Roman Empire during Late Antiquity and the Middle Ages
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Free Patreon Shit Chris Ojeda is founder, singer, guitarist, engineer, producer, mixer and songwriter so he is THE man to speak to about all things Byzantine. With brilliant new album Harbingers set to drop imminently we get into the weeds of how their first album for seven years came together. All your favourites are in the news Ellefson, Mustiane, Stanley, Zetro & Doro? This Is Dog Shit Purge Bollocks. Video Interview Byzantine - Floating Chrysanthema
The newborn son of Tzeela Gez, an Israeli woman killed in a West Bank terror shooting, has died; Israel's Foreign Ministry held a memorial ceremony in Jerusalem for Yaron Lischinsky and Sarah Milgrim, two Israeli embassy employees who were heinously killed in a shooting attack in Washington, DC.;The IDF struck Sana'a International Airport in Yemen on Wednesday morning and destroyed the last operational aircraft belonging to the Houthi rebels, Israel's Defense Minister confirmed; Police arrested a 41 year old Eritrean national for robbing and murdering a 71-year-old man here in Tel Aviv. An explosive device planted by terrorists detonated during combat in southern Gaza on Wednesday, killing 20-year-old IDF Sergeant Danilo Mocanu from Holon; A stunning Byzantine-era mosaic, originally discovered in 1990 near Be'er Shema in the western Negev, is now on public display after an extensive restoration.Click that you heard about Hasod (gift boxes) from “a podcast” when you check out. https://www.hasodstore.com/shopsmallIsrael Daily News website: https://israeldailynews.orgIsrael Daily News Roundtable: https://www.patreon.com/shannafuldSupport our Wartime News Coverage: https://www.gofundme.com/f/independent-journalist-covering-israels-warLinks to all things IDN: https://linktr.ee/israeldailynewsMusic: Tik Tak; Erika Krall & Lian Gold https://www.youtube.com/watch?v=xGqtwBjb-R8
OJ of Byzantine upcoming full length album Harbingers, release on June 13th via Metal Blade Records.Newst Single - The unobtainable sleep.Now a five-piece for the first time ever featuring founding frontman Chris “OJ” Ojeda, alongside former guitarist Tony Rohrbough, bassist Ryan Postlethwait, veteran guitarist Brian Henderson, and drummer Matt Bowles, with Harbingers, BYZANTINE is a crown jewel in their impressive seven-album discography. Notes Ojeda, “After twenty-five years of riding the struggle bus, we're ready to show the rock and metal world what we're truly about.”The album cover, designed by mixed-media artist Ashley Hoey, beautifully depicts Irene of Athens — the mother of Emperor Constantine and the first female empress of the Byzantine Empire. This focus on a maternal ruler eloquently ties into the album's title, Harbingers, which means “ones who usher in great change.”Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/supportTake some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all socialsVisit Pipeman Radio on the Web at www.linktr.ee/pipemanradio, www.theadventuresofpipeman.com and www.pipemanradio.com. Download The Pipeman Radio APP.The Adventures of Pipeman is broadcast live Mondays, Tuesdays, Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Podcast is also available on The Adventures of Pipeman Podcast, Pipeman Radio Podcast, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
OJ of Byzantine upcoming full length album Harbingers, release on June 13th via Metal Blade Records.Newst Single - The unobtainable sleep.Now a five-piece for the first time ever featuring founding frontman Chris “OJ” Ojeda, alongside former guitarist Tony Rohrbough, bassist Ryan Postlethwait, veteran guitarist Brian Henderson, and drummer Matt Bowles, with Harbingers, BYZANTINE is a crown jewel in their impressive seven-album discography. Notes Ojeda, “After twenty-five years of riding the struggle bus, we're ready to show the rock and metal world what we're truly about.”The album cover, designed by mixed-media artist Ashley Hoey, beautifully depicts Irene of Athens — the mother of Emperor Constantine and the first female empress of the Byzantine Empire. This focus on a maternal ruler eloquently ties into the album's title, Harbingers, which means “ones who usher in great change.”Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/supportTake some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all socialsVisit Pipeman Radio on the Web at www.linktr.ee/pipemanradio, www.theadventuresofpipeman.com and www.pipemanradio.com. Download The Pipeman Radio APP.The Adventures of Pipeman is broadcast live Mondays, Tuesdays, Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Podcast is also available on The Adventures of Pipeman Podcast, Pipeman Radio Podcast, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
This week we're joined by special guest, Fr. Chris Seith. Mother Natalia and Fr. Chris talk about the monastic life and how their constant life of prayer calls us to incorporate God into our lives. They talk about Orientale Lumen and the call to reinvigorate the monastic life around the world. Mother Natalia and Fr. Chris talk about some of the differences in liturgical practices in the Byzantine and Roman rites and how those can be inspirational for both churches.Follow and Contact Us!Follow us on Instagram and FacebookWe're on YouTube!Join our Goodreads GroupFr. Michael's TwitterChrist the Bridegroom MonasteryOur WebsiteOur NonprofitSend us a textSupport the show
The Fourth Crusade was arguably the most disastrous of them all. In the year 1204 Catholics betrayed Catholics, Catholics and Byzantines betrayed one another, and Byzantine royal family members betrayed and murdered one another. What could go wrong?! I narrate the role and place of Venice in the fourth Crusade. Across the episode I also ruminate about all the Christian De-Converters we are reading about today (how to assess what they are doing), what is the difference between Islam and Christianity on the topics of being inside and outside the religious community?, and describe a recent extraordinarly beautiful trip to Northern Idaho. Come think carefully and laugh with me!
After clawing his way back to the Byzantine throne, Justinian II ruled like a man possessed—merciless, paranoid, and hell-bent on vengeance. But his enemies weren't done with him yet. In the western city of Ravenna, a revolt brews that will bring down the emperor once and for all. This is the story of how the man who came back from the dead was finally taken out—by priests, rebels, and his own shattered empire. No one cheats death twice.
In the late 13th century, a coalition of Turkic tribes united under a dynamic leader named Osman, forming a small principality situated between the declining Byzantine and Seljuk Empires.Within generations, it grew into the Ottoman Empire, a global power spanning three continents and controlling key trade routes. This rise ushered in a Golden Age marked by grand architecture, Iznik tiles, calligraphy and illustrated manuscripts, rivalling Europe's finest courts.In this episode we are joined by Dr Lauren Mackay as she takes us on a journey through the centuries of Ottoman history, telling a story of prophecy, divine destiny and myth.Academy Travel is a leading specialist in small-group cultural tours, allowing you to travel with like-minded companions and learn from internationally renowned experts. Like our podcast, our tours are designed to appeal to travellers with a strong interest in history, archaeology, architecture, the visual arts and the performing arts.Learn more here - https://academytravel.com.au/
Free Patreon Stuff We have reviews and actual music on this episode for you. We check out new releases from (some of which are so new they are not out yet) Propagandhi, Cancer, Ghost, Heavens Gate, Inhuman Nature, The Haunted, Byzantine & Exorcism. This Is Old Bollocks. Old Head YouTube
Featuring new music from: Arm's Length, Larcenia Roe, Byzantine & Intercourse. Plus the usual news & chat from the alternative world. Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.
The Crusaders held Jerusalem and the Holy Land for a short 88 years (1099-1187). But when Caliph Saladin (a Sunni Kurd) recaptured both the relic of the "True Cross" and Jerusalem itself a third Crusade was called for by Pope Urban III. Among those who answered that call was Richard the Lionheart, the King of England who carried King Arthur's famed sword "Excalibur." In this episode I recount what preceded Saladin's re-conquest of Jerusalem, the challenges of staying hydrated for the Crusaders, the ongoing suspicions and betrayals between Byzantine and Holy Roman Empire Christians, everyday life on the Crusader march, and how Richard and Saladin finally ended their warring. In the show's opening I reflect on American students' deliquencies on their school loans. I also explain still more about the Bible and violence, delineating how I frame the question of violence and/or pacifism from Old Testament to New Testament. Come and enjoy some intellectually fresh Wagyu beef with me!
They cut off his nose, exiled him to the edge of the empire, and left him for dead. But Justinian II didn't stay gone. This is the story of a Byzantine emperor who clawed his way back to the throne with a mutilated face and a murderous grudge. A tale of gold noses, broken alliances, double-crosses, and the bloodiest comeback in imperial history—when Justinian returned, it wasn't just to rule. It was to get even.
What is it that forms and shapes us the most as human beings? What affects the way that we perceive reality and gives form to the thoughts that we have throughout the course of a day? Do we have any awareness of an interior life or are we simply drawn along by the flow of external realities; demands, responsibilities or forms of entertainment? According to the Fathers and Saint Isaac the Syrian, we are in a constant state of receptivity through our senses. Part of being a human being is that we see and perceive everything that is around us; all of which give rise to a multitude of thoughts, images and feelings. Our lack of awareness of reality and of the internal life and the effect that our thoughts have upon us means that we often allow or identity to be shaped by the changing tides of the times or the constant shifting of our emotions. In so many ways, the Fathers were the first depth psychologists. Their movement to great solitude and the stillness of the desert allowed a greater awareness to emerge of what was going on internally. This of course didn't lead immediately to understanding or transformation. However, the awareness did allow them to begin to discern the source of their thoughts, what thoughts predominate, and where their thoughts were leading them. Thoughts can be so strong and so deeply rooted that they become habitual - as well as the actions that follow from them. These habitual thoughts and actions the Fathers call “passions” and the passions as a whole are referred to as the “world”. Our growing capacity to acknowledge the dominant passions and to struggle with them allows two things to begin to emerge: a good transformation of our way of life and a greater capacity to understand the nature of our thoughts. Simply put, one begins to be able to measure one's way of life by what arises from within. In this Homily, Saint Isaac is setting the stage for guiding us along a path to spiritual healing and transformation in Christ. The fruit of the struggle promises wholeness, freedom, and the joy that our sin often prevents. When we are guided simply by our private judgment or by what satisfies our most basic needs, then our understanding of things becomes very insular and myopic and we lose sight of the dignity and destiny that is ours' in Christ. The more that we desire the life and freedom that Isaac describes above the more discover that we need to have no fear of anything. One who has tasted the love and mercy of Christ also finds emerging within himself the courage of a lion. The fear of soul that once overshadowed him succumbs before this ever-present love like wax from the heat of a flame. --- Text of chat during the group: 00:08:36 Bob Čihák, AZ: Is this the book? Amazon has: The Secret Seminary: Prayer and the Study of Theology by Fr. Brendan Pelphrey | Apr 28, 2012 00:16:08 Mary Clare Wax: It has all the bells and whistles! Love it 00:18:29 Bob Čihák, AZ: P. 124, paragraph 14 00:19:08 Myles Davidson: Replying to "P. 124, paragraph 14" “Think to yourself…” 00:20:04 Suzanne Romano: Hey Studge! 00:20:29 Stephen Romano: Hey sis :) 00:20:47 Suzanne Romano: Reacted to Hey sis :) with "
This week we're off to Istanbul, a unique city straddling two continents. Journalist Jennifer Hattam takes us on a tour of Byzantine monuments, Ottoman mosques and traditional taverns. Tune in for Turkish breakfast, hammam culture and island excursions... Hosted on Acast. See acast.com/privacy for more information.
