Podcasts about Hilter

Unternehmensnachfolge im Mittelstand – Brücke zwischen Tradition und Zukunft Hunderttausende Unternehmensübergaben stehen im deutschen Mittelstand bevor – doch viele Betriebe sind nicht ausreichend vorbereitet. Frühzeitige und strukturierte Nachfolgeplanung ist daher entscheidend. In dieser Folge sprechen Sibylle und Cliff mit Lisa Marie Höcker von der Höcker Polytechnik GmbH, einem Familienunternehmen aus Hilter am Teutoburger Wald. Ihr Vater, Frank Höcker, übernahm 1993 die Geschäftsführung vom Gründer Günther Höcker – heute steht die nächste Übergabe an. Lisa gibt spannende Einblicke in den laufenden, fünfjährigen Nachfolgeprozess. Sie berichtet von ihrem Weg ins Unternehmen, ihrem Rollenwechsel und dem Spagat zwischen Bewahren und Erneuern. Was funktioniert? Wo lauern Fallstricke? -- Diese Folge hat dir gefallen? Eine freundliche Bewertung oder ein positiver Kommentar in der Podcast-App deiner Wahl würde uns sehr freuen! -- In zwei Wochen geht es weiter! Abonniere KOFA auf dem Sofa, um keine Folge zu verpassen. -- Das Kompetenzzentrum Fachkräftesicherung – kurz KOFA – unterstützt kleine und mittlere Unternehmen (KMU) bei der Gestaltung ihrer Personalarbeit im Auftrag des Bundesministeriums für Wirtschaft und Klimaschutz (BMWK). Das KOFA gibt es bereits seit Mai 2011 und ist am Institut der deutschen Wirtschaft (IW) angesiedelt. Weitere Infos zum Kompetenzzentrum Fachkräftesicherung findest du unter https://www.kofa.de/, zu „KOFA auf dem Sofa“ unter https://www.kofa.de/service/podcast/. -- Bleibe in Kontakt und vernetze dich mit Sibylle und Cliff auf LinkedIn: Sibylle Stippler: https://www.linkedin.com/in/sibylle-stippler-iw-kofa/ Cliff Lehnen: https://www.linkedin.com/in/clifflehnen/ Auch Lisa Marie Höcker ist über LinkedIn für Rückfragen erreichbar: https://www.linkedin.com/in/lisa-marie-höcker-99a03775/  Mehr zum Unternehmen erfährst du unter: https://www.hoecker-polytechnik.de  -- Schlagworte: Führung, Unternehmensführung, Unternehmensübergabe, Unternehmensnachfolge, Nachfolgeplanung, Geschäftsführung, Personalgewinnung, Fachkräftemangel, Female Leadership

When you get a bunch of artistic types together into a community – aka, the art world – some intrigue and mystery are bound to arise. Listen in to this classic episode as Chuck and Josh cover strangeness around Van Gogh, Caravaggio, Raphael, and Vermeer – plus don’t miss Hilter!See omnystudio.com/listener for privacy information.

Trusted Friend Upcoming Events In honor of International Women's Day, we are diving into the extraordinary lives of women who defied expectations, risked everything, and played pivotal roles in shaping history—often without receiving the recognition they deserved Award-winning author and historian Clare Mulley has a gift for bringing history's forgotten heroines to life. In this episode, she shares the gripping stories of fearless women like Christine Granville, the spy who talked her way out of Nazi execution, and Zo, who parachuted into Nazi-occupied Poland in a dress. Clare's passion for uncovering untold stories makes history come alive in the most compelling way. These women weren't just brave—they were brilliantly effective, shaping the world in ways that often went unrecognized. Join me as we explore their untold stories, the power of persistence, and the lessons we can learn from their courage. This episode is a celebration of resilience, resourcefulness, and the incredible impact of women who refused to be underestimated. Key Takeaways from This Episode: Women's Greatest Strength: Many of these women succeeded because they were overlooked. The assumption that they were "harmless" became their greatest asset in espionage and resistance movements. Courage in the Face of Fear: Whether it was parachuting behind enemy lines, securing Nazi surrenders, or talking their way out of execution, these women took unimaginable risks—and won. Beyond Sacrifice—Effectiveness: Too often, we talk about their bravery and sacrifice but not enough about how incredibly effective they were. They didn't just assist—they led. The Power of Storytelling: Many of these stories remained hidden for too long. Recognizing and sharing them isn't just about honoring history—it's about redefining what leadership and strength look like today.  Clare Mulley The Spy Who Loved Agent Zo The Women who Save the Children The Women Who Flew for Hilter

SEASON 3 EPISODE 91: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: Karoline Leavitt was already so stupid that she once on-air insisted there was a word pronounced "damaning" (as in 'the evidence is damaning') and pronounced the Nazi monster's name as "Hilter." Now with one tweet she may have topped herself. How do you publicly announce that the spending freeze struck down by a federal judge wasn't withdrawn, only its ANNOUNCEMENT was withdrawn, and only in response to the judge's ruling, and the freeze is going on as planned? That's called contempt of court. Trump's lawyers will literally have to talk their way out of spending a day behind bars. Besides which, another judge has said the conflicting statements about the freeze pause are irrelevant: it cannot proceed. This all underscores what has been evident since Trump again seized power. He is burning through the relative approval and patience of an exhausted America far more quickly this time than last, and there is a reckoning coming. His disapproval number jumped SEVEN points from last Tuesday to this past Sunday. The judges are fighting back. His hirelings are idiots. The public doesn't want this. Hopefully what follows is not unprecedented. B-Block (28:50) THE WORST PERSONS IN THE WORLD: The Washington Post continues to trivialize and normalize the Madness of King Trump. Lauren Boebert is an actual expert on laboring with your hands, so I guess her opinion on how the minimum wage is too HIGH matters. And it's Anna Paulina Luna who finally gives in and proposes a bill to put Trump's head on Mt. Rushmore. Unfortunately she's phrased it in such a way that it could mean LITERALLY: put Trump's head ON Mt. Rushmore. C-Block (36:00) THINGS I PROMISED NOT TO TELL: Nothing like the stream of consciousness that comes as you awake from the stream of UNconsciousness. On the way back from the endoscopy I saw the building in which I met Jim Thorpe's Olympic roommate from 1912, and I rediscovered the game "Midpoint" and I remembered the Twitter game from two years ago: "Hitler Handshakes."See omnystudio.com/listener for privacy information.

Bracht Elon de Hilter groet? Of hebben we gewoon te maken met een over-enthousiaste autist en een corrupte mainstream media campagne om Trump en zijn team zoveel mogelijk te framen als "ultra rechts" of "extreem rechts" ? hmmm, moeilijk moeilijk. We bespreken het in ieder geval uitgebreid in V for Valentine. Word bazige baas

Director Philippe Mora joins Jeff & Jer to talk about his feature-length sendup of remote viewing, Continuity. Naturally, the conversation about RV takes a turn into other topics. Topics like the SS, Hilter, the Vatican, exorcism, UFOs, and Roswell. Philippe is famous for discovering historically important footage from the WWII era in the National Archive. But has he ever looked for Roswell documents? We'll find out what he knows. Then, in a somewhat sensitive afterchat, Jeff & Jer finally tell the whole story behind their October 25th, 2009 UFO sighting at the Baltimore Travel Plaza. Why didn't they talk about it then? Why are they comfortable revealing it now? Find out and hear what may be the most amazing Mac Tonnies anecdote ever. (originally aired: 03.15.2012.)      

Polizei verstärkt Präsenz an der Grenze bei Haren/ Standort des neuen Zentralklinikums sorgt in Vechta für Diskussionen/ Grundschüler in Hilter lernen Respekt und Rücksichtnahme

In this edition of Madison Book Beat, host Lisa Malawski talks with local Madison author Tammy Borden. Tammy is a professional copywriter turned novelist. She has had a whirlwind of a year since releasing her novel, Waltraud. She has reached thousands of readers on 5 continents, had more than 70 speaking or book-related events, and approximately one thousand reviews! Waltraud was self-published by Tammy Borden in 2023. Waltraud is about a true story of Tammy's mom growing up in Nazi Germany. Tammy grew up hearing her mom's first-hand accounts of coming of age under Hilter's regime. Through the years, she secretly recorded these conversations fully intent on writing a book based on her mom's true story. Tammy's mom was 12 years old when the war broke out in Germany. Her father was forced to serve in a Nazi army. There was not enough money coming in and they had to live off of rations. A lot of people do not realize that the Nazis oppressed their own people. One story in the book which may come as a surprise to readers is that Waltraud helped to feed English airman hiding in a barn after their plane crashed until the war was over. Tammy spoke at the EAA (Experimental Aircraft Association) where she shared a story where an American pilot fell to his death after shooting down a German fighter plane. Tammy wanted to find out who the pilot was. Tammy went to the US Military archives and searched her mom's town in Germany which led to one man. Tammy found the man's niece and they have now connected. Author connects with WWII pilot's family through mother's story - YouTubeTammy initially wrote Waltraud in the third person and then had a revelation that she had to write this book in first person. Waltraud passed away at the age of 93 in 2020. Tammy wishes her mom could have seen the book. She is thankful that her mom was willing to share her stories. So many from Waltraud's generation hide the horrors of their past inside. A quote from author, Tammy Borden: “If you don't deal with your past, it's still your present. You have no idea the healing that your story can bring to someone else.”

In this episode of Marked by Grace, Pastor Heath discusses if it was wrong to attempt to assassinate Hilter.

Terwijl Robert zijn beste standaard Youtube bek op zet, trekt een groot deel van de Amerikanen wit weg bij het idee van een volgende termijn met Trump als president. Hitler was niks vergeleken met de nieuwe en verbeterde Mega Hitler 3000!!!, a.k.a. Donald Trump. De campagne van Harris/de Amerikaanse Deep State lijkt voor te sorteren op een coup als de boel niet in het voordeel van Harris uitpakt. Die lange arm beïnvloed niet alleen de verkiezingen in de VS, maar blijkbaar via de NAVO ook het corona beleid in Nederland. Hoe loopt dit allemaal samen? Check het hier. Word bazige baas

Lights on! Obey in advance? Hell no! Faced with a Hilter-adoring fascist who promises severe punishment of his critics and the end of freedom as we know it, we have 11 days to say, not on our watch! As owners of the Washington Post and LA Times fail to issue endorsements at this critical juncture, patriotic Americans from Tyler Perry to John Kelly and Charlamagne tha God are calling it like it is. Jessica Denson, who spoke out against Donald Trump at great personal expense before pioneering his takedown in the courts, reports on the vital stakes of this race, and calls on major media networks to finally share her warnings with the American people. And as Kamala Harris campaigns with Beyonce, a massive coalition from longtime Republicans to Muslims and Jews are coming together to endorse the prosecutor over the criminal tyrant. This and more on a must-see power-hour LIVE episode of Lights On! Miracle Made: Upgrade your sleep with Miracle Made! Go to https://TryMiracle.com/LIGHTS and use the code LIGHTS to claim your FREE 3 PIECE TOWEL SET and SAVE over 40% OFF. Purchase the NEW Lights On merch here: https://jessica-denson-shop.fourthwall.com Support Jessica Denson's legal fund here: http://thejessicadenson.com/donate Subscribe to Jessica's Youtube: https://youtube.com/@JessicaDenson07 Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast The Influence Continuum: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan Mea Culpa with Michael Cohen: https://www.meidastouch.com/tag/mea-culpa-with-michael-cohen The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show Burn the Boats: https://www.meidastouch.com/tag/burn-the-boats Majority 54: https://www.meidastouch.com/tag/majority-54 Political Beatdown: https://www.meidastouch.com/tag/political-beatdown Lights On with Jessica Denson: https://www.meidastouch.com/tag/lights-on-with-jessica-denson On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Coalition of the Sane: https://meidasnews.com/tag/coalition-of-the-sane Learn more about your ad choices. Visit megaphone.fm/adchoices

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A kedden publikált, ingyen meghallgatható verzió tíz perccel rövidebb. 00:45 Halló, itt Nürnberg! Mr. Hilter. Latin grillek és női csizmák Észak-Brabantban. 05:55 Melegrekord a Dél-Alföldön. 09:43 Magyar települések, ahol a McDonald's a legjobb étterem. Pizza Twisters Hawaii. A kádárkockák hőszigetelése. 12:54 A szovjet civilizáció nyomai Gyomaendrődön. Süvegbuszmegálló Kirgizisztánban. 16:59 A posztszovjet, kockás, oldalzsebes bermuda. Színházi emberek Dusanbéban. A kínai civilizáció kiszorítja a szovjetet Tádzsikisztánból. 21:50 Történelmi városmagok a Dél-Alföldön. Magyar sör és pezsgő Nyugat-Európában. Szkopjeizálódás. Asgabat az Egyetem téren. 26:20 Jicák Samir és Michael Jordan hitlerbajsza. A büntetőfékező rendőr. 29:20 Helyreigazítás: Szlavónia. Helyreigazítás: Tarr Béla bálnája. Krasznahorkai, a pozőr. 34:38 Ki nyerte az olimpiát? Kokó és Madár Helifről. Hány érme van a béna finneknek és szlovákoknak? 39:55 Nemzetállam és olimpia. Idősebb vagyok mint ahány érme van Szlovákiának! Muszukajev Iszmail és Deutsch Tamás az aranygépen. 44:00 Szily László sérve. Aki paraszt, az magánban is paraszt. Újságírót nem éri meg magánbiztosítani. See omnystudio.com/listener for privacy information.

