wendy O. Williams – “Bump And Grind” from W.O.W. (1984)Ace Frehley & Kris Randall – “Rise Up (Back From The Grave)” from Rise Up (Back From The Grave) - Single (2014)Chris Cassone – “Never Too Hot (with Ace Frehley)” from The BBQ All Stars (2013)ESP – “Foxy Lady” from Lost And Spaced (1998)Satin – “The Magic Kiss Medley” from Gods Of Thunder: A Norwegian Tribute To KISS (2005)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Ayurvedic practitioner and author Heather Grzych talks with novelist Sam Sussman, author of the bestselling novel Boy from the North Country, in a candid conversation about parents, family history, and the stories we inherit without choosing. Together they explore how personal loss becomes fiction, how caregiving rewires the body, and what it means to grow up in the long shadow of myth, especially when people can't help but wonder if you might be Bob Dylan's son. Sam reflects on transforming intimate family truths into narrative, while Heather brings her embodied lens to the ways lineage shapes identity, creativity, and the emotional patterns we carry. This is a conversation about grief, legacy, and the strange wisdom inside the histories we're born into. Heather Grzych, ADLC is an American author and expert in Ayurvedic medicine who was formerly the president of the National Ayurvedic Medical Association and the head of product development for a multi-billion-dollar health insurance company. She also serves part of the faculty at Mount Madonna Institute College of Ayurveda. Heather's first book, The Ayurvedic Guide to Fertility, has sold thousands of copies worldwide, and her writing has been featured in Sports Illustrated, Yoga Journal, and the Sunday Independent. Her podcast, Wisdom of the Body, holds an average rating of 5 stars on Apple Podcasts and is in the top 2.5% of podcasts globally.  Sam Sussman is the author of the USA Today Bestselling debut novel Boy From the North Country. The novel was named Oprah's most anticipated debut novel of the fall, hailed by Kirkus as "the most beautiful and moving mother-son story in recent memory," and Sam was recently profiled in the New York Times. Boy From the North Country is based on Sam's Harper's Magazine memoir The Silent Type on (possibly) being Bob Dylan's son. Sam graduated with a BA Swarthmore and M.Phil from Oxford and has lived in Jerusalem and Berlin. He lives in the Yorkville neighborhood of Manhattan and his native Hudson Valley. http://www.samevansussman.org/ Connect with Heather: Learn more at www.heathergrzych.com   Instagram.com/heathergrzych Facebook.com/grzychheather   Read the first six pages of The Ayurvedic Guide to Fertility for FREE: https://www.heathergrzych.com   Connect with Heather to balance your health with Ayurveda: https://www.heathergrzych.com/book-online

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Cass Sunstein is one of the most widely cited legal scholars of all time and among the most prolific writers working today. This year alone he has five books out, including Imperfect Oracle on the strengths and limits of AI and On Liberalism: In Defense of Freedom. In his second appearance on the show, he brings his characteristic intellectual range to exploring liberalism's present precariousness and AI's implications for law and speech. Tyler and Cass discuss whether liberalism is self-undermining or simply vulnerable to illiberal forces, the tensions in how a liberal immigration regime would work, whether new generations of liberal thinkers are emerging, if Derek Parfit counts as a liberal, Mill's liberal wokeism, the allure of Mises' "cranky enthusiasm for freedom," whether the central claim of The Road to Serfdom holds up, how to blend indigenous rights with liberal thought, whether AIs should have First Amendment protections, the argument for establishing a right not to be manipulated, better remedies for low-grade libel, whether we should have trials run by AI, how Bob Dylan embodies liberal freedom, Cass' next book about animal rights, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded October 10th, 2025. This episode was made possible through the support of the John Templeton Foundation. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Cass on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

An immigration operation in St. Paul escalated with the use of chemical irritants and projectiles Tuesdays. Hundreds of protesters responded. We'll go inside the rapid response organization that mobilizes when ICE is spotted.It's safe to say winter is here. Paul Huttner shared snow totals from across the state. With a large international population, the city of Rochester is working to to prepare residents for winter.Plus, a biologist broke down the relationship between the deer and wolf population in Minnesota. This weekend is the Hmong New Year. We heard about the long oral tradition of Hmong song poetry.The Minnesota Music Minute was “It's All Over Now, Baby Blue” by Bob Dylan. The Song of the Day was “All Are Welcome At Our Table” by Pat Egan.

