Podcasts about The Red Violin

Patrick and Adam Riske are either incredibly smart or incredibly stupid. Download this episode here.Listen to F This Movie! on Apple Podcasts.Also discussed this episode: Sphere (1998), The Red Violin (1998), Black Dog (1998), Firestorm (1998), The Last Days of Disco (1998), The Hunted (1995), Pinocchio (1940), Face/Off (1997), The Avengers (1998), Rush Hour (1998)

Hello classmates!Eddie Murphy is too old for this shit, Alien Romulus keepin it real, and Denis Villeneuve's little brother is handing out second chances in HollywoodVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/azQRlvUT93ohttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather SachsRyan  CorbinChris GeigerDylanRobert StewartJasonAndrew Watches MoviesDallas TerryJack FitzpatrickMacKenzieBinge Lord Dan Streaming Picks:American Fiction - Amazon PrimeIce Cream Man - https://youtu.be/GYk4ymtQ1WM?si=JnXSu5HGCBmNl15TThe Harder They Fall - Netflix The Rescue - Hulu, Disney+Twister - $4 rental on YouTubeStarship Troopers - Netflix, AMCStopmotion - AMC, ShudderFear and Loathing in Las Vegas - $4 rental on YouTubeTarot - $10 rental on YouTubeThe Beach - HuluPoolhall Junkies - Amazon Prime, Peacock, Fubo, Starz, Tubi, Shout, Plex, FreeVeeThe Red Violin - Amazon Prime. Tubi, Pluto, FreeVeeThe Mandela Effect Phenomenon - Coming soon to VOD

Low-to-medium budget scripts with incredible character development are a golden ticket for producers... which makes them an excellent target for newer screenwriters! Alexie meet with Kinolime Producer John Schramm and Kinolime Creative Executive Danny Murray to break the beloved film BILLY ELLIOT and talk about: Why producers want strong points of view and voice How characterization is key for lower-budget films  Tips for making your spec script stand out to producers  Plus, learn more about Kinolime's free screenplay contest, which promises to produce the winner's movie (of any genre!) for up to $15,000,000! They're accepting submissions through April 4, 2024. Find out more: https://www.kinolime.com/ About John Schramm John Schramm is an American screenwriter/producer who has sold various scripts to top independent producers such as Basil Iwanyk's Thunder Road Pictures ("John Wick," "The Town," "Sicario"). Schramm has also been hired to write for Oliver Stone ("Platoon," "Wall Street," "JFK") under his Ixtlan Productions banner, as well as for Scott Free Productions and Original Films. As a feature producer, Schramm is producing "The Mother" (2024) starring Oscar winner Michelle Yeoh and "The Falling Man" (2024) alongside Niv Fichman ("Blackberry," "Enemy," "The Red Violin"). 

This week, we are taking a special detour from our mission here to turn the tables. Since Ross has made Tripp try and examine the comedy films of 1999, it only seemed right for Tripp to finish off our first season by making him examine a film from 1999 that he would have watched that Ross had never seen. And there seemed to really be only one logical pick, a film that from the very beginning of this podcast Tripp mentioned as a film that he absolutely would have been watching instead of these films: The Red Violin by Francois Girard. Along the way, Tripp and Ross talk about lesser Steven Spielberg films, Masterpiece Theatre, the Genie awards, the Chinese Cultural Revolution, and, of course, the coolest man in show business (Samuel L. Jackson). Theme music by Jonworthymusic. Powered by Riverside.FM

"Right from the beginning, in talking with Park Chan-wook, we wanted this sort of multiplicity of narrative voices and devices. In a way, it's about how the story, in this case of the Vietnam War, has been told, what the expected story is, at least, for American viewers, which they may mainly know through the movies and through visual representations. And it's how our lead character, The Captain, who is writing the story, who has divided loyalties. How can we capture the contradictions within that story? And we tried to make that complexity part of the actual fabric of the show."Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO

On casting Robert Downey Jr. in 4 Roles:"That was Park Chan-wook's idea early on. In the book, there are these sorts of male-white figures of the American establishment. They're all differentiated in the book, but he had the idea. What if we have one actor playing all the parts kind of like Peter Sellers in Dr. Strangelove and immediately we thought that's a great idea. Robert Downey Jr.'s characters represent academia, intelligence in the military, entertainment, and politics. Even if they have opposing political ideas on the surface, there's something at the root that is working together. It's a kind of deep-state metaphor and - I don't want to give away the ending of the series - but it comes together in a way that feeds into The Captain's character, too." "Casting of The Captain (Hoa Xuande) was very hard because it's really all from his perspective. The whole thing is on his shoulders. He's in almost every scene. And when he isn't, it's from his point of view, so he's a spy, you know, so he's got to be able to have that poker face. He's got to be able...it can't be on the surface. He's got to have a certain amount of control. So we had to have someone who was very emotional, but at the same time had a lot of control, who was very agile in a way, like the narrative of the book is, who is able to quickly change modes and at the same time sort of evoke the protagonists of American 70s action films, except from a Vietnamese side.”Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO

“Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate."Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO

"What saved me as a young person, I think, was how I connected with the arts. And I was exposed to this sort of world of possibility. What I hope for children is sort of courageous curiosity. I feel that they have to pursue their creative impulses, and I hope that art can inspire them to do that. That's what I always do. When I'm creating work, I always want it to be inspiring in a way. Not inspiring like a Hallmark movie, you know, like not happy, not necessarily, but provocative in a way that inspires thought, inspires creativity. So when I see young people, what I always try and encourage in them is sort of courage. Courage at facing the world, not being afraid of the world, and being. And I think that art can provide that, can bolster that courage."Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO

"Right from the beginning, in talking with Park Chan-wook, we wanted this sort of multiplicity of narrative voices and devices. In a way, it's about how the story, in this case of the Vietnam War, has been told, what the expected story is, at least, for American viewers, which they may mainly know through the movies and through visual representations. And it's how our lead character, The Captain, who is writing the story, who has divided loyalties. How can we capture the contradictions within that story? And we tried to make that complexity part of the actual fabric of the show."Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO

At this stage of the game it should be a statutory holiday....On this very special episode we are celebrating the moving image itself as a part of "National Canadian Film Day' which is put on our friends over at Reel Canada.  In celebration of all that we just happened to get the distinct pleasure of sitting down with the man who just might be 'Canada's actor'.  Star of stage and screen, and a board member over at REEL Canada, as well as just generally being the guy who is a supporter of the arts in all their forms and wants to pay it forward., it's time to talk with Colm Feore.We talk about his career, the necessity of Canadian storytelling and so very much more....

What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook."Right from the beginning, in talking with Park Chan-wook, we wanted this sort of multiplicity of narrative voices and devices. In a way, it's about how the story, in this case of the Vietnam War, has been told, what the expected story is, at least, for American viewers, which they may mainly know through the movies and through visual representations. And it's how our lead character, The Captain, who is writing the story, who has divided loyalties. How can we capture the contradictions within that story? And we tried to make that complexity part of the actual fabric of the show."www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBOSusan Downey, Robert Downey Jr., Don McKellarRobert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBOHoa Xuande in The Sympathizer, photo by Hopper Stone/HBO

"I think the reason for success of the novel The Sympathizer was the very unique voice in the book. It's told in first person with this kind of raconteur who's very intelligent. It's satiric. It tackles big issues, and it's very lively and fun at the same time. It's quite and it's also complicated where it's coming from. It's a confession. It's written in theory under duress. It's very hard to replicate because it's sort of very freewheeling, and we didn't want to weigh the show down with just a lot of voiceover, you know, that feeling of a literary adaptation you get where you just have a voiceover quoting the book all the time. So, the first thing we tried to do, well, the first thing we did was get Park Chan-wook involved because he has a very similar visual language. We tried to replicate that voice visually, and we've tried to come up with parallel visual narrative devices that would give that feeling that the book had."Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO

What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook."I think the reason for success of the novel The Sympathizer was the very unique voice in the book. It's told in first person with this kind of raconteur who's very intelligent. It's satiric. It tackles big issues, and it's very lively and fun at the same time. It's quite and it's also complicated where it's coming from. It's a confession. It's written in theory under duress. It's very hard to replicate because it's sort of very freewheeling, and we didn't want to weigh the show down with just a lot of voiceover, you know, that feeling of a literary adaptation you get where you just have a voiceover quoting the book all the time. So, the first thing we tried to do, well, the first thing we did was get Park Chan-wook involved because he has a very similar visual language. We tried to replicate that voice visually, and we've tried to come up with parallel visual narrative devices that would give that feeling that the book had."www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBOSusan Downey, Robert Downey Jr., Don McKellarRobert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBOHoa Xuande in The Sympathizer, photo by Hopper Stone/HBO

What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook."Casting of The Captain (Hoa Xuande) was very hard because it's really all from his perspective. The whole thing is on his shoulders. He's in almost every scene. And when he isn't, it's from his point of view, so he's a spy, you know, so he's got to be able to have that poker face. He's got to be able...it can't be on the surface. He's got to have a certain amount of control. So we had to have someone who was very emotional, but at the same time had a lot of control, who was very agile in a way, like the narrative of the book is, who is able to quickly change modes and at the same time sort of evoke the protagonists of American 70s action films, except from a Vietnamese side.”On casting Robert Downey Jr. in 4 Roles:"That was Park Chan-wook's idea early on. In the book, there are these sorts of male-white figures of the American establishment. They're all differentiated in the book, but he had the idea. What if we have one actor playing all the parts kind of like Peter Sellers in Dr. Strangelove and immediately we thought that's a great idea. Robert Downey Jr.'s characters represent academia, intelligence in the military, entertainment, and politics. Even if they have opposing political ideas on the surface, there's something at the root that is working together. It's a kind of deep-state metaphor and - I don't want to give away the ending of the series - but it comes together in a way that feeds into The Captain's character, too."www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBOSusan Downey, Robert Downey Jr., Don McKellarRobert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBOHoa Xuande in The Sympathizer, photo by Hopper Stone/HBO

