Podcasts about ned washington

The Water is Wide – przepiękna, smutna i stara szkocka ballada. No właśnie przepiękna i smutna niewątpliwie, ale jak stara? Posłuchajcie mojej opowieści. Audycja zawiera utwory: “On Green Dolphin Street”  wyk. Ella Fitzgerald & Joe Pass, sł. Ned Washington, muz. Bronisław Kaper “On Green Dolphin Street”, (w tle) wyk. Keith Jarrett, Jack Dejohnette i Gary Peacock, sł. Ned Washington, muz. Bronisław Kaper “The Water is Wide” (w tle), wyk. Pete Seeger, sł. i muz. Trad. “The Water is Wide”, wyk. Barry Dransfield, sł. i muz. Trad. “The Water is Wide” (w tle), wyk. Livia Lyette, muz. Trad. “O Waly, Waly”, wyk. Peter Pears (tenor), Benjamin Britten (piano), sł. i muz. Trad. “The Water is Wide”, wyk. Pete Seeger, sł. i muz. Trad. “To Lay Down Your Weary Tune”, wyk. Bob Dylan, sł. i muz. Bob Dylan “Farewell”, wyk. Bob Dylan, sł. Bob Dylan muz. Trad. (Leaving Liverpool) “The Water is Wide”, wyk. Eva Cassidy, sł. i muz. Trad. “The Water is Wide”, wyk. Uwe Karcher, arr. Uwe Karcher muz. Trad. #folk, # szanty

Un bon nas de quaranta anys sense mentides. Crítica teatral de l'espectacle «Pinocchio», de Carlo Collodi. Fitxa artística 2024: Dramatúrgia: Manuel Veiga. Coreografia: Anna Planas. Repetidora: Mariona Camèlia. Música: José Manuel Pagán. Interpretació: Anna Sagrera | Mariona Camèlia i Albert Barros. Disseny de vestuari: Roseland Musical. Confecció de vestuari: Patricia Ariño. Disseny i confecció de titelles: Companyia Herta Frankel. Disseny i tècnica d’il·luminació: Isabel Joaniquet. Tècnic de vídeo: Rubén Carrillo. Producció artística: Clara Soler Mañé. Difusió i comunicació: Silvia Framis. Direcció audiovisual: Franc Aleu. Direcció artística: Marta Almirall. Fitxa artística 2011: Intèrprets: Linn Johansson i Rudy Alvarado. Música: José Manuel Pagán. Direcció coreogràfica: Anna Planas. Direcció audiovisual: Franc Aleu. Direcció artística: Marta Almirall. Coproducció: Companyia Roseland Musical. Teatre Poliorama, Barcelona, 16 gener 2011. Reposició: Sant Andreu Teatre (SaT!), Barcelona, 1, 2 3 novembre 2024. A partir 4 anys. Veu: Andreu Sotorra. Música: The coach to pleasure island. Interpretació: Leigh Arline, Ned Washington i Paul J. Smith. Composició: Leigh Arline, Ned Washington i Paul J. Smith. Àlbum: Pinocchio, 1992.

Estudios Radio AM 750 Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:02:11 Segmento Inicial • Visitar la India: consejos de lo que no debes hacer0:06:15 • Oyentes0:33:22 Segmento Dispositivo • Monstrorum historia: Ulisse Aldrovandi0:40:26 • "Dos Almas" ♫ (Canta Leo Marini con la Sonora Matanzera, Reminiscencias, 1958) Fabiano Domingo. Segmento Humorístico • ¡Mamá, me voy a poner un local de venta de ropa! 0:56:56 Sordo Gancé / Trío Sin Nombre • Presentación1:21:03 • "La Rueda Mágica" ♫ (Fito Páez, El Amor Después Del Amor, 1992) • "El Deschave" ♫ (José Tiscornia/Edmundo Rivero) Canta Rivero. • "Cotton Fields" ♫ (Huddie 'Ledbelly' Ledbetter, 1940) CCR, Willy And The Poor Boys, 1969. • "I'm Getting Sentimental Over You" ♫ (George Bassman, Ned Washington; popular en la versión de Tommy Dorsey, 1935) Toca Errol, 1962. Canta Frank, 1961. Ella, 1960. • "El Pibe de los Astilleros" ♫ (Patricio Rey y Sus Redonditos de Ricota, La Mosca y la Sopa, 1991) Feliz Cumpleaños, Jorge Luis B.

