Podcasts about tokushima

James Taylor and Jon Steele are back with a bumper episode of JTET reviewing another entertaining weekend of J2. First, James has a roundup of 7 games from matchday 19 (start to 05:35). Then he was joined by Jon to discuss three goalfests: Nagasaki v Omiya (05:35 to 20:20); Yamagata v Sendai (20:20 to 33:00); and Tokushima v JEF United (33:00 to 44:00). Next, the boys choose their Most Bravo Players and discuss the J.League's monthly awards for May (44:00 to 51:40), and end the episode with a preview of the coming weekend's league fixtures (51:40 to end).   Thank you for your support of the J-Talk Podcast and J-Talk: Extra Time. *Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod *Find our JLeague Chat Discord server here: https://discord.gg/UwN2ambAwg *Follow JTET on Bluesky here: @jtalket.bsky.social

The Krewe is kicking off a 2-part series on Japanese soccer! In Part 1, journalist Dan Orlowitz joins the Krewe to break down Japan's domestic soccer scene — the J.League. From league structure and top teams to standout players making waves right now, this episode is your perfect deep dive into the beautiful game, Japan-style. Whether you're new to Japanese soccer or a longtime fan, you'll come away with fresh insights and maybe even a new favorite club! Don't miss Part 2, where we go global with Japan's national teams and international impact!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Sports-Related Episodes ------Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)Talking Sumo ft. Andrew Freud (S1E8)------ About Langston Hill ------Dan's Socials & Writings------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Ever wondered what it's like to study Japanese in Japan? This week, the Krewe sits down with Langston Hill — administrator at a Tokyo-based language school and Japanese language content creator — to dive into opportunities to learn in Japan via dedicated Japanese language schools. We explore the benefits of language schools, how they compare to traditional academic settings, and Langston's journey as a creator (plus his own textbook series!). Whether you're a beginner or a seasoned learner, this episode is packed with insight, inspiration, and a few laughs along the way.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Language Learning Episodes ------Japanese Self-Study Strategies ft. Walden Perry (S5E4)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Heisig Method ft. Dr. James Heisig (S4E5)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Language Through Video Games ft. Matt of Game Gengo (S3E4)Pitch Accent (Part 2) ft. Dogen (S2E15)Pitch Accent (Part 1) ft. Dogen (S2E14)Language through Literature ft. Daniel Morales (S2E8)Immersion Learning ft. MattvsJapan (S1E10)Japanese Language Journeys ft. Saeko-Sensei (S1E4)------ About Langston Hill ------Langston aka @TheJapaneseGuy101 on IGThe Japanese Language Manual (2 Book Series - Kindle)The Japanese Language Manual Vol 1 (Paperback)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

The Krewe gets an exclusive inside look at Expo 2025 Osaka with Sachiko Yoshimura, the Director General of Public Relations & Promotion! We dive into the massive planning behind the event, Japan's rich history with World Expos, what to expect at the event, best times to travel, & of course... the story behind the viral mascot, Myaku-Myaku! A must-listen for potential Expo-goers!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Travel Episodes ------Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) (S5E5)Explore Matsue ft. Nicholas McCullough (S4E19)Travel Hiroshima ft. Joy Jarman-Walsh (S4E4)Travel Aomori ft. Kay Allen & Megan DeVille (S3E17)Hungry For Travel ft. Shinichi of TabiEats (S3E15)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Border Closures Couldn't Stop These Visas! ft. Rob Dyer & Allan Richarz (S3E11)Natsu Matsuri Mania: Summer Festivals in Japan (S3E3)Off the Beaten Path: Kansai ft. Rob Dyer [Part 2] (S2E12)Off the Beaten Path: Kansai ft. Rob Dyer [Part 1] (S2E11)Japan Travel Destination: Hokkaido ft. Kay Allen (S2E7)Japanese Theme Parks ft. Chris Nilghe of TDR Explorer (S2E4)Navigating Nippon: Where to Go in Japan? ft. Kay Allen of JNTO (S1E11)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ About Expo 2025 ------Expo 2025 WebsiteExpo 2025 on IG------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Season 6 kicks off with laughter, tradition, and international flair! The Krewe sits down with Katsura Sunshine, a Canadian-born rakugo performer bringing Japan's 400-year-old comedic storytelling art to audiences around the world. In this episode, we explore what makes rakugo so unique, how Sunshine became one of the few non-Japanese rakugo-ka, and how this traditional form of entertainment is finding new life on the global stage. Plus, hear about the possibility of a rakugo event in New Orleans this fall!Whether you're a longtime fan of Japanese culture or just curious about this captivating performance style, this episode is the perfect way to kick off Season 6 of the Krewe of Japan Podcast!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Traditional / Historical Japan Episodes ------The Castles of Japan ft. William de Lange (S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko Drummer (S5E13)Yakuza: Past, Present, Future ft. Jake Adelstein, Author of Tokyo Vice (S5E12)The Real World of Geisha ft. Peter Macintosh (S5E7)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)The Intricate Culture of Kimono ft. Rin of Mainichi Kimono (S4E7)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Natsu Matsuri Mania: Summer Festivals in Japan (S3E3)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)Talking Sumo ft. Andrew Freud (S1E8)------ About Katsura Sunshine ------Katsura Sunshine on IGRakugo.lol------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

LET THEM COOK! Over the last 5 months, the Krewe has been hard at work cooking up a massive Season 6 line-up. While the main course will begin being served on May 16, how about an appetizer? Just like the carb-loaded instant yakisoba, this preview is CHOU CHOU CHOU Gigamax packed with sneak peeks at what's to come in Season 6. Some snippets include:- Laughing & learning about the world of Rakugo with master storyteller Katsura Sunshine- Prepping for Expo 2025 with Sachiko Yoshimura, Director General of Public Relations & Promotion for Expo 2025- Studying Japanese via language schools with Nihongo enthusiast Langston Hill- Bridging New Orleans & Japan through music with Jazz Trombonist Haruka Kikuchi- Kicking off 2 episodes on Japan's soccer footprint domestically & worldwide with journalist Dan Orlowitz- Exploring vegan cuisine in Japan with Leonore Steffan of ItadakiHealthy- Diving into social media's role in establishing perceptions of Japan - Revisiting Matsue with Sister City Exchange participants Katherine Heller & Wade Trosclair- Brewing up some craft beer with Chris Madere of Baird Brewing & Chris Poel of Shiokaze BrewLab- Restoring some abandoned homes with Akiya enthusiast & YouTuber Anton Wormann of Anton in JapanThis is only HALF of what's to come this season... the 2nd half is top secret! So stay tuned for our season 6 premiere on May 16, 2025 and stick around for the rest of the season to find out what else we have in store on Season 6 of Krewe of Japan Podcast!!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

With the big J2 kick-off less than a week away, the JTET team continue with their team-by-team previews of the 2025 season. In this episode, Jon and James begin in Shikoku, discussing newly-promoted Imabari (Start to 09:15), and their rather-more-established prefectural neighbors Ehime (09:15 to 17:20). After that, Tokushima come under the microscope as well (17:20 to 26:40). The boys then hand over to regular contributor Chris Hough to hear all about JEF Chiba's preparations for 2025 (26:40 to 35:50). Staying in Kanto, Jon then sits down with friend-of-the-pod Steve Fryer for an in-depth chat about Omiya's return to the second tier (35:50 to 01:04:30). There's also a bonus discussion with Steve about one of the biggest J.League news stories of the last twelve months: multinational energy drink conglomerate Red Bull's controversial takeover of Omiya (01:04:30 to Finish). Thank you as always to our contributors and listeners, and we hope everyone enjoys the show! *These are the questions that we asked Chris and Steve to think about: 1)     Please tell us about your team's transfer activity over the winter break (major players coming in, major players going out). 2)     Who will be your team's key player in 2025? 3)     What do you think of your team's manager? 4)     Where do you think your team will finish in the 2025 table (head and heart)? 5)     Which team in J2 do you think is going to surprise people this season (could be your team or any other, could be a positive or negative surprise)? Join the J-Talk Podcast Patreon here: https://patreon.com/jtalkpod Get involved with our JLeague Chat Discord server here: https://discord.gg/p6PVbF9E Follow JTET on Bluesky here: @jtalket.bsky.social

There's no rest for the wicked, so although J1 took a break for international football, J2 and J3 continued apace, and James Taylor, Jon Steele and Mike Innes have all the latest from Japan's 2nd and 3rd tiers. James and Jon begin by talking about Shimizu v Nagasaki (start to 09:40), Yamaguchi v Tokushima (09:40 to 17:30), and Kagoshima v Iwaki (17:30 to 27:35), then make their picks for Most Bravo Player (27:35 to 34:00) and preview upcoming league and cup games (34:00 to 43:35). Then, as ever, Mike Innes brings you a full and frank review of all the J3 games in J-Talk: Short Corner (43:35 to end).   Thanks as always for your support of JTET, JTSC, and the J-Talk Podcast! Buy tickets for J-Talk Live at the Yokohama Football Film Festival here: https://teket.jp/6232/38395 Join the JTET/JTSC Discord server here: https://discord.gg/p6PVbF9E Join the J-Talk Podcast Patreon here: https://www.patreon.com/jtalkpod

Two Men Missing After Being Swept Away at Ibaraki Beach; Earthquake Preparedness Course for Foreign Residents in Tokushima, & more… English news from Japan for August 11th, 2024. Transcription available at https://japandailynews.com/2024/08/11/news.html

The boys are back together on The Marigold Standard this week, with two shows to review and a lot of talk about the upcoming Dream Star Grand Prix.They also chat excellent performances from Chika Goto and CHIAKI, how Zayda and Myla managed a great match despite an injury, Kouki Amarei's star rising and the rapidly approaching end of Giulia's road in Marigold!This episode is brought to you by BetterHelp: Give online therapy a try at betterhelp.com/STARDOM and get on your way to being your best self.Subscribe to our PATREON: https://patreon.com/TheStardomCastThe Stardom Cast website: https://www.thestardomcast.comSubscribe to the Podcast: https://linktr.ee/TheStardomCastJoin our Discord Server: https://discord.gg/bbDcAwcTwitter: https://www.twitter.com/marigoldpodcastBuy our Merch: https://teespring.com/en-GB/stores/podmania-podcasting-networkYouTube: https://tinyurl.com/2s4zrf3rBuy Rob's NEW Stardom Book - Chasing the Dream: 50 of Stardom's Greatest Matches Right Here: https://tinyurl.com/2eemszmtOur Sponsors:* Check out BetterHelp: betterhelp.com/STARDOMOur Sponsors:* Check out BetterHelp: betterhelp.com/STARDOMAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Indigo is a unique dyestuff, no less so for being found in so many different plants. Coaxing the blue hue out of green leaves and onto yarn or cloth requires a combination of chemistry and skill that has arisen across the globe. Rowland and Chinami Ricketts each found their own way to indigo in Tokushima, Japan: Rowland was looking for a sustainable artistic medium after learning that the darkroom chemicals in his photography were making their way into local streams where he was teaching English. Chinami was seeking a colorful lifelong practice working with her hands, and it made sense to pursue the specialty of her region. Tokushima is celebrated as one of the leading centers for indigo cultivation, and both Rowland and Chinami took on an apprenticeship in traditional Japanese methods of working with indigo. Rowland and Chinami are now located in Bloomington, Indiana, where Rowland is a Professor in Indiana University's Eskenazi School of Art, Architecture + Design. Though thousands of miles from where they first learned to grow indigo, Indiana also has a temperate climate that suits Persecaria tinctoria plants. Following the cycles of planting, harvesting, and processing, they cultivate a crop of indigo for their own work and to support other artists each year. Rowland's earlier indigo works included noren, a form of decorative home textile that often screens a door, and geometric paste-resist wall hangings. In recent years, he has taken on more large-scale installations that play with light, volume, and even sound; these works have occupied interior and exterior spaces on several continents. Chinami chose to pursue the difficult kasuri technique, a bind-dye-weave method akin to ikat. Chinami creates warp and weft kasuri in patterns that require great skill and precision to dye and weave. Her primary format is narrow-width woven cloth intended for kimono and obi, though recently she has transformed that cloth into wall-mounted artwork. In addition to their separate work, Rowland and Chinami collaborated on Zurashi/Slipped, a large yarn-based work created for the Seattle Art Museum exhibition Ikat. We also spoke about Rowland's explorations of the traditional American coverlet in a few multicolored works. Whether you're drawn to fiber art, traditional textile methods, or the magic of indigo, you'll love this interview. This episode is available in two formats, a full version that includes portions in Japanese and English (available in the Handwoven Library (https://handwovenmagazine.com/library/ESyBfuxJRaCn6bLimw1SXw)) and a voice-over version in English only (available through the regular podcast feed). Links Ricketts Indigo (https://rickettsindigo.com/) Watch Rowland discuss the recent piece Bow as part of Project Atrium (https://youtu.be/NOgNt1XhRvM) at the Museum of Contemporary Art in Jacksonville, Florida. See photos of Chinami (https://rickettsindigo.com/kasuri/) as she plans, dyes, and completes a project in kasuri. See Zurashi/Slipped on exhibit at the Fort Wayne Museum of Art (https://fwmoa.org/exhibition/rowlandricketts/) until September 1, 2024. The Fort Wayne Museum of Art exhibit also includes a number of pieces from Rowland's series Unbound (https://rickettsindigo.com/unbound/), which uses historical American coverlet patterns in a meditation on the colonial globalism of the triangle trade. This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. At Stewart Heritage Farm in New Market, Tennessee, farm to fiber and yarn has been a part of their story for 20 years. Home to a small herd of alpacas, Stewart Heritage produces small-batch roving, yarn, and finished goods available in 100-percent alpaca and natural blends in natural tones and brilliant hand-dyed colors. Discover the fine quality, long-lasting comfort, and soft luxury of alpaca to wear and enjoy in your home. Explore and shop alpaca at stewartheritagefarm.com (https://stewartheritagefarm.com/). The Adirondack Wool and Arts Festival is the perfect way to spend a weekend surrounded by over 150 craft vendors in Greenwich, New York. Discover a curated group of vendors featuring the best of wool and artisan crafters. Throughout the weekend enjoy workshops, free horse drawn wagon rides, free kids' crafts, a fiber sheep show, and a sanctioned cashmere goat show. Join us September 21 & 22, 2024, and every fall! For more information visit adkwoolandarts.com.

