Podcasts about casting directors

Jazzy Collins is an Emmy Award–winning casting director whose résumé includes fan-favorite shows like The Traitors, Love Island, Very Important People, The Circle, and many more. She's also the cofounder of the production company Forced Perspective and was recently named one of Vulture's Reality TV Masterminds. On this episode, she discusses everything that goes into casting the most popular scripted and unscripted shows—from identifying potential reality TV stars on social media to making sure people are "there for the right reasons." Plus, she shares the details about the feature film she's producing alongside the L.A.-based meme account @americanaatbrandmemes.

For over two decades, Keli Lee ran talent and casting at ABC and Disney, shaping shows like Grey’s Anatomy, Scandal, and Modern Family while building the industry’s first program designed to get overlooked actors in front of the right people, helping launch the careers of Lupita Nyong’o, Chadwick Boseman, and Pedro Pascal. She created Disney’s first international studio from scratch, all while crisscrossing time zones between London, Australia, and LA for four years straight. And then her heart stopped, leading to eight days in the ICU that changed everything. On this episode of She Pivots, Keli talks about the night Viola Davis made history, the toll of nonstop work, how her father’s illness sent her looking into her own family history, and how that journey became the foundation for her brand Kurioscity, built to help others live with more intention. Chapters: 00:00 Welcome to She Pivots 00:28 Guest Introduction: Keli Lee 04:28 From South Korea to All Over the USA 10:08 New York City: If You Can Make It Here... 12:39 Getting Into Casting 18:17 Disney and Diverse Representation 27:26 The Toll: A Near-Death Experience 33:13 Pivoting to Women's Soccer Ownership 35:47 The Art of Identifying the Undervalued 39:37 Do You Think You'll Pivot Again? 40:49 Closing Thoughts and Show Information You can Follow Keli on Instagram @kelilee7 and you can scheck out her substack for Kurioscity at https://kelilee.substack.com/ Be sure to subscribe so you never miss a pivot story, leave us a rating (it really helps!), and share this episode with a woman in your life who you think needs a little inspiration. She Pivots is a podcast created by host Emily Tisch Sussman to highlight influential women voices, share stories of bold career moves, and inspire women with interviews about career reinvention and how personal pivots can redefine professional success. Join our Substack community! Subscribe here for exclusive content and to connect with other pivoters: shepivots.substack.com Learn more about the inspiring women in our pivoter community by following us on instagram @ShePivotsThePodcast, and check out our website shepivotspod.com for resources and updates. She Pivots is proud to be an iHeart podcast.Support the show: https://www.shepivotsthepodcast.com/See omnystudio.com/listener for privacy information.

Have you ever wondered why some actors seem to get noticed by casting directors while you still feel invisible?Getting more auditions is not only about talent. Casting is built on relationships. The right research and steady follow-up can help the right people learn who you are and what kinds of roles fit you.In this episode, you'll discover:How to find casting directors who work on the kinds of shows and films you want to book.Why a simple approach can help you stand out without bothering busy casting teams.The key mindset that can help you build stronger industry relationships over time.Play this episode to learn how to stop waiting to be discovered and start creating more chances for casting directors to notice your work.Contact MartinEmail: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional ResourcesHeadshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

Sherry Thomas is one half of Bialy/Thomas & Associates, the casting powerhouse behind Breaking Bad, Better Call Saul, The Walking Dead, The Handmaid's Tale and The Testaments, Barry, The Righteous Gemstones, Dead to Me, Apple TV+'s Sugar, and Broadway's Jersey Boys. She and Sharon have earned multiple Emmy nominations together across their 25-plus year partnership. Their most recent Emmy nom is for Apple TV+'s Pluribus, which is Vince Gilligan's follow-up to Breaking Bad. It's a full-circle moment: Sherry and her partner Sharon Bialy are the team who first brought Bryan Cranston to Gilligan's attention nearly two decades ago.  In this episode, we go all the way back to New Hampshire and Massachusetts, where a girl obsessed with Donny and Marie and Three's Company had no idea she'd end up building an empire in casting. She landed in LA not knowing a single person. She slept on couches for two years. She worked retail at the Gap. And then, through a chain of small moments (a charity basketball game, a fundraiser, a woman named Victoria Burroughs) she found her way into a casting office and never looked back. We dive into:  Her first job as a location casting assistant on Contact Meeting her business partner Sharon Bialy at a Starbucks and building a 25-plus year partnership without ever putting anything in writing What she wishes every producer understood about working with casting directors Her honest, unfiltered take on AI in casting and what it means for actors How becoming a mom to two teenage daughters changed the way she sees ambition and grit Sherry is candid, funny, and doesn't hold back, whether she's talking about the gritty early days or the future of our industry. This is a primer for building a career (and a business) on relationships, resilience, and staying true to who you are.  AOP SUBSTACK

New York casting director Joanna Davis joins host Jesse Malinowski at Get Scene Studios to break down what actually happens to your submission: roughly 3,000 actors on a guest star role, about 60 who get asked to tape, and the reel and headshot habits that decide which side you land on. She also covers why the "you don't live in LA" bias is gone, the local hire answer that quietly costs you the job, and the resume pattern that tells her you've been hiring yourself. Get Scene Unscripted is the Southeast's #1 actor podcast, featuring casting directors, agents, and working actors.Join Our Newsletter:https://getscenestudios.us7.list-manage.com/subscribe?u=7660af20fdb3c04d6b6516591&id=eecb804958Join our Patreon!⁠https://www.patreon.com/cw/GetScenePod⁠Get Your Ticket For Our Virtual Summit!https://www.getscenestudios.com/virtual-actors-summit

If you've ever wondered what casting directors are really looking for, this conversation is for you.Actor, director, coach, and Casting DNA creator Adria Tennor joins me to share the lessons she's learned from decades in television, film, and coaching actors. From booking roles on Mad Men and JAG to helping actors discover their authentic casting type, Adria explains why so many performers struggle to book consistently and what actually makes someone memorable in the audition room.In this episode, you'll learn:• What casting directors actually want to see• Why trying to be “more versatile” can hurt your career• How to identify your authentic casting type• Why creating your own work can accelerate your career• How relationships open more doors than auditions alone• Why nerves aren't your enemy and how to use them to your advantageWhether you're an actor, voice actor, or creative professional, you'll walk away with practical advice you can apply to your next audition and your long-term career.Get $50 off Adria's Casting DNA program: https://adriatennor.com/voproLearn more about VO Pro: https://vopro.pro#VoiceActing #Acting #Auditions #CastingDirector #ActorLife #VoiceOver #VoiceActor #SelfTape #ActingCoach #CareerAdvice #Performance #VOProLinks: (When possible, I use affiliate links and may earn a commission. See disclosure below.)▶️ Subscribe: https://vopro.pro/youtube

Jesse Malinowski sits down with Broadway vet and LA acting coach David Gray (HBO's Game Change opposite Julianne Moore, David Gray Studios), who puts a student on a TV show nearly every month, to break down why casting directors say every self-tape looks the same and why "real and grounded" is only step one. They get into the vertical boom taking over the industry, why only 2% of SAG works at any given time, and the audition wins actors never find out about, only on Get Scene Unscripted from Get Scene Studios.

