POPULARITY
3 episodes with Robert Mills
5 episodes with Robert Mills
2 episodes with Robert Mills
4 episodes with Robert Mills
2 episodes with Robert Mills
2 episodes with Robert Mills
2 episodes with Robert Mills
2 episodes with Robert Mills
2 episodes with Robert Mills
Humanismus a osvícenství se projevovaly v kultuře, přístupu panovníků k poddaným, architektuře a také v justici. Příkladem toho je třeba okresní věznice v Burlingtonu v americkém státě New Jersey postavená v roce 1811. Navrhl ji Robert Mills, jeden z prvních architektů narozených už po vzniku Spojených států, který se proslavil třeba návrhem Washingtonova památníku. Věznice v Burlingtonu byla na svou dobu velmi moderní, a tak bývaly její cely zvláště v zimě poměrně zaplněné.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
(SPOILER) Your Daily Roundup covers coverage of the Devin story reveals makes it even worse, a “statement” from the show (sort of), some people defending Devin, Robert Mills tweet from finale night now becomes suspicious, DWTS Night 1, & big TV night tonight. Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI) Ads: Mint Mobile - $15/month when you purchase a 3 month plan! Learn more about your ad choices. Visit megaphone.fm/adchoices
For those looking to keep on top of their CPD over the summer, in Episode 204 Emma-Louise Fenelon interviews John Whitting KC and Robert Mills about recent developments in clinical negligence. Robert Mills takes listeners through three recent cases on material contribution: CNZ v Royal Bath Hospitals NHSFT & The Secretary of State for Health and Social Care [2023] EWHC 19 (KB) CDE v Surrey and Sussex Healthcare NHS Trust [2023] EWCA Civ 1330 Holmes v Poeton Holdings Ltd [2023] EWCA Civ 1377 John Whitting KC outlines developments in the law of informed consent Bilal and Malik v St George's University Hospital NHS Foundation Trust [2023] EWCA Civ 605 McCulloch and others v Forth Valley Health Board [2023] UKSC 26 And the episode concludes on a discussion of expert evidence Woods v Doncaster and Bassetlaw Teaching Hospitals NHS Foundation Trust [2024] EWHC 1432 (KB) CE (Cameroon) [2023] UKAITUR PA011122020 The podcast has previously covered expert evidence in the following episodes: Disaster Avoidance for Experts with Margaret Bowron KC here Disaster Avoidance for Experts with Neil Sheldon KC here Law Pod UK is published by 1 Crown Office Row. Supporting articles are published on the UK Human Rights Blog. Follow and interact with the podcast team on Twitter.
The post What He Put On You, He Also Put In You – Pastor Robert Mills appeared first on Macedonia Baptist Church of Detroit.
The Poinsett Bridge is the oldest bridge in South Carolina and debatably the oldest bridge in the entire South Eastern United States. It was built in 1820 as a part of the state road from Charleston and Columbia to the North Carolinian mountains. It was named after the president of the Board of Public Works, Joel Poinsett, and may have been designed by Robert Mills, a very famous architect.This bridge is also a very haunted bridge. There are many reasons, from the burial of workers in the bridge to various murders, but the one thing we can be sure of is that we can't be sure of anything. The bridge is in a very rural part of town where rumors spread like wildfire, and most of what we know comes from word of mouth, where stories were passed down from generation to generation. Case in point, the common local belief that the bridge was built on top of a Cherokee burial ground and cursed, despite Cherokees not commonly having burial grounds and proof that the grounds were actually used for hunting.Next to the bridge is the Gosnell Cabin, which has since moved. It was the home of the overseer of the state road before the Gosnell family bought it. The last Gosnell family member was injured in the cabin and later succumbed to his wounds in the hospital, and locals claim to hear him moaning in pain. One wise storyteller, however, learned the true story.But first! Robin has faith in Zoey's Geography skills and makes her something Southern a test for them. Zoey comes out victorious, no matter what Robin says.Sources: https://hauntedhospitality.wordpress.com/2024/03/05/ep-152-the-not-cursed-poinsett-bridge-and-the-not-haunted-gosnell-cabinVisit us on Social Media! Stay Spooky!
On this show, we have the honour of interviewing one of Australia's most legendary personalities... Robert Mills. Millsy as he is known around the country has many achievements off the water, but what many people don't realise is that Millsy is a Darwin resident who is a student of the Darwin shallow water flyfishing opportunities. We chat to Millsy about the little known skinny water of Darwin harbour and surrounding bays and harbours. Darwin is a Barra town.. its rife with High Viz dudes in tinny's with a full esky of VB's, trolling hardbody lures around for some of the best barra fishing known to man.. but, we don't see a lot about the cloak and dagger skinny water opportunities... When Millsy isn't belting out a tune at a the local Karaoke or hanging with the Hilton family, he's is husbanding Barra and scanning the flats for NT tails. We are lucky that such and Australian Idol is willing to expand on this fishery with us. This show is brought to you by Nervous Water, Kettafly, Power Pole, Nervous Water and Flats Craft
A veces es fantástico salirse de los encorsentamientos y mantener este tipo de charlas diferentes con alguno de los personajes más relevantes de la historia musical de este país. La música no la hacen sólo los músicos sino que hay muchos más elementos y personas en general alrededor de todo esto que hacen que la maquinaria gire y funcione... técnicos, fotógrafos, agentes, periodistas... y promotores. Y en nuestro país uno de los más importantes y relevantes es Robert Mills, que comenzó desde Londres a principios de los 80, y desde entonces hasta ahora ha sido uno de los promotores claves de la historia en España (ya afincado en Barcelona desde hace literalmente 40 años). Así, nos juntamos con él para charlar animadamente y de manera desenfadada durante más de una hora, de su trayectoria, de su historia, de sus conocimientos y muchas cosas más, todo ello hablando sin tapujos y sin pelos en la lengua de cómo es este particular arte y profesión, que tan poco se conoce hacia fuera. Robert y Esquitino charlar de esto y os cuentan muchas cosas desde dentro, con mucha sinceridad y mucha información que no está de más sacar a la luz de vez en cuando. Por más entrevistas así... Desde la NWOBHM en Londres, hasta el rock, hard rock, heavy metal, blues o punk ya en España. 40 años de historia, ¡a disfrutarlo!
The relatively modest Christmas decorations at Historic Columbia's Robert Mills House reflect what would have been accurate during the 1820's.
The Bristol Lodge Soup Kitchen and Food Pantry in Waltham got an eviction notice recently - and it's forcing them to leave their long-time quarters very quickly. Trouble is, they don't have anywhere to go yet, and the Middlesex Human Service Agency needs your help to find a space for them to set up shop so they can keep serving people in need all over the Boston area. CEO Robert Mills joins Nichole this week to talk about the eviction, the services they provide, and how you can help the soup kitchen and food pantry find a new home.
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity." Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Greta LaFleur, Masha Raskolnikov, and Anna Klosowska's edited volume Transhistorical: Gender Plurality Before the Modern (Cornell University Press, 2021) explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives--literary texts, trial transcripts, documents, and artifacts--that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Greta LaFleur, Masha Raskolnikov, and Anna Klosowska's edited volume Transhistorical: Gender Plurality Before the Modern (Cornell University Press, 2021) explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives--literary texts, trial transcripts, documents, and artifacts--that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Greta LaFleur, Masha Raskolnikov, and Anna Klosowska's edited volume Transhistorical: Gender Plurality Before the Modern (Cornell University Press, 2021) explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives--literary texts, trial transcripts, documents, and artifacts--that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Greta LaFleur, Masha Raskolnikov, and Anna Klosowska's edited volume Transhistorical: Gender Plurality Before the Modern (Cornell University Press, 2021) explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives--literary texts, trial transcripts, documents, and artifacts--that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices
Greta LaFleur, Masha Raskolnikov, and Anna Klosowska's edited volume Transhistorical: Gender Plurality Before the Modern (Cornell University Press, 2021) explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives--literary texts, trial transcripts, documents, and artifacts--that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
Greta LaFleur, Masha Raskolnikov, and Anna Klosowska's edited volume Transhistorical: Gender Plurality Before the Modern (Cornell University Press, 2021) explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives--literary texts, trial transcripts, documents, and artifacts--that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal. Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert Mills mostra como algumas imagens da arte medieval chamam a atenção para o facto dos humanos serem estranhos e mais complicados do que por vezes supomos, o que considera uma lição com a qual quem persiste em encontrar reflexos na “natureza” de categorias humanas de género e sexualidade pode seguramente aprender. Um artigo lido por Carlos Carujo
(SPOILERS) Today's Daily Roundup covers the Bachelor premiere tonight, how Zach is promoting the season, Rachael/Matt/Tyler dymanic, a Robert Mills non-answer answer, Cobra Kai season 6, & Shannon Sharpe.Ads:Green Chef - Promo Code: RealitySteve60 to get 60% off plus free shippingThe Real Friends of WeHo - Fridays at 9/8 central on MTVJersey Shore Family Vacation - Premieres next Jerzday Jan. 26th at 8/7 central on MTVMusic written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI)
Robert Mills, executive vice president and chief technology, digital commerce and strategy officer at Tractor Supply Company, and Karen Bomber, senior director of customer marketing in Honeywell's Productivity Solutions and Services division, discuss how US lifestyle retailer Tractor Supply is approaching digital transformation to upgrade its customer experience. They also share their thoughts on the latest consumer trends and the future of "phygital" - the blending of physical and digital - retail.Find more stories that explore the future of life and business: https://www.honeywell.com/us/en/newsLet's connect! Follow Honeywell on LinkedIn: https://www.linkedin.com/company/honeywell/Follow Honeywell on Instagram: https://www.instagram.com/honeywell/
What is the connection between media studies and content strategy? On this episode, Robert Mills, founder of Fourth Wall Content, explains how his background in narrative theory led him to working in content. Kevin and Robert discuss the many ways forms of media, particularly film, subconsciously convey information to observers. Using examples ranging from cinema to fairy tales, the two decipher media codes that storytellers and directors use to tell and create stories. In addition, Robert explains how an understanding of these covert and subtextual themes can apply to the world of marketing and branding across a customer journey, empowering content specialists with the knowledge needed to tell their client's own stories. Robert Mills is a content and communications strategist based in the UK. Having a track record at multiple agencies, he started his own in 2021 to work with clients on various content-focused projects. A writer with a diverse skill set, he graduated college with a journalism degree and has also worked as an Audience Research Executive at the BBC. He now runs his businesses out of the log cabin at the bottom of his garden. Robert's Info: Email: rob@fourthwallcontent.com Twitter: https://twitter.com/RobertMills LinkedIn: https://www.linkedin.com/in/robertmills81/ Website: https://www.fourthwallcontent.com Kevin's Info: Kevin's Website and Blog: https://bit.ly/3in284l Kevin's Twitter: https://bit.ly/3jhscNG Kevin's Linkedin: https://bit.ly/3xn9SHG AvenueCX Website: https://bit.ly/3lsSFdR --- Send in a voice message: https://anchor.fm/avenuecx/message
Join host Christine Morris and co-host Carrie Zalsky, both of Trinity Logistics, and two Trinity carrier relationships, Robert Mills of R.T. Mills Trucking and Mark Scott with Alliance Industries, as they dive into a conversation together! This episode covers how the freight market has affected these carriers throughout the past few years to now, the recent rise in operating expenses, and overall some great advice and discussion from these guys from their years of experience navigating the ups and downs of the industry. If you'd like to be a participant in a future episode or have a topic you'd like us to cover, send us an email at marketing@trinitylogistics.com!
Welcome to the most exciting episode of Pod Goals yet! Ben and Allie are ecstatic to welcome legendary broadcaster Julia Cunningham to the show. Julia has a plethora of hosting gigs on SiriusXm including the Jess Cagle Show on Stars Channel 109, Pop Rocks Channel 12, the Bachelor Recap with Robert Mills (on demand), as well as her own hit podcast All Spoiler Recap. Listen in on some hot gossip including who Julia's most uncomfortable interview has been. Ben remembers a pop punk diva with a bizarre twist involving caution tape. The time has come to unveil the ultimate taglines of all time for the women of RHOBH just in time for the premiere of season 12. Allie has a fun game set up, while Ben's has some bops. Follow Julia: https://www.instagram.com/juliacunninghaaam/?hl=en All Spoiler Recap: https://www.podcasts.apple.com/us/podcast/all-spoiler-recap/id1499884094 Pod Goals IG: https://www.instagram.com/podgoalspod/?hl=en Cover Art by Liat Veysey: https://www.instagram.com/howlercreativestudio/?hl=en --- Support this podcast: https://podcasters.spotify.com/pod/show/pod-goals/support
State Senator Robert Mills has values that he believes will help more people in our State of Louisiana and our Country. And his values are reflected in his legislation. In this video he discusses his legislation for this 2022 session in this interview.
Landsford Canal in eastern Chester County was designed by Robert Mills as part of a comprehensive plan of internal improvements designed to connect fall line markets with the upstate.
We are joined by our sibling podcast, Nerds at Church, to discuss one of the most popular family horror-comedies of all time. How many times does this film contain the word virgin? Who is the coolest witch of them all? And what does this movie have to do with baptism? Join Joe and Pace as we talk about this Halloween classic. CW: mention of sexual assault and mention of ICE, lots of talk about virginity; real life horror story includes discussions of queerphobic church leaders Books (and other media) Mentioned: -Hocus Pocus in Focus by Aaron Wallace -Hocus Pocus and the All-New Sequel by A.W. Jantha -The video lecture Pace mentioned is Holding it Straight: Sexual Orientation in the Middle Ages by Robert Mills (please note that the lecture may include images not suitable for work) -Blood Drips on Newsies Square is the short horror film from the set of the Newsies that Kay mentioned Support us on Patreon! Follow us on Instagram, Facebook, and Twitter for all the latest updates about upcoming films, news, and other announcements. And don't forget to comment, rate, and subscribe to us on your favorite podcast provider!