The JTET 'dream team' of James Taylor and Jon Steele are back again to cover all of the latest action from J2! In Part 1, the boys discuss Sendai's pulsating victory over Tochigi (Start to 08:20), Shimizu's return to winning ways against Okayama (08:20 to 15:00), and Nagasaki's exciting 2-2 draw on the road at Tokushima (15:00 to 23:50). After that, Jon and James nominate their Most Bravo Players for Round 22 (23:50 to 29:30), and chat about recent transfer news plus Kofu's change of manager (29:30 to 37:00). Bringing up the rear, there's a preview of the upcoming Round 23 fixtures this weekend (37:00 to 41:00), and a look ahead to the Emperor's Cup 3rd Round next Wednesday night (41:00 to Finish). We hope everyone enjoys the show, and the weekend football!

After a packed double-header of Golden Week matches in both J2 and J3, the JTET team are back to catch you up on all of the major talking points from last week's action. In Part 1, James and Jon look back on some of the big games from last Friday in J2 (Round 13). The focus is placed initially on Yamagata's exciting 2-2 draw against Okayama (02:00 to 10:10), then the boys talk about Fujieda's massive home win over Gunma in the relegation dogfight (10:10 to 20:50). In Part 2, the gentlemen turn their attentions to Monday's J2 slate (Round 14). Under examination are Tokushima's statement win away at Okayama (21:00 to 31:15), followed by more relegation dogfight news with under-new-management Mito's win at home to Kumamoto (31:15 to 43:30). After a quick break, James and Jon then select their 'Most Bravo Player' of the Golden Week games (43:35 to 48:45), and preview the upcoming Round 15 games on the weekend card (48:45 to 54:45). It's then time to hand over the reigns to Mike Innes for the regular 'J-Talk: Short Corner' segment of the pod, with all of the J3 action from the holiday period rounded up (54:45 to Finish). Mike also looks ahead to the weekend's J3-inflected football, as the third tier takes a break to allow most teams to take part in prefectural tournament finals/Emperor's Cup qualifying games. Hope everyone enjoys the pod, and their weekend football!

Me voici au Japon, sur l'île de Shikoku pour le pèlerinage des 88 temples dans les pas du Moine Kobo Daishi. 1300 km de marche méditative dans la campagne japonaise, des paysages époustouflants, au rythme du sutra du cœur. Un aller sans retour vers soi-même.

The MEXT Scholarship deadline is quickly approaching (May 24, 2024 for the Nashville Consulate). But what is a MEXT Scholarship Program? The Krewe is digging into this today. We sit down with returning guest Tye Ebel, JET/MEXT Coordinator for the Consulate-General of Japan in Nashville, & a current MEXT research scholar, William Archambeault. Through both conversations, they share some excellent insight into the application process and the programs as a whole. Don't miss out!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:58:20)------ MEXT Scholarship Program-Related Links ------MEXT Scholarship Information Page (Consulate-General of Japan in Nashville's Page)Embassy of Japan's Consulate Guide (What's Your Consulate)William's Japan Times Articles------ Past KOJ Study/Work in Japan Episodes ------2024 JET Program Tips & Updates ft. Tye Ebel & Jonathan Contrades of Consulate-General of Japan in Nashville (S4B)Find Your Japan Dream Job Today! ft. Kasia Lynch of Ikigai Connections (S4E9)Studying Abroad in Japan (S2E6)Applying for the JET Program ft. Tye Ebel (S2E4)Accepted for the JET Program... Now What? ft. Megan DeVille (S1E17)------ JSNO Upcoming Events ------JSNO Event CalendarJapan Club Crawfish Boil (Sunday, May 11 - Registration Required by May 5)"YOJIMBO" Screening at Margaret Place (Thursday, May 16)

James Taylor, Jon Steele and Mike Innes joined forces for another full and frank review of all the latest J2 and J3 football. First, James and Jon discussed Okayama v Shimizu (start to 07:20), Akita v Yokohama FC (to 17:35), Mito v Fujieda (to 24:55), and Tokushima v Yamagata (to 34:20). Then, they chose their Most Bravo Players of the weekend (to 37:50), and previewed a busy weekend of Golden Week football (to 47:05). After that, Mike Innes takes over for a run through of the Levain Cup games involving J3 teams (to 53:55) and a roundup of the matchday 11 league fixtures (to 1:10:50), before ending with a preview of the holiday weekend's fixtures (to end).   *To get some pass notes on any of the games that we don't discuss on the pod, feel free to join our dedicated JTET/JTSC Discord server here: https://discord.gg/pngqMZ7hwD

James Taylor and Jon Steele cast their analytical gaze over another round of J2 football. In this episode, they focus on 4 games from matchday 10: Iwaki v Shimizu (start to 08:35), Nagasaki v Tokushima (to 20:15), Kumamoto v Kofu (to 26:50) and Yamaguchi v Gunma (to 34:40) and crown their Most Bravo Player (to 39:55). Then there's a preview of the round 11 fixtures (to 46:40) and the second set of Levain Cup Second Round games (to end). *To get some pass notes on any of the games that we don't discuss on the pod, feel free to join our dedicated JTET/JTSC Discord server here: https://discord.gg/pngqMZ7hwD

Jon Steele, James Taylor and Mike Innes are back with another action packed JTET. In part 1, Jon and James run through J2 round 7 fixtures, stopping to talk in detail about Yokohama FC v Sendai (start to 09:10), Kofu v Yamaguchi (to 15:30), and Tokushima v Gunma, along with all the off-field news from the latter two clubs (to 30:35). Then the guys pick their Most Bravo Player (to 33:30), before previewing rounds 8 and 9 (to 41:25). After that, it's time for Mike Innes and a full review of J3 round 7 in J-Talk: Short Corner (41:25 to end).

The JTET team is back in action with a full review of the opening weekend of J2 and J3. In part 1, James Taylor and Jon Steele discuss three games from J2, pick their Most Bravo Player, and preview the coming weekend's fixtures. Part 2 is J-Talk: Short Corner with Mike Innes; he has all the action from last weekend in J3 and looks ahead to round 2.   Start to 07:20 Yokohama FC v Yamaguchi 07:20 to 12:30 JEF United v Yamagata 12:30 to 19:05 Tokushima v Kofu 19:05 to 24:10 Most Bravo Player 24:10 to 30:15 Round 2 preview 30:15 to 39:10 JTSC J3 Saturday games 39:10 to 50:50 JTSC J3 Sunday games 50:50 to end JTSC J3 round 2 preview