ALYSSA WEISBERG is an Emmy and Artios award-winning Casting Director with over 90 credits in features and TV. These include STAR TREK BEYOND for director Justin Lin, MISSION IMPOSSIBLE: GHOST PROTOCOL and TOMORROWLAND for Brad Bird, projects for J.J. Abrams including SUPER 8, STAR TREK, STAR TREK: INTO DARKNESS, STAR WARS: EPISODE VII – THE FORCE AWAKENS, STAR WARS: EPISODE IX – THE RISE OF SKYWALKER; also THE LAST HOUSE for Louis Leterrier and SPACEBALLS 2, produced by and starring Mel Brooks. Host Jason E. Squire is Professor Emeritus, USC School of Cinematic Arts, and Editor of The Movie Business Book. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0)

Anousha's film work includes the acclaimed films: Hounds Of Love, Jasper Jones, Sweet Country, The Stranger, Shayda, The New Boy, The Correspondent, Kangaroo, Wolfram, and The Run. Her television productions include: Redfern Now, Rake, Cleverman, Black Comedy, Total Control, Thou Shalt Not Steal, and the Australian adaptation of The Office. Anousha is on the Executive Committee of the Casting Guild of Australia and she is an active member of its Diversity and Inclusion Committee.

Welcome to The DMF — Discovering Meaning in Film and Acting. I'm Justin Younts, and this is the complete interview with casting director Tiffany Little Canfield of Telsey Company — known for her work on Wicked, Mean Girls, and more. All three parts together.Tiffany grew up in Sacramento, got serious about acting early, moved into directing, and eventually found her way to casting — where her background on both sides of the table changed how she reads actors and approaches every project. This conversation covers all of it.We start with her path into the industry, the casting process, what actors consistently misunderstand about auditions, the impact of self-tapes, and why training never stops mattering. From there we get into the specific casting stories — A Most Violent Year, Miss Sloane, Margin Call, and Wicked. Tiffany gets into how Ariana Grande was cast as Glinda, the casting of The Wizard, Madame Morrible, and Bowen Yang, and what the process looked like on a production of that scale.We also get into casting controversies, diversity in casting, and what Tiffany actually thinks about how those conversations play out in the industry. She talks about the Academy finally establishing a casting branch and what that recognition means for the profession. We close with upcoming projects, Inside the Actors Studio questions, what she's reading and watching, and her thoughts on The Lost Daughter.In this episode we discuss:Tiffany's path from acting to directing to castingThe casting process and what actors get wrongSelf-tapes and the reality of modern auditionsCasting Wicked — Ariana Grande, Cynthia Erivo, Michelle Yeoh, Jeff Goldblum & Bowen YangCasting A Most Violent Year, Miss Sloane & Margin CallCasting controversies and diversity in the industryThe Academy finally recognizing casting directorsUpcoming projects including Only Murders in the Building and Paradise00:00:00 - Introduction 00:00:14 - Guest Introduction & Early Life 00:00:38 - Influence of Early Life on Career 00:02:23 - Transition from Acting to Directing 00:03:14 - Professional Training and Realization 00:04:26 - Decision to Shift from Acting 00:06:09 - Transition to Casting 00:06:21 - Casting Experience and Realization 00:09:04 - Getting into the Industry 00:09:29 - Similarities between Casting Directors and Actors 00:13:26 - Role of Directing Degree in Casting 00:13:26 - Understanding Actors 00:15:13 - Misconceptions about Acting 00:15:40 - The Art and Craft of Acting 00:17:26 - The Importance of Continuous Training 00:22:02 - The Shift to Self-Tapes 00:24:32 - Challenges in the Industry 00:26:52 - The Power of Subtle Acting 00:28:36 - Working with the Telsey Office 00:29:52 - Casting 'A Most Violent Year' 00:30:48 - Casting 'A Most Violent Year' Continued 00:36:26 - Casting 'Miss Sloan' 00:39:09 - Casting 'Margin Call' 00:41:30 - Casting 'Wicked' 00:46:19 - Casting 'Wicked' Continued: The Role of Glinda 00:49:54 - Casting 'Wicked' Continued: The Role of the Wizard and Madame Morrible 00:55:26 - Casting 'Wicked' Continued: The Role of Boq 00:57:04 - Recognition of Casting Directors at the Academy Awards 01:01:30 - Future Plans 01:01:42 - Upcoming Projects 01:02:15 - Daily Routines 01:03:09 - Physical Fitness and Meditation 01:03:48 - Current Readings 01:05:11 - Music Preferences 01:05:39 - Current TV Shows 01:06:42 - Recent Movies 01:08:34 - Contact Information 01:08:57 - Conclusion#DMF #TiffanyLittleCanfield #CastingDirector #Wicked #ArianaGrande #TelseyCompany #Oscars #Academy #Acting #Casting #Filmmaking #Podcast

Veteran casting director Lori Wyman (Miami Vice, Marvelous Mrs. Maisel, Bloodline, Ballers) joins Jesse Malinowski on Get Scene Unscripted to reveal why only 1 of 70 self-tapes she received was good enough to submit, and the on-set memorization disasters that got working actors blacklisted. From the two-take rule actors get wrong to why nutrition tanks auditions, this is four decades of casting truth most actors never hear.Join Our Newsletter:https://getscenestudios.us7.list-manage.com/subscribe?u=7660af20fdb3c04d6b6516591&id=eecb804958Join our Patreon!⁠https://www.patreon.com/cw/GetScenePod⁠