Located on the Adriatic Sea in the southernmost part of Croatia is the city of Dubrovnik. Founded in the 7th century, it rose in prominence and became one of the leading city-states in Europe. It was a major competitor with Venice in the region and had complicated relations with both the Byzantine and Ottoman Empires. It was the site of one of the most brutal sieges in post-WWII Europe, and today it has become one of the top tourist destinations in the world. Learn more about Dubrovnik and its long, complicated history on this episode of Everything Everywhere Daily. Sponsors Newspapers.com Get 20% off your subscription to Newspapers.com Mint Mobile Cut your wireless bill to 15 bucks a month at mintmobile.com/eed Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Stitch Fix Go to stitchfix.com/everywhere to have a stylist help you look your best Tourist Office of Spain Plan your next adventure at Spain.info Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase and to view important disclosures. Subscribe to the podcast! https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Brent Billings, Elle Grover Fricks, and Josh Bossé close out this series by taking a gander at the Lord's Prayer.BEMA 97: Done in SecretBEMA 332: Andrew DeCort — Flourishing on the Edge of FaithTextus Receptus — WikipediaCodex Sinaiticus — WikipediaCodex Vaticanus — WikipediaAlexandrian Text-Type — WikipediaByzantine Text-Type — Wikipedia“Ancient Amulets with Incipits” — Biblical Archaeology Society“The Lord's Prayer” (Live from Jerusalem in 2001) — Charlotte Church, YouTubeBEMA 325: Sanctuary — Waking Up in the Mishkan
A Major thank you to the Leon for sponsoring todays stream. In this stream I discuss the very important life and legacy of St. Constantine the Great. Make sure to check it out and let me know what you think. God bless But the Book! : https://eschatonvigil.org/product/prophecies-of-saint-paisios/ Superchat Here https://streamlabs.com/churchoftheeternallogos Donochat Me: https://dono.chat/dono/dph Join this channel to get access to perks: https://www.youtube.com/channel/UCH8JwgaHCkhdfERVkGbLl2g/join If you would like to support my work please become a website member! There are 3 different types of memberships to choose from! https://davidpatrickharry.com/register/ Support COTEL with Crypto! Bitcoin: 3QNWpM2qLGfaZ2nUXNDRnwV21UUiaBKVsy Ethereum: 0x0b87E0494117C0adbC45F9F2c099489079d6F7Da Litecoin: MKATh5kwTdiZnPE5Ehr88Yg4KW99Zf7k8d If you enjoy this production, feel compelled, or appreciate my other videos, please support me through my website memberships (www.davidpatrickharry.com) or donate directly by PayPal or crypto! Any contribution would be greatly appreciated. Thank you Logos Subscription Membership: http://davidpatrickharry.com/register/ Venmo: @cotel - https://account.venmo.com/u/cotel PayPal: https://www.paypal.me/eternallogos Donations: http://www.davidpatrickharry.com/donate/ PayPal: https://www.paypal.me/eternallogos Website: http://www.davidpatrickharry.com Rokfin: https://rokfin.com/dpharry Rumble: https://rumble.com/user/COTEL Odysee: https://odysee.com/@ChurchoftheEterna... GAB: https://gab.com/dpharry Telegram: https://t.me/eternallogos Minds: https://www.minds.com/Dpharry Bitchute: https://www.bitchute.com/channel/W10R... DLive: https://dlive.tv/The_Eternal_Logos Instagram: https://www.instagram.com/dpharry/ Twitter: https://twitter.com/_dpharryBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-logos-podcast--4760780/support.
In this episode, we welcome Titus Kennedy back to the show for an in-studio interview. He is a field archaeologist that has been involved in excavations and survey projects at several archaeological sites in biblical lands, including directing and supervising multiple projects spanning the Bronze Age through the Byzantine period. He wrote the new book “The Essential Archaeological Guide to Bible Lands”, and he previously authored “Excavating the Evidence for Jesus” and “Unearthing the Bible”. In this interview, we discuss what led to him becoming a professional archaeologist, the biggest misconceptions about the work an archaeologist does, why so many historical roads lead back to Egypt, why people are so interested in the lost secrets of ancient civilizations, how his faith in Christ propelled him towards excavating biblical lands, how archaeology continues to prove the reliability of the Bible, what happens when an archaeological discovery differs from popular belief or narratives, where he thinks Mt. Sinai is, where he would choose to dig if he could excavate any sight on planet earth, and much more. Let's get into it… Episode notes and links HERE. Donate to support our mission of equipping men to push back darkness. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dr. Jenkins begins a discussion of the power and prerogative of the bishops of Rome, looking at the second-century Quartodeciman controversy over the date of Pascha. This controversy marks the first interaction of the bishops of Rome with the Churches of the eastern Mediterranean. Byzantine course: https://tinyurl.com/LuxchristiByzantium
#journeyofanaesthetepodcast #JoanneDavisWoods #DecorativeKnowledge #silversmithInside this episode with your host, Mitch HamptonSometimes a guest has had such a varied career or more than one career that it feels right to devote two episodes to them. Joanne Davis Woods is most representative in this regard.Coming from one of the smallest towns in Michigan she developed into one of the leading crafts experts in the Hollywood of the 1990s, Wood's story touches on the subjects of what it is to physically create with ones' own hands, craft more generally, and even the subjects of literature and physics.I hope you enjoy watching this episode as much as we did creating it.Joanne's Bio ( from her lovely website) :From a little Michigan village searching the driveway gravel for treasure, to Michigan State University studying Physics, to climbing pyramids & volcanoes; from restoring historic theaters in Wisconsin to painting moviesets in Hollywood, life has led Joanne to Asheville, NC to find time and opportunity to acquire skills needed to bring her ideas into being.In metal smithing, Joanne finds a path that balances both rigor and lyricism. Fascinated with the aesthetics of the Byzantine civilization and the utility of the industrial revolution she strives to embed her work in history, yet keep it contemporary.Often she will begin with an interesting technique, or invent a project to learn the manner of construction of an historic work. She is careful to keep the mark of hand and tool, she looks for an amalgam ancient yet sophisticated, the elusive simple composition.Links to Joanne's many beautiful works:Website: https://www.decorativeknowledge.net/Instagram: https://www.instagram.com/decknow#losangeles #hollywood #studio #paramount #20thcenturyfox #warnerbrothers #universalstudio #michigan #belize #hitchiking #latinamerica #southamerica #1960s #1970s #1980s #1990s #craft #design #paint #artdirection #deerhunter #westsidestory #robertwise #curtishanson #davidfincher #seven #morganfreeman #bradpitt #laconfidential #jamesellroy #michiganstateuniversity #kentstate #thomaspynchon #williamgibson #cyberpunk #chicago #milwaukee #city #country #rock #punk #disco #nature #northernexposer #ntpdblue #dillinger #markharmon #television #michaelcimino #heavensgate #kriskristofferson #isabellehubert #williamfriedkin #twelveangrymen #ossiedavis #jacklemmon #courtneyvance #williampeterson #georgecscott #jamesgandolfini #paulsylbert #productiondesign #liuna! #local724
Full Text of ReadingsPalm Sunday of the Lord's Passion Lectionary: 37 and 38The Saint of the day is Saint Martin ISaint Martin I's Story When Martin I became pope in 649, Constantinople was the capital of the Byzantine empire and the patriarch of Constantinople was the most influential Church leader in the eastern Christian world. The struggles that existed within the Church at that time were magnified by the close cooperation of emperor and patriarch. A teaching, strongly supported in the East, held that Christ had no human will. Twice, emperors had officially favored this position: Heraclius by publishing a formula of faith, and Constans II by silencing the issue of one or two wills in Christ. Shortly after assuming the office of the papacy—which he did without first being confirmed by the emperor—Martin held a council at the Lateran in which the imperial documents were censured, and in which the patriarch of Constantinople and two of his predecessors were condemned. In response, Constans II first tried to turn bishops and people against the pope. Failing in this and in an attempt to kill the pope, the emperor sent troops to Rome to seize Martin and to bring him back to Constantinople. Already in poor health, Martin offered no resistance, returned with Calliopas, the exarch of Constantinople, and was then submitted to various imprisonments, tortures, and hardships. Although condemned to death and with some of the imposed torture already carried out, Martin was saved from execution by the pleas of a repentant Paul, patriarch of Constantinople, who was himself gravely ill. Tortures and cruel treatment having taken their toll, Martin died shortly thereafter. He is the last of the early popes to be venerated as a martyr. Reflection The real significance of the word martyr comes not from the dying but from the witnessing, which the word means in its derivation. People who are willing to give up everything, their most precious possessions, their very lives, put a supreme value on the cause or belief for which they sacrifice. Martyrdom, dying for the faith, is an incidental extreme to which some have had to go to manifest their belief in Christ. A living faith, a life that exemplifies Christ's teaching throughout, and that in spite of difficulties, is required of all Christians. Martin refused to cut corners as a way of easing his lot, to make some accommodations with the civil rulers. Saint of the Day, Copyright Franciscan Media
Communion Eucharist organic Byzantine Cath. Uniate OCA Kingdom World Theory Get some bread and wine Because He transcends time and space and if there is any problems well this is around the time of the wine after the festival of booths so take it easy this is a mission and on Sunday so let love be first! Holy Orthodox mysteries. Read 2 Corinthians chapter 4 and ask God for full understanding of His word.