July 20th. 1944. Wolf's Lair. Claus von Stauffenberg sets in motion a plot to assassinate Hitler and overthrow the Nazi high command. What were the reasons behind Stauffenberg's conspiracy, how was it planned and what was the ‘Secret Germany' he aspired for. A Goalhanger Production Produced by Joey McCarthy + India Dunkley Exec Producer: Tony Pastor Social: @WeHaveWaysPod Email: wehavewayspodcast@gmail.com Join our ‘Independent Company' to watch our livestreams, get earlybird tickets and our weekly newsletter - packed with deals. Membership Club: patreon.com/wehaveways Learn more about your ad choices. Visit podcastchoices.com/adchoices

How has a man who once called Trump ‘America's Hilter' now become his running mate? What does a Labour government mean for UK-China relations? Will China define how Gaza will be governed in the future? Join Rory Stewart and Alastair Campbell for the latest episode of The Rest Is Politics, where they answer all these questions and more. TRIP Plus: Become a member of The Rest Is Politics Plus to support the podcast, receive our exclusive newsletter, enjoy ad-free listening to both TRIP and Leading, benefit from discount book prices on titles mentioned on the pod, join our Discord chatroom, and receive early access to live show tickets and Question Time episodes. Just head to therestispolitics.com to sign up, or start a free trial today on Apple Podcasts: apple.co/therestispolitics. TRIP UK TOUR: To buy tickets for our October Tour, just head to www.therestispolitics.com

SERIES 2 EPISODE 199: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: Trump and his henchmen opened not one but two emergency exits for him to bail out of Thursday's debate against The President and blame it on Biden. And in doing so, his dumbest press secretary yet went on CNN and called Adolf Hitler "HILTER." H-I-L-T-E-R, Hilter. I don't know if she should be fired for invoking HItler, or if she WILL be fired for getting the name of Trump's role model wrong. It's Karoline Leavitt, the former centerfielder of the St. Anselm College softball team and the idiot who previously insisted the word 'damning' is correctly pronounced 'dammaning,' tried to filibuster CNN's Katie Hunt about how biased debate hosts Jake Tapper and Dana Bash really are. As Hunt cut first the answer and then the interview off, Leavitt insisted anybody could spend five minutes googling how many times Tapper had compared Trump to "Adolf Hilter." Bypassing the whole Hitler/Hilter stuff, "Damaning Hilter" Leavitt adopted the traditional pose of the Martyred Trump Huckster and did the rounds of the fascist media outlets. When she went on Steve Bannon's outlet he said either CNN apologizes to her, or Trump should cancel the debate. Hours later, Trump opened a second emergency chute, again demanding drug tests before the debate, as his personal quack Congressman Physician Prescribe Thyself Ronny Jackson wrote a long letter to the White House requesting such tests (and saying nothing about any stashes he may have left there). Who knows if Trump really will bail. But he's got FOLAD (Fear Of Losing A Debate) all covered. MEANWHILE: it's a long shot but I'm beginning to wonder if somebody on Jack Smith's side is laying the groundwork for indicting Trump anew - in New Jersey. There has been a second news leak in just three business days, about Trump's Mar-a-Lago Espionage Scandal. Yesterday's leak via ABC News did not resonate among American news media which can generally only BARELY handle one thing at a time – like the debate. The story itself – about Trump making an almost-secret special trip to Florida in July 2022 to make sure nobody had touched the documents he stole from the White House and hid from his own attorney - may not be much more than another one of those threads that you pull on and maybe it just comes off in your hand – or maybe it unravels the entirety of Trump's size 62 suit. I don't even think prosecutors know what they have here. But he went down there two weeks after he had bankers' boxes shipped from Mar-a-Lago to the Bedminster Golf Course. They didn't contain Ivana. B-Block (20:35) THE WORST PERSONS IN THE WORLD: I have somehow forgotten, for years, maybe 35 years, the first and arguably the best joke I ever made about Trump. I'll correct that here. Not only are the British Conservatives on track for a historic loss in the July 4 election but two candidates, a party official, and a security guard have been caught allegedly wagering on which day their prime minister would select for Election Day! And the rare two-wins-in-a-row for Puck media guy Dylan Byers, carrying still more management water as he turns gutsy Washington Post reporting on the paper's ongoing management scandal into “a plan to dig for unflattering information.” C-Block (27:20) THINGS I PROMISED NOT TO TELL: How did I forget to tell you this one through the first 500 episodes of this podcast? How could I have missed the 24th anniversary last week? I'll just mention the principals: my mother, me, a former New York Yankees infielder named Chuck Knoblauch - and Babe Ruth. .  See omnystudio.com/listener for privacy information.

Join Dawn as she strips down YOUR HILF's in the first-ever audience-request show. [00:01:13]  The Great Emu War of 1932 which pitted a bunch of WWI veterans against a mob of flightless birds.[00:08:37] The Blood Countess, Elizabeth Bathoroy. Was she the first documented serial killer AND an inspiration for Dracula?[00:19:42]  Hedy Lamarr who went from dinner parties with Hilter to inventing weapons to go right up Germany's ass. ---LILF's (Link's I'd Like to F*ck) See Dawn on THE HISTORY CHANNEL!Crazy Rich AncientsHistories Greatest Mysteries (multiple seasons)HILF is now on Patreon!Buy Me a Coffee---HILF is part of The DEN - Deluxe Edition Network. Go there to find your NEXT favorite podcast!---WANNA TALK? Find us on Instagram or email us hilfpodcast@gmail.comTheme song: Composed and performed by Kat Perkins.

Thank you so much for listening to the Bob Harden Show, celebrating over 12 years broadcasting on the internet. On Monday's show, we review global news including developments in Iran, Israel, Ukraine, Russia, and China, with Marc Schulman, the Founder and Publisher of HistoryCentral.com. Editor-at-Large for Fee.org Jon Miltimore and I discuss Hilter's love of the concept of “social justice.” We also discuss the 2024 Presidential election with author, Jim McTague. We have terrific guests for tomorrow's show including President of Less Government Seton Motley and Linda Harden Please access this or past shows at your convenience on my web site, social media platforms or podcast platforms.

Thank you so much for listening to the Bob Harden Show, celebrating over 12 years broadcasting on the internet. On Monday's show, we review global news including developments in Iran, Israel, Ukraine, Russia, and China, with Marc Schulman, the Founder and Publisher of HistoryCentral.com. Editor-at-Large for Fee.org Jon Miltimore and I discuss Hilter's love of … The post Hitler and “Social Justice” appeared first on Bob Harden Show.

Adolf Hitler single-handedly started the Second World War in Europe.  While the Allies were desperately trying to end the Third Reich and Hitler personally, they weren't the only ones trying to bring Hilter's reign to an end. Inside Nazi Germany, a small but committed group sought to remove Hitler from power, and they took action in July 1944. Learn more about Operation Valkyrie and the plot to assassinate Hitler on this episode of Everything Everywhere Daily. Sponsors Available nationally, look for a bottle of Heaven Hill Bottled-in-Bond at your local store. Find out more at heavenhilldistillery.com/hh-bottled-in-bond.php Sign up today at butcherbox.com/daily and use code daily to choose your free offer and get $20 off. Visit BetterHelp.com/everywhere today to get 10% off your first month. Use the code EverythingEverywhere for a 20% discount on a subscription at Newspapers.com. Visit meminto.com and get 15% off with code EED15.  Listen to Expedition Unknown wherever you get your podcasts.  Get started with a $13 trial set for just $3 at harrys.com/EVERYTHING. Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Ben Long & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Friday morning, Israel attacked Iran in the latest of mutual attacks. The first was an Israeli attack on April 1st of Iran's embassy compound in Syria. Then on April 13th, Iran […] The post Threat of war in Middle East with Richard Silverstein and Joost Hilter... appeared first on WORT-FM 89.9.

The US has completed its first air drop of humanitarian supplies into Gaza following similar moves from Jordan France and others in an attempt to get more food inside of the Gaza strip while simultaneously trying to stop Israel from finishing to mop up Hamas in Gaza so that the war can actually end and people's live can get back to normal. But no, prolonging the war by pressuring Israel to leave a quarter of Hamas terrorists alive, seems to be the preference of most “civilized” nations of the world. Meanwhile, the world's favorite pick for who should run Gaza the “day after the war”, the Palestinian Authority, also known as the terrorist faction of Fatah, are showing their true colors by killing two Jews in Samaria, and saying that Hilter had obvious reasons for perpetrating the Holocaust. . . You know, cause the Jews were trying to take over Germany. . .This stuff is absolutely crazy! All this and more on today's show!

A week of normal week, and daylight savings time.3:19: Timezone history and statistics.9:26: The electrifying of America.13:33: The Gray Haven's new hymn record is fantastic and listening to music over and over again.17:11: Molly's 3rd grade snack win, trying trying to find a link on our website like this Revelation sermon.23:20: Molly's takeaways from said sermon: a pastor tones down his teaching on God's wrath; there is no cosmic justice; Hilter, Stalin, Mao didn't get what's coming to them27:51: What it means to “eat this scroll”; alarming stats on Christianity31:40: Being prepared in the heart, Iran bigwig declares war on the US, a Montana lab had the covid virus a hear before it “got out.”37:58: A balm to the hurting heart41:27: Hymn of the week…oh my.45:46: A podcast highlighting the mysterious acts of the Lord47:27: Back to the hymn53:34: Taking something too far, too hard.55:48: The Battle Hymn of The Kingdom58:02: Christmas Open House!1:02:45: Show CloseToo Busy to Flush Telegram GroupSend us a PostcardPique Tea - Referral Link (Website)Molly's Favorite Milk Brother (new version)

Eight hack Republicans join Democrats to kill Marjorie Taylor Greene's impeachment vote of Alejandro Mayorkas. The man who has OPENED OUR BORDER and put all of us at risk gets to keep his job. Super. Plus, the New Narrative Alert. How the Left is shifting its messaging about Donald Trump to equate him with... wait for it.... Hilter. AND Vivek's savage beat down of blowhard news washup Chris Cuomo. Podcast Production: Bob Slone Audio Productions 

Dr. Kathleen Belew is a historian and expert on the American white power movement. In this episode, she explains how the rhetoric used by Trump and Alt-Right groups is both dangerous and purposeful.  Dr. Kathleen Belew is a professor at Northwestern University and author of Bring the War Home: The White Power Movement and Paramilitary America.  You can find Kathleen on Twitter at @Kathleen_Belew, and learn more about her at kathleenbelew.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The More You Know, we get you up to speed on the latest pop culture news including our thoughts on The Best TV Picks of The 21st Century. Plus we admit which TV episodes are actually terrifying.MENTIONSPut in an order for our brand new merch until Nov. 1: knoxandjamie.com/shop (BFOTS got 20% in their inbox, so join today!)Meh: Survivor S42 (see also: Over Under Achievers) How Do We Feel // Live action Bambi and Lindsey Anderson Beer's Collider interview (see also: E.T. leaves Elliot, Wallace's death on The Wire, The Road, Diff'rent Strokes- cycle shop molester (Indi aside: I am very proud of myself for finding this on the first try), Mr. Belvedere- counselor molester (Indi aside: now I'm probably on some FBI watch list for looking these up), Mighty Mouse does cocaine, Different Strokes kidnapping, Brady Bunch kidnapped by Vincent Price, Donna Martin graduates, 90210 shooting What's the Word // Hollywood Reporter's Best TV picks of the 21st Century (see also: 30 Rock & John Hamm in Blackface, Peep City (Did they mean Peep Show?), Halt and Catch Fire, IMDb Lee Pace, note: don't Google “autofalating”, Mank, I Wanna Marry Harry and an interview with the winner, IMDb Dylan McDermott vs. Dermot Mulroney, Maggie Q in Mission Impossible, Cavemen Trailer Park // Battle of Songbirds and Snakes, Leave the World Behind, IMDb Mahershala Ali vs. Julia RobertsRed light mentions // Candy corn has lac-resin made of bugs, Biden's other dog bites too (see also: secret service emails about Biden's dogs), Hilter poisoned his own dog Blondi with cyanideBONUS SEGMENTOur Patreon supporters can get full access to this week's The More You Know news segment every Monday. Become a partner. We also do a monthly Ask Us Anything live stream and last night's replay is available now. GREEN LIGHTSJamie: book- Out There Screaming by Jordan Peele, comedy special- Beth Stelling's If You Didn't Want Me Then (Netflix)Knox: documentary- BS HighSHOW SPONSORSSubscribe to Episodes: iTunes | Android Subscribe to our Monthly Newsletter: knoxandjamie.com/newsletterShop our Amazon Link: amazon.com/shop/thepopcast | this week's featured itemFollow Us: Instagram | Twitter | FacebookSupport Us: Monthly Donation | One-Time Donation | SwagSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the podcast this week we welcome another former housemate of Compston's, the finest Dundonian shagger of all time, the brilliant Kyle Falconer from The View. We're chatting ghost stories, melting records, on tour with Pete Doherty, singing into Hilter's mic, Kyle's show at the Fringe, nearly singing at Compston's wedding, writing songs, and award shows of rejection.Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy/

