Podcasts about cassettes

Eric and Willa have the time of their lives making a nostalgic mixtape. Eric reveals the celebrity crush that rejected his Debs invitation and Willa asks "How can I get you a loan?". Cassette tape hacks, Walkmans, ghetto blasters and the unforgettable soundtrack of your teenage years.New episodes Mondays and Thursdays.'DM Me Hun' on Instagram | TikTok (@houseoffunpod) Email Eric and Willa at houseoffun@goloudnow.comContains strong language and adult humour.

On this week's show, we pour one out for Kavinsky and Glen Hansard, catch up on a smokin' boatload o' singles that have been piling up over the past several weeks, and spin fresh tracks from Boards of Canada, Mitch Easter, The Womack Sisters, Tom Waits, and the long-awaited collab of Steve Earle & Los Lobos.All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

「【新宿西口ホテルのカフェ&ダイナー】WPÜ SHINJUKUでカセットテープのイベント『CASSETTE WEEK MARKET 2026』が10月に開催！」　新宿西口ホテルのカフェ&ダイナーにある「WPÜ SHINJUKU」では、カセットテープの世界的な祭典『Cassette Week 2026』に因んだイベント『CASSETTE WEEK MARKET 2026』が2026年10月12日(月)に開催されます。2013年に英国ロンドンで発足され、ヨーロッパ・アメリカ・アジアへと広がった「Cassette Store Day」は、後継イベント「Cassette Week」とコラボレーションして展開。

「カセットテープ国産化60周年を記念した「Cassette Week Japan 2026」、10/11-17まで開催」　カセットテープの世界的な祭典「Cassette Week Japan 2026」が、10月11日（日）から17日（土）まで開催される。日本での公式開催は2016年に始まり、2026年はカセットテープの国産化60周年にもあたる。

One exit on the drive to a golf tournament took me back 39 years to the beginning of my sales career at WSWO and WKFI radio stations in Wilmington, Ohio. At 21 years old, I walked into Bright Appliances ready to present my first radio commercial. Instead, the cassette player ate my tape, the owner blamed me for breaking it, and I left the store in tears wondering whether sales was the right profession for me. I had a decision to make. I could allow that experience to define me, or I could learn from it and try again. I returned to the station, recreated the commercial, and went back the next day with a new tape and my own cassette player. The client loved the commercial and purchased the advertising schedule. In this episode, I share how that early experience helped shape my 39-year journey as a sales professional, leader, and mindset coach. You will discover: Why one difficult moment does not define your ability or future How resilience is built through experience The importance of managing your emotions and taking the next step How to shift your mindset from failure to learning Why growth happens when you apply what an experience teaches you The experience may be painful, but it does not have to become failure. It can become information. If something is not going as planned, give yourself a moment to feel it. Then look for the lesson, adjust your approach, and try again. Keep pursuing. Keep learning. Keep growing. Three-Word Takeaway Learn and Grow Reflection Question What experience in your life or career could become a lesson that helps you move forward?   Until Next Time, my friend. Connect with Lisa: https://www.linkedin.com/in/lisathal/ http://threewordmeetings.com http://threewordpodcast    

Un cowboy, un marin, une militaire, une disco queen. Et deux producteurs aux manettes : Danski et Delmundo. En 1999, la pop n'a plus peur du ridicule. Le tube de l'été arrive de Hollande avec un refrain que personne n'a jamais réussi à s'enlever de la tête. « Boom, Boom, Boom, Boom!! », le tube des Vengaboys, entre directement n°1 au Royaume-Uni et N°4 en France. Le groupe revendique aujourd'hui 25 millions de disques vendus.27 ans plus tard, la chanson tourne toujours. Elle tourne même dans mon salon, en boucle sur un radio-cassette, parce que c'est la chanson préférée de mon fils Georges.Alors on lui a tendu un micro. Voici le hors-série d'été de Radio K7, avec un chroniqueur de 7 ans.On retrace avec Georges l'histoire des Vengaboys, des débuts du groupe en 1997 jusqu'au passage à Top of the Pops du 25 juin 1999. Manu ouvre le capot du single et décortique la recette : la boîte à rythmes Roland TR-909 et l'interpolation d'ABBA planquée dans le premier couplet. Enfin Georges décrypte le clip, du chapeau de cowboy rouge jusqu'au Robodude. Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : Vengaboys "Boom, Boom, Boom, Boom!!", "Up & Down", "We Like to Party!", "We're Going to Ibiza!", "Boom, Boom, Boom, Boom!!" (version unplugged officielle). ABBA "Lay all your love on me".Extraits : Top of the Pops "Boom Boom Boom Boom" (BBC One, 25 juin 1999).Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Cet été, exceptionnellement, on rembobine un single. Et on confie le micro à un chroniqueur de 7 ans. Un hors-série animé par Georges et son papa. Enregistré chez Manu. LAISSEZ UN MESSAGE APRÈS LE BIP !Appelez-nous au 01 89 16 75 31. Si vous avez dansé sur "Boom Boom Boom Boom" à un mariage, tapez 1. Si vous l'avez subie quatorze fois d'affilée dans une voiture, tapez 2. Pour laisser un message à Georges, tapez 3.Et restez connectés :— Instagram : @radio_k7— Bluesky : @radiok7podcast.bsky.social— Facebook : @Radiok7podcastCe service respecte le droit d'auteur. Tous les droits des auteurs des œuvres protégées reproduites et communiquées sur ce site, sont réservés. Sauf autorisation expresse, toute utilisation des œuvres autres que l'écoute et/ou la visualisation dans le cadre du cercle de famille sont interdites.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hey Utah!!!  If you could stop being on fire, that'd be awesome!!!! "SIP & SPIN" is a HUGE party happening this Saturday at Quench it, in Lehi!!  Lots of treats, live music and great deals on records, CD's and Cassettes from The Record Shack!It's out!!! Chandler has the 2026 list of the "Top 10 Best Hamburgers in the Country"!!!  Did your favorite make the list?!!CHUNGA POLL: What's is your most overrated restaurant or fast food chain?!?  Post your answers below!!!PLUS!!! Gregg has another all time classic movie shout-out!!Listen NOW!!! It's on www.radioronin.com and everywhere you get your podcasts!!!

