Podcasts about casting directors

Join us this week for the FIRST part of our interview with Casting Director turned Agent turned Coach turned into one of the most popular podcasters today, Dana Bowling! We had such an amazing chat with Dana that we had to split it into 2 segments. This week we will dive into her time as a casting director and her constant need to change and evolve as the industry changed. She stared in casting and then worked her way into agenting and coaching and eventually started a few different podcasts. Today we know her from DAILY DOSE OF DANA, where she dives into all things pop culture and her instagram is a page everyone should be following to keep up to date. Make sure to tune in NEXT week for Part 2 where we go into the pop culture / industry side of things to discuss the Blake Lively / Justin Baldoni case along with Nancy Guthrie and so much more!Make sure you are following us on our Instagram and subscribe to our YOUTUBE channel for amazing video content!Resources:Dana's InstagramDaily Dose of Dana WebsiteDaily Dose of Dana YouTube Channel──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys --  Thank you,Jess & Jenn⁠⁠www.TipsyCasting.com ⁠⁠ ⁠⁠Check out our Podcast HERE!⁠

Our Spotlight Series continues with Sarah Davison, Director of Casting and Performance at Feld Entertainment and a leader in performer development across large-scale live productions.In this episode, Sarah shares why self-confidence matters in auditions, how artists can show up authentically, and why planning for career transitions is essential. A valuable listen for teachers supporting dancers through auditions and helping them prepare for what comes next. About Sarah Davison Sarah Davison is a dancer, casting leader, and performing arts professional with a career spanning international performance, casting, and artist development. Originally from Toulouse, France, Sarah began her formal dance training at a young age and earned her degree in Dance and Choreography from the Conservatoire National Supérieur de Lyon at just 16. Her performing career includes work with neo-classical and jazz companies in France, as well as original cast roles in major live productions including Céline Dion's A New Day, Le Rêve, and Viva ELVIS. Along the way, she trained and performed across multiple styles including ballet, jazz, modern, hip-hop, ballroom, and physical theater, with appearances on television and major live stages. After transitioning offstage, Sarah spent several years working in casting, where she supported dancers, athletes, and performers through auditions and professional pathways. She later led casting operations in Las Vegas, helping artists navigate some of the most pivotal moments of their careers. Alongside her casting work, Sarah has taught workshops and classes internationally and worked as a producer and project manager on live events. Today, Sarah is the Director of Casting and Performance at Feld Entertainment, where she supports casting and performance development for productions including Ringling Bros. and Barnum & Bailey, Monster Jam, and other character-based and live entertainment experiences. She remains deeply committed to mentoring the next generation of performers and helping artists prepare for long, sustainable careers in the performing arts. https://www.instagram.com/casting_by_sd/ A full transcript of the podcast is available here: https://www.acrobaticarts.com/blog/ep-129-spotlight-episode-confidence-auditions-and-career-transitions-with-sarah-davison If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com

Today on What's My Frame, I'm joined by casting director Leeba Zakharov, a native New Yorker whose career spans more than two decades across film and television. An immigrant raised on the Lower East Side, Leeba's journey into storytelling is deeply personal. She minored in theater at SUNY Albany. Prior to transitioning into casting, she built a foundation in development and acquisitions, serving as an assistant at Miramax and Madstone Films, and later joining Focus Features.Leeba proudly credits legendary casting director Avy Kaufman as a pivotal mentor and someone who instilled in her a lifelong commitment to collaboration, trust, and honoring the vulnerability of actors. That philosophy continues to shape her work today. Bilingual in Russian and English, Leeba brings a culturally nuanced perspective to the stories she helps bring to life.

In Episode 96, Brennan is once again joined by actor and now casting assistant, Sarah Hogewood, as they talk about TYA, the fear of cringe, the idea of "play", and the ways being on the casting side of the process has influenced how she approaches the acting side now! Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Having worked on projects such as Homeland, Avatar, Paranormal Activity 2 and many others, Kimberly shares her journey from opera singer to one of the top casting directors in the industry and shed some light on the business of casting for film and television.Please subscribe, it's FREE!

On this episode of Da Best Hawai‘i Unedited,  learn about the television and film industry in Hawai‘i, Brent's role as a casting agent/associate and why Hawai‘i people love high school graduations.  

Today on Whats My Frame, I'm joined by Casting Director Anya Colloff. Born and raised in Los Angeles to a family of artists and educators, storytelling has always been at the center of Anya's life. She earned her BA from UCLA's School of Theater, Film and Television. It was during her senior year, through an internship in casting, that Anya discovered her love for casting!After graduating, Anya began her career working with legendary casting directors Jane Jenkins and Janet Hirshenson, where she had the opportunity to collaborate on projects with Steven Spielberg, Rob Reiner, and Ron Howard. In 1999, she co-founded CFB Casting, which later evolved into Colloff/Nicolo in 2011.Anya is a four-time Emmy nominee and two-time Artios nominee, notable credits include Party Down, New Girl, Buffy the Vampire Slayer, Young Rock & High Potential. What she loves most about casting is being part of meaningful storytelling, whether through comedy or drama, and helping artists find their way into roles that truly resonate.Beyond casting, Anya is a passionate mentor and a deep believer in supporting the next generation of creatives. She currently mentors through weareempower.org bringing the same care, curiosity, and compassion to her life that she brings to her work.@colloffnicolocasting

