Podcasts about Attic Records

This week we continue our journey to the Great White North! This is the triumphant finale of our celebration of an amazing power trio from Toronto that has been largely forgotten in the pantheon of rock n' roll: TRIUMPH! From classic hard rock & metal to proggy AOR, this is a band that rarely gets the praise they deserve! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as titans or rock and thus: Huge-er-er!!! Eh?Songs this week include:Triumph - “Time Goes By” from Thunder Seven (1984)Triumph - “When The Lights Go Down” from Stages (1985)Triumph - “Mind Games” from Stages (1985)Triumph - “Play With Fire” from The Sport Of Kings (1986)Triumph - “Carry On The Flame” from Surveillance (1987)Triumph - “Edge Of Excess” from Edge Of Excess (1992)Triumph - “I Live For The Weekend” from Live At Sweden Rock Festival (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

This week we took it to the people, and the people agreed! Not just the people; we got the ok from The Chairman, Mighty K, and the entire 51st state of Canada! Therefore, we give you “Grave Mistake: TRIUMPH Shoulda Been Huge-er!!!”. This is part one of our celebration of an amazing power trio from Toronto that has been largely forgotten in the rock n' roll pantheon. They also happen to have Bonafide Guitar God in the band that rarely gets the praise he deserves! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as Titans or Rock and thus: Huge-er!!! Eh?Songs this week include:Triumph - “Street Fighter / Street Fighter Reprise” from Triumph (1976)Triumph - “Little Texas Shaker” from Rock & Roll Machine (1977)Triumph - “American Girls” from Just A Game (1979)Triumph - “Tear The Roof Off” from Progressions Of Power (1980)Triumph - “Allied Forces” from Allied Forces (1981)Triumph - “All The Way” from Never Surrender (1982)Triumph - “Fight The Good Fight” from Live At The US Festival (1983)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Welcome back to Aquarium Drunkard Transmissions, this week on the show, we're joined by three guests—though, not all at once.  In the first half of the show: Mark “Frosty” McNeill of dublab and the LA Phil to discuss a new compilation he helped produce, Even the Forest Hums: Ukrainian Sonic Archives 1971​-​1996; in the second-half of the show, Estevan and Alejandro Gutierrez, better known as Hermanos Gutiérrez just us to discuss their latest album of spacey guitar instrumentals, Sonido Cosmico. Assembled by Light in the Attic Records in partnership with the Kyiv-based archival label, Shukai, Even the Forest Hums offers music rarely heard outside of its homeland—a genre diverse compilation of Ukrainian music recorded under the USSR's reign and in the aftermath of its collapse, from post-punk to folk, from jazz rock to early electronic music, from downtempo hip-hop to oddball pop.  “Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in the liner notes. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.” Mark “Frosty” McNeill takes us behind the scenes. Brothers Estevan and Alejandro Gutiérrez grew up in two words, splitting time between their father's native Switzerland and Ecuador, where their mother's family hailed from. On past records, they've evoked the imaginal expanses of Spaghetti Westerns through a pan Latin/surf/psychedelic sound for guitar and lap steel.  Their latest is called Sonido Cósmico. Joined by producer Dan Auerbach, they flesh the surroundings out even more this go-round, dialing in a song that's as suited for the desert expanses of Mars or the moon as much as any Sergio Leone film.  Estevan and Alejandro joined us to discuss setting their sights on the stars, channeling feminine energy via their abuela, and the intent that fueled committing their earliest musical efforts to vinyl. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Jeremy Clark of Tracer Heights was in the house for Episode No. 128, and dang it if it isn't always refreshing to chat with a fellow Phishhead.Trust me: I'm not trying to pigeonhole Jeremy or say that that's all there is to say about him. There's a ton more. Rare is the opportunity, though.Anyway...Jeremy's a son and a brother and a bandmate and one heck of a sharp dude; I really enjoyed getting to know him a little bit. We talked a fair amount about Tracer Heights, what they're all about, and what his role as the bassist looks like. We also talked about a few of Jeremy's favorite albums. Those were these:Pet Sounds (1966), The Beach BoysNine Inch Nails' Broken (1992)Mellon Collie & the Infinite Sadness (1995), The Smashing PumpkinsThe Flaming Lips' The Soft Bulletin (1999)Person Pitch (2007), Panda BearSo, please check out our conversation. These chats are almost always awesome; this one was no exception. And please check out Tracer Heights. Find out more about them at tracerheights.com, on Instagram, Facebook, YouTube, and Bandcamp. They're rock, blues, and bluegrass with the spirit of psychedelic improvisational music, and they're gigging often here in K.C.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are cuts from a track called, "Grand Funk," by Jackie Mittoo from his 1971 effort, Wishbone (c/o Light in the Attic Records).

It's Episode #109 and -- as is often the case -- I'm very excited to have a return guest join me for a conversation.Not only was this time no exception, this time was a visit I was really thrilled about, in that it was MABkc back to chew the fat with me about his new release, 90's Baby.If you missed the first go-'round with MAB, please consider checking out Episode #49, and if you like(d) what you saw/heard there, please use MABkc as your search on your audio platform of choice to check out any (or all) of his previous releases. There are EP options, LP choices, and singles to buy/download/stream. And if you're in the market for some studio time for your own project, visit industrysoundz.com. While you're there, you can purchase your own time package or some beats or even some merch'. And while perusing your studio-time package, make sure to check out the array of talented engineers available to assist.90's Baby, though, is a must-listen. It's nine tracks, 25 minutes, full of good stuff, and it just dropped in late January.Catching up with MABkc was a delight, and I'm always stoked to try and support local artists and their projects in any way possible.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "Young Men Dead," by The Black Angels, which appears on their 2006 release, Passover (c/o Light in the Attic Records).

Within a year after getting his first guitar donated by his sister's boyfriend, Jimmy Gilmer of Sugar Shack fame, Jim Parker was playing in a band and later became a founding member of The Illusions that landed a record deal with Dot Records. In 1966 he and his buddies decided to leave their hometown of Amarillo, Texas, and head to Los Angeles. During that time, The Illusions became “The Kitchen Cinq” recording with Lee Hazelwood's LHI label for three years. This later led to jobs with other recording bands like Armageddon and THEM (post Van Morrison) with some studio work with Sonny and Cher and various recording artists on the side. Fifty years later, on August 28, 2015, AceRecords of the UK and its affiliate US label Light in the Attic Records released “The Kitchen Cinq, When the Rainbow Disappears”, as an anthology complete with a booklet of photos and history of the band.Moving to Nashville in 1975 was the beginning of another serendipitous phase of Jim's career where he met a young John Anderson and began writing successful chart songs. Then Jim branched out and has co-written with many #1, Hall of Fame and Grammy winning songwriters over the years and continues to do so today. Jim is the creator and host of a popular series at the Von Braun Center Playhouse in Huntsville, AL since 2005 called Jim Parker's Songwriters Series ® where he showcases the incredible talent of his hit songwriter friends from Nashville, Muscle Shoals, Atlanta, Los Angeles, Canada and surrounding areas. Without the songwriter there would be no music because it all begins with a songwriter and a song. Learn more about Jim Parker at  JimParkerMusic.com Host Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Lee authored "Americana Music - Voices, Visionaries & Pioneers of an Honest Sound," as well as his recent book about legendary producer and engineer Jim Gains "Thirty Years Behind The Glass. Lee also played a key role in securing airplay for Jimmy Buffett's first major hit, “Margaritaville.” During his time at Capital records Lee also worked with such legends as Paul McCartney, Bob Seger, the Steve Miller Band, and others. You can contact Lee at lezim@bellsouth.net and find him online at https://www.storiesbeyondthemusic.comPodcast producer/cohost Billy Hubbard is a Tennessee based Americana Singer/Songwriter and former Regional Director of A&R for a Grammy winning company, as well as a music and podcast producer. Billy is also the venue developer, booking manager, and co-founder of the iconic venue "The Station" in East Tennessee. As an artist Billy is endorsed by Godin's Simon & Patrick Guitars and his YouTube channel has over 3 million viewers. Billy's new self titled album was released on Spectra Records October 2023 on iTunes and all major outlets! Learn more about Billy online at http://www.BillyHubbard.com