What if the concept of decadence holds the key to understanding our societal and political structures today? This episode challenges traditional narratives by dissecting Samir Amin's unfinished work on revolution and decadence through a Marxist lens. We navigate through Afibung's critique of decadence theory, contrasting Marxist views with more coherent conservative critiques of current institutions. Furthermore, we tackle the pressing issues in the education systems of the U.S. and Britain and ponder how the normalization of capitalist problems by the left may hinder societal progress. Our dialogue draws on insights from Christopher Lasch's "Culture of Narcissism" to suggest that the root of societal issues may go deeper than mere narcissism.Join us on a journey through historical socio-political frameworks as we question Eurocentric grand narratives and explore the tributary mode of production. With a critical eye, we scrutinize the tendency of Marxist scholars to generalize historical categories and contrast this with the nuanced perspectives of civilizations like the Roman, Byzantine, Arab, and Ottoman empires. This discussion probes the coherence of these generalizations and their role in understanding the evolution of productive forces and state structures, challenging the utility of broad historical categorizations.Imperialism and socialism's past and present dynamics take center stage as we analyze the challenges of forming anti-imperialist alliances in today's fragmented world. Reflecting on historical parallels, from the Roman Empire to modern Western capitalism, we examine the enduring divisions of labor and the pressures facing nations like China and Cuba. Through the lens of global socialist states, we explore Hugo Chavez's vision for a Fifth International and the ongoing struggles of socialism in the context of economic development and class struggle. This episode invites listeners to reconsider the nature of revolutions and the implications of bourgeois ideologies in shaping new modes of production.Check out Revolution or Decadence by Samir Amin. Send us a text Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan
A @Christadelphians Video: A @Christadelphians Video: Description: Five short talks introduce the reader to the careful translation of the Bible into English from manuscripts in the original languages. Modern and earlier English Bible versions are briefly reviewed in terms of their availability in printed and electronic formats. The reader is reminded that the Bible message is more important than the means of its production. SummaryThis presentation provides an overview of the history of the Bible, focusing on the Revised Version and its successors up to the present day, including various modern media formats.Highlights
Harald Hardrada; exiled prince of Norway and mercenary, has landed in the greatest city on Earth: Constantinople. There he joins one of the most prestigious military organisations in the world, the Varangian Guard, charged with protecting the Emperor. Almost the next ten years of Harald's young life are spent at war protecting the city from enslaving raiders. But then, he becomes embroiled in the dark and complex political intrigues and plots of the Byzantine court. Zoe, the formidable wife of the recently deceased Emperor Michael IV, who had been exiled by her husband's successor, recruits Harald to help her seize the throne. Wealthy, influential and renowned in the world's most glittering city, things have never seemed better for Harald. But then, does he overreach and embark upon a dangerous affair with the empress herself? Imprisoned for his crimes, Harald manages to slay the terrible serpent haunting his prison cell, and escape at last back to Kyiv. But his ambitions still lie further north, in Norway, and the throne he is determined to reclaim… Join Dominic and Tom and they discuss Harald Hardrada's astonishing time as a Varangian Guard in Constantinople, his hair-raising escape back to Scandinavia, and his fight for the throne of Norway, on the road to the dramatic climax of his epic life: the Battle of Stamford Bridge in 1066. EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/restishistory Try it risk-free now with a 30-day money-back guarantee! _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
Join us this week on "Honest to God" as we dive deep into the Lenten season, exploring its true purpose beyond just "giving something up." We discuss the spiritual journey, the importance of fasting (and why it's not just about suffering!), and how the liturgical calendar aligns with our natural rhythms. Join Patrick, Pierce, and AG as they share their personal experiences with Lent, including: Why Patrick's Byzantine Lenten experience was... unique (guacamole, anyone?). The age-old question: Why fish, but not meat?
Are all Catholics bound by the same beliefs, regardless of rite? We explore the unity and diversity within the Catholic Church, plus discuss attending Byzantine parishes, Marian theology in the East, and inter-rite confessions. Questions Covered: 10:17 – Can a priest of a certain rite celebrate the Eucharist in a different rite? 15:21 – Do the Eastern Catholic Churches believe in Mary the same way the Orthodox? 19:15 – Have any of the Eastern Catholic Churches undergo sweeping liturgical changes like the Latin Rite? 19:15 – Have any of the Eastern Catholic Churches undergone sweeping liturgical changes like the Latin Rite? 25:15 – How do you answer the objection that the early Church was Orthodox, not Catholic? 29:59 – As a Roman Catholic, can I attend a Byzantine Parish to fulfill my Sunday obligation? 34:30 – You helped me in my conversion. Is there anything in the Bible to help me point my wife towards Catholicism? 45:29 – What was the biggest adjustment when you started attending the Byzantine Rite? 46:43 – Why do we use “the Roman Catholic Church” to refer to all the rites? Can't we just use “The Catholic Church” and use “Roman Catholic” for the specific rite? 48:40 – Did you take it easy on George Janko? 51:08 – Can I get Confession from an Eastern Rite priest? 53:00 – Are Eastern Catholics required to believe everything that other Catholics are required to believe?
Dasha wanted a debate. I offered. She is here https://x.com/dash_eats Red Scare is here https://redscarepodcast.com Her IG is here https://www.instagram.com/dash_cam/ Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Orders for the Red Book are here: https://jaysanalysis.com/product/the-red-book-essays-on-theology-philosophy-new-jay-dyer-book/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Amid the Ruins 1453 Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/joinBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.
In every age, empires create words to describe the people in the societies they seek to dominate and exploit. Eventually, these terms are turned inward and used against themselves. The Greco-Romans—and their eastern heirs, whom modern scholars call the Byzantines—labeled those outside their empire as barbarians. The colonials who settled the Americas, after dismantling the peaceful coexistence of Semitic peoples in Southern Spain, referred to the inhabitants of this supposed “new” land as savages.Whether communists, leftists, or terrorists, from age to age and generation to generation, we rely on the notion of the alien or foreigner to demonize the other.Humanities scholars, clinging to the illusion of progress, speak as though they have just discovered this problem, but wisdom literature has tackled this since before Hellenism emerged as a blot on humanity's historical record. When Jesus sets out to make a pilgrimage to Decapolis, he does so under the control of his Father's will, who breathes into his sail and sends him on a mission—not to trample underfoot the barbarians at the edge of Constantine's empire, but to confront Constantine himself. It is Constantine, Habibi, who is the problem. The Emperor is the barbarian from whom the Lord's inheritance must be saved. This week, I discuss Luke 8:22, which exposes the true enemy of God, not the outsiders, but the emperor himself.Show Notesπλέω / מ-ל-א (mem-lamed-alef) / م-ل-أ (mīm-lām-hamza)That which fills, makes full; fullness, full amount, measure, extent:“Sing to the Lord a new song,Sing his praise from the end of the earth!You who go down to the sea, and all that fills it (וּמְלֹאוֹ umelo'o),You islands, and those who live on them.” (Isaiah 42:10)The root مَلَأَ (malaʾa) in Arabic can be found in words such as:مَلَأَ (malaʾa) - to fillمَلِيء (malīʾ) - full, filledمَمْلُوء (mamlūʾ) - filled (passive participle)امْتَلَأَ (imtalaʾa) - to become full, to be filledمِلْء (milʾ) - fullness, fillingتَمْلِيء (tamlīʾ) - filling (verbal noun)مَلَأ (malaʾ) - assembly, ruling council, crowd, publicἄνεμος / ר-ו-ח (resh-waw-ḥet) / ر-و-ح (rāʾ–wāw–ḥāʾ)ἄνεμος (anemos, “wind,” 8:23) When the wind fully enters (מְלֹא / مِلْء) the sail, it takes shape, and the boat is propelled forward. Classical Arabic poetry often compares the full sail to a “breathing chest”—expanding, alive, and responsive to the unseen force of wind (رِيح rīḥ, which in Scripture functions as God's breath or “Spirit.”) The biblical Hebrew term רוּחַ (ruaḥ) and the Arabic رُوح (rūḥ) both function as wind or divine Spirit.The Greek verb πληρόω (plēroō), meaning “to fill,” “make full,” or “complete,” also corresponds to מ-ל-א and appears numerous times throughout Paul's letters, notably: καὶ μὴ μεθύσκεσθε οἴνῳ, ἐν ᾧ ἐστιν ἀσωτία, ἀλλὰ πληροῦσθε ἐν Πνεύματι,“And do not get drunk with wine, for that is debauchery, but be filled with the Spirit.”(Ephesians 5:18)Paul deliberately chooses a second term in 1 Corinthians—not πληρόω, but κορέννυμι—to convey sharp sarcasm, mocking the leaders in Roman Corinth for being full of themselves and smug in their self-satisfaction. The only other appearance of this Pauline term, which does not occur in the Septuagint, is in Acts 27, which corresponds to Luke by way of authorship: “καὶ ἐμπλησθέντες τροφῆς ἐκούφισαν τὸ πλοῖον ἐκβαλλόμενοι τὸν σῖτον εἰς τὴν θάλασσαν.”“And when they had eaten enough (ἐμπλησθέντες), they lightened the ship by throwing out the wheat into the sea.” (Acts 27:38)See also: ب-و-ء (bā-wāw-hamza) / ב-ו-א (bet-waw-alef) πλέω also corresponds to בוא (Jonah 1:3), which aligns with Acts 27:38. الْمَلَأ (al-malaʾ) “ruling council, community leaders, chiefs, the elites” is a recurring function in the Qur'an, where prophets confront the elite power structures in their communities. The malaʾ are gatekeepers of institutional norms and the status quo, resisting the prophets' calls for repentance and submission to God.قَالَ الْمَلَأُ مِن قَوْمِ فِرْعَوْنَ إِنَّ هَـٰذَا لَسَاحِرٌ عَلِيمٌqāla al-malaʾu min qawmi firʿawna inna hādhā lasāḥirun ʿalīm“The elite of Pharaoh's people said, ‘Indeed, this is a learned magician.'”Surah al-Shuʿarāʾ 26:34 (ref. to Moses)فَقَالَ الْمَلَأُ الَّذِينَ كَفَرُوا مِن قَوْمِهِ مَا هَـٰذَا إِلَّا بَشَرٌ مِّثْلُكُمْ…faqāla al-malaʾu alladhīna kafarū min qawmihi mā hādhā illā basharun mithlukum…“So the chiefs of his people who disbelieved said, ‘This is only a man like yourselves…'”Surah al-Muʾminūn 23:24 (ref. to Noah)The malaʾ belittle the prophets:• “He's just a man like us.” (26:155)• “He's a liar.” (26:186)• “He's possessed/crazy.” (26:154)• “He's a magician.” (26:34) ★ Support this podcast on Patreon ★
Henana of Adiabene, headmaster of the School of Nisibis, is presented as a significant yet controversial figure in Eastern Christian history. The text details his theological disagreements with established Antiochene traditions, leaning towards Byzantine thought and sparking significant ecclesiastical and political opposition. Despite the suppression of much of his work, his challenge to orthodoxy compelled important clarifications of Church of the East doctrine. The flourishing and subsequent decline of the School of Nisibis under his leadership are explored, alongside the political and intellectual climate that shaped the controversies surrounding him. Ultimately, Henana's story illustrates the complex dynamics of theological innovation and its reception within the context of late antique Christianity. for more in depth studies this is our website: www.twinsbiblicalacademy.com