Jazz in the Garden, Episode Two: “One Magic Summer” After a golden age of big names and big crowds throughout the 1960s, by the mid 1970s live jazz at MoMA had become something of an afterthought. But a magical summer of performances in 1985—including landmark concerts by the Art Ensemble of Chicago, “Butch” Morris, and the “saxophone colossus” himself, Sonny Rollins—put the music back at center stage. Join us for our second episode, and hear the story from Rollins and others who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Now's The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing; “Uncle.” Written and performed by the Art Ensemble of Chicago. Used by permission; courtesy credits pending; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG

Episode 305, Ned Washington, explores music written by a man who created 140 songs in motion pictures and won two Best Original Song Grammy Awards. Performers include Frankie Laine, Jack Jones, Tony Bennett, Ella Fitzgerald,... Read More The post Episode 305, Ned Washington appeared first on Sam Waldron.

Jazz in the Garden, Episode One: “In the Beginning” Our story begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA's Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you'll hear about the first era of jazz at MoMA from some of the musicians who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Peter Oleksik Music: “That's a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now's The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

The latin beat was all the rage when my dad was a teenager and young adult. You can tell he fell for it in a big way with all the Mambos, Cha Chas, Rhumbas, and Salsas he has in his collection. And like I've said before, it's hard not to dance when the bongos, congas, timbales, and claves are working their magic. So get ready to hear, yet another musical trailblazer from Puerto Rico in Volume 161: The Latin Dance. Credits and copyrights Morales – Morales Latin Dance Time Label: Grand Prix Series – K-154 Format: Vinyl, LP, Album, Mono Country: US Released: in 1962 I think. I'll tell you more in this episode's interesting side note.  Genre: Latin Style: Cha-Cha, Mambo, Pachanga We will hear 7 of the 10 songs on the album. Norin-Norin written by Noro Morales For Me And My Gal written by Edgar Leslie, George W. Meyer, E. Ray Goetz Dark Eyes Mambo Written by Florian Hermann I'm Getting Sentimental Over You (Sounds like another famous latin song for a while) written by Ned Washington, George Bassman Who's Sorry Now written by Bert Kalmar, Harry Ruby, Ted Snyder The Children's Merengue written by Noro Morales Mississippi Mambo written by Cliff Ferre I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Frank Sinatra's tribute to Tommy Dorsey.  From his 1961 album I Remember Tommy, here is George Bassman and Ned Washington's I'm Getting Sentimental Over You.  Arranged and conducted by Sy Oliver. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Gene Pitney, Dimitri Tiomkin, Ned Washington, Aaron Schroeder, and me.

Sammy Cahn quickly became the king of the movie songs, earning Oscar nominations 15 and 16 for two title songs that he wrote in 1959 for Frank Sinatra and Johnny Mathis. Sammy Cahn's nemesis, Dimitri Tiomkin, was back in the Oscar songwriting game with Ned Washington, both of whom had started the trend of giving dramatic films a rousing title song. Who's going to emerge victorious for songs written for 1959? You'll have to listen to this episode of The Best Song Podcast to find out!

Sam Cooke, Gene Gifford, Ned Washington, Hugo & Luigi, and me.