November 2025's Spin Cycle edition of the Goldmine Podcast focuses on Record Store Day Black Friday. Editor Patrick Prince and Spin Cycle columnist Dave Thompson discuss the RSD records that they are excited to pick up (gems from Bob Dylan to The Rolling Stones). Also, the latest releases for the Ramones and Frank Zappa are discussed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThis is the story of Bruce Springsteen—“The Boss”—a kid from a working-class town who turned everyday American lives into epic songs, who built a career on sweat, loyalty, doubt, faith, and three-hour marathons onstage that left entire arenas wrung out and grinning.Let's walk through where he came from, what shaped him, how he broke through, who he's influenced—and why, decades in, Bruce Springsteen still matters.Picture central New Jersey in the 1950s and 60s. Bruce Frederick Joseph Springsteen is born September 23, 1949, in Long Branch, and grows up in nearby Freehold Borough in a blue-collar Catholic family. His father, Doug, bounces between jobs—factory work, bus driving, prison guard. His mother, Adele, is the steady one, working as a legal secretary and keeping the family afloat. The house is tight, money is tight, tempers are tight.Young Bruce doesn't thrive in school. He's restless, alienated; teachers remember him as the loner with the faraway look who really cared about one thing: the guitar. Then comes that moment. Like so many of his generation, he sees Elvis Presley on television—this wild, electric presence shaking up the polite living rooms of America. Soon after, he discovers the twin pillars who will haunt his work: Woody Guthrie and Bob Dylan. Guthrie teaches him that songs can stand with the powerless. Dylan shows him that lyrics can be literature without losing their bite.Support the showThank you for experiencing Celebrate Creativity.

Detering, Heinrich www.deutschlandfunkkultur.de, Lesart

Detering, Heinrich www.deutschlandfunkkultur.de, Lesart

Martin Scorsese's death wish. Bob Dylan's theft. Robbie Robertson's cocaine purchase. Four thousand pounds of turkey. Two thousand pounds of candied yams. Eight hundred pounds of pies and ninety gallons of gravy. What's it all mean? It means that Disgraceland has a Thanksgiving episode about the making of The Last Waltz that you'll be grateful you listened to. This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, help is available. Call or text the Suicide and Crisis Lifeline at 988. As we prepare for Turkey Day and reflect on The Band's farewell Thanksgiving concert, we want to know: What is the greatest concert film of all time? What are some of your favorites, and what makes them great? Let Jake know at 617-906-6638, ⁠disgracelandpod@gmail.com⁠, or on socials @disgracelandpod. This episode was originally published on November 26, 2024. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok⁠ Check out Kikoff: ⁠https://getkikoff.com/DISGRACELAND To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Let's celebrate Thanksgiving 1970s-style, by watching Martin Scorsese's concert documentary of the last performance by The Band (or at least the Band with Robbie Robertson still part of it). It's not just a concert, of course--it's a meditation on the end of the 1960s counterculture, bookending Scorsese's earlier work in Woodstock. We also have an interview with Mary's mother about cinematography, editing, and keeping up with music when you age out of youth culture. Starring Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, Robbie Robertson, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Joni Mitchell, Van Morrison, The Staples, Dr. John, Muddy Waters, Paul Butterfield, Ronnie Hawkins, Ringo Starr, Ron Wood. Directed by Martin Scorsese.