In this newscast: Juneau city officials are urging unvaccinated travelers arriving from Alaska communities that are seeing a rise in COVID-19 cases to get tested when they return to town; Juneau coffee shop Sacred Grounds recently got a makeover from Tlingit artists Michaela Goade and Robert Mills; The Biden administration announced Thursday that it's freezing any remaining old-growth timber sales in the Tongass National Forest and will pivot to investing in other sectors of Southeast Alaska's economy; Canadian authorities say they'll lift a pandemic-era ban on cruise ships in the country's waters.
“L” is for Lancaster Courthouse and Jail. Designed by Robert Mills.
In this interview I had the opportunity to talk with Senator Robert Mills There are a lot of popular legislators and legislators from popular areas, but sometimes the ones that are doing the bigger things aren't from either category. This interview is with another legislator that could have enjoyed retirement in a more relaxing scenario, but instead he chose to serve the public as a State Senator. For him the the return on his long hours with part time pay is a better Louisiana for everyone. To see my interviews before they become a podcast please follow me on Facebook or Subscribe to my YouTube Channel at "William Wallis For America"
“W” is for Walterboro (Colleton County; population 5364). Just after the Revolutionary War, rice planters from the Edisto, Combahee, and Ashepoo Ricers, tired of an annual summer jaunt of fifty miles to Charleston, created an alternate refuge from the malarial swamps closer to home. By the 1790s, among local forests and freshwater springs, they built a village that they called Walterboro. Profits from rice and indigo produced by enslaved black labor brought prosperity. In 1817 the town became the seat of Colleton District. An elegant brick courthouse designed by Robert Mills was complete in 1822. Four years later the town was incorporated. In 1828, Robert Barnwell Rhett launched the nullification movement at the Walterboro Courthouse. Throughout the antebellum period in the years preceding the Civil War, Walterboro was a hotbed of states’ rights sentiment.
Bienvenidos a La Hora del Rock! SALVADOR DOMINGUEZ .UN GENIO DE LAS SEIS CUERDAS CHARLA EN EL PROGRAMA . PACO JIMENEZ Y SUS ENTREVISTAS EN DESTRIPA-ROCK Hablar de Paco Jiménez en el mundo del Rock y Metal son palabras mayores; después de llevar más de cuarenta años como periodista, Dj, manager, productor y realizador de programas de radio y televisión. Actualmente produce y dirige el programa de radio LA HORA DEL ROCK que se emite todos los martes a las 21 horas en el grupo AMSC radio, y también disponible en ivoox, itunes y Spotify. Con la llegada hace ya casi un año de esta pandemia que aún estamos padeciendo, y con el confinamiento en sus comienzos, se le ocurrió hacer una serie de entrevistas a toda la gente que quisiera hablar de sus experiencias, vivencias y sus proyectos futuros, ya fueran músicos, promotores, técnicos, fotógrafos, managers, etc, es decir, a todo el colectivo que en estos momentos desgraciadamente están en una pausa demasiado larga. Unas entrevistas encauzadas a modo de charla entre amigos, lejos de entrar en polémicas y siempre dentro de lo estrictamente musical. DESTRIPA-ROCK comenzó en el mes de junio del 2020 y se emite los sábados a las 20 horas por el canal de Youtube: https://www.youtube.com/channel/UCxXc... Por aquí ya han pasado Javi Gianno (Cyan Bloodbane), Vicente Feijoo (Zarpa), Rafa de la Torre (La Cifra Negra), Ernesto Castilla (Embellish), Elias Andrade (Reeper), Frank (Runa Llena), Pako Mate, Barbara Black, los chicos de Stop Stop, Alberto Rionda (Avalanch), Marc Riera (MRC), Johnny Lorca, Rebeca Monton (4 Bajo Zero), Oscar Sancho (Lujuria), David Palau (Güru), Elisa C. Martin, Thanya Santos (Saltimbankya), Juan Saurin, Juanjo Vitrol (Vitrol), Jose Martos, Oscar Lecina, Leonor Marchesi, Santi Andreo, Samuel Lozano (Embellish), el webmaster Manuel Martinez, Carlos Pina, Lazy Lane(Jolly Joker), Eric Moya (Deldrac),el fotógrafo Alfredo M. Geisse, Joana Amaro, Santi Leal, Rafa Basa, Gaby Alegret, Dagarod (Güru), Pablo Kiaro (Apotropaico), Fredy Fresquet, Ivan Allue, Leo Villar (Eveth), Ronnie Romero, Lex Lüger, el promotor Robert Mills, Salvador Dominguez, Ricard Altadill, David Gohe (Romanthica, Embellish). Y muchos más que se eestan cerrando. Las entrevistas ya emitidas además del canal de Youtube también se pueden visualizar en la página web del programa LA HORA DEL ROCK: https://lahoradelrockradio.com/ Para contactar con Paco Jimenez LA HORA DEL ROCK y DESTRIPA-ROCK: Telefono: +34 630350624 Email: lahoradelrockradio@gmail.com Redes sociales: https://www.facebook.com/LHDRRADIO https://twitter.com/HORAROCKRADIO https://www.instagram.com/p.jimenez_l... https://www.youtube.com/channel/UCxXc... https://www.facebook.com/groups/18606... https://www.facebook.com/groups/37697... Tu espacio dedicado al mundo del rock y heavy hecho en España y para toda Latinoamérica en esta sección llamada DESTRIPA -ROCK Donde charlamos con tus musicos , que tambien antes de serlo son personas, con sus inquietudes , miedos, alegrias etc... una entrevista diferente SINTONIA DESTRIPA-ROCK BENSOUND SINTONIAS MONTAJES ALFREDO G. GEISSE * CONTACTO * lahoradelrockradio@gmail.com 630350624 * REDES SOCIALES * https://www.facebook.com/lhdrradio https://www.instagram.com/lhdr_radio https://www.lahoradelrockradio.com ¡SUSCRÍBETE AL CANAL PARA NO PERDERTE NINGUNO DE LOS VÍDEOS QUE VAMOS SUBIENDO! ¡ROCK ON!
Descubre a un personaje publico más cercano, esto es DESTRIPA-ROCK AHORA EN AUDIO SHERPA: ¡Bienvenidos a PACO JIMENEZ Y SUS ENTREVISTAS EN DESTRIPA-ROCK Hablar de Paco Jiménez en el mundo del Rock y Metal son palabras mayores; después de llevar más de cuarenta años como periodista, Dj, manager, productor y realizador de programas de radio y televisión. Actualmente produce y dirige el programa de radio LA HORA DEL ROCK que se emite todos los martes a las 21 horas en el grupo AMSC radio, y también disponible en ivoox, itunes y Spotify. Con la llegada hace ya casi un año de esta pandemia que aún estamos padeciendo, y con el confinamiento en sus comienzos, se le ocurrió hacer una serie de entrevistas a toda la gente que quisiera hablar de sus experiencias, vivencias y sus proyectos futuros, ya fueran músicos, promotores, técnicos, fotógrafos, managers, etc, es decir, a todo el colectivo que en estos momentos desgraciadamente están en una pausa demasiado larga. Unas entrevistas encauzadas a modo de charla entre amigos, lejos de entrar en polémicas y siempre dentro de lo estrictamente musical. DESTRIPA-ROCK comenzó en el mes de junio del 2020 y se emite los sábados a las 20 horas por el canal de Youtube: https://www.youtube.com/channel/UCxXc... Por aquí ya han pasado Javi Gianno (Cyan Bloodbane), Vicente Feijoo (Zarpa), Rafa de la Torre (La Cifra Negra), Ernesto Castilla (Embellish), Elias Andrade (Reeper), Frank (Runa Llena), Pako Mate, Barbara Black, los chicos de Stop Stop, Alberto Rionda (Avalanch), Marc Riera (MRC), Johnny Lorca, Rebeca Monton (4 Bajo Zero), Oscar Sancho (Lujuria), David Palau (Güru), Elisa C. Martin, Thanya Santos (Saltimbankya), Juan Saurin, Juanjo Vitrol (Vitrol), Jose Martos, Oscar Lecina, Leonor Marchesi, Santi Andreo, Samuel Lozano (Embellish), el webmaster Manuel Martinez, Carlos Pina, Lazy Lane(Jolly Joker), Eric Moya (Deldrac),el fotógrafo Alfredo M. Geisse, Joana Amaro, Santi Leal, Rafa Basa, Gaby Alegret, Dagarod (Güru), Pablo Kiaro (Apotropaico), Fredy Fresquet, Ivan Allue, Leo Villar (Eveth), Ronnie Romero, Lex Lüger, el promotor Robert Mills, Salvador Dominguez, Ricard Altadill, David Gohe (Romanthica, Embellish). Y muchos más que se eestan cerrando. Las entrevistas ya emitidas además del canal de Youtube también se pueden visualizar en la página web del programa LA HORA DEL ROCK: https://lahoradelrockradio.com/ Para contactar con Paco Jimenez LA HORA DEL ROCK y DESTRIPA-ROCK: Telefono: +34 630350624 Email: lahoradelrockradio@gmail.com Redes sociales: https://www.facebook.com/LHDRRADIO https://twitter.com/HORAROCKRADIO https://www.instagram.com/p.jimenez_l... https://www.youtube.com/channel/UCxXc... https://www.facebook.com/groups/18606... https://www.facebook.com/groups/37697... Tu espacio dedicado al mundo del rock y heavy hecho en España y para toda Latinoamérica en esta sección llamada DESTRIPA -ROCK Donde charlamos con tus musicos , que tambien antes de serlo son personas, con sus inquietudes , miedos, alegrias etc... una entrevista diferente SINTONIA DESTRIPA-ROCK BENSOUND SINTONIAS MONTAJES ALFREDO G. GEISSE * CONTACTO * lahoradelrockradio@gmail.com 630350624 * REDES SOCIALES * https://www.facebook.com/lhdrradio https://www.instagram.com/lhdr_radio https://www.lahoradelrockradio.com ¡SUSCRÍBETE AL CANAL PARA NO PERDERTE NINGUNO DE LOS VÍDEOS QUE VAMOS SUBIENDO! ¡ROCK ON!
Charlamos con ISRA RAMOS ahora puedes escuchar los programas de DESTRIPA-ROCK en audio, siempre pensando en ti: ¡Bienvenidos a La Hora del Rock! PACO JIMENEZ Y SUS ENTREVISTAS EN DESTRIPA-ROCK Hablar de Paco Jiménez en el mundo del Rock y Metal son palabras mayores; después de llevar más de cuarenta años como periodista, Dj, manager, productor y realizador de programas de radio y televisión. Actualmente produce y dirige el programa de radio LA HORA DEL ROCK que se emite todos los martes a las 21 horas en el grupo AMSC radio, y también disponible en ivoox, itunes y Spotify. Con la llegada hace ya casi un año de esta pandemia que aún estamos padeciendo, y con el confinamiento en sus comienzos, se le ocurrió hacer una serie de entrevistas a toda la gente que quisiera hablar de sus experiencias, vivencias y sus proyectos futuros, ya fueran músicos, promotores, técnicos, fotógrafos, managers, etc, es decir, a todo el colectivo que en estos momentos desgraciadamente están en una pausa demasiado larga. Unas entrevistas encauzadas a modo de charla entre amigos, lejos de entrar en polémicas y siempre dentro de lo estrictamente musical. DESTRIPA-ROCK comenzó en el mes de junio del 2020 y se emite los sábados a las 20 horas por el canal de Youtube: https://www.youtube.com/channel/UCxXc... Por aquí ya han pasado Javi Gianno (Cyan Bloodbane), Vicente Feijoo (Zarpa), Rafa de la Torre (La Cifra Negra), Ernesto Castilla (Embellish), Elias Andrade (Reeper), Frank (Runa Llena), Pako Mate, Barbara Black, los chicos de Stop Stop, Alberto Rionda (Avalanch), Marc Riera (MRC), Johnny Lorca, Rebeca Monton (4 Bajo Zero), Oscar Sancho (Lujuria), David Palau (Güru), Elisa C. Martin, Thanya Santos (Saltimbankya), Juan Saurin, Juanjo Vitrol (Vitrol), Jose Martos, Oscar Lecina, Leonor Marchesi, Santi Andreo, Samuel Lozano (Embellish), el webmaster Manuel Martinez, Carlos Pina, Lazy Lane(Jolly Joker), Eric Moya (Deldrac),el fotógrafo Alfredo M. Geisse, Joana Amaro, Santi Leal, Rafa Basa, Gaby Alegret, Dagarod (Güru), Pablo Kiaro (Apotropaico), Fredy Fresquet, Ivan Allue, Leo Villar (Eveth), Ronnie Romero, Lex Lüger, el promotor Robert Mills, Salvador Dominguez, Ricard Altadill, David Gohe (Romanthica, Embellish). Y muchos más que se eestan cerrando. Las entrevistas ya emitidas además del canal de Youtube también se pueden visualizar en la página web del programa LA HORA DEL ROCK: https://lahoradelrockradio.com/ Para contactar con Paco Jimenez LA HORA DEL ROCK y DESTRIPA-ROCK: Telefono: +34 630350624 Email: lahoradelrockradio@gmail.com Redes sociales: https://www.facebook.com/LHDRRADIO https://twitter.com/HORAROCKRADIO https://www.instagram.com/p.jimenez_l... https://www.youtube.com/channel/UCxXc... https://www.facebook.com/groups/18606... https://www.facebook.com/groups/37697... Tu espacio dedicado al mundo del rock y heavy hecho en España y para toda Latinoamérica en esta sección llamada DESTRIPA -ROCK Donde charlamos con tus musicos , que tambien antes de serlo son personas, con sus inquietudes , miedos, alegrias etc... una entrevista diferente SINTONIA DESTRIPA-ROCK BENSOUND SINTONIAS MONTAJES ALFREDO G. GEISSE * CONTACTO * lahoradelrockradio@gmail.com 630350624 * REDES SOCIALES * https://www.facebook.com/lhdrradio https://www.instagram.com/lhdr_radio https://www.lahoradelrockradio.com ¡SUSCRÍBETE AL CANAL PARA NO PERDERTE NINGUNO DE LOS VÍDEOS QUE VAMOS SUBIENDO! ¡ROCK ON!