Dimitri Tiomkin es un judío ruso que tras la Revolución rusa emigró primero a Berlín y luego a Nueva York para terminar en Hollywood tras el crack de 1929. Considerado ya un niño prodigio en su país, su capacidad para la orquestación y la melodía le valieron para escribir algunas de las bandas sonoras más grandes de todos los tiempos, destacando sobremanera en sus trabajos para las películas del Oeste. Su estilo sería copiado por otros, pero el equipo formado por Dimitri Tiomkin músico, Ned Washington letrista y Frankie Laine cantante, eran ya casi garantía de éxito. Estuvo nominado al Oscar en veintidós ocasiones, ganando sólo cuatro estatuilas por sus bandas sonoras para “Escrito en el cielo” (The high and the mighty), “El viejo y el mar” y otros dos por “Solo ante el peligro”, banda sonora y canción. En principio en este programa haremos un recorrido por sus bandas sonoras ambientadas en el Oeste. Os invitamos a dar un recorrido por los grandes espacios abiertos, dibujados en el pentagrama por Dimitri Tiomkin, en películas del Oeste como “SOLO ANTE EL PELIGRO”, “EL ÁLAMO”, “RIO BRAVO”, “DUELO AL SOL”, “GIGANTE” o “DUELO DE TITANES” entre otras. 00h 00’00” Rawhide – Frankie Laine 00h 02’02” Presentación 00h 04’06” Cabecera 00h 04’41” 1946 DUELO AL SOL (Duel in the sun) 00h 04’41” Main title 00h 05’47” Duel in the sun – Larry Douglas 00h 08’50” Gotta get my somebody to love – Martha Tilton 00 h 11’48” Love eternal 00h 14’43” 1956 LA GRAN PRUEBA (Friendly persuasion) 00h 14’43” Main title, Little Jes & Samantha 00h 19’04” Carriage chase 00h 21’44” Love scene in the barn – Coax me a little – Thee I love 00h 27’08” 1956 GIGANTE (Giant) 00h 27’08” Main title & The hunt scene 00h 32’16” Love theme (There’s never been anyone else but you) 00h 34’00” Thoughts of Leslie 00h 36’04” 1957 DUELO DE TITANES (Gunfight at O.K. Corral) 00h 36’04” Gunfight at OK Corral – Frankie Laine 00h 39’48” Ed Bailey’s death – Doc Holiday escapes – End of Act I 00h 45’26” The telegram – The sad parting – End of Act II 00h 50’23” End of the gunfight 00h 53’50” 1952 SÓLO ANTE EL PELIGRO (High noon) 00h 53’50” Do not forsake me – Frankie Laine 00h 56’34” Nearly train time 00h 59’48” First shots fired 01h 06’37” 1957 LA ÚLTIMA BALA (Night passage) 01h 06’37” Follow the river 01h 09’31” 1948 RIO ROJO (Red river) 01h 09’31” Main title 01h 11’00” Red river crossing 01h 12’59” Stampede 01h 15’44” Memory of love 01h 17’15” 1959 RIO BRAVO 01h 17’15” Main title 01h 18’39” Night 01h 23’14” De guella 01h 27’12” Love theme 01h 30’09” My rifle, my pony and me – Dean Martin & Ricky Nelson 01h 32’17” 1960 EL ALAMO (The Alamo) 01h 32’17” Overture 01h 35’21” Love scene 01h 41’52” Tenesse babe 01h 44’20” The green leaves of Summer 01h 47’36” 1952 RIO DE SANGRE (The big sky) 01h 47’36” Main title 01h 49’15” Bidding farewell 01h 53’38” 1959 EL ÚLTIMO TREN DE GUN HILL (Last train from Gun Hill) 01h 53’38” Prelude – The stalkers - The rape 01h 59’05” The last train of Gun Hill – Kitty White 02h 01’04” Finale 02h 03’16” 1960 TRES VIDAS ERRANTES (The sundowners) 02h 03’16” Main title 02h 05’21” The sundowners 2 02h 10’17” The sundowners 3 02h 13’17” 1960 LOS QUE NO PERDONAN (The unforgiven) 02h 13’170” Main title 02h 16’36” The horse ballet 02h 19’15” Charlie courts Rachel 02h 21’43” 1967 ATAQUE AL CARRO BLINDADO (The war wagon) 02h 21’43” Ballad of the War Wagon – Ed Ames 02h 25’02” Lupe 02h 28’00” Friendly indians

Sammy Cahn's fifth consecutive Oscar nomination for songwriting came for his second gig writing for opera star Mario Lanza. Cahn will have tough competition for the Academy Award for Original Song, as the new writing duo of Ned Washington and Dimitri Tiomkin came up with a new twist on the title song and Oscar winners Harry Warren and Leo Robin came up with a catchy tune for Bing Crosby and Joan Wyman. Find out who wins the award for 1952 on this episode of The Best Song Podcast!

A HUNDRED YEARS FROM TODAY BY JACK TEAGARDEN(BRUNSWICK, 1933)I first heard the name Jack Teagarden from my junior high school bandmate, Bill Teagarden - (I can't remember if he told me he WAS or WAS NOT related to the famous trombonist. In any case I don't think I actually heard the man's music until later in life when I scored a Time/LIfe 8 track collection of his work, which included this song.From the moment the sound waves created by Jack's slurring, insouciant vocal delivery hit my aural receptors I started grinning from ear to ear. The unimpeachable philosophical argument of the lyrics put obviously in service to a seduction has stayed with me since that first listen. The “live for today” - Be Here Now - cosmic sentiment has been articulated many times through many iterations, but never, for me, so persuasively.Written by Victor Young, Ned Washington, and Joe Young, this standard has been recorded by all the mid-20th century vocal greats (Ethel Waters with Benny Goodman made a hit with it), but give me the trombonist from Texas any day.  He was only 28 when he recorded this side, but he sounds like a stewed, ageless sorcerer casting a love spell. 