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A central article of faith of Christianity is that Jesus will return visibly and powerfully to end this era and bring in a world of eternal life and glory. - SERMON TRANSCRIPT - Turn in your Bibles to Mark 13 as we consider the Second Coming of Christ. And as I do this morning, my mind goes back 29 years, my wife and I were missionaries in Japan. I went regularly on Saturdays to a different city, taking a train from Tokushima to Takamatsu. In that city I would teach English and the Bible. On one particular day, a Saturday, I was walking through the streets of Takamatsu, and praying about the ministry I was about to have. I looked overhead, and there was a spectacular cloud formation. You know what I'm talking about, one of those clouds that just heap up like a pile, like a mountain up to the sky. Very, very dramatic. It was especially dramatic in that there was a small peephole of sunlight coming through and there were rays that were streaming down. I was just overwhelmed. I began singing the hymn we're going to close with today, It Is Well With My Soul, because I really felt that it was well with my soul. I was especially thinking about the fourth stanza which says, "And Lord haste the day when our faith will be sight, the clouds be rolled back like a scroll. The trump shall resound, and the Lord shall descend. Even so, it is well with my soul." Think about that when we sing at the end. But I was thinking about that myself, and how dramatic and how awesome that day was going to be. As I was contemplating this sermon, I was thinking about that day, the day that is yet to come, and our understanding of all that will happen on that day. I would say easily the most dramatic moment in the history of sin-cursed humanity. I can't actually imagine a more spectacular and dramatic day than that, and we are going to understand it and effectively see it today by faith. My prayer has been that the eyes of your heart would be enlightened, that you would be able to see the invisible, the future. And that you would see the glories of the greatness and the majesty and the power and the terror, indeed the terror, of that day in which everything on earth will come to an end. To see it by faith and understand it by faith, that's my desire. How different is the circumstance of Jesus' Second Coming from that of his First Coming. Think of the Christmas hymn, A Little Town of Bethlehem, “how silently the wondrous gift is given.” We know that an army of angels came and appeared, but just to a very small number of shepherds on the hills outside Bethlehem, no one else got to see that. It was just a pregnant couple, a pregnant woman, no room in the inn, and then Jesus born in the natural way. Very quiet. But the Second Coming of Christ will not be so. and we need to understand it. We need to understand it biblically. We need to understand the reasons for it. This morning, as I was thinking about that, the reasons for the Second Coming, I listed out a series of them. Why is Christ coming back to Earth? First and foremost, for the glory of God, for the open, clear, plain, visible display of the greatness and majesty of almighty God. Secondly, to be praised and marveled at by the saints, stimulating us in worship such as we have never experienced before, and that, even for all eternity. Third, to rescue His persecuted people from imminent deadly danger. Fourthly, to bring about justice for them as they are crying out for justice day and night. To bring about justice and, indeed, vindication for His people. Fifth, to punish evildoers, idolaters, blasphemers and wicked people who have not fled to Christ for the forgiveness of their sins. Sixth, to end the open reign of Satan and antichrist and that final government which we have described recently. Seventh, to establish the kingdom of God in righteousness and purity in answer to the prayers that have been prayed in every generation, "May your kingdom come, may your will be done on earth as it is in heaven." To usher in the new heaven and the new earth, the perfect world free from all death, mourning, and crying, and pain. To be with His people forever and to end the reign of sin and death for all eternity. These are the reasons and many others. I. The Absolute Certainty of the Second Coming It's beneficial for us today to walk through this biblically, to understand it, to understand what Mark reveals about it. I begin with the absolute certainty of the Second Coming of Christ. The Second Coming of Christ is taught many, many times throughout the Scriptures. This is one of the central articles of the Christian faith, that Jesus Christ will return visibly and powerfully to end this era of human history and bring in a world of eternal life and radiant glory. We believe this as Christians. Now, Paul speaks of the purpose of Jesus's first coming like this in Galatians 1:3 and 4, "The Lord Jesus Christ gave himself for our sins to rescue us from this present evil age." To rescue us from this present evil age. What is this present evil age, and what world of eternal blessedness did Christ come to usher in? No text captures it better than Revelation 21:4, "He'll wipe every tear from their eyes. There'll be no more death, or mourning, or crying, or pain for the old order of things has passed away." This present evil age in Galatians 1 and the old order of things that is passing away are the same, they're just different ways of talking about the same thing. The present evil age is characterized by the reign of sin, sin reigning in death, and mourning and crying and pain. That's this present evil age from which Jesus has come to rescue us. The new heavens and the new earth that Jesus will bring in at His Second Coming will be forever free from those enemies, forever free from sin, and Satan, and death, mourning, crying, and pain. Therefore, the Second Coming of Christ is a central aspect of the Christian hope. We are looking forward to it. We're longing for it. We're yearning for it to come. We're seeking to speed its coming by service to God and by the proclamation of the gospel. The Second Coming is therefore taught in many places in Scripture. First, historically, by a man named Enoch, seventh from Adam. We learned this in the book of Jude. Enoch, seventh from Adam, that's a long, long, long, long, long time ago, said these words, prophesied about these wicked men, "Behold the Lord is coming with thousands upon thousands of his holy ones, angels, to judge everyone and to convict all the ungodly of all the ungodly acts they have done in the ungodly way, and of all the harsh words ungodly sinners have spoken against Him." Enoch said that. How in the world did Enoch know about the Lord coming with thousands of angels the same way we do? The Lord revealed it to him prophetically. "The Second Coming of Christ is a central aspect of the Christian hope. We are looking forward to it. We're longing for it. We're yearning for it to come. We're seeking to speed its coming by service to God and by the proclamation of the gospel." It started with Enoch, then many other places. I zero in into my mind to Daniel 7, the vision that Daniel the prophet had at night, a night vision. The centerpiece of it was a vision of the Son of Man, Daniel 7: 13 and 14, "In my vision at night, I looked and there before me was one like a Son of Man coming with the clouds of heaven. And He approached the ancient of days and was led into his presence. He was given authority, glory, and sovereign power. All people's nations and men of every language worshiped Him. His dominion is an everlasting dominion that will not pass away, and His kingdom is one that will never be destroyed." It's taught there in Daniel 7. It's taught in Matthew 24 and 25, and here also in Mark 13, and we'll walk through it carefully today, but there are many other passages on the Second Coming. Jesus, for example, in John 14, spoke to his apostles the night before He was crucified, saying, "Do not let your hearts be troubled. Trust in God, trust also in me. In my father's house or many rooms. If it were not so I would've told you, for I'm going there to prepare a place for you. And if I go and prepare a place for you," listen now, "I will come back and take you to be with me so you also may be where I am." It's a clear prediction of the Second Coming of Christ. Then that very night after Jesus was arrested, and early the next morning when He was on trial, He quoted Daniel 7, and I'm not going to read it now because I'll read it later in the sermon, but He referred to the Second Coming at that point. It got Him killed. It got Him condemned by the Jewish authorities. Then after His death on the cross, and after His physical resurrection from the dead, and after He had spent forty days instructing His disciples and giving many convincing proofs that He was alive, after all of that training was over, He gave them His final word, "You'll receive power when the Holy Spirit comes on you, and you'll be my witnesses in Jerusalem, Judea, and Samaria to the ends of the earth.” [Acts 1:9-11] "After He said this, He was taken up before their very eyes, and a cloud hid Him from their sight. They were looking intently into the sky as He was going when suddenly two men dressed in white stood beside them. 'Men of Galilee,' they said, 'why do you stand here looking into the sky? This same Jesus who has been taken from you into heaven will come back in the same way you've seen Him go into heaven.'" It’s a clear prediction of the Second Coming of Christ. The Apostle Paul, wrote of it often. He spoke of the Parousia, the coming of Christ. He spoke of it many times, most dramatically in 1 Thessalonians 4: 16-18, "The Lord himself will come down from heaven with a loud command, with a voice of the archangel, with the trumpet call of God, and the dead in Christ will rise first. After that, we who are still alive and are left will be caught up together with them in the clouds to meet the Lord in the air." That's the rapture. Caught up midair, mid-heaven to meet the Lord as He descends from heaven to earth, to meet the Lord in the air. And so we will be with the Lord forever. Therefore, encourage one another with these words. I hope you're encouraged with these words. This is the future. This is what Paul taught in 1 Thessalonians 4, and in 2 Thessalonians 2, "Concerning the coming of our Lord Jesus Christ [the Parousia] and our being gathered to Him, we ask you brothers not to become easily unsettled or alarmed by some prophecy, reporter, or letter supposed to have come from us saying the day of the Lord has already come. You didn't miss it.” That ship has not sailed," et cetera. But he talked about the Parousia, the coming of the Lord. The Apostle Peter talked about it in 2 Peter 3: 3-4, "First of all, you must understand that in the last day, scoffers will come scoffing and following their own evil desires. They will say, 'Where is this coming he promised?” What coming? That's the Second Coming of Christ. “Where is it? We don't see it. Where is this coming He promised? Ever since our fathers died, everything goes on as it has since the beginning of creation.” Peter goes on to talk about how the generation of Noah before the flood were saying the same thing, Jesus made that same connection. They were saying, "There's no flood. We don't see any flood," until that flood came. Then later in 2 Peter 3 : 10 he said, "The day of the Lord will come like a thief. The heavens will disappear with a roar. The elements will be destroyed by fire, and the earth and everything in it will be laid bare." Also the Second Coming of Christ is taught many times in the Book of Revelation, such as Revelation 1:7, "Behold He is coming with the clouds, and every eye will see Him, even those who pierced him, and all the peoples of the earth will mourn because of Him, so shall it be on men." We'll return to that passage a number of times. Then of course in Revelation 19, it openly depicts and describes the Second Coming of Christ with an angelic army, and Jesus coming with a sword coming out of His mouth with which He will slay the wicked. Then in the final chapter, Revelation 22:7, Jesus said, "Behold, I am coming soon. Blessed is he who keeps the words of the prophecy in this book." Again, Revelation 22:12 and 13, "Behold, I am coming soon. My reward is with me, and I'll give to each person according to what he has done. I am the alpha and the omega, the first and the last, the beginning and the end." We believe in linear history. We believe in an unfolding history. We don't believe in reincarnation and cyclical history that goes around. No, we believe in a beginning, a middle, and an end. We believe in an alpha and omega, and Jesus is that letter and that letter and every letter in between. We believe in a purpose to history, and we believe it's going to end, this phase, this present evil age will end with the Second Coming of Christ. Then again, Revelation 22:20, the second to last verse of the Bible, "He who testifies to these things says, 'Yes, I am coming soon.'" That's three times in Revelation 22 He says, "I'm coming soon." Then John replies, "Amen. Come Lord Jesus." It seems then that looking forward to the Second Coming, yearning for the Second Coming, crying out for it as John does, is essential to our healthy lives in this present evil age. This is a major theme taught many times in the Bible. II. The Heavenly Bodies Darkened, Shaken, and Removed What aspects does Jesus give here in Mark 13, that's our purpose now, as we look through Mark 13:24-27. It begins with the heavenly bodies darkened, shaken, and removed. Look at verse 24 and 25, "But in those days, following that distress, the sun will be darkened and the moon will not give its light. The stars will fall from the sky and the heavenly bodies will be shaken.” The context here, as we remember, is in those days following that distress. We're right in the middle now of Mark 13. The last sermon was entitled, as you remember, “Run For Your Lives.” Look at verses 14-19, "When you see the abomination that causes desolation standing where it does not belong, let the reader understand, then let those who are in Judea flee to the mountains. Let no one on the roof of his house go down or enter the house to take anything out. Let no one in the field go back to get his cloak. How dreadful it be in those days for pregnant women and nursing mothers? Pray that this will not take place in winter because those will be days of distress unequal from the beginning when God created the world until now, and never to be equaled again." The Abomination of Desolation, we walked through that, devoting a whole sermon to that. The Abomination of Desolation is the defiling of a sacred space by a blasphemous Gentile power. Concerning the destruction of the temple, Jesus talked about the Gentile army surrounding the city ready to destroy it. But the Abomination of Desolation, per se, is the antichrist finally setting himself up in God's temple, proclaiming himself to be God. Jesus clearly warned his church that would be living in that geographical region, both at the destruction of the temple, but then as it foretold the final events. When you see that, when you see these things spoken of by the prophet Daniel, run for your lives, get away as fast as you can. This is what the Bible calls the Great Tribulation. The Book of Revelation gives many more details about what life on earth will be like at that time, and how terrifying and terrible it will be. Seven seals broken, seven trumpets sounded, seven bulls poured out. Those seven, seven, sevens give heaven's response to the wickedness and sinfulness of man on earth, and they will ravage the surface of the earth. Ecological disaster such as has never been seen before, a clear link between human sin and the ecology as we saw from the beginning when Adam sinned and the earth was cursed, and it produced only thorns and thistles for him. We learned in Romans 8 that the whole world has been cursed with the bondage of decay; there's a link between human sin and the ecology. The ecological disasters described specifically in Revelation 8, have never, however, been seen before. A burning up of green grass, a burning up of a third of the trees on earth, a turning of a third of the ocean waters to blood, a killing of a third of the living creatures in the sea. What effect would that have on human commerce and life itself? Then even worse, a third of the drinking water is fouled, made undrinkable. But what effect will that have on national boundaries when some parts of the world have drinking water and other parts don't? You can't live longer than a certain number of days without water, a terrifying, terrible rending of the planet because of the judgments of God. It's not an accident, but it's something God is pouring out. The unleashing of plagues on mankind resulting in painful sores and an agony so great that the people, the inhabitants of the earth, will long for death, but they will not find it. An unleashing of demonic powers billowing up from the deepest resources of the pit and coming to bring agonies and torments on people, [Revelation 9]. It's a terrifying time. Then the coming of the beast from the sea, the antichrist, the one-world government, the one-world religion, all of those things that culminate in the Abomination of Desolation. Those are terrible days. Mark 13:19-20, "Those will be days of distress unequal from the beginning when God created the world until now, and never to be equaled again. If the Lord had not cut short those days, no one would survive," think about that, "but for the sake of the elect, those days will be shortened." Immediately after the distress of those days, the Second Coming happens, and it's described here as the shaking and rending and destruction of the cosmos. Look up into the night sky. Look up into the sky and see the lights that God put there. Verse 24 and 25, "In those days following that distress, the sun will be darkened and the moon will not give its light. The stars will fall from the sky and the heavenly bodies will be shaken.” The heavens will be rent, similar to Isaiah's prayer concerning the wickedness of man. He said in Isaiah 64:1-2, "Oh that you would rend the heavens and come down, that the mountains would tremble before you as when fire sets twigs, ablaze and causes water to boil. Come down and make your name known to your enemies. Cause the nations to quake before you." Isaiah 64, “Oh, that you would rend the heavens and come down." It's interesting, this idea of rending the heavens, it creates a sense of a membrane or barrier between us and the heavenly realms. A rending is a tear and a rip, and out of it, Isaiah wants God almighty to come and bring judgment. What's interesting is, this is the language used at Jesus' baptism. When Jesus was baptized, the heavens were torn, but out came a dove, a symbol of peace, a symbol of reconciliation with God. That's the First Coming, peace on earth, goodwill to man. That's the first rending happening. The second will not be so. It'll be more like Isaiah 64, the wrath of God coming out of that rending of the heavens, and the heavenly bodies will be shaken and removed. I need to bring up the Polish astronomer, Copernicus. Some of you I'm sure are thinking about Copernicus. Maybe not, but I am, anyway. Until Copernicus, most people on earth thought that the stars, the sun, the moon revolved around the earth, the earth was the center of everything. They moved in concentric spheres, earth is center, and they moved across, so the sun would make it circuit across the sky in this sort of pattern. But along came Copernicus, and he wasn't the only one, but he led the way to teach us that actually the earth revolves around the sun, physically. That is true, physically. However, the Bible does give an earthbound purpose to the heavenly bodies. The reason they exist is found on planet Earth. We get that from Genesis chapter one, "And God said, let there be lights in the expanse of the sky to separate the day from the night, and let them serve as signs to mark seasons and days and years. And let them be lights in the expanse of the sky to give light to the earth, and it was so. God made two great lights, the greater light to govern the day, that's the sun, and the lesser light to govern the night, that's the moon. He also made the stars." One of the great understatements in the entire Bible, "Oh, by the way, He also made the stars." But God made them all, and God set them in the expanse of the sky to give light to the earth. That's twice we have an earthbound statement for the sun, the moon, and the stars. Let the earth physically revolve around the sun, that's fine. But when events come to their conclusion on the surface of the earth, the sun, the moon, and the stars will end their career. There's an earthbound purpose to these, to give light to the earth and to mark time, seasons, and days, and years. This proves also to me, there are no other planet earths out there having an unfolding redemptive history; that Jesus is doing that saving thing that He did here in planet after planet, after planet like some traveling roadshow. That is false. It is not true. When events come to an end here, the stars will fall from the sky. Literally, the sun will be dark and the moon will not give its lights. Either the sun's light will be blocked or reduced or ceased to give it altogether, because the sun will no longer exist. The sun and the moon, we are told, will not be needed in the new heavens and the new earth, the new Jerusalem, because the glory of God will illuminate that new universe and that new Jerusalem. It doesn't mean they don't exist, it just says they won't be