Episode 154: Supermoon Music And More November 25, 2025 Heres Another Tales Vinyl Tells, sharing the The vinyl albums from the 60s & 70s, those LPs carried the new wave of The British Invasion while America was already experiencing its own invasion from Joan Baez, Joni Mitchell, Beach Boys, Jan and Dean, Mamas and Papas, CSN&Y, Bob Dylan, The Doors, the folkies, Paul Revere and the Raiders, Freddie Boom Boom Cannon, The Turtles, The Buckinghams even. And in the next hour, my intention today is to share some of those great LPs that were breaking a type of sound barrier and blowing minds while we.well, we were having our own revolution, discovering free love, recreational experimental mind altering elements, all to a soundtrack that lives on and has NOT been repeated. This music of today may last, maybe not. 60s & 70s rock has everlasting life.   You can learn how to financially support this program by going to https://patron.podbean.com/talesvinyltellssupport. And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Join host Buzz Knight and Harry Jacobs on a look at music history for the week of 11-24. They talk about events concerning Queen(the passing of Freddie Mercury), Cream, The Last Waltz(The Band's Farewell Concert which featured Van Morrison, Joni Mitchell, Bob Dylan, Eric Clapton and others), Cream, and the passing of the great Philadelphia DJ from WMMR Pierre Robert.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Join host Buzz Knight and Harry Jacobs on a look at music history for the week of 11-24. They talk about events concerning Queen(the passing of Freddie Mercury), Cream, The Last Waltz(The Band's Farewell Concert which featured Van Morrison, Joni Mitchell, Bob Dylan, Eric Clapton and others), Cream, and the passing of the great Philadelphia DJ from WMMR Pierre Robert.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Bhí an t-iriseoir i láthair san INEC i gCill Áirne aréir chun Bob Dylan a fheiscint - óiche den scoth a deir sé.

40 BEST SINGER SONGWRITER ALBUMS. (PART 1 0F 3)Episode includes Bob Dylan, John Martyn, Kate & Anna McGarrigle, Richard & Linda Thompson and J.D. Souther.

Das Bob-Dylan-Konzert in Köln brachte unseren Autor auf ungewöhnliche Gedanken.

Send us a text In this episode, Marty gives Clif the movie The Last Waltz to watch and Clif gives Marty the movie My Cousin Vinny to watch. In this Thanksgiving episode of Talking Pondo, Clif and Marty serve up the perfect double feature: My Cousin Vinny (1992) and The Last Waltz (1978).They break down Joe Pesci's hilarious courtroom chaos, Marisa Tomei's Oscar-winning performance, and why Vinny is one of the most rewatchable comedies ever made. Then they pivot to Martin Scorsese's legendary concert film The Last Waltz: a raw, beautifully shot farewell to The Band, filmed on Thanksgiving night and packed with music icons like Bob Dylan, Neil Young, and Joni Mitchell. #MyCousinVinny #TheLastWaltz #TalkingPondo #MartinScorsese #MarisaTomei #JoePesci #MoviePodcast #FilmDiscussion #ThanksgivingMovies #ClassicMovies #RockDocumentary #FilmNerds Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

Willie O’Meara from Fethard, Co Tipperary didn’t have to think twice when he decided that he had to thank the staff at the Gleneagle Arena in the INEC. Willie was there with his friend Johnny O’Connor who is a huge Bob Dylan fan and had travelled to Killarney for the music great’s concert in the arena last night. Willie explains how amazing the staff were in assisting Johnny who is on crutches.

 Former Colts Owner Jim Irsay's Memorabilia Collection is Up for AuctionHis guitar collection alone is valued at over One BILLION Dollars This collection is largely known for its vast selection of musical instruments -  often dubbed "The Greatest Guitar Collection on Earth” , which is estimated to be worth over $1 billion and includes instruments previously owned by -Bob Dylan, John Lennon, Miles Davis, Jimi Hendrix, and David Gilmour. Items also in the collection include:A 1963 Gretsch 6120 Country Gentleman, used by John Lennon on The Beatles' 1966 single "Paperback Writer"Lennon's 1964 Rickenbacker Rose Morris Model 1996, used during The Beatles' 1964 Christmas tour. Ringo Starr's first Ludwig drum kit used with The Beatles while touring Europe in 1963And Ringo's drum kit he played on the Ed Sullivan showMuhammad Ali's "Rumble in the Jungle" championship belt-rocking chair used by President John F. Kennedy at the white house- include Jackie Robinson's baseball bat from the 1953 season -Movie MemorabiliaA Wilson volleyball, used during the filming of Cast Away (2000)-a "golden ticket" from Willy Wonka & the Chocolate Factory (1971)-Al Pacino's shooting script used during production of Scarface (1983)-Sylvester Stallone's early working script notebook for the film Rocky (1976-Jack Kerouac's original manuscript of "On the Road -Hunter S Thompson's Chevrolet, -The saddle used for Secretariat's Triple Crown run -documents handwritten by George Washington, Abraham Lincoln and Thomas Jefferson, -The original manuscript of the Alcoholics Anonymous 'Big Book'.-And a more-than-200-year-old copy of the Declaration of Independence   To subscribe to The Pete McMurray Show Podcast just click here