My very special guest today is world-renowned jazz vocalist Nicole Henry! Since her first release in 2004, Nicole Henry has established herself among the jazz world's most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance.  Nicole has toured in 20 countries, headlining at such venues as Blue Note; Jazz at Lincoln Center; Blues Alley; The Smith Center; Kravis Center; Jazz St. Louis; Feinstein's; Madrid Jazz Festival; and more.   She earned a Soul Train Award for “Best Traditional Jazz Performance” as well as four TOP 10 albums on Billboard, JazzWeek, HMV Japan & UK Sweet Rhythms charts. Her soulful interpretations have become a favorite with worldwide audiences and critics alike.  Stephen Holden of The New York Times raved, “Every gesture and inflection conveyed confidence and mastery…time and again she invested familiar songs with an extra fillip of conviction and made you reconsider the words.”  BroadwayWorld says, “So powerful is her charisma, so unique is her personality, so rich is her music, so abandoned is her joy…” On her 8th career release - TIME TO LOVE AGAIN, released in late 2021, HENRY performs an eclectic mix of jazz standards and reimagined pop tunes by a diverse group of iconic composers including Anthony Newley, James Taylor, Rodgers & Hart, Buffy St. Marie, Ned Washington, Stevie Wonder, and Joan Armatrading. It reached #4 on the U.S. JazzWeek chart, remained in the TOP 10 for 10 weeks & ultimately was the 7th most-played U.S. vocal jazz CD of 2022. TIME TO LOVE AGAIN also reached #6 on UK's Sweet Rhythms chart and enjoyed worldwide play on both Sirius XM Real Jazz & Watercolors stations. Find & Listen to Nicole Henry! On Instagram - nicolehenrymusic www.nicolehenry.com

In Great American Novel Podcast Episode 20, your fearless (or is it feckless) hosts find themselves in the damp swamps and thick scrublands of north central Florida in the post-Reconstruction era as we struggle to survive with the settlers of the brush country in Marjorie Kinnan Rawlings' Pulitzer Prize winning 1938 novel, The Yearling. We discuss how this Maryland native came to work with the editor of Hemingway, Fitzgerald, and Thomas Wolfe, and how she came to love the Florida brush country she wrote about.  As always, these discussions are operating according to the rules of literary criticism, or as Melville might have put it, there be spoilers here. The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we'll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. All show music is by Lobo Loco.  The intro song is “Old Ralley”; and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  The theme to "Rawhide" was written by Ned Washington and Dimitri Tiomkin, 1958, performed by Frankie Laine.  Trailer for The Yearling, 1946, dir. Clarence Brown, produced by Sidney Franklin, released by MGM. We may be contacted at greatamericannovelpodcast (@) gmail.com.

Pinkie tells her version of The Classic "Pinocchio"

In which Carice digs into her obsessively deep well of love songs and comes up with some choice cuts from Nina Simone (covering Johnny Mathis), Dionne Warwick (singing a peppy little tune with lyrics by Hal David and music by the dearly departed legend Burt Bacharach), and a playful little duet by John Prine and Iris Dement— which then reminds Daniel of another classic "I-guess-I-love-you" duet from musical theatre history.EPISODE NOTES:"Wild Is The Wind" (lyrics by Ned Washington)"I'll Never Fall In Love Again" (lyrics by Hal David)"In Spite Of Ourselves" (lyrics by John Prine)"Do You Love Me?" (lyrics by Sheldon Harnick)SUBSCRIBE to our Patreon to get an extended video version of this episode and many other great members-only perks!And please RATE and REVIEW this podcast. Your support really helps! Thank you so much.Questions? Comments? Drop us a line: letsgetlyricalpod@gmail.com Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Nowadays “The Nearness of You” often conjures a mental image of 21st century song stylist Norah Jones. And, indeed, Jones did release a gorgeous rendition of the song in 2001, leading some to think that she wrote it. Actually, though, the tune is twice Norah's age.Hoagy Carmichael wrote the song in 1938, originally intending it for an odd little movie project. In his Carmichael biography Stardust Melody, Richard H. Sudhalter reports that Hoagy dashed off the yet-unnamed melody for “a screen adaptation of Shakespeare's ‘A Midsummer Night's Dream,' featuring a 15-year-old Mickey Rooney as Puck,” but that production fell through.Then with lyrics from Ned Washington, the composition became “The Nearness of You” and was scheduled for inclusion in the feature film Romance in the Rough. However, that film, too, was never produced.Celluloid ConfusionThere is some celluloid confusion about the song's place in films. Sudhalter notes that despite accounts to the contrary, “The Nearness of You” was never scheduled to be included in the 1938 Paramount film, Romance in the Dark, starring John Boles, Gladys Swarthout and John Barrymore.Probably because of the similar titles — Romance in the Rough vs. Romance in the Dark — writers often have mistakenly credited the introduction of “The Nearness of You” to Swarthout in Romance in the Dark. That error is recorded in at least one reference book, numerous sheet music books and nowadays on hundreds of websites.ChartingIn reality, after the Hollywood false stops, the song had to wait for republication in 1940 to win its place as a beloved jazz standard. That was the year Glenn Miller and his Orchestra introduced a recording of “The Nearness of You” with vocals by Ray Eberle. The Bluebird label recording appeared on the pop charts at the end of June and remained there for 11 weeks, peaking at No. 5. In 1953 the song charted again, this time with Bob Manning singing with Monty Kelly and His Orchestra. His recording climb the charts to No. 16. Since then, the tune has been recorded dozens of times, by everyone from Ella Fitzgerald and Louis Armstrong to James Taylor, Barbra Streisand, Etta James and Seal.Dueling Pundits It's fun how the critics have differed wildly in their comments about this particular Carmichael creation. For instance, in his book American Popular Songs: The Great Innovators, 1900-1950, Alec Wilder called the song “simple and unclever,” adding that it is “the sort of song that an academic musical mind would sneer at.” As if to answer that challenge, Yale University music professor Allen Forte devoted no fewer than five pages to the song in his book Listening to Classic American Popular Songs. Forte called it “unusual,” “remarkable,” and “striking,” and even offering an effusive “Congratulations, Hoagy!” for Carmichael's slightly concealed replication of the refrain's opening phrase in the verse.Our Take on the TuneThis tune really hasn't made The Flood set list yet — we've only just started working with it — but it sure seems like it wants to settle down with us. Listen to everybody listening to everybody else. For instance, check out how midway through, Veezy's solo establishes a lovely mood that Danny beautifully echos when he takes his turn. Yeah, it's not a regular Floodified number yet, but stay tuned.More BalladsBy the way, if softer sounds are what your day is calling for, we've got the play list for you! Tune into the Ballads Channel of the free Radio Floodango music streaming service for the tunes for your mood. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