Opera Road Trip – Czech Opera | From Mozart's Prague to Janáček Why is Czech opera considered one of Europe's richest musical traditions? Why did Prague become Mozart's favourite operatic city? And how did Bedřich Smetana, Antonín Dvořák and Leoš Janáček shape the operatic repertoire we know today? In this episode of Opera Road Trip, host Sebastian F. Schwarz explores more than four centuries of Czech opera—from the arrival of Italian opera in seventeenth-century Prague to the vibrant opera houses and festivals of today's Czech Republic. Joining the conversation are Jiří Heřman, Artistic Director of the opera of the National Theatre Brno and the Janáček Brno Festival, and internationally acclaimed stage director Barbora Horáková Joly. Together they discuss Czech opera from artistic, institutional and international perspectives, exploring repertoire, audiences, artistic identity, leadership, funding and the future of opera in one of Europe's most remarkable operatic landscapes. The episode also features music by Bedřich Smetana, Antonín Dvořák and Leoš Janáček, including recordings kindly made available by the London Symphony Orchestra, Teatro Real Madrid and the National Theatre Brno. Opera Road Trip is hosted by Sebastian F. Schwarz, Casting Director of Milan's Teatro alla Scala. Previously, he served as CEO, Artistic Director or Artistic Administrator at Theater an der Wien, Glyndebourne, Teatro Regio Torino, Festival della Valle d'Itria, Hamburg State Opera and Wexford Festival Opera. He is Vice-President of the International Richard Strauss Society, a board member of the European Musical Theatre Academy and co-founder of the Cesti Competition for Baroque Opera.Opera Europa's free streaming platform supported by the Creative Europe programme of the European Union.   Opera Road Trip – Tschechische Oper | Von Mozarts Prag bis Janáček Warum zählt die tschechische Oper zu den bedeutendsten Operntraditionen Europas? Weshalb begeisterte sich Mozart so sehr für Prag? Und wie prägten Bedřich Smetana, Antonín Dvořák und Leoš Janáček das Opernrepertoire bis heute? In dieser Folge von Opera Road Trip begibt sich Sebastian F. Schwarz auf eine Reise durch mehr als vier Jahrhunderte tschechischer Operngeschichte – von den Anfängen der italienischen Oper im Prag des 17. Jahrhunderts bis zur außergewöhnlich lebendigen Opernlandschaft der heutigen Tschechischen Republik. Zu Gast sind Jiří Heřman, Künstlerischer Leiter der Oper des Nationaltheaters Brünn und des Janáček-Brno-Festivals, sowie die international renommierte Regisseurin Barbora Horáková Joly. Gemeinsam sprechen sie über die tschechische Oper aus künstlerischer, institutioneller und internationaler Perspektive und diskutieren Repertoire, Publikum, künstlerische Identität, Führungskultur, Finanzierung und die Zukunft einer der bemerkenswertesten Opernlandschaften Europas. Außerdem erklingen Werke von Bedřich Smetana, Antonín Dvořák und Leoš Janáček in Aufnahmen, die freundlicherweise vom London Symphony Orchestra, dem Teatro Real Madrid und dem Nationaltheater Brünn zur Verfügung gestellt wurden. Opera Road Trip wird von Sebastian F. Schwarz geschrieben, moderiert und produziert. Er ist Casting Director des Teatro alla Scala in Mailand und war zuvor unter anderem Generalintendant, Künstlerischer Leiter oder Betriebsdirektor am Theater an der Wien, in Glyndebourne, am Teatro Regio Torino, beim Festival della Valle d'Itria, an der Hamburgischen Staatsoper sowie bei der Wexford Festival Opera. Er ist Vizepräsident der Internationalen Richard-Strauss-Gesellschaft, Mitglied des Vorstands der European Musical Theatre Academy und Mitbegründer des Cesti-Wettbewerbs für Barockoper. Alle Folgen: https://operavision.eu/features/opera-road-trip     Opera Road Trip – L'opéra tchèque | Du Prague de Mozart à Janáček Pourquoi l'opéra tchèque occupe-t-il une place si particulière dans l'histoire de la musique européenne ? Pourquoi Prague a-t-elle tant fasciné Mozart ? Et comment Bedřich Smetana, Antonín Dvořák et Leoš Janáček ont-ils façonné le répertoire lyrique que nous connaissons aujourd'hui ? Dans ce nouvel épisode d'Opera Road Trip, Sebastian F. Schwarz retrace plus de quatre siècles d'histoire de l'opéra tchèque, depuis l'arrivée de l'opéra italien dans la Prague du XVIIᵉ siècle jusqu'à la vitalité exceptionnelle des maisons d'opéra et des festivals de la République tchèque contemporaine. Ses invités sont Jiří Heřman, directeur artistique de l'Opéra du Théâtre national de Brno et du Festival Janáček Brno, ainsi que la metteuse en scène de renommée internationale Barbora Horáková Joly. Ensemble, ils abordent l'opéra tchèque sous ses dimensions artistique, institutionnelle et internationale, en évoquant le répertoire, les publics, l'identité artistique, le leadership, le financement et les perspectives d'avenir de l'un des réseaux lyriques les plus remarquables d'Europe. L'épisode est également ponctué d'extraits d'œuvres de Bedřich Smetana, Antonín Dvořák et Leoš Janáček, grâce à des enregistrements aimablement mis à disposition par le London Symphony Orchestra, le Teatro Real de Madrid et le Théâtre national de Brno. Opera Road Trip est présenté par Sebastian F. Schwarz, directeur du casting du Teatro alla Scala de Milan. Son parcours de dirigeant d'institutions lyriques l'a conduit à exercer des fonctions de directeur général, directeur artistique ou administrateur au Theater an der Wien, à Glyndebourne, au Teatro Regio Torino, au Festival della Valle d'Itria, à l'Opéra d'État de Hambourg et au Wexford Festival Opera. Il est vice-président de la Société Internationale Richard Strauss, membre du conseil d'administration de la European Musical Theatre Academy et cofondateur du Concours Cesti dédié à l'opéra baroque. Opera Road Trip est écrit, présenté et produit pour OperaVision, la plateforme gratuite de streaming d'Opera Europa, soutenue par le programme Europe Créative de l'Union européenne.  Tous les épisodes : https://operavision.eu/features/opera-road-trip   Music extracts for this episode: Introduction: Fidelio (Beethoven): Overture, op. 72 Excerpts from Kat'a Kabanova (Leoš Janáček): Magdalena Kožená, Ladislav Elgr, London Symphony Orchestra, Sir Simon Rattle Excerpt from the "School Cantata" from Jakobin (Antonín Dvořák): Petr Levíček, National Theatre Brno Janáček Opera Orchestra and Chorus, Brno Children's Choir, Jakub Klecker   Excerpts from the Ouverture of Prodaná Nevěsta (Bedřich Smetana): Teatro Real Orchestra, Gustavo Gimeno   Bonus Music: Excerpt from an Aria of Mařenka from Prodaná Nevěsta (Bedřich Smetana): Natalia Tanasii, Teatro Real Orchestra, Gustavo Gimeno   Link to the page of the London Symphony Orchestra: https://lsolive.lso.co.uk/products/lso0889-janacek?_pos=1&_psq=katya&_ss=e&_v=1.0

Hey guys and welcome back to the podcast!Today we are chatting with Jazzy Collins! Jazzy is the first Black Primetime Emmy-winner for Reality Casting for The Traitors (Peacock 2024,) and was previously nominated for casting Lizzo's Watch Out For The Big Girls (Amazon). Other casting credits include Love Island USA (Peacock), The Circle (Netflix), Game Changer and Very Important People (Dropout), and over 40 other TV and feature projects across all genres. FYI she was submitted for an Emmy this year for Dropout's Game Changer.She famously cast The Bachelor/Bachelorette franchise (ABC) for 5 seasons, before walking away in 2020 and penning an open letter calling out the lack of diversity on the show.We chat all about what she is casting for right now, what she is looking for in future reality stars, the celebs she has cast and how to maintain a work life balance.Follow Jazzy:https://www.instagram.com/jazzycasting/?hl=enonnect with me on social:Instagram: https://www.instagram.com/zacharyrealityTiktok: https://www.tiktok.com/@zacharyrealityTwitter: https://twitter.com/zacharyrealityYoutube: https://www.youtube.com/@ZacharyReality

Send Us A Message or Ask Us A Question? Loïc Thaler on Voice, Validation, and Creating Space for Others (Us People Podcast Season 7)Savia Rocks introduces season seven of the Us People Podcast and interviews Brussels-based voiceover and international casting director Loïc Thaler, who describes himself as an unapologetic “weirdo” shaped by a Belgian-English upbringing, early radio work starting at age 10, and a career hosting major Belgian radio before shifting into voiceover and casting for projects including Disney, Lego, Sonos, and Swiss television. Loïc discusses authenticity at the mic, ADHD-driven work habits, therapy and an “inner compass” after struggling with anxiety, imposter syndrome, and validation needs tied to his parents' divorce. He explains using his privilege and platform to create opportunities, including blind casting to reduce bias, and reflects on injustice, courage, loneliness, and deeper human connection. He shares routines, gratitude mindset, avoiding negative news, finding supportive creative community, and recommends LinkedIn to connect.00:00 Podcast Intro Legacy01:10 Meet Loïc Thaler02:46 Weirdo Origins Radio05:31 From Radio To Voiceover11:39 Identity Mirror Validation15:27 Trauma Inner Compass16:45 Day In The Life23:49 Power Of Voice Advocacy29:25 Blind Casting Inclusion35:23 Injustice And Courage39:06 Courage to Disagree41:25 Gray Areas and Ego43:25 Red Car Theory Mindset45:12 Quit the Negative News46:52 Gratitude and Small Wins49:43 Ask How Are You Really52:42 Loneliness and Third Places01:00:03 Life Without Judgment01:03:52 Peace in Japan Reset01:06:59 Voiceover Advice and Growth01:12:01 Find Me on LinkedIn01:13:34 Final Thanks and OutroLinkedIn: https://www.linkedin.com/in/lo%C3%AFc-thaler-2972a2159/Thank you so much Loïc Thaler for using your voice as a voice of power - Savia Rocks Support the show