What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.“Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate."www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBOSusan Downey, Robert Downey Jr., Don McKellarRobert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBOHoa Xuande in The Sympathizer, photo by Hopper Stone/HBO

What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook."What saved me as a young person, I think, was how I connected with the arts. And I was exposed to this sort of world of possibility. What I hope for children is sort of courageous curiosity. I feel that they have to pursue their creative impulses, and I hope that art can inspire them to do that. That's what I always do. When I'm creating work, I always want it to be inspiring in a way. Not inspiring like a Hallmark movie, you know, like not happy, not necessarily, but provocative in a way that inspires thought, inspires creativity. So when I see young people, what I always try and encourage in them is sort of courage. Courage at facing the world, not being afraid of the world, and being. And I think that art can provide that, can bolster that courage."www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBOSusan Downey, Robert Downey Jr., Don McKellarRobert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBOHoa Xuande in The Sympathizer, photo by Hopper Stone/HBO

 This week on the OETA Movie Club Podcast we discuss The Red Violin (1998). The intricate history of a beautiful antique violin is traced from its creation in Cremona, Italy, in 1681, where a legendary violin maker (Carlo Cecchi) paints it with his dead wife's blood to keep her memory alive, to an auction house in modern-day Montreal, where it draws the eye of an expert appraiser (Samuel L. Jackson). Over the years between, the violin travels through four different countries, where it has a profound impact on all those who own it.Support the show

It's Summer Break for the Uncle Bob's team, so let's rewind and reminisce on some oldies (but goodies). Kicking off this look back is UBMC 77: Crimson Peak & The Red Violin! In this underrated episode, Leigh discovers the ghostly history of spirit photography with the help of 2015's gothic horror film Crimson Peak, while Lori touches on the power and complexity of Blood Magick through the 1998 music-focused drama The Red Violin.This episode was originally posted on November 12th, 2021.TO VIEW A COMPLETE LIST OF OUR RESOURCES, PLEASE VISIT OUR WEBSITE.MERCH! MERCH! MERCH!RECOMMENDATIONSSupport the show

Get out your "red paint" for our episode this week: THE RED VIOLIN (1998)! We discuss this anthology film spanning centuries, stick up for Winona, get purged for Aqua Teen Hunger Force, and try to Figure It Out. Twitter: @⁠⁠⁠⁠⁠⁠⁠⁠AlmostMajor⁠⁠⁠⁠⁠⁠⁠⁠ Kevin: @⁠⁠⁠⁠⁠⁠⁠⁠kevbonesy on Twitter⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠ Bryden: @⁠⁠⁠⁠⁠⁠⁠⁠BrydenDoyle on Twitter⁠⁠⁠⁠⁠⁠⁠⁠ + @⁠⁠⁠⁠⁠⁠⁠⁠JDoyle on Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠ Charlie: @⁠⁠⁠⁠⁠⁠⁠⁠ctnash91 on Twitter⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠

The tenth episode of Composing Myself sees Wise Music Group CEO Dave Holley and Creative Director Gill Graham once again stretch their hands across the ocean to New York to embark on a wonderful journey of memories, anecdotes and musings with veteran composer John Corigliano. The conversation covers John's formative years growing up in a musical family and how the lingering nerves he reserved for his father affected his professional journey (“for the first ten or fifteen years of buy compositional life I never sat in the hall for a performance”); the impact of the early Disney oeuvre (Bambi, Dumbo etc) on his creative spark; winning Grammys, Oscars and a Pulitzer Prize - and the award he's most proud of; the harrowing story behind Symphony No. 1; how a personal black spot with the catalogue of Bob Dylan led to a Grammy-winning setting of Dylan's poetry; and the painstaking creation of The Ghosts of Versailles. Not to be missed!http://www.johncorigliano.com/John Corigliano's music has been commissioned, performed, and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world. His honors include the Pulitzer Prize for Symphony No. 2, the Grawemeyer Award for his Symphony No. 1 (given over 300 performances worldwide), the Academy Award (Oscar) for Best Original Score (The Red Violin), and, of his five Grammy Awards, three for Best Contemporary Composition (Symphony No. 1, String Quartet, and Mr. Tambourine Man.)Recent scores include a second opera, The Lord of Cries, with a libretto by Mark Adamo based on The Bacchae of Euripides and Bram Stoker's Dracula. Corigliano's first opera since The Ghosts of Versailles for The Metropolitan Opera in 1991, The Lord of Cries is commissioned by the Santa Fe Opera for premiere in 2021. A new Saxophone Concerto for the San Francisco Symphony's 2020-2021 season will be Corigliano's tenth piece for soloist and orchestra, after his concerti for piano, oboe, clarinet, flute (Pied Piper Fantasy), guitar (Troubadours), violin (The Red Violin), and percussion (Conjurer), as well as the orchestral song-cycles Mr. Tambourine Man: Seven Poems of Bob Dylan for amplified soprano, and One Sweet Morning for mezzo-soprano. Other scores include Symphony No. 3: Circus Maximus for multiple wind ensembles, as well a rich folio of chamber works.The French premiere of The Ghosts of Versailles, in a co-production with Glimmerglass Festival, is scheduled by the Royal Opera of Versailles for December of 2019; this follows its 2015 staging by Los Angeles Opera, which collected 2017 Grammys for Best Opera Recording and Best Engineered Classical album. In spring of 2019, Corigliano's Symphony No. 1 travelled to Hong Kong and returned to the New York Philharmonic, both engagements conducted by Jaap van Zweden. Hosted on Acast. See acast.com/privacy for more information.

Synopsis On today's date in 1997, violinist Joshua Bell and the San Francisco Symphony gave the premiere performance of an 18-minute “Chaconne for Violin and Orchestra” by American composer John Corigliano. This music was a concert offshoot of Corigliano's film score for Francois Gerard's movie The Red Violin, but debuted months before the film itself was completed. Said Corigliano, “I was delighted when asked to compose the score for Francois Girard's new film. How could I turn down so interesting and fatalistic a journey through almost three centuries, beginning as it did in Cremona, home of history's greatest violin builders? I also welcomed the producer's offer to separately create a violin and orchestra concert piece, to be freely based on motives from the film. “I'd assumed that, as usual in film, I wouldn't be required to score it until it was completed, except for a number of on-camera "cues"… Then plans changed. Filming was pushed back. So the present ‘Chaconne' was built just on the materials I had; a good thing, as it turns out, because I now had the freedom, as well as the need, to explore these materials to a greater extent than I might have had I been expected to condense an hour's worth of music into a coherent single movement.” Music Played in Today's Program John Corigliano (b.1938) selections from The Red Violin Joshua Bell, violin; Philharmonia Orchestra; Esa-Pekka Salonen, conductor. Sony 63010

This week's conversation is with Elizabeth Pitcairn, a world-renowned classical violin virtuoso.After making her orchestra debut at age 14, Elizabeth has gone on to travel the globe with her violin, performing as a soloist in various highly acclaimed orchestras at some of the most prolific classical music venues on the planet. Elizabeth is also known for performing with one of the world's most legendary instruments – the Red Mendelssohn Stradivarius violin of 1720 – said to have inspired the Academy Award–winning film “The Red Violin”. In addition to her acclaimed solo career, Elizabeth is a passionate advocate of music education, and serves as the President and Artistic Director of the Luzerne Music Center in upstate New York, which provides world-class music instruction for gifted young musicians.At its core, this is a conversation about developing a relationship with mastery – the standard of perfection, being a conduit to the music, and the ups and downs of truly loving your craft.-----You can also watch this - and every - conversation on our YouTube channel.Connect with us on our Instagram.For more information and shownotes from every episode, head to findingmastery.net.-----Please support our partners!We're able to keep growing and creating content for YOU because of their support. We believe in their mission and would appreciate you supporting them in return!!To take advantage of deals from our partners, head to http://www.findingmastery.net/partners where you'll find all discount links and codes mentioned in the podcast.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Twitter: twitter.com/podcastlikeitsInstagram: instagram.com/podcastlikeitsReddit: reddit.com/r/podcastlikeits Hosted on Acast. See acast.com/privacy for more information.

We begin by remembering the 13 U.S. servicemembers killed one year ago today in Afghanistan. Steffan has commentary and reads the names, ages and hometowns of those heroes killed by a suicide bomber 8.26.21. A great call from a disabled veteran, and then our "Week In Review" audio. We head into the weekend with our "Friday Homestretch Film Review" with 1998's "The Red Violin." Steffan gives it 8 of 10 bottles of Danny Cash Hot Sauce!See omnystudio.com/listener for privacy information.

A replay of Re. Jim Banks. Student loan forgiveness? Oh, yeah - the "Bag of Rocks" says don't you worry we got this. More on the low-to-mid-level liar Priola and don't forget to watch "The Red Violin" tonight!See omnystudio.com/listener for privacy information.

