Podcasts about Spoon River

Pensamos en cómo dialogar con los clásicos con la ayuda de Juan Herrero Diéguez, ganador del Premio Adonáis 2024 por Cartografía de nadie (Ed. Rialp), poemario en el que el autor vallisoletano toma La Odisea como punto de partida para hablarnos de nuestro tiempo.Luego, Ignacio Elguero nos propone otros títulos: El plan maestro (Ed. Planeta), que es la nueva novela de misterio de Javier Sierra, el cofrecito de la editorial Anagrama con las tragedias shakespereanas Antonio y Cleopatra y El mercader de Venecia, y Arderá el viento, obra de Guillermo Saccomanno ganadora del Premio Alfaguara de Novela 2025.Además, Javier Lostalé dedica su ventanita poética al volumen que reúne Luz de madera y Quebrada luz, dos poemarios publicados en la década de los noventa que en su momento se vieron eclipsados por la obra novelística de su autor, Manuel Rico, y que ahora recupera la editorial Olifante.En Peligro en La estación nuestro colaborador Sergio C. Fanjul nos recomienda Hijas del hormigón (Ed. Debate), ensayo de Aida Dos Santos que analiza -basándose en doscientos testimonios- las diferentes formas de clasismo, sexismo y violencia que sufren las mujeres de clase trabajadora en la periferia española.Terminamos el programa junto a Mariano Peyrou, que esta vez pone sobre la mesa la Antología de Spoon River, el famosísimo poemario del estadounidense Edgar Lee Masters. Todo un clásico del siglo XX que ahora podemos leer en una flamante edición de Galaxia Gutenberg con traducción, introducción y notas de Eduardo Moga.Escuchar audio

Alfonso Cipolla"Cadaveri e papere"Frammenti di un romanzo infrantoPrefazione di Claudio MercandinoEdizioni Seb27www.seb27.itSuore soubrette, centenari spericolati, pescatori incalliti, terroristi filantropi, danzatrici trottoliformi, aristocratici dinamitardi, cleptomani da discount, camerieri filosofi, gorgheggiatrici rupestri, rigattieri insonni, pendolari incontinenti… Cammei di personaggi improbalili, di luoghi inesistenti, di drammi irrilevanti; spicciolume quotidiano per un romanzo frantumato lasciato a dormicchiare per oltre trent'anni. Un umorismo plumbeo, amaro, alla deriva nel brodo in cui galleggia, come un'isola flottante, un mondo provinciale ingombro di grembiulini, di muffole e pattine, di processioni e cene monotone, di buche per le lettere intasate da réclame di gite organizzate per vendere padelle. Una inconsapevole Spoon River da retrobottega, un tramontare di genti meccaniche da piccolo affare: lenimento e vacuità, memoria a futura memoria di un secolo appena trapassato ma non ancora defunto, che a spolverarlo, ogni tanto, consola.Alfonso Cipolla. Docente di Teoria e tecnica dell'Interpretazione scenica presso il Conservatorio “Guido Cantelli” di Novara, drammaturgo, regista, storico del teatro di figura e critico teatrale, autore di saggi e numerose monografie. Ha fondato con Giovanni Moretti l'Istituto per i Beni marionettistici e il Teatro popolare; è presidente di Unima Italia. Nel 2022 ha pubblicato in questa collana il volume Orchi, antropofagi e macellai. Storie varie per bambini succulenti.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Edgar Lee Masters-ek 1915ean eman zuen argitara ezagun egingo zuen poesia-bilduma, Spoon River Anthology, non alegiazko herri bateko hildako biztanleei ahotsa eman baitzien. Euskaraz plazaratu du Balea Zuriak, Alain Lopez de Lacallek itzulia....

There's lots going on this week. Josh and Drusilla cover the French folk horror surrealist film Litan (1982). From wiki: “Litan is a 1982 French horror film co-written, produced, edited, and directed by Jean-Pierre Mocky and Jean-Claude Romer. It stars Marie-José Nat, Jean-Pierre Mocky, Nino Ferrer, and Marisa Muxen.” Josh wrote a play about Messiah of Evil and talks about playwriting and theater in general. Drusilla saw The Vourdalak and Oddity. They discuss Fantasmas, Radiance Films, Godard's Weekend, Spoon River, The Returned, Invasion of the Body Snatchers, Psychomania, The Wickerman, After Hours, Messiah of Evil, Carnival of Souls, and more! NEXT WEEK: Parents (1989)   Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

Negli ultimi trent’anni la figura del curatore della Biennale di Venezia è diventata sempre più visibile, al punto che c’è chi sostiene che il suo ruolo sia fin troppo espansionista e interventista - commenta Massimiliano Gioni, autore del libro “Caffè Paradiso. La Biennale di Venezia raccontata dalle sue direttrici e dai suoi direttori” (Johann and Levi, 196 p., € 23,00). Da sempre la Biennale alterna artisti contemporanei con quelli del passato, a volte mettendoli a confronto, ma nelle ultime edizioni però le tracce del passato sono predominanti rispetti agli artisti contemporanei - conclude Gioni.RECENSIONI“Amore e Psiche. L’enigma dell’amore” a cura di Barbara Castiglioni(Marsilio, 264 p., € 18,00)“La favole di Amore e Psiche” di Apuleio(Feltrinelli, 144 p., € 8,50)“La favole di Amore e Psiche” di Apuleio(Gribaudo, 96 p., € 9,90)“Giovanni Pascoli. Dal nido al cosmo” di Bruno Nacci(Ares, 164 p., € 16,00)“L’ultimo secolo di poesia italiana” di Alfonso Belardinelli(Quodlibet, 338 p., € 22,00)“Non a te nudo amore” Poesie d’amore scelte da Massimo Recalcati (Crocetti, 144 p., € 16,00)“Jean Cocteau. La rivincita del giocoliere” catalogo della mostra a cura di Kenneth E. Silver(Marsilio Arte, 176 p., € 40,00)“Poesie di viaggio” a cura di Roberto Mussapi(EDT, 264 p., € 16,00)“Antologia di Spoon River” di Edgar Lee Masters(Lindau, 544 p., € 29,00)“La nuova Spoon River” di Edgar Lee Masters(Low edizioni, 120 p., € 15,00)IL CONFETTINO“Una giornata al museo” di Christine Schneider(Il Castoro, 56 p., € 16,50)

In questa puntata, Alessandro Barbaglia si interroga sul Tre: cosa affascina gli scrittori, gli autori, gli sceneggiatori riguardo a questo numero? E poi tra le novità della settimana Sulla boxe di Joyce Carol Oates (66thand2nd) e Il dolore non esiste di Ilaria Bernardini (Mondadori). Chiara Sgarbi invece consiglia Il gran tour di Nancy Moon di Sarah Steele, edito Feltrinelli.L'ospite della puntata è Luca Cena, libraio antiquario di White Lands Rare Books che consiglia tra gli altri Antologia di Spoon River di Edgar Lee Masters, edito Einaudi.SHELF. IL POSTO DEI LIBRIdi Alessandro Barbaglia e Chiara Sgarbi Realizzato da MONDADORI STUDIOSA cura di Miriam Spinnato e Danilo Di TerminiCoordinamento editoriale di Elena MarinelliProgetto grafico di Francesco PoroliMusiche di Gianluigi CarloneMontaggio e post produzione Indiehub studio

S10P10 - Le lettere di Cesare Pavese e le esplorazioni musicali al chiaro di lunaPLAYLIST LETTERARIA. Lettera di Cesare Pavese a Bianca Garufi21 ottobre 1945Tu sei veramente una fiamma che scalda ma bisogna proteggere dal vento. a volte non so se un mio gesto tende a scaldarmi o a proteggerti. anzi allora m'immagino di fare le due cose insieme e questa è tutta la mia e la tua tenerezza come una cosa sola. (…)non credere alle soluzioni, alle decisioni, alle grandi crisi; credi ai giorni, alle ore, ai minuti. tanto, per grave che sia una crisi, una decisione, ti tocca pure vivere le ore, i giorni e i minuti, e questi li vivi naturalmente (…) ...ciao e sii bellaLettera di Cesare Pavese a Fernanda Pivano, 11 gennaio 1943Cara Fernanda,ricevo le due lettere, quella della malinconia, e quella su Spoon River e sul mio richiamo.Per S. R. farò tutto io qui, ma non s'illuda troppo presto perché vorranno vedere le bozze e potranno ritornare sulla decisione. Per il richiamo è una notizia del giornale, che dal 1° al 15 febbraio chiameranno tutti i laureati in congedo del 1923 e precedenti, per utilizzarli. Io, a buon conto ho già cominciato a muovermi per sapere, primo, se sarò chiamato; secondo, se lo sarò davvero; terzo, per guarire dall'asma. Stia certa che i miei desideri coincidono coi Suoi.Mi preoccupa di più la Sua malinconia e il tono di bestia condotta al macello da Lei assunto. Perché? È sola e disagiata, ma può studiare e lavorare; non se l'intende coi Suoi, ma studiando e lavorando si prepara il modo di farsi un'indipendenza; non Le sono vicino a farle prediche, ma gliele faccio da lontano, e tanto più meditate e inesorabili, e assisto i Suoi lavori e insomma non sono in Polinesia.Pensi che qui soffro il freddo come a Mondovì. Siamo in quattro in una casa, anzi cinque, tre uomini e due donne; viviamo studentescamente; si mangia non male; io giro tutto lacero e scalcagnato, e a Torino dovrò venire certo uno di questi giorni, non fosse che per rifornirmi di abiti. Da Torino passerei a Mondovì. Faccia sì che il primo incontro avvenga tra noi due soli, perché vorrò abbracciarla e baciarla. Ho deciso. Ho trovato molti complimenti per il Mare, che pare abbia colpito tutta Roma, ma io vivo isolatissimo, anche perché a girare di notte su questi maledetti autobus e circolari, dove non si capisce niente, non mi pigliano certo.Cara Fernanda, si sta meglio con Lei a Torino, e anche a Mondovì. Stia allegraLettera di Cesare Pavese a Constance Dowling - 17 marzo 1950Cara Connie,volevo fare l'uomo forte e non scriverti subito, ma a che servirebbe? Sarebbe soltanto una posa.Ti ho mai detto che da ragazzo ho avuta la superstizione delle "buone azioni"? Quando dovevo correre un pericolo, sostenere un esame, per esempio, stavo attento in quei giorni a non essere cattivo, a non offendere nessuno, a non alzare la voce, a non fare brutti pensieri. Tutto questo per non alienarmi il destino. Ebbene, mi succede che in questi giorni ridivento ragazzo e corro davvero un gran pericolo, sostenendo un esame terribile, perché mi accordo che non oso esser cattivo, offendere gli altri pensare pensieri vili. Il pensiero di te e un ricordo o un'idea indegni, brutti, non s'accordano. Ti amo.Cara Connie, di questa parola so tutto il peso - l'orrore e la meraviglia - eppure te la dico, quasi con tranquillità. L'ho usata così poco nella mia vita, e così male, che è come nuova per me.[…] Amore, il pensiero che quando leggerai questa lettera sarai già a Roma - finito tutto il disagio e la confusione del viaggio -, che vedrai nello specchio il tuo sorriso e riprenderai le tue abitudini, e dormirai da brava, mi commuove come tu fossi mia sorella. Ma tu non sei mia sorella, sei una cosa più dolce e più terribile, e a pensarci mi tremano i polsi.PLAYLIST MUSICALE >>> https://open.spotify.com/playlist/27FzChJdoNvn0ZE2TdGgC4?si=JAupD-dpSlmdgtkIShAWWw&pi=e-EcexSxGeTXiS. Bonobo, Andreya Triana - The Keeper. The Jordan - You don't even know me— Lettera di Cesare Pavese a Bianca Garufi 21 ott 1945 Tu sei veramente una fiamma che scalda ma bisogna difenderla dal vento… ciao e sii bella. James - Hello. Gerra G & Luana Godin, Pade Ona— Lettera di Cesare Pavese a Fernanda Pivano 11 gen 1943 cara fernanda ricevo le tue lettera, quella della malinconia… stia allegra. Sierra Moreno - Alarma. Caterina Barbieri - Fantas. Maddalena Ghezzi - Tenderly— Lettera di CP a Constanze 17 marzo 1950 Cara Connie, volevo fare l'uomo forte. Nicola Cruz - Contato ft. Marcela Dias Sindaco. Charlotte Adigery, Bolis Pupul - Haha. Headkube, Pete K - Olimpia