needed, so maybe they won't exist at all. The sixth seal of Revelation speaks of the same thing. Revelation 6:12-14, "I watched as he opened the sixth seal, and there was a great earthquake. The sun turned black like sackcloth made of goat hair. The whole moon turned blood red, and the stars in the sky fell to the earth as late figs dropped from a fig tree when shaken by a strong wind. The sky receded like a scroll rolling up, and every mountain and island was removed from its place." Isaiah 64, "Oh, that you would rend the heavens and come down and make the mountains shake before you like boiling water." The fourth trumpet in Revelation correlates, Revelation 8:12, "The fourth angel sounded his trumpet, and a third of the sun was struck, a third of the moon and a third of the stars. So a third of them turned dark. A third of the day was without light, also a third of the night." Isaiah had also predicted this, Isaiah 34:4, "All the stars of the heavens will be dissolved and the sky rolled up like a scroll. All the starry hosts will fall like withered leaves from a vine like shrill figs from a fig tree." We have this image again and again and again. I'm aware that in the Book of Isaiah, it's sometime linked to cataclysmic events that happen on earth such as the end of an empire, like Babylonian empire, when it doesn't literally happen that the stars fall from the sky, but it's like the events will be so big, it'll be like that. I understand that language. But since the language is used again and again and again and again, that may be just a poetical connection to what actually will physically happen at the end of the world. Now you wonder how could God do this? It's because God is sovereign over every created thing in the universe. Isaiah 40:26 says, "Lift up your eyes and look to the heavens. Who created all these? He who brings out the starry host one by one and calls them each by name because of His great power and His mighty understanding, not one of them is missing.” They continue to exist, according to Isaiah 40:26, because God wills that they continue to exist. God sustains the stars. A new heaven, a new earth will have a new cosmos as well. III. Jesus Comes With the Clouds Next, Jesus comes with the clouds. Look at verse 26, "At that time, men will see the Son of Man coming in clouds with power and great glory." This was predicted by Daniel and then cited by Jesus at his trials. The very thing that Daniel saw in the Son of Man vision that I’ve already read for you, Daniel 7:12-13, he saw the Son of Man coming into the presence of almighty God on the clouds, and receiving from Him power and great glory. The angels and then all peoples on earth worshiping Him and serving Him. That's the Son of Man vision. Jesus cited that on the trial for His life before the Jewish authorities. Think of the boldness of Jesus, He knew they wouldn't be able to accept it, but He still proclaimed it, referred to it. in Mark 14:62-64, they asked Him, “'I charge you under oath by the living God, tell us if you're the Christ the Son of God.’Jesus said, ‘I am.’" Period. That's a claim to deity, "I am.” Then He quotes or alludes to Daniel 7, "And you'll see the Son of Man sitting at the right hand of the mighty one and coming on the clouds of heaven." Now that's a clear prediction to his enemies, "You will see this. You're going to see this whether you believe in me or not. It will not take faith to see this. You will see it." “The high priest tore his clothes,'Why do we need any more witnesses?’ he asked. ‘You've heard the blasphemy. What do you think?’ And they all condemned him as worthy of death.” Jesus predicting his own Second Coming is what officially got him killed, quoting Daniel 7. The clouds, Jesus coming with the clouds, I believe are both physical like I saw in Takamatsu that day, but they're also symbolic. Clouds are referred to again and again in connection with the great power of God. Clouds are awesome and dramatic. I think all of us who have flown have been above the clouds and then seen a carpet of clouds dramatically. And you can see, especially at sunset, they're all glowing, they're very dramatic things. Clouds literally hid Jesus when He ascended from the earth. It's reasonable for them to be a feature on his return. But the clouds also symbolize the wrath of God, again and again, the wrath of God. Like at Mount Sinai, Moses said to the Jews, in retrospect, looking back on the day at Mount Sinai, Moses said, "You came near and stood at the foot of the mountain while at blaze with fire to the very heavens with black clouds and deep darkness." God surrounded Mount Sinai with terrifying black clouds as though a lightning strike could come out of that cloud at any moment. Psalm 18 is probably the strongest connection here. Psalm 18:7-13, "The earth trembled and quaked. The foundations of the mountain shook, they trembled because he was angry. Smoke rose from his nostrils. Consuming fire came from his mouth, burning coals blazed out of it. He parted the heavens and came down. Dark clouds were under his feet. He mounted the cherub him and flew. He soared on the wings of the wind. He made darkness his covering, his canopy around him. The dark rain clouds of the sky. Out of the brightness of His presence, clouds advanced with hailstones and bolts of lightning. The Lord thundered from heaven, the voice of the most high resounded." It's terrifying. What's going on in Psalm 18? What is David talking about? What happens is David is in trouble on a battlefield, and cries out to God to deliver him, and then God does. He comes to rescue David in the midst of his trouble. Do you not see how that applies to the Second Coming? I believe the Second Coming is a rescue mission. I believe that the bridegroom is coming to rescue the bride because she's about to become exterminated by the antichrist, and He's filled with rage over it. Psalm 18 describes that. Would God do all that for one person, King David? We know that God protected David in every battlefield he ever fought on. He never died in battle, so God did deliver him, and rescued him, and crushed his enemies under his feet. David himself is a symbol of Christ. But ultimately, I think this idea of God rending the heavens, coming with the clouds to rescue his people is consummated at the Second Coming. It's a rescue mission where the people of God are rescued from their enemies, and from imminent death. Isaiah 30:27, "Behold the name of the Lord comes from afar with burning anger and dense clouds of smoke. His lips are full of wrath in his tongue of consuming fire.” Jesus comes with the literal clouds, the physical clouds, but also metaphorically, He comes in the wrath of God. "This idea of God rending the heavens, coming with the clouds to rescue his people is consummated at the Second Coming. It's a rescue mission where the people of God are rescued from their enemies, and from imminent death" IV. The Mourning of the Nations Next, the mourning of the nations. It's not mentioned in Mark, but I want to bring it up. It's mentioned in Matthew, and it's also mentioned in Revelation 1 and Revelation 18. Matthew 24:30, "At that time, the sign of the Son of Man will appear in the sky, and all the nations of the earth will mourn." Think about that, they’re all going to mourn. "They will see the Son of Man coming on the clouds of the sky with power and great glory.” Again, Revelation 1:7, "Behold, He's coming with the clouds, and every eye will see Him. Even those who pierced Him. And all the people of the earth will mourn because of Him. So shall it be. Amen." A mourning. Why are the nations mourning? “It’s not the end of the world.” No, it will be the end of the world. That's it. All of the things that those unbelievers had been living for will instantly come to an end. This is depicted with the fall of Babylon in Revelation 18:9-11, “When the kings of the earth who committed adultery with [Babylon] and shared her luxury see the smoke of her burning, they will weep and mourn over her. Terrified at her torment, they will stand far off and cry: "'Woe! Woe, O great city, O Babylon, city of power! In one hour your doom has come!' The merchants of the earth will weep and mourn over her because no one buys their cargoes any more.” The party is over. All the lust of the eyes, and the lust of the flesh, and the boastful pride of life is done that day. It's over. It's judgment day for them, and so they will mourn. The righteous wrath of the Lord is being poured out on them for their sins, especially because they have not loved Christ or his people. As it says in 2 Thessalonians 2:10, “They perish because they refused to love the truth and so be saved.” Revelation 18:18-20 says, "When they see the smoke of her burning, they will exclaim, 'Was there ever a city like this great city?' And they'll throw dust on their heads, and with weeping and mourning, cry out, 'Woe, woe, Oh great city where all who had ships of the sea became rich through her wealth. In one hour she has been brought to ruin. Rejoice over her, oh heaven. Rejoice saints and apostles and prophets for God has judged her for the way she treated you.'" That's the justice of God, but there is mourning and grieving. Let me just stop right now and say the best thing we can do is believe all of these things, and the judgment day that follows, and even more, the hell that follows that, and mourn and grieve now by faith. Grieve over sin now and flee to Christ. That's the best thing we can do is believe these things now when there's still time. At that point, the tears will mean nothing. V. The Gathering of the Elect Then there's the gathering of the Elect. Look at verse 27, "And He will send His angels and gather His elect from the four winds, from the ends of the earth to the ends of the heavens." This is, I believe, the primary reason, other than the glory of God, the primary reason for the Second Coming. He's come to gather His bride together, His people. The antichrist will be bearing down on them with great power, great hatred. He'll be hunting them down to force them to blaspheme by receiving the mark of the beast. Jesus said if those days had not been cut short, no one would survive. That's how bad it's going to be, but for the sake of the Elect, those days will be shortened. Everyone has their limit. There's only so much temptation we can face. No matter how courageous, no matter how faith-filled, no matter how much we are willing to suffer and die as martyrs, there is a limit to what we can endure. Remember, as I talked about last week, the night that Jesus was arrested, He made them say twice who they were there to arrest so that He could say concerning the rest of his followers, "If you're looking for me, then let these men go." John said Jesus said this so that the saying Jesus had stated would come true, "Of all those you have given me, I have not lost one." There is a time to run away. But if that antichrist power is spreading over the earth with so much domination, and if those days had not been cut short or counted as in Daniel 12, He would say, "When the Son of Man comes, will there be any believers left on earth?" So He intervenes. Furthermore, I think He just wants to be with us. Ultimately, isn't that it? Isn't that the point of His death on the cross? He wants to spend eternity with us. He wants to feast with us in heaven. He wants to walk with us in the new heaven, new earth. He wants fellowship with us. He earnestly desires to be with us. Isn't that amazing? Doesn't it blow your mind? We're pathetic, and yet He loves us and wants to be with us. And guess what? We're not going to be pathetic in heaven. Praise God. We'll be really pretty amazing. We'll be glorified. He loves us. He says in John 14:3, "If I go and prepare a place for you, I will come back and take you to be with me.” Why? “So that you also may be where I am." Or again, 1 Thessalonians 4:17, "And so we will be with the Lord forever." Ezekiel 37:23, have you heard this before? "They will be my people, and I will be their God.” Do you know how many times it says that in Ezekiel and Jeremiah? The answer is seven. That's how many times again and again, "They will be my people and I will be their God." He wants fellowship with us. Or again, it's cited in Revelation 21:3, "I heard a loud voice from the throne saying, 'Now the dwelling of God is with men, and He will live with them, they will be his people, and God himself will be with them and be their God, and He'll wipe every tear from their eyes and there'll be no more death, mourning, crying or pain.'" He wants to be with us. And this is at this moment, the rapture, as I mentioned. He's going to send out his angels and they'll gather his Elect. They're dispatched to collect us and bring us up to meet the Lord in the air. Let me read 1 Thessalonians 4:16-17 again, "For the Lord himself will come down from heaven with a loud command, with a voice of the archangel, and with the trumpet call of God, and the dead in Christ will rise first. After that, we who are still alive and are left will be caught up." That's “rapture.” That's what the word means. And the Latin root is “to be captured up, caught up.” I picture like a mother cat and a kitten being grabbed by the back of the neck, something like that because we can't fly, gravity works on us. So how are we going to meet the Lord in the air? He's going to send out angels who can fly, and they will pick us up so that we can meet the Lord in the clouds. You may say, "Well, why does He want to meet us in the clouds?" I don't know, but He does. We're going to go out like a welcome committee, and meet Him in the clouds. This is the rapture. Verse 27, "He will send His angels and they'll gather His elect from the four winds from the ends of the earth to the ends of the heaven." By the way, the Elect by then will all have been converted. Evangelism and missions will be done by then, no unconverted elect. This is the eternal separation at this moment of the Elect and non-Elect, as Matthew 24:40-41 says, "Two men will be in the field, one will be taken and the other left. Two women will be grinding with a hand mill, one will be taken and the other left." Yes, I believe in the “left-behind” thing. But the left behind here is not pre-trib seven year and all that. This is the separation of the Second Coming. If you're left behind at that moment, you are non-Elect, and the gospel era is over. The sheep and the goats are separated, the wheat and the weeds are separated, the good fish and bad fish are separated forever. The non-Elect will be stunned and seem like they have no idea what's happening. They will not understand this. Matthew 24, "As it was in the days of Noah, so will it be at the coming of the Son of Man." From the days before the flood, people were eating and drinking, marrying, and giving in marriage right up to the day Noah entered the ark. They knew nothing about what would happen until the flood came and took them all away. That is how it will be at the coming of the Son of Man. VI. Properly Preparing for the Second Coming How can we apply this? How can we properly prepare for the Second Coming? I've already said it, but first and foremost, trust in Christ and Christ alone for the forgiveness of your sins while there's time. That day is the end of the faith era. It's the end of the gospel era. It's the end of the open door to Noah's Ark era. God closed Noah's door with His own hand. God ended that. Everyone outside the ark perished. Now is the time to enter. Now is the time to believe. Now is the time to trust in Christ, to believe in Him for the forgiveness of your sins. That's how it starts. And what does that look like? Paul spoke to the Thessalonian Christians in 1 Thessalonians 1:9-10, "You turn to God from idols to serve the living and true God and to wait for His son from heaven, whom He raised from the dead, Jesus who rescues us from the coming wrath." What does it mean? It's to turn to God away from idols. What are idols? It's the lust of the eyes, the lust of the flesh, the pride of life. It's all the things that lead us away from God. It's all the wickedness. We turn away from those things, away from sin to God through Christ, and we receive forgiveness for all of our sins, Jesus' blood shed for all of our idolatries. You did that in Thessalonians, you turned to God from idols, and you waited, to wait for His son from heaven. So prepare that way. Secondly, cry out in prayer, I would say daily, for the Second Coming of Christ. This line is already very famous. I cited it once, but you remember it's the Lord's prayer, "Our Father in heaven, hallow be your name." What's next? "May your kingdom come, may your will be done on earth as it is in heaven." That's the Second Coming. It's a crying out for the Second Coming. Pray that. Do it. Revelation 22:20, "He who testifies to these things says, 'Yes, I'm coming soon.'" What was John's response? "Amen. Come, Lord Jesus." That's a prayer, right? Amen. Come, Lord Jesus. Or again, Revelation 1:7, "Behold, He is coming with the clouds, and every eye will see Him, even those who pierced Him, and all the tribes of the earth will wail on account of Him." John's answer, “Even so, "Amen. Let it be. I want that to happen." Or again, in 1 Corinthians 16:22, if you have New American Standard Translation, it reads like this, "If anyone does not love the Lord, let him be a cursed.” What is “maranatha”? It's Aramaic for, “come, Lord.” It's a prayer for the Second Coming. Christians should cry out for Jesus to come, and this accords with our understanding of prayer. Not as, number one, giving God an idea He didn't have before, or number two, persuading God to do something He didn't want to do until you persuaded him. That's not what prayer is. Then what is prayer? It's understanding from the Word what God has said He's going to do but hasn't done yet, and ask him to do it. Wouldn't you think the Second Coming fits that description? Has God revealed that he wants his son to come? Yes. Has it happened yet? No. Pray for it. Pray for it. Thirdly, look forward to the Second Coming and long for it. Your prayer for it will stimulate that. You should long for the Second Coming. 2 Peter 3:12 says, "Look forward to the day of God." 2 Peter 3:13, "In keeping with his promise, we're looking forward to a new heaven, new earth." Then verse 14, "So then, dear friends, since you are looking forward to this…” That's three consecutive verses. Look forward to it, look forward to it, look forward to it. That means yearn for it. Say, "I want this to happen." Fourth, be holy. Again, leaning on 2 Peter 3, "Since everything will be destroyed in this way, what kind of people ought you to be?" Answer, you ought to live holy and godly lives as you look forward to the day of God. 2 Peter 3:14, "So then, dear friends, since you're looking forward to this, make every effort to be found spotless, blameless, and at peace with Him." Now that day is coming, bringing about the destruction of the heavens by fire and the elements will melt in the heat. But in keeping with this promise, we're looking forward to a new heavens and new earth called the home of righteousness. Only pure people will enter the new Jerusalem. We know we can't purify ourselves by our own efforts, but we know that it's justification, sanctification, and then glorification. That's purification. John says very plainly in 1 John 3, "We know that when He appears we shall be like Him, for we shall see Him as He is." Everyone who has this hope in Him is purified, just as He is pure. The more you believe in the Second Coming, what Jesus is coming to do, the more zealous you should be to put evil and sin to death in your own life. Colossians 3:5 and 6, "Put to death therefore whatever belongs to your earthly nature, sexual immorality, impurity, lust, evil desires, and greed, which is idolatry. Because of these, the wrath of God is coming." The Second Coming. That's why He's coming back, to destroy those sins. Fifth, speed the Second Coming by evangelism and missions. Peter said, "As you look forward to the day of God in speed, it's coming." Matthew 24:14, "This gospel of the kingdom will be preached in the whole world as a testimony to all nations, and then the end will come." We speed the day of God by evangelism and missions. With every unconverted elect person who then becomes converted and crosses over from death to life through faith in Jesus, we've gotten that much closer to the Second Coming of Christ. We are called on to preach the gospel to lost people. We're surrounded by people who, like in the days of Noah, they are not ready for the Second Coming, and we should care about that. Sixth, serve the Lord's purposes in light of the Second Coming. 2 Timothy 4:1 and 2, "I charge you in the presence of God and of Christ Jesus who is to judge the living and the dead. And by His appearing and His kingdom, preach the word, be ready in season and out of season, reprove, rebuke and exhort with complete patience and teaching." We are each given a role to play. You all have a ministry or should have a spiritual gift ministry. Do it. 2 Timothy 4, "In light of the second coming." In light of the fact that in view of his coming, you're going to give an account for your life and your ministry. Close with me in prayer. Father, we thank you for the time we've had to walk through this deep, powerful, and significant topic. Father, I pray that you would press these truths home. Help us to live in light of them, help us to be prepared, help us to warn others who we know are not yet prepared. Oh Lord, help us to be holy, to put sin to death. Help us to just saturate our minds in the truths of the Word so that we may live a life pleasing to God. In your name we pray. Amen.