 This podcast is unpaid and survives on donations. You can donate here via paypal www.stephenmbland.com/olas-kool-kitchen or buy merch here olaskoolkitchen.dizzyjam.com. Ola's Kool Kitchen is a show on KCLA 99.3 FM in Los Angeles, Maximum Threshold Radio, Sword Radio UK, Jammerstream One, Kor Radio, Bombshell Radio, Pop Radio UK, Radio Wigwam, Rock XS Radio, Radio Candy Radio and Radio Lantau  Show 491 1.      Teenage Fanclub-Foreign Land-Nothing Lasts Forever-Pema 2.      Mudhoney--Souvenir of My Trip-Plastic Eternity-Sub Pop 3.      Black Hat-How I Won the War-single-self release 4.      SGO-Glimmer-single-4000 Records 5.      Scenic Brooke West-Strange Years-Strange Years-self release 6.      Legends of the Seven Golden Vampires-Autumn Fall-single-Prank Monkey Records 7.      Modern Alibi-Boy You'd Better-single-self release8.      A Door-Do You Want Me to Come in Your Feed-single-self release 9.      Emilíana Torrini & The Colorist Orchestra-Hilton-Racing the Storm-Bella Union 10.   Brijean-Take a Trip-Angelo-Ghostly International 11.   Jonathan Bree-Destiny-Pre-Code Hollywood-Lil' Chief 12.   The Beavers-Why Baby Why-single-Seven Seas 13.   Donnie & Joe Emerson – Baby- Dreamin' Wild- Light in the Attic Records 14.   The High Numbers - I'm The Face-single-Fontana 15.   Luke Steele-Gladiator-Listen To the Water-EMI / Harvest

Rodriguez is a legend we've been hooked on ever since Nobody turned us onto “Cold Fact,” his powerful statement of psych-soul from 1970. The album originally released on Sussex Records has risen from obscurity and recently been reissued by the wonderful folks at Light in the Attic Records. Rodriguez himself spent years off the general public's radar but kept busy with local Detroit politics and playing shows in South Africa and Australia. For us in the northern hemisphere Rodriguez seemed like a powerful spirit of the past and was even rumored to be deceased. Thankfully he's alive, vibrant and focused on sharing music. His visit to dublab marked his first ever west coast radio session and for this ocassion, he was backed by the always expanding talents Blank Blue. Dig this beautiful session. dublab is a listeners supported radio station. Become a Sustaining Member today at: https://www.dublab.com/support/memberships

Welcome to Light On Light Through, Episode 352, in which I interview Spencer Hannabuss, who sang "If I Traveled to the Past" at the end of the It's Real Life radio play adapted from my alternate history story about The Beatles, streaming on Killerwatt Radio.  We also discuss our views of The Beatles and their preeminent role in popular culture.  The interview concludes with a mini-concert of three songs by Spencer Hannabuss. Links: It's Real Life radioplay the original "It's Real Life" short story video of this interview with Spencer Hannabuss Spencer Hannabuss and The 286 Bandcamp page original recording of "If I Traveled to the Past" by Paul Levinson (words by Paul Levinson, music by John Anealio), produced by Chris Hoisington for Old Bear Records and Light in the Attic Records interview with Anne Reburn, who sang "Real Love" in "It's Real Life" radio play more about "Robinson Calculator" and Robots Through the Ages    

In this 1243rd episode of Toronto Mike'd, Mike chats with former MuchMusic personality Mike Campbell about his vital role in getting Much's license from the CRTC, his many gigs at MuchMusic, Mike & Mike's Excellent X-Canada Adventures, MuchEast, his years at Attic Records, the Halifax music scene and his current role as programming director of The Carleton. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, the Yes We Are Open podcast from Moneris, The Moment Lab, Ridley Funeral Home and Electronic Products Recycling Association.

En el último año se han editado dos trabajos que recogen demos de los primeros años de Lou Reed. La más actual es “Words and Music May 1965” (Light in the Attic Records), en donde se publica con cuidado envoltorio una cinta de grabaciones caseras de Lou Reed acompañado por John Cale. A dúo hacen versiones crudas en clave de folk de futuros clásicos de The Velvet Underground junto a otras canciones desconocidas. El otro lanzamiento es “I’m so free, The 1971 RCA demos”, con Lou Reed en formato voz y guitarra acústica interpretando canciones que acabarían en sus primeros discos en solitario. (sintonía) LOU REED “I’m waiting for the man” (Words and Music may 1965) LOU REED “Walk alone” (Words and Music may 1965) LOU REED “Heroin” (Words and Music may 1965) LOU REED “Too late” (Words and Music may 1965) LOU REED “Men of good fortune” (Words and Music may 1965) LOU REED “Don’t think twice it’s alright” (Words and Music may 1965, bonus track) LOU REED “Gee whiz” (Words and Music may 1965, bonus track) LOU REED “Pale blue eyes” (Words and Music may 1965) LOU REED “Perfect day (demos 1 & 2)” (I’m so free, The 1971 RCA demos) LOU REED “I’m so free” (I’m so free, The 1971 RCA demos) LOU REED “I can’t stand it” (I’m so free, The 1971 RCA demos) LOU REED “She’s my best friend” (I’m so free, The 1971 RCA demos) LOU REED “I’m sticking with you” (I’m so free, The 1971 RCA demos) LOU REED “Lisa says” (I’m so free, The 1971 RCA demos) Escuchar audio

LOU REED - WORDS & MUSIC, MAY 1965This Light In The Attic podcast is a companion piece to Words and Music, May 1965, an album of previously unreleased songs recorded by a young Lou Reed with future Velvet Underground bandmate, John Cale. It includes first known recordings of such iconic songs as "I'm Waiting for the Man" and "Heroin." These recordings will be released to the public for the first time on Light in the Attic Records.Our host, Tunde Adebimpe sits down with Matt Sullivan (co-owner and founder of Light in the Attic Records) and Lou Reed archivists Jason Stern and Don Fleming to get their insights into how the tape was discovered and how the songs were recorded by Cale and Reed in the spring of 1965. Listen along with Matt, Don and Jason as they share their appreciation and knowledge of these extraordinary recordings. Produced by Light in the Attic, Ruinous Media and Dann Gallucci.Use coupon code FRET10 to claim 10% off your iZotope plug-in purchase or try Music Production Suite Pro free for 30 days.Go to www.izotope.com/en/lp/ruinous

Clarita's guest for episode 53 is multi Grammy Award-winning graphic designer, artist, and founder of Phyx Design – Masaki Koike! We discuss his projects: WOODSTOCK: Back to the Garden-The definitive 50th anniversary archive and What It Is! and Funky Soul and Rare Grooves boxed sets for Rhino Records. Both earned Grammy Awards for Best Boxed or Special Limited Edition Package and he's also racked up multiple Grammy nominations for Black Sabbath –The Dio Years, Phish – The Clifford Ball, The Smith Tapes and Grateful Dead – Get Shown the Light Masaki shares the fascinating process behind the LOU REED / WORDS & Music / May 1965 packaging – working with Laurie Anderson and Light in the Attic Records. A truly inspiring guest and a delightful conversation! Follow Masaki: https://phyxdesign.com/@phyxdesignhttps://www.discogs.com/artist/1829342-Masaki-KoikeFollow the new Instagram account: @_designfreakspodcast_ Support the show