“... ma lasciatemi sognare! ...” di Guido Gozzano, a cura di Maria Teresa Caprile, presentazione di Francesco De Nicola, saggio introduttivo di Vincenzo Gueglio(Gammarò Edizioni, 230 pp., 49 €)“Gli strumenti umani” di Vittorio Sereni, a cura di Michel Cattaneo(Ugo Guanda Editore, 480 pp., 50 €)“L’ultimo secolo di poesia italiana” di Alfonso Belardinelli, a cura di Marianna Comitangelo(Quodlibet, 342 pp., 22 €)“Tutte le poesie” di Sibilla Aleramo(Il Saggiatore, 400 p., € 26,00)“Poesie di viaggio” a cura di Roberto Mussapi(EDT, 242 pp., 16 €)“Rivelerò io cosa dire di me” di Walt Whitman, a cura di Diego Bertelli(Marcos y Marcos, 160 pp., 20 €)“Finché Dio ci vede” di Emanuel Carnevali, a cura di Daniele Gigli(Edizioni Ares, 232 pp., 18 €)“Antologia di Spoon River” di Edgar Lee Masters, a cura di Federica Massia, traduzione di Roberto Sanesi(Lindau, 544 pp., 29 €)“La nuova Spoon River” di Edgar Lee Masters(Low edizioni,120 p., € 15,00)“Spalancare gli occhi sul mondo. Dieci lezioni su Leopardi” di Marco Antonio Bazzocchi(Il Mulino, 238 pp., 18 €)“La malizia del vischio” di Kathleen Farrell(Fazi Editore, 240 p., € 18,50)“Natale nella vecchia Virginia” di Thomas Nelson Page (Mattioli 1885, 144 p., € 10,00)“Le avventure di Oliver Twist” di Charles Dickens(Mattioli 1885, 528 p., € 25,00)“Il suo ultimo Natale. Un delitto sotto l’albero” di Rupert Latimer(Lindau, 304 p., € 19,50)IL CONFETTINO“Il mio Natale da scoprire” di Jacob Vium-Olesen, illustrazioni di Carolina Coroa(Edizioni Paoline, 238 pp., 14,90 €)

“... ma lasciatemi sognare! ...” di Guido Gozzano, a cura di Maria Teresa Caprile, presentazione di Francesco De Nicola, saggio introduttivo di Vincenzo Gueglio(Gammarò Edizioni, 230 pp., 49 €)“Gli strumenti umani” di Vittorio Sereni, a cura di Michel Cattaneo(Ugo Guanda Editore, 480 pp., 50 €)“L’ultimo secolo di poesia italiana” di Alfonso Belardinelli, a cura di Marianna Comitangelo(Quodlibet, 342 pp., 22 €)“Tutte le poesie” di Sibilla Aleramo(Il Saggiatore, 400 p., € 26,00)“Poesie di viaggio” a cura di Roberto Mussapi(EDT, 242 pp., 16 €)“Rivelerò io cosa dire di me” di Walt Whitman, a cura di Diego Bertelli(Marcos y Marcos, 160 pp., 20 €)“Finché Dio ci vede” di Emanuel Carnevali, a cura di Daniele Gigli(Edizioni Ares, 232 pp., 18 €)“Antologia di Spoon River” di Edgar Lee Masters, a cura di Federica Massia, traduzione di Roberto Sanesi(Lindau, 544 pp., 29 €)“La nuova Spoon River” di Edgar Lee Masters(Low edizioni,120 p., € 15,00)“Spalancare gli occhi sul mondo. Dieci lezioni su Leopardi” di Marco Antonio Bazzocchi(Il Mulino, 238 pp., 18 €)“La malizia del vischio” di Kathleen Farrell(Fazi Editore, 240 p., € 18,50)“Natale nella vecchia Virginia” di Thomas Nelson Page (Mattioli 1885, 144 p., € 10,00)“Le avventure di Oliver Twist” di Charles Dickens(Mattioli 1885, 528 p., € 25,00)“Il suo ultimo Natale. Un delitto sotto l’albero” di Rupert Latimer(Lindau, 304 p., € 19,50)IL CONFETTINO“Il mio Natale da scoprire” di Jacob Vium-Olesen, illustrazioni di Carolina Coroa(Edizioni Paoline, 238 pp., 14,90 €)

Today we are joined by Nikki, Alexis, and Billy from the Spoon River Movie Mash-Up that is happening at Playhouse West.  This is a wonderful show with a combination of the old and the new. https://www.playhousewest.com/ https://www.instagram.com/playhousewestla    

What is probably America's best-known song about the Netherlands — “The Dutchman” — was written by a man who had never been there.“The song has in it almost everything I'd ever read or heard, in school and in the library, about Holland,” composer Michael Peter Smith told a fan in 2010, about 40 years after he wrote the song at the very start of his career.Did he ever consider singing it in Holland? Oh, hell no!“Can you imagine,” Smith said, “the reception a Dutch singer would get in New York City with a song in Dutch called 'The American'?”Unconditional Love“The thing is,” Smith added, “it isn't really about a country or its denizens, is it? It's about these older people's day and how she takes care of him and how they sing together and how quickly everything is past and forgotten. They truly could be anywhere, yes?” Yes, of course. Anyone who listens to it knows “The Dutchman” has little to do with windmills and canals and everything to do with the unconditional love of Margaret and the sweet little husband who is drifting away from her.Enter Steve Goodman“The Dutchman” — the best known song by Smith, who died in 2020 at age 78 — came to prominence in 1972 when it was released as the opening track of Steve Goodman's second album, Somebody Else's Troubles. A few years earlier, Goodman had become entranced with the song when he heard Smith perform it at a club in Miami. Goodman went back every chance he could just to start memorizing it. Subsequently, his rendition became an instant FM radio hit at a time when FM was rich territory for original and innovative “adult contemporary” music. Over the years, Smith always credited Goodman for giving his songs a much higher visibility. (Steve recorded a second Michael Smith classic — “Spoon River” — on a subsequent album, Incidentally, The Flood also regularly performs “Spoon River,” as reported in this earlier Flood Watch article.)The Liam Clancy Connection While Steve Goodman is central to the Michael Smith story, the composer actually had a different singer in mind for the ultimate performance of “The Dutchman.”“The only person I ever flat out asked to sing this song,” said Smith, “was Liam Clancy, the great Irish singer. I knew it'd be good for him and I was right. Bless him, he sang it for almost 40 years, and made it sound like a Clancy Brothers tune.”Liam, who Bob Dylan once called "the greatest ballad singer of all time,” recorded it with Tommy Makem in 1983.Our Take on the TuneWe always loved Liam's version, but the song already was familiar to us from Steve Goodman's recording. Roger Samples, falling deeply in love with all of Goodman's albums, learned the song in the mid-1970s and taught it to the rest of us. Then for a decade or so, Rog sang it to our harmonies. Later on, when Rog moved away, the song lingered behind, Charlie taking over the vocals.Since then, every configuration of The Flood has regularly played “The Dutchman”, often at the end of a particularly sweet evening of music and stories. Lately, Charlie has given the song this new spin by adding a bit of mellow banjo to the mix.A Flood FootnoteBy the way, “The Dutchman” also plays an important part in a choice bit of Flood Lore, as Charlie can relate in a little two-part story. Click the button below to hear what happens when a guitar player starts thinking about his thumb: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Dennis Erb Jr. struck last night at Spoon River for a big win, and he couldn't hide his excitement. We'll talk about that, plus the World of Outlaws at Lincoln, more news from Roth and Buddy Kofoid and more.

It didn't take long for Crouch to replace Buddy Kofoid. We've got details on that, plus we talk Outlaws at Lincoln, Flo series at Spoon River and more.

Gianluca Gatta ha letto questa settimana ANTOLOGIA DI SPOON RIVER di Edgar Lee Masters, un romanzo in forma di raccolta poetica che racconta la vita in una cittadina della provincia americana di fine '900 attraverso le parole dei suoi defunti.

Sparks chats with Velvet Powell, the Spoon River College Community (SRC) Director of Outreach about current and upcoming adult, business professional, and youth education programs at the SRC Community Outreach Center in Macomb

L'artista, che per statuto è un portatore del disordine, oggi potrebbe portare un po' d'ordine sociale in una realtà dove l'economia ha perso l'audacia e la filosofia non è più in grado di mettere in dubbio il buonsenso - spiega Emilio Isgrò, artista e scrittore, parlando del suo libro "Sì alla notte" (Guanda, 288 p., € 19,00). Negli ultimi 50 anni la poesia e l'arte sono diventati autoreferenziali - commenta Isgrò, che per cercare di portare nella poesia lo stesso spirito rivoluzionario che le sue cancellature hanno portato nell'arte, si è ispirato alle origini della poesia italiana e al sonetto nato nella Sicilia di Federico II. RECENSIONI "Il Dante di tutti. Un'icona pop" di Giuseppe Antonelli (Einaudi, 104 p., € 12,00) "Paolo d Francesca. Romanzo di un amore" di Matteo Strukul (NordSud edizioni, 272 p., € 9,90) "Atlante dantesco" di Gianluca Barbera (Rizzoli, 240 p., € 24,90) "Lezioni di italiano" di Giuseppe Patota (Il Mulino, 224 p., € 16,00) "Leopardi e la filosofia" di Remo Bodei (Mimesis, 148 p., € 14,00) "Canti - Volume primo" di Giacomo Leopardi (Guanda, 560 p., € 40,00) "Canti - Volume secondo" di Giacomo Leopardi (Guanda, 512 p., € 39,00) "Disegni letterari" di Giacomo Leopardi (Quodlibet, 288 p., € 20,00) "The betrothed" di Alessandro Manzoni - traduzione di Michael F. Moore (Modern Library, 704 p., $ 28.99) "Antologia di Spoon River" di Edgar Lee Masters (La Nave di Teseo, 1200 p., € 25,00) IL CONFETTINO "Uscimmo a riveder le stelle. Las Divina Commedia raccontata ai ragazzi - Vol. I Inferno" di Franco Nembrini e Gianluca Recalcati (Ares, 288 p., € 20,00)

Cindy Arnett joins The Greg and Dan Show to talk about the 54th Annual Spoon River Valley Scenic Drive Fall Festival starting on October 1st at 9 AM and continuing on the 2nd, 8th, and 9th from 9 AM – 5 PM. Towns including Avon, Ipava, Duncan Mills, Lewistown, and more come together for this Fall Festival that features delicious food, delightful entertainment, and a plethora of homemade arts and crafts. See omnystudio.com/listener for privacy information.