durée : 00:58:02 - « The Nearness of You » (Hoagy Carmichael / Ned Washington) (1938) - par : Laurent Valero - "The Nearness of You" written in 1938 by Hoagy Carmichael & Ned Washington, for the Paramount film "Romance in the Dark" ... - réalisé par : Antoine Courtin

durée : 00:58:09 - « I'm Getting Sentimental Over You » (George Bassman / Ned Washington) (1933) - par : Laurent Valero - "C'est avec l'enregistrement du célèbre orchestre de Tommy Dorsey en 1935, que l'on entend pour la première fois "I'm Getting Sentimental Over You" considéré comme la signature musicale de cet orchestre à la splendide sonorité, qui abrita les plus grands instrumentistes ..." Laurent Valero - réalisé par : Patrick Lérisset

Maxy Smythe remembers the night he met legendary cabaret singer, Sheila Simmons and the song he sang for her. "I Don't Stand a Ghost of a Chance With You" is a 1932 song composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. --- Support this podcast: https://anchor.fm/jacee-music/support

Bronislaw Kaper y Ned Washington son los autores de este standard (La calle del delfín verde), para una película homónima de 1947, rápidamente olvidada. Se establece dentro del repertorio de jazz moderno luego de la versión de Miles (con Bill Evans, John Coltrane, Cannonball Adderley). Pero Miles toma mucho de la version de Ahmad Jamal de 1956. Escuchemos esas versiones y a Chet Baker, Eddie Lockshaw Davis, Ron Carter, Erroll Garner, Sonny Rollins y otros.   Erratum: en el audio, por error, se dice que la versión de Miles está en el LP Kind of Blue y eso no es correcto. Es el mismo grupo pero la versión se edita en otro LP.

And now for something a bit different! An exhausted and frustrated mom cleans the house for the umpteenth time and can't take it any more. She makes a wish upon an exploding star and that wish has some serious consequences--down to the fabric of space and time. Meanwhile, Starwhale and a scientist friend are observing the supernova when things start to unravel. They hurry back, all along the way encountering entropy and the universe not behaving like it should.  In the end things get, as Dr. Who would say, timey wimey. But if you pay attention throughout you'll catch what's going on.  Good luck! Themes: Entropy, (2nd Law of Thermodynamics), supernovas Listen & Subscribe Apple Podcasts Google Podcasts Spotify iHeart Radio Stitcher Anywhere Music Credit: When You Wish Upon a Star, Leigh Harline and Ned Washington (1940, public domain), arrangement and interpretations are original.  Source Credit: Isaac Asimov's The Last Question