Casting director Andy Roth has cast more than 1,000 commercials, along with countless roles in TV, animation, and streaming series. In this episode, Andy pulls back the curtain on how casting really works and why every audition you submit is bigger than the job in front of you. Andy explains how casting directors “bank” auditions, why relationships matter more than perfection, and how one strong read can lead to dozens of future opportunities. We also dig into mindset, audition anxiety, social media, efficiency in modern casting, and why being yourself is still the most underrated skill in voice acting. This conversation is a must-listen for any voice actor who wants to stop overthinking auditions and start playing the long game. What we cover: • Why you're never auditioning for just one role   • How casting directors actually listen to auditions   • The truth about “Strong but Wrong” reads   • What makes a casting director lean in   • How auditions build relationships over time   • The role of confidence, ease, and efficiency   • How social media really factors into casting decisions   • Why overthinking hurts more than it helps   • What voice actors should focus on as the industry evolves  

Today on Beyond the Torch, Leslie and Todd sit down with Lynne Spillman, the legendary former head of casting for Survivor and other reality shows. Lynne shares her unconventional journey from a career in sales to becoming a pivotal figure in reality TV, recounting behind-the-scenes stories about casting, the evolution of Survivor, and the impact of authentic storytelling. The conversation delves into the casting process, memorable contestants, the importance of being genuine, and the unique bonds formed through the Survivor experience. Lynne also reflects on her current projects, her entrepreneurial venture with Mahjong, and offers candid advice for aspiring reality TV participants.Special thanks to the best Whiskey on the Planet Watertown Whiskey! Check them out on instagram: https://www.instagram.com/watertownwhiskey/?hl=en Tell them Fairplay sent you! Please Drink Responsibly https://watertownwhiskey.com/ Our new Website is live! Check it out at: www.realityaftershow.com Join our Patreon at RealityPatron.com If you would like a cameo from Jonny Fairplay order one now! cameo.com/jonnyfairplay Check us out on Tiktok @fairplaytok Get your shirt JUST like Jonny Fairplay at fairplayshirts.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/reality-after-show--5448874/support.

This week, we're diving into the steamy, twist-filled sequel Wild Things 2 (now streaming on Tubi) — and for it, we're joined by casting director Michael Testa, the man behind the scenes helping shape countless careers and characters in Hollywood.Casting directors rarely get the spotlight, but Michael's stories prove just how much power, chaos, and instinct go into choosing the right actor for the right role.We get into everything, including:

When you're building a village that it takes to populate a movie, quality relationships matter...On this episode we are still deep in the throws of awards consideration season and we get the pleasure of diving into the Golden Globe winning 'The Secret Agent'.From Writer/Director Kleber Mendonça Filho, 'The Secret Agent' takes us back to Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. He arrives in Recife during carnival week, hoping to reunite with his son but soon realizes that the city is far from being the non-violent refuge he seeks.It's a fictional story but pulled from the very real political strife that rocked Brazil in the late 70's.  Wagner Moura leads a massive cast which is why it was so fascinating to get a chance to sit down with Casting Director Gabriel Domingues about his work on the film, the importance of having a pre existing relationship with Writer/Director Kleber Mendonça Filho, and assembling a cast with dozens of actors and even more supporting and background players.Go and see 'The Secret Agent' anyway you can, it's already won some awards with many more to come.

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Josh Safdie's 2025 epic to hell and back pursuit of greatness drama, MARTY SUPREME, is our bonus feature presentation this week! We argue about the synth-inspired score, Timothee Chalamet, the greatness of the Casting Director, intimacy coordinators, Gwyneth Paltrow, and much more! We also pick our Top 7 Movies of 2025 in a special bonus Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

The Radio Boys C.Truth & Kev Lawrence are joined by actor and casting director Tuffy Questell. Tuffy talked about doing his first commercial as a child actor at 3 years old, working at record labels in high school, being a talent coordinator for Classic Concepts, party promoting, how he landed a host spot on Video Music Box, going to the infamous HS of Music & Art (Fame) with: Slick Rick, Marlon Wayans, Jennifer Aniston; what keeps him motivated, what a casting director does, casting a new dance project with Teyana Taylor, his favorite casting project “The Harder they Fall,” key pieces of advice for actors, filling voids & bringing color to film, helping others to aspire higher and more. For additional contentvisit: https://www.thermalsoundwaves.comIG: @thermalsoundwaves Twitter/X: @thermalsoundwav Facebook: thermalsoundwaves

Have you ever walked into an audition and thought, “Okay… I'm confident. I'm confident. I'm confident,” while your body is screaming, “We're absolutely not confident!” Meanwhile, casting directors are looking at you like, “Are they… are they okay?” Confidence is one of those weird acting ingredients you can't fake, can't force, but absolutely need— even though most actors have no idea what real confidence looks like. Well, today we're pulling back the curtain. Because what you think confidence is…and what casting directors actually see as confidence… are two completely different things. Let's fix the gap. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Long Walk" is an American dystopian survival thriller film directed and produced by Francis Lawrence from a screenplay by JT Mollner, based on the 1979 novel of the same name by Stephen King. The film stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Josh Hamilton, Judy Greer, and Mark Hamill and has been awarded the Robert Altman Award for Best Ensemble at the 2025 Film Independent Spirit Awards. Screenwriter JT Mollner and casting director Rich Delia were kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now available to rent and own at home from Lionsgate. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you tired of second-guessing your self-tapes after you hit “submit”?What if you could review your audition with clear eyes - within the hour - and feel totally confident about what you send in?In this episode of The Actor's Career Compass, you'll learn how to reset your brain fast so you can catch performance issues before it's too late.Here's what you'll discover:– A weird but effective way to trick your brain into seeing your audition like it's someone else's– Quick review techniques that expose weak moments you'd normally miss– A smarter way to rewatch your takes so you stop doubting your choicesSubmit stronger tapes faster than other actors. Hit play now and make your next audition your best yet.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:– Headshots: https://www.cityheadshots.com– Shoot Footage for Your Reel: https://www.actorscreenershoot.com– Edit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