Stoking the Fire Kyle Loomis is a fraud. Brandon Sheppard leaving the Rocket house car at seasons send. More California races cancelled. Late models rainouts/reschedule dates. IMCA Supernationals @ Boone Speedway - Troy Morris III results from there! (ends around 19-20 minute mark) Feature Finish Josh Burton Memorial race Gas City weekly finale Bloomington weekly and a champion is crowned WoO sprints @ Skagit, Greys Harbor, Gold Cup Race of Champions @ Silver Dollar Sprint Car Challenge Tour ASCoC @ Sharon, Port Royal for the Tuscarora 50 USAC Silver Crown @ DuQuoin USAC West Coast sprints USAC National Midgets Xtreme Outlaw sprints @ Jacksonville & Spoon River 52nd Annual Late Model Dream at Eldora SuperDirtcar series Short Track Super Series PA weekly (ends around the 46:00 mark) The Smoke Ice Cream from Super Twist - Brandon Morin's stand Picanha & Skirt steak tacos on Labor Day weekend Ma T 888 China bistro Wing Wednesday A new sandwich creation at Rounders Too Longhorn steak night other cooks from the guys the past couple weeks

Acabem la temporada amb una selecci

Acabem la temporada amb una selecci

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself. Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself. Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself. Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself. Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself. Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ogni volta che mi avvicino ad un libro, anche un libro magari già letto in passato, ho delle reazioni diverse - spiega Bianca Pitzorno parlando di "Donna con libro. Autoritratto delle mie letture" (Salani, 272 p., € 16,00), un viaggio tra i ricordi dei libri che hanno accompagnato la sua vita. RECENSIONI "La caffettiera di carta. Inventare, trasfigurare, narrare: un manuale di lettura e scrittura creativa" di Antonella Cilento (Bompiani, 720 p., € 24,00) "Non leggete i libri, fateveli raccontare" di Luciano Bianciardi (Neri Pozza, 112 p., € 13.50) "Kafka. Diario di un disperso" di Mauro Falchetti e Luca Albanese (Beccogiallo, 152 p., € 18,00) "Un amico di Kafka" di Isaac Bashevis Singer (Adelphi, 338 p., € 22,00) "Un digiunatore di Franz Kafka" di Tullio Pericoli (Adelphi, 92 p., € 24,00) "Kafka sognatore ribelle" di Michael Löwy (Eleuthera, 200 p., € 17,00) "Un cuore al buio. Kafka" di Manuela Cattaneo della Volta e Livio Sposito (Francesco Brioschi editore, 224 p., € 18,00) IL CONFETTINO"Antologia di Spoon River" di Edgar Lee Masters (Mondadori, 372 p., € 16,00)

**!!!LISTENER DESCRECTION ADVISED !!!** Bryan has some exciting news to announce to everyone. Keith and Bryan invite Chris Morefield, a super modified racer from Edwards, Illinois on to the show. Chris and Keith talk about being family and racing together, as well as sharing tons of laughs and stories, while Bryan tries not to throw up from a two year old chip. Sponsors https://www.facebook.com/logowearunlimited https://www.facebook.com/fullhousesigns Check us out https://hotlapheroes.com https://www.facebook.com/GettingDownAndDurty links https://www.imca.com/points/modified-points/modified-national-points/ --- Send in a voice message: https://anchor.fm/bryan-hayward9/message

Ghosts from the fictional town of Spoon River dish dirt on the other inhabitants of the town. This renowned anthology demystifies America's rural life through tales of murder, rape, revenge, joy, love, war, crime, marriage, birth and so much more. Today's readers are:Dr. Siegfried Iseman--Bruno VannieuFiddler Jones--Donald GuadagniDora Williams--Johanna CollierMrs. Williams--Ellen FryerWendell P. Blood--Michael RhysRussian Sonia--Katherine QuevedoPauline Barrett--Luisa PiemonteseMrs. Charles Bliss--Marian HaraRev. Lemuel Wiley--Timothy GouldElsa Wortman--Janice RyanAmos Sibley--Timothy GouldMrs. Sibley--Marian HaraAmelia Garrick--Sarah GreavesJohn Hancock Otis--Charles KowalskiAnthony Findlay--Timothy GouldAlexander Throckmorton--Charles KowalskiJonathan Swift Somers--Renata PavreyEugene Carman--Andi BrooksRoscoe Purkapile--Linda GouldMrs. Purkapile--Vicky MuehlheisenMrs. Kessler--Enne TesseBurt Kessler--Linda GouldLillian Stewart--Katherine QuevedoEdmund Pollard--Radhika IyerIda Frisky--Peggy OtakeSeth Compton--Tim LawRichard Bone--Johanna CollierTom Merritt--Joshua St. ClairMrs. Merritt--Jill TradeElizabeth Childers--Renata PavreyEdith Conant--Snigdha AgrawalHarry Williams--Michael RhysJohn Wasson--J.L. ShortLyman King--Lily ThukralAnn Rutledge--Peggy OtakeRebecca Wasson--Vicky MuehleisenHannah Armstrong--Sarah DittmoreLucinda Matlock--Linda K. Vandermeer KadotaDavis Matlock--Linda GouldHerman Altman--Donald GuadagniWallace Ferguson--Herve SuysSamuel Gardner--Joan Lambert BaileyDow Kritt--Yutaka Jay Miura (age 6)William Goode--J.L. ShortScholfield Huxley--Rebecca OtowaAlfonso Churchill--Sarah GreavesGustav Richter--Joan Lambert Bailey​William and Emily--Timothy and Linda GouldYou can read Spoon River Anthology at https://www.gutenberg.org/ebooks/1280Follow us on twitter at: Japanese Ghost Stories @ghostJapanese Instagram: WhiteEnsoJapanFacebook: https://www.facebook.com/kaidankai100/Help me pay the contributors for their work. Donate to the Kaidankai through Ko-Fi. Thank you!https://ko-fi.com/kaidankaighoststories

Ghosts from the fictional town of Spoon River dish dirt on the other inhabitants of the town. This renowned anthology demystifies America's rural life through tales of murder, rape, revenge, joy, love, war, crime, marriage, birth and so much more. Ollie McGee read by Eucharia DonneryAmanda Barker read by Luisa PiemonteseChase Henry & Judge Somers read by Charles KowalskiPetit the Poet read by Snigdha AgrawalBenjamin Pantier & Andy the Nightwatch ready by Andi BrooksMinerva read by Sharlene OyagiIndignation Jones read by Timothy GouldDoctor Meyers read by Joshua St. ClairMrs. Meyers read by Jill TradeKnowlt Hoheimer read by Herve SuysPercy Bysshe Shelley read by Enne TesseJulia Miller read by Ellen FryerZenas Witt read by Taishin Frances MatsuzakiMargaret Fuller Slack read by Rebecca OtowaAce Shaw read by Bruno VannieuLois Spears read by Lily ThukralThe Hill, Hod Putt, Cassius Hueffer, Serepta Mason, Daisy Fraser, Mrs. Benjamin Pantier, Butch Weldy, Lydia Puckett, Sarah Brown and Justice Arnett read by Linda GouldYou can read Spoon River Anthology at https://www.gutenberg.org/ebooks/1280Follow us on twitter at: Japanese Ghost Stories @ghostJapanese Instagram: WhiteEnsoJapanFacebook: https://www.facebook.com/kaidankai100/Help me pay the contributors for their work. Donate to the Kaidankai through Ko-Fi. Thank you!https://ko-fi.com/kaidankaighoststories

Il Cimitero napoleonico di Cavriago, rimasto in attività per poco più di un secolo, ha accolto le spoglie della comunità e conserva le storie di anarchici, preti, socialisti, donne innamorate e bambini morti di tifo. Ho immaginato di trovarmi in una Spoon River italiana e, per questa puntata di Camposanto, non sarò io a raccontarvi le storie dei morti. Saranno loro stessi a parlarvi, seduti sulla tombe che conservano le loro spoglie mortali.Per maggiori informazioni e materiale su questo cimitero: https://camposantopodcast.comSe vuoi contribuire al progetto: https://ko-fi.com/camposantopodcastCredits:Canzone della sigla: "Beat the Burglar" by scottholmesmusic.comGrafiche: Elena Lombardi lombardielena.comAll'interno della puntata sono stati inseriti estratti dei brani "Piccola Pietroburgo" (Offlaga Disco Pax, 2005), "Bandiera Rossa" (Carlo Tuzzi, 1908), "Inno di Garibaldi" (Luigi Mercantini, Alessio Olivieri, 1858). Gli estratti sono stati inseriti nel rispetto dell'articolo 70 della Legge sul Diritto d'Autore. Effetti sonori:Da freesound.org:- "Piazza Anfiteatro Lucca" by peelsonsleep- "Lipari bells" by Schalkalwis- "Sad Violin" by Cunningar0807- "Auto Assault Rifle/Gun Burst" by EFlexMusic- "Horse Clip Clopping Downhill" by Swiftoid- "Bass Drum Hit" by alegemaate- "Water Mill" by padyhadyDa orangefreesounds.com:"Walking In Forest Thicket", "Horse Trot With Echo" by Alexander

Today in botanical history, we celebrate an English earl, an English poet, a forgotten garden, and a national floral emblem. We hear a floral excerpt from a best-selling fiction book - it's a little love story about an extraordinary woman who gave birth to a painter who became the Father of Impressionism. We Grow That Garden Library™, with a book that came out in 2015 and seems to grow ever more relevant. And then we'll wrap things up with an American poet and some of his garden-inspired work.   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there's no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you'd search for a friend... and request to join. I'd love to meet you in the group.   Curated News Small Flowering Shrubs with Big Impact | Garden Gate Magazine | Susan Martin   Important Events September 23, 1717  Birth of Horace Walpole, 4th Earl of Orford, English writer, art historian, and Whig politician. His father served as the first British Prime Minister. As an adult, he designed a picturesque summer home for himself in southwest London, which he called Strawberry Hill. Horace's little castle caused a sensation, and he opened his home to four lucky visitors each day. An 1842 admission ticket spelled out rules for tourists: The House and Garden are never shown in an evening;  and persons are desired not to bring children with them. The Gothic Revival architecture complete with a round tower was a nod to his accomplished ancestry and is gorgeous inside and out. The stained glass and the library are two favorite aspects among visitors. Horace was a hardworking writer and a serious scholar. Horace coined the word serendipity after he finally located a painting he wanted for his home. He wrote the first Gothic novel, The Castle of Otranto (1764), ten years later. In addition to his other works, Horace wrote The History of the Modern Taste in Gardening (1771). A fan of natural gardens, he famously observed that his garden hero William Kent was the first garden designer to “[leap] the fence, and [see] that all of nature was a garden.”  Horace immensely enjoyed his five-acre romantic garden at Strawberry Hill, which he affectionately called his “enchanted little landscape” and his “land of beauties.” In addition to a grove of lime trees, the garden featured a sizeable Rococo shell seat with a back designed to look like an enormous shell. Today the one-of-a-kind bench has been recreated, and copies are available for gardeners to place in their own gardens. The oldest tree on the grounds is called the Walpole Oak, and a servant is said to have hung himself from the tree after stealing silver.   In 2019, the first Strawberry Hill House Flower Festival offered local florists a chance to share their creations inside Horace's Gothic masterpiece. The event is now an annual celebration of flowers. Today Strawberry Hill House hosts a community garden. Rose lovers can enjoy their own nod to Horace Walpole with the bubblegum-pink David Austin rose Strawberry Hill. As for Horace, this industrious man often found inspiration in gardens, and he once wrote, One's garden... is to be nothing but riant, and the gaiety of nature. Horace was also a fan of greenhouses and, in particular, the control they afforded gardeners. In a letter to William Mason on July 6, 1777, he wrote, Don't let this horrid weather put you out of humour with your garden, though I own it is a pity we should have brought it to perfection and [then] have too bad a climate to enjoy it. It is strictly true this year, as I have often said, that ours is the most beautiful country in the world, when [it is] framed and glazed... Finally, it was Horace Walpole who wrote, When people will not weed their own minds, they are apt to be overrun by nettles.   September 23, 1861  Birth of Mary Elizabeth Coleridge (pen name Anodos), English writer, polyglot, and poet. She was the great-grandniece of the English poet Samuel Taylor Coleridge. In her poem September, she wrote, Now every day the bracken browner grows, Even the purple stars Of clematis, that shone about the bars, Grow browner; and the little autumn rose Dons, for her rosy gown, Sad weeds of brown. Now falls the eve; and ere the morning sun, Many a flower her sweet life will have lost, Slain by the bitter frost, Who slays the butterflies also, one by one, The tiny beasts That go about their business and their feasts. She also wrote an utterly charming little garden poem called Gibberish. Many a flower have I seen blossom, Many a bird for me will sing. Never heard I so sweet a singer, Never saw I so fair a thing. She is a bird, a bird that blossoms, She is a flower, a flower that sings; And I a flower when I behold her, And when I hear her, I have wings.   September 23, 1958   On this day, the Dayton Daily News (Ohio) shared a little article about an old park that had been created to teach botany students. Back in 1930, Brother William Beck, a member of the University of Dayton biology department, filled two purposes with one park. The campus green needed re-landscaping and botany classes needed nearby, well-stocked gardens to study.  [William] set to work on his project, with the aid of local nurseries, and collected over 200 varieties of plants and shrubs in the central campus park, labeling all of them with their Latin names and English derivatives. Since that time, the University of Dayton… tended such out-of-the-ordinary plants as a Logan elm (a transplanted sprout from the famous tree); a coffee tree; pyramidal oaks; black alders; and ginkgo trees, to name a few.  Brother Beck's well-worked-out plan seems to have been practically forgotten through the years. Botany classes no longer wind among the shrubbery...   September 23, 1986  On this day, Congress selected the rose as the American national flower. The Journal News (White Plains, New York) reported that, The House, brushing aside the claims of marigolds and dogwood blossoms, corn tassels and columbines, ended decades of indecision Tuesday and crowned the rose, that thorny beauty, America's national flower. The voice-vote decision... [ended] a debate over an appropriate "national floral emblem" for the United States that had flickered off and on since the late 19th century.   Unearthed Words Even now, as the graves of these women went untended and their passings unmourned, the seeds they had scattered turned the hillsides red and orange from May to September. Some called the pirates' bounty flame trees, but to us, they were known as flamboyant trees, for no one could ignore their glorious blooms, with flowers that were larger than a man's open hand. Every time I saw them, I thought of these lost women. That was what happened if you waited for love. ― Alice Hoffman, The Marriage of Opposites   Grow That Garden Library Will Bonsall's Essential Guide to Radical, Self-Reliant Gardening by Will Bonsall This book came out in 2015, and the subtitle is Innovative Techniques for Growing Vegetables, Grains, and Perennial Food Crops with Minimal Fossil Fuel and Animal Inputs. In this book, Maine farmer and homesteader Will Bonsall shares his expertise in self-reliance. In this aspect of living (along with energy), Will is a master. As Will likes to say, "My goal is not to feed the world, but to feed myself and let others feed themselves." Will is open to experimentation, and he shares his hard-fought wisdom in a friendly and conversational way. Will's an inventive pragmatist, and his flexibility and innovative thinking have allowed him to tackle seemingly impossible challenges in his down-to-earth way. If you're ready to become more self-reliant and less swayed by world supply chains, economic bubbles, and food scarcity, Will's book is a reference you will want to have on your shelf. This book is 400 pages of back to the land and garden prosperity with Will Bonsall as your personal guide. You can get a copy of Will Bonsall's Essential Guide to Radical, Self-Reliant Gardening by Will Bonsall and support the show using the Amazon Link in today's Show Notes for around $25.   Today's Botanic Spark Reviving the little botanic spark in your heart September 23, 1869  Birth of Edgar Lee Masters, American attorney, poet, and writer. His most famous work was his collection of poems that narrate the epitaphs of a fictional town named Spoon River in The Spoon River Anthology (1915). Edgar grew up in Lewistown, Illinois, which is near an actual Spoon River. The book features an epitaph for a fictional nurseryman - a lover of trees and flowers - named Samuel Gardener, which ends with these words: Now I, an under-tenant of the earth, can see          That the branches of a tree          Spread no wider than its roots.          And how shall the soul of a man Be larger than the life he has lived? Edgar once wrote a poem about love, which began, Love is a madness, love is a fevered dream, A white soul lost in a field of scarlet flowers. His poem, Botanical Garden, is a conversation with God and ends with these words: “If it be comforting I promise you Another spring shall come." "And after that?" "Another spring - that's all I know myself, There shall be springs and springs!"   Thanks for listening to The Daily Gardener. And remember: “For a happy, healthy life, garden every day.”