SAISON PRODUITE PAR STEREOLAB Le principe de ce podcast est simple : un thème est soumis à une équipe de contributrices et contributeurs de talent, qui racontent l'histoire qui les attache à ces chansons qui ont touché leur cœur. Melting pot musical et choc des cultures assurés ! Et pourtant, ces chansons ont le point commun d'être entrées dans leur vie, et peut-être finiront-elles par entrer dans la vôtre aussi, découvertes ou redécouvertes à la faveur de ces playlists que vous pourrez d'ailleurs retrouver sur Spotify au fil des épisodes.  Pour cette saison 7, notre équipe répond au thème “C'est triste mais c'est beau !” parce qu'il y a toujours une chanson qui fait vibrer notre corde sensible avec plus de justesse que toute autre... et parce qu‘on trouve ça beau, avant de juger ça triste !  Aujourd'hui, Margot se souvient de “Ma fille”, de Serge Reggiani, qui fait écho à sa relation avec son père, Jérémie retrouve David Bowie et “Wild is the wind“ à l'issue d'une soirée festive, et Rebecca identifie ce qui unit la tristesse et la beauté grâce à “What can I do” de Anthony and the Johnsons. Ecoutez “Backstage”, le podcast de Margot et Thomas ici : https://www.backstagelepodcast.com/ Suivez Jérémie et le “Sens de la visite” par là : https://www.podcastics.com/podcast/sens-de-la-visite/ Retrouvez Rebecca et “Une boussole pour les temps qui courent” ici : https://www.rebeccarmstrong.net/une-boussole-des-liens/ “Ma fille” - interprétée par Serge Reggiani, écrit et composé par Eddy Marnay et Raymond Bernard © Universal Music division Polydor “Wild is the wind” - interprétée par David Bowie, écrite par Ned Washington et composée par Dimitri Tiomkin  © Parlophone UK. “What can I do?” - interprété par Antony and the Johnsons, écrit et composé par Antony © Rough Trade Production : Stereolab – Couverture : Hervé Hauboldt – Générique : Julie Nolet Illustration d'épisode : © Benjamin Sinca – Unsplash Retrouvez l'actualité de Ma chanson préférée sur Instagram, Twitter et Facebook et merci de votre soutien sur votre plateforme d'écoute préférée (un abonnement, 5 étoiles, des petits cœurs, un commentaire sympa) ainsi que sur Podmust.com https://taplink.cc/machansonpref

Cover Bowie continues with a hit song from a long forgotten film. We're talking "Wild is the Wind" written by Dimitri Tiomkin and Ned Washington, and originally performed by Johnny Mathis. We talk about the hit musical "Lazarus" in our bonus segment. It's all sorts of Bowie! Covers by: Nina Simone, David Bowie, Madeline Eastman and Tom Harrell, Esperanza Spalding, Xiu Xiu, Rosemary Standley and Sylvain Griotto Spotify playlist here

Well the world is a scary place at the moment – I got home from my shorter-than-expected overseas trip a week ago, and have been at home in self-isolation since then.  Fortunately I have plenty of interviews recorded, so I will be able to continue to take your mind off things with more chats with ukulele players over the next few months. Today’s episode is the final one recorded at the Blue Mountains Ukulele Festival back in February, this time with Chantelle Riordan, otherwise known as Chantelle & Uke.  Chantelle is a percussionist who discovered the joy of the little stringed instrument and is now firmly hooked. Some show-related links below: ArtistWorks ukulele school KoAloha ukuleles Balla Balla Community Centre Sunshine Coast Ukulele Festival Victoria Vox Melbourne Ukulele Festival Hills Ukulele Festival Newkulele SPRUKE Wonderstruck Ukulele Academy Tampa Bay Ukulele Getaway Mim’s Ukes Petey Mack Devin Scott Ukulele Russ Uke Republic Songs played in this episode: Dream A Little Dream of Me ( Fabian Andre, Wilbur Schwandt, Gus Kahn – 1931) In the Shadows (Chantelle Riordan) The Nearness of You (Hoagy Carmichael, Ned Washington) - 1940 Please support me on Patreon and get an exclusive Ukulele Is The New Black decal for your ukulele case!  Give a little more and you will get your name in the show notes for every episode, like these supporters: Ukulele Champion: Debbie Hoad Ukulele Legend: Linda Dodwell Go to the Ukulele Is The New Black YouTube channel for a playlist to hear these songs as well as others mentioned in the episode. Ukulele is the New Black is produced by Meredith Harper, who also wrote the theme tune. The theme tune was performed by Meredith Harper, Jasmine Fellows, Geoff Skellams, Jim Croft, Chris Williams, Paul Marsh and Sandra Shaw.  Seb Carraro does the graphic design. The music played in this episode is licenced under a Podcasts (Featured Music) agreement with APRA AMCOS.