CHARLAMOS CON DIVA SATANICA🤘 ¡Bienvenidos a La Hora del Rock! PACO JIMENEZ Y SUS ENTREVISTAS EN DESTRIPA-ROCK Hablar de Paco Jiménez en el mundo del Rock y Metal son palabras mayores; después de llevar más de cuarenta años como periodista, Dj, manager, productor y realizador de programas de radio y televisión. Actualmente produce y dirige el programa de radio LA HORA DEL ROCK que se emite todos los martes a las 21 horas en el grupo AMSC radio, y también disponible en ivoox, itunes y Spotify. Con la llegada hace ya casi un año de esta pandemia que aún estamos padeciendo, y con el confinamiento en sus comienzos, se le ocurrió hacer una serie de entrevistas a toda la gente que quisiera hablar de sus experiencias, vivencias y sus proyectos futuros, ya fueran músicos, promotores, técnicos, fotógrafos, managers, etc, es decir, a todo el colectivo que en estos momentos desgraciadamente están en una pausa demasiado larga. Unas entrevistas encauzadas a modo de charla entre amigos, lejos de entrar en polémicas y siempre dentro de lo estrictamente musical. DESTRIPA-ROCK comenzó en el mes de junio del 2020 y se emite los sábados a las 20 horas por el canal de Youtube: https://www.youtube.com/channel/UCxXc... Por aquí ya han pasado Javi Gianno (Cyan Bloodbane), Vicente Feijoo (Zarpa), Rafa de la Torre (La Cifra Negra), Ernesto Castilla (Embellish), Elias Andrade (Reeper), Frank (Runa Llena), Pako Mate, Barbara Black, los chicos de Stop Stop, Alberto Rionda (Avalanch), Marc Riera (MRC), Johnny Lorca, Rebeca Monton (4 Bajo Zero), Oscar Sancho (Lujuria), David Palau (Güru), Elisa C. Martin, Thanya Santos (Saltimbankya), Juan Saurin, Juanjo Vitrol (Vitrol), Jose Martos, Oscar Lecina, Leonor Marchesi, Santi Andreo, Samuel Lozano (Embellish), el webmaster Manuel Martinez, Carlos Pina, Lazy Lane(Jolly Joker), Eric Moya (Deldrac),el fotógrafo Alfredo M. Geisse, Joana Amaro, Santi Leal, Rafa Basa, Gaby Alegret, Dagarod (Güru), Pablo Kiaro (Apotropaico), Fredy Fresquet, Ivan Allue, Leo Villar (Eveth), Ronnie Romero, Lex Lüger, el promotor Robert Mills, Salvador Dominguez, Ricard Altadill, David Gohe (Romanthica, Embellish). Y muchos más que se eestan cerrando. Las entrevistas ya emitidas además del canal de Youtube también se pueden visualizar en la página web del programa LA HORA DEL ROCK: https://lahoradelrockradio.com/ Para contactar con Paco Jimenez LA HORA DEL ROCK y DESTRIPA-ROCK: Telefono: +34 630350624 Email: lahoradelrockradio@gmail.com Redes sociales: https://www.facebook.com/LHDRRADIO https://twitter.com/HORAROCKRADIO https://www.instagram.com/p.jimenez_l... https://www.youtube.com/channel/UCxXc... https://www.facebook.com/groups/18606... https://www.facebook.com/groups/37697... Tu espacio dedicado al mundo del rock y heavy hecho en España y para toda Latinoamérica en esta sección llamada DESTRIPA -ROCK Donde charlamos con tus musicos , que tambien antes de serlo son personas, con sus inquietudes , miedos, alegrias etc... una entrevista diferente SINTONIA DESTRIPA-ROCK BENSOUND SINTONIAS MONTAJES ALFREDO G. GEISSE * CONTACTO * lahoradelrockradio@gmail.com 630350624 * REDES SOCIALES * https://www.facebook.com/lhdrradio https://www.instagram.com/lhdr_radio https://www.lahoradelrockradio.com ¡SUSCRÍBETE AL CANAL PARA NO PERDERTE NINGUNO DE LOS VÍDEOS QUE VAMOS SUBIENDO! ¡ROCK ON!
ENTREVISTA A RICARD ALTADILL Bienvenidos a La Hora del Rock! PACO JIMENEZ Y SUS ENTREVISTAS EN DESTRIPA-ROCK Hablar de Paco Jiménez en el mundo del Rock y Metal son palabras mayores; después de llevar más de cuarenta años como periodista, Dj, manager, productor y realizador de programas de radio y televisión. Actualmente produce y dirige el programa de radio LA HORA DEL ROCK que se emite todos los martes a las 21 horas en el grupo AMSC radio, y también disponible en ivoox, itunes y Spotify. Con la llegada hace ya casi un año de esta pandemia que aún estamos padeciendo, y con el confinamiento en sus comienzos, se le ocurrió hacer una serie de entrevistas a toda la gente que quisiera hablar de sus experiencias, vivencias y sus proyectos futuros, ya fueran músicos, promotores, técnicos, fotógrafos, managers, etc, es decir, a todo el colectivo que en estos momentos desgraciadamente están en una pausa demasiado larga. Unas entrevistas encauzadas a modo de charla entre amigos, lejos de entrar en polémicas y siempre dentro de lo estrictamente musical. DESTRIPA-ROCK comenzó en el mes de junio del 2020 y se emite los sábados a las 20 horas por el canal de Youtube: https://www.youtube.com/channel/UCxXc... Por aquí ya han pasado Javi Gianno (Cyan Bloodbane), Vicente Feijoo (Zarpa), Rafa de la Torre (La Cifra Negra), Ernesto Castilla (Embellish), Elias Andrade (Reeper), Frank (Runa Llena), Pako Mate, Barbara Black, los chicos de Stop Stop, Alberto Rionda (Avalanch), Marc Riera (MRC), Johnny Lorca, Rebeca Monton (4 Bajo Zero), Oscar Sancho (Lujuria), David Palau (Güru), Elisa C. Martin, Thanya Santos (Saltimbankya), Juan Saurin, Juanjo Vitrol (Vitrol), Jose Martos, Oscar Lecina, Leonor Marchesi, Santi Andreo, Samuel Lozano (Embellish), el webmaster Manuel Martinez, Carlos Pina, Lazy Lane(Jolly Joker), Eric Moya (Deldrac),el fotógrafo Alfredo M. Geisse, Joana Amaro, Santi Leal, Rafa Basa, Gaby Alegret, Dagarod (Güru), Pablo Kiaro (Apotropaico), Fredy Fresquet, Ivan Allue, Leo Villar (Eveth), Ronnie Romero, Lex Lüger, el promotor Robert Mills, Salvador Dominguez, Ricard Altadill, David Gohe (Romanthica, Embellish). Y muchos más que se eestan cerrando. Las entrevistas ya emitidas además del canal de Youtube también se pueden visualizar en la página web del programa LA HORA DEL ROCK: https://lahoradelrockradio.com/ Para contactar con Paco Jimenez LA HORA DEL ROCK y DESTRIPA-ROCK: Telefono: +34 630350624 Email: lahoradelrockradio@gmail.com Redes sociales: https://www.facebook.com/LHDRRADIO https://twitter.com/HORAROCKRADIO https://www.instagram.com/p.jimenez_l... https://www.youtube.com/channel/UCxXc... https://www.facebook.com/groups/18606... https://www.facebook.com/groups/37697... Tu espacio dedicado al mundo del rock y heavy hecho en España y para toda Latinoamérica en esta sección llamada DESTRIPA -ROCK Donde charlamos con tus musicos , que tambien antes de serlo son personas, con sus inquietudes , miedos, alegrias etc... una entrevista diferente SINTONIA DESTRIPA-ROCK BENSOUND SINTONIAS MONTAJES ALFREDO G. GEISSE * CONTACTO * lahoradelrockradio@gmail.com 630350624 * REDES SOCIALES * https://www.facebook.com/lhdrradio https://www.instagram.com/lhdr_radio https://www.lahoradelrockradio.com ¡SUSCRÍBETE AL CANAL PARA NO PERDERTE NINGUNO DE LOS VÍDEOS QUE VAMOS SUBIENDO! ¡ROCK ON!
Charlamos con Ronnie Romero Bienvenidos a La Hora del Rock! PACO JIMENEZ Y SUS ENTREVISTAS EN DESTRIPA-ROCK Hablar de Paco Jiménez en el mundo del Rock y Metal son palabras mayores; después de llevar más de cuarenta años como periodista, Dj, manager, productor y realizador de programas de radio y televisión. Actualmente produce y dirige el programa de radio LA HORA DEL ROCK que se emite todos los martes a las 21 horas en el grupo AMSC radio, y también disponible en ivoox, itunes y Spotify. Con la llegada hace ya casi un año de esta pandemia que aún estamos padeciendo, y con el confinamiento en sus comienzos, se le ocurrió hacer una serie de entrevistas a toda la gente que quisiera hablar de sus experiencias, vivencias y sus proyectos futuros, ya fueran músicos, promotores, técnicos, fotógrafos, managers, etc, es decir, a todo el colectivo que en estos momentos desgraciadamente están en una pausa demasiado larga. Unas entrevistas encauzadas a modo de charla entre amigos, lejos de entrar en polémicas y siempre dentro de lo estrictamente musical. DESTRIPA-ROCK comenzó en el mes de junio del 2020 y se emite los sábados a las 20 horas por el canal de Youtube: https://www.youtube.com/channel/UCxXc... Por aquí ya han pasado Javi Gianno (Cyan Bloodbane), Vicente Feijoo (Zarpa), Rafa de la Torre (La Cifra Negra), Ernesto Castilla (Embellish), Elias Andrade (Reeper), Frank (Runa Llena), Pako Mate, Barbara Black, los chicos de Stop Stop, Alberto Rionda (Avalanch), Marc Riera (MRC), Johnny Lorca, Rebeca Monton (4 Bajo Zero), Oscar Sancho (Lujuria), David Palau (Güru), Elisa C. Martin, Thanya Santos (Saltimbankya), Juan Saurin, Juanjo Vitrol (Vitrol), Jose Martos, Oscar Lecina, Leonor Marchesi, Santi Andreo, Samuel Lozano (Embellish), el webmaster Manuel Martinez, Carlos Pina, Lazy Lane(Jolly Joker), Eric Moya (Deldrac),el fotógrafo Alfredo M. Geisse, Joana Amaro, Santi Leal, Rafa Basa, Gaby Alegret, Dagarod (Güru), Pablo Kiaro (Apotropaico), Fredy Fresquet, Ivan Allue, Leo Villar (Eveth), Ronnie Romero, Lex Lüger, el promotor Robert Mills, Salvador Dominguez, Ricard Altadill, David Gohe (Romanthica, Embellish). Y muchos más que se eestan cerrando. Las entrevistas ya emitidas además del canal de Youtube también se pueden visualizar en la página web del programa LA HORA DEL ROCK: https://lahoradelrockradio.com/ Para contactar con Paco Jimenez LA HORA DEL ROCK y DESTRIPA-ROCK: Telefono: +34 630350624 Email: lahoradelrockradio@gmail.com Redes sociales: https://www.facebook.com/LHDRRADIO https://twitter.com/HORAROCKRADIO https://www.instagram.com/p.jimenez_l... https://www.youtube.com/channel/UCxXc... https://www.facebook.com/groups/18606... https://www.facebook.com/groups/37697... Tu espacio dedicado al mundo del rock y heavy hecho en España y para toda Latinoamérica en esta sección llamada DESTRIPA -ROCK Donde charlamos con tus musicos , que tambien antes de serlo son personas, con sus inquietudes , miedos, alegrias etc... una entrevista diferente SINTONIA DESTRIPA-ROCK BENSOUND SINTONIAS MONTAJES ALFREDO G. GEISSE * CONTACTO * lahoradelrockradio@gmail.com 630350624 * REDES SOCIALES * https://www.facebook.com/lhdrradio https://www.instagram.com/lhdr_radio https://www.lahoradelrockradio.com ¡SUSCRÍBETE AL CANAL PARA NO PERDERTE NINGUNO DE LOS VÍDEOS QUE VAMOS SUBIENDO! ¡ROCK ON!