Spoon River…wider than a mile. Okay, now that we have that out of our way, join Lisa Schmeiser as we discuss Edgar Lee Master’s poetic collection *Spoon River Anthology *(1915). Host John McCoy with Lisa Schmeiser.

Spoon River…wider than a mile. Okay, now that we have that out of our way, join Lisa Schmeiser as we discuss Edgar Lee Master’s poetic collection *Spoon River Anthology *(1915). John McCoy with Lisa Schmeiser.

Spoon River College will follow mandates from Governor J.B Pritzker and the IDPH regarding masks and requiring vaccination for faculty and staff as well as more COVID-19 rapid testing. That word coming from Spoon River College President Curt Oldfield who spoke to MacombNewsNow.com on Friday. President Oldfield also promoted the expanding campus of Spoon River College Macomb campus and talked about Friday evening's downtown festivities where Spoon River College students will be represented and enjoying the festivities at Chandler Park.

This week, James and Rob are joined by the always teaching Jessica Antes! They talk with Jess about teaching every age, She Camp, Spoon River, teaching virtually, and Jess shares some fantastic stories.    Follow Jessica on instagram @ classicantes and check out SHE CAMP   Like what we do? Support our PATREON   As always, rate, review, and subscribe. 

It's the birthday of the author who gave us "The Spoon River Anthology," Edgar Le Masters (1868). The work lost him friends in Spoon River, but earned him enough to live as a writer.

Ogni volta che percorro le strade di Castello, il quartiere dove sono cresciuta, è come se attraversassi le pagine di Spoon River: rivedo tutte le cose e le persone che c'erano un tempo.TESTO TRASCRITTOOgni volta che torno nel vecchio quartiere di Castello dove sono nata e cresciuta, e ci torno molto spesso perché quasi tutti i giorni vado a trovare mia mamma che ancora ci abita, beh ogni volta che ci torno succede questa strana cosa che io cammino per le strade, vedo gli appartamenti, i palazzi, e mi viene sempre in mente quello che c'era prima, mi ricordo le botteghe, mi ricordo la pasticceria, mi ricordo il macellaio, la latteria, il calzolaio, e come ogni volta che passo lì è come se fosse un viaggio nella memoria, e ci sono questi piccoli momenti di quasi malinconia, perché era un bellissimo posto dove vivere, era pieno di voci, di famiglie, pieno di bambini. Era un quartiere molto popolare dove spesso si sentiva la gente gridare, litigare, si picchiavano. però era un quartiere incredibilmente vivo. come sono tutti i quartieri popolari, e sono molto legata al quartiere di Castello, e mi piacerebbe tornare a a viverci. Timidamente ci penso di cercare casa lì, anche se riflettendoci mi rendo conto che sarebbe un grandissimo cambiamento nel modo in cui vivo io e vive tutta la mia famiglia, perché tornare a vivere nel quartiere di Castello significherebbe modificare completamente le nostre abitudini. Adesso andiamo a piedi al mercato di San Benedetto, che è questo grande mercato di Cagliari con la frutta, la verdura, il pesce, la carne e con tutto quanto. Io ci arrivo a piedi in meno di 5 minuti, ci sono tanti supermercati, negozi. Andare a vivere in Castello significherebbe doversi organizzare completamente la vita in modo diverso, perché in Castello non ci sono botteghe, in Castello non ci sono supermercati, non c'è un'edicola, non c'è un tabacchino, non c'è uno sportello di banca, c'è giusto una farmacia e pochi altri negozi, quindi significherebbe veramente modificare il modo in cui viviamo, le nostre abitudini. Però io ci penso, ci penso a quanto mi piacerebbe tornare a vivere nel vecchio quartiere, nelle strade che conosco, dove sono cresciuta da bambina, continuo a pensarci.

Project Details Hello friend, I am Timothy Kimo Brien, head instigator at Create Art Podcast where we help you to tame the inner critic and create more than we consume. Every year in April National Poetry Writing Month occurs, this is a challenge to write 30 poems in 30 days and comes from the NaPoWriMo site. When you participate you are given a prompt every day for 30 days and you can choose to follow the prompt or not. Each prompt has a commentary with it and a style of poetry that you may not be familiar with. I enjoy it because it stretches my creative muscles and helps me organize my thoughts. I also really enjoy a good challenge. There is also an opportunity to read other people's work as they post on their websites and for you to comment on their work, giving them encouragement or offering a suggestion. Care to join me on this journey? Day 8 Prompt And last but not least, our (optional) prompt. I call this one “Return to Spoon River,” after Edgar Lee Masters’ eminently creepy 1915 book Spoon River Anthology. The book consists of well over 100 poetic monologues, each spoken by a person buried in the cemetery of the fictional town of Spoon River, Illinois. Today, I’d like to challenge you to read a few of the poems from Spoon River Anthology, and then write your own poem in the form of a monologue delivered by someone who is dead. Not a famous person, necessarily – perhaps a remembered acquaintance from your childhood, like the gentleman who ran the shoeshine stand, or one of your grandmother’s bingo buddies. As with Masters’ poems, the monologue doesn’t have to be a recounting of the person’s whole life, but could be a fictional remembering of some important moment, or statement of purpose or philosophy. Be as dramatic as you like – Masters’ certainly didn’t shy away from high emotion in writing his poems. Day 8 Poem Sans Detour We show clearly and strongly how we feel Sitting in this ship Amongst the others Praying for an adventure Far from the known Into the arms of Quebec The days are long And my minds drifts As we make our way Dreams about what is to come And stories from the crew Who have made this voyage Fill me with hope I scribble in my diary daily But most days have little to reveal To my progeny And I oft times wonder if They would even view my scratching My dreams show a multitude Who look similar to me and my ancestors Yet they don’t know my name They don’t know of Louis The beloved son of Julien and Jeanne The artist and scribe of the family Searching the world for more Adventures to add to the family tale Our immortality, I fear, dies with me Hence I left my family To carry on the name in the new world The tears of my mother And the fear Just under the surface Of my Papa’s face Are the last memories Reaching Out To reach out to me, email timothy@createartpodcast.com I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and lets start that conversation. Email: timothy@createartpodcast.com YouTube Channel: Create Art Podcast YT Channel IG: @createartpodcast Twitter: @createartpod Mighty Networks: Create Art Podcast

Pino Pinelli è morto il 15 dicembre del 1969 precipitando dalla finestra della Questura di Milano e la verità non è stata mai accertata in sede giudiziaria. E tanti, troppi anni, ci sono voluti prima che le istituzioni restituissero la dignità a un uomo innocente, sottraendolo all’oblio. Nella seconda puntata dedicata alla sua storia, Sabrina Pisu ne parla con Claudia Pinelli, una delle sue due figlie, il professore Carlo Smuraglia, avvocato di parte civile, il giornalista Corrado Stajano, che è stato tra i primi, insieme a Camilla Cederna, ad accorrere in Questura quando si diffuse la notizia della sua morte, e l’avvocato penalista Gabriele Fuga. Ospite anche il grande attore Massimo Popolizio che legge la poesia incisa sulla tomba di Pino Pinelli, tratta dal suo libro più amato «L'Antologia di Spoon River» del poeta americano Edgar Lee Masters.

 Listen to the Show Right Click to Save GuestsDifferent Stages Cricket on the HearthCity Theatre Austin Acts & Spoon River What We Talked AboutIn MemoriamRat-Tat-Tooie the musicalRatatouille YouTube LinkRatatouille PlaybillOde To RemyLazerousThank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Join Jennie and Dianne as they read select and rather juicy poems from The Spoon River Anthology by Edgar Lee Masters. These poems are written from the perspective of those buried in the cemetery of the fictional town of Spoon River. Meet husbands and wives who drive each other crazy, the madam of a brothel who must pay regularly to support the public school, the tragic story of a young woman whose "virtue" is stolen and dies a tragic death at the hands of the doctor who was only trying to help and how it all drove her father to his own grave. Happy listening and happy new year! 