In Episode 88, Brennan is joined by Broadway Casting Director, Kevin Metzger-Timson, as they talk about his transition from performing into casting, and all the things one may not know about what goes on behind the casting table! Between his experience as a performer, and his time casting with the TRC Company, Kevin is the perfect person to help us debunk all the myths of the casting process!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Meg Morman, award winning US Casting Director will talk to QLD Equity Vice President, Sophia Emberson-Bain about the US casting process, the actor/casting director relationship, her advice for actors and what she has learnt along the way. There will be plenty of time for audience questions. Meg Morman, CSA is an award-winning casting director and a partner at Morman Boling Casting. Previously a manager of casting in the Feature Film Department at 20th Century Fox, she also spent four years as an associate and then casting director at Walken/Jaffe Casting. In 2004, Meg cast the acclaimed films Me and You and Everyone We Know (Sundance & Cannes 2005) and Steal Me (Sundance 2005), and soon after, she launched her company with partner Sunday Boling Kennedy. Since then, she has cast over 100 films, including Omaha (Sundance 2025), Green and Gold, Waitress, Hello, My Name is Doris, Aporia, The Ballad of Lefty Brown and Suze. Her television and streaming credits include The Baxters, Sneakerheads, Ish Hashuv Meod, The Dead Girls Detective Agency, In the Vault, and Relationship Status. She has also worked extensively in narrative podcast casting, with notable projects such as Star Trek: Khan, DC High: Volume Batman, Blackout, Ad Lucem, 13 Days of Halloween (Seasons 2 & 3), Last Known Position, and Narcissa. Meg has been nominated for 11 Artios Awards for excellence in casting and has won twice. Currently the VP of Governance for the Casting Society, has also served as an advisor for Film Independent's Directing Lab and the Global Media Makers project.

"Well, I always tell actors to always bring your A game to every audition. Because you never know. Like exactly what Matt just said. I have extensive notes on actor's that I've read. And I go, 'This guy is really good we can bring him in for another part.' Sometimes for the same project. Sometimes I go, 'Oh yeah we are going to bring him in for this project down the road.' So you know what I mean, you always bring your A game to every audition. And you don't get it, you don't get it. There's a million factors that go into the casting process."Today's episode is a sit down with Casting Director Lisa London. Lisa has been a Casting Director for 30 plus years and has cast over a 100 successful film and television shows. Along with her business partner, Catherine Stroud, they have cast many notable actors and actresses at the beginning of their careers who have all gone on to become stars; such as Miley Cyrus in Hannah Montana, Jonah Hill in Grandma's Boy, Emma Stone, Katharine McPhee and Kat Dennings in House Bunny, Selena Gomez in two Disney pilots - What's Stevie Thinking and Arwin, Jennifer Aniston in her first feature, Leprechaun, Mark Ruffalo in the CBS series, Due South, Brad Pitt in an episode of the series, Freddy's Nightmares, Megan Hilty, Adrian R. Mante, Cierra Ramirez and Joey King in The Suite Life of Zack and Cody, Yara Shahidi in her first television series, The First Family and Noah Centineo in a Disney pilot, Growing Up and Down.In today's conversation Matt and Lisa discuss what it takes to be a successful working actor and how to leave an impression while enjoying the process of being an actor.Lisa's Book, From Start to Stardom: The Casting Director's Guide For Actors, is available now on Amazon.Lisa's classes can be found on her website From Start to Stardom.10,000 NOs is here to inspire you and help you realize you are not alone if you're battling to overcome rejection in your career or life.So, if you're an actor, writer or filmmaker and you like what you hear in the snippets from our Working Actors Community zooms enough to want to be a part of it, CLICK HERE.Remember, “failure” is just opportunity in disguise, and you can flip the script to make your setbacks serve you.SHOW LINKS:10,000 NOs: THE BOOKSUBSCRIBE TO OUR (WEEKLY) NEWSLETTERFOLLOW MATT ON SOCIALFIND OUT HOW YOU CAN JOIN THE WORKING ACTORS COMMUNITY

With Wicked: For Good soaring into cinemas this week, editor-in-chief Alex Wood sat down with the two-part big-screen adaptation's casting directors – Bernie Telsey and Tiffany Little Canfield – to discuss how they assembled such a rich and varied ensemble for the blockbuster franchise. The duo, with a long history of casting on stage and screen, shared their proudest moments during a very protracted casting process – and how they felt watching the now-famous Jonathan Bailey dressing room audition tape. They also wax lyrical about the importance of the screen-to-stage pipeline, and how stage stars can become the biggest movie stars of a generation. Hosted on Acast. See acast.com/privacy for more information.

BOSSes, Anne Ganguzza is joined by the extraordinary Tina Marasco, Head of Casting at Sound and Fury, a respected coach, and the voice of HGTV's Love it or List it. With over three decades of experience spanning agency, acting, and casting, Tina offers indispensable casting director secrets for bridging the gap between a voice actor's truth and a client's real-world needs.  