In the north of Los Angeles, in a neighbourhood called Glendale, an unassuming bungalow is home to one of the first women in Hollywood to cut men's hair. Today she goes by the glitziest of names, Madelynn von Ritz, but back in the 60s she was called Lynn Castle and hung out with key people of the era, lopping off Jim Morrison, the Byrds, Sonny Bono and Neil Young's locks. She was also a secret musician. But despite her childhood friends being musical svengalis like Phil Spector – who she once dated – as well as Jack Nietzcshe and Lee Hazlewood, it took her a while to reveal her talent. Eventually, however, she cut a number of intimate, melancholy demos in the hazy 60s with Hazlewood, who later famously teamed up with Nancy Sinatra and helped define the decade's psychedelic sound. Lynn is now 83 (going on 53!) and still writes music to this day, with a home studio tucked in the corner of her living room. Those old demos, meanwhile, were found by the label Light in the Attic and reissued as Rose Coloured Corner in 2017 – an album 50 years in the making – including her signature song, pop gem The Lady Barber.  In this episode of The Last Bohemians: LA, supported by Audio-Technica, Lynn discusses her 'friendship' with Elvis, her series of almost-famous moments with Bob Dylan and the Stones, her positive outlook and life, and unexpectedly digs out letters from an old flame... CREDITS Presenter/Exec-Producer: Kate Hutchinson Producer: Holly Fisher Photography: Lisa Jelliffe Theme music: Pete Cunningham, Ned Pegler and Caradog Jones With thanks to Light in the Attic Records. ABOUT AUDIO-TECHNICA In 1962, with a vision of producing high-quality audio for everyone, Audio-Technica's founder Hideo Matsushita created the first truly affordable phono cartridge, the AT-1 in Shinjuku, Japan. Since then, Audio-Technica has grown into a world-renowned company devoted to Audio Excellence at every level, expanding the product range to include headphones, microphones and turntables. Audio-Technica's commitment to the user experience and their devotion to high quality design, manufacturing, marketing, and distribution has placed them at the forefront of the industry for the last 60 years. ABOUT THE LAST BOHEMIANS Journalist and broadcaster Kate Hutchinson launched The Last Bohemians in 2019, pairing the audio with stunning portraits by photographer Laura Kelly. It stole hearts with 86-year-old Molly Parkin's stories of self-pleasuring, LSD countess Amanda Feilding's trepanning tales and Pamela Des Barres' reflections on supergroupiedom. It won silver for Best New Podcast at the 2020 British Podcast Awards and was a finalist at the 2021 Audio Production Awards. Series two featured folk legend Judy Collins; British fashion icon Zandra Rhodes, dealing with the aftermath of losing her lover while celebrating 50 years in fashion; anarcho-punk innovator and illustrator Gee Vaucher; and the controversial witch at the heart of the 1970s occult boom, Maxine Sanders. In 2021, The Last Bohemians launched a lockdown special with performance artist Marina Abramović; it returned in 2022 with the UK's greatest living painter, Maggi Hambling, as well as Bowie's former best friend Dana Gillespie and theatre actor Cleo Sylvestre. thelastbohemians.co.uk patreon.com/thelastbohemians instagram.com/thelastbohemianspod twitter.com/thelastbohospod 

We talked about this quite some time ago and we are back with another metal episode. Still solo, folks, but that will be rectified very soon. SeanGeek takes a walk down memory lane to his first true introduction to metal. Metal For Breakfast, released in 1984 on Attic Records was my gateway. Let's take a listen, track by track to this classic defining album that opened the metal doors to me. Here is a nice breakdown of the album here including credits and all that stuff: https://www.discogs.com/release/2914107-Various-Metal-For-Breakfast (https://www.discogs.com/release/2914107-Various-Metal-For-Breakfast) And here is the actual commercial for the album: https://www.youtube.com/watch?v=WfKxkIaA22I #podcast #metal #atticrecords #killerdwarfs #blotto #leeaaron #mercyfulfate #y&t #judaspriest #accept #music Website: http://www.seanmcginity.ca/ (www.seanmcginity.ca) @seangeekpodcast on Twitter, Instagram and Facebook @toddgeek on Twitter @fastfretfingers on Instagram @ToddGeeks Tech Talk on Facebook @mbpodfest @captivatefm Mentioned in this episode: Want Merch? You can get your own SeanGeek and FastFret Merch over at our storefront on Teepublic, over at https://www.teepublic.com/stores/seangeek-podcast

In this 1086th episode of Toronto Mike'd, Mike is joined by Attic Records co-founder Alexander Mair and two authors of Eve of Darkness – Heavy Metal in Toronto in the 1980s, Derek Emerson and Chris Turner. Topics include Gordon Lightfoot, Triumph, Anvil, Killer Dwarfs, Lee Aaron, Razor, Maestro Fresh-Wes, Weird Al Yankovic and more. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Canna Cabana, StickerYou, Ridley Funeral Home and Duer Pants and Shorts.

It took about fifty years, but Leo Nocentelli‘s solo LP Another Side finally arrived in 2021, via Light In the Attic Records. Surely longtime Meters fans, and even newbees just discovering the New Orleans funk originators, must know that this is a whole different trip for the Meters’ guitarist. It’s a genuine roots rock treasure […]

Welcome to Light On Light Through, Episode 298, in which Captain Phil, MaryBeth Ritkouski, Michael Rizzo, and I discuss Star Trek: Picard Season 2 on Paramount+ and much more about Star Trek: TOS, Star Trek: TNG, and all things Star Trek and related. More about Mary Beth Ritkouski and Michael Rizzo at SciFi Distilled More about Captain Phil at Captain Phil's Planet Boarding the Enterprise (edited by David Gerrold and Robert J. Sawyer), anthology with essay "How Star Trek Liberated Television" by Paul Levinson, which discusses the Star Trek syndication impact Fringe Science: Parallel Universes, White Tulips, and Mad Scientists (edited by Kevin R. Grazier) anthology with essay by Paul Levinson, "The Return of 1950s Television in Fringe," which discusses Levinson's "First Love Syndrome" in popular culture appreciation. Welcome Up: Songs of Space and Time (2020 LP by Paul Levinson on Old Bear Records and Light in the Attic Records) podcast review of Star Trek: Picard 2.10 podcast review of Star Trek: Picard 2.9 podcast review of Star Trek: Picard 2.8 podcast review of Star Trek: Picard 2.7 podcast review of Star Trek: Picard 2.6 podcast review of Star Trek: Picard 2.5 podcast review of Star Trek: Picard 2.4 podcast review of Star Trek: Picard 2.3 podcast review of Star Trek: Picard 2.2 podcast review of Star Trek: Picard 2.1 podcast review of Star Trek: Picard season 1 a little time travel story -- free

On this edition of Free City Radio we feature an interview from the archives. Willy Mitchell, a songwriter originally from the Algonquin community of Kitigan Zibi speaks about working as an Indigenous singer song writer and also about the experience of being featured on the Native North America album series, out on Light in the Attic Records. Also Willy speaks about the album Sweet Grass Music. This podcast features some tracks from that album. Info : https://nativenorthamerica-variousartists.bandcamp.com/ This interview was recorded by Stefan @spirodon Christoff during the Suoni per il Popolo festival a couple years ago. All the music on this edition is by Willy Mitchell.

Seattle had a thriving funk and soul scene in the 60s and 70s. There were dozens of bands and more than 20 venues specializing in the genres. For today's episode, Emily Fox talks with KEXP DJ Supreme La Rock about how he first discovered Seattle's funk and soul scene while digging for records. His discoveries later turned into a compilation called 'Wheedle's Groove,' released by Light in the Attic Records in 2004. We also hear about the scene from drummer Robbie Hill of the Seattle funk bands Black on White Affair and Robbie Hill's Family Affair, and why he turned down an opportunity to be signed to RCA records. Watch the Wheedle's Groove documentary here https://www.gofundme.com/f/help-robbie-hill  Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf The Rise & Fall of K-Tel O'Zone - Opening and Credits O'Neill - O'Zone Surf Video Jo-Jo and the Fugitives. “Chips - Chicken - Banana Split.” Jamaica to Toronto. Soul Funk & Reggae 1967-1974 Compiled by Siperano and Light In The Attic, Light in the Attic Records, 2006. CD LP. Nice & Smooth. “More and More Hits.” Rap Wit' Cha. K-Tel Records, 1990. CD. LP. Treblemakers, The. “The Grudge.” Time Machine - The History of Canadian 60's Garage Punk and Surf (1985-95). Stomp Records, 1996. CD. LP. Sherlocks, The. “Stefany.” Time Machine - The History of Canadian 60's Garage Punk and Surf (1985-95). Stomp Records, 1996. CD. LP. Yum Yums, The. “Gonna Be A Big Thing.” Northern Soul Essential Floorfillers. Union Square Music, 2006. 3xCD. Buck Pets, The. “A Little Murder.” O'Zone: Noise of a Subculture. I.R.S Records, 1990. Cassette. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Today Jay and Joey take on the Herculean task of listening to six albums neither of them knew anything about. We learn that Jay's dad and uncle are record pushers, discuss US policies in Central America during the 1980s, ponder what happened to great regional rock bands, the greatness of Light in the Attic Records, share tales of hunting down some of these albums in a digital world, and stand in awe of an absolutely delightful mustache. This episode features discussions on: Chilliwack - Wanna Be a Star Bruce Cockburn - Stealing the Fire Missouri - Missouri Gilbert O'Sullivan - Himself The Shocking Blue - The Shocking Blue... or maybe At Home? Or maybe a compilation? We literally don't know! Jesse Colin Young - Song for Juli Find the playlist and support us at https://linktr.ee/jayandjoeypod Support the show (https://www.buymeacoffee.com/jayandjoey) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jayandjoeypod/support