We take a deep dive into the world of AI and music with artists Dylan Heidt and Jeff Dayton.Jeff Dayton is an American musician, singer, producer and songwriter best known as being the bandleader for Glen Campbell and the Jeff Dayton Band for 15 years, plus touring with Kenny Chesney and Lee Greenwood.Dayton performed with club bands in the upper Midwest, including a year with the KO Band, which was fronted by Bob Dylan studio musician Kevin Odegard. Their producer was David Z and their drummer a young Bobby "Z" Rivkin.Dayton moved to Fountain Hills, Arizona and formed the Dayton-Privett Band with Mark Prentice, Tom Sawyer and Ron Privett. After 2 years, Privett left the band, and was replaced with Dave Watson; the band was renamed High Noon Band and continued until the band went their separate ways. Dayton then formed the Jeff Dayton Band, and over time about 100 different musicians performed under that name with Dayton, notably steel guitarist Ed Black, guitarist Bob "Willard" Henke, Grammy award winner producer Michael B (aka Mike Broening), drummer Mickey McGee, banjo player Bruce Leland, drummer Merel Bregante, bassist Doug Haywood, etc.[1][15]High Noon won the Wrangler Country Showdown and the Jeff Dayton Band won the Marlboro Talent Roundup. The JDB was named New Times' Best of the Decade's Best Award.[4] In addition, Dayton wrote and recorded That Lady Can Love which became his first #1 record at KNIX-FM and another song earned a platinum songwriting award for George Strait with "Any Old Time." The song was also released as the "B" side of Strait's single "The Cowboy Rides Away."Dayton and band opened for Merle Haggard, The Judds and Alabama in 1987. After a chance meeting with Glen Campbell that evening and an impromptu jam session at the grand opening of Jack Nicklaus' Desert Mountain golf course, Dayton and his group were hired to tour with Campbell.[5][6]For the next 15 years the Jeff Dayton band performed on worldwide tours, TV and record dates, celebrity events and many concerts.[7][8] While Glen Campbell's' musical director, he conducted many symphony orchestras and even Les Brown and His Band of Renown. Highlights included shows at the White House, NBC's The Today Show and the Grand Ole Opry stage. Campbell and the Jeff Dayton Band also played with Gene Autry, Willie Nelson, Bob Hope, Vince Gill and dozens more."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A third-party candidate has entered Minnesota's race for governor. We learned about Mike Newcome and the Forward Independence Party platform. We heard from a former independent candidate for governor, Tom Horner, about what it takes to campaign as a third-party. Minnesota-based Essentia Health serves primarily rural areas, which includes several tribal nations. And now Essentia has a tribal liaison who is building trust and bringing Native perspectives to the forefront. We talked to him.Plus, your Thanksgiving turkey could be more expensive this year. Tariffs are a big culprit. Our agriculture reporter joined us from Moorhead to share more.Our Minnesota Music Minute was “West Memphis” by Bob Dylan.