John of Ephesus, a 6th-century Syriac Orthodox bishop, is highlighted as a crucial historian providing a Miaphysite perspective on a turbulent era in the Byzantine Empire. His surviving "Ecclesiastical History" offers eyewitness accounts of religious persecution and wars, contrasting with Chalcedonian viewpoints. Furthermore, his "Lives of the Eastern Saints" illuminates the practices of Miaphysite communities. As a primary source and a voice for a marginalized religious group, John's writings offer invaluable insights into Byzantine society, religious controversies, and the interplay between Syriac and Greek cultures. His works are essential for understanding Late Antiquity and the diversity of early Byzantine Christianity. for more online courses : www.twinsbiblicalacademy.com
******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuyPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9mPayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook: https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Michael Cook is Class of 1943 University Professor of Near Eastern Studies at Princeton University. He is the author of several books, with the latest one being A History of the Muslim World: From Its Origins to the Dawn of Modernity. In this episode, we focus on A History of the Muslim World. We discuss what the Muslim world is, and when its history starts. We talk about the Middle East in Late Antiquity, the Byzantine and the Persian Empire, the nomadic peoples of the steppes, and the Arabs. We also discuss Muhammad, the Qurʾān, how religion relates to the state in Islam, what characterized Muhammad's state, and what a caliphate is.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, GEORGE CHORIATIS, VALENTIN STEINMANN, PER KRAULIS, ALEXANDER HUBBARD, BR, MASOUD ALIMOHAMMADI, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, STARRY, MAURO JÚNIOR, 航 豊川, TONY BARRETT, BENJAMIN GELBART, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, AND TED FARRIS!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, AL NICK ORTIZ, NICK GOLDEN, AND CHRISTINE GLASS!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, BOGDAN KANIVETS, ROSEY, AND GREGORY HASTINGS!
Imagine walking where those who shaped your deepest beliefs have walked...Matt Lewis is joined by archeologist Professor Jodi Magness to learn how Jerusalem flourished under Byzantine rule and suffered the bloody sieges and dramatic shifts during the Crusades, where Jerusalem saw one of its greatest massacres. They discuss the peaceful transition to Islamic rule and the transformative impact of the construction of the Dome of the Rock.From its significance in early Christian and Islamic times to the violent shifts during the Crusades, discover how this unlikely yet pivotal city shaped religious and cultural landscapes.Hear Professor Jodi Magnus on The Ancients podcast discussing the origins of Jerusalem:https://shows.acast.com/the-ancients/episodes/the-origins-of-jerusalemMore on the Crusades from Gone Medieval:Rewriting the First Crusade: https://shows.acast.com/gone-medieval/episodes/rewriting-the-first-crusadeLife on Crusade: https://shows.acast.com/gone-medieval/episodes/life-on-crusadeGone Medieval is presented by Matt Lewis and edited by Amy Haddow. The producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on
In part one, Theodora escaped poverty and exploitation and rose through the ranks of Byzantine society. When she marries the love of her life, Justinian, and he gets the bump to Emperor, she rises even higher – to co-ruler – and uses her newfound power to fight for women's rights. Theodora has everything she's ever wanted – status, love, and the ability to make change. But when riots threaten to topple her reign, she'll resort to ruthless measures to hold on to her new life.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Royals on the Wondery App or wherever you get your podcasts. You can listen early and ad-free on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial by visiting wondery.com/links/even-the-royals/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Dr. James Baker delivers a masterclass in scientific clarity as he breaks down what we truly know about COVID-19, vaccines, and our healthcare system's deepest challenges. With decades of experience as a physician, immunologist, and vaccine researcher, Dr. Baker provides a refreshingly honest assessment that cuts through political noise with precision and expertise.The conversation begins with a fascinating explanation of how vaccines helped accelerate natural immunity during the pandemic: "What the vaccines really did was keep people from being sick and dying." Dr. Baker walks us through the evidence showing how immunization drove the evolution of COVID into a more contagious but less deadly form - exactly what we'd expect as a virus adapts to a population developing immunity.What makes this episode exceptional is Dr. Baker's willingness to acknowledge uncertainties, particularly regarding childhood COVID vaccination. "The jury is still out entirely on young children," he admits, highlighting how the scientific community must continue evaluating data rather than clinging to absolutes. This intellectual honesty extends to his critique of nonsensical pandemic restrictions that undermined public trust - from arbitrary store aisle closures to performative masking rules with no scientific basis.Perhaps most compelling is Dr. Baker's warning about our healthcare system's fundamental flaws. He describes how unnecessary middlemen extract billions while adding minimal value, creating a Byzantine financing structure that fails patients. With RFK Jr. potentially heading HHS, Dr. Baker offers measured concerns about leadership lacking deep understanding of healthcare economics. Meanwhile, environmental threats like microplastics accumulating in human brains may ultimately prove more dangerous than the vaccine side effects that dominate public discourse.Join us for this essential conversation that transcends partisan talking points to deliver something increasingly rare: expert analysis grounded in both scientific rigor and practical wisdom about the health challenges facing our society.Support the showEngage the conversation on Substack at The Common Bridge!
Here are the 4 KEEN ON AMERICA take-aways in our conversation about the dysfunctional American immigration system with Felipe Torres Medina1) Background & Immigration Journey* Felipe Torres Medina is a comic writer for "The Stephen Colbert Show" and author of the new book America Let Me In about the US immigration system* Born in Bogotá, Colombia, Medina moved to the US at 21 on a student visa to pursue a master's in screenwriting at Boston University* Medina received an "alien of extraordinary ability" visa (talent visa for artists) after graduation, and eventually got a green card after marrying2) On the US Immigration System* Medina describes the immigration process as expensive (costing "tens of thousands of dollars" in legal fees) and filled with bureaucratic challenges* He emphasizes that legal immigration requires "tremendous privilege and money" that most people don't have* The book takes an interactive "choose your own path" format to highlight the maze-like nature of the immigration system* He points out that there hasn't been comprehensive immigration reform since the Clinton administration (nearly 30 years ago)3) Comedy as Commentary* Medina uses humor to process his experiences and create community around shared frustrations* He was inspired by writers like Julio Cortazar, George Saunders, Tina Fey, and Carrie Fisher* The book aims to educate Americans who "have so many opinions about immigration" but "don't know what it entails"* He mentions that making the book interactive and game-like adds "levity" to a tense topic4) How to Fix the System* While critical of Trump's immigration policies, Medina says the book isn't specifically about Trump but about a "flawed and messy" system created by multiple administrations* He suggests moving US Citizenship and Immigration Services out of the Department of Homeland Security to change the narrative that immigration is a security threat* His proposed reforms include creating better pathways for educated immigrants and hiring more USCIS staff to reduce backlogs FULL TRANSCRIPT* Andrew Keen: Hello everybody. It is Sunday, March the 9th, 2025. Interesting piece in the times. A couple of days ago, The New York Times, that is about the so-called British flame thrower who is a comic best suited to taking on Trump. They're talking about a man called Kumar. Nish Kumar looks very funny, and apparently he's very angry too. I have to admit, I haven't seen him. It's an interesting subject. It suggests that at the moment, even in spite of Trump and outraging many Americans, the state of American humor could be amped up a bit. My guest today is a writer on The Stephen Colbert Show and a comic, or certainly a comic writer in his own right, Philippe Torres Medina. He has a new book out on Tuesday. It's called America Let Me In, and I'm thrilled that he's joining us from Harlem in Manhattan today. Congratulations, Phillip, on the new job. What do you the new book? I was going to say job. That's a Freudian error here. What do you make of the Times's observation that American humor isn't in its best state when it comes to Trump?Felipe Torres Medina: Oh, wow. That's that's an interesting question. First of all, I love Nish Kumar. I think he's a wonderful, wonderful comedian. He's very funny. He has a level of wit and his observations are just wonderful. I hadn't seen this article, but I really appreciate that the times recognized him because he's been working very hard for a lot of years. I think more than American humor not being fit for the moment. I think at least personally for me, a little bit of addressing Trump again began. And addressing Trump in general is, you know, jokes have to be new. And after basically ten years of Donald Trump every day, all the time, it's certainly hard to continue to find new angles. Now, the dysfunction of the administration and perhaps sometimes the cruelty and whatever they're doing does provide you with material. But I think it can cause you as a writer to be like, oh God, here we go again. More Trump stuff. You know, because that's what we're talking about.Andrew Keen: Do you see your book, Philippe, as a Trump book? America? Let me in. It's about immigration. I mean, obviously touches on in many ways on Trump and certainly his hostility to immigration and immigrants. But is it a Trump book, or is it a broader kind of critique or observation about contemporary America?Felipe Torres Medina: Yeah, I never set out to write a book about Trump or a Trump book. My goal is to write a book about the immigration system, because I went through it, and as a comedian, I encountered in it many contradictions and absurdities that just kind of became fodder to me for comedy. So I try to write this book about the system, but the system was caused by many administrations in many parties, you know, now, the current hostility or the current everythingness of immigration, you know, immigration being kind of in the forefront of the national discourse certainly has been aided by Republican policy in the past ten years and by Donald Trump's rhetoric. But that doesn't mean that this is a book about Trump or as a response to Trump. It's actually a book responding to a system that is flawed and messy, but it's the one we have.Andrew Keen: Yeah. You described the book as a love letter to immigrants, but it's not a