Email: audioofftheshelf@gmail.com Minor Threat. “Stand Up.” Complete Discography. Dischord Records, 1989. CD. LP. Youth of Today. “Stabbed in the Back. Break down the Walls. Revelation Records, 1993. CD. LP. Mighty Mighty Bosstones, The. “Lights Out.” Ska-Core the Devil and More. Mercury Records, 1993. CD. EP. Dead Milkmen, The. “Brat in the Frat.” Beelzebubba. Fever Records, 1988. CD. LP. Uniform Choice. “Build to Break.” Screaming for Change. Wishing Well Records, 1986. CD. LP. Dead Kennedys. “Hyperactive Child.” Plastic Surgery Disasters / In God We Trust, Inc. Alternative Tentacles Records, 1981/1982. CD. LP. Suicide Machines,The. “DDT.” Battle Hymns. Hollywood Records, 1998. CD. LP. Descendents, The. “My Dad Sucks.” Somery. SST Records, 1991. CD. LP. Charles Bronson. “Little Debbie.” Complete Discocrappy. Youth Attack Records, 2000. 2xCD. LP. Doucet, Luke. “if i drop names of exotic towns that you'll never see in the songs that i write, it's that that's all i have when i miss my girl & you're taking yours home tonight..” Broken (and other rogue states). Six Shooter Records, 2005. CD. LP. Rancid. “Disgruntled.” Rancid. Hellcat / Epitaph Records, 2000. CD. LP. Sick of it All. “Goatless.” Scratch the Surface. Eastwest Records, 1994. CD. LP. Shelter. “Chance.” Mantra. Attic Records, 1995. CD. LP. Skankin' Pickle. “24 Second Song.” Skafunkrastapunk. Dill Records, 1991. CD. LP. Locust, The. “Teenage Mustache.” Plague soundscapes. Anti Records, 2003. CD. LP. Voodoo Glow Skulls. “Freeballin'.” Baile de los Locos. Epitaph Records, 1997. CD. LP. Gorilla Biscuits. “Degradation.” Start Today. Revelation Records, 1994. CD. LP. All. “Life on the Road.” Mass Nerder. Epitaph Records, 1998. CD. LP. H20. “Empty Pockets.” F.T.T.W.. Epitaph Records, 1999. CD. LP. Out of Order. “Power.” Eye Caramba. Theologian Records, 1996. CD. LP. Propagandhi. “Rio De San Atlanta, Manitoba.” Less Talk, More Rock. Fat Wreck Chords, 1996. CD. LP. Suicidal Tendencies. “Won't Fall in Love Today.” Suicidal Tendencies. Frontier Records, 1983. CD. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Lips comes into The Metal Forge, but in this episode, he's bringing his own ANVIL! Started in 1978 as "Lips", and released their first album independently under that name, but changed it after signing to Attic Records to avoid confusion with disco act Lipps, Inc. The debut album was then re-released under the new name. Anvil have a tradition of giving all of their albums alliterated three-word titles. A documentary about the band titled "Anvil! The Story of Anvil" was released in 2009. It was directed by Sacha Gervasi, who was a roadie for the band in the late '80s. http://my.tbaytel.net/tgallo/anvil

Blowout Comb is the second studio album by American hip hop group Digable Planets, released October 18, 1994, on Pendulum/EMI Records. The album was written and recorded in Brooklyn, New York, where the group moved, with recording sessions beginning in 1993 and finishing in 1994. On Blowout Comb, Digable Planets abandoned the radio friendly style of their debut album and worked with a more ambitious, stripped-down sound. The album features a diverse range of samples and live instruments, and contains lyrical themes of the inner city and black nationalism.[1] It also features guest appearances from Guru of Gang Starr, Jeru the Damaja, and DJ Jazzy Joyce.Upon its release, Blowout Comb received minimal label support, and virtually no pre-release publicity.[2] It peaked at number 32 on the Billboard 200, and number 13 on the Top R&B Albums, making it a commercial failure. It featured the singles "9th wonder" and "Dial 7", which also did not chart well, and failed to match the success of the group's previous singles. Several music writers have attributed this lack of chart and sales success to the album's afrocentric content, and un-polished tone. Shortly after the release of Blowout Comb, Digable Planets broke up due to creative differences and displeasure with the music industry.Although the album did not achieve commercial success, and received very little attention at the time of its release, Blowout Comb received generally greater acclaim amongst music critics and writers than the group's debut Reachin' (A New Refutation of Time and Space). It has been noted for its seamless production and has been described as a "textured soundscape of a mythical world of rhymes, jazz and urban ambiance."[3] Blowout Comb is often regarded as Digable Planets' best album, and has gained an underground following in later years.[4] In 2013, it was reissued on vinyl LP by Light in the Attic Records.