Shooting The Breeze: -Do people find more value in their jobs or their spouse. -Can you make new friends independent of your spouse? You Won't Believe This: -Comedian on social media says that Father's Day is ranked number 20 in all the holidays. What are your thoughts? Just So You Know: -Why is Hilter considered the worst person in history killing 2 million people but King Leopold killed over 20 million Black people and does not even come up in the conversation. Follow Us on Instagram @ ⁠Something 4 Da People Podcast⁠ ⁠Bryant "B Hunt" Artcotix ⁠ ⁠Jeremy "Big Country" Real Being Regal⁠ Follow Us on Tik Tok @ ⁠Something 4 Da People Podcast⁠ Follow Us on Facebook @ ⁠@Something4DaPeople⁠ Email Us @ ⁠something4dapeoplepodcast@gmail.com⁠ Follow Us on Linktree ⁠https://linktr.ee/something4dapeople⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/something4dapeople/message Support this podcast: https://podcasters.spotify.com/pod/show/something4dapeople/support

We've been trained to go our entire lives and we're war ready for this very moment. This week, the boys are joined by the man, the myth, the legend— the one and only—The Kid Mero. Mero was kind enough to come to white people Brooklyn all the way from New Jersey during the Canadian wildfires apocalypse for a marathon all-timer on Jimmy's intros keeping the art alive, catching his students smashing as an educator, that one time Michael Jordan rocked a Hilter ‘stache in a Hanes commercial, NYC mayor executive orders on public fornication, his dream Knicks roster moves, the NBA Finals and Jokic's game, how F1's grid walk is the true melting pod of celebrity, letting the dog in you out at the supermarket, suburban uniforms, Dominican barbershop apothecaries, keeping up with his rich and famous neighbors, NYC's vibiest eras, going back in time and your younger angrier self trying to kill you Looper style, knowledge darts that have stood the test of time, business advice and the benefits of keeping your team lean, whether or not we'll ever get a Desus & Mero reunion, smoking hookah with Arian Foster in the real New York, the ideal night uptown with the boys, Fashion Week memories, Unkcore vs. Jitcore vs. Zazacore, flexing in the DR all summer, repping the motherland, being married vs. being married with kids, living vicariously through your children and teaching them about death, trauma bonding with Larry over dead dogs, never having to split bags ever again, popping the first ever oxy and inventing soundcloud rap while freestyling over Taylor Swift, deconstructed chopped cheeses, vasectomy finessing and much more on this goated episode of The Only Podcast That Matters™. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

Jen's guest is David de Jong, the author of a mindblowing new narrative nonfiction book called Nazi Billionaires: The Dark History of Germany's Wealthiest Dynasties. Before he began researching for this book, David covered banking, finance, and hidden wealth for Bloomberg News. This book puts the lie to the often-heard claims by descendants and apologists for the industrialists who collaborated for profit with Hilter. You've heard them too. That these business leaders did not know what was going on at the concentration and extermination camps, that they were helping Jews by buying businesses on the cheap, that they had not sought out to be members of the Nazi party but were forced to to stay in business. Piece by piece, David offers the proof that these are not just lies but that the truth is more horrific than any of us can imagine.  The glowing reviews have rolled in. Bradley Hope, author of the fabulous book Billionaire Dollary Whale (about the Malaysian wealth fund) had this to say:  “David de Jong's explosive debut of narrative nonfiction is as riveting as it is disturbing. At times, it felt like reading the anti–Schindler's List: instead of secretly helping the Jews, Germany's most powerful tycoons brutally exploited their suffering for personal profit. The fact that some of Germany's greatest fortunes are deeply intertwined with the ignominies of the Third Reich should be much better known.” Yale Law Professor Samuel Moyn's says, “David de Jong's sleuthing has uncovered a remarkable and upsetting web of connections between the signature evil of the twentieth century and fabulous riches today. With its finely wrought stories of German individuals and families—including Jews who were expropriated—Nazi Billionaires suggests that even today amends have not yet been made for the profits that some reaped in an era of horror.” Why so much kvelling? It's well-deserved. How David did this and the toll it took on him is at the top of my mind. Can't wait to speak with him. So, with no further delays. Let's dive in. Contact Booked Up: You can email Jen & the Booked Up team at: BOOKEDUP@POLITICON.COM or by writing to:  BOOKED UP  P.O. BOX 147 NORTHAMPTON, MA 01061 Get More from David Dejong: Twitter | Website | Author of NAZI BILLIONAIRES Get More from Jen Taub: Twitter | Follow the Money Substack | Author of BIG DIRTY MONEY 

On Richard Wicka's I Thou Video Series Richard and Joel, two old friends, talk and deconstruct meaning, trauma, and suffering and its relation to political and religous spectrums and systems of belief. Richard and Joel teach each about their perspectives in deeply honoring and respectful discourse, examining: nationalism, Hilter, neonazism, the liberal or left versus the right or conservative belief systems that influence the world, tolerance and love versus projecting one's suffering on to others. The spiritual aspect of reality and existence in relation to Trump and tendencies of liberal communities and people versus conservative communities and people. From Karl Marx to Capitalism, Joel and Richard look at a wide array of terrain to answer questions about the 'Why.' To view this talk on YouTube unedited, please click here. Richard Wicka is a Buffalo, N.Y.-based media artist and photographer and the proprietor of "The Home of the Future,"a media access center and production/recording studio based in his Kaisertown home. Wicka has been providing a forum for artists in all media, activists, and everyday citizens of his Western New York community since the mid-1970s. He provides interested parties with technical support, studio time, and production tools free of charge, encouraging them to express themselves in ways that mainstream culture has not historically sanctioned. With the advent of internet radio came ThinkTwice Radio in 2006, offering podcasts to anyone with a subject to discuss and the commitment to produce a regular show. Wicka attended the seminary as an adolescent, then pursued a BA in philosophy from the University at Buffalo. In 1976 he founded Buffalo Paralegal Services. His work has been screened at venues and on television stations around the world. Wicka is a past board president of Hallwalls Contemporary Arts Center. For more information on Richard Wicka, visit hotftv.net.