Dietro ogni scemo c'è un villaggio - Il 10 Ottobre è la giornata mondiale della salute mentale. Psicoradio di salute mentale ne parla ogni settimana da ormai una quindicina d'anni! Questa volta analizziamo la canzone dì Fabrizio De André “Un matto (Dietro ogni scemo c'è un villaggio)”, che il cantautore realizzò ispirandosi ai versi dell'“Antologia di Spoon River” di Edgar Lee Masters, ed inserì nello storico album del 1971, “Non al denaro non all'amore né al cielo”...In redazione è nata una discussione sui significati del testo, ma anche sul ruolo del “matto” all'interno di una comunità e sugli stereotipi che certe narrazioni possono portare con sé...A Vincenzo questa canzone piace perché “non si avverte la differenza tra i cosiddetti matti e i cosiddetti normali” mentre Giovanni sostiene che il brano di De Andrè “fa pensare che al mondo ci siano persone un po' diverse, che per arrivare a comprendere determinate cose fanno un giro più lungo o un giro diverso rispetto ad altre.”..“Tu basta che fai qualcosa di diverso e la gente ti prende per scemo” commenta Gianmaria, ricordando il sottotitolo della canzone: Dietro ogni scemo c'è un villaggio. De Andrè quindi difende questo “scemo” suggerendo che dietro ad ogni scemo c'è un villaggio che è ancora più scemo e più pazzo di lui, perché è ignorante e non lo comprende”. E aggiunge che ”De André ha sempre difeso chi stava male, perché chi sta male è scomodo da difendere e da aiutare...Secondo Vincenzo però nella canzone affiora un luogo comune “che la vita del cosiddetto matto sia una vita sprecata. Ma emerge contemporaneamente anche il rimorso per non aver capito, accolto, il cosiddetto scemo del villaggio”. “Ma lo scemo” - chiosa Gianmaria - “da morto non ha bisogno della pietà di chi prima lo prendeva in giro.”

Dietro ogni scemo c'è un villaggio - Il 10 Ottobre è la giornata mondiale della salute mentale. Psicoradio di salute mentale ne parla ogni settimana da ormai una quindicina d’anni! Questa volta analizziamo la canzone dì Fabrizio De André “Un matto (Dietro ogni scemo c’è un villaggio)”, che il cantautore realizzò ispirandosi ai versi dell’“Antologia di Spoon River” di Edgar Lee Masters, ed inserì nello storico album del 1971, “Non al denaro non all’amore né al cielo”...In redazione è nata una discussione sui significati del testo, ma anche sul ruolo del “matto” all’interno di una comunità e sugli stereotipi che certe narrazioni possono portare con sé...A Vincenzo questa canzone piace perché “non si avverte la differenza tra i cosiddetti matti e i cosiddetti normali” mentre Giovanni sostiene che il brano di De Andrè “fa pensare che al mondo ci siano persone un po’ diverse, che per arrivare a comprendere determinate cose fanno un giro più lungo o un giro diverso rispetto ad altre.”..“Tu basta che fai qualcosa di diverso e la gente ti prende per scemo” commenta Gianmaria, ricordando il sottotitolo della canzone: Dietro ogni scemo c’è un villaggio. De Andrè quindi difende questo “scemo” suggerendo che dietro ad ogni scemo c’è un villaggio che è ancora più scemo e più pazzo di lui, perché è ignorante e non lo comprende”. E aggiunge che ”De André ha sempre difeso chi stava male, perché chi sta male è scomodo da difendere e da aiutare...Secondo Vincenzo però nella canzone affiora un luogo comune “che la vita del cosiddetto matto sia una vita sprecata. Ma emerge contemporaneamente anche il rimorso per non aver capito, accolto, il cosiddetto scemo del villaggio”. “Ma lo scemo” - chiosa Gianmaria - “da morto non ha bisogno della pietà di chi prima lo prendeva in giro.”

Avui ens endinsem en l'obra magna del poeta Paul Val

Avui ens endinsem en l'obra magna del poeta Paul Val

BUY TICKETS Gates Open: 6:00 pm Introductions 7:00 pm Movie Begins: 7:15 pm ·   Ticket(s) are per car & include a goody bag with popcorn & treats. ·   Bar Space is limited! Get your tickets now to guarantee your spot. ​ In... Read More ›

BUY TICKETS Gates Open: 6:00 pm Introductions 7:00 pm Movie Begins: 7:15 pm ·   Ticket(s) are per car & include a goody bag with popcorn & treats. ·   Bar Space is limited! Get your tickets now to guarantee your spot. ​ In... Read More ›

L'"Antologia di Spoon River" di Edgar Lee Masters è stato il libro che ha incendiato la mia passione per i cimiteri. Dedicare una puntata a questo cimitero mi sembrava d'obbligo, però c'è un problema: non esiste. Per raccontare le storie dei morti di Spoon River, l'autore dell'Antologia si è semplicemente ispirato agli abitanti di Lewistown, cittadina dell'Illinois dove lavorava come avvocato.Ho chiesto aiuto a Claudia Vannucci che ha visitato il Cimitero di Oak Hill e me lo ha raccontato in questo episodio.Per maggiori informazioni e materiale su questo cimitero, visita il sito camposantopodcast.comSe vuoi contribuire al progetto: https://ko-fi.com/camposantopodcastCredits:Canzone della sigla: "Beat the Burglar" by scottholmesmusic.comCanzone degli intermezzi: "Creepy Doll Piano" by Alexander Blu (orangefreesounds.com/)Grafiche: Elena Lombardi lombardielena.comEffetti sonori:Da freesound.org- "Violin in the hotel" by cms4f- "Four Voices Whispering - With Reverb" by geoneo0

Mauro Garofalo"Ballata per le nostre anime"Mondadori Editorehttps://www.librimondadori.it/Questa è la storia di Simone Pianetti, uomo tranquillo, padre di otto figli, onesto lavoratore, che un giorno imbracciò il fucile e uccise cinque uomini e due donne.Di lui raccontano che nessun camoscio potesse sfuggire al suo grilletto, e che i suoi occhi grigi fossero scintille capaci d'ogni sortilegio. Raccontano che fosse un visionario, uno spirito dei tempi di là da venire; ma anche che fosse cocciuto, che per un niente si incendiasse. Spinti dall'invidia, raccontano che la sua famiglia avesse stretto un patto con il diavolo per garantirsi il successo negli affari; spinti dal romanticismo, che emigrò in America, e che a Pittsburgh lasciò una ragazza dai capelli rossi e con lei la possibilità di un altro futuro. Di Simone Pianetti raccontano molte cose, ma una è certa: la mattina del 13 luglio 1914, dopo aver dato un bacio alla figlia più piccola, prese il fucile da caccia e ammazzò a sangue freddo sette persone, tra cui il medico, il giudice e il parroco del paese, responsabili di una congiura che aveva portato al fallimento della sua locanda e di un mulino che aveva preso in gestione.Dopo gli omicidi, venne il tempo della leggenda: in trecento, tra soldati e carabinieri, cercarono Pianetti tra i monti; nessuno sa quanti lo aiutarono a nascondersi. Per la legge italiana, Simone Pianetti è ancora oggi un ricercato; nell'immaginario collettivo, è diventato una sorta di storia del terrore per i potenti. “Ci vorrebbe il Pianetti” dicono nel Bergamasco quando c'è un torto che non si ha la forza di riparare.Mescolando cronaca, dicerie e invenzione, la voce anarchica di Mauro Garofalo compone una biografia romanzata classica e sperimentale insieme, dove i capitoli sul Pianetti, raccontati con in mente il Pratolini delle Cronache di poveri amanti, si alternano a una Spoon River personalissima, in cui la pagina disgregandosi lascia la parola ai morti ammazzati con i loro interrogativi e rimpianti, al bosco diventato rifugio, alla città, a tutti i fantasmi che forse avrebbero potuto regalare a Simone Pianetti una vita diversa.Mauro Garofalo è nato a Roma nel 1974, vive a Milano. Scrittore, giornalista e fotoreporter, è autore di due romanzi, entrambi editi per Frassinelli. È titolare del corso di Scrittura del Centro Sperimentale di Cinematografia di Milano, collabora con La Stampa Tuttogreen e tiene il corso di Storytelling alla Civica Scuola Cinema Luchino Visconti.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Folkscene pays tribute to the gifted and revered singer-songwriter Michael Smith, who recently passed away on August 3, 2020. His compositions such as The Dutchman, Spoon River and many others are considered classics. This special feature is hosted by Michael and Folkscene's very special pal James Lee Stanley.

Il 1970 comincia in realtà con la strage di Piazza Fontana a Milano. Giorgio Gaber dà la svolta definitiva alla sua carriera e debutta in teatro con lo spettacolo “Il Signor G”. Domenico Modugno domina la classifica con il brano “La lontananza” ma qui si precisa che è stato un precursore di tutta questa storia. De André intanto pubblica un album destinato a rimanere fondamentale, intitolato “La Buona Novella”. Nel 1971 si registrano poi i primi successi per due maestri a venire della nostra canzone d'autore: Lucio Dalla e Roberto Vecchioni. Mia Martini debutta fragorosamente col brano “Padre davvero”. De André invece riesce a bissare le vette raggiunte l'anno prima con un altro concept-album decisivo tratto dal libro di poesie “Antologia di Spoon River” di E.L. Masters. Illustrazione creata da Lindartifex. All'interno delle puntate, sono utilizzati dei brevi accenni musicali fatti in maniera conforme ai buoni usi e nella misura giustificata dallo scopo divulgativo e utile per la corretta comprensione della narrazione. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A last lap pass of Brian Shirley gave Kent Robinson the Summer Nationals win at Spoon River last night, plus Brandon Overton and Chris Madden continued their Southern Nationals battle at Senoia. That today, plus we'll preview the dirt racing weekend, and more.

A last lap pass of Brian Shirley gave Kent Robinson the Summer Nationals win at Spoon River last night, plus Brandon Overton and Chris Madden continued their Southern Nationals battle at Senoia. That today, plus we'll preview the dirt racing weekend, and more.

"Fare tutto e farlo subito". Chiediamo a noi stessi un'illusoria onnipotenza, ci spaventiamo della nostra impotenza, abbiamo paura di perderci la "strada" verso la felicità. Uscirne? Semplice e a dirsi, difficile a farsi: con un atto libero, e liberatorio, di potenza.Sono Daniele Ciacci.Mi trovate su: www.danieleciacci.comInstagram: https://www.instagram.com/daninthewhale/?hl=itIscriviti alla mia newsletter: https://bit.ly/2zPMryU--- RIFERIMENTI ---E. L. Masters - Antologia di Spoon River: https://amzn.to/33quK3yT.S. Eliot - I quattro quartetti: https://amzn.to/2WcoY46--- CREDITS ---* Soundtrack: Amanch - http://bit.ly/2Qen7Yv* Voce Sigla: Lorena Ranieri - http://bit.ly/39OUhpz* Logo: Matteo Pozzi - http://bit.ly/2wPHcO5

In questa puntata, vi elenco i miei libri preferiti che trattano il tema della morte e dei cimiteri. Come ospiti speciali, ho invitato le scrittrici Ginevra Lamberti, Claudia Vannucci, Maggy Bettolla, Valeria Celsi che presentano le loro opere. I libri di cui parlo sono:- "Totentanz" di Sclavi, Marcheselli, Casertano (Sergio Bonelli Editore 1993)- Collana "Piccoli Brividi" di R. L. Stine (Mondadori)- "Le spiacevoli notti di zio Tibia", a cura di Pietro Bianchi (Mondadori 1969)- "I racconti del mistero" di Edgar Allan Poe (1845)- "Antologia di Spoon River" di Edgar Lee Masters (1915)- "Perché comincio dalla fine" di Ginevra Lamberti (Marsilio 2019)- “Cimiteri. Storie di rimpianti e di follie” di Giuseppe Marcenaro (Mondadori 2008)- “Passeggiate nei prati dell'eternità” di Valeria Paniccia (Mursia 2013)- “Cemetery Safari. I morti non sono mai stati così divertenti” di Claudia Vannucci (2019)- "Cimiteri abbandonati" di Maggy Bettolla (2018)- “Dormono sulla collina” di Giacomo di Girolamo (Il Saggiatore 2014)- “Repertorio del delitto italiano” di Roberta Mercuri (Edizioni Clichy 2016)- "Cosa va di moda al Monumentale? Tendenze fashion nell'Ottocento tra i viali del Cimitero Monumentale di Milano" di Valeria Celsi (2017)- “Tumbas” di Cees Nooteboom (Iperborea 2015)- “Campisanti” di Isabella Gianelloni e Fabio Zanchetta (Nodo edizioni 2020)Per maggiori informazioni: camposantopodcast.comSe vuoi contribuire al progetto: https://ko-fi.com/camposantopodcastCredits:Canzone della sigla: "Beat the Burglar" by scottholmesmusic.comCanzone degli intermezzi: "Creepy Doll Piano" by Alexander Blu (orangefreesounds.com/)

Am Buch "Die Toten von Spoon River" aus dem Jung und Jung Verlag léisst den Edgar Lee Masters déi verstuerwe Matbierger aus senger Heemechtsstad erëm zu Wuert kommen. Déi profitéieren a vollen Zich vun der Geleeënheet, well si déi allgemeng Hypokrisie, wéi et se am richtege Liewen ebe gëtt, net méi néideg hunn. Wat een do alles gewuer gëtt, dat verréit eis elo de Léon Rinaldetti.