What makes a voiceover audition feel bookable — and what makes casting hit pause? George the Tech sits down with Kim Hurdon of KH Casting for a deep conversation about the casting side of voiceover, especially in video games, animation, and remote audition workflows. Kim explains why human performance still matters most, why over-editing can hurt more than help, and how actors can avoid sounding processed, artificial, or disconnected from the role. They also explore the post-COVID home studio divide, the value of hub studios and engineers, video game realism, effort sounds, PCAP, inclusive casting, NDAs, and why booking often comes down to fit — not just skill. Timeline 00:00 Sponsor and Sound Check 01:07 Meet Kim Hurdon 02:19 Headphone Geek Out 04:39 Audition Mistakes: Editing, Breaths, Music, and Overprocessing 08:29 Kim's Casting Origin Story 12:55 The Home Studio Divide After COVID 16:01 The Gaming Boom and AAA Workflows 18:38 Mics, Movement Rigs, and Remote Recording 21:59 Authenticity in Games and Inclusive Casting 25:01 Efforts, Levels, and Clipping 29:01 Hybrid Workflows and Hub Studios 30:57 The Laptop Mic Disaster 33:03 Building a Studio Checklist Mindset 34:52 Ensemble Sessions vs. Solo Sessions 36:26 PCAP Explained 38:21 Gameplay Lines and Alts 39:09 Booking Fit vs. Skill 41:36 Game Timelines and NDAs 43:49 NPCs and Long-Running Game Work 45:22 Favorite Work and Family 49:05 Zoom Auditions and CAVA 51:24 AI Laws and Advocacy 52:56 Conferences and Community 55:15 How to Book More 56:09 Coaching Without Overdoing 59:02 Where to Find Kim 59:15 Final Wrap and Thanks

Have you ever wondered why trying too hard to impress a casting director might actually hurt your chances of booking the role?Many actors focus on proving how talented they are, but that can pull them away from what really matters: telling the story.When actors shift their focus from themselves to the world of the project, their auditions often feel more real, natural, and believable.In this episode, you'll discover:Why trying to “perform well” can quietly work against you and what helps casting directors trust you more.The simple mindset change that can make your self tapes feel more honest and connected.How the way you present yourself before an audition can help casting teams see you as the right fit.Listen now to learn how focusing on the story instead of proving yourself can help you create stronger auditions and build more trust with casting directors.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

Send us Fan MailIn this episode, Jade Asha sits down with casting director Anna Boffa for an insightful conversation about the world of casting and talent discovery.Anna shares her journey into the industry, what inspired her career in casting, and the role casting directors play in shaping film and television projects. Together, they discuss what actors can do to make a memorable impression, common mistakes performers make during auditions, and how the casting process has evolved in today's entertainment landscape.Whether you're an aspiring actor, an established performer, or simply curious about what happens behind the scenes, Anna offers valuable advice, industry insights, and a candid look at the realities of casting.Tune in for an engaging conversation packed with practical tips, career guidance, and a fascinating glimpse inside the casting room.Connect with us online and let us know your biggest takeaway from this episode. Follow Anna Boffa and Jade Asha for more insights into the entertainment industry, casting, acting, and filmmaking.Follow Anna Boffa:

Have you ever had a dream shatter and you not know what to do next? Our guest this week had that happen from an injury and her solution was to leave her small town and head for Hollywood. Though there were bumps along the way she knew immediately when she stepped into one particular role that she would own the company one day!Follow Kelly, The Voicecaster, & Blank Pages on Instagram: @kelly.moscinski.vc @thevoicecaster & @blankpagesinitiativeEmail Kelly - Kelly@Voicecaster.comCheck out Kelly's Podcast: Creative ImperfectionsSupport the showIf you'd like to support this podcast, you can buy me a coffee HERE. Check out the "Keep the Darkness at Bay" Journal & T's Here I'd also appreciate it if you left a 5 star rating and review for the podcast on whichever platform you listen on. Thank You!Special Thanks To:@jasonthe29th - Logo Design@jacobjohnsontunes - Theme MusicPod Decks - Fast 5 QuestionsDISCLAIMER: Some of the links here are affiliate links, which means I will make a small commission if you click them and make a qualifying purchase, at no extra cost to you :)*I hereby solemnly swear to only promote products and services I actually love and use in my podcast and everyday life!

The Tony Awards often celebrate the names on a show poster, but every Broadway production is carried by countless artists whose work rarely fits neatly into a category. So in anticipation of this year's awards ceremony, we're spotlighting a few of the performers, collaborators, and creative forces behind nominated productions. Victor Vazquez has spent his career expanding the possibilities of who gets seen onstage and whose stories Broadway embraces. As the founder of X Casting and casting director for CATS: The Jellicle Ball, Victor has helped build one of the most joyful, original, and culturally electric productions of the season from the ground up.  In this conversation, Victor offers a rare look inside the audition room, reflects on what it means to bring Ballroom culture into the spotlight with care and authenticity, and discusses why he remains hopeful about the future of theater and the artists shaping it. —— LINKS CATS: The Jellicle Ball: https://catsthejellicleball.com/ X Casting: https://www.xcastingnyc.com/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa

Welcome to The DMF — Discovering Meaning in Film and Acting. I'm Justin Younts, and this is part three with casting director Tiffany Little Canfield of Telsey Company.This one is about something that's been a long time coming — the Academy Awards is finally establishing a casting branch, officially recognizing casting directors for their contributions to film. Tiffany has been part of the push to make that happen, and she talks about what that fight looked like, why it took this long, and what it actually means for casting professionals who have been working behind the scenes for years without that acknowledgment.We get into what the casting branch means going forward, how casting directors can now advocate for themselves and educate the industry about their role, and why every casting decision — not just the stars — is a creative one that shapes the entire film. Tiffany also talks about upcoming projects including Only Murders in the Building and Paradise.We close with Inside the Actors Studio questions.In this episode we discuss:The Academy finally recognizing casting directorsThe establishment of a casting branch within the AcademyWhy casting directors have been overlooked for so longThe creative role of casting in shaping a film's narrativeCollaboration with directors, producers, and actorsUpcoming projects: Only Murders in the Building & Paradise00:00:00 - Introduction 00:00:05 - Recognition of Casting Directors 00:00:28 - The Role of a Casting Director 00:01:18 - The Process and Challenges 00:02:22 - The Journey to Recognition 00:02:38 - The Casting Branch 00:04:34 - Future Projects 00:05:12 - Inside the Actors Studio Questions 00:11:57 - Conclusion#DMF #TiffanyLittleCanfield #CastingDirector #Academy #Oscars #TelseyCompany #OnlyMurdersInTheBuilding #Acting #Casting #Filmmaking #Podcast

Lawrence Ellyard, shares his powerful journey that began with a simple parking ticket

Catalin's casting work includes the films: Train Of Life, A Farewell To Fools, That Trip We Took With Dad, Love 1 Dog, Heidi, Unidentified,  Miracle, and Cloistered Sister. Catalin's collaborations with acclaimed director Cristian Mungiu, include: Occident, 4 Months 3 Weeks and 2 Days, Beyond The Hills, Graduation, and R.M.N.