Hey Utah!!!  If you could stop being on fire, that'd be awesome!!!! "SIP & SPIN" is a HUGE party happening this Saturday at Quench it, in Lehi!!  Lots of treats, live music and great deals on records, CD's and Cassettes from The Record Shack!It's out!!! Chandler has the 2026 list of the "Top 10 Best Hamburgers in the Country"!!!  Did your favorite make the list?!!CHUNGA POLL: What's is your most overrated restaurant or fast food chain?!?  Post your answers below!!!PLUS!!! Gregg has another all time classic movie shout-out!!Listen NOW!!! It's on www.radioronin.com and everywhere you get your podcasts!!!

Pasquale, Skipped Dent, Painted Faces, Organic Produce, Shivers!, Sleep Chrysalis, Mike Khoury Drum Ensemble, Kelli Connell, Torito & Jumbled, Lo-Tek Larry, Quiet Evenings, Six Organs Of Admittance

In 2005, Matt sat across from Anthony Bourdain at a magazine photo shoot. His first TV show, No Reservations, was only a few months old, and they dug into the contents of his travel bags, which he had brought to the set from his apartment in Hell's Kitchen. Two hours turned into a highly personal conversation, recorded on a cassette that sat untouched for twenty years. This week, that tape gets its first public airing, and we discuss Tony's preferred sucker-punch etiquette, his loyalty to cigarettes and the Chateau Marmont, ayahuasca in Peru, and the talk show he dreamed up with Christopher Walken in mind. The Bourdain biopic, Tony, is out on August 7. Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this exciting episode, you'll get all of this - and more!0:00 - Introduction and music news15:40 - Let's talk about Kung Fu Vampire! - as suggested by our Patreon member, SicJuggalo!  You can check out his Kung Fu Vampire playlist (the one we listened to for this episode) right HERE!50:45 - ICP + Wakko the Kidd + Ruin the Moment + Mr. Sadistic live in Pittsburgh recap! (including a lot of Wakko talk)1:30:46 - Fun Time Book Club: How Do You Fit A Cassette In A Discography?  1:50:57 - Show closing + Patron shoutouts!If you want to interact with us, send us messages, follow us, support us, or join our community, check out the links on our WEBSITE.If you want EVEN MORE underground goodness, check out Robbie's underground rap and horrorcore focused news show on YouTube, DO IT FOR THE UNDERGROUND (DIFTUG) HERESend us Fan Mail

On this week's show, we spend quality time with new records from Jack White, The Rolling Stones, Brother Wallace & Jalen Ngonda.All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Une VHS maudite sans jaquette. Un vieux Blockbuster en train de mourir. Une petite ville de Caroline du Nord où tout le monde se connaît assez pour savoir quand quelque chose cloche… et assez pour se taire quand l'horreur devient trop réelle. Dans cet épisode de podcast horreur, Chandleyr vous entraîne à McGrady, en 2001, au cœur d'un vieux magasin de location de films où une cassette sans origine apparaît dans les retours. Dessus, un seul mot griffonné au marqueur : WATCH. Personne ne sait d'où elle vient. Personne ne l'a enregistrée. Personne ne devrait même pouvoir l'emprunter. Pourtant, les clients repartent avec elle. Et chaque fois, la même chose se produit : au matin, la bande revient seule dans la boîte de dépôt, comme si elle n'avait jamais quitté le magasin.Mais la vraie horreur ne réside pas seulement dans cette VHS maudite qui refuse d'être possédée. Elle commence dans les rêves. Ceux qui la regardent racontent tous les mêmes cauchemars : une forêt en décomposition, des télévisions allumées au milieu des arbres, des visages coincés derrière le verre, une maison blanche au fond de la nuit. Puis viennent les disparitions. Dans cette fiction entre récits creepypasta, thread horreur, cauchemar analogique et horreur psychologique, le réel commence à se fissurer. Ce n'est plus un film. Ce n'est plus une légende de vidéoclub. C'est une porte. Une bande vidéo qui n'enregistre pas seulement des images, mais des passages. Et à McGrady, certains comprennent trop tard que chaque personne disparue avait vu la cassette avant de s'effacer du monde comme on coupe une image.Dans l'Ombre des Légendes poursuit ici son travail sur une horreur plus cinématographique, plus organique, plus poisseuse, nourrie du réel pour mieux l'entraîner dans l'ombre. Entre podcast légendes, creepypasta français, récits creepypasta, cinéma analogique, petites villes américaines qui pourrissent en silence et imaginaire maudit des supports vidéo, cet épisode transforme un simple objet abandonné en machine à contamination. Que regarde-t-on vraiment quand on glisse une cassette inconnue dans un magnétoscope ? Et si le pire n'était pas ce qu'elle montre… mais la manière dont elle se souvient de ceux qui l'ont regardée ? Une fiction noire, sale et rampante, pour celles et ceux qui aiment les légendes urbaines audio, les objets maudits, les histoires de disparitions et les cauchemars qui continuent de vivre derrière l'écran même une fois l'image éteinte.