BECOME A PRODUCER! http://www.patreon.com/themidnighttrainpodcast Find The Midnight Train Podcast: www.themidnighttrainpodcast.com www.facebook.com/themidnighttrainpodcast www.twitter.com/themidnighttrainpc www.instagram.com/themidnighttrainpodcast www.discord.com/themidnighttrainpodcast www.tiktok.com/themidnighttrainp And wherever you listen to your favorite podcasts. Subscribe to our official YouTube channel: OUR YOUTUBE Today, my friends, we have another installment in our creepy places series. We are taking a trip to the east coast. We've covered probably the most known creepy story about this state already in a past episode, and now we're back for more creepiness! We know there are more than a few listeners from this particular state, so if we fuck up, we know we’ll hear about it. At the same time we would love to hear more stories about anything we cover from the people who are around it and may have visited these spots or encountered any of the crazy stuff we discuss. So without further ado...the train is pulling out of the station and heading east to none other than New Jersey. Keep your hands inside of the train and watch out for raccoons! So a little less than a year ago, at the beginning of this whole covid plague, we did a quarantine mashup. We discussed Springheeled Jack, The Wendigo, and the one and only Leeds devil, aka The Jersey Devil! If you are looking for our take on the Jersey Devil Go back and listen to that episode, we will not be discussing him(it?) today. But we are going to head to a bunch of different creepy spots. First Up we head to Totowa (toe tuh wuh) NJ. Totowa is a borough in Passaic County, New Jersey, United States. Totowa in its current iteration has been around since 1898, but the land that is Totowa has been occupied since the 1600’s. Its been around for a long time. Having been around for so long there are destined to be tons of creepy tales, like our first one! First up is the legendary “Ghost Of Annie”. For more generations than anyone can seem to remember, Totowa’s Riverview Drive has been more commonly known to locals as “Annie’s Road.” And for just as long, it has played host to innumerable carloads of late night thrill seekers. What these adventurous night riders are looking for is the spectral figure of Annie herself, an other-worldly apparition that has long been associated with this snaking riverside byway. Running along the Totowa side of the Passaic River, Riverview Drive, or “Reefer Road” as it has been dubbed by many a partying teen, seems to be just brimming with the stuff from which local legends are made. At night it is a dark and treacherous drive that leaves little room for error between the steep hillside on one side, and the muddy slough of the Passaic on the other. It is a remote and wooded road, right in the heart of a densely populated area. There are mythical places to be discovered here as well, or so many have alleged. The isolated community located on Norwood Terrace, an oxbow street found on one of Riverview’s many curves, has long had the reputation of being New Jersey’s much fabled “Midgetville.” We are not going to discuss midgetville here as it is one of the more famous Jersey legends. But what really beckons people to Annie’s Road year after year, decade after decade, is the quest to see Annie herself. The lure of experiencing the supernatural first hand, has been the catalyst for countless late night adventures over the generations, and several notorious misadventures as well. In most cases, these ghost hunters and seekers of Midgetville are nothing more than carloads of bored suburban youth, looking for some harmless late night thrills. Annie’s Road has however, on more than one occasion led its nightriders down a pathway to danger, and even death. Riverview Drive is no stranger to severe auto accidents, and Annie is not the only soul who has been lost there. What better way to get to the heart of the legend than to hear it from the locals! This is the story of her death as recounted by a local who was young when it happened: “As I have been a resident of Totowa all my life, I can tell you the actual story of this poor girl’s fate. Annie was walking home from her prom at school in Little Falls. The shortest and perhaps the easiest route to take was Riverview Drive. She was passing the Laurel Grove Cemetery when a large truck plowed her over and dragged her about 50 feet or so. Her blood can still be seen on the side of the road she had been dragged. If she is to be seen she is a short ways down the road from the blood. This is very close to the place where her tomb once is. My brother has been to the plot in the Laurel Grove Cemetery that was created for her. Though I was little, I do remember hearing that for no apparent reason at all, the tomb caved inward and looked somewhat like a cave”. —Court Well Thanks Court for the info!!! Another story we came across was that back in the 1960s, a couple was driving down the road in Totowa when they got into a huge fight which led the man to open the car door and throw out his partner. Ah, the 60’s! Alone, scared, and injured, the woman began wandering on the street only to be hit by a truck and die on the spot. Even worse, her dress got tangled in the car and she was dragged along the road, taking off her face. Sounds like a cannibal corpse song. While the stories may vary, they both have the same stories attached. The main one is that there is a trail of old blood on the road from where she was dragged and a splatter of blood on a guardrail as well. Here’s a story about the blood splatter from another local: “ I have heard many stories about this road, and have been there numerous time. I was told roughly the same story that she was killed on her wedding night, and was killed on the road and dragged along it. The first time I went there my friends told me that there was a bloodstain on the road, and a splatter on the guardrail. It WAS there, whatever it was, and it scared the shit out of me. I have taken other friends there throughout the years, and have told them the same story. “Annie’s Lane,” as I have often heard it called, is a great place to bring people for a scary experience. —Marcus Freeman” Sounds crazy right! So the cool part about researching all of these legends is finding different people recounting their stories and seeing all of the crazy variations on the legends. One story has her ghost appearing at midnight while another swears it's at 2am. There's the prom story, the couple story, then there was another that is positive that her cousin's uncle's brother's friend's grandpa was at the scene and that she was decapitated during a car accident. Then you have the tales of the blood on the asphalt and blood on the guardrail. There's a variation on that story that says that her deranged father would come back every year on the anniversary of her death and paint the guardrail red to keep the memory of his daughter alive and meet with her ghost. Regardless of what version you want to believe, it seems that overall the stretch of road is pretty creepy. There is a cemetery nearby where she is buried and supposedly is a hotspot for paranormal happenings as well. There are reports of video cameras being drained of their batteries, strange lights being caught on camera but not being seen by the naked eye, and some have reported seeing Annie's Ghost at the cemetery as well. Some people also have attributed the “hail mary murders” in NJ as having something to do with this story. We found this tale on another website. It goes as such : It was 1992, and six high school boys spent their days fixated by Annie’s tale. Believing she was run over by a car and that she now haunted the road, they spent their nights at Norwood Terrace, near the house she supposedly lived in, then they would drive up and down River View Dr, before ending up at the mausoleum where they thought she was buried. Eventually though 5 of the boys felt that they no longer wanted to hang around with the 6th boy, and decided to make him leave. They made several botched attempts to burn his car, but they all failed. Eventually realizing that they couldn’t make him go away, they decided he needed to be eliminated. (and all this because they were bored with his company mind you) They tried to stuff an aerosol can into his gas tank in the hopes of causing an explosion. It didn’t fit. They tried to convince him to be handcuffed to the steering wheel, after which they would stick a flaming rag into the gas tank. He refused. After so many botched attempts to scare him and even eliminate him, some of the boys wondered if he wasn’t protected by Annie herself… They finally settled on a simpler method, and tragically it worked. One day they all drove out to the HS and parked in back. They all began to recite the Catholic “Hail Mary”, and then one of the boys in back took out an electrical cord and strangled the victim from behind, garrote style. Putting his feet on the headrest, the victim didn’t have a chance, and the other boys continued to recite the Hail Mary, until after nearly 10 minutes, he was dead. They tried to cover up the crime by outing the body in the trunk and causing an explosion, but it didn’t work. They ditched the car, and predictably, were caught, arrested, and convicted. Although this makes for a great story, after going through more than a few articles about the Hail Mary Murders, not one of them had any mention of the Annie legend in them. Doesnt mean its not true but we didn't come up with any proof! Sounds fun...we’re there! Anyone out there experienced Annie’s ghost, or have you been there to check it out? Let us know! There is, or once was, a legendary place off a dirt road called Disbrow Hill in Monroe Township (Middlesex County) known as Crematory Hill in local lore. As the stories go, back in the 1970s it was one of those scary places where at night anything could happen. The legend of this place was that it was a structure where bodies were cremated, with the remains either shipped out or buried in the graveyard adjacent to the building. It is said that it was abandoned long ago due to the presence of ghosts and spirits. We thought this would make a really cool story but it was hard to find a ton about this legend! There was a story that was on Weird NJ website that we found that has the most info and it came from a local so we are going to relay that story because it is pretty cool! “Back when I was in East Brunswick High School, ’69-’72, it was a great place to go with friends or your date and get a good scare, especially on Friday and Saturday nights. It was considered a real rite of passage. There was usually clothing and unrecognizable stuff hanging off the trees at the start of the road leading to Crematory Hill and sometimes further on down. On several trips, we saw a large wooden sign painted in red propped up on the side of the road with the warning: WELCOME TO HELL. That was the signal it was going to be a hell of a ride! Screaming sounds were often heard from the woods, but we drove on, excited and expecting anything! On the way, there was one house close to the dirt road, always with the lights on, where it was rumored that you would see the family living there hitting each other with hammers in the windows. We never saw that, but even with the lights on, it really didn’t look like anyone lived there and it had a weird presence, stuck out there in the middle of nowhere. After passing that landmark, we would look for the opening in the woods off the dirt road that would lead to the Crematory. It was on the right side. This is where the courage factor came into play. It was dark, real dark, and the woods were thick. Weird sounds startled you. You didn’t know what was out there. All we had were a flashlight and our nerve. We walked the dirt path, adrenaline pumping, always aware that something was out there, and in the beams of the flashlights, the structure loomed. Covered with graffiti, it was imposing in the darkness, yet waiting for us to enter and explore. The large, empty building was built up on a dirt hill. It was made out of bricks, stone, and cement. There were openings for windows and doors; there was rubble in the basement. To get to the basement, you had to jump through a hole in the floor. There were some pipes through the floor, which were supposed to be part of the crematory equipment. The structure was probably built in the 19th century. After exploring the Crematory, more courage was mustered to walk the grounds and find the cemetery. There was a low wall, which you followed to find the graveyard, taking you deeper into the woods, further away from your car, the only means to escape if anything happened. This took a lot more of your courage. After locating the burial ground, the walk back seemed longer and scarier. When you got closer to the road and the car came into view in the flashlight beam, you breathed a sigh of relief, quickening your steps until the key was in the door and you were back in the car. One time we got out of the car at the Crematory, started walking, and heard some rustling in the trees. All of a sudden from the dark came a combination of howling voices and figures, trying to attack us. We were close enough to the car and I had the key in hand fast enough for us to pile in and for me to spin my wheels in gear to get out of there like a bat out of hell. Luckily we escaped uninjured. One of my friends looked back and saw dark outlines of figures, but there were no cars around for them to follow us in. How and why they were there is a mystery. I was told that the Crematory was used by Rutgers fraternities and Douglass sororities as part of the pledging/initiation processes since the 1940s. Crematory Hill provided lots of unpredictable excitement for us teenagers. The ride itself was scary enough, but you were always drawn to walk in the woods, to face the unknown.” –Lewis Sofman There were other stories of people hearing howls and screams when they would travel through the woods to get to the site. There are stories of people being shot at while they were there. People claimed to have been chased but god knows what. It's odd cus there seems to be tons of local stories but there isn't much outside of that. Which is great for legends and myths though not so much for research. It does appear that the building was definitely there, there are old pictures of the building that you can see, we’ll definitely post them. Unfortunately for everyone the building has been demolished and condos now reside on the spot where the building used to be. We were unable to find any concrete evidence that the building was actually crematory either. If any of you folks from jersey can shed more light on this one we’d love to hear it, meanwhile we’ll keep digging! Now we are gonna switch it up and talk cryptids. There are more cryptids than just the Jersey devil roaming and swimming around. First up we have the The Sandyhook Sea Serpent. The North Shrewsbury (Navesink) River is one of the most scenic estuaries on the Eastern Coast of America. Known for luxury yachts, stately homes, and iceboating, it is hardly the place you would expect to find the legend of a sea serpent. But, in the late nineteenth century it was the location of one of many well-documented and unexplained sightings of mysterious sea creatures that plagued the waters of the North Atlantic. The creature in question was seen by several people, all who were familiar with local sea life. While returning from a daylong outing, Marcus P. Sherman, Lloyd Eglinton, Stephen Allen and William Tinton, all of Red Bank, encountered the monster. The Red Bank Register reported the witnesses to be sober and respectable local merchants. At around 10:00 P.M. the yacht Tillie S., owned by Sherman, was making its way back to Red Bank after a picnic at Highlands Beach. The men had enjoyed a pleasant Sunday evening escaping the warm early summer weather. The moon was shining bright, providing for high visibility as the yacht cut through the water. A stiff summer breeze was blowing and they rounded the Highlands and headed toward Red Bank. At the tiller of the Tillie S., Marcus Sherman steered through the familiar waters. At the bow was Lloyd Eglinton, who kept watch for debris in the water ahead. Suddenly Eglinton yelled that there was something in the water dead ahead. Sherman steered “hard to port” to avoid the collision. As they looked to see what the obstacle was, they were shocked. There ahead of them was the Sandy Hook Sea Serpent that had been sighted many times over the preceding two years. So credible were the sightings of the Serpent two years earlier, that Scientific American had run an article issuing an opinion that the monster was in fact a Giant Squid. The article, complete with drawings, appeared in the December 27, 1887, edition of the prestigious scientific periodical. The earlier sighting at Sandy Hook had been made by several credible witnesses. Most notably the members of the Sandy Hook Life Saving Service. The crew members had sighted a large monster in the cold waters just off Sandy Hook in November 1879. The sighting was so credible that scientists were dispatched to take statements. It is from these descriptive statements that it was determined the Sandy Hook Sea Monster was, in fact, a giant squid. For the next several years there were reports of all types of sea serpent sightings up and down the east Atlantic Coast. What the Red Bank men saw was surely no giant