Buona domenica!Oggi partiamo con una canzone e poi, passando per i consigli di Alessandra per vivere meglio la giornata e riscoprirci nei momenti di silenzio e riflessione che ci riusciamo a ritagliare, sfogliamo qualche ricordo e una poesia. Pensare, creare, ricreare, leggere, cantare sono alcuni degli atti creativi che facciamo senza nemmeno starci a pensare su come anche cucinare, riparare qualcosa o cambiargli destinazione d'uso. Ecco pensando ai messaggi arrivati oggi sembra proprio che lo spunto di Alessandra fosse già nell'aria e che la creatività fosse nell'aria! E come dice Valeria, siamo sempre felici di ricevere nuovi messaggi per ascoltare nuove voci e nuove idee... aspettiamo anche le vostre!I libri citati:America perduta, Bill BrysonAntologia di Spoon River, Edgar Lee MastersLa grammatica della fantasia, Gianni RodariMusica di copertina e sottofondo: VanillaGroove, Jump on ItRingraziamo per i contributi Giovanni, Alessandra Pagani, Simona e Valeria Natalizia.Vuoi mandare anche tu il messaggio? Semplice! Puoi spedire il tuo vocale qui: vocidallitaliapodcast@gmail.comVuoi aiutarci ad arrivare a più persone? Condividi gli episodi!Puoi trovarci su Spotify, Podchaser, Podcast Addict, Deezer, Google Podcast e Itunes.Voci dall'Italia è un progetto di Simona Scravaglieri e dei lettori di CasaSirio Editore in collaborazione con quello di #100HappyDaysItalia di Alessandra Pagani.

Fermarsi e innovare o alzare i muri e preservare lo status quo. L'innovazione è un rischio e, per chi fa business, diventa un rischio di impresa. E nella vita? Il coraggio è ciò che separa la frustrazione dalla vittoria o dal fallimento. Ma può valerne la pena, come dice Edgar Lee Masters nell'Antologia di Spoon River.Sono Daniele Ciacci.Mi trovate su: www.danieleciacci.comInstagram: https://www.instagram.com/daninthewhale/?hl=it--- RIFERIMENTI ---C. Christensen - Il dilemma dell'innovatore: https://amzn.to/3a1f3lMM. Lindkqvist - La forza delle piccole idee: https://amzn.to/33yMCcIE. L. Masters - Antologia di Spoon River: https://amzn.to/33quK3yT.S. Eliot - I quattro quartetti: https://amzn.to/2WcoY46--- CREDITS ---* Soundtrack: Amanch - http://bit.ly/2Qen7Yv* Voce Sigla: Lorena Ranieri - http://bit.ly/39OUhpz* Logo: Matteo Pozzi - http://bit.ly/2wPHcO5

LEGGI "Spinoza & Popcorn": https://amzn.to/2QeerDW L'Antologia di Spoon River di Edgar Lee Masters e il disco di Fabrizio De André ad essa ispirato, Non al denaro, no all'amore né al cielo, ci offrono un'occasione per riflettere sul valore della vita, della morte e della libertà di esprimere se stessi. Proviamo a discuterne, con l'aiuto di un filosofo troppo spesso dimenticato: Vladimir Jankélévitch.Il podcast di Ivan: https://www.youtube.com/channel/UCrtwz_xrRk-d-Ft4v14mxCQ TESTI CITATI 1) 'Antologia di Spoon River': https://amzn.to/2rLCzCp 2) 'La morte' di Vladimir Jankélévitch: https://amzn.to/2sn1FHO 3) 'Pensare la morte?' di Jankélévitch: https://amzn.to/35lNNvV L'album 'Non al denaro, non all'amore né al cielo' di Fabrizio De André: https://amzn.to/34jN2SW Prossimi eventi: https://riccardodalferro.com/eventi/ Sostieni il progetto: https://www.patreon.com/rickdufer Newsletter: http://eepurl.com/c-LKfz Elogio dell'idiozia: https://amzn.to/2J9WwKZ (versione ebook: https://amzn.to/2xSsoOD) Youtube: http://bit.ly/rickdufer Instagram: https://www.instagram.com/rickdufer/ Facebook: https://www.facebook.com/rickdalferro/ Il meglio di Daily Cogito (per nuovi ascoltatori): http://bit.ly/bestofDC Daily Cogito: ogni mattina alle 7. L'unica dipendenza che ti rende indipendente. Daily Cogito è ascoltabile e scaricabile dalle seguenti fonti:Canale Youtube: https://www.youtube.com/c/dailycogitoSpotify: http://bit.ly/DailySpoty iTunes: http://bit.ly/dailytunesLa sigla è opera di Dino Bastiani (musica): http://bit.ly/dinobastiani Francesca Consalvi (voce): http://bit.ly/fconsalvi

Spoon River Anthology by Edgar Lee Masters is a famous work of Modernist American poetry. This episode analyzes the poems using Sigmund Freud's theory of psychopathology, explores Freud's idea of the Oedipus Meta-narrative, and compares his work against Carl Jung's competing psychoanalytic theory.

This week we sit down and talk about all of the rain outs in our area. Mother Nature must not be a racing fan, so she decided to dump a whole of rain on our area for a few days straight. But some racing did still happen across the country, Knoxville was able to get their show in as well as some PA tracks. We discuss the WAR series race at Spoon River and Bobby Pierce winning in Iowa. We also talk about our weekends and the concerts Elliott went to and Duane's awkward encounter in IN.

Host Pete Lutz finds his seat for this week's showcase with Sonic Society #394, then a remake of the classic "Escape" with "The Time Machine" from CNY Table Reads, and complete with "Spoon River #2" from Chatterbox Audio Theater! Learn more about your ad choices. Visit megaphone.fm/adchoices

The deceased residents of Spoon River, Illinois, reflect on their lives, recounting their stories from beyond the grave. Together, they paint a picture of a quintessential American town at the turn of the 20th century. Part 2 of 5. Learn more about your ad choices. Visit megaphone.fm/adchoices

The deceased residents of Spoon River, Illinois, reflect on their lives, recounting their stories from beyond the grave. Together, they paint a picture of a quintessential American town at the turn of the 20th century. Part 2 of 5.

Host Pete Lutz finds his seat for this week's showcase with Sonic Society #394, then a remake of the classic "Escape" with "The Time Machine" from CNY Table Reads, and complete with "Spoon River #2" from Chatterbox Audio Theater!

The deceased residents of Spoon River, Illinois, reflect on their lives, recounting their stories from beyond the grave. Together, they paint a picture of a quintessential American town at the turn of the 20th century. Sponsored by Karen Strachan. Part 1 of 5. Learn more about your ad choices. Visit megaphone.fm/adchoices

The deceased residents of Spoon River, Illinois, reflect on their lives, recounting their stories from beyond the grave. Together, they paint a picture of a quintessential American town at the turn of the 20th century. Sponsored by Karen Strachan. Part 1 of 5.

I racconti dal cimitero di Spoon River del "maestro" Marco Pertica. Bagni nel mondo senza nemmeno la necessità della carta igienica. Scaraventati a Calcutta nel 1979, tra scavi a cielo aperto della metropolitana e pire funerarie sui ghat lungo il Gange. E' possibile sopravvivere ad un sabato pomeriggio da Ikea sorseggiando uno spritz al secondo piano? Tutto questo nella puntata n°5 di Classica Spritz. Da ClassicaStudio in Milano: Il "maestro" Marco Pertica Elisa Pittau Francesco Blanda L'inviato Giampaolo Visita www.Classicastudio.it vieni a trovarci sui social FB @classicastudio e Instagram @classicaspritz

Il vecchio cimitero di Viggiù è una piccola Spoon River di Lombardia, splendido esempio di arte sepolcrale dell’Ottocento Lombardo. Qui, a distanza di due secoli, ancora si possono sentire i sospiri di quelli che “dormono sulla collina”.

In episode 7 of the LTC podcast, the podcast has its first guest…Willie Coondog Kuhn (aka The Spoon River Cowboy). Willie has been all over the world, done a variety of different work, and has seen many crazy things. Willie offers up some great advice on what to expect in order to truly succeed and […]

Ens visita l'escriptora, poetessa i mestra Lola Casas per parlar de versos, de contes, de fantasia i d'educaci

Ens visita l'escriptora, poetessa i mestra Lola Casas per parlar de versos, de contes, de fantasia i d'educaci

Spunti, idee, riflessioni a partire dalla canzone Buon sangue di Jovanotti. Ottavo personaggio: un violinista. Un amore malato soffoca sogni e aspettative. Un passo dall'Antologia di Spoon River, l'ambizione

Finishing up at Elmwood All Outdoors Show, don't know how we managed to pack all this into one episode! First we had David Krans from Cashin Out Fishin. Then Steve Spicher from Buck 5 Outdoors with his grandson Kole Miller, came on talking about Buck 5, and Kole laid down his first buck story! Following him was Hunter Imhof and Kyle Abney from the WIU Outdoorsman Club, talking about their club that them and some friends have started to get more people outdoors. Bruce Reinmann - President of the Spoon River QDMA Local - talks about the NAS program for kids, and their scholarship offerings to the local area schools. Lastly we had Tom Huffington from Hooah Deer Hunt For Heroes, talking about all the great things that he and his team are doing for Veterans, and trying to get that 22 a day number down. Truly a great outlet for our Veterans! Thank you to everyone who stopped by our booth to talk deer hunting and ask about our mounts! We had a blast podcasting with all of you!

RADIO PETRUSKA presenta: La compagnia TeatroX racconta del lavoro, della messinscena, deila nascita dello spettacolo. DEAD END VICOLO CIECO | SPOON RIVER di Patrizia Barbuiani Dall’Antologia di Spoon River di Edgar Lee Masters Informazioni: http://www.barbuiani.com/1673-2/ testi Edgar Lee Masters, Patrizia Barbuiani musica: Gabriele Marangoni concetto e regia Patrizia Barbuiani interpreti danzatrice: Donia Sbika danzatore: Hannes Langanky soprano : Laura Stella basso : Alfonso d’Angelo voce sonora: Patrizia Barbuiani composizione vocale/strumentale, fisarmonica digitale Gabriele Marangoni in coproduzione con Secret Theater Ensemble LA PERFORMANCE L‘Antologia di Spoon River (Spoon River Anthology) è una raccolta di poesie che il poeta statunitense Edgar Lee Masters pubblicò tra il 1914 e il 1915 sul Mirror di St.Louis. Ogni poesia racconta, in forma di epitaffio, la vita di una delle persone sepolte nel cimitero di un immaginario paesino del Midwest statunitense. Il tono degli epitaffi è sempre „narrativo“, mai „declamatorio“ e la voce dei protagonisti è sfumata, priva di un vero rimpianto per il passato che non c’è più. La raccolta comprende diciannove storie che coinvolgono un totale di 248 personaggi che coprono praticamente tutte le categorie e i mestieri umani. Masters si proponeva di descrivere la vita umana raccontando le vicende di un microcosmo, il paesino di Spoon River. La caratteristica saliente dei personaggi di Edgar Lee Masters, infatti, è che essendo per la maggior parte morti non hanno più niente da perdere e quindi possono „raccontare“ la loro vita in assoluta sincerità. Storie intrecciate, tragiche, ironiche, vite spezzate, vite felici fanno da sfondo a questa poetica illuminante.