INTERVIEW: Francisca Griffin release Cassette "Moments in Time 1990-2021" by Cass Harrop on Radio One 91FM Dunedin

Avant de partir en vacances, le K7 Crew vous a préparé une compilation 100% années 90 signée DJ Fanny et MC Cook, à déguster sur l'autoroute du soleil ou bien au bord de la piscine. Avec dedans plein d'archives de films ou de pubs qui devraient vous rappeler quelques souvenirs. Bon voyage les amis, et surtout : restez hydratés

Toni Sant presents the 779th in a series of podcasts featuring music by performers in or from Malta. Artists featured in this podcast: PART 1The Busker - I Like Your StyleAdla - Catch FeelingsLyndsay ma' Cool Mike & Jaga - Beat of LoveMegan May, Demi & Chanelle  - MisbehaveMike Spiteri, Jasmine & Lisa Gauci - La TinsinixJohann Caruana - Spirit & Truth (minn Standing On Your Promises)Melbourne Ska Orkestra - The Brave, The Mean and the Wild OnePART 2: The Cassettes - Sergio, La Mużika (EP)Reggie Miller StreetBetter PlaceI Hope You Had A Son In MeSergio, La MużikaPART 3Featured album: Spin-Off by Eric Ace >> Details about this podcast [in Maltese] See also: - MMI Podcast: YouTube playlist - MMI Podcast: Facebook Page - MMI Archive on Mixcloud | @tonisant on Twitter - M3P: Malta Music Memory Project - Mużika Mod Ieħor ma' Toni Sant on Facebook (MP3)

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Cassettes are making a comeback.Mason Rook lacks physical strength.Rook wears a blue swimsuit.Rook has zero in-ring personality.Looks and stories matter most.Paying traditional dues is obsolete.Paul Walter Hauser argues online.Sami Zayn faces title backlash.Zayn issued a defensive statement.Zayn possesses excellent wrestling skills.Zayn brings great Muslim representation.Few wrestlers truly deserve championships.Kevin Owens returning makes sense.Become a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

Come funzionano, quali sono i massimali, quali le responsabilità delle banche? Lo chiediamo all'avv. Serena Penta, esperta per Il Sole 24 ORE. Presentiamo il libro Investire con l'Intelligenza artificiale collegandoci con l'autore: Enrico Malverti, analista finanziario.

WAV, Mere of Light, Musicians for Birds and Related Animals, Jeff Coyne, Ryan J Raffa & Sam Prekop, Adrian Knight, Mascherina Da Notte, Emma Baiada, Daniel Jakob & Łukasz Polowczyk, Orsan Abram, and Henry Kaiser

Toni Sant presents the 777th in a series of podcasts featuring music by performers in or from Malta. Artists featured in this podcast: PART 1Chasing Pandora - Forget Me Not [minn Paper Skin]The Cassettes - Reggie Miller Street [minn Sergio, La Mużika]Frank O'Neill - It-Tieġ tan-Neputija [minn Bla Kliem]Infinite Dub - Warped (Melchior Sultana Remix)Saħħar - L-Għatxan  [minn Miġja ta' Moħħ Miġnun]Child & Capitol K - ĦabbataPART 2Peter Sant - Żafżifa Original Soundtrack Sant Ivan - Collapse PART 3Featured album: 128K by Beangrowers >> Details about this podcast [in Maltese] See also: - MMI Podcast: YouTube playlist - MMI Podcast: Facebook Page - MMI Archive on Mixcloud | @tonisant on Twitter - M3P: Malta Music Memory Project - Mużika Mod Ieħor ma' Toni Sant on Facebook (MP3)