Michael Jamin sits down with one of his good friends (and former bosses) Jonathan Aibel who was a movie writer for Kung Fu Panda 1-3 and has worked on other greats like Trolls, Monster Trucks, The SpongeBob Movie: Sponge Out of Water, and Monsters vs Aliens. If you dream of being a movie or TV writer, you won't want to miss this podcast episode!Show Notes:Jonathan Aibel IMDB: https://www.imdb.com/name/nm0008743/Jonathan Aibel EMMYS: https://www.emmys.com/bios/jonathan-aibelJonathan Aibel Rotten Tomatoes: https://www.rottentomatoes.com/celebrity/jonathan_aibelMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated Transcript:Jonathan Aibel (00:00:00):We knew storyboards, we knew how to read storyboards. We knew what happens in an editing room and how actors perform, right? So we came to it with production skills or an, an understanding of the process that that helped us come in and say, oh, I think you can, you can cut a few frames there and actually know what we were talking about.Michael Jamin (00:00:23):You're listening to Screenwriters. Need to Hear This with Michael Jamin. Hey everyone. Welcome to Screenwriters. Need to hear this. I'm Michael Jamin, and I got a great guest for you today. This is my, this is one of my, this is one of my first bosses, actually. And yeah, yeah, John, it's true. I am here with John Abel one of the partner, he, his partners Glen Berger. I'll have him on in a future episode. So tell him to just relax. I know he wants toJonathan Aibel (00:00:51):Be, let's see how this goesMichael Jamin (00:00:52):First. Yeah, he'll, exactly. So yeah, and this guy's got a ton of credit. We, he's a real life movie writer. So let me give, I'm gonna sell you a, I'm gonna sell you, John, and then I'll let you talk for a second. But first let me talk, let me sell you up.Jonathan Aibel (00:01:04):That's fine.Michael Jamin (00:01:04):Proof everyone knows, like, I'm a, people say I'm a good creative writer. Wrong. I'm gonna prove it by selling you here, by building you up. So he's written on a u s a, he wrote run on King of the Hill for many years, including he was the showrunner, season five, cos Showrunner Mar. He also worked on Married to the Kelly's. That was his tv. That was his run in TV, I think. And then he went on to write Kung fu Panda, Kung fu Panda two, Kung fu Panda three proving like, you know, milking that thing, just milking that Kung fu panda thing. And then trolls, monster Trucks. And you've had a couple, couple upcoming stuff I want to talk about. Jonathan Abel, welcome to the show.Jonathan Aibel (00:01:46):Thank you. That was okay.Michael Jamin (00:01:48):What wasn't good? What should I have said?Jonathan Aibel (00:01:49):Well, you, king of the Hill is six years and like, that was six six. That was great TV. And then, and then you kinda mentioned some things. I was on six weeks with the same,Michael Jamin (00:01:59):Yeah,Jonathan Aibel (00:02:00):The same emphasis.Michael Jamin (00:02:01):I'm pretty sure, but I'm pretty sure. So they're not equal, you're saying, you're saying, well,Jonathan Aibel (00:02:07):You know, some, some are hits and some are are learning experiences. I'mMichael Jamin (00:02:12):Wearing my shirt for you by the, my King of the Hilter. But let, lemme tell you something. Let me tell you let me tell you something else. So will you, you guys, you and your partner Glenn hired basically, hi. You and Richard Pell hired us to be on King of the Hill. I think there was an opening because of Paul Lieberstein who left. And we literally took his office. So I credit I thank you for that. Oh, you'reJonathan Aibel (00:02:30):Welcome.Michael Jamin (00:02:31):When we got, when we joined the show, it was like, you know, it's your responsibility to get up to speed. So I asked for every script that was written or every, you know, anything on DVD that was already shot. And I distinctly remember reading all your guys' scripts, you and you and Glen Scripps, and just thinking, man, every script you wrote was just tight. It was so tight. And you'd come outta the box with a big joke. And it was just so well written. And like, you know, I didn't, there was 20 writers in the show, but I remember that your, your scripts always stood out like, man, these are always,Jonathan Aibel (00:03:02):You know, IMichael Jamin (00:03:03):Appreciate that. Always good. Yeah.Jonathan Aibel (00:03:04):I also appreciate your your diligence.Michael Jamin (00:03:07):My diligenceJonathan Aibel (00:03:08):Well, to come into a job and say, let me read everything. Lemme seeMichael Jamin (00:03:12):Everything. Oh, is, I didn'tJonathan Aibel (00:03:13):Think that was, it was a bit of a challenge with a hundred episodes.Michael Jamin (00:03:16):Always dreadful. The whole thing was a horrible experience. It's a lot to, but I remember. But you have to do it. You have to. That's how you get the voice of the characters and but the, to like, what kind of show episodes are being told. I remember, I dunno if I ever told you this, but I remember we had just, we were on just Shoot Me, you know, for the first four years. And I remember after the first season, king of the Hill was up against to shoot me. And I remember I was actually house-sitting for Steve Levitan for some reason. And and we were watching, I, we threw a big party. He, he wasn't in the house. And, and we were watching King of the Hill. It just came on. It was the, it was, you know, the Bobby's falls in love with the, with the dummy. And I, and I remember watching thinking, oh no, this is the competition. , this is really good Jonathan Aibel (00:04:01):That we used to watch. Just shoot me all the time in the writer's room feel that same way.Michael Jamin (00:04:06):Is that right? I didn't know that. I don't, I don't think so,Jonathan Aibel (00:04:08):But I, I just feels like it would, it should be.Michael Jamin (00:04:11):Yeah. You, you actually used to reciprocate.Jonathan Aibel (00:04:13):That'd be a nice thing to say.Michael Jamin (00:04:14):It would've been. But yeah, so Damn, Michelle was, and I still get, I, even today I get a ton of compliments on, on King of Hill. But tell me more. Tell me how you broken. How did you guys even get on King of Hill Hill?Jonathan Aibel (00:04:28):We were very lucky in that before we even moved to California, we, Glen and I met, we were management consultants and we met someone at this consulting firm who was college roommate with Greg Daniel's wife. And when we first started thinking maybe we don't wanna be consultants and would prefer to be comedy writers, she said, you should talk to Suzanne. Give her a call. So we called Suzanne to say, could we, we know you're Frank, could we talk to you about writing? And she said, you really wanna talk to my husband? So she put Greg on the phone. He didn't know who we were. We, he then I, whatMichael Jamin (00:05:11):Was Greg doing at that time?Jonathan Aibel (00:05:13):He had moved to la I think he was doing Seinfeld at the time or had done the freelance, the parking spot on Seinfeld. Oh, I didn't, yeah, he'd come off of snl.Michael Jamin (00:05:24):Right.Jonathan Aibel (00:05:25):And he gave the most basic advice that now you would probably give people, or you'd Google this. And it was, and Glen wrote it down, it was moved to Los Angeles. Mm-Hmm. . Okay, okay. What else do we need to do? Like the how do you become a writer? And just super helpful in that regard. And then we moved to LA and never ran into him until King of the Hill. We had our first meeting and Glenn, I think he may have brought the pad and said, it's your fault. We're here.Michael Jamin (00:06:00):But how did you get the meetingJonathan Aibel (00:06:02):That, that it was just through our agent. There's this new show starting up, it's animated. I don't wanna do animation. I know, I know. And it's non gild. Yeah,Michael Jamin (00:06:12):I know aboutJonathan Aibel (00:06:13):That. And you're gonna work in a full year for 12 episodes. Mm-Hmm. . Well, this sounds terrible, but it's Greg, it's Mike Judge who's coming off of Beavis and Butthead. Mm-Hmm. . And you will learn a lot whether it's a hit or not. And we thought, well, that's probably the best reason to, to take a job. There's nothing to see. There was no pilot even, there's just a script. Right. There are no voices to listen to. It had been cast. So it was really just going under the assumption that, well, anytime you think something's gonna be a hit, it never is. So let's take a job just based on the people. And I don't think at that moment we had there, it wasn't like, do we take this or do we take this? It was, well, do we take this or do we just hang on? And, but you had no, I think maybe we hadn't,Michael Jamin (00:07:04):You didn't have any other credits before that, did you?Jonathan Aibel (00:07:06):No, we had done, we started off, oh, we did an episode of the George Carlin show. We had done, youMichael Jamin (00:07:13):Were right down the hall from me. I didn't know that. Cause I was a pa.Jonathan Aibel (00:07:15):Right. Well, we had done a freelance. A freelance,Michael Jamin (00:07:17):Doesn't matter. You were in the Warner Brothers building, building 1 22 or something. Cuz that's where it was.Jonathan Aibel (00:07:21):Well, here. No, cuz here's our great George Carlin story is that we wrote this script for Sam Simon. Right. We turned it in. We get a call a few weeks later from someone at the studio who said, great episode. And we said, oh, you read the script. Well read the script. Did tape last night.Michael Jamin (00:07:42): just slapping the face. Yeah.Jonathan Aibel (00:07:47):We were not invited to our own tape. So we watched, we had a party, we watched it at home. Look, our first, our first big creditMichael Jamin (00:07:54):That, but that's amazing too. How did you get, how did you pitch that? You're skipping all this good stuff.Jonathan Aibel (00:07:59):Ah, our agent just back then we were, we were new. I think we had a couple, we've done a, a sketch show on Nickelodeon that got us in the guild that got us an agent. And interesting. He just put us up for stuff. So one of them was this freelance of of Carlin. And one of the other things is we went to pitch Sam mm-hmm. , who it was, it was a hazard. Like he had a deadly sharp throwing stars on his table. So you'd go to like, oh, what's the paperwork? Don't touch those. They were razor sharp. And he also had a couple vicious dobermansMichael Jamin (00:08:42):In the office. Yeah, I remember that. I remember that.Jonathan Aibel (00:08:44):Then he also had, what we assumed was his story editor sitting at the table as we pitched him some story ideas. And then we left and realized, no, that was his next meeting. The next writer who's gonna pitch story idea sat at the table while we pitched ours. And then we left. And he stayed and pitched his,Michael Jamin (00:09:02):That's a littleJonathan Aibel (00:09:03):Unusual. It was a very, it was, it was a very odd thing. But that worked out in the sense that we got the freelanceMichael Jamin (00:09:10):Your scripts must have been very good then. I mean, cuzJonathan Aibel (00:09:13):I don't think they, I don't think so.Michael Jamin (00:09:15):It must have been if you would've got an agent that easily and got to be able to pitch these shows.Jonathan Aibel (00:09:19):Well, the, the agent, I don't know if it was easy. We, well, what happened was what Mo what happens to most people is you come out and you think, we need to find an agent. We need to get an agent. We're not gonna get a job without an agent. Right. And then you meet all these agents, they love you, they love your stuff, and they say, get a job. I'm happy to sign you.Michael Jamin (00:09:37):Yes.Jonathan Aibel (00:09:38):And we realized we're not going to get work, but just an agent. We need to get work somehow. And just by knowing people, talking to people, we wound up at M T V. Mm-Hmm. doing a game show.Michael Jamin (00:09:54):Which show was that?Jonathan Aibel (00:09:55):It was called Trashed. Think It finally Made it there. We just worked on the pilot and then got to know people on the, on the hallway. We share, we were in damn TV buildings. And next door were some writers on this Nickelodeon show. And a couple of the writers had just left. And someone said, oh, I hear they're, they're looking to hire. Wow. So we said, Hey, we, we've got sketches. Can we, can we meet? We the executive producer read our stuff, met with us, and said, yeah, I'll hire these guys. We went to our agent, the, the potential agent, and said, we just got offered a guild job. Do you wanna represent us? You, there's no negotiation other than you say, yeah, I think I can get my boss to sign you. Sure. And that was it. And then we were in the Guild. We were having fun writing, and I had had credits, but I, I wouldn't say we necessarily knew how to write. We knew how to be funny and come up with gags mm-hmm. . But the idea of how do you write a scene, how to you write a script was right. Was a little bit mysterious.Michael Jamin (00:11:01):But, and so you, I so you met Glen, you were just, you were, he was a coworker at when you were in your consulting firm. And then how did you both, like, did you, so you never even dreamed as a kid of being a writer. It was ne like, how did this come out of, where did this come from? This writing thing?Jonathan Aibel (00:11:14):I don't think I had any idea that people wrote for a living.Michael Jamin (00:11:20):Mm-Hmm. .Jonathan Aibel (00:11:22):Like, you didn't, you'd watch shows and you wouldn't think, I don't, I don't really know what I was thinking. Like, if I went to see a play on Broadway, I knew a human had written it, but there's something about TV where you would think like, I don't know, those are characters who would say these words and you don't think of 10 people in a room writing those words. So it wasn't until Stimson's and Seinfeld started breaking through that, I started feeling like, whoa, there's TV here that I'd wanna write. And later I found out it was because people just a few years ahead of me at Harvard,Michael Jamin (00:12:01):Right.Jonathan Aibel (00:12:01):Were writing those shows. So I was sort of thinking like, why does this feel like it's my sensibility without realizing I was kind of swimming in the same waterMichael Jamin (00:12:09):They had? You weren't on the Lampoon then. No.Jonathan Aibel (00:12:11):You didn't have a no idea that this is something,Michael Jamin (00:12:14):How did you know you were funny then? Like, you know, IJonathan Aibel (00:12:18):Mean, I, I think I always had a sense of humor and was known for being funny slash maybe sometimes disruptive, but cleverly disruptive in school. Right. Like, I was, I'd done musical theater, so I was okay fam like, I, I wasn't like unfamiliar with entertainment.Michael Jamin (00:12:40):Right.Jonathan Aibel (00:12:42):But that was different from thinking, you know, that's something you can make a living at. And then it was right around that time where these articles started coming out about the number of people who had gone from the East coast to LA and how many Letterman writers.Michael Jamin (00:12:56):Yeah.Jonathan Aibel (00:12:56):And SNL writers and Simpson's writer and Seinfeld and Frazier and Cheers and all these. That opened up my eyes to wait a minute, this is, you could make a living,Michael Jamin (00:13:07):But when you,Jonathan Aibel (00:13:07):I went to, I had no idea.Michael Jamin (00:13:09):When you quit your job, then you came to LA you'd had no job. Right. You were what? You were just like, I'm gonna live off my savings. Or what would you do?Jonathan Aibel (00:13:16):Right. We, we, we saved up from, I I, I think Glen says he sent away for grad school applications. His second day of work is how, how quickly he knew that place wasn't for him.Michael Jamin (00:13:30):He did it just .Jonathan Aibel (00:13:32):It was a little, a little later in the process, but we started writing at night. Like we found out you gotta write a specMichael Jamin (00:13:40):Script. Right. And you guys are roommates too?Jonathan Aibel (00:13:43):No. No. We, we weren't, but we wouldn't sometimes call in sick and then work on ourMichael Jamin (00:13:48):Right.Jonathan Aibel (00:13:49):Ourselves or Glen would stay home and, and turn the light onto my cubicle and put a Right. Put my suit jacket over my chair. , you know, it wasMichael Jamin (00:13:58):All these, oh my God. Jonathan Aibel (00:14:00):Our heart wasn't really in it, but we stayed and did the job and, and saved up.Michael Jamin (00:14:05):Right.Jonathan Aibel (00:14:06):So that we could move to LA And we didn't move out to LA like I think we were, we approached it, the way we approached consulting, which was this, this was my job as a consultant, was I was given a list of doctors and it, we had sent them a survey and it was go down this list, call each doctor's office and ask them if they filled out the survey. So it's like, hello, Dr. Levine, my name is John Avon. I'm calling on behalf of this. And we've sent a survey. I was just wondering if you had a chance to, to, and I would just have to do that for hours. And the skill it taught me was just pick up the phone and call people.Michael Jamin (00:14:47):Right.Jonathan Aibel (00:14:47):So when we were thinking of moving to LA, it was, oh, you should like calling Suzanne.Michael Jamin (00:14:53):Right.Jonathan Aibel (00:14:54):Instead of saying, ah, she doesn't know me. It was just, okay, she's just like a doctor. I'm calling you. She doesn't want to talk to me. She'll just, you weren'tMichael Jamin (00:15:01):To call, were intimidated at all. You, you had, you weren't intimidated at all.Jonathan Aibel (00:15:04):I don't think I knew to be intimidated. We were in Boston at the time,Michael Jamin (00:15:08):UhhuhJonathan Aibel (00:15:09):. We didn't, you weren't surrounded by people who had this dream of going to Hollywood and then came home with their tail between their legs and said, now it's awful out there. Right. It was, that place seems fun and sunshine and I knew people, people from school, people, friends of my brothers had lived were, were out there. So when we showed up, it felt like there was a, a group, there was a, you weren't alone. It was there other people here pursuing the dream, but not so many that you felt like there's no chance this is gonna happen. Like we were, I don't know if cocky is the word, but because we didn't know any better. We were just know it's gonna work outMichael Jamin (00:15:48):And itJonathan Aibel (00:15:49):We're gonna, we didn'tMichael Jamin (00:15:49):How long did it take for you to get work, but when you moved out here, it sounds like a fa it was fast.Jonathan Aibel (00:15:53):Well, we moved out in September and we got the game show started in December. And then I think amazing by the following summer we were on the Nickelodeon show.Michael Jamin (00:16:07):What show was that? What was thatJonathan Aibel (00:16:08):Called? It was called Roundhouse.Michael Jamin (00:16:10):I don't know that one.Jonathan Aibel (00:16:11):Right. Bruce Bruce Gowers who just passed away two days ago. Who did The Queen, the Bohemian Rapley video. He was the director of it.Michael Jamin (00:16:19):Oh wow.Jonathan Aibel (00:16:20):But there's a little little roundhouse trivia. It was really fun. It was a lot of in living color writers.Michael Jamin (00:16:25):Wow.Jonathan Aibel (00:16:26):Between gigs were there. So it had dancing and original music and it was a sketch show for tweens on on sncc.Michael Jamin (00:16:36):Sncc. Is that what it was? Really? Yeah. It's so funny cuz this show here was on Nick at night, which was supposed to be not Nickelodeon and Nick at night. No, it'sJonathan Aibel (00:16:43):Different.Michael Jamin (00:16:44):But it's not because it, Nick, I don't remember if Nick at night started at 8:00 PM or 9:00 PM or whatever. But see, my, my partner I siever it used to say, but it's the, it's the babysitting channel up until, you know, 8 0 1 and then it becomes racy. But the parents don't know thatJonathan Aibel (00:17:00):. Right. no one's turning you.Michael Jamin (00:17:02):Yeah. So the, we got a lot of peopleJonathan Aibel (00:17:04):From was Saturday night. Saturday night. Nick is a whole otherMichael Jamin (00:17:07):Ball game. Oh, is that what that is? Sncc? Yeah.Jonathan Aibel (00:17:10):I guess they could have also done it Sunday without changing the name. Yeah. But it was SaturdayMichael Jamin (00:17:15):Or Wednesdays. Wednesdays or Thursdays. Anything, any day that ends with an sJonathan Aibel (00:17:23):That's true. Wednesday, Wednesdays Nick.Michael Jamin (00:17:25):Yeah. Anyway, that's why we're not in the marketing department.Jonathan Aibel (00:17:29):My point though is by the time we got to King of the HillMichael Jamin (00:17:32):Yeah.Jonathan Aibel (00:17:34):We had had, we had worked on a, a show that was real old school in its joke telling, like real strong set up three a page, boom, boom, boom, boom. Then we worked on another show that was very emotional where it was single woman in the city kind of show. And that was, it wasn't, not funny, but it was as a writer there it was, wait a minute, I'm supposed to tell a story that isn't just the situation of situation comedy. It wasn't just the character loses her driver's license and has to go to the D M V and this crazy stuff happens. Mm-Hmm. , it was thinking about the, the internal life and they're Okay. That's an interesting then,Michael Jamin (00:18:23):But then when did you learn actually how to write like story, a story structure? When did, is that King of the Hill?Jonathan Aibel (00:18:29):I think so. The other, the, the show that was very joke heavy. The other thing you learn on a joke heavy show is, is the, the tricks. The okay, someone comes in and says something and then at the end of the scene someone repeats it in a callback andMichael Jamin (00:18:44):Right, right.Jonathan Aibel (00:18:45):Then people laugh and the music plays and you dissolve slowly to the next scene. And they're, they're like they're like weapons. They could be in that they could be used for good or evil.Michael Jamin (00:18:55):Right. Right. SoJonathan Aibel (00:18:57):By the time though, we got to King of the Hill, I remember pitching the very first week to Greg and you just have no idea what this show you're thinking the Simpson. So, okay. I remember we pitched something like Dale's an exterminator. So he tens a big house and then people think it's a circus and starts showing up at it.Michael Jamin (00:19:19):Oh, I like thatJonathan Aibel (00:19:20):. And Greg's like, oh, that's the little, probably by season eight that would've been a season eight idea. That's good. But in the beginning I think that's a little not observational enough. And, and, and it's sort of like, well what do you mean to define observational was the, the question like how do you find comedy out of human, actual human behavior?Michael Jamin (00:19:48):Right.Jonathan Aibel (00:19:48):In the way, how do you observe what a person would do in a, in a real life situation? And no one had really done that in animation, which was Yeah. The, I think the brilliance of Mike and Greg was to say, well, what if you take this style that's associated with unreality Right. And give it more reality than anything else you've seen in animation.Michael Jamin (00:20:09):And that's what was unusual because we used to say in many ways just king of the Hill was less of a cartoon than, than just shooting me. I mean, just shoot me was more of a cartoon. You know, it was, but, and it's unusual cause you'd say, I I even back then I was like, well why is this show animated? Like, cuz you no one's eyes popping out, no one's running on air. You know, no one's doing any Daffy Duck stuff. But I guess it was just because you could shoot it like a movie and it could be real. But you didn't have the, you didn't have the budget. WellJonathan Aibel (00:20:39):You're probably overthinking it cuz it was just the real reason is they had to deal with Mike and Mike's an animator and this is what he wanted to do.Michael Jamin (00:20:46):. I guess so. But usually why is it animated? Like, you know, otherJonathan Aibel (00:20:50):Than because Yeah. That's, that's why are, why are, why is this? It's cuz cuz Mike wanted, he saw it. No, that was his thing. And, and he didn't. And, and that's great. That's as, that's as good a reason. And how,Michael Jamin (00:21:04):How much was, and I've heard stories, but I think people wanna hear this. How involved was Mike like literally on a day-to-day basis in those early years with the show?Jonathan Aibel (00:21:13):Huh. I can't say I know the full scope of it because I'm sure he was more involved in the production,Michael Jamin (00:21:22):But he wasn't in the writer's room. I mean, I know like,Jonathan Aibel (00:21:24):No, cuz he was living in Texas.Michael Jamin (00:21:26):Right.Jonathan Aibel (00:21:27):So he would come in and then we would do the story retreats, maybe you remember. Yeah. Or we'd go to Texas and and meet with him, or he would come in or we'd go to his house. It re it was Greg on the day today. And then I don't really know what the, the communication between the two of them was. Right. I, I'm pretty sure Mike's deal was, I have a life in Texas and I don't wanna move to LA and do this grind cuz he had done that grind for Beefs and, but, and the Beavers and Butthead movie.Michael Jamin (00:22:01):Right, right.Jonathan Aibel (00:22:03):So I think that's what Greg took on.Michael Jamin (00:22:06):But yeah, he,Jonathan Aibel (00:22:06):It was a great combination.Michael Jamin (00:22:08):He have notes though. He I remember, you know, even on on the, on the audio track, you could sometimes hear him say, I'm, that that line's not right. He'd tweak a line or whatever, you know? Yeah, yeah.Jonathan Aibel (00:22:19):Yeah, you get his little I'm not gonna say that. How aboutMichael Jamin (00:22:23): not gonna do that. But, but then, okay, so then you guys rose up to the ranks cuz only in five or six years you were running the show, which is a pretty fast climb to be able to run a TV show after only that short amount of time is kind of crazy almost. You know, IJonathan Aibel (00:22:38):Think we were a and meanwhile feels like, oh, we're not getting anywhere in this town. And some of that is because you do a show. We were, we'd probably done a year of it worked under the year before it even premiered. Right. So you're putting all this into it and you don't know if it's gonna be a hit. And then the surprise was, it, it was doing really well. And then you have no time to enjoy it because you're halfway through starting season two. It was, it was both really exciting and just crazy exhausting. And itMichael Jamin (00:23:12):Was,Jonathan Aibel (00:23:13):Yeah. Like 3:00 AM And that's sort of fun sometimesMichael Jamin (00:23:19):When you're young, it's inJonathan Aibel (00:23:21):The beginning where it's, hey, it's like college, right? We're all hanging out. We're just being funny. And then you start dating and your partners saying, what time are you gonna be home? I don't know. Yeah. Or what time do you think I really, I don't know. Someone could come into this room in two minutes and say, we're good. Go home. Or someone could come in in two minutes and say, I just got Mike's notes. We need to start over. Yeah. You don't know. And that's a, when you're a staff writer, not so hard because you just do what you're told when as you move up and take on more responsibility. It, it definitely became less fun. Aspects of it were fun. Mm-Hmm. directing actors was really fun. Mm-Hmm. working with editing and storyboard artists and the animation directors fun. But the more stuff like, can I go to a dentist appointment on Wednesday? Let me see what's the staff, what, what room am I in today? Like, I, I left consulting because I didn't wanna be a, a manager. And that's wh part of show running is that, and for us, that was the, that wasn't the fun part. The fun part, as we say, Glenn and I would note you rise up and become a showrunner based on the strength of your writing. And then you get to a position where you don't have time to write anymore.Michael Jamin (00:24:41):Oh. It's not only that people, cause I people, they reach out to me all the time, you know, that I wanna be a showrunner. It's like, I just wanted to be a writer. Like, cuz be a show. It's like you just said, you, none of us become comedy writers because we wanna be managers. Like that's not, and when you're a show owner, that's what you're doing. You are managing other people. Yeah. And and, and we're not equipped, we're not prepared for it. And we don't necessarily even want to do that. And, you know, it's a, it's a, it's a hardJonathan Aibel (00:25:06):Leap. Right. And it was, it was definitely challenging also, cuz you're putting all this work in, then you realize, this isn't even my show. This is Greg and Mike's vision, and you're just trying to fulfill their vision. Right.