Courtney Ch'ng Lancaster is presently a resident artist and the Shen Fellow at Soulpepper Theatre Company. She is a Founding Member of The Howland Company and a graduate of UBC, the Citadel/Banff Theatre Program and the Soulpepper Academy. Selected theatre credits include Spoon River, Blood Wedding, Incident at Vichy, The Dining Room, Eurydice, Of Human Bondage, Marat/Sade, Alligator Pie, Idiot’s Delight, The Barber of Seville, The Royal Comedians, The Crucible, Death of a Salesman, Assistant Director on The Anger in Ernest and Ernestine (Soulpepper); The Flood Thereafter (Canadian Stage); As You Like It (Blue Bridge); Pride and Prejudice (Citadel); 52 Pick-Up (Co-Director, Howland Company). Screen credits include The Drawer Boy feature film, Murdoch Mysteries, Fringe, Supernatural and Shattered. http://www.courtneylancaster.com/@courtneyvlhttp://www.theatreinamorata.com/@theainamorataStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

la registrazione della celebrazione fiorentina, dello scorso settembre, dei 100 anni dell'Antologia di Spoon River di Edgar Lee Master. Per l'occasione il Cimitero delle Porte Sante, alla Basilica di San Miniato al Monte, si era trasformato in teatro. Attori come Gabriele Lavia, Iaia Forte, Marco Baliani hanno letto alcune poesie della raccolta. Morgan, Mauro Ermanno Giovanardi, Peppe Servillo, Musica Nuda ripropongono brani da "Non al denaro non all'amore né al cielo", il concept album del 1971 in cui Fabrizio De André mise in musica le poesie di Lee Master. Backing Band: l'Orchestra della Toscana. (prima parte)

la registrazione della celebrazione fiorentina, dello scorso settembre, dei 100 anni dell'Antologia di Spoon River di Edgar Lee Master. Per l'occasione il Cimitero delle Porte Sante, alla Basilica di San Miniato al Monte, si era trasformato in teatro. Attori come Gabriele Lavia, Iaia Forte, Marco Baliani hanno letto alcune poesie della raccolta. Morgan, Mauro Ermanno Giovanardi, Peppe Servillo, Musica Nuda ripropongono brani da "Non al denaro non all'amore né al cielo", il concept album del 1971 in cui Fabrizio De André mise in musica le poesie di Lee Master. Backing Band: l'Orchestra della Toscana. (prima parte)

L'Antologia di Spoon River - E. Lee Masters Chi non ha provato a immaginarsi la vita di qualcuno che non si conosce? Masters si è inventato la vita di un intero paese. Più di 200 poesie. Più di 200 storie. Ogni poesia è la storia di un uomo o di una donna di un paesino del midwest statunitense e narra, in particolare, la sua morte. Chi per febbre, chi arso in miniera o ucciso in una rissa, tutti dormono ora sulla collina di Spoon River. tralerighe_04x11.mp3 leggi tutto

L'Antologia di Spoon River

The deceased residents of Spoon River, Illinois, reflect on their lives, recounting their stories from beyond the grave. Together, they paint a picture of a quintessential American town at the turn of the 20th century. Part 2 of 5.

Con Axat hablamos de todo, de Spoon River, de las inundaciones de La Plata de hace dos años y de su pasado como hijo de desaparecidos. Una charla que pasó por varias aristas y que lo definen como un editor y poeta entrañable.

Can Mr. Wings be a championship food trucker? Will Steve, who is not a judge, satiate his food truck food craving? Is this how Curly talks to everyone? Find out on this week's episode of Spoon River, -With Byron Wu and Carl Powers. Ft. Ian Hamilton

The deceased residents of Spoon River, Illinois, reflect on their lives, recounting their stories from beyond the grave. Together, they paint a picture of a quintessential American town at the turn of the 20th century. Sponsored by Karen Strachan. Part 1 of 5.

In conjunction with WFMT’s monthly theme of The Animal Kingdom, this week’s show is “The Birds and the Bees,” with a wide array of pieces dedicated to our airborne friends (full playlist below). February 5 The Birds and the Bees CARLOS RAFAEL RIVERA (b. 1970) The Raven Dance (Vranjanski Cocek) (3:06) From The Balkan Project Cedille Records CDR 90000 117 (Track 1) Cavatina Duo JEAN PHILIPPE RAMEAU (1683–1764) Le rappel des oiseaux (Bird Calls) (2:18) From Through the Years Cedille Records CDR 90000 074 (Track 2) Dmitry Paperno, piano OLIVIER MESSIAEN (1908–1992) from Visions de L’Amen Amen des anges, des saints, du chant des oiseaux (6:54) From Two-Piano Music of Messiaen & Debussy Cedille Records CDR 90000 119 (Track 5) Ursula Oppens, piano Jerome Lowenthal, piano MIKHAIL GLINKA (1804–1857)/tr. BALAKIREV The Lark (5:09) From Uncommon Encores Cedille Records CDR 90000 007 (Track 11) Dmitry Paperno, piano JOHANNES BRAHMS (1833–1897) Nachtigall, Op. 97, No. 1 (2:28) From Songs of the Romantic Age Cedille Records CDR 90000 019 (Track 11) Patrice Michaels, soprano Deborah Sobol, piano GIAN CARLO MENOTTI (1911–2007) from The Medium Black Swan Duet (3:12) From Gian Carlo Menotti: The Medium Cedille Records CDR 90000 034 (Tracks 20–21) Patrice Michaels, soprano Joyce Castle, mezzo-soprano Chicago Opera Theater Lawrence Rapchak, conductor DOMINICK ARGENTO (b. 1927) To Be Sung Upon the Water IV. Fair is the Swan (1:38) From To Be Sung Upon the Water Cedille Records CDR 90000 029 (Track 16) Patrice Michaels, soprano Elizabeth Buccheri, piano Larry Combs, clarinet LITA GRIER (b. 1937) Five Songs for Children (1962/1999) 5. The Bluebird (1:48) From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Music by Lita Grier Cedille Records CDR 90000 112 (Track 5) Michelle Areyzaga, soprano Welz Kauffman, piano THOMAS ALBERT (b. 1948) Thirteen Ways (1997) XII. Seamless, expansive (1:56) From thirteen ways Cedille Records CDR 90000 067 (Track 23) eighth blackbird ROBERT APPLEBAUM (b. 1941) Spring (2:51) From Shall I Compare Thee? Cedille Records CDR 90000 085 (Track 21) Chicago a cappella DARIUS MILHAUD (1892–1974) Suite d’apres Corrette VIII. Le Coucou (0:59) From 20th Century French Wind Trios Cedille Records CDR 90000 040 (Track 12) The Chicago Chamber Musicians Michael Henoch, oboe Larry Combs, clarinet William Buchman, bassoon ABBIE BETINIS (b. 1980) Toward Sunshine, Toward Freedom: Songs of Smaller Creatures (9:07) 1. the bees’ song 2. a noiseless, patient spider 3. envoi From Songs of Smaller Creatures and other American choral works Cedille Records CDR 90000 131 (Tracks 1–3) Grant Park Chorus Christopher Bell, conductor LEE KESSELMAN (b. 1951) Buzzings: Three Pieces about Bees (4:11) I. To make a prairie II. A Bee his burnished Carriage III. Bee! I’m expecting you! From Songs of Smaller Creatures and other American choral works Cedille Records CDR 90000 131 (Tracks 4–6) Grant Park Chorus Christopher Bell, conductor  

With the change of seasons coming late this week, our theme is Winter, with selections by 11 different composers, 5 of whom are associated with Chicago.   December 18 Winter PIOTR ILYICH TCHAIKOVSKY (1840–1893) November, “Troika” from The Seasons, Op. 37a (2:55) From Dmitry Paperno Plays Russian Piano Music Cedille Records CDR 90000 001 (Track 5) Dmitry Paperno, piano DOMINICK ARGENTO (b. 1927) “Winter” from Six Elizabethan Songs (1:51) From 20th Century Baroque Cedille Records CDR 90000 011 (Track 11) Patrice Michaels, soprano Rembrandt Chamber Players JEAN SIBELIUS (1865–1957) Norden (2:14) From Songs of the Romantic Age Cedille Records CDR 90000 019 (Track 21) Patrice Michaels, soprano Deborah Sobol, piano MICHAEL COLGRASS (b. 1932) Snow Walker for Organ & Orchestra (1990) I. Polar Landscape (5:21) From American Works for Organ and Orchestra Cedille Records CDR 90000 063 (Track 5) David Schrader, organ Grant Park Orchestra Carlos Kalmar, conductor THOMAS ALBERT (b. 1948) Thirteen Ways (1997) I. Leaden, bleak (2:08) From thirteen ways Cedille Records CDR 90000 067 (Track 12) eighth blackbird SEBASTIAN HUYDTS (b. 1966) Music for Flute and Piano Op. 22c (1997) III. Adagio ("Winter haze...") (6:27) From Chicago Duos for Flute Cedille Records CDR 90000 071 (Track 16) Mary Stolper, flute Sebastian Huydts, piano MARTHA SULLIVAN (b. 1964) Blow, blow, thou winter wind (2:37) From Shall I Compare Thee? Cedille Records CDR 90000 085 (Track 2) Chicago a cappella LEO SOWERBY (1895–1968) The Canticle of the Sun Praised be my Lord for our brother the wind... (1:58) From The Pulitzer Project Cedille Records CDR 90000 125 (Track 14) Grant Park Orchestra Grant Park Chorus Carlos Kalmar, conductor Christopher Bell, Chorus Director WILLIAM FERRIS (1937–2000) Long is Our Winter (3:51) From Snowcarols — Christmas Music by William Ferris Cedille Records CDR 90000 101 (Track 6) William Ferris Chorale Paul French, conductor WILLIAM FERRIS (1937–2000) III. In the bleak mid-winter (4:44) IV. See amid the winter snow (8:21) From Snowcarols — Christmas Music by William Ferris Cedille Records CDR 90000 101 (Tracks 12 & 13) William Ferris Chorale Composer Festival Orchestra Paul French, conductor CLAUDE DEBUSSY (1862–1918) Preludes, Book 1 VI. Des pas sur la neige (4:43) From Debussy & Liszt Cedille Records CDR 90000 098 (Disc 1, track 9) Jorge Federico Osorio, piano LITA GRIER Sneezles (1972) (3:21) From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Music by Lita Grier Cedille Records CDR 90000 112 (Track 6) Michelle Areyzaga, soprano Anne Bach, oboe Tina Laughlin, percussion William Billingham, piano

This week's show features music for children, including Ferdiand the Bull for violin and narrator, songs by Lita Grier, selections from Rachel Barton Pine's Violin Lullabies, and more (full playlist below).   Music for Children ALAN RIDOUT (1934-1996) Ferdinand the Bull (10:43) From Capricho Latino Cedille Records CDR 90000 124 (Track 14) Rachel Barton Pine, violin Héctor Elizondo, narrator LITA GRIER Five Songs for Children (1962/1999) (7:16) 1. Afternoon on a Hill 2. The Seashell 3. Someone 4. Who Has Seen the Wind 5. The Bluebird From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Music by Lita Grier Cedille Records CDR 90000 112 (Tracks 1-5) Michelle Areyzaga, soprano Welz Kauffman, piano LITA GRIER Sneezles (1972) (3:21) From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Muisc by Lita Grier Cedille Records CDR 90000 112 (Track 6) Michelle Areyzaga, soprano Anne Bach, oboe Tina Laughlin, percussion William Billingham, piano LITA GRIER Reflections of a Peacemaker (2007) The Pirate Song (2:20) From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Works by Lita Grier Cedille Records CDR 90000 112 (Track 26) Chicago Children's Choir Josephine Lee, conductor John Goodwin, piano DAN TUCKER (b. 1925) Mots d heures: gousses, rames (1983) (3:15) Four Songs In Fraudulent French from Mother Goose Un petit d'un petit Chacun Gille Lit-elle messe moffette Eau la quille ne colle From American Songs Cedille Records CDR 90000 091 (Tracks 22-25) Patrice Michaels, soprano Elizabeth Buccheri, piano DOMINICK ARGENTO (b. 1927) Songs About Spring I. who knows if the moon's a balloon (2:11) III. in Just-spring (1:31) From To Be Sung Upon the Water Cedille Records CDR 90000 029 (Tracks 8 & 10) Patrice Michaels, soprano Elizabeth Buccheri, piano DAVID DEL TREDICI (b. 1937) Acrostic Song from Final Alice (4:47) From Songs of Smaller Creatures and other American choral works Cedille Records CDR 90000 131 (Track 11) Grant Park Chorus Christopher Bell, conductor EUGÈNE YSAŸE (1858-1931) Rêve d'Enfant (Child's Dream), Op.14 (3:49) From Violin Lullabies Cedille Records CDR 90000 139 (Track 2) Rachel Barton Pine, violin Matthew Hagle, piano WILLIAM GRANT STILL (1895-1978) Mother and Child, No. 2 from Suite for violin and piano (6:18) From Violin Lullabies Cedille Records CDR 90000 139 (Track 24) Rachel Barton Pine, violin Matthew Hagle, piano JOHANNES BRAHMS (1833-1897) Wiegenlied (Cradle Song), No. 4 from Fünf Lieder, Op. 49 (2:20) From Violin Lullabies Cedille Records CDR 90000 139 (Track 1) Rachel Barton Pine, violin Matthew Hagle, piano