On daytime MTV, Bon Jovi was becoming the biggest pop-rock act on the planet. Poison was setting the blueprint for everything pop culture now calls hair metal. At the same time, Metallica, Slayer, and Megadeth: were building massive and devoted audiences. These two worlds shared MTV, shared tour bills, and shared fans who were being asked to pick a side. That tension is what makes 1986 unlike any other year in metal history.The Glam Explosion That Broke Daytime MTVHere's what happened between 1984 and 1986: metal expanded beyond just being scary.After Quiet Riot became the first hard rock band to score a number-one album in 1984, the genre broke into mainstream consciousness. Then the PMRC Senate hearings of 1985 gave the music a problem: it needed to stop being threatening. By 1986, the solution was in the videos. Make them colorful. Make them fun. Start somewhere relatable: a bedroom, a garage, a studio. Then escalate into an idealized fantasy of concert performance. Replace leather and skulls with neon and teased hair. What had been relegated to late-night Headbangers Ball slots now fit the 3 PM MTV daypart. The music and the medium found each other.Bon Jovi's Slippery When Wet is the commercial monument to that shift. Released August 18, 1986, it rolled out singles for nearly a full year after release: “You Give Love a Bad Name” in July, “Livin' on a Prayer” in October, “Wanted Dead or Alive” the following March, “Never Say Goodbye” in June of 1987. Each one was bigger than the last. The year before, Bon Jovi had been opening for Billy Squier. The key differentiator from their earlier work: the arrival of Desmond Child as co-writer on the two biggest singles, bringing professional hit-making infrastructure to what was already a committed band.Poison's Look What the Cat Dragged In was doing the same thing with less money. Their starting address was Enigma Records, home to They Might Be Giants, The Cramps, Dead Milkmen, and Devo. An underground punk label, not a hair metal machine. Capitol entered the picture later, which explains why “Cry Tough” barely moved and “Talk Dirty to Me” became an MTV staple. Poison didn't just succeed with this blueprint; they franchised it.Van Halen's 5150 added keyboards and landed the best Sammy Hagar-era album in the process. David Lee Roth's Eat ‘Em and Smile amplified the campy fun of his Van Halen years into a career highlight. Cinderella's Night Songs made the sharpest glam debut of the year: darker and more concise than anything they'd produce later, before the bluesy detours took over. Jon Bon Jovi helped them record it. That's how fast the food chain was moving in 1986.The Thrash Revolution Running in ParallelHere's the thing about thrash in 1986: it wasn't hidden. Headbangers Ball existed. The magazines covered it. Metallica opened for Ozzy on the Ultimate Sin arena tour. But in the daytime MTV ecosystem, thrash was not the default. If you wanted it, you had to find itMaster of Puppets is eight songs long, 54 minutes, and sounded like nothing on daytime MTV or rock radio. It is heavy and precise and expansive in equal measure: a record where the title track alone runs over eight minutes and earns every second. It was Metallica's third album, the last one with Cliff Burton, and it was recorded without a single thought given to MTV rotation or radio airplay. No videos. No singles. Just the record, and the word that spread through tape trading, zines, college radio metal shows, and the underground networks that thrash metal relied on before the internet existed.What makes 1986 extraordinary is that Metallica wasn't alone. Slayer's Reign in Blood came out the same year: 29 minutes of something faster and more extreme than Master of Puppets, an album that even people who don't follow Slayer know by reputation. Megadeth's Peace Sells... But Who's Buying? completed what might be the single most concentrated year of output from the Big Four of thrash metal: three of the four bands releasing arguably their best records in a twelve-month span. Anthrax didn't have an album in 1986. If they had, it would have been a clean sweep.From the German side of the Atlantic, Kreator's Pleasure to Kill was happening simultaneously: the Teutonic thrash scene developing its own parallel lineage that would eventually be recognized as a pioneer of death and black metal. These weren't crossover acts. They weren't on MTV. But they were building the foundation that would outlast nearly everything in the charts.The thrash revolution of 1986 wasn't a secret, but it was a deliberate choice. Headbangers Ball ran late. Daytime belonged to Poison and Bon Jovi. You could be into both, but at school you were expected to pick a jersey. Admitting you preferred Master of Puppets over Slippery When Wet was a statement, and not everyone in 1986 was ready to make it out loud.Legacy Bands: Update or Resist?Every established metal act in 1986 faced the same question: how much do you change?Judas Priest's Turbo is the case study in what too much looks like. Their tenth album added synthesizer guitars and chased the MTV aesthetic in ways that have remained controversial ever since. Some decent songs are buried in there, but Turbo is the canonical example of a decade-spanning band trying on a new identity because the culture demanded it, and not quite threading the needle.Ozzy Osbourne's The Ultimate Sin represents a different calculation. The image got teased and colorful. The videos fit the 3 PM slot. But the album had Jake E. Lee playing with a flashy intensity that gave it a musical spine the presentation didn't undercut. Ozzy reportedly hated it. Others call it his best solo record: a bridge between his 1970s legacy and the glam-era present that actually holds together. When Metallica opened for Ozzy on the Ultimate Sin arena tour, the lineup said everything about where the genre stood. The scariest band in the underground, opening for a legacy act who'd made himself MTV-friendly. The irony runs deep.Black Sabbath's Seventh Star was never supposed to be a Black Sabbath album. Tony Iommi assembled it as a solo project with Glenn Hughes on vocals, Eric Singer on drums, and Dave Spitz on bass. The label insisted the Sabbath name go on it. The video for “No Stranger to Love” is keyboard-driven and barely resembles Sabbath because, structurally, it isn't. What it is, divorced from its title and backstory, is a genuinely interesting record with a remarkable cast. It has been submitted to multiple DMO polls. It has not yet won. It keeps getting submitted.Iron Maiden's Somewhere in Time added keyboards lightly and reads today as the last album before the tinkering accelerated. Europe's The Final Countdown produced one of the most inescapable songs of the decade and an album none of us heard past the singles. The legacy-band class of 1986 is full of acts choosing between integrity and relevance. The ones who chose wrong are instructive.The Deep Cuts That Shaped Everything (and Nobody Witnessed)Here's the version of 1986 that doesn't show up on year-end lists.In June of that year, a Swedish doom metal band called Candlemass released their debut album, Epicus Doomicus Metallicus, on a label called Black Dragon Records. It did not sell. It did not chart. It was not played on the radio or shown on MTV. It was, by most measurable standards, invisible. What it was doing, quietly and without witnesses, was inventing doom metal as a genre. Every band that has worked in that sonic territory for the past forty years carries a Candlemass debt, whether they know it or not.Guns N' Roses' Live ?!@ Like a Suicide is a different kind of deep cut: a 1986 self-released EP on GN'R's own Uzi Suicide label, predating Appetite for Destruction by a full year. Some people had it. They read about the band in Hit Parader and Circus, bought the cassette, and wrote the band's name on their textbook covers. Then they came home from college and the cassette was gone, lost in a couch cushion somewhere, probably worth a lot of money now. That cassette is a small but perfect metaphor for 1986: the thing you knew about first, the object you can no longer find.The Transformers: The Movie soundtrack connects 1986 to something else entirely: the year metal started showing up in animated children's films, delivered by Stan Bush, Lion, and members of Kick Axe performing as Spectre General. For kids who saw the movie it was a first exposure to the genre. Our Picks, Three Different ArgumentsEvery roundtable eventually comes down to someone having to choose.Poison's Look What the Cat Dragged In. The blueprint for hair metal as a cultural phenomenon. The DIY machine that started on a punk indie label and franchised itself across the next four years. It is not the deepest record of 1986. But it is the one that most completely captures what the year felt like at 3 PM on a Tuesday when MTV was on. That counts for something.Metallica's Master of Puppets is the credibility anchor. The last Cliff Burton record. The document of everything Metallica was before the first video and the commercial pivot. Every move they have made since gets measured against this one, and most of them come up short. The underground case, closed.Ozzy Osbourne's The Ultimate Sin is the legacy act threading the needle correctly, or at least fascinatingly. Jake E. Lee at full power. Ozzy navigating from his 1970s origin into 1986 accessibility in a way that doesn't fully betray either. An album Ozzy reportedly hated. A pick none of us saw coming.That's 1986.Episode Highlights* 0:00: Intro. Why we went back to 1986: the year we were all buying cassettes and picking sides.* 1:52: The Transformers: The Movie soundtrack as a metal gateway. Stan Bush, Lion, and a very upsetting death for 11-year-olds.* 4:07: Cassette-buying memories. Where we each were, financially and musically, in 1986.* 8:08: The PMRC timeline and how hair metal broke onto daytime MTV in 1986, colorful videos replacing darker imagery.* 11:36: Judas Priest's Turbo as the prime example of a legacy band adding keyboards and chasing the MTV moment.* 14:08: 1986 as the greatest single year in thrash metal history. Master of Puppets, Reign in Blood, and Peace Sells all released within months of each other.* 15:02: Walking into Richfield Coliseum for the last 30 seconds of Metallica opening for Ozzy, and genuinely not caring at the time.* 16:04: Listening to Master of Puppets in secret on the school bus while claiming to listen to Bon Jovi or Night Ranger.* 17:28: Why Cinderella's Night Songs holds up: darker and tighter than later work, no big ballad epics, Jon Bon Jovi's behind-the-scenes role.* 20:03: Bon Jovi's rocket-ship year. The full single timeline from You Give Love a Bad Name through Never Say Goodbye, and Desmond Child's co-writing role.* 22:49: Seeing Poison open for Quiet Riot at the Cleveland Agora reopening. Studying the Look What the Cat Dragged In album cover beforehand. Expecting at least one woman in the band.* 25:22: Poison's DIY punk ethic and their unlikely starting home on Enigma Records alongside They Might Be Giants and The Minutemen.* 27:56: Candlemass's Epicus Doomicus Metallicus: doom metal's invisible ground zero, released June 1986, heard by almost nobody.* 30:07: The Guns N' Roses Live ?!*@ Like a Suicide EP story. Buying it before anyone knew who they were, writing GN'R on textbooks, and losing the cassette after college.* 32:11: Queensryche's Rage for Order as a musicians' landmark, more influential among players than general audiences.* 34:43: Black Sabbath's Seventh Star. The Tony Iommi solo album the label forced into being a Sabbath record, and the DMO poll it keeps losing.* 37:44: Vinnie Vincent Invasion: Poison taken to its extreme. Pink guitars, pop DNA at maximum volume, and a singer switcheroo from Robert Fleischman to Mark Slaughter.* 45:08: Buying King Diamond's Fatal Portrait out of sheer fear, based only on a magazine photo with no MTV and no internet.* 52:30: AC/DC's Who Made Who: three new songs, six repackaged tracks, Maximum Overdrive tie-in, and the question of whether it needed to be a full album.* 56:13: The connections bands bucket. Hurricane, London, M.A.R.S., White Tiger, Rough Cutt, Black ‘N Blue: albums bought for who was in them, not what was on them.* 1:03:36: Rough Cutt's “Take a Chance” as an all-time genre standout hiding inside a mediocre album.* 1:07:29: We each name the one album that defines 1986. Three picks, no overlap.* 1:21:07: Chip's poll plug for CJSS's Praise the Loud. Cincinnati power metal. David T. Chastain. Still waiting for its DMO moment.* 1:24:07: Outro. Have a lost or forgotten album that deserves the spotlight? Suggest it here. This is a public episode. 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Special guests Mike & Chris join the boys in the studio to talk about the return of their father's resurrected Impala SS.See it on You Tube: https://youtu.be/DDzTViSDOKY