(00:25:21):Like, I can see running my, if Im running my own show saying I love this idea and this is my baby and I'm gonna protect. And I just, I want to be the ur here. I want to see my vision through. But so much of show running isn't that at all? It's, it's, Greg would describe it as it's sort of like pottery where you would make a pot, put it on the shelf and all right, what's the next one? Sometimes they break, sometimes they're not quite formed. But you don't have time. You gotta get to the next Right. Get to make another pot.Michael Jamin (00:25:53):But do you have, and I wanna get to your film career, which is very impressive, but do you have, did you have any like, eyes to go back and do any kind of television, even creating your own show?Jonathan Aibel (00:26:03):We, after King of the Hill, we, we wrote a few pilots. We were at Fox and writing pilots. And it was a weird time in TV where every year Fox would say, we don't want single camera shows. We need, we need Multicam, we need to pair them with whateverMichael Jamin (00:26:20):Right.Jonathan Aibel (00:26:21):Hit they had there. We need another, we need to pair this. So we'd write a multi cam and then they would only pick up single camera shows. But I think that happened two or three years or whatMichael Jamin (00:26:29):Yeah. What's,Jonathan Aibel (00:26:30):What's going on? So we started realizing, I, I think we were kind of spoiled by King of the Hill. It was, it was just creatively, it was just an amazing show. And so fun to write those characters and work with those actors and work with that staff that after that it was, I don't, it's hard to just go and do sitcoms. I mean, like, I enjoyed the form, but I couldn't see myself spending 10 more years doing that. And it felt like the the air was coming out of that format.Michael Jamin (00:27:07):Then how did you, how did you jump into features?Jonathan Aibel (00:27:10):Well, it started because King, as I mentioned, king of the Hill was not a guild go in the first years mm-hmm. . So we're doing it, we're in our second or third year, and we realized we're gonna lose our health insurance. What, what? I mean like, it was a very adult sounding realization of, oh, health insurance. What I, I hadn't even been thinking. Because when you're in the Writer's Guild, it's amazing. On a time I was 23, I had health insurance.Michael Jamin (00:27:40):But you had health through the Animators Guild though, through tag.Jonathan Aibel (00:27:43):We weren't animated animation. We were No, it was not unfamiliarMichael Jamin (00:27:47):Anybody. Oh no. Wow. I didn't know that.Jonathan Aibel (00:27:51):So we said to our agent, we need, we need either freelance episodesMichael Jamin (00:28:00):Mm-Hmm. Jonathan Aibel (00:28:01):Or we need to write a feature. And she said, well, do you have a feature spec? And we said, no. And then, and to her credit, she said, there's this director, he's been hired to direct a reboot of Freddy, or of Friday, it was Freddy versus Jason.Michael Jamin (00:28:20):Mm-Hmm. .Jonathan Aibel (00:28:21):And he loves King of the Hill. And basically it was, can you give him a fun, fun, he's got an idea for story fun characters that he can then kill. Like it was right around Scream had come out. So there was this, the, the Birth of Hard comedy.Michael Jamin (00:28:38):Right.Jonathan Aibel (00:28:39):So he said, yeah, we can do that. And we, we met him, we got along, he loved the show. We, we love working with him. So we wrote this script, which then, which then didn't get produced. But it was, oh, this features is kind of like writing King of the Hill, but longer.Michael Jamin (00:28:59):Right.Jonathan Aibel (00:28:59):You just kind of write King of the Hill and then you keep writing and keep writing and then you have a hundred pages of King of the Hill instead of 22. Right. But the three act structures similar. And the idea of thinking about a character and how do you write a character, we realized it's kind of more cinematic than episodic television. Like the things we were learning were more applicable to writing features than writing sitcoms at that point.Michael Jamin (00:29:28):Yeah.Jonathan Aibel (00:29:29):So when our television deal was nearing its clothes, and we were thinking, do we renew it? Do we throw our hats out there as, as showrunners for hire? And we thought, you know, let's, let's write, maybe we can write some more features. And we just started getting some rewrites, doing some originals.Michael Jamin (00:29:50):Mm-Hmm. .Jonathan Aibel (00:29:52):And you can start making a, a decent living writing movies and never get made.Michael Jamin (00:29:57):Oh, for sure. At least you could then. I don't know if it's nowJonathan Aibel (00:29:59):Yes. Yes. Then you then you could. But it was super frustrating. Yeah. Because everything would be about to go and then there would be a reason mm-hmm. it wouldn't go. And there were none of those reasons were under your control. And you, you could, you would do a great job and everyone would love it. And then, oh, this movie just came out. Yeah. Basically the same premise. So, sorry.Michael Jamin (00:30:20):Yeah.Jonathan Aibel (00:30:21):And that's when we had been meeting this, this fantastic exec name Christine Belsen, who was then at Henson.Michael Jamin (00:30:30):Mm-Hmm.Jonathan Aibel (00:30:30):. And we were huge Muppet fans. Right. And she brought us in and we totally hit it off. And she said, I wanna do a Muppet kung fu movie.Michael Jamin (00:30:39):UhhuhJonathan Aibel (00:30:40):. And we thought, oh my God, yeah, that would be so great. Yes. Sign us up for that. And we said, but you know, we read that that Dreamers is doing this Jack Black, kung fu kung fu Panda movie. And she said, oh, those movies take forever. I don't think it's, I I wouldn't worry about that. So then we don't hear from her for a while. We're worried what's going on. Then we get a call from her. Okay. So I moved over to Dreamworks and we're looking for writers who come from Panda.Michael Jamin (00:31:08):Wow.Jonathan Aibel (00:31:08):And we said, oh, okay. So it was just a case where it started off simple enough, they asked us to come in for just two weeks of consulting to see what they had underway and talk about the story. Cuz it was in a roughMichael Jamin (00:31:25):But had be different. Dreamworks has a whole different system over there. So what do you mean consultant? Cause I know they worked very differently from other studios.Jonathan Aibel (00:31:33):Well, so there had been writers who, well kind of what happens is, you know, king, king of the hill, the Simpsons though, shows very writer driven. Right. It doesn't have time. You don't have time to be anything other than ri writer driven. So the animators are given the script and the audio. Right. And they're So draw this,Michael Jamin (00:31:54):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Jonathan Aibel (00:32:18):And in feature animation, Dreamworks especially, they may take that script and they'll take tens, the first 10 scenes of act, the first half the movie and give it to 10 different storyboard artists who will take that and read it and say, I see what this scene is doing, but maybe I can do it this way. And they will draw something and write it and animate and, and storyboard it and often record the dialogue themselves. And it's sort of like almost like what is it? 32 short films about Glen Gould where you end up with these almost mini movies in the beginning of a movie anyway. Like at the start of a development process where you would watch this movie and say, okay, that PO is different from this PO who's different from that po. And you watch it and you think, this doesn't make any sense, but I can start to see a story in there.(00:33:13):And then they'll do it iteratively. So then you're on that scene there, that moment I really understood who the character was. So more of that moment. So by way of saying, you may have someone who came in and wrote a script, but they might be long gone at this point cuz now it's been torn up it's storyboard and now you're walk working off transcripts where they've written down what's on screen. And that's what you're rewriting off of. So by the team time we came in, there was like a movie ish. Like you could, there was something in black and white you could watch mm-hmm. that everyone knew wasn't necessarily coherent. But the point isn't coherence. The point is what, what jumps out at you? Like we watched and said, oh, I think what you're doing is, it's kind of like a Cinderella story, right?(00:34:06):He's the guy in the beginning who wants to go to the kung fu ball mm-hmm. and can't go. And then the Prince points at him, and then he goes on this thing, and now the bad guy's coming for him and he doesn't know. And is he the chosen one? Or isn't he the chosen one? It's like those are like, now it's, it feels a little glib for me to say that as if it were obvious. It, it was, it's it was not it obvious. It's, it's, you're sitting there thinking, is it this story? No. Maybe it's the story. Some of it is, there are, there are two, Jack, Jack has, Jack Black has two kind of two great. Our type of our typical characters. One is the high fidelity like the jerk Yeah. Who deep down is suffering from low self-esteem. Right. And then he has the friendly guy who deep down is suffering from low self-esteem.(00:35:00):Right. So some of the, the production of the, the development of Kung Fu Panda was, which, which Jack is in our movie. Is he the guy who's chosen to be this kung fu guy and then realizes, oh my God, this is great. Now I don't have to work anymore. Now I can just go to the palace and hang out and relax and, and live it up until he finds out there's a responsibility. So there was some of that version of the movie. Then there's the guy who's wishes more than anything. He can be the kung fu master, but knows because of he's a big panda. That's impossible. Cuz Panas don't do kung fu and then his dream comes true. And then he has to, you know, that's what the movie ended up being. But when you started seeing that character in the opening reel, you'd say, whoa, I, I wanna, I, I wanna know more Right about that. And that's the magic of these time. You hadMichael Jamin (00:35:51):To sense of it. But see that's what I'm, I'm curious though, cuz for me it seems counterintuitive. It feel, it feels like you're putting the cart ahead of the horse. It's like, you know, I wonder if, was that, did you feel the same way? Because usually, you know, okay, we have an idea. We come, we have Ari, the writers come up with a th a thread, you know, through line and there's a story and Well,Jonathan Aibel (00:36:09):It's, it's inefficient for sure. But I think you can look at animated movies for the most part as a genre and say for the most part they're really well constructed.Michael Jamin (00:36:22):Right.Jonathan Aibel (00:36:23):And I think this is, this is why, because if a writer's gonna, it's very hard to create a great movie off of six drafts, even eight drafts, 10 drafts. Mm-Hmm. and, and just see it on paper and say, yeah, that's gonna work. Because no one knows how to read a script.Michael Jamin (00:36:43):I see.Jonathan Aibel (00:36:44):Like, even as a professional writer, I don't think I could read a script and say, this is gonna be an amazing movie. You can say this is a great script. Right. But is it gonna be an amazing movie? I don't know, an animation, you're making the movie as you're writing the movie, so it's not you, it makes sense. Theoretical. Is this gonna be good? It's ah, I, I see that moment. I see Poe and his father. Right. Having that moment where Poe is afraid to tell his dad what he wants to do with his life. I see. That's one thing. Makes sense. How do we build on that?Michael Jamin (00:37:17):Right. That makes sense to So it's very collaborative with you and the animators then.Jonathan Aibel (00:37:21):Oh yeah. The storyboard team, the directors, the producer, the actors, Uhhuh . It was it very different from TV animation. Right.Michael Jamin (00:37:32):SoundsJonathan Aibel (00:37:32):Very different. And I, our, our, one of our first the first moment we realized that was the producer said, I I want you to sit in a room with this guy, a storyboard artist and talk about the scene and what it could be. So we sat with him and we worked line by line. We hopped it and said, it could be this could be this. Yeah. I could draw this, do this. Said great, we're gonna write it up. We wrote it up, gave it into him. Three weeks later we go to watch the scene. It's nothing at all we discussed and went to the producer, but a, a thing. She said, yeah, I know, but I know he's kind of out there. And I wanted to see what he would take your stuff and give you, you know, if you, if all you want, if all you're expecting is the best version of what you've already done, you're closing off the chance that you'll be surprised by something.Michael Jamin (00:38:24):Right.Jonathan Aibel (00:38:25):So that's cool. On the other hand, sometimes in their scenes where you just say, can you just please do the, the pages? Right. Like, we've thought a lot about this. We understand. And there's some scenes in that first movie, which went pretty much from our pages to the final version. Cuz they were just compact. They made sense. Right. There wasn't a lot of room, but there wasn't a need for a lot of exploration. It was okay, that works. So let's just get that right going and move on to the theMichael Jamin (00:38:52):Others. So they brought you in under contract for a couple of weeks just to see how you would respond to the animators?Jonathan Aibel (00:38:59):Yeah, we had a after, well, no, to see what we would, it wasn't a trial. It was, they thought in 10 days we would give them an outline that they could work off of.Michael Jamin (00:39:12):But even still, you, they, they knew that they would probably go off via the reservation and you'd be required to Yeah. But that'sJonathan Aibel (00:39:19):Collaborate more. That's, but I think that happened a lot. It wasn't, it was more of then when we pitched our take on it to Jeffrey Katzenberg and he said, great, when you, when can you guys start writing Uhhuh. ? Okay. And then the other people lo looked at each other like, oh, I guess we, I guess we should probably get that, put that deal in place. So then we wrote a draftMichael Jamin (00:39:38):Mm-Hmm. .Jonathan Aibel (00:39:40):And then they took the draft and then started going through that process of tearing it apart. And at, at which point they realized it would probably be helpful to have us around. And I think it, what helped is that coming from tv, we, we knew storyboards, we knew how to read storyboards. We knew what happens in an editing room and how actors perform. Right. So we came to it with production skills or an, an understanding of the process that that helped us come in and say, oh, I think you could, you can cut a few frames there and actually know what we were talking about. At, at the same time, the, the big difference was television is it's a, it's a sprint as you know. Yeah. It's, you need to get this done because the actors are gonna be here at 10:00 AM to read this and record this.(00:40:35):So you need something for them. So we were approached feature animation, we gotta get this done, we gotta get this done. And then what you realize is that you, that's the exact wrong way to do because you, you get it all done now then when stuff starts changing, you've already written stuff that's, it's obsolete before anyone has seen it. Right. It's like animation is best. I think it's like, it's a marathon of sprints where we need, this scene has to go into production and Jack is coming in Thursday to record this. We need these three pages done. All right, we'll get it done, we'll get it done. Great. Now in six weeks, we're gonna need sequence 1500 going into rough layout though. That's the next one. I know it's,Michael Jamin (00:41:21):But you're working off an an outline. You know what the story is, right?Jonathan Aibel (00:41:24):You do and you don't. Isn't that, I know that's a weird thing to say, but you, Lenny, I can't tell you the number of boards there that would say big battle, like act three, big battle you know, wrap up epilogue.Michael Jamin (00:41:39):Is this the way animation movies were done like at Disney back in the day? Is this where they're getting this from?Jonathan Aibel (00:41:45):It's possible. I I think what where it comes from is that what's your expense, your greatest expense of time. And therefore money is the animator, the person at Disney drawing the cell mm-hmm. at Dreamworks. That final, the final editor moving frame by frame. That takes a lot of time. And it is such a skill and the people who do it are so brilliant that it's not like you can say we need six more animators who can capture Poe. It's, there's this guy Dan, Dan Wagner, just a brilliant animator and he was the one who could give Poe his soul.(00:42:29):Right. So you only get so much Dan. So you don't want to give Dan 10 scenes to do and say, we're not sure if these are all gonna work. But, so you are not giving the animators the scenes until they're ready at the same time. The animators can only do so much at the same time. So so while they're working on one scene, there's no reason to have the other scenes done. So it's sort of like you back, you back up into the process and you'd say, well if they can only animate these this much now mm-hmm. , well let's keep working on those other scenes and make them better and keep playing with them until it's too late. And then we'll, we'll turn 'em around. Right. So you really, you have the time to get it right. And if you said no, let's rush that. We, we gotta get All right. Now there's no reason to.Michael Jamin (00:43:16):It sounds like this cuz knowing how you guys ran King of the Hill, it sounds like this is like the perfect fit for you because you guys would often rewrite the hell out of a scene trying different ways and just experimenting.Jonathan Aibel (00:43:26):That was, I I think Thank you. I think it was, it, it it is a good fit for us to, to have said, okay, we've written that scene. There, there are a lot of exercises that are, are kind of cool that you can use, which is stuff like, well let's write the opposite. Right? You have someone come into a scene who's really excited, like, well, what if they came into the scene feeling the other way and that you flipped. You kind of have that, the opportunity to exploreMichael Jamin (00:43:58):More. Right.Jonathan Aibel (00:43:59):And then, and know that there's no punishment for it because the whole point is to experiment.Michael Jamin (00:44:05):Right. That's the point. So did they keep you under, how does it work? Do they keep you under contract at that point, Dreamworks, to do other movies? Or are you constantly pitching them to get assigned other projects orJonathan Aibel (00:44:17):That No, we had, we had a, it was great in that it started off, I think it was, we were there four days a weekMichael Jamin (00:44:25):Mm-Hmm. Jonathan Aibel (00:44:26):And I think at the time we were in person then it would be three, then after six months, three days a week, as there's less to change, they need less abuse. So then it was two days a week, then one day a week. And then at the same time we were doing other rewrites in other studios. And I think it was when we got down to one day a week, they said, you know, we have this smoothie monsters versus aliens when you wanna work on that. Right.Michael Jamin (00:44:49):So you were never squeeze.Jonathan Aibel (00:44:51):We were one day monsters. Four days.Michael Jamin (00:44:53):All right. So you were alwaysJonathan Aibel (00:44:54):Kind. Yeah, always. Show by show.Michael Jamin (00:44:56):I see. You're always jumping. Right. So it wasJonathan Aibel (00:44:58):Never, and then, and it, it was nice cuz you know, you don't wanna, we liked it because it led us take the projects that spoke to us that Right. Looked like they were gonna be fun. While also, like, the great thing about Panda was it was a hit came out. It was a hit. And when you've written a movie, it's a hit. People want you to write their movies. Right. So it, and and also people want you to write movies similar to the movie that was just a hit.Michael Jamin (00:45:28):Right.Jonathan Aibel (00:45:29):So it didn't matter that we had done King The Hill or other stuff. It was, oh, they, they wrote Fu Pan, they should write the Chipmunks movies. We'll offer that to them.Michael Jamin (00:45:38):Right. Right.Jonathan Aibel (00:45:39):So talking Animal, oh, here's another talking animal.Michael Jamin (00:45:42):So did you have toJonathan Aibel (00:45:43):Ever Thenn Bozer,Michael Jamin (00:45:46):Did you have to pitch, when you go on further assignments, are they pretty much yours because of, or do you have to pitch? Do you have to win that assignment?Jonathan Aibel (00:45:54):It's always a little of both. I mean, look, we were very, we were very lucky in that they weren't bake offs where Yeah. Six people are coming in to pitch this. It was, I think that the Chipmunks people really like Kung Fu Panda. It was just a rewrite. Can you come? It was over Christmas.Michael Jamin (00:46:16):UhhuhJonathan Aibel (00:46:17):. So I think that that definitely helped that they found us saying, yeah, we'll give up your, our holiday to, to write these pages for you.Michael Jamin (00:46:24):Right.Jonathan Aibel (00:46:25):But then the, the luck was these were, these became franchises. So then they come you for Comfort Panda Two and Comfort Panda Three and Chipmunks three. Right. And, and then we through people knew what Dreamwork got to SpongeBob. So then you'd do SpongeBob to second SpongeBob movie that led to the third SpongeBob movie.Michael Jamin (00:46:44):I didn't even mention those. Cause that's not even on your I M D B. We'll have to update that when we get off the, the Zoom. Yeah. What update your page? I didn't know any of this. I didn't know you did the I didn't know you did that. And so, okay. Because that's a big deal. Cause I, I remember, you know, when Si and I, we did, we did a couple of movies. We sold a couples, they didn't get made. We sold a couple movies and then we were all we're brought into you know, we didn't realize they were bake offs. We didn't, so we, we pitched for, you know, a couple big companies, I don't have to mention what they are. And, and we're told Yeah, you got the, you got it. You got it. And then only to discover that someone else got it. We didn't even know o other people were trying to get, like, we had no idea. And that's a lot. You're talking about months and months of heartbreaking wasted work and then the project never even made. So, but you don't really have it's true to deal with that True. Because of your level, you know. Yes,Jonathan Aibel (00:47:34):Yes and no. The the no is if they're, if you've worked with them on Kung fu Panda one, two, and three, there's a good chance they'll come to you for Kung fu Panda four.Michael Jamin (00:47:46):Right.Jonathan Aibel (00:47:47):So, and if you hit it off, feel like they may say, come in with some ideas and they like an idea. So they're not just saying, here's the deal before you've pitched anything. So there were meetings, but you know, they know you can deliver. That's kind of the main thing. Right. If it's people who you don't really know, then yeah. It's, they're rebooting this franchise and their hearing takes. And what we've learned, actually the hard way is if you're going to put yourself in that situation, you want to put as, I don't wanna say as little work as possible. You want to, you wanna do the right amount of work. That's the the best way where, but it's, we've, we've gone in and we've pitched I know, but we've gone in where we've pitched, you pitched for 20 minutes and then you realize by the second sentence you said the words they don't want to hear like, oh, that's not the kind of movie they want to do at all.(00:48:47):Right. And we've learned a better strategies to go and say, here, I I understand you wanna do a silly putty movie. I'm, I'm totally making this up, but here's, you could go this way where Silly Putty, it's a revenge story where it's a John Wick me silly putty. Right. Or it's the origin story of how a serious putty became silly putty because of a, of a family tragedy. And he's the clown who lasts through to you . Like, you know, each of these is an archetype movie. Right. And then it's, I don't know if any of those strike, well we kind of do like that. It's like, okay, okay, well we'll come back to you with that. It'sMichael Jamin (00:49:23):Interesting cuz you set the terms then over the pitch chart. Cuz that's not usually how we go in. We, here's the, here's the take, here's our take. And then, you know, you could be your, you could be completely off. I didn't know you had a choice.Jonathan Aibel (00:49:33):Well, this is a new, this is a new, this is a new realization. Uhhuh having, because you know, kind of what's happened is after doing a lot of these movies, you start to think, okay, I like this. I I know what I'm doing. What's something I don't really know how to do that I haven't done before mm-hmm. . And that's the type of movie where a person isn't necessarily gonna say, Hmm, get me the guys who did Kung Panda. Right. So you gotta hustle for those little more. And those were the ones where I think we were over preparing for many of them by saying we're gonna blow 'em away with the le attention to detail. Yeah. And especially in a Zoom era where you blow 'em away with the tension detail, they're thinking is I just need three sentences to bring the boss. Really? And it's hard because as storytellers you sometimes feel like, I can't, I don't, I'm sorry, I cannot pitch this idea unless I understand the character arts and Yeah. Right. The three acts and you're think, you know, maybe sometimes you can go in and say, and then in the third act there's a huge battle in which the forces of evil have to go against the forces ofMichael Jamin (00:50:39):I see. I would be worried about pitching something that I didn't know how to actually break. You know what I'm saying? Like, youJonathan Aibel (00:50:43):Know. Yes, I know. I, I you eventually, you just kind of have to have confidence and say, you know what, we'll figure something out. We'll figure, it's hard. It's really hard to, even at this point we'll go into a rewrite and say, what is that third act set piece? I don't know, but we'll, we'll, we'll figure it out. And it's in the back of your head thing if I don't get that.Michael Jamin (00:51:06):Yeah. Right.Jonathan Aibel (00:51:08):And then one day it'll be like, oh, wait a minute. Well, what if this happened? Because we just like, it will, it will come to you. And I think it's, it's a little, maybe this is the animation experience. It's a little foolish to even think I know what the perfect act three is before I've actually written Acts one and two.Michael Jamin (00:51:28):Yeah. But you andJonathan Aibel (00:51:29):Instead rely on your instincts and your experienceMichael Jamin (00:51:32):Wanna build to something you wanna, I I it's so, I'm, I'm telling you how to do it. I have no idea how to do it.Jonathan Aibel (00:51:37):No, but, but, but of course you will build to it, you know, you need to build to something, but you may not know the ingredients yet. Like, you'll be writing something and say, well, I'll give you a good example. In, in Conco Panda, we wound up having this, this pose, big realization. Mm-Hmm. that, can I give spoilers after 15 years after movies opened?Michael Jamin (00:51:59):I believe. I believe so. Okay.Jonathan Aibel (00:52:01):So Pose opened the scroll in it's blank, and he realizes he's failed. And his father says to him, it's okay, you can be a noodle old man just like me. And by the way, it's time. I told you the secret ingredient in my suit. And the secret ingredient is nothing. There is no secret ingredient. It was just to make something special, you just have to believe it's special. And really, that was just a joke about his father, who in the first scene we wrote that, oh, that'd be funny if he has a secret ingredient soup. And later we find out there is no secret ingredient. It's just a marketing gimmick. And it wasn't until he got to the later scene where someone, I think this bill Damascus, his name, he is, he was then the executive of dreamworks. And he said, I, I, I like what you're doing there.(00:52:49):You're kind of making comparison between the scroll being blank and the soup, not really having the spec, the specialness, it's that's it into here. And we said, that's not at all what we're, is that what we're doing? That is what we're doing. You know, like, I don't know if we consciously did that or everyone working on the movie was putting that stuff in there. But once, so if we had started with, what is it? We never would've gotten there. But like, it's funny you were talking about ingredients, but we had these ingredients of the father, the soup. We had this scroll that was blank, and it took a whole bunch of time. And thinking for a, a person to look at that with fresh eyes and say, I think you've given yourself the moment you need to do the rest of the movie.Michael Jamin (00:53:37):Do you think this is how they tell their movies at at Pixar? They have a different process. Do you thinkJonathan Aibel (00:53:43):That I I don't, I don't know all I've, all I know of the process there is, they seem to draw on tablecloths.Michael Jamin (00:53:51):Is that Oh, really?Jonathan Aibel (00:53:51):That I don't know. That was at, there's some documentary where they have this, this famous tablecloth that's amazing. Where it was, they weren't, the Brain Trust was meeting. And I said, well, here's some movies I think we could do. There's what if tos come to life? What, what if bugs come to life? What if Bumper Beyond that, I don't really know their process. It's probably somewhat similar.Michael Jamin (00:54:13):So. Interesting. And when you work, you know, you're, and I'm jumping around, but your partner, Glen, he doesn't, he lives not in la So how do you guys do, what do you work in on Zoom? Is that how you guysJonathan Aibel (00:54:24):Yeah, we, oh, we've been Skyped for, for years and years. Just, just audio. Just, I'm a, I'm Aist and I'll tell you why. JustMichael Jamin (00:54:32):Yeah, go on. And why just audio?Jonathan Aibel (00:54:34):I'm a Skype because Skype lets you Skype out. So you can call people's cell phones. So if our agent or lawyer or an executive or I know we need them to take a meeting, he's just stays in my ear and All right, let me patch him in and then you can Okay. Call. also we started before Zoom,Michael Jamin (00:54:49):Right?Jonathan Aibel (00:54:50):So we're And why no video?Michael Jamin (00:54:52):Yeah.Jonathan Aibel (00:54:54):Is, initially it was for bandwidth reasons. It was laggy at Skype at one point, and Glen was out in the sticks and didn't haveMichael Jamin (00:55:03):Because you could have used a cell, a phone. You know that Skype without video. It was a phone.Jonathan Aibel (00:55:08):Yeah. Yeah. There are a lot of other things we could do, but we realized I don't need to see him staring at me. I, I don't, I, and I, I'm not like the old married couple. We're okay with the silence.Michael Jamin (00:55:21):And do you,Jonathan Aibel (00:55:22):When you're going like this and you're not hearing anything,Michael Jamin (00:55:24):Are you on final draft collaborator? Is that what you're doing? Or what? No. Well, how'sJonathan Aibel (00:55:29):That? I know there's a lot of, there's a lot of that You could, we could do. And if it's real, really important, we might say, oh, let's, like now we outline on, on Google Docs.Michael Jamin (00:55:41):Okay.Jonathan Aibel (00:55:41):Instead of sending Word documents back and forth, is this, are you working on Tuesday's version? No, this is Thursday's. Wait. Now you, now you can see it. And that's useful. But I, I feel like daring, there are two ways to write. One is staring at the words and the other is staring at the sky. Right. And one day, some days I feel like doing one Glen feels like one sometimes the other like, I don't want to even know what's there. I just want to, but who's coming up with stuff? In, well, hopefully Glen, there have been times where we'll come up with a whole thing and then say, you got that. I thought you were typingMichael Jamin (00:56:20):.Jonathan Aibel (00:56:21):So we, we usually sa