What Do Casting Directors REALLY Remember about You  “Hey there, actor friends! Welcome back to Casting Actors Cast, the podcast that helps you prepare smarter, act better, and book more. I'm your host, Jeffrey Dreisbach — casting director, teacher, and your friendly guide through the wonderful, weird, and sometimes wobbly world of show business.” “Today's episode is one I think you'll really appreciate, because it answers a question I get all the time: What do casting directors actually remember about you? Spoiler alert — it's not your hair color, your wardrobe, or how you pronounced ‘cheeseburger' in your slate. It's something way more interesting — and understanding it could literally change how you walk into every audition from now on.”   Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of The 1 Girl Revolution Podcast, we welcome Katie MacIntosh - award-winning producer, director, casting expert, and president of Mac Worldwide, Inc. Katie is one of the most respected names in unscripted television, known for her incredible ability to discover authentic stories and compelling characters that capture hearts and audiences around the world. Katie's story began right here in Michigan - and over the years, she's built a remarkable career in the entertainment industry, working on some of the biggest shows on television, including The Real Housewives of Orange County (Bravo), Big Brother (CBS), Life Below Zero (National Geographic), and Outlast (Netflix). Her work has earned recognition from the Television Academy, Teen Choice Awards, and C21/Frapa at MIPCOM. But beyond her success in Hollywood, Katie's passion lies in storytelling - in finding real people with real stories, and giving them the space to shine. Now, as she returns to her Michigan roots, Katie is taking Detroit by storm - and how she is preparing to launch her own podcast. Her journey is one of creativity, resilience, and belief in the power of storytelling to change the world. In this episode, you'll hear: ✨ How Katie's early life shaped her creativity and career path; ✨ The inside story of how she got into television in the first place;  ✨ What it takes to build a lasting, purpose-driven career in entertainment; ✨ Why authentic storytelling matters more now than ever; ✨ How Katie is bringing her experience and vision back home to Detroit; ✨ And so much more!

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"Hedda" is a dramatic adaptation of Henrik Ibsen's "Hedda Gabler" written and directed by Nia DaCosta, starring Tessa Thompson in the title role, with Imogen Poots, Tom Bateman, Nicholas Pinnock, and Nina Hoss in supporting roles. The film premiered at the 2025 Toronto International Film Festival to positive reviews for its performances, DaCosta's direction, and modern take on the material. Hoss and Bateman were kind enough to spend time speaking with Ema Sasic about their work and experiences making the film. This is followed by my conversation with the film's casting directors, Dez Hamilton and Joe Harris, and concludes with Cody Dericks' interview with the film's composer, Academy Award-winner Hildur Guđnadóttir. You can listen to all of these below. Please be sure to check out the film, which is now available to stream on Prime Video from Amazon MGM Studios. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This month we are so excited to have the extremely talented Casting Director, Shakyra Dowling, join our Modern Class of Casting Visionaries segment!Shakyra Dowling is a London based casting director renowned for her commitment to championing emerging and diverse talent. With a career spanning over a decade, she has significantly contributed to both independent British cinema and international co-productions. Her casting expertise has been integral to projects that have garnered nominations and accolades at prestigious platforms such as the BAFTAs, BIFAs, Berlinale, Sundance, and TIFF. She has also been recognised with multiple nominations and wins from the Casting Society of America's Artios Awards.Notable work includes Hammarskjöld: Fight for Peace (2023), a Swedish biopic directed by Per Fly and featuring Mikael Persbrandt. She also cast Wolf (2021), directed by Nathalie Biancheri, with George MacKay, Lily-Rose Depp and Paddy Considine and soon to be released Desperate Journey, directed by Annabel Jankel (Tell it to the Bees), featuring Til Schweiger, Clara Rugaard and Sienna Guillory.Shakyra recently collaborated with Peter Greenaway on his latest feature Lucca Mortis, casting Dustin Hoffman and Helen Hunt. In TIFF 2025 is Gandhi Before India, a major TV series filming across the UK and India, with a huge cast including Tom Felton and James Murray.Make sure to subscribe, rate and review! Follow us @tipsycastingResources: Shakyra's IMDBShakyra Dowling Casting WebsiteShakyra's Instagram────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠⁠⁠⁠⁠⁠⁠⁠⁠

What do casting directors really look for in self-tapes, and how can actors actually book more of the new “vertical” films taking over the industry?In this Get Scene Unscripted episode, Jesse sits down with casting director Cheryl Louden-Kubin to talk about the explosion of vertical micro-dramas, auditioning for fast-paced productions, and how staying grounded personally is just as important as growing professionally.They cover:

Today on What's My Frame I'm joined by Casting Director, Joanna Davis. Joanna has been in the industry for over 20 years. She started her career as a casting intern when she was just in high school. Throughout her first few years, Joanna worked at production companies, a talent agency, and on documentaries. Taking everything she learned in those positions, Joanna dove into her true passion for Casting by working on television shows and films. Joanna has cast projects spanning all over the world, so she is always on the lookout for talent! Casting Short Films | Conversation in New York | 2025 Short Film Showcase-What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Actor. Writer. Director. Casting Director. Chad Darnell has worn every hat in the industry — and in this episode, he shares exactly what he's learned from each one.Jesse and Chad dive deep into:

They made 75k per episode for 20mins - Ashante ParkerIn this episode of Suuuper Anime Podcast, we dive deep into the world of animation casting with Ashanté Parker, a casting director at Netflix. She shares insights into her role, the casting process, and the importance of cultural authenticity in voice acting. Ashanté discusses the subjective nature of casting, the significance of training one's voice, and offers valuable advice for aspiring voice actors. The conversation also touches on the challenges of accents and the impact of representation in animation. The discussion transitions into Ashanté's love for anime, her favourite characters, and her aspirations to create an animation studio that supports diverse creators. The conversation is filled with laughter, personal anecdotes, and a deep appreciation for the art of storytelling in animation. Discussion Notes Introduction to Animation CastingExploring Webtoons and Diverse VoicesBehind the Scenes at NetflixThe Audition Process for Voice ActorsThe Role of Established Actors in AnimationComparing Netflix and Fox Casting ProcessesThe Art of Casting: Discovering New TalentCultural Authenticity in Voice ActingThe Importance of Representation in AnimationThe Casting Process at NetflixQualities of a Standout Voice ActorAdvice for Aspiring Voice ActorsThe Magic of Voice ActingAnime Characters and Dream RolesExploring Webtoons and Manga RecommendationsThe Evolution of Anime and Animation ConsumptionAspirations in Animation and RepresentationFinal Thoughts and Quickfire RoundWebtoons Ashante mentioned https://myanimelist.net/anime/61944/Eleceedhttps://myanimelist.net/manga/178182/On_the_Way_to_Meet_Momhttps://www.imdb.com/title/tt11106662/ - Lore Olympushttps://blacksun.fandom.com/wiki/Black_Sun_(Manga)https://myanimelist.net/manga/147712/Maybe_Meant_to_Behttps://myanimelist.net/manga/147847/Descended_from_Divinity?q=descended%20of%20divi&cat=mangahttps://myanimelist.net/manga/153322/The_Broken_Ring__This_Marriage_Will_Fail_Anyway?q=the%20broken%20ring&cat=mangaIf you enjoy the podcast, please don't forget to FOLLOW, RATE and REVIEW the show (it takes less than 30 seconds) Please do also share with anyone you fill will enjoy the show.  Also, to keep conversation going were super keen to hear your thoughts, questions and opinions on the show's discussion points, so please do drop us a voice note on our website www.suuuperanimepodcast.com or email at www.suuuperanimepodcast.com/contact Social media links Instagram: SuuuperanimepodcastTikTok: SuuuperanimepodcastTwitter: @SuuuperanimeFacebook: SuuuperAnimePodcast You Tube: SuuuperAnimeDiscord: https://discord.gg/suuuperlightsassembleSupport the show

Jennifer Schwalenberg is a New Mexico Casting Director based in Santa Fe. She began her casting career in Los Angeles in 1995, working for prominent commercial casting director, Beth Holmes. She spent five years honing the craft of traditional commercial casting while also scouting the streets for directors who favored “real people.” During her tenure at BHC, Jennifer worked on hundreds of national commercials, including numerous Super Bowl campaigns.She eventually left L.A. for Santa Fe, her geographic dream, hired by the New Mexico Film Office under Governor Bill Richardson to create a Native American casting database to showcase the state's tribal members.Jennifer served as Deputy Director of the New Mexico Film Office where she devoted her time for eight years recruiting and servicing productions, marketing New Mexico, its communities and resources, coordinating scouts throughout the state, managing the tax credit and loan programs, and assisting producers, studios and networks throughout production and the incentive process.She went back to her love of casting and joined the Midthunder Casting team from 2013 to 2019, where she worked on dozens of feature films, television productions, local and national commercials. Jennifer opened Casting by Jen in 2019, with highlights including local casting on four seasons of Dark Winds, The Night Driver, Lone Wolf, Olmo, and Rez Ball.She is a Member of the Casting Society of America, Television Academy, and Governor's Council on Film & Media Industries. Jennifer is passionate about animal welfare and her three large rescue dogs are often seen in her virtual casting sessions.Casting By Jen Watch DARK WINDSStagecoach FoundationNew Mexico Film Office-What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"After The Hunt" is a psychological thriller film directed by Luca Guadagnino and written by Nora Garrett that premiered at the 2025 Venice International Film Festival out of competition and opened the 63rd New York Film Festival. Starring Julia Roberts, Ayo Edebiri, Andrew Garfield, Michael Stuhlbarg and Chloë Sevigny, it contains a number of powerhouse performances from big and small names. In our first casting director interview for this awards season (brought on by the fact that there is now a new Oscar for Best Casting being bestowed at the 98th Academy Awards), Jessica Ronane was kind enough to spend some time speaking with us about the nature of her job, her experience working on the film, and more, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Amazon MGM Studios. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode, Amanda drinks some LaCroix Limoncello with casting director Colleen Rush. Colleen has been working in casting for over a decade and is the Co-Casting Director at Larissa Mair Casting & Associates. In 2024, she launched her own company, Colleen Rush Casting. A four-time Canadian Screen Award nominee and 2025 winner for her work on Late Bloomer Season 1, Colleen has cast projects for major platforms including Netflix, Crave, CBC, Treehouse, Amazon, TVO, Hallmark, Lifetime, OWN, Prime Video, Hulu, and Paramount. She is passionate about discovering new talent and thrives on close collaboration with creators, producers, directors, and actors to bring the best talent to every role. In this episode, Amanda and Colleen break down the casting process, discuss the impact of self tapes post-pandemic, and Colleen shares her #1 tip when filming a self tape!   Mentions from this episode… Gangnam Project Late Bloomer Yoga with Adriene North of North Silo  Fit for TV: The Reality of The Biggest Loser  Sort Of The Porter Star Slade   Terms we mentioned… “Breakdown Services” - a subscription-based platform for talent representatives (agents and managers) to manage clients, view casting notices, and submit their clients to audition for those projects “Hey Lucy” - an Italian restaurant in downtown Toronto! “Milo Casting” and “Jigsaw” - two casting houses in Toronto “MOW” - stands for “Movie of the Week”, which is a film made to be released on television, rather than a theatrical release   ~ ~ ~ ~ ~   Let's Connect!    Liquid Courage - click here! Amanda Pereira (host) - click here! Colleen Rush (guest) - click here!   ⇒ To donate to the show, click here!    ~ ~ ~ ~ ~   The music in this episode is thanks to HookSounds. You can check out their tracks here: www.hooksounds.com. Use the discount code LIQUIDCOURAGE10 for 10% off a HookSounds subscription!* *If you use this code, I earn a small commission — so you'll be supporting the podcast, too!