Die Resterampe und die Beschaffungskriminalität. Unsere Sendung auf Radio Corax (Halle) in der Berliner Nacht und als Ersatzsendung auf Pi Radio (Berlin Ost). Arbeiter*innen, Arbeitslose, blaue und weiße Kragen, Mods und Rocker, Smartphonebesitzer*innen und Jobcenterschlangenansteher*innen: Stillstand als neues Lebensgefühl. ## Februar 2021 1. Beatsteaks — Von nun an ging’s bergab (In the Presence of — 11. Dezember 2020 — BMG) 2. International Music — Insel der Verlassenheit (Insel der Verlassenheit — 21. Januar 2021 — Staatsakt / Bertus / Zebralution) 3. Holy Cost — Pornotically Correct (Flavors Of Fetish — 3. November 2020 — Sevared Records) 4. Dankhai Shroom — My Worlds On Fire, How Bout Urs (Lied Des Jahres 2020 — 5. Februar 2021 — Not On Label) 5. The Midnight Computers — Tears (Bipolar Sounds 2020: A Manic Depression Records Collection — 5. Januar 2021 — Manic Depression) 6. Brackwasser Knipp — In Müll (Don't Piss Here, Piss There!: A Jsr X-Mas Benefit Compilation — 1. Dezember 2020 — John Steam Records) 7. Je T'Aime — The Sound: She Pleasures Herself remix (Bipolar Sounds 2020: A Manic Depression Records Collection — 5. Januar 2021 — Manic Depression) 8. Four Tet — Parallel 6 (Parallel — 25. Dezember 2020 — Text Records) 9. Swarm of Flies — Wendigo (Wendigo — 14. Januar 2021 — Not On Label) 10. Handzahm — Verfall (Röferenzen — 24. Januar 2021 — Rö13 Records) 11. ph4nt. — Punkeropa (Viel Lärm um Nichts — 15. Januar 2021 — Not On Label) 12. TEK-95 — Don't Step To My Face (No Service Volume 2 — 25. Dezember 2020 — No Service) 13. Hether — Sticky Thumb (Sticky Thumb — 15. Januar 2021 – slime c/o R&R Digital) 14. The Notwist — Ship: Feat. Saya (Vertigo Days — 29. Januar 2021 — Morr Music) 15. Black Wing — Vulnerable (No Moon — 11. Dezember 2020 — The Flenser) 16. 7uka — IMABI$TWHENIFUCK (FTP UNCENSORED SECRET SHIT VOL. 666 — 2. Oktober 2020 — FTP) 17. DJ これからの緊急災害 — Holla Back Street Girl (FTP UNCENSORED SECRET SHIT VOL. 666 — 2. Oktober 2020 — FTP) 18. Mishio Ogawa (小川美潮) — Hikari No Ito Kin No Ito (Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980-1988 — Light in the Attic Records) 19. DMX Krew — Vacuum Surfers (Overseer — 11. Januar 2021 — Cultivated Electronics) 20. Tuca — Girl (Dracula, I Love You — 1974 — RCA Eletrônica Ltda.) 21. Fashion Flesh — Persistence Is Key (Biennale Di Bremen Volume 1 — September 2020 — Bronson Recordings) 22. Melkbelly — The Crystal Cat (No Cover: A Carpark Covers Comp — 23. November 2020 — Carpark Records) 23. Analogue Cops — Revange (Donut Patrol EP — 4. Januar 2021 — Analog Solutions) 24. Mica Levi — Pain (Ruff Dog — 16. Dezember 2020 — Mica Levi) 25. Front Line Assembly — Hatevol (Mechanical Soul — 15. Januar 2021 — Metropolis) 26. Pom Poko — Cheater (Cheater — 15. Januar 2021 — Bella Union) 27. Grischa Lichtenberger — VC S NOT (Kamilhan; Il y A Péril En la Demeure — 8. Mai 2020 — Raster) 28. The Timelords — Doctorin’ The Tardis (Solid State Logik 1 — 1. Januar 2021 — KLF Communications) 29. 00110100 01010100 — 0000 871 0017 (871 — 25. Dezember 2020 — Text Records) 30. Frank Zappa ‎– Hang On Sloopy (Under The Covers: The Songs He Didn't Write — 13. März 2020 — Leftfield Media) ### Informationen * Märzsendung auf Pi Radio: 5. März 2021 um 1:00 Uhr * Märzsendung auf Radio Corax: 12. März 2021 um 0:00 Uhr ## Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Die Resterampe und die Beschaffungskriminalität. Unsere Sendung auf Radio Corax (Halle) in der Berliner Nacht und als Ersatzsendung auf Pi Radio (Berlin Ost). Arbeiter*innen, Arbeitslose, blaue und weiße Kragen, Mods und Rocker, Smartphonebesitzer*innen und Jobcenterschlangenansteher*innen: Stillstand als neues Lebensgefühl. ## Februar 2021 1. Beatsteaks — Von nun an ging’s bergab (In the Presence of — 11. Dezember 2020 — BMG) 2. International Music — Insel der Verlassenheit (Insel der Verlassenheit — 21. Januar 2021 — Staatsakt / Bertus / Zebralution) 3. Holy Cost — Pornotically Correct (Flavors Of Fetish — 3. November 2020 — Sevared Records) 4. Dankhai Shroom — My Worlds On Fire, How Bout Urs (Lied Des Jahres 2020 — 5. Februar 2021 — Not On Label) 5. The Midnight Computers — Tears (Bipolar Sounds 2020: A Manic Depression Records Collection — 5. Januar 2021 — Manic Depression) 6. Brackwasser Knipp — In Müll (Don't Piss Here, Piss There!: A Jsr X-Mas Benefit Compilation — 1. Dezember 2020 — John Steam Records) 7. Je T'Aime — The Sound: She Pleasures Herself remix (Bipolar Sounds 2020: A Manic Depression Records Collection — 5. Januar 2021 — Manic Depression) 8. Four Tet — Parallel 6 (Parallel — 25. Dezember 2020 — Text Records) 9. Swarm of Flies — Wendigo (Wendigo — 14. Januar 2021 — Not On Label) 10. Handzahm — Verfall (Röferenzen — 24. Januar 2021 — Rö13 Records) 11. ph4nt. — Punkeropa (Viel Lärm um Nichts — 15. Januar 2021 — Not On Label) 12. TEK-95 — Don't Step To My Face (No Service Volume 2 — 25. Dezember 2020 — No Service) 13. Hether — Sticky Thumb (Sticky Thumb — 15. Januar 2021 – slime c/o R&R Digital) 14. The Notwist — Ship: Feat. Saya (Vertigo Days — 29. Januar 2021 — Morr Music) 15. Black Wing — Vulnerable (No Moon — 11. Dezember 2020 — The Flenser) 16. 7uka — IMABI$TWHENIFUCK (FTP UNCENSORED SECRET SHIT VOL. 666 — 2. Oktober 2020 — FTP) 17. DJ これからの緊急災害 — Holla Back Street Girl (FTP UNCENSORED SECRET SHIT VOL. 666 — 2. Oktober 2020 — FTP) 18. Mishio Ogawa (小川美潮) — Hikari No Ito Kin No Ito (Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980-1988 — Light in the Attic Records) 19. DMX Krew — Vacuum Surfers (Overseer — 11. Januar 2021 — Cultivated Electronics) 20. Tuca — Girl (Dracula, I Love You — 1974 — RCA Eletrônica Ltda.) 21. Fashion Flesh — Persistence Is Key (Biennale Di Bremen Volume 1 — September 2020 — Bronson Recordings) 22. Melkbelly — The Crystal Cat (No Cover: A Carpark Covers Comp — 23. November 2020 — Carpark Records) 23. Analogue Cops — Revange (Donut Patrol EP — 4. Januar 2021 — Analog Solutions) 24. Mica Levi — Pain (Ruff Dog — 16. Dezember 2020 — Mica Levi) 25. Front Line Assembly — Hatevol (Mechanical Soul — 15. Januar 2021 — Metropolis) 26. Pom Poko — Cheater (Cheater — 15. Januar 2021 — Bella Union) 27. Grischa Lichtenberger — VC S NOT (Kamilhan; Il y A Péril En la Demeure — 8. Mai 2020 — Raster) 28. The Timelords — Doctorin’ The Tardis (Solid State Logik 1 — 1. Januar 2021 — KLF Communications) 29. 00110100 01010100 — 0000 871 0017 (871 — 25. Dezember 2020 — Text Records) 30. Frank Zappa ‎– Hang On Sloopy (Under The Covers: The Songs He Didn't Write — 13. März 2020 — Leftfield Media) ### Informationen * Märzsendung auf Pi Radio: 5. März 2021 um 1:00 Uhr * Märzsendung auf Radio Corax: 12. März 2021 um 0:00 Uhr ## Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

In this week's episode, we meet Tony Theil of Attic Records. Just how much does Theil love buying, selling and playing records? He quit multiple jobs and moved to Millvale from Ohio when owner Fred Bohn Jr. offered him a job at the store. Learn about the history of Attic Records (spoiler alert: it wasn't just records at the start) and about the “Pittsburgh sound.” Theil gives some advice for those just starting to collect vinyl and shouts out some local bands whose albums he thinks you should own. (It's a non-comprehensive list.) Since Theil lives right above the shop, we also ask him to share some of his favorite Millvale spots. Plus, a little year-end review and some highlights from this year on The Slaw.   Links in this episode:   Attic Records Website Attic Records Instagram What is the Pittsburgh sound?

Mike chats with Lee Aaron about her very early years in Brampton, becoming Lee Aaron, Metal Queen, her deal with Attic Records, working with Bob Ezrin, touring Europe, the commercial success of Bodyrock, the role of MuchMusic, going independent, working with The Sons of Freedom, the jazz and opera eras, her new Christmas album Almost Christmas and literally being a Karen.