A somewhat infamous anniversary this week, marking 90 years since Adolf Hitler's ascension to the position of German chancellor.  At this juncture, is it any more clear why democracy fell apart so utterly across Germany in the 1930s?   How did a democratic government allow Hitler to seize power?  And are there still lessons to be learned in the context of the modern political sphere?    Benjamin Carter Hett answers those questions and more in his book: The Death of Democracy: Hitler's Rise to Power and the Downfall of the Weimar Republic.

Nick's girlfriend Joanna Richardson stops by to chat with Bjorn RG, Nick Scalzone and Paul Heinrich about dating, first dates, red flags, Messed up food orders, Jordan's Hilter mustache, Hotdog the movie, some seasonal fits, and Joanna's Pollen Jordan 1's. New Full Episodes every Wednesday! Follow us on Instagram and Twitter! Size 10: https://www.instagram.com/size10podcast/ https://twitter.com/size10podcast Bjorn RG: https: https://www.instagram.com/bjornrgcomedy/ Nick Scalzone: https://www.instagram.com/nickscalzonecomedy/ Support our Sponsors!!! Bearskn: https://www.bearskn.com/discount/SIZE10 Email us with your feedback, questions, comments, angry rants, confessions of your undying love for us, or anything else you think we need to see or hear about, at size10podcast@gmail.com Thank you for supporting the podcast!