Credits:  1. Movie Magic Opening Theme Produced, Composed & Performed by Corey Gomez. 2. Shazam! theme, composed by Benjamin Wallfisch. From Shazam! OSTLabel: Warner Bros & Water Tower Music 3. When You Wish Upon A Star, performed by Cliff Edwards / Disney Studio Chorus. Written by Leigh Harline and Ned Washington. From Pinnochio OST, Label: Disney Records

In one of our few direct sequel episodes, AJ and Ben The Movie Buff are re-joined by Ms. Dis to follow up on our previous conversation about the Disney princesses. Which virtue best represents each of the official Disney princesses? Who is the most virtuous princess? Who is the least virtuous? How much agreement is there among the hosts about who should be associated with what virtue? The song "When You Wish Upon A Star" is the property of Leigh Harline, Ned Washington, and The Walt Disney Company. Music and audio from "Beauty and the Beast (1991)" is the property of Alan Menkin, Don Hahn, Walt Disney Pictures, Walt Disney Feature Animation, and Silver Screen Partners IV. Music and audio from "Moana" is the property of of Mark Mancina, Osnat Shurer, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Cinderella (2015)" is the property of Patrick Doyle, Simon Kinberg, Alison Shearmur, David Barron, Walt Disney Pictures, Kinberg Genre, Allison Shearmur Productions, and Beagle Pug Films. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

This week we are joined by Disney expert Ms. Dis to explore the magical realm of the Disney Princess franchise. How does one become a Disney princess? Who qualifies and who doesn't? Why is there a discrepancy between the theme park rules and the toy line rules? The song "When You Wish Upon A Star" is the property of Leigh Harline, Ned Washington, and The Walt Disney Company. Music and audio from "Ralph Breaks The Internet" is the property of Henry Jackman, Clark Spencer, Dorothy McKim, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Tangled" is the property of Alan Menken, Roy Conli, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Cinderalla III: A Twist in Time" is the property of Joel McNeely, Margot Pipkin, Walt Disney Pictures, DisneyToon Studios, DisneyToon Studios Australia, and Toon City Animations. Music and audio from "Robin Hood (1973)" is the property of George Bruns, Wolfgang Reitherman, and Walt Disney Productions. Music and audio from "Moana" is the property of of Mark Mancina, Osnat Shurer, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Black Panther" is the property of of Ludwig Goransson, Kevin Feige, and Marvel Studios. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

Greg Sahadachny (@mistergreggles) atones for his sins against classic comedy by watching not only one, but two Marx Brothers films -- Duck Soup and A Night at the Opera. Along the way to redemption, we also discuss the Marx Brothers entire showbiz career from vaudeville to their final films together at United Artists, the history of cinematic comedy, perils of intellectualism, and the fate of modern cinematic funnymen like Jim Carrey and Adam Sandler. Later on, Will McKinley (@WillMcKinley) answers our call to the Old Movie Weirdo Hotline to discuss his childhood connection to the Marxes (and scrambled pornography).      CREDITS:   Talking Heads: James David Patrick (@007hertzrumble) - Host, longtime Marx Brothers fan. Greg Sahadachny (@mistergreggles) - Podcaster extraordinaire. Credits include The Debatable Podcast.  Will McKinley (@willmckinley) - Switchboard operator of the Old Movie Weirdo Hotline   Music Contained in this Podcast:   "Everyone Says I Love You" - written by Bert Kalmer, Harry Ruby "Cosi-Cosa" - written by Ned Washington, Bronislaw Kaper and Walter Jurmann; performed by Allan Jones "Hooray for Captain Spaulding" - written by Bert Kalmer, Harry Ruby   Supplementary Materials: Groucho:  The Life and Times of Julius Henry Marx The Marx Brothers Silver Screen Collection Blu-ray The Marx Brothers Collection (MGM/UA) DVD  Harpo Speaks by Harpo Marx, Rowland Barber Brain Donors - Warner Archive DVD     Recorded on April 21, 2017 and May 5, 2017.  Copyrights are owned by the artists and their labels. Negative dollars are made from this podcast.

Stína Ágúst syngur sex erlend lög við íslenska texta sem hún samdi sjálf: Vísa um veginn, sænskt þjóðlag, Kysstu mig að morgni eftir George Gershwin, Ég veit þú hugsar um mig eftir Jimmy McHugh, Hver vill ást eftir Cole Porter, Fargan eftir Charlie Parker og Vesen eftir Olle Adolphson. ASA tríóið flytur fimm lög: Stuð og Newsong eftir Agnar Má Magnússon, What Was I Thinking? og It's Alright eftir Scott McLemore og MC Lemúr eftir Andrés Þór Gunnlaugsson. Charlie Haden kvartettinn flytur lögin: Body and Soul eftir Johnny Green, Robert Sour og Edward Heyman, The Blessing eftir Ornette Coleman, Hermitage eftir Pat Metheny, My Foolish Heart eftir Victor Young og Ned Washington, Bay City eftir Charlie Haden og Passion Flower eftir Billy Strayhorn.