Ale Cohen and Mark "Frosty" McNeill share their journey through “experimenting with sound” and community in building the Internet radio collective DUBLAB over the past two decades. They share what inspired and drove them to build this institution and how it has shifted gears in our listen-from-home global era.   Dublab is not your average radio station. Mark calls it “experimentation with sound” that was formed as a reaction to the 1996 Telecommunications Act, which forced the closure of low-power stations. We talked about online radio as a “misuse of technology” -- as a “hack” and a mutant use of tech. Initially, dublab acted as “an excuse to gather the creative community of Los Angeles.” They share stories of how contemporary much often started out of the studio and how dublab became a testing ground for new sound and to honor the music that went before. Guests: Mark “Frosty” McNeill, Founder, and Alejandro Cohen, Director, dublab Alejandro Cohen is a musician and composer from Los Angeles, and the Director of non-profit radio station DUBLAB. Over the last two decades, Cohen has released music under numerous projects and groups including Languis and Pharaohs. He has composed music for TV shows, documentaries, and educational materials, and recorded more than two hundred solo artists and bands as a sound engineer and consultant forhttp://dublab.com/ ( dublab.com), KPFK 90.7 FM, Sony/Columbia, and the Society for the Activation of Social Space Through Art and Sound (SASSAS). As Executive Director of the Internet radio station and creative collective DUBLAB, Cohen curates the station's programming and podcast offerings, fundraises for the organization, and curates the annual ambient music event Tonalism. Mark “Frosty” McNeill is a DJ, radio producer, sonic curator, filmmaker, and creative community builder based in Los Angeles. He was the founder of http://dublab.com/ (dublab.com), a pioneering web radio station that has been exploring wide-spectrum music since 1999. McNeill hosts https://www.dublab.com/shows/celsius-drop/ (Celsius Drop), a weekly dublab radio show and has produced long-running programs for Red Bull Radio, Marfa Public Radio, and KPFK 90.7fm. McNeill co-curated/produced the https://lightintheattic.net/releases/4714-pacific-breeze-japanese-city-pop-aor-boogie-1976-1986 (Pacific Breeze) compilations of Japanese City Pop music for Light in the Attic Records as well as Somewhere Between, a forthcoming album focused on the more experimental side of Japanese pop. His output on a multitude of international media platforms has focused on sharing transcendent sonic experiences. Mentioned Links Email: info@dublab.com Frosty Web: http://dublab.com/djs/frosty (dublab.com/djs/frosty) Twitter: http://twitter.com/dublabfrosty (@dublabfrosty) Instagram: http://instagram.com/dubfrosty (@dubfrosty) Facebook: http://facebook.com/dubfrosty (@dubfrosty) Ale Web: https://www.dublab.com/djs/ale Dublab Web: https://www.dublab.com/ Twitter: https://twitter.com/dublab Instagram: https://www.instagram.com/dublab/ Facebook: https://www.facebook.com/dublab/ (https://www.facebook.com/dublab/)  Linktr.ee links: https://linktr.ee/dublab (https://linktr.ee/dublab)  KUSC - https://www.kusc.org/ (https://www.kusc.org)  KXSC - https://kxsc.org/ (https://kxsc.org)  SASSAS - The Society for the Activation of Social Space through Art and Sound - http://sassas.org/ (http://sassas.org)  Echo Park Film Center - Your Host: Gigi Johnson, EdD I run transformative programs, speak/moderate, invest, advise, and produce multimedia on creativity and technology.  I taught for 22 years at UCLA, where I ran the Center for Music Innovation and the podcast "Innovating Music," built four industry-connecting programs, and taught undergraduates, MBAs, and executives about disruption in creative industries.  Before UCLA, I financed media M&A at Bank of

Welcome to Light On Light Through, Episode 124, in which I present the audio of the entire 1-hour virtual concert I did via Zoom at HELIOsphere: Beyond the Corona on the afternoon of April 4, 2004.  (You can get the video + audio of my concert here.) I sing songs from Welcome Up: Songs of Space and Time (Old Bear Records, Light In the Attic Records) and from Twice Upon A Rhyme (HappySad Records, Beatball Records, Vivid Records, Whiplash Records), and several new songs not yet on any album. Set list: "Cloudy Sunday" from Welcome Up (words by Paul Levinson, music by Linda Kaplan Thaler) "I Knew You By Heart" from Welcome Up (words by Paul Levinson, music by Peter Rosenthal) "The Lama Will Be Late This Year" from Twice Upon A Rhyme (words by Paul Levinson, music by Ed Fox) "Tau Ceti" from Welcome Up (words by Paul Levinson, music by John Anealio) "Picture Postcard World" from Welcome Up (words & music by Paul Levinson) "Samantha" (from Welcome Up) (words & music by Paul Levinson) "If I Traveled to the Past" (from Welcome Up) (words by Paul Levinson, music by John Anealio) "Lime Streets" (words & music by Paul Levinson) "Looking for Sunsets (In the Early Morning)" from Twice Upon A Rhyme (words by Paul Levinson, music by Ed Fox) "Alpha Centauri" from Welcome Up (words by Paul Levinson, music by Peter Rosenthal) "Welcome Up" from Welcome Up (words & music by Paul Levinson) "The Soft of Your Eyes" from Twice Upon A Rhyme (words & music by Paul Levinson) "Pictures on the Phone" (words & music by Paul Levinson) ==== Welcome Up: Songs of Space and Time tracks produced by Chris Hoisington all lead vocals by Paul Levinson backing tracks: Chris Hoisington (harmonies), Jeremy Thompson (guitars, stand-up bass, mellotron, etc), Steve Padin (keyboard, drums), Anthony Hoisington (piano on Tau Ceti), Don Frankel (accordion on If I Traveled to the Past & Tau Ceti), Peter Rosenthal (guitar on Cloudy Sunday and Twice Upon a Rhyme tracks), Barbara Krupnick (piano on Cloudy Sunday), Paul Levinson (piano on Pictures on the Phone) Welcome Up recording engineer: Ronnie Shrock Welcome Up mixed and mastered: Evan Sieling for HELIOsphere: Marc Grossman and thanks Liz Crefin listen to complete album, free, on Bandcamp https://oldbearpaullevinson.bandcamp.com/album/welcome-up-songs-of-space-and-time and on Spotify https://open.spotify.com/album/4S1oaV75qF6tRFfdDwDczE?si=WYXs2mRITdqQMEgMF3gxFw CDs here: http://paullev.com/product/welcome-up-songs-of-space-and-time-cd/ ->  lyrics to all of the songs on the album on the CD page 

Greetings Dead Freaks!For episode 65, my guest is artist Darryl Norsen. Darryl is based in the Boston suburbs where he can often be found digging through dusty bins for inspiration. His artwork is heavily rooted in the rich and vibrant counterculture history where the lines are thick and the colors vibrate which has found him working with a variety of musicians and labels. His current client list includes: Folkways, Light in the Attic Records, Phish, Jerry Garcia Estate, Hiss Golden Messenger and Aquarium Drunkard where he also pens the excellent "Dead Notes" blog.We talk about his background and his work and, inevitably, swing around to Grateful Dead and home in on a great run of prime 1969 shows.Allow me to remind you that the Brokedown Podcast is part of the Osiris Media. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. Sign up for the newsletter at OsirisPod.com to stay in the loop. Also,  Osiris Media works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live music. Check them out at JamBase.com.Don't forget to follow the @BrokedownPod twitter account for regular news, live tweetstorms of shows as I listen, and other minutiae. We also have an Instagram account with the same handle. If you like pictures of things, you can find that here: BrokedownPod Instagram. Also, if you use iTunes, please consider posting a review as it really help get the word out.Also, please keep sending your metaphorical cards and letters. Leave a comment on the blog or hit me up on any of the above social media. Let me know what I'm doing right, wrong, or horribly wrong.

This week, we revisit a series of podcasts from June 2018 where we speak to a DJ, a writer and a record label, all showcasing their love and obsession with Japanese music. In the second in the series, we move to the 80s as we speak to Yosuke Kitazawa from Light in the Attic Records for another journey in sound from their latest releases.This series was originally made to coincide with a series of gigs, featuring artists from the Japanese underground scene responsible for genre defining music from the groundbreaking electronics of Yellow Magic Orchestra to the sonic arts of Ryoji Ikeda and quirky Pop of Mariah. Produced by Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

Durée : 1:08:00 - Dans cette émission, nous recevions le 1er invité de la saison 4! Fred, un vinylique non compulsif, est venu nous parler de deux disques qu'il chérit de David Axelrod et DJ Shadow. Ecoutez cette échange intéressant ainsi que les chroniques d'Olivier et Raphaël qui parlent respectivement : .du 3eme album de Gaëtan Roussel, .et de la compilation Country Funk 1969 1975 du label Light in the Attic Records...des artistes qui font infuser une bonne dose de funk dans leurs country et vice versa

Durée : 1:08:00 - Dans cette émission, nous recevions le 1er invité de la saison 4! Fred, un vinylique non compulsif, est venu nous parler de deux disques qu'il chérit de David Axelrod et DJ Shadow. Ecoutez cette échange intéressant ainsi que les chroniques d'Olivier et Raphaël qui parlent respectivement : .du 3eme album de Gaëtan Roussel, .et de la compilation Country Funk 1969 1975 du label Light in the Attic Records...des artistes qui font infuser une bonne dose de funk dans leurs country et vice versa

Matt Sullivan owns and manages 'Light In The Attic Records', an independent record label best known for reissuing material and 're-breaking' artists, including Betty Davis, Sixto 'Sugarman' Rodriguez, Serge Gainsbourg & more. Matt talks us through the history & future of this highly respected label. If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related. Web  |  Facebook  |  Instagram  |  YouTube