The entire mission of Jesus follows this pattern: nothing visibly spectacular at first but growing to a level of majesty we can scarcely imagine. - SERMON TRANSCRIPT - Turn in your Bibles to Isaiah 49. Christmas probably is the biggest event of the calendar. Every year, I would say it's the biggest holiday there is. A Gallup poll in 2019 says that 93% of Americans, in some way, recognize or celebrate Christmas, and it's not just here in America, it's something that is a worldwide phenomenon. Over 2 billion people observe Christmas in some way worldwide, if not more. Christy and I were very surprised when we were missionaries in Japan to see Christmas decorations going up in the malls there in Tokushima. There's the green and red, and there's all the Christmas, jolly old St. Nicholas, and all that. Santa was everywhere. There it was, Christmas in Japan, where about 1% are evangelical, but there they were celebrating Christmas. I have a friend who lives in the Persian Gulf. We communicate via Zoom from time to time, and he told me that there are Christmas trees all over that Muslim nation. 99% of the people there are Muslim and they still have Christmas trees. If you look a little closer though, we realize Christmas isn't as big as it should be. 71% of Americans say they don't look on Christmas as a religious holiday at all. That's a huge percentage of people that see it in a secular sort of way, and we think that must be true of the billions around the world that stop working, gather to eat and to drink, and to celebrate in some way. We're aware of the fact that Christmas, however big it is, needs to be a lot bigger. That brings me to the text that we're studying today, Isaiah 49, in which it is said by God to Christ, "It is too small a thing..." I want to zero in on that concept and link it to Christmas. Christmas is too small, it's smaller than it should be, however big it is, it still too small. In the text, it is said, "It is too small a thing for you to save the Jews alone." Too small a thing. Now what an amazing achievement that would be, the salvation of the Jewish nation. When Jesus Christ finally achieves it, what a great achievement that would be at the end of human history, as I believe the mystery that Paul talks about in Romans 11, where he says, "All Israel will be saved." I believe that that will come, that will be a climax to the long, and torturous, and painful journey that Almighty God has been on with his chosen people, the Jewish nation, the descendants of Abraham. But however great that will be, God says in this text, "It is too small a thing." God intended a glory far greater than that, a multitude from every tribe, and language, and people in nation standing around the throne celebrating the salvation of God. The idea of my sermon today is captured in another place in Scripture. "O magnify the Lord with me, let us exalt his name together." To magnify means to make great or make greater. We cannot make an infinite God any greater than he is, but He does need to be greater in our own estimation. That's where He is too small. That's why Christmas is too small, in our own minds, in our own estimation, and the Word of God is the remedy. Look at the text again. Isaiah 49: 1-6, “Listen to me, you islands. Hear this, you distant nations. Before I was born, the Lord called me from my birth, He has made mention of my name. He made my mouth like a sharpened sword, in the shadow of His hand, He hid me. He made me into a polished arrow, and concealed me in his quiver. He said to me, ‘You are my servant, Israel, in whom I'll display my splendor.’ But I said, ‘I have labored to no purpose. I have spent my strength in vain and for nothing, yet what is due me is in the Lord's hand, and my reward is with my God.’ And now the Lord says, ‘He who formed me in the womb to be his servant, to bring Jacob back to him and gather Israel to himself, where I'm honored in the eyes of the Lord and my God has been my strength.’” He says, "It is too small a thing for you to be my servant, to restore the tribes of Jacob, and bring back those of Israel I have kept. I will also make you a light for the Gentiles that you may bring my salvation to the ends of the Earth." I believe that it is Christ speaking in this passage. He's summoning all nations to listen, look at verse 1, "Listen to me, you islands. Hear this, you distant nations." I've already made the assertion, but we need to ask, "Who is speaking in these words?" This person is speaking of himself and for himself, but He relates something He says that God says to him, the Lord says to him, "The Lord spoke to me." So who is the speaker in this ancient oracle? There are three possibilities. It is Isaiah the prophet himself speaking, or it is the nation of Israel collectively having a certain role to play, and that's home base of verse 3, where the speaker says the Lord calls him, "My servant Israel.” Or it could be the Messiah, the Christ, speaking through the spirit of God, the spirit of Christ, through the prophet Isaiah in the first person. If we look at verse 6, this is a key. He says, "It is too small or too light a thing for you to be my servant, to restore the tribes of Jacob and bring back those of Israel I have kept. I'll also make you a light for the Gentiles, that you may bring my salvation to the ends of the Earth." The servant who's speaking here is someone who both restores the tribes of Israel and is also the light for the Gentiles. There's no way that can be the sinful nation of Israel. Israel can't bring Israel back, so that's eliminated. It's certainly not Isaiah the prophet, the man of unclean lips, he would never have arrogated to himself the statements made here. The New Testament solves this question for us directly by quoting this passage and ascribing it directly to Jesus. Shortly after Jesus was born in Bethlehem, Joseph and Mary took the baby Jesus to Jerusalem to be circumcised in fulfillment of the law of Moses. A prophet named Simeon was waiting for him. Moved by the Holy Spirit, he took the baby Jesus into his arms and said these amazing words in Luke 2, "Sovereign Lord, as you have promised, you now dismiss your servant in peace. For my eyes have seen your salvation which you have prepared in the sight of all people, a light of revelation to the Gentiles and for glory for your people Israel." So he calls him the light for the Gentiles or for the nations. So also Paul and Barnabas, when they're preaching in a synagogue in Pisidian, Antioch, quoted this and directly connected it to Jesus in Acts 13:47, "This is what the Lord has commanded us, I have made you," [singular,] "a light for the Gentiles, that you may bring salvation to the ends of the Earth." Paul and Barnabas, didn't think that they were the light to the Gentiles, but they were there at Pisidian, Antioch on his behalf. The statement that had been made to Jesus, "I will make you a light for the Gentiles," they took as their marching orders, but it was Jesus that was the light for the Gentiles. Therefore, the speaker in Isaiah 49 is none other than Jesus speaking, long before He was incarnate by the Virgin Mary, speaking prophetically by the power of the Holy Spirit in the first person. This shouldn't surprise us because He does the same thing in His most famous quotation of Isaiah. At the beginning of His public ministry in Nazareth, He went to his hometown, Nazareth. He went to the synagogue on the Sabbath, and He took the scroll of Isaiah, and He unrolled it to Isaiah 61. He read these words, "The spirit of the Lord is upon me," [first person] "because He has anointed me," [Messiah Christ means anointed one] "to preach good news to the poor." He went on and quoted more of Isaiah 61, then He rolled up the scroll and sat down, and He said, "Today in your hearing, this scripture is fulfilled." So “I am the Messiah, I am the anointed one, the spirit of the Lord is upon me.” But if you just read Isaiah 61, it's the same thing. It's an ancient oracle written in the first person. It's Jesus speaking prophetically long before He was born by the spirit of God. We have that same kind of pattern here, and this is one of a series of what's known as “servant songs,” the servant of the Lord. There are four of them, the four servant songs. Sometimes the text speaks about the servant of the Lord, and sometimes in the servant song, the servant speaks himself directly. These four servant songs give us a sense of the purpose of God in sending Jesus. This is the thing that's so amazing, Isaiah was written more than seven centuries before Jesus was born. Uzziah died in the year 733BC, a contemporary of the prophet Isaiah. This is a long time before Jesus was born and it gives us great confidence, doesn't it? To know that the whole plan had been written out in detail in prophecy long before Jesus was born. We have these four servant songs. The first is in Isaiah 42, which depicts Jesus as a gentle Savior. Isaiah 42: 1-4, "Here is my servant whom I uphold, my chosen one in whom I delight." The speaker there is God, He's speaking about the servant of the Lord, Jesus. "I will put my spirit on Him, and He will bring justice to the nations. He will not shout, or cry out, or raise His voice in the streets. A bruised reed He will not break, and a smoldering wick He will not snuff out. In faithfulness, He will bring forth justice. He will not falter or be discouraged till He establishes justice on the Earth, and in His law, the islands will put their hope." That's the first of the four servant songs, directly ascribed to Jesus in Matthew chapter 12. When it says, "The bruised reed He will not break, and the smoldering wick He will not snuff out,” it is speaking of Jesus's wonderful tenderness and skill in binding together broken-hearted sinners and saving them. He's a gentle and a loving Savior, and that's the first servant song. This servant song, Isaiah 49, is the second of the four, and we're going to walk through it this morning. The third is in Isaiah 50, again, it speaks in the first person. It speaks of the sufferings of the servant. And then the fourth, Isaiah 52 and 53, is the most famous of the four servant songs. Both of those last two, Isaiah 50 and Isaiah 52/53 speak of the suffering servant of the Lord, the intense sufferings of the servant of the Lord, culminating in the substitutionary, atoning death of Jesus. I. Christ Summons All Nations to Listen This servant song, Isaiah 49, will depict Jesus as a messenger for the glory of the Lord to the ends of the Earth. To take the greatness of God from small beginnings to a worldwide eternal kingdom, the glory of the Lord shining to the Gentiles, but it begins so powerfully as Jesus speaks in the text to the distant islands and nations to listen to His voice calling on all peoples, all over the world, across all time to listen to Him. Look at verse 1, "Listen to me, you islands. Hear this, you distant nations.” This verse shows the scope of God saving plans. Christ is calling to the ends of the Earth. Christ is the King of Kings. He is the Lord of Lords. All nations on Earth are His, for the Father has given them to Him. And He summons the islands, He summons the distant nations, the farthest places, the remotest locations. For example, the Inuit people of the Canadian Arctic, the semi-nomadic tribes, the cave dwellers of Papua New Guinea belong to Him. The blonde haired Norsemen, descendants of the Vikings, who now live in civilized and technologically advanced cities in Norway. The tall Dinka in South Sudan, perhaps the tallest tribe on Earth. All of these distant lands and all the others are summoned by Jesus Christ, the king of all the Earth, to listen to His voice, "Listen to me." II. God Called Jesus Before and After Birth He wants them to know the origin of His saving mission, it was by the call of the Father before He was born. God called Jesus before and after His birth. Look again in verse 1, "Before I was born, the Lord called me.” Jesus is unique in all of human history. He existed before He took on a human body. He's the only human being that chose to enter the world. He was called by His father, and Christ's mission was determined in the mind of God before the foundation of the worlds. Before God said, "Let there be light,” before God created the heavens and the Earth, this plan was established and determined in the mind of God. 1 Peter 1: 19-20 says, "We were redeemed by the precious blood of Christ, a lamb without blemish or defect. He was chosen before the creation of the world, but was revealed in these last times for your sake." This is no new plan thrown together hastily at the end, but it was planned in the mind of God before the foundation of the world. Revelation 13:8 also speaks of the lamb that was slain from the creation of the world. "Jesus is unique in all of human history. He existed before He took on a human body. He's the only human being that chose to enter the world. He was called by His father, and Christ's mission was determined in the mind of God before the foundation of the world." III. God Formed, Sharpened, Polished and Concealed Jesus It says in the text that God formed, sharpened, polished, and concealed Jesus. Look at verse 2, "He made my mouth like a sharpened sword, in the shadow of his hand he hid me. He made me into a polished arrow and concealed me in his quiver." God prepared His son, the Lord Jesus, and He prepared the world for the coming of Christ. He orchestrated all of these things. Before the foundation of the world, God the Father, shaped his plan for the world through the Son. Everything in the universe, visible and invisible, was created through the Son. John 1:3, "Through him all things were made. And without him, nothing was made that has been made." Colossians uses the same concept, the Word through Colossians 1:16, "For through him or by him, all things were created. Things in heaven and on Earth, visible and invisible, whether thrones, or powers, or rulers, or authorities, all things were created by Him and for Him.” So through Him, by Him, for Him. If that's true of the physical universe, how much more are the plans for the salvation of sinners, from every tribe, language, people and nation made through the Son, by the Father through the Son. God, the Father, agreed to save the Elect through the blood of his incarnate Son before God made anything at all. Ephesians 1 says, "For he chose us in him," that is in Christ, "before the creation of the world to be holy and blameless in his sight. In love, he predestined us to be adopted as his sons through Jesus Christ in accordance with his pleasure and will to the praise of his glorious grace." His people were chosen in Christ, before the world began, to end up holy and blameless in heaven. That's all this preparation that was made before there even was a world, before Jesus was conceived and born, the preparation language was ascribed to the unfolding plan of God, and then history unfolded. The calling of Abraham out of Ur of the Chaldees, the birth of Isaac by a miracle, by the miracle power of God, and then of Jacob, and then of the 12 tribes, and then the bondage, the slavery in Egypt, all of that. The exodus through Moses, then all that subsequent history of the Jewish nation, and also the detailed history of the Gentile nations as well. God orchestrated all of these things according to His plan and His purpose. You look at the history of Israel recorded for us in the Old Testament, the history of Israel under the laws of Moses, and their tragic, consistent rebellion against God, and their consistent idolatry, and their consistent resistance of the Holy Spirit, and the messengers, the prophets, that came and they would not listen. Their subsequent exiles by the Assyrians and the Babylonians, and God's graciousness and allowing a small remnant of them to return to the Promised Land under Gentile domination and rebuild their lives, rebuild the temple and the city. Then the subsequent history of that small dominated nation in the times of the Gentiles, dominated by Gentile powers, until the time of Christ. Then in the fullness of time we're told, Galatians 3, "At the right time, God sent his son Jesus Christ." At just the right time, everything had been prepared, everything had been shaped and prepared for that moment in time for Jesus to come, and so we see that preparation language. Then God prepared a body for Jesus. He prepared a body for him in the womb of the Virgin Mary, Jesus was a holy embryo. This is an infinite mystery, something we will never fully comprehend, but His body was prepared step by step. It was miraculously conceived by the power of the Holy Spirit, when the Holy Spirit came over the body of Mary. But then it unfolded, it seems, in the natural way like any other baby is knit together in his or her mother's womb. The Virgin Mary was pregnant by the power of the Holy Spirit, as the angel said, "The Holy Spirit will come upon you, and the power of the most high will overshadow you, and so the holy one to be born will be called the Son of God." Mary said, "I'm a virgin, how can it be that I would have a baby?" That's how it happened, by the power of the Holy Spirit, the ordinary 23 chromosomes that would've come from a father, came from the miraculous power of the Holy Spirit. Other than that, it seems his body was formed step-by-step as the child develops in the mother's womb. The text in Isaiah says that God made his mouth like a sharpened sword. Before his mouth could be a sharpened sword, He had to have a mouth at all. His physical mouth, and then the lungs that gave him breath so He could speak. Indeed, every bodily system needed for physical life, God willed to give him. By the power of the Holy Spirit, knitting his body together, but in the ordinary way it seems of human gestation. Psalm 139, "You created my inmost being. You knit me together in my mother's womb. I praise you because I'm fearfully and wonderfully made. Your works are wonderful, I know that full well. My frame was not hidden from you when I was made in the secret place, when I was woven together in the depths of the Earth, your eyes saw my unformed body. All the days ordained for me were written in your book before one of them came to be." That's David the psalmist talking about his own physical creation by God inside his mother's womb. But how much more is that true of Jesus? Again, Job spoke the same way of his own body being knit together. Job said to God, "Your hand shaped me and made me. Remember that you molded me like clay. Did you not pour me out like milk and curdle me like cheese? Did you not clothe me with skin and flesh, and knit me together with bones and sinews? You gave me life and showed me kindness." How amazing is that process anyway for every baby, but how much more significant is it for the incarnate son of God? All the days ordained for Jesus were written in God's book before one of them came to be. He was concealed, but this concealed son of God was revealed at the right time. "Hidden in the womb of the Virgin Mary like a polished arrow," it says, "concealed in the quiver, just as God's plan for the salvation of the world was hidden in the mind of God but then suddenly revealed when Jesus broke on the scene." Romans 16 speaks of the proclamation of Jesus Christ according to the revelation of the mystery hidden for long ages pass but now revealed and made known. Ephesians 3:9 also, this mystery which for ages past was kept hidden in God who created all things. Colossians 1:26, "The mystery that had been kept hidden for ages and generations but is now disclosed to the saints." This mystery is Christ, the incarnate son of God, the Savior of the world, our hope for glory. Isaiah tells us that God concealed him in the shadow of his hand until the right time. The language here in Isaiah 49 is military. Jesus' mouth is likened to a sharpened sword, He is likened to a polished arrow. Jesus was unleashed by God the Father as a weapon to destroy Satan's dark kingdom, to smash it to bits, to destroy it, to bind the strong man, and to plunder his house, and to destroy him eternally in the lake of fire. By his own death, by Jesus' own death, to destroy him who held the power of death. In order to do this, God had to give Him a human soul, infinite mystery, and house it in a human body for that is what death is, the separation of the soul from the body. God gave Him blood, blood cells to course through His body, blood vessels to carry that blood, so that at the right time, He could shed His blood as an atonement for our sins. God gave Him bones as the frame of His body, but He ordained that not one of them would be broken when He died on the cross. God gave Him eyes to see the suffering of His afflicted sheep, He gave Him ears to hear their cries of pain, and all of this God prepared for His Son in the nine months that He was knitting Him together in His mother's womb. Then He hid Him once He was born, He hid Him from Herod's satanic attacks. Herod sent soldiers to hunt Him down and slaughter Him in Bethlehem, but God concealed Him and protected Him so that He would not die. The demons would've killed Him in the 30 years while He was growing up. He was getting ready to be revealed publicly to Israel, but they were held at bay. They would not be permitted to come after Him. They knew who He was, but He was protected and concealed, and He was concealed from public view until the right time came for Him to be manifested publicly to Israel. John the Baptist came as the forerunner, and he saw in the days of his baptism and the days of his preaching, John saw Jesus come. The only perfect man that has ever lived and he declared, "Behold the Lamb of God who takes away the sins of the world." John said, "I have seen and I testify that he is the son of God." John the Baptist said his central mission was the unveiling of the hidden son of God. In John 1:31, "The reason I came baptizing with water is that he might be unveiled or revealed Israel." The time of concealing was over, it was time for Him to be revealed. Think about the sharpened sword that was Jesus' mouth. How was Jesus' mouth like a sharpened sword with the awesome power of the words that He spoke? By His words, demons were driven out instantly. They were terrified of His word, they fled from Him, and no human weapon could ever bring terror to demons or to Satan. Satan has no fear of any weapon that we form, no weapon system. Remember when we were going through the book of Job and we talked about Leviathan, and I thought that he pictured Satan? For Leviathan in Job 41, it says, "The sword that reaches him has no effect, nor does the spear or the dart of the javelin. Iron he treats like straw, bronze like rotten wood. Arrows do not make him flee, slingstones are like chaff to him. A club seems to him but a piece of straw, he laughs at the rattling of the lance." There's no weapon that human beings could make, no sword that we could fashion that Satan would tremble at. But the demons were terrified of Jesus and they fled at His word. When the demoniac from the Gadarenes with 5,000 demons inside was confronted with Jesus, they ran to Him and fell on the ground before Him, begged Him that He would send them into the herd of pigs and not send them into the pit before they appointed time. He said one word in the Gospel of Matthew's account, "Go," and they fled. It was the power of the word of Jesus over the demonic forces. Jesus' sword is terrible, and swift, and unbreakable against all his enemies. At His second coming, He is depicted as having a sharp, double-edged sword coming out of his mouth. Revelation 19, "Out of his mouth comes a sharp sword with which to strike down the nations. He will rule them with an iron scepter, He treads the winepress of the fury of the wrath of God Almighty. And with His breath, He will slay the Antichrist, the most powerful and most wicked human being that will have ever lived in all of history." It says in 2 Thessalonians 2, "The lawless one will be revealed, whom the Lord Jesus will overthrow with the breath of His mouth and the splendor of His coming." All He'll have to do with the Antichrist is say, "Be dead, go to hell,” and it'll be done. That's the power of the sword coming out of the mouth of Jesus. How much more terrifying when He speaks to His enemies on judgment day, when all the nations are gathered before Him and He sits on a glorious throne, and He separates the people, all of them, one from another, into two categories, and only two, as a shepherd separates the sheep from the goats. He's going to say to the goats, to the lost, "Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels." That "depart from me" is His sharp sword cutting them off from Himself, and from life, and from everything good that there has ever been or ever will be. That's the terror of the sharp sword coming from the mouth of Jesus. Yet in an amazing way, his polished sharp sword heals us from our sins. Much like a surgeon's scalpel is able to cut out the tumor, it's able to take out the heart of stone and give us a heart of flesh. For the word of God is living and active, and sharper than any double-edged sword. It's able to penetrate, even to the dividing of soul and spirit, joints and marriage, judges the thoughts and attitudes of the heart. At the day of Pentecost, the people heard the gospel and they were cut to the heart, they were pierced by it and saved, because of that sharp sword coming out of Jesus' mouth. IV. The Apparent Failure of Jesus’ Mission Now we come to a mystery and that is the apparent failure of Jesus's mission. If Isaiah 49:1-6 is indeed the pre-incarnate Christ speaking of his mission in the world, if it is, what do we make of this one statement in verse 4? "I said, 'I have labored to no purpose, I have spent my strength in vain and for nothing.’" That sounds really discouraged, doesn't it? I put in all this time, I did all this labor, and nothing has come of it. If this is still Jesus speaking, and it must be because the text continues in the same pattern, how could it be? At what point would Jesus say something like this? The mystery of the incarnation, the entire mission of Jesus follows the same pattern. Nothing visibly spectacular at first, small, insignificant, not very glorious, and just getting bigger, and bigger, and bigger. Growing to a level we can scarcely imagine. Isaiah 53 speaks of this very thing in verse 2, "He grew up before him like a tender shoot and like a root out of dry ground. He had no beauty or majesty to attract us to Him, nothing in His appearance that we should desire Him.” He's not impressive. When the King of Kings and Lord of Lords entered the world, it was in abject poverty and humility, born in a stable, wrapped in swaddling clothes, laid in a manger. When the shepherds went and saw them, they saw a baby wrapped up in cloths, that was it. When the Magi came, having been led by the star, they just saw a normal human baby. He had no majesty, no glory. He was just simple, and so throughout His ministry. He had no outward majesty, no radiant glory shining around Him. He looked like an ordinary man, and a very poor one at that. He had no place to lay His head. He had to be supported by a group of women who supported Him out of their means. This culminated in His arrest, in weakness. He didn't fight, He just went like a sheep to the slaughter. His disciples all deserted Him and fled the moment that He was arrested. Jesus said they would do it, "This very night you will all fall away in account of me, for it is written. I'll strike the shepherd and the sheep of the flock will be scattered." They're all gone. His closest, most trusted allies, disciples that he had poured into for three years, they're gone. And the time of His death, as He was dying on the cross and his blood was flowing out of His body, all He had to show at that moment, for a worldwide awesome movement in the kingdom that would last for all eternity, was His mother, some other women who were friends of the family, and one of the 12 apostles, John, the disciple whom Jesus loved, who was an eyewitness to His death. That was it. The only perfect ministry there's ever been, the only perfect teaching and perfect miracles, all of that perfect example, and that's it. But I said, "I have labored to no purpose. I've spent my strength in vain and for nothing." The seemingly gloomy statement shows how small the kingdom of Christ would've appeared at that moment. If any of us who are followers of Christ could be there at that moment, we would see what it looked like, and it didn't look like much. It certainly didn't look glorious, it certainly didn't look like it would conquer the world and last for all eternity. It started small, like Jesus' own body in the womb of the Virgin Mary. Microscopically small, so also the kingdom, which would one day conquer the whole Earth and last for all the eternity. But at that moment, all of those beautiful outcomes were in the hands of God. As He died, He said, "Father, into Your hands I commend my spirit." I think we could go beyond and say, "Into Your hands, I commend my kingdom. Do something with this.” That's why in Isaiah 49:4, it doesn't last long, this seemingly gloomy statement. "But I said, ‘I have labored to no purpose. I've spent my strength and a vain for nothing. Yet what is due me is in the Lord's hand, and my reward is with my God.’" And God says, "Sit at my right hand until I make your enemies a footstool for your feet. Ask of me, and I'm going to give you the nations as your inheritance.” You cannot measure the zeal that God the Father had to make much of what Christ did by dying on the cross, but at the moment of death it seemed like a failure. Therefore, like Jesus' body itself grew, Jesus' kingdom starts small also and moves out to its appropriate scope, and then we see the eternal glory of Jesus' kingdom. The text speaks of a glory too small for Christ. Look at verses 5-6, "Now the Lord says, ‘He who formed me in the womb to be his servant, to bring Jacob back to him and gather Israel to himself, for I'm honored in the eyes of the Lord and my God has been my strength.’ He says, ‘It is too small a thing for you to be my servant to restore the tribes of Jacob and bring back those of Israel I have kept. I'll also make you a light for the Gentiles, that you may bring my salvation to the ends of the Earth.’" This is Jesus speaking by the Spirit through the words of Isaiah that Isaiah wrote down. He talks of his formation in the womb, the incarnation, Jesus would say, "The same God who formed me, formed my body in the womb of the virgin has glorious plans for Me." Yes, the original mission was to the nation of Israel. Paul says plainly to the Jew first and also to the Gentile, Jesus said to the Samaritan woman, "Salvation is from the Jews." He said to the Syrophoenician woman, "I was sent only to the lost tribes of Israel." Now this text says Jesus' first mission was to bring Jacob back to God and gather Israel to himself, to restore Jacob and bring back the remnant, those of Israel that I have kept, that remnant. But that mission is too small. The Hebrew literally says it's too light, it's too trifling a thing. "I've got bigger plans than that for you, Jesus." Bigger plans than that, however great that is. That Jesus, the eternal son of God, would be the tribal savior of only one ethnic group on Earth, that is too small a thing. Why? Romans 3: 29-30 says, "Is God the God of Jews only? Is He not the God of Gentiles too?" Yes, of Gentiles too, since there is only one God who will justify the circumcised through faith and the uncircumcised through that same faith. One God for the entire world, one savior. So therefore it is too light a thing for Jesus to only be a Jewish savior. He has a worldwide plan, God does. "I will also make you a light for the Gentiles that you may bring my salvation to the ends of the Earth." A light for the Gentiles, and that light directly equated with salvation. As Isaiah said earlier, in Isaiah 9:2, “The people walking in darkness have seen what a great light. On those living in the land of the shadow of death, a light has dawned.” It says in the next verse, Isaiah 9:3, "You have enlarged the nation and increased their joy." So we're going to have a bigger nation. He says in Isaiah 54, "Lengthen the tent ropes and the stakes, and get a bigger tent, you're going to need a bigger tent, O Zion." So it's too small a thing for just the Jews, there are going to be some honorary members of the family of Abraham. By repentance and faith in Christ, they're going to be grafted into this incredible work. "One God for the entire world, one savior. So therefore it is too light a thing for Jesus to only be a Jewish savior. He has a worldwide plan, God does." It is too small a thing for it just to stay Jews only. They rejoice before you as those who rejoice at the harvest, as those who rejoice when dividing the plunder. It's a time of joy. Jesus is the light for the Gentiles, giving the light of truth, shining the light on yourself, the light of the truth about yourself, that you're a sinner who has violated the laws of God as I am, that you deserve hell. Death is coming. You see the light of yourself, and you come into the light because you're not afraid, because you know what you're going to find there is a savior who is gentle and humble, and you're going to find rest for your souls, and salvation for your souls. That light is shining on you, and you can see yourself clearly for the first time, but you can also see the light of the glory of God in Christ, and He's beautiful and attractive, and you want him. That's the light, as it says in “Amazing Grace.” "Amazing grace, how sweet this sound that saved a wretch like me. I once was lost, but now am found was blind, but now I see." Jesus is the light for the Gentiles who would bring God's salvation to the ends of the Earth. And what is that but missions, friends. You may be wondering, "Why did you do Isaiah?" It's like, I want to get to missions. I want to talk about missions. "Well, Pastor, you did that last week." That's true, I want to do it this week too. It is important that we understand God's worldwide plan for the greatness of Jesus. Jesus is still too small, and His kingdom is still too small. It's bigger than it was yesterday, praise God, but it's still too small and it's going to get bigger and bigger. More and more people, and more and more conception of the greatness of Christ, and that process is going to go on for all eternity. Romans 15, "I tell you that Christ has become a servant of the Jews, on behalf of God's truth, to confirm the promises made to the patriarchs so that the Gentiles may glorify God for His mercy, as it is written. ‘Therefore, I'll praise you among the Gentiles, I'll sing hymns to your name.’" Again, it says, "Rejoice, O Gentiles, with his people." And again, "Praise the Lord all you Gentiles, and sing praises to Him all you peoples." And again, Isaiah says, "The root of Jesse will spring up, one who will arise to rule over the nations, and the Gentiles will hope in Him." V. Application This time of year, we collect money for missions through the Lottie Moon Christmas Offering. We have a greater focus on missions, our minds drift away throughout the year. We should be thinking about it daily throughout the year, but this is a good time for us to recommit and reconnect. Think about sacrificial financial giving. It is by offerings like this that missionaries are cared for, paid for, and able to stay on the field. Let's be sacrificial in our giving. We do this so that we may finally realize, God the Father's, determination in Isaiah 49:6, that Jesus would have the full glory of the salvation of the elect from every nation. As Revelation 7 says, "After this, I looked and there before me was a great multitude that no one could count from every nation, tribe, people, and language, standing before the throne, and in front of the lamb. And they were wearing white robes, and were holding palm branches in their hands. And they cried out in a loud voice, ‘Salvation belongs to our God who sits on the throne and to the lamb.’" Isaiah 9 says, "For to us a child is born, to us a son is given, and the government will be on his shoulders. And he'll be called Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace. Of the increase of his kingdom and of peace, there will be no end." This kingdom is going to get bigger for all eternity, not more people, procreation will be done. But in your estimation of the greatness of Jesus, you're going to spend eternity learning just how infinitely glorious and great Jesus is. I'm looking forward to that, aren't you? Close with me in prayer. Father, we thank You for the time we've had to study. Lord, we thank You for the gospel and pray, oh Lord, that You would just be speaking very plainly. Like even now, oh Lord, be speaking. Speaking to people who have yet to cross over from death of life. Let them hear the truth, and let them know... They've heard the gospel multiple times this morning. Let them know that it is for them, that they would see in the light of the truth of the Word of God, that they need a savior, and that Jesus is that savior. And repenting and trusting in Him, find life in His name. And for all of us, oh Lord, help us to be committed to shining that light in many dark places in the Raleigh-Durham-Chapel Hill area. We pray in Jesus' name. Amen.