love letter to the system. Tell me your story. As you say. You went through it so you have firsthand experience. Where were you born?Felipe Torres Medina: So I was born in Colombia. I was born in Bogota, Colombia, which is the capital of Colombia. I lived there most of my life. I moved to United States when I was 21 on a student visa, because I came here to do my masters. I did my master's in screenwriting at Boston University. And after that, you know, I started working here as a comedian, but also as a writer. And I was able to get an alien of extraordinary ability visa, which is a very pretentiously named visa, kind of makes you sound like you're in the X-Men, but it it's just what they call talent visas for artists, athletes, entrepreneurs, educators, whatever. And so I got one of those and then several renewals of those. And then, you know, thanks to my work as a writer, as a comedian, initially as a copywriter in advertising, I was able to I bought I met the love of my life, got married, and then I have a green card and that's why I'm here.Andrew Keen: Yeah. As and quoting here, it sounds rather funny. An alien of extraordinary ability. Do you think your experience is typical? I mean, the even the fact that you came for grad school to to Boston puts you in a, in a kind of intellectual or professional elite. So is your experience in any way typical, do you think?Felipe Torres Medina: I wouldn't say typical. I would say my experience is the experience of many people who come here. And I think it's the experience of the people who are, quote unquote, the immigrants we want. Right. And, you know, if we're going to dive into the rhetoric of the of immigration these days, I came the right way and did everything, quote unquote, the right way. You know, but what this book and also this journey that I took to immigrate here proves is that it's it's only possible with tremendous amount of privilege and tremendous, tremendous amount of money. You know, it's a very expensive process for the majority of people.Andrew Keen: How much did it cost you?Felipe Torres Medina: Oh, I think in total since I started. I mean, when you count the fact that for most, like master's programs, you don't get any sort of financial aid unless you get, like a scholarship from your own country or a sort of like Fulbright or something like that. There's already the cost of a full master's program.Andrew Keen: But then you weren't coming. I mean, you didn't pay for your master's program in order to get immigration papers, you know.Felipe Torres Medina: Of course, that, but I, I had to pay for my master's program to be able to study here. You know, I didn't have I didn't have my any sort of aid. But, you know, discounting that in terms of immigration paperwork, I've spent tens of thousands of dollars because you have to hire immigration lawyers to make sure that everything's fine. And those are quite expensive.Andrew Keen: Was it worth it?Felipe Torres Medina: Well, yeah. You know, I met the love of my life. I live a.Andrew Keen: Very. I mean, there are lots of loves of. You could have met someone else, and that's true. Or you might have even you might have even met her or him at an airport somewhere else while they were on vacation.Felipe Torres Medina: That's that's possible. But yeah, I mean, I live a I live a good life. I do what I wanted to do, you know, I, I took got my master's because I wanted to write comedy professionally and I get to do that. And I do think when I set out to do this, I was like, well, the place with the best film and television industry in the world is and was then and still is the United States. So I was like, well, I have to go there, you know, and I was able to become a part of this industry and to work in this art form.Andrew Keen: You didn't get any job. You You got the combat job? Yes. I believe you drew the the short straw, right? I bet nobody else was right. Just Stephen Colbert.Felipe Torres Medina: Yeah, I'm very lucky. And but again, it's a mix of luck and hard work and all those things. So yeah, I don't I don't regret moving.Andrew Keen: So some people might be watching this maybe some some MAGA people. I'm not sure if MAGA people really watch this, but if they were they might be thinking, well, Philippe Torres Medina, he's a good example. He's the type of person we want. He jumped through many hoops. He's really smart. He's really successful. He brings value to this country. Is now a full time writer on the Colbert's show he came from it came from Latin America. And he's exactly the kind of person we want. And we want a system that's hard, because only guys like him have the intellectual and financial resources to actually get through it. Well, how would you respond to them?Felipe Torres Medina: I would say that I appreciate the compliment, but I wouldn't necessarily say that that's the best way to move forward on immigration now. I will say this book is a humorous take on the whole immigration journey. And so what? Like I tell different stories of different people coming here made up or inspired by real life. And one of the paths that you can take in this book, because this is kind of an interactive choose your own path book, is mine. But I think what this book tries to prove is that even if you do everything right, even if you, you know, have the money, sometimes it's very, very hard. And that, I think, does put us at a disadvantage when it comes to having a workforce that could be productive for the country, especially as birthrates are declining. You know, we are headed toward a but, you know, people have described as a barrel economy. If we don't simply up the population and the people who are upping the population and actually having children are immigrants.Andrew Keen: One other piece of news today, there's obviously a huge amount of news on the immigration front is apparently there's a freeze on funding to help green card holders. You've been through the process. You write about it in the new book. But how much more difficult is it now?Felipe Torres Medina: You mean under the current administration? Yeah. I wouldn't know. I you know, I think that.Andrew Keen: This idea of even freezing green card. Yeah. That holidays, even if you have a green card, you get frozen.Felipe Torres Medina: Yeah, exactly. And I think that that, you know, I think that that's what Trump did in his first term, more or less with legal immigration, was to create roadblocks and freezes and these kinds of things to kind of just like stymie the process and make it slower, make it harder, even for people who, again, are doing everything right to be able to remain in the country.Andrew Keen: And I'm guessing also some of the DOJ's stuff about laying off immigration judges and court stuff, they're taking office to leave. Apparently 100 immigration court staff are retiring. This adds to it as well.Felipe Torres Medina: Yeah. Yeah, exactly. I mean, Citizenship and Immigration Services, USCIS is a very particular part of the government because it is one of the few parts of the federal government that funds itself. Again, going back to cost the fees that they make are so big, they make so much money that if there's a government shut down, actually, USCIS does not shut down. It's one of the few parts of the government that didn't need to shut down, because they make so much money out of the immigrants trying to come here. So it's a really, really strange part of the government. It kind of doesn't know where it belongs. So seeing like the the DOJ's cuts that arrive into the and that may be implemented into USCIS. Kind I'm not familiar with any Dodge cuts recently on USCIS, but I suspect that they would be strange because it's a it's a very strange division of the federal government. It's not like the Department of Education or the like the Forestry Service. It's it's it's own kind of like little fiefdom.Andrew Keen: Are you wrote an interesting thing or you were featured recently on Lit Hub, where this show actually used to get distributed about how to write a funny book about American immigration. Of course, it's it's a good question. I mean, it's such a frustrating bureaucratic mess at the best of times. I do write anything funny, Philippe, about it.Felipe Torres Medina: Well, I think the, the to me, the, the finding a format to be able to explore this, this chaotic system. It's so, so complicated. It's like a maze. So to me, having this kind of interactive format allowed me to have some freedom to be like, okay, well, you know, one of the things that they taught me in my comedy education, when I was training at a theater here in New York, the Upright Citizens Brigade is the premise of if this is true, then what else is true? You know, so if this absurd thing is reality, then what? How can you heighten that reality? And for me, you know, the immigration system is so absurd. It's it's so Byzantine and chaotic that I was like, okay, well, I can heighten this to an extra level. And so when I keyed in on, on this format of like allowing the person who's reading it to be the many characters to inhabit the, the immigrants and also to be playing with the book, you know, going out and going to one page, making their own choices. It allowed me to change the tone immediately of the conversation because you say immigration and everyone's like, oh, you know, it gets tense. But if you're saying like, no, no, this is a game, you know, we're playing this game. It's about immigration, but it's a game. All of a sudden there's a levity to it, and then you take the real absurdities and the real chaos of the system and just heighten it, which is basically what you do with comedy at all times.Andrew Keen: Who are the the fathers or perhaps the mothers of this kind of comedy? The person who comes to my mind is is Kafka, who found his own writing very funny. Not, and I'm not sure everyone necessarily agrees. He, of course, wrote extensively about central mid European bureaucracy and its darkness and absurdity. Who's inspired you both as a comic writer and particularly in terms of this book?Felipe Torres Medina: Well, actually, Kafka also has a great book called America.Andrew Keen: Yeah. Which is a wonderful first paragraph about seeing this. Seeing the Statue of Liberty.Felipe Torres Medina: Yes. Which is also kind of about this. But I would say my inspirations comedically are, you know, I don't think I would have written this book without, like, the work of Tina Fey. I think Bossy Pants was a book where I was like, oh, you can be funny in writing. And Carrie Fisher is a big Star Wars nerd, you know, to like great, funny writer writers who are just, like, writing funny things about their lives. But I think the playfulness of it all, actually, I was inspired by this Argentine writer, Julio Cortazar, who wrote a novel that in English just translated as hopscotch. And this novel is a huge, like, structural disrupter, you know, in the like, what we call the Latin American boom of writing in the 60s, 70s and 80s. And he wrote this novel that is like a game of hopscotch. You're jumping from chapter two chapter. He's directing you back and forth. So I read a lot of that. And I, you know, I read that in my youth, and then I read it. I reread it as I was older. And then there are writers like George Saunders, who can be very funny while talking about very sad or very poignant things. And so that was also a big inspiration to me. But, you know, I am a late night writer, so I was interested in actually making it like, ha ha, funny. Not just, you know, sensible chuckle funny, you know, kind of like a very, like, intellectual kind of funny. So I was also inspired by, you know, my job and like Colbert's original character in Colbert's book, America, I am American. So can you the writing of The Onion and, you know, the book, The Daily Show Book America, which is just kind of like an explanation of what the federal government is and what