MVY Waves! Surf into ten hours of uninterrupted ocean waves, hints of 808, drifting sounds, wind, and a bird chilling amidst the dunes of Aquinnah. Mellow beats, ocean waves, nature, some distant human machines, and chords. Whether you're studying, working, reading, sleeping, or unwinding after a long day, this immersive ambient soundscape provides the perfect background soundtrack. No talking, no interruptions—just pure beach relaxation and meandering sounds. Ignore the World._____So the backbone of this episode was recorded on the footpath, about 40 feet from the surf of Gay Head Town Beach (Moshup Beach) on Martha's Vineyard. It was recorded last week (as of this episode's release) while vacationing in my favorite place on Earth—with more episodes from MVY on the way (stay tuned).Anyway, why is it “Gay Head Town Beach” when the town is Aquinnah? Shortest possible answer: the island was taken from the Wampanoag by settlers and, as with the United States mainland, the tribe was pushed further and further westward into a place we incorporated as “Gay Head.” The tribe had nowhere else to go but the sea... (And I know that ellipsis is doing a lot of work.)So in 1997, by popular vote, residents changed the town name from Gay Head to Aquinnah, or “land under the hill,” which alludes to the clay cliffs and some of the taller elevations on the island. The cliffs really are remarkable—I've visited them almost every year of my life—they don't get old.But settler colonialism isn't much of a chill ambient podcast subject, so I'll save the bitter pills for more historically focussed channels. (Or consider surfing over to the Aquinnah Cultural Center.) It's summer after all (huzzah), so let's wade into less heady waters. Something got stuck in my craw over vacation that I had to yank out. Have y'all ever pondered how musical artists sound more native in specific formats? (And forgive me if music folks already pondered this, I didn't look bc I don't want to get rid of what I've written so far.)I'll stick to what I know—90s-era hip-hop—to demonstrate. And it's very Vineyard for me, as my obsession with hip-hop bloomed in the summers of the '90s. So while I was folding T-shirts at Island Breeze or washing cars at Old Colony Service, I was making paychecks disappear at Aboveground Records (and Al's Package Store, but that's a different tale).Cassette is easy: nothing sounds more cassette-native than DJ Shadow, Black Moon, or the Beastie Boys. The griminess of backpack and alternative hip-hop belongs in analog. And while I'd put Raekwon in the vinyl format camp—he did release “the purple tape.” (which I purchased at the music store in Vineyard Haven—think it's a paint store now.) Just slip “Glaciers of Ice” onto your turntable and you will understand why. Maybe just buy the purple tape and display it.Definitely CD for CRU's Da Dirty 30; a very solid project that plays best uninterrupted—while being able to exit tracks quickly to skip intros that didn't age well. Also, one of the tracks, “Da Dirty 29,” pretends to be a damaged section of the physical media, complete with medium-specific error sounds. So if you play it on CD, you'll hear skipping. Basically, it's much easier to realize that the damaged sounds are an intentional artistic choice on CD.On the cassette side of "Da Dirty 29" it plays as if the tape is being eaten to mush by grinding gears. Look, find some Gen X ******* and ask them how it felt when their favorite cassette started making a grinding sound. You could even drop a cherry on it with, “think of the film clenched in your teeth while the dentist has that nuke-cannon X-ray machine aimed an inch from your face.” That was the sound of your favorite cassette dying.