squid. It was described as about 50-foot long and serpentine in shape. It swam with snakelike undulations slowly and steadily through the water. As it passed halfway past the bow, its head rose from the water giving forth a mighty roar. The head was described as small and somewhat resembling a bulldog’s in shape. It had two short rounded horns on its head just above its eyes. The eyes we said to be the size of silver dollars. Bristles adorned the upper lip of the monster, much like those that would be found on a cat. The beast’s nostrils were quite large and flattened. The serpent-like body tapered to a sword-like pointed tail. The frightened men stared in disbelief as it slowly and leisurely swam toward the shore of Hartshorne’s Cove. As the monster disappeared into the night, the men made their way back to Red Bank with a monster of a story to tell. The men of the Tillie S. were not the only ones to see the creature. Other boaters on the water saw the serpent and gave near identical descriptions. In all over a dozen boaters had seen the strange creature on his nocturnal swim. Over the next months and years there would be other sightings of the monster in the Navesink. In time it came to be known as the Shrewsbury Sea Serpent. No scientific explanation was ever given for the sightings, as had been done for the so-called Sandy Hook Sea Serpent, however the description is not totally without merit. Other than the size, the description is very similar to that of the Oarfish. In any case the mystery remains as to the true identity and fate of the Sea Serpent. Next up we have the blobs….yes the blobs. On August 6 a large mysterious blob appeared in a Little Egg Harbor tributary in 2003. The Jersey State Police’s marine unit was called in and the Department of Environmental Protection poked and probed the blob and determined that it was not hazardous, though they could not say for sure just what it was. The gooey mass was eventually towed out into the Great Bay using a 50-foot rope and then released. The following year in May of 2004 another gooey, putrid mass surfaced in another waterway in the lagoon community of Beach Haven West, miles away from the original Blob encounter. This smaller “Son of Blob” was only about 10 feet in diameter, but terrorized the beach community nevertheless. “It’s miserable, ugly and disgusting,” said resident Nancy Olivia in the Press of Atlantic City. Olivia called Ocean County officials to say “I went to work today, and I have a Blob in my backyard!” The NJ Department of Environmental Protection, the NJ State Police and Ocean County Health Department were called in to inspect the mass, and samples were taken. The inspectors believed that it was not the same blob that appeared in Little Egg Harbor the prior year, but still didn’t have a clue as to what it consisted of. It smelled like rotten eggs and measured about 8ft.x10ft. Most scientists think it was just a mass of algae or plant waste. We like to think its something creepier. The blob might just be the most disgusting and frightening thing ever encountered at the Jersey Shore, with the possible exception of some cast members from the TV show of the same name. The blob may still be at large, lurking in the depths––so BEWARE! On top of those there are the numerous bigfoot sightings! These are my people. They are out there and we know they are! In some areas of Jersey they use the nickname Big Red Eye as many reports state he has glowing red eyes! Sussex and Burlington counties seem to be hotspots as they are the top counties for sightings. Here are a few sightings, just cus we love bigfoot sightings. In 1975, five people reported in a local Sussex County newspaper that a large creature, about nine-feet-tall, was spotted near the Bear Swamp, south of Lake Owassa in the farthest reaches of Sussex County. The creature walked upright, and was covered with shaggy gray hair. Locals who hunt and fish in the surrounding forest said that it’s possible that something like that could exist because of the remoteness of the area. In May of 1977, a Sussex County farmer in the town of Wantage reported that a large brown, hairy, Bigfoot-like creature with no neck and glowing red eyes had broken down a one-inch thick oak door and killed his rabbits. Some of the bunnies’ heads were torn off, while other hares were crushed and twisted. The man said there was an unusual absence of blood at the scene. Four men waited with loaded guns the following night for the creature to return. It reappeared at dusk, was shot at, and reportedly hit at least three or four times before running away growling. Although there was an account of the wounded beast re-emerging a few days later, no carcass was ever found. Bob Warth, a member of S.I.T.U. (The Society for the Investigation of The Unexplained based in Little Silver, NJ), claims these Bigfoot-like entities may be UFO related. “We know what robots are,” says Warth. “Is there a possibility that these bigfoots with super-human strength are an extraterrestrial biological robot up in North Jersey? These farmers encountered a bigfoot stealing animals from their barn, they shot at it, hit it right in the body cavity, but there was no blood. It then ran away. When you witness something like that, the first thing you do is relate it to yourself—physically and mentally. If you shoot it, you’re going to shoot where you know the heart is, or whatever, to be to bring it down. First of all, you don’t know what kind of armor it has, and secondly the brain (or control system) may be in his feet for that very purpose…if it is a biological robot.” According to the report on The Bigfoot Field Researchers Organization website, this witness and his brother-in-law were hunting in an area that they had frequented for several years and heard a sound that neither of them could explain. The sighting,which took place in 2006, was recounted as follows: The deer stood there for about a minute or two mostly looking to the north and east, then turned directly south and walked away. Shortly after this moment I heard a screaming sound coming from the east. The sound had a human quality to it and sounded more angry than distressed. I immediately thought my brother-in-law was hollering for some reason as he was in that direction but chose not to contact him via radio. There were several short 10 second screams lasting a little over a minute and then stopped. I sat there completely perplexed having never heard a sound like that before. After this I noticed the conspicuous absence of any sound or movement in the forest. Prior to this the woods had been filled with the sound of twittering birds and chattering squirrels. After this, the forest was dead quiet. This was the most eerie part of the whole event. After this incident, the witness found a sound file from another website dedicated to Bigfoot encounters. He and his brother-in-law agreed that it was similar to what they had heard. And then there are the stories of “the big hairy man”. No it's not Moody either, he's only been to Jersey a couple of times and we're pretty sure the timelines don't match up to any sightings, well maybe 1 or 2. A Bigfoot-like entity has been seen in the regions of Somerset County, including the Great Swamp area and the Somerset Hills. The locals call it “The Big Hairy Man,” and he has even been spotted as far away as Hillside. According to eyewitness reports The Big Hairy Man stands about eight-feet tall and is covered with hair the color of a deer’s. He walks upright with a human gait, according to a bone specialist and a physical therapist who encountered the Big Hairy Man while taking a shortcut through the Great Swamp on Lord Stirling Road in a hurry to reach the airport. They claimed the Big Hairy Man walked in front of their car and hopped the fence alongside the road. They could not see his face because he (or it) was looking down. These sightings, according to the Folklore Project in Bernardsville, have occurred for many years. We’ll finish up with a story about Big Red Eye: Not that I’m a big believer of urban legend and folklore, but I must tell you this story because after reading about The Big Red Eye in a recent issue, I got the chills! My wife and I live in Westwood now, but we’re formerly from Mahwah. One night, early last summer, we were walking our dog in our condo development (Paddington Square in Mahwah) and heard this guttural sound that scared us so much that we called the police. I’ve heard just about every animal noise imaginable and I’ve got to tell you this was the strangest thing I’ve ever heard. It wasn’t a dog, or bear, but it was big and angry, and had red eyes. I estimate it was roughly 30 yards from us. We were standing by a street light on the sidewalk. I told my wife to pick up the dog and go into the street and walk home slowly. I was shaking in my boots as I slowly backed up, keeping my eyes on the brush. We made it home and called the police, not once, but twice, to find out what the hell that thing was. They investigated but found nothing. To this day my wife and I wonder what it was. –Mike V. So now with some cryptids out of the way, we have another creepy haunted road. Texas has shitloads of haunted bridges...Jersey has haunted roads, there's always something. This may be the greatest road name ever though. It is called Shades Of Death Road. Yes that's the real name. It’s a two-lane rural road of about 7 miles (11.2 km) in length weaving from farm country just off I-80 along a portion of Jenny Jump State Forest, riding the edge of the unofficially-but-aptly-named Ghost Lake. The road is the subject of folklore and numerous local legends. One tale relating to murder says that the original inhabitants of the area surrounding Shades of Death were an unruly band of squatters. Often, men from this vile gang would get into fights over women, and the squabbles would result in the death of one of the participants. As the reputation of these murderous bandits grew, the area they inhabited was named “Shades of Death.” When the civilized world encroached on and disbanded the bandits, the last remnant of their control over the meadows was restricted to one road that retained the name they made famous. Another murder theory says that the road was originally known as “The Shades,” because of the low hanging trees which formed a canopy over the length of the street. Legend says that over time, many murders occurred there, and many stayed unsolved, causing local residents to add the sinister “of Death” twist to the formerly pleasant “Shades” name. One of those legends is that many years ago, a car of teenagers was driving down a country road in Hackettstown, NJ after the prom. The road was slippery that night and it curved sharply to the left and right, winding into the dark. The driver lost control and the car crashed into a ditch killing one of the passengers. To this day, on dark and slippery nights, you can still see the girl who died wandering that murderous curve wearing her prom dress. There are the stories of the random pillars of steam rising from the lake that people attribute to the souls of dead Indians that settlers tossed into the lake. The phenomena is also called The Great Meadows Fog. People claim to see the dead walking in the mist. The road was also the site of many deaths that were once attributed to a curse in the area. The deaths are also sometimes blamed on a plague caused by the waters in the lake, said to have been a malaria outbreak. Lenape Lane is an unpaved one-lane dead-end street about three-quarter mile (1.1 km) in length running eastward off Shades just north of I-80. It ends at a farmhouse for which it is little more than a driveway, but halfway down there is space to park or turn around next to a wooden structure described as looking like an abandoned stable. Weird New Jersey writes that visitors to this stable site at night have reported extremely local fog surrounding it and seeing apparitions in it, or sometimes even in clear weather, and also claimed the air is sometimes unusually chilly, and feeling general unease in the area for no immediately apparent reason. An additional legend claims that sometimes nocturnal visitors to Lenape see an orb of white light appear near the end of the road which chases vehicles back out to Shades Of Death, and if it turns red in the process, those who see it will die. This may be due to an old tree near the end of Lenape that was never cut down when the road was built. As a result, the road forks right before the tree, and a big red reflector has been nailed to the tree to warn drivers. Another legend says that if one circles around the tree and drives down the road again at midnight, a red light will shine and the driver will never survive. There are some legends concerning a Native American spirit guide who supposedly takes the shape of a deer and appears at various points along the road at night. If drivers see him and do not slow down sufficiently enough to avoid a collision, they will soon get into a serious accident with a deer. Another legend tells of a bridge where, if drivers stop past midnight with their high beams on and honk their horns three times, they will see the ghosts of two young children who were run over while playing in the road. This legend actually refers to a bridge over the Flatbrook on Old Mine Road, not far from Shades of Death. The bridge is no longer accessible by car as a newer, larger bridge has been built next to it. The original bridge can still be reached on foot. And then there are the polaroids. The site Weird NJ, which is all about weird stuff in New Jersey, and quite on the nose, has a page about Shades of Death Road. Now, if you go to their page for Shades of Death Road and check out the tags at the bottom of the page, you’ll see one that says “Polaroids” but the story article itself never mentions Polaroids. From what we could find, back in the 1990s, when Weird NJ was a magazine, they shared a story from two readers who claimed to have found hundreds of odd photos while checking out Shades of Death Road. Some of the Polaroids showed a TV on different channels, and others showed various women bound and apparently in distress. Weird NJ turned the photos over to the local police but after that the story kind of weirdly ends with the police supposedly losing the Polaroids. Were the Polaroids taken by a serial killer similar to that of the BTK Killer in Kansas? Or were they a hoax? The lack of any solid information on them, and the idea that the police lost hundreds of Polaroids makes most think hoax. Still, if you Google for Shades of Death Road Polaroids, some of the images will come up Ok, how about some good old haunted buildings? Everyone loves haunted buildings, except pussies, they don't like haunted buildings. At any rate, first up is the so-called Spy House. One of the most haunted houses in America is the Spy House, built in 1648, added on to and moved to its present day site. As a tavern during the Revolutionary war, it was frequented by British troops. The tavern owner would tell the Colonial troops about British plans of attack. For many years it was open to the public as a historical museum, but just a couple of years ago it was closed to the public. Quite simply, it is one of the most haunted houses in the country with not one but up to five different spirits haunting it. A female spirit dressed in white has been seen walking from room to room looking for her crying baby. A full bearded old sea captain is also known to roam the grounds and halls, and a small ghost of a boy has been seen peering out of windows. Even the infamous pirate Captain Morgan was known to hide treasure in the house's basement and conduct sordid business and tortures in the old house. He's been seen in a ghostly form threatening children and others who visited the museum. This ghostly activity has been going on for years. The Spy House once touted 22 active ghosts. Longtime volunteer curator Gertrude Needlinger would show videos of the seances! In October, 1993, Neidlinger was locked out of the museum after a dispute with the Spy House Museum Corp. The board claimed she continued to lead ghost tours through the house, with visitors carrying lit candles and posing a fire hazard. In 1992, while it was still an antique-cluttered, spirit-infested treasure of the Jersey bayshore, 13 nights of ghost tours drew about 1,800 people. Gertrude, an elderly woman who, by most accounts, was a colorful character with a vivid imagination, would spin yarns of the house’s past, weaving in threads of ghosts and espionage as she walked visitors around the museum. Though most historians today bristle at the tales she told, they will admit that Neidlinger’s narratives gained quite a bit of attention for the house in the public’s eye. ghost stories that began to circulate about the Spy House soon became the primary focus of the homestead’s appeal, much to the chagrin of the local historians. Here's a couple tales of ghostly happenings: Spy House Ghost Boy One morning my friend Dave’s parents went to visit the old Spy House Museum in Port Monmouth. They were there at the appointed opening time but the curator wasn’t there. After about a half hour of waiting they said “the hell with it,” and left. As they were getting back into their car, my friend’s father looked up and pointed out a kid about 10 or12-years-old, looking at them from the upstairs window. His dad said that the kid had on one of those puffy shirts that they used