the country is written in the tone of the correspondents or the the writers for The Daily Show back in the original Jon Stewart iteration. So those books kind of like informed me and made me like, realize, oh, I can you can make like a humorous guy that's jokey and funny, but also is actually saying something isn't just like or teaching you something. Because the biggest reason I started writing this book is that Americans don't know their own immigration system, and they have so many opinions about immigration, particularly now, but no one knows what what it entails. You know? And I don't just mean like conservatives, you know, I don't just mean like, oh, MAGA people. Like, I was living in New York in the Obama years or like the late Obama years, and none of my liberal Brooklyn, you know, IPA and iced matcha drinking friends had any idea what I was going through, you know, when I was trying to get my visas.Andrew Keen: The liberals drink IPA. I didn't know that I drink IPA, I mean, I have to change my. Yeah. It's interesting you bring up in the first part of that response, the, the the Argentine novelist. There's something so surreal now about America. An interesting piece in the times about not being able to pin Trump down because he says one thing one day, the next thing the next day, and everyone accepts that these are contradictions. Now, the times describes these contradictions as this ultimate cover. I'm not quite sure why they're a cover. If you say one thing one day, in the next something the opposite the next day. But is there a Latin American quality to this? I mean, there's a whole tradition of Latin American writing observing the, the cruel absurdities of of dictators and wannabe dictators.Felipe Torres Medina: Yeah. I mean, it's it's part of our literary tradition. You know, the dictator novel you have. But again, just as the feast of the goat, and you have Garcia marquez, my my compatriot, you know, like that.Andrew Keen: Was one of my favorite magnificent writing.Felipe Torres Medina: It's it's possibly, I hesitate to say, my favorite writer because it creates ranking, but.Andrew Keen: Well amongst your.Felipe Torres Medina: Favorite, among my favorite writers, 100 Years of Solitude. Obviously that is possibly my favorite novel, but he has also, I believe it's the Autumn of the Patriarch, which is his novel about. Exactly. Yeah. I mean, there is a there is. I wouldn't say it's a South American or Latin American quality to it. I think it's just once you encounter it, it is so absurd that art does have to come out and talk about it, you know, and, you know, you see the in a book like the Autumn of the Patriarch. That is a character full of contradictions. That is a character who, in chapter one, hates a particular figure because they he they think that they're against him and then is becomes friends with them and then hires him to be his personal bodyguard. You know, that is what dictators are, and that is what authoritarians do. It is the cult of the person. It is the whims of the person, and the opinion of the person are the be all and the end all to the point where the nation is. It is at the whims of, of of a a person, of those of those persons contradictions. So I wouldn't say it's necessarily a Latin American nature to this, but I think Latin America, because we experience dictatorship in many times supported or boosted by the United States. Latin Americans were able to find a way to turn this into art. And quite good art is what I would say.Andrew Keen: Yeah, and of course, it's the artists who are best able to respond to this. As you know, it's not just a Latin American thing. The Central Europeans, the Czechs in particular. Yes.Felipe Torres Medina: Milan Kundera.Andrew Keen: Yeah. Written a series of wonderful books about this. But the only way to respond to someone like Trump, for example, who says one thing one day, the next thing the next day when he talks about tariffs, he says, well, I'm going to have 25%. And the next day, oh, I've decided I'm not going to have 25%. Then the following day he's going to change his mind again. The policy people, I'm not very helpful here. We need artists, satirists of one kind or another humorist like yourself to actually respond to this, don't we?Felipe Torres Medina: I think so. I think that that that is what. Helps you? I mean, it's the emperor has no clothes, right? That's how you talk. And it's about all kinds of government, obviously. Autocracy or dictatorship is one thing, but at all in all systems of government, these are powerful people who think they have they know better and who think that they are invincible. And you know what? What satire or humor and art does is just point out and say like, wait, that's weird. That thing they just did is weird. And being able to point that out is, is a talent. But also that's why people respond to it so well. People say like, yeah, that is weird. I also notice that. And so you create community, you create partnership in there. And so all of a sudden you're punching up, which is something you want to do in comedy. You want to make fun of the people who have more power, and you're all punching up and laughing at the same thing, and you're all kind of reminding each other. You're not crazy. This is weird.Andrew Keen: Yeah. I mean, the thing that worries me. I was on Kolber on the Colbert Show a few years ago in the original show. I mean, it's brilliant comic, very funny. But him and Jon Stewart and the others, they've been going so long, and they. I'm not saying they haven't changed their shtick. I mean, writers like you produce very high quality work for them, but it's one of the problems that these guys have been going for a while and America has changed, but perhaps they haven't.Felipe Torres Medina: I mean, it's an interesting thing to bring up, particularly with with Stephen, because his show was completely different. Ten years ago, it was a completely different show. He was doing a character. Yeah, right. And now he's doing a more traditional late night show. I think I think the format of late night is a very interesting beast that somehow has become A political genre. You know, it didn't used to be with Letterman. Didn't you see with Conan O'Brien, Jay Leno? You know, they would dabble in politics. They would talk about politics because it's what people are talking about. But now it's become kind of like this world. It all has to be satire. And there's some there's some great work. And I do think people keep innovating and making, like, new things, even though the shows are about ten years old. You know, you have Last Week Tonight, which my wife writes for, but it's a show that does more like deep dive investigations and stuff like that. So it's more like end of the week, 60 minutes, but with jokes kind of format. But I do think, yeah, maybe like the shows, can the shows in the genre in general, like there's genre I could do with some change and some mixing it up and.Andrew Keen: Well, maybe your friend Kumar could.Felipe Torres Medina: Yeah. Well, what? Let us get.Andrew Keen: A slot to his own late night show. And I wonder also, when it comes to I don't want to obsess over Trump or that course it's hard not to these days, but because he himself is a media star who most people know through his reality television appearance and he still behaves like a reality television star. Does that add another dimension of challenges to the satirical writers like yourself, and comics like or satirical comics like Colbert and Jon Stewart?Felipe Torres Medina: I think it's just a layer of how to interpret him as a person. At least for me, it's like, okay, well, you have to remember that he is a show man, and that's what he's doing.Andrew Keen: Yeah. So they're coming back to your your metaphor of the air and power and not having any clothes on. He kind of, in his own nodding wink way, acknowledges that he's not pretending to wear any clothes.Felipe Torres Medina: Yeah, and, well, sometimes he is and sometimes he isn't. And that is. That's the challenge. And that's why writing jokes about him every day is hard. But, you know, we we.Andrew Keen: And the more I know I watched Saturday Night Live last week that Zelensky thing and it was brilliant. Zelensky and Musk and Trump. But I'm very doubtful it actually impacts in any way on anything. Well, and I.Felipe Torres Medina: Think that that's also a misconception people have about comedy. You know, comedy is there to be funny. You know, comedy isn't there to change your mind if it does that, great. But the number one impetus for For Comedy should be to make you laugh. And so the idea that, like, a sketch show is going to change the nation. I don't know. Those are things that I think are applied on to comedy. They're kind of glob down to comedy. I don't necessarily think that that's what it the, the people making the comedy set out to do so. I think if if it made you laugh and if it works. The comedy has done its job. Comedy, unfortunately, can't change the world, you know. Otherwise, you know, I'm sure there would have been a very. There are many good Romanian comedians who could have done something about it has.Andrew Keen: You know, time to time. I mean, Hava became Czech president for a while. You, you, you know, that you sometimes see laugh, laughter and comedy as a kind of therapy when it comes to some of the stuff you do with Kovat. Are you in in America? Let me in. Are you presenting the experience, the heartbreaking experience? So certainly an enormously frustrating experience of the American immigration system as a kind of therapy, both for people who are experiencing it And outsiders, Americans in general.Felipe Torres Medina: And for myself, I think.Andrew Keen: And of course, yes. So self therapy, so to speak.Felipe Torres Medina: I think so, I mean, it is for me a way to like comedy is a way to process things for me. It comes naturally to me, and it is inopportune at times when dealing with things like grief and things like that. But I mean event, anyone who's gone through grief, I think, can tell you there's one moment when things are going really bad and one of the people grieving with you makes one joke and you all laugh and you're like, this. This somehow fixed for one second. It was great. And then we're back to sadness. So I think comedy, you know, as much as again, I go back to what I said a second ago, it's about making you laugh and that making you laugh can create that partnership, can create that empathy and that that that community therapy, I guess, of people saying like, oh wait, yeah, this is weird, this is strange. And I feel better that someone else recognized it, that someone else saw this.Andrew Keen: It certainly makes you saying, hey, you wrote an interesting piece for The New Yorker this week. In times like these, where you, you write perhaps satirically about what you call good Americans. Is the book written for good or bad Americans or all Americans or no Americans? Who do you want to read this book?Felipe Torres Medina: Oh my God. I want everyone to read it and everyone to buy a copy so that I've got a lot of money. All right. No, I think it's written for most Americans and and immigrants as well. People living here. But I do think, yeah, it's written for everyone. I don't think I wrote it with particular like, kind of group in mind. I think to me, Obviously with my background and my political affiliations, I think liberals will enjoy the book. But I also think, you know, people who are conservative, people who are MAGA, people who don't necessarily agree on my vision of immigration, can learn a lot from the book. And I purposely wrote it so that these people wouldn't necessarily be alienated or dismissed in any way. You know, it's a huge topic, and I think it was more of a like, I know you have an opinion. I'm just showing you some evidence. Make with it what you will, but I'm just showing you some