Have you ever felt like you were in over your head in a job and that any day you would be fired? Our guest this week talks about going through that anxiety for a year and how he finally broke free of that feeling.Follow Andy on Instagram - @shineynogginSupport the showIf you'd like to support this podcast, you can buy me a coffee HERE. Check out the "Keep the Darkness at Bay" Journal & T's Here I'd also appreciate it if you left a 5 star rating and review for the podcast on whichever platform you listen on. Thank You!Special Thanks To:@jasonthe29th - Logo Design@jacobjohnsontunes - Theme MusicPod Decks - Fast 5 QuestionsDISCLAIMER: Some of the links here are affiliate links, which means I will make a small commission if you click them and make a qualifying purchase, at no extra cost to you :)*I hereby solemnly swear to only promote products and services I actually love and use in my podcast and everyday life!

Ryan Carter is coming to the end of his run as The Iceberg in the West End production of Titaníque at the Criterion Theatre.Ryan is a multi-faceted performer and creative. Prior to his run in Titaníque, Ryan starred as Jagwire in Bat Out Of Hell in the West End and on tour.His other theatre credits include: Motown The Musical (Shaftesbury Theatre), Choir Of Man (Edinburgh Fringe Festival), The Boyfriend (Menier Chocolate Factory) and The World Goes Round (Barn Theatre). Most recently, Ryan played Smokey Robinson and covered Eddie Kendricks in the West End production of Ain't Too Proud (Prince Edward Theatre).As the Creative Producer of RyCa Productions, Ryan produced the acclaimed Refresh concerts, as well as a series of shows at Jack Solomons. Ryan was one of the Creative Directors for Turn Up London and was Creative Director of Digital Projects for The Barn Theatre, where he made the interactive concert The Secret Society of Leading Ladies and worked on Now Or Never by Matthew Harvey. He was the Casting Director for The Wiz at the Hope Mill Theatre and has also worked with Urdang. Ryan also does graphic design and creates and manages social media content for productions within the theatre industry, including the UK premiere of Ride The Cyclone and the reunion concert of Spring Awakening.In this episode, Ryan discusses landing his role in Titaníque and the impact of Bat Out Of Hell. He also delves into his work as a creative, explains why it is important for him to stand up for what he believes in and reflects on his path into theatre.Ryan plays The Iceberg in Titaníque at the Criterion Theatre until 7th June 2026. Follow him on Instagram: @ryanjesse95 This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

“Junior does not have an agent or a manager. Junior has a community in front of him and we had to move through that in order to get the call.” This episode features the casting directors of Cats: “The Jellicle Ball” Victor Vazquez and Sujotta Pace of X Casting talking about casting the show from early workshops through the PAC run and to Broadway. They discuss their personal introductions to CATS, receiving the initial “ballroom CATS” pitch, and how evolving workshops shaped everything about the show. They describe prioritizing the ballroom community through dedicated open calls, using community networks to reach artists without traditional representation, and the challenges of assembling an ensemble while honoring CATS legacy. Enjoy this deep dive into the creative process and the intricacies of the show. 02:31 The Ballroom CATS Pitch 04:56 Writing the Viral Casting Call 07:34 Workshops and Role Discoveries 09:43 Finding Stars and Ballroom Legends 32:40 Casting For Representation 41:48 Honoring Elders Legacy 45:13 Icons Leading The Company 48:20 Rapid Fire Check out X Casting on Instagram: @xcastingnyc Check out Victor on Instagram: @victorvictorv Check out Sujotta on Instagram: @sujotta Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

What's secretly hurting your auditions before you even say a line? In this episode of The Actor's Career Compass, Martin Bentsen breaks down the biggest self tape mistakes actors make and shares 10 simple fixes that can help your auditions look more professional fast.Many actors lose callbacks because of distracting backgrounds, poor sound, awkward framing, or performances that feel too “acted.” Casting directors and agents move quickly, and small mistakes can create doubt right away. This episode shows you how to remove those problems and make stronger first impressions.You'll learn:The simple lighting and audio changes that instantly make your tapes feel more professionalWhy framing, eyelines, and backgrounds can quietly affect casting decisionsThe surprising habit that helps actors stand out from most audition submissionsPlay this episode now to learn how small self tape improvements can help you book more callbacks and make casting directors take you seriously.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.com"This show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles."

Welcome to The DMF — Discovering Meaning in Film and Acting. I'm Justin Younts, and in this episode I sit down with casting director Tiffany Little Canfield for part one of our conversation.Season 6 is here. Tiffany Little Canfield is the perfect way to kick it off — a casting director who's been on both sides of the table and has a lot to say about what actors are getting wrong.Tiffany's path into casting wasn't a straight line. She started in acting, moved into directing — including work with opera singers — and eventually found her way to casting, where her directing background changed how she reads actors and scene work. That experience in the room as a director is something she brings to every project.We get into what a casting director actually does day to day, what it looks like to interview for those jobs, and how Tiffany thinks about actors differently because of her background. We also talk about the misconception around acting and fame, why continuous training is non-negotiable, how subjective casting really is, what self-tapes mean for the audition process now, and the biggest challenges actors are facing in the industry.In this episode we discuss:Tiffany's path from acting to directing to castingWhat casting directors actually doWorking with opera singers and how it shapes her approachThe misconception of acting and fameWhy continuous training matters at every levelThe subjectivity of casting and what that means for actorsSelf-tapes and how auditions have changedThe biggest challenges in the acting industry today00:00:00 - Introduction and Guest Introduction 00:00:28 - Early Life and Influence on Career 00:00:39 - Journey into Acting and Realization 00:01:57 - Transition from Acting to Directing 00:03:10 - Transition from Directing to Casting 00:09:02 - Understanding the Role of a Casting Director 00:09:45 - Interviewing for Jobs as a Casting Director 00:11:52 - Working with Opera Singers 00:13:21 - Understanding Actors and Scene Work 00:13:37 - Influence of Directing Degree in Casting 00:15:01 - Closing Thoughts on Actor Expectations 00:15:30 - The Misconception of Acting and Fame 00:17:08 - The Importance of Continuous Training for Actors 00:18:47 - The Subjectivity of Acting and Casting 00:22:04 - The Role of Self-Tapes in Auditions 00:24:29 - The Biggest Challenges in the Acting Industry#DMF #TiffanyLittleCanfield #CastingDirector #Acting #TelseyCompany #ActingTips #SelfTape #Audition #Filmmaking

Join us this week as we welcome to the podcast Emmy Award Winning Reality Casting Director, Jazzy Collins! Most recently named in Vultures Reality Masterminds list for 2026, she is dominating the reality casting game. Known for casting some of your favorites like The Bachelor and The Bachelorette, The Circle, Traitors and Love Island, she is definitely at the top of her game and only rising. We chat about the casting process and how casting directors are the architects of these shows. She divulges what stands out to her in interviews and how the industry has shifted through out the years.  We loved having the opportunity to dive deeper into the reality space and know you'll get a ton of fun tidbits out of this episode.  Grab your favorite cocktail and join us for an amazing episode!Make sure to subscribe to our YOU TUBE channel for more fun video content!Resources:Vulture's Reality Masterminds 2026Jazzy Collins InstagramJazzy's IMDB──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys 

Actor and Equity member Monica Sayers will chat to Australian casting director Kirsty McGregor about discuss auditions, castings and the actor/casting director relationship. Kirsty McGregor's journey from performer to an influential casting director working across Australia and internationally has had a significant impact on film and television. She is the recipient of three AACTA Awards and seventeen Casting Guild of Australia Awards, and has also received three nominations from the Casting Society of Americas well as an Emmy nomination. A long-time advocate for the craft of casting, Kirsty has been a leading voice within the Casting Guild of Australia, championing the recognition of casting as a key creative department. Her work has helped shape some of the most acclaimed Australian productions of recent years, including Lion, Animal Kingdom, Babyteeth, Colin from Accounts, Top Of The Lake, The Twelve, Apple Cider Vinegar and Bump. Her work continues to shape and elevate talent both in Australia and internationally. Kirsty is a proud member of the Casting Guild of Australia, the Casting Society of America and the Academy of Motion Picture Arts and Sciences.