Jimmy Sengenberger joins us to discuss the DPS South High School video and his new column out today. On a 7-0 vote, Douglas County School District board members agree to place a mill levy increase and bond measure to voters in November. DCSD Board President Mike Petersen joins the discussion and outlines the $510M needed. We wrap the hour with the trailer of our film this week, "The Red Violin" from 1998. We'll review about 640p Friday.See omnystudio.com/listener for privacy information.

We begin with a recap of South High School's video assembly yesterday and calls. This is a continuation of the liberal. progressive agenda and good luck complaining about it. More on the South Principal Goss. We welcome back the "Hump Day Hurdle" with Blake Olson via phone! We talk UNC Bears (Blake knows stories of nearly 100 players via number!) and remember Len Dawson. We wrap with "The Red Violin" trailer.See omnystudio.com/listener for privacy information.

Student loan forgiveness? Uh, no. However, ahead of the midterms - it is a WH "brilliant-let-us-help-you" idea. Expect the announcement tomorrow. Total BS. Speaking of, his name is Kevin Priola and as a state senate candidate to get your donation he was a Republican. But he is now a Democrat after switching parties yesterday. Our film assignment this week: from 1998 "The Red Violin."See omnystudio.com/listener for privacy information.

Alex and Vince engage in a smorgasbord of topics, from Vocaloid to Super Nintendo Land, sound for arcade games, and the culture surrounding arcade play. Notable mentions include: Hatsune Miku, Vocaloid, Yamaha, Nintendo, Defender, Tempest, 1942, Scritti Politti's Cupid & Psyche 85, and The Red Violin. Featuring: Alex May and Vincent Diamante Recorded March 11, 2022

The fates foretold that Jon and Andy would discuss John Corigliano's score for the 1998 history-spanning musical saga The Red Violin. How does Corigliano draw a musical line to connect the film's disparate episodes, and how darkly does he draw it? What sensibilities did he bring from the world of classical concert composing? And, is … Continue reading "#51 – The Red Violin"

A teenage violist with a talent for astronomy performs the music of Brahms ... a fiery violinist performs music from "The Red Violin" and shares his perspectives growing up with Aspeger's syndrome and a teenage pianist who's already touring the world as a pro performs Chopin.

Ashley and Jess discuss the 1998 movie The Red Violin, which follows the turbulent history of an extremely valuable violin from 1681 through 1997. And yes, we swear this is connected to our last True Crime Tuesday…you just have to wait for iiiiiiiiit. If you have story requests reach out to us at StudyingScarletPodcast@gmail.com-----------Our Links:Facebook link - facebook.com/StudyingScarletPodcastPatreon: patreon.com/StudyingScarletPodcastTwitter - twitter.com/StudyScarletPodInstagram - instagram.com/studyingscarletpodcastTeepublic - StudyingScarlet

In this episode, Cate and Erik talk about setting New Years Intentions instead of resolutions. Cate spends a weird amount of time getting mad about cauliflower pizza crust, and Erik announces some big changes that are coming up in Infinite Quest land! We also accidentally turn the Patreon Song into a ten-minute argument about topically relevant film from 1998, The Red Violin starring Samuel L Jackson. Find us on TikTok and Instagram at: @catieosaurus @heygude We also stream daily on Twitch: https://www.twitch.tv/catie0saurus https://ww.twitch.tv/heygude Cool new listener email: ask@infinitequestpodcast.com Media/Business Email: infinitequestpodcast@gmail.com Find all of our links and cool stuff at: www.infinitequestpodcast.com Start your own cool podcast by signing up at anchor.fm --- Send in a voice message: https://anchor.fm/infinitequest/message Support this podcast: https://anchor.fm/infinitequest/support

In this episode, Leigh discovers the ghostly history of spirit photography with the help of 2015's gothic horror film Crimson Peak, while Lori touches on the power and complexity of Blood Magick through the 1998 music-focused drama The Red Violin.TO VIEW A COMPLETE LIST OF OUR RESOURCES, PLEASE VISIT OUR WEBSITE.Support the show (https://www.patreon.com/unclebobsmagiccabinet)

In this episode, Lady Petra and Saffermaster chat with Red and cuck of Our Red Violin over an Aynger Private Brauerei Oktober Fest- Märzen. 

In this episode we re-wind and look at three previous podcasts with three different filmmakers. The first filmmaker is Henk Handloegten, a writer/director of Babylon Berlin. The second filmmaker is Francois Girard a Canadian writer director who directed the Red Violin. Francois also directed Silk and his latest film ‘The Song of Names' starring Clive Owen and Tim Roth. The Third filmmaker is John Gilbert  an Academy Award winner for best editing on the Mel Gibson Directed film ‘Hacksaw Ridge'. Follow Shoot it Now to receive every new episode:  https://filminterviews.podbean.com/ Download the Podbean Player App: https://www.podbean.com/podcast-app-iphone-android-mobile   The Film Podcast Facebook: https://www.facebook.com/Shoot-it-Now-105337104805218 The Film Podcast YouTube:  https://www.youtube.com/channel/UCo95_Quaast5vCQZtbCTjzA Please send feedback or questions to: indiefilmpodcast@gmail.com  Show your support and please rate and review us on iTunes:  https://podcasts.apple.com/us/podcast/shoot-it-now/id1545805946 Romain Dagnan | The Film Podcast Theme Composer www.romaindagnan.com Every week 'The Film Podcast' interviews award winning and indie-film directors, cinematographers (DOP) film editors, actors and other cast and crew members to learn from their unique stories. 

In this episode we re-wind and look at three previous podcasts with three different filmmakers. The first filmmaker is Francois Girard a Canadian writer director who directed the Red Violin. The second filmmaker is Henk Handloegten, a writer/director of Babylon Berlin.  The third filmmaker is John Gilbert  an Academy Award winner for best editing on the Mel Gibson Directed film ‘Hacksaw Ridge'. Follow Shoot it Now to receive every new episode:  https://filminterviews.podbean.com/ Download the Podbean Player App: https://www.podbean.com/podcast-app-iphone-android-mobile   The Film Podcast Facebook: https://www.facebook.com/Shoot-it-Now-105337104805218 The Film Podcast YouTube:  https://www.youtube.com/channel/UCo95_Quaast5vCQZtbCTjzA Please send feedback or questions to: indiefilmpodcast@gmail.com  Show your support and please rate and review us on iTunes:  https://podcasts.apple.com/us/podcast/shoot-it-now/id1545805946 Romain Dagnan | The Film Podcast Theme Composer www.romaindagnan.com Every week 'The Film Podcast' interviews award winning and indie-film directors, cinematographers (DOP) film editors, actors and other cast and crew members to learn from their unique stories. 

We talk to François Girard an award winning Canadian film director. Best known for his movie writing and directing Thirty-two Short Films About Glenn Gould, The Red Violin which Samuel Jackson says is one of his top 5 films, Silk and his latest film 'The Song of Names' starring Clive Owen and Tim Roth. Follow to receive every new episode: https://www.podbean.com/podcast-pbblog-8zDNGRf2NIOG-follower Download the Podbean Player App: https://www.podbean.com/podcast-app-iphone-android-mobile 2020 The Song of Names  2017 Hochelaga, Land of Souls  2014 Boychoir 2007 Silk  1998 The Red Violin   The Film Podcast Facebook: https://www.facebook.com/Shoot-it-Now-105337104805218 The Film Podcast YouTube:  https://www.youtube.com/channel/UCo95_Quaast5vCQZtbCTjzA Please send feedback or questions to: indiefilmpodcast@gmail.com  Show your support and please rate and review us on iTunes:  https://podcasts.apple.com/us/podcast/shoot-it-now/id1545805946 Romain Dagnan | The Film Podcast Theme Composer www.romaindagnan.com Every week 'The Film Podcast' interviews award winning and indie-film directors, cinematographers (DOP) film editors, actors and other cast and crew members to learn from their unique stories. 