Why Learning the “Language” Matters Actors spend years honing their craft, but many miss one critical piece: learning how to communicate in the Language of the Agents and the Casting Directors. This isn't just about vocabulary. It's about aligning your training, business practices, and mindset so the industry sees you as the solution—not the problem. As a casting director, I see it firsthand. Actors who know how to speak this language get representation, book roles, and build sustainable careers. Those who don't? They're quickly overlooked. The Three Pillars of a Successful Acting Career A thriving career rests on three equally important pillars: Training – Building your instrument as an actor so you know you're good at your craft. Business – Getting your materials, schedule, and communication in order. Core Energy Work – Tackling mindset blocks like procrastination, perfectionism, and fear so you actually do what you know you need to do. Neglect any one of these, and your career wobbles. Balance them, and everything starts to flow. What Agents and Casting Directors Really Want Casting directors are solution-oriented. They need actors who are: Prepared, confident, and easy to direct Clear and concise communicators (no long-winded emails) Professional and drama-free Confident in their abilities without needing validation Agents and managers, on the other hand, prioritize placement and revenue. They want clients who understand their product (themselves as actors) and know where they fit in the market. They love actors who are: Low-maintenance (professional, proactive, not needy) Consistent with follow-ups (every 2 weeks if signed, every 3–4 weeks if freelancing) Quick to respond (within 15 minutes when possible) If you can show up as a reliable, confident professional who respects their time, you'll stand out. Bridging Art and Business The “language” isn't just about using terms like clips, reels, avail, or first refusal correctly. It's about mirroring the way agents and casting directors think. Shift from actor-centric to project-centric. Instead of saying, I felt this choice worked for me, reframe to, I believe this choice serves the director's vision. That shift alone can make you the actor they trust. A Weekly Practice That Works In my Weekly Accountability Group for actors, we focus on all three pillars: Training: What did you do to become a better actor this week? Business: What actions did you take to move your career forward? Core Energy Work: What mindset challenges came up, and how did you respond? By setting intentions and following through week after week, actors create real momentum—and book more work. Final Thoughts The industry is full of talented actors. The ones who book consistently aren't always the most gifted. They're the ones who communicate well, respect the process, and show they're confident, reliable professionals. That's the power of learning the Language of the Agents and the Casting Directors. Resources Mentioned in This Episode

Today on What's My Frame I'm joined by Casting Director & Spanish Dialect Consultant, Miranda Martinez. Miranda began her career in Dallas, Texas, working in commercial casting before collaborating with renowned casting director Jo Edna Boldin,CSA on major studio films including The Lone Ranger and The Last Stand. After relocating to Los Angeles in 2012, Miranda expanded her credits as the Los Angeles Casting Director for the independent feature Icaros: A Vision, where she spent three weeks in the Amazon jungle of Iquitos, Peru, working closely with the local cast of native Shipibo-Conibo people to help shape authentic performances.She has contributed to high-profile projects with acclaimed casting director April Webster, CSA including Tom Clancy's Jack Ryan, Lisey's Story, Clarice, Locke & Key, and Sacred Lies. On Jack Ryan, she also served as a Spanish dialect consultant, advising on accent accuracy and subtitle translation during post-production. Fluent in Spanish and raised in Panama, Miranda brings deep linguistic expertise to her work, specializing in Spanish dialect consulting for multilingual productions.Her background as an actor, having appeared in national commercials and independent films, gives her a performer's perspective that informs her casting approach. Miranda occasionally teaches actor workshops, most recently at the SAG-AFTRA Foundation, where participants had the option to perform in either English or Spanish. She is also committed to supporting emerging filmmakers, regularly serving as Casting Director for short films at Chapman University's Dodge College of Film and Media Arts.-What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Karin's film work includes: The Substitute, The Shamer's Daughter, In Love and War, Queen Of Hearts, The Shadow In My Eye, Loving Adults, Maybe Baby, Nightwatch: Demons Are Forever, and The Girl With The Needle. Karin's television casting work includes: 1864, Elves, and The Shift.

Get Reelisms Podcast #165: Oscars Predictions and Filmmaking Stories with Christine Chen In this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen dive into the complexities of the transgender and Mexican representations in media, share personal filmmaking experiences, and discuss the recent fires in LA. Christine also highlights her recent acting gig and a fun translation job for a food documentary. The duo shifts to an in-depth talk about the upcoming Oscars, sharing insights and predictions on the nominated films. Featuring discussions on the substance, genre-bending films, and the challenges of filmmaking, this episode is packed with insider knowledge and engaging commentary on the arts.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and Controversial Representation 00:47 Welcome to Get Reelisms Podcast 01:28 Christine's Sleep Struggles and LA Fires 03:41 Recent Filmmaking Experiences 06:53 Christine's Food Adventures 12:34 Christine's Mandarin Skills and Career Opportunities 17:10 Upcoming Projects and Genre-Bending Films 19:34 Discussion on Emilia Perez and Representation Issues 22:38 Oscars Nominations Overview 23:04 Actor and Actress Nominations 25:54 Mixed Genres in Film 28:20 Voting Dynamics and Film Awards 31:50 Animated Features and Short Films 36:07 Best Picture Nominees 42:10 Production Design and Visual Effects 43:41 Writing Categories and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Actors—ever wondered what casting directors really think about you in the room? After two years of chasing her down, Jesse finally sits with powerhouse casting director Rita Harrell (Big Picture Casting) for one of our most honest conversations yet.We dive into:Why small auditions lead to BIG bookings