This week's show will feature music from Tears For Fears, Stevie Nicks, Xymox, Billy Idol, Eddie Money and more... TRACKLIST “A Million Things”- Xymox - Twist Of Shadows - Epic (1989) “Vienna Calling”- Falco - Falco 3 - A&M Records (1985) “We Close Our Eyes”- Go West - Go West - CBS Records (1985) “Duel”- Propaganda - A Secret Wish - ZZT Records (1985) “Shout” - Tears For Fears - Songs From The Big Chair - Mercury Records (1986) “What You Need”- INXS - Listen Like Thieves - Atlantic Records (1985) “Drown in My Own Tears”- The Smithereens - Green Thoughts - Capital Records (1988) “[Between A] Rock And A Hard Place”- Cutting Crew - The Scattering - Virgin Records (1989) “Stand Back”- Stevie Nicks - The Wild Heart - ATCO Modern Records (1983) “Let’s Go Round There”- The Darling Buds - Pop Said… - Epic Records (1988) “Do You Want Crying?”- Katrina And The Waves - Katrina And The Waves 2 - Attic Records (1984) “Self”- Fuzzbox - Big Bang - Geffen Records (1989) “Think I’m In Love” - Eddie Money - No Control - Columbia (1982) “Flesh For Fantasy” - Billy Idol - Rebel Yell - Chrysalis (1983) “It’s Inevitable”- Charlie - Charlie - Polydor (1983) “Get It On (Bang A Gong)” - The Power Station - The Power Station - Capital Records (1985) “Nightshift” - The Commodores - Nightshift - Motown Records (1985) > Intro clip taken from The Running Man Braveworld Productions/HBO (1987) > Theme song “Forever Running” by B-Movie Sire Records (1985) > Movie clips taken from Nightshift Warner Bros. Pictures (1982)

Kuni Murai In Conversation with Mark McNeill Light in the Attic Records is reissuing many of Haruomi Hosono’s essential and groundbreaking albums for the first time outside of Japan. To mark the occasion, Kuni Murai, producer, composer and founder of Alfa Records, joins dublab’s Mark McNeill for a chat about his decades-long working relationship with Hosono. Their conversation offers a unique view into Hosono’s career, from his days as a session bass player to his stratospheric success with Yellow Magic Orchestra, and beyond. We hope you enjoy this delightful episode with a true music champion! In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

We’re back. The weather is beginning to turn. We’re almost there. Welcome to the September edition of the Transmissions podcast. On this episode, we sit down with three legends of independent music: psychedelic singer/songwriter Robyn Hitchcock, Giant Sand leader Howe Gelb, and Steve Wynn of the Dream Syndicate. Since emerging in the ‘80s, they’ve amassed incredible catalogs, and they’re all still making vital and poetic records. We spoke earlier this month at HOCO Fest, a multi-day festival in Tucson, Arizona. Sitting down at the KXCI studio at Hotel Congress, the three riffed on their years making music, how their sounds have evolved over the years, and what a lifelong commitment to making art looks like. But first, our conversation with Matt Sullivan of Light in the Attic Records, one of our longtime favorite reissue labels. We spoke live at Gold Diggers in East Hollywood as part of our Talk Show series – a set of live conversations centered around the worlds of music, art, film and beyond. LITA has released records by Rodriguez, Betty Davis, Lee Hazlewood, Jim Sullivan, Serge Gainsbourg, and has launched expansive archives like the Native North America and Japan Archival projects. How did Light in the Attic get started? Live on stage at Gold Diggers, Sullivan explained it all.

On the show, we play an hour of new music and an hour of old music. WE Tak to President Trump about Neal, Play "Do I Like It? Plus Much MoreWhere Your Mind Wants To Go by Blond Red Head on 3 O'Clock (Ponderosa Music & Art) Searching Hands by Buffalo Sex Change on Searching Hands (Admiral Traits Records)Doing It Right by Mourn on Sorpresa Familia (Captured Tracks) UFO Hunters by Chris Crofton on Hello It's Me (Arrowhawk)Sacrifice of a Thousand Ships by Funeral Horse on Psalms of the Mourning (Artificial Head Records) Musonsu by Jupiter & Okwess on Kin Sonic (Zamora) Next Level by Red Baraat on Sound the People (Sinj Label) Sands of Youth by SM Wolf on Bad Ocean (People In A Position To Know) Brown Horse by Spencer Radcliffe and Everyone Else on If I Knew How EP (Self Released) Homemade Bliss by T. Hardy Morris on Dude, The Obscure (Normaltown Records) Lady Macbeth by The Rock*A*Teens on 6th House (Merge Records) Francisco by The Young Mothers on Morose (Tektite Records) Thank You For Coming Over by Mourn on Sopresa Familia (Captured Tracks) Come On To Me by Paul McCartney on I Don't Know/Come On To Me (Single) (Capitol Records) 3x2 Slow by Bluetip on Bluetip (Dischord Records) Saint Theresa in Ecstasy by 90 Day Men on To Everbody (Southern Records) Remake/Remodel by Roxy music on Roxy Music (Warner Bros) See No Evil by Television on Marque Moon (4 Men With Beards) Neighborhood by Arcade Fire on Funeral (Merge Records) We Are Nowhere And It's Now by Bright Eyes on I'm Wide Awake It's Morning (Saddle Creek) Ella Guru by Captain Beefheart and His Magic Band on Trout Mask Replica (Reprise) I Can Get Off O n You by Waylon Jennings and Willie Nelson on Waylon and Willie (RCA) Trying to Make a Fool of Me by The Delfonics on Delfonics (Philly Groove Records) Unity by The OJay's on Family Reunion (CBS Records) The Rise and Dear Demise of the Funky Nomadic Tribes by Thin Lizzy on Sahes of a Blue Orphanage (Light in the Attic Records)

For our first episode in our series, Campus Voice spoke to members of the Adelaide University Choir Society (AUCS) at their Fringe event 'AUCing on Sunshine'. What does it take to join the oldest organised ensemble on campus? What else does the club do throughout the year? And how was the show? Have a listen. PRODUCTION CREDITS: Choral performance recordings - John Tudor Katrina and the Waves - Walking on Sunshine - Katrina and the Waves (1983)Attic Records

From MorriconeYouth.com:   Morricone Youth formed in New York City in 1999 with the mission statement of composing, re-interpreting, performing and recording only "music written for the moving image." With a repertoire of over 100 reinterpretations of film and television soundtracks and music production library recordings (many of which recorded for CDs released by Country Club Records),the band performs with projections thematically dedicated to specific composers or film music genres in addition to composing and performing its own original live scores to old silent films, midnight movies, animations and shorts in theaters and art spaces around the country. In 2005, Morricone Youth composed original music for its own imaginary film entitled "SILENZIO VIOLENTO," recorded with legendary Brooklyn producer and engineer Martin Bisi released by Country Club Records. The band's original music has regularly been used for television and films, including the documentary "Second Skin" directed by Juan Carlos Pineiro-Escoriaza about MMORPGs.   The band has embarked on the ambitious project of recording and releasing a 15-vinyl/digital series of the enormous body of work it has composed and re-worked for the 15 silent films and midnight movies and performed over the past six years around NYC. The first three releases of the series are now available digitally and on vinyl: (1) "THE ADVENTURES OF PRINCE ACHMED" 6-song 32-minute EP (150g black vinyl, limited pressing of 500 w/ digital download cards); (2) "NIGHT OF THE LIVING DEAD" 6-song 25-minute EP (second pressing on 150g transparent blood red swirl vinyl limited pressing of 500 w/ digital download cards); and (3) "MAD MAX" 10-song 40 minute LP on coke bottle green OR gold black swirl 150g vinyl, limited pressing of 500 each w/ digital download cards). Up next: F.W. Murnau's "SUNRISE: A SONG OF TWO HUMANS" (est. April 2017); Alfred Hitchcock's "THE LODGER" (est. August 2017); and Sergei Eisentein's "BATTLESHIP POTEMKIN" (est. November 2017). Distribution via Light in the Attic Records and Revolver USA.   Guitarist/founder DEVON E. LEVINS has been a dedicated soundtrack record collector since the mid-90's and hosted a weekly soundtrack internet radio show on East Village Radio from 2007-2014 under the same Morricone Youth name as well as interviewing soundtrack composers. Devon is currently hosting an all new soundtrack radio show MORRICONE ISLAND on WFMU (wfmu.org/91.1 FM in NYC/NJ) every Tuesday from 7-8pm ET.   Listen in as Dave and Devon talk music, film, and live performance in the newest episode of the Needless Things Podcast! Be sure to join the Needless Things Podcast Facebook Group and get in on the conversation for this week’s episode! Let us know what you think! “Procrastibate” by LeSexoflex.com  “?” by Morricone Youth 