We talk a lot of movies this week. Steel Magnolias, Mrs. Doubtfire, The Red Violin, The Passion of the Christ, US Marshals, Enola Holmes, The Man from U.N.C.L.E., 10,000 BC, Silver Lining's Playbook, Grizzly Man, Beverley Hills Cop, Bohemian Rhapsody, Knives Out, The Rock, Flora & Ulysses, Peter Rabbit, and Lake Placid. --- Send in a voice message: https://anchor.fm/lineofsight/message

Film in Discussion: The Red Violin | 1998 | Canada | François Girard Dead Cinema Society is a confluence of curious individuals interested in the revitalization of Cinema out from entertainment. In the fashion of popular sports talk shows, such as "Around the Horn", four artists discuss, debate, analyze and personally rank films. Our film reporters find a mean average ranking for the film in discussion so that the film can find its final resting place in the ranking system on our website. Our film reporters: Yoshi Barrigas (Actor, Director) @yoshthejester Chris Skovira (Writer, MA in Arts & Film) @chris_Skovira Paul Jackson (Writer, Actor) @heypauljackson Aaron Mann (Actor, Model) @aaronmannofficial Follow @DeadCinemaSociety on Instagram and visit our website to view all of our rankings and discussions: https://www.deadcinemasociety.com Listen to our full episodes on Spotify, iTunes and your favorite podcast apps! Support this podcast