Surviving and Thriving in the Film Industry with Ashley Atwood | Get Reelisms Podcast #164 In this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen, both filmmakers, discuss their respective journeys in the film industry. They introduce special guest Ashley Atwood, an Emmy-nominated actress, producer, and director of the Desert Playhouse. Ashley shares her experiences from starting as a dancer to transitioning into acting and producing films. She delves into the challenges faced, including casting struggles, producing content, and navigating the pressures of maintaining a parallel career for financial stability. The conversation offers valuable insights into the realities of show business, the importance of creating your own content, and tips for sustaining a long-term career in the industry. Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Ashley Atwood For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com  00:00 Introduction and Existential Crisis 00:47 Meet the Hosts and Special Guest 01:33 Early Filmmaking Experiences 02:28 Lessons Learned and Industry Realities 05:00 Navigating the Film Industry 05:52 The Importance of a Parallel Career 08:13 Sustaining a Career in Showbiz 22:00 Ashley Atwood's Journey 26:07 Joining Playhouse West and Creating Content 26:53 First Short Film: Mimi's Misadventure 28:58 Thursday Afternoon Films and Short Film Challenge 30:22 Wild Yogis Series and Networking Success 32:06 Producing Features and Learning from Mistakes 35:26 The Importance of Creating Your Own Content 37:01 Understanding the Casting Process 44:13 Acting School and Courses Offered 46:58 Podcast Wrap-Up and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

On this epsiode of #LatinosOutLoud, Rachel is on location, ON THE BEACH...a long one that's on LONG Island. She is at the home of 2nd time around guest of LOL...Director, Writer, Actor, Casting Director and Producer, Elaine Del Valle. The two are celebrating and discussing the upcoming theatrical release of Elaine's film, Brownsville Bred which hits select theatres Friday, September 19th. We also discuss screenwriting and filmmaking today, casting director tips, a lightning round of get-to-know-Elaine questions and more. Opening weekend IS so important for films, so let's support this friend to the show and entertainment industry bad ass! FIND YOUR LOCAL SHOWTIMES HERE #BrownsvilleBred #LatinosOutLoud #ElaineDelValle #LALIFF #Comedy #Podcast #Latinx #HispanicHeritageMonth #Movies #Film #Director

Today on What's My Frame I'm joined by Casting Director, Julie Tucker. Julie has a remarkable career spanning over two decades. Recognized for her outstanding contributions to the industry, Julie is a two time Emmy winner and five time Artois Award winner for her excellence in casting. Notable credits include DOC, The Oscar nominated short “Red White & Blue and SHERIFF COUNTRY coming to CBS this Fall. Today Julie shares invaluable advice for actors on how we can hold space for ourselves while self taping, insight into her research on the nervous system and upcoming book. This episode is filled with great advice and a lot of laughs, thanks to Julie and I both honoring our inner 15 year old musical theatre nerd. Now let's dance it out and get to the conversation!Additional notable credits include The Expanse,The Americans, The Affair, Nurse Jackie Fallout. Damages (Emmy and Artios Award), Six Feet Under (Emmy and Artios Award for NY Casting), Rescue Me (Artios Award), and Homeland (Artios Award).Follow Julie on Instagram Julie's episode of LITTLE KNOWN FACTS-What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Casting directors don't actually know what producers want at the start of the process — they're sending in choices to help define the role. So if you're trying to “play what they want,” you'll end up too vague to stand out. In this episode, Alyshia shares why specificity and authenticity are the keys to landing in the selection pile, why breakdowns are written for reps (not you), and how to stop wasting money on things like “actor slates.” Plus, learn how Slaytember flips the script: instead of paying for workshops where casting judges you, you'll work material for three weeks and then present it to award-winning CDs — including Victor Vasquez, Danny Gordon, and Jamie Castro — in a space where they've been invited to see YOU shine. Subscribe now for insightful discussions, empowering interviews, and practical advice to enhance your career longevity and satisfaction. THAT ONE AUDITION'S LINKS: SLAYTEMBER: Starting September 18th THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse Writer: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Today on What's My Frame I'm joined by veteran casting director, Jessica Daniels. With more than two decades of experience across film and television; Jessica is known for her sharp eye and collaborative approach. She's helped shape ensembles for projects like 30 Rock, Will Trent, The Miseducation of Cameron Post, and Dying for Sex. A former VP of Casting at Disney TV Studios, Jessica moves fluidly between studio and indie worlds, with a track record of championing emerging talent and making bold, story-driven choices. Jessica's vibrant heart for creatives is evident in all that she does! Now let's get to this special conversation.LinktreeInstagram: @jdcstg⁠8 Takeaways from Casting Masterclass with Jessica Daniels | The Business | SAG-AFTRA Foundation-What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, "What if casting wasn't about rejection — but about selection?"In this solo episode, Alyshia shares a powerful reality check on how to approach your auditions with authenticity, confidence, and story-driven choices that make you the answer casting directors are searching for. Learn how to: Casting directors don't respond to “performed” acting — they respond to authenticity. This episode is all about how you can show up with truth, story, and specificity in every tape.