Casting director Ben Armstrong co-hosts The West End Frame Show! Ben joins Andrew Tomlins (West End Frame's Editor) to discuss Billy Nevers' album The First 25: Live At Konk Studios and Hercules starring Felipe Bejarano as well as the latest news about Evita's Broadway transfer, High School Musical's London transfer, Rent's West End revival, new Hamilton casting, and lots more.Ben is an Anglo-Sri Lankan Casting Director, specialising in stage and musical theatre. He has solo and assistant casting credits for acclaimed productions in the West End, regional theatres, UK tours and international projects. Most recently, Ben cast the West End concert production of Once On This Island featuring Tony Award winner Alex Newell and is currently casting Rumi: The Musical, written by Nadim Naaman and Dana Al Fardan for the Dubai Opera Festival 2026. One of his highlights as Casting Director includes Happy & Glorious, a short film starring Jane Asher and Nancy Carroll. Alongside his independent projects, Ben works for Ginny Schiller CDG. Recent productions include Sir Trevor Nunn's Easy Virtue for Cambridge Arts Theatre starring Greta Scacchi and Alice Orr-Ewing, Ralph Fiennes' As You Like It for Theatre Royal Bath starring Dame Harriet Walter, and John Doyle's Alfred Hitchcock Presents for Theatre Royal Bath starring Scarlett Strallen, Sally Ann Triplett and Alistair Brammer, as well as The Secret Garden for York Theatre Royal.He is the founder of RepresentAsian, an initiative dedicated to championing Asian performers within the industry and advancing meaningful representation both on and off stage. Through this platform, he also provides scholarships to support young Asian individuals pursuing careers in the arts.The next RepresentAsian concert takes place at the Lyric Theatre on Monday 9th November 2026. Visit www.nimaxtheatres.com for info and tickets. Follow Ben on Instagram: @ben_armstrong_4 This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

This week on That Was Us, we're joined by one of the most pivotal people behind This Is Us: casting director Josh Einsohn. Josh reflects on 25 years in casting and shares how he got his start in production, what led him to feel passionate about casting, and how This Is Us ultimately changed his life forever. In this episode, Josh chats about: * His 25-year journey in casting and how he got his start * The role Tommy Lee Jones played early in his career * Working on The Polar Express and The West Wing * Partnering with Tiffany Little Canfield to cast This Is Us * Bringing Jon Huertas onto the show * The pressure of casting multiple ages of the same characters * The urgent recasting of the teen Big Three * How auditions changed after COVID * Casting Griffin Dunne as Nicky * Casting Jennifer Morrison as Cassidy * His advice for actors navigating the industry * How This Is Us influenced his decision to adopt his daughter, Molly" That Was Us is produced by Rabbit Grin Productions. Music by Taylor Goldsmith and Griffin Goldsmith. ------------------------- Support Our Sponsors: - With Shipt, it's never just a delivery order – it's shopped same day – in the same way you would. Use code "podcast" to get a year of Shipt for only $49 – HALF OFF the regular $99 price – at https://Shipt.com/offer. Terms apply -------------------------

Equity's Live Stream Program continues with esteemed casting director Lauren Wiley talking with Equity member Helen Dallimore about all things auditions, musicals, casting, current and past projects, the actor/casting director relationship and answering all your questions. Lauren Wiley is one of Australia's most accomplished Casting Directors, bringing more than two decades of experience. She is currently the Casting Director for the forthcoming Australian premiere of A Beautiful Noise – The Neil Diamond Musical (TEG Dainty/Ken Davenport). Her extensive credits include MJ The Musical (Michael Cassel Group), Gaslight (Newtheatricals/Queensland Theatre), Hamilton (International Tour) and Hamilton (Australia) (Michael Cassel Group), Come From Away (Junkyard Dog/Newtheatricals), Beautiful: The Carole King Musical (Michael Cassel Group), and Kinky Boots (Michael Cassel Group). Lauren also served as Consulting Casting Director for Tina – The Tina Turner Musical (TEG Dainty/Stage Entertainment) and was Casting Administrator for Cameron Mackintosh's Les Misérables (Michael Cassel Group). Lauren began her theatrical casting career at Sydney Theatre Company in 2009, appointed Casting Coordinator to Co-Artistic Directors Cate Blanchett and Andrew Upton. She later returned to Sydney Theatre Company as in-house Casting Director under Artistic Director Kip Williams, a role she held until 2019. A graduate of Charles Sturt University with a Bachelor of Arts in Communications (Theatre/Media), Lauren spent two years based in London, where she worked as Casting Assistant to Jina Jay on major feature films including The Lovely Bones (Dir. Peter Jackson), Body of Lies (Dir. Ridley Scott), Agora (Dir. Alejandro Amenábar), and The Adventures of Tintin (Dir. Steven Spielberg) as well as time working for London's most established talent agencies.

Clocking back in for magic! This week on Disney Countdown with The Magical Millennial and The Dapper Danielle, we're wrapping up one of our most fun (and slightly controversial

She's been on film sets across the country. She's been partially in the space shuttle. She's even been to the Pompano Beach dump. This is the life one leads as a casting director. And now that Sora is winding down and Disney isn't putting a billion dollars into replacing actors with AI, it would appear the position is safe. Everybody wins.Topics:Sora AI being shut downPeople quitting CNNSavanna Guthrie on TodayIowaEllen's careerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kim tells Ket about a movie too triggering for the girls to have done any earlier than the 397th episode. Starry Eyes sends the girls barreling back to a time and place that feels, frankly, all too real. But Kim apparently is far enough removed that she doesn't even know the correct term for Casting Director. Stay tuned for part 2 to see if Kim survives the PTSD of working in a chain restaurant.Dir. Kevin Kölsch, Dennis WidmyerWriters Kevin Kölsch, Dennis WidmyerNominate your picks for the Sammie Awards: https://www.patreon.com/posts/sammie-awards-us-153856987Support the girls on PATREON for some sweet BONE CON (bonus content) at: www.patreon.com/kimandketstayalivemaybeCheck out Ket & Producer Arik's new show MAJOR SLAYAGE: KET & ARIK REWATCH BUFFY THE VAMPIRE SLAYER on YouTube! https://www.youtube.com/@majorslayagepod and follow on instagram: instagram.com/majorslayagepod KKSAM Facebook Discussion Group!!"Sammies Stay Alive... Maybe"www.facebook.com/groups/kksampodcastGet acquainted with all things KIM & KET at www.kimandketstayalive.com Chat with the girls at kksampodcast@gmail.comPeep the girls on Instagram: @kksampodcastRock with the girls on Tik Tok: @kksampodcastBook the face of the girls on Facebook: @kksampodcastWear the shirts of the girls from the MERCH Store: kimandketstayalivemaybe.threadless.comOk we'll see ourselves out.Thanks for listening!xo and #StayAlive,K&KKIM AND KET'S SURVIVE THE CELLAR: link.chtbl.com/kkstcProud members of the Dread Podcast NetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dave Hondel sits down with sought after casting director, David Guglielmo. David's credits are a who's who of Hollywood and he comes to his casting career with the background of being a filmmaker himself. In this podcast, David shares his insights and more importantly, advice for actors looking for transparent knowledge from one of Hollywood's busiest casting directors. This is a must-listen for anyone looking for a career in the entertainment industry.