to wear in the old days. As they watched, he slowly backed away from the window. Just then the curator drove up and apologized for being late. They told her that they had seen a young boy in the upstairs window. She said no one is supposed to be in there. She opened the house up and together they searched the place, but found no one. –Ray ROCKING CHAIR GHOST On the way back from a very fun day at the water park in Keansburg, my dad decided to show my sister and myself the Spy House. When we got there we looked into the windows. It was extremely dark inside, and everything was locked. When we made it to the left side of the house my dad noticed something moving inside the house. I just shrugged it off as nothing, but then when I was looking in the same upstairs window I noticed that the rocking chair moved! I was scanning all the windows to see if I could see anything else unusual, and I clearly saw a man sitting in a rocking chair reading. It couldn’t have been a ranger because he was wearing old clothes and was sitting in the dark, reading, in a locked up house. We snapped a picture and ran, and as we pulled away, a ranger pulled up and unlocked the doors, so we assume it must have been a ghost. –Ali Creepy! Ringwood Manor According to the caretakers, Ringwood Manor is one of the most haunted places on the east coast. It has layer upon layer of legend, myth and folklore. The Native Americans would even call it the Haunted Woods. In fact, before the home was built, prehistoric artifacts were found on the grounds of Ringwood confirming Native American occupation of the site dating back to the Archaic and Woodlands periods of prehistory. These Munsee-speaking Lenape peoples lived in a hunting and farming paradise at the head of the “Topomopack” or Ringwood River Valley and traded with other natives in the Pompton area. The Lenapi recognized special earth forces at work here, and as long as their memory is, this has been sacred ground with supernatural occurrences attributed to the area. Perhaps it is the earth’s immense magnetism at Ringwood that affects all type of matter. It is said that the Highlands region was a gathering place for all of the diverse prehistoric Native Americans of the Northeast. While the “forces” remain a mystery, it was known that there were lots of iron in the hills and valleys of Ringwood. As such, in 1742, the Ogden family established the Ringwood Company and built the first blast furnace to begin mining and selling the iron. By 1771, the last ironmaster of the American Iron Company, Robert Erskine, was sent from England. He would manage the company during the Revolutionary War. The iron mined at the site helped to supply the Continental Army with components of the chain system used to defend the Hudson River, camp ovens, and domestic tools and hardware. After the war, Martin J. Ryerson purchased the historic ironworks in 1807 and began building the first section of the present Manor circa 1810. The home was a small, 10-room, Federal style building. In 1853, the Ryerson’s house and property were purchased by Peter Cooper. Cooper purchased the 19,000 acre site, which included the Long Pond ironworks area, for $100,000. Cooper’s iron business, Trenton Ironworks, was managed by his son Edward and his son’s business partner, Abram S. Hewitt. Additions to the Manor were constructed in 1864, 1875, 1900, and 1910. Eventually, the iron industry moved further west in America and Ringwood’s iron mines finally closed. In 1938, the Hewitt family donated Ringwood Manor and its contents to the State of New Jersey. Preserved as a historic house museum and State Park, Ringwood Manor and its grounds are excellent examples of Victorian wealth and lifestyle. The Ringwood Manor Hauntings In total there are four different places that are said to be haunted. If you wander the halls of the Manor House at night, guests commonly meet the ghost of a servant known as Jackson White who haunts a small bedroom on the second floor. Legend states that in the early 1900’s Jackson worked as a servant for the family, but was caught stealing food from the pantry in the middle of the night. One of the white workers beat the man to death in this room. Many visitors have heard noises coming from the empty room – footsteps, sounds of heavy objects dropping, soft crying. And they keep finding the bedroom door ajar and the bed rumpled. Behind the Manor pond is the grave where Owner/ General Robert Erskine is buried. The locals are afraid to come near the graves because at dusk General Erskine can be seen sitting on his grave gazing across the pond. The pond itself was created for a young woman known as Sally who can also be seen around the graves. She meets guests with music as well as flowery fragrances. The French Soldiers Also near Erskine it is said there is an unmarked grave filled with the remains of French soldiers who fought during the Revolutionary War. During the day, all you can see is a depression in the grass near the General’s grave. But it is believed that, at night, when the lights are out and the moon hangs brightly over the manor, the dead return to walk around the pond, and gaze over the shore in search of their loved ones. Sometimes, you can hear soft, sad voices speaking in French. The last haunting is the grounds itself which were said to hold an ancient Indian burial ground. When the house was build over these remains, along came a curse and haunting which was resulting in various strange occurrences to visitors who say that a dark energy can be felt. Others claim that spirits come home with them. Sounds fun! "A purported meeting place for the KKK, notorious suicide site and rumored gateway to the depths of hell". This was the first description of The Devil's Tree that we found, kind of had to put it in. While it's not exactly a building, Thrillest named The devil's tree one of the most haunted places in America and the most haunted in New Jersey! the Devil's Tree is infamous among locals and has evolved into a chilling tourist attraction," according to Thrillist. "Legend has it, anyone who harms the tree will suffer swift and violent retribution — so naturally, it has become a tradition for ballsy teens across the Garden State to pee on its trunk. The infamous tree stands alone in an open field off Mountain Road in Bernards Township right on the border of the Martinsville section of Bridgewater and continues to draw in thrill seekers from all over the Garden State and beyond. Legend has it that the tree has been cursed since as far back as the 1920s when a group of KKK members were rumored to hold cross burnings and hangings off the limbs of the tree. Basking Ridge historian, or also known as mrlocalhistory.org, Brooks Betz confirmed there was in fact an active KKK clan located just down the road on the Bridgewater side near Route 202/206 and Brown Road, where the Hindu temple now stands. However, the clan activities have not been proven. "One of the different rumors is that one of the guys, a grand wizard of the clan, who owned the property in Bridgewater would hold a series of KKK activity and cross burnings. And instead of doing it on the Bridgewater property they did it on the tree. There were tales of lynching and cross burning. But nothing was substantiated," Betz said. Another rumor revolves around a farmer — who lived in the white farmhouse that had stood adjacent to the tree — who murdered his entire family at the home and then hung himself on the tree. Betz said there is no record of the murders ever being reported. "The property then laid dormant until the 1960s when a couple of local kids invented a story about a rogue white pickup truck that would come up over the hill and kill you," Betz said. Betz said he spoke with one of those boys later on who told him that they made up the story and drove the "haunted" pickup in an attempt to keep people off the property so they could hang out and drink by the tree. The tree has since been called "a portal to hell" because of all the rumors. "Supposedly anyone who tries to cut down the unholy oak comes to an untimely end, as it is now cursed. It is said that the souls of those killed at the spot give the tree an unnatural warmth, and even in the dead of winter no snow will fall around it," Betz wrote in a piece about the tree years ago. The tree gained much more attention after Weird NJ published a story on the tree in 2012. To this day, thrill seekers come out to the tree and try to press their luck and see if they end up cursed. Some try to touch the tree, while others pee on it or try to cut it or burn it down. You can still see the ax and burn marks permanently branded onto the tree. Many took pieces of the bark as a souvenir or proof they were at the tree. With much commotion surrounding the tree the township designated the area a park where the field and tree are now sanctioned and protected. The tree has a protective chain link fencing around the trunk and the park remains closed with Bernards Township Police patrolling the area for trespassers. Betz noted that there is "some element of truth" when you look at the rumors "but when you dig deeper" it doesn't all check out. "Was there a clan there? Yeah. A white truck? Yeah. There were no hangings proven," Betz said. "You decide for yourself. Is it real? Is there any truth to it? Or is just some tree. You decide." How about another road? INDIAN CURSE ROAD Route 55 has a long history of curious occurrences. Home state HauntingsIn March of 1983, the Department Of Transportation started construction on a field just off Route 47 in Deptford, between Mantua and Franklin Township, to build a new 7.2 mile stretch of Route 55. Two months later mysterious deaths began to befall the workers involved with the project. “All they had to do was detour around the field maybe three or four miles and nothing would have happened,” said Carl Pierce in a newspaper article at the time. Pierce, or Sachem Wayandaga, the chief and medicine man of the Delaware Indians, said the land was an ancient Indian burial ground, and therefore sacred. “I told them what would happen if they didn’t stop the desecration, Pierce was quoted as saying. “The damage is done. The problem is I feel sorry for some of the people who will be traveling that road in the future.” The first unfortunate incident was that of a 34-year-old worker who was run over by an asphalt roller truck. Another worker fell to his death when he was working on an overpass, swept up by unexpected high winds that had apparently come out of nowhere. Soon after those incidents, an inspector fell dead on the job from a brain aneurysm. Other workers, or members of their families, suffered strange maladies. One worker’s feet turned black, while other workers’ family members developed cancer. Then a van carrying five Department Of Transportation employees caught fire and blew up. The parents of killed asphalt worker died during the first week of construction, and a brother and father of another worker died that same week. A D.O.T. employee, who asked not to be identified because he fears the curse, said that Karl Kruger, the site engineer for the project, would often speak about the curse, and the coincidence of the events. The employee informed Weird N.J. that Mr. Kruger had died of cancer shortly thereafter. Yet another victim of the curse? DEVILS TOWER The Devil's Tower was built in 1910 by a millionaire sugar importer named Manuel Rionda. Before it received the name Devil's Tower, it was formerly known as Rio Vista. According to reporting from Forbes, the tower was built and dedicated to Rionda’s wife, Harriet Rionda, who was buried on nearby land but later moved to Brookside Cemetery, Englewood. Rumor has it that Mr. Rionda built the tower for his wife so she could look out at the New York City skyline. Others believe he built it as a mausoleum or for religious purposes. But, even with Mrs. Rionda’s death and later Mr. Rionda’s death in the mid 1900’s, many believe Harriet Rionda’s spirit still lives on at the tower. The tower was connected to Rionda’s home by an underground tunnel. According to the local legend story, his wife was looking out of the tower when she saw Manuel with another woman. While she may have suspected infidelity for years, according to reporting from New Jersey Magazine, distraught from the site, she jumped off the tower, killing herself. Since her rumored suicide, there have been many reports of hauntings, including people who have said they have been pushed by something unseen. Others have reported strange noises and because of this, Manuel locked up the tower, filled in the tunnel connecting the home to the tower and even removed the elevator leading to the top of the tower proclaiming, “Nobody will ever go up here again,” according to reporting from Try To Scare Me. Since that time, people have started calling it Devil's Tower. Witnesses report still hearing noises and smelling perfume, while at other times you can hear a scream as the wife jumps from the tower or a workman falls from it. Her ghostly spirit has also been seen as a shadowy figure in the windows. Some have said that if you drive or walk backward around the tower a certain number of times, the devil or Manuel's wife appears. Devil’s Tower and the spirit surrounding it clearly seems to be here for good, keeping a dark cloud around the rich community of Alpine. Even after Mr. Rionda’s death there were plans to demolish the tower by the Town but activities were halted and eventually aborted after several workers fell to their death. BURLINGTON COUNTY PRISON The Burlington County Prison is a historic museum property, located next to the Burlington County Jail in Mount Holly Township, Burlington County, New Jersey, United States. Operating from 1811 to 1965, it was the oldest prison in the nation at the time of its closure. The imposing structure was designed by Robert Mills, considered to be the first native-born American trained as an architect. Mills may be most famous for his government buildings and monuments, including the Treasury Building (featured on the back of the 10-dollar bill) and the Washington Monument, but he also designed several courthouses, churches, and prisons. The Burlington County Prison, built with 18-inch-thick walls made of stone and brick, was designed to hold 40 inmates. When it opened, the penitentiary didn’t have electricity or running water; it was the first prison in the U.S. constructed to be fireproof, and each cell was heated by a wood-burning fireplace. The first floor, for perpetrators of less severe crimes, had larger windows than the second, which held more serious offenders. A maximum-security cell (known as “the dungeon”) located on the top floor is flanked by niches for additional guards and has a steel ring on the floor to which a prisoner could be chained. In 1876, five men punched a hole through the ceiling of their prison cell, located on the top floor of Burlington County Prison. Four of the men slipped through the hole onto the roof, climbed down a woodpile, and over the prison yard wall to freedom. The fifth man, upset that he was too large to fit through the small opening, didn’t wait long before he snitched on his cellmates. The warden responded immediately to the alarm, but only two of the four escapees were ever caught and returned to the prison. The early laws of NJ required that prisoners convicted of capital crimes had to be executed by the county in which they were convicted. Except for two of the earliest executions in the 1830s (one of which was a woman, the other a young man named Joel Clough), public hangings took place in the prison yard, on gallows erected for each event. The first two mentioned were carried out on public lands at a crossroads a few miles from the prison, and from contemporary accounts, drew quite a crowd. According to records, Joel’s body was later buried in the prison yard in a corner where a large tree now grows. It is believed his ghost is the principle haunt. Besides the executions, other violent deaths took place at the prison. During the 1920s some inmates managed to escape, making their way through the lowest level. They encountered a trustee near the kitchen and murdered him. A few decades later practically the same scenario occurred, with a second guard being killed in the same corridor. The last execution to take place at Burlington County Prison was a double bill in March of 1906. Two men, Rufus Johnson and George Small, were executed just two months after their crime. They had murdered an English-born governess at a refuge for homeless children in Moorestown. Joel Clough had been arrested and convicted of the stabbing death of a woman in Bordentown—apparently she had jilted him. Though he managed to escape, the 29 year old Clough was quickly recaptured and confined to the Death Cell on the upper floor of the prison. A brochure given out at the museum describes the maximum security cell this way: The “dungeon”, or maximum-security cell, was in the center of the top floor. That location was carefully chosen to prevent escape by digging, to minimize communication with criminals in the cell blocks, and to ensure constant surveillance by guards making rounds. This was the only cell without a fireplace. It is flanked by niches for guards or visitors and has one very high, very small window and an iron ring in the center of the floor to which the prisoner could be chained. As one might expect, tradition states that this cell is haunted. Policy of the