This month we are delighted to welcome Olissa Rogers to our Modern Class of Casting Visionaries!Olissa Rogers is an Emmy Award-winning freelance Casting Director. She began her career in Germany in 2008, focusing on TV series until 2016. After moving to the UK, she worked as a casting assistant to Jeremy Zimmermann and later Kharmel Cochrane. In 2019, she became an associate to Theo Park on major TV projects like Ted Lasso, followed by roles with Amy Hubbard and Fiona Weir. Since April 2022, Olissa has led her own casting projects, including Royal Mob, African Queens, and My Friend Misty.In this episode we discuss...How she didn't want to go to uni in Germany so moved to Munich to join a directing program and got put in castingCasting in Germany and how a fate meeting with Jeremy Zimmerman ended up moving her to LondonAny differences she sees between casting in London and GermanWe dive into the casting of Ted Lasso. Who was attached and who auditioned.What creating a football team was like and how the roles shifted and changed to suit the actors/charactersWhat she has on the horizonWhat it's been like be a small part I developing the global CSA chapterHer talent crushesHow she finds and cultivates talentMake sure to subscribe, rate and review! Follow us @tipsycastingResources: ⁠Olissa Rogers IMDB⁠Olissa's InstagramOlissa's X────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠⁠⁠⁠⁠⁠⁠

Welcome to a very special episode of What's My Frame. Today I'm joined by Casting Director & Educator Jenny Ravitz Brightman. Jenny's authenticity, honesty and heart are evident throughout this episode. Jenny has a gift for meeting people where they are and empowering them. Jenny has lived with spondyloarthritis since her teens and is an advocate for artists with chronic pain. Jenny was named a 2024 Women in Motion honoree and the 2021 Volunteer of the Year by the Arthritis Foundation of New York. Notable casting credits include the hit NBC series Chicago PD, Chicago Fire, and Chicago Med, FBI: International (CBS), and indie film "Pretty People" (Tribeca Film Festival). She is currently working independently and recently cast projects for Powerhouse Theatre, Ars Nova, 5th Avenue Theatre, The Shed, and Paper Mill Playhouse. She is also a proud professor and alumnus of Shenandoah Conservatory, but her favorite job is serving as auntie to her favorite people: Abby, Olivia, and Jack. Now let's get to the conversation!Follow Jenny on Instagram Yellowbelly InterviewArthritis Foundation of New York-What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this conversation, we discuss the challenges and rewards of balancing parenting with a career in casting. We explore the evolution of the industry, the importance of authenticity in auditions, and the impact of motherhood on professional choices. The discussion also touches on setting boundaries, the significance of lived experiences in shaping characters, and advice for actors returning to the industry after a break.The journey into casting often starts with a passion for acting and collaboration.Internships in casting have evolved, making it more equitable for newcomers.Parenthood changes perspectives on storytelling and the types of projects one is drawn to.Setting boundaries is crucial for maintaining a work-life balance in a demanding career.The industry has become more flexible, allowing for remote work and diverse living situations.Authenticity in auditions is more valuable than technical perfection.Actors should embrace their unique perspectives and experiences in their performances.Returning to acting after a break should be celebrated, not apologized for.The casting process is collaborative, with casting directors rooting for actors.The rewards of casting include witnessing the transformation of actors into their roles.

Jessica Daniels is an Emmy and Artios Award-winning casting director for film and television, with credits including Will Trent, Dying for Sex, The 40-Year-Old Version, The Miseducation of Cameron Post, and 30 Rock. A New York native and former VP of Casting at Walt Disney Television Studios, she has spent over two decades championing talent. Jessica is passionate about storytelling and sees casting as an essential mechanism for shaping culture.In this episode, we talk about:• Introduction to Entertainment: Jessica Daniels began her career in the entertainment industry at Backstage Magazine, where she wrote and edited casting notices and conducted interviews.• Interest in Casting: Her interest in casting was piqued after creating a top 20 list of film casting directors, which led her to pursue a career in casting.• Career Path: Jessica transitioned from editorial work to becoming a casting assistant, eventually working on notable projects like "Garden State" and "The Carrie Diaries” (the latter she thought of as a breakthrough series for her).• Casting Philosophy: She emphasizes the importance of matching energies and representation in casting, often advocating for actors she believes in.• Challenges and Insights: Jessica discusses the fast-paced nature of casting, the importance of being prepared for pitch meetings, and the balance between casting known actors and discovering new talent.• Current Work: She is currently working on two feature films and preparing for the next season of "Will Trent."• Advice for Filmmakers: Jessica advises filmmakers to make roles appealing to actors and to consider hiring a casting director to open up the world of possibilities for their projects.• The High of Casting: When a difficult deal closes or she finds the right person for a role.• Auditions: The benefits of submitting early and whether it's a necessity.• Lightning round: How to Deal, Garden State, Royal Pains, 30 Rock, Coach Carter, Will Trent, Elekra, Ice Princess, Single Drunk FemaleGuest:⁠⁠⁠IMDb⁠⁠ ⁠⁠Linkedin InstagramHost:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:⁠⁠Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")⁠⁠Close Up with Casting Director Tara Rubin (Aladdin, BOOP, Death Becomes Her, Six, The Outsiders)Close Up with Casting Director Paul Schnee (Barden/Schnee casting: "Pitch Perfect," "Sisters," "Palm Royale," "Winter's Bone")

This week on Sibling Rivalry, Bob wonders if Monét visited his studio for creative inspiration. They talk cage play, working with influencers, and Bob's ongoing laundry saga. Bob and Monét break down the Skarsgård acting family and debate the most relevant Skarsgård brother. Then, they step into the role of casting directors, dream up their ideal movie lineups, share Bob's top actor pick, cast their own version of The Wizard of Oz, and discuss which actors would be perfect—or way too much—for iconic roles. Learn more about your ad choices. Visit podcastchoices.com/adchoices