Adolf Hitler single-handedly started the Second World War in Europe.  While the allies were desperately trying to end the Third Reich and Hitler personally, they weren't the only ones trying to bring Hilter's reign to an end. Inside Nazi Germany, a small but committed group sought to remove Hitler from power, and they took action in July 1944. Learn more about Operation Valkyrie and the plot to assassinate Hitler on this episode of Everything Everywhere Daily. Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Darcy Adams Associate Producers: Peter Bennett & Thor Thomsen   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Page: https://www.facebook.com/EverythingEverywhere Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/everything-everywhere-daily-podcast/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Dre' discusses a situation with a co-worker that has him considering if he's an asshole. Also, a warrant is issued in the murder of Shanquella Robinson, Ye loves Hilter, D-1 athlete loses scholarship over slur, and a Texas teacher confesses white supremacist ideology to students. --- Send in a voice message: https://anchor.fm/ftspod/message

In this episode of the 3 Speech Podcast we chatted to our guest Justin Panks (@pranksandfirth) about - 0:00 - Intro2:00- Nico and Justin's feud.3:00 - Nico and Darius gigging in Dubai.7:00 - World Cup banter. LGBT virtue signalling and 10:00 - Joe Lycett shredding £10,000.15:00 - Gashbombs!18:00 - Our potential first sponsor. 24:00 - Debate of the week: Is it ok to go down on a woman?33:00 - Qatar's human rights history37:00 - Mastadon vs Gettr vs Twitter. 40:00 - Flat Earth.1:14:00 - The weirdest bit about Hilter. #3SpeechPod #comedy #podcast Enjoy this episode? Want more? Support us on Patreon and choose from a range of hilarious tiers, get a bonus episode every week, become part of the 3 Speech community and become a producer of the podcast!Join Patreon here: https://patreon.com/3speechpodProduced by Vauxhaull Podcast Studio: https://www.vauxhallpodcaststudio.comFollow us on Twitter: http://twitter.com/3SpeechPodFollow us on Instagram: http://instagram.com/3speechpodFollow us on TikTok: https://www.tiktok.com/@3speechpodSubscribe to the channel: https://bit.ly/3SpeechPodYouTubeListen on Spotify: https://spoti.fi/3LUpjzTListen on Apple Podcasts: https://apple.co/36EJyBmDARIUS DAVIEShttps://www.dariusdavies.comTwitter: https://twitter.com/DariusDaviesInstagram: https://www.instagram.com/persianofinterestNICO YEARWOODTwitter: https://twitter.com/neeksmanInstagram: https://www.instagram.com/bajancomedianYouTube: https://bit.ly/NicoYearwoodYouTubeTikTok: https://www.tiktok.com/@bajancomedianLEO KEARSEhttps://www.leokearse.com/Facebook: https://www.facebook.com/leokearsecomedyTwitter: https://twitter.com/LeoKearseInstagram: https://www.instagram.com/scottishcomedianYouTube: https://bit.ly/LeoKearseYouTubeTikTok: https://www.tiktok.com/@leokearseMOOCHFacebook: https://facebook.com/MoochAboutTwitter: https://twitter.com/moochaboutInstagram: https://www.instagram.com/moochaboutYouTube: https://www.youtube.com/moochaboutTikTok: https://www.tiktok.com/@moochabout

A public Lynching of our brothers Kyrie & Ye for standing up for Truth! Is it Antisemitic to give our people Reparations? Why is Lynching still legal in 2022? Shouldn't Amazon Remove the 500 documentaries on their platform about Hitler? They say they're fighting Antisemiticsm why do they sell Hilter's content books and movies? --- Send in a voice message: https://podcasters.spotify.com/pod/show/jamaine-farmer-bey/message Support this podcast: https://podcasters.spotify.com/pod/show/jamaine-farmer-bey/support

So many respectable stars have very REAL STD experiences. Kanye West has an "Obsession" for Hilter and wants to be like him. Why Elon Musk is going to wreck HAVOC on twitter now that he owns it. Rihanna is back to music after 6 years. Why Lili Reinhart thinks she WILL NOT be invited back to the met gala. Taylor Swift changes her music video to apologize. James Corden apologizes for being a diva and asshole. Noah Beck exposes the Damelio show for being very fake.