Today on Whats My Frame, I'm joined by Casting Director Meg Morman. Meg is a casting director and partner at Morman Boling Casting. Her award-winning work includes the feature films Omaha (Sundance 2025), Green and Gold, Waitress, Hello, My Name is Doris, Aporia, The Ballad of Lefty Brown, and Me and You and Everyone We Know. TV and streaming credits include The Baxters, Sneakerheads, Ish Hashuv Meod, The Dead Girls Detective Agency, and the Emmy-nominated Relationship Status. Meg has also worked extensively in narrative podcasts, casting notable projects such as DC High: Volume Batman, Blackout, Ad Lucem, 13 Days of Halloween (Seasons 2 & 3), Last Known Position, and Narcissa.An Artios Award winner and Heller Award nominee, she is currently in her second term on the Casting Society Board. She has also served as a casting advisor for Film Independent's Directing Lab and the Global Media Makers project.

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis.Listen to Part 1 of this saga: Everyone's a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards“Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet TaylorDuring her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more. “It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen LewisEllen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more.“More than 90% of directing a picture is the right casting.” —Martin ScorseseHave a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

The 98th Academy Awards will honor casting directors for the first time in the ceremony's history. It's the first new category in 25 years. We'll speak with casting directors on the Academy Board of Governors about the joys and challenges of their work — and what it actually entails — before the inaugural “Achievement in Casting” Oscar is handed out on Sunday. Guests: Davia Nelson, radio producer, "The Kitchen Sisters Present" Debra Zane, casting director; governor on the Academy Board for the casting branch John Waters is set to receive San Francisco's LGBTQ+ film festival Frameline's eponymous award for his lifelong contributions to queer cinema.  We'll talk with Waters about what makes a great queer film, and the power of movies to challenge the status quo. Guests: John Waters, legendary director of works including "Hairspray" (1988), "Pink Flamingos" (1972) and "Polyester" (1981) Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us this week as we recap the whole drama with Timothee Chalamet and the ballet/ opera comments he made that seems to have tanked his chances and reputation. Jessica and Jenn watched all 10 Oscar films collectively and have thoughts. We dive into them individually both as a whole and the casting in them. We discuss the new Casting Director award and who we are championing for! And lastly we are psyched that Conan O'Brien is hosting this year and will hopefully, maybe watch :) Grab your favorite cocktail and join us for a fun episode!Make sure to subscribe to our YOU TUBE channel for more fun video content!──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys --  Thank you,Jess & Jenn⁠⁠⁠⁠www.TipsyCasting.com ⁠⁠⁠⁠ ⁠⁠⁠⁠Check out our Podcast HERE!⁠⁠⁠

What really happens inside the room where casting decisions are made? Casting director Paul Ruddy has spent nearly three decades shaping careers in film, television, and now the emerging world of vertical storytelling. In this revealing conversation, he explains how actors get cast, why self-tapes changed Hollywood forever, and how star power can be felt in the first 20 seconds of an audition. Paul shares behind-the-scenes stories about discovering talent early, including Sydney Sweeney's early auditions, the tiny acting choices that win roles, and why memorizing your lines still matters more than anything else. He also dives deep into: • The rise of verticals and micro-dramas • Why pilot season disappeared • The impact of streaming and the Hollywood strikes • Why in-person auditions are unlikely to return • How actors accidentally talk themselves out of roles • The truth about success, ego, and reputation in Hollywood If you're an actor, filmmaker, or simply curious about how Hollywood really works, this episode pulls back the curtain on the casting process and the industry's evolution. Subscribe for more insider conversations with the people shaping entertainment. 00:00 Intro: Inside the Room Where Careers Are Decided 01:02 Paul Ruddy's Origin Story: Scranton, TV Obsession, Law School 03:10 The Leap to Hollywood and the “Lied on My Resume” Move 05:21 The Power of Casting and Changing Lives 05:39 Early Talent Spotting and Sydney Sweeney's First Jobs 07:42 How Fast Casting Instincts Kick In 07:46 Paul's Best Advice: Do the Homework, Understand Tone 08:20 The #1 Audition Killer: Not Being Off Book 09:46 Can You Feel Star Power Right Away? 10:10 The Wetsuit Audition Disaster and Growth Over Time 12:39 Estelle Getty and Why Careers Can Start Later 13:20 Casting Directors Have Long Memories 14:05 When Someone Walks In and Wins the Role Instantly 16:20 What Are Verticals and Micro-Dramas? 16:35 TikTok Meets Soap Opera on Red Bull: The Vertical Model 18:40 How Episodes Work: 1–3 Minutes and Constant Cliffhangers 20:10 The Paywall Funnel and Why It's Exploding 21:20 Why Verticals Are a New Frontier for Hollywood 22:08 Patreon Break 22:57 How Casting Works: Breakdowns, Submissions, Narrowing Down 25:15 Will In-Person Auditions Ever Return? 25:25 Why Self-Tapes Took Over Permanently 27:49 The Reality of Nerves and “Pilot Season” Chaos 31:24 Self-Tapes vs Live Auditions and the 47th Take Problem 32:19 How the Pandemic Accelerated the Industry 10 Years 33:20 How Actors Talk Themselves Out of Roles 33:30 “You Sold It. Don't Buy It Back.” 38:58 Small Choices That Instantly Elevate an Actor 39:08 The Peephole Choice That Got Attention 40:15 The Orange Slice Prop That Won the Role 42:27 Break 42:43 Calling an Actor With Life-Changing News 44:11 Does Success Change an Actor's Energy? 44:30 Reputation Matters and Word Travels Fast 46:54 Watching Movies as a Casting Director 47:03 Why Every Role Must Be Cast at a High Level 48:49 Why He Didn't Become a Full-Time Producer or Director 50:00 Why Verticals Are an Incubator for Future Stars 52:10 “Nothing Is New” and Why People Always Dismiss New Formats 54:00 Verticals, Short Attention Spans, and the Real Competition 56:08 What He's Proudest Of After 27 Years 57:15 Advice for Actors: Tenacity and Knowing the Business 59:43 Is Hollywood Becoming a Dinosaur? Production Slowdown Explained 1:05:01 Fewer Risks, Fewer Sitcom Hits, and Why Shows Need Time 1:07:13 The Loss of Shared TV Culture and Knowing What Came Before 1:09:20 Closing and Thanks Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com   Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