Probably one of the greatest mysteries of the music world, the story of Jim Sullivan remains just as fascinating and baffling as it was back in 1975. On this edition of the show (a classic that we've dug up from a few years ago), we have the pleasure of speaking to Matt Sullivan (strangely enough, absolutely no blood-relation to Jim Sullivan), who is the founder and co-owner of Light In The Attic records. LITA Records saw its first seeds sewn in a little basement apartment in Fremont, Seattle, back in 2001, and has since provided us with some fantastic re-issued gems. A spiritual and introverted man, Jim was known to simply sit by the beach and take in the scenery of the water and stars at night. His wife recalls times when they would sit by the seaside in Malibu, wondering “what it would be like to be up there.” Alas, it comes as no surprise that his lyrics were deep and reflective, with heavy hints of yearning for a quiet country life. Songs of long and lonely highways, looking up into the Sun, wondering about UFOs; reflections on his deceased older brother and the funeral procession; inspiration drawn from trippy and mysterious movies about curses and sacrifices. Tapping into this man’s mind by listening to his music has definitely always been a trip down the rabbit hole for anyone present. Fast-forward a few years to early 1975. Not everything had been going according to plan – the music wasn’t quite picking up as expected, and Jim and Barbara’s marriage had begun to fall apart. In a last bid to make something of himself, Jim picked up some of his belongings, packed his guitar, and hit the road with $125 in his pocket. Headed for Nashville, he had hopes of picking himself back up there. However, he never made it to Nashville. Apart from a final call to his wife from Santa Rosa on March 5th (about 900 miles into his journey), none of Jim’s friends or family ever heard of him again. His car and all his belongings were found. Jim, however, completely disappeared. To this day, we still don’t know what happened to him. For more visit: wotrradio.com

Episode #24: Independent labels have long been at the forefront of bringing great music to the public, especially lost gems and overlooked greats that went out of print or were never pressed on any other format than vinyl. Today we talk reissues with the labels Yep Roc and Light in the Attic, as well as talking to one of the bands whose output is receiving the reissue treatment: seminal pub rock band Eggs Over Easy. Yep Roc's General Manager Billy Maupin discusses reissues in general, and Light in the Attic's Matt Sullivan gives us the scoop on tracking down enigmatic folk musician Sixto Rodriguez, and more! Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl

Willie Thrasher is a gifted Inuk singer and songwriter who lives in Nanaimo, British Columbia. In 2014, three of Thrasher’s earliest songs, appeared on the wondrous and revelatory Light in the Attic Records compilation, Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985, renewing interest in his and other Aboriginal artists’ work. On […]

Kevin “Sipreano” Howes and Duke Redbird are both involved in a lovely and vital new compilation called Native North America (Vol. 1) – Aboriginal Folk, Rock, and Country 1966-1985, which is out now via Light in the Attic Records. Exhaustively researched curated by Howes, the triple LP/double CD features rare and scarce music made by […]

9/13/2014 José and Ryan are back, and in this episode we talk about lots of Clive Barker release news, listener feedback and our latest attempt to stay on the air, “The Clive Barker Podcast Presents Fundraiser II”. This Raffle has lots of unique and cool items to win, including stuff straight from Clive Barker's office. Show Notes Lord Of Illusions Pre-Order from Shout! Factory https://www.shoutfactory.com/film/film-horror/lord-of-illusions-collector-s-edition Special Offer Order this directly from ShoutFactory.com and receive an exclusive 18″x24″ poster featuring our newly commissioned artwork (available while supplies last), plus get it shipped TWO WEEKS EARLY! $21.95 Pre-Order, List Price $29.95 Tortured Souls Pre-Order http://subterraneanpress.com/store/product_detail/tortured_souls_the_legend_of_primordium Lettered: 26 signed leatherbound copies, housed in a custom traycase: Sold Out Limited: 350 signed numbered copies, bound in leather: $60 Trade: Fully cloth bound hardcover edition: $30   Just in:  9/9/14 Demand far outstripped supply for the numbered edition of Clive Barker's Tortured Souls, so with the author's blessing, we've increased the limited edition size to 500. The print run will not be increased further, nor will the Lettered Edition be increased. Please note that we're restricting folks to one copy of the limited edition.   Via Revelations:  Midian Unmade has appeared on Amazon http://www.amazon.com/Midian-Unmade-Tales-Barkers-Nightbreed/dp/0765335425/ref=sr_1_1?ie=UTF8&qid=1410448276&sr=8-1&keywords=midian+unmade Del Howison We will post cover art as soon as we have it from the publisher. Book coming in july   Via Revelations: Scarlet Gospels is 10,000 words, 352 Pages. https://www.facebook.com/clivebarkerinfo/posts/10152633892851348   And Via Revelations again:  Candyman soundtrack will be available on Vinyl from Light in the Attic Records http://lightintheattic.net/releases/1465-candyman-original-1992-motion-picture-soundtrack   José Leitão: http://trashotron.com/agony/indexes/audio_interview_index.htm José Leitão: “Check out the Clive Barker  episodes, they're amazing!” https://www.facebook.com/clivebarkerinfo/posts/188655561186274 Tortured Souls Talisac Image (Illustration by Bob Eggleton).   CLIVE BARKER PODCAST PRESENTS FUNDRAISER II  Bandwidth for this episode Provided by Michael Ridenour web www.clivebarkercast.com iTunes (Leave a review!), Podomatic, XBOX Music Store, Tune-In Radio, Stitcher, Doubletwist, Blackberry and Pocketcast. Facebook and Join the Occupy Midian group Twitter: @BarkerCast | @OccupyMidian forum: www.clivebarkerfans.com/forum Theme by Colin Lacativa    

Listen as Janét interviews the incredibly talented Brenda MacIntyre, a Medicine Song Woman, who is a healer, business coach, spiritual mentor and award-winning singer. She helps women healers who are struggling with getting clients, to express themselves and their sacred power with confidence and charisma, and enrol committed clients, so they can make a massive difference in the world AND enjoy the freedom and prosperity they deserve. Brenda has been invited to speak and perform across North America, with TV and radio appearances across Canada. She has shared the stage with best-selling authors Dr. Masaru Emoto, Shakti Gawain and Gregg Braden. Brenda's latest CD, which earned her a nomination for a 2010 Canadian Folk Music Award, can be heard on the radio across Canada and the United States and she is being featured in an upcoming national TV documentary on Vision TV about the 2012 phenomenon. Brenda MacIntyre’s career began in 1985 when she moved to Toronto after both her adoptive parents had died. Her first hit single (“Non Stopping Hip Hopping,” Moods International Records, Florida) was charted as a “hot new item” on North Miami’s Top 40 station WPOW 96FM. Brenda’s second single, a substance abuse prevention awareness song, was featured on “The Gathering” compilation released by Attic Records in Toronto. In 1992, the CD won a Juno Award and Brenda earned a Canadian Reggae Music Award nomination. But behind the scenes, she was a single mom in a holding pattern of financial struggle and low self-esteem. After reconnecting with her Aboriginal heritage, and getting her self-esteem back, she created her highly sought-after signature seminar Sing Your Self Alive, which has since helped thousands of women across the nation to build their self-confidence. In Canada’s capital region, she is renowned for helping women to find their voice. In 2007 she was nominated for an Aboriginal People’s Choice Award and named Toronto’s Aboriginal Businesswoman of the Year. Today Brenda MacIntyre is mentor, coach and healer to women healers worldwide, using her natural healing abilities and down to earth spiritual guidance, combined with 14 years of motivational speaking and creative online marketing experience – and her powerful healing voice.

In this episode, after discussing various tricks, the Small School freestyle Jam (from mid March), and various other topics, we discuss the role that creativity plays in the lives of freestylers. Bob asks the boys about their other creative endeavors, and of course we relate such activities to our skating. As promised, here are a few links: Matt's Stuff:Reach Megamix (Push the Feeling). Trick Matt discusses at :36http://www.youtube.com/watch?v=juQ9QN0RrP8 Tony's Photographyon Flicker…and on Tumblr Some of Bob's stuff… The music on this episode is the Big Boys, of Austin, TX, and their song Self Contortion, from the new vinyl reissue of their album Where's My Towel?/Industry Standard, from Light in the Attic Records. AWESOME!