So many respectable stars have very REAL STD experiences. Kanye West has an "Obsession" for Hilter and wants to be like him. Why Elon Musk is going to wreck HAVOC on twitter now that he owns it. Rihanna is back to music after 6 years. Why Lili Reinhart thinks she WILL NOT be invited back to the met gala. Taylor Swift changes her music video to apologize. James Corden apologizes for being a diva and asshole. Noah Beck exposes the Damelio show for being very fake.

Do you wonder why bad things always seem to happen to good people? Do you want to know how to overcome adversity and become successful despite terrible odds? Would you like to know what a parkway on Long Island has to do with two evil dictators? Well, today's Guest, Steve Borys, has been struggling with these questions all his life and graciously let me uncork his story. Meet Steve Borys: Steve Grew up in Sayville, NY on the east end of Long Island. He Attended Fordham University, where he earned a BA in History and an MAT in Social Studies. At Fordham, Steve played football and was a team captain, 2 time all patriot league and an honorable mention All American. After college, Steve has been teaching and coaching for the last 25 years and just wrote his first book called, ‘How to beat Stalin, Hitler, and the Southern State Parkway'. Key Topics: The important role that joining a football team played in Steve's life. How Steve got through the darkest times of his life. The impact losing his mother and sister had on his life. Why Steve believes that the answers to most of our problems are love and community. Why he believes that his story can help people who are struggling through these chaotic times. Buy How to Beat Stalin, Hilter and the Southern State Parkway Amazon: https://amzn.to/3Ql2C9s Bookshop.org: https://bookshop.org/a/54587/9781662445316   Connect with Steve e-mail: mailto:steve.borys@gmail.com Instagram: https://www.instagram.com/steveborys/ Facebook: https://www.facebook.com/steve.borys YouTube: https://www.youtube.com/channel/UCERbpmmk0_4qPTbZ3YT3mhA Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jen and Noam discuss Kanye's plan to go death con 3 on JEWISH PEOPLE, Ukraine's very normal war act of blowing up a strategic military target, and Biden's big weed announcement  We will be back on Callin this week (8:30 Eastern) where, barring any Earth-shattering events that need to be discussed on a Wednesday, we'll be doing an October-long series on horror movies / TV shows  https://www.callin.com/show/all-crossed-out-jVWglWcHxW  Show notes: Kanye's weird (bipolar?) tweet https://www.dailymail.co.uk/news/article-11296055/Kanye-West-posts-disturbing-tweet-claiming-hes-going-def-3-JEWISH-PEOPLE.html  The GOP thinks Kanye and Elon are based af, like Trump  https://twitter.com/JudiciaryGOP/status/1578174670854975491  That time Hajj Amin Al Husseini thought Hilter was a friend to the non-Jewish semites  https://encyclopedia.ushmm.org/content/en/film/hajj-amin-al-husayni-meets-hitler  Freddie DeBoer discusses Kanye's current controversy in light of his mental health issues  https://freddiedeboer.substack.com/p/how-convenient-that-kanye-wests-behavior  World War Z book, Noam really wants you to read it https://www.amazon.com/World-War-Oral-History-Zombie/dp/0307346617  Musk tries to do geopolitics, fails  (side note from Jen - man I hope he tries to float the two state solution on Twitter, it'd cause a meltdown of epic proportions)  https://www.reuters.com/world/asia-pacific/after-russia-ukraine-plan-musk-offers-proposal-resolve-china-taiwan-tensions-2022-10-08/  Biden is Armageddoning It  https://abcnews.go.com/Politics/bidens-warning-nuclear-armageddon-reflects-stakes-russia-imminent/story?id=91211670  The bridge that is now under the water   https://www.nytimes.com/2022/10/08/world/europe/ukraine-crimea-bridge-explosion.html  Hey look, actual terrorism!   https://twitter.com/ngumenyuk/status/1578959308813135873  The Iran-Iraq War was disturbing, to say the least   https://www.wearethemighty.com/mighty-history/iran-iraq-war-child-soldiers-mines/#:~:text=Many%20were%20sent%20into%20battle,in%20the%20Iran%2DIraq%20War  The stamp commemorating the bridge that is now under the water, which serves as proof that the Ukrainian military planned to blow up the bridge or something  https://twitter.com/Telegraph/status/1578740494234193922  Dark Brandon releases the pardon kraken… https://www.whitehouse.gov/briefing-room/statements-releases/2022/10/06/statement-from-president-biden-on-marijuana-reform/  …after having fired WH staff for ingesting cannabis   https://www.thedailybeast.com/biden-white-house-sandbags-staffers-sidelines-dozens-for-pot-use  And a correction - Elon is from South Africa, not South America, the point still stands 

When we came up with the idea of doing an episode about decaf, we thought it would just be a discussion about the different processing methods. Turns out there's WAY more to decaf than any of us expected. Of the inventors of the three major decaffeination methods there's a guy that was friends with Hilter, a guy who was killed by the Nazis, and a guy from Switzerland that tried for 50 years before finding success. Rest assured, we do talk science and attributes, too.For the tasting, Marcus sample roasted three coffees that were decaffeinated using three of the major processing methods: methylene chloride, ethyl acetate, and Swiss Water. We then try them to see which we think is best. Listen to find out which coffee is the winner! Decaf has come a long way since the days of the Nazis. Further reading:http://coffeeconfidential.org/health/decaffeination/https://www.theatlantic.com/health/archive/2009/07/in-defense-of-decaf/20677/https://www.atlasobscura.com/articles/decaf-coffee-nazi-partyhttps://www.thefreelibrary.com/Sanka%3A+the+fall+of+a+great+US+consumer+brand-a0496566647https://illumin.usc.edu/where-does-my-decaf-come-from/https://www.olamspecialtycoffee.com/blog/how-is-coffee-decaffeinated-a-brief-history.html-Buy a mystery box of past products that we have tried on the podcast! For $10 you will receive 10 cups worth of coffee. Includes shipping! Limited supplies, buy here: https://www.paypal.com/instantcommerce/checkout/YUHJNDHDX2CTEHelp us buy questionable coffee!https://www.patreon.com/nobadreviewspodhttps://www.buymeacoffee.com/nobadreviewspodSponsored by Modest Coffee! Single-origin coffee without the snobbery. Visit https://www.modest.coffee/nobadreviews to see what they're roasting today.

What You Need to Know is to be a doer, like the great Kitty Werthmann, who passed away on Thursday at the age of 96. Kitty was a long-time friend of Phyllis Schlafly who worked tirelessly against ERA and for the pro-life cause. She served many years as the South Dakota leader of Phyllis Schlafly Eagles and Eagle Forum, working as a lobbyist and traveling to speak on her experience growing up under Hilter's regime and later Communism. Erick Kaardal, special counsel at the Thomas More Society, discusses the Wisconsin Supreme Court decision that legally unauthorized absentee ballot drop boxes that were used in the 2020 elections. He also talks about the future of the fight for election integrity. Dr. Ted Malloch is a well-known author, lecturer, businessman, and contributor to American Greatness. Ted discusses his recent piece Florida or California? and the clash between America First and socialism. Dr. Malloch breaks down these two models of governance and which one works better. He also talks about the potential for a Gavin Newsom presidential campaign. What You Need to Do is go read Philippians 1:21-26, and pray for Missouri State Representative Dan Stacy, as well as his wife Lisa who is battling illness. Lisa Stacy, thank God for you and thank you for being an instrument of the Lord.See omnystudio.com/listener for privacy information.

Las noticias del día con César Vidal y María Jesús Alfaya. Ayúdanos a seguir en emisión, participa en el Crowdfunding de La Voz de César Vidal: https://www.cesarvidal.com/dona En el informativo de hoy hemos tratado los siguientes temas: - El CNI alerta al Gobierno: Argelia prepara una avalancha de 10.000 inmigrantes ilegales. - La Fiscalía de Ceuta denuncia a la Vicepresidenta y la Delegada del Gobierno de la Ciudad Autónoma por la repatriación de Menas. - Cumbre de las Américas: Discurso de Joe Biden en la ceremonia de Inauguración, pura Agenda Globalista. - La ONU elige a Ecuador como miembro del Consejo de Seguridad para 2023 y 2024 - El Parlamento Europeo apoya “firmemente” la candidatura de Ucrania a la UE mientras Francia se compromete a enviar armamento pesado a Ucrania - El presidente de Polonia se enfada porque Macron y el Scholz han hablado con Putin por teléfono: “Hablar con Putin es como hablar con Hilter”

We start today with the shocking news of a leaked copy of a supreme court majority opinion that will overturn Roe v. Wade. Trump's former defense secretary, Mark Esper, came out with a memoir, meanwhile, the Israeli foreign minister calls out Russia's Foreign Minister, Sergey Lavrov on his Hilter remarks. Then, the American Academy of Pediatrics reviews its flawed, race-based guidelines. Finally, The governor of Tennessee announced that executions will be paused while lethal injections are reviewed. Resources/Articles mentioned this episode: Politco: Supreme Court has voted to overturn abortion rights, draft opinion shows Axios: Scoop: Esper says Trump wanted to shoot protesters Axios: Israel condemns Russian foreign minister's "unforgivable" Hitler remarks AP News: US pediatricians' group moves to abandon race-based guidance AP News: Tennessee pauses executions, will review lethal injections

On today's show…Elon Musk is attempting to buy 100 percent stake in Twitter with a cash offer and it's causing quite the stir (00:15:45). ‘Human Satan' cut both of his ears off to signify the end of the mask mandates in Brazil (00:31:30). The fourth ever Latitude Margaritaville retirement home is coming to Austin Texas (00:43:09). (00:00:00) - Timestamps Cup of Coffee in the Big Time (00:05:15) - Fun Fact: Sharks used to be called sea dogs or tiburons but the Dutch word sherk for villain changed that to schurk (00:06:40) - 88 year old senator Dianne Feinstein's memory is rapidly deteriorating according to those close to her (00:07:40) - Ed Buck got 30 years in prison for having homeless men over that did his drugs and died in his home (00:08:03) - Tennessee state senator Frank Niceley said that Hitler was once homeless so surely any homeless person can aspire to become a Hilter (00:10:37) - Putin keeps accusing Ukraine of being the aggressors of the war and we aren't buying it; Finland is thinking about joining NATO and a Russian warship the Moskva was sunk (00:15:45) - Cream of the Crop: Elon Musk is attempting to buy 100 percent stake in Twitter with a cash offer and it's causing quite the stir TikTok International Moment (00:31:30) - Brazil - ‘Human Satan' a body modifier has cut off both his ears to signify the end of the mask mandate (00:35:40) - Florida - A man was arrested for driving 112 mph to impress his girlfriend (00:39:25) - Florida - A man was arrested with guns, drugs and alligators in his truck Wasting Away Again … (00:43:09) - Austin Texas has become the fourth location for Jimmy Buffet Margaretaville Latitudes retirement community (00:51:17) - Listener voicemails and reviews These stories, and much more, brought to you by our incredible sponsors: Worry Less and Be Happier - Go to http://noom.com/factor to sign up for your trial of their Mental Wellness Coaching app Bird Dogs - Get the world's most comfortable shorts and pants and a free whistle football with code HARD NEWS at https://www.birddogs.com Go to store.hardfactor.com and patreon.com/hardfactor to support the pod with incredible merch and bonus podcasts Leave us a Voicemail at 512-270-1480, send us a voice memo to hardfactorvoicemail@gmail.com, and/or leave a 5-Star review on Apple Podcasts to hear it on Friday's show Other Places to Listen: Spotify, Google Podcasts, Stitcher, Lots More... Watch Full Episodes on YouTube Follow @HardFactorNews on Instagram, Twitter, TikTok, and Facebook --- Support this podcast: https://anchor.fm/hard-factor/support

Join Coach Mikki with guest Steve Borys talking about hope, love and persevering in life. Steve Grew up in Sayville NY on the east end of Long Island. He has dedicated his life to teaching, coaching and public speaking as a way to pay back all of the wonderful people who helped him survive his youth. He is author of "How to Beat Stalin, Hilter and the Southern State Parkway" where he shares his soul in order to make a difference and bring forth a positive message.  

Rabbi Stewart Winograd and his wife Chantal lived in Belarus for 12 years and operate Reach Initiative International, with an emphasis on serving Holocaust survivors among many other mercy ministries.  In this episode, Stewart shares an inside view of what is happening in Ukraine including: An incredible story about the invisible power of prayerPutin using a play directly from Adolf Hitler's bookThe reaction of believers behind the lines in Ukraine & BelarusHow the Holocaust survivors are experiencing this invasion againMiracles on the front lines in Ukraineand how YOU can bless those suffering in Ukraine directly1) Pray 2) Donate to their Ukraine Emergency Fund at ReachII.org  100% of funds will go to displaced and suffering people in Ukraine.Support the show (https://www.mylesandkatharineweiss.org/donate/)

Who knew horoscopes had so much weight on world history? Turns out that astrology was the thing that kept Hilter, a Taurus, from dying by suide. Not a great look for astrology, but as Krista said “it's not astrology's fault” that many world leaders are and were megalomaniacs – Amy's got a list of other evil leaders around the world with ties to horoscopes. Krista shares how Hitler's horoscope became a thing and how that shaped the future. Were it not for famous astrologer Louis deWohl, America may have never gotten into WWII or so damn into opening a paper or magazine to read what the stars have in store for us each week.