evidence that it might not be as you believe it is, both for liberals and conservatives. You know, wherever you are on the spectrum, liberals think it's super easy. Conservatives that think it's super easy but in a bad way to move here. And I'm here kind of saying like, hey, it's actually this super complicated thing that maybe we should talk about and we should try to reform in some way.Andrew Keen: Yeah. And I think even when it comes to immigration, often people are talking about different things. Conservatives tend to be talking about quote unquote, illegal immigration and progressives talking about something else, too. You deal with people who try to get into America illegally, or is that for you, just a subject that you're not touching in this book?Felipe Torres Medina: I address it very lightly toward the final pages of the book. I first of all, I can, like, claim ownership on all immigrant narratives. And I wrote this about the legal immigration system because it's what I've navigated. Again, I am not an immigration lawyer. I am not an activist. I'm a comedy writer who happened to go through the immigration like system, so I but I did feel like, you know, okay, well, let's talk for a second. You've seen how hard it is because I've shown you all this evidence in the first couple stories in the book. And again, I say in the last pages because because of the interactive nature of the book, this could there is potentially a way for you for this to be the first, one of the first things you read in the book, but to where the last pages of the book, I say, okay, let's talk about you. We've seen how hard it is. Let's talk about the people who do so much to try and come here and who go even harder because they do it in the like, in the unauthorized way, you know, or the people who come here seeking asylum, which is a legal way to come to the United States, but is very difficult. So I do present that, but I do think it is not necessarily the subject of a comedy book, As I said earlier, when you're dealing with comedy, you want to be punching up. You want to be making fun of people in authority figures or in a sort of status position that is above the general population or the the voice of the comic. And with with undocumented immigrants and people trying to come here in irregular ways. It's it's very hard to find the humor there because these people are already suffering very much. And so to me, the line is threading the line of comedy there. It can very quickly turn into bullying or making fun of those people. And I don't want to do that because a lot of people are already doing that, and a lot of people who are already doing that work on this in this administration. So I don't I don't really want to mess with that.Andrew Keen: Philip, I'm not sure if you've got a a Spanish translation of the book. I'm sure there will be one eventually.Felipe Torres Medina: Hopefully.Andrew Keen: If people start reading this in Colombia, where you're from, Bolivia or Argentina, Mexico, El Salvador, Guatemala, they think themselves, this is so hard to get in, even legally. Even if you have money to pay for lawyers, they might think, well, f**k it, I'll just try and get over the border illegally. And do you think in a way, I mean, it's obviously designed as a humor book, but in a way this would encourage any sane person to actually give up. I mean, go try and try and go somewhere else or just stay where you are.Felipe Torres Medina: I think, I think the book has a tone of I'm I'm a pretty optimistic person. So I think the book does have a tone of optimism and love for America. I do love the United States, where I, while presenting it as a difficult thing, I am also saying, like it? It's pretty good. You're going to have a good time if you make it here. So I don't think it will be a deterrent. Whether it's some sort of Trojan horse to create more people, to try and go through the border. I don't know, it'd be pretty funny if a funny book tended ended up doing that, but.Andrew Keen: It'd be great if we just got hold of the book and blamed you for for for all the illegal immigrants. But in all seriousness, it was been a lot of pieces recently about, according to the New York Times, people going silent for fear of retribution. As a comic writer and someone clearly on the left, the progressive in American politics. Do you think that there is a new culture of fear by some of your friends and colleagues in the comedy business? Are they fearing retribution? Trump, of all people, doesn't like to be laughed that some people say that he he only wanted to be president after Obama so brilliantly and comically destroyed him a few years ago.Felipe Torres Medina: I think in comedy, you know, I think people are tired of talking of Trump because, again, as I said, ten years of writing about him. I don't think anyone is necessarily afraid of talking about him or making fun of him. I think that is or his administration. I think that is proven like this past week with explosion of memes, making fun of J.D. Vance, his face, you know, to the point where J.D. Vance has tried to hop on the meme and be like, ha ha! Yes, I enjoy this very much too. Good job members. So like, obviously, first of all, he doesn't like it, but I think everyone is. And I think this is something that America does so well. Americans like to make fun of politicians, period. And even though I think in certain spaces of, you know, politics and activism, there might be fear of retribution that is much more marked. I think the let's make fun of of the Emperor for having no clothes that make fun of them is an instinct that that it's not going away and it won't go away any, anytime soon.Andrew Keen: Philip, finally, you've written a funny book about immigration. But of course, behind all the humor is a seriousness. Lots of jokes. It's a very entertaining, amusing, creative book. But it also, I think, suggests reform. You've given a great deal of thought. You've experienced it yourself. How can America improve its immigration story so that we don't have in the future more satirical books like America Like Me and what are the the reforms, realistically, that can be made that even conservatives might buy into?Felipe Torres Medina: Well, I think one of the biggest things is, if you look at it historically, there hasn't been comprehensive immigration reform since Clinton. Which is ridiculous. You know, we're nearing on 30 years there, and we're. We're basically 30 years since. And, you know, I'm 33, so it's a whole lifetime for a lot of people with no changes to a system, no comprehensive changes to a system. And that just means that, like it is going to become outdated. So obviously it's very hard right now with the tenor, but what we really need is for people to sit down and talk about it as a normal issue. And this is not an invasion. This is not a national emergency. It is simply an issue, an economic issue. And I think one of the biggest things, and one of my personal suggestions is that. The US Citizenship and Immigration Service has always been, as I said, this kind of strange ancillary part of the government. It started as part of the Department of Labor, eventually joining the Department of Justice. Then it goes back to labor. It kind of always bounces around. They don't know where it fits. And in after 911, it became part of the Department of Homeland Security. And I think that creates a an aura around immigration as something that is threatening to homeland security. You know, which is not true.Andrew Keen: Yeah. I see what you're saying. It's become the the sex when it comes to, in the context of Victorian something that we don't talk about, and we use metaphors and similes to, to, to describe. And I take your point on that. But what about some and I take your point on the fact that the system hasn't been reformed since Clinton. But let's end with a couple of final, just Doable reforms, Philippe, that can actually make the experience better. That will improve that. That might be cheaper that the the Doge people might buy into that both left and right will accept and say, oh, that's fair enough. This is one way we can make immigrating to America a better experience.Felipe Torres Medina: I think, rewarding if we're talking about this idea of like, we want the best immigrants, educated people. I think actually rewarding that because the current system does not do that for most people trying to get a work visa. They're subjected to a lottery where the chances are something like 1 in 16 of getting a work visa to be here, and that is really bad for companies in general. It's something that the big tech firms have been lobbying against for years, and because there's no consensus in Congress to actually do something. We have been able to address that. So I think actually rewarding the kind of like higher education, high achievement immigrants. In a way that isn't just like if you have $5 million, you can buy a gold car. Yeah, and.Andrew Keen: That's what Trump promised.Felipe Torres Medina: Right? Actually rewarding it in a way that's like, okay, well, if you have a college degree, maybe you don't just get a one year permit to work here, you know, maybe you can. There is a path for you to if you made your education here, if you start your professional life here, if you are contributing because all these immigrants are paying taxes or contributing, maybe there's a path that isn't as full of trapdoors and pitfalls. I would say that that that's one of the biggest things. And honestly, higher up, like I, I do think maybe this is my progressive side of me, but it's like get more people working in USCIS so that these waits aren't taking forever and getting more immigration judges, you know, hire people who are going to make this system efficient, because that is, I think, unfortunately, what Dodge thinks that the, you know, we're going to slim it down so it doesn't cost that much. Yeah. But if you slam it down, you don't have enough people. And there's a lot of people are still trying to come here and they're still trying to do things. And if you don't have enough people like working those cases, all you're creating is backlogs.Andrew Keen: Yeah. I'm guessing when those transforms the American immigration system through AI, you'll have another opportunity for you to write a book. Yeah. I mean, I let me in an important book, a very funny book, but also a very serious book by one of America's leading young comic writers full time, writing for Stephen Colbert, Philippe Torres Medina. Philippe, congratulations on the book. It's out next week. I think it will become a bestseller. Important book. Very funny too, and we can say the same about you. Thank you so much.Felipe Torres Medina: Thank you so much for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
It's time for another examination of historical parallels with lessons for our own time - today Patrick Wyman joins the gang to discuss the late Byzantine empire… a state with such a self referential, cosseted elite that they found themselves sprinkling imperial procession routes with rose water while their entire society crumbled from the outside in. Also, getting caught red handed in the metaverse, the Shawinigan Cocktail, and butter is churned into guns. Get the whole episode on Patreon here! *MILO ALERT* Check out Milo's tour dates here: https://miloedwards.co.uk/live-shows Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and November (@postoctobrist)
In this episode of Fatima Today, Barb Ernster and Katie Moran discuss the importance of penance during Lent. Katie shares insights into Byzantine Catholic traditions, including the Moleben prayer service and the Pre-Sanctified Liturgy, which differ from the Roman Catholic Stations of the Cross. They also explore the Blessed Mother's role in establishing the Stations and reflect on the sufferings of Christ as revealed by mystics like Anne Catherine Emmerich.