Topics: Y2K Bug, Eminem, The Best Man, 90's TV (Bonus Artist: Rocky Mtn. Rhyme Posse)   1999 Notes   Snapshots   1.    Bill Clinton President   2.    Jan – A snowstorm leaves 14 inches (36 cm) of snow in Milwaukee, Wisconsin and 21 inches (53 cm) in Chicago, Illinois, killing 68.   3.    Jan – The adult animated sitcom Family Guy debuts on the Fox network after Super Bowl XXXIII.   4.    Feb - Impeachment of Bill Clinton: President Bill Clinton is acquitted by the Senate.   5.    Mar - A Michigan jury finds Dr. Jack Kevorkian guilty of second-degree murder for administering a lethal injection to a terminally ill man.   6.    Apr - Columbine High School massacre: Two Littleton, Colorado teenagers, Eric Harris and Dylan Klebold, open fire on their teachers and classmates, killing 12 students and one teacher, and then themselves. It would be the deadliest shooting at a high school in U.S. history at the time. The shooting sparks debate on school bullying, gun control and violence in the media.   7.    May - The animated children's TV series SpongeBob SquarePants debuts on the cable network Nickelodeon.   8.    May - Star Wars: Episode I – The Phantom Menace is released in theaters.   9.    Jun - Texas Governor George W. Bush announces he will seek the Republican Party nomination for President of the United States.   10.    Jun - Napster Released. It was mainly used by people who shared MP3 music and digital audio files. As the laws about file sharing and copyright regarding the internet were just newly established, the service soon ran into legal troubles dealing with copyright infringement.   11.    Jul - U.S. soccer player Brandi Chastain scores the game winning penalty kick against China in the FIFA Women's World Cup. Briana Scurry, goalkeeper, was elected to the National Soccer Hall of Fame in 2017. She was the first woman goalkeeper and first black woman to be awarded the honor.   12.    Jun - Lance Armsrong wins the Tour de France. The United States Anti-Doping Agency announced in August 2012 that they had disqualified Armstrong from all his results since 1998, including his seven consecutive Tour de France wins from 1999 to 2005 (which were, originally, the most wins in the event's history)   13.    Sep - The West Nile Virus first appears in the United States. The disease spread quickly through infected birds. Mosquitoes spread the disease to mammals.   14.    Dec - Boris Yeltsin resigns as President of Russia, replaced by Vladimir Putin. Yeltsin has been describes as,  "Russia's first modern leader" and has been compared to Nelson Mandela.   15.    Top 3 Pop Songs   16.    #1 "Believe"    Cher   17.    #2 "No Scrubs"    TLC   18.    #3  "Angel of Mine"    Monica   19.    Record of the Year: "Smooth" – Santana featuring Rob Thomas   20.    Album of the Year: Supernatural – Santana   21.    Song of the Year: "Smooth" – Santana featuring Rob   22.    Best New Artist: Christina Aguilera (Note: Beat out Brittney Spears)   23.    Best Female R&B Vocal Performance: "It's Not Right but It's Okay" – Whitney Houston   24.    Best Male R&B Vocal Performance: "Staying Power" – Barry White   25.    Best R&B Performance by a Duo or Group with Vocal: "No Scrubs" – TLC   26.    Best R&B Song: "No Scrubs" – TLC   27.    Best R&B Album: FanMail – TLC   28.    Best Rap Solo Performance: "My Name Is" – Eminem   29.    Best Rap Performance by a Duo or Group: "You Got Me" – The Roots featuring Erykah Badu   30.    Best Rap Album: The Slim Shady LP – Eminem   31.    Top 3 Moives   32.    #1  Star Wars: Episode I – The Phantom Menace   33.    #2 The Sixth Sense   34.    #3 Toy Story 2   35.    Notables:  Office Space, Analyze This, Lock, Stock and Two Smoking Barrels, The Matrix (3/31/1999 - 20 days before Columbine), Life, The Mummy, Austin Powers: The Spy Who Shagged Me, Wild Wild West, American Pie, The Blair Witch Project, Eyes Wide Shut, The Wood, The Iron Giant, The Sixth Sense, The Thomas Crown Affair, Bowfinger, Three Kings, Fight Club, The Green Mile, Any Given Sunday   36.    Top 3 TV Shows   37.    #1 Who Wants to Be a Millionaire — Tuesday   38.    #2 Who Wants to Be a Millionaire — Thursday   39.    #3 Who Wants to Be a Millionaire — Sunday   40.    Debuts: The PJs, The Parkers, The Queen Latifah Show, Judge Mathis   41.    Economic Snapshots   42.    Income = 40.8k (Previously 38.1k)   43.    House = 131.7k (129.3k)   44.    Car = 21kk (17k)   45.    Rent = 645 (619)   46.    Harvard = 31.1k (30,080)   47.    Movie = 5.06 (4.69)   48.    Gas = 1.22 (1.15)   49.    Stamp = .33 (.32)   50.    Social Scene: Y2K Scare   51.    The Y2K problem and the millennium bug was the most important thing on most companies minds in 1999. This fear was fueled by the press coverage and other media speculation, as well as corporate and government reports. All over the world companies and organizations checked and upgraded their computer systems. Problems were anticipated, and arose, because many programs represented four-digit years with only the final two digits – making the year 2000 indistinguishable from 1900.   52.    (Audio Clip)   53.    Music Scene   54.    Music Scene: Black Songs from the Top 40   55.    #2 "No Scrubs" - TLC   56.    #3 "Angel of Mine" - Monica   57.    #4 "Heartbreak Hotel" - Whitney Houston featuring Faith Evans and Kelly Price   58.    #9 "Nobody's Supposed to Be Here" - Deborah Cox   59.    #11 "Where My Girls At?" - 702   60.    #12 "If You Had My Love" - Jennifer Lopez   61.    #14 "Have You Ever?" - Brandy   62.    #16 "I'm Your Angel" - R. Kelly and Celine Dion   63.    #19 "Smooth" - Santana featuring Rob Thomas   64.    #20 "Unpretty" - TLC   65.    #21 "Bills, Bills, Bills" - Destiny's Child   66.    #24 "Fortunate" - Maxwell   67.    #27 "What's It Gonna Be?!" - Busta Rhymes featuring Janet   68.    #28  "What It's Like" - Everlast   69.    #29 "Fly Away" - Lenny Kravitz   70.    #31 "Lately" - Divine   71.    #33 "Wild Wild West" - Will Smith featuring Dru Hill and Kool Moe Dee   72.    #35 "Heartbreaker" - Mariah Carey featuring Jay-Z   73.    #36 "I Still Believe" - Mariah Carey   74.    #39 "Can I Get A..." - Jay-Z featuring Amil and Ja Rule   75.    #42 "Mambo No. 5" - Lou Bega   76.    #43 "Sweet Lady" - Tyrese   77.    Top Rnb Albums   78.    Jan Ghetto Fabulous - Mystikal   79.    Jan Flesh of My Flesh, Blood of My Blood - DMX   80.    Feb Made Man - Silkk the Shocker   81.    Feb Chyna Doll - Foxy Brown   82.    Feb The Miseducation of Lauryn Hill - Lauryn Hill   83.    Mar Da Next Level - Mr. Serv-On   84.    Mar FanMail - TLC   85.    Mar Bossalinie - C-Murder   86.    Apr The Slim Shady LP - Eminem   87.    Apr I Am… - Nas   88.    May  Ryde or Die Vol. 1 - Ruff Ryders   89.    May No Limit Top Dogg - Snoop Dogg   90.    Jun In Our Lifetime - 8Ball & MJG   91.    Jun The Art of Storytelling - Slick Rick   92.    Jun Venni Vetti Vecci - Ja Rule   93.    Jul Da Real World - Missy "Misdemeanor" Elliott   94.    Jul Beneath the Surface - GZA/Genius   95.    Jul Street Life - Fiend   96.    Jul Can't Stay Away - Too Short   97.    Aug Guerrilla Warfare - Hot Boys   98.    Aug Coming of Age - Memphis Bleek   99.    Sep Mary - Mary J. Blige   100.    Sep Forever - Puff Daddy   101.    Oct Let There Be Eve...Ruff Ryders' First Lady - Eve   102.    Ocy Blackout! - Method Man & Redman   103.    Nov Only God Can Judge Me - Master P   104.    Nov Tha Block Is Hot - Lil Wayne   105.    Dec 2001 - Dr. Dre   106.    Dec Born Again - The Notorious B.I.G.   107.    Featured Artist: Eminem   108.    Childhood & Early Life: Born Marshall Bruce Mathers III in St. Joseph, Missouri, in 1972, to parents who were members of a band that used to perform at the hotel 'Ramada Inns.' He grew up in a predominantly black neighbourhood, where he was often bullied. As a child he showed affinity toward comics and music, particularly rapping. He had a difficult childhood and he was never on good terms with his mother. He was, however, close to her half-brother, Ronnie. Marshall's education suffered as a result of constant troubles with his mom and he dropped-out of 'Lincoln High School,' when he was seventeen.   109.    Career: When Marshall was fourteen years old, he started rapping and attenditg contetst with his friend DeShaun Dupree Holton, who later became famous as rapper Proof. The two friends formed their own group called 'D12' or 'The Dirty Dozen,' in 1996. Also in 1996, Eminem (@16) brought out his first album titled 'Infinite.' The album was recorded under the banner of 'FBT Productions,' and included songs that spoke about the struggles he faced after the birth of his daughter, at a time when he was financially unstable. His financial condition had worsened and by 1997, he was forced to live in his mother's house with his family. During this time, to let go of the frustration building inside him, he created an anti-social alter-ego named 'Slim Shady.' He even recorded his first extended play by the same name in the same year.   110.    After he was fired from his job and evicted from his home, Eminem went to Los Angeles to compete in the 1997 Rap Olympics, an annual, nationwide battle rap competition. He placed second, and an Interscope Records intern in attendance called asked Eminem for a copy of the Slim Shady EP, which was then sent to company CEO Jimmy Iovine. Iovine played the tape for record producer Dr. Dre, who recalled sayingd, "In my entire career in the music industry, I have never found anything from a demo tape or a CD. When Jimmy played this, I said, 'Find him. Now.'" Although Dre's friends criticized him for hiring a white rapper, he was confident in his decision: "I don't give a fuck if you're purple; if you can kick it, I'm working with you."   111.    In February 1999, Dr. Dre helped Eminem release an album titled 'The Slim Shady LP,' which immediately catapulted him to fame. With hits like 'My Name Is,' '97 Bonnie and Clyde,' and 'Guilty Conscience,' it was one of the most successful albums of the year.   112.    Movie Scene: The Best Man   113.    Harper Stewart (Taye Diggs), a commitment-shy writer and the best man at the wedding of Lance (Morris Chestnut) and Mia (Monica Calhoun), is nervous-and with good reason. His steamy new novel hits bookstores soon, and when his friends finally read it he knows they will notice more than just a passing resemblance to the characters depicted in the book.   114.    Director: Malcolm D. Lee, Debut film [Undercover Brother (2002), Roll Bounce (2005), Welcome Home Roscoe Jenkins (2008), Soul Men (2008), Scary Movie 5 (2013), The Best Man Holiday (2013), Girls Trip (2017), and Night School (2018)]   115.    Cast: Taye Diggs, Nia Long, Morris Chestnut, Harold Perrineau, Terance Howard, Sanaa Lathan, Monica Calhoun, Melissa De Sousa, Terrence Howard, Regina Hall [*Film Debut]   116.    'The Best Man': A Joyous Occasion [By Lonnae O'Neal Parker Washington Post Staff Writer, Oct 1999]   117.    This smart debut from filmmaker Malcolm D. Lee, cousin to the film's producer, Spike, centers around a group of old friends who reunite in New York for a wedding. Tapping into the Zeitgeist of young black professionals starving to see themselves on film, it hits all the right cultural touchstones: from BET to Stevie Wonder, Chubb Rock to bid whist. Although the film is produced by Spike Lee, don't expect racial politics. And while comparisons to another black wedding-themed movie starring Taye Diggs, "The Wood," are bound to come up, resist.   118.    James Berardinelli - Reelviews   119.    The Best Man is not what it initially seems to be. Despite starting out with all the earmarks of a fairly ordinary romantic comedy, the project develops into a surprisingly effective look at a man's quest for rebirth after events topple him from a pedestal of arrogance. And, while there are plenty of laughs to be had, The Best Man functions better as a light drama than a straight comedy, with several scenes packing a punch because they're played straight. The film is the directorial debut of Malcolm D. Lee (Spike's cousin), who may have gotten this chance because of family connections but shows enough promise to earn further opportunities on his own.   120.    The Best Man (1999) - 1½ Stars [Reviewed by Dustin Putman, October 1999]   121.    As with 1997's melodramatic, corny "Soul Food," and last summer's "The Wood," which also starred Diggs in a story set around a wedding(!), "The Best Man" aspires to be something more than it actually is. Kudos to Lee for trying his hand at a more knowledgeable picture that all audiences (not just African-Americans) might enjoy, but he also gets more than his share of debits for its severely flawed treatment. At over two hours in length, "The Best Man" thankfully never overstays its welcome and goes by fairly fast, but by the time the Electric Slide was carried out by everyone at the wedding reception over the end credits, I realized that the actors deserved far better. As is, the conclusion plays like an excuse for each of the cast members to give themselves a pat on the back, when they really didn't earn that pat to begin with.   122.    Denzel Washington, film debut in Carbon Copy (1981) and in 1982, Denzel made his first appearance in the medical drama St. Elsewhere as Dr. Philip Chandler. The role proved to be the breakthrough in his career.   123.    Nominated for Best Supporting Actor: Cry Freedom (1988) and Glory (1990)(*won)   124.    Nominated for Best Actor for Malcolm X (1993)   125.    1981 Carbon Copy / 1984 A Soldier's Story / 1986 Power / 1987 Cry Freedom / 1988 For Queen and Country / 1989 The Mighty Quinn / 1989 Glory / 1990 Heart Condition / 1990 Mo' Better Blues / 1991 Mississippi Masala / 1991 Ricochet / 1992 Malcolm X / 1993 Much Ado About Nothing / 1993 The Pelican Brief / 1993 Philadelphia / 1995 Crimson Tide / 1995 Virtuosity / 1995 Devil in a Blue Dress / 1996 Courage Under Fire / 1996 The Preacher's Wife / 1998 Fallen / 1998 He Got Game / 1998 The Siege / 1999 The Bone Collector / 1999 The Hurricane - [25 films]   126.    Samuel L. Jackson.   127.    Nominated for Best Supporting Actor: Pulp Fiction (1994)   128.    1981 Ragtime / 1987 Magic Sticks / 1988 Coming to America / 1988 School Daze / 1989 Do the Right Thing / 1989 Sea of Love / 1990 Def by Temptation / 1990 A Shock to the System / 1990 Betsy's Wedding / 1990 Mo' Better Blues / 1990 The Exorcist III / 1990 Goodfellas / 1990 The Return of Superfly / 1991 Strictly Business / 1991 Jungle Fever / 1991 Jumpin' at the Boneyard / 1991 Johnny Suede / 1992 Juice / 1992 Patriot Games /1992 White Sands / 1992 Fathers & Sons / 1993 Menace II Society /1993 Loaded Weapon / 1993 Amos & Andrew / 1993 Jurassic Park / 1993 True Romance / 1994 Fresh / 1994 Pulp Fiction / 1994 The New Age / 1994 Hail Caesar / 1994 Assault at West Point: The Court-Martial of Johnson Whittaker / 1994 The Search for One-eye Jimmy / 1995 Kiss of Death / 1995 Die Hard with a Vengeance / 1995 Losing Isaiah / 1995 Fluke / 1996 The Great White Hype / 1996 A Time to Kill / 1996 The Long Kiss Goodnight / 1996 Hard Eight / 1996 Trees Lounge / 1997 One Eight Seven / 1997 Eve's Bayou / 1997 Jackie Brown / 1998 Sphere / 1998 The Negotiator / 1998 The Red Violin / 1998 Out of Sight / 1999 Star Wars: Episode I – The Phantom Menace / 1999 Deep Blue Sea - [50 films]   129.    Question: DW vs. SLJ?   130.    Television Scene:   131.    18 Black Sitcoms of the '90s That Changed the Game: Published Jan 24, 2020 - By Damarys Ocaña Perez   132.    Black sitcoms have been popular since classics like Good Times, The Jeffersons, and Sanford and Son hit television screens nationwide in the '70s. But it wasn't until The Cosby Show became a ratings juggernaut in the mid '80s that networks finally saw the potential in investing heavily in sitcoms with black leads.   133.    And so the '90s became a decade in which more black sitcoms than ever made it onto TV   134.    Naturally, given the success of The Cosby Show, a lot of shows that followed featured families. But they didn't just simply copy the formula.   135.    The lives of younger people took center stage as well in the '90s. So, instead of being the token black friend within the larger context of a show, black teens, college students, 20-something professionals became the vehicle for funny and even poignant stories.   136.    The '90s turned hugely talented black comedians and actors into stars who remain household names to this day, and it goes to show the impact that being given a seat at the table and a voice on prime time television can accomplish.   137.    Here are 18 black '90s sitcoms that we love do this day for the impact they had on our lives then and now.   138.    'A Different World' (1987-1993): One of the show's major accomplishments was being among the first to tackle real issues like date rape, racism, and HIV, things that the Cosby Show had avoided. A Different World is the gem that created a bridge to the '90s black sitcom boom.   139.    'Family Matters' (1989-1997): The longest-running sitcom about a black family (it spanned nine seasons to The Cosby Show's eight), Family Matters was not only funny -- especially after introducing super-nerd Urkel -- but managed to balance big laughs with more serious moments. There were episodes that centered around civil rights history and police mistreatment of young black men, and a wide-ranging audience got to see them, thanks to the show's across-the-board popularity.   140.    'The Fresh Prince of Bel-Air' (1990-1996): Nestled between Will Smith's rapping days and his status as one of the world's most bankable A-list movie stars was The Fresh Prince of Bel-Air, which made his a household name and produced one of the longest-running fan debates in TV history on which of the two actresses who played Aunt Viv was the best one.   141.    'Roc' (1991-1994): Before Charles S. Dutton went on to win three Emmys for his work on other shows, he starred in this underrated and brief series that was fairly typical sitcom until the second season, which aired each episode live. Roc was a treat because Dutton and several of the other cast members were trained stage actors.   142.    'Martin' (1992-1997): Martin Lawrence was all edge when he wasn't doing Martin. (One of his stand-up specials was slapped with an NC-17 rating, and he was banned from Saturday Night Live for delivering a hilariously raunchy monologue.) That makes it all the more interesting that on the show Martin, he played a lovably manic man-boy. We lost count of how many characters Martin played on the show (in disguise), each one of them hilarious in their own specific way.   143.    'Hangin' With Mr. Cooper' (1992-1997): This sitcom had a great cast, including comedian Raven-Symoné, Holly Robinson Peete, and Mark Curry.   144.    'Living Single' (1993-1998): The show marked the first time that we saw young black women portrayed as professionals and given well-rounded personalities, have healthy relationships, and pave the way for black female-centered shows - nlike Girlfriends and Insecure.   145.    'Sister, Sister' (1994-1999): There are so many reasons why we loved Sister,Sister, and one of them was that the show would occasionally break the fourth wall and talk directly to the audience, which made us feel part of the action. But the show also had layers that deepened its story: The girls had been the product of an interracial relationship between a black mom and a white dad who never had the chance to marry before being separated in tragic circumstances.   146.    'In The House' (1995-1999): It wasn't the world's best sitcom, but hey, LL Cool J has always been a snack.   147.    'The Parent 'Hood' (1995-1999): One of the four original Wednesday night shows that helped launched the WB (The Wayans Bros was another), what sets the show apart are the whimsical fantasy sequences that the dad dreams up to help him solve family issues in a creative and unexpected way.   148.    'The Wayans Bros.' (1995-1999): In Living Color, it's not, but this sitcom from younger Wayans siblings Shawn and Marlon is still simple fun that doesn't require too many brain cells -- and that can be a good thing.   149.    'Moesha' (1996-2001): Moesha centered around a black teenager diving into deeper explorations of all kinds of relationships and left cliffhangers in several story lines dangling when it was canceled.   150.    'The Jamie Foxx Show' (1996-2001): Fresh off the groundbreaking comedy sketch show In Living Color and before he becoming an movie star, Jamie Foxx starred as an aspiring actor who works at his relatives' hotel.   151.    'Kenan & Kel' (1996-2000): Kenan Thompson and Kel Mitchell were Nickelodeon's first black sitcom stars, having landed their own show when producers saw them joking around on the set of All That when they were series regulars.   152.    'The Steve Harvey Show' (1996-2002): A big highlight is the constant guest star roster that's a who's who of black TV stars and musicians -- like Snoop Dogg, Diddy, Kim Fields, and Ja’Net DuBois of the classic sitcom Good Times.   153.    'The Hughleys' (1998-2002): Two decades before Black-ish tackled a similar premise, The Hughleys featured a family that lives in a predominantly white neighborhood.   154.    'The Famous Jett Jackson' (1998-2001): This show had just 65 episodes but has a special place in our hearts as the first Disney Channel show to feature a black actor as the lead. The immensely talented and magnetic Lee Thompson Young starred as Jett Jackson, a kid who tries to live a normal life when he's not filming. Thompson tragically died at age 29, after struggling with bipolar disorder and depression, but the heartwarming show lives on.   155.    'The Parkers' (1999-2004): It's no surprise that one of the most down-to-earth black sitcoms from the '90s starred Mo'Nique as a single mom who dropped out of high school to raise her baby.   156.    Question: Most Liked Show of the 90’s?   157.    Vote: Best/most important/favorite pop culture item from 1999