Today's guest is Zac Ikuma, the General Manager of the Tokushima Gambarous, an expansion team in the Japanese B3 League! He is in his first season managing a professional basketball club after various roles in the sports industry. He has an extremely unique background for a GM, which is why I believe he will continue to thrive in this role! Zac has done everything from TV production to on field reporting to stage acting to NFL commentary to professional baseball interpreter and much more in between. Before arriving in Tokushima, Zac spent the last 4 years as the Official Correspondent for the Washington Wizards. Today we talked about: Growing up in a bilingual family How he got his first professional opportunity How his acting career helps him in business His time spent with the Washington Wizards A breakdown of the Japanese pro leagues All about Tokushima and his expansion team How the ownership group supports the vision GM responsibilities (and common misconceptions) Team culture -- how they are building winning habits Pros & cons of being relegated or promoted Goals for Tokushima this season and much more Appreciate you tuning in. Hope you enjoy! https://www.kevintarca.com/

Japan's Prime Minister Fumio Kishida said he is preparing to take bold economic measures, including an income tax cut for households hit by inflation and tax breaks for companies to promote investment, in what's seen as a move to lift his dwindling public support. In his speech to start a new Parliamentary session, Kishida said it was time to shift from an economy of low cost, low wages, and cost-cutting to one backed by growth led by sustainable wage hikes and active investment. “I'm determined to take unprecedentedly bold measures,” Kishida said, pledging an intensive effort to achieve stronger supply capability in about three years. “I will put more emphasis on the economy than on anything else.”  He said he is determined to help people ride out the impact of soaring prices for food, utilities, and other costs that have exceeded their salary increases, by implementing income tax cuts. He also pledged to introduce corporate tax incentives to promote wage increases, investment, and optimization. Previously, Kishida had been considered reluctant to cut taxes because his government must find the funds to double Japan's defense budget within five years as planned while also trying to counter the impact of Japan's low birth rate and rapidly declining population. Kishida's pledge on tax breaks has been criticized by opposition leaders as a vote-buying attempt because the proposals surfaced just before two by-elections that were seen as a litmus test for potential snap elections. His Liberal Democratic Party secured a parliamentary seat representing Nagasaki but lost in a combined district in Kochi and Tokushima to a candidate backed by the main opposition Constitutional Democratic Party of Japan. “The results clearly show that many voters are dissatisfied by the government's delayed economic measures to tackle rising prices,” said Jun Azumi, a senior CDPJ lawmaker. Kishida told reporters that he takes the results seriously and that he will tackle important policies one by one. “Now is the time for me to focus on that, and I'm not thinking about anything else,” Kishida said, denying that his tax cut proposal was related to elections. This article was provided by The Associated Press.