Kirk recently read Cameron Crowe's memoir The Uncool, about his experience writing about music, notably for Rolling Stone. Doug and Kirk reflect on rock music journalism. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes Cameron Crowe: The Uncool, a Memoir (https://amzn.to/4oOzPf3) Almost Famous (https://amzn.to/485TQ9O) Fast Times at Ridgemont High (https://amzn.to/3XD38oG) Jerry Maguire (https://amzn.to/485Ct8O) Aloha (https://amzn.to/3XI2LJr) Can AI tell us anything meaningful about Bob Dylan's songs? - Aeon Essays (https://aeon.co/essays/can-ai-tell-us-anything-meaningful-about-bob-dylans-songs) Write Now with Scrivener (https://podcast.scrivenerapp.com/) The Bongos - Wikipedia (https://en.wikipedia.org/wiki/The_Bongos) Richard Hambleton, ‘Shadowman' of the '80s Art Scene, Dies at 65 - The New York Times (https://www.nytimes.com/2017/11/03/obituaries/richard-hambleton-dead-shadowman-of-the-80s-art-scene.html) Shadowman (https://amzn.to/48mUuAP) (documentary about Richard Hambleton) Our next tracks: Patti Smith: Horses (https://amzn.to/47RAE0E) Superchunk: Misfits & Mistakes: Singles, B-sides & Strays 2007–2023 (https://amzn.to/4idX0gm) If you like the show, please subscribe in Apple Podcasts (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

Ryan Bingham never knew until he was an adult that his path would take him into music full time, much less that he would become an international star, nor did he dream of eventually reaching millions more people in film and television. He did not play guitar with much skill until his early twenties. However, he wrote one of his most enduring hits while woodshedding on guitar and harmonica, “Southside of Heaven”. His musical foundation goes back to early exposure to a great record collection and the influence of his father and uncle, especially: as a boy, he was gifted a trove of LPs from the likes of Townes Van Zandt, Guy Clark, Joey Lee, Terry Allen, and The Flatlanders, and you can hear bits and pieces of all those artists' sensibilities and approaches in his music from the jump. As Bingham said in our interview, “I still got vinyl. My family had a bar back in the 60s and 70s in New Mexico called the Halfway Bar. And my uncle saved all the vinyl records out of there from those days. And he ended up giving them to me. And that was really the music I grew up on. I remember living with him at a time and, you know, him showing me how to clean the records with the brush and on the turntable. And I was really, you know, 10, 11 years old and just fascinated with the artwork on that. I remember he had like, Commander Cody and the Lost Planet Airman was live at the Armadillo World Headquarters and all that Jim Franklin art, you know, and all those albums. It was just, I loved all that stuff. So I still got those records and play them all the time.” Ryan Bingham Currently working on a new album scheduled for release in 2026, Ryan Bingham is testing out a number of his new songs on the road, which is where he spoke with my friend Jeff Williams and myself when he played Charlotte recently, in October. In our conversation, we talked about everything from those early days where he was striving to simply have a better job than manual labor, key figures in his career like Marc Ford and Charlie Sexton, pivotal moments like joining My Morning Jacket, Wilco and Bob Dylan on stage, to playing with his current band The Texas Gentlemen, and a whole lot more, including his new song “The Lucky Ones” and excerpts from his latest live album, Ryan Bingham and The Texas Gentlemen Live at Red Rocks as well. Songs heard in this episode:“Southside Of Heaven” by Ryan Bingham and The Texas Gentlemen, from Live at Red Rocks“Jingle and Go” by Ryan Bingham and The Texas Gentlemen, from Live at Red Rocks“The Lucky Ones” by Ryan Bingham and The Texas Gentlemen, excerpt, excerpt“Bread & Water” by Ryan Bingham and The Texas Gentlemen, from Live at Red RocksThanks to my friend Jeff Williams for inspiring me to pursue interviewing Ryan Bingham, and for joining us in our conversation. Thanks also to the team at Sacks & Co. in Nashville for helping to coordinate with Ryan Bingham's team and pave the way for this episode. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. Please take a moment and give us a top rating and where you can, a review. It makes a big impact on the ranking and therefore the visibility of this series to all the other music fans who also follow podcasts. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Patti Smith, “the Godmother of Punk,” has lived a wild life and accumulated so much wisdom in the process. In the 1960s and '70s, Smith was a fixture of the New York City creative scene — hanging out with the likes of Bob Dylan, Janis Joplin, Allen Ginsberg and Robert Mapplethorpe. Merging her own poetry with an ace backing band, she became a global rock star. Then she gave it up, moved to Michigan, raised a family, and remade herself into a best-selling author. Her stunning memoir “Just Kids” won the National Book Award and is one of the books that I've kept returning to, again and again.There is clearly something unusual about Smith. People who know her have described her as “shamanistic.” But even for those of us who will never become rock stars, there's something inspiring — and oddly relatable — in how she thinks about life. So I was excited to have the opportunity to sit down with her and learn more.Smith is out with a new memoir, “Bread of Angels,” and is on tour for the 50th anniversary of her breakthrough album, “Horses.” We talk about that book and that album and so much more: the boundless curiosity that drives her; the books that shaped her; her childhood communion with a snapping turtle; what Andy Warhol was like; what color she thinks the soul is; and a lot more that's hard even to describe.This episode contains strong language.Mentioned:“Pan's Labyrinth” by Guillermo del ToroGrimm's Complete Fairy Tales by Jacob Grimm and Wilhelm GrimmBread of Angels by Patti SmithJust Kids by Patti Smith“The Dark Blot” by Gérard de Nerval“Genie” by Arthur Rimbaud“Guernica” by Pablo Picasso“The Last Supper” by Andy WarholBook Recommendations:The Adventures of Pinocchio by Carlo CollodiFrankenstein by Mary ShelleyThe Poetry of Sylvia Plath Edited by Claire Brennan2666 by Roberto BolañoThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Annika Robbins. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Michelle Harris, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Caryn Rose and Annika Robbins. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Chuck and Roxy are back and open the show with explaining how Chuck "tries" and does a "decent job" treating Roxy as a princess. They also have an epic bowling segment and a not so epic Fantasy Football segment. Next it's time to "Meet the Littles" as our host's welcome Bob Davidson to the show! (19:30) As he is the cousin to DG we get to hear all about them growing up and maybe even some of the trouble they would get in.Then our hosts close out the show with a quick movie review of "Springsteen: Deliver Me From Nowhere" and your emails and notes. (49:30) SONG: "Expensive Hobby" by Norwegian Soft Kitten BAND CAMP / SOUND CLOUD: Search Norwegian Soft Kitten TWITTER: @ns_kitten INSTAGRAM: @norwegiansoftkitten FACEBOOK: Search Norwegian Soft KittenJINGLE: "TK Show Football Bettin Blues" (Subterranean Homesick Blues) A parody of a song by Bob Dylan.Recorded by Patrick Moffett in Sacramento, CARecorded: 11/03/2018  Released: 11/03/2018  First aired: 11/14/2018Podcast Website - www.loyallittlespod.com  Patreon: www.patreon.com/c/loyallittlespod/membershipPodcast Email - WTFCPODNET@GMAIL.COMTwitter:@loyallittlespod Instagram: @theloyallittlespodcastPODCAST LOGO DESIGN by Eric Londergan www.redbubble.com Search: ericlondergan or copy and paste this link! https://www.redbubble.com/people/ericlondergan/shop

Peter Jesperson, Jason Jones, and Elizabeth Nelson are here to discuss their work on Let It Be (Deluxe Edition) by the Replacements, Peter's fondness for Elizabeth's writing and her excellent liner notes for this edition, Bob Mehr's decision to step away from the Replacements reissue campaign for now and its impact on this project, the ‘Mats' penchant for cover songs, what this might signify, and their love of NRBQ, the energetic live records included here and tracking down a fan who taped one of the shows, news about Elizabeth's band the Paranoid Style, what's next in Replacements reissues, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik!Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #954: Peter Ames Carlin on R.E.M.Ep. #803: The Replacements' ‘Tim: Let it Bleed Edition' with Bob Mehr, Jason Jones & Ed StasiumEp. #646: They Might Be GiantsEp. #644: The Replacements' ‘Sorry Ma, Forgot to Take Out the Trash' with Peter Jesperson, Jason Jones, & Bob MehrEp. #569: The Replacements' ‘Pleased to Meet Me' with Bob Mehr & Jason JonesEp. #252: Bob Mehr on The ReplacementsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.