Remy Girard is one of Canada's acclaimed actors having appeared in such projects as The Barbarian Invasions, Incendies, Jesus of Montreal, Les Boys, Blades of Glory and The Red Violin. He has received more Genie Awards than any actor in Canadian history and is an icon of French-Canadian cinema. His new film is Tu Te Souviendras De Moi/You Will Remember Me. It recently premiered at the Whistler Film Festival. Sophie Harvey grew up around film sets thanks to her director mother. In 2012, she decided to try her hand at making one of her own. The result was An Introvert's Guide To High School. Shot in 2012, but not completed until 2018, the film recently played at Whistler. Comedian KC Novak also appeared in the film as on-the-street commentator. Subscribe to Endeavours on Spotify Social @EndeavoursRadio web: endeavoursmedia.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dan-mcpeake/message

Jonathan Braylock (Astronomy Club, Black Men Can’t Jump in Hollywood) and Tessa Claire Hersh (Younger) join the classroom to discuss the most important films of 1999: you know, Red Violin, Drive Me Crazy and Wild, Wild West. They guess each other’s 99 crushes and Braylock takes the ultimate test on his wife’s icon Julia Roberts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in between. Today we dive into the highest-grossing actor in the history of cinema: Samuel L. Jackson. The man of many franchises, he's one bad mother––SHUT YOUR MOUTH! Our B-Sides include Sphere, The Red Violin, Rules of Engagement, and Formula 51 (a.k.a. The 51st State a.k.a. woof). We talk about what the “L” in Samuel L. Jackson stands for, we marvel at the legend's insane activist past, and his late-breaking career. There's also a deep dive into the historical origins of The Red Violin (inspired by a violin currently played by the great Elizabeth Pitcairn), the downfall of Sphere's plot, and the troubled politics of Rules of Engagement. We do not talk too much about Formula 51, in full transparency. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

Travel with us across the globe as the LTS fellas pitch an entire trilogy filled with autonomous stringed instruments, Stormtrappers, and a very 2 Chainz apocalypse. Later on, we'll all fast-forward in time to discuss the crescendos and decrescendos of 1999's The Red Violin. Arrivederci!

In this episode we discuss "Andhadhun" (2018), "Don't Fuck With Cats: Hunting an Internet Killer" (2019), "The Red Violin" (1998) and "All About Eve" (1950).

François Girard and Face2Face host David Peck talk about his new film The Song of Names, history, remembrance, choices, mystery and discovery, film as music, the paradox of technology and musical, archeological digs. Trailer Synopsis: Martin Simmonds (Tim Roth) has been haunted throughout his life by the mysterious disappearance of his “brother” and extraordinary best friend, a Polish Jewish virtuoso violinist, Dovidl Rapaport, who vanished shortly before the 1951 London debut concert that would have launched his brilliant career. Thirty-five years later, Martin discovers that Dovidl (Clive Owen) may still be alive, and sets out on an obsessive intercontinental search to find him and learn why he left. Shortly before World War II, Martin’s music publisher father, Gilbert (Stanley Townsend), invites young Dovidl Rapoport (Luke Doyle), a ten-year-old Jewish violin prodigy from Poland, to live in their London home. Gilbert’s intent is to help the boy achieve his musical potential and protect him from the imminent German invasion of Poland. Martin (Misha Handley), also ten, initially sees Dovidl as an invader in his house, but Dovidl’s worries about the plight of his family in Warsaw elicits Martin’s compassion, and he is won over by the young genius’s charisma and rebelliousness. Soon they are as close as brothers. Having the extraordinary Dovidl as his best friend and confidante opens up Martin’s narrow world, and enhances his selfconfidence. Over several years as the boys grow up, Gilbert lavishes all his attention and the money he has on developing Dovidl’s (now Jonah Hauer-King) talent, a process that elicits jealousy from Martin (now Gerran Howell), despite his love for Dovidl. Eventually, Gilbert stages an extravagant London debut for Dovidl at age 21. Unfortunately, as the audience and orchestra await Dovidl’s arrival on stage, Dovidl fails to appear. The cancellation of the concert bankrupts and devastates Gilbert, who dies soon after. It also leaves Martin with the loss of the “brother” he loved, the lingering question of what happened, and a growing bitterness over Dovidl’s responsibility for Martin’s father’s death. Almost four decades later, Martin follows the clues that lead him ever closer to his friend, until he learns the meaning of ‘The Song of Names,’ a profoundly moving piece of music that holds the answer to why his brother vanished so suddenly from his life.About the Director: François Girard gained notoriety as much for his filmmaking as for his staging of operas and theater plays. In 1993, his feature film Thirty Two Short Films About Glenn Gould would go on to garner international success including four top Genie Awards. Five years later he directed The Red Violin, featuring Samuel L. Jackson, which received an Academy Award for best original score and enshrined Girard as an important player on the international movie scene. The film also won eight Genie Awards and nine Jutra Awards. Silk, which he later directed, was adapted from Alessandro Baricco’s best-selling book, and was released worldwide in 2007. The cast includes Michael Pitt, Keira Knightley, Alfred Molina, Miki Nakatani and Koji Yakusho. SILK received four Jutra Awards. His film Boychoir, released in 2015, features Dustin Hoffman, Kathy Bates and Eddie Izzard among others. Most recently, Hochelaga, Land of Souls, was presented at the Toronto Film Festival, and represented Canada in the race for Best Foreign Language Film Oscar at the 90th Academy Awards. It was released in September 2017 and was greatly acclaimed by the Academy of Canadian Cinema & Television. Girard’s 1994 concert film Peter Gabriel’s Secret World, became a best-selling film and earned him a Grammy Award. A few years later he directed one of the six episodes of the internationally acclaimed series “Yo-Yo Ma Inspired By Bach.” In 1997, François Girard made his opera directorial debut with Oedipus Rex/Symphony of Psalms by Stravinsky and Cocteau, which received numerous awards and was named by The Guardian as ‘the best theatrical show of the year.’ His other opera works include Lost Objects, for the Brooklyn Academy of Music; Wagner’s Siegfried; The Flight of Lindbergh/Seven Deadly Sins by Kurt Weill and Bertolt Brecht; as well as Kaija Saariaho's Émilie. In recent years, Cirque du Soleil’s commissioned Girard to write and direct Zed, their first permanent show in Tokyo; and Zarkana, which opened at Radio City Music Hall, played at the Kremlin Theatre and has become a resident show in Las Vegas. To date, François Girard’s accomplishments have earned him over one hundred international awards and public acclaim the world over. Image Copyright: Serendipity Point Films and François Girard. Used with permission. F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