On this week's show, we celebrate Pride Month and Juneteenth loudly and proudly, spend quality time with new records from Kurt Vile, Elephant Gerald, and Bruce Springsteen, and spin fresh tracks from Jack White, The Last Dinner Party, and Cigarettes After Sex. All this & much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

The Taliban retook power in Afghanistan in 2021, after the hasty conclusion to a 20 year U.S. occupation. Since then, music has been officially banned in the country. Musicians are driven underground, instruments are destroyed, and recordings are contraband.Here in the East Bay, one Afghan-American is working hard to preserve what he can. He's digitizing tapes he's sourced from back home and posting them in an online database he started calling the Afghan Cassette Archive. But getting those tapes out of Afghanistan is not as simple as an online order… It's an illegal, expensive, and dangerous odyssey.Reporter Christopher Alam met up with Omid J, aka OMJVinyls, at his Oakland studio to check out his rare collection.

Around the RAM offices, vinyl is King. The CD is our silver medalist. And finally, the cassette is still a thing in metallic lives. So this week we're discussing all things cassette. Do we still collect and how many do we still have? Our first and faves. And our mix tape making abilities. Don't hit the FF button in this episode. In our “News, Views and Tunes”, we take in... The post Radioactive Metal 881: Available On Cassette!! appeared first on Shining Wizards Network.

Around the RAM offices, vinyl is King. The CD is our silver medalist. And finally, the cassette is still a thing in metallic lives. So this week we're discussing all things cassette. Do we still collect and how many do we still have? Our first and faves. And our mix tape making abilities. Don't hit the FF button in this episode. In our "News, Views and Tunes", we take in our first "Black Flag" gig and the Manitoba Metalfest. Musically, we crank the aforementioned Black Flag, Jello Biafra, Gatecreeper, Nocturnal Departure, Septic Death, Black Death, Eternal and we introduce Italy's Propaganda Of Terror in our "Indie Spotlight". Horns Up!!

La venganza será terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción • 0:01:14 Apertura y humor sobre bañarse, el pelo mojado y los encuentros amorosos • 0:02:28 Recomendación de la obra Amelia y la Eternidad • 0:03:22 Anuncio de funciones en Canning, Rosario y La Trastienda • 0:04:16 Presentación del tema del día: tirar cosas y cerrar etapas Segmento Inicial • 0:07:08 Debate sobre recuerdos, objetos guardados y arrepentimiento por haber tirado cosas • 0:15:36 Cassettes, grabaciones de radio y defensa de los viejos reproductores • 0:18:06 Sillas rotas, muebles, autos viejos y televisores como objetos difíciles de descartar • 0:24:08 Llaves, plantas secas, cajas vacías y radios viejas como ejemplos del acopio doméstico • 0:31:52 Cartas de amor y cartas de oyentes como recuerdos más valiosos que los mensajes digitales • 0:36:00 Reflexión sobre herencias, instrumentos de músicos y el valor histórico o emocional de los objetos • 0:39:44 Lectura de mensajes de oyentes y pedidos musicales Segmento Dispositivo • 0:52:30 Anuncio del tema: el nacimiento de Caín y Abel • 0:53:11 Samael, Eva y las versiones míticas sobre la concepción de Caín • 0:56:12 Parto de Eva, intervención de ángeles y sentidos atribuidos a los nombres de Caín y Abel • 0:58:48 Sueño premonitorio de Eva, separación de los hijos y versiones sobre gemelos • 1:01:28 Otros mitos sobre serpientes divinas y fecundación ritual • 1:03:10 Cierre con la fuente de Robert Graves y Rafael Patai y la canción Adán y Eva Segmento Humorístico • 1:07:10 Presentación de un verdadero o falso sobre caballos • 1:09:22 Visión, dientes, sueño de pie y curiosidades biológicas de los caballos • 1:12:24 Calígula, Gato y Mancha, Secretariat y expresiones faciales • 1:19:40 Polo, vómito de los caballos y discusión final sobre el resultado del juego Sordo Gancé / Manuel Moreira • 1:25:42 Presentación de Manuel Moreira • 1:25:56 “Añoranzas” ♫ • 1:29:05 Pedidos del público y anuncios de próximas funciones • 1:30:29 “María Ninguém” ♫ • 1:33:53 Preparación humorística de “How High the Moon” • 1:37:15 Homenaje al psicoanálisis y saludo a Gabriel Rolón • 1:38:03 “El pan dulce” ♫ (Resumen generado automáticamente con IA, puede contener errores)