Pau Hana Time - Spencer Tokushima by Upcountry Calvary

What? Bonus content, already?! That's right! The Krewe is here with a surprise bonus episode to talk about the 2024 JET Program Application Cycle. Returning guest Tye Ebel, JET Coordinator for the Consulate-General of Japan in Nashville, is back, this time with his colleague Jonathan Contrades, Culture Coordinator at the same consulate. Together, they share some excellent insight & updates (along with crucial tips & tricks) to tackling and approaching this year's JET Application.. from Statement of Purpose (SOP) tips to handling referral letters. Don't miss out!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link  to save 20% Off your Entire Order! (00:01:06)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:42:40)------ JET Program-Related Links ------JET Program USA Application PortalJET Program USA WebsiteJET Programme International WebsiteJETAA Mid-South (JET Alumni Chapter for New Orleans area, as well as LA, AR, MS) Facebook GroupJETAA Mid-South SiteMemphis Japan Fest (11/05/2023)------ JSNO Upcoming Events ------JSNO Event Calendar11/5/23 - Kwaidan Book Club: Never Let Me Go11/9/23 - JSNO Annual Meeting 202311/18/23 - Ikebana Workshop11/29/23 - Spirited Away Screening @ Margaret Place (Link TBD)

This week on Krewe of Japan Podcast... in light of Japan Society of New Orleans's  upcoming 2024 Sister City Exchange Program, the Krewe sits down with Nicholas McCullough, Coordinator of International Relations for the International Tourism Division in Matsue. Nicholas takes us through some of the must-see, must-do, must-eat options that Matsue has to offer inbound visitors! Stay tuned at the end for some information on how to participate in the New Orleans-Matsue Sister City Exchange Program in 2024!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ About Nicholas & Matsue ------In Matsue Facebook PageImages in Matsue Instagram Page------ About New Orleans-Matsue Sister City Exchange Program ------JSNO Page about Exchange ProgramsBecome a Member of Japan Society of New Orleans

This week on Krewe of Japan Podcast... the Krewe sits down to discuss omiyage, when to get it, who to get it for, what to get, and how to navigate the culture of gift-giving in Japan! From sneaky good ideas to absolutely DON'T DO IT mistakes, the Krewe has it all!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page & the Krewe of Japan Youtube Channel). Until next time, enjoy!

Indulge in an exquisite culinary odyssey at Sushi Matsuri, where each set plate and sushi roll is meticulously crafted to deliver a harmonious blend of flavors. With their careful selection of rice sourced from Tokushima and natural soy sauce from Setouchi, Japan, along with seaweed from the same region, prepare yourself for an authentic and gratifying dining experience. Relish the artistry of their hand-crafted sushi creations as you unwind in a welcoming and relaxed ambiance. IG @sushi_matsuri_hawaii ----------------------------------------------------------------------------------- FOLLOW US ON Facebook: https://www.facebook.com/wherehawaiieats/ Instagram: https://www.instagram.com/wherehawaiieats/

This week on Krewe of Japan Podcast... the Krewe sits back down with returning guest & friend of the podcast, Shinichi Mine of TabiEats YouTube fame!  Together, we explore one of Japanese most hyped and popular dish... RAMEN! From the different types and regional delicacies to etiquette and manners and recent trends, we cover it all! Bust out those chopsticks & soup spoons... ITADAKIMASU! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Shinichi & TabiEats ------Shinichi on InstagramShinichi's World on InstagramShinichi on TikTokTabiEats on InstagramTabiEats YouTube ChannelShinichi's World YouTube ChannelI Will Always Travel For Food YouTube Channel

After another bustling weekend of lower-league J-football action, the JTET crew are back to review all of the big talking points (and some of the minor ones). In Part 1 (Start to 13:15), Jon Steele looks back at the recent Levain Cup games involving J2 representatives Iwata and Shimizu, and some of the J2 Round 18 action from last weekend. In Part 2 (13:25 to 16:30), James Taylor is on the mic to cover all of the other J2 games from Round 18. Then in Part 3, Jon and James chatted about some of the big games from the J2 matchday, including Kofu 5-1 Omiya (16:30 to 26:00), Tokushima v Machida (26:00 to 36:10), and Nagasaki v Iwata (36:10 to 47:00).  The boys (who are actually grown men in their late thirties) then previewed all of the upcoming Round 19 action for this weekend (47:00 to 56:50). Bringing up the rear, Part 4 sees Mike 'The Magic' Innes take control for the 'J-Talk: Short Corner' mini-pod (56:50 to Finish) - Mike has all of the news from a jam-packed Round 11 in J3, plus a look ahead to Round 12 coming up this weekend. Thanks for all of the support for JTET and The J-Talk Podcast - enjoy the show!

James Taylor and Jon Steele joined forces to bring you all the action from J2 matchday 10. In part 1, James rounds up 6 matches, and in part 2 Jon takes care of the other 5. In part 3 there's analysis of both ends of the table: Machida v Oita, Tokushima v Nagasaki, and Yamagata v Kanazawa, and a preview of matchday 11. Then, Mike Innes guides you through another action-packed round of J3 in J-Talk: Short Corner.   00:00 to 07:40 James' roundup 07:40 to 18:35 Jon's roundup 18:35 to 27:30 Machida v Oita 27:30 to 38:45 Tokushima v Nagasaki 38:45 to 50:40 Yamagata v Kanazawa 50:40 to 1:00:10 Matchday 11 preview 1:00:10 to end J-Talk: Short Corner (Mike)

Episode 139. If you enjoy the sound of ice cubes clinking in a glass, this may be the episode for you! This week, John and Timothy crack open the topic of sake on the rocks!  Pouring sake over ice may not be the norm, but it can be a treat with the right kind of sake... and the right kind of ice.  We'll experiment with tasting our higher alcohol genshu-style sake both on the rocks and straight up to see what works better along with the pros and cons of sake over ice. But all that is just the tip of the iceberg, so sit back, listen in and chill with us as we sip our sake on the rocks.    #SakeRevolutionSupport the show

The 2023 J2 season finally got underway last weekend, so James Taylor and Jon Steele joined forces to review all the action and discuss some of the main talking points from the opening round. First, James rounded up Saturday's games, then Jon did the same for Sunday. After that, James and Jon talked about Iwaki v Fujieda, Iwata v Okayama, and Tokushima v Oita, before finishing the episode with a brief look ahead to round 2.   00:00 to 09:10 Saturday roundup (James) 09:10 to 17:00 Sunday roundup (Jon) 17:00 to 24:15 Iwaki v Fujieda 24:15 to 33:00 Iwata v Okayama 33:00 to 42:50 Tokushima v Oita 42:50 to end Matchday 2 preview

When making mokuhanga there are many way to get to the final product. However you get there, you need to enjoy every single moment you have with it. So many twists and turns, indulging your passions with your work, anything can happen. On this episode of The Unfinished Print I speak with printmaker Karen Pittman. With her varied CV, Karen has explored many ways of making, of creating. Her influences come from the traditional, working from the ground up. Karen's mokuhanga exudes that tradition, the patience and serenity of a seasoned mokuhanga artist.  I speak with Karen Pittman about how she got involved with mokuhanga, her time at Mokuhankan and David Bull, her blog; Vivid Laboratories, he own work and what she learned from her mother as an artist.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Karen Pittman - blog, Instagram  星空に - By Starlight (2019) Balcones Canyonlands (2020) Annie Bissett - is an American mokuhanga printmaker and graphic designer based in Rhode Island, USA. Her work touches on politics, and beauty. Her interview with The Unfinished Print cane be found, here. Annie's work can be found, here. April Vollmer - is a mokuhanga artist based in New York City. She has been working in the medium for over thirty years. Her book, Japanese Woodblock Print Workshop, is a classic of the genre and a fantastic instructional book on mokuhanga. Her interview with The Unfinished Print can be found, here.  Zea Mays Workshop  - is a printmaking workshop located in Florence, Massachusetts, USA. They conduct in person and online workshops, as well as tutorials and private lessons for many types of printmaking. More info, here.    temari - (手まり） is a Japanese folk art where balls are embroidered with different types of decorations. They are used as toys, gifts, games, or for collection. More info can be found about this delightful craft, here. For Karen Pittman's temari balls, you can find them here.    two point perspective - also known as linear perspective, is a drawing style which creates a 3D perspective on a two dimensional surface. It is one point of the three points of perspective. One point perspective is where the vanishing point is on the horizon line, and three point perspective is where three points are on the horizon line. The above information is found on The Virtual Instructor, by Matt Fussell, where all points are discussed in detail.    Naoshima (直島) - is a an island and part of an archipelago of islands located between Shikoku and Honshu islands in Japan. It is known for its comteporary art galleries, fishing, and nature tourism. More info, here.    shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945).     Emil Orlick (1870-1932) - 日本の刷り師 (1901)   Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Begun with painter Yoshida Kasaburō (1861-1894), made famous by Yoshida Hiroshi (1876-1950) and his work with woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here.     Tōshi Yoshida (1911-1995) - 白塀 (Shirobei)   Studio Ghibli - (株式会社スタジオジブリ)  is an animation production house based in Tōkyō, Japan. The studio was founded in 1985 by Hayao Miyazaki, Isao Takahata (1935-2018), and Toshio Suzuki. It has a long line of animated films which have influenced artists, and animators around the world. One such film is Princess Mononoke (もののけ姫) an historical fantasy taking place during the Muromachi Period (1336-1573 CE) of Japan. It is a fantasy story based on the relationship between nature, gods, and man. More info can be found here for Ghibli.    David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.      The Seacoast in Autumn from the My Solitudes Series (2007-2009)   Mokuhankan  - is a brick and mortar woodblock print shop located in Asakusa, Tōkyō. It is a learning and working space, where it sells the works of artist Jed Henry, master carvers of the past, and various print series. All are printed and carved by Mokuhankan printmakers and carvers. Started by printmaker David Bull as a way to sell his own series and reprints of old carvers of the past, Mokuhankan has grown exponentially over the years and is a must visit when coming to Tōkyō. More info, here.    Awagami Mini Print Exhibtion - is a an exhibiton sponsored by the Awagami Factory. Awagami is a company which produces washi in Tokushima, Shikoku, Japan. This exhibtion, focuses on small size prints. More info can be found, here.   Cameron Hilker - was an employee at Mokuhankan from 2017-2022. Cameron worked at Mokuhankan as the Businnes Operations and Social Media Marketing Manager. His interview with The Unfinished Print, can be found, here.    Asakusa, Tōkyō - is a vibrant and exciting part of the metropolis of Tōkyō. It is rich with history, and rich in the tradition of entertainment, theatre, and religion. Today, Asakusa is known for it's temple system, with Sensō-ji as its centrepiece. Shopping, within the Nakamise, leading you from Kaminarimon to Sensō-ji, you are surrounded by so many opportunities to spend your money, it's quite the experience. You can also go to Kappa-bashi, where you can shop for kitchen-ware and random tchochke's. More information can be found at gotokyo.org.    Don Quijote - (株式会社ドン・キホーテ)  founded in 1989, Don Quijote is a chain of department stores located throughout Japan, parts of Asia and The United States. As a discount realtor, Don Quijote caters to tourists and locals who want a good price. More info can be found on their website, here.    Daiso - (株式会社大創産業)  founded in 1977, Daiso is a discount realtor based in Japan but with outlets throughout the world. While known for being “the 100 Yen shop", Daiso sells a variety of items at different price points.  More info, here.    Fabiola Gil Alares - is a mokuhanga artist and business person who lives and works in Spain. Her book on mokuhanga, Mokuhanga: Manual Ilustrado de Xilografia Japonesa, has become one of the go to books about mokuhanga, in any language. Her interview with The Unfinished Print can be found, here. Her website can be found, here.      Adentro    Print which Karen helped to print when working at Mokuhankan.     Owl In Moonlight (みみずくのうたた寝）printed by Mokuhankan. Based on a print by Utagawa Hiroshige (1797-1858)   Shin-Torinoko paper - is a mass produced, machine made Japanese paper that is relatively inexpensive. It comes in various weights and colours. More info can be found, here.    Kitaro Japanese Paper Company -  founded in 1872, Kitaro focuses on making high quality Japanese washi in Fukui Prefecture.  More info, here.    murasaki baren - is a mid-range mokuhanga baren. “murasaki” meaning “purple” , come in two types of weight (medium and heavy), and two types of sizes (10cm and 12cm). They are reasonably priced baren.    McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClains is the go to supplier of woodblock print tools in the United States. Their website can be found, here. The interview with the Unfinished Print with Daniel Jasa of McClain's can be found, here.   mudabori - "waste carving" is a technique in mokuhanga which involves the artist carving away any unwanted wood deemed unecessary for their finished print. These can be guides, as to where the colour blocks will be carved, and then carved away later after it has served its purpose.  More info can be found over at Mokuhankan, here.   Edo Period (1603-1868 CE) pigments for mokuhanga - during the Edo Period, mixing four or five colours was common as they were mineral and vegetal pigments, which could last a long time. According to Japanese Print-Making by Tōshi Yoshida, the best colours to use for their steadfastness was sumi (black ink), gofun (shell powder), shu (Chinese vermillion), kuchinashi (jasmine/gardenia yellow), ai (indigo), and taisha (red ochre).   John Amoss of Tanuki Prints in Georgia, has written and produced a video of some of his work with Mokuhankan, and his experience grinding traditional pigments with their team. You can find that, here. From David Bull's woodblock.com there is a posting about preparing powdered pigments in the traditional method, here. My interview with John Amoss can be found, here.      Morning Tree by John Amoss (2022)   Winsor & Newton - is a British artist supply company, started in 1832,  which sells artist materials such as pigments, brushes, paper, etc. More info can be found, here.    Print Austin -  is an annual printmaking expo in Austin, Texas where artists of all different types of printmaking come and show their work. As Karen says in her interview, there are workshops, classes and interactive modules. More info can be found, here.    New Leaf Gallery - is a relief print focused gallery located in Wybridge, Vermont, USA. More info can be found, here.    Cormark International - is an international supplier of exotic woods, and are based in South Africa. More info, here.    Ocooch Hardwoods - is a wood supplier based in Wisconsin. More info can be found, here.    © Popular Wheat Productions opening and closing musical credit - One Love (LG Main remix) from From Illmatic to Stillmatic: The Remixes (2002) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***      

The JTET crew return to cover the final day of the regular J2 season, as well as all of the latest J3 news as the 3rd-tier season nears an intriguing climax. In Part 1, Jon Steele (@JTalkETJon on Twitter) rounds up all of the big talking points from the final day of the J2 season, as Yamagata pip Tokushima and Sendai to grab a Play-Off place, and Oita slipped up at Ryukyu to hand Kumamoto 4th place (and a home tie in Round 1 of the post-season tournament). After that, Jon was joined by official JTET Kumamoto reporter Garry Irwin (@GarryIrwin on Twitter) to review Kumamoto's home game against Yokohama FC in depth, and to look ahead to both of this weekend's Play-Off matches. To round things off, Mike 'The Orlando Magic' Innes (@GoGoOmiyaArdija on Twitter) brings you up to date with J3 in 'J-Talk: Short Corner'. Thank you for all of the support for JTET so far in 2022 - enjoy the show! 