Writer and prison abolitionist Keeonna Harris shares her intimate memoir, Mainline Mama, about the formidable challenge of raising a family separated by prison walls and how we can fight back against a broken Byzantine system. Keeonna and Jason met as young teens. Only fourteen, Keeonna had never had a boyfriend before, dreamed of attending Spelman to become an obstetrician, and thought she was “grown.” Within a year she was pregnant, and Jason was in prison, convicted of a carjacking and sentenced to twenty-two years. Overnight Keeonna had become a “mainline mama,” a parent facing the impossible task of raising a child — while still growing up herself — with an incarcerated partner. Keeonna recalls her harrowing journey in Mainline Mama, from learning to overcome the exhausting difficulties of navigating the carceral system in the United States, to transforming herself into an advocate for other women like her — the predominantly Black and brown women left behind to pick up the pieces of their families and fractured lives. She offers inspiration and solace, showing how to create moments of beauty, humanity, and love in a place designed to break spirits. Mainline Mama is about creating self-love and community — crucial acts of radical resistance against a prison industrial complex that is designed to dehumanize and to separate and shut away incarcerated individuals and their loved ones from the world. Keeonna Harris is a writer, storyteller, mother of five, and prison abolitionist. She is a Ph.D. Candidate at Arizona State University finishing her dissertation Everybody Survived but Nobody Survived: Black Feminism, Motherhood, and Mass Incarceration. Her memoir, Mainline Mama draws from her experiences as a Black woman, teen mother, and twenty years of raising children with an incarcerated partner and building community in the borderlands of the prison. Jodi-Ann Burey (she/her) is a writer and critic who works at the intersections of race, culture, and health equity. Her debut book, Authentic: The Myth of Bringing Your Full Self to Work disrupts traditional narratives about racism at work and is forthcoming in 2025 with Flatiron Books. Buy the Book Mainline Mama Elliott Bay Book Company
The Holy Father has proclaimed 2025 as a Jubilee year, and pilgrims are already flocking to Rome to cross the thresholds of the major basilicas, and to visit the tombs of Sts. Peter and Paul. Original host of the Way of the Fathers podcast, Mike Aquilina, and current host of the podcast, James L. Papandrea, talk about jubilee and pilgrimage, and introduce listeners to the first (of hopefully many) Way of the Fathers pilgrimage. If you're interested in going on pilgrimage to Sicily, December 1-11, 2025, with Mike, and Jim, and Fr. Kevin Barrett, you can find more information at this link: https://www.206tours.com/cms/stpaulcenter/aquilina/ Why Sicily? “Sicily,” said Goethe, “is the key to everything.” It was the site where Plato imagined his perfect republic. Sicily gave Rome its first taste of Empire. Homer set much of his Odyssey in Sicily: Scylla and Charybdis, the forge of Hephaestus … It's the land of the Cyclops, the place where Icarus hit the ground when his wings began to melt. St. Paul spent three days there. For St. Augustine it was a land of wonders — a mountain that burned always and was not consumed. For St. Basil it was a synonym for luxury. Sicily was the definition of Hellenic. It was profoundly Latin. It was the land that gave the Church its Greek popes. It was the land that gave the Church its virgin-martyrs, Agatha and Lucy. For those who suffer ailments of the eye or breast, it is a pilgrim destination. It's Byzantine. It's Roman. It's Phoenician and African. It's stubbornly Christian through years of Muslim rule. It's Norman. It's Spanish. It's stunningly beautiful. The food is amazing. It's where the Godfather movies were filmed. In December it will be warm there and offer unusual wares and delights for Christmas shoppers. Consider joining Catholic author Mike Aquilina, historian James L. Papandrea, and Fr. Kevin Barrett on a unique pilgrimage, co-sponsored by the St. Paul Center for Biblical Theology, 206 Tours, and the Apostolate for Family Consecration. (This pilgrimage is not run by CatholicCulture.org.) SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters
Empress Theodora was a true rags to riches story. She rose from humble circus performer all the way to the top of the royal food chain through wit, charm, and sheer gutsiness. As a child, she dreams of a more glamorous life – but climbing the ladder is tough, particularly during the Byzantine era. And the higher she goes, the more people try to knock her down. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Dr Lee Mordechai, a historian at the Hebrew University of Jerusalem, discusses Bearing Witness to the Gaza War, a comprehensive database of facts and figures that he meticulously collected since October 7, 2023. How did a Byzantine historian come to meticulously collect evidence about the atrocities of the current war, still ongoing? The episode is sponsored by the Sady and Ludwig Kahn Chair in Jewish History at UCLA and co-hosted by Prof David N. Myers.
From 527 to 565 AD, Emperor Justinian I and his Empress Theodora ruled over the Byzantine Empire in Constantinople. Together, they reshaped the Mediterranean world, weathering political upheaval, wars of conquest, and an outbreak of bubonic plague. In this first installment of a multi-part series, we explore the early years of New Rome's greatest power couple. Rising from a disreputable background in the brothels of Constantinople, the actress-turned-informant Theodora catches the eye of Prince Justinian, heir to the Byzantine throne... SOURCES: Bridge, Antony. Theodora: Portrait in a Byzantine Landscape. Potter, David. Theodora: Actress, Empress, Saint. Parnell, David Alan. Belisarius & Antonina: Love and War in the Age of Justinian Hughes, Bettany. Istanbul: A Tale of Three Cities. Sarris, Peter. Justinian: Emperor, Soldier, Saint. Cesaretti, Paolo. Theodora: Empress of Byzantium. Procopius. The Secret History. Phillips, Robin. West, Jeff. Who in the World Was The Acrobatic Empress? Norwich, John Julius. Absolute Monarchs: A History of the Papacy Evans, James Allan. The Empress Theodora: Partner of Justinian. Holmes, Nick. Justinian's Empire: Triumph and Tragedy Charles Rivers Editors. Justinian the Great: The Life and Legacy of the Byzantine Emperor. Captivating History. The Byzantine Empire. 2018 Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode is brought to you by Telepaideia, a collection of live online courses in Latin, Ancient Greek, and the classical humanities offered by The Paideia Institute. Visit www.paideiainstitute.org/telepaideia to browse the course catalogue and register! It's my pleasure today to welcome back Father John Strickland to the podcast. Four episodes ago we talked in detail about the Divine Liturgy and its place at the heart of Byzantine life. I put out the call for listeners to ask questions. Particularly those of us not familiar with Orthodoxy or ecclesiastical issues in general. And Father Strickland has kindly returned to answer them. The questions are wide ranging and so demand thorough answers which Father John provides. So we decided to split them over two episodes. Today we tackle the Orthodox view on salvation and purgatory. As well as the role of the Ecumenical Patriarch and thoughts on the Byzantine understanding of how the divine played a role in daily life. Then we finish with the Orthodox view of Catholicism, Church Union and evangelisation. John is the pastor of an Orthodox Church in Poulsbo in Washington State. He wrote a four-volume series about the history of Christian civilization called Paradise and Utopia. He's also recorded a podcast of the same name as an accompaniment to the books which you can find wherever you get your podcasts or at www.ancientfaith.com. Hosted on Acast. See acast.com/privacy for more information.
This Saturday – the 8th February 2025 is the Intelligent Speech online conference. A gathering of fellow history podcasters. Who will be talking about Deception – lies and forgeries. There are 3 keynote speakers in Jo Hedwig Teeuwisse, Otto English and Wesley Livesay. Along with a host of fun roundtables packed with podcasting talent. I will be on two panels. They are back to back so from 11 am – 1pm Eastern Standard time you will get all the History of Byzantium you need. I will be on a panel discussing Byzantine deception and playing a game of historical call my bluff. So come and find out how good a liar I am. Go to intelligentspeechonline.com to find out more. And use the code Sophia. As in Hagia Sophia to get a discount on your ticket. See you on Saturday. Hosted on Acast. See acast.com/privacy for more information.
#Londinium90AD: Gaius laments the loss of Byzantium, and Germanicus explains the Byzantine Commonwealth of the 21st Century. Michael Vlahos. Friends of History Debating Society. @Michalis_Vlahos 1600 Sabine Women
This episode is brought to you by Telepaideia, a collection of live online courses in Latin, Ancient Greek, and the classical humanities offered by The Paideia Institute. Visit www.paideiainstitute.org/telepaideia to browse the course catalogue and register! I interview David Hendrix the man behind the incredible website 'The Byzantine Legacy.' It was David who showed me around Istanbul when I first visited in 2018. His website is an amazing resource for anyone who wants to know what survives from Byzantium today.David is leading a tour of Byzantine Macedonia in September 2025.Check out the Byzantine Legacy website and Youtube channel. Follow David on Instagram, Facebook and X. And support him at Patreon. Hosted on Acast. See acast.com/privacy for more information.
In 1453, the once grand and formidable city of Constantinople fell to the hands of the Ottoman Turks – bringing over a millennium of Byzantine rule to a dramatic close, and heralding the rise of the Ottoman empire. But what caused this seismic moment? And how did the attack play out? Together with Emily Briffett, Professor Jonathan Harris journeys back to the 15th century to unravel how the Byzantine capital was seized – recounting the action and exploring the ramifications up to the modern day. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The medieval world – for all its plagues, papal indulgences, castles, and inquisition trials – has much in common with ours. People living the Middle Ages dealt with deadly pandemicsmass migration, and controversial technological changes, just as we do now.Today’s guest, Dan Jones, author of POWERS AND THRONES: A New History of the Middle Ages looks at these common features through a cast of characters that includes pious monks and Byzantine emperors, chivalric knights and Renaissance artists. This sweep of the medieval world begins with the fall of the Roman empire and ends with the first contact between the Old World and the New. Along the way, Jones provides a front row seat to the forces that shaped the Western world as we know it. This is the thousand years in which our basic Western systems of law, commerce, and governance were codified; when the Christian Churches matured as both powerful institutions and the regulators of Western public morality; and when art, architecture, philosophical inquiry and scientific invention went through periods of seismic change. We discuss:• The height of the Roman empire and its influential rulers, as well as the various reasons it fell, including climate change pushing the Huns and so-called “barbarian” tribes to the empire’s borders.• The development of Christianity and Islam, as well as the power struggles and conflict ignited in the name of religion, chivalric orders such as the Knights Templar, and the rise of monasteries as major political players in the West.• The intimate stories of many influential characters of the Middle Ages, such as Constantine I, Justinian, Muhammad, Attila the Hun, Charlemagne, El Cid, Leonardo Da Vinci, Genghis Khan, Marco Polo, Martin Luther, and many more.• The development of global trade routes and commerce across Europe, Asia, and Africa and the expanding map during the Age of Exploration.• The Black Death, which decimated up to sixty percent of the local population in the fourteenth century and led to widespread social unrest and the little Ice Age, the period between 1300-1850 triggered by volcanic activity that created a climate so regularly and bitterly cold that it contributed to the Great Famine of 1315-21.See omnystudio.com/listener for privacy information.