Do you remember the days of running in to hit record on the VHS player to record Coronation Street for your mam? Or using a pencil to rewind a cassette to listen from the start again?Apparently, long-abandoned formats such as cassettes and VHS tapes are making a comeback!Elaine Power, co-host of the ‘What's Trending in F1?' podcast and listeners join Andrea to discuss.

Geek Warning gets a new voice as Escape's new US tech editor - Jack Duncan - joins the motley crew. Together with Dave Rome and Ronan Mc Laughlin, the geeks cover a broad range of topics from Unbound tech, UCI doing UCI things, Ronan's custom inner sole journey, and hubs that allow cassettes to fall off. Of course, members of Escape Collective also get Ask a Wrench. This week, Dave is joined by Jack Duncan to answer a number of questions from our members. Also, Dave sends his apologies to members listening to Ask a Wrench as his mic settings had changed without warning. Time stamps:  00:00:00 - An introduction to Jack Duncan  00:04:30 - Unbound tech wrap  00:16:25 - Disqualification over 20 grams  00:28:00 - Cassettes that fall off and Dave's Public Rambling Rant  00:33:00 - Carbon inner soles are on Ronan's mind 00:49:30 - Ask a Wrench (members only)  00:51:00 - Running a 12-speed chain on a 11-speed cassette  00:57:45 - battery drain issues in an AXS shifter  1:04:00 - How to add grip to a slippery brake lever

我爱吃葱属的绝大部分能吃的植物，无论是大葱、小葱、洋葱还是蒜、韭菜。这一类植物都给人辛辣刺激的感觉，是无聊生活极佳的调味剂。但这一类食物也有不少人恨之入骨，尤其是生食时避之不及。 本期节目，我们就跟大家聊聊葱和洋葱这两种又有人爱又有人恨的食物。 本期嘉宾 张桪选送的是芬兰民谣Jorma Ikävalko《Ievan polkka》：「这是虚拟歌手初音未来2007年发布的网红歌曲甩葱歌的原曲。一名日本画师在2006制作的《死神》角色井上织姬买葱的魔性小动画中，配乐使用了这首歌曲，后在初音未来的翻唱歌曲PV中沿用了这一特色，歌曲进一步走红后因动画形象被赋予甩葱歌之名，初音未来从此与葱绑定。 泠风选送的是日本乐队スピッツ（SPITZ）的《空も飛べるはず 》，这是大张伟《偏偏爱上洋葱》的原版。 半袖选送的是CAssette记忆暗盒的《洋葱地窖》：「这首本身我没有很喜欢，但另一首候选歌过于可爱了，我下不了手……」 本期歌单 1. 杨宗纬 – 洋葱 @ 鸽子 (2008) 2. 林心如 – 洋葱浓汤 @ 新如主义 (2008) 3. 游怡婷 – 就算讨厌洋葱也要把它吃下去 @ 就算讨厌洋葱也要把它吃下去 [EP] (2016) 4. スピッツ – 空も飛べるはず @ 空の飛び方 (1994) 5. Cassette – 洋葱地窖 @ 洋葱地窖与马来貘之家 (2014) 6. Hank Häberle jr. – Zwiebelrostbraten mit Brot @ Irgendwie isch jeder ganz alloi (1995) 7. Basta – Lauch @ B (2004) 8. Jorma Ikävalko – Ievan polkka (1950)

FIRST PODCAST EVER RECORDED ON CASSETTEWWW.PATREON.COM/THEIONPACK FOR FULL EPISODE

Dial Alaska, Graham Dunning, Forest Counties, Mortiis, Imaginary Softwoods, Adobe Homes, RBA, Cirith Ungol, Derek White, Fool, and Corvid One Cassette