Stína Ágúst syngur sex erlend lög við íslenska texta sem hún samdi sjálf: Vísa um veginn, sænskt þjóðlag, Kysstu mig að morgni eftir George Gershwin, Ég veit þú hugsar um mig eftir Jimmy McHugh, Hver vill ást eftir Cole Porter, Fargan eftir Charlie Parker og Vesen eftir Olle Adolphson. ASA tríóið flytur fimm lög: Stuð og Newsong eftir Agnar Má Magnússon, What Was I Thinking? og It's Alright eftir Scott McLemore og MC Lemúr eftir Andrés Þór Gunnlaugsson. Charlie Haden kvartettinn flytur lögin: Body and Soul eftir Johnny Green, Robert Sour og Edward Heyman, The Blessing eftir Ornette Coleman, Hermitage eftir Pat Metheny, My Foolish Heart eftir Victor Young og Ned Washington, Bay City eftir Charlie Haden og Passion Flower eftir Billy Strayhorn.

Peter Gullin tríóið flytur lögin Here, There and Everywhere eftir Lennon og McCartney, My Funny Valentine eftir Richard Rodgers, All The Things You Are eftir Jerome Kern, Songe d'Automme eftir Django Reinhardt og Happiness eftir Peter Gullin. Hollenska stórsveitin Dutch Jazz Orchestra flytur lögin Basin' Street Blues eftir Spencer „Cootie“ Williams, Ain't Misbehavin' eftir Fats Waller og Andy Razaf, Let's Face The Music And Dance eftir Irving Berlin, In A Mellow Tone eftir Duke Ellington og Milt Gabler og All In eftir Rob Madna. Zoot Sims kvintettin leikur lögin Ghost Of A Chance eftir Bing Crosby, Ned Washington og Victor Young, Them There Eyes eftir Maceo Pinkard, Doris Tauber og William Tracey, One To Blow On og Not So Deep eftir Zoot Sims, Down At The Loft eftir John Williams og Dark Clouds eftir Zoot Sims.

¡Arrancamos la temporada número quince del programa! MaGnUs y el Profesor Dinosaurio le cuentan a Endriago sus aventuras en EEUU, empezando por su visita al Kennedy Space Center de la NASA, y a los parques Epcot y Disney Hollywood Studios. También charlan de otros temas, incluyendo los premios Oscar. Fotos para mirar mientras escuchan: http://bit.ly/2mb1ZVj Con musica de Leigh Harline y Ned Washington (interpretada por los Muppets, Mark Hamill, y personajes de Star Wars, y de Lin-Manuel Miranda (interpretada por Dwayne Johnson). Próximo programa: RE: seña: Logan.

In Episode 10 of The Cinescope Podcast, we talk about one of Chris Lyndon's favorite movies, Pinocchio!   Rate and review on iTunes for entry into GIVEAWAY for a FREE MOVIE in the format of your choosing! Listen to full episode for additional details!   The Cinescope Podcast on iTunes   Show Notes (Pinocchio not available on iTunes)   Pinocchio soundtrack on iTunes   Stats Released February 23, 1940 Dir. by:   Supervising Directors   Ben Sharpsteen Hamilton Luske   Sequence Directors   Bill Roberts Norman Ferguson Jack Kinney Wilfred Jackson T. Hee Written by Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia Music by Paul J. Smith (Three Caballeros, Cinderella, 20,000 Leagues Under the Sea, The Shaggy Dog, Pollyanna, Swiss Family Robinson, The Parent Trap), Leigh Harline (together composed orchestral score for Snow White and the Seven Dwarfs), also Ned Washington (lyrics for “When You Wish Upon a Star”, music by Harline) Starring Dickie Jones, Cliff Edwards, Christian Rub, Walter Catlett, Charles Judels, Evelyn Venable, Frankie Darro Contact Chris Lyndon Twitter Facebook DisneyChris.com Jiminy Crickets! Podcast Sideshow Sound Theatre - Mouse Music Chad Twitter Facebook Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Chris Lyndon.

The Songs of lyricist, Ned Washington.  Songs include: The High and the Mighty, When You Wish Upon a Star, The Nearness of You, Baby Mine and Rawhide. Performers include: Frankie Lane, Frank Sinatra, Connie Boswell, Tex Ritter, Glenn Miller and The Ink Spots.