5 weeks, 7 episodes, 24 categories, 50 films, 232 nominees! On the final Contenders episode of the season, Sophia and Nick break down the nominees for the final five categories: Original Screenplay, Adapted Screenplay (18:48), Casting (36:14), Director (48:09), and last but not least, Best Picture (1:01:35). And that's all she wrote…for now. Thank you for following along on this journey through the nominees and stay tuned for final nomination predictions before the telecast on Sunday, March 15th! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Become a patron and listen to more content at patreon.com/OscarWild Find updated predictions and merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Who discovered Diane Keaton and put her in Annie Hall? Who found Dustin Hoffman and made sure he played Ratso Rizzo in Midnight Cowboy? Who saw Jason Schwartzman and made sure Wes Anderson knew about him for Rushmore? Casting Directors, that's who. When the 98th Oscar ceremony airs on March 15, the first Academy Award for Achievement in Casting will be given in nearly 100 years of Academy history. Five films, laden with stars and fascinating new discoveries, are nominated — Hamnet, Marty Supreme, One Battle After Another, The Secret Agent and Sinners. The Kitchen Sisters and four-time Academy Award winner Frances McDormand take us behind the scenes and into the lives and work of this first-ever batch of nominees and into the mysterious and fascinating world of film casting. Everyone's a Casting Director was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. Hosted by Frances McDormand.

oin this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Casting Director Debbie McWilliams? LIFE IN FILM PodcastOur guest today has had a career that spans 5 decades, she discovered actors like Daniel Day-Lewis and has chosen the last three 007s, having recently won a Casting Lifetime Achievement Award, she is undoubtedly one of the most influential casting directors in film. Join us as we ask for her top pieces advice for actors, why no one wanted to the in ‘American werewolf in London'. And who would she cast as the next James Bond….Credits Include Casino Royal / Golden Eye / American Werewolf in London / The Bounty / Monty Python's The Meaning of Life / For Your Eyes Only / Superman II / III / A View to a Kill / Octopussy / Othello / Henrey V / The Living Daylights / Tomorrow Never Dies / The World is not Enough / Die Another Day / Hitman / Robin Hood / Centurion / Skyfall / Spectre / The Foreigner / No Time to Die ...etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------Our SponsorsMoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ provides you with access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------Thank you Debbie, Deborah and the rest at Independant talent. As always thank you to our sponsors better help and MoviePosters.com-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠!╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!

Join us this week for the FIRST part of our interview with Casting Director turned Agent turned Coach turned into one of the most popular podcasters today, Dana Bowling! We had such an amazing chat with Dana that we had to split it into 2 segments. This week we will dive into her time as a casting director and her constant need to change and evolve as the industry changed. She stared in casting and then worked her way into agenting and coaching and eventually started a few different podcasts. Today we know her from DAILY DOSE OF DANA, where she dives into all things pop culture and her instagram is a page everyone should be following to keep up to date. Make sure to tune in NEXT week for Part 2 where we go into the pop culture / industry side of things to discuss the Blake Lively / Justin Baldoni case along with Nancy Guthrie and so much more!Make sure you are following us on our Instagram and subscribe to our YOUTUBE channel for amazing video content!Resources:Dana's InstagramDaily Dose of Dana WebsiteDaily Dose of Dana YouTube Channel──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys --  Thank you,Jess & Jenn⁠⁠www.TipsyCasting.com ⁠⁠ ⁠⁠Check out our Podcast HERE!⁠

Today on What's My Frame, I'm joined by casting director Leeba Zakharov, a native New Yorker whose career spans more than two decades across film and television. An immigrant raised on the Lower East Side, Leeba's journey into storytelling is deeply personal. She minored in theater at SUNY Albany. Prior to transitioning into casting, she built a foundation in development and acquisitions, serving as an assistant at Miramax and Madstone Films, and later joining Focus Features.Leeba proudly credits legendary casting director Avy Kaufman as a pivotal mentor and someone who instilled in her a lifelong commitment to collaboration, trust, and honoring the vulnerability of actors. That philosophy continues to shape her work today. Bilingual in Russian and English, Leeba brings a culturally nuanced perspective to the stories she helps bring to life.

Welcome back to The NYWIFT Podcast! We're starting season 8 with Casting Society (CSA) President Destiny Lilly and Academy Award Winning Actress Jessica Chastain. Destiny speaks about her career as a Casting Director and the new Casting Director Category recognition for the 2026 Academy Awards. Jessica shares her experience starring in and producing the upcoming film Dreams, debuting nationwide on February 27th 2026.Hosts Tammy and Penni celebrate Teyana Taylor and SINNERS' record-breaking 16 Academy Award Nominations for Black History Month, updates on the upcoming MOM Film Fest and Children's Emmy Awards, and binge-watch recommendations for snowy days inside.  We can't wait for another exciting season of thoughtful interviews with guests from all areas of media and entertainment, and candid industry news.   To be featured on the podcast email us at communications@nywift.org. For more great content go to NYWIFT.org.Special thanks to⁠ Elspeth Collard⁠, the creator of our podcast theme song.Social Media:Destiny Lilly: IG: @destinycasting CSA: IG: @csacastingJessica Chastain: IG: @jessicachastain / X: @jes_chastainPenni Malloy-Harper: IG: @Pennbrookconsultingcorp / X: @PennbrookConsu1Tammy Reese: IG: @tammyreesemedia / X: @tammyreesemediaNYWIFT: Instagram:⁠⁠ @NYWIFT⁠⁠ / Twitter/X⁠⁠ @NYWIFT⁠⁠ / #NYWIFT

Casting director Andy Roth has cast more than 1,000 commercials, along with countless roles in TV, animation, and streaming series. In this episode, Andy pulls back the curtain on how casting really works and why every audition you submit is bigger than the job in front of you. Andy explains how casting directors “bank” auditions, why relationships matter more than perfection, and how one strong read can lead to dozens of future opportunities. We also dig into mindset, audition anxiety, social media, efficiency in modern casting, and why being yourself is still the most underrated skill in voice acting. This conversation is a must-listen for any voice actor who wants to stop overthinking auditions and start playing the long game. What we cover: • Why you're never auditioning for just one role   • How casting directors actually listen to auditions   • The truth about “Strong but Wrong” reads   • What makes a casting director lean in   • How auditions build relationships over time   • The role of confidence, ease, and efficiency   • How social media really factors into casting decisions   • Why overthinking hurts more than it helps   • What voice actors should focus on as the industry evolves  

Today on Beyond the Torch, Leslie and Todd sit down with Lynne Spillman, the legendary former head of casting for Survivor and other reality shows. Lynne shares her unconventional journey from a career in sales to becoming a pivotal figure in reality TV, recounting behind-the-scenes stories about casting, the evolution of Survivor, and the impact of authentic storytelling. The conversation delves into the casting process, memorable contestants, the importance of being genuine, and the unique bonds formed through the Survivor experience. Lynne also reflects on her current projects, her entrepreneurial venture with Mahjong, and offers candid advice for aspiring reality TV participants.Special thanks to the best Whiskey on the Planet Watertown Whiskey! Check them out on instagram: https://www.instagram.com/watertownwhiskey/?hl=en Tell them Fairplay sent you! Please Drink Responsibly https://watertownwhiskey.com/ Our new Website is live! Check it out at: www.realityaftershow.com Join our Patreon at RealityPatron.com If you would like a cameo from Jonny Fairplay order one now! cameo.com/jonnyfairplay Check us out on Tiktok @fairplaytok Get your shirt JUST like Jonny Fairplay at fairplayshirts.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/reality-after-show--5448874/support.