Recueil de témoignages centenaires Quand mon grand-père meurt, j'hérite de son trésor. Une boite remplie de cassettes audio. Le Jardin des voix de Charonne, c'est le nom qu'il avait donné à ce projet quand il l'a commencé il y a plus de 50 ans. Il était médecin généraliste, infiniment attaché à ses patients. Entre les années 1970 et 1985, il a interviewé les plus âgés d'entre eux à l'aide de son magnétophone. Ils sont nés à la fin du 19ème ou au début du 20ème siècle, et racontent leur enfance dans le quartier de Charonne à Paris où mon grand-père a vécu toute sa vie. J'y ai grandi aussi. Je découvre leurs conditions de vie hallucinantes, leur accent parisien oublié. Ils se remémorent Paris comme un village, avec des jardins et des chèvres. Ils racontent leur enfance et leur quotidien sans eau, sans électricité, sans sécurité sociale. Le linge lavé à la fontaine, l'arracheur de dents. Les parents qui les envoyaient travailler à 12 ans. Les semaines de 70 heures, les bagarres à coup de couteau. ll y a Lucien qui a été le premier de toute l'impasse à se brosser les dents. Marcel, qui a acheté son premier bout de terrain en ramassant des chiffons et des escargots. Berthe qui s'est fait "enceintrer" à 14 ans. Marie-Louise qui a eu la toute première voiture à cheval du quartier. "Quand j'entends parfois vitupérer contre le progrès, conclut Lucien, moi le progrès je lui tire mon chapeau. Parce que quand je vois d'où on vient et où on est, tu parles !". Plus que les vieilles pierres disparues sous le béton, mon grand-père voulait conserver les gens et leurs histoires. Je vous les transmets à mon tour. Pour aller plus loin Si le quartier de la Réunion m'était conté, chroniques ordinaires d'un médecin de campagne à Paris, Lionel Longueville. Remerciements À Lionel et Nanie, et à tous les habitants du quartier de Charonne. Merci à Thomas Pujol pour la restauration des bandes originales, à Paul Lecat de contribuer à faire vivre ces archives dans le cadre de la recherche, et à ma famille d'avoir soutenu ce projet sur plusieurs générations. Enregistrements 1970-1985 Entretiens Lionel Longueville Montage et narration Julie Marcelline Pujol Réalisation et mixage Samuel Hirsch Illustration Oriane Marie Musiques originales Samuel Hirsch Production ARTE Radio

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

The annual Dark Nation Radio GOTHIC BEACH PARTY broadcast can now be streamed! Memorial Day weekend is considered the “unofficial start of summer” in the US and, to mark the occasion, I'm pleased to present my friskiest show of the year—I throw out all the rules for this one to bring you an eclectic mix of rockabilly, electronica, New Wave, punk, and, of course, satanic doo-wop. Anything goes as long as its devilishly fun—I mean, where else are you going to find a show that includes Evil Elvis, Red Elvises, Dead Elvi, and Dread Zeppelin? Also in the mix this year are My Life with the Thrill Kill Kult, Wanda Jackson, The Clash, Laibach (!), Twin Temple, Santigold, The Ramones, Genesis Owusu, and, of course, The Cramps—plus a lot more. The show pairs well with evil tiki drinks and cursed idols, so pass the moon-tan lotion and turn it! DJ cypher's Dark Nation Radio Playlist 24 May 2026 GOTHIC BEACH PARTY 2026 HorrorPops, “Horror Beach” The Cramps, “Aloha from Hell” My Life w/ the Thrill Kill Kult, “Hit & Run Holiday” Kat Robichaud, “Break My Heart” Klack, “Good Luck Babe (1982 Cassette version)” Diechotomy, “Blood Beach” Wanda Jackson, “Shakin' All Over” Tiger Army, “The Devil That You Don't Know” Karen O, “Love is Strange” Genesis Owusu, “Leaving the Light” The Clash, “London's Burning” Mister Monster, “Science Fiction Double Feature” The Interrupters, “Broken World” The B-52s, “Private Idaho” Flesh for Lulu, “Sleeping Dogs” Teddybears, “Punk Rocker” The Brick Bats, “Na Na Na Na (The Creature)” Dead Elvi, “The Creature Stole My Surfboard” Red Elvises, “I Wanna See You Bellydance” Evil Elvis, “I Wanna Wed (the Undead)” Dead Elvis + Thee Gravemen, “Munster Boogie Woogie” Dread Zeppelin, “Whole Lotta Love” Twin Temple, “Let's Have a Satanic Orgy” Imelda May, “It's Your Voodoo Working” Devil Doll, “Liquor Store” The Creepshow, “Cherry Hill” Voltaire, “Captains All” The Ramones, “Rockaway Beach” Emi Pop, “Amigos Vampiros” Meat Loaf / Rocky Horror, “Hot Patootie” Sweet, “Ballroom Blitz” The Young Werewolves, “Zombie Prom” The Tomb Tones, “Hex Girl” The Damned, “Black is the Night” Laibach, “Allgorythm” Chris Harms, “Lunamor” Volbeat, “Lola Montez” Tiffany Hadish, “Evil Queen” The Beastie Boys, “Shake Your Rump” THOT Squad, “Pound Cake” Tunde Adebimpe, “Magnetic” Book of Love, “Boy (Dave Audé remix)” Kite, “Ways to Dance” The Cars, “You Might Think” Emilie Autumn, “Girls Just Wanna Have Fun” Cyndi Lauper, “I Drove All Night” The Rosedales, “Stars are Falling” The Hillbilly Moon Explosion, “1979” Santigold, “The Keepers” Social Distortion, “The Way Things Were” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

BJ goes down an eighties hardcore rabbit hole. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's Extra, Cassettes & 8-Tracks, feeling boobs, & Water Buffalo talk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Heaven that Bends Above, Faygophiliac, Matt Franco, Skynet, Pan Amerikan Native Front, Collapsing, Doriath, Jake Acosta, (((((((SHIT))))))), Reaper's Gong, and mmouth

Easter in the hollar, rejected form wing restaurants, and crazy fortune tellers who were right all along. HOT SALT is now double discounted when you use code MILK for 20% offthis is for a very limited time visit https://firecracker.farm Control Body Odor ANYWHERE with @shop.mando and get 20% off with promo code PIE at shopmando.com! #mandopodhttps://shopmando.com

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