What is it like playing in a real recording studio? What does it take to set yourself apart as a musician? Steven Leavitt sits down with his friend and colleague Dustin Stonebrook to talk about studio musicians and audio engineering, and how a true professional is someone who has learned how to check their ego at the door.   Dustin is a true renaissance man, originally from Texas, who left the path toward law-school and moved out to California to become a stunt-man. Then the Writer's Strike struck the film-industry, aborting his big-break that would have been on the show Prison Break. Undaunted, Stonebrook made the shift toward music, leaning on his guitar playing, his composing skills, and his electrical engineering knowhow. Having held down “steady” jobs the audio-electronics business, he had an epiphany about his life path that led him to take the leap from working a 9-5 job to going freelance. We also talk about the tragic life event that inspired Dustin to pick up the guitar at an early age.   The two touch on the craft of songwriting, and why not everyone can make a good CD. He also shares about the projects he is in development that center around his love of the Horror genre.  We also talk about his latest composition, Shadows Requiem featuring violinist/violist Kaitlin Wolfberg.   Featured Music: Shadows Requiem by Dustin Stonebrook Tell The Road The Truth by Dustin Stonebrook Haunting by Dustin Stonebrook Sunday by High And Dry (https://soundcloud.com/user-674278890/sets/high-and-dry)   Guest: Dustin Stonebrook https://www.dalsegnosound.com/ https://www.facebook.com/dstonebrook Twitter @dstonebrook Instagram @dustinstonebrook   This episode is brought to you by I Create Sound,  “It's like having a producer in your pocket.  Setup a call and find out how to get Sound Advice for your Music Life™” https://www.icreatesound.com/   Links:   http://stevenleavitt.com/ http://sidjacobs.com @beatnikwolfgirl (Kaitlin Wolfberg) Musician's Institute (http://www.mi.edu)   Tags: Working musician, renaissance man, music, lyrics, composing, songwriting, recording, session musicians, audio engineering, performing, working without ego, going freelance, disappearing into your role, Leland Sklar, Sid Jacobs, epiphany, The Red Violin, Kaitlin Wolfberg, The Ludivico, Ludovico Einaudi, horror, The Crypt Keeper, ghosts, haunted mansions, cover bands, philosophical, cymatics, electronics, vacuum tubes, vibrations, electrons, bozons, quarks

Julian M. Richings is an English-born Canadian actor. His work includes: Man of Steel, The Red Violin, Open Range, Cube, The Witch, Percy Jackson, Supernatural, Wrong Turn, Orphan Black and so many more.   Meet the very talented and kind, Julian Richings.  

Don McKellar and Tina Keeper and Face2Face host David Peck talk about their new film Through Black Spruce, residential school and family history, responsibility of Canadians, a lack of understanding and stories and truth. Trailer Synopsis The film was shot on location in Moosonee, Moose Cree First Nation, Sudbury, Atikameksheng Anishinawbek First Nation, Killarney and Toronto, Ontario and it’s a ‘Collaboration and reconciliation,’ says producer Tina Keeper. ‘That’s what this production was all about. Indigenous and non-indigenous filmmakers coming together to tell a story that mattered to everyone.’ It’s the project she’s been building towards since founding Kistikan Pictures back in 2010, in partnership with Buffalo Gal Pictures in Winnipeg. The company is dedicated to the development and production of film and television with Indigenous artists. Based on the Giller Award-winning novel of the same name by Joseph Boyden, Through Black Spruce is a story of identity and survival. The disappearance of a young Indigenous woman named Suzanne Bird triggers events in two worlds: in Moosonee, the remote Northern Ontario community she fled years ago, and Toronto, where she modelled for a while before vanishing into the ether. Her sister Annie is a hunter, a fiercely-independent woman who’s always resented her weaker twin. But their mother’s despair sends her south to retrace Suzanne’s steps. Her life in Moosonee soon recedes as she’s drawn into the glittering “artists and models” scene her sister left behind. Meanwhile, her uncle Will copes with the dangerous consequences of Suzanne’s disappearance… and comes up against the ghosts of his own private tragedy. The two worlds finally collide in the fallout from the missing woman's troubled life. Biography Don McKellar Don McKellar was born in Canada and has had a varied career as a writer, director and actor. He was the screenwriter of Roadkill and Highway 61, and co-writer of Dance Me Outside, the Genie Award-winning Thirty Two Short Films About Glenn Gould and The Red Violin (he also appeared in the latter two). He received a Genie Award as Best Supporting Actor for his role in Atom Egoyan’s Exotica and the Prix de la Jeunesse at Cannes for his directorial debut, Last Night, which he also wrote and starred in. He also wrote, directed and played the lead in his second film, Childstar. His stage writing credits include the five plays he co-created with the Augusta Company and the book for the musical The Drowsy Chaperone, for which he won a Tony Award. He also wrote and starred in the CBC television series Twitch City. Other film and television appearances include David Cronenberg’s eXistenZ, Atom Egoyan’s Where the Truth Lies and the series Slings and Arrows for the Sundance Channel. He collaborated on the film adaptation of Jose Saramago’s Nobel Prize-winning novel Blindness. Directed by Fernando Mereilles, he also starred with Julianne Moore, Gael Garcia Bernal and Mark Ruffalo. His recent work includes the Max Films feature The Grand Seduction, for which he won a DGC Award for Best Direction in 2014. Tina Keeper Tina Keeper is Cree, originally from Norway House Cree Nation, now a Winnipeg based media producer. She is President of Kistikan Pictures, a partner company to Buffalo Gal Pictures. Tina was formerly an actor, best known for her work on the hit Canadian series North of 60. Recent productions include Through Black Spruce, the 360-3D VR short film Sky Stories, Road of Iniquity, the critically acclaimed Royal Winnipeg Ballet, Going Home Star about the Indian Residential School history in Canada, and The REDress REdress Project a short documentary on the issue of Murdered and Missing Aboriginal women in Manitoba. Tina also served as a Member of Parliament for the federal riding of Churchill. Tina has a BA Theatre from the University of Winnipeg and has trained at the Centre for Indigenous Theatre, the Banff Centre and the Sundance Film Institute Tina currently serves as Chairperson of the board of trustees for the Helen Betty Osborne Memorial Foundation, member of the advisory Committee to Urban Shaman Gallery, the advisory committee to Red Cross Manitoba, Honourary Witness for the Truth and Reconciliation Commission, and is member of the Order of Manitoba, Canadians for a New Partnership, a recipient of an Aboriginal Achievement Award, a Gemini Award, 3 American Indian Film Festival awards for acting and producing, a 2014 Canadian Civil Liberties Association award for Public Engagement, was named ACTRA’s 2017 Women of the Year. In June 2017, Tina received an Honorary Doctor of Letters from Wilfred Laurier University and a Governor General Meritorious Service Medal along with the late Elder Mary Richard, and RWB Artistic Director Andre Lewis for the ballet Going Home Star. Image Copyright: Serendipity and D Films. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to producer Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

The guys chase down an insulting elf. Also, they talk to Vek Hardeep, member of the Riddleport resistance. Hey, no dogs allowed in the bar!

A violin with a past is fated to keep dooming the present.

Future Sounds from Korea 08 + Keun Soli Magazine guest selection 한국 독립 전자음악 라디오 8번. 이 팟캐스트는 한국의 전자/실험적인 음악을 당신에게 소개합니다. ⬇ Click for Track List below ⬇ Experimental / Electronic Music by Koreans, Expats, and Korean Record Labels.  This episode features a guest selection of tracks from Keun Soli Magazine. www.keunsolimagazine.com 
 twitter.com/keunsolimag Cover Photo by Ross Lace. www.instagram.com/rosslace Submit tracks /// 당신의 음악을 보내주세요: Email: futuresoundskorea@gmail.com Tracklist: (00:05) Jorengthericecake - Swallowgram
 (05:25) Kankhn – Alright (feat. Yimnao) - Alright (08:28) Twangsta - 5
 (11:08) Twangsta - 2
 (13:51) Twangsta - 1 
 (15:11) Ali$e - Blurred Vision
 (19:42) Ali$e - Red Violin
 (21:48) Hidden from View - MChapel (제주 디지털)
 (21:28) Clear State - Prague (제주 디지털) 
(31:43) Café Nights - Regret (제주 디지털)
 (33:46) Café Nights - (Untitled) (제주 디지털) (35:30) IU - 금요일에 만나요 (Inamura CARFT Or KIMBULL Refix) (39:17) WAVE AREA - Want some more (43:50) WAVE AREA - Hawah
 (46:52) Nedatan - Freestyle001
 —
 KEUN SOLI MAGAZINE GUEST SELECTION (48:15) Hasan Hujairi - Mellifluous Hiraeth (Devonwho remix) (51:05) 75a - Kimbaku 
 (54:41) SM X BANA 두근두근 (Pit-A-Pat) 250 Remix
 (58:30) Livigesh - Stats (62:27) CIFIKA - Intelligentsia
 (65:29) Kim Kate - Sworn (KIRARA Remix)
 (71:04) Yoorae - 6 (75:43) Tengger - Sora
 (82:31) Silica Gel - Rogues (Dalparan Remix)
 (87:54) Rainbow99 Curtain Call
 (91:30) DUVV - FOR YOU (Prod. by MOON YIRANG)
 (95:31) Hitchhiker - $10
 (98:34) theoria - EVP (Circles) — 
 (102:25) Avalanche Death - Acquire
 (106:01) Akdangwang - MEDICI FKKKBOY
 (108:03) Curd - Travi$ Hangjoo
 (111:21) Skepta - Nasty (Nedatan bootleg) -- Submit tracks /// 당신의 음악을 보내주세요: Email: futuresoundskorea@gmail.com

All is not sweetness and delicacy and harmony when William and Chris share their thoughts on The Red Violin. The award-winning 1998 movie was the art house darling in its day. Our podcasters think its time is up. Download this episode here. (53 MB) Find out more about this movie on its IMDb page: The Red Violin.