Cedille Chicago Presents Chicago composers, featuring music by Easley Blackwood, John LaMontaine, and Lita Grier.     Playlist for August 14, 2013 Chicago Composers Present, Part 1 EASLEY BLACKWOOD (b. 1933) Cello Sonata, Op. 31 IV. Finale. Allegro (8:44) From Blackwood & Bridge: Cello Sonatas Cedille Records CDR 90000 008 (Track 6) Kim Scholes, cello Easley Blackwood, piano EASLEY BLACKWOOD Twelve Microtonal Etudes for Electronic Music Media, Op. 28 14 notes. Allegramente (2:42) From Easley Blackwood: Microtonal Cedille Records CDR 90000 018 (Track 11) Easley Blackwood, polyfusion synthesizer EASLEY BLACKWOOD Symphony No. 1, Op. 3 III. Allegretto grotesco (5:22) From Easley Blackwood: Symphonies Nos. 1 & 5 Cedille Records CDR 90000 016 (Track 6) Boston Symphony Orchestra Charles Munch, conductor JOHN LA MONTAINE (1920–2013) Piano Sonata, Op. 3 (1942) I. Vigorous and turbulent (4:30) From Music in the American Grain Cedille Records CDR 90000 010 (Track 1) Ramon Salvatore, piano JOHN LA MONTAINE Piano Concerto No. 4, Op. 59 (1989) II. Gently flowing, soaringly lyrical (5:19) From Chicago Concertos: Piano Concertos by Rudolph Ganz and John La Montaine Cedille Records CDR 90000 028 (Track 6) Ramon Salvatore, piano Slovak Radio Symphony Paul Freeman, conductor JOHN LA MONTAINE Sonata for Piccolo and Piano Op. 61 (1993) IV. Playful (4:35) From Chicago Duos for Flute Cedille Records CDR 90000 071 (Track 9) Mary Stolper, flute Melody Lord, piano LITA GRIER (b. 1937) 3x2 for Flute and Clarinet (1953) (5:08) I. Presto II. Adagio espressivo III. Vivace — fast as possible From Chicago Duos for Flute Cedille Records CDR 90000 071 (Track 1) Mary Stolper, flute Eric Mandat, clarinet LITA GRIER Renascence (Concertino for Flute and Orchestra) (1996) II. Andante (3:42) From American Flute Concertos Cedille Records CDR 90000 046 (Track 2) Mary Stolper, flute Czech National Symphony Orchestra Paul Freeman, conductor LITA GRIER Songs from Spoon River (2004–2008) Sarah Brown (2:28) Lucinda Matlock (2:52) From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Works by Lita Grier Cedille Records CDR 90000 112 (Tracks 15 and 17) Michelle Areyzaga, soprano Elizabeth Norman, soprano Welz Kauffman, piano

This week, Cedille Chicago Presents Chicago choirs that have recorded for Cedille, including His Majestie's Clerkes (now called Bella Voce), Chicago a cappella, the William Ferris Chorale, the Grant Park Chorus, and the Chicago Children's Choir. Subscribe to the Cedille Email List to receive one free music track from each week's show!   Playlist for May 15, 2013 Choirs on Cedille CHARLES VILLIERS STANFORD (1852–1924) Three Motets, Op. 38 (1905) III. Beati Quorum Via (3:35) From Hear My Prayer: Choral Music of the English Romantics Cedille Records CDR 90000 036 (Track 8) and Serenely Cedille Cedille Records CDR 8001 (Track 17) His Majestie's Clerkes Anne Heider, director FRANK FERKO (b. 1950) Stabat Mater IV. Quae maerebat (2:28) From Frank Ferko: Stabat Mater Cedille Records CDR 90000 051 (Track 5) His Majestie's Clerkes Anne Heider, director Frank Ferko, composer KEVIN OLSON (b. 1970) Summer Sonnet (4:46) From Shall I Compare Thee? Cedille Records CDR 90000 085 (Track 1) Chicago a cappella Kevin Olson, composer CHRISTIAN ONYEJI (b. 1967) Amuworo ayi otu nwa (2:50) From Christmas a cappella Cedille Records CDR 90000 107 (Track 1) Chicago a cappella WILLIAM FERRIS (b. 1942) Snowcarols III. In the bleak mid-winter (4:44) From Snowcarols Cedille Records CDR 90000 101 (Track 12) William Ferris Chorale Composer Festival Orchestra Paul French, conductor ALAN HOVHANESS (1911–2000) Four Motets, Op. 268 III. Lord, Who Shall Abide (3:30) From American Choral Premieres Cedille Records CDR 90000 109 (Track 3) William Ferris Chorale Paul French, conductor GIAN CARLO MENOTTI (1911–2007) Missa "O Pulchritudo" Motet: O Pulchritudo (5:54) From William Ferris Chorale: Menotti and Vierne Cedille Records CDR 7001 (Track 3) William Ferris Chorale William Ferris, conductor LEO SOWERBY (1895–1968) The Canticle of the Sun Praised be my Lord for our mother the earth... (3:03) From The Pulitzer Project Cedille Records CDR 90000 125 (Track 17) Grant Park Chorus Grant Park Orchestra Carlos Kalmar, conductor Christopher Bell, chorus director Leo Sowerby, composer STACY GARROP (b. 1969) Sonnets of Desire, Longing, and Whimsy (7:45) I. Now by this moon, before this moon shall wane II. Time does not bring relief; you all have lied III. I shall forget you presently, my dear From Songs of Smaller Creatures and other American Choral Works Cedille Records CDR 90000 131 (Tracks 8–10) Grant Park Chorus Christopher Bell, conductor Stacy Garrop, composer LITA GRIER (b. 1937) I AM (2:59) From In Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Works by Lita Grier Cedille Records CDR 90000 112 (Track 28) Chicago Children's Choir Josephine Lee, conductor John Goodwin, piano Lita Grier, composer  

Cedille Chicago Presents recordings by more solo singers on Cedille. Subscribe to the Cedille Email List to receive one free music track from each week's show! Playlist for May 8, 2013 More Solo Singers on Cedille FRANK FERKO (b. 1950) Stabat Mater II. The Mother (3:53) From Frank Ferko: Stabat Mater Cedille Records CDR 90000 051 (Track 11) Nancy Gustafson, soprano His Majestie's Clerkes Anne Heider, conductor JAN VÁCLAV HUGO VOŘÍŠEK (1791–1825) Mass in B-Flat Major V. Benedictus (3:56) From Vorisek: Mass in B-Flat, Symphony in D Cedille Records CDR 90000 058 (Track 13) Patrice Michaels, soprano Tami Jantzi, mezzo-soprano William Watson, tenor Peter Van De Graaff, bass Czech National Symphony Orchestra Paul Freeman, conductor WOLFGANG AMADEUS MOZART (1756–1791) "Restati qua… Per queste tue manine" K. 540b from Don Giovanni (5:24) From Divas of Mozart’s Day Cedille Records CDR 90000 064 (Track 10) Patrice Michaels, soprano Peter Van De Graaff, bass-baritone Classical Arts Orchestra Stephen Alltop, conductor ANONYMOUS "Levin and Hirsch and Cohn" (3:04) From Dancing on the Edge of a Volcano Cedille Records CDR 90000 065 (Disc 2 track 4) Stewart Figa, baritone New Budapest Orpheum Society DARIUS MILHAUD (1892–1974) "Holem Tza’adi" (2:49) From Dancing on the Edge of a Volcano Cedille Records CDR 90000 065 (Track 23) Julia Bentley, mezzo-soprano New Budapest Orpheum Society FRIEDRICH HOLLÄNDER (1896–1976) Marianka (2:32) From Jewish Cabaret in Exile Cedille Records CDR 90000 110 (Track 24) Julia Bentley, mezzo-soprano New Budapest Orpheum Society STACY GARROP (b. 1969) Ars Poetica I. Introduction to Poetry (5:51) From The Billy Collins Suite: Songs Inspired by His Poetry Cedille Records CDR 90000 115 (Track 2) Buffy Baggott, mezzo-soprano Lincoln Trio STACY GARROP In Eleanor’s Words III. An Anonymous Letter (2:33) From In Eleanor's Words: Music of Stacy Garrop Cedille Records CDR 90000 122 (Track 4) Buffy Baggott, mezzo-soprano Kuang-Hao Huang, piano HECTOR BERLIOZ (1803–1869) La mort de Cléopâtre Méditation: “Grands Phararons” (4:49) From Royal Mezzo Cedille Records CDR 90000 104 (Track 4) Jennifer Larmore, mezzo-soprano Grant Park Orchestra Carlos Kalmar, conductor LITA GRIER (b. 1937) Sneezles (1972) (3:21) From Songs from Spoon River, Reflections of a Peacemaker, and Other Vocal Works by Lita Grier Cedille Records CDR 90000 112 (Track 6) Michelle Areyzaga, soprano Anne Bach, oboe Tina Laughlin, percussion William Billingham, piano WILLIAM FERRIS (1937–2000) Ed È Subito Sera, Solo Cantata for Tenor and String Orchestra II. Ora che sale il giorno (5:00) From Corridors of Light: Music of William Ferris Cedille Records CDR 7004 (Track 3) John Vorrasi, tenor Chicago String Ensemble Alan Heatherington, conductor

Topics: Concert Band with my duet  from "Spoon River" by Percy Grainger Larry Miller update.  Pre Nerdist Stuff Recommendations: Another Kickstarter project!!! Article from Nerdist.com http://www.nerdist.com/2012/04/pickstarter-our-favorite-crowdfunded-projects-429/ Podcast art! Matt Peppler made this totally awesome art for Nerdist and crew.  I am printing it out for my office and to give to them after the MA show. @mattpeppler http://mattpeppler.com/ Charm by the Wild Colonials  Adam Carolla recomended the song.  I fell in love with it. Please support the artist by buying the music.  iTunes Link Thank you for listening.  Seize YOUR burrito! If you haven't subscribed to the Nerdist Channel YouTube Channel, what are you waiting for?  There are so many varieties of entertainment, something will grab your fancy!  There is Chris Hardwick in Celebrity Bowling!  You have weird stuff from Japan.  There is even cute things being blown up!   If you want more Nerdist content, subscribe TODAY!  Twitter @dihard11 Feedback:Dihard@dihard.info Opening music "Spoon River" by Percy Grainger under the direction of Brian Cardanay 2012 URI Concert Band.  Closing music Charm by Wild Colonials.

AIS students perform Spoon River, an anthology by Edgar Lee Masters. Students present a collection of short free-form poems that collectively describe the life of the fictional small town of Spoon River, named after the real Spoon River that ran near Masters' home town.

...and so is Valentine's Day, and the solar New Year. Gung hey fat choy! We tried to cover off on all these themes, with special focus on the wonderful music we'll be treated to in Vancouver over the next few weeks. Local band Spoon River came in to talk about their new CD and Feb. 18 gig at the W.I.S.E. Hall. Take care everybody, get out there and take in some live music this weekend!warm hugs, val folkoasis@gmail.com