This week on Krewe of Japan Podcast... with the borders re-opened, the Krewe is on a travel kick lately (and is ALWAYS on a food kick)... so this week the Krewe put the two together!  Joined by Shinichi of TabiEats YouTube Channel fame, we explore Japan with a food-focused filter. From crazy vending machines to a cuisine breakdown by region, this episode will help you figure out how to plan your trips around your meals... and not the other way around! ITADAKIMASU! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Shinichi & TabiEats ------Shinichi on InstagramShinichi's World on InstagramTabiEats on InstagramTabiEats YouTube ChannelShinichi's World YouTube ChannelI Will Always Travel For Food YouTube Channel

The time and dedication that it takes to make mokuhanga is well known. And if it isn't then it really should be. It feels that it's easy to follow social media, and watch the pretty prints come out of nowhere, but behind all those nice pictures is a lot of hard work, and dedication. One person who is a prime example of this hard work, dedication and passion for the craft, is Lucy May Schofield. Based in England, Lucy has been making mokuhanga for some time. She has travelled the world, using her environment, and her passion to create mokuhanga that is expressive and powerful.  On this episode of The Unfinished Print, I speak with Lucy about how she discovered mokuhanga, her time at MI Lab, Lucy's love of bokashi,  and her mokuhanga relationships; those that have helped her along the way. Lucy also speaks on the Mokuhanga Sisters Collective, how grants and scholarships assist in Lucy's artistic pursuits, as well as how her other artistic endeavours affect her mokuhanga. Lucy's is a story which explores independence, pilgrimage, freedom, and how it affects a persons life.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com  Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Lucy May Schofield - website, Instagram Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.  Untitled 2015-14 (2015) Royal Academy of Arts - is an English art institution which as been in operation for 250 years. More info, here.  Fukuoka, Prefecture, Japan - is a Prefecture in the second most southern part of the Japanese archipelago.  It is known for is temples, hot springs, and natural beauty. Fukuoka tourist website, here. kotatsu - is a low table, electrically heated by an internal heater underneath the table itself, more info, here.  Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.  Hizakura no Saku (1978) colour lithograph New Year Card - called nengajo (年賀状) in Japanese, these cards have been traditionally passed from person to person  since the Heian Period (794-1185). Mokuhanga practitioners make them as well, creating a new one every year focusing on the zodiac sign of the year as a theme. shina - is a type of wood used in mokuhanga. It is part of the linden family of trees. This wood is produced in various parts of the world, such as Japan and Russia. Not all shina is created equal so buyer beware. magnolia wood - a straight grained hard wood located in North America and Asia. more info, here. washi paper - (和紙) is a type of Japanese paper made with the fibres of either gampi, mitsumata, or mulberry. It is versatile and can be used in many ways.  International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.  Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners to have made work. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour for his work. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here. Pool Diver (1996) Keiko Hara - is an artist who works, and teaches in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga.  Untitled (2019) Keiko Kadota - (d. 2017) was a director of MI Lab and of Nagasawa Art Park, previously. She was a mentor to many mokuhanga practitioners and helped to promote mokuhanga around the world. MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  Kate MacDonagh - is an Irish mokuhanga printmaker based in Dublin, Ireland. Kanreki was an exhibition curated by Kate MacDonagh at The Model, Sligo. Kate's website. Katsutoshi Yuasa - is a printmaker and artist based in Tokyo, Japan. His work tends to be large scale, and created through photography, bits, and focuses on the overall "image" itself. His interview with The Unfinished Print can be found, here. website, Instagram I-know-not-what (2022) oil-based mokuhanga kirazruri  - is a style of printing which uses mica to give a silver, glittering tone to the print. Mica is used as a lovely addition to your print. You can find more information, here.  Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world.  Carol Wilhide Justin - is a mokuhanga printmaker based in London, England. Her work focuses on the natural world and the process of making mokuhanga. Carol's interview with The Unfinished Print can be found, here.  Asemic Writing  Tochigi, Prefecture - is a Japanese Prefecture sandwiched between Saitama, Ibaraki, Fukushima, and Gunma Prefectures. It is famous for its autumnal leaves,  temples, and UNESCO World Heritage Site, Nikkō. More info, here.  Nishijin - is an area in Fukuoka City known for its shopping district.  inaka (田舎) - is a Japanese word for “country-side.” Kurokawa Onsen (黒川温泉) - is a hot spring town located on the island of Kyushu, near Mount Aso, the largest active volcano in Japan. It is famous of its traditional style inns, hot springs, baths, and food. More info, here.   Beppu (別府市) - is a hot spring town located in Kyushu. More info, here. matsuri (祭り）- is the Japanese word for “festival.” Japan is a country famous of it's festivals. Each Prefecture, city, town, municipality has a special festival for their area, connected to the seasons, gods, or harvests.  Itoshima (糸島市) - is a city in Fukuoka Prefecture, popular for its beaches, surfing, and nature.  Northumberland, Britain - is a county located in the northernmost area of Britain. It shares a border with Scotland. It is known for its nature, industry, castles, and history. https://www.visitnorthumberland.com cyanotype -  a type of work which uses iron compounds, and when exposed to UV light creates various blues. More info, here.  Indigo dyeing - made famous in the Edo Period (1603-1968), indigo dyeing has been a part of Japanese handicrafts for a long time. Shikoku is famous for it, towns such as Mima, Wakimachi, Tokushima, amongst others continue to produce hand dyed garments of indigo.More info can be found, here, and here.  Awagami -  is arguably the largest paper making company in Japan at the moment. With a large International name, Awagami sponsors, and promotes its paper all over the world. More information can be found on its website, here.  88 Temple Pilgrimage - associated with the Buddhist priest Kōbō Daishi (Kūkai) [774-835]. It is one of the few circular pilgrimages in the world. You can walk, or drive the pilgrimage. You can also see it in parts, called kuguri-uchi. Essentially you can walk this pilgrimage in order, backwards or frontwards as they are all temples associated with Kūkai. If you do make the pilgrimage by foot, it is a commitment, but extremely rewarding. Pilgrims are called ō-henro. More info, here.   Ō-settai - are gifts, such as lodging, food, money, or clothing. They are given by non-pilgrims to pilgrims on they journey of the 88 Temples. More info can be found, here. QEST - is the Queen Elizabeth Scholarship Trust, and is given to British craftspeople who are given money to pursue training and education in their specific field and medium.  More info, here.  kōzo - is a paper made from the bark of the mulberry bush. It is used in mokuhanga frequently, and comes in various weights. YInMn - is a blue colour discovered by Professor Mas Subramanian in 2009.  Helen Frankenthaler (1928-2011) -  was an American abstract impressionist painter who enjoyed experimenting, discovering new ways of expression through paint. More info, here.  Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous person is Iwano Ichibei whom Megan mentions in this episode. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. More info can be found here in English, and here in Japanese.  Paul Furneaux - is a Scottish born mokuhanga printmaker and teacher who uses the medium of  mokuhanga in order to create pieces of work that are third dimensional, and abstract.  The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram Yasuyuki Sato - is the Chair of Center for the Science of Human Endeavor/CfSHE, and Director of the Mokuhanga Conference.  Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. More Beer...For Instance (2013) Katie Baldwin - a woodblock printmaker, letterpress, screen printer. website, Instagram Raft (shore) #2 (2013) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here.  Between Times - folded screen with mokuhanga wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab.  Patty Hudak - is an American artist who splits her time between Vermont and NYC, who works in installation, and mokuhanga. She has travelled the world, and is a part of three artist collectives. Patty's interview with The Unfinished Print can be found, here.    Melissa Schulenberg - is a woodblock printmaker and professor of Art and Art History at St. Lawrence University, Canton, NY. Some of her work can be found, here.  Newcastle University - is a public research university located in Newcastle-Upon-Tyne, Britain. London College of Printing - now called the London College of Communication, is an art college associated with the University of the Arts London.  Toshio Sayama - is an instructor at MI Lab as well as on the MI Lab Committee Board.  Borderless scroll - is the Mokuhanga Sisters collaborative scroll. Shown in Nara during the International Mokuhanga Conference, as well as at the Southern Vermont Art Center. nori - is a type of paste made from starch. It is usually used when making mokuhanga. You can make nori from any type of material made of starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Utamaro - A Prelude To Desire Series - is a series created by Kitagawa Utamaro (1750-1806) in 1799. His designs changed the whole perspective of shunga, erotic prints. Below is as print as designed by Utamaro and Lucy's self-produced print, Prelude To Desire IV.  shunga (春画)- is a type of mokuhanga which is connected with the ukiyo-e period of the Japanese print. The theme is sexuality, whether male-female, or male-male. Many print designers helped to create these prints, and were very popular.  Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Ōmayagashi - from One Hundred Famous Views of Edo Northumberland National Park - is a park in Northumberland , England. It is considered a “dark skies” park where the night sky is preserved by having no artificial lighting in the area. Holbein -  is a pigment company with offices located in Japan, The United States, and Canada. They offer high end gouache, watercolour, and pigment pastes.  scrolls - called kakemono 掛物 or emakimono 絵巻物  in Japanese. These scrolls contain many different types of themes and subjects. More info can be found, here.  The Legend of Gisho Turner Design Gouache - is a company based in Osaka, Japan. The make acrylic and design (water based) gouache.  Oak gall - is a type of plant swelling, which can be found in various plants. Oak gall is made by the Gall Wasp. The ink and pigment made form oak gall has been used for centuries. hanshita - is a thin sheet of gampi paper that is pasted, reverse side, on a piece of wood. This is a guide, carved onto the block and is generally used for the key block and subsequent colour blocks. Methods such as acetate with water based pigment, can also be used rather than the thin gampi paper, which can cause misregistration if not pasted correctly. The Japanese Paper Place - is a Toronto based Japanese paper store servicing the Mokuhanga community for many years.  Interview with the Nancy Jacobi of the JPP can be found, here. Ozuwashi -  is a brick and mortar paper store located in the Nihonbashi district of Tōkyō. More info here. You can purchase all types of paper that Lucy mentions ion her interview, such as pansion, and sekishu. Chine-collé - is a two layered printmaking process where the paper is  placed onto an inked metal plated run through a press. More info, here.  © Popular Wheat Productions opening and closing musical credit - The Smiths - The Headmaster Ritual from the album Meat Is Murder (1985) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***    

This week on Krewe of Japan Podcast... don your henro gear, grab your walking stick, & journey to Shikoku for an 800 mile, thousand year old 88 temple pilgrimage with Todd Wassel, author of the travel memoir Walking in Circles! The Krewe & Todd explore the history behind the pilgrimage, personal experiences traversing the island, some can't-miss tips for preparation, and just a general appreciation of the natural beauty of Shikoku as a whole. You don't want to miss this one! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Todd Wassel ------Todd's WebsiteWalking in Circles (Amazon)Todd on TwitterTodd on InstagramShikoku Pilgrimage WebsiteProof Doug Actually did this (Ehime Prefecture Blog)

We look at Japan's bid to compete with Silicon Valley. Japan is well known for innovations such as the walkman, bullet trains and Nintendo games, but the country hasn't produced a killer product to really wow the world for decades. The government wants to change that by increasing the number of start-ups by ten-fold over the next five years. In this episode Mariko Oi travels across her home country to meet with the next generation of entrepreneurs hoping to make Japan Asia's Silicon Valley. She hears from Chikahiro Terada, the boss of Tokyo-based start-up Sansan, which specialises in the digitalisation of business cards. Chikahiro is opening a special new school for tech-savvy young entrepreneurs in Tokushima on the southern island of Shikoku. Mariko also meets the founder of a mobile supermarket business and speaks to the country's former digital minister, Karen Makishima, who says there will be fewer rules for digital start up companies and that the government will be encouraging more diverse entrepreneurs to set up businesses in rural as well as urban areas. Presenter: Mariko Oi Producer: Jagdip Cheema Image: Mariko Oi in Tokushima; Credit: BBC

James Taylor was joined by JTET debutant Steve Fryer to analyse J2 round 30, particularly Omiya's important win over Yokohama FC, Gunma's loss to JEF, and Niigata's draw with Tokushima. They also tried to answer some listener questions. Then James rounded up the rest of the games, and Steve returned to preview matchday 31. As ever, Mike Innes has J3 covered in J-Talk: Short Corner. 00:00-21:05 Omiya v Yokohama FC 21:06-35:23 Gunma v JEF 35:24-56:38 Niigata v Tokushima and listener questions 56:39-1:08:41 J2 MD30 roundup 1:08:42-1:19:40 J2 MD31 preview 1:19:41 to end Short Corner

Jon Steele joined James Taylor to discuss the action from matchday 26 of J2, focusing on Niigata's win in Yamaguchi and Shion Homma's transfer to Club Brugge, Yokohama FC's draw with Tokushima, and more dropped points in stoppage time for Omiya against Tokyo Verdy. James reviewed the rest of the action, and then the boys took a look ahead to the weekend's games. Then, Magic Mike Innes has all the latest from J3 in J-Talk: Short Corner.   00:00-12:18 Yamaguchi v Niigata 12:19-21:37 Tokushima v Yokohama FC 21:38-33:15 Omiya v Tokyo Verdy 33:16-42:32 J2 MD26 roundup 42:33-51:20 J2 MD27 preview 51:21 to end Short Corner           Thanks to Steve (@ardija01talk) for his question, and to everyone for your continued support of the pod. We hope you enjoy the episode and the football!