Damn the man, don’t be a nerd, DECADES (mostly 90s)

Today we're "jumping the shark" by having Canadian film icon, Don McKellar on the show. His work includes such masterpieces as Roadkill, Highway 61, Twitch City, The Drowsy Chaperone, Blindness, The Grand Seduction, Sensitive Skin, and my personal favourite, The Red Violin. Today, we're going to talk to Don about where it all began, the importance of family, his many collaborators, and why he stayed in Toronto, where many would have gone to Hollywood or New York. The music for the podcast has been graciously provided by Toronto's own Modus Factor. The music is from their new album The Picasso Zone, which can be purchased at www.chrislesso.com. Previous episodes can be found on iTunes, Stitcher, Google Play Music, or else at our website, http://thisismytoronto.com. Thanks for listening, and remember: Don't let it get stuffy in here Toronto. Let's keep the roof open!!

From his Oscar-winning score for The Red Violin to his opera The Ghosts of Versailles, his acclaimed Symphony No. 3, Circus Maximus, and his Grammy-winning Conjurer: Concerto for Percussionist and String Orchestra, American composer John Corigliano has built one of the richest, most unusual, and most widely celebrated bodies of work of any composer in the last forty years. His “architectural” method of composing has allowed him to forge a strikingly wide range of musical materials into arches of compelling aural logic. Take a look into the mind and method of this internationally-renowned composer.

I wasn't planning on preparing a show this week since I'm on vacation but I had some free time Thursday morning so I just threw this two-hour program together. At least you have SOMETHING to listen to until the regularly scheduled show returns. So, in about five hours this show was written, recorded and edited. I decided to play really LONG tracks this week. I've done this type of show int he past. On my 15 anniversary program, I played 15 minutes long cues. On this week's program, I added an extra few minutes and decided to play tracks that are 16-17 minutes in length - tracks that are no shorter than 15 minutes 59 seconds and no longer than 18 minutes. Don't ask why. It's just for fun and I hope you enjoy the selections. The six scores you will hear at THE DARK KNIGHT by Hans Zimmer and James Newton Howard, POLTERGEIST by Jerry Goldsmith, THE MISSING by James Horner, THE ADVENTURES OF CONAN: SWORD AND SORCERY SPECTACULAR by Basil Poledouris, SON OF THE MORNING STAR by Craig Safan and the Academy Award-winning score for THE RED VIOLIN by John Corigliano. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Actor Greta Scacchi with a personal selection of aquatic and sea-themed music including 'La mers' from Debussy and Charles Trenet, Schubert's 'Trout' Quintet and an extract from Britten's opera Peter Grimes. Her choice also includes songs from Joni Mitchell, Fats Waller and Mario Lanza Star of films such as The Player and The Red Violin, Greta Scacchi has been seen most recently as Countess Rostov in BBC One's epic production of War And Peace. For Saturday Classics, she draws on her Italian roots, her adolescence in Australia and her passionate advocacy of maritime environmental causes for a wide-ranging selection of music.

0:00: Intro1:00: Revolution Hall will open in February1:40: Portland Opera becomes a summer festival with smaller shows.6:30: Cellist-in-residence Nancy Ives brings Oregon Symphony pals Greg Ewer and Joe Berger along for a conversation about innovation and classicism in music. 18:45: Iranian comics author Marjane Satrapi remembers her path to her chosen medium.25:50: Portland musician Laura Gibson moves east to try her hand at short fiction.29:30: Native American design is featured by Native(X).33:30: The Confluence Project searches for sounds of Celilo Falls.36:55: Artists Repertory Theatre helps build a musical from scratch.42:30: Elizabeth Pitcairn walks us through adventures with The Red Violin.45:55: Lowriders in Space brings lowrider culture to young adult literature.

Rose Red and Charlie talk Tarot Tech with Caroline Kenner of the Fool's Dog about the amazing line of mobile Tarot apps she has helped create. The discussion touches on the high degree of customization, control, curation, and social features now available to a reader on the go. Also in this episode, Rose and Charlie suggest techniques to plan for the year ahead with Tarot and give a review of the classic Tarot-themed film The Red Violin. The Fool's Dog Tarot AppsCaroline KennerNew Year's ReadingsWhat to Let Go of and What to Embrace in 2014PantheaCon 2014 http://pantheacon.com/wordpress/Year in Review Reading 2013Embracing the New Year 2014The Year with An Action to get from Month to MonthAction Card for the YearThe Fool's Dog Apps http://www.foolsdog.com/Shamanic Healing http://findyourpathhome.com/ps_main.htmlJohn Matthews http://thewildwoodtarot.com/#/john-matthews/45540476220Wildwood Tarot http://thewildwoodtarot.com/Nintendo http://www.nintendo.com/?country=USTaboo Game http://en.wikipedia.org/wiki/Taboo:_The_Sixth_SenseIvo Dominguez Jr http://www.ivodominguezjr.comThe Assembly of the Sacred Wheel's http://www.sacredwheel.org/Georgetown, Delaware http://www.georgetowndel.com/Steampunk Tarot http://www.aeclectic.net/tarot/cards/steampunk-fell/Ghosts and Spirits by Lisa Hunt http://ghostsandspiritstarot.com/Graven Images Oracle http://www.gravenimagesoracle.com/index.htmlMystic Dreamer Tarot http://www.aeclectic.net/tarot/cards/mystic-dreamer/RWS Tarot http://en.wikipedia.org/wiki/Rider-Waite_tarot_deckPrairie Tarot http://www.aeclectic.net/tarot/cards/prairie/Tarot of the Holy Light http://www.aeclectic.net/tarot/cards/holy-light/Tarot of the Rabbits http://www.aeclectic.net/tarot/cards/rabbitTarot of the Trees http://www.tarotoftrees.com/Shadowscapes Tarot http://www.shadowscapes.com/Tarot/Tarot for the BlindTarot of the BellyDancers http://www.aeclectic.net/tarot/cards/bellydancers/The Red Violin http://www.imdb.com/title/tt0120802/)

Dobbelt D tager i krig - både fremtiden og i fortiden! Vi tilslutter os en kult, maler et par billeder og prøver at gennemskue, hvad der foregår i Brett Ratners hoved. OBS: Dagens show er EXPLICIT. Følgende titler omtales: 0:04:05 All Quiet on the Western Front (1930) 0:10:58 Things to Come 0:21:28 The Funhouse Bluray 0:31:44 Stormhouse 0:42:26 The Adjustment Bureau Bluray 0:50:37 Tower Heist 1:07:27 Pindsvinet (Le Hérrison) 1:14:18 Martha Marcy May Marlene 1:26:50 Lust for Life 1:34:02 Red Violin

Jude Farr is a UK set decorator with over 25 years in the film and television industry.Jude is based in the UK with experience working in France, Italy, Germany, Hungary, CZ. Republic, Romania, Ireland, Borneo, Morocco, Iceland, Finland, & Sweden.Jude has worked on a variety of films over the years including: Shine, The Red Violin, Hannibal Rising, Bright Young Things, the original Death At A Funeral, and Eastern Promises. for David Cronenberg, featuring a about a Russian mob family in London and their family restaurant cover up. Jude has also worked as a set decorator on the award winning film Ondine, the story of an Irish fisherman who discovers a woman in his fishing net who he believes to be a Selke, for Neil Jordan.  Jude was recently the set decorator as part of the Academy Award nominated Art Direction team for The King’s Speech for Tom Hooper, about the King George VI of Britain's ascension to the throne and his speech therapist who helped him become worthy of it.

Classic FM's resident GP, Rob Hicks, opens this edition of the podcast. Yes, the days are getting shorter and it's turning decidedly autumnal, so any day now, we can expect to be hear commercials for flu jabs. But Dr. Rob tells us researchers in the US have conducted a study which casts doubt on the benefits of immunising older people against the disease. After that, we turn our attention to books with Chris Powling, who's been furiously reading paperbacks in order to choose three unmissable ones for us to enjoy. Then, it's violins all the way: Madeleine Mitchell tells us about the Red Violin festival, which is an annual fixture in South Wales, while the young Scottish soloist, Nicola Benedetti, discusses her new recording of The Lark Ascending, by Vaughan Williams.

Idiocracy, Lady in the Water, The Red Violin, PostSecret.blogspot.com, Ben Patton, Junior Boys, Grizzly Bear + MORE