time was to chain the condemned to a ring on the floor, naked. Accordingly, Joel’s spirit has been heard moaning and languishing there, and electro-magnetic indicators (used in ghost hunting) routinely register a “hit.” The Death Cell, complete with its metal ring, and all the “accommodations” at the prison, welcome inspection, and in many cases prisoner graffiti has been preserved on the walls. The Prison now is a Historic Landmark and a nice museum, a fascinating place to learn about prison life. It still holds a few entities who don’t want to leave. This became evident when in 1999 renovation work began on the run-down building, in order to create this museum for the public. MANIFESTATIONS The Prison now is a Historic Landmark and a nice museum. It still holds a few entities who choose to stay here. There is much psychic research done to support this haunting of the old prison. Thanks the North and South Jersey Paranormal Research groups. In a joint effort, they investigated this prison with video, photos, EVP equipment and came up with some interesting results. During the renovation work, workmen experienced some paranormal activities. They were treated to loud noises, voices and screams from their new friends – The entities who stayed behind. The workers would find their tools missing and later found on another floor or other location much later in the day. Because the workers were uneasy being the last ones in the building, they started to leave early, prompting the officials to call in the South Jersey Ghost Research team to confirm or deny the claims of the now scared workers, in order to ease their minds. Dave Juliano of theShadowlands.net was in on these early investigations and saw first hand evidence. This was the first of several investigations. An apparition was seen in the shower area, and a foot print in the dust was found there as well. The Maximum Security Cell – Haunted by entity or entities who spent their last nights here before being hanged. David Juliano observed with his team that a stretcher next to the maximum security cell moved by itself, and that the movement sensors were set off by a force in the cell itself. Susan Bove (SJPR) meditates in the “Death Row” cell while two orbs move past. The gallows which are on display are haunted by the condemned. Possible candidates may include convicted murderers Rufus Johnson and George Small, as well as others who were executed here. Got to love old prisons and asylums! And speaking of asylums… We don't have one...I know I know, but all of the reportedly haunted asylums that sounded awesome to us have been demolished, and honestly… What's the point then? Here's some quick guys for you guys since there's so many things we could cover: Probably one of the more popular urban legends, the Atco Ghost is said to appear when drivers honk three times on Burnt Mill Road in the Pine Barrens. Legend has it that the ghost boy haunts the site where he was struck by a drunk driver. The Hindenburg disaster occurred on May 6, 1937, in Manchester Township. The German passenger airship LZ 129 Hindenburg caught fire and was destroyed during its attempt to dock with its mooring mast at Naval Air Station Lakehurst. On board were 97 people; there were 36 fatalities. Though the disaster took place 77 years ago, some say that reverberations of the tragic event, of a paranormal nature, can still be felt around the Lakehurst Naval Base to this day––especially in Hangar No. 1. Ok so there you have some of the creepy things we could find in Jersey. Honestly there's a fucking ton more, but… we saved the craziest,creepiest, and possibly the most tragic story we could find for last. Mad science, murder, and a lasting presence in new Jersey, make this the craziest story you may have ever heard. It goes like this: Rumors had started circulating around the creepy plain building in Hudson county in New Jersey. It sat by itself and seemingly none ever went in or came out. No one knew who owned it or what it purpose was. That is until a mysterious fire gutted the building one night in 1974. After the fire was put out investigators quickly depot in and started to gather what was left and sweep it away without letting anyone see what was there. However, they were not as through as they thought and left behind some interesting evidence that was find by curious townsfolk checking out the site after the fire. As much as could be piecedd together goes like this. Apparently the government owned the building. After WW2 the government brought over Nazi scientists with operation paperclip. Well it looks like this building in Jersey played host to several of the worst. The files showed the scientist were working on some sort of biological weapon and also animal experimentation to train small animals to be weapons. They experimented with mice, rats, possums, raccoons, squirrels, moles, groundhogs, and other small animals trying to find ways to train them to deliver explosives and other biological weapons. When the fire started there were many animals that escaped. Most of them were near death due to mistreatment. But a local family stumbled across possibly the most disturbing pair of animals to have been tested on and experimented with. These two animals, a male and female raccoon, showed many disturbing characteristics that trains should not have. They acted almost human like and communicated with a series of sounds that seemed like their own sort of language. They had very little fur left except on their heads. The couple put it done food for them and the raccoons are the food and then took off. Nobody else saw these two raccoons but there's compelling and creepy evidence that they existed. Wandering the streets of Jersey today you may find yourself in some unsavory places. Within these unsavory places is where you can find the evidence of these raccoons existence. While you may run into many normal raccoons, you may also run into raccoons that are essentially… Human. They walk, talk and wear leather jackets. They are tough and will not hesitate to cut you as many of them carry switchblades. They generally have bad attitudes but have been known on occasion to help you out if you are being threatened by someone from the family Pepitone. These raccoons are said to be the direct descendants of the two raccoons that escaped from that burning building so many years ago. So when you're in Jersey the takes warn to beware the raccoons! Well there you have it, our first installment of creepy Jersey! There will be another at someone as we've found so many cool creep places and things in Jersey. Because if its age and location there's a ton of really cool historical places there and events that took place there. We recommend checking out the history of the state. While it may have a reputation as being the garbage dump of the United States, there's actually alot to love, especially if you like creepy and haunted…. And raccoons!
Check out episode 36 where we dive straight into all the recent Bachelor Nation news and drama! Join us in the moment as we chat our thoughts on not one but TWO BACHELORETTES and Bix busts out her tinfoil hat with some conspiracies about what really went down in the Katie/Michelle debacle.... There's been an incredible paradisian confirmed by Robert Mills himself and Liv breaks it to Bix live on air! We change Kaitlyn Bristowe's name, yell and scream about Racist Rachael's racist mom & Chris Harrison stans, and all together just go buck wild! All the tea is spilt and we promise you're going to have a good time with this episode!! Happy Listening! --- Support this podcast: https://anchor.fm/itmwithlivandbix/support
Robert is a passionate mountain climber and has been his whole life. Robert has climbed many peaks in Europe, Alaska, South America, and US. He has even climbed 56 of 57 biggest peaks in US, only Grand Teton left. Scheduled for August 21, 2021. Robert also bought a pressurized fast plane for his law firm and flew it all over Western Hemisphere. He has Lots of adventures in South America and Alaska. His stories and insights were a true treasure. I appreciate the time I spent with him and hope you do as well.
"U" is for Union (Union County; 2010 population 8,351). Although European settlers arrived in the 1750s, it was not until the General Assembly created Union County in 1785 that the town began to take shape. The little settlement around the courthouse—initially referred to as Unionville--was incorporated in 1837 as Union. A Robert Mills-designed courthouse and jail were built in 1823. In the 1890s, Union began the transition from farming town to industrial city. The first textile mill was built in 1893. Others followed over the next decade and the town’s population tripled. Union’s rapid growth had stalled by 1910. Little expansion of the downtown area occurred in the twentieth century and Main Street continued to look much as it had in the nineteenth century. Today, Union’s historic downtown has become a cherished asset.
(SPOILERS) I begin by giving you the confirmation of who Matt chose, the Clare & Dale circus, Robert Mills comments on the shows lower ratings this season, and Matt’s former roommate’s podcast appearance. Then I begin answering your audio emails (17:13) that center around topics like sources, Queen Victoria, Matt as a lead, Katie, breakups, Taylor Swift, college football, and much more. Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI)
This is a preview clip of Part 4 of the Media Roots Radio Patreon subscriber exclusive podcast series, the Freemasonic History of the United States. The full episode: The Grand Obelisk, a Golden Age of Fraternalism & the 33rd Degree is available now on our Patreon page https://www.patreon.com/mediarootsradio Description: Robbie starts episode 4 of his ongoing United States Masonic history series with the Mexican-American war and delves into Albert Pike's role in the invasion of Mexico. Freemasonry was still popular but not as public during this time period except for one major architectural undertaking in Washington, DC, the start of construction on the Washington monument, designed by architect Robert Mills in style of an Egyptian obelisk. Instead of being carved out of a single stone like ancient obelisks were, this obelisk was to be 5x larger, standing at 555 feet tall, the tallest structure in the world made from giant stone blocks, an obelisk of classic masonry. After an infamous dual between Albert Pike and Colonel Roane, Pike then decides to devote the rest of his studies and energy towards Freemasonry. Being deeply attracted to and intrigued by it's secrets, Albert Pike ascended to the 32nd degree of the Scottish Rite in only 3 years and not long after got the idea in his head that it was his mission to not just re-write the entire 4th-32nd degree rituals but to re-invent Freemasonry itself.
David danced for the Eugene Ballet / Ballet Idaho Joint Venture and was a founding member of Oklahoma City Ballet under the direction of Robert Mills. When a shoulder injury ended his career as a sought-out partner, his love for the arts and the OKCB organization led him to pick up whatever administrative help the company needed. He quickly learned to apply his no-fail performer's mentality to arts administration, and established his career in development at the University of Oklahoma. Learn more about David on Facebook, Instagram, and Linked in. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/count9/message Support this podcast: https://anchor.fm/count9/support
We are joined today by ABC Senior Vice President of Alternative Series, Specials, & Late Night Programming, Robert Mills. If you want an inside look at The Bachelorette, then get ready as Nick and Rob talk in detail about what happened on this weeks episode, when they started to realize Clare was about to “blow up The Bachelorette”, and how are things going with Matt James. We even get Rob to let us in on some Dancing With The Stars updates and a conversation he had with one of the contestants that could have changed the path for many fan favorites of The Bachelor franchise. “There is honest and real, and then there is whatever it was that you did.” Please make sure to subscribe so you don’t miss an episode and as always send in your relationship questions to asknick@kastmedia.com to be a part of our Monday episodes. THANK YOU TO OUR SPONSORS: Bubs Naturals: http://www.bubsnaturals.com use promo code VIALL for 20% off your first order. Greenpan: http://www.greenpn.us use promo code VIALL to receive 30%off your entire order plus free shipping on orders over $50. Natural Habits: http://www.nhoils.com use code KRISSY at check out for 30% off. Episode Socials: @viallfiles @nickviall @millsy11374 See omnystudio.com/listener for privacy information.
The Stewardship of Command – Managing in Turbulent Times is the second book in two book executive management series by Lawrence Wade Johnson. The first book The Stewardship of Executive Management – for the Manager who Manages Managers introduced the USS WARREN LYNN CARD (DE 383) as the vehicle for illustrating the executive principles covered in the book. In this first book the case study began when Robert Mills was appointed to command a very dysfunctional organization and how he brought it up to combat readiness. This second book continues where the first book ended. The crew of the Cardtakes the ship to the U.S. Naval base in Guantanamo Bay Cuba to participate in combat readiness exercises. During this cruise the ship and the crew experience not only the rigors of a very realistic combat training exercise, they also experience an onslaught of dangerous do or die situations that test their mettle as managers and maritime professionals. The experiences of the crew are compared with the turbulent times faced by commercial and industrial organizations in the private sector. Like the first book, the author provides expert advice and management axioms for handling those difficult situations drawn from his 40 plus years serving in the executive function and as a professional consultant to management. --- Support this podcast: https://anchor.fm/wade-johnson/support
"Plans fail for lack of counsel, but with many advisors they succeed." - Proverbs 15:22 Today we have a conversation with one of our own advisors, Dr. Robert Mills, who is the founding partner, and wealth manager, at Riverside Wealth Advisors, LLC. Before becoming a financial advisor, Dr. Mills served as a lead pastor at multiple churches and he views his current business as a continuation of his ministry; he has helped hundreds of families and businesses chart their financial future and become good stewards of God's wealth. To get in touch with Dr. Mills go to: https://www.riversidewa.com/ Here are a few other resources he recommended: Start With Why - https://amzn.to/2yp7SGB 7 Habits of Highly Affective People - https://amzn.to/2KYzDso For more information on Storehouse 3:10 Ventures go to: https://storehouse310turnkey.com/
“L” is for the Lancaster Courthouse and Jail. During the 1820s, the noted architect Robert Mills designed at least 14 courthouses and 14 jails throughout the state. The Lancaster courthouse and jail are among the best surviving examples of his work from this period. The two-story brick courthouse is set on a raised basement and is characterized by Palladian symmetry and features a pedimented portico with modified Tuscan columns. The vaulted ground story has walls two feet thick. The courthouse has remained in use since its construction. Its elegant styling makes it one of the most refined examples of Mills’ public buildings. The jail is a two-story brick-stuccoed structure, but has been converted into an office building. In 1973 the U.S. Department of the Interior designated the Lancaster Courthouse and Jail as National Historic Landmarks.
CITO Merch > http://bit.ly/citomerch. Quarantine update (2:54-17:44). Hannah Ann roasts Pilot Pete's manhood (21:59-32:59). Rupert Grint & Georgia Groome expecting their first child (33:31-36:38). The High School Musical cast united on Zoom + David DeLuise DMs (39:04-50:48). The Challenge recap (51:15-1:02:21). Our favorite feel good stories of the week (1:04:48-1:09:58). Interview with ABC's Head of Alternative Programming, Robert Mills – talking Bachelor schedule/plan amid quarantine, Listen to Your Heart, The Bachelorette selection process, getting Trent to be the Luggage Guy + more! (1:10:34-1:31:16). Follow us on Instagram @chicksintheoffice and on Twitter @chicksintheoff + subscribe to our Snapchat show > http://bit.ly/thegroupchat & our YouTube > http://bit.ly/CITOYOUTUBE.
Message By: Rev. Robert Mills, Pastor Puritan Avenue Baptist Church (Detroit, MI) Scripture Text: Psalm 1: 1-3 The post Planted For Purpose – Pastor Robert Mills appeared first on Macedonia Baptist Church of Detroit.
Today, ABC Executive Robert Mills joins us to talk about the most dramatic episode of Pilot Pete’s season of The Bachelor yet. They discuss the Chase Rice finasco, Victoria P’s motives, and Peter’s black turtleneck. Then Robert teases the main event of next week’s episode. How does Pilot Pete get hurt next week? You’ll have to listen to find out! Be sure to subscribe so you never miss an episode. THANKS TO OUR SPONSORS: GRAVITY BLANKETS: https://gravityblankets.com CODE: VIALL UNDERCOVER TOURIST: https://www.undercovertourist.com/viall/ CODE: VIALL IMPERFECT FOODS: http://imperfectfoods.com/viall CODE: VIALL See omnystudio.com/listener for privacy information.
Kristina welcomes Robert Mills of GatherContent to talk about his experience as head of content for GatherContent. He talks about what content ops is, not just in the context of his team's product but also as part of a larger conversation about the field of content strategy. Rob also shares how he handles content operations internally at GatherContent (how very meta).
Stephen Parr and Louis Avallone talk to Robert Mills about his candidacy for Louisiana State Senate District 36.
Stephen Parr and Louis Avallone talk to Robert Mills about his candidacy for Louisiana State Senate District 36.
Stephen Parr and Louis Avallone talk to Louisiana State Senator Ryan Gatti, the current State Senator District 36. This runoff race is a very dirty race between two Republicans. Louis and Stephen are giving Senator Gatti a chance to explain his positions. Tomorrow, they will have his opponent, Robert Mills, on to explain his side.
Stephen Parr and Louis Avallone talk to Louisiana State Senator Ryan Gatti, the current State Senator District 36. This runoff race is a very dirty race between two Republicans. Louis and Stephen are giving Senator Gatti a chance to explain his positions. Tomorrow, they will have his opponent, Robert Mills, on to explain his side.
On this weeks Midwest Mic’s College Football Expert Robert Mills joins us to talk college football!! We pick a champion of each Power 5 Conference as well as the 4 Play Off Teams!! We even pick a National Champion!! Let the guys know what you think of their picks!! Other topics includes Andrew Luck Retirement. Ezekiel Elliott Contract talks, KC Royals potential Sale, and much much more!!
On this weeks Midwest Mic’s College Football Expert Robert Mills joins us to talk college football!! We pick a champion of each Power 5 Conference as well as the 4 Play Off Teams!! We even pick a National Champion!! Let the guys know what you think of their picks!! Other topics includes Andrew Luck Retirement. Ezekiel Elliott Contract talks, KC Royals potential Sale, and much much more!!
On this weeks Midwest Mic’s College Football Expert Robert Mills joins us to talk college football!! We pick a champion of each Power 5 Conference as well as the 4 Play Off Teams!! We even pick a National Champion!! Let the guys know what you think of their picks!! Other topics includes Andrew Luck Retirement. Ezekiel Elliott Contract talks, KC Royals potential Sale, and much much more!!
We have on Robert Mills from ABC to talk about the behind the scenes world of The Bachelor, and how the internet has made it 100 times better. We even get an EXCLUSIVE about a future Gate-Jump by THE Chris Harrison. Remember to check out @kelly.keegs Live Bachelor Recap every week at 10pm, @whinewithkelly IGTV for the videos, and whinewithkelly.com for ~*blogs*~ FOLLOW @kellykeegs @whinewithkelly @kmclhinney @ksteinbauer47 www.whinewithkelly.com
This season has been full of intrigue and scandal, so we wanted to get the scoop from someone who knows what’s going on behind the scenes -- Rob Mills! He’s the Head of Alternative Programming for ABC, as well as a prolific tweeter. We talked about his history with the franchise, all those off-screen scandals, what we can expect from Paradise and, more importantly, THE PROPOSAL, The Bachelorette’s underappreciated baby sibling.Enjoy! See acast.com/privacy for privacy and opt-out information.
This week on WHO's TV podcast with Matthew Denby, Clare Ridgen and Gavin Scott, we talk exclusively to reality TV favourite Robert Mills about the darkest night of his life. Plus, we review deeply unsettling new thriller Sharp Objects, and talk about hit renovation show House Rules. We also discuss the headline-grabbing return of the ABC's controversial interview series You Can't Ask That and examine Get Shorty and 80s crack cocaine drama Snowfall. Be warned that this episode features some explicit and sensitive content. If you or anyone you know needs help, contact Lifeline on 13 11 14. See acast.com/privacy for privacy and opt-out information.
See omnystudio.com/listener for privacy information.
Works Cited: Colorado Springs Children’s Chorale. (2015). Conductor, Victoria Lipscomb. Accompanist, Lynn Branford. Executive Director, Marcia Hendricks. http://www.childrenschorale.org/site/PageServer?pagename=home_page&s_mobile=false. Oklahoma City Ballet. (2017). Artistic Director, Robert Mills. Set Designer, Gregory Crane. Costume Designer, Susanne Hubbs. Lighting Design, Aaron Mooney. Rehearsal Assistants, Penny Askew, Miki Kawamura, and Ronnie Underwood. https://www.okcballet.org/performance/the-nutcracker/. Pikes Peak Center for Performing Arts. (2017). […]
Sketch, Please is back to slam dunk 2017 with brand new sketches from brand new writers and a cast of brand new performers! New Year's resolutions include: Communicate better with your household gadgets. Redecorate your home with a superior Stone Henge. And make sure your apocalypse is suitably passive aggressive. All this and more within! CAST Sean McInerny is a part of London's Theatresports Company Story Kitchen Impro and can be seen taking part in Maestro at The London Improv Theatre and Theatresports once a month at The Miller. He is also part of improv group Electric Priests and sketch group Hiya Pet. Andrew Rodgers is a part of several comedy acts including sketch group The Pretty Faces, improv team Left Foot First and much more besides. The Pretty Faces are hosting a sketch show at the Backyard Comedy Club on 14th February. Susan Cunningham is an improviser and comedian as part of The 2 Stoozes, a comedy duo with Stacey Hemphill. CREDITS Public House by Eliot Stewart Barman - Sean McInerny Customer - Susan Cunningham Old Tim - Andrew Rodgers Star Trek Budget Cuts by Daniel Page Captain - Sean McInerney Admiral - Susan Cunningham Number 1 - Andrew Rodgers Third Wheel by Edmund Fargher Jane - Susan Cunningham Mel - Sean McInerney A.L.E.X.A. - Andrew Rodgers Medical Students by Robert Mills Doctor - Sean McInerney Miller - Susan Cunningham Foster - Andrew Rodgers Forecast for Female Weather Forecasters written by Robert Mills, performed by Susan Cunningham Flatpack Stone Henge by Danny Antrobus Husband - Andrew Rodgers Wife - Susan Cunningham Delivery Man - Sean McInerney Last Judgment by Stephanie Weston Angel 1 - Sean McInerney Angel 2 - Andrew Rodgers Angel 3 - Susan Cunningham Papaya Diet by Henrik Persson Greg - Andrew Rodgers Sam - Susan Cunningham Nick - Sean McInerny Hosted by Edmund Fargher Produced by Katharine Kerr
On this date in 1884, the Washington Monument was completed. Here are some things you may not have known about the memorial to the first American President. Proposals for a monument to George Washington started at the end of the Revolutionary War. However, Congress didn’t act until after his death in 1799, when it authorized a memorial in the national capital, which was under construction at the time. However, this decision was overturned by the Jeffersonian Republicans who didn’t want to build a monument to any man, much less one that was the hero of the opposition Federalist Party. It took until 1832 for any legitimate progress toward a monument to be made. That year marked the 100th anniversary of Washington’s birth, which was used by a group called the Washington National Monument Society as a rallying point for a fundraising campaign. Over the course of three years, they raised $28,000, which is the equivalent to more than $17 million today. A contest was held to choose the best design, which was submitted by Robert Mills, who was the Architect for Public Buildings in Washington, D.C. His design featured a flat-topped obelisk, which is a four-sided pillar that tapers as it rises, with a circular colonnade at the base. Picture a combination of a flat-topped Washington Monument atop a circular Lincoln Memorial. The proposal had an estimated price tag of $1 million, or more than $620 million today. The society decided to start construction, hopeful that the progress would lead to further donations to allow it to be completed. It was originally intended to be located at the intersection of perpendicular lines running from the U.S. Capitol and the White House. However, the ground at that location was not stable enough to support such a large building and it was instead built about 400 feet east south east. The cornerstone was laid on July 4, 1848. Construction continued until 1854, when the money ran out. At the time, the monument was 152 feet tall. Construction wouldn’t resume until 1879, using stone from a different quarry, leading to the difference in color that exists to this day. With sufficient funding, construction moved swiftly. It was completed on December 6, 1884 with the placement of an aluminum cap at the point. At the time, aluminum was rare and as valuable as silver. The Washington Monument is 554 feet 7-11/32 inches tall. At completion it was the tallest building in the world, passing the Cologne Cathedral. It held the title until the completion of the Eiffel Tower in 1889. It remains the tallest stone structure in the world, and, by law, the tallest building in Washington, D.C. Our question: Had the Washington Monument been constructed where it was intended, it would have formed the center of a cross. The White House and the Capitol are on two ends of the cross, what buildings are on the opposite ends? Today is Constitution Day in Spain, Independence Day in Finland, and Armed Forces Day in Ukraine. It’s unofficially National Gazpacho Day, National Microwave Oven Day, and National Pawnbrokers Day. It’s the birthday of songwriter Ira Gershwin, who was born in 1896; musician Dave Brubeck, who was born in 1920; and animator Nick Park, who is 58. Because our topic happened before 1960, we’ll spin the wheel to pick a year at random. This week in 1969, the top song in the U.S. was “Na Na Hey Hey Kiss Him Goodbye” by Steam. The No. 1 movie was “Butch Cassidy and the Sundance Kid,” while the novel “The Godfather” by Mario Puzo topped the New York Times Bestsellers list. Weekly question What two states were the sources of the marble used in construction of the Washington Monument? Links Follow us on Twitter, Facebook or our website. Also, if you’re enjoying the show, please consider supporting it through Patreon.com Please rate the show on iTunes by clicking here. Sources https://en.wikipedia.org/wiki/December_6 https://en.wikipedia.org/wiki/Washington_Monument https://en.wikipedia.org/wiki/Obelisk https://en.wikipedia.org/wiki/George_Washington https://www.checkiday.com/12/06/2016 http://www.biography.com/people/groups/born-on-december-06 http://www.bobborst.com/popculture/numberonesongs/ https://en.wikipedia.org/wiki/List_of_1969_box_office_number-one_films_in_the_United_States https://en.wikipedia.org/wiki/The_New_York_Times_Fiction_Best_Sellers_of_1969
Esta semana nos visita un grande como Robert Mills, promotor durante 30 años en España. Él solo ha realizado muchas de las fantasías de miles. Hoy nos viene a presentar el Vilanova Classic Rock Summer Party Festival, que además se celebrea en la ciudad donde emitimos el programa. 01. ACDC -Too Much too young 02. Jagged Edge -Burnin' Up 03. Sixx AM -you Have To come the right place 04. Scorpions -In Trance 05. Praying Mantis -The One 06. Journey -Girl Can't Help It 07. Queen -Hammer To Fall
Aquñi encontraréis parte de la entrevista a Robert Mills y las secciones de Pau y Uri. Por un lado, los Classic Albums y por otro, otra Pole Position. 08. Bob Seger -Black Night 08. Iron Maiden -Inifinte Dreams 09. Iron maiden -Moonchild 10. Iron Maiden -Can I Play With Madness 11. Iron Maiden -inly The Good Die Youg 12. Iron Maiden -Seventh Son of a seven Son 13. Gun -Steal Your Fire 14. Firehouse -Reach For The Sky 15. Scorpions -3,2,1 16. Loverboy -Working For the Weekend 17. Whitesnake .Steal Your Heart Away
Blackdeath 23 was Robert Mill’s callsign in an Air Cavalry Unit operating the Kiowa Warrior in Iraq. Robert has published his journal as a book of the same name covering his two tours in Iraq and the daily challenges of operating a scout helicopter in that environment. The Bell OH-58D Kiowa Warrior is a light … Continue reading "RWS 22 – Kiowa Warrior in Iraq with Robert Mills" The post RWS 22 – Kiowa Warrior in Iraq with Robert Mills appeared first on The Rotary Wing Show Podcast.
In the Animals episode, we feature contemporary art historian Lynn Turner, medieval art historian Robert Mills and Edinburgh School of Art’s Chancellor’s Fellow Michelle Bastian. Produced and hosted by Juliette Kristensen Sound Engineer Chris Dixon.
While sodomy in Medieval Britain and Europe was seemingly regarded as unmentionable, artists developed strategies of depicting taboo practices. Dr Bob Mills (UCL History of Art) examines an era of art history that has hitherto been much neglected in studies of forbidden sexual practices and images of judgment and punishment. Further info: http://events.ucl.ac.uk/event/event:y1o-hjicedm2-le0gef/lunch-hour-lecture-holding-it-straight-sexual-orientation-in-the-middle-ages Video version: http://youtu.be/OrHameoh-Mk Music: 'Pange Lingua Gloria' by Josquin des Pres (1440-1521) 'In Principio Erat Verbum' by Josquin des Pres 'Mystery of the Runes' by Paul Mottram Produced by Rob Eagle, UCL Communications
This week, Iain is joined by Robert Mills to talk about how freelance writers need to think carefully about the way they present themselves online, especially if they also have a full-time job. Topics include ‘about’ pages, Twitter profiles, and that frequently used sentence, ‘All views my own, not my employers.’ Pop your seat belt on. Let’s chat!
This week, Iain is joined by Robert Mills, design studio manager, copywriter, and author of Designing the Invisble. Having recently begun speaking at conferences about his work and book, Rob is in the perfect position to chat about being an author and speaking in public. It’s one thing writing your thoughts down and quite another to build on those ideas and articulate them to an audience. Same goes for creative writers too, a topic Iain covers in this episode. Go on. Get your headphones. Make a brew.
This week Iain is joined by Robert Mills, studio manager and copywriter at Bluegg, a design agency in Newport, South Wales. They talk about writing to a set structure, which is handy because Rob has just written Designing the Invisible, a book published by Five Simple Steps. The book is broken down into five sections, each containing five chapters. In ‘My favourite thing’ Iain talks about the Kindle Cloud Reader, which was announced this week, while Rob goes for The Atlantic. There is talk of a shark.
© 2020-